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English Grammar _ A University Course

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ENGLISH GRAMMAR<br />

This new edition of Downing and Locke’s award-winning text-book has been thoroughly<br />

revised and rewritten by Angela Downing to offer an integrated account of structure,<br />

meaning and function in relation to context. Also used as a reference book, it provides<br />

the linguistic basis for courses and projects on translation, contrastive linguistics,<br />

stylistics, reading and discourse studies. It is accessible and reader-friendly throughout.<br />

Key features include:<br />

• Chapters divided into modules of class-length materials<br />

• Each new concept clearly explained and highlighted<br />

• Authentic texts from a wide range of sources, both spoken and written, to illustrate<br />

grammatical usage<br />

• Clear chapter and module summaries enabling efficient class preparation and<br />

student revision<br />

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• Exercises and topics for individual study<br />

• Answer key for analytical exercises<br />

• Comprehensive index<br />

• Select bibliography<br />

• Suggestions for further reading<br />

This up-to-date, descriptive grammar is a complete course for first degree and postgraduate<br />

students of <strong>English</strong>, and is particularly suitable for those whose native language<br />

is not <strong>English</strong>.<br />

Angela Downing is Professor Emeritus in the Department of <strong>English</strong> Language and<br />

Linguistics (<strong>English</strong> Philology I) at the Universidad Complutense, Madrid.<br />

The late Philip Locke taught at the Institute of Modern Languages and Translation at<br />

the Universidad Complutense, Madrid.


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ENGLISH GRAMMAR<br />

A <strong>University</strong> <strong>Course</strong><br />

Second edition<br />

Angela Downing and Philip Locke<br />

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First published 1992<br />

by Prentice Hall International (UK) Ltd<br />

Routledge edition published 2002 by Routledge<br />

This second edition published 2006<br />

by Routledge<br />

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN<br />

Simultaneously published in the USA and Canada<br />

by Routledge<br />

270 Madison Ave, New York, NY 10016<br />

Routledge is an imprint of the Taylor & Francis Group<br />

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© 2006 Angela Downing and Philip Locke<br />

This edition published in the Taylor & Francis e-Library, 2006.<br />

“To purchase your own copy of this or any of Taylor & Francis or Routledge’s<br />

collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.”<br />

All rights reserved. No part of this book may be reprinted or reproduced<br />

or utilised in any form or by any electronic, mechanical, or other<br />

means, now known or hereafter invented, including photocopying and<br />

recording, or in any information storage or retrieval system, without<br />

permission in writing from the publishers.<br />

British Library Cataloguing in Publication Data<br />

A catalogue record for this book is available from the British Library<br />

Library of Congress Cataloging in Publication Data<br />

A catalog record for this book has been requested<br />

ISBN10: 0–415–28787–1<br />

ISBN10: 0–415–28786–3<br />

ISBN13: 9–78–0–415–28787–6 (pbk)<br />

ISBN13: 9–78–0–415–28786–9 (hbk)


This book is for:<br />

Enrique<br />

and to the memory of Philip Locke<br />

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CONTENTS<br />

Foreword<br />

Preface to the second edition<br />

Acknowledgements<br />

Introduction<br />

Table of notational symbols<br />

xi<br />

xiii<br />

xv<br />

xvii<br />

xxi<br />

1 Basic concepts 1<br />

Module 1 Language and meaning 3<br />

Module 2 Linguistic forms and syntactic functions 9<br />

Module 3 Negation and expansion 21<br />

Exercises 28<br />

2 The skeleton of the message: Introduction to clause<br />

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structure 32<br />

Module 4 Syntactic functions and structures of the clause 34<br />

Module 5 Subject and Predicator 42<br />

Module 6 Direct, Indirect and Prepositional Objects 50<br />

Module 7 Subject and Object Complements 64<br />

Module 8 Adjuncts 69<br />

Further reading 76<br />

Exercises 76<br />

3 The development of the message: Complementation<br />

of the verb 81<br />

Introduction: Major complementation patterns and valency 83<br />

Module 9 Intransitive and copular patterns 85<br />

Module10 Transitive patterns 90<br />

Module 11 Complementation by finite clauses 100<br />

Module 12 Complementation by non-finite clauses 108<br />

Summary of complementation patterns 114<br />

Further reading 116<br />

Exercises 116


4 Conceptualising patterns of experience: Processes,<br />

participants, circumstances 120<br />

Module 13 Conceptualising experiences expressed as situation types 122<br />

Module 14 Material processes of doing and happening 128<br />

Module 15 Causative processes 132<br />

Module 16 Processes of transfer 137<br />

Module 17 Conceptualising what we think, perceive and feel 139<br />

Module 18 Relational processes of being and becoming 144<br />

Module 19 Processes of saying, behaving and existing 151<br />

Module 20 Expressing attendant circumstances 155<br />

Module 21<br />

Conceptualising experiences from a different angle:<br />

Nominalisation and grammatical metaphor 160<br />

Further reading 167<br />

Exercises 167<br />

5 Interaction between speaker and hearer: Linking speech<br />

acts and grammar 174<br />

Module 22 Speech acts and clause types 176<br />

Module 23 The declarative and interrogative clause types 180<br />

Module 24 The exclamative and imperative clause types 190<br />

Module 25 Indirect speech acts, clause types and discourse functions 197<br />

Module 26 Questions, clause types and discourse functions 201<br />

Module 27 Directives: getting people to carry out actions 205<br />

Further reading 212<br />

Exercises 213<br />

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6 Organising the message: Thematic and information<br />

structures of the clause 220<br />

Module 28 Theme: the point of departure of the message 222<br />

Module 29 The distribution and focus of information 238<br />

Module 30 The interplay of Theme–Rheme and Given–New 246<br />

Further reading 263<br />

Exercises 263<br />

7 Expanding the message: Clause combinations 270<br />

Module 31 Clause combining 272<br />

Module 32 Types of relationship between clauses 277<br />

Module 33 Elaborating the message 281<br />

Module 34 Extending the message 285<br />

Module 35 Enhancing the message 290<br />

Module 36 Reporting speech and thought 299<br />

Further reading 309<br />

Exercises 309<br />

viii<br />

CONTENTS


8 Talking about events: The Verbal Group 315<br />

Module 37 Expressing our experience of events 317<br />

Module 38 Basic structures of the Verbal Group 323<br />

Module 39 Organising our experience of events 331<br />

Module 40 The semantics of phrasal verbs 336<br />

Further reading 343<br />

Exercises 343<br />

9 Viewpoints on events: Tense, aspect and modality 350<br />

Module 41 Expressing location in time through the verb: tense 352<br />

Module 42 Past events and present time connected: Present Perfect<br />

and Past Perfect 361<br />

Module 43 Situation types and the Progressive aspect 369<br />

Module 44 Expressing attitudes towards the event: modality 379<br />

Further reading 394<br />

Exercises 394<br />

10 Talking about people and things: The Nominal Group 399<br />

Module 45 Expressing our experience of people and things 401<br />

Module 46 Referring to people and things as definite, indefinite,<br />

generic 417<br />

Module 47 Selecting and particularising the referent: the determiner 423<br />

Module 48 Describing and classifying the referent: the pre-modifier 435<br />

Module 49 Identifying and elaborating the referent: the post-modifier 446<br />

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Module 50 Noun complement clauses 457<br />

Further reading 462<br />

Exercises 462<br />

11 Describing persons, things and circumstances: Adjectival<br />

and Adverbial groups 473<br />

Module 51 Adjectives and the adjectival group 475<br />

Module 52 Degrees of comparison and intensification 484<br />

Module 53 Complementation of the adjective 494<br />

Module 54 Adverbs and the adverbial group 502<br />

Module 55 Syntactic functions of adverbs and adverbial groups 508<br />

Module 56 Modification and complementation in the adverbial group 515<br />

Further reading 521<br />

Exercises 521<br />

12 Spatial, temporal and other relationships: The Prepositional<br />

Phrase 529<br />

Module 57 Prepositions and the Prepositional Phrase 531<br />

Module 58 Syntactic functions of the Prepositional Phrase 540<br />

Module 59 Semantic features of the Prepositional Phrase 546<br />

CONTENTS<br />

ix


Module 60 Stranded prepositions; discontinuous prepositional phrases 556<br />

Further reading 559<br />

Exercises 559<br />

Answer Key 564<br />

Select Bibliography 591<br />

Index 596<br />

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x<br />

CONTENTS


FOREWORD<br />

It is now 13 years since the publication of Angela Downing and Philip Locke’s A <strong>University</strong><br />

<strong>Course</strong> in <strong>English</strong> <strong>Grammar</strong>, which broke new ground by offering to advanced students<br />

of <strong>English</strong> a comprehensive course, based on Halliday’s Systemic Functional <strong>Grammar</strong>.<br />

It went beyond the merely structural, to present an integrated account of structure and<br />

function, which gives students the information they need in order to link the grammar<br />

of <strong>English</strong> to the overall structure of discourse and to the contexts in which it is produced.<br />

Ever since its publication, the book has been used in many countries in South America,<br />

the Middle East and Europe, including of course Spain, to whose tertiary education<br />

systems both authors devoted the majority of their working lives. Downing and Locke’s<br />

grammar, while clearly rooted in Hallidayan linguistics, also responds to a number of<br />

other influences, including the grammars of Quirk and his colleagues. However, it also<br />

made its own important contribution to our knowledge and understanding of many<br />

points of <strong>English</strong> grammar, and has been widely cited by scholars working within<br />

functional linguistics.<br />

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Sadly, Philip Locke died in 2003, but he would, I am sure, have been very proud of<br />

this new edition of the work, which still bears his name and has been retitled as <strong>English</strong><br />

<strong>Grammar</strong>: A <strong>University</strong> <strong>Course</strong>. The new version of the grammar embodies three themes<br />

evident in Angela Downing’s research work over the last decade or so, themes which<br />

reflect the directions in which functional linguistics has moved in the late twentieth<br />

century and the beginning of the twenty-first.<br />

First, the linking of grammar to the structure and functioning of discourse, already<br />

evident in the first edition, has been taken still further, giving students an even better<br />

grasp of aspects of text production in which even advanced foreign learners of <strong>English</strong><br />

are often rather weak.<br />

Second, the account of <strong>English</strong> grammar offers benefits from the recognition<br />

that discourse is not a static product, but a constantly changing, negotiated process:<br />

as interaction proceeds, interlocutors build up and modify mental representations of<br />

their addresses, the context and the discourse itself. This perspective on language leads<br />

to the integration, within this new version of the grammar, of ideas from cognitive<br />

linguistics.<br />

Finally, although the first edition of the grammar drew on a wide range of sources to<br />

show language in use, the new edition makes considerable use of examples from the<br />

large corpora now available for searching by computer (notably the 100-million-word<br />

British National Corpus), as well as other textual materials collected by Angela Downing.


The result is that the grammar is attractively illustrated by authentic text samples from<br />

many registers of <strong>English</strong>, ranging from very informal conversation through to more<br />

formal productions.<br />

This new version of the Downing and Locke grammar will serve not only as a course<br />

book for new generations of advanced students of <strong>English</strong>, but also as a reference<br />

source for students, teachers and researchers looking for a detailed treatment of <strong>English</strong><br />

grammar which integrates structural, functional and cognitive perspectives into a<br />

coherent and satisfying whole.<br />

Christopher Butler<br />

Honorary Professor<br />

<strong>University</strong> of Wales Swansea<br />

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xii<br />

FOREWORD


PREFACE TO THE SECOND EDITION<br />

The structure of this book remains essentially the same as that of the first edition. The<br />

most obvious difference is the collapsing of chapters 11 and 12 into one (adjectival and<br />

adverbial groups), leaving 12 (prepositions and the prepositional phrase) as the final<br />

chapter. Following the welcome feedback from reviewers and consultants, there has<br />

also been some rearrangement of the material: in particular, the section on negation<br />

has been brought forward to Chapter 1, and the syntax of prepositional and phrasal verbs<br />

is made more explicit in Chapter 2. Chapter 5 has also been rearranged, in order to clarify<br />

the correspondences between clause types and their speech act functions.<br />

Some of the modules have been considerably rewritten, in order to accomodate the<br />

description of certain elements that had not been dealt with. Still others were partly<br />

rewritten in order to incorporate certain insights and research findings published since<br />

1990 or, if earlier, not included in the first edition. The motion event analysis in Chapter<br />

8 is one of these, and the semantics of prepositions in Chapter 12 is another. A few<br />

analytical changes have been made, notably the re-analysis of those features that were<br />

grouped together under the function labelled ‘predicator complement’. This re-analysis<br />

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has been made possible by a clearer specification of the criteria adopted for the<br />

classification of clause constituents.<br />

A considerable number of new textual illustrations have been incorporated, replacing<br />

some of the previous ones. Also introduced are sections on further reading and a select<br />

bibliography.<br />

Our debts to our predecessors in writing this second revised edition are clearly<br />

now more numerous and greater than before. In addition to the wealth of information<br />

and accurate detail of the various grammars by Randolph Quirk, Sydney Greenbaum,<br />

Geoffrey Leech and Jan Svartvik, we now have the new dimensions provided by the<br />

Longman <strong>Grammar</strong> of Spoken and Written <strong>English</strong> (Douglas Biber, Stig Johansson, Geoffrey<br />

Leech, Susan Conrad and Edward Finegan) and the Cambridge <strong>Grammar</strong> of the <strong>English</strong><br />

Language (Rodney Huddleston and Geoffrey K. Pullum, together with their collaborators).<br />

Their inspiration will be evident in many of the chapters in this book. The insights of<br />

Michael Halliday were influential in the first edition and they are still present, but<br />

once again with certain modifications that Halliday may not agree with, modifications<br />

made in order to suit the rather different learning objectives of many of our readers.<br />

Unfortunately, the third edition of An Introduction to Functional <strong>Grammar</strong> became available<br />

only after the relevant chapters of this book had been completed.<br />

Reference to individual publications cannot be made in this paragraph, but all works<br />

consulted are reflected in the select bibliography and many in the sections on further<br />

reading.


Among the many consultants, friends and colleagues who have made helpful comments<br />

on the previous edition, I would especially like to thank Andrei Stoevsky (<strong>University</strong> of<br />

Sofia), who made detailed comments on every chapter, and Chris Butler (<strong>University</strong><br />

of Wales Swansea) who has given invaluable assistance and advice through two<br />

editions of this book. Also much appreciated were the many useful comments made by<br />

Mike Hannay and Lachlan Mackenzie (Free <strong>University</strong>, Amsterdam), Ana Hansen<br />

(Universidad Nacional de Cuyo, Mendoza), Mohsen Ghadessy (<strong>University</strong> of Brunei),<br />

Martin Wynne (<strong>University</strong> of Oxford), Belinda Maia (<strong>University</strong> of Oporto), Marta<br />

Carretero and Elena Martínez Caro (Universidad Complutense, Madrid), Amaya<br />

Mendikoetxea, Rachel Whittaker and Laura Hidalgo (Universidad Autónoma, Madrid)<br />

and Carmina Gregori (<strong>University</strong> of Valencia). I remember with gratitude Emilio Lorenzo<br />

Criado, of the Real Academia Española, who encouraged us to start in the first place.<br />

I am indebted to Bruce Fraser (<strong>University</strong> of Boston) for some excellent suggestions on<br />

the presentation of the materials, and to Geoff Thompson (<strong>University</strong> of Liverpool) for<br />

the best real-life spontaneous utterance of multiple left-detachment. The responsibility<br />

for any failings in the text lies with the authors, but any improvement and credit there<br />

may be I gratefully share with them.<br />

I am grateful to Lou Burnard for permission to use examples from the British National<br />

Corpus and to Antonio Moreno Ortiz for the use of the BNC Indexer; also to Miguel<br />

Treviño and Enrique Hidalgo for preparing the diagrams. I also want to thank my students<br />

and the many tutors and students who have contacted me by e-mail from Saudi Arabia,<br />

Iraq, China and other places to request information, to ask questions or make comments<br />

on particular points of grammar. Thanks also to Jean Smears for allowing a personal<br />

letter of hers to be published as an illustrative text, and to John Hollyman for spontaneous<br />

conversations recorded with some of his students at the <strong>University</strong> of Bristol.<br />

I especially wish to thank Louisa Semlyen of Routledge for her unfailing patience,<br />

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support and confidence in me throughout this revision. I am grateful to our publisher,<br />

Routledge, for technical and expert assistance. My thanks go to Katherine Davey,<br />

Production Editor at Routledge, Maggie Lindsey-Jones of Keystroke and Ruth Jeavons<br />

for taking care of the book’s progress up to publication; also to Ben Hulme-Cross of<br />

Routledge for his work on the design of the text. Thanks are due to Isobel Fletcher de<br />

Téllez for reading through the whole of the manuscript of the second edition and making<br />

some useful suggestions. To Gerard M-F Hill I want to express my thanks for his patience<br />

and my appreciation of his energy, thoroughness and good judgement as copy-editor<br />

and indexer in preparing the script for publication.<br />

Finally, I wish to thank my daughters Laura, Alicia and Raquel, my twin sons Enrique<br />

and Eduardo, and my grandchildren Natalia, Daniel, Jorge, Martina and Pablo, for the<br />

joy and fun they bring to everything. Without their presence the writing of this second<br />

edition would have taken place in a very different setting.<br />

I am writing now in my own name for, sadly, Philip Locke was not able to accompany<br />

me on the venture of this second edition. To him I dedicate this edition and to my<br />

husband Enrique Hidalgo, without whose support, resilience and belief in mountains as<br />

therapy this second edition would not have been completed.<br />

Angela Downing<br />

Madrid, July 2005<br />

xiv<br />

PREFACE


ACKNOWLEDGEMENTS<br />

All the material in this book appears with the permission of those who hold the copyright.<br />

The authors and publishers thank the following for their permission to reproduce extracts<br />

of the copyright material:<br />

Smart Publications (www.smart-publications.com) for ‘Health and Wellness Update’;<br />

Dennis Publishing Ltd for the following publications from The Week: ‘In Rushdie’s<br />

Shadow’, 9 July 2003; ‘How to Survive a Columbian Kidnapping’ and ‘What the Scientists<br />

are Saying … Fire Threat to Apes’, both 8 March 2003; ‘The Week’ by Jeremy O’Grady,<br />

8 November 2003; ‘A Robot for Granny’, 27 December 2003; ‘The Archers: What<br />

Happened Last Week’, 22 March 2003; ‘A Purple Polar Bear …’, 26 July 2003; ‘The<br />

“Lost” Van Gogh’, 22 November, 2003; ‘The Main Stories … It Wasn’t All Bad’,<br />

31 January 2004; The Telegraph Group Ltd for ‘Breaking and Entering: How British<br />

Burglars Pick Their Victims’, appearing in The Telegraph, 2003; BBC Enterprises for The<br />

Complete Yes Prime Minister, edited by Jonathan Lynn and Antony Jay; Blackwell Ltd<br />

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for ‘Oxford Today’, volume 1, number 3, pp. 37 and 58 appearing in Oxford Today and<br />

reprinted with permission of the Chancellor and Scholars of Oxford <strong>University</strong>; The<br />

Bodley Head for Don’t Fall Off The Mountain, Shirley Maclaine and Zen and the Art of<br />

Motorcycle Maintenance, Robert Pirsig; Cambridge <strong>University</strong> Press for The Universe<br />

Around Us, James Jeans; Casarotto Company Ltd for extracts from J. G. Ballard; Chatto<br />

and Windus for Just Between Ourselves, Alan Ayckbourn; Curtis Brown London Ltd for<br />

permission to reproduce Doctor on the Boil, Copyright Richard Gordon 1973; David<br />

Higham Associates for Akenfield, Ronald Blythe, and The Spy Who Came In From The<br />

Cold, John le Carré; Hamish Hamilton Ltd for The New Confessions, William Boyd; Hamish<br />

Hamilton Ltd and Houghton Mifflin Company for The Long Goodbye, Raymond Chandler;<br />

Harcourt Brace Jovanovich Ltd for North to the Orient, Copyright 1935 and renewed 1963<br />

by Anne Morrow Lindbergh; Harper Collins Publishers for Beat Jet Lag, Kathleen Mayes;<br />

Harrap Publishing Group Ltd for The Boundaries of Science, Magnus Pike; Hogarth Press<br />

and Random Century Group for Mrs Dalloway, Virginia Woolf; Laurence Pollinger Ltd<br />

and the Estate of Frieda Lawrence Ravagli for The Lost Girl, D. H. Lawrence; Longman<br />

Group UK for Advanced Conversational <strong>English</strong>, Crystal and Davy, and Metals and Alloys,<br />

H. Moore; The MacDonald Group for Futura Publications’ Lightning in May, Gordon<br />

Parker; Martin Secker & Warburg Ltd and Octopus Publishing Group Library for The<br />

British Museum is Falling Down and How Far Can You Go, David Lodge, and The Wedding<br />

Jug from Twenty Stories, Philip Smith; Methuen and Octopus Publishing Group Library


for Find Me in Plays by Women: Volume 2, Olwyn Wymark; Oxford <strong>University</strong> Press for<br />

Varieties of Spoken <strong>English</strong>, Dickinson and Mackin; Peters Fraser & Dunlop for Brideshead<br />

Revisited, Evelyn Waugh; Penguin Books for Artists Talking: Five artists talk to Anthony<br />

Schooling, in the Success with <strong>English</strong>: Outlook series ed. G. Broughton. Billy Phelan’s<br />

Greatest Game, Copyright 1975 by William Kennedy, used by permission of Viking<br />

Penguin, a division of Penguin Books USA Inc.; Penguin Books and The British Museum<br />

Press for The Innocent Anthropologist, Nigel Barley; The Society of Authors on behalf of<br />

the Bernard Shaw Estate for A Sunday on the Surrey Hills, G. B. Shaw; Thames & Hudson<br />

Ltd for Recollections and Reflections, Bruno Bettelheim; Copyright 1990 The Time Inc.<br />

Magazine Company, reprinted by permission ‘Education: doing bad and feeling good’,<br />

Charles Krauthammer, 5 February 1990; Copyright 1986 Time Warner Inc., reprinted<br />

by permission, ‘Turning brown, red and green’, 15 December 1986; Victor Gollancz Ltd<br />

for The Citadel, A. J. Cronin; Virago Press for Nothing Sacred, Angela Carter; William<br />

Heinemann Ltd and David Higham Associates for The Heart of the Matter, Copyright 1948<br />

Verdant SA, Graham Greene; William Heinemann Ltd and The Octopus Publishing<br />

Group Library for The Godfather, Mario Puzo; William Heinemann Ltd for Making a New<br />

Science, James Gleick.<br />

Every effort has been made to trace and acknowledge ownership of copyright. The<br />

publishers will be glad to make suitable arrangements with any copyright holders whom<br />

it has not been possible to contact.<br />

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xvi<br />

ACKNOWLEDGEMENTS


INTRODUCTION<br />

AIMS OF THE COURSE<br />

This book has been written primarily for undergraduate and graduate students of <strong>English</strong><br />

as a foreign or second language. It is also addressed to tutors and others interested<br />

in applying a broadly functional approach to language teaching in higher education. It<br />

assumes an intermediate standard of knowledge and practical handling of the language<br />

and, from this point of departure, seeks to fulfil the following aims:<br />

1 to further students’ knowledge of <strong>English</strong> through exploration and analysis;<br />

2 to help students acquire a global vision of <strong>English</strong>, rather than concentrate on<br />

unrelated areas;<br />

3 to see a grammar as providing a means of understanding the relation of form<br />

to meaning, and meaning to function, in context;<br />

4 to provide a basic terminology which, within this framework, will enable students<br />

to make these relationships explicit.<br />

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While not pretending to be exhaustive, which would be impossible, its wide coverage<br />

and functional approach have been found appropriate not only in first-degree courses<br />

but also in postgraduate courses and as a background resource for courses, publications<br />

and work on translation, stylistics, reading projects and discourse studies.<br />

A FUNCTIONAL APPROACH TO GRAMMAR<br />

We distinguish several ways in which grammar is functional. In the first place, adopting<br />

a broadly systemic-functional view, we base our approach on the assumption that<br />

all languages fulfil two higher-level or meta-functions in our lives. One is to express our<br />

interpretation of the world as we experience it (sometimes called the ‘ideational’ or the<br />

‘representational’ function); the other is to interact with others in order to bring about<br />

changes in the environment (the ‘interpersonal’ function). The organisation of the message<br />

in such a way as to enable representation and interaction to cohere represents a third<br />

(the ‘textual’ meta-function), and this, too, is given its place in a functional grammar.<br />

In the second place, the regular patterns of different kinds that can be distinguished<br />

reflect the uses which a language serves. For instance, the structural patterns known as


‘declarative’, ‘interrogative’ and ‘imperative’ serve the purposes of expressing a multitude<br />

of types of social behaviour. In this area we draw on the pragmatic concepts of speech<br />

act, politeness, relevance and inference to explain how speakers use and interpret<br />

linguistic forms and sequences in <strong>English</strong> within cultural settings.<br />

When we come to describe the more detailed mechanisms of <strong>English</strong>, we also make<br />

use of the notion of ‘function’ to describe syntactic categories such as Subjects and<br />

Objects, semantic roles such as Agent and informational categories such as Theme<br />

and Rheme, Given and New. These different types of function constitute autonomous<br />

dimensions of analysis, so that there is no one-to-one relationship between them. Rather,<br />

we shall find that they can conflate together in different ways, the choice of one or other<br />

being largely determined by such factors as context, both situational and linguistic,<br />

particularly what has gone before in the message, by the speaker–hearer relationship<br />

and by speakers’ communicative purposes.<br />

Third, this type of grammar is functional in that each linguistic element is seen not<br />

in isolation but in relation to others, since it has potential to realise different functions.<br />

Structural patterns are seen as configurations of functions, whether of participants<br />

and processes, of modifiers and head of, for instance, a noun, or of Subject, verb and<br />

Complements, among others. These in turn are realised in a variety of ways according<br />

to the communicative effect desired. Speakers and writers are free, within the resources<br />

a particular language displays, to choose those patterns which best carry out their<br />

communicative purposes at every stage of their interaction with other speakers and<br />

readers.<br />

With these considerations in mind, the present book has been designed to place<br />

meaning firmly within the grammar and, by stressing the meaningful functions of grammatical<br />

forms and structures, to offer a description of the grammatical phenomena of<br />

<strong>English</strong> in use, both in speech and writing. This book, we hope, may serve as a foundation<br />

for further study in specific areas or as a resource for the designing of other materials<br />

for specific purposes.<br />

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PRESENTATION OF CONTENT<br />

The grammatical content of the course is presented in three blocks:<br />

• a first chapter giving a bird’s-eye view of the whole course and defining the basic<br />

concepts and terms used in it;<br />

• seven chapters describing clausal and sentence patterns, together with their<br />

corresponding elements of structure, from syntactic, semantic, textual and<br />

communicative-pragmatic points of view; and<br />

• five chapters dealing similarly with nominal, verbal, adjectival, adverbial and<br />

prepositional groups and phrases.<br />

In each case the aim is that of describing each pattern or structural element in use,<br />

rather than that of entering in depth into any particular theory. Chapter titles attempt<br />

to reflect, as far as possible, the communicative viewpoints from which the description<br />

is made.<br />

xviii<br />

INTRODUCTION


The chapters are divided into ‘modules’ (sixty in all), each one being conceived as a<br />

teaching and learning unit with appropriate exercises and activities grouped at the end<br />

of each chapter.<br />

Each module begins with a summary, which presents the main matters of interest.<br />

It is designed to assist both tutor and students in class preparation and to offer a review<br />

for study purposes.<br />

Exemplification<br />

Many of the one-line examples which illustrate each grammatical point have been drawn<br />

or derived from actual utterances observed by the authors. Some of these have been<br />

shortened or simplified in order to illustrate a grammatical point with maximum clarity.<br />

A further selection of examples is taken from the British National Corpus and other<br />

acknowledged sources. These have not been modified.<br />

In addition we have made regular use of short excerpts of connected speech and<br />

writing from a wide variety of authentic sources. Our intention here is to illustrate the<br />

natural use of the features being described.<br />

Exercises and activities<br />

Each of the sixty modules which make up the course is accompanied by a varying number<br />

of practice exercises and activities. Some involve the observation and identification<br />

of syntactic elements and their semantic functions, or of the relations between them;<br />

others call for the manipulation or completion of sentences in various meaningful ways;<br />

grammatical topics are sometimes proposed for discussion between pairs or groups of<br />

students; mini-projects are suggested for individual research by students based on their<br />

own reading, experiences and materials gathered outside the class; topics are proposed<br />

for the writing of original letters, short articles, narratives, descriptions and dialogues<br />

for social purposes.<br />

Some exercises involve the interpretation of meanings and intentions which are to<br />

be inferred from the use of particular forms and structures within certain contexts. The<br />

different areas of grammar lend themselves to a wide variety of practical linguistic<br />

activities limited only by the time factor. Those proposed here can be selected, adapted,<br />

amplified or omitted, according to need.<br />

Answers are provided at the end of the book for those analytical exercises which<br />

have a single solution. There are many activities, however, that have no solution of this<br />

kind, such as discussions and explanations of grammatical topics. Activities involving<br />

the interpretation of meanings or those whose solution is variable are either not keyed<br />

at all or are accompanied by a suggested solution, since it is felt that they are more<br />

appropriately left to classroom discussion.<br />

It is the opinion of the authors that university study should not attend solely to the<br />

attainment of certain practical end-results. Its value lies to a great extent in the thinking<br />

that goes on in the process of ensuring the results, not only in the results themselves.<br />

It is rather in the performance of a task that the learning takes place. The premature<br />

reference to a key negates the whole purpose of the tasks and should be resisted at<br />

all costs.<br />

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INTRODUCTION<br />

xix


SUGGESTIONS FOR USING THE BOOK<br />

First of all, it must be pointed out that the chapters which comprise this book can be<br />

used selectively, either singly or in blocks. In starting with the clause, our aim has been<br />

to provide a global frame, both syntactic and semantic, into which the lower-ranking<br />

units of nominal, verbal and other groups naturally fit, as can be seen in Chapter 2. It is<br />

perfectly possible, however, to reverse this order, starting with the verbal or nominal<br />

groups and using the subsequent chapters as a course on grammar ‘below the clause’,<br />

if this is found more convenient. Morphological information is provided in each of these<br />

chapters.<br />

Similarly, chapters 2 and 3 together provide an introduction to functional syntax,<br />

while chapters 5 and 7 address basic semantic roles, and tense, aspect and modality,<br />

respectively. Other chapters, such as 10, 11 and 12, contain extensive sections on the<br />

semantics of the unit under discussion. Chapter 4 deals with the clause as a vehicle for<br />

interaction through language, and 6 with the grammatical resources used in information<br />

packaging. Related areas and topics are ‘signposted’ by cross-references.<br />

When this book is used as a basis for classroom teaching of <strong>English</strong> language at<br />

universities, it may be treated as a resource book by approaching it in the following<br />

way:<br />

• First, either: by presenting the ‘Summary’ outlined at the beginning of each module<br />

and amplifying it according to the time allotted, with reference to appropriate parts<br />

of the module; or: by taking an illustrative text as a starting-point, and drawing out<br />

the meanings, forms and functions dealt with in the module.<br />

• Then, the complete module can be read by the students out of class and any<br />

suggested exercises prepared. Some may be assigned to different students and<br />

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discussed collectively. Others may more usefully be prepared by all members of<br />

the class. Alternatively, for assessment purposes, students may be allowed to build<br />

up a dossier of exercises of their own choice. Certain exercises can be done<br />

collectively and orally in class, without previous preparation. Students should be<br />

encouraged to bring in selections of their own texts, whether self-authored or<br />

collected from specific genres, for presentation and discussion within a group.<br />

• A further session may be devoted to clarification of points raised as a result of<br />

students’ reading and of carrying out the exercises.<br />

Whether the book is studied with or without guidance, access to the grammatical terms<br />

and topics treated in it is facilitated in four ways:<br />

1 by the initial list of chapter and module headings;<br />

2 by the section and subsection headings listed at the beginning of each chapter;<br />

3 by the alphabetical list of items, terms and topics given in the general Index at the<br />

end of the book.<br />

4 by the abundant cross-references which facilitate the linking of one area to another.<br />

Reference is made to the number and section of the module in which an item is<br />

explained.<br />

xx INTRODUCTION


TABLE OF NOTATIONAL SYMBOLS<br />

CLASSES OF UNITS<br />

SYNTACTIC FUNCTIONS AND<br />

ELEMENTS OF STRUCTURE<br />

cl clause<br />

S<br />

fin.cl finite clause<br />

P<br />

non-fin.cl non-finite clause<br />

O<br />

-ing cl -ing participial clause<br />

Od<br />

-en cl past participial clause<br />

Oi<br />

inf. cl infinitive clause<br />

Op<br />

to-inf. cl to-infinitive clause<br />

Ob<br />

wh-cl wh-clause<br />

C<br />

NG nominal group<br />

Cs<br />

AdjG adjectival group<br />

Co<br />

AdvG adverbial group<br />

C loc<br />

PP prepositional phrase<br />

A<br />

VG verbal group<br />

F<br />

n noun<br />

h<br />

pron pronoun<br />

m<br />

adj adjective<br />

adv adverb<br />

d<br />

conj conjunction<br />

e<br />

prep preposition<br />

clas.<br />

v verb (as word class)<br />

c<br />

v-ing present participle<br />

v to-inf to-infinitive<br />

o<br />

v-en past participle<br />

x<br />

v<br />

SEMANTIC FUNCTIONS<br />

subject<br />

predicator<br />

object<br />

direct object<br />

indirect object<br />

prepositional object<br />

oblique object<br />

Complement<br />

Complement of the subject<br />

Complement of the object<br />

Locative/ Goal Complement<br />

adjunct<br />

finite<br />

head<br />

modifier (pre- and<br />

post-modifier)<br />

determiner<br />

epithet<br />

classifier<br />

complement (of noun, adjective,<br />

adverb and preposition)<br />

operator<br />

auxiliary verb<br />

lexical verb, main verb<br />

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Ag<br />

Aff<br />

Rec<br />

Ben<br />

Agent<br />

Affected<br />

Recipient<br />

Beneficiary


UNIT BOUNDARIES<br />

||| complex sentence<br />

|| clause<br />

| group<br />

Tonicity<br />

// end of tone unit<br />

/ rising tone<br />

<br />

falling tone<br />

^ rising-falling tone<br />

v falling-rising tone<br />

CAPITAL letters are used to indicate<br />

the peak of information focus<br />

in the tone unit<br />

OTHER SYMBOLS<br />

*unacceptable or ungrammatical form<br />

(?) doubtfully acceptable<br />

( ) optional element<br />

<br />

alternative form<br />

coordination, addition<br />

dependency<br />

[ ] embedded unit<br />

† keyed exercise<br />

1, 2, etc. superscript marking item in extract<br />

BNC British National Corpus<br />

BrE British <strong>English</strong><br />

AmE American <strong>English</strong><br />

vs versus<br />

Pauses from brief to long<br />

. – – – –––<br />

British National Corpus<br />

Examples from the British National Corpus cite their source by a 3-letter code and<br />

sentence number. Most of the source texts are copyright and may not be cited or redisseminated<br />

except as part of the Corpus. Full details of every source and the BNC<br />

project itself can be found on its website (http://www.natcorp.ox.ac.uk/), which is<br />

searchable.<br />

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xxii NOTATIONAL SYMBOLS


BASIC CONCEPTS CHAPTER 1<br />

Module 1: Language and meaning 3<br />

1.1 Communicative acts 3<br />

1.2 The content of communication 4<br />

1.3 Three ways of interpreting clause structure 5<br />

1.3.1 The clause as representation: transitivity structures 5<br />

1.3.2 The clause as exchange: mood structures 6<br />

1.3.3 The clause as message: thematic structures 6<br />

1.3.4 Combining the three types of structure 7<br />

Module 2: Linguistic forms and syntactic functions 9<br />

2.1 Syntactic categories and relationships 9<br />

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2.2 Testing for constituents 9<br />

2.4 Classes of units 12<br />

2.4.1 Classes of clauses 12<br />

2.4.2 Classes of groups 16<br />

2.4.3 Classes of words 16<br />

2.4.4 Classes of morphemes 16<br />

2.5 The concept of unit structure 17<br />

2.5.1 Syntactic elements of clauses 17<br />

2.5.2 Syntactic elements of groups 18<br />

2.5.3 Componence, realisation and function 19<br />

Module 3: Negation and expansion 21<br />

3.1 Negative and interrogative clause structures 21<br />

3.1.1 The finite operator 21<br />

3.2 Clausal negation 22<br />

3.2.1 Interrogative clauses 22<br />

3.3 No-negation vs not-negation + any 23<br />

3.4 Any and other non-assertive words 23


3.5 The scope of negation 25<br />

3.6 Local negation 25<br />

3.7 Expanding linguistic units 26<br />

3.7.1 Coordination 26<br />

3.7.2 Subordination 27<br />

3.7.3 Embedding 28<br />

Exercises 28<br />

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LANGUAGE AND MEANING MODULE 1<br />

A functional grammar aims to match forms to function and meaning in context. This<br />

module introduces the three strands of meaning that form the basis of a functional<br />

interpretation of grammar: the representational, the interpersonal and the textual.<br />

Each of these strands is encoded in the clause (or simple sentence) as a type of<br />

structure. The three structures are mapped onto one another, illustrating how the three<br />

types of meaning combine in one linguistic expression.<br />

1.1 COMMUNICATIVE ACTS<br />

Let us start from the basic concept that language is for communication. Here is part<br />

of a recorded conversation taken from a sociological project of the <strong>University</strong> of Bristol.<br />

The speakers are Janice, a girl who runs a youth club and disco in an <strong>English</strong> town,<br />

and Chris, one of the boys in the club, who is 19 and works in a shop. In the dialogue,<br />

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we can distinguish various types of communicative act, or speech act, by which people<br />

communicate with each other: making statements, asking questions, giving directives<br />

with the aim of getting the hearer to carry out some action, making an offer or promise,<br />

thanking or expressing an exclamation.<br />

Offer J: If you like, I’ll come into your shop tomorrow and get some<br />

more model aeroplane kits.<br />

Reminder C: O.K. Don’t forget to bring the bill with you this time.<br />

Promise J: I won’t.<br />

Question<br />

Do you enjoy working there?<br />

Statements C: It’s all right, I suppose. Gets a bit boring. It’ll do for a while.<br />

Statement J: I would have thought you were good at selling things.<br />

Statement C: I don’t know what to do really. I’ve had other jobs. My Dad<br />

keeps on at me to go into his business. He keeps offering me<br />

better wages,<br />

Exclamation but the last thing to do is to work for him!<br />

Question J: Why?<br />

Echo question C: Why? You don’t know my old man! I<br />

Exclamations wouldn’t work for him! He always<br />

Statement wanted me to, but we don’t get on. ...


