2018_SIK_30_Jahre_ES_klein_en
30 years SIK-Holz
30 years SIK-Holz
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<strong>30</strong><br />
years
»<br />
People want both:<br />
urban and rural quality of life.<br />
«<br />
Charles Landry
Designing<br />
playgrounds<br />
Claudia: We have be<strong>en</strong> designing playgrounds<br />
for <strong>30</strong> years. Today, we are<br />
actually 2<strong>30</strong> people. It started with an<br />
idea, with the desire to be creative<br />
and to create interesting spaces for<br />
childr<strong>en</strong>. Today we still adhere to this<br />
basic idea which the company founder<br />
Klaus-Peter Gust originally had.<br />
Playgrounds for childr<strong>en</strong> have be<strong>en</strong><br />
expanded to include play areas for<br />
people of all ages, with and without<br />
restrictions. The last <strong>30</strong> years have<br />
allowed us to discover how multifaceted<br />
play is. With our wood<strong>en</strong><br />
constructions and sculptures we want<br />
to provide childr<strong>en</strong> and adults with<br />
space for personal developm<strong>en</strong>t and<br />
to try out the infinite facets of play.<br />
This is the standard we hold ourselves<br />
to, and which must be adapted to<br />
tight budgets, tight deadlines and<br />
other problems. Our goal is to create<br />
playgrounds that grow with the needs<br />
of users, spaces that can be changed<br />
and shaped. A high level of safety is of<br />
paramount importance to us.<br />
Combining these two things are<br />
chall<strong>en</strong>ges that we face every day.<br />
Wh<strong>en</strong> you look at a finished<br />
Claudia Gust<br />
(Marketingleiterin)<br />
playground it’s no longer possible to<br />
see how many heads or hands w<strong>en</strong>t<br />
into creating it. The aim of this<br />
brochure is to introduce you to the<br />
people who actively shape the path<br />
which starts out with an initial idea<br />
and culminates in a playable space<br />
through planning, calculating,<br />
designing, building, testing, loading,<br />
assembling and repairing. We also<br />
take a look back at <strong>30</strong> years of playground<br />
history and talk about our<br />
wishes and visions for future<br />
playgrounds.<br />
<strong>SIK</strong>-Holz ® 01<br />
Editorial
02 <strong>SIK</strong>-Holz ®<br />
Advice<br />
»<br />
[…] Cities that set their<br />
inhabitants in motion,<br />
on the other hand,<br />
have the cheapest<br />
health policy.<br />
«<br />
Jan Gehl
01 Editorial<br />
03 Cont<strong>en</strong>t<br />
04 Review<br />
06 Facts and Figures<br />
08 Philosophy<br />
10 Managem<strong>en</strong>t<br />
12 Advice<br />
26 Abroad<br />
28 Sale<br />
<strong>30</strong> construction<br />
32 logistic<br />
34 purchasing<br />
36 preparation<br />
38 Tower building<br />
40 sculpture<br />
42 coloring<br />
44 assembly<br />
46 service and administration<br />
48 training<br />
50 responsibility<br />
52 projects<br />
<strong>SIK</strong>-Holz ® Cont<strong>en</strong>t<br />
56 Contact
04 <strong>SIK</strong>-Holz ®<br />
Review<br />
How the cow got<br />
on the roof<br />
In 1988, the GDR was breathing its last breaths. After<br />
almost 40 years it had be<strong>en</strong> recognised that socialism<br />
also wasn’t able to survive without private initiatives.<br />
Small businesses were promoted. And so, after<br />
several attempts, our two-man business (Klaus-Peter<br />
and Claudia Gust) also obtained a lic<strong>en</strong>ce for a wooddesigning<br />
trade.<br />
Our company also had to work under planned economic<br />
conditions. The order was to produce handicraft<br />
products and adv<strong>en</strong>ture playgrounds made of wood.<br />
But the new course didn’t seem to work any longer.<br />
The GDR w<strong>en</strong>t bankrupt.<br />
In 1989, a new adv<strong>en</strong>ture began. The planned economy<br />
became the market economy. We had to explore<br />
the needs of the market and develop our products<br />
accordingly. The order from last year had left us two<br />
small refer<strong>en</strong>ce playgrounds. They consisted of simple<br />
balancing and climbing structures as well as some<br />
animal sculptures made of robinia. Alongside oak,<br />
robinia was incid<strong>en</strong>tally the only wood that could<br />
be used for playground equipm<strong>en</strong>t in the GDR, and<br />
it was our ticket to the West Berlin Gard<strong>en</strong> Offices.<br />
With this material we were welcomed with op<strong>en</strong><br />
arms, since pressure-impregnated play equipm<strong>en</strong>t<br />
was very exp<strong>en</strong>sive to dispose of back th<strong>en</strong>. Of course,<br />
there was still some scepticism about our abilities and<br />
compliance with standards. Our first customer was the<br />
Berlin-Neukölln parks departm<strong>en</strong>t. In autumn 1990<br />
they ordered a dragon and a crocodile for Volkspark<br />
Has<strong>en</strong>heide.<br />
In 1991, we made another decision that significantly<br />
influ<strong>en</strong>ced the company’s developm<strong>en</strong>t. For the first<br />
time we r<strong>en</strong>ted a 12 m² exhibition space at FSB, an<br />
international fair in Köln. Our exhibit was a threeheaded<br />
dragon which filled the whole stand. This is<br />
where we first got in contact with experts from the<br />
playground industry who were interested in selling<br />
our playground equipm<strong>en</strong>t. Thanks to their sound<br />
advice as well as the increased demand for ecological<br />
and custom designed playgrounds, our small company<br />
experi<strong>en</strong>ced <strong>en</strong>ormous growth.<br />
In 1995 we acquired an abandoned dairy farm. It offered<br />
ideal conditions to accommodate all areas of the<br />
company and to connect the technology we use. Today,<br />
two wood<strong>en</strong> cows graze on the cante<strong>en</strong>’s gre<strong>en</strong><br />
roof as a reminder of the building’s former purpose: a<br />
milk collection point. These facilities soon turned out<br />
to be too small as well.<br />
In 2000 additional, disused buildings were added<br />
which adjoined the company premises. We have developed<br />
a little further with each order. We have learned<br />
a lot about the "gre<strong>en</strong> industry" and the social tasks<br />
associated with it from our customers. As time has<br />
passed we have become increasingly active on this<br />
front and are committed to the right to play and a<br />
healthy living <strong>en</strong>vironm<strong>en</strong>t in networks, associations,<br />
committees, trade fairs and congresses.
»<br />
[…] due to the increased<br />
demand for ecological<br />
and individually<br />
designed playgrounds<br />
learned we are a huge<br />
one growth.«<br />
Claudia Gust<br />
<strong>SIK</strong>-Holz ® 05<br />
Advice<br />
Review
facts and figures<br />
06 <strong>SIK</strong>-Holz ®<br />
turn over<br />
employees appr<strong>en</strong>tice company area<br />
1996<br />
start training<br />
for sculptures<br />
2000<br />
start training<br />
for office<br />
communikation<br />
1988<br />
establishm<strong>en</strong>t<br />
of <strong>SIK</strong>-Holz®<br />
as company<br />
1995<br />
spitting and<br />
establishm<strong>en</strong>t<br />
<strong>SIK</strong>-Holzgestaltungs GmbH 1999<br />
moving<br />
to new<br />
offices<br />
2001<br />
start<br />
training for<br />
carp<strong>en</strong>ter<br />
67.100 m2<br />
60.550 m2<br />
142<br />
135<br />
38.850 m2<br />
114<br />
33.600 m2<br />
2.050 m2<br />
1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002
<strong>SIK</strong>-Holz ®<br />
delivery of new play equipm<strong>en</strong>t<br />
new company premises under r<strong>en</strong>ovation 1995<br />
facts and figures<br />
2009<br />
Special award for<br />
medium-sized companies,<br />
Oskar-Patzelt-Stiftung<br />
2009<br />
Initiative for the region,<br />
Bertelsmann Stiftung<br />
2013<br />
Craft price,<br />
Guarantee Banks<br />
07<br />
2007<br />
Training award,<br />
for the district of<br />
Teltow Fläming<br />
2010<br />
Committed to Brand<strong>en</strong>burg,<br />
Brand<strong>en</strong>burg state award<br />
2016<br />
start training<br />
for technical<br />
product designer<br />
2007<br />
Marc Oelker<br />
is also managing<br />
director<br />
198<br />
2010<br />
Merging of the company,<br />
taking over in the individual<br />
Company in GmbH & Co. KG<br />
209<br />
213<br />
226<br />
225<br />
2016<br />
213<br />
Future price,<br />
Brand<strong>en</strong>burg<br />
216<br />
15 Mio.€<br />
167<br />
175<br />
148<br />
148<br />
136<br />
128<br />
10 Mio.€<br />
5 Mio.€<br />
facts and figures<br />
2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017<br />
0 Mio.€
08 <strong>SIK</strong>-Holz ®<br />
Philosophy<br />
We stand for safety and quality! Quality matters to us.<br />
We unite visual quality, solid craftsmanship, durability,<br />
stability and safety in all of our products. The robinia wood<br />
is the perfect material for our approach. We demonstrate<br />
our compet<strong>en</strong>ce, commitm<strong>en</strong>t and high level performance<br />
not just through appropriate certificates, but with every<br />
new exciting play ground project we can design and build<br />
for our cli<strong>en</strong>ts.<br />
Philosophy<br />
We are interested in better and free play! We know<br />
that childr<strong>en</strong> want to have fun. Differ<strong>en</strong>t constitutional,<br />
social and psychological conditions are important in order<br />
to guarantee an optimal contribution to the health- and<br />
wellbeing as well as personality developm<strong>en</strong>t of a child.<br />
Over the last decades we have be<strong>en</strong> collecting know-how<br />
from theory and best practice, that we better understand<br />
child movem<strong>en</strong>t, the play instinct, the value of play and<br />
physical and intellectual developm<strong>en</strong>t. These are constantly<br />
developed and optimised in our play space concepts.<br />
We are the individual and creative original! The individual<br />
design of play equipm<strong>en</strong>t requires a high degree of<br />
flexibility and creativity from our staff. We want to preserve<br />
the originality created in the design and colour by taking<br />
some of the traditional shapes, methods and knowledge<br />
into account.<br />
We do business according to fair competition principles!<br />
Our world offers something for everyone. We think this is a<br />
good thing, and are op<strong>en</strong>-minded toward our competitors.<br />
It matters to us, that we operate honestly, compet<strong>en</strong>tly and<br />
in a cli<strong>en</strong>t ori<strong>en</strong>ted manner at all times. Evid<strong>en</strong>ce of this can<br />
be se<strong>en</strong> in our long-lasting relationships with cli<strong>en</strong>ts and<br />
our reliability toward them.<br />
We accept ethical responsibility, and advocate for the<br />
rights and values of childr<strong>en</strong> and young people. We live,<br />
work and play in a new eco-social <strong>en</strong>vironm<strong>en</strong>t. In order<br />
to be able to shape it in a proactive manner, we are operating<br />
in a future-ori<strong>en</strong>ted, <strong>en</strong>vironm<strong>en</strong>tal-fri<strong>en</strong>dly and<br />
sustainable way. We are certified with the Brand<strong>en</strong>burg<br />
<strong>en</strong>vironm<strong>en</strong>tal label, follow the FSC rules for responsible<br />
forest managem<strong>en</strong>t and support young tal<strong>en</strong>ts. We have a<br />
strong social awar<strong>en</strong>ess and are committed to democracy,<br />
social values and global responsibility.
