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30 years SIK-Holz

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<strong>30</strong><br />

years


»<br />

People want both:<br />

urban and rural quality of life.<br />

«<br />

Charles Landry


Designing<br />

playgrounds<br />

Claudia: We have be<strong>en</strong> designing playgrounds<br />

for <strong>30</strong> years. Today, we are<br />

actually 2<strong>30</strong> people. It started with an<br />

idea, with the desire to be creative<br />

and to create interesting spaces for<br />

childr<strong>en</strong>. Today we still adhere to this<br />

basic idea which the company founder<br />

Klaus-Peter Gust originally had.<br />

Playgrounds for childr<strong>en</strong> have be<strong>en</strong><br />

expanded to include play areas for<br />

people of all ages, with and without<br />

restrictions. The last <strong>30</strong> years have<br />

allowed us to discover how multifaceted<br />

play is. With our wood<strong>en</strong><br />

constructions and sculptures we want<br />

to provide childr<strong>en</strong> and adults with<br />

space for personal developm<strong>en</strong>t and<br />

to try out the infinite facets of play.<br />

This is the standard we hold ourselves<br />

to, and which must be adapted to<br />

tight budgets, tight deadlines and<br />

other problems. Our goal is to create<br />

playgrounds that grow with the needs<br />

of users, spaces that can be changed<br />

and shaped. A high level of safety is of<br />

paramount importance to us.<br />

Combining these two things are<br />

chall<strong>en</strong>ges that we face every day.<br />

Wh<strong>en</strong> you look at a finished<br />

Claudia Gust<br />

(Marketingleiterin)<br />

playground it’s no longer possible to<br />

see how many heads or hands w<strong>en</strong>t<br />

into creating it. The aim of this<br />

brochure is to introduce you to the<br />

people who actively shape the path<br />

which starts out with an initial idea<br />

and culminates in a playable space<br />

through planning, calculating,<br />

designing, building, testing, loading,<br />

assembling and repairing. We also<br />

take a look back at <strong>30</strong> years of playground<br />

history and talk about our<br />

wishes and visions for future<br />

playgrounds.<br />

<strong>SIK</strong>-Holz ® 01<br />

Editorial


02 <strong>SIK</strong>-Holz ®<br />

Advice<br />

»<br />

[…] Cities that set their<br />

inhabitants in motion,<br />

on the other hand,<br />

have the cheapest<br />

health policy.<br />

«<br />

Jan Gehl


01 Editorial<br />

03 Cont<strong>en</strong>t<br />

04 Review<br />

06 Facts and Figures<br />

08 Philosophy<br />

10 Managem<strong>en</strong>t<br />

12 Advice<br />

26 Abroad<br />

28 Sale<br />

<strong>30</strong> construction<br />

32 logistic<br />

34 purchasing<br />

36 preparation<br />

38 Tower building<br />

40 sculpture<br />

42 coloring<br />

44 assembly<br />

46 service and administration<br />

48 training<br />

50 responsibility<br />

52 projects<br />

<strong>SIK</strong>-Holz ® Cont<strong>en</strong>t<br />

56 Contact


04 <strong>SIK</strong>-Holz ®<br />

Review<br />

How the cow got<br />

on the roof<br />

In 1988, the GDR was breathing its last breaths. After<br />

almost 40 years it had be<strong>en</strong> recognised that socialism<br />

also wasn’t able to survive without private initiatives.<br />

Small businesses were promoted. And so, after<br />

several attempts, our two-man business (Klaus-Peter<br />

and Claudia Gust) also obtained a lic<strong>en</strong>ce for a wooddesigning<br />

trade.<br />

Our company also had to work under planned economic<br />

conditions. The order was to produce handicraft<br />

products and adv<strong>en</strong>ture playgrounds made of wood.<br />

But the new course didn’t seem to work any longer.<br />

The GDR w<strong>en</strong>t bankrupt.<br />

In 1989, a new adv<strong>en</strong>ture began. The planned economy<br />

became the market economy. We had to explore<br />

the needs of the market and develop our products<br />

accordingly. The order from last year had left us two<br />

small refer<strong>en</strong>ce playgrounds. They consisted of simple<br />

balancing and climbing structures as well as some<br />

animal sculptures made of robinia. Alongside oak,<br />

robinia was incid<strong>en</strong>tally the only wood that could<br />

be used for playground equipm<strong>en</strong>t in the GDR, and<br />

it was our ticket to the West Berlin Gard<strong>en</strong> Offices.<br />

With this material we were welcomed with op<strong>en</strong><br />

arms, since pressure-impregnated play equipm<strong>en</strong>t<br />

was very exp<strong>en</strong>sive to dispose of back th<strong>en</strong>. Of course,<br />

there was still some scepticism about our abilities and<br />

compliance with standards. Our first customer was the<br />

Berlin-Neukölln parks departm<strong>en</strong>t. In autumn 1990<br />

they ordered a dragon and a crocodile for Volkspark<br />

Has<strong>en</strong>heide.<br />

In 1991, we made another decision that significantly<br />

influ<strong>en</strong>ced the company’s developm<strong>en</strong>t. For the first<br />

time we r<strong>en</strong>ted a 12 m² exhibition space at FSB, an<br />

international fair in Köln. Our exhibit was a threeheaded<br />

dragon which filled the whole stand. This is<br />

where we first got in contact with experts from the<br />

playground industry who were interested in selling<br />

our playground equipm<strong>en</strong>t. Thanks to their sound<br />

advice as well as the increased demand for ecological<br />

and custom designed playgrounds, our small company<br />

experi<strong>en</strong>ced <strong>en</strong>ormous growth.<br />

In 1995 we acquired an abandoned dairy farm. It offered<br />

ideal conditions to accommodate all areas of the<br />

company and to connect the technology we use. Today,<br />

two wood<strong>en</strong> cows graze on the cante<strong>en</strong>’s gre<strong>en</strong><br />

roof as a reminder of the building’s former purpose: a<br />

milk collection point. These facilities soon turned out<br />

to be too small as well.<br />

In 2000 additional, disused buildings were added<br />

which adjoined the company premises. We have developed<br />

a little further with each order. We have learned<br />

a lot about the "gre<strong>en</strong> industry" and the social tasks<br />

associated with it from our customers. As time has<br />

passed we have become increasingly active on this<br />

front and are committed to the right to play and a<br />

healthy living <strong>en</strong>vironm<strong>en</strong>t in networks, associations,<br />

committees, trade fairs and congresses.


»<br />

[…] due to the increased<br />

demand for ecological<br />

and individually<br />

designed playgrounds<br />

learned we are a huge<br />

one growth.«<br />

Claudia Gust<br />

<strong>SIK</strong>-Holz ® 05<br />

Advice<br />

Review


facts and figures<br />

06 <strong>SIK</strong>-Holz ®<br />

turn over<br />

employees appr<strong>en</strong>tice company area<br />

1996<br />

start training<br />

for sculptures<br />

2000<br />

start training<br />

for office<br />

communikation<br />

1988<br />

establishm<strong>en</strong>t<br />

of <strong>SIK</strong>-Holz®<br />

as company<br />

1995<br />

spitting and<br />

establishm<strong>en</strong>t<br />

<strong>SIK</strong>-Holzgestaltungs GmbH 1999<br />

moving<br />

to new<br />

offices<br />

2001<br />

start<br />

training for<br />

carp<strong>en</strong>ter<br />

67.100 m2<br />

60.550 m2<br />

142<br />

135<br />

38.850 m2<br />

114<br />

33.600 m2<br />

2.050 m2<br />

1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002


<strong>SIK</strong>-Holz ®<br />

delivery of new play equipm<strong>en</strong>t<br />

new company premises under r<strong>en</strong>ovation 1995<br />

facts and figures<br />

2009<br />

Special award for<br />

medium-sized companies,<br />

Oskar-Patzelt-Stiftung<br />

2009<br />

Initiative for the region,<br />

Bertelsmann Stiftung<br />

2013<br />

Craft price,<br />

Guarantee Banks<br />

07<br />

2007<br />

Training award,<br />

for the district of<br />

Teltow Fläming<br />

2010<br />

Committed to Brand<strong>en</strong>burg,<br />

Brand<strong>en</strong>burg state award<br />

2016<br />

start training<br />

for technical<br />

product designer<br />

2007<br />

Marc Oelker<br />

is also managing<br />

director<br />

198<br />

2010<br />

Merging of the company,<br />

taking over in the individual<br />

Company in GmbH & Co. KG<br />

209<br />

213<br />

226<br />

225<br />

2016<br />

213<br />

Future price,<br />

Brand<strong>en</strong>burg<br />

216<br />

15 Mio.€<br />

167<br />

175<br />

148<br />

148<br />

136<br />

128<br />

10 Mio.€<br />

5 Mio.€<br />

facts and figures<br />

2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017<br />

0 Mio.€


08 <strong>SIK</strong>-Holz ®<br />

Philosophy<br />

We stand for safety and quality! Quality matters to us.<br />

We unite visual quality, solid craftsmanship, durability,<br />

stability and safety in all of our products. The robinia wood<br />

is the perfect material for our approach. We demonstrate<br />

our compet<strong>en</strong>ce, commitm<strong>en</strong>t and high level performance<br />

not just through appropriate certificates, but with every<br />

new exciting play ground project we can design and build<br />

for our cli<strong>en</strong>ts.<br />

Philosophy<br />

We are interested in better and free play! We know<br />

that childr<strong>en</strong> want to have fun. Differ<strong>en</strong>t constitutional,<br />