Question<br />

D’you think it’s possible to get me on a part-time Youth<br />

Leadership <strong>Course</strong>?<br />

Offer/Promise J: I’ll ring up tomorrow, Chris, and find out for you.<br />

Thanking C: Thanks a lot.<br />

In a communicative exchange such as this, between two speakers, the kind of meaning<br />

encoded as questions, statements, offers, reminders and thanks is interpersonal meaning.<br />

Asking and stating are basic communicative acts. The thing asked for or stated may<br />

be something linguistic – such as information or an opinion (Do you enjoy working there?<br />

It’s all right, I suppose) – or it may be something non-linguistic, some type of goods and<br />

services, such as handing over the aeroplane kits.<br />

This non-linguistic exchange may be verbalised – by, for instance, Here you are – but<br />

it need not be. Typically, however, when goods and services are exchanged, verbal<br />

interaction takes place too; for instance, asking a favour (Do you think it’s possible to get<br />

me on a part-time Youth Leadership <strong>Course</strong>?) or giving a promise (I’ll ring up tomorrow,<br />

Chris, and find out for you) are carried out verbally.<br />

The grammatical forms that encode two basic types of interpersonal communication<br />

are illustrated in section 1.3.2. The whole area is dealt with more fully in Chapter 5.<br />

1.2 THE CONTENT OF COMMUNICATION<br />

Every speech act, whether spoken or written, takes place in a social context. A telephone<br />

conversation, writing a letter, buying a newspaper, giving or attending a lecture, are all<br />

contexts within which the different speech acts are carried out. Such contexts have<br />

to do with our own or someone else’s experience of life and the world at large, that is,<br />

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the doings and happenings in which we are involved or which affect us.<br />

Any happening or state in real life, or in an imaginary world of the mind, can be<br />

expressed through language as a situation or state of affairs. Used in this way, the<br />

terms ‘situation’ or ‘state of affairs ‘ do not refer directly to an extra-linguistic reality<br />

that exists in the real world, but rather to the speaker’s conceptualisation of it. The components<br />

of this conceptualisation of reality are semantic roles or functions and may<br />

be described in very general terms as follows:<br />

1 processes: that is, actions, events, states, types of behaviour;<br />

2 participants: that is, entities of all kinds, not only human, but inanimate, concrete<br />

and abstract, that are involved in the processes;<br />

3 attributes: that is, qualities and characteristics of the participants;<br />

4 circumstances: that is, any kind of contingent fact or subsidiary situation which<br />

is associated with the process or the main situation.<br />

4 ENGLISH GRAMMAR


The following example from the text shows one possible configuration of certain<br />

semantic roles:<br />

I ’ll come into your shop tomorrow<br />

participant process circumstance circumstance<br />

The kind of meaning expressed by these elements of semantic structure is representational<br />

meaning, or meaning that has to do with the content of the message. The<br />

various types of process, participants, attributes and circumstances are outlined in<br />

the following sections and described more fully in Chapter 4.<br />

1.3 THREE WAYS OF INTERPRETING CLAUSE STRUCTURE<br />

The clause or simple sentence is the basic unit that embodies our construal of representational<br />

meaning and interpersonal meaning. The clause is also the unit whose<br />

elements can be reordered in certain ways to facilitate the creation of textual meaning.<br />

The textual resources of the clause, such as the active–passive alternative, enable the<br />

representational strand and the interpersonal strand of meaning to cohere as a message,<br />

not simply as a sentence in isolation, but in relation to what precedes it in the discourse.<br />

Each type of meaning is encoded by its own structures; the three types of structure<br />

combine to produce one single realisation in words.<br />

To summarise, the three kinds of meaning derive from the consideration of a clause<br />

as: (a) the linguistic representation of our experience of the world; (b) a communicative<br />

exchange between persons; (c) an organised message or text. We now turn to the three<br />

types of structure that implement these meanings.<br />

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1.3.1 The clause as representation: transitivity structures<br />

The representational meaning of the clause is encoded through the transitivity<br />

structures, whose elements of structure or functions include: Agent, Recipient, Affected,<br />

Process, Attribute and Circumstance, as described in Chapter 4. Some of these make<br />

up the semantic structure of the following example:<br />

Janice will give Chris the bill tomorrow<br />

Agent Process Recipient Affected Circumstance<br />

(action)<br />

(time)<br />

With a process of ‘doing’ such as the action of giving, the Agent is that participant which<br />

carries out the action referred to by the verb; the Recipient is that participant<br />

who receives the ‘goods’ or ‘information’ encoded as the Affected. Circumstances<br />

attending the process are classified as locative, temporal, conditional, concessive, causal,<br />

resultant, etc.<br />

BASIC CONCEPTS 5


1.3.2 The clause as exchange: mood structures<br />

When a speaker interacts with others to exchange information, or to influence their<br />

behaviour and get things done, she adopts for herself a certain role, such as ‘questioner’<br />

and, in doing so, assigns a complementary role, such as ‘informant’, to her addressee.<br />

Unless the conversation is very one-sided, the roles of ‘questioner’ and ‘informant’ tend<br />

to alternate between the interlocutors engaged in a conversation, as can be seen in the<br />

exchange of speech roles between Chris and Janice in the text on page 3.<br />

The clause is the major grammatical unit used by speakers to ask questions, make<br />

statements and issue directives. The exchange of information is typically carried out<br />

by the indicative mood or clause type, as opposed to directives, which are typically<br />

expressed by the imperative mood. Within the indicative, making a statement is<br />

associated characteristically with the declarative, and asking a question with the<br />

interrogative. More exactly, it is one part of these structures – consisting of the Subject<br />

and the Finite element – that in <strong>English</strong> carries the syntactic burden of the exchange.<br />

The rest of the clause remains unchanged.<br />

In a declarative clause, the Subject precedes the Finite.<br />

Declarative<br />

Janice will give Chris the bill tomorrow<br />

Subject Finite Predicator Indirect Direct Adjunct<br />

operator Object Object<br />

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Interrogative<br />

Will Janice give Chris the bill tomorrow?<br />

Finite Subject Predicator Indirect Direct Adjunct<br />

operator Object Object<br />

In the interrogative structure, the positions of Finite operator and Subject are<br />

reversed, the Predicator and the rest of the clause remaining the same. The Finite is that<br />

element which relates the content of the clause to the speech event. It does this by<br />

specifying a time reference, through tense, or by expressing an attitude of the speaker,<br />

through modality. Also associated with finiteness, although less explicitly in many cases<br />

in <strong>English</strong>, are person and number. The Finite element is realised in the examples above<br />

by the modal auxiliary will (see 3.1.1 and 23.3 for the interrogative). Clause types and<br />

the meanings they convey are treated in Chapter 5.<br />

1.3.3 The clause as message: thematic structures<br />

Here, the speaker organises the informational content of the clause so as to establish<br />

whatever point of departure is desired for the message. This is called the Theme, which<br />

6 ENGLISH GRAMMAR


in <strong>English</strong> coincides with the initial element or elements of the clause. The rest of the<br />

clause is the Rheme:<br />

Janice will give Chris the bill tomorrow<br />

Theme<br />

Rheme<br />

The Theme may coincide with one of the participants, as in this example, or it<br />

may ‘set the scene’ by coinciding with an initial expression of time, place, etc. These<br />

possibilities are illustrated in 1.3.4. and treated more fully in Chapter 6.<br />

1.3.4 Combining the three types of structure<br />

The three types of structure we have briefly introduced are examined more closely<br />

in Chapters 4, 5 and 6. Here, they are mapped simultaneously on to the example<br />

clause, in order to show the tripartate nature and analysis of <strong>English</strong> clauses from a functional<br />

point of view. Predicator, Indirect and Direct Objects, and Adjunct are included<br />

as syntactic functions, which correspond to the semantic roles. We examine the<br />

syntactic functions more closely in Chapter 2.<br />

Janice will give Chris the bill tomorrow<br />

Experiential Agent Process Recipient Affected Circumstance<br />

Interpersonal Subject Finite + Indirect Direct Adjunct<br />

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Predicator Object Object<br />

Textual Theme Rheme<br />

In a typical active declarative clause such as this, Agent, Subject and Theme coincide<br />

and are realised in one wording, in this case Janice. But in natural language use, a<br />

situation can be expressed in different ways, in which the order of clause elements can<br />

vary, since different elements of structure can be moved to initial position. Our present<br />

example admits at least the following possible variants:<br />

1 Chris will be given the bill (by Janice) tomorrow.<br />

2 The bill will be given to Chris tomorrow (by Janice).<br />

3 Tomorrow, Chris will be given the bill (by Janice).<br />

It can be seen that the three types of structural elements do not coincide (vertically)<br />

in the same way as they do in the typical active declarative clause. For example:<br />

Theme now coincides with Recipient in 1, with Affected in 2, and with Circumstance in<br />

3; Agent no longer coincides with Theme or with Subject in any of the variants. The<br />

configurations for 1 are illustrated below.<br />

BASIC CONCEPTS 7


Chris will be given the bill by Janice tomorrow<br />

Recipient Process Affected Agent Circumstance<br />

Subject Finite + Predicator Direct Object Adjunct Adjunct<br />

Theme Rheme<br />

The motivation for this and the other variants is not to be sought in the clause in<br />

isolation, but in its relationship to that part of the discourse at which it is located. The<br />

speaker organises the content of the clause in order to achieve the best effect for their<br />

communicative purpose. This involves establishing the point of departure of the clausal<br />

message – that is, the Theme – in relation to what has gone before. This choice<br />

conditions to a large extent the way the clausal message will develop and how the<br />

speaker or writer will lead the hearer or reader to identify that constituent which is<br />

presented as New information, usually at the end of the clause.<br />

By choosing variant 1, for example, Chris becomes the point of departure, while<br />

tomorrow is still in final position, with the Agent, Janice, nearing final position. By using<br />

the passive, instead of the active voice, the Agent can be omitted altogether, leaving<br />

the Affected, the bill, nearer final position. Finally, if we bring the circumstantial element<br />

of time, tomorrow, to initial position as Theme, as in 3, this element will serve as a frame<br />

for the whole event. By means of such reorganisations of the clausal message, the<br />

content of the clause can be made to relate to the rest of the discourse and to the communicative<br />

context in which it is produced. It is for this reason that the active–passive<br />

choice, which determines the constituent of the clause that will be Subject, is related to<br />

choice of Theme and the ‘packaging’ or distribution of information.<br />

The textual motivations outlined in the previous paragraph, and the syntactic<br />

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strategies that serve to produce different kinds of clausal message, are discussed in<br />

Chapter 6.<br />

We will now look at the full range of grammatical units in a hierarchy where the clause<br />

is central. We will then look briefly at the unit above the clause, the ‘complex sentence’,<br />

and the units immediately below the clause, the ‘groups’.<br />

8 ENGLISH GRAMMAR


LINGUISTIC FORMS AND MODULE 2<br />

SYNTACTIC FUNCTIONS<br />

2.1 SYNTACTIC CATEGORIES AND RELATIONSHIPS<br />

In this module we shall outline the basic syntactic concepts on which our structural<br />

analysis is based. These include the structural units which can be arranged by rank,<br />

the classes into which these units can be divided, and the elements of which they are<br />

composed. We shall also consider the ways units of one rank are related to those above<br />

or below them. This is explained on pages 19 and 20, and in chapters 2 and 3.<br />

2.2 TESTING FOR CONSTITUENTS<br />

Before attempting to see how a stretch of language can be broken down into units, it is<br />

useful to be able to reinforce our intuitions as to where boundaries lie. This can be done<br />

by applying certain tests in order to identify whether a particular sequence of words is<br />

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functioning as a constituent of a higher unit or not.<br />

For instance, the following sequence, which constitutes a grammatical clause or<br />

simple sentence, is ambiguous:<br />

Muriel saw the man in the service station<br />

Two interpretations are possible, according to how the units that make up the clause<br />

are grouped into constituents, expressed graphically as follows:<br />

1 || Muriel | saw | the man in the service station ||<br />

2 || Muriel | saw | the man || in the service station ||<br />

In version 1, the prepositional phrase in the service station forms part of the constituent<br />

whose head-word is man (the man in the service station) and tells us something about the<br />

man; whereas in version 2 the same prepositional phrase functions separately as a<br />

constituent of the clause and tells us where Muriel saw the man.<br />

Evidence for this analysis can be sought by such operations as (a) coordination,<br />

(b) wh-questions, (c) clefting, (d) passivisation and (e) fronting. Tests (b) to (e) involve<br />

moving the stretch of language around and observing its syntactic behaviour. Testing<br />

BASIC CONCEPTS 9


y coordination involves adding a conjoin that realises the same function; only stretches<br />

of language that realise the same function can be conjoined:<br />

(a) It can be seen that different types of conjoin are required according to the function<br />

of in the service station:<br />

(i) Muriel saw the man in the service station and the woman in the shop.<br />

(ii) Muriel saw the man in the service station and in the shop.<br />

(b) The wh-question form and the appropriate response will be different for the two<br />

versions:<br />

(i) Who did Muriel see? – The man in the service station.<br />

(ii) Where did Muriel see the man? – In the service station.<br />

(c) Clefting by means of it + that-clause highlights a clause constituent (see 30.2) and<br />

thus yields two different results:<br />

(i) It was the man in the service station that Muriel saw.<br />

(ii) It was in the service station that Muriel saw the man.<br />

Wh-clefting (see 30.2) gives the same result:<br />

(i) The one Muriel saw was the man in the service station.<br />

(ii) Where Muriel saw the man was in the service station.<br />

The form the one (that . . . ) is used in this construction since <strong>English</strong> does not admit<br />

who in this context (*Who Muriel saw was the man in the service station).<br />

(d) Passivisation (see 4.2.3 and 30.3) likewise keeps together those units or bits of<br />

language that form a constituent. The passive counterpart of an active clause usually<br />

contains a form of be and a past participle:<br />

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(i)<br />

(ii)<br />

The man in the service station was seen by Muriel.<br />

The man was seen by Muriel in the service station.<br />

(e) A constituent can sometimes be fronted, that is, brought to initial position:<br />

(i)<br />

(ii)<br />

The man in the service station Muriel saw.<br />

In the service station Muriel saw the man.<br />

It is not always the case that a sequence responds equally well to all five types of test.<br />

Certain types of unit may resist one or more of these operations: for instance, frequency<br />

adverbs such as often and usually, and modal adverbs like probably, resist clefting (*It’s<br />

often/usually/probably that Muriel saw the man in the service station), resulting in a sentence<br />

that is ungrammatical. Unlike some languages, in <strong>English</strong> the finite verbal element of a<br />

clause normally resists fronting (*Saw Muriel the man in the service station). Nevertheless,<br />

if two or more of the operations can be carried out satisfactorily, we can be reasonably<br />

sure that the sequence in question is a constituent of a larger unit.<br />

We now turn to the description of units, their classes and the relationship holding<br />

between them.<br />

10 ENGLISH GRAMMAR


2.3 UNITS AND RANK OF UNITS<br />

The moving-around of bits of language, as carried out in 2.2, suggests that language is<br />

not a series of words strung together like beads on a string. Language is patterned, that<br />

is, certain regularities can be distinguished throughout every linguistic manifestation in<br />

discourse. A unit will be defined as any sequence that constitutes a semantic whole and<br />

which has a recognised pattern that is repeated regularly in speech and writing. For<br />

instance, the previous sentence is a unit containing other units such as a recognised<br />

pattern and in speech and writing. Sequences such as defined as any and repeated regularly<br />

in, which also occur in the same sentence, do not constitute units since they have no<br />

semantic whole and no syntactic pattern. The following sequence, which comments on<br />

the effects of a nuclear accident, constitutes one syntactic unit which is composed of<br />

further units:<br />

The effects of the accident are very serious.<br />

In <strong>English</strong>, it is useful to recognise four structural units which can be arranged in a<br />

relationship of componence on what is called a rank-scale:<br />

Unit Boundary Example<br />

marker<br />

Clause: || || the effects of the accident are very serious ||<br />

Group: | | the effects of the accident | are | very serious |<br />

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Word: a space the effects of the accident are very serious<br />

Morpheme: + {EFFECT} + {PLURAL}, realised by the morphs effect and -s<br />

For the initial stages of analysis it may be helpful to mark off the boundaries of<br />

each unit by a symbol, such as those adopted in the example. The symbol for ‘clause<br />

boundary’ is a double vertical line ||, that for ‘group boundary’ is a single vertical line|,<br />

and that for ‘word boundary’ is simply a space, as is conventionally used in the written<br />

language. The independent clause is the equivalent of the traditional ‘simple sentence’.<br />

Combinations of clauses, the boundaries symbolised by |||, are illustrated in 2.4.1 and<br />

treated more fully in Chapter 7.<br />

The relationship between the units is, in principle, as follows. Looking downwards,<br />

each unit consists of one or more units of the rank below it. Thus, a clause consists of<br />

one or more groups, a group consists of one or more words and a word consists of one<br />

or more morphemes. For instance, Wait! consists of one clause, which consists of<br />

one group, which consists of one word, which consists of one morpheme. More exactly,<br />

we shall say that the elements of structure of each unit are realised by units of the rank<br />

below.<br />

Looking upwards, each unit fulfils a function in the unit above it. However, as we<br />

shall see in 3.6.3 and in later chapters, units may be ‘embedded’ within other units, such<br />

BASIC CONCEPTS 11


as the clause who live in the north within the nominal group people who live in the north.<br />

Similarly, the prepositional phrase of the accident is embedded in the nominal group the<br />

effects of the accident.<br />

We shall be concerned in this book mainly with two units: clause and group. The<br />

structure and constituents of these units will be described in later sections, together with<br />

their functions and meanings.<br />

2.4 CLASSES OF UNITS<br />

At each rank of linguistic unit mentioned in 2.3, there are various classes of unit.<br />

2.4.1 Classes of clauses<br />

A. Finite and non-finite clauses<br />

At the rank of ‘clause’, a first distinction to be made is that between finite and nonfinite<br />

clauses. As clauses have as their central element the verbal group, their status as<br />

finite or non-finite depends on the form of the verb chosen. Finite verbs, and therefore<br />

also finite clauses, are marked for either tense or modality, but not both. Their function<br />

is to relate the verb to the speech event. Tensed forms distinguish the present tense<br />

(lock, locks) from the past tense (locked) in regular verbs and many irregular verbs also,<br />

as in eat, ate; go, went. This distinction is not made on all irregular verbs, for example<br />

shut, which has the same form for the present and past tenses. Person and number are<br />

marked only on the third person singular of the present tense (locks, shuts) – except for<br />

the verb be, which has further forms (see 3.1.1).<br />

Tense is carried not only by lexical verbs but also by the finite operators. Modality<br />

is marked by the modal verbs, which also function as operators (see 3.1.1). If the speaker<br />

wishes to express tense or modality, together with person and number, a ‘finite’ form<br />

of the verb is chosen, therefore, such as is, eats, locked, went, will stay and the clause is<br />

then called a finite clause (fin.cl). For example, in the following paragraph all the verbs<br />

– and therefore all the clauses (marked 1 , 2 etc.) – are finite:<br />

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||I had a farm in Africa, at the foot of the Ngong hills.|| 1 |||The Equator runs across<br />

these highlands a hundred miles to the north,|| 2 and the farm lay at an altitude<br />

of over six thousand feet. 3 ||| In the daytime you felt that you had got high up, near<br />

to the sun, 4 || but the early mornings and evenings were limpid and restful, 5 || and<br />

the nights were cold. 6 |||<br />

(Karen Blixen, Out of Africa)<br />

If the verb-form does not signal either tense or modality, the verb and the clause are<br />

classified as non-finite (V-non-fin; non-fin.cl). The non-finite verb forms are:<br />

12 ENGLISH GRAMMAR


• the infinitive (inf.) (be, eat, lock, go) sometimes called the ‘bare’ infinitive;<br />

• the to-infinitive (to-inf);<br />

• the participial -ing form (-ing) (being, eating, locking, going); and<br />

• the past participial form, symbolised in this book as -en (been, eaten, locked,<br />

gone).<br />

These forms are said to be non-tensed. Non-finite clauses are illustrated by the<br />

following examples:<br />

1 They want to hire a caravan. to-infinitive clause<br />

2 Tim helped her carry her bags upstairs. bare infinitive clause<br />

3 We found Ann sitting in the garden. -ing participial clause<br />

4 The invitations were sent written by hand. -en participial clause<br />

Most of these non-finite verb forms occur in the following passage from A. J. Cronin’s<br />

The Citadel. (Note that the same form serves for both the finite and non-finite status of<br />

many <strong>English</strong> verbs; locked and shut, for instance, each function both as a tensed (past)<br />

form and as a non-finite -en participle.)<br />

Three men, cramped 1 together on their bellies in a dead end, were doing their best<br />

to revive 2 another man who lay in a huddled attitude, his body slewed 3 sideways,<br />

one shoulder pointing 4 backwards, lost, 5 seemingly, in the mass of rock behind<br />

him.<br />

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1<br />

non-finite, -en; 2 non-finite, to-infinitive; 3 non-finite, -en; 4 non-finite, -ing;<br />

5<br />

non-finite, -en.<br />

B Independent and dependent clauses<br />

A further necessary distinction to be made is that between independent and<br />

dependent clauses. An independent clause (indep.cl) is complete in itself, that is, it<br />

does not form part of a larger structure, whereas a dependent clause (dep.cl) is typically<br />

related to an independent clause. This is illustrated in the following sentence:<br />

They locked up the house (indep.cl), before they went on holiday (dep.cl).<br />

All grammatically independent clauses are finite. Dependent clauses may be finite or<br />

non-finite. In the previous example, the finite dependent clause before they went on<br />

holiday can be replaced by a non-finite clause before going on holiday. The dependent<br />

status of non-finite clauses is signalled by the form itself.<br />

Only independent clauses have the variations in clause structure that make for the<br />

different clause types: declarative, interrogative, imperative and exclamative (see<br />

Module 23):<br />

BASIC CONCEPTS 13


Jack’s flat is in Hammersmith.<br />

Is his address 20 Finchley Road?<br />

Give me Jack’s telephone number.<br />

What a large apartment he has!<br />

(declarative)<br />

(interrogative)<br />

(imperative)<br />

(exclamative)<br />

Dependent clauses, even when finite, do not have these possibilities.<br />

C. Finite dependent clauses<br />

Seven kinds of finite dependent clause are illustrated in this section, along with three<br />

important sub-types of the nominal clause.<br />

The subordinate status of a finite dependent clause is normally signalled by means<br />

of subordinating conjunctions (‘subordinators’) such as when, if, before, as soon as in<br />

circumstantial clauses, as in 1 below (see also 35.2), or by ‘relativisers’ such as which,<br />

that in relative clauses as in 2 (see 49.3):<br />

1 As soon as she got home, Ann switched on the television.<br />

2 Paul took one of the red apples that his wife had bought that morning.<br />

Nominal clauses fulfil the functions of Subject, Object and Complement in clause<br />

structure. In a sentence such as He saw that the bottles were empty, the clause [that the<br />

bottles were empty] is embedded as a constituent (in this case as Object) of the<br />

superordinate clause he saw x. The part without the embedded clause is sometimes<br />

called the matrix clause.<br />

The main types of nominal clause are the that-clause 3, the wh-nominal relative<br />

clause 4 and the dependent wh-interrogative clause 4 and 5. The dependent<br />

exclamative 6 is a further type of wh-clause:<br />

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3 He saw that the bottles were empty. (that-clause)<br />

4 What I don’t understand is why you have come here. (nominal relative clause +<br />

dependent wh-interrogative)<br />

5 I’ll ask where the nearest Underground station is. (dependent wh-interrogative)<br />

6 She said how comfortable it was. (dependent exclamative clause)<br />

Embedded clauses are discussed and illustrated in chapters 2 and 3.<br />

Comparative clauses occur following the comparative forms of adjectives and<br />

adverbs. The comparative clause, introduced by than, provides the basis of comparison:<br />

7 The results are much better than we expected.<br />

Supplementive units are not integrated into the main clause, as embedded units are,<br />

but add supplementary information. They are subordinate but not embedded. They are<br />

set off from the main clause by commas, or by a dash, and have their own intonation<br />

contour. Here is an example of a supplementive non-finite -en clause:<br />

Built of cypress, brick and glass, the house exhibits many of the significant contributions<br />

that Wright made to contemporary architecture.<br />

14 ENGLISH GRAMMAR


In spoken discourse, and in written texts that imitate spoken language, such as fictional<br />

dialogue, we can often come across supplementives that are freestanding, despite<br />

their subordinate form, as in the following italicised example (see also chapters 5, 7<br />

and 10):<br />

The large size doesn’t seem to be available. Which is a pity.<br />

Not only clauses, but other units can have the status of ‘supplementives’ (see 49.2).<br />

A subsidiary type of clause is the verbless clause. This is a clause which lacks a verb<br />

and often a subject also. The omitted verb is typically a form of be and is recoverable<br />

from the situational or linguistic context, as in:<br />

Book your tickets well in advance, whenever possible. ( = whenever it is possible)<br />

(See also Chapter 5.) The following extract from Elaine Morgan’s, The Descent of Woman<br />

illustrates this type very well:<br />

Man, apes and monkeys can all be observed to cry out when in pain, flush when<br />

enraged, yawn when tired, glare when defiant, grin when tickled, tremble when<br />

afraid, embrace when affectionate, bare their teeth when hostile, raise their eyebrows<br />

when surprised, and turn their heads away when offended.<br />

We shall also classify as verbless clauses many irregular constructions such as the<br />

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following:<br />

Wh-questions without a finite verb:<br />

Adjuncts with the force of a command,<br />

sometimes with a vocative:<br />

Ellipted interrogative and exclamative<br />

clauses:<br />

Proverbs of the type:<br />

Why not sell your car and get a new one?<br />

Hands off! Into the shelter, everybody!<br />

Sure? (Are you sure?) Fantastic! (That/It is<br />

fantastic)<br />

Out of sight, out of mind.<br />

Finally, we shall call abbreviated clauses those such as can you? I won’t, has she? which<br />

consist of the Subject + Finite operator alone, with the rest of the clause ellipted because<br />

it is known. These clauses typically occur as responses in conversational exchanges and<br />

as tags (see 22.4), but can also express such speech acts as reprimand (Must you?), given<br />

an appropriate social context.<br />

BASIC CONCEPTS 15


2.4.2 Classes of groups<br />

Groups are classified according to the class of the word operating as the main or ‘head’<br />

element. Headed by a noun, an adjective, an adverb and a verb respectively, we can<br />

identify the following classes:<br />

Nominal Groups (NG) films, wonderful films by Fellini<br />

Verbal Groups (VG) return, will return<br />

Adjectival Groups (AdjG) good, quite good at languages<br />

Adverbial Groups (AdvG) fluently, very fluently indeed<br />

Units such as these centre round one main element, which prototypically cannot be<br />

omitted. Furthermore, the main element can replace the whole structure: films, return,<br />

good and fluently can have the same syntactic functions as the whole group of which<br />

each is head, or, in the case of return, as lexical verb. By contrast, the unit formed by a<br />

preposition and its complement, such as on the floor, is rather different. The preposition<br />

can’t function alone as a unit. Both elements are obligatory. This unit will therefore be<br />

called the ‘Prepositional Phrase’ (PP).<br />

2.4.3 Classes of words<br />

Words are classified grammatically according to the traditional terminology, which<br />

includes noun, verb, adjective, adverb, preposition, pronoun, article and conjunction.<br />

These ‘parts of speech’ are divided into two main classes, the open and the<br />

closed. The open classes are those that freely admit new members into the vocabulary.<br />

They comprise noun, verb, adjective and adverb. The closed classes (preposition,<br />

pronoun and article) do not easily admit new members. Prepositions have gradually<br />

expanded their membership somewhat by admitting participles such as including,<br />

concerning, but the remaining classes are very resistant to the introduction of new items.<br />

This has been noticeable in recent years when attempts have been made to find genderneutral<br />

pronouns.<br />

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2.4.4 Classes of morphemes<br />

Words are made up of morphemes. We shall consider the morpheme to be an abstract<br />

category that has either a lexical or a grammatical meaning. We have already indicated<br />

in 2.3 that a word such as effects can be considered as formed from the lexical morpheme<br />

{EFFECT} + the {PLURAL} morpheme. These abstract categories are realised by<br />

morphs such as effect and -s or /ifekt/ and /s/, the actual segments of written and<br />

spoken language, respectively.<br />

Since the study of words and morphemes takes us out of syntax, and into morphology<br />

and phonology, the scope of this book does not allow for further treatment of these<br />

units.<br />

16 ENGLISH GRAMMAR


2.5 THE CONCEPT OF UNIT STRUCTURE<br />

The term ‘structure’ refers to the relationships that exist between the small units that<br />

make up a larger unit. For example, the basic components of a table are a flat board<br />

and four long thin pieces of wood or metal, but these elements do not constitute a<br />

structure until they are related to each other as a horizontal top supported at the corners<br />

by four vertical legs. In this way, each ‘element’ is given its position and its ‘function’,<br />

which together we may call the ‘grammar’ of all those members of the general class of<br />

objects called ‘table’.<br />

Everything in our lives has structure. A house may be built of bricks, but its structure<br />

consists of rooms having different formal, functional and distributional characteristics.<br />

Tables, chairs, cars, all objects are composed of functionally related ‘formal items’;<br />

and the same applies to activities such as speeches, plays, concerts and football matches.<br />