»<br />
It is the game,<br />
and only the game,<br />
that makes man<br />
complete.<br />
«<br />
Friedrich Schiller<br />
<strong>SIK</strong>-Holz ® Philosophy
10 <strong>SIK</strong>-Holz ®<br />
Two minds<br />
at the top of<br />
<strong>SIK</strong>-Holz®<br />
In 1988, master wood sculptor Klaus-Peter Gust had the<br />
idea of building play equipm<strong>en</strong>t from crooked robinia<br />
wood. He founded <strong>SIK</strong>-Holz® and grew it from an individual<br />
<strong>en</strong>terprise to a medium-sized business. Today he<br />
heads up sales and fills the order books with a whole<br />
team of planners, salesm<strong>en</strong> and designers.<br />
Marc Oelker joined the company as a project manager<br />
in 2001 after completing studies in wood sci<strong>en</strong>ce. The<br />
company's rapid growth up to that point meant that it<br />
urg<strong>en</strong>tly needed structures to implem<strong>en</strong>t the many play<br />
ideas. Today he is in charge of production. His team of<br />
technologists, logisticians, carp<strong>en</strong>ters, sculptors and production<br />
planners bring to life the many ideas that the<br />
company comes up with and the ideas from elsewhere.<br />
Marc Oelker (manager)<br />
Managem<strong>en</strong>t<br />
»<br />
Our customers’<br />
needs are<br />
our chall<strong>en</strong>ges.<br />
«<br />
Klaus-Peter Gust
Klaus-Peter Gust (manager)<br />
The writer Victor Hugo once said:<br />
»Nothing is as powerful as an idea<br />
whose time has come«. The idea of<br />
building play equipm<strong>en</strong>t from<br />
robinia is now <strong>30</strong> years old. Has it<br />
made its mark on the market?<br />
Marc: Without a doubt. Klaus and Claudia<br />
Gust had the creative idea of building<br />
play equipm<strong>en</strong>t and themed playgrounds<br />
from robinia. This idea and<br />
simple means led to what is now a<br />
whole and an important market<br />
segm<strong>en</strong>t in the playground equipm<strong>en</strong>t<br />
industry, which conv<strong>en</strong>tional manufacturers<br />
of playground equipm<strong>en</strong>t also<br />
want to profit from and have to create<br />
their own production capacities. Many<br />
notice that market segm<strong>en</strong>ts have<br />
shifted, that their original product ideas<br />
and concepts are no longer up to date.<br />
Over time, the <strong>SIK</strong> idea spread beyond<br />
the borders of Germany to Europe. At<br />
this point, our sales partnerships reach<br />
into the Far East and Down Under.<br />
Before <strong>SIK</strong>-Holz® was founded, there<br />
were only simple toys made of pressureimpregnated<br />
softwood or steel. That was<br />
the case in eastern Germany, but it was<br />
also the case in western Germany.<br />
Natural? Creative? Themed? Not a<br />
chance!<br />
Klaus: Just as we did <strong>30</strong> years ago, we are<br />
still bringing human clos<strong>en</strong>ess and<br />
warmth into the eco-social living<br />
<strong>en</strong>vironm<strong>en</strong>t today with our natural<br />
play area designs. Wood is one of the<br />
first materials that people discovered,<br />
used and designed as they <strong>en</strong>gaged<br />
with their <strong>en</strong>vironm<strong>en</strong>t. Robinia is in<br />
many ways a wonderful material for<br />
designing childr<strong>en</strong>'s playground<br />
equipm<strong>en</strong>t because it is especially<br />
resistant wh<strong>en</strong> used outdoors. Its<br />
irregularities in growth, its exciting<br />
grain, branches and roots give the wood<br />
its unique character and make it particularly<br />
interesting for us as play area<br />
designers. Our 2<strong>30</strong> employees embrace<br />
this <strong>30</strong>-year tradition of custom playground<br />
design. Our craftsmanship<br />
preserves traditional working methods<br />
and brings themed and natural play<br />
worlds into the otherwise monotonously<br />
and functionally designed urban<br />
spaces. Our products look like they were<br />
designed by childr<strong>en</strong>. Sometimes it's<br />
fairy tales, another time it's appar<strong>en</strong>tly<br />
simple balancing structures that work<br />
like little wonders on childr<strong>en</strong> and<br />
adults in our oft<strong>en</strong> dehumanised<br />
<strong>en</strong>vironm<strong>en</strong>t. We counter this isolated<br />
cold with our loving warmth.<br />
A company’s values are in its<br />
history. As managers of <strong>SIK</strong>-Holz®,<br />
you have cultivated these values<br />
over the past <strong>30</strong> years and communicated<br />
them to your employees,<br />
business partners and customers.<br />
What is the ess<strong>en</strong>ce of <strong>SIK</strong>-Holz®<br />
today and what ideas and visions<br />
do you have for the future?<br />
Klaus: <strong>SIK</strong>-Holzgestaltungs GmbH will<br />
continue to <strong>en</strong>sure that equality,<br />
justice and participation remain<br />
ess<strong>en</strong>tial features of urban developm<strong>en</strong>t.<br />
The use of resources must be<br />
sustainable and responsible, with<br />
innovative ideas and processes. Ev<strong>en</strong><br />
as a medium-sized company, we can<br />
make a major contribution to our<br />
global climate. With our playground<br />
designs we are able to educate and<br />
shape people by giving them the<br />
opportunity to let loose their imagination,<br />
to move around outdoors and<br />
to play together. My motto: Our<br />
customers’ needs are our chall<strong>en</strong>ges<br />
– and we love them. My idea: Play<br />
outdoors in custom designed, natural<br />
spaces.<br />
Marc: Now, of course, there is competition<br />
too. At all trade fairs in the<br />
industry there are various companies<br />
offering robinia playground<br />
equipm<strong>en</strong>t. The market is highly<br />
competitive. Many companies are<br />
trying to jump on the bandwagon.<br />
The advantages are obvious: very<br />
natural raw materials from the region,<br />
natural processing, creative ideas<br />
paired with traditional craftsmanship,<br />
concepts adapted to the customer's<br />
wishes, high play value, excell<strong>en</strong>t<br />
durability, the highest level of<br />
equipm<strong>en</strong>t safety. Not everyone is<br />
able to successfully combine these<br />
separate areas. As pioneers in robinia<br />
together we are as big as all our<br />
competitors together. We know what<br />
matters and have be<strong>en</strong> operating<br />
successfully on the market together<br />
with our employees for <strong>30</strong> years. We<br />
have done a lot of things right, not<br />
everything, but a lot. We can be<br />
proud of what we have achieved.<br />
<strong>SIK</strong>-Holz ® 11<br />
managemnt
12 <strong>SIK</strong>-Holz ®<br />
Advice<br />
Advising operators<br />
and planners of<br />
playgrounds<br />
Germany has always be<strong>en</strong> our largest market. Our consultants<br />
have many years of experi<strong>en</strong>ce planning childr<strong>en</strong>'s<br />
playgrounds or a degree in landscape architecture. In<br />
addition, they are certified safety specialists for childr<strong>en</strong>'s<br />
playgrounds and have relevant knowledge and experi<strong>en</strong>ce<br />
in handling wood<strong>en</strong> constructions. They are very flexible<br />
in their approach and adapt to the wishes of our customers<br />
and the conditions of a new eco-social <strong>en</strong>vironm<strong>en</strong>t.<br />
In close cooperation with our design office, our technical<br />
consultants develop individual solutions for a wide range<br />
of applications. They can fall back on tried and tested<br />
standards for each new task. This pool is an ess<strong>en</strong>tial<br />
source for new planning. Every new creation contains a<br />
proportion of traditional forms, processes and knowledge.<br />
Custom playground developm<strong>en</strong>t is a dynamically creative<br />
process based on interrelationships. Each piece is unique.<br />
»<br />
The explosion<br />
of unlimited<br />
possibilities is<br />
followed by the<br />
implosion of<br />
their control.<br />
«<br />
Kurt Weidemann
J<strong>en</strong>s Schmieding-Borgs<strong>en</strong><br />
(consultant Westfal<strong>en</strong>)<br />
Martin Heumüller<br />
(consultant Sieg/ Rhein/ Ruhr)<br />
Rita Strautmann<br />
(Backoffice)<br />
Anne Kortomeikel<br />
(Backoffice)<br />
Ulrike Gebauer<br />
(consultant Hess<strong>en</strong>/ Pfalz)<br />
Antje Gries<br />
(distribution manager)<br />
Bielefeld<br />
Salzkott<strong>en</strong><br />
Breuberg<br />
Heidelberg<br />
Ulrich Probst-Schneidereit<br />
(consultant Germany/ north)<br />
Burgwedel<br />
Freising<br />
Kornelia Schneidereit<br />
(Backoffice)<br />
Leipzig<br />
Berlin<br />
Lisa Ottmann<br />
(Backoffice)<br />
Patrick Chiraux<br />
(consultant Germany/ north/ east)<br />
Christina Bergsteiner<br />
(consultant Bavaria)<br />
Alida Petrov<br />
(consultant Germany/ east/ south)<br />
Carla Jaekel<br />
(Backoffice)<br />
<strong>SIK</strong>-Holz ® 13<br />
Advice<br />
Valeria Eremina<br />
(consultant Bad<strong>en</strong>-Württemberg)
14 <strong>SIK</strong>-Holz ®<br />
Playground<br />
in the colloquium<br />
playgrounds in urban areas<br />
A new playground shall be built here!<br />
Advice<br />
Mostly these are places with old, partly<br />
rudim<strong>en</strong>tary playground equipm<strong>en</strong>t, or<br />
›unspaces‹ which hav<strong>en</strong>’t be<strong>en</strong> tak<strong>en</strong><br />