social and psychological conditions are important in order<br />

to guarantee an optimal contribution to the health- and<br />

wellbeing as well as personality developm<strong>en</strong>t of a child.<br />

Over the last decades we have be<strong>en</strong> collecting know-how<br />

from theory and best practice, that we better understand<br />

child movem<strong>en</strong>t, the play instinct, the value of play and<br />

physical and intellectual developm<strong>en</strong>t. These are constantly<br />

developed and optimised in our play space concepts.<br />

We are the individual and creative original! The individual<br />

design of play equipm<strong>en</strong>t requires a high degree of<br />

flexibility and creativity from our staff. We want to preserve<br />

the originality created in the design and colour by taking<br />

some of the traditional shapes, methods and knowledge<br />

into account.<br />

We do business according to fair competition principles!<br />

Our world offers something for everyone. We think this is a<br />

good thing, and are op<strong>en</strong>-minded toward our competitors.<br />

It matters to us, that we operate honestly, compet<strong>en</strong>tly and<br />

in a cli<strong>en</strong>t ori<strong>en</strong>ted manner at all times. Evid<strong>en</strong>ce of this can<br />

be se<strong>en</strong> in our long-lasting relationships with cli<strong>en</strong>ts and<br />

our reliability toward them.<br />

We accept ethical responsibility, and advocate for the<br />

rights and values of childr<strong>en</strong> and young people. We live,<br />

work and play in a new eco-social <strong>en</strong>vironm<strong>en</strong>t. In order<br />

to be able to shape it in a proactive manner, we are operating<br />

in a future-ori<strong>en</strong>ted, <strong>en</strong>vironm<strong>en</strong>tal-fri<strong>en</strong>dly and<br />

sustainable way. We are certified with the Brand<strong>en</strong>burg<br />

<strong>en</strong>vironm<strong>en</strong>tal label, follow the FSC rules for responsible<br />

forest managem<strong>en</strong>t and support young tal<strong>en</strong>ts. We have a<br />

strong social awar<strong>en</strong>ess and are committed to democracy,<br />

social values and global responsibility.


»<br />

It is the game,<br />

and only the game,<br />

that makes man<br />

complete.<br />

«<br />

Friedrich Schiller<br />

<strong>SIK</strong>-Holz ® Philosophy


10 <strong>SIK</strong>-Holz ®<br />

Two minds<br />

at the top of<br />

<strong>SIK</strong>-Holz®<br />

In 1988, master wood sculptor Klaus-Peter Gust had the<br />

idea of building play equipm<strong>en</strong>t from crooked robinia<br />

wood. He founded <strong>SIK</strong>-Holz® and grew it from an individual<br />

<strong>en</strong>terprise to a medium-sized business. Today he<br />

heads up sales and fills the order books with a whole<br />

team of planners, salesm<strong>en</strong> and designers.<br />

Marc Oelker joined the company as a project manager<br />

in 2001 after completing studies in wood sci<strong>en</strong>ce. The<br />

company's rapid growth up to that point meant that it<br />

urg<strong>en</strong>tly needed structures to implem<strong>en</strong>t the many play<br />

ideas. Today he is in charge of production. His team of<br />

technologists, logisticians, carp<strong>en</strong>ters, sculptors and production<br />

planners bring to life the many ideas that the<br />

company comes up with and the ideas from elsewhere.<br />

Marc Oelker (manager)<br />

Managem<strong>en</strong>t<br />

»<br />

Our customers’<br />

needs are<br />

our chall<strong>en</strong>ges.<br />

«<br />

Klaus-Peter Gust


Klaus-Peter Gust (manager)<br />

The writer Victor Hugo once said:<br />

»Nothing is as powerful as an idea<br />

whose time has come«. The idea of<br />

building play equipm<strong>en</strong>t from<br />

robinia is now <strong>30</strong> years old. Has it<br />

made its mark on the market?<br />

Marc: Without a doubt. Klaus and Claudia<br />

Gust had the creative idea of building<br />

play equipm<strong>en</strong>t and themed playgrounds<br />

from robinia. This idea and<br />

simple means led to what is now a<br />

whole and an important market<br />

segm<strong>en</strong>t in the playground equipm<strong>en</strong>t<br />

industry, which conv<strong>en</strong>tional manufacturers<br />

of playground equipm<strong>en</strong>t also<br />

want to profit from and have to create<br />

their own production capacities. Many<br />

notice that market segm<strong>en</strong>ts have<br />

shifted, that their original product ideas<br />

and concepts are no longer up to date.<br />

Over time, the <strong>SIK</strong> idea spread beyond<br />

the borders of Germany to Europe. At<br />

this point, our sales partnerships reach<br />

into the Far East and Down Under.<br />

Before <strong>SIK</strong>-Holz® was founded, there<br />

were only simple toys made of pressureimpregnated<br />

softwood or steel. That was<br />

the case in eastern Germany, but it was<br />

also the case in western Germany.<br />

Natural? Creative? Themed? Not a<br />

chance!<br />

Klaus: Just as we did <strong>30</strong> years ago, we are<br />

still bringing human clos<strong>en</strong>ess and<br />

warmth into the eco-social living<br />

<strong>en</strong>vironm<strong>en</strong>t today with our natural<br />

play area designs. Wood is one of the<br />

first materials that people discovered,<br />

used and designed as they <strong>en</strong>gaged<br />

with their <strong>en</strong>vironm<strong>en</strong>t. Robinia is in<br />

many ways a wonderful material for<br />

designing childr<strong>en</strong>'s playground<br />

equipm<strong>en</strong>t because it is especially<br />

resistant wh<strong>en</strong> used outdoors. Its<br />

irregularities in growth, its exciting<br />

grain, branches and roots give the wood<br />

its unique character and make it particularly<br />

interesting for us as play area<br />

designers. Our 2<strong>30</strong> employees embrace<br />

this <strong>30</strong>-year tradition of custom playground<br />

design. Our craftsmanship<br />

preserves traditional working methods<br />

and brings themed and natural play<br />

worlds into the otherwise monotonously<br />

and functionally designed urban<br />

spaces. Our products look like they were<br />

designed by childr<strong>en</strong>. Sometimes it's<br />

fairy tales, another time it's appar<strong>en</strong>tly<br />

simple balancing structures that work<br />

like little wonders on childr<strong>en</strong> and<br />

adults in our oft<strong>en</strong> dehumanised<br />

<strong>en</strong>vironm<strong>en</strong>t. We counter this isolated<br />

cold with our loving warmth.<br />

A company’s values are in its<br />

history. As managers of <strong>SIK</strong>-Holz®,<br />

you have cultivated these values<br />

over the past <strong>30</strong> years and communicated<br />

them to your employees,<br />

business partners and customers.<br />

What is the ess<strong>en</strong>ce of <strong>SIK</strong>-Holz®<br />

today and what ideas and visions<br />

do you have for the future?<br />

Klaus: <strong>SIK</strong>-Holzgestaltungs GmbH will<br />

continue to <strong>en</strong>sure that equality,<br />

justice and participation remain<br />

ess<strong>en</strong>tial features of urban developm<strong>en</strong>t.<br />

The use of resources must be<br />

sustainable and responsible, with<br />

innovative ideas and processes. Ev<strong>en</strong><br />

as a medium-sized company, we can<br />

make a major contribution to our<br />

global climate. With our playground<br />

designs we are able to educate and<br />

shape people by giving them the<br />

opportunity to let loose their imagination,<br />

to move around outdoors and<br />

to play together. My motto: Our<br />

customers’ needs are our chall<strong>en</strong>ges<br />

– and we love them. My idea: Play<br />

outdoors in custom designed, natural<br />

spaces.<br />

Marc: Now, of course, there is competition<br />

too. At all trade fairs in the<br />

industry there are various companies<br />

offering robinia playground<br />

equipm<strong>en</strong>t. The market is highly<br />

competitive. Many companies are<br />

trying to jump on the bandwagon.<br />

The advantages are obvious: very<br />

natural raw materials from the region,<br />

natural processing, creative ideas<br />

paired with traditional craftsmanship,<br />

concepts adapted to the customer's<br />

wishes, high play value, excell<strong>en</strong>t<br />

durability, the highest level of<br />

equipm<strong>en</strong>t safety. Not everyone is<br />

able to successfully combine these<br />

separate areas. As pioneers in robinia<br />

together we are as big as all our<br />

competitors together. We know what<br />

matters and have be<strong>en</strong> operating<br />

successfully on the market together<br />

with our employees for <strong>30</strong> years. We<br />

have done a lot of things right, not<br />

everything, but a lot. We can be<br />

proud of what we have achieved.<br />

<strong>SIK</strong>-Holz ® 11<br />

managemnt


12 <strong>SIK</strong>-Holz ®<br />

Advice<br />

Advising operators<br />

and planners of<br />

playgrounds<br />

Germany has always be<strong>en</strong> our largest market. Our consultants<br />

have many years of experi<strong>en</strong>ce planning childr<strong>en</strong>'s<br />

playgrounds or a degree in landscape architecture. In<br />

addition, they are certified safety specialists for childr<strong>en</strong>'s<br />

playgrounds and have relevant knowledge and experi<strong>en</strong>ce<br />

in handling wood<strong>en</strong> constructions. They are very flexible<br />

in their approach and adapt to the wishes of our customers<br />

and the conditions of a new eco-social <strong>en</strong>vironm<strong>en</strong>t.<br />