It is natural that languages, which are the spoken and written representation of our<br />

experience of all these things, are also manifested in structured forms. Linguistic structures<br />

are described in terms of the semantic functions of their various elements and the<br />

syntactic forms and relationships which express them.<br />

We have seen in 1.3.1 a brief preview of the main semantic elements of the clause,<br />

together with some of the possible configurations produced by the combinations of<br />

these elements. Groups, whose function it is to express the things, processes, qualities<br />

and circumstances of our experience, also have semantic elements and structures. These<br />

are different for each type of group and are treated in the relevant chapter on each of<br />

these classes of unit. Here we shall briefly present the syntactic elements of all ranks<br />

of unit.<br />

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2.5.1 Syntactic elements of clauses<br />

Clauses have the greatest number of syntactic elements or functions of all classes<br />

of unit. The criteria for their identification, the syntactic features and the realisations of<br />

each are discussed in Chapter 2. Here we simply list and exemplify the clause elements<br />

within common clause structures. The type of structure used in order to express a<br />

‘situation’ or ‘state of affairs’ depends to a great extent on the verb chosen. Verb<br />

complementation types are treated in Chapter 3.<br />

Subject (S) Jupiter is the largest planet. SPCs<br />

Predicator (P) The election campaign has ended. SP<br />

Direct Object (Od) Ted has bought a new motorbike. SPOd<br />

Indirect Object (Oi) They sent their friends postcards. SPOiOd<br />

Prepositional Object (Op) You must allow for price increases. SPOp<br />

Subject Complement (Cs) He is powerless to make any changes. SPCs<br />

Object Complement (Co) We consider the situation alarming. SPOdCo<br />

Locative/Goal Complement (C loc<br />

) We flew to Moscow. SPC loc<br />

Circumstantial Adjunct (A) The news reached us on Tuesday. SPOdA<br />

Stance Adjunct (A)<br />

Unfortunately, we could not reach<br />

York in time.<br />

ASPOdA<br />

Connective Adjunct (A) However, other friends were present. ASPCs<br />

BASIC CONCEPTS 17


It will be seen that for interrogative and negative clauses we use an additional function,<br />

the Finite (see 3.1 and 23.3).<br />

2.5.2 Syntactic elements of groups<br />

Nominal groups, adjectival groups and adverbial groups are composed of three primary<br />

elements or functions: a head (h) preceded by a pre-modifier (m) and followed by a<br />

post-modifier (m). This last element is sometimes called a ‘qualifier’. In the chapters<br />

devoted to these groups we also distinguish ‘complement’ (c) as a special type of posthead<br />

element. Complements of nouns and adjectives are introduced by a preposition<br />

or by a that-clause which is controlled by the head-word of the group. For example,<br />

the adjective good controls a complement introduced by at: good at chess. The noun<br />

belief controls a that-clause: the belief that he is always right. In the case of nominal<br />

groups, we also distinguish between ‘modifiers’, which describe or classify the head,<br />

and ‘determiners’ (d), which specify it in terms of definiteness, quantity, possessiveness,<br />

etc. Thus, we give the determiner and the pre- and post-modifiers equal syntactic status<br />

as primary elements of nominal groups (see 45.2). The following are examples of these<br />

group structures:<br />

NG: dmhm: those | beautiful | paintings | by Goya<br />

AdjG: mhc: extremely | difficult | to translate<br />

AdvG: mhm: very | carefully | indeed<br />

In Verbal Groups, the lexical verb is regarded as the main element (v), which either<br />

functions alone, whether in finite or non-finite form, as in the example Walking along<br />

the street, I met a friend of mine, or is preceded by auxiliaries (x), as in will go or has been<br />

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reading. The first auxiliary (or the auxiliary, if there is only one) is called the ‘finite<br />

operator’ (o). It is the element that contributes information about tense, modality,<br />

number and person, and so helps to make the VG finite and fully ‘operative’. It is also<br />

the element that operates in the syntactic structure to make the clause interrogative<br />

and/ or negative (see 3.1), and to make ellipted responses:<br />

Have you been driving for many years? – Yes, I have.<br />

Do you enjoy driving? – Yes, I do.<br />

In the more complex verbal groups, each element is telescoped into the following one<br />

(see 38.7):<br />

v: plays<br />

ov: has | played [have + -en]<br />

oxv: will | be | playing [will + [be + -ing]]<br />

oxxv: must | have | been | played [must + [have + -en] [be + -en]]<br />

The lexical verb is sometimes followed by an adverbial particle (symbolised by ‘p’) as<br />

in ring up, break out, take over. Many such combinations form integrated semantic units<br />

18 ENGLISH GRAMMAR


which are idiomatic. Although the particle frequently forms an integral part of the<br />

meaning of the lexical verb, and in fact can often be replaced by a simple verb form (ring<br />

up = telephone; break out = escape, erupt), transitive combinations can be discontinuous<br />

as in I’ll ring you up, They’ve taken it over.<br />

However, most particles are not otherwise moveable (see the constituency tests in<br />

2.2); we can’t say *Up I’ll ring you or *Out broke an epidemic. The only exception is in<br />

‘free combinations’where the particle has a directional meaning, and in such cases we<br />

classify them as directional complements with special uses: Down came the rain and up<br />

went the umbrellas. However, grammars differ in this respect. The syntax of phrasal verbs<br />

and other multi-word combinations is discussed in 6.4 and the semantics (in terms of<br />

Source, Path and Goal) in 40.2.<br />

In Prepositional Phrases (PP) there are two obligatory elements: the prepositional<br />

head (h) and the complement (c). There is also an optional modifier (m), which<br />

is typically realised by an adverb of degree (e.g. right, quite). The structure of PPs is<br />

illustrated as follows:<br />

mhc:<br />

right | across | the road<br />

quite | out of | practice<br />

Prepositional phrases appear as realisations of many functions throughout this book.<br />

The structure and grammatical functions of the prepositional phrase are treated in<br />

Chapter 12, together with prepositional meanings, which are described in terms of<br />

locative, metaphorical and abstract uses.<br />

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2.5.3 Componence, realisation and function<br />

Any structure can be considered to be composed of elements which form a configuration<br />

of ‘functions’, whether semantic functions such as Agent-Process-Affected or syntactic<br />

functions such as the clause configuration Subject-Predicator-Direct Object or the<br />

modifier-head-modifier structure of the nominal group.<br />

Each of these functions is in turn realised by a unit which is itself, at least potentially,<br />

a configuration of functions, and these in turn are realised by others until the final<br />

stage is reached and abstract categories such as subject, head, modifier, etc., are finally<br />

realised by the segments of the spoken or written language. The ‘structural tree’ on page<br />

20 diagrams this model of analysis at the three unit ranks of clause, group and word,<br />

to illustrate the clause The bus strike will affect many people tomorrow:<br />

An important property of language is the fact that there is no one-to-one correspondence<br />

between the class of unit and its function. While it is true that certain classes<br />

of unit typically realise certain functions, Nominal Groups at Subject and Object functions,<br />

for instance, it is nevertheless also true that many classes of unit can fulfil many different<br />

functions, and different functions are realised by many different classes of unit. For<br />

instance, the NG next time can fulfil the following clause functions, among others:<br />

Subject:<br />

Adjunct:<br />

Direct Object:<br />

Next time will be better.<br />

I’ll know better next time.<br />

We’ll enjoy next time.<br />

BASIC CONCEPTS 19


Clf<br />

S P Od A Components<br />

NG VG NG AdvG<br />

Realisations<br />

d m h o v d h h<br />

Components<br />

det<br />

noun<br />

noun<br />

aux<br />

v<br />

det<br />

noun<br />

adv<br />

Realisations<br />

the<br />

bus<br />

strike<br />

will<br />

affect<br />

many people tomorrow<br />

Realisation<br />

by lexical<br />

items<br />

The nearest to a one-to-one relationship in the grammar is that between the process<br />

and the verbal group that realises it.<br />

This many-to-many relationship is fundamental for understanding the relationship<br />

of the grammar of <strong>English</strong> to discourse. By this it is not implied that discourse (or even<br />

a text) is a kind of super-sentence, a grammatical unit that is simply ‘larger’ than a<br />

sentence and with the same kind of relationship holding between its parts as that which<br />

holds between grammatical units. A piece of discourse is quite different in kind from a<br />

grammatical unit. Rather than grammatical, it is a pragmatic-semantic unit of whatever<br />

length, spoken or written, and which forms a unified whole, with respect both to its<br />

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internal properties and to the social context in which it is produced.<br />

To take a minimal instance, a pragmatic act such as ‘leavetaking’ may be realised by<br />

a modalised declarative clause (I’ll be seeing you) or by the formulaic expression Goodbye,<br />

among others. Typically, a discourse is made up of various types of pragmatic acts,<br />

which in turn are realised semantically and syntactically. In this book, although we start<br />

from the grammar rather than from the text, the relationship between the two is of<br />

primary interest.<br />

20 ENGLISH GRAMMAR


NEGATION AND EXPANSION MODULE 3<br />

3.1 NEGATIVE AND INTERROGATIVE CLAUSE STRUCTURES<br />

Negating and questioning are basic human needs, which are encoded grammatically by<br />

negation and by the interrogative, respectively. <strong>English</strong> is unlike many other languages<br />

in using a finite operator to form negative and interrogative clause structures.<br />

The verb’s corresponding negative forms normally have n’t added to the positive<br />

forms. The following are irregular: can’t (from cannot), shan’t (from shall not), won’t (from<br />

will not). May not is not usually abbreviated to mayn’t. When n’t follows a consonant<br />

– as in didn’t, wouldn’t – it is pronounced as a separate syllable. The inflectional n’t forms<br />

are used in spoken <strong>English</strong> and in informal written styles that imitate speech, such<br />

as fictional dialogue. The full form not is used in formal written styles and for emphasis<br />

– as in The play was not a success, rather than The play wasn’t a success.<br />

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3.1.1 The finite operator<br />

The operator is a verb, of one of the following types: primary, modal or do, as explained<br />

below.<br />

primary:<br />

modal:<br />

the ‘do’ operator:<br />

positive: am, is, are, was, were, have, has, had<br />

negative: am not (aren’t in negative-interrogative), isn’t, aren’t,<br />

wasn’t, weren’t, haven’t, hasn’t, hadn’t<br />

positive: can, could, will, would, shall, should, may, might, ought<br />

negative: can’t, couldn’t, won’t, wouldn’t, shan’t, shouldn’t, may not,<br />

mightn’t, oughtn’t<br />

positive: does, do, did negative; doesn’t, don’t, didn’t<br />

We also mention here the lexical-auxiliaries based on the primary verbs be (be about<br />

to, be sure to, be going to, etc.) and have (have to, have got to), which are discussed in 37.3.<br />

The primary verb functions as a normal operator in these combinations.<br />

Less commonly in use are the semi-modals dare and need, which as modals are<br />

used in negative and interrogative clauses, and admit the abbreviated forms daren’t and<br />

needn’t, respectively. (Dare you go? I daren’t go. How dare you speak to me like that?<br />

Need I go? You needn’t go).<br />

BASIC CONCEPTS 21


Dare can be used with will, should and would, a possibility that is not open to modals<br />

in general: Nobody will dare vote against the proposal; I wouldn’t dare take a space-trip<br />

even if I were offered one.<br />

Dare and need also behave like full lexical verbs requiring the do-operator: I didn’t<br />

dare go. I didn’t need to go. Didn’t you dare go? Didn’t you need to go? Didn’t dare is more<br />

common now than dared not (He dared not say a word, He didn’t dare say a word).<br />

3.2 CLAUSAL NEGATION<br />

In clauses, negation is usually made with the particle not, by negating the finite operator<br />

(is not, cannot/isn’t, can’t, etc.), or a non-finite verb in a dependent clause (not wishing to<br />

disturb them). *Amn’t is not used in Standard <strong>English</strong> for the first person singular; instead<br />

I’m not (declarative) and Aren’t I (interrogative) are used. If no other auxiliary is present,<br />

a form of do (do, does, did) is brought in as operator. Compare the following positive and<br />

negative declarative clauses:<br />

That man is the Secretary.<br />

He took the car.<br />

Ed always does the dishes.<br />

That man is not/isn’t the Secretary.<br />

He didn’t take the car.<br />

Ed doesn’t always do the dishes.<br />

The last example here illustrates the use of does both as a lexical verb and as operator.<br />

Don’t is the regular negative form used in second person imperatives: Don’t be late!<br />

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Some operators admit an alternative type of abbreviation with the subject in negative<br />

clauses. This occurs usually only with a pronoun. Both types are used in spoken <strong>English</strong>:<br />

They aren’t ready.<br />

She isn’t coming with us.<br />

He hasn’t finished.<br />

We haven’t got enough.<br />

They’re not ready.<br />

She’s not coming with us.<br />

He’s not finished.<br />

We’ve not got enough.<br />

3.2.1 Interrogative clauses<br />

These invert the operator with the subject of the clause:<br />

Positive-interrogative<br />

Is that man the Secretary?<br />

Did he take the car?<br />

Does Ed always do the dishes?<br />

Negative-interrogative<br />

Isn’t that man the Secretary?<br />

Didn’t he take the car?<br />

Doesn’t Ed always do the dishes?<br />

There are two types of interrogative clause. One is the yes/no type, illustrated here,<br />

which simply asks for an answer in terms of yes or no. The other is the wh-type, which<br />

asks for the information represented by the wh-word what? who? where? and so on. The<br />

22 ENGLISH GRAMMAR


inversion of subject–operator is the same as for the yes/no type, except when who<br />

functions as subject:<br />

Who came to see you?<br />

What does Ed do?<br />

When can you come to see us?<br />

When did you see him last?<br />

3.3 NO-NEGATION VS NOT-NEGATION + ANY<br />

Another way of negating a clause is by using a non-verbal ‘nuclear’ negative word<br />

such as nobody, nothing, no or never. When we need a negative element as subject, a<br />

nuclear form is necessary: Nobody came after all, Nothing was said, No money was found<br />

(see below, and also Chapter 10). Nuclear negative words are also common in existential<br />

clauses: There’s nothing to worry about.<br />

In many cases a similar idea can be expressed by using either no-negation or notnegation<br />

+ any:<br />

Have you any money?<br />

Do you know anyone called Stern?<br />

I haven’t any money.<br />

I have no money.<br />

I don’t know anyone called Stern.<br />

I know no-one called Stern.<br />

In questions, either alternative is possible even when the negative item is subject, as<br />

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opposed to the single possible structure in negative declarative clauses. Compare:<br />

Declarative negative: Nobody has called this afternoon.<br />

Interrogative negative: Has nobody called this afternoon?<br />

Hasn’t anybody called this afternoon?<br />

When both are possible, the no-form tends to be more emphatic or more suited to writing<br />

or formal spoken <strong>English</strong>. A very emphatic negative meaning is conveyed in spoken<br />

<strong>English</strong> also by, for example, She’s no friend of mine. He’s no actor.<br />

3.4 ANY AND OTHER NON-ASSERTIVE WORDS<br />

Unlike many languages, Standard <strong>English</strong> does not favour cumulative negation, that is<br />

a ‘not’ negative together with one or more nuclear negatives in one clause, such as<br />

*We’re not going nowhere, although this is a feature of some dialects. Instead the first<br />

negative item is followed throughout the rest of the clause by one or more non-assertive<br />

items such as any, as in:<br />

We’re not going anywhere with any of our friends.<br />

I didn’t say anything about it to anyone.<br />

BASIC CONCEPTS 23


It is important to remember that the ‘any’ words in <strong>English</strong> (any, anyone, anybody,<br />

anything, anywhere) are not in themselves negative. In order to be used in a negative<br />

clause they must be preceded by not or a negative word; they must be within the ‘scope<br />

of negation’ (see 3.5). So instead of Nobody came, it is not acceptable to say *Anybody<br />

came or *Anybody didn’t come. These are ungrammatical and meaningless, hence the<br />

deliberate oddity of e.e. cummings’ poem ‘Anyone lived in a little how town’.<br />

The any words (together with ever and yet, among others) are what we call ‘nonassertive’<br />

items, as opposed to some and its compounds, which are ‘assertive’. Assertive<br />

forms have factual meanings and typically occur in positive declarative clauses.<br />

Non-assertive words such as any are associated with non-factual meanings in the<br />

sense of non-fulfilment or potentiality, which is a feature of negative, interrogative,<br />

conditional and comparative clauses, and semi-negative words such as without and<br />

hardly, among others. It is, in fact, the general non-factual meaning, rather than any<br />

particular structure which provides the context for non-assertive items to be used:<br />

We have some very good coffee. (declarative, factual)<br />

This coffee is better than any I have ever tasted. (comparative, non-factual)<br />

If you want any more coffee, you must make it yourself. (conditional, non-factual)<br />

Did you say anything? (interrogative, non-factual)<br />

Didn’t you go anywhere interesting? (interrogative-negative, non-factual)<br />

Without any delay.<br />

Hardly anyone knew his name.<br />

Stressed any is used in positive declarative clauses, and has a non-factual meaning<br />

(= it doesn’t matter which/who); see also 47.1.<br />

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Choose any of the questions in section one.<br />

Anybody with a bit of sense would have refused to go.<br />

Any house is better than no house.<br />

Here is a summary of assertive and non-assertive items:<br />

Assertive<br />

Non-assertive<br />

Determiners/pronouns some any<br />

someone anyone<br />

somebody anybody<br />

something anything<br />

Adverbs somewhere anywhere<br />

sometimes ever<br />

already yet<br />

still any more/any longer<br />

a lot much<br />

Biased yes/no questions with some and any words are explained in 26.4.<br />

24 ENGLISH GRAMMAR


3.5 THE SCOPE OF NEGATION<br />

By the scope of negation we mean the semantic influence that a negative word has on<br />

the rest of the clause that follows it. Typically, all that follows the negative form to the<br />

end of the clause will be non-assertive and within the scope of negation. Thus, in Some<br />

people don’t have any sense of humour, some is outside the scope of negation, whereas any<br />

is inside it.<br />

As the non-assertive forms are not in themselves negative, they cannot initiate the<br />

scope of negation by standing in initial position in the place of a nuclear negative form.<br />

Assertive forms such as some and its compounds can occur after a negative word, but<br />

they must necessarily stand outside the scope of negation. Compare the difference in<br />

meaning between the two following clauses:<br />

1 He didn’t reply to any of my letters.<br />

2 He didn’t reply to some of my letters.<br />

The non-assertive form any in clause 1 expresses the scope of negation as extending<br />

to the end of the clause. None of the letters received a reply. Example 2, on the other hand,<br />

implies that some letters received a reply, while others didn’t. Some must be interpreted<br />

as outside the scope of negation.<br />

The scope of negation is closely related to the function of Adjuncts in the clause.<br />

Compare the difference in meaning between examples 3 and 4 below, in which the<br />

manner Adjunct clearly is within the scope of negation in 3, whereas the attitudinal<br />

sentence Adjunct clearly in 4 is outside it:<br />

3 She didn’t explain the problem clearly.<br />

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4 She clearly didn’t explain the problem.<br />

The scope of negation can also explain the occasional occurrence of two negative words<br />

in the same clause as in You can’t NOT go. Here each negative item has its own scope.<br />

3.6 LOCAL NEGATION<br />

Our discussion so far has centred on clausal negation. Groups, words and non-finite<br />

clauses can be negated by not, without the entire finite clause being negated:<br />

She was admitted into hospital not long ago.<br />

Not realising the danger, she walked in the dark towards the edge of the cliff.<br />

Try not to get too tired playing tennis.<br />

She would prefer not to go on a Mediterranean cruise for a holiday.<br />

Negative declaratives typically express a negative statement, but they can also be used<br />

to ask tactful questions, as in the following extract from a detective story. The person<br />

questioned replies mostly with straight negative statements, adding in 2 the expression<br />

of polite regret I’m afraid, but in 8 she avoids total commitment:<br />

BASIC CONCEPTS 25


‘You don’t know the actual name of the firm or association that employed her?’ 1<br />

‘No, I don’t, 2 I’m afraid.’<br />

‘Did she ever mention relatives?’<br />

‘No. I gather she was a widow and had lost her husband many years ago. A bit of<br />

an invalid he’d been, but she never talked much about him.’ 3<br />

‘She didn’t mention where she came from 4 – what part of the country?’<br />

‘I don’t think she was a Londoner. 5 Came from somewhere up north, I should say.’<br />

‘You didn’t feel there was anything – well, mysterious about her? 6<br />

Lejeune felt a doubt as he spoke. If she was a suggestible woman – but Mrs. Coppins<br />

did not take advantage of the opportunity offered to her. 7<br />

‘Well I can’t really say 8 that I did. Certainly not from anything she ever said. 9 The<br />

only thing that perhaps might have made me wonder was her suitcase. Good quality<br />

it was, but not new.’<br />

(Agatha Christie, The Pale Horse)<br />

1<br />

question; 2 negative statement; 3 negative statement; 4 question; 5 transferred<br />

negation; 6 question; 7 negative statement; 8 hedge; 9 negative statement.<br />

Transferred negation consists in displacing the negative element from its logical place<br />

in the reported clause to negate the verb in the main clause. So in 5, instead of I think<br />

she wasn’t a Londoner, we have I don’t think she was a Londoner.<br />

3.7 EXPANDING LINGUISTIC UNITS<br />

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Each of the linguistic units outlined in section 2 has been illustrated by single<br />

occurrences of that unit, for instance, one Nominal Group functioning at Subject or<br />

Direct Object, one modifier of an adjective or an adverb. Quite frequently our everyday<br />

communication requires no more. But units can be expanded to enable the speaker or<br />

writer to add further information which is, nevertheless, contained within the chosen<br />

structure at any point in the discourse. Here we simply exemplify coordination,<br />

subordination and embedding of various classes of elements, with the reminder that<br />

most elements of structure can be realised more than once, recursively.<br />

3.7.1 Coordination<br />

The following are examples of coordination of various classes of elements:<br />

morphemes in a word:<br />

heads of nominal groups:<br />

modifier in a NG:<br />

modifier in an AdjG:<br />

adjuncts in a clause:<br />

pro- and anti- abortionists<br />

books, papers and magazines<br />

a beautiful and astonishing sight<br />

He says he is really and truly sorry for what happened.<br />

You can put in the application now or in a month’s time<br />

or else next year.<br />

26 ENGLISH GRAMMAR


independent clauses:<br />

dependent clauses:<br />

She got dressed quickly, had breakfast and went out to work<br />

I will take a holiday when the course is over and if I pass<br />

the exam and also provided I can afford it.<br />

The following short extract illustrates coordinated units:<br />

Over the next decade, automation and the mechanisation of production 1 will improve<br />

and transform 2 farming, industrial plants and service industries 3 and also make our<br />

leisure time more productive, creative and interesting. 4<br />

1<br />

coordinated groups (NG + NG); 2 coordinated main verbs); 3 coordinated groups<br />

(NG + NG + NG); 4 coordinated adjectives (adj. + adj. + adj.).<br />

If the various conjoined clauses share the same subject or the same operator, these<br />

elements are regularly ellipted because they are recoverable (see 29.3), and are implicit<br />

in subsequent conjoined clauses. This occurs in the above example where the sequence<br />

automation and the mechanisation of production is ellipted, as is will, before the predicator<br />

make.<br />

Ellipsis similarly occurs in group structures, as in the above example, where in one<br />

interpretation of 4 , the modifier more is ellipted before creative and interesting.<br />

3.7.2 Subordination<br />

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Similarly, the following are examples of subordination of various classes of elements:<br />

modifier in a NG:<br />

Cs in a clause:<br />

adjuncts in a clause:<br />

dependent clauses:<br />

A very lovable, (if rather dirty), small boy.<br />

He is quite brilliant (though totally unreliable).<br />

We arrived (late (though not too late)) for the wedding.<br />

I’ll let you borrow the CDs (as soon as I’ve finished) [provided<br />

you bring them back [when I need them]].<br />

In this complex sentence, the fourth clause when I need them is dependent on the third<br />

clause provided you bring them back; these together form a block which is dependent on<br />

the block formed by the first (independent) clause I’ll let you borrow the CDs and its<br />

dependent clause as soon as I’ve finished.<br />

‘Sentence’ is the term traditionally used to denote the highest grammatical unit on a<br />

scale of rank. While not rejecting this term, we shall prefer, however, to use the term<br />

‘clause’ to refer to one independent unit. This applies also to a superordinate clause<br />

with embedded clauses in one or more functions, as illustrated in the next section. We<br />

keep the traditional term ‘compound sentence’ for units of two or more coordinated<br />

clauses, while the equally traditional term ‘complex sentence’ applies to units containing<br />

dependent clauses or dependent and conjoined clauses, as we have seen in some of the<br />

examples above. We shall say that in a complex sentence any number of clauses can<br />

BASIC CONCEPTS 27


e involved. These questions are further illustrated in Chapter 7 under the heading<br />

‘Clause combining’.<br />

3.7.3 Embedding<br />

A third way of expanding the content and the structure of a linguistic unit is by<br />

embedding, a kind of subordination by which a clause functions as a constituent of<br />

another clause or of a group. This is a pervasive phenomenon in both spoken and written<br />

<strong>English</strong> and is found in elements such as the following, where the embedded clause is<br />

enclosed in square brackets:<br />

clause at S:<br />

clause at Od:<br />

clause at c in a PP:<br />

clause at m in NG<br />

clause at A:<br />

group in group<br />

[That he left so abruptly] doesn’t surprise me.<br />

I don’t know [why he left so abruptly].<br />

I’m pleased about [Jane winning a prize].<br />

Thanks for the card [you sent me].<br />

[After they had signed the contract] they went off to celebrate.<br />

[[[Tom’s] sister’s] husband’s] mother<br />

the box [on top of the cupboard [in my bedroom]]<br />

EXERCISES ON CHAPTER 1<br />

Basic concepts<br />

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Module 1<br />

1 †For each of the following clauses say whether a participant or a circumstance has been<br />

chosen as Theme (the first constituent in the clause):<br />

(1) Main Street is usually crowded on late shopping nights.<br />

(2) The girls armed with hockey-sticks chased the burglar.<br />

(3) Quite by accident I came across a very rare postage-stamp.<br />

(4) Away in the distance you can see Mount Kilimanjaro.<br />

(5) What I am going to tell you must not be repeated.<br />

2 †In each of the following clauses say whether the Subject, the Direct Object or the Adjunct<br />

has been chosen as Theme:<br />

(1) About fifty or sixty thousand years ago, there lived on earth a creature similar to<br />

man.<br />

(2) Skulls and bones of this extinct species of man were found at Neanderthal.<br />

(3) Where the first true men originated we do not know.<br />

(4) These newcomers eventually drove the Neanderthalers out of existence.<br />

(5) In Asia or Africa there may be still undiscovered deposits of earlier and richer<br />

human remains.<br />

28 ENGLISH GRAMMAR


Module 2<br />

3 †Look at the clauses below and apply the tests outlined in Module 2.2 to answer the<br />

questions following them:<br />

(1) The little boy in the red jersey is making a sand castle on the beach.<br />

(a) Is the little boy a constituent of the clause?<br />

(b) Is on the beach a constituent?<br />

(c) Is in the red jersey a constituent?<br />

(d) Is castle a constituent?<br />

(2) Tom happened to take the road to the factory by mistake.<br />

(a) Is the road a constituent?<br />

(b) Is to the factory a constituent?<br />

(c) Is by mistake a constituent?<br />

(d) Is happened a constituent?<br />

4 †Identify each of the uncontextualised clauses listed below as (a) independent; (b)<br />

dependent finite; (c) dependent non-finite; (d) abbreviated; (e) verbless. Punctuation and<br />

capitals have been omitted.<br />

(1) the complacency of the present government amazes me<br />

(2) although presumed dead<br />

(3) not being a tele-viewer myself<br />

(4) as I am the principal at a large boarding-school for girls<br />

(5) her future husband she met on a course for playleaders<br />

(6) I certainly will<br />

(7) while on vacation in Bali<br />

(8) because he is over-qualified for this job<br />

(9) just when he was starting to get himself organised<br />

(10) we’ll probably get only a fraction of the factory’s worth<br />

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5 †Say to which class of group each of the following belongs:<br />

(1) the anti-terrorist laws<br />

(2) not quite hot enough<br />

(3) within three quarters of an hour<br />

(4) pretty soon<br />

(5) aren’t playing<br />

(6) wide awake<br />

(7) his departure from Moscow<br />

(8) in spite of the bad weather<br />

BASIC CONCEPTS 29


Module 3<br />

6 †Read the text below from Time, and then answer the questions which follow:<br />

‘DOES SHE 1 or doesn’t she?’ 2 The fashionable answer nowadays is always a<br />

louder and louder yes. 3 From Manhattan to Los Angeles a sunburst of bold,<br />

exotic, and decidedly unnatural colors, is streaking, squiggling and dotting<br />

across the hairstyles of the nation’s trendy younger set, 4 and even making<br />

inroads among more mature professionals. 5 The startling palette of reds and<br />

blues, golds and silvers, greens and purples comes from inexpensive temporary<br />

hair-coloring products 6 that are easily applied at home 7 and almost as easily<br />

showered away. 8 Confrontational coloration, once a shocking British and<br />

American punk emblem, 9 is now celebrated as the sleek plumage of the up-andcoming<br />

yuppie generation. 10<br />

(1) Say which of the numbered clauses are (a) finite independent; (b) finite embedded;<br />

(c) abbreviated; (d) verbless.<br />

(2) Which of the numbered clauses are in a coordinating relationship?<br />

(3) Which of these clauses have ellipted elements?<br />

(4) Identify as many recursive elements as you can in the text. Do you consider the<br />

choice of recursive elements to have any special importance in this article?<br />

7 †Make the following sentences (a) negative and (b) interrogative-negative:<br />

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(1) It will be difficult to find a nice present for Henry.<br />

(2) Sheila has something to tell you.<br />

(3) Someone has left a bag on a seat in the park.<br />

(4) He knows someone who lives in Glasgow.<br />

(5) It is worth going to see some of those pictures.<br />

8 †Fill in the blanks with an appropriate non-assertive item. Say why such an item is needed<br />

in this context:<br />

(1) That’s a pretty kitten you have there. Have you got ....more like it?<br />

(2) She hardly ....complains about ....he does.<br />

(3) I honestly don’t think I could recommend ....within ten miles of the coast.<br />

(4) I don’t remember seeing ....talking to Milly.<br />

30 ENGLISH GRAMMAR


9 †Account for the acceptability of the forms without an asterisk and the unacceptability of<br />

the forms marked by an asterisk (*) in each of the following sets:<br />

(1) (a) He has never spoken to anyone here.<br />

(b) He hasn’t ever spoken to anyone here.<br />

(c) *He has ever spoken to anyone here.<br />

(2) (a) Nobody was able to work out the puzzle.<br />

(b) There wasn’t anybody able to work out the puzzle.<br />

(c) *Anybody was able to work out the puzzle.<br />

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BASIC CONCEPTS 31


THE SKELETON OF THE MESSAGE CHAPTER 2<br />

Introduction to clause structure<br />

Module 4: Syntactic elements and structures of the clause 34<br />

4.1 Subject, Predicator, Object, Complement, Adjunct 35<br />

4.1.1 Subject and Predicator 35<br />

4.1.2 Object and Complement 35<br />

4.1.3 The Adjunct 36<br />

4.2 Criteria for the classification of clause elements 37<br />

4.2.1 Determination by the verb 37<br />

4.2.2 Position 38<br />

4.2.3 Ability to become the subject 38<br />

4.2.4 Realisations of these functions 39<br />

4.3 Basic syntactic structures of the clause 39<br />

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4.4 Realisations of the elements 40<br />

Module 5: Subject and Predicator 42<br />

5.1 The Subject(s) 42<br />

5.1.1 Semantic, cognitive and syntactic features 42<br />

5.1.2 Realisations of the Subject 44<br />

5.2 The Predicator 48<br />

Module 6: Direct, Indirect and Prepositional Objects 50<br />

6.1 The Direct Object 50<br />

6.1.1 Syntactic and semantic features 50<br />

6.1.2 Realisations of the Direct Object 52<br />

6.2 The Indirect Object 55<br />

6.2.1 Syntactic and semantic features 55<br />

6.2.2 Realisations of the Indirect Object 56<br />

6.3 Prepositional verbs and the Prepositional Object 56<br />

6.3.1 Types of verb + preposition combinations 57<br />

6.3.2 Syntactic behaviour of prepositional verbs 58


6.3.3 Stranding the preposition 59<br />

6.3.4 The prepositional passive 59<br />

6.3.5 Realisations of the Prepositional Object 59<br />

6.4 Phrasal verbs 60<br />

6.4.1 Syntactic features 60<br />

6.4.2 Differences between phrasal verbs and prepositional verbs 61<br />

6.4.3 Phrasal-prepositional verbs 62<br />

Module 7: Subject and Object Complements 64<br />

7.1 The Complement of the Subject 64<br />

7.1.1 Syntactic and semantic features 64<br />

7.1.2 Realisations of the Subject Complement 66<br />

7.2 The Complement of the Object 67<br />

7.2.1 Syntactic and semantic features 67<br />

7.2.2 Realisations of the Object Complement 68<br />

Module 8: Adjuncts 69<br />

8.1 Syntactic and semantic features 69<br />

8.2 Main classes of Adjuncts 70<br />

8.2.1 Circumstantial Adjuncts 70<br />

8.2.2 Realisations of the Circumstantial Adjunct: summary 71<br />

8.2.3 Circumstantials as central clause elements 71<br />

8.2.4 Circumstantials and their ordering in discourse 72<br />

8.2.5 Stance Adjuncts 73<br />

8.2.6 Realisations of the Stance Adjunct: summary 74<br />

8.2.7 Connective Adjuncts 74<br />

8.2.8 Realisations of the Connective Adjunct: summary 75<br />

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Further reading 76<br />

Exercises 76


SYNTACTIC ELEMENTS AND MODULE 4<br />

STRUCTURES OF THE CLAUSE<br />

SUMMARY<br />

1 The independent clause (or simple sentence) has two basic constituents: subject<br />

and predicate. The Subject (S) encodes the primary participant in the clause.<br />

2 The predicate may consist simply of the Predicator (P), realised by a verb, or<br />

of a Predicator followed by one or more central constituents. These central<br />

elements, the Object (O) and the Complement (C) are, together with the Subject<br />

and the Predicator, the major functional categories of the clause.<br />

3 More specifically, we distinguish two main types of Object: Direct (Od) and<br />

Indirect (Oi ) and two main types of Complement (Subject Complement (Cs)<br />

and Object Complement (Co). A subsidiary type of Object is the Prepositional<br />