care of for a long time. It can also be a<br />
›small moonscape‹ in a newly built<br />
resid<strong>en</strong>tial area, which according to the<br />
land use plan is int<strong>en</strong>ded as a free<br />
space for childr<strong>en</strong>'s play and meeting<br />
place for all g<strong>en</strong>erations.<br />
Which of this places pres<strong>en</strong>t the<br />
greatest chall<strong>en</strong>ges for you?<br />
Ulrich: »Unspaces or non-places, both new<br />
and old, are always a chall<strong>en</strong>ge. It might<br />
also be an existing playground where only<br />
one piece of equipm<strong>en</strong>t or area is to be<br />
r<strong>en</strong>ewed. If you can spark something that<br />
makes old things attractive again or define<br />
a new place that childr<strong>en</strong>, or best of all,<br />
everyone wants to go to, that is the best<br />
confirmation and my personal concern.«<br />
J<strong>en</strong>s: »Playgrounds in new developm<strong>en</strong>t<br />
areas without a definite structure, without<br />
design or historical refer<strong>en</strong>ces, are always a<br />
special task. Technically speaking it is more<br />
difficult to plan in detail, but developing a<br />
functional and attractive concept out of<br />
nothing is usually the greater chall<strong>en</strong>ge.«<br />
Ulrike: »On one hand it’s places in an<br />
existing building where the distances to<br />
fixed installations, terraces, walls,<br />
boulders, etc. must be observed, perhaps<br />
there are still trees to be preserved too.<br />
And the other is large op<strong>en</strong> spaces without<br />
any structures which one can design play<br />
areas around. As a planner both cause me<br />
to scratch my head.«<br />
Christina: »Every place is unique. Just like<br />
the people, who will (re-)conquer them in<br />
the future. This includes places that are on<br />
a busy road, a wooded area or a slope for<br />
instance. The existing or missing tree<br />
population and the neighbourhood are<br />
also individual. Existing devices must be<br />
integrated and new wishes fulfilled. I see<br />
the chall<strong>en</strong>ge in reconciling all prevailing<br />
conditions, wishes, feelings and moods<br />
and creating the best possible design.«<br />
Alida: »It gets tricky wh<strong>en</strong> the space is very<br />
small and you still have to create a lot of<br />
play opportunities.«
What basic questions do you ask the<br />
operator of the future playground?<br />
Christina: »During on-site meetings,<br />
questions regarding size, <strong>en</strong>vironm<strong>en</strong>t,<br />
location and terrain modelling are oft<strong>en</strong><br />
cleared up. Also important is the target<br />
group, which play functions are desired<br />
and which direction the design should<br />
take. And if a subsequ<strong>en</strong>t ext<strong>en</strong>sion<br />
should be possible and which kind of fall<br />
protection is required. Should the terrain<br />
be further modelled or is a new tree<br />
population planned? It is helpful to draw<br />
up a checklist of further aspects, such as<br />
covering an underground car park, which<br />
need to be decided. The question of<br />
budget and installation must of course be<br />
included in case of realistic further<br />
planning.«<br />
Patrick: »Besides the user groups, the play<br />
value, theme and budget I always ask if<br />
there are experi<strong>en</strong>ces with vandalism on<br />
site, if they have own ideas or examples<br />
and how we should pres<strong>en</strong>t our<br />
creations.«<br />
playgrounds in landscape areas<br />
»<br />
Every place is unique.<br />
Just like the people,<br />
who will reconquer them<br />
in the future.<br />
«<br />
Alida: »What the g<strong>en</strong>eral conditions are:<br />
Playground size, number of childr<strong>en</strong>, age<br />
groups, soil conditions, access, the<br />
financial framework. What is important to<br />
the cli<strong>en</strong>t? Is there already a topic<br />
perhaps? What is the time frame for<br />
completion?«<br />
Valeria: »Usually I list<strong>en</strong> to the customer<br />
first. Their ideas and desires are the initial<br />
indicators. Th<strong>en</strong> it is about how possible it<br />
is to make these ideas and desires a<br />
reality. The size of the playground, target<br />
groups and budget are further questions.«<br />
Christina Bergsteiner<br />
<strong>SIK</strong>-Holz ® 15<br />
Advice
16 <strong>SIK</strong>-Holz ®<br />
Advice<br />
Are there g<strong>en</strong>erally planning steps<br />
betwe<strong>en</strong> the first meeting with the<br />
customer and submitting a binding<br />
offer?<br />
Ulrich: »Planning begins during the conversation<br />
with the customer. In the <strong>en</strong>suing<br />
appraisal, in addition to topographical<br />
conditions and signs of use, special<br />
features of the site, such as access routes,<br />
hiding places, walking routes, atmosphere<br />
can be id<strong>en</strong>tified – here the planning<br />
continues in the mind. The best case<br />
sc<strong>en</strong>ario is wh<strong>en</strong> you can already see the<br />
result. The appraisal is put to paper. This is<br />
followed by searching for a concept and<br />
refining the idea. Can you use tried and<br />
tested creations? Were there projects with<br />
similar questions, similar topics or only<br />
similar play offerings? If available, it is<br />
coordinated with the actual situation. A<br />
solution can be found by drawing in scale<br />
and perspective. A budget comparison<br />
takes place at the same time. The design is<br />
forwarded to costing. The result is<br />
compared with the planning and an offer<br />
drawing is drawn up.«<br />
Ulrike: »After evaluating the site I sketch a<br />
draft, create a checklist which my<br />
colleague in the office uses to put together<br />
the offer. Usually I convert the design<br />
sketch into a drawing as the offer is being<br />
prepared; the floor plan in Photoshop, the<br />
views and perspectives by hand. Along<br />
with the offer and the drawings, the<br />
customer receives also an explanatory text,<br />
possibly product sheets and sample photos<br />
as well as the description of our workmanship<br />
and our voluntary manufacturer's<br />
guarantee.«<br />
classical combination for childr<strong>en</strong> from 3 – 6 years, variant: witches cottage and post<br />
»<br />
Planning begins<br />
during the<br />
conversation with<br />
the customer.<br />
«<br />
Ulrich Probst-Schneidereit<br />
J<strong>en</strong>s: »Working systematically is definitely<br />
the key to creating a design that promises<br />
success. The customer's wishes must be<br />
tak<strong>en</strong> down in as much detail as possible,<br />
the idea for implem<strong>en</strong>tation must th<strong>en</strong> be<br />
prepared in drawings and th<strong>en</strong> calculated.<br />
Pres<strong>en</strong>ting the result in a visually<br />
appealing way is part of it too, of course.«
Do custom solutions always offer<br />
b<strong>en</strong>efits or are there standards which<br />
have proved their worth?<br />
Ulrich: »Always? Not always but more and<br />
more oft<strong>en</strong>. Basically almost always. But I<br />
have to say yes to the second part of that<br />
question. Of course, there are standards<br />
that have prov<strong>en</strong> themselves, not least for<br />
this reason they have be<strong>en</strong> selected (not<br />
downgraded) as standard equipm<strong>en</strong>t. This<br />
question touches on the ess<strong>en</strong>ce of our<br />
brand: We want to offer creative, individual<br />
and high-quality playground<br />
concepts. It is important to us to maintain<br />
our level of quality and to provide sound<br />
professional advice. We don't want to sell<br />
at any price. Instead, it is our goal to sell<br />
the right product. We look at the bigger<br />
picture and don’t want to just fill an area<br />
with random bits of equipm<strong>en</strong>t.<br />
Due to the material we use, our product is<br />
individually handcrafted. This is exp<strong>en</strong>sive<br />
and costs customers more money. In<br />
return, however, they have the great<br />
advantage that we can react flexibly to<br />
wishes and specific requirem<strong>en</strong>ts. This<br />
may begin with the colour design, the<br />
installation of on-site slides, the replacem<strong>en</strong>t<br />
of elem<strong>en</strong>ts or a changed ori<strong>en</strong>tation<br />
in response to local surface sizes, changed<br />
post l<strong>en</strong>gths, or ev<strong>en</strong> combinations of<br />
differ<strong>en</strong>t systems, newly assembled<br />
elem<strong>en</strong>ts. Occasionally something new has<br />
to be developed for special projects. The<br />
balance is ess<strong>en</strong>tial. Sometimes it's a little<br />
trick that makes the facility special and can<br />
create an id<strong>en</strong>tity for a playground.«<br />
Christina: »Buying an item of clothing is a<br />
similar situation. Sometimes it fits, the<br />
quality is great and you like it right away.<br />
Other times you have to combine<br />
something in a new way and put it<br />
together differ<strong>en</strong>tly. Places and the people<br />
who use them sometimes also need a fully<br />
custom design and well-adapted layout to<br />
suit everyone, to be exciting and<br />
coher<strong>en</strong>t.«<br />
<strong>SIK</strong>-Holz ® 17<br />
Advice<br />