In close cooperation with our design office, our technical<br />

consultants develop individual solutions for a wide range<br />

of applications. They can fall back on tried and tested<br />

standards for each new task. This pool is an ess<strong>en</strong>tial<br />

source for new planning. Every new creation contains a<br />

proportion of traditional forms, processes and knowledge.<br />

Custom playground developm<strong>en</strong>t is a dynamically creative<br />

process based on interrelationships. Each piece is unique.<br />

»<br />

The explosion<br />

of unlimited<br />

possibilities is<br />

followed by the<br />

implosion of<br />

their control.<br />

«<br />

Kurt Weidemann


J<strong>en</strong>s Schmieding-Borgs<strong>en</strong><br />

(consultant Westfal<strong>en</strong>)<br />

Martin Heumüller<br />

(consultant Sieg/ Rhein/ Ruhr)<br />

Rita Strautmann<br />

(Backoffice)<br />

Anne Kortomeikel<br />

(Backoffice)<br />

Ulrike Gebauer<br />

(consultant Hess<strong>en</strong>/ Pfalz)<br />

Antje Gries<br />

(distribution manager)<br />

Bielefeld<br />

Salzkott<strong>en</strong><br />

Breuberg<br />

Heidelberg<br />

Ulrich Probst-Schneidereit<br />

(consultant Germany/ north)<br />

Burgwedel<br />

Freising<br />

Kornelia Schneidereit<br />

(Backoffice)<br />

Leipzig<br />

Berlin<br />

Lisa Ottmann<br />

(Backoffice)<br />

Patrick Chiraux<br />

(consultant Germany/ north/ east)<br />

Christina Bergsteiner<br />

(consultant Bavaria)<br />

Alida Petrov<br />

(consultant Germany/ east/ south)<br />

Carla Jaekel<br />

(Backoffice)<br />

<strong>SIK</strong>-Holz ® 13<br />

Advice<br />

Valeria Eremina<br />

(consultant Bad<strong>en</strong>-Württemberg)


14 <strong>SIK</strong>-Holz ®<br />

Playground<br />

in the colloquium<br />

playgrounds in urban areas<br />

A new playground shall be built here!<br />

Advice<br />

Mostly these are places with old, partly<br />

rudim<strong>en</strong>tary playground equipm<strong>en</strong>t, or<br />

›unspaces‹ which hav<strong>en</strong>’t be<strong>en</strong> tak<strong>en</strong><br />

care of for a long time. It can also be a<br />

›small moonscape‹ in a newly built<br />

resid<strong>en</strong>tial area, which according to the<br />

land use plan is int<strong>en</strong>ded as a free<br />

space for childr<strong>en</strong>'s play and meeting<br />

place for all g<strong>en</strong>erations.<br />

Which of this places pres<strong>en</strong>t the<br />

greatest chall<strong>en</strong>ges for you?<br />

Ulrich: »Unspaces or non-places, both new<br />

and old, are always a chall<strong>en</strong>ge. It might<br />

also be an existing playground where only<br />

one piece of equipm<strong>en</strong>t or area is to be<br />

r<strong>en</strong>ewed. If you can spark something that<br />

makes old things attractive again or define<br />

a new place that childr<strong>en</strong>, or best of all,<br />

everyone wants to go to, that is the best<br />

confirmation and my personal concern.«<br />

J<strong>en</strong>s: »Playgrounds in new developm<strong>en</strong>t<br />

areas without a definite structure, without<br />

design or historical refer<strong>en</strong>ces, are always a<br />

special task. Technically speaking it is more<br />

difficult to plan in detail, but developing a<br />

functional and attractive concept out of<br />

nothing is usually the greater chall<strong>en</strong>ge.«<br />

Ulrike: »On one hand it’s places in an<br />

existing building where the distances to<br />

fixed installations, terraces, walls,<br />

boulders, etc. must be observed, perhaps<br />

there are still trees to be preserved too.<br />

And the other is large op<strong>en</strong> spaces without<br />

any structures which one can design play<br />

areas around. As a planner both cause me<br />

to scratch my head.«<br />

Christina: »Every place is unique. Just like<br />

the people, who will (re-)conquer them in<br />

the future. This includes places that are on<br />

a busy road, a wooded area or a slope for<br />

instance. The existing or missing tree<br />

population and the neighbourhood are<br />

also individual. Existing devices must be<br />

integrated and new wishes fulfilled. I see<br />

the chall<strong>en</strong>ge in reconciling all prevailing<br />

conditions, wishes, feelings and moods<br />

and creating the best possible design.«<br />

Alida: »It gets tricky wh<strong>en</strong> the space is very<br />

small and you still have to create a lot of<br />

play opportunities.«


What basic questions do you ask the<br />

operator of the future playground?<br />

Christina: »During on-site meetings,<br />

questions regarding size, <strong>en</strong>vironm<strong>en</strong>t,<br />

location and terrain modelling are oft<strong>en</strong><br />

cleared up. Also important is the target<br />

group, which play functions are desired<br />

and which direction the design should<br />

take. And if a subsequ<strong>en</strong>t ext<strong>en</strong>sion<br />

should be possible and which kind of fall<br />

protection is required. Should the terrain<br />

be further modelled or is a new tree<br />

population planned? It is helpful to draw<br />

up a checklist of further aspects, such as<br />

covering an underground car park, which<br />

need to be decided. The question of<br />

budget and installation must of course be<br />

included in case of realistic further<br />

planning.«<br />

Patrick: »Besides the user groups, the play<br />

value, theme and budget I always ask if<br />

there are experi<strong>en</strong>ces with vandalism on<br />

site, if they have own ideas or examples<br />

and how we should pres<strong>en</strong>t our<br />

creations.«<br />

playgrounds in landscape areas<br />

»<br />

Every place is unique.<br />

Just like the people,<br />

who will reconquer them<br />

in the future.<br />

«<br />

Alida: »What the g<strong>en</strong>eral conditions are:<br />

Playground size, number of childr<strong>en</strong>, age<br />

groups, soil conditions, access, the<br />

financial framework. What is important to<br />

the cli<strong>en</strong>t? Is there already a topic<br />

perhaps? What is the time frame for<br />

completion?«<br />

Valeria: »Usually I list<strong>en</strong> to the customer<br />

first. Their ideas and desires are the initial<br />

indicators. Th<strong>en</strong> it is about how possible it<br />

is to make these ideas and desires a<br />

reality. The size of the playground, target<br />

groups and budget are further questions.«<br />

Christina Bergsteiner<br />

<strong>SIK</strong>-Holz ® 15<br />

Advice


16 <strong>SIK</strong>-Holz ®<br />

Advice<br />

Are there g<strong>en</strong>erally planning steps<br />

betwe<strong>en</strong> the first meeting with the<br />

customer and submitting a binding<br />

offer?<br />

Ulrich: »Planning begins during the conversation<br />

with the customer. In the <strong>en</strong>suing<br />

appraisal, in addition to topographical<br />

conditions and signs of use, special<br />

features of the site, such as access routes,<br />

hiding places, walking routes, atmosphere<br />

can be id<strong>en</strong>tified – here the planning<br />

continues in the mind. The best case<br />

sc<strong>en</strong>ario is wh<strong>en</strong> you can already see the<br />

result. The appraisal is put to paper. This is<br />

followed by searching for a concept and<br />

refining the idea. Can you use tried and<br />

tested creations? Were there projects with<br />

similar questions, similar topics or only<br />

similar play offerings? If available, it is<br />

coordinated with the actual situation. A<br />

solution can be found by drawing in scale<br />

and perspective. A budget comparison<br />

takes place at the same time. The design is<br />

forwarded to costing. The result is<br />

compared with the planning and an offer<br />

drawing is drawn up.«<br />

Ulrike: »After evaluating the site I sketch a<br />

draft, create a checklist which my<br />

colleague in the office uses to put together<br />

the offer. Usually I convert the design<br />

sketch into a drawing as the offer is being<br />

prepared; the floor plan in Photoshop, the<br />

views and perspectives by hand. Along<br />

with the offer and the drawings, the<br />

customer receives also an explanatory text,<br />

possibly product sheets and sample photos<br />

as well as the description of our workmanship<br />

and our voluntary manufacturer's<br />

guarantee.«<br />

classical combination for childr<strong>en</strong> from 3 – 6 years, variant: witches cottage and post<br />