Object (Op). A further type of Complement is the circumstantial Complement,<br />

the most frequent being the Locative/Goal type (C loc<br />

).<br />

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4 In addition, the clause may contain a number of Adjuncts (A). These are usually<br />

syntactically able to be omitted. Those of the largest class, the circumstantial<br />

Adjuncts, are the most integrated in the clause. Somewhat separated from clause<br />

structure by a pause or a comma, stance Adjuncts express a speaker’s or writer’s<br />

attitude, while connective Adjuncts link clauses or parts of clauses, and<br />

paragraphs.<br />

5 Objects and Complements are determined by verb type and are limited in<br />

number in any one clause. Adjuncts are not limited in number.<br />

6 On the simplest level, the central functional categories of the independent clause<br />

are: S, P, O and C, with A usually optional.<br />

34 ENGLISH GRAMMAR


4.1 SUBJECT, PREDICATOR, OBJECT, COMPLEMENT, ADJUNCT<br />

4.1.1 Subject and Predicator<br />

Traditionally, the single independent clause (or simple sentence) is divided into two<br />

main parts, subject and predicate. Semantically and communicatively, the Subject<br />

encodes the main participant (the plane/Tom) in the situation represented by the clause<br />

and has the highest claim to the status of topic. The predicate can consist entirely<br />

of the Predicator, realised by a verbal group, as in 1 below, or the Predicator together<br />

with one or more other elements, as in 2:<br />

Subject Predicator<br />

1 The plane landed<br />

2 Tom disappeared suddenly after the concert<br />

It is the predicator that determines the number and type of these other elements.<br />

Syntactically, the Subject (S) and the Predicator (P) are the two main functional<br />

categories. For the purpose of analysing and creating discourse it is helpful to see how<br />

the predicate is made up, since this tends to be the most informative part of the clause.<br />

A first distinction can be made between elements that are essential and elements that<br />

are usually optional. This can be seen by comparing 1 and 2.<br />

The two clause elements in 1, the Subject (the plane) and the Predicator realised by<br />

the verb landed are essential constituents. In 2 on the other hand, the predicate contains,<br />

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as well as the predicator (disappeared), two elements, suddenly and after the concert,<br />

which are not essential for the completion of the clause. Although they are to a certain<br />

extent integrated in the clause, they can be omitted without affecting the acceptability<br />

of the clause. Such elements will be called Adjuncts (A).<br />

4.1.2 Object and Complement<br />

In other cases the predicate consists of the Predicator followed by one or more central<br />

constituents that complete the meaning. The two main functional categories which<br />

occur in post-verbal position are the Object (O) as in 3 and the Complement (C) as<br />

in 4:<br />

S P O<br />

3 The students carried backpacks<br />

4 Jo is a student<br />

S P C<br />

SKELETON: CLAUSE STRUCTURE 35


Without these, each of the above clauses would be incomplete both semantically<br />

and syntactically: [*The students carried] and [*Jo is], respectively. There are two main<br />

types of Object, the Direct Object (Od) as in 5, and the Indirect Object (Oi) as in 6,<br />

the indirect object preceding the direct object.<br />

S P Oi Od<br />

5 All the men wore dark suits<br />

6 Tom sent me an email<br />

Semantically, the objects encode the key participants in the event other than<br />

the subject: dark suits, an email (Od) and me (Oi) in these examples. Note that participants<br />

include not only human referents, but inanimate things and abstractions (see<br />

Chapter 4).<br />

Complements encode constituents that, semantically, are not participants but are<br />

nevertheless normally required both syntactically and semantically.<br />

There are two main types of Complement, the Complement of the Subject (Cs)<br />

(Subject Complement) as in 7a and 8a, and the Complement of the Object (Object<br />

Complement) (Co), as in 7b and 8b:<br />

S P Cs S P Od Co<br />

7a That map was useful 7b We found that map useful<br />

8a Ken Brown is President 8b They made Ken Brown President<br />

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The Subject Complement and Object Complement do not encode a different kind of<br />

participant. Rather, they characterise or identify the Subject or the Object, respectively.<br />

The basic clause structures formed by configurations of these functions are as follows:<br />

S-P S-P-O S-P-O-O S-P-C S-P-Od-Co S-P-O-C<br />

4.1.3 The Adjunct<br />

We will recognise three main classes of Adjunct:<br />

• Circumstantial Adjuncts, which provide the setting for the situation expressed<br />

in the clause, as regards place, time and manner, among others: The new liner<br />

‘Queen Elizabeth II’ sails tomorrow from Southampton.<br />

• Stance Adjuncts, which express the speaker’s attitude to or evaluation of the<br />

content of the clause: Obviously, he’ll rely on you even more now.<br />

• Connective Adjuncts, which link two clauses, or parts of clauses, signalling the<br />

semantic relation holding between them: The hotel was rather noisy. On the other<br />

hand, it wasn’t expensive (contrast).<br />

36 ENGLISH GRAMMAR


4.2 CRITERIA FOR THE CLASSIFICATION OF CLAUSE ELEMENTS<br />

The criteria adopted for the classification of clause functions are four: determination by<br />

the verb, position, ability to become the subject and realisations of these functions.<br />

4.2.1 Determination by the verb<br />

The number and type of objects and complements that can occur in a clause are<br />

determined by the verb according to its potential – described in chapters 3 and 5 as its<br />

‘valency’. We say that a certain verb predicts an object or a complement. Eat, for<br />

example, predicts an object that expresses the thing eaten. One sense of carry predicts<br />

an object that refers to the thing carried (They carried backpacks). Disappear, however,<br />

does not predict or admit an object (*He disapppeared the money). Determination is<br />

related to verb class.<br />

Transitive verbs usually require one or more objects. They occur in type SPO (carry),<br />

type S-P-Oi-Od (send), and type S-P-O-C (find) in one of its uses.<br />

Intransitive verbs such as disappear occur in type S-P. They do not admit an object,<br />

but certain intransitive verbs predict a complement of space or time, as will be explained<br />

shortly.<br />

More exactly, we should talk about transitive or intransitive uses of certain verbs,<br />

as a great many verbs can be used in <strong>English</strong> both transitively and intransitively (see<br />

Chapter 3). Land is transitive in The pilot landed the plane safely, but intransitive in The<br />

plane landed. Carry is transitive in They carried backpacks, but it has an intransitive use<br />

in His voice carries well (= ‘projects’).<br />

A locative element is required by a few transitive verbs such as put and place (Put<br />

the handkerchiefs in the drawer; Place the dish in the microwave). Without this locative<br />

element, the clause is syntactically and semantically incomplete (*Put the dish). It<br />

therefore has the status of a central clause element. A locative element is also predicted<br />

by many intransitive verbs of motion such as come, go, fly, drive, which can predict such<br />

meanings as Direction (flying south) and Goal, which marks an end-point (go to Rome).<br />

Both types will be represented here as Locative/Goal Complements subsumed under<br />

the abbreviation (C loc<br />

). However, it is also possible to use these verbs without a locative,<br />

as in for example Are you coming? Don’t go! I’ll drive. (Drive in fact predicts an object or<br />

a locative or both, as in I’ll drive you to the station.)<br />

From these we can see that prediction is less strong than requirement. An expression<br />

of manner is required with one sense of treat (they treated the prisoners badly) and<br />

with the intransitive verb behave (she has been behaving strangely lately). The verb last<br />

predicts an expression of extent in time (the concert lasted three hours); however,<br />

sometimes the lack of duration can be inferred as in Their love didn’t last. When predicted<br />

or required by the verb, elements such as place or time are analysed as circumstantial<br />

Complements, the equivalent of obligatory adverbials in some grammars. A cognitivesemantic<br />

view in terms of Source, Path and Goal, following verbs of motion, is given in<br />

chapters 8 and 12.<br />

Copular verbs, a type of intransitive, require a Subject Complement. Only verbs<br />

capable of being used as copulas can be used in this way. So, for instance, be and feel as<br />

in I am cold, I feel cold can be used as copulas in <strong>English</strong> but touch cannot (*I touch cold).<br />

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SKELETON: CLAUSE STRUCTURE 37


Besides predicting an attribute, verbs of being such as be, remain, stay predict being<br />

in a location. Their Complements are then analysed as locative (C loc<br />

).<br />

The following examples illustrate the parallel between attributes as Subject and<br />

Object Complements and the Locative/Goal types. Evidently there are many other verbs<br />

which function in only one of these patterns:<br />

Attributive<br />

He stayed calm<br />

She went pale<br />

He drives me mad<br />

A bicycle will get you fit<br />

Locative/Goal<br />

He stayed in bed<br />

She went to work<br />

He drives me to the airport<br />

A bicycle will get you to work<br />

By contrast, adjuncts are not determined by any particular type of verb. Suddenly, for<br />

instance, can be used with intransitive verbs like disappear and transitive verbs like carry.<br />

Moreover, adjuncts differ from subjects and objects in that there is no limit to the number<br />

of adjuncts that can be included in a clause.<br />

4.2.2 Position<br />

Objects occur immediately after the verb, with the indirect object before the direct object<br />

when both are present (The bomb killed a policeman (Od); He sent me (Oi) an email (Od)).<br />

Complements also occur after the verb or after an object. Adjuncts occupy different<br />

positions according to type, and are often moveable within the clause.<br />

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4.2.3 Ability to become the subject<br />

Objects can normally become the subject in a passive clause, since the system of voice<br />

allows different semantic roles to be associated with Subject and Object functions (The<br />

bomb killed the policeman/The policeman was killed by the bomb; I sent her an email/She<br />

was sent an email).<br />

However, passivisation with ‘promotion’ to subject is not a watertight criterion<br />

for the identification of object functions. It can be too exclusive and too inclusive.<br />

Passivisation excludes from object status NGs following verbs such as fit, which otherwise<br />

fulfil the criteria for objects (see 6.1.1).<br />

Conversely, passivisation can promote to subject NGs that are certainly not objects.<br />

Such is the case in the well-known example This bed was slept in by Queen Victoria,<br />

derived from the active Queen Victoria slept in this bed, in which this bed is part of<br />

a prepositional phrase (PP) functioning as a locative Complement, not as an object. A<br />

prepositional phrase has within it a nominal group, however, which increasingly<br />

in present-day <strong>English</strong> is able to become subject in a corresponding passive clause.<br />

Examples of this kind, such as The flowerbeds have been trampled on occur when the<br />

subject referent is visibly affected by the action, as is the case here, or acquires some<br />

importance, as in the case of the bed slept in by Queen Victoria.<br />

38 ENGLISH GRAMMAR


4.2.4 Realisations of these functions<br />

As participants, Objects are typically realised by NGs and answer questions with what?<br />

who? or which? as in What did they carry? in response to example 3 in 4.1.2.<br />

Subject and Object Complements can be realised by Adjective groups (AdjG) (useful ),<br />

as in 7a and 7b, or by a NG (a student), as in 8a and 8b.<br />

Circumstantial Adjuncts are realised by PPs (drive on the right) or AdvGs (drive slowly)<br />

and sometimes NGs (I’ll see you next week). They generally answer questions with where?<br />

when? how? why? as in Where does he work? or How did it happen?<br />

4.3 BASIC SYNTACTIC STRUCTURES OF THE CLAUSE<br />

Clausal elements or functions enter into varied relationships with each other to express<br />

different types of proposition concerning different states of affairs. These are exemplified<br />

as follows, and are treated further in Chapter 3.<br />

S-P Tom | disappeared<br />

S-P-Od We | hired | a car<br />

S-P-Oi-Od I | have sent | them | an invitation<br />

S-P-Cs My brother | is | a physiotherapist<br />

S-P-A He | works | in London<br />

S-P-Od-Co They | appointed | James | First Secretary<br />

S-P-Od-C loc<br />

I | put | the dish | in the microwave<br />

The following extract illustrates some of the possible configurations of clause elements<br />

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(where + stands for a coordinating element):<br />

At the hotel | I | paid | the driver | and gave |<br />

A S P Oi + P<br />

him | a tip. || The car | was | powdered with dust. ||<br />

Oi Od S P Cs<br />

I | rubbed | the rod-case | through the dust. ||<br />

S P Od A<br />

It | seemed | the last thing that connected me with<br />

S P Cs<br />

SKELETON: CLAUSE STRUCTURE 39


Spain and the fiesta. || The driver | put | the car |<br />

S P Od<br />

in gear | and | went | down the street. || I | watched<br />

C loc<br />

+ P C loc<br />

S P<br />

it turn off to take the road to Spain. || I | went |<br />

Od S P<br />

into the hotel | and | they | gave | me || a room. ||<br />

C loc<br />

+ S P Oi Od<br />

It | was | the same room I had slept in when Bill and<br />

S P Cs<br />

Cohn and I were in Bayonne. || That | seemed | a very long time ago. ||<br />

S P Cs<br />

Ernest Hemingway, Fiesta (The Sun Also Rises)<br />

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In the remaining sections of this chapter we shall describe the syntactic features of each<br />

clausal function and the principal realisations of each, together with any relevant<br />

discourse characteristics. Reference will be made to the semantic roles associated with<br />

these elements, but these are dealt with more fully in Chapter 4.<br />

Clause functions such as Subject and Predicator are capitalised when first introduced.<br />

Later mentions are usually in lower case, with the exception of Complement as a clause<br />

function, which is always capitalised, in order to distinguish it from the complement of<br />

a noun, adjective or preposition.<br />

4.4 REALISATIONS OF THE ELEMENTS<br />

It is important to remember that, with the exception of the predicator function, there is<br />

no one-to-one correspondence between class of unit and syntactic function in <strong>English</strong>.<br />

So, whereas the predicator is always realised by a verbal group, the other functions<br />

display a considerable range of possible realisations by different classes of group and<br />

clause. It is true that most functions are typically realised by a certain class of unit (for<br />

example, subjects and objects by NGs), but the versatility of the language is such that<br />

almost any group or clause can realise these functions. As we analyse texts, or create<br />

our own, we must be aware that each function can be realised by different classes of<br />

unit, and each class of unit can perform various functions.<br />

40 ENGLISH GRAMMAR


In the following pages, the realisations of each clause element are arranged in order<br />

of typicality. We sometimes use the more exact word ‘prototypical’ for something that<br />

shows most of the characteristics of its type and is therefore a good example of the type<br />

or function, and ‘non-prototypical’ for something that is a less good example. A<br />

nominal group, for example, is a prototypical realisation of the subject function, whereas<br />

a prepositional group is non-prototypical in subject function. When the element is<br />

realised by the head-word of a group, the realisation is normally regarded as a group<br />

unit.<br />

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SKELETON: CLAUSE STRUCTURE 41


SUBJECT AND PREDICATOR MODULE 5<br />

SUMMARY<br />

1 The Subject is the syntactic function identified by the features of position,<br />

concord, pronominalisation and reflection in question tags. Semantically, almost<br />

all participant roles can be associated with the subject. Cognitively, it is that<br />

element which has the highest claim to function as Topic in a specific clause in<br />

context. Syntactically, it is prototypically realised by a NG, but can also be<br />

realised by a wide variety of groups and clauses.<br />

2 The Predicator is the syntactic function that determines the number and type of<br />

Objects and Complements in a clause. It is identified syntactically by position<br />

and concord. It is associated with a number of semantic domains.<br />

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5.1 THE SUBJECT (S)<br />

5.1.1 Semantic, cognitive and syntactic features<br />

A. Semantic and cognitive features<br />

The Subject is that functional category of the clause of which something is predicated.<br />

The prototypical subject represents the primary participant in the clause and has the<br />

strongest claim to the cognitive status of Topic – who or what the clausal message is<br />

primarily about (see 28.4). This means that in basic clauses (that is: finite, active,<br />

declarative clauses) of ‘doing’, the subject aligns with the semantic function of Agent,<br />

the one who carries out the action. If there is an agent in the event expressed by such<br />

a clause, that element will be the subject.<br />

However, the subject can be associated with almost every type of participant<br />

role. The following examples illustrate some of the possible roles aligned with the<br />

subject:<br />

42 ENGLISH GRAMMAR


Jones kicked the ball into the net. (Agent )<br />

The ball was kicked into the net. (Affected in a passive clause)<br />

Tom saw a snake near the river. (Experiencer in a mental process) (see 17.1)<br />

The secretary has been given some chocolates. (Recipient in a passive clause)<br />

Semantic roles are treated in Chapter 4, Topic and Theme in Chapter 6.<br />

B. Syntactic features<br />

The Subject is that syntactic function which, in <strong>English</strong>, must be present in declarative<br />

and interrogative clauses, but is not required in the imperative. In discourse, when two<br />

or more conjoined clauses have the same subject, all but the first are regularly ellipted.<br />

He came in, sat down and took out a cigarette.<br />

A clear and easy criterion is the question tag. The Subject is that element which is<br />

picked up in a question tag (see 23.8) and referred to anaphorically by a pronoun:<br />

Your brother is a ski instructor, isn’t he?<br />

Susie won’t mind waiting a moment, will she?<br />

The Subject is placed before the finite verb in declarative clauses, and in whinterrogative<br />

clauses where the wh-element is Subject (see 23.6):<br />

Unfortunately, everyone left early.<br />

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Who came in late last night?<br />

It is placed after the finite operator (the first element of the VG, 2.5.2) in yes/no<br />

interrogative clauses, and in wh-interrogative clauses in which the wh-element is not<br />

Subject (see 23.6):<br />

Are you pleased with the result?<br />

Did everyone leave early?<br />

What film did you see last night? (What film is Object)<br />

When did Sylvia get back? (When is Adjunct)<br />

When pronouns are used, the pronominal forms – I, he, she, we and they – are used to<br />

realise subject function, in contrast to the objective forms me, him, her, us and them, which<br />

are used for Objects. You and it are the same for both. Possessive forms may stand<br />

as subject:<br />

Yours was rather difficult to read.<br />

Jennifer’s got lost in the post.<br />

Subjects determine the concord of number (singular or plural) and person with the verb.<br />

Concord is manifested only in those verb forms that show inflectional contrast:<br />

SKELETON: CLAUSE STRUCTURE 43


The librarian/he/she/has checked the book.<br />

The librarians/I/you/we/they have checked the book.<br />

Where is my credit card? Where are my credit cards?<br />

With verb forms that show no number or person contrast – such as had, in the money<br />

had all been spent – we can apply the criterion of paradigmatic contrast with a present<br />

form such as has (the money has all been spent).<br />

When the Subject is realised by a collective noun, concord depends on how the<br />

referent is visualised by the speaker:<br />

The committee is sitting late. (seen as a whole)<br />

The committee have decided to award extra grants.<br />

(seen as a number of members)<br />

Subjects determine number, person and gender concord with the Subject<br />

Complement, and of reflexive pronouns at Cs, Oi and Od:<br />

Jean and Bill are my friends.<br />

She cut herself (Od) on a piece of broken glass.<br />

Why don’t you give yourself (Oi) a treat?<br />

5.1.2 Realisations of the Subject<br />

Subjects can be realised by various classes of groups and clauses:<br />

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A. Nominal Groups – That man is crazy<br />

Nominal groups are the most prototypical realisation of subject, as they refer basically<br />

to persons and things. They can range from simple heads (see 45.3.1) to the full<br />

complexity of NG structures (see 50.1):<br />

Cocaine can damage the heart as well as the brain.<br />

The precise number of heart attacks from using cocaine is not known.<br />

It is alarming.<br />

B. Dummy it – It’s hot<br />

This is a non-referential or semantically empty use of the pronoun it, which occurs in<br />

expressions of time, weather and distance, such as:<br />

It’s nearly three o’clock.<br />

It’s raining.<br />

It is six hundred kilometres from Madrid to Barcelona.<br />

Syntactically, <strong>English</strong> requires the presence of a subject even in such situations, in order<br />

to distinguish between declaratives and interrogatives:<br />

Is it raining? How far is it from here to Barcelona?<br />

44 ENGLISH GRAMMAR


There is no plural concord with a NG complement, as would occur in Spanish<br />

counterparts, for example: Son las tres. Son seiscientos kilómetros a Barcelona.<br />

C. Unstressed there – There’s plenty of time<br />

Unstressed there (see 19.3; 30.4) fulfils several of the syntactic criteria for subject:<br />

position, inversion with auxiliaries and repetition in tag phrases; but unlike normal<br />

subjects it cannot be replaced by a pronoun. Concord, when made, is with the following<br />

NG:<br />

There was only one fine day last week, wasn’t there?<br />

There were only two fine days last week, weren’t there?<br />

Concord with the following NG is made in writing, but not always in informal spoken<br />

<strong>English</strong> with the present tense of be, and is never made when the NG is a series of proper<br />

names:<br />

How many are coming? Well, there’s Andrew and Silvia, and Jo and Pete.<br />

*There are Andrew and Silvia and Jo and Pete.<br />

Because of the lack of concord and pronominalisation, unstressed there can be<br />

considered as a subject ‘place-holder’ or ‘syntactic filler’, rather than a full subject, since<br />

the unit following the verb is clearly the notional subject. For its function as a<br />

presentative device, see 30.4.<br />

The following comment on Monte Carlo by J. G. Ballard in The Week illustrates some<br />

of the syntactic features and realisations of the Subject (see exercise).<br />

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Have you ever been to Monte Carlo? 1 It ’s totally dedicated to expensive shopping. 2<br />

You go to these gallerias and walk past a great temple to ultra-expensive watches,<br />

then another to ultra-expensive clothes. 3 It’s quite incredible 4 – you see the future of<br />

the human race there. 5 There is a particularly big galleria, which never has anyone<br />

inside it. 6 It’s five or six floors of cool, scented air, with no one in it. 7 . I thought to<br />

myself – is this supposed to be heaven? 8 And I realised that, no, it ’s not heaven 9 It ’s<br />

The Future. 10<br />

D. Prepositional phrase and Adverbial group as subject – Now is the time<br />

These function only marginally as subject and usually specify meanings of time or place,<br />

but instrumental meanings and idiomatic manner uses can also occur.<br />

Will up in the front suit you? (PP of place)<br />

Before midday would be convenient. (PP of time)<br />

By plane costs more than by train. (PP of means)<br />

SKELETON: CLAUSE STRUCTURE 45


Just here would be an ideal place for a picnic.<br />

Slowly/gently does it! (AdvG of manner)<br />

(AdvG of place)<br />

E. Adjectival head – the poor<br />

The Adjectival Group as such does not function as subject. However, certain adjectives<br />

– preceded by a definite determiner, normally the definite article, and which represent<br />

either (a) conventionally recognised classes of people, as in The handicapped are<br />

given special facilities in public places, or (b) abstractions – can function as heads of<br />

(non-prototypical) NGs (see 51.5). The latter type is illustrated in this extract from a<br />

book blurb:<br />

This novel plunges the reader into a universe in which the comic, the tragic, the real<br />

and the imagined dissolve into one another.<br />

F. Embedded clauses (see 3.6.3)<br />

Clauses can realise every element or function of clause structure except the predicator.<br />

Cognitively, this means that we as speakers encode, as the main elements of clauses,<br />

not only persons and things but facts, abstractions and situations. Both finite and<br />

non-finite clauses are available for embedding but not every clause function is realised<br />

by all types of clause. The main types were outlined in Chapter 1. Here five of the<br />

relevant one(s) are referred to when describing the realisations of subject, objects and<br />

complements.<br />

There are two main types of embedded finite clause: that-clauses and wh-clauses,<br />

the latter being either indirect interrogative clauses or nominal relative clauses. They<br />

are illustrated in the following examples, where they all realise the subject element.<br />

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That he failed his driving test surprised everybody. (that-clause)<br />

Why the library was closed for months was not explained. (wh-interrogative)<br />

What he said shocked me. (wh-nominal relative clause)<br />

That-clauses at subject are used only in formal styles in <strong>English</strong>. In everyday use they<br />

are more acceptable if they are preceded by the fact. The that-clause thus becomes<br />

complement of a NG functioning as subject:<br />

The fact that he failed his driving test surprised everybody.<br />

(NG)<br />

A more common alternative is to extrapose the subject that-clause, as in It surprised<br />

everybody that he failed his driving test, explained in G. below.<br />

Wh-interrogative clauses express indirect questions. They do not take the<br />

inversion characteristic of ordinary interrogatives, however; so, for instance, *Why was<br />

the library closed for months was not explained is not acceptable.<br />

Nominal relative clauses also have a wh- element, but they express entities and<br />

can be paraphrased by ‘that which’ or ‘the thing(s) which’ as in:<br />

What he said pleased me = ‘that which’/the things which he said pleased me.<br />

46 ENGLISH GRAMMAR


Non-finite clauses at Subject are of two main types, depending on the VG they<br />

contain: to-infinitive, which can be introduced by a wh-word, and -ing clauses. (The<br />

third non-finite clause type, the -en clause, is not used in this way.) The ‘bare’ infinitive<br />

is marginally used:<br />

To take such a risk was rather foolish. (to-inf. clause)<br />

Where to leave the dog is the problem. (wh- + to-inf. clause)<br />

Having to go back for the tickets was a nuisance. (-ing clause)<br />

Move the car was what we did. (bare infinitive clause)<br />

To-infinitive and -ing clauses at subject can have their own subject; bare infinitive clauses<br />

cannot. A to-infinitive clause with its own subject is introduced by for:<br />

For everyone to escape was impossible. (For + S + to-inf.)<br />

Sam having to go back for the tickets was a nuisance. (S + ing-cl.)<br />

The pronominal subject of an -ing clause can be in the possessive or the objective case.<br />

The objective form is the less formal:<br />

Him/his having to go back for the tickets was a nuisance.<br />

G. Anticipatory it + extraposed subject – It was silly to say that<br />

Subjects such as that he failed to pass the driving test and for everyone to escape sound<br />

awkward and top-heavy, especially in spoken <strong>English</strong>. The derived structure with<br />

‘anticipatory it’ is now generally preferred, as it is much easier to encode and the<br />

pronoun it is the ‘lightest’ possible subject filler:<br />

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It surprised everybody that he failed his driving test.<br />

It was impossible for everyone to escape.<br />

Here the that-clause or the to-infinitive clause is extraposed (see 30.5), that is, placed<br />

after the Od (everybody) or Cs (impossible). The initial subject position is filled by the<br />

pronoun it. Extraposition is commonly used in both speech and writing, especially<br />

when the subject is long and heavy, and is better placed at the end of the sentence, in<br />

accordance with the informational and stylistic principle of ‘end-weight’ (see 30.3.2).<br />

Extraposed subjects frequently occur as the complement of a noun or adjective in<br />

SPCs structures, as in the following illustrations:<br />

It’s easy to forget your keys. (To forget your keys is easy)<br />

It’s a pity (that) you are leaving the firm. (That you are leaving the firm is a pity)<br />

It is time he stopped fooling around.<br />

Notice that, for the apparently extraposed clause that follows It is (high) time, there is no<br />

corresponding pattern with the clause in initial position (*That he stopped fooling around<br />

is high time).<br />

SKELETON: CLAUSE STRUCTURE 47


Likewise, the clause following it + verbs of seeming (seem, appear) and happening<br />

(happen, turn out), is obligatorily extraposed:<br />

It seems that you were right after all. (*That you were right after all seems.)<br />

It so happened that the driver lost control. (*That the driver lost control happened.)<br />

Pronouns account for a high percentage of subjects in the spoken language, as can<br />

be seen in the following recorded dialogue about the mini-skirt. Several other types of<br />

subject are also illustrated in the main and embedded clauses of this text, including two<br />

different functions of it:<br />

Q. What about the mini-skirt itself? What was the origin of that?<br />

A. That 1 started in the East End of London. Mary Quant 2 picked it up and then<br />

a lot of other designers 3 did too. I 4 think again it 5 was reaction against the long<br />

skirts of the 1950s. It 6 was smart to get much, much shorter. I 7 think that, partly,<br />

it 8 was fun to shock your father and older people, but it 9 was also a genuinely<br />

felt fashion, as we 10 can see by the fact that it spread nearly all over the world.<br />

I 11 think it 12 is a lovely look, long leggy girls. The fact that fat legs are seen,<br />

too, 13 is just bad luck. But I 14 still don’t think that the mini-skirt 15 is going to<br />

disappear for some time. I 16 think girls 17 just love the feeling.<br />

1<br />

demonstrative pronoun; 2 proper noun; 3 NG; 4 pronoun; 5 pronoun: 6 anticipatory it<br />

+ to-infinitive; 7 pronoun; 8 anticipatory it + to-infinitive; 9 pronoun; 10 pronoun;<br />

11<br />

pronoun; 12 anticipatory it + NG; 13 the fact + that-clause; 14 pronoun; 15 NG;<br />

16<br />

pronoun; 17 NG<br />

(Janey Ironside in Artists Talking: Five artists talk to Anthony Schooling)<br />

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5.2 THE PREDICATOR (P)<br />

We use the term Predicator for the clause element present in all major types of clause,<br />

including the imperative clause (in which the subject is not usually present in <strong>English</strong>).<br />

The predicator is the clause function that largely determines the remaining structure<br />

of the clause, by virtue of being intransitive, transitive or copular.<br />

As seen in 4.1, the predicator may constitute the whole of the predicate, as in The<br />

plane landed, or part of it, as in The plane landed on the runway.<br />

The predicator is identified by position in relation to the subject.<br />

The predicator function is realised by both finite (e.g. waits) and non-finite (waiting)<br />

lexical and primary verbs.<br />

Functionally, finiteness is often carried by an auxiliary verb – such as is, was – to<br />

specify tense (past/present) and voice (be + -en), and is then followed by the predicator<br />

(is making, was made). For the Finite–Subject relation in interrogative structures, see<br />

Chapter 5.<br />

48 ENGLISH GRAMMAR


Semantically, the predicator encodes the following main types of ‘process’:<br />

• material processes of ‘doing’ with verbs such as make, catch, go;<br />

• mental processes of ‘experiencing’, with cognitive verbs of perception (e.g. see),<br />

cognition (know), affectivity (like) and desideration (hope); and<br />

• relational processes of ‘being’ with verbs such as be and belong.<br />

These, and certain subsidiary types, are discussed in Chapter 4.<br />

Phrasal verbs and prepositional verbs are discussed in this chapter (as clause element)<br />

and in Chapter 8 (as regards meaning).<br />

The following passage about the Valley of the Kings shows the Predicator function<br />

in both finite and non-finite clauses (see exercise):<br />

It [the Valley of the Kings] lies about six hundred kilometres south of Cairo, the<br />

present-day capital of Egypt, near the Nile. 1 Across the river is the city of Luxor, 2<br />

once called Thebes and one of the greatest capitals of the ancient world. 3 This dusty,<br />

dried-up river valley is the most magnificent burial ground in the world. 4 During the<br />

second millennium B.C., Egyptian workers quarried a series of tombs beneath this<br />

valley, 5 decorating them with mysterious predictions of the underworld 6 and filling<br />

them with treasures. 7 There, with infinite care and artistry, they laid out the<br />

mummified and bejewelled bodies of their rulers 8 and surrounded them with their<br />

belongings, 9 making the valley one of the greatest sacred sites in history. 10<br />

(Gerald O’Farrell, The Tutankamun Deception)<br />

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SKELETON: CLAUSE STRUCTURE 49


DIRECT, INDIRECT AND MODULE 6<br />

PREPOSITIONAL OBJECTS<br />

SUMMARY<br />

1 The Direct Object (Od) and Indirect Object (Oi) are central syntactic functions<br />

which encode participants in transitive clauses, and are identified by the<br />

following features:<br />

2 Position. In clauses with one Object, The Direct Object follows the verb (She<br />

wanted to borrow a video). When there are two Objects, the Direct Object<br />

follows the Indirect Object (So I lent her (Oi) one (Od)).<br />

3 Paraphrase. The Oi usually has an alternative prepositional paraphrase (I lent<br />

one to her), with the status of a Prepositional Object, but the Od has not.<br />

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4 Pronominalisation. Since objects encode participants, they can be realised by<br />

objective case pronouns (me, him, her, us, them).<br />

5 ‘Promotion’ to subject in a passive clause. Both direct and indirect objects usually<br />

have the potential of being subject in a corresponding passive clause (He sent<br />

them a fax. The fax (S) was sent. They (S) were sent a fax).<br />

6 Semantic roles. The indirect object is associated with the Recipient and<br />

Beneficiary roles, the direct object with the Affected, among others.<br />

7 Realisations. Both Objects are realised typically by Nominal Groups expressing<br />

entities; less typically by other classes of unit.<br />

6.1 THE DIRECT OBJECT (Od)<br />

6.1.1 Syntactic and semantic features<br />

After the subject and the predicator, the direct object is the most central of all clause<br />

constituents. It is characterised by the following features:<br />

50 ENGLISH GRAMMAR


• It occurs only in transitive clauses with transitive verbs such as hit, buy, send.<br />

• It is placed immediately after the predicator, but follows an indirect object, if there<br />

is one –<br />

I have sent the invitations (Od).<br />

I have sent everyone (Oi) an invitation (Od).<br />

• It is typically realised by a NG, as in I saw the burglar (NG), but may also be realised<br />

by embedded clauses, as in I saw what he did (cl.).<br />

• It can generally be ‘promoted’ to become subject in a corresponding passive<br />

clause –<br />

The invitations (S) have been sent. (corresponding to the Od in I have sent the<br />

invitations)<br />

• Direct objects can be tested for, by questions beginning with Who(m)? What? Which?<br />

How much/ many? and by wh-clefts.<br />

What did you send?<br />

What I sent were the invitations<br />

(wh-cleft)<br />

• Semantically, a prototypical direct object occurs in a high-transitivity situation (see<br />

21.4) – that is, in a process of ‘doing’ in which the referent’s state or location is<br />

affected in some way, as in the first example below.<br />

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However the Od is associated with a wide variety of semantic roles in which ‘affectedness’<br />

is not a feature, and with many types of verbs (see Chapter 4), some of which are<br />

illustrated in the following examples:<br />

He headed the ball into the net. (Affected)<br />

The burglars used an acetylene lamp to break open the safe. (Instrument)<br />

I felt a sudden pain in my arm. (Phenomenon: i.e. that which is experienced)<br />

He gave the door a push. (Range: i.e. the nominalised extension of the verb; see<br />