individually desinged ›Viking‹ playground‹ (Design: Anke Meixner
18 <strong>SIK</strong>-Holz ®<br />
Advice<br />
Public playgrounds vs. playgrounds for<br />
nurseries and schools!<br />
The number of childcare services for<br />
childr<strong>en</strong> in nurseries and schools in<br />
Germany has increased over the last 10<br />
years. Outdoor play areas are particularly<br />
important in these facilities. One<br />
could conclude from this that public<br />
playgrounds were scaled back in favour<br />
of supervised playgrounds. Is this tr<strong>en</strong>d<br />
also reflected in your work?<br />
Ulrike: »I couldn’t say. Especially as playgrounds<br />
in kindergart<strong>en</strong> and school are<br />
oft<strong>en</strong> funded differ<strong>en</strong>tly to public playgrounds.<br />
However, public playgrounds do<br />
get knocked down if there are only a few<br />
young families with childr<strong>en</strong> living in the<br />
resid<strong>en</strong>tial area. The better thing to do<br />
would be, to redesign places like these to<br />
be inclusive. Though oft<strong>en</strong> there just isn’t<br />
the money for it.«<br />
Christina: »Playgrounds compete with<br />
resid<strong>en</strong>tial developm<strong>en</strong>t. They won't<br />
disappear completely. However, a<br />
reduction or relocation is discussed and<br />
sometimes implem<strong>en</strong>ted. It is becoming<br />
increasingly common to leave play areas<br />
and playgrounds on school grounds op<strong>en</strong><br />
ev<strong>en</strong> after school hours and at week<strong>en</strong>ds.<br />
I think that’s a s<strong>en</strong>sible idea.«<br />
›mobile construction site‹ for flexible game<br />
Martin: »In some cities, playgrounds are no<br />
longer in use. Some cities or municipalities<br />
sell these areas, some do not. Wh<strong>en</strong> I talk<br />
to a municipal employee about this<br />
planning direction, I always ask them to<br />
consider the consequ<strong>en</strong>ces wh<strong>en</strong> these<br />
areas are sold. In most cases, however, this<br />
approach has already be<strong>en</strong> decided by the<br />
council. Of the many small playgrounds a<br />
large proportion disappear due to maint<strong>en</strong>ance<br />
reasons arising from cost-cutting<br />
measures. These spaces are combined into<br />
one large, better or well-equipped main<br />
attraction in the neighbourhood. Funding<br />
measures such as the funding for nursery<br />
schools a few years ago or the latest ›Good<br />
School 2020‹ scheme <strong>en</strong>courage playgrounds<br />
in such facilities to be r<strong>en</strong>ewed.<br />
Oft<strong>en</strong> it is only due to the fact that is called<br />
for by someone in the facilities who takes<br />
care of it.«<br />
truss building site with building blocks of cork<br />
»<br />
It would be better,<br />
to redesign public<br />
playgrounds than<br />
to dismantle them.<br />
«<br />
Ulrike Gebauer
Has the quality of outdoor play areas<br />
offered by these facilities also increased<br />
with the quantitative increase in the<br />
number of childcare facilities?<br />
J<strong>en</strong>s: »Although the range of services has<br />
be<strong>en</strong> expanded, the areas available for<br />
playground equipm<strong>en</strong>t have usually<br />
remained the same, if not ev<strong>en</strong> shrunk<br />
due to ext<strong>en</strong>sions. In this respect, there is<br />
oft<strong>en</strong> only room for the installation of<br />
additional, easily accessible devices if old<br />
devices are removed at the same time.<br />
Unfortunately, the conversion of existing<br />
playground equipm<strong>en</strong>t is oft<strong>en</strong> neither<br />
s<strong>en</strong>sible nor economically appealing.«<br />
Patrick: »I oft<strong>en</strong> feel that ext<strong>en</strong>sions are<br />
necessary and desired, but the available<br />
space remains limited.«<br />
Ulrike: »Absolutely! Par<strong>en</strong>ts in particular<br />
consider it very important that their<br />
childr<strong>en</strong> receive good support at a very<br />
early age. Oft<strong>en</strong> the financing is also<br />
supported by a par<strong>en</strong>ts' association.«<br />
multi unit ›Snail shell‹ with wide variety of playing possibilities<br />
Martin: »Oft<strong>en</strong> it's because there's someone<br />
there who maintains it and calls for it. The<br />
<strong>en</strong>d quality is oft<strong>en</strong> due to the personal<br />
str<strong>en</strong>gth, attitude and taste of these<br />
people. Usually these are the leaders,<br />
directors and oft<strong>en</strong> also funding associations.<br />
If these people or groups of people<br />
are strong and committed, the quality<br />
improves significantly. If they rely solely<br />
on the carrier or operator, the basic<br />
equipm<strong>en</strong>t has to do.«<br />
Antje: »Many facilities rely on long-lasting<br />
quality with low maint<strong>en</strong>ance requirem<strong>en</strong>ts.<br />
The managers of these facilities are<br />
happy to be reassured by the compet<strong>en</strong>t<br />
and customer-ori<strong>en</strong>ted advice on the<br />
phone and on site.«<br />
<strong>SIK</strong>-Holz ® 19<br />
Advice<br />
play and climbing offers for schoolyards
20 <strong>SIK</strong>-Holz ®<br />
Everywhere is a play area!<br />
Play should not be restricted to<br />
dedicated places and facilities.<br />
However, play area networking<br />
competes with urban traffic areas.<br />
play and adv<strong>en</strong>ture places in the forest<br />
»<br />
Path-accompanying<br />
play points can<br />
only be installed in<br />
protected areas.<br />
«<br />
Ulrike Gebauer<br />
What opportunities do you see for<br />
pioneering play areas? Are there any<br />
model projects you have planned?<br />
Advice<br />
Ulrich: »Playground equipm<strong>en</strong>t does not<br />
feature promin<strong>en</strong>tly in networking. Mostly<br />
it is a matter of area design and safe road<br />
crossings. There is certainly still a lot of<br />
pot<strong>en</strong>tial for play to be developed in<br />
urban <strong>en</strong>vironm<strong>en</strong>ts. But city planners<br />
don't like to see their prom<strong>en</strong>ades<br />
'disturbed' by play islands that stick out<br />
like a sore thumb. The contrast could have<br />
an invigorating effect. If everything is<br />
straight and geometric, it can seem not<br />
only large but also monotonous. At best,<br />
oases are created that attract everyone<br />
where the purpose-built, effective world<br />
does not dominate for once. But that’s<br />
more of a vision than a reality.«<br />
Christina: »I see this as an opportunity to<br />
perceive and experi<strong>en</strong>ce places anew, for<br />
all ages. Walking carefully over a<br />
balancing beam, jumping over a few<br />
bollards and making it down the final<br />
straight can bring us all joy and draw our<br />
att<strong>en</strong>tion to something new. Childr<strong>en</strong> use<br />
every opportunity offered (if they are not<br />
prev<strong>en</strong>ted from doing so) to make their<br />
path more interesting and not just to take<br />
the well-trodd<strong>en</strong> paths. In my opinion<br />
<strong>en</strong>couraging them to do this is a great<br />
idea.«
J<strong>en</strong>s: »In the inner-city, urban context, I see<br />
hardly any opportunities without<br />
dismantling a significant portion of<br />
existing infrastructure. Creating and<br />
networking gre<strong>en</strong> spaces is a fantastic<br />
idea, but the required space is usually not<br />
available. The resid<strong>en</strong>tial tr<strong>en</strong>d is also<br />
curr<strong>en</strong>tly returning more strongly to the<br />
city – with corresponding pressure on the<br />
housing market and also on the already<br />
sparse availability of inner-city op<strong>en</strong><br />
spaces. This will certainly not change<br />
fundam<strong>en</strong>tally in the foreseeable future.<br />
Urban developm<strong>en</strong>t and traffic planning<br />
would clearly be in demand here in order<br />
to create fundam<strong>en</strong>tally more attractive<br />
inner-city recreation areas in the city as a<br />
living space. In out-of-town, rural areas,<br />
such concepts are more likely to be found<br />
in the areas of tourism and local recreation.<br />
The networking of gre<strong>en</strong> areas, local<br />
recreation areas etc. is oft<strong>en</strong> se<strong>en</strong> as a<br />
contribution to <strong>en</strong>vironm<strong>en</strong>tal protection<br />
in the s<strong>en</strong>se of actively <strong>en</strong>couraging<br />
pedestrian and bike traffic. Hop<strong>en</strong>er<br />
Waldpfad/City of Lohne, for example, has<br />
various play points along a local recreational<br />
trail in the forest of the town of<br />
Lohne. "Play and recreational elem<strong>en</strong>ts<br />
are spread over approximately 3 kilometres<br />
in the forest.«<br />
inclusive giant carousel<br />
balancing over water<br />
Ulrike: »Of course the possibility of networking<br />
play points and exciting places for<br />
childr<strong>en</strong> does exist. However, these<br />
pioneering play points can only be<br />
installed in protected areas, which must<br />
also be controlled and maintained. For<br />
this reason, inquiries of this kind are few<br />
and far betwe<strong>en</strong>. Instead, nature trails are<br />
equipped with playground equipm<strong>en</strong>t to<br />
accompany them.«<br />