»<br />

Planning begins<br />

during the<br />

conversation with<br />

the customer.<br />

«<br />

Ulrich Probst-Schneidereit<br />

J<strong>en</strong>s: »Working systematically is definitely<br />

the key to creating a design that promises<br />

success. The customer's wishes must be<br />

tak<strong>en</strong> down in as much detail as possible,<br />

the idea for implem<strong>en</strong>tation must th<strong>en</strong> be<br />

prepared in drawings and th<strong>en</strong> calculated.<br />

Pres<strong>en</strong>ting the result in a visually<br />

appealing way is part of it too, of course.«


Do custom solutions always offer<br />

b<strong>en</strong>efits or are there standards which<br />

have proved their worth?<br />

Ulrich: »Always? Not always but more and<br />

more oft<strong>en</strong>. Basically almost always. But I<br />

have to say yes to the second part of that<br />

question. Of course, there are standards<br />

that have prov<strong>en</strong> themselves, not least for<br />

this reason they have be<strong>en</strong> selected (not<br />

downgraded) as standard equipm<strong>en</strong>t. This<br />

question touches on the ess<strong>en</strong>ce of our<br />

brand: We want to offer creative, individual<br />

and high-quality playground<br />

concepts. It is important to us to maintain<br />

our level of quality and to provide sound<br />

professional advice. We don't want to sell<br />

at any price. Instead, it is our goal to sell<br />

the right product. We look at the bigger<br />

picture and don’t want to just fill an area<br />

with random bits of equipm<strong>en</strong>t.<br />

Due to the material we use, our product is<br />

individually handcrafted. This is exp<strong>en</strong>sive<br />

and costs customers more money. In<br />

return, however, they have the great<br />

advantage that we can react flexibly to<br />

wishes and specific requirem<strong>en</strong>ts. This<br />

may begin with the colour design, the<br />

installation of on-site slides, the replacem<strong>en</strong>t<br />

of elem<strong>en</strong>ts or a changed ori<strong>en</strong>tation<br />

in response to local surface sizes, changed<br />

post l<strong>en</strong>gths, or ev<strong>en</strong> combinations of<br />

differ<strong>en</strong>t systems, newly assembled<br />

elem<strong>en</strong>ts. Occasionally something new has<br />

to be developed for special projects. The<br />

balance is ess<strong>en</strong>tial. Sometimes it's a little<br />

trick that makes the facility special and can<br />

create an id<strong>en</strong>tity for a playground.«<br />

Christina: »Buying an item of clothing is a<br />

similar situation. Sometimes it fits, the<br />

quality is great and you like it right away.<br />

Other times you have to combine<br />

something in a new way and put it<br />

together differ<strong>en</strong>tly. Places and the people<br />

who use them sometimes also need a fully<br />

custom design and well-adapted layout to<br />

suit everyone, to be exciting and<br />

coher<strong>en</strong>t.«<br />

<strong>SIK</strong>-Holz ® 17<br />

Advice<br />

individually desinged ›Viking‹ playground‹ (Design: Anke Meixner


18 <strong>SIK</strong>-Holz ®<br />

Advice<br />

Public playgrounds vs. playgrounds for<br />

nurseries and schools!<br />

The number of childcare services for<br />

childr<strong>en</strong> in nurseries and schools in<br />

Germany has increased over the last 10<br />

years. Outdoor play areas are particularly<br />

important in these facilities. One<br />

could conclude from this that public<br />

playgrounds were scaled back in favour<br />

of supervised playgrounds. Is this tr<strong>en</strong>d<br />

also reflected in your work?<br />

Ulrike: »I couldn’t say. Especially as playgrounds<br />

in kindergart<strong>en</strong> and school are<br />

oft<strong>en</strong> funded differ<strong>en</strong>tly to public playgrounds.<br />

However, public playgrounds do<br />

get knocked down if there are only a few<br />

young families with childr<strong>en</strong> living in the<br />

resid<strong>en</strong>tial area. The better thing to do<br />

would be, to redesign places like these to<br />

be inclusive. Though oft<strong>en</strong> there just isn’t<br />

the money for it.«<br />

Christina: »Playgrounds compete with<br />

resid<strong>en</strong>tial developm<strong>en</strong>t. They won't<br />

disappear completely. However, a<br />

reduction or relocation is discussed and<br />

sometimes implem<strong>en</strong>ted. It is becoming<br />

increasingly common to leave play areas<br />

and playgrounds on school grounds op<strong>en</strong><br />

ev<strong>en</strong> after school hours and at week<strong>en</strong>ds.<br />

I think that’s a s<strong>en</strong>sible idea.«<br />

›mobile construction site‹ for flexible game<br />

Martin: »In some cities, playgrounds are no<br />

longer in use. Some cities or municipalities<br />

sell these areas, some do not. Wh<strong>en</strong> I talk<br />

to a municipal employee about this<br />

planning direction, I always ask them to<br />

consider the consequ<strong>en</strong>ces wh<strong>en</strong> these<br />

areas are sold. In most cases, however, this<br />

approach has already be<strong>en</strong> decided by the<br />

council. Of the many small playgrounds a<br />

large proportion disappear due to maint<strong>en</strong>ance<br />

reasons arising from cost-cutting<br />

measures. These spaces are combined into<br />

one large, better or well-equipped main<br />

attraction in the neighbourhood. Funding<br />

measures such as the funding for nursery<br />

schools a few years ago or the latest ›Good<br />

School 2020‹ scheme <strong>en</strong>courage playgrounds<br />

in such facilities to be r<strong>en</strong>ewed.<br />

Oft<strong>en</strong> it is only due to the fact that is called<br />

for by someone in the facilities who takes<br />

care of it.«<br />

truss building site with building blocks of cork<br />

»<br />

It would be better,<br />

to redesign public<br />

playgrounds than<br />

to dismantle them.<br />

«<br />

Ulrike Gebauer


Has the quality of outdoor play areas<br />

offered by these facilities also increased<br />

with the quantitative increase in the<br />

number of childcare facilities?<br />

J<strong>en</strong>s: »Although the range of services has<br />

be<strong>en</strong> expanded, the areas available for<br />

playground equipm<strong>en</strong>t have usually<br />

remained the same, if not ev<strong>en</strong> shrunk<br />

due to ext<strong>en</strong>sions. In this respect, there is<br />

oft<strong>en</strong> only room for the installation of<br />

additional, easily accessible devices if old<br />

devices are removed at the same time.<br />

Unfortunately, the conversion of existing<br />

playground equipm<strong>en</strong>t is oft<strong>en</strong> neither<br />

s<strong>en</strong>sible nor economically appealing.«<br />

Patrick: »I oft<strong>en</strong> feel that ext<strong>en</strong>sions are<br />

necessary and desired, but the available<br />

space remains limited.«<br />

Ulrike: »Absolutely! Par<strong>en</strong>ts in particular<br />

consider it very important that their<br />

childr<strong>en</strong> receive good support at a very<br />

early age. Oft<strong>en</strong> the financing is also<br />

supported by a par<strong>en</strong>ts' association.«<br />

multi unit ›Snail shell‹ with wide variety of playing possibilities<br />

Martin: »Oft<strong>en</strong> it's because there's someone<br />

there who maintains it and calls for it. The<br />

<strong>en</strong>d quality is oft<strong>en</strong> due to the personal<br />

str<strong>en</strong>gth, attitude and taste of these<br />

people. Usually these are the leaders,<br />

directors and oft<strong>en</strong> also funding associations.<br />

If these people or groups of people<br />

are strong and committed, the quality<br />

improves significantly. If they rely solely<br />

on the carrier or operator, the basic<br />

equipm<strong>en</strong>t has to do.«<br />

Antje: »Many facilities rely on long-lasting<br />

quality with low maint<strong>en</strong>ance requirem<strong>en</strong>ts.<br />