20.2)<br />

He swam the Channel. (Affected locative)<br />

The highly non-prototypical Range Ods (20.2) include have a rest/ smoke/ drink; take a<br />

sip/nap, give a kick/nudge, do a dance, and many others. The NG in these cases is a<br />

deverbal noun (i.e. derived from a verb) which follows a verb that is ‘light’ in semantic<br />

content such as have. Such combinations are very common.<br />

The Channel in swim the Channel is a direct object, whereas in swim across the Channel<br />

it is the NG complement of a prepositional phrase functioning as Adjunct. The difference<br />

is that the Od version is more integrated within the clause, and perhaps for this reason<br />

appears to present the event as more of an achievement. The same difference is present<br />

in climb Everest and ride a horse vs climb up Everest and ride on a horse, respectively. The<br />

achievement is clearly completed in the former case, but leaves open the possibility of<br />

SKELETON: CLAUSE STRUCTURE 51


incompletion in the latter. Speech act deverbal nouns such as promise and warning are<br />

commonly used as Ods, in some cases following a light verb (make), in others a specific<br />

verb (issue):<br />

He made a promise<br />

He issued a warning<br />

6.1.2 Realisations of the Direct Object<br />

The Direct Object can be realised by groups and by clauses. There are five main<br />

possibilities:<br />

A. Nominal Group We hired a caravan<br />

The typical realisation of the Direct Object function is the nominal group, ranging from<br />

a pronoun 1 or proper name to full NGs 2. In fact, as new entities are often introduced<br />

into the discourse in object position, the principle of end-weight (see 30.3.2) can make<br />

for the frequent occurrence of longer and more complex NGs at Direct Object in certain<br />

registers as in 3:<br />

1 I don’t understand it.<br />

2 Have you read that new novel I lent you?<br />

3 Forest fires are threatening the world’s remaining population of orang-utangs.<br />

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A small number of common verbs take untypical direct objects. They include verbs<br />

such as have (They have two cars), cost (it cost ten pounds), lack (She lacks confidence),<br />

resemble (She resembles her elder sister), fit (Do these shoes fit you?), suit (That colour<br />

doesn’t suit me), weigh (The suitcase weighs twenty kilos), contain (That box contains<br />

explosives) and measure (It measures two metres by three.) All these answer questions with<br />

What? Who? How much/how many?, as is usual with Ods. These verbs don’t passivise,<br />

but their Ods pass the wh-cleft test: What she lacks is confidence.<br />

B. Anticipatory it – I find it strange that she left<br />

The semantically empty pronoun it is necessary as an ‘anticipatory Direct Object’ in<br />

SPOdCo structures in which the Od is realised by a finite or non-finite clause:<br />

S P (Od) Co Od<br />

I find it strange that he refuses to come.<br />

She might consider it insulting for you to leave now.<br />

You must find it flattering having so many fans.<br />

52 ENGLISH GRAMMAR


C. Prepositional Phrase – The boss prefers before 10 for the meeting<br />

Prepositional phrases of time or place can marginally realise direct object:<br />

I would prefer before noon for a meeting.<br />

Don’t choose by a swamp for a picnic.<br />

D. Finite clause – You know (that) I’m right<br />

The two types of finite clause found at subject can also function as a less prototypical<br />

Direct Object: nominal that-clauses, that often being omitted in informal styles, and<br />

wh-clauses (see Chapter 3).<br />

They fear that there may be no survivors. (nominal that-clause)<br />

No-one knows where he lives. (wh-clause)<br />

You can eat whatever you like. (wh-nominal clause)<br />

Both that-clauses and wh-clauses at Od can sometimes become subject in a passive<br />

clause and then extraposed:<br />

It is feared that there may be no survivors.<br />

It is not known where he lives.<br />

(extraposed cl.)<br />

However, passivisation is not a unique criterion for assigning object status. A more<br />

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reliable test is the wh-cleft paraphrase, as seen above. We can apply this to the following<br />

example with wonder, which rejects passivisation but fulfils the wh-cleft test:<br />

I wonder whether they know the truth.<br />

*Whether they know the truth is wondered.<br />

What I wonder is whether they know the truth.<br />

E. Non-finite clause – They enjoy travelling by train<br />

Non-finite clauses realising Direct Object function are of two types: infinitive clauses<br />

with or without to, and -ing clauses.<br />

Many Londoners prefer to travel by train.<br />

Many Londoners prefer travelling by train.<br />

We analyse such clauses as embedded at Od on the strength of the following criteria:<br />

• The non-finite clause can be replaced by a NG (prefer the train) or by it/that<br />

(prefer it).<br />

• The non-finite clause can be made the focus of a wh-cleft sentence (What many<br />

Londoners prefer is to travel/ travelling by train).<br />

SKELETON: CLAUSE STRUCTURE 53


However, not all non-finites pass these tests. We do not analyse as embedded clauses<br />

at direct object ‘phased’ verbal groups with certain types of catenatives, as in He failed<br />

to appear, I tried to speak (see 39.2). Although superficially similar, they do not fulfil the<br />

above criteria. Taking He failed to appear, we can’t say *He failed it, nor make a<br />

corresponding cleft *What he failed was to appear. In both cases it would be necessary<br />

to add to do; What he failed to do was appear, which confirms the phased nature of such<br />

VGs. As a full lexical verb, as in fail the exam, fail does of course fulfil these criteria.<br />

Many embedded clauses at direct object occur with an explicit subject of their own;<br />

otherwise, the implicit subject is the same as that of the main clause:<br />

(i) to-infinitive clause –<br />

The villagers want to leave immediately. (implicit subject [they])<br />

The villagers want the soldiers to leave immediately. (explicit subject the soldiers)<br />

(ii) -ing clause –<br />

Do you mind waiting a few minutes? (with implicit subject)<br />

Do you mind me/my waiting a few minutes? (with explicit subject in objective<br />

or possessive case)<br />

(iii) to-infinitive or -ing clause –<br />

He hates telling lies. (implicit subject)<br />

He hates people telling lies. (explicit subject)<br />

He hates for people to tell lies. (for + explicit subject + to-inf) (AmE)<br />

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Again, non-finite clauses are very non-prototypical direct objects. They represent<br />

situations, not entities, and do not easily passivise. However, many can become the focus<br />

in a wh-cleft: What he hates is people telling lies/ for people to tell lies.<br />

The following news item, ‘Fire Threat to Apes’ from The Week, illustrates some of<br />

the realisations of subject and object functions (see exercise 2, p. 77).<br />

Coal fires raging deep underground in the forests of Borneo could threaten the<br />

world’s remaining populations of wild orang-utans. 1 Scientists fear that the blazes<br />

may trigger another devastating cycle of forest fires, 2 reducing the apes’ habitat to<br />

the point of extinction. 3 Scientists have identified 150 fires in the region 4 – but suspect<br />

the total number could exceed 3,000. 5 Coalfield fires expert Dr. Alfred Whitehouse<br />

described the devastation caused by underground fires he witnessed in the Kutai<br />

national park. 6 “The orang-utans are driven into smaller and smaller areas of forest,”<br />

he said. 7 “It was tragic. 8 I was in a mining area 9 and there were three orang-utans<br />

hanging to the last standing tree. 10<br />

54 ENGLISH GRAMMAR


6.2 THE INDIRECT OBJECT (Oi)<br />

6.2.1 Syntactic and semantic features<br />

The indirect object occurs only with verbs which can take two objects such as give, send.<br />

Its position in clause structure is between the verb and the direct object: I sent them<br />

a fax.<br />

It is typically realised by a NG, but occasionally by a wh-nominal clause. As a<br />

pronoun, it is in the objective case.<br />

The indirect object is associated with two semantic roles, Recipient (the one who<br />

receives the goods or information), and the Beneficiary or ‘intended recipient’. The<br />

differences between the two are reflected in the syntax.<br />

Recipient Oi<br />

She has lent me a few CDs.<br />

The doctor gave the injured man oxygen.<br />

Sammy Karanja is teaching the students<br />

maths.<br />

Beneficiary Oi<br />

I’ll buy you a drink.<br />

He got us the tickets.<br />

She left him a note.<br />

In passive counterparts the Recipient Oi corresponds to the subject. By contrast,<br />

most Beneficiary Objects do not easily become subject in a passive clause, although<br />

this restriction is not absolute, at least for some speakers:<br />

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Recipient as Subject<br />

Beneficiary as Subject<br />

I have been lent a few CDs.<br />

The injured man was given oxygen.<br />

The students are being taught maths by Sammy Karanja.<br />

*You’ll be bought a drink.<br />

*We were got the tickets.<br />

He was left a note.<br />

Both Recipient and Beneficary Oi have an optional prepositional paraphrase, which<br />

functions as a Prepositional Object. For the Recipient, the preposition is to, for the<br />

Beneficiary it is for. The prepositional form is often used to bring the Oi into focus,<br />

particularly when it is longer than the Od:<br />

The doctor gave oxygen to the injured man.<br />

She lent a few CDs to her next-door neighbour.<br />

He is teaching maths to the first-year students.<br />

I’ll buy drinks for you all.<br />

He got the tickets for us all.<br />

She left a note for her husband.<br />

The Oi can generally be left unexpressed without affecting the grammaticality of<br />

the clause:<br />

SKELETON: CLAUSE STRUCTURE 55


The doctor gave oxygen.<br />

He doesn’t like lending his CDs.<br />

Sammy Karanja is teaching maths.<br />

I’ll buy the drinks.<br />

He got the tickets.<br />

She left a note.<br />

With some verbs (show, tell, teach, etc.) the Od may be unexpressed:<br />

Who told you (the answer)?<br />

Perhaps you could show me (how to do it.)<br />

He’s teaching immigrant children (maths).<br />

6.2.2 Realisations of the Indirect Object<br />

Both Recipient and Beneficiary Indirect Objects are typically realised by NGs, and less<br />

typically by wh-nominal relative clauses, which occur more usually as a prepositional<br />

alternative:<br />

The clerk handed him the envelope. (Recip./NG)<br />

You can lend the dictionary to whoever needs it. (Recip./nom. relative cl.)<br />

Phil has booked all his friends tickets for the show. (Ben/NG)<br />

More marginally, a Recipient Oi can be realised by a non-finite -ing clause or a PP, but<br />

these options are not open to a Beneficiary Oi, which always refers to an entity:<br />

I’m giving reading magazines less importance lately. (-ing cl)<br />

Let’s give before lunch-time priority. (PP)<br />

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6.3 PREPOSITIONAL VERBS AND THE PREPOSITIONAL<br />

OBJECT (Op)<br />

A subsidiary type of Object is that which is mediated by a preposition. We will call this<br />

the Prepositional Object (Op) – Oblique Object is another term – as in:<br />

Jo looked after my cat.<br />

You can rely on Jane in an emergency.<br />

The other kids all laughed at Amy when she got her face dirty.<br />

These examples all have in common the following characteristics:<br />

• The NG following the preposition encodes a participant in the clause structure.<br />

• The preposition is associated with a particular verb, often called a prepositional<br />

verb. Idiomatic prepositional verbs have separate lexical entries in dictionaries.<br />

• Without the preposition, the clause would either be ungrammatical (*look my cat,<br />

*count Jane, *laughed Amy) or, in some cases, have a different meaning altogether,<br />

as in see to the baggage (attend to it) as opposed to see the baggage.<br />

56 ENGLISH GRAMMAR


• The preposition can’t be replaced by another preposition without changing the<br />

meaning (look after the cat, look for the cat, look at the cat).<br />

6.3.1 Types of verb + preposition combinations<br />

There are three main types of prepositional verb, as illustrated by the previous examples.<br />

Type A (look + after)<br />

This combination functions as a lexical unit in which the verb + the preposition together<br />

have a different meaning from their separate words. ‘Look after’ has nothing to do with<br />

looking, nor with the usual meaning of ‘after’in relation to space or time. Other verbs of<br />

this type are exemplified here:<br />

I came across some old photos (find)<br />

How did you come by that job (obtain)<br />

Sandy has come into a fortune (inherit)<br />

She takes after her mother (resemble)<br />

We took to each other at once (like)<br />

I’ve gone off yogurt (lose the liking for)<br />

Type B (rely + on)<br />

This is a less idiomatic combination whose meaning is sometimes, though not always,<br />

transparent. Verbs in this group – account for (explain), refer to, tamper with (interfere<br />

with) – are not used without their specific preposition:<br />

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How do you account for the lack of interest in the European elections?<br />

Someone has been tampering with the scanner.<br />

Type C (laugh + at)<br />

The verb + preposition represents a special use, usually with a distinctive meaning, of<br />

a verb which otherwise can function without the preposition (for example, Everyone<br />

laughed; Don’t laugh). Other verbs include look (at), believe (in), count (on), hear (of), wait<br />

(for), hope (for).<br />

look at the sky<br />

wait for the bus<br />

hear of a good offer<br />

hope for a rise in salary<br />

SKELETON: CLAUSE STRUCTURE 57


6.3.2 Syntactic behaviour of prepositional verbs<br />

Applying some of the constituency tests (see 2.2), we find the following:<br />

Type A<br />

The verb + preposition behave syntactically as one unit, whereas the PP ‘after the cat’<br />

does not, as regards fronting, focus of a cleft, wh-question and adverb insertion:<br />

Acceptable<br />

Unacceptable<br />

Fronting: My cat Jo looked after. *After my cat Jo looked.<br />

Focus of a cleft: It’s my cat (that) Jo looked after. *It’s after my cat (that) Jo looked.<br />

Wh-question: Whose cat did Jo look after? *After whose cat did Jo look?<br />

Adverb insertion: Jo looked after my cat carefully. ?Jo looked carefully after my cat.<br />

Type B<br />

The PP can function as an independent unit, although the effect is marked and very<br />

formal. In spoken <strong>English</strong> the preposition preferably stays close to the verb:<br />

Formal<br />

Informal<br />

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Fronting: On Jane you can rely. Jane you can rely on.<br />

Focus of a cleft: It’s on Jane (that) you can rely. It’s Jane you can rely on.<br />

Wh-question: On whom can you rely? Who can you rely on?<br />

Adverb insertion: You can rely totally on Jane. Who can you totally rely on?<br />

Type C<br />

Syntactically, the PP functions in the same way as Type B. However, the formal variant<br />

is at odds with the type of verb that usually falls into this group.<br />

Formal<br />

Informal<br />

Fronting: At Amy the kids laughed. Amy the kids laughed at.<br />

Focus of a cleft: It was at Amy that they laughed. It was Amy they laughed at.<br />

Wh-question: At whom did the kids laugh? Who did the kids laugh at?<br />

58 ENGLISH GRAMMAR


6.3.3 Stranding the preposition<br />

When the preposition stays close to its verb, as occurs in the examples on the right, we<br />

say that it is stranded, that is, displaced from its position in a PP. The verb and the<br />

preposition stay together, with the stress usually on the verb. Stranding of prepositions<br />

occurs, not only in the structures illustrated, but also with prepositional verbs used in<br />

passive clauses, as we’ll see in a moment, and in relative clauses, as in the following:<br />

Non-stranded preposition<br />

Stranded preposition<br />

*The cat after which Jo looked . . . The cat that Jo looked after . . .<br />

The person on whom you can rely . . . The person you can rely on . . .<br />

The girl at whom the kids laughed . . . The girl the kids laughed at . . .<br />

Taking all these tests together, it is clear that in idiomatic Type A combinations, the<br />

preposition always stays close to the verb, that is, it is always stranded. In Type B and<br />

Type C, the whole prepositional phrase can stay together as a unit, although this is<br />

a marked option in spoken <strong>English</strong>. The non-stranded form, when it occurs, is reserved<br />

for highly formal contexts and formal text types, such as academic prose. But even<br />

in highly formal contexts the stranded form is usually preferred in spoken <strong>English</strong>, as<br />

the following quotation illustrates. The speaker is the US Secretary of State, Colin Powell,<br />

addressing the United Nations Council in February 2003:<br />

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What we need is not more inspections.What we need is not more immediate access.<br />

What we need is immediate full unconditional cooperation by Irak. To this day we<br />

have not seen the level of cooperation that was expected, looked for, hoped for.<br />

6.3.4 The prepositional passive<br />

The previous quotation also illustrates stranding in the prepositional passive (was looked<br />

for, hoped for). In many combinations, although not in all, the NG complement of a PP<br />

can become subject in a passive clause. The preposition is obligatorily stranded:<br />

My cat was looked after<br />

Jane can be relied on<br />

Amy was laughed at<br />

*After my cat was looked<br />

*On Jane can be relied<br />

*At Amy was laughed<br />

6.3.5 Realisations of the Prepositional Object<br />

Experientially, the unit following the preposition is seen as a participant in the situation,<br />

for the reasons previously discussed. NGs are the typical realisations of the Op, but<br />

nominal clauses and non-finite -ing clauses also occur:<br />

SKELETON: CLAUSE STRUCTURE 59


He almost ran over a rabbit on a country road last night. (NG)<br />

I strongly object to what you are insinuating. (nominal clause)<br />

He believes in getting things done as quickly as possible. (-ing cl.)<br />

It is clear that verbs which control prepositions do not constitute a homogeneous<br />

class. There are various degrees of integration, ranging from the relatively loosely integrated<br />

such as smile (at) and wait (for), where the verb can function without a preposition,<br />

to those which bond with the preposition to form a new lexical unit (look after, take<br />

to). The latter are given separate entries in dictionaries and, in those dictionaries<br />

which provide grammatical information, are given different analyses. The PP following<br />

Type 3 verbs such as smile and wait is often classified as Adjunct or as prepositional<br />

Complement (PPC). According to use in context, one analysis may be more suitable<br />

than another.<br />

In this book we use the term prepositional Object for the NG complement of a<br />

preposition which can refer to a participant, distinguishing this function from that of the<br />

circumstantial PP functioning as C loc<br />

or as Adjunct. Compare, for example, We waited<br />

for the bus with We waited at the bus-stop, where at the bus-stop is Adjunct. The distinction<br />

is not absolute, however, as we saw in the example This bed was slept in by Queen Victoria.<br />

Cognitive factors of attention and salience intervene to allow some of the NGs in<br />

circumstantial PPs to become subjects, as in this house hasn’t been lived in.<br />

6.4 PHRASAL VERBS: THE VERB + PARTICLE COMBINATION<br />

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Phrasal verbs consist of a lexical verb + an adverbial ‘particle’ (p). They can be<br />

intransitive (without an Object: get up) or transitive (taking a Direct Object: switch it off ).<br />

Phrasal prepositional verbs consist of a lexical verb + a particle + a preposition (put<br />

up with). They function like idiomatic prepositional verbs.<br />

6.4.1 Syntactic features<br />

Phrasal verbs are combinations of a lexical verb and an adverbial particle (p) (get up,<br />

switch on/off, take back, sit down). They may be intransitive, with no object, as in 1 or<br />

transitive (with a direct object) as in 2 and 3:<br />

1 What time do you usually get up in the morning?<br />

2a She switched off the light. 2b She switched the light off.<br />

3 She switched it off.<br />

With a noun as Object, the particle in most cases may either precede or follow the object<br />

as in 2. But if the Object is a pronoun, the particle is placed after it, as in 3.<br />

The motivation for this choice has to do with the distribution of information.<br />

We focus on the new information by placing it last. So in 2a the new information is the<br />

light; while in 2b and 3 it is the switching off (see Chapter 6). Pronouns do not usually<br />

represent new information and are placed before the particle.<br />

This choice of emphasing either the noun or the particle is not possible with a<br />

synonymous one-word verb. Compare:<br />

60 ENGLISH GRAMMAR


They cancelled the wedding.<br />

They called off the wedding.<br />

They called the wedding off.<br />

(focus on wedding)<br />

(focus on wedding)<br />

(focus on off)<br />

Some verb + particle combinations can be used both transitively and intransitively,<br />

e.g. blow up (= explode), break down (= reduce to pieces). In some cases the transitive<br />

and intransitive clauses form an ergative pair (see 15.1) with a causative meaning in the<br />

transitive:<br />

Terrorists have blown up the power station. (transitive)<br />

The power station has blown up. (intransitive)<br />

while in others the meaning is related by metaphorical extension:<br />

They broke down the door to rescue the child. (transitive)<br />

Her health broke down under the strain. (intransitive)<br />

The car has broken down. (= stop working) (intransitive)<br />

6. 4. 2 Differences between phrasal verbs and prepositional verbs<br />

We explain here differences of position, stress and adverb insertion in the clause,<br />

illustrating them with the phrasal verb break up and the prepositional verb break with,<br />

as in He broke up the party (phrasal verb) and He broke with his girl-friend (prepositional<br />

verb).<br />

A pronoun follows a preposition but precedes the particle of a phrasal verb (as<br />

elsewhere, the asterisk indicates an ungrammatical sequence):<br />

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He broke with her.<br />

*He broke her with.<br />

He broke it up.<br />

*He broke up it.<br />

The particle in phrasal verbs is stressed, especially when in final position in the clause,<br />

whereas a preposition is normally unstressed. In prepositional verbs the stress normally<br />

falls on the verb (capitals indicate the stressed syllable; see also 29.2):<br />

He broke it UP.<br />

Which party did he break UP?<br />

He has BROken with her.<br />

Which girl has he BROken with?<br />

As seen in 6.3.2. Type B, an adverb can sometimes be placed between a verb and its<br />

following preposition. Phrasal verbs do not normally admit an adverb between the verb<br />

and the particle:<br />

*He broke completely up the party.<br />

He broke completely with his girl-friend.<br />

In idiomatic phrasal verbs the particle is usually analysed as part of the verb (peter out.<br />

There is no separate verb ‘peter’) In ‘free’ combinations in which the adverb particle<br />

is directional, this is analysed as Complement, as in The rain came down. The adverbial<br />

SKELETON: CLAUSE STRUCTURE 61


particle can be fronted (Down came the rain) for rhetorical purposes, and this mobility is<br />

a feature of Complements and Adjuncts. With non-directional meanings, the adverbial<br />

particle is inseparable from the verb, and can’t be fronted (The car broke down, *Down<br />

broke the car).<br />

The semantics of phrasal verbs is described in Chapter 8.<br />

6.4.3 Phrasal-prepositional verbs<br />

Phrasal-prepositional verbs consist of a lexical verb followed by an adverbial particle<br />

and a preposition, in that order: run up against, do away with. They are particularly<br />

characteristic of informal <strong>English</strong>, and new combinations are constantly being coined.<br />

Phrasal-prepositional verbs function like prepositional verbs, taking a prepositional<br />

object in the clause:<br />

We ran up against difficulties. (=encounter)<br />

They have done away with free school meals.<br />

(=abolish)<br />

Finally, it is important to realise that many verbs, whether single- or multi-word, can<br />

be followed by a PP functioning as a circumstantial Complement in the clause, as in<br />

They went into the garden. They express meanings of place, direction, time or means.<br />

They are generally questioned by Where, when or how (Where did they go (to)? How<br />

did you come?) as opposed to What? Who? as is usual with Objects.<br />

Multi-word verb Prepositional Object PP as Adjunct or Comp.<br />

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I’ll call on Dr. Jones I’ll call on Friday<br />

They looked into the matter They looked into the cave<br />

She came by a fortune She came by bus<br />

I’ll stand by my word I’ll stand by the window<br />

We put up with the noise We put up at a hotel<br />

They played on our sympathy They played on their home ground<br />

Furthermore, there is a parallel between intransitive phrasals like walk down and<br />

single verbs of movement followed by a directional Complement (walk down the stairs).<br />

In many cases, it is possible to analyse the former as the ellipted version of the latter,<br />

especially when the situation is known.<br />

These alternatives also allow us to specify direction as Path + Ground or as Path<br />

alone. (These notions are explained in Module 40.) Compare:<br />

He walked down the stairs. He walked down.<br />

S P C (Path + Ground) S P C (Path)<br />

62 ENGLISH GRAMMAR


In this passage from Three Men in a Boat, the three friends decide to have a picnic (see<br />

exercise 6 on p. 78):<br />

When George drew out 1 a tin of pineapple from the bottom of the hamper and rolled<br />

it into the middle of the boat, we felt that life was worth living after all. We are very<br />

fond of pineapple, all three of us. We looked at the picture 2 on the tin; we thought<br />

of the juice. 3 We smiled at one another, 4 and Harris got a spoon ready.<br />

Then we looked for something to open the tin with. 5 We turned out 6 everything<br />

in the hamper. We turned out 7 the bags. We pulled up 8 the boards at the bottom of<br />

the boat. We took everything out 9 on to the bank and shook it. There was no tinopener<br />

to be found.<br />

Then Harris tried to open the tin with a pocket-knife, and broke the knife and cut<br />

himself badly; and George tried a pair of scissors, and the scissors flew up 10 and<br />

nearly put his eye out. 11 While they were dressing their wounds, I tried to make a<br />

hole in the tin with the spiky end of the boat pole, and the pole slipped and jerked<br />

me out 12 between the boat and the bank into two feet of muddy water, and the tin<br />

rolled over 13 and broke a tea-cup.<br />

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SKELETON: CLAUSE STRUCTURE 63


SUBJECT AND OBJECT MODULE 7<br />

COMPLEMENTS<br />

SUMMARY<br />

1 There are two main types of Complement: that which complements the Subject<br />

(Cs) and that which complements the Object (Co). The Subject Complement<br />

completes the predicate after a copular verb by specifying an Attribute of the<br />

Subject or its identity. No passivisation is possible. The Subject Complement<br />

can be realised by AdjGs, by definite and indefinite NGs, and by clauses.<br />

2 The Object Complement (Co) completes the predicate with an AdjG or a NG<br />

following a direct object. The Direct Object, but not the Complement, can<br />

become subject in a passive clause. The Co is realised by AdjGs, definite and<br />

indefinite NGs and clauses.<br />

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3 When the Cs is a pronoun, use is divided between the subjective and the<br />

objective case. The Co pronoun is always objective.<br />

7.1 THE COMPLEMENT OF THE SUBJECT (Cs)<br />

7.1.1 Syntactic and semantic features<br />

The Subject Complement is the obligatory constituent which follows a copular verb and<br />

which cannot be made subject in a passive clause:<br />

Who’s there? It’s me/It’s I.<br />

She became a tennis champion at a very early age.<br />

Feel free to ask questions!<br />

The Subject Complement does not represent a new participant, as an Object does, but<br />

completes the predicate by adding information about the subject referent. For this<br />

reason the Subject Complement differs from the Object in that it can be realised not<br />

64 ENGLISH GRAMMAR


only by a nominal group but also by an adjectival group (Adj.G), as illustrated in the<br />

previous examples.<br />

The objective case (me) is now in general use (It’s me) except in the most formal<br />

registers, in which the subjective form (it’s I) or (I am he/she) are heard, especially in<br />

AmE.<br />

As well as be and seem, a wide range of verbs can be used to link the subject to its<br />

Complement; these add meanings of transition (become, get, go, grow, turn) and of<br />

perception (sound, smell, look) among others, and are discussed in modules 12 and 17.<br />

The constituent following such verbs will be considered Subject Complement if the verb<br />

can be replaced by be and can’t stand alone, without a change of meaning:<br />

I know it sounds stupid, but . . . (= is stupid) cf. *I know it sounds.<br />

That looks nice. (= is nice) cf. *That looks.<br />

More problematic is the constituent following other verbs that could be used<br />

intransitively with the same meaning, as in:<br />

Saint Etheldreda was born a Saxon princess. (she was born)<br />

He returned a broken man. (he returned)<br />

He died young. (he died)<br />

We shall consider such constituents as Complements on the strength of the possible<br />

paraphrase containing be (When he returned he was a broken man; When he died he was<br />

young).<br />

There is, typically, number agreement between the subject and its Complement, and<br />

gender agreement with a reflexive pronoun at complement, as in Janet isn’t herself today.<br />

There are, however, several common exceptions to number agreement:<br />

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Joan and Lionel make a good couple.<br />

My neighbour’s cats are a nuisance/a joy.<br />

Are these socks wool? No, they’re cotton.<br />

The twins are the same height.<br />

Complements of the type a good couple in Joan and Lionel make a good couple are<br />

explicable on semantic grounds, couple being inherently plural in meaning. Semantic<br />

criteria may also be invoked to explain the use of a nuisance/a joy in My neighbour’s cats<br />

are a nuisance/a joy, since abstractions such as these are equally applicable to singular<br />

or plural subjects.<br />

A third type, exemplified by expressions such as wool, cotton, rather an odd colour, the<br />

same height/length/shape, etc., can all be paraphrased by a PP with of (of wool, of rather<br />

an odd colour, of the same height, etc.), which formerly had greater currency. They all<br />

express qualities of the subject, and in present-day <strong>English</strong> the NG form without a<br />

preposition is the more common.<br />

Copular verbs predict meanings of being something, describing or identifying the<br />

subject referent. The Subject Complement completes the predicate by providing information<br />

about the subject with regard to its Attributes or its identity. The identifying type<br />

is typically reversible, the attributive is not:<br />

SKELETON: CLAUSE STRUCTURE 65


The concert was marvellous. (attributive) *Marvellous was the concert.<br />

The concert was a great success. (attributive) *A great success was the concert.<br />

The orchestra was the London Philharmonic. (The London Philharmonic was<br />

(identifying)<br />

the orchestra.)<br />

When be is followed by an expression of location in space or time (in the garden, at<br />

10 o’clock), this Complement is analysed as locative (see 4.2.1; 9.2). Sometimes a<br />

circumstantial expression (e.g. out of work) is semantically equivalent to an attributive<br />

one (e.g. unemployed).<br />

7.1.2 Realisations of the Subject Complement<br />

Attributive subject complements are realised by AdjGs and NGs. Identifying Subject<br />

Complements can be realised by NGs and by clauses.<br />

A. Attributive Complements (S-P-Cs) – She was ambitious<br />

AdjG<br />

NG<br />

As + NG<br />

She is twenty-two years old.<br />

Sam is a very lucky man.<br />

His research was recognised as a great contribution to science.<br />

The Rolling Stones’ concert was acclaimed as the event of the season.<br />

B. Identifying Complements (S-P-Cs) – Her name was Bettina<br />

NG<br />

Sierra Leone is one of the world’s biggest producers of diamonds.<br />

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Fin. that-cl. Ken’s belief is that things can’t get any worse.<br />

Nominal relative cl. He has become what he always wanted to be.<br />

Non-fin. bare inf.cl. The only thing I did was tell him to go away.<br />

Non-fin. to-inf. -S My advice is to withdraw.<br />

+ for + S The best plan is for you to go by train.<br />

Non-fin. -ing cl -S What I don’t enjoy is standing in queues.<br />

+S What most people prefer is others doing/for others to do the<br />

work.<br />

Note that NGs and AdjGs can occur as attributive or identifying Subject Complements,<br />

in passive clauses derived from S-P-Od-Co structures:<br />

You are regarded as a friend of the family<br />

The gates were left open all night<br />

(We regard you as a friend of the family)<br />

(Someone left the gates open all night)<br />

66 ENGLISH GRAMMAR


Some realisations of Subject Complements are illustrated in the following passage from<br />

a university magazine, Oxford Today, in which a graduate, Steve Baker, characterises<br />

the early stages of his career:<br />

New College, poorest of the rich colleges, dullest of the clever colleges and so far<br />

down the river that we had to row on the Thames is the place where I grew up. 1 I<br />

loved it then and I love it now. But for me real life started in investment banking. It<br />

was called merchant banking 2 but was just as fashionable then to pretentious young<br />

squirts as it is now. 3 . The pay on the other hand was something else. 4 Everyone apart<br />

from me seemed to have a private income. Worse still, they all had private shoots<br />

and invited the chairman. No shoot, no promotion. No promotion, no pay. No pay,<br />

no shoot. It was circular 5 and it was vicious. 6 Then there were the social duties. Clients<br />

tended to be rich, foreign and important. 7 We squirts were the entertainment 8 when<br />

their offspring hit town. Unfortunately, one of them was, to me, quite beautiful. 9 I<br />

stumbled, flailed around a bit and fell. It was ridiculous. 10 I still drove my bubble<br />

car, she owned the bank that owned the factory. It could not last. It didn’t.<br />

1<br />

NG (ident.); 2 NG (attrib); 3 AdjG (attrib.); 4 NG (attrib.); 5 AdjG (attrib); 6 AdiG<br />

(attrib); 7 AdjG (attrib.); 8 NG (ident.); 9 AdjG (attrib.); 10 AdjG (attrib.)<br />

7.2 THE COMPLEMENT OF THE OBJECT (Co)<br />

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7.2.1 Syntactic and semantic features<br />

The Object Complement is the constituent that completes the predicate when certain<br />

verbs such as find, make and appoint lead us to specify some characteristic of the Direct<br />

Object (see also Module 11). The Co is normally placed immediately after the direct<br />

object:<br />

You (S) are making (P) me (Od) angry (Co).<br />

You (S) aren’t going to like (P) me (Od) angry (Co).<br />

There is typically number agreement between the Direct Object and the nominal group<br />

realising the Object Complement, as in: Circumstances (S) have made (P) the brothers (Od)<br />

enemies (Co). But there are occasional exceptions – expressions of size, shape, colour,<br />

height, etc. – which are to be explained in the same way as those seen in 7.1.1:<br />

You haven’t made the sleeves the same length.<br />

The Object Complement can characterise the direct object by a qualitative attribute or<br />

by a substantive attribute expressing the name or status of the object referent.<br />

SKELETON: CLAUSE STRUCTURE 67


Police found the suspects unwilling to cooperate. (qualitative)<br />

They have elected Ken captain of the golf club. (substantive)<br />

The burglars left the house in a mess. (circumstantial)<br />

Sometimes a Co realised by a prepositional phrase (The burglars left the house in a mess)<br />

is similar in meaning to an adjectival complement (The burglars left the house untidy).<br />

We can distinguish its status as Complement from the superficially similar realisation<br />

by an optional Adjunct (in five minutes in The burglars left the house in five minutes) by<br />

the intensive relationship linking the Od and its complement. This can be tested by<br />

paraphrase with be (The house was in a mess; *The house was in five minutes). The two<br />

meanings are dependent on the related meanings of leave: ‘leave something in a state’<br />

and ‘go away from’, respectively.<br />

7.2.2 Realisations of the Object Complement<br />

Attributive Object Complements can be realised by:<br />

AdjG<br />

NG<br />

Finite nominal cl.<br />

Non-finite -en cl.<br />

A sleeping pill will rapidly make you drowsy.<br />

His friends consider him a genius.<br />

Dye your hair whatever colour you like.<br />

The authorities had the demonstrators placed under house arrest.<br />

Nominal Co elements are sometimes introduced by the prepositions as or for, and are<br />

then analysed as ‘oblique’ Object Complements. That is, the relationship between the<br />