accompanying climbing offer<br />
<strong>SIK</strong>-Holz ® Advice
22 <strong>SIK</strong>-Holz ®<br />
Our<br />
favourites<br />
Advice<br />
Ulrike: »Sonn<strong>en</strong>straße playground in<br />
Waldaschaff. There are two climbing and<br />
balancing areas with differ<strong>en</strong>t levels of<br />
difficulty for all age groups connected<br />
over a large area. The play value is very<br />
high, the grass design appealing and was<br />
very well received.«<br />
J<strong>en</strong>s: »The combine harvester and the<br />
climbing tractor are my favourites. I would<br />
like to build a big playground based on<br />
the theme of agriculture. From yesterday<br />
to today and how tomorrow's agriculture<br />
can be made sustainable.«<br />
Patrick: »Haf<strong>en</strong>city playground in Hamburg.<br />
I'm weak on the subject of the ›South<br />
Seas‹. I probably associate that with sun,<br />
warmth, brightness, sea, delicious seafood<br />
and a relaxed atmosphere.«
Martin: »Playground in Bonn am Hölder:<br />
›A castle for little princes and princesses‹.<br />
A beautiful result with a lot of play<br />
options, high recreational value and<br />
appealing design.«<br />
Valeria: »My favourite product from our<br />
range is the ›Cat‹ climbing and balancing<br />
frame. This piece of equipm<strong>en</strong>t looks very<br />
modern and contemporary. It has a varied<br />
structure and can be played on by many<br />
childr<strong>en</strong> at the same time.«<br />
Alida: »I find the jungle playground in Berlin<br />
Zehl<strong>en</strong>dorf very exciting and versatile. A huge<br />
area in which the diverse elem<strong>en</strong>ts are<br />
cleverly connected – sculptures, playhouses,<br />
tree houses, climbing caves, cable cars and<br />
much more.«<br />
<strong>SIK</strong>-Holz ® 23<br />
Advice
24 <strong>SIK</strong>-Holz ®<br />
Advice<br />
Antje: »The three Pho<strong>en</strong>ix playgrounds<br />
around Lake Pho<strong>en</strong>ix in Dortmund. We’ve<br />
visited them several times with our<br />
childr<strong>en</strong>. You can climb up and swing in<br />
the clouds, and the lake is in sight the<br />
whole time. Ideal for Sunday strolls.«<br />
Ulrich: »I can't give you a straight answer to<br />
that question. Every exciting topic is a<br />
temporary favourite project. I consist<strong>en</strong>tly<br />
like climbing forests, because I would have<br />
liked to have them myself on playgrounds<br />
of the 70s.«<br />
Christina: »The playground at the main<br />
square in Pfaff<strong>en</strong>hof<strong>en</strong>. I am delighted to<br />
see with every visit how well this playground<br />
in the middle of the city betwe<strong>en</strong><br />
the town hall and the church is used by all<br />
age groups.«
Carm<strong>en</strong> Engel<br />
(consultant for camping<br />
and leisure industry)<br />
maritim playground on a camp site<br />
Camping, gastro<br />
and tourism<br />
In addition to public playgrounds, there are also many<br />
playgrounds in the leisure industry operated by companies.<br />
This includes theme parks and campsites as well as<br />
hotels and pubs. These are looked after by Carm<strong>en</strong> Engel<br />
at <strong>SIK</strong>-Holz®. Her customers particularly appreciate her<br />
products because their individuality gives each company<br />
its own character. Every piece of play equipm<strong>en</strong>t is an investm<strong>en</strong>t.<br />
The play value of each product is determined.<br />
The companies examine carefully whether a higher customer<br />
satisfaction can be achieved through an attractive<br />
playground. Carm<strong>en</strong> not only advises her cli<strong>en</strong>ts on playground<br />
design, she also networks them with each other<br />
and passes on experi<strong>en</strong>ce in other areas. Carm<strong>en</strong> has the<br />
most relaxed customers. Time and again she hears, »We<br />
work where others go on holiday.« And where does Carm<strong>en</strong><br />
Engel go on holiday? Campsites of course!<br />
›Woodlodge‹ tree houses in an adv<strong>en</strong>ture parc<br />
»<br />
Play is as<br />
necessary to<br />
human life<br />
as rest.<br />
«<br />
Thomas von Aquin<br />
<strong>SIK</strong>-Holz ® 25<br />
Advice
26 <strong>SIK</strong>-Holz ®<br />
abroad<br />
Playgrounds<br />
around the world<br />
Our products can be found at many playgrounds worldwide.<br />
This gives an insight into the play culture of other<br />
countries and allows a comparison with the German market.<br />
It is evid<strong>en</strong>t that Germany provides the impetus to<br />
promote play in a natural <strong>en</strong>vironm<strong>en</strong>t and with natural<br />
materials. Other countries are becoming increasingly interested<br />
in this. In most Western and Southern European<br />
countries we have established long-term partnerships and<br />
carried out interesting projects. But also in Northern Africa<br />
and in the Far East the interest in our playground equipm<strong>en</strong>t<br />
and sculptures is increasing significantly.<br />
»<br />
Play is<br />
the way<br />
childr<strong>en</strong> learn<br />
about<br />
the world<br />
they live in.<br />
«<br />
Maxim Gorki
<strong>SIK</strong>-Holz ® 27<br />
abroad
28 <strong>SIK</strong>-Holz ®<br />
Sale<br />
The best value<br />
for money<br />
at a glance<br />
Our company does not live from what it plans and<br />
produces, but from what it sells! This might sound a<br />
bit harsh and is diametrically opposed to all emotional<br />
and creative considerations about our products.<br />
But what use are all good playground planning and<br />
playground designs wh<strong>en</strong> they are not needed? The<br />
market economy principle of supply and demand is<br />
reflected in the processes of our sales departm<strong>en</strong>t.<br />
Our customers find out about our services through<br />
the advice of our sales repres<strong>en</strong>tatives, our brochures<br />
and our website.<br />
The demand can reach our sellers in differ<strong>en</strong>t ways:<br />
The customer calls, the consultant takes up the request,<br />
an invitation to t<strong>en</strong>der or a competition is<br />
s<strong>en</strong>t by post or email. The requests range from clear<br />
and simple to complex and complicated. Our sales<br />
staff have to carefully handle day-to-day business,<br />
always aiming to turn the offer into an order and the<br />
order into a deal which both sides are satisfied with<br />
»<br />
If the sale turns<br />
into an <strong>en</strong>counter<br />
betwe<strong>en</strong> customer<br />
and seller,<br />
both are satisfied.<br />
«<br />
Alfred Rademacher
Nicole Becker<br />
(Germany/ Westfal<strong>en</strong>,<br />
Belgium, Luxemburg)<br />
Susann Klingner<br />
(Germany/ Sieg, Rhein, Ruhr,<br />
Spain, Italy, Poland)<br />
Carolin Borowka<br />
(Germany/ Hess<strong>en</strong>, Pfalz,<br />
France)<br />
Stefan Falk<strong>en</strong>berg<br />
(sales manager)<br />
Manuela Bartlick<br />
(Germany/ Bad<strong>en</strong>-Württemberg,<br />
abroad outside Europe)<br />
Nadine M<strong>en</strong>ne<br />
(Germany/ north,<br />
other abroad)<br />
<strong>SIK</strong>-Holz ®<br />
Sarina Nitsche<br />
(Germany/ Bavaria,<br />
Netherland)<br />
J<strong>en</strong>na Koch<br />
Germany/ north, east,<br />
Austria, Switzerland)<br />
B<strong>en</strong>jamin Schreinicke<br />
(Germany/ south, east,<br />
Great Britain, Ireland,<br />
Scandinavia)<br />
<strong>SIK</strong>-Holz ® 29<br />
Sale
<strong>30</strong> <strong>SIK</strong>-Holz ®<br />
Marcus Rippl (2. f. l.) and his team<br />
construction<br />
Drawings of<br />
the craziest<br />
ideas<br />
Our builders and designers design new play equipm<strong>en</strong>t<br />
and playgrounds every day. In addition to design and play<br />
value, the safety of the devices is always a primary concern.<br />
As in sales, tasks can range from clear and simple to complex<br />
and complicated.<br />
The way the equipm<strong>en</strong>t is built must be considered as early<br />
as the offer or competition phase, the reason for this is to<br />
produce a great idea and also to <strong>en</strong>sure that all safety-relevant<br />
requirem<strong>en</strong>ts are met. Oft<strong>en</strong> a sketch is suffici<strong>en</strong>t for<br />
offers and competitions. However, a sketch is not suffici<strong>en</strong>t<br />
for a thorough calculation.<br />
In addition, in most cases there is only a narrow time<br />
window for developing and adapting a new piece of play<br />
equipm<strong>en</strong>t or for drawing up a complete playground plan.<br />
The standards of how the objects look have also increased.<br />
Since childr<strong>en</strong> and adults from the public are involved<br />
in the planning of playgrounds, the submitted competition<br />
pres<strong>en</strong>tations must not only impress with their play<br />
value and quality, but they must also reach the viewer<br />
emotionally.<br />
Approximately every 4th Offer and every 4th competition<br />
ev<strong>en</strong>tually becomes an order. Th<strong>en</strong> everything has to be<br />
thought through in depth, agreed on and put down on<br />
paper. Without a carefully planned design and detailed<br />
drawings, our custom designed play equipm<strong>en</strong>t cannot be<br />
built to the expected standard.<br />
For this reason, in addition to creativity and knowledge of<br />
<strong>en</strong>gineering, organisational tal<strong>en</strong>t is also required in our<br />
drawing office.