The managers of these facilities are<br />

happy to be reassured by the compet<strong>en</strong>t<br />

and customer-ori<strong>en</strong>ted advice on the<br />

phone and on site.«<br />

<strong>SIK</strong>-Holz ® 19<br />

Advice<br />

play and climbing offers for schoolyards


20 <strong>SIK</strong>-Holz ®<br />

Everywhere is a play area!<br />

Play should not be restricted to<br />

dedicated places and facilities.<br />

However, play area networking<br />

competes with urban traffic areas.<br />

play and adv<strong>en</strong>ture places in the forest<br />

»<br />

Path-accompanying<br />

play points can<br />

only be installed in<br />

protected areas.<br />

«<br />

Ulrike Gebauer<br />

What opportunities do you see for<br />

pioneering play areas? Are there any<br />

model projects you have planned?<br />

Advice<br />

Ulrich: »Playground equipm<strong>en</strong>t does not<br />

feature promin<strong>en</strong>tly in networking. Mostly<br />

it is a matter of area design and safe road<br />

crossings. There is certainly still a lot of<br />

pot<strong>en</strong>tial for play to be developed in<br />

urban <strong>en</strong>vironm<strong>en</strong>ts. But city planners<br />

don't like to see their prom<strong>en</strong>ades<br />

'disturbed' by play islands that stick out<br />

like a sore thumb. The contrast could have<br />

an invigorating effect. If everything is<br />

straight and geometric, it can seem not<br />

only large but also monotonous. At best,<br />

oases are created that attract everyone<br />

where the purpose-built, effective world<br />

does not dominate for once. But that’s<br />

more of a vision than a reality.«<br />

Christina: »I see this as an opportunity to<br />

perceive and experi<strong>en</strong>ce places anew, for<br />

all ages. Walking carefully over a<br />

balancing beam, jumping over a few<br />

bollards and making it down the final<br />

straight can bring us all joy and draw our<br />

att<strong>en</strong>tion to something new. Childr<strong>en</strong> use<br />

every opportunity offered (if they are not<br />

prev<strong>en</strong>ted from doing so) to make their<br />

path more interesting and not just to take<br />

the well-trodd<strong>en</strong> paths. In my opinion<br />

<strong>en</strong>couraging them to do this is a great<br />

idea.«


J<strong>en</strong>s: »In the inner-city, urban context, I see<br />

hardly any opportunities without<br />

dismantling a significant portion of<br />

existing infrastructure. Creating and<br />

networking gre<strong>en</strong> spaces is a fantastic<br />

idea, but the required space is usually not<br />

available. The resid<strong>en</strong>tial tr<strong>en</strong>d is also<br />

curr<strong>en</strong>tly returning more strongly to the<br />

city – with corresponding pressure on the<br />

housing market and also on the already<br />

sparse availability of inner-city op<strong>en</strong><br />

spaces. This will certainly not change<br />

fundam<strong>en</strong>tally in the foreseeable future.<br />

Urban developm<strong>en</strong>t and traffic planning<br />

would clearly be in demand here in order<br />

to create fundam<strong>en</strong>tally more attractive<br />

inner-city recreation areas in the city as a<br />

living space. In out-of-town, rural areas,<br />

such concepts are more likely to be found<br />

in the areas of tourism and local recreation.<br />

The networking of gre<strong>en</strong> areas, local<br />

recreation areas etc. is oft<strong>en</strong> se<strong>en</strong> as a<br />

contribution to <strong>en</strong>vironm<strong>en</strong>tal protection<br />

in the s<strong>en</strong>se of actively <strong>en</strong>couraging<br />

pedestrian and bike traffic. Hop<strong>en</strong>er<br />

Waldpfad/City of Lohne, for example, has<br />

various play points along a local recreational<br />

trail in the forest of the town of<br />

Lohne. "Play and recreational elem<strong>en</strong>ts<br />

are spread over approximately 3 kilometres<br />

in the forest.«<br />

inclusive giant carousel<br />

balancing over water<br />

Ulrike: »Of course the possibility of networking<br />

play points and exciting places for<br />

childr<strong>en</strong> does exist. However, these<br />

pioneering play points can only be<br />

installed in protected areas, which must<br />

also be controlled and maintained. For<br />

this reason, inquiries of this kind are few<br />

and far betwe<strong>en</strong>. Instead, nature trails are<br />

equipped with playground equipm<strong>en</strong>t to<br />

accompany them.«<br />

accompanying climbing offer<br />

<strong>SIK</strong>-Holz ® Advice


22 <strong>SIK</strong>-Holz ®<br />

Our<br />

favourites<br />

Advice<br />

Ulrike: »Sonn<strong>en</strong>straße playground in<br />

Waldaschaff. There are two climbing and<br />

balancing areas with differ<strong>en</strong>t levels of<br />

difficulty for all age groups connected<br />

over a large area. The play value is very<br />

high, the grass design appealing and was<br />

very well received.«<br />

J<strong>en</strong>s: »The combine harvester and the<br />

climbing tractor are my favourites. I would<br />

like to build a big playground based on<br />

the theme of agriculture. From yesterday<br />

to today and how tomorrow's agriculture<br />

can be made sustainable.«<br />

Patrick: »Haf<strong>en</strong>city playground in Hamburg.<br />

I'm weak on the subject of the ›South<br />

Seas‹. I probably associate that with sun,<br />

warmth, brightness, sea, delicious seafood<br />

and a relaxed atmosphere.«


Martin: »Playground in Bonn am Hölder:<br />

›A castle for little princes and princesses‹.<br />

A beautiful result with a lot of play<br />

options, high recreational value and<br />

appealing design.«<br />

Valeria: »My favourite product from our<br />

range is the ›Cat‹ climbing and balancing<br />

frame. This piece of equipm<strong>en</strong>t looks very<br />

modern and contemporary. It has a varied<br />

structure and can be played on by many<br />

childr<strong>en</strong> at the same time.«<br />

Alida: »I find the jungle playground in Berlin<br />

Zehl<strong>en</strong>dorf very exciting and versatile. A huge<br />

area in which the diverse elem<strong>en</strong>ts are<br />

cleverly connected – sculptures, playhouses,<br />

tree houses, climbing caves, cable cars and<br />

much more.«<br />

<strong>SIK</strong>-Holz ® 23<br />

Advice


24 <strong>SIK</strong>-Holz ®<br />

Advice<br />

Antje: »The three Pho<strong>en</strong>ix playgrounds<br />

around Lake Pho<strong>en</strong>ix in Dortmund. We’ve<br />

visited them several times with our<br />

childr<strong>en</strong>. You can climb up and swing in<br />

the clouds, and the lake is in sight the<br />

whole time. Ideal for Sunday strolls.«<br />

Ulrich: »I can't give you a straight answer to<br />

that question. Every exciting topic is a<br />

temporary favourite project. I consist<strong>en</strong>tly<br />

like climbing forests, because I would have<br />

liked to have them myself on playgrounds<br />

of the 70s.«<br />

Christina: »The playground at the main<br />

square in Pfaff<strong>en</strong>hof<strong>en</strong>. I am delighted to<br />

see with every visit how well this playground<br />

in the middle of the city betwe<strong>en</strong><br />

the town hall and the church is used by all<br />

age groups.«


Carm<strong>en</strong> Engel<br />

(consultant for camping<br />

and leisure industry)<br />

maritim playground on a camp site<br />

Camping, gastro<br />

and tourism<br />

In addition to public playgrounds, there are also many<br />

playgrounds in the leisure industry operated by companies.<br />

This includes theme parks and campsites as well as<br />

hotels and pubs. These are looked after by Carm<strong>en</strong> Engel<br />

at <strong>SIK</strong>-Holz®. Her customers particularly appreciate her<br />

products because their individuality gives each company<br />

its own character. Every piece of play equipm<strong>en</strong>t is an investm<strong>en</strong>t.<br />

The play value of each product is determined.<br />

The companies examine carefully whether a higher customer<br />

satisfaction can be achieved through an attractive<br />

playground. Carm<strong>en</strong> not only advises her cli<strong>en</strong>ts on playground<br />

design, she also networks them with each other<br />

and passes on experi<strong>en</strong>ce in other areas. Carm<strong>en</strong> has the<br />

most relaxed customers. Time and again she hears, »We<br />

work where others go on holiday.« And where does Carm<strong>en</strong><br />

Engel go on holiday? Campsites of course!<br />

›Woodlodge‹ tree houses in an adv<strong>en</strong>ture parc<br />

»<br />

Play is as<br />

necessary to<br />

human life<br />

as rest.<br />

«<br />

Thomas von Aquin<br />

<strong>SIK</strong>-Holz ® 25<br />

Advice


26 <strong>SIK</strong>-Holz ®<br />

abroad<br />

Playgrounds<br />

around the world<br />

Our products can be found at many playgrounds worldwide.<br />

This gives an insight into the play culture of other<br />

countries and allows a comparison with the German market.<br />

It is evid<strong>en</strong>t that Germany provides the impetus to<br />

promote play in a natural <strong>en</strong>vironm<strong>en</strong>t and with natural<br />

materials. Other countries are becoming increasingly interested<br />

in this. In most Western and Southern European<br />

countries we have established long-term partnerships and<br />

carried out interesting projects. But also in Northern Africa<br />

and in the Far East the interest in our playground equipm<strong>en</strong>t<br />

and sculptures is increasing significantly.<br />

»<br />

Play is<br />

the way<br />

childr<strong>en</strong> learn<br />

about<br />

the world<br />

they live in.<br />

«<br />

Maxim Gorki


<strong>SIK</strong>-Holz ® 27<br />

abroad


28 <strong>SIK</strong>-Holz ®<br />

Sale<br />

The best value<br />

for money<br />

at a glance<br />

Our company does not live from what it plans and<br />

produces, but from what it sells! This might sound a<br />

bit harsh and is diametrically opposed to all emotional<br />

and creative considerations about our products.<br />

But what use are all good playground planning and<br />

playground designs wh<strong>en</strong> they are not needed? The<br />

market economy principle of supply and demand is<br />

reflected in the processes of our sales departm<strong>en</strong>t.<br />

Our customers find out about our services through<br />

the advice of our sales repres<strong>en</strong>tatives, our brochures<br />

and our website.<br />

The demand can reach our sellers in differ<strong>en</strong>t ways:<br />

The customer calls, the consultant takes up the request,<br />

an invitation to t<strong>en</strong>der or a competition is<br />

s<strong>en</strong>t by post or email. The requests range from clear<br />

and simple to complex and complicated. Our sales<br />

staff have to carefully handle day-to-day business,<br />

always aiming to turn the offer into an order and the<br />

order into a deal which both sides are satisfied with<br />

»<br />

If the sale turns<br />

into an <strong>en</strong>counter<br />

betwe<strong>en</strong> customer<br />

and seller,<br />

both are satisfied.<br />

«<br />

Alfred Rademacher


Nicole Becker<br />

(Germany/ Westfal<strong>en</strong>,<br />

Belgium, Luxemburg)<br />

Susann Klingner<br />

(Germany/ Sieg, Rhein, Ruhr,<br />

Spain, Italy, Poland)<br />

Carolin Borowka<br />

(Germany/ Hess<strong>en</strong>, Pfalz,<br />

France)<br />

Stefan Falk<strong>en</strong>berg<br />

(sales manager)<br />

Manuela Bartlick<br />

(Germany/ Bad<strong>en</strong>-Württemberg,<br />

abroad outside Europe)<br />

Nadine M<strong>en</strong>ne<br />

(Germany/ north,<br />

other abroad)<br />

<strong>SIK</strong>-Holz ®<br />

Sarina Nitsche<br />

(Germany/ Bavaria,<br />

Netherland)<br />

J<strong>en</strong>na Koch<br />

Germany/ north, east,<br />

Austria, Switzerland)<br />

B<strong>en</strong>jamin Schreinicke<br />

(Germany/ south, east,<br />

Great Britain, Ireland,<br />

Scandinavia)<br />

<strong>SIK</strong>-Holz ® 29<br />

Sale


<strong>30</strong> <strong>SIK</strong>-Holz ®<br />

Marcus Rippl (2. f. l.) and his team<br />

construction<br />

Drawings of<br />

the craziest<br />

ideas<br />

Our builders and designers design new play equipm<strong>en</strong>t<br />

and playgrounds every day. In addition to design and play<br />

value, the safety of the devices is always a primary concern.<br />

As in sales, tasks can range from clear and simple to complex<br />

and complicated.<br />

The way the equipm<strong>en</strong>t is built must be considered as early<br />

as the offer or competition phase, the reason for this is to<br />

produce a great idea and also to <strong>en</strong>sure that all safety-relevant<br />

requirem<strong>en</strong>ts are met. Oft<strong>en</strong> a sketch is suffici<strong>en</strong>t for<br />

offers and competitions. However, a sketch is not suffici<strong>en</strong>t<br />

for a thorough calculation.<br />

In addition, in most cases there is only a narrow time<br />

window for developing and adapting a new piece of play<br />

equipm<strong>en</strong>t or for drawing up a complete playground plan.<br />

The standards of how the objects look have also increased.<br />

Since childr<strong>en</strong> and adults from the public are involved<br />

in the planning of playgrounds, the submitted competition<br />

pres<strong>en</strong>tations must not only impress with their play<br />

value and quality, but they must also reach the viewer<br />

emotionally.<br />

Approximately every 4th Offer and every 4th competition<br />

ev<strong>en</strong>tually becomes an order. Th<strong>en</strong> everything has to be<br />

thought through in depth, agreed on and put down on<br />

paper. Without a carefully planned design and detailed<br />

drawings, our custom designed play equipm<strong>en</strong>t cannot be<br />

built to the expected standard.<br />

For this reason, in addition to creativity and knowledge of<br />

<strong>en</strong>gineering, organisational tal<strong>en</strong>t is also required in our<br />

drawing office.