NG and the verb is not direct, but mediated by a preposition. Some verbs require this;<br />

with others such as consider it is optional:<br />

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as + NG<br />

for + NG<br />

Party members regard him as the best candidate.<br />

Do you take me for a complete idiot?<br />

68 ENGLISH GRAMMAR


ADJUNCTS (A) MODULE 8<br />

SUMMARY<br />

1 Adjuncts (A) are optional elements of a situation expressed by a clause. There<br />

are three main types according to their function.<br />

2 Circumstantial Adjuncts provide information concerning time, place, manner,<br />

means etc. These are treated more fully in Module 20.<br />

3 Stance adjuncts provide an attitudinal comment by the speaker on the content<br />

of the clause or sentence. There are three classes of stance adjuncts: epistemic,<br />

evidential and evaluative.<br />

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4 Connective adjuncts are not elements of structures, but connectors of structures.<br />

They signal how the speaker intends the semantic connections to be made<br />

between one part of the discourse and another. In discourse studies, many<br />

connective adjuncts are analysed as discourse markers.<br />

5 Adjuncts are realised by groups and clauses, according to type and function.<br />

8.1 SYNTACTIC AND SEMANTIC FEATURES<br />

In contrast with the more central clausal constituents, which are realised only once in<br />

a clause – there is one subject/direct and indirect object/predicator/subject or object<br />

complement per clause – it is common to find a number of adjuncts in a single clause.<br />

The following illustration has five circumstantial adjuncts, which in this clause are all<br />

optional: they can be omitted without affecting the grammaticality of the clause. The<br />

bracketed items are adjuncts:<br />

(If at all possible) I’ll see you (tomorrow) (after the show) (with Pete and Susan)<br />

(outside the main entrance).<br />

Adjuncts can be added to any of the basic clause structures:<br />

SKELETON: CLAUSE STRUCTURE 69


SP(A)<br />

SPOd (A)<br />

SPOp(A)<br />

SPOiOd(A)<br />

SPCs(A)<br />

SPOdCo(A)<br />

The bells rang all day long.<br />

Tom hired a car at Doncaster.<br />

You must allow for delays in holiday periods.<br />

He sends me flowers through Interflora.<br />

The weather is rather unpredictable in these parts.<br />

They elected her Miss Universe in Miami.<br />

Whereas the more central elements of clause structure typically have fixed places in<br />

the clause, many adjuncts are characterised by their flexibility as regards position:<br />

Hastily she hid the letter.<br />

She hastily hid the letter.<br />

She hid the letter hastily.<br />

While the great majority can occur at the end of the clause, they also occur frequently<br />

in initial and medial positions, these being determined to a great extent by semantic and<br />

pragmatic considerations (see 55.2).<br />

Semantically, adjuncts represent circumstances, specifications and comments<br />

of many different types which are attendant on the verb or the whole clause. A further<br />

characteristic of adjuncts is the tendency of different types of meanings to be expressed<br />

by different adjuncts in a single clause, not as coordinated realisations of a single<br />

adjunctive element, but as separate, multiple adjuncts:<br />

Surprisingly (stance), she almost (degree) forgot to set the alarm clock last night (time).<br />

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8.2 MAIN CLASSES OF ADJUNCTS<br />

Adjuncts (A) are grouped into three main classes according to their function in the<br />

clause: circumstantial adjuncts (8.2.1), stance adjuncts (8.2.5) and connective<br />

adjuncts (8.2.7).<br />

A fourth group consists of operator-related adjuncts. Certain single adverbs and<br />

adverbial groups which can function as adjuncts of usuality (usually), frequency<br />

(sometimes, never), degree (just), modality (probably) and aspectuality (still, yet,<br />

already), among others, relate closely to the verb. These tend to be placed near the finite<br />

operator (We have just finished; she is probably waiting). They are discussed in Chapter<br />

11, together with the distribution, position and function of adverbs.<br />

8.2.1 Circumstantial Adjuncts<br />

Circumstantial adjuncts provide experiential details about the action or state described<br />

by the verb, and answer such questions as where? when? how? why? and occasionally<br />

what? as in What do you want it for? What did he die of? Of all the types of adjunct, the<br />

circumstantials are the ones most similar to clause constituents: like subject and object<br />

they may be made the focus of a cleft. So in the example Tom bought a new car last month,<br />

we may highlight each element except the verb, including the adjunct of time. Other<br />

types of circumstantial adjunct don’t pass this test, however:<br />

70 ENGLISH GRAMMAR


It was last month that Tom bought a new car. (adjunct)<br />

It was a new car that Tom bought last month. (object)<br />

It was Tom who bought a new car last month. (subject)<br />

*It was probably/*usually/*surprisingly/*still that Tom bought a new car last<br />

month.<br />

8.2.2 Realisations of the Circumstantial Adjunct: Summary<br />

Circumstantial adjuncts are realised by a wide variety of units:<br />

She called me yesterday.<br />

She called me too late.<br />

She called me from the office.<br />

She called me this morning.<br />

She called me while I was out.<br />

She called to tell me the news.<br />

She called me, using her mobile.<br />

She called me, scared out of her wits.<br />

Afraid to leave the house, she called me.<br />

Adverb<br />

AdvG<br />

PP<br />

NG<br />

Finite clause<br />

Non-fin. to-inf.cl<br />

Non-fin.-ing cl.<br />

Non-fin.-en cl.<br />

Verbless clause<br />

While non-finite -ing, -en and verbless clauses undoubtedly give background information,<br />

syntactically it is more problematic to analyse them as adjuncts. They are more loosely<br />

integrated into the clause and can’t be made the focus of a cleft (*It was scared out of<br />

her wits that she called me) as can other circumstantials, including to-infinitive clauses<br />

(It was to tell me the news that she called me).<br />

Units that are set off from the main clause by a comma or a pause are called<br />

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supplementives (see also Chapter 10 for various types of supplementive). The -ing<br />

and -en types, as well as verbless clauses such as afraid to leave the house fall into this<br />

category. Semantically, they may be understood as reduced clauses of means or reason<br />

with an adjunctive function. Here, Afraid to leave the house not only lacks a main verb<br />

and a subject but is related to the predicate. (She was afraid to leave the house.) Such<br />

‘detached predicatives’ are used in written genres, where they economically add<br />

information, typically in initial position as part of Theme (see 28.10 and 51.5).<br />

8.2.3 Circumstantials functioning as central clause elements<br />

As explained in 4.1, certain verbs predict a circumstantial element, without which the<br />

clause is incomplete syntactically and semantically. They then have the status of a<br />

Complement, and are summarised again here:<br />

• Location in place or time, after a verb of position such as be, stay, live, lie, etc.,<br />

as in: We live in troubled times, The farm is situated in a valley.<br />

• Extent in time or place with verbs such as take, as in The journey takes several<br />

days, or last, as in The performance lasts (for) three hours, in which the preposition<br />

is optional. In discourse, the time duration may be omitted if it is understood, as in<br />

Their love didn’t last, meaning ‘didn’t last a long time’.<br />

SKELETON: CLAUSE STRUCTURE 71


• Direction and Goal after verbs of movement such as go, come or of movement +<br />

manner such as fly, as in We flew south (Direction), We flew to New York (Goal).<br />

• Source in She tiptoed out of the bedroom, We flew from London.<br />

• Manner with behave, as in, She is behaving rather strangely. Also with one sense of<br />

the transitive verb treat, as in: They treated the prisoners badly.<br />

8.2.4 Circumstantials and their ordering in discourse<br />

There is a strong tendency to add circumstantial information, even when it is not strictly<br />

required by syntactic or semantic criteria for a single clause, one reason being that it<br />

is often crucial to the development of the discourse. So, rather than saying Tom disappeared,<br />

we might add an optional circumstantial such as among the crowd, into the<br />

Underground or below the surface of the lake.<br />

Even more clearly, the conditional clause adjunct – as in If you don’t learn, you’re not<br />

much good as a teacher – is necessary for a full understanding of the speaker’s intended<br />

meaning. Without it, the message is very different. Conversely, with verbs such as<br />

leave, arrive and go, Source, Goal and Location adjuncts are omitted if they are contextually<br />

understood (haven’t they left/arrived/gone yet?). The semantic classification<br />

of circumstantial elements is described in Module 20.<br />

When a number of circumstantials cluster at the end of a clause, they tend to be<br />

placed in certain semantic orderings, such as Source-Extent-Path-Goal. This is partly<br />

illustrated in this slightly adapted sentence from the text below, taken from a report<br />

entitled ‘How to survive a Colombian kidnapping’, in The Week. We can see that ‘Source’<br />

does not figure, while ‘Purpose’ does.<br />

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I slithered a few yards down the steep to the stream for a wash<br />

bank<br />

Extent direction (Path) (Goal) Purpose<br />

When I was not playing games with Tom, I started to make up nicknames for our<br />

guards. One morning I slithered down the steep bank to the stream for a wash,<br />

accompanied by one of the female guards. I was in desperate need of a shave and<br />

my washing companion kindly lent me her mirror. I removed the whiskers with my<br />

final blunt razor and looked up to see if she approved. She was standing there in a<br />

striking combination of lacy red knickers and bra, offset by Wellington boots, an AK-<br />

47 and a surly stare. I could make out a large lovebite on her right breast. God! I<br />

thought, I’ve landed myself on the set of a Russ Meyer movie: Bras and Guns. As I<br />

stood there awkwardly, uncertain as to where to look, her boyfriend appeared at the<br />

top of the bank. He was dressed smartly in an American woodland leaf uniform and<br />

carried an AK-47. How he kept his uniform so clean and pressed was a mystery. In<br />

the top of his boot I noticed a pink comb and pink-backed mirror. He pulled them out<br />

and began to do his hair. From that point on the couple were known as Mr and Mrs<br />

Comb.<br />

72 ENGLISH GRAMMAR


8.2.5 Stance Adjuncts<br />

These express the speaker’s evaluation or comment on the content of the message, or<br />

the viewpoint adopted. Syntactically, they often remain somewhat separate from the<br />

clause, since their message refers to the whole of the clause or sentence. For this reason,<br />

they are usually found before the clause or after it, as in the first two examples below.<br />

But they can also be placed parenthetically or between commas, within a clause or<br />

sentence, as in the last two:<br />

Naturally, he spoke to me when he saw me.<br />

He spoke to me when he saw me, naturally.<br />

He naturally spoke to me when he saw me.<br />

He spoke to me, naturally, when he saw me.<br />

Textually, stance adjuncts are of three main kinds: epistemic, evidential and<br />

evaluative (see also 28.12, as Theme).<br />

A. Epistemic stance adjuncts – Do you believe me? Of course I do<br />

These express the speaker’s opinion regarding the validity of the content, commenting<br />

on the certainty, doubt, possibility and obviousness of the proposition:<br />

Undoubtedly, he is the finest pianist alive today.<br />

Obviously, he’ll rely on you even more now.<br />

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B. Evidential adjuncts – Apparently, the picture is a fake<br />

These signal the source of knowledge or information. Sources range from the speaker’s<br />

own experience or belief (In my view/In my experience) to the beliefs or accounts of others<br />

(According to ...In the words of . . . and finally hearsay – supposedly, apparently):<br />

According to the weather forecast, there’s a hurricane on the way.<br />

C. Evaluative adjuncts – Amazingly, he won a gold medal<br />

These are attitudinal, reflecting the subjective or objective attitude of the speaker<br />

towards the content and sometimes also towards the addressee:<br />

Surely you can make up your own mind!<br />

Broadly speaking, the Health Service is satisfactory.<br />

Unfortunately, our team didn’t win. (subjective)<br />

(objective)<br />

D. Style and domain adjuncts<br />

Two further types of stance adjunct are Style and Domain adjuncts. Style adjuncts are<br />

the speaker’s comment on the way s/he is speaking (honestly, frankly, confidentially).<br />

SKELETON: CLAUSE STRUCTURE 73


Domain adjuncts signal from what viewpoint the message is orientated (technologically,<br />

legally, saleswise, etc.):<br />

Quite frankly, it seems to me a lot of bullshit.<br />

Medically, the project has little to recommend it.<br />

8.2.6 Realisations of the Stance Adjunct: summary<br />

Stance adjuncts can be realised by adverbs, prepositional phrases, finite and non-finite<br />

clauses:<br />

Adverbs: surely, obviously, frankly, honestly, confidentially, hopefully,<br />

probably<br />

PPs: in fact, in reality, at a rough guess, by any chance, of course<br />

Non-fin cl: to be honest, to tell the truth, strictly speaking<br />

Fin. cl: if I may be frank with you . . .; don’t take this personally, but ...<br />

8.2.7 Connective Adjuncts<br />

These tell us how the speaker or writer understands the semantic connection between<br />

two utterances, or parts of an utterance, while indicating the semantic relationship<br />

holding between them: The hotel was rather noisy. On the other hand, it wasn’t expensive<br />

(contrast). They are not therefore elements of structure, but connectors of structure:<br />

Between groups: Lord Shaftesbury was a persuasive speaker and furthermore<br />

a great pioneer of social reform.<br />

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Between clauses: The students are on strike; nevertheless, the examinations<br />

will not be cancelled.<br />

Between sentences: He has been undergoing treatment for asthma since he was<br />

a boy. Consequently, he never went in for sports.<br />

Between paragraphs: In addition to all this . . .<br />

First of all . . .<br />

In conclusion . . .<br />

That is to say, such connectors occur at some boundary established at a significant point<br />

in the organisation of the text. They have a textual function.<br />

Semantically, many different types of connection can be expressed. Here, we shall<br />

briefly exemplify four main types (see also chapters 6 and 7):<br />

additive:<br />

contrast:<br />

causal:<br />

temporal:<br />

besides, in the same way, what’s more, moreover, plus (AmE), as well,<br />

also<br />

instead, on the contrary, on the other hand, nevertheless, rather, yet<br />

for, because, so, therefore, then, in that case, consequently, thus<br />

first, then, next, after that, finally, at once<br />

74 ENGLISH GRAMMAR


8.2.8 Realisations of the Connective Adjunct: summary<br />

Adverbs:<br />

PPs:<br />

AdjGs:<br />

AdvGs:<br />

Fin. cl:<br />

Non-fin.cl:<br />

nevertheless, moreover, first, therefore, next, now namely,<br />

accordingly, consequently, alternatively<br />

in other words, by the way, on top of that<br />

last of all, better still<br />

more accurately<br />

that is to say, what is more<br />

to sum up, to cap it all<br />

In daily life, turns in conversation are often initiated by a common institutionalised<br />

connective adjunct, such as Well . . ., Now . . ., Oh . . ., So . . ., Right . . ., functioning<br />

as discourse markers. Their role is double: they mark a new speaker’s turn in the<br />

conversation, and at the same time they mark the management of information, as well<br />

as the speaker’s attitude to the message. Well has a variety of meanings, signalled by<br />

intonation, ranging from decision to deliberation. Oh is a surprisal, indicating that the<br />

information received is contrary to expectations, or that the speaker is adjusting to<br />

the new information or perception. I mean, you see and you know regulate shared and<br />

unshared knowledge. Look and Hey are attention signals, while yes, yeah, no and nope<br />

are responses that can occur together with other markers. Here are some examples of<br />

discourse markers in spoken <strong>English</strong>:<br />

Oh my coffee’s gone cold!<br />

It was dreadful! That shop.<br />

I’ve lost my keys!<br />

[BNC KCU]<br />

Oh, that’s supposed to be a good shop! [BNC KST]<br />

Well, what do you expect? You never put them away.<br />

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The semantic and textual functions of circumstantial, stance and connective adjuncts<br />

are described and illustrated in chapters 6 and 7, and – as realised by adverbs – in<br />

Chapter 11.<br />

Several of these markers, as well as stance and connective adjuncts, occur in the<br />

following extract from Alan Ayckbourn’s play Just Between Ourselves, in which Neil<br />

comes to Dennis’s house to inspect a car for sale.<br />

Dennis:<br />

Neil:<br />

Dennis:<br />

Neil:<br />

Dennis:<br />

It’s the pilot light, you see. It’s in a cross draught. It’s very badly sited, that stove.<br />

They should never have put it there. I’m planning to move it. Right, now. 1 You’ve<br />

come about the car, haven’t you?<br />

That’s right.<br />

Well, 2 there she is. Have a look for yourself. That’s the one.<br />

Ah.<br />

Now 3 I’ll tell you a little bit about it, shall I? Bit of history. Number one, 4 it’s not<br />

my car. It’s the wife’s. However, 5 now 6 before you say ah-ah – woman driver,<br />

she’s been very careful with it. Never had a single accident in it, touch wood.<br />

SKELETON: CLAUSE STRUCTURE 75


Well 7 , I mean 8 look 9 , you can see hardly a scratch on it. Considering the age 10 .<br />

To be perfectly honest 11 , just between ourselves 12 , she’s a better driver than me<br />

– when she puts her mind to it. I mean 13 , look 14 considering it’s what now –<br />

seven – nearly eight years old. 15 Just look for yourself at that body work.<br />

Neil: Yes, Yes 16 .<br />

1<br />

marker/connective; 2 connective; 3 connective; 4 connective; 5 connective; 6 connective;<br />

7<br />

marker; 8 marker, 9 attention signal; 10 stance; 11 stance; 12 marker; 13 stance; 14 attention<br />

signal; 15 stance; 16 response signal.<br />

FURTHER READING<br />

Biber et al. (1999); Fawcett (2000); Greenbaum and Quirk (1990); Halliday (1994);<br />

Huddleston and Pullum (2002); Quirk et al. (1985); Schiffrin (1987); Thompson (2002);<br />

Surely as a stance marker: Downing (2001); Downing (2005).<br />

EXERCISES ON CHAPTER 2<br />

The skeleton of the message: Introduction to clause structure<br />

Module 4<br />

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1 †Bracket the non-essential constituent(s) in each of the following clauses<br />

(1) Many of the houses must have disappeared since my father’s day,<br />

(2) I explained briefly to Mrs Davies that there was a power cut.<br />

(3) It seemed a good idea at the time.<br />

(4) The war lasted more than forty years.<br />

(5) I felt my face turn red.<br />

(6) Somebody snatched my bag in the park.<br />

(7) Before the fall of the Berlin Wall, spying practically dominated the political life of<br />

that capital.<br />

(8) I’ll just put something in the microwave.<br />

(9) The telephone began to ring insistently at six o’clock on a cold November day.<br />

(10) Arsenal became League champions for the fifth time on Monday.<br />

Module 5<br />

1 †Check the criteria for identifying Subject. Then read the text about Monte Carlo in 5.1.2<br />

(p. 45). Which of the criteria for Subject are clearly fulfilled? Which do not occur at all?<br />

Add some question tags and note the pronominal forms that occur.<br />

76 ENGLISH GRAMMAR


2 †Identify the constituent that realises Subject function in each of the following clauses:<br />

(1) The use of caves for smuggling is as old as the hills.<br />

(2) There were about half a dozen men seated in the bar.<br />

(3) The light of a torch flickered.<br />

(4) What the critics failed to understand is that his art was not sacrificed to popularity.<br />

(5) The list of people who she says helped her is long.<br />

(6) It was my great good fortune to meet him before he died.<br />

(7) Run like mad was what we did.<br />

(8) It makes sense to tell the neighbours you are going away on holiday.<br />

(9) It is sometimes argued that there is no real progress.<br />

(10) Reading in a poor light is bad for your eyes.<br />

3 †Extrapose the Subject in the following clauses. Start with ‘It . . .:<br />

(1) That Pam is seeking a divorce surprised us.<br />

(2) To leave without saying goodbye was bad manners, really.<br />

(3) Who she goes out with doesn’t interest me.<br />

(4) For such a man to succeed in the world of politics requires a lot of nerve.<br />

(5) That recognising syntactic categories at first sight is not easy is obvious.<br />

4 Read the passage on the Valley of the Kings in 5.2 (p. 49). Underline the words that realise<br />

the Predicator function and say which are finite and which non-finite.<br />

Module 6<br />

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1a †Identify the constituent which functions as Direct Object in each of the following clauses,<br />

and the class of unit which realises this function.<br />

(1) I’ve lived most of my life in the country.<br />

(2) He banged the door shut as he went out.<br />

(3) He pointed out that foreign doctors were not permitted to practise in that country.<br />

(4) The negotiations have achieved very little.<br />

(5) She lacks discretion.<br />

(6) A team of divers have discovered what they believe to be sunken treasure.<br />

(7) He considers it unlikely that the money will be refunded<br />

(8) One doubts that many will survive the long trek over the mountains.<br />

(9) You might ask what is the use of all this.<br />

(10) He shovelled a ton of gravel into the back garden.<br />

1b Discuss these realisations from the point of view of their prototypicality as Od.<br />

2 Turn to the text ‘Fire Threat to Apes’ at the end of 6.1.2 (p. 54), where you will find the<br />

Subjects and Direct Objects in italics.<br />

a †Identify them by S and O respectively, and state the type of realisation in each case.<br />

SKELETON: CLAUSE STRUCTURE 77


. †Comment on the relative length and ‘heaviness’ of the units. Which are heavier in general<br />

– those of S or O? What is the subject in 5 ? Is the Subject of 8 a dummy or, if not, what is<br />

it referring to?<br />

3 †Which of the following clauses contain a constituent that functions as Recipient Indirect<br />

Object, and which contain a Beneficiary Indirect Object? Apply the passivisation and<br />

prepositional tests to distinguish between the two:<br />

(1) They did not give the leaders time to establish contact.<br />

(2) Why should I write him his French essays?<br />

(3) I am going to get myself another coffee.<br />

(4) Can I get you girls anything?<br />

(5) He is offering us a chance in a million.<br />

(6) Can you give me a lift as far as the station?<br />

(7) You owe me 7 Euros for that pair of tights from the Sock Shop.<br />

(8) She has bought her boy-friend a butterfly pillow to use on long flights.<br />

4 †Applying the criteria discussed in 6.4, identify the phrasal verbs, prepositional verbs and<br />

phrasal-prepositional verbs in the following clauses:<br />

(1) Does it put you off to enter a room and find everyone staring at you?<br />

(2) They don’t approve of what we are doing.<br />

(3) Is that the time? I’d better get back.<br />

(4) A burglar could not easily break into this house.<br />

(5) So he didn’t turn up after all at McDonald’s?<br />

(6) His work-mates are always getting at him, he says.<br />

(7) Things don’t always come up to our expectations.<br />

(8) This is our stop. We get off here.<br />

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5a †Sort the following examples according to whether they contain Op or Adjunct:<br />

a. She ran through the film script. c. You can see through the trees<br />

b. She ran through the streets. d. You can see through his excuses.<br />

5b †Why is *Up large bills she ran ungrammatical while Up the stairs she ran is acceptable?<br />

5c<br />

†She decided on the bus is ambiguous. Explain the two readings, adding material if<br />

necessary.<br />

5d †For the following sequences provide an ellipted version consisting of verb + adverb:<br />

He rode out of the courtyard.<br />

We swam across the lake.<br />

They jumped over the fence.<br />

Get into the car, all of you!<br />

6 Read again the passage from Three Men in a Boat in section 6.4.3 (p. 63). Identify the<br />

italicised sequences. Say whether the verb + adverb combinations are transitive or<br />

intransitive. Try to find one-word lexical equivalents for these. Do they give the same flavour<br />

and informality as the phrasal verbs? Discuss possible alternative analyses for 2, 3 and 4.<br />

78 ENGLISH GRAMMAR


Module 7<br />

1 †Identify the types of Complement (Subject, Object) in each of the following clauses and<br />

state the class of unit which realises each of these.<br />

(1) Acting is not very hard. The most important things are to be able to laugh and to<br />

cry (Glenda Jackson in The Times).<br />

(2) They must prove themselves fit for the task.<br />

(3) Spying on firms has become a multi-million pound industry.<br />

(4) What will they call the baby?<br />

(5) Life is a series of accidents. That’s what he thinks.<br />

(6) He made his films accessible to a wide public.<br />

(7) The weather has turned unexpectedly cold.<br />

(8) Video-games keep them happy for hours.<br />

(9) She looked utterly miserable.<br />

(10) Sweden has made it illegal for parents to smack their children.<br />

2a †The following short text on bike riding illustrates Complements. Underline the part of<br />

each numbered unit which realises an obligatory Complement and state whether it is Cs,<br />

Co, Locative/Goal or any other type:<br />

Cyclists are not only healthy 1 – they are smart. 2 Bike riding is one of the most efficient<br />

ways of getting about. 3 When comparing the energy expended with speed and<br />

distance covered, even the rustiest two-wheeler outstrips the hummingbird, the<br />

cheetah and the jumbo jet.<br />

There are an estimated 14 million bikes in Britain – with 5 million of them<br />

gathering dust in garages. A pity, because bicycles are so versatile as transport or<br />

for simple pleasure. 4<br />

While getting you to work, 5 a bicyle also gets you fit. 6 For every half an hour’s<br />

pedalling, a 150lb person burns up 300 calories. The heart and back leg muscles<br />

are strengthened – all while sitting down. Because the bodyweight is supported,<br />

cycling is effective exercise. 7<br />

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2b Write a paragraph in which you argue against the supposed benefits of cycling.<br />

Module 8<br />

1 †Distinguish between the different types of Adjunct (circumstantial, stance and connectives)<br />

in the clauses below:<br />

(1) He was chairman of the <strong>English</strong> Tourist Board for five years.<br />

(2) First, we booked the seats, then we went for dinner, and after that we took a taxi<br />

to the theatre.<br />

(3) The soldier allegedly crawled under the barbed wire to reach the arms depot.<br />

SKELETON: CLAUSE STRUCTURE 79


(4) Hopefully, student admissions will continue to rise.<br />

(5) Shaped like a spiral staircase, the ‘double helix’ of DNA continues to transform<br />

our understanding of the story of life.<br />

2 †Analyse the constituents following the verb find in these two clauses:<br />

(1) The police found the gang’s hide-out without much difficulty.<br />

(2) The police found the gang’s hide-out more elaborately equipped with technology<br />

than they had expected.<br />

3 †In the following extract from Kathleen Mayes’ Beat Jet Lag, mark each constituent of the<br />

clauses with |. Then give (a) the function, and (b) the class of unit which realises the function:<br />

The sun never sets on the tourist empire. But travel pictures, business contracts and<br />

sports programmes don’t tell the full story: getting there may be no fun at all. Aircraft<br />

perform flawlessly, but what happens to passengers, flight crews and cabin staff?<br />

Jet lag. A mass phenomenon, almost as universal as the common cold.<br />

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80 ENGLISH GRAMMAR


THE DEVELOPMENT OF CHAPTER 3<br />

THE MESSAGE<br />

Complementation of the verb<br />

INTRODUCTION: MAJOR COMPLEMENTATION PATTERNS<br />

AND VALENCY 83<br />

Module 9: Intransitive and copular patterns 85<br />

9.1 Subject – Predicator 85<br />

9.2 Subject – Predicator – Locative Complement 86<br />

9.2.1 Pragmatic inference of circumstantial meanings 86<br />

9.3 Subject – Predicator – Adjunct 87<br />

9.4 Subject – Predicator – Complement of the Subject 88<br />

9.4.1 Verbs of being and becoming 88<br />

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9.4.2 Other linking verbs 88<br />

Module 10: Transitive patterns 90<br />

10.1 Subject – Predicator – Direct Object 90<br />

10.2 Verbs used transitively and intransitively 91<br />

10.3 Subject – Predicator – Prepositional Object 91<br />

10.4 Subject – Predicator – Indirect Object – Direct Object 92<br />

10.4.1 Verbs of transfer and intended transfer 92<br />

10.4.2 Less prototypical three-place verbs 94<br />

10.5 Subject – Predicator – Direct Object – Prepositional Object 95<br />

10.6 Frame, perspective and attention 96<br />

10.7 Subject – Predicator – Direct Object – Object Complement 97<br />

10.7.1 Current and Resulting Attributes 97<br />

10.8 Subject – Predicator – Direct Object – Locative Complement 99<br />

Module 11: Complementation by finite clauses 100<br />

11.1 Meanings and patterns of that-clause complements 102<br />

11.1.1 Verb + that-clause 102


11.1.2 Dropping or retaining the complementiser that 103<br />

11.1.3 Verb + NG + that-clause 104<br />

11.2 Say and tell 105<br />

11.3 Meanings and patterns of wh-clause complements 105<br />

11.3.1 Indirect interrogatives 105<br />

11.3.2 Nominal relatives 106<br />

11.3.3 Non-finite variants 106<br />

11.3.4 Indirect exclamatives 107<br />

Module 12: Complementation by non-finite clauses 108<br />

12.1 Catenative complements 108<br />

12.2 Meanings expressed by to-infinitive clauses 109<br />

12.2.1 Type 1: V + to-infinitive 109<br />

12.2.2 Type 2: V + NG + to-infinitive clause with subject 110<br />

12.2.3 Type 3: V + NG + to-infinitive 110<br />

12.3 Meanings expressed by bare infinitive clauses 111<br />

12.3.1 Type 4: V + NG + bare infinitive 111<br />

12.4 Meanings expressed by -ing clauses 112<br />

12.4.1 Type 5: V + -ing clause 112<br />

12.4.2 Type 6: V + NG + -ing clause 112<br />

12.4.3 Potential and factual meanings contrasted: to-infinitive and -ing clauses 113<br />

12.5 Past participial clauses 113<br />

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12.5.1 Type 7: V + NG + -en clause 113<br />

Summary of major verb complementation patterns 114<br />

Further reading 116<br />

Exercises 116


INTRODUCTION:<br />

AND VALENCY<br />

MAJOR COMPLEMENTATION PATTERNS<br />

Complementation of the verb refers to the syntactic patterns made up by configurations<br />

of the clause elements that we examined individually in the previous chapter. Each<br />

pattern contains a Subject and a Predicator. The number and type of other elements in<br />

each pattern is determined by the verb, as we saw in Chapter 2. Complementation of<br />

the verb is a very rich and complex area of <strong>English</strong> grammar.<br />

The aim here is to outline as simply as possible the main choices open to speakers<br />

from the standpoint of the verb. Choices are, however, balanced by requirements.<br />

Certain verbs in <strong>English</strong> may not admit a pattern, or a realisation of a pattern, that is<br />

perfectly normal in another language.<br />

There are three main types of complementation: intransitive, copular and transitive.<br />

The transitive has three sub-types.<br />

Type of complementation Structural pattern Illustration<br />

Intransitive S-P Ted laughed<br />

Copular S-P-C The idea is crazy<br />

Transitive<br />

Monotransitive S-P-O He bought a video<br />

Ditransitive S-P-O-O He gave Jo the video<br />

Complex-transitive S-P-O-C I find the idea crazy<br />

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The number of verbs in common use in <strong>English</strong> is very large, especially in certain<br />

constructions, such as the monotransitive. In addition, many verbs – especially those<br />

of general meaning, such as get, turn and make – admit more than one type of<br />

complementation, each of which reflects a different type of situation. Make, for instance,<br />

can enter into all but intransitive patterns:<br />

I’ll make some tea.<br />

I’ll make you a pizza.<br />

He made the coffee too strong.<br />

They make a good couple.<br />

It makes for good relations.<br />

SPOd<br />

SPOiOd<br />

SPOdCo<br />

SPCs<br />

SPOp<br />

The potential number of participants, including the subject – that is, the number of<br />

‘places’ in the clause that the verb controls – is sometimes referred to as its semantic<br />

valency. Different classes of verbs have different semantic valencies. The verb eat, for<br />

example, is a two-place verb: it has a semantic valency of two, because in any event<br />

of eating there must be an eater and a thing eaten. There are one-place verbs, which<br />

have a subject only, belonging in principle to the SP pattern. Two-place verbs have a<br />

subject and one other element, as in the SPC and SPO patterns. Three-place verbs have<br />

a subject and two other elements as in the SPOO and SPOC patterns. Syntactic valency<br />

DEVELOPMENT: VERB COMPLEMENTS 83


efers to the number of nominal elements present in any given clause that have a direct<br />

grammatical relation to the verb. In The lions ate away at their prey, there is one nominal<br />

element, as their prey does not have a direct grammatical relation to the verb. Syntactic<br />

valency often corresponds to its semantic valency, but not always. Weather verbs such<br />

as rain and snow, for instance, have no semantic participant and so have a semantic<br />

valency of zero. As finite clauses in <strong>English</strong> require a subject, however, dummy it is used<br />

with such verbs, giving a syntactic valency of 1. Valency is reduced when one or more<br />

elements are omitted in use. For instance, eat has a semantic valency of 2 as in He ate<br />

an orange; the valency is reduced to 1 in What time do you eat here?<br />

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84 ENGLISH GRAMMAR


INTRANSITIVE AND MODULE 9<br />

COPULAR PATTERNS<br />

SUMMARY<br />

1 Where there is no complementation the verb is said to be intransitive. The<br />

structure is S-P. Some verbs are always intransitive (arrive, snow, blink, vanish).<br />

Others represent intransitive uses of basically transitive verbs (eat, drive, read).<br />

2 Some intransitive verbs, particularly those of position (live, lie) or movement<br />

(go, walk), usually require a Locative or Goal Complement, respectively.<br />

3 Locative Adjuncts are commonly present but not necessarily required after many<br />

verbs such as work, arrive, retire and stop. Locative and other circumstantial<br />

information is often pragmatically inferred in discourse.<br />

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4 The S-P-Cs pattern contains a copular verb that links the subject to a Complement<br />

encoding what the subject is or becomes. The most typical copula is be. Other<br />

verbs used as copulas in <strong>English</strong> provide additional meaning to the mere linking.<br />

This may be sensory (look, feel, smell, sound, taste) or refer to a process of<br />

becoming (become, get, go, grow, turn). The notion of ‘being’ also includes<br />

being in a place, expressed by a circumstantial locative Complement, as we<br />

saw in 8.2.3.<br />

9.1 SUBJECT – PREDICATOR<br />

This pattern contains a one-place verb such as sneeze, which has a subject but no<br />

complement. We distinguish the following types of intransitive verb:<br />

• verbs of behaviour which is typically involuntary or semi-voluntary: laugh, smile,<br />

cry, blink, blush, cough, sneeze, sigh, tremble, yawn; wait, stay; die, collapse, faint, fall,<br />