»<br />
Cont<strong>en</strong>t precedes design.<br />
Design in the abs<strong>en</strong>ce of cont<strong>en</strong>t<br />
is not design, it's decoration.<br />
«<br />
<strong>SIK</strong>-Holz ® construction<br />
Jeffrey Zeldmann
32 <strong>SIK</strong>-Holz ®<br />
(standing f.l.t.r.) Olaf Waas (coordination), Andreas Lust (logistic), Isabell Grundmann (coordination),<br />
Steff<strong>en</strong> Meister (scheduler), Annelie Falticzka (assembly manager), (sitting f.l.t.r.) Gerd Müller (technologist),<br />
Ulf Bries<strong>en</strong>ick (produktion manager), Bernd Winkelmann (docum<strong>en</strong>tation)<br />
Planning and<br />
grafting until<br />
everyone is<br />
satisfied<br />
logistic<br />
The idea of a piece of play equipm<strong>en</strong>t still doesn’t take<br />
material form. In principle, a flow production must be<br />
organised. Ev<strong>en</strong> though <strong>SIK</strong>-Holz® doesn’t have any<br />
assembly lines, of course. It is much more of an objectrelated<br />
process in which machines and workstations are<br />
passed through in a fixed sequ<strong>en</strong>ce according to the required<br />
steps. For us that is the wood yard/cutting, tower<br />
construction or sculpture, for some products this includes<br />
a metalworking shop and finally the colouring process.<br />
These processes must be planned according to working<br />
hours for the respective departm<strong>en</strong>ts and the purchasing<br />
departm<strong>en</strong>t orders the necessary parts for the specified<br />
delivery date.<br />
We have a custom manufacture process, so we don’t produce<br />
equipm<strong>en</strong>t to stock. For this reason delivery times are<br />
usually 6–8 weeks. Bigger projects take longer to plan. Of<br />
course, our employees try to take special customer wishes<br />
into account. This means constantly coordinating planning<br />
and communicating with customers and suppliers.<br />
These are ess<strong>en</strong>tially the processes which come before<br />
production. The post-production processes must also be<br />
organised in advance and always adapted to the agreed<br />
delivery date. This includes shipping and installation.<br />
Since the assembly stage dep<strong>en</strong>ds on the weather, postponing<br />
is not uncommon. In rec<strong>en</strong>t years, it was less the<br />
frost that filled our warehouse than the torr<strong>en</strong>tial rain in<br />
summer that repeatedly flooded construction sites.
»<br />
Give me six hours<br />
to chop down a tree<br />
and I will sp<strong>en</strong>d the first four<br />
with sharp<strong>en</strong>ing the axe.<br />
«<br />
Abraham Lincoln<br />
<strong>SIK</strong>-Holz ® 33<br />
logistic
34 <strong>SIK</strong>-Holz ®<br />
Turning<br />
robinia into<br />
play worlds<br />
André Schrape by acquiring large oak trunks<br />
Detlef H<strong>en</strong>ze drives 70.000 km robinia wood annually to <strong>SIK</strong>-Holz ®<br />
Robinia (Germany)<br />
Natural f<strong>en</strong>ces – robinia<br />
(from Eastern Europe and France)<br />
Robinia-timber<br />
(Eastern Europe)<br />
more than<br />
8.000 m3 wood<br />
annually<br />
André Schrape is our wood buyer. Every<br />
year he buys approx. 8000 m³ of wood.<br />
Oak (Germany)<br />
75 % 25 %<br />
purchasing<br />
André, you studied forestry. You're well<br />
connected in the forestry industry. The<br />
well-being of our forests is close to<br />
your heart. What about the sustainable<br />
managem<strong>en</strong>t of robinia forests in<br />
Germany and Europe?<br />
André: »Anyone who thinks robinia is a<br />
shade tolerant tree that leaves its exist<strong>en</strong>ce<br />
in the shade is very wrong. In my opinion,<br />
it is equival<strong>en</strong>t to our curr<strong>en</strong>t economic<br />
tree species. It has already established<br />
itself sustainably in Europe and its<br />
pot<strong>en</strong>tial is also attracting increasing<br />
att<strong>en</strong>tion in Germany. The largest robinia<br />
growing regions are Hungary and<br />
Romania. But there are also very good and<br />
considerable stocks here in Germany.<br />
Brand<strong>en</strong>burg has the largest area of<br />
robinia in Germany. Nevertheless, confid<strong>en</strong>ce<br />
in its global economic viability is<br />
still in its infancy – wrongly so. We should<br />
place our trust in robinia, get to know its<br />
advantages and, together with playground<br />
operators, lay the foundation for sustainable<br />
cooperation. My goal is to build<br />
long-term business relationships with the<br />
pot<strong>en</strong>tial and knowledge of a globally<br />
operating company. ›Think globally – act<br />
locally‹!«<br />
2 %<br />
Robinia and Natural f<strong>en</strong>ces<br />
80 % 20 %<br />
75 % 25 %<br />
Timber Oak<br />
installed into play equipm<strong>en</strong>t<br />
sold as firewood<br />
own usage firewood
Silvia Möhle (warehouse manager) und Torst<strong>en</strong> Rose (purchasing manager)<br />
Slides,<br />
swings and<br />
seesaws<br />
Torst<strong>en</strong> Rose is our purchasing manager<br />
Torst<strong>en</strong>, you are responsible for buying<br />
the things that make playgrounds ev<strong>en</strong><br />
more interesting. At <strong>SIK</strong>-Holz®, this<br />
task requires a great deal of technical<br />
understanding, creativity and organisational<br />
tal<strong>en</strong>t. What criteria do our<br />
suppliers have to meet?<br />
Torst<strong>en</strong>: »The procurem<strong>en</strong>t, storage and<br />
provision of all purchases in our company<br />
form a complex unit. This is why there is<br />
close cooperation betwe<strong>en</strong> the purchasing<br />
manager and the warehouse manager.<br />
This requires careful selection and cooperation<br />
with appropriate suppliers. These<br />
must meet several criteria in order to meet<br />
our standards and our expectations. The<br />
basic prerequisite is an appropriate GS<br />
certification, which guarantees quality,<br />
reliability, adher<strong>en</strong>ce to delivery dates<br />
and, last but not least, flexibility. Great<br />
care is also tak<strong>en</strong> to constantly check and<br />
negotiate prices for purchased parts with<br />
our suppliers and to compare prices with<br />
other suppliers. This is the only way to<br />
<strong>en</strong>sure cost savings. We curr<strong>en</strong>tly have 16<br />
main suppliers, which are reassessed<br />
annually as part of our quality managem<strong>en</strong>t<br />
system and approved by the<br />
managem<strong>en</strong>t. Most of these suppliers have<br />
be<strong>en</strong> partners of our company for many<br />
years and we have an excell<strong>en</strong>t professional<br />
relationship with them.«<br />
<strong>SIK</strong>-Holz ® 35<br />
purchasing
36 <strong>SIK</strong>-Holz ®<br />
Marco Methner (left) and the wood yard team<br />
Marco Methner (left) and the grindery team<br />
Check each piece<br />
of wood for quality<br />
and use<br />
preparation<br />
Our playground equipm<strong>en</strong>t and sculptures have a very<br />
high degree of vertical integration. <strong>SIK</strong>-Holz® has three<br />
teams available for preparation. First of all, the bucked<br />
logs are arranged in the log yard according to diameter<br />
and l<strong>en</strong>gth. There are separate storage areas for wood<br />
with FSC© or PEFC© certification. The log yard team uses<br />
heavy machinery to remove individual logs from the pile<br />
for the specific job. Having good visual judgem<strong>en</strong>t is needed<br />
for this task. Can this trunk become a palm tree? Is<br />
that <strong>en</strong>ough to make seat bollards? The available resources<br />
are used consci<strong>en</strong>tiously; what’s left over is collected up<br />
and sold as firewood. Using trailers, the prepared logs are<br />
passed on to the sanding team for each order.<br />
Here, the logs are first debarked with a high-pressure<br />
cleaner, th<strong>en</strong> planed smooth and finally sorted into piles<br />
by job. The third team in the preparation phase is the cutting<br />
team. This is where the real heart of a carp<strong>en</strong>ter beats.<br />
The milled wood is cut to <strong>SIK</strong>-Holz® standard dim<strong>en</strong>sions<br />
and quality using a band saw, jointer and planer. The<br />
processed timber is glued to boards or placed in cantilever<br />
racks. The next departm<strong>en</strong>ts in the chain – tower construction,<br />
sculpture and assembly – can th<strong>en</strong> take what they<br />
need from the carts and cantilever racks.