»<br />

Cont<strong>en</strong>t precedes design.<br />

Design in the abs<strong>en</strong>ce of cont<strong>en</strong>t<br />

is not design, it's decoration.<br />

«<br />

<strong>SIK</strong>-Holz ® construction<br />

Jeffrey Zeldmann


32 <strong>SIK</strong>-Holz ®<br />

(standing f.l.t.r.) Olaf Waas (coordination), Andreas Lust (logistic), Isabell Grundmann (coordination),<br />

Steff<strong>en</strong> Meister (scheduler), Annelie Falticzka (assembly manager), (sitting f.l.t.r.) Gerd Müller (technologist),<br />

Ulf Bries<strong>en</strong>ick (produktion manager), Bernd Winkelmann (docum<strong>en</strong>tation)<br />

Planning and<br />

grafting until<br />

everyone is<br />

satisfied<br />

logistic<br />

The idea of a piece of play equipm<strong>en</strong>t still doesn’t take<br />

material form. In principle, a flow production must be<br />

organised. Ev<strong>en</strong> though <strong>SIK</strong>-Holz® doesn’t have any<br />

assembly lines, of course. It is much more of an objectrelated<br />

process in which machines and workstations are<br />

passed through in a fixed sequ<strong>en</strong>ce according to the required<br />

steps. For us that is the wood yard/cutting, tower<br />

construction or sculpture, for some products this includes<br />

a metalworking shop and finally the colouring process.<br />

These processes must be planned according to working<br />

hours for the respective departm<strong>en</strong>ts and the purchasing<br />

departm<strong>en</strong>t orders the necessary parts for the specified<br />

delivery date.<br />

We have a custom manufacture process, so we don’t produce<br />

equipm<strong>en</strong>t to stock. For this reason delivery times are<br />

usually 6–8 weeks. Bigger projects take longer to plan. Of<br />

course, our employees try to take special customer wishes<br />

into account. This means constantly coordinating planning<br />

and communicating with customers and suppliers.<br />

These are ess<strong>en</strong>tially the processes which come before<br />

production. The post-production processes must also be<br />

organised in advance and always adapted to the agreed<br />

delivery date. This includes shipping and installation.<br />

Since the assembly stage dep<strong>en</strong>ds on the weather, postponing<br />

is not uncommon. In rec<strong>en</strong>t years, it was less the<br />

frost that filled our warehouse than the torr<strong>en</strong>tial rain in<br />

summer that repeatedly flooded construction sites.


»<br />

Give me six hours<br />

to chop down a tree<br />

and I will sp<strong>en</strong>d the first four<br />

with sharp<strong>en</strong>ing the axe.<br />

«<br />

Abraham Lincoln<br />

<strong>SIK</strong>-Holz ® 33<br />

logistic


34 <strong>SIK</strong>-Holz ®<br />

Turning<br />

robinia into<br />

play worlds<br />

André Schrape by acquiring large oak trunks<br />

Detlef H<strong>en</strong>ze drives 70.000 km robinia wood annually to <strong>SIK</strong>-Holz ®<br />

Robinia (Germany)<br />

Natural f<strong>en</strong>ces – robinia<br />

(from Eastern Europe and France)<br />

Robinia-timber<br />

(Eastern Europe)<br />

more than<br />

8.000 m3 wood<br />

annually<br />

André Schrape is our wood buyer. Every<br />

year he buys approx. 8000 m³ of wood.<br />

Oak (Germany)<br />

75 % 25 %<br />

purchasing<br />

André, you studied forestry. You're well<br />

connected in the forestry industry. The<br />

well-being of our forests is close to<br />

your heart. What about the sustainable<br />

managem<strong>en</strong>t of robinia forests in<br />

Germany and Europe?<br />

André: »Anyone who thinks robinia is a<br />

shade tolerant tree that leaves its exist<strong>en</strong>ce<br />

in the shade is very wrong. In my opinion,<br />

it is equival<strong>en</strong>t to our curr<strong>en</strong>t economic<br />

tree species. It has already established<br />

itself sustainably in Europe and its<br />

pot<strong>en</strong>tial is also attracting increasing<br />

att<strong>en</strong>tion in Germany. The largest robinia<br />

growing regions are Hungary and<br />

Romania. But there are also very good and<br />

considerable stocks here in Germany.<br />

Brand<strong>en</strong>burg has the largest area of<br />

robinia in Germany. Nevertheless, confid<strong>en</strong>ce<br />

in its global economic viability is<br />

still in its infancy – wrongly so. We should<br />

place our trust in robinia, get to know its<br />

advantages and, together with playground<br />

operators, lay the foundation for sustainable<br />

cooperation. My goal is to build<br />

long-term business relationships with the<br />

pot<strong>en</strong>tial and knowledge of a globally<br />

operating company. ›Think globally – act<br />

locally‹!«<br />

2 %<br />

Robinia and Natural f<strong>en</strong>ces<br />

80 % 20 %<br />

75 % 25 %<br />

Timber Oak<br />

installed into play equipm<strong>en</strong>t<br />

sold as firewood<br />

own usage firewood


Silvia Möhle (warehouse manager) und Torst<strong>en</strong> Rose (purchasing manager)<br />

Slides,<br />

swings and<br />

seesaws<br />

Torst<strong>en</strong> Rose is our purchasing manager<br />

Torst<strong>en</strong>, you are responsible for buying<br />

the things that make playgrounds ev<strong>en</strong><br />

more interesting. At <strong>SIK</strong>-Holz®, this<br />

task requires a great deal of technical<br />

understanding, creativity and organisational<br />

tal<strong>en</strong>t. What criteria do our<br />

suppliers have to meet?<br />

Torst<strong>en</strong>: »The procurem<strong>en</strong>t, storage and<br />

provision of all purchases in our company<br />

form a complex unit. This is why there is<br />

close cooperation betwe<strong>en</strong> the purchasing<br />

manager and the warehouse manager.<br />

This requires careful selection and cooperation<br />

with appropriate suppliers. These<br />

must meet several criteria in order to meet<br />

our standards and our expectations. The<br />

basic prerequisite is an appropriate GS<br />

certification, which guarantees quality,<br />

reliability, adher<strong>en</strong>ce to delivery dates<br />

and, last but not least, flexibility. Great<br />

care is also tak<strong>en</strong> to constantly check and<br />

negotiate prices for purchased parts with<br />

our suppliers and to compare prices with<br />

other suppliers. This is the only way to<br />

<strong>en</strong>sure cost savings. We curr<strong>en</strong>tly have 16<br />

main suppliers, which are reassessed<br />

annually as part of our quality managem<strong>en</strong>t<br />

system and approved by the<br />

managem<strong>en</strong>t. Most of these suppliers have<br />

be<strong>en</strong> partners of our company for many<br />

years and we have an excell<strong>en</strong>t professional<br />

relationship with them.«<br />

<strong>SIK</strong>-Holz ® 35<br />

purchasing


36 <strong>SIK</strong>-Holz ®<br />

Marco Methner (left) and the wood yard team<br />

Marco Methner (left) and the grindery team<br />

Check each piece<br />

of wood for quality<br />

and use<br />

preparation<br />

Our playground equipm<strong>en</strong>t and sculptures have a very<br />

high degree of vertical integration. <strong>SIK</strong>-Holz® has three<br />

teams available for preparation. First of all, the bucked<br />

logs are arranged in the log yard according to diameter<br />

and l<strong>en</strong>gth. There are separate storage areas for wood<br />

with FSC© or PEFC© certification. The log yard team uses<br />

heavy machinery to remove individual logs from the pile<br />

for the specific job. Having good visual judgem<strong>en</strong>t is needed<br />

for this task. Can this trunk become a palm tree? Is<br />

that <strong>en</strong>ough to make seat bollards? The available resources<br />

are used consci<strong>en</strong>tiously; what’s left over is collected up<br />

and sold as firewood. Using trailers, the prepared logs are<br />

passed on to the sanding team for each order.<br />

Here, the logs are first debarked with a high-pressure<br />

cleaner, th<strong>en</strong> planed smooth and finally sorted into piles<br />

by job. The third team in the preparation phase is the cutting<br />

team. This is where the real heart of a carp<strong>en</strong>ter beats.<br />

The milled wood is cut to <strong>SIK</strong>-Holz® standard dim<strong>en</strong>sions<br />

and quality using a band saw, jointer and planer. The<br />

processed timber is glued to boards or placed in cantilever<br />

racks. The next departm<strong>en</strong>ts in the chain – tower construction,<br />

sculpture and assembly – can th<strong>en</strong> take what they<br />

need from the carts and cantilever racks.