(They all laughed, someone yawned, one soldier fainted.)<br />

• verbs of weather: rain, snow (It’s raining. It’s snowing. The sun rose.)<br />

• verbs of occurrence: appear, disappear, go, come, arrive, depart, vanish, fade,<br />

happen:<br />

DEVELOPMENT: VERB COMPLEMENTS 85


Has everyone arrived?<br />

Hopes of avoiding war are now fading.<br />

• idiomatic intransitive phrasal verbs such as crop up as in a problem has cropped<br />

up, where there is no verb ‘crop’ of the same meaning (see 6.4.2). By contrast, with<br />

free combinations of verb + particle used literally as in the bird flew away, the particle<br />

is analysed as a directional Complement (6.4.2 and 9.2). Opinions differ in this<br />

respect, however, some preferring Adjunct in the case of free combinations.<br />

Note that some of these ‘pure intransitives’ can also function in other structures, as we<br />

shall see later on.<br />

9.2. SUBJECT–PREDICATOR–LOCATIVE COMPLEMENT (C loc<br />

)<br />

Other intransitives of the following types typically require a Complement of place,<br />

direction or destination to complete their meaning. Location in space is extended<br />

to include location in time (see also 10.8 for certain transitive verbs with similar<br />

requirements):<br />

• Location in place or time: be, stand, live, lie, remain<br />

• Movement + manner of movement: walk, run, stroll, crawl, fly<br />

The National Theatre stands near the river.<br />

The amusement park is just over there<br />

She is lying in a hammock.<br />

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Lunch was at one o’clock.<br />

We walked home.<br />

The soldier crawled under the wire fence.<br />

We can compare this verb lie, meaning to be in a prone position, with lie, a ‘pure’<br />

intransitive, meaning to tell lies: He is lying in a hammock vs He is lying.<br />

We can also contrast uses of the same verb, such as run, which can occur either as<br />

a pure intransitive in the answer to How does Tom keep fit? – He runs, or with a Goal<br />

Complement in He runs to the bus-stop every morning (see 8.2.3).<br />

Note that, for brevity, the term C loc<br />

is used to encompass both Locative and Goal<br />

meanings.<br />

9.2.1 Pragmatic inference of circumstantial meanings<br />

Similarly, other verbs of position, such as wait and stay, and verbs of movement such<br />

as go, leave, come and walk can either function as pure intransitives or be followed by a<br />

Locative/Goal Complement. The choice depends to a great extent on whether there is<br />

sufficient support from the context to sustain the intransitive. For example, if a contrast<br />

is being made – as in Do you want to leave or would you rather stay? – the intransitive verb<br />

alone is sufficient, because the location is pragmatically inferred as being the place where<br />

86 ENGLISH GRAMMAR


the addressee is. Similarly, in You can either take the bus or walk, the destination is<br />

obviously known from the context, and a suitable reply would be ‘I’ll walk’.<br />

However, if the location or destination are not inferrable, a locative or Goal<br />

Complement becomes necessary as in We went home. Without the specification ‘home’,<br />

the verb would carry insufficient semantic ‘weight’ and informativeness to complete the<br />

predicate.<br />

Complements are more tightly integrated than Adjuncts, the tightest being the Subject<br />

and Object complements following copular verbs (see 9.4; 10.7).<br />

9.3 SUBJECT – PREDICATOR – ADJUNCT<br />

With other verbs such as work, arrive, retire, stop a circumstantial Adjunct is commonly<br />

added, but it is not a requirement because the verb has sufficient weight in itself.<br />

This may be for cultural reasons, for example, work being interpreted as ‘have a job’ (1b<br />

below), retire as ‘retire from employment’ (3b), or because of the aspectual meanings<br />

conferred by the perfect (3b, 4b) and progressive (2b) aspects, which lend ‘weight’<br />

to the verb (see 43.3). Compare:<br />

S-P-A<br />

S-P<br />

1a Tom works in London. 1b Does his sister Priscilla work?<br />

2a We arrived late. 2b The guests are arriving.<br />

3a He retired last year. 3b He has retired.<br />

4a We stopped at the Equator. 4b The clock has stopped.<br />

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The following extract from a war correspondent’s records illustrates similar choices:<br />

Real travelling, of course, is done the hard way. Planes merely get you to the general<br />

area; 1 to penetrate to the difficult places 2 you have to go by four-wheel drive or by<br />

horse or by boat. Or you can walk. 3<br />

It is the expeditions that stand out 4 most in the memory: being driven 5 across the<br />

North African desert by bedouin who relied on the sky and the look of the sand<br />

dunes rather than instruments, and who arrived 6 at precisely the right place at<br />

precisely the time they had promised; or heading 7 out from Yekaterinburg, the former<br />

Sverdlovsk, to visit Boris Yeltsin’s home village of Butka, on a morning so cold that<br />

the road was a slick ribbon of ice and the driver had to peer 8 through the strip of<br />

clarity two inches thick on the windscreen; or leaving the Ugandan capital Kampala<br />

to drive 9 into Rwanda, stopping 10 at the Equator to take photographs of ourselves,<br />

and shredding three tyres along the way; or hiring a marvellously colourful bus which<br />

drove us to the nastiest and most frightening of the Peruvian drugs towns in relative<br />

safety, because it never occurred to the drug dealers or their allies, the military, that<br />

we would arrive 11 in this fashion.<br />

(John Simpson, It’s a Mad World, My Masters) (see exercise, p. 117).<br />

DEVELOPMENT: VERB COMPLEMENTS 87


9.4 SUBJECT – PREDICATOR – COMPLEMENT OF THE SUBJECT<br />

Copular verbs link the subject with a complement which characterises or identifies the<br />

subject referent:<br />

A couch potato (S) is (P) someone who lies watching television all day (Cs).<br />

This new game (S) is (P) incredibly simple and endlessly gripping (Cs).<br />

The most prototypical copular verb is be, which can be followed by a wide range of<br />

adjectives and NGs. Others, such as remain, keep, taste, smell, sound, fall, feel, come, grow<br />

and turn, are followed by a more limited range of adjectives which are often specific to<br />

a particular verb, as illustrated below.<br />

9.4.1 Verbs of being and becoming<br />

Verbs of being are stative and introduce current or existing attributes:<br />

The reason is simple.<br />

Lloyd George was a man of principle but he was also intensely pragmatic.<br />

We have to remain optimistic about the future.<br />

Will you keep still!<br />

Verbs of becoming are dynamic and introduce resulting attributes. In addition, grow<br />

suggests gradual change, while go is used to indicate drastic changes:<br />

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Her latest novel has become a best-seller.<br />

We began to grow uneasy when the skin-diver didn’t appear.<br />

His face went white.<br />

An adjective functioning as Cs may have its own to-infinitive clause complement (we<br />

are anxious to hear from you; glad to hear the good news). The various meanings expressed<br />

by such complements are explained in 53.1.2. Here are some typical combinations of<br />

verb + adjective, current and resulting:<br />

Current<br />

be careful<br />

seem annoyed<br />

look cheerful<br />

sound familiar<br />

smell spicy<br />

Resulting<br />

become dangerous<br />

get stressed<br />

turn nasty<br />

prove unsatisfactory<br />

go wild<br />

9.4.2 Other linking verbs<br />

A small number of verbs that are normally used without a complement (fall, come, run)<br />

can function as copulas with specific adjectives as Cs:<br />

88 ENGLISH GRAMMAR


The child fell flat on its face.<br />

The soldiers all fell asleep/ fell ill.<br />

The label has come unstuck.<br />

As be predicts not only being something but being somewhere, it can also link the subject<br />

to a circumstance, usually of position, place or time. The Complement is then identified<br />

as C loc<br />

, as described in 4.2 and 9.2.<br />

The following extract from an interview in the Sunday Times Magazine gives an idea<br />

of how the verb and its complements contribute to the expression of interpersonal<br />

relations in a text. The young person interviewed is Kirsty Ackland, the daughter of an<br />

actor. The structures she chooses help to express the meanings she wants to convey.<br />

When she describes herself or another person she uses copular complementation. When<br />

she describes the interaction between herself and her actor father, or between herself<br />

and her school-friends, she uses ditransitive complementation.<br />

Until I was about 13, 1 when I became terribly shy, 2 I was absolutely desperate to be<br />

an actress. 3 My sister Sammy and I would beg Dad to 4 let us go to drama school 5<br />

but there was no way he would allow it 6 until we’d been educated. I went to Putney<br />

High School. 7 I was the only one in the family 8 who didn’t get a scholarship. 9 Dad<br />

turned up 10 for parents’ evenings and things like that but he never helped 11 with the<br />

homework. I used to help him. 12 I loved hearing his lines. 13 But I never told anyone 14<br />

I was the daughter of an actor. 15 Most of the fathers of the girls at school were<br />

‘something in the City’ and I pretended Dad was an interior decorator. 16<br />

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1<br />

copular (state); 2 copular (becoming); 3 copular (state); 4 ditransitive + Od + let +<br />

inf.clause; 5 ditransitive vb + Od +clause; 6 monotransitive + situation; 7 intransitive +<br />

C loc<br />

; 8 copular, state, identifying; 9 monotransitive + thing; 10 intransitive; 11 transitive<br />

(Od unexpressed); 12 monotransitive + Od; 13 monotransitive + situation; 14 ditransitive;<br />

15 copular (state); 16 object (that)-clause of fact<br />

DEVELOPMENT: VERB COMPLEMENTS 89


TRANSITIVE PATTERNS MODULE 10<br />

SUMMARY<br />

1 Monotransitive patterns contain a two place verb (carry, say) and have one<br />

Object. The Object is a Direct Object or a Prepositional Object. Objects, like<br />

Subjects, most typically represent an entity (a person or thing), less typically a<br />

fact or a situation within the main situation. Entities are typically realised by<br />

group structures, facts and situations by clauses. We will postpone the discussion<br />

of clausal realisations to Module 11.<br />

2 Ditransitive patterns contain a three-place verb (give, offer, rob, blame).<br />

Semantically, they express situations in which three participants are involved,<br />

encoded syntactically as the subject and the two objects. There are two main<br />

patterns.<br />

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3 One pattern contains a verb such as give, send, owe, which takes two Objects,<br />

Indirect and Direct, sequenced in that order (give Jo a copy), each of which<br />

can potentially become subject in a passive clause.<br />

4 The second pattern, with verbs such as remind and rob, takes a Direct Object<br />

followed by a Prepositional Object whose preposition is controlled by the verb<br />

(It reminds me of Italy). Only the Direct Object can become subject in a passive<br />

clause.<br />

5 The complex-transitive pattern has one Object and one Complement, after<br />

verbs such as appoint, name and find.<br />

10.1 SUBJECT – PREDICATOR – DIRECT OBJECT<br />

Verbs which take a direct object are very numerous and of different semantic types<br />

(carry the luggage, know the answer, feel the heat of the flames, enjoy the film, want a<br />

copy). The semantic types are described in Chapter 4.<br />

90 ENGLISH GRAMMAR


I (S) ate (P) a toasted cheese sandwich (Od) [for lunch today A]<br />

She was wearing one of her father’s extra-large T-shirts.<br />

They don’t watch kids’ TV programmes.<br />

We must put away all this stuff.<br />

10.2 VERBS USED TRANSITIVELY AND INTRANSITIVELY<br />

Many verbs in <strong>English</strong> are used both transitively and intransitively with the same<br />

meaning. They include several types:<br />

1 Verbs with an implied Object, such as smoke (cigarettes), drive (a car), park (a car),<br />

drink (alcohol), save (money), wave (one’s hand), as in Do you smoke? He doesn’t drive.<br />

Such intransitive uses can be considered as instances of valency reduction, that is<br />

the normal valency of two of these verbs is reduced to one. As these reductions are<br />

based on cultural schemas and tend to have an implication of habituality, they are<br />

not extended to other object referents such as wave a flag, drink milk. With certain<br />

verbs such as read, write, eat and teach the deleted direct object is not specific, and<br />

is perhaps unknown, as in He teaches and she writes.<br />

Drinking and driving don’t match.<br />

It is impossible to park in the city centre.<br />

They are saving to buy a house.<br />

He waved to us from the bridge.<br />

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2 Causatives with an intransitive counterpart, constituting an ergative pair<br />

(see Chapter 4):<br />

He opened the door. (SPOd)<br />

The camera clicked.<br />

The door opened. (SP)<br />

She clicked the camera.<br />

3 Verbs with a reflexive meaning:<br />

He shaved (himself), She dressed (herself).<br />

4 Verbs with a reciprocal meaning:<br />

Tom and Jo met at a concert. (met each other)<br />

10.3 SUBJECT – PREDICATOR – PREPOSITIONAL OBJECT<br />

Verbs which take a Prepositional Object are: prepositional verbs such as see + to,<br />

deal + with (see to the plane tickets, deal with an emergency), phrasal prepositional verbs<br />

DEVELOPMENT: VERB COMPLEMENTS 91


such as run out of (run out of petrol), and multi-word combinations that end in a<br />

preposition, such as get rid of (get rid of old newspapers). The criteria for distinguishing<br />

these verbs from phrasal verbs are discussed in Chapter 2.<br />

Here is a short list of some common verbs followed by a preposition. Certain verbs,<br />

such as think and hear, control more than one preposition with a slight difference of<br />

meaning.<br />

Common verbs that can be followed by a preposition<br />

for on to at with in of after<br />

account bank admit aim deal believe dispose look<br />

allow call consent get reason confide think take<br />

hope count keep hint hear<br />

long rely refer look<br />

look<br />

resort<br />

The Prime Minister (S) can’t account (P) for the loss of votes(Op).<br />

We’re banking on everyone’s support for the rally.<br />

He would never resort to cheating.<br />

What are you hinting at?<br />

10.4 SUBJECT – PREDICATOR – INDIRECT OBJECT – DIRECT<br />

OBJECT<br />

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There are two main types of ditransitive complementation: the basic type, in which an<br />

Indirect Object is followed by a Direct Object, illustrated here, and another, in which a<br />

Direct Object is followed by a prepositional Object. The first is discussed now, the<br />

second in 10.5.<br />

10.4.1 Verbs of transfer (give, lend ) and intended transfer<br />

(buy, get)<br />

Types: I gave her a present I got her a present<br />

This is the basic ditransitive pattern. Three-place verbs like give have a subject and two<br />

Objects, representing the transfer of goods or information from one person to another.<br />

They also include speech act verbs such as ‘offer’ and ‘promise’. Here are some more<br />

verbs like give:<br />

hand lend offer owe pass promise read send show teach throw write<br />

He showed the policeman his driving licence. (He showed his driving licence to the<br />

policeman.)<br />

92 ENGLISH GRAMMAR


We are offering our clients a unique opportunity. ( ...to our clients)<br />

She owes several people large sums of money. ( . . . to several people)<br />

As the examples show, the indirect Object has a prepositional counterpart, the give<br />

type with to, the get type with for (I gave a present to her. I got/bought a present for her).<br />

The PP functions as a prepositional object.<br />

Verbs of intended transfer carry out a service for someone, or even a disservice, as<br />

in They set him a trap/They set a trap for him. Other verbs like get and buy include the<br />

following:<br />

book bring build buy cash cut fetch find leave spare keep make pour<br />

save<br />

Book me a sleeper on the night train. ( ...a sleeper for me)<br />

Will you call me a taxi, please? (. ..a taxi for me)<br />

He got us a very good discount. (. ..a good discount for us)<br />

With the ‘give’ type, two passives are usually possible:<br />

Active: I gave Jo a copy.<br />

Passive 1: Jo was given a copy. (Oi in active clause → S in passive clause)<br />

Passive 2: A copy was given to Jo. (Od in active clause → S in passive clause)<br />

?A copy was given Jo. (? Indicates divided acceptability)<br />

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The ‘first passive’ brings the Recipient participant to subject (Jo). The ‘second passive’<br />

brings the thing given to subject, followed by the Recipient as prepositional object<br />

(to Jo). The non-prepositional form A copy was given Jo, is considered ungrammatical<br />

by many speakers, but is accepted by others. Two orderings whose equivalents are<br />

acceptable in certain languages but which are ungrammatical in <strong>English</strong> are the<br />

following: *To Jo was given a copy and *To Jo it was given a copy.<br />

The difference between the two valid passive forms is a question of information<br />

packaging (see 29.1). They are useful alternatives when the active subject is not known<br />

or is not important in the discourse, as can be seen in the following extract from an<br />

article in Time magazine under the heading ‘Education: doing bad and feeling good’:<br />

A standardized math test was given to 13-year-olds in six countries last year.<br />

Koreans did the best, Americans did the worst, coming in behind Spain, Britain,<br />

Ireland and Canada. Now the bad news. Besides being shown triangles and<br />

equations, the kids were shown the statement ‘I am good at mathematics’. Koreans<br />

came last in this category. Only 23% answered yes. Americans were No. 1, with an<br />

impressive 68% in agreement.<br />

DEVELOPMENT: VERB COMPLEMENTS 93


American students may not know their math, but they have evidently absorbed<br />

the lessons of the newly fashionable self-esteem curriculum wherein kids are taught<br />

to feel good about themselves . . . Judging by the international math test, . . . kids<br />

already feel exceedingly good about doing bad.<br />

Note that certain ditransitive verbs such as send are often used with a directional<br />

meaning encoded as Goal Complement (C loc<br />

): They sent their children to boarding-school.<br />

There is no non-prepositional counterpart of a Goal Complement as there is with send<br />

+ Oi + Od: Compare: They sent me a postcard with *They sent boarding-school their children.<br />

The latter is ungrammatical.<br />

10.4.2 Less prototypical three-place verbs<br />

There is a good deal of variation in ditransitive verbs. Not all verbs display the alternative<br />

structures of those listed in 10.4.1. Here are just a few of the most common variants:<br />

Type: explain + NG + Prepositional Object<br />

to us<br />

He explained the problem<br />

Typical verbs are: announce, confess, deliver, mention, return and say. There is no<br />

corresponding structure with the Oi in its usual place: *He explained us the problem. That<br />

is, these verbs take only the oblique, that is, prepositional object as a second object.<br />

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What did she say to you?<br />

I never mentioned your name to anyone.<br />

Type: wish + NG + NG<br />

We wish you luck<br />

Other verbs: allow, cost, wish, refuse and ‘light’ uses of give (see 20.2).<br />

These verbs have no prepositional counterpart with to. Note that the starred counterparts<br />

on the right are ungrammatical. Ask something of someone is sometimes possible,<br />

however.<br />

They allow everyone a ten-minute break.<br />

He gave the door a push.<br />

Let’s ask someone the way.<br />

*They allow a ten-minute break to<br />

everyone.<br />

*He gave a push to the door.<br />

*Let’s ask the way to someone.<br />

Many three-place verbs allow valency reduction from 3 to 2 when there is contextual<br />

support, as in He called a taxi, he got a discount, they blamed me, let’s ask the way.<br />

94 ENGLISH GRAMMAR


10.5 SUBJECT – PREDICATOR – DIRECT OBJECT –<br />

PREPOSITIONAL OBJECT<br />

Although predicted by the verb, the Op in this ditransitive pattern (e.g. It reminds me of<br />

you) is further away from the verb and less object-like than when the Prepositional<br />

Object is the only object in a clause. The NG (you) can’t be made subject in a passive<br />

clause. However, like other Objects, it encodes a participant that can be questioned by<br />

who 1, what 2 placed either before the preposition or, more usually, stranded (see 6.3.3).<br />

It can also occur in a wh-cleft 3:<br />

1 Who does it remind you of? (Of whom does it remind you?)<br />

2 What are you thanking me for? (For what are you thanking me?)<br />

3 What it reminds me of is Italy.<br />

In discourse, this element may be omitted when its referent is understood, as in They<br />

blamed me (for something already mentioned). The Direct Object is usually a person and<br />

the Op may be an entity or an event.<br />

Some of the verbs taking this construction are listed here according to preposition.<br />

Remember that a NG is placed between the verb and the preposition.<br />

Some verbs taking Prepositional Object as well as Direct Object<br />

for from of to with on<br />

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blame prevent accuse introduce charge blame<br />

thank protect convince compare compliment<br />

deprive help supply congratulate<br />

rob<br />

sentence<br />

S P Od Op<br />

This sunblock will protect your skin from the sun’s rays.<br />

They robbed her of her watch and jewels.<br />

They charged him with assault.<br />

I congratulated Janet on her success.<br />

Only the direct object constituent can become subject in the passive clause:<br />

Your skin will be protected from the sun’s rays.<br />

She was robbed of her watch and jewels.<br />

He was charged with assault.<br />

Janet was congratulated on her success.<br />

Blame, a three-place verb, admits two alternative constructions with different<br />

prepositions, which reflect the way the event is viewed in each case. The more central<br />

DEVELOPMENT: VERB COMPLEMENTS 95


of the two participants is placed first, as Od. In one version this is Jane; in the other the<br />

accident.<br />

blame someone (Od) for something (Op)<br />

blame something (Od) on someone (Op)<br />

He blamed Jane for the accident<br />

He blamed the accident on Jane.<br />

There are thus two passives – Jane was blamed for the accident, The accident was blamed<br />

on Jane – which centre respectively on ‘Jane’ and on ‘the accident’.<br />

Likewise, the NG following the preposition can be questioned by who or what (What<br />

was Jane blamed for? Who was the accident blamed on?).<br />

Other verbs that present a similar variation are supply, load and drain:<br />

We supply the school with paper (Op). We supply paper(Od) to the school (Op)<br />

They loaded the cart with hay. They loaded hay on to the cart. (C loc<br />

)<br />

They drained the pool of water. They drained water from the pool. (C loc<br />

)<br />

With load and drain the cognitive representation is rather different with each alternative.<br />

With the receptacle the cart and the pool as object, there is a notion of totality: the cart<br />

is completely full of hay, the pool completely drained of water. By contrast, with hay<br />

and water as object, there is an impression of partialness: some hay is loaded, some<br />

water is drained. If the definite article is used (the hay, the water), the implication is of<br />

totality.<br />

10.6 FRAME, PERSPECTIVE AND ATTENTION<br />

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The cognitive notion of frame allows us to conceptualise a situation from different<br />

perspectives. For instance, Fillmore’s ‘commercial event’ frame for [BUY] includes a<br />

reference to four other variables, namely to a BUYER, a SELLER, GOODS and MONEY.<br />

A syntactic pattern formulated from the perspective of the BUYER could be as follows:<br />

Tom bought some old CDs from Phil for twenty euros.<br />

In this sentence all four variables of the BUY frame are encoded linguistically, each filling<br />

a different syntactic function: the BUYER (Tom) as subject, the GOODS (the CDs) as<br />

direct object, the SELLER (Phil) as the first adjunct and the MONEY (for twenty euros)<br />

as the second adjunct. This distribution of syntactic functions is the syntactic perspective,<br />

which here is largely controlled by the choice of the verb BUY.<br />

Within the same frame, it would be easy to take a different perspective by choosing<br />

another related verb such as SELL, CHARGE or PAY. The verb sell perspectivises<br />

SELLER and GOODS as subject and object, charge also perspectivises the SELLER as<br />

subject but the BUYER as object, and pay perspectivises the BUYER and MONEY, with<br />

the SELLER as optional indirect object.<br />

Phil sold some old CDs to Tom for twenty euros.<br />

Phil charged Tom twenty euros for some of his old CDs.<br />

Tom paid Phil twenty euros for some old CDs.<br />

96 ENGLISH GRAMMAR


The notion of perspective draws on the cognitive ability to direct one’s attention.<br />

To a large degree, we conceptualise events in different ways according to what attracts<br />

our attention. As language users, we use the verb buy when describing a commercial<br />

event in order to draw attention to the BUYER and the GOODS, functioning as subject<br />

and object respectively. We use the verb sell to focus attention on the SELLER and the<br />

GOODS. By means of the frame we can even call up cognitive categories that had<br />

no prominence and were not expressed (though they were implied) in the frame itself,<br />

for instance SPEND and COST. These can be externalised in sentences such as the<br />

following:<br />

Tom spent twenty euros on some old CDs<br />

The old CDs cost Tom twenty euros.<br />

For complementation by clauses see modules 11 and 12.<br />

10.7 SUBJECT – PREDICATOR – DIRECT OBJECT – OBJECT<br />

COMPLEMENT<br />

SUMMARY<br />

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1 Three-place verbs with one Object and one Complement of the Object are called<br />

complex transitive. The Direct Object typically represents a person or thing, and<br />

the Object Complement adds information about this referent in the form of an<br />

attribute: I found the house empty, He got his shoes wet.<br />

2 The attribute is either current (as with find) or resulting (as with get).<br />

3 The participant encoded as direct object can typically be made subject in a<br />

corresponding passive clause.<br />

10.7.1 Current and Resulting Attributes – He got his shoes wet<br />

This three-place pattern is essentially an S-P-Od pattern with an attributive Object<br />

Complement added. As attribute the complement specifies the state or status of the Od<br />

referent in relation to the situation described by the verb. The attribute may be ‘current’,<br />

contemporaneous with the verb (He keeps the garden beautiful), or the result of the action<br />

denoted by the verb (They elected her Vice-President).<br />

Verbs that take a current attribute after the object are stative, and include:<br />

• verbs of causing to remain in a certain state such as hold and keep<br />

• verbs such as believe, consider, think, find, imagine, presume, hold<br />

DEVELOPMENT: VERB COMPLEMENTS 97


• verbs such as want, like and prefer<br />

Keep your hands steady!<br />

I imagined him much older.<br />

Do you want the roast chicken hot or cold?<br />

Verbs that take resulting attributes represent processes of doing, and include bake, drive<br />

(mad), get, leave, make, paint, turn, wipe as well as verbs of declaring, such as appoint,<br />

elect, call, name, declare, report and certify, which confer an official status.<br />

With AdjG Complement:<br />

It wipes the windscreen dry.<br />

That barking dog is driving me mad.<br />

The heat has turned the milk sour.<br />

Get your priorities right!<br />

They presumed her dead.<br />

With NG Complement:<br />

They elected her Vice-President.<br />

They appointed him Manager.<br />

The direct object referent in complex transitive structures can be made subject in a<br />

passive clause, which then has a S-P-Cs structure. In fact, with some verbs the passive<br />

is more common than the active, particularly when the Agent is unexpressed, as in she<br />

was presumed dead; he is reported missing; he was certified insane.<br />

With some verbs, the attribute is not essential to make a grammatical clause (It wipes<br />

the windscreen). This is because many verbs enter into more than one structure: wipe<br />

can function in a monotransitive structure (wipe the windscreen) or in a complex transitive<br />

structure (wipe the windscreen dry). Other examples which, without the complement,<br />

also fit the monotransitive structure include You’ve cut your hair (short); we got the books<br />

(cheap).<br />

A further type of attribute is that of respect. This is expressed by as + NG when<br />

introduced by such verbs as regard, refer to, write off, acclaim:<br />

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Churchill referred to him as an outstanding leader.<br />

Fans acclaimed the Rolling Stones’ concert as the event of the season.<br />

As a consequence of the multi-functionality of many verbs, examples can be invented<br />

in which one type of unit such as a NG can realise two different types of constituent:<br />

He called her an angel.<br />

He called her a taxi.<br />

I’ll make you First Secretary.<br />

I’ll make you an omelette.<br />

S-P-Od-Co<br />

S-P-Oi-Od<br />

S-P-Od-Co<br />

S-P-Oi-Od<br />

98 ENGLISH GRAMMAR


10.8 SUBJECT – PREDICATOR – DIRECT OBJECT –<br />

LOCATIVE COMPLEMENT<br />

Verbs such as put, place, stand, lead occur with a Locative/Goal Complement:<br />

I put the dish in the microwave.<br />

Stand the lamp near the desk.<br />

The track led us to a farm.<br />

Many other verbs such as talk, take, bring and show can be used in this way, while keep<br />

and hold can function with both Attributes and in Locative/Goal patterns.<br />

I didn’t want to go, but she talked me into it. (C loc<br />

)<br />

Keep your hands on the wheel! (C loc<br />

)<br />

Hold your head up! (C loc<br />

)<br />

Keep your hands steady! (Co)<br />

We hold you responsible. (Co)<br />

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DEVELOPMENT: VERB COMPLEMENTS 99


COMPLEMENTATION BY MODULE 11<br />

FINITE CLAUSES<br />

SUMMARY<br />

1 All clausal complements are determined by the verb. Many verbs admit more<br />

than one type of complementation.<br />

2 That-clauses form the largest group of finite clause complements and are<br />

controlled by transitive verbs. They are classed according to communicative<br />

function and meanings, which include facts, perceptions, reports and proposals.<br />

3 Wh-clause complements are of three types: a) indirect wh-interrogatives, b) whnominal<br />

clauses and c) indirect exclamatives. They occur after verbs such as<br />

a) ask, inquire b) advise, show, teach, tell, and c) say, tell, believe respectively.<br />

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4 Clausal complements can be considered non-prototypical realisations of<br />

clause constituents. In these sections, however, we concentrate mainly on the<br />

patterns.<br />

We saw in Chapter 2 that most elements of clause structure can be realised by<br />

a subordinate clause functioning as Subject, or Object, or as Complement of either the<br />

Subject or the Object. Such clauses are then said to be embedded, as in: The doctor<br />

knows that you are waiting.<br />

The whole clause (the doctor knows that you are waiting) in which the subordinate<br />

clause is embedded is called the superordinate clause, while the doctor knows is the<br />

matrix clause. The embedded clause, introduced by a complementiser (subordinator),<br />

functions as a non-prototypical direct object.<br />

The complementiser that has little semantic value and functions as introducer of an<br />

embedded clause. By contrast, a wh-word has meaning and functions as a constituent<br />

of the embedded clause, as in The doctor knows what you need.<br />

The main verb is said to determine or control the dependent clause. Adjectives and<br />

nouns can also control clausal complements, as in We are glad (that) you came after all<br />

(here in a SPCs structure) and He has the conviction that he is a great actor (SPOd)<br />

respectively, and these will be discussed in the relevant chapters. Here, the clauses will<br />

100 ENGLISH GRAMMAR


Clause<br />

Subject<br />

Predicate<br />

Predicator<br />

Direct Object<br />

NG VG wh- nominal clause<br />

Direct Object<br />

Subject<br />

Predicator<br />

The doctor<br />

knows<br />

what you need<br />

Main clause and embedded nominal wh-clause<br />

be discussed as realising Object and Complement functions (Cs and Co). Clauses<br />

fulfilling subject function were described in 5.1.2.<br />

The four main types of dependent complement clause are: that-clauses, wh-clauses,<br />

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to-infinitive clauses and -ing clauses. They are distinguished by their complementiser<br />

(subordinator) such as that or a wh-word, and by their own structure. They are shown<br />

here complementing monotransitive verbs.<br />

Clause as complement with monotransitive verbs<br />

finite that-clause:<br />

finite wh-clause:<br />

non-finite to-infinitive clause:<br />

without dep.cl subject<br />

with dep.cl. subject<br />

non-finite -ing clause:<br />

without dep. cl. subject<br />

with dep. cl. subject<br />

He believes that he’s right.<br />

He asked what I meant.<br />

He believed what I told him.<br />

I said how nice it was.<br />

He wants to stay.<br />

He wants us all to stay.<br />

He doesn’t like driving in fog<br />

He doesn’t like her driving in fog<br />

DEVELOPMENT: VERB COMPLEMENTS 101


That-clauses and wh-clauses are finite, having a subject and tense-modality features,<br />

while to-infinitive and -ing clauses are non-finite, and lack these distinctions. All of these<br />

types can be used to complement verbs and adjectives. Less versatile are the ‘bare’<br />

infinitive (He helped me carry the bags) and the -en participle clause, which occurs in the<br />

complex-transitive structure (I heard two shots fired). Non-finite complementation is<br />

discussed in Module 12.<br />

11.1 MEANINGS AND PATTERNS OF THAT-CLAUSE<br />

COMPLEMENTS<br />

A that-clause complement can be used to express factual or non-factual information<br />

which is reported, known, believed or perceived; it can be used to make proposals and<br />

suggestions and to describe situations that produce an emotive effect on the subject.<br />

The choice of verb combines with the meaning to determine the structural pattern.<br />

11.1.1 Verb + that-clause – I think it’s beautiful<br />

Facts, beliefs, doubts, perceptions – I believe you are right<br />

These meanings are expressed by a that-clause containing an indicative. This represents<br />

an indirect statement and follows verbs of certain types:<br />

• Verbs of cognition – knowing, doubting, perceiving – such as think, know, believe,<br />

imagine, see, doubt; with doubt, don’t know, the subordinator is if or whether.<br />

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We know that you have lived abroad for some time.<br />

He could see that she was not at all happy.<br />

I doubt/I don’t know if/whether we’ll get there before dark.<br />

• Verbs of expectation – expect, hope, suppose and wish – which refer to potential<br />

situations rather than facts, frequently take a modal auxiliary in the indicative thatclause.<br />

I expect (that) you would like something to drink after your journey.<br />

I suppose (that) he must have lost his way.<br />

For omission of complementiser that, see 11.2.<br />

Reports – Jo says she is ill<br />

Reports encode things that people have said. They are introduced by verbs of<br />

communicating, such as say, announce, answer, explain, mean, mention, report, and<br />

performatives such as admit and confess. Reports are treated in Chapter 7 under ‘indirect<br />

speech’.<br />

The Minister answered that he didn’t know.<br />

You never mentioned that you were married.<br />

102 ENGLISH GRAMMAR


Many of these verbs (but not answer) can take an optional prepositional object with to.<br />