Marco Methner (right) and the cutting team<br />
»<br />
Wood is just<br />
a one-syllable<br />
word, but it<br />
repres<strong>en</strong>ts a<br />
world full of<br />
beauty and<br />
wonder.<br />
«<br />
37 preparation<br />
Theodor Heuss
38 <strong>SIK</strong>-Holz ®<br />
Eik Vetter (above middle) and the tower builder team 1+2<br />
Tower building<br />
Childr<strong>en</strong>’s dreams<br />
made of<br />
robinia wood<br />
In the tower construction departm<strong>en</strong>t, the prepared timber<br />
is not only constructed into towers. Ships, volcanoes,<br />
planets, climbable dinosaurs, oversized squid, snails,<br />
chestnuts, acorns and much more have already left the<br />
workshops. Small objects such as playhouses, swings and<br />
seating groups are built here too. Our tower builders are<br />
highly qualified and experi<strong>en</strong>ced carp<strong>en</strong>ters and joiners.<br />
They work in four large workshops, each in small<br />
teams. It is a kind of nest production with corresponding<br />
specialisations for differ<strong>en</strong>t groups of playground equipm<strong>en</strong>t.<br />
Large playground elem<strong>en</strong>ts are usually completely<br />
assembled once, that’s to say that any bridges, nets and<br />
ropes, <strong>en</strong>trances and exits are all fitted. The complete system<br />
is th<strong>en</strong> dismantled to a transportable size.<br />
It is always impressive to watch how pieces of play<br />
equipm<strong>en</strong>t spring up in these halls. Walking through the<br />
workshops, despite the noisy chainsaws, you can feel a<br />
certain peace, conc<strong>en</strong>tration and joy in your work. Although<br />
the production drawings specify the basic design of<br />
the devices, the details are based on a wealth of experi<strong>en</strong>ce<br />
in working to a standard. This skill is taught as part<br />
of regular training courses<br />
.
»<br />
The g<strong>en</strong>ius of design lies in<br />
simplicity. Anybody can build<br />
complicated things.<br />
«<br />
Sergej P. Koroljow<br />
Eik Vetter (above right) and the tower builder team 3+4<br />
<strong>SIK</strong>-Holz ® 39<br />
Tower building
40 <strong>SIK</strong>-Holz ®<br />
Oliver Recknagel (middle) and the sculpture team<br />
Creating<br />
playmates<br />
out of wood<br />
sculpture<br />
Day by day sculptures for public spaces are created by the<br />
qualified hands of our wood sculptors. With craftsmanship<br />
and artistic tal<strong>en</strong>t they make each piece of wood unique.<br />
Workshop manager Oliver Recknagel and his team are literally<br />
carved from hardwood. Using chainsaws every day<br />
requires a lot of str<strong>en</strong>gth and conc<strong>en</strong>tration. Conversely,<br />
fine motor skills are important for the detail work. The spatial<br />
s<strong>en</strong>se which the craftsm<strong>en</strong> have is remarkable.<br />
They practically see the sculpture in the wood, expose it<br />
piece by piece and breathe life into it. Horses and dragons,<br />
giraffes and elephants, crocodiles and seals, but also small<br />
animals, such as caterpillars and snails in 100x magnification,<br />
are among the most popular playmates on our<br />
playgrounds. As it happ<strong>en</strong>s, about 400 small and bigger<br />
feathery animals leave the sculptor's workshop every year.<br />
Entire signage systems for cultural and natural areas are<br />
designed here at the customer's request or according to our<br />
own templates.<br />
A good third of the team at <strong>SIK</strong>-Holz® has completed a<br />
three-year training as a wood sculptor. This training <strong>en</strong>sures<br />
the high quality of our hand-crafted products.
»<br />
Sculpture is<br />
the art of<br />
the hole and<br />
the lumps,<br />
the art of<br />
repres<strong>en</strong>ting<br />
shapes in the<br />
play of light and<br />
shadow.<br />
«<br />
Auguste Rodin<br />
<strong>SIK</strong>-Holz ® 41<br />
sculpture
42 <strong>SIK</strong>-Holz ®<br />
Tommi Gellert (above right) and the painter team 1<br />
Marina Möbius (down) and the painter team 2<br />
coloring<br />
A lick of paint<br />
»The colours are actions of the light, [...]« Goethe writes<br />
in his book Theory of Colours. Without colours, something<br />
would remain hidd<strong>en</strong> from our eyes. The character of a<br />
piece of play equipm<strong>en</strong>t or a sculpture is expressed in the<br />
structure and colour of the surface. Bringing brightness<br />
and joy to public spaces with colours is a creative process.<br />
This can have a differ<strong>en</strong>t depths, from a red roof to a colourful<br />
bird. Having a fine touch and att<strong>en</strong>tion to detail<br />
is necessary for every step wh<strong>en</strong> designing colours for our<br />
products.<br />
Our employees in the colouring departm<strong>en</strong>t bring both.<br />
The colouring process is carried out in two differ<strong>en</strong>t halls.<br />
Through a several-stage process, small sculptures and objects<br />
are primed, painted and waxed by Marina Möbius<br />
with her colleagues Swetlana Lemp and Sara Buruguru.<br />
A dextrous hand is required to emphasise the facial expressions<br />
and gestures of the objects with small strokes.<br />
Tommi Gellert and his team turn large, complex systems<br />
into colour. Here you don't just paint with a brush. The<br />
surfaces are also sprayed or several coats are blurred together<br />
to achieve large-scale effects, such as a climbing<br />
forest with coloured birch trunks. Finally, everything is<br />
carefully tied up, packed and made ready for the journey<br />
to the playground.
»<br />
I don't mind<br />
if you ev<strong>en</strong> think<br />
you feel the colour;<br />
it'll only <strong>en</strong>hance<br />
its own qualities.<br />
«<br />
Johann Wolfgang von Goethe<br />
<strong>SIK</strong>-Holz ® FarbGebung
44 <strong>SIK</strong>-Holz ®<br />
assembly and service teams<br />
In any weather<br />
and in any place<br />
assembly<br />
Moving a volcano from Lang<strong>en</strong>lipsdorf to Auvergne in France<br />
is a technical and mechanical chall<strong>en</strong>ge. Our assembly teams<br />
are to the task. They are usually <strong>en</strong>trusted with the construction<br />
of complicated, multi-part systems. Our assembly team<br />
members have many years of experi<strong>en</strong>ce in handling our<br />
products and know how to solve ev<strong>en</strong> the most awkward<br />
situations on poorly organised building sites.<br />
They are able to capably operate any kind of technology<br />
r<strong>en</strong>ted for the building site. The weather doesn’t hold them<br />
back either. They work outside as long as the ground isn’t<br />
froz<strong>en</strong>. Our assembly team regularly take part in external<br />
and internal training courses in order to understand all aspects<br />
of the playground with regard to standards, childr<strong>en</strong>'s<br />
playing behaviour and the design of the playground equipm<strong>en</strong>t.<br />
They are also able to guide hands-on construction<br />
sites wh<strong>en</strong> it comes to involving people in the design of their<br />
living <strong>en</strong>vironm<strong>en</strong>t. Pati<strong>en</strong>ce and pedagogical skills are also<br />
required here.
»<br />
Curiosity is<br />
the key<br />
to solving<br />
a problem.<br />
«<br />
Galileo Galilei<br />
<strong>SIK</strong>-Holz ® 45<br />
assembly
46 <strong>SIK</strong>-Holz ®<br />
(vfl.t.r) Heike Bloch (accounting), Madeleine H<strong>en</strong>tsch (assist<strong>en</strong>ce),<br />
Sylvia Unkrodt (finance managem<strong>en</strong>t), Nancy Küster (personnal managem<strong>en</strong>t)<br />
Lysann Dümich<strong>en</strong> (service-c<strong>en</strong>ter)<br />
Thomas Lupa (quality managem<strong>en</strong>t)<br />
Organise,<br />
improvise,<br />
supply and<br />
manage<br />
Lothar Paeth (IT-managem<strong>en</strong>t)<br />
Service and administration<br />
Service and administration are two areas that are not directly<br />
related to our products. However, they <strong>en</strong>sure on a<br />
large scale that all other departm<strong>en</strong>ts can work smoothly.<br />
The service ess<strong>en</strong>tially comprises the areas of building and<br />
facility managem<strong>en</strong>t and metalworking. Here everything<br />
is repaired and restored in-house, grid tunnel welded<br />
and periscopes are built manufactured as well. Part of the<br />
operational service is also arranging break times.<br />
Accounting is a c<strong>en</strong>tral part of the administration. This is<br />
where the successes are calculated and the staff organised,<br />
as well as communication with the managem<strong>en</strong>t. Two<br />
more of our company’s key departm<strong>en</strong>ts are quality and<br />
information managem<strong>en</strong>t. Without them, the company<br />
would come to a standstill or sink into chaos. All inquiries<br />
are dealt with compet<strong>en</strong>tly and in a fri<strong>en</strong>dly manner in<br />
our headquarters and forwarded to the right place.