Marco Methner (right) and the cutting team<br />

»<br />

Wood is just<br />

a one-syllable<br />

word, but it<br />

repres<strong>en</strong>ts a<br />

world full of<br />

beauty and<br />

wonder.<br />

«<br />

37 preparation<br />

Theodor Heuss


38 <strong>SIK</strong>-Holz ®<br />

Eik Vetter (above middle) and the tower builder team 1+2<br />

Tower building<br />

Childr<strong>en</strong>’s dreams<br />

made of<br />

robinia wood<br />

In the tower construction departm<strong>en</strong>t, the prepared timber<br />

is not only constructed into towers. Ships, volcanoes,<br />

planets, climbable dinosaurs, oversized squid, snails,<br />

chestnuts, acorns and much more have already left the<br />

workshops. Small objects such as playhouses, swings and<br />

seating groups are built here too. Our tower builders are<br />

highly qualified and experi<strong>en</strong>ced carp<strong>en</strong>ters and joiners.<br />

They work in four large workshops, each in small<br />

teams. It is a kind of nest production with corresponding<br />

specialisations for differ<strong>en</strong>t groups of playground equipm<strong>en</strong>t.<br />

Large playground elem<strong>en</strong>ts are usually completely<br />

assembled once, that’s to say that any bridges, nets and<br />

ropes, <strong>en</strong>trances and exits are all fitted. The complete system<br />

is th<strong>en</strong> dismantled to a transportable size.<br />

It is always impressive to watch how pieces of play<br />

equipm<strong>en</strong>t spring up in these halls. Walking through the<br />

workshops, despite the noisy chainsaws, you can feel a<br />

certain peace, conc<strong>en</strong>tration and joy in your work. Although<br />

the production drawings specify the basic design of<br />

the devices, the details are based on a wealth of experi<strong>en</strong>ce<br />

in working to a standard. This skill is taught as part<br />

of regular training courses<br />

.


»<br />

The g<strong>en</strong>ius of design lies in<br />

simplicity. Anybody can build<br />

complicated things.<br />

«<br />

Sergej P. Koroljow<br />

Eik Vetter (above right) and the tower builder team 3+4<br />

<strong>SIK</strong>-Holz ® 39<br />

Tower building


40 <strong>SIK</strong>-Holz ®<br />

Oliver Recknagel (middle) and the sculpture team<br />

Creating<br />

playmates<br />

out of wood<br />

sculpture<br />

Day by day sculptures for public spaces are created by the<br />

qualified hands of our wood sculptors. With craftsmanship<br />

and artistic tal<strong>en</strong>t they make each piece of wood unique.<br />

Workshop manager Oliver Recknagel and his team are literally<br />

carved from hardwood. Using chainsaws every day<br />

requires a lot of str<strong>en</strong>gth and conc<strong>en</strong>tration. Conversely,<br />

fine motor skills are important for the detail work. The spatial<br />

s<strong>en</strong>se which the craftsm<strong>en</strong> have is remarkable.<br />

They practically see the sculpture in the wood, expose it<br />

piece by piece and breathe life into it. Horses and dragons,<br />

giraffes and elephants, crocodiles and seals, but also small<br />

animals, such as caterpillars and snails in 100x magnification,<br />

are among the most popular playmates on our<br />

playgrounds. As it happ<strong>en</strong>s, about 400 small and bigger<br />

feathery animals leave the sculptor's workshop every year.<br />

Entire signage systems for cultural and natural areas are<br />

designed here at the customer's request or according to our<br />

own templates.<br />

A good third of the team at <strong>SIK</strong>-Holz® has completed a<br />

three-year training as a wood sculptor. This training <strong>en</strong>sures<br />

the high quality of our hand-crafted products.


»<br />

Sculpture is<br />

the art of<br />

the hole and<br />

the lumps,<br />

the art of<br />

repres<strong>en</strong>ting<br />

shapes in the<br />

play of light and<br />

shadow.<br />

«<br />

Auguste Rodin<br />

<strong>SIK</strong>-Holz ® 41<br />

sculpture


42 <strong>SIK</strong>-Holz ®<br />

Tommi Gellert (above right) and the painter team 1<br />

Marina Möbius (down) and the painter team 2<br />

coloring<br />

A lick of paint<br />

»The colours are actions of the light, [...]« Goethe writes<br />

in his book Theory of Colours. Without colours, something<br />

would remain hidd<strong>en</strong> from our eyes. The character of a<br />

piece of play equipm<strong>en</strong>t or a sculpture is expressed in the<br />

structure and colour of the surface. Bringing brightness<br />

and joy to public spaces with colours is a creative process.<br />

This can have a differ<strong>en</strong>t depths, from a red roof to a colourful<br />

bird. Having a fine touch and att<strong>en</strong>tion to detail<br />

is necessary for every step wh<strong>en</strong> designing colours for our<br />

products.<br />

Our employees in the colouring departm<strong>en</strong>t bring both.<br />

The colouring process is carried out in two differ<strong>en</strong>t halls.<br />

Through a several-stage process, small sculptures and objects<br />

are primed, painted and waxed by Marina Möbius<br />

with her colleagues Swetlana Lemp and Sara Buruguru.<br />

A dextrous hand is required to emphasise the facial expressions<br />

and gestures of the objects with small strokes.<br />

Tommi Gellert and his team turn large, complex systems<br />

into colour. Here you don't just paint with a brush. The<br />

surfaces are also sprayed or several coats are blurred together<br />

to achieve large-scale effects, such as a climbing<br />

forest with coloured birch trunks. Finally, everything is<br />

carefully tied up, packed and made ready for the journey<br />

to the playground.


»<br />

I don't mind<br />

if you ev<strong>en</strong> think<br />

you feel the colour;<br />

it'll only <strong>en</strong>hance<br />

its own qualities.<br />

«<br />

Johann Wolfgang von Goethe<br />

<strong>SIK</strong>-Holz ® FarbGebung


44 <strong>SIK</strong>-Holz ®<br />

assembly and service teams<br />

In any weather<br />

and in any place<br />

assembly<br />

Moving a volcano from Lang<strong>en</strong>lipsdorf to Auvergne in France<br />

is a technical and mechanical chall<strong>en</strong>ge. Our assembly teams<br />

are to the task. They are usually <strong>en</strong>trusted with the construction<br />

of complicated, multi-part systems. Our assembly team<br />

members have many years of experi<strong>en</strong>ce in handling our<br />

products and know how to solve ev<strong>en</strong> the most awkward<br />

situations on poorly organised building sites.<br />

They are able to capably operate any kind of technology<br />

r<strong>en</strong>ted for the building site. The weather doesn’t hold them<br />

back either. They work outside as long as the ground isn’t<br />

froz<strong>en</strong>. Our assembly team regularly take part in external<br />

and internal training courses in order to understand all aspects<br />

of the playground with regard to standards, childr<strong>en</strong>'s<br />

playing behaviour and the design of the playground equipm<strong>en</strong>t.<br />

They are also able to guide hands-on construction<br />

sites wh<strong>en</strong> it comes to involving people in the design of their<br />

living <strong>en</strong>vironm<strong>en</strong>t. Pati<strong>en</strong>ce and pedagogical skills are also<br />

required here.


»<br />

Curiosity is<br />

the key<br />

to solving<br />

a problem.<br />

«<br />

Galileo Galilei<br />

<strong>SIK</strong>-Holz ® 45<br />

assembly


46 <strong>SIK</strong>-Holz ®<br />

(vfl.t.r) Heike Bloch (accounting), Madeleine H<strong>en</strong>tsch (assist<strong>en</strong>ce),<br />

Sylvia Unkrodt (finance managem<strong>en</strong>t), Nancy Küster (personnal managem<strong>en</strong>t)<br />

Lysann Dümich<strong>en</strong> (service-c<strong>en</strong>ter)<br />

Thomas Lupa (quality managem<strong>en</strong>t)<br />

Organise,<br />

improvise,<br />

supply and<br />

manage<br />

Lothar Paeth (IT-managem<strong>en</strong>t)<br />

Service and administration<br />

Service and administration are two areas that are not directly<br />

related to our products. However, they <strong>en</strong>sure on a<br />

large scale that all other departm<strong>en</strong>ts can work smoothly.<br />

The service ess<strong>en</strong>tially comprises the areas of building and<br />

facility managem<strong>en</strong>t and metalworking. Here everything<br />

is repaired and restored in-house, grid tunnel welded<br />

and periscopes are built manufactured as well. Part of the<br />

operational service is also arranging break times.<br />

Accounting is a c<strong>en</strong>tral part of the administration. This is<br />

where the successes are calculated and the staff organised,<br />

as well as communication with the managem<strong>en</strong>t. Two<br />

more of our company’s key departm<strong>en</strong>ts are quality and<br />

information managem<strong>en</strong>t. Without them, the company<br />

would come to a standstill or sink into chaos. All inquiries<br />

are dealt with compet<strong>en</strong>tly and in a fri<strong>en</strong>dly manner in<br />

our headquarters and forwarded to the right place.