Joch<strong>en</strong> Gerlach and<br />
Heinz Lehmann (mechanics)<br />
Heidrun Fiebler (cante<strong>en</strong>)<br />
»<br />
Before one suspects disarray,<br />
one shall examine,<br />
how chaos is organised.<br />
«<br />
Horst Reiner M<strong>en</strong>zel<br />
Jürg<strong>en</strong> Stech and Ralf Heinzel (building) , (right) Michael Maßmann<br />
(operational service manager)<br />
<strong>SIK</strong>-Holz ® 47<br />
Service and administration<br />
Karst<strong>en</strong> Bloch (facility manager)
48 <strong>SIK</strong>-Holz ®<br />
(right) Nancy Küster (trainer) with appr<strong>en</strong>tices from sales and construction office<br />
(mi<br />
training<br />
Training as a<br />
foundation<br />
By training young people, we <strong>en</strong>able them to shape their<br />
own lives and those of the community. For 22 years we<br />
have be<strong>en</strong> training young people as skilled workers in<br />
four trades. Every year <strong>SIK</strong>-Holz® trains carp<strong>en</strong>ters, wood<br />
sculptors, office managem<strong>en</strong>t staff and technical product<br />
designers. A trainer is responsible for the quality of the<br />
practical training for each trade and works together with<br />
the respective vocational school. 86 young people have<br />
tak<strong>en</strong> their first steps into their professional lives here over<br />
the last 22 years.<br />
Almost every second trainee was tak<strong>en</strong> on. Some are<br />
further qualified in the company as business economists,<br />
master craftsm<strong>en</strong> or study for bachelor's degree.<br />
Wood sculptors in particular have received many awards<br />
with their diplomas in the past. All these awards are a<br />
testam<strong>en</strong>t to the excell<strong>en</strong>t training at <strong>SIK</strong>-Holz®. The<br />
achievem<strong>en</strong>ts of the young employees are now reflected<br />
in many wood designs in playgrounds and urban spaces<br />
in Germany and around the world.<br />
During training, the appr<strong>en</strong>tices pass through various departm<strong>en</strong>ts<br />
in the company and become familiar with the<br />
sale, design or manufacture of playground equipm<strong>en</strong>t according<br />
to their level of training. At the <strong>en</strong>d of the training,<br />
each appr<strong>en</strong>tice is also a 100% employee.
ddle) David Strauss (master) with appr<strong>en</strong>tices of carp<strong>en</strong>ters<br />
»<br />
The greatest masters<br />
are those,<br />
who never cease<br />
to be disciples.<br />
«<br />
Ignaz Anton Demeter<br />
technical<br />
product designer<br />
office manager<br />
carp<strong>en</strong>ter<br />
sculptores<br />
22<br />
appr<strong>en</strong>tice<br />
2017<br />
(middle) Bastian Tabert (master) with appr<strong>en</strong>tices of sculptores<br />
10 x<br />
National winners<br />
9 x sculptores<br />
1 x office manager<br />
3 x<br />
1 x 2 x<br />
State winners<br />
6 x sculptores<br />
<strong>SIK</strong>-Holz ® 49<br />
training
50 <strong>SIK</strong>-Holz ®<br />
Smart use of<br />
resources<br />
upcycling on the playground – adding new elem<strong>en</strong>ts to the stock<br />
r<strong>en</strong>ovated rainbow-playground in Mauerpark/ Berlin<br />
»<br />
Sustainability is<br />
considering the <strong>en</strong>d<br />
in everything you do.<br />
«<br />
Erik Schweitzer<br />
responsibility<br />
Sustainable managem<strong>en</strong>t means taking responsibility for<br />
the people who work for us, for the resources we use, for<br />
the region we live in and for the market we operate in.<br />
We do this in many differ<strong>en</strong>t ways. Having social responsibility<br />
for our employees doesn’t just mean paying them<br />
a dec<strong>en</strong>t wage on time. The 'Stay healthy' and 'Stay clean'<br />
schemes for instance <strong>en</strong>sure awar<strong>en</strong>ess while also improving<br />
the working atmosphere and conditions.<br />
Our main resource is robinia wood. We are certified according<br />
to the guidelines of FSC© and PEFC©. With these<br />
certificates we are able to prove the <strong>en</strong>tire material flow<br />
and support sustainable forestry. As a rule, we look at the<br />
shortest transport routes wh<strong>en</strong> choosing our suppliers.
Social<br />
responsibility<br />
At 13 locations around the world, young people from differ<strong>en</strong>t<br />
countries built a rainbow-shaped piece of play equipm<strong>en</strong>t<br />
in craft camps lasting several weeks under the guidance of<br />
Klaus-Peter Gust. These rainbows are a sign of hope in places<br />
of separation and destruction. Many people who took part are<br />
still in contact today. Some rainbows have found godpar<strong>en</strong>ts<br />
and have be<strong>en</strong> restored. They are pieces of play equipm<strong>en</strong>t<br />
but also bridges that connect us with other people and cultures.<br />
[www.reg<strong>en</strong>bog<strong>en</strong>project.de]<br />
We support many social and cultural projects throughout<br />
Germany by donating gifts in kind and money. We are connected<br />
with the primary school in our community by a long,<br />
close sponsorship scheme for one class each from 3rd to 6th<br />
grade. We are an active member of various organisations and<br />
networks that are committed to the education of childr<strong>en</strong> and<br />
the design of their living spaces.<br />
play action with our school class<br />
Worldplayday with radio Teddy and <strong>SIK</strong>-Holz ®<br />
Building b<strong>en</strong>ches with refugees<br />
Building a circle of values with regional groups<br />
<strong>SIK</strong>-Holz ® 51<br />
responsibility
projects<br />
52 <strong>SIK</strong>-Holz ®
»<br />
A city is worth living in,<br />
if it respects human scale.<br />
If people are out about<br />
and its streets and<br />
squares are of a manageable<br />
scale so that people can come<br />
together in them.<br />
This epitomises the basic<br />
concept of a city.<br />
«<br />
<strong>SIK</strong>-Holz ® 53<br />
Advice<br />
Jan Gehl
54 <strong>SIK</strong>-Holz ®<br />
»<br />
Urban creativity can only<br />
be created and maintained,<br />
if change is understood<br />
as a dynamic process -<br />
and not in the s<strong>en</strong>se of<br />
change with<br />
a fixed goal.<br />
«<br />
projects<br />
Graft Architekt<strong>en</strong>
projects<br />
<strong>SIK</strong>-Holz ® 55
Image directory<br />
56 <strong>SIK</strong>-Holz ®<br />
pictures S.10/11 © Anja Bastian<br />
picture S.37 r.o. © Kamilla Born Frost<br />
country maps S. 13, 29, 27 © FreeVectorMaps.com<br />
playground index:<br />
title front u.l. reach for the sky – Anjō/ Japan; S.01 v.l.n.r. adv<strong>en</strong>ture forest – Münch<strong>en</strong>; rocket-playground – Bremerhav<strong>en</strong>; S.02/03 v.l.n.r. cloud-playground<br />
– Magdeburg; tree house worlds – Nürnberg; volcano– Nürnberg; church-Pavilion – Premnitz; slavs-playground – Havelberg; S.09 u.l. sea bridge-playground<br />
– Timm<strong>en</strong>dorf; S.12/13 v.l.n.r. picuteres-playground – Berlin; music-playground – Mohnheim; mill-playground – Magdeburg; grasses-playground – Witt<strong>en</strong>berg;<br />
S.26/27 v.l.n.r. reach for the sky – Jerusalem/ Israel; don quijote – Hernares/ Spani<strong>en</strong>; acorn-playground – Chasse-sur-Rhône/ Frankreich; afrika-playground<br />
– Itzig/ Luxemburg; dschungle-obervation-plattforms – Åalborg/ Dänemark; beach-playground – Sopot/ Pol<strong>en</strong>; elefant-playground – Seoul/ Südkorea; toddlerplayground<br />
– Kobe/ Japan; S.28/29 v.l.n.r. swed<strong>en</strong>-playground – Berlin; grasses-playground – Witt<strong>en</strong>berg; meduse – Sellin; squirrel-playground – Nürnberg;<br />
helicopter – Nürnberg; S.52/53 v.u.l.n.r.o. gold digger city – Berlin; taka-tuka-land – Brem<strong>en</strong>; dinobaby – Bremerhav<strong>en</strong>; town of childr<strong>en</strong> – Jaén/ Spani<strong>en</strong>; zoo on<br />
sea – Bremerhav<strong>en</strong>; 1001 night – Berlin; knight-playground – Har<strong>en</strong>; S.54/55 v.o.l.n.r.u. arc-Nürnberg; pirates-playground – Salzgitter; each for the sky – Dortmund;<br />
dino-playground – Magdeburg; grasses-playground – Witt<strong>en</strong>berg; police-playground – Nürnberg; swed<strong>en</strong>-playground – Berlin; title inside back v.o.n.u<br />
ufo-playground – Bremerhav<strong>en</strong>; space-playground – Haltern; title back o.m. mine-playground – Hamm<br />
Publications<br />
Main catalogue #10 Kindergart<strong>en</strong> playgrounds #3 Schoolyard playgrounds #3 Inclusive play areas #2<br />
Playground worlds #2<br />
Contact<br />
Contact<br />
<strong>SIK</strong>-Holzgestaltungs GmbH<br />
Lang<strong>en</strong>lipsdorf 54a<br />
D-14913 Niedergörsdorf<br />
tel.: +49 (0)33742.799 0<br />
fax: +49 (0)33742.799 20<br />
your contact<br />
mail: info@sik-holz.de<br />
web: www.sik-holz.de
Imprint<br />
Publisher<br />
<strong>SIK</strong>-Holzgestaltungs GmbH<br />
<strong>SIK</strong>-Holz ®<br />
Editing, pictures<br />
Claudia Gust<br />
Pictures editing, layout,<br />
Kathle<strong>en</strong> Gust<br />
Proofreading<br />
Maria Metschnabl<br />
Fonts<br />
Robinson, Greg Gazdowicz<br />
FF Fago, Ole Schäfer<br />
Paper<br />
Circle Offset Premium White<br />
(blue angle)<br />
Print<br />
dieUmweltDruckerei GmbH<br />
Hannover<br />
Managem<strong>en</strong>t<br />
Klaus-Peter Gust<br />
Marc Oelker<br />
Register court<br />
Amtsgericht Potsdam<br />
HRB 8656<br />
Steuer-Nr.: 050/158/02369<br />
Status<br />
05/<strong>2018</strong><br />
© <strong>SIK</strong>-Holz®
www.sik-holz.de/<strong>en</strong><br />
© <strong>2018</strong>