Joch<strong>en</strong> Gerlach and<br />

Heinz Lehmann (mechanics)<br />

Heidrun Fiebler (cante<strong>en</strong>)<br />

»<br />

Before one suspects disarray,<br />

one shall examine,<br />

how chaos is organised.<br />

«<br />

Horst Reiner M<strong>en</strong>zel<br />

Jürg<strong>en</strong> Stech and Ralf Heinzel (building) , (right) Michael Maßmann<br />

(operational service manager)<br />

<strong>SIK</strong>-Holz ® 47<br />

Service and administration<br />

Karst<strong>en</strong> Bloch (facility manager)


48 <strong>SIK</strong>-Holz ®<br />

(right) Nancy Küster (trainer) with appr<strong>en</strong>tices from sales and construction office<br />

(mi<br />

training<br />

Training as a<br />

foundation<br />

By training young people, we <strong>en</strong>able them to shape their<br />

own lives and those of the community. For 22 years we<br />

have be<strong>en</strong> training young people as skilled workers in<br />

four trades. Every year <strong>SIK</strong>-Holz® trains carp<strong>en</strong>ters, wood<br />

sculptors, office managem<strong>en</strong>t staff and technical product<br />

designers. A trainer is responsible for the quality of the<br />

practical training for each trade and works together with<br />

the respective vocational school. 86 young people have<br />

tak<strong>en</strong> their first steps into their professional lives here over<br />

the last 22 years.<br />

Almost every second trainee was tak<strong>en</strong> on. Some are<br />

further qualified in the company as business economists,<br />

master craftsm<strong>en</strong> or study for bachelor's degree.<br />

Wood sculptors in particular have received many awards<br />

with their diplomas in the past. All these awards are a<br />

testam<strong>en</strong>t to the excell<strong>en</strong>t training at <strong>SIK</strong>-Holz®. The<br />

achievem<strong>en</strong>ts of the young employees are now reflected<br />

in many wood designs in playgrounds and urban spaces<br />

in Germany and around the world.<br />

During training, the appr<strong>en</strong>tices pass through various departm<strong>en</strong>ts<br />

in the company and become familiar with the<br />

sale, design or manufacture of playground equipm<strong>en</strong>t according<br />

to their level of training. At the <strong>en</strong>d of the training,<br />

each appr<strong>en</strong>tice is also a 100% employee.


ddle) David Strauss (master) with appr<strong>en</strong>tices of carp<strong>en</strong>ters<br />

»<br />

The greatest masters<br />

are those,<br />

who never cease<br />

to be disciples.<br />

«<br />

Ignaz Anton Demeter<br />

technical<br />

product designer<br />

office manager<br />

carp<strong>en</strong>ter<br />

sculptores<br />

22<br />

appr<strong>en</strong>tice<br />

2017<br />

(middle) Bastian Tabert (master) with appr<strong>en</strong>tices of sculptores<br />

10 x<br />

National winners<br />

9 x sculptores<br />

1 x office manager<br />

3 x<br />

1 x 2 x<br />

State winners<br />

6 x sculptores<br />

<strong>SIK</strong>-Holz ® 49<br />

training


50 <strong>SIK</strong>-Holz ®<br />

Smart use of<br />

resources<br />

upcycling on the playground – adding new elem<strong>en</strong>ts to the stock<br />

r<strong>en</strong>ovated rainbow-playground in Mauerpark/ Berlin<br />

»<br />

Sustainability is<br />

considering the <strong>en</strong>d<br />

in everything you do.<br />

«<br />

Erik Schweitzer<br />

responsibility<br />

Sustainable managem<strong>en</strong>t means taking responsibility for<br />

the people who work for us, for the resources we use, for<br />

the region we live in and for the market we operate in.<br />

We do this in many differ<strong>en</strong>t ways. Having social responsibility<br />

for our employees doesn’t just mean paying them<br />

a dec<strong>en</strong>t wage on time. The 'Stay healthy' and 'Stay clean'<br />

schemes for instance <strong>en</strong>sure awar<strong>en</strong>ess while also improving<br />

the working atmosphere and conditions.<br />

Our main resource is robinia wood. We are certified according<br />

to the guidelines of FSC© and PEFC©. With these<br />

certificates we are able to prove the <strong>en</strong>tire material flow<br />

and support sustainable forestry. As a rule, we look at the<br />

shortest transport routes wh<strong>en</strong> choosing our suppliers.


Social<br />

responsibility<br />

At 13 locations around the world, young people from differ<strong>en</strong>t<br />

countries built a rainbow-shaped piece of play equipm<strong>en</strong>t<br />

in craft camps lasting several weeks under the guidance of<br />

Klaus-Peter Gust. These rainbows are a sign of hope in places<br />

of separation and destruction. Many people who took part are<br />

still in contact today. Some rainbows have found godpar<strong>en</strong>ts<br />

and have be<strong>en</strong> restored. They are pieces of play equipm<strong>en</strong>t<br />

but also bridges that connect us with other people and cultures.<br />

[www.reg<strong>en</strong>bog<strong>en</strong>project.de]<br />

We support many social and cultural projects throughout<br />

Germany by donating gifts in kind and money. We are connected<br />

with the primary school in our community by a long,<br />

close sponsorship scheme for one class each from 3rd to 6th<br />

grade. We are an active member of various organisations and<br />

networks that are committed to the education of childr<strong>en</strong> and<br />

the design of their living spaces.<br />

play action with our school class<br />

Worldplayday with radio Teddy and <strong>SIK</strong>-Holz ®<br />

Building b<strong>en</strong>ches with refugees<br />

Building a circle of values with regional groups<br />

<strong>SIK</strong>-Holz ® 51<br />

responsibility


projects<br />

52 <strong>SIK</strong>-Holz ®


»<br />

A city is worth living in,<br />

if it respects human scale.<br />

If people are out about<br />

and its streets and<br />

squares are of a manageable<br />

scale so that people can come<br />

together in them.<br />

This epitomises the basic<br />

concept of a city.<br />

«<br />

<strong>SIK</strong>-Holz ® 53<br />

Advice<br />

Jan Gehl


54 <strong>SIK</strong>-Holz ®<br />

»<br />

Urban creativity can only<br />

be created and maintained,<br />

if change is understood<br />

as a dynamic process -<br />

and not in the s<strong>en</strong>se of<br />

change with<br />

a fixed goal.<br />

«<br />

projects<br />

Graft Architekt<strong>en</strong>


projects<br />

<strong>SIK</strong>-Holz ® 55


Image directory<br />

56 <strong>SIK</strong>-Holz ®<br />

pictures S.10/11 © Anja Bastian<br />

picture S.37 r.o. © Kamilla Born Frost<br />

country maps S. 13, 29, 27 © FreeVectorMaps.com<br />

playground index:<br />

title front u.l. reach for the sky – Anjō/ Japan; S.01 v.l.n.r. adv<strong>en</strong>ture forest – Münch<strong>en</strong>; rocket-playground – Bremerhav<strong>en</strong>; S.02/03 v.l.n.r. cloud-playground<br />

– Magdeburg; tree house worlds – Nürnberg; volcano– Nürnberg; church-Pavilion – Premnitz; slavs-playground – Havelberg; S.09 u.l. sea bridge-playground<br />

– Timm<strong>en</strong>dorf; S.12/13 v.l.n.r. picuteres-playground – Berlin; music-playground – Mohnheim; mill-playground – Magdeburg; grasses-playground – Witt<strong>en</strong>berg;<br />

S.26/27 v.l.n.r. reach for the sky – Jerusalem/ Israel; don quijote – Hernares/ Spani<strong>en</strong>; acorn-playground – Chasse-sur-Rhône/ Frankreich; afrika-playground<br />

– Itzig/ Luxemburg; dschungle-obervation-plattforms – Åalborg/ Dänemark; beach-playground – Sopot/ Pol<strong>en</strong>; elefant-playground – Seoul/ Südkorea; toddlerplayground<br />

– Kobe/ Japan; S.28/29 v.l.n.r. swed<strong>en</strong>-playground – Berlin; grasses-playground – Witt<strong>en</strong>berg; meduse – Sellin; squirrel-playground – Nürnberg;<br />

helicopter – Nürnberg; S.52/53 v.u.l.n.r.o. gold digger city – Berlin; taka-tuka-land – Brem<strong>en</strong>; dinobaby – Bremerhav<strong>en</strong>; town of childr<strong>en</strong> – Jaén/ Spani<strong>en</strong>; zoo on<br />

sea – Bremerhav<strong>en</strong>; 1001 night – Berlin; knight-playground – Har<strong>en</strong>; S.54/55 v.o.l.n.r.u. arc-Nürnberg; pirates-playground – Salzgitter; each for the sky – Dortmund;<br />

dino-playground – Magdeburg; grasses-playground – Witt<strong>en</strong>berg; police-playground – Nürnberg; swed<strong>en</strong>-playground – Berlin; title inside back v.o.n.u<br />

ufo-playground – Bremerhav<strong>en</strong>; space-playground – Haltern; title back o.m. mine-playground – Hamm<br />

Publications<br />

Main catalogue #10 Kindergart<strong>en</strong> playgrounds #3 Schoolyard playgrounds #3 Inclusive play areas #2<br />

Playground worlds #2<br />

Contact<br />

Contact<br />

<strong>SIK</strong>-Holzgestaltungs GmbH<br />

Lang<strong>en</strong>lipsdorf 54a<br />

D-14913 Niedergörsdorf<br />

tel.: +49 (0)33742.799 0<br />

fax: +49 (0)33742.799 20<br />

your contact<br />

mail: info@sik-holz.de<br />

web: www.sik-holz.de


Imprint<br />

Publisher<br />

<strong>SIK</strong>-Holzgestaltungs GmbH<br />

<strong>SIK</strong>-Holz ®<br />

Editing, pictures<br />

Claudia Gust<br />

Pictures editing, layout,<br />

Kathle<strong>en</strong> Gust<br />

Proofreading<br />

Maria Metschnabl<br />

Fonts<br />

Robinson, Greg Gazdowicz<br />

FF Fago, Ole Schäfer<br />

Paper<br />

Circle Offset Premium White<br />

(blue angle)<br />

Print<br />

dieUmweltDruckerei GmbH<br />

Hannover<br />

Managem<strong>en</strong>t<br />

Klaus-Peter Gust<br />

Marc Oelker<br />

Register court<br />

Amtsgericht Potsdam<br />

HRB 8656<br />

Steuer-Nr.: 050/158/02369<br />

Status<br />

05/<strong>2018</strong><br />

© <strong>SIK</strong>-Holz®


www.sik-holz.de/<strong>en</strong><br />

© <strong>2018</strong>

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