This makes them appear ditransitive; however, an indirect object can’t be added in its<br />

usual place after the verb, as occurs in ditransitive clauses. Such verbs are therefore<br />

neither typical monotransitive nor typical ditransitive verbs:<br />

Let me explain the situation (to you).<br />

You never mentioned (to me) that<br />

you were married.<br />

*Let me explain you the situation.<br />

*You never mentioned me that you<br />

were married.<br />

In the systemic-functional approach, verbs such as think and say are said to ‘project’ a<br />

dependent, but not embedded, clause as a locution or as an idea, respectively. Locutions<br />

and ideas do not linguistically express the cognitive representation of reality as do<br />

verbs of seeing or doing, for example. Rather, they express ‘a representation of a<br />

representation’.<br />

Proposals – The party suggests he call/should call an election<br />

Verbs such as propose, suggest, recommend and demand aim at getting someone to<br />

do something. The meaning in the complement clause is therefore potential, for<br />

which many European languages require a subjunctive. <strong>English</strong> has traditionally two<br />

possibilities: an uninflected subjunctive (e.g. be), common in AmE, or should + infinitive,<br />

common in BrE. Both are illustrated in 1 and 2. The same choices are open before an<br />

it + adj construction. Illustrated here is a formal use:<br />

It is right that this House debate this issue and pass judgement. (PM Tony Blair in the<br />

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House of Commons, 18 March 2003)<br />

A third choice, adopted by some speakers, is the indicative, as illustrated in a news<br />

report 3:<br />

1 He demands that she pay/should pay him back.<br />

2 The chairman proposed that a vote be taken/ should be taken.<br />

3 They demand that he apologises to the Iraqi people.<br />

(For complementation by to-infinitive clause, see 12.2.)<br />

11.1.2 Dropping or retaining the complementiser that<br />

We can drop or retain the complementiser (or subordinator) that without affecting the<br />

meaning of the clause. However, certain factors appear to favour one choice or the<br />

other.<br />

Omission of that is favoured by the following factors:<br />

(a) when think or say is the main verb – I think it’s nice, Tim says it’s easy<br />

(b) when the subject refers to the same entity in the main clause and in the that-clause,<br />

as in Tim promised he’d do it<br />

DEVELOPMENT: VERB COMPLEMENTS 103


(c) when there is a pronoun rather than a noun head in the that-clause (I think I’ll have<br />

a cola, She knew he would do it)<br />

It has also been suggested that I think and I know, for example, are not main clauses<br />

at all, but are better analysed as epistemic, evidential or evaluative parentheticals,<br />

while what is traditionally classed as the complement clause in fact carries the main<br />

proposition. This view is based on two pieces of evidence: the verb + its subject can be<br />

placed parenthetically after the clause – I’ll have a cola, I think; He’ll do it, I know – and<br />

the tag-question relates to the complement clause, not to the main clause – I think she’ll<br />

have a cola, won’t she? (not *don’t I?).<br />

Retaining that after a verb is favoured by:<br />

(d) coordinated that-clauses: Many people believe that big is best and that war is right.<br />

(e) passive voice in the main clause: It is believed that peace is in sight.<br />

(f) a NG or PP (or clause containing a NG) placed between the main clause and the<br />

that-clause: Can you prove to the commission that the effects are not harmful?<br />

Overall, that is omitted most in informal spoken registers, which is where the ‘abc’<br />

factors tend to cluster, while the subordinator is retained most in formal written registers,<br />

which are characterised by the ‘def’ factors. These are not strict divisions, however,<br />

as even formal registers nowadays are often a mix of the formal and the less formal.<br />

The following short extracts from The Peacemakers and Girls Out Late, respectively,<br />

illustrate the tendencies:<br />

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People have often assumed that, because Lloyd George opposed the Boer War, he<br />

was not an imperialist. 1 On the contrary, he had always taken great pride in the<br />

empire but he had never thought it was being run properly. 2<br />

She said she thought he was a stupid little creep. 3 (see exercise 2 on p. 118)<br />

That-clauses do not follow prepositions in <strong>English</strong> and consequently cannot realise<br />

the Op function. Instead, one of three solutions is adopted: a) the preposition (e.g. on)<br />

is omitted; b) the preposition is retained and is followed by anticipatory it, or c) the fact<br />

can be inserted before a that-clause with a factual meaning:<br />

a. He insists that we all go.<br />

b. He insists on it that we all go.<br />

c. You must allow for the fact that they are handicapped.<br />

11.1.3 Verb + NG + that-clause – I told you I’d be late<br />

Many verbs of communicating (tell, inform), verbs of causing someone to think or believe<br />

or know something (convince, persuade, remind, teach), and the performative verbs promise<br />

and warn, can take a that-clause after the direct object:<br />

104 ENGLISH GRAMMAR


He finally convinced the jury that he was telling the truth.<br />

Experience has taught them that a back-up copy is essential.<br />

11.2 SAY AND TELL<br />

Note that say and tell have different complementation patterns:<br />

• Say is monotransitive, controlling a direct object (Say that number again; He said he<br />

was sorry), while tell is ditransitive, with two objects (Tell me your name, tell me you<br />

love me).<br />

• Say can take an added oblique object (What did you say to him?), but not an indirect<br />

object (*What did you say him?).<br />

• Quoted speech may realise the object of say, but not that of tell (Jill said ‘Hello’, but<br />

not *Jill told me ‘Hello’).<br />

See also 36.5.<br />

Recursive embedding is when a series of clauses is embedded, each within the<br />

previous one: I reminded him he’d said he’d find out about the flight schedules. Here, the<br />

that-clause direct object of remind, which comprises the remainder of the sentence, (he’d<br />

said he’d find out about the flight schedules) contains a further embedded that-clause he’d<br />

find out, which has a PP (about the flight schedules) as complement.<br />

11.3 MEANINGS AND PATTERNS OF WH-CLAUSE<br />

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COMPLEMENTS<br />

Wh-clause complements are usually either embedded interrogative clauses or<br />

nominal relative clauses. The first express doubt or lack of knowledge, while the<br />

second contain factual information. A third type, with a to-infinitive complement, is a<br />

non-finite variant of types 1 and 2. A fourth type, the indirect exclamative, is similar<br />

to the ordinary exclamative and has an intervening NG after verbs such as tell, but not<br />

after say.<br />

There are two main patterns, which are controlled by specific verbs. Pattern 1 has<br />

simply a wh-complement. Pattern 2 has an intervening NG (a Recipient). Certain verbs<br />

such as ask can function in both patterns. A third type, with a to-infinitive complement,<br />

is a variant on types 1 and 2 and is very common, especially in spoken <strong>English</strong>.<br />

11.3.1 Indirect interrogatives<br />

V + wh-clause – Ask where the station is<br />

The verbs ask, wonder, doubt, enquire, don’t know control indirect interrogatives. The<br />

subordinator if is often used as an alternative to whether in indirect questions where the<br />

answer is either yes or no:<br />

DEVELOPMENT: VERB COMPLEMENTS 105


We asked what we should do/what to do.<br />

The tourist enquired why the museum was closed.<br />

Pat wondered whether/if her friends would recognise her.<br />

As indirect interrogatives contain an embedded question, it is important to remember<br />

that subject–operator inversion does not normally occur in embedded questions, unlike<br />

the obligatory inversion found in most independent interrogatives. Compare:<br />

independent interrogative<br />

Where is the dining-car?<br />

dependent interrogative<br />

Let’s enquire where the dining-car is.<br />

Not *Let’s enquire where is the dining-car.<br />

11.3.2 Nominal relatives<br />

V + NG + wh-clauses – Give them what they want<br />

These verbs – common ones include advise, give, show, teach and tell – can control<br />

nominal relative clause complements, which represent factual information and can be<br />

distinguished by replacing the wh-word by a more general word, such as ‘the thing(s)/<br />

person(s) that’, and in some cases by a non-finite complement clause:<br />

He told me what I already knew. (the things which I already knew)<br />

Tom will show you where you can send it/the place where you can send it/where to<br />

send it.<br />

The instructor taught the dancers how they should breathe/the way they should<br />

breathe/how to breathe.<br />

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As these examples illustrate, some verbs can convey a similar meaning by a non-finite<br />

complement.<br />

11.3.3 Non-finite variants<br />

V + NG + wh + to-infinitive clause – Ask (him) how to do it<br />

This combination provides a shorter variant of 11.3.1 and 11.3.2, with verbs such as ask,<br />

know, show, tell, teach and wonder. The NG recipient is obligatory with tell, show and<br />

teach, optional with ask, and not used at all with know and wonder.<br />

We didn’t know where to go.<br />

Tom told us what to do.<br />

(indirect interrogative)<br />

(nominal relative)<br />

Ambiguity can sometimes occur with wh-complements, as in He asked me what I knew,<br />

which can be analysed as an indirect interrogative (compare with the direct form What<br />

do you know?) or as a nominal relative (the things I knew) – the latter, for example, in the<br />

context of reporting on an examination.<br />

106 ENGLISH GRAMMAR


11.3.4 Indirect exclamatives<br />

V + (NG) + what + NG or how + AdjG – I said how nice it was<br />

The embedded exclamative is introduced by either how (+ adjective) or what (+ NG)<br />

after two types of verbs: verbs of communicating such as say and tell, and mental verbs<br />

such as believe and think. Like ordinary exclamatives, it has an emotive quality (see 24.1):<br />

You’ll never believe what a good time we had.<br />

I told her how sorry I was.<br />

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DEVELOPMENT: VERB COMPLEMENTS 107


COMPLEMENTATION BY MODULE 12<br />

NON-FINITE CLAUSES<br />

SUMMARY<br />

1 Non-finite clauses are more loosely integrated into the superordinate clause<br />

than are finite clauses. Only the to-infinitive complements of certain verbs such<br />

as want, like and prefer and the -ing complements of like, hate among others,<br />

can be treated as (non-prototypical) object constituents.<br />

2 A series of non-finite clauses can be analysed as a chain-like structure of<br />

embedded non-finite complements.<br />

3 To-infinitive clauses tend to evoke potential situations, whereas -ing clauses are<br />

factual and bare infinitive clauses evoke an event in which the end-point is<br />

included.<br />

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4 Participial -en clauses function as Object Complements after four types of<br />

verb.<br />

12.1 CATENATIVE COMPLEMENTS<br />

A catenative verb is a verb that controls a non-finite complement. ‘Catenative’ means<br />

‘chaining’ and reflects the way that the verb can link recursively with other catenatives<br />

to form a chain, as in:<br />

We decided to try to rent a house near the sea.<br />

Here there is a chain of three verbs: decide, try and rent, with to try to rent a house near<br />

the sea functioning as the catenative complement of decide, and to rent a house near the<br />

sea functioning as the catenative complement of try.<br />

We can add further catenative verbs to produce an even longer chain of four<br />

catenatives, two of which, persuade and help, have a NG object. The final verb rent is not<br />

a catenative:<br />

108 ENGLISH GRAMMAR


We decided to try to persuade Bill to help us rent a house near the sea.<br />

i decide to try to persuade Bill to help us rent a house near the sea.<br />

ii try to persuade Bill to help us rent a house near the sea.<br />

iii persuade Bill to help us rent a house near the sea.<br />

iv help us rent a house near the sea.<br />

Further catenatives appear in the following section. A special type of catenative<br />

construction – as in He failed to appear – is discussed in 39.4. Not all catenatives behave<br />

in the same way. Only the complements of a few catenatives such as want, like and prefer<br />

can be analysed as (untypical) objects. Others cannot (see also 6.1.2E).<br />

12.2 MEANINGS EXPRESSED BY TO-INFINITIVE CLAUSES<br />

12.2.1 Type 1: V + to-infinitive – I want to go<br />

These three groups of verbs take to-infinitive clause complements:<br />

(a) Want, wish, intend, arrange<br />

(b) like, love, prefer, can’t bear, hate<br />

(c) promise, agree, learn, forget, decide<br />

The to-infinitive clause in Type 1 has no explicit subject, the implied subject being that<br />

of the main clause. Semantically this is clear. If I want to go, the going is to be done by<br />

me. For the (c) group of speech-act verbs, there is an equivalent that-clause complement<br />

with the same meaning, but this alternative is not available to the (a) and (b) groups of<br />

desiderative and affective verbs:<br />

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1 The boss wants to see us immediately. (no that-clause counterpart in 1, 2 and 3)<br />

2 I have arranged to go to London tomorrow.<br />

3 I would have preferred to invent something which helps people. A lawnmower, for<br />

example. (Mikhail Kalashnikov, inventor of the AK47 assault rifle, in The Times)<br />

4 I promise to ring you later. (compare: I promise that I will ring you later)<br />

5 They agreed to wait a bit longer. (compare: they agreed that they would wait a bit<br />

longer)<br />

To-infinitive clauses tend to evoke a situation that is potential. Cognitively, the infinitive<br />

reflects an event, with to symbolically reflecting the movement towards the event. For<br />

this reason the controlling verb typically ‘looks forward’ to the moment when the event<br />

begins.<br />

DEVELOPMENT: VERB COMPLEMENTS 109


12.2.2 Type 2: V + NG + to-infinitive clause with subject<br />

– He wants us to go<br />

The ‘want’ verbs include: want, like, love, prefer, can’t bear, dislike, hate, wish, arrange.<br />

The people want the troops to leave.<br />

And her mother did not like her to be out for too long. (BNC GOB 1660)<br />

I only want us to be together. (GWH 1130)<br />

I have arranged for the students to go to London tomorrow.<br />

The ‘want’ type verbs of 1a and 1b in the previous section can also take a to-infinitive<br />

clause that has an explicit subject. Semantically, what the people want, what her mother<br />

did not like are situations, not persons or things. For this reason, the non-finite clause,<br />

together with its subject, is analysed as a single unit which can be considered an<br />

untypical direct object. This can be tested by (a) replacement by a pronoun (Her mother<br />

did not like that), (b) coordination (and she herself did not like it either), and (c) clefting:<br />

the non-finite clause and its subject can become the focus of a wh-cleft (What her mother<br />

did not like was for her to be out too long).<br />

Furthermore, although these subjects of to-infinitive clauses are in the objective case<br />

(us, her) they can’t be analysed as objects of the main verb. The complete clause does<br />

not entail The people want the troops or Her mother did not like her. Nor can they become<br />

subject in a passive clause: *The troops were wanted to go, *She was not liked to be out too<br />

long. In this respect, verbs like want contrast with those of Type 3 (in the next section)<br />

such as ask, advise and expect, in which the NG does represent a separate clause element.<br />

Note the use of for as a subordinator, introducing the non-finite clause with its subject<br />

(for the students to go to London tomorrow) after the main verb arrange. In AmE this use<br />

of for is extended to other verbs such as want and prefer.<br />

Finally, we can test want-type verbs with a What question: What do you want? rather<br />

than a Who question: Who do you want? The object of my wanting is (for) us to be<br />

together.<br />

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12.2.3 Type 3: V + NG + to-infinitive<br />

– We asked the taxi-driver to stop<br />

The verbs in this type are speech-act verbs: advise, allow, ask, beg, expect, invite, tell,<br />

persuade, urge. The NG is both the object of the main verb and the implicit subject<br />

of the embedded to-infinitive clause. This NG behaves as if it were the object of the<br />

finite verb and can become subject in a passive clause. This divisibility of the NG is an<br />

important feature of ditransitive and most complex transitive complements. As with<br />

other verbs of this type, passives are common.<br />

They persuaded us to stay.<br />

A television campaign is advising<br />

teenagers to keep off drugs.<br />

We were persuaded to stay.<br />

Teenagers are being advised to keep off<br />

drugs.<br />

Semantically, we persuade, advise and invite someone, not a whole situation.<br />

Consequently, a test question will be with Who (Who did they persuade?). The toinfinitive<br />

expresses the course of action to be taken.<br />

110 ENGLISH GRAMMAR


For these reasons, the NG referent following verbs like advise or ask must be human,<br />

or at least animate. This is not the case with verbs like want. Compare:<br />

The Browns want their house to be painted.<br />

*They advised/persuaded their house to be painted.<br />

Note that, when a to-infinitive clause is ellipted (see 29.5), to remains (They invited us to<br />

stay and we agreed to).<br />

Factual verbs such as believe, consider, know, report, suppose also take NG + to-infinitive<br />

as a ‘raised object’ alternative to a that-clause complement (see also 37.4). Passive forms<br />

are common in formal styles:<br />

People consider that he is a great actor.<br />

People consider him to be a great actor.<br />

He is considered (to be) a great actor.<br />

12.3 MEANINGS EXPRESSED BY BARE INFINITIVE CLAUSES<br />

12.3.1 Type 4: V + NG + bare infinitive – We let them go<br />

Typical verbs are: let, have, make; see, hear, feel; help.<br />

Bare-infinitive clauses evoke an event in which an end-point is included, as in we<br />

let them go, we saw them go. Relatively few verbs occur in this pattern. They include three<br />

verbs of coercion, illustrated below, a few verbs of perception and the verb help.<br />

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Don’t let anxiety spoil your life.<br />

They made the prisoners stand for hours.<br />

I’ll have my secretary make you a reservation.<br />

Syntactically, we analyse the non-finite clause of the make type as an object complement,<br />

complementing the direct object. Notice the parallel between: She made them angry/<br />

She made them sit down.<br />

Analysis of the NG + bare-infinitive complement of perceptual verbs illustrated<br />

below is more problematic. Is the NG the object of the matrix clause or the subject of<br />

the non-finite clause? Does the NG + bare infinitive refer to a whole situation, as with<br />

want?<br />

I saw someone enter the shop late at night.<br />

She felt something hard hit her on the head.<br />

While the ‘whole situation’ view appears to be semantically acceptable, ‘I saw someone<br />

enter the shop’ entails ‘I saw someone’, this entailment not being the case with the want<br />

type. Syntactically, the NG is the object of the matrix clause and is also the subject of<br />

the bare-infinitive clause.<br />

Some of the clauses of coercion and perception (but not with causative have, or<br />

with feel) can be passivised, with the NG as subject and the bare infinitive replaced by<br />

DEVELOPMENT: VERB COMPLEMENTS 111


a to-infinitive, as in: The prisoners were made to stand for hours, Someone was seen to<br />

enter the shop. Let is usually replaced by allow (They were allowed to go). In this respect<br />

we find the same divisibility of the NG as occurs with the ‘ask’ type.<br />

It is notoriously difficult to pin down the difference in meaning between help + bare<br />

infinitive and help + to-infinitive. One analysis sees the bare infinitive as direct or active<br />

involvement in bringing about the action expressed by the infinitive, as in: I’ll help you<br />

carry your luggage upstairs. With help + to, by contrast, the event is seen to be the consequence<br />

of the helping, and often means ‘contribute to’ rather than active involvement<br />

by the helper, as in Acupuncture can help people to give up smoking.<br />

12.4 MEANINGS EXPRESSED BY -ING CLAUSES<br />

12.4.1 Type 5: V + -ing clause – I like listening to music<br />

This type of clause uses the verbs: like, love, avoid, dislike, hate, enjoy, miss, resent, risk,<br />

can’t, help.<br />

Non-finite -ing clauses as complements tend to express factual meanings. Syntactically<br />

they function as non-prototypical direct objects, following the criteria adopted for<br />

analysing to-infinitive clauses as objects in 12.2, Type 2.<br />

They disliked living in a big city.<br />

I avoid travelling in the rush hour.<br />

12.4.2 Type 6: V + NG + -ing clause – I saw them waiting<br />

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See, hear, feel, smell, find, leave, catch, discover, come across, keep<br />

The subject of the -ing clause is also the object of the superordinate clause. It can<br />

become subject in a passive clause.<br />

They caught him stealing from the till.<br />

She found the child sleeping peacefully.<br />

He was caught stealing from the till.<br />

The child was found sleeping peacefully.<br />

With verbs of perception we can often make a distinction between a completed action,<br />

expressed by the bare infinitive, and an uncompleted action or action in progress,<br />

expressed by an -ing clause. Compare: We watched the house burn down and We watched<br />

the house burning.<br />

Note that verbs of starting, stopping and continuing among others, when followed by<br />

either to-infinitive or -ing clauses, are analysed in this book not as lexical verbs followed<br />

by a complement, but as ‘phased’ or concatenated verbal groups that express aspectual<br />

meanings such as ingressive, egressive and continuative (see 39.2), as in He started<br />

smoking at the age of fifteen.<br />

Verbs of retrospection such as regret, remember and forget (but not recall, which<br />

takes only -ing) mark a difference of time reference in relation to the main verb. With a<br />

to-infinitive clause, the action expressed is seen as following the mental process of<br />

112 ENGLISH GRAMMAR


emembering or forgetting, whereas an -ing form marks the action as previous to the<br />

mental process:<br />

I remembered to turn off the gas.<br />

I remembered turning off the gas.<br />

I forgot to turn off the gas.<br />

I regret telling/having told you the<br />

bad news.<br />

I regret to tell you there is some bad<br />

news.<br />

(I remembered that I had to turn off the gas<br />

and I did.)<br />

(I remembered that I had turned off the gas.)<br />

(I forgot that I had to turn off the gas and<br />

didn’t turn it off.)<br />

(I am sorry that I told you the bad news.)<br />

(I am sorry to have to tell you bad news.)<br />

Regret + to-infinitive is always followed by a verb of communication – say, tell, announce,<br />

inform – used with present time reference. Both the regretting and the telling occur at<br />

the moment of speaking, whereas regret + -ing has no such limitation (She regretted<br />

going out without an umbrella).<br />

12.4.3 Potential and factual meanings contrasted: to-infinitive<br />

and -ing clauses<br />

Because the to-infinitive looks forward to the event, it tends to be used when a specific<br />

occasion is referred to, often of a future or hypothetical kind, as in I would like to go to<br />

Paris. An -ing clause, by contrast, expressing factual meanings, as in I like going to Paris,<br />

entails that I have been to Paris, whereas I would like to go to Paris does not.<br />

Emotive verbs such as like, love, hate and prefer (but not enjoy, detest and dislike, which<br />

admit only -ing clauses) can establish this distinction clearly.<br />

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I like listening to music.<br />

Most people hate standing in queues.<br />

I’d like to buy a good stereo.<br />

Most car-owners would hate to be without<br />

a car.<br />

For many speakers, however, the to-infinitive is a valid alternative in the expression of<br />

factual meanings, especially with a notion of habit: I like to cook for my friends.<br />

12.5 PAST PARTICIPIAL CLAUSES<br />

12.5.1 Type 7: V + NG + -en clause – We’ll get it mended<br />

These are S-P-Od-Co structures with a past participal complement. They are controlled<br />

by four types of verb:<br />

• the causative verbs get and have – We’ll have some repairs done to the house,<br />

• volitional verbs: want, like, prefer – The boss wants these records updated;<br />

DEVELOPMENT: VERB COMPLEMENTS 113


• verbs of perception: see, hear, feel – I felt my arm grasped from behind; and<br />

• verbs of finding and leaving – Airport officials have found an unidentified<br />

bag abandoned in the coffee-shop.<br />

Some of the variety of two-complement patterns is illustrated in this extract from the<br />

National Enquirer:<br />

Sniffing food for about 30 seconds before you eat it can help you lose weight 1 says<br />

an expert in weight loss.<br />

‘You’re in fact tricking the brain into thinking 2 that you’ve already eaten, explains<br />

Dr. Alan Hirsch, ‘so you don’t eat as much.’<br />

In a study, Dr. Hirsch had 20 people sniff their food 3 before eating it – and the<br />

results were amazing. ‘We found that they each lost between 10 and 12 pounds over<br />

a three-month period.’<br />

So if you have an urge for a candy bar, hold it up to your nose 4 for 30 seconds,<br />

then put it away. 5 Usually you’ll be able to resist the urge to eat it!<br />

1<br />

help + Od + infinitive clause (potential action); 2 trick + Od + prep. + -ing clause<br />

(metaphorical Goal); 3 causative have + Od + infinitive clause (action); 4 hold + Od +<br />

two Loc/Goal Complements; 5 put + Od + Loc/Goal Comp.<br />

SUMMARY OF MAJOR VERB COMPLEMENTATION<br />

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PATTERNS<br />

1 No complement patterns with intransitive verbs<br />

V only (‘pure’ intransitive) The post has arrived.<br />

V + implied object<br />

That dog bites.<br />

V (reciprocal meaning)<br />

They met at a party.<br />

V + obligatory locative<br />

She lives in Tokyo.<br />

2 One-complement patterns with copular verbs<br />

V + AdjG<br />

The game is very simple.<br />

V + NG This road is the M40.<br />

3 One-complement patterns with monotransitive verbs<br />

V + NG<br />

That dog bit me.<br />

V + prep + NG<br />

I’ll see to the sandwiches.<br />

Finite clause<br />

V + finite that-clause<br />

V + finite wh-clause<br />

He believes that he is right.<br />

114 ENGLISH GRAMMAR


(indirect interrog.)<br />

(nominal relative)<br />

(indirect exclamative)<br />

Non-finite clause<br />

V + non-finite to-infinitive clause<br />

With implicit subject<br />

With explicit subject<br />

V + non-finite -ing clause<br />

With implicit subject<br />

With explicit subject<br />

She asked what I meant.<br />

He believed what I told him.<br />

I said how sorry I was.<br />

He wants to stay.<br />

He wants us all to stay.<br />

They like staying out late.<br />

She doesn’t like them staying out late.<br />

4 Two-complement patterns with ditransitive verbs<br />

V + NG NG<br />

I gave Jo a copy.<br />

V + NG + prep + NG<br />

We reminded her of the time.<br />

Finite clause<br />

V + NG + that-clause<br />

He assured her that he cared.<br />

V + NG + wh-interrog. clause She asked me where the library was.<br />

V + NG + nominal wh clause He told me what I needed to know.<br />

Non-finite clause<br />

V + NG + to-inf clause<br />

She told us to sit down.<br />

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5 Two-complement patterns with complex-transitive verbs<br />

V + NG + AdjG<br />

I found it useful.<br />

V + NG + NG<br />

They consider him a genius.<br />

V + NG + as + NG<br />

They denounced the bill as unconstitutional.<br />

V + NG + obligatory locative Put the dish in the microwave.<br />

Non-finite clause<br />

V + NG + to-infinitive clause They believe him to be a genius.<br />

V + NG + bare inf clause He made them stand up.<br />

V + NG + bare infinitive<br />

She saw two men enter the shop.<br />

V + NG + -ing clause<br />

He kept us waiting.<br />

V + NG + -en clause<br />

I heard two shots fired.<br />

DEVELOPMENT: VERB COMPLEMENTS 115


Complementation patterns are illustrated in this summary of a well-known radio serial,<br />

published in The Week:<br />

The Archers: what happened last week<br />

Alistair asks David if he will join him in The Three Peaks Challenge 1 [climbing Ben<br />

Nevis, Scafell and Snowdon in 24 hours]. Oliver asks Caroline to marry him. 2<br />

[Caroline says no], but suggests they live together at Grange Farm. 3 Oliver is<br />

delighted. Dross is in trouble now that both Fallon and Ash have left. Kenton teases<br />

David and Alistair about the mountain challenge 4 and suggests the Ambridge Three<br />

Peaks instead. 5 They jump at the idea. 6 [Tom’s love life is a source of gossip.] Most<br />

people think he is going out with Fallon to get at Kirsty. 7 Matt Crawford tells David<br />

he’s found another bit of land. 8 [Kenton is being driven mad living with his parents]<br />

and asks David, Kathy and even Elizabeth if he can stay with them. 9 [They all say<br />

no.] Jill tells Kenton that Daphne’s Café is going to need a manager 10 and suggests<br />

he has a word with Jack. 11 Kenton begs Jack to give him the job of managing the<br />

café. 12<br />

FURTHER READING<br />

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Biber et al. (1999); Duffley (1992); Greenbaum and Quirk (1990); Huddleston and Pullum<br />

(2002); Levin (1993); Quirk et al. (1985); Thompson (2002); Ungerer and Schmid (1997);<br />

on the infinitive: Duffley (1992); on frames: Fillmore (1982); on valency: Payne (1977);<br />

on that-clauses: Thompson (2002).<br />

EXERCISES ON CHAPTER 3<br />

The development of the message: Complementation of the verb<br />

Module 9<br />

1 †With the help of a monolingual dictionary, say whether the verbs in the examples below<br />

are (a) exclusively intransitive or (b) can be used either transitively or intransitively:<br />

(1) Women today are achieving in many professions which were previously open only<br />

to men.<br />

(2) The two planes collided in mid-flight.<br />

(3) He has exhibited in all the major art galleries over the last five years.<br />

(4) You must be joking!<br />

(5) Most of our students baby-sit two or three evenings a week.<br />

(6) Pete doesn’t adapt easily to new situations.<br />

(7) My brother-in-law ghost-writes for at least two politicians.<br />

116 ENGLISH GRAMMAR


(8) The little bird quivered in my hands.<br />

(9) He thinks he can take me in, but I know when he’s bluffing.<br />

(10) Those couples who have no children of their own are often eager to adopt.<br />

2 †Of the verbs which could be used transitively in exercise 1, which ones can be considered<br />

to have an Object unexpressed (a) by social convention, (b) with reflexive meaning, (c)<br />

with reciprocal meaning?<br />

3 †Suggest the underlying semantic valency of the verb pay.<br />

4 Turn to the text by John Simpson in 9.3 (p. 87). Underline those expressions in the text that<br />

you consider to be loc/manner/goal Complements. Discuss why they appear to be<br />

obligatory; hasn’t the verb sufficient semantic weight without them? Discuss those cases in<br />

which an Adjunct is not present because it is inferrable from the context.<br />

Module 10<br />

1 †(a) Choose the most appropriate prepositional verb from the list in 10.3 to fill the gap in<br />

each of the sentences below. Then (b) put each sentence into the passive:<br />

(1) You can’t ....Cecil, he has such fixed ideas.<br />

(2) It is not easy to . . . . old broken furniture.<br />

(3) They will ....the Minister of Defence to explain the charges of negligence.<br />

(4) The target they are ....is too high.<br />

(5) You should . . . . your schedule if you hope to deliver the goods on the agreed<br />

date.<br />

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2 Explain the semantic difference between ‘She wrote a letter to her brother’ and ‘she wrote<br />

a letter for her brother’.<br />

3 With the help of a good dictionary, work out the complementation patterns, and the<br />

meanings of leave. Give examples.<br />

Module 11<br />

1 †Combine the following pairs of clauses so that the first clause can be analysed as an<br />

embedded constituent of the superordinate clause. Add or omit whatever is necessary. The<br />

first is done for you:<br />

(1) He has lived abroad for several years. I gather that from what he says.<br />

From what he says, I gather (that) he has lived abroad for several years.<br />

(2) Have we enough petrol to reach Barcelona? I doubt it.<br />

(3) Is there an emergency kit in the building? Who knows?<br />

(4) Where is the nearest Metro station? I asked.<br />

(5) You keep the keys. We have all agreed on that.<br />

DEVELOPMENT: VERB COMPLEMENTS 117


(6) Some of the documents are missing. The Under-Secretary can’t account for it.<br />

(7) Why doesn’t he look in the safe? I suggest that.<br />

(8) We have just heard that. The spokesman confirmed it.<br />

(9) He has been under great strain lately. We must allow for that.<br />

(10) These letters must be posted today. Will you see to it please?<br />

2 †Read again section 11.1.2 on dropping or keeping the that- complementiser. Identify<br />

which factors make for the retention or omission of the subordinator that in each that-clause<br />

in the examples that follow the explanation on p. 104.<br />

3 †Give a reason for the omission or retention of that before the embedded clauses in:<br />

(a)<br />

(b)<br />

In a friendly way Wilson had also suggested that Koo travel to France on the same<br />

boat as the Americans. (The Peacemakers)<br />

I said I thought she was still crazy about him. (Girls Out Late)<br />

4 †Analyse the following in terms of recursive embedding:<br />

He says he’s really sorry he said he’d take someone else to the dance.<br />

5 †Say which of the italicised clauses in the examples below are nominal relative clauses,<br />

which are indirect interrogative clauses and which are embedded exclamatives:<br />

(1) He asked where I had been all afternoon.<br />

(2) The spokesman announced what we had all been hoping to hear.<br />

(3) You’ve no idea how cold it was in Granada at Easter.<br />

(4) They don’t know who sprayed the graffiti on the Faculty walls.<br />

(5) I said what a pity it was they couldn’t be with us.<br />

(6) He’s sure to fall in with whatever you suggest.<br />

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6 †Explain why the following constructions are ungrammatical:<br />

(a) *They suggested to start at 8.00.<br />

(b) *She explained me the difference between the two constructions.<br />

Module 12<br />

1 Answer the following questions using to-infinitive clauses or -ing clauses to express situations<br />

within the main situation – at least to start off with!<br />

(1) What do you particularly dislike doing on Monday mornings?<br />

(2) Is there anything you regret not doing?<br />

(3) If people go off on holiday without locking up the house, what do they risk?<br />

(4) What things do you feel you can’t afford?<br />

(5) What kind of thing would you absolutely refuse to do?<br />

(6) Is there any kind of situation that you miss when you are away from home?<br />

118 ENGLISH GRAMMAR


2 Analyse the following catenative chain:<br />

They want to try to get all their neighbours to refuse to sign the petition.<br />

Now try to construct a catenative chain using a series of to-infinitive clauses beginning as<br />

follows: I hope to . . .<br />

3 Answer the questions below and note the complementation patterns you use:<br />

(1) What kind of thing would you find it impossible to promise someone to do?<br />

(2) Would you rather owe someone money or a favour, or have money or a favour<br />

owed to you?<br />

(3) What would you advise an overweight friend to eat?<br />

(4) How would you encourage an oversensitive person to react?<br />

(5) How would you help someone to be assertive without being aggressive?<br />

(6) What would you recommend a bored housewife to do?<br />

4 †Write out the complementation pattern of each of the following. The first is done for you:<br />

(1) He never allowed Thomas to drive the jeep in his absence.<br />

v + NG + to-inf.<br />

(2) The shopkeeper asked me what I wanted.<br />

(3) His powerful imagination makes him quite different from the others.<br />

(4) Keep your shoulders straight.<br />

(5) He left her sitting on the bridge.<br />

(6) They like their next-door neighbours to come in for a drink occasionally.<br />

(7) I would prefer Mike to drive you to the station.<br />

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5 Read again ‘The Archers: what happened last week’ (p. 116). Underline the main verb<br />

and write out the complementation pattern it determines in each numbered clause. Ignore<br />

the clauses in brackets. For example, sentence (i) is as follows: V+NG+wh-cl (if = whether).<br />

6 If you are giving an opinion in <strong>English</strong> about a person, a place, a thing, an event, etc.,<br />

from a rather subjective point of view, you will find yourself using monotransitive structures<br />

with that-clause complements (I think she is rather silly), complex transitive complementation<br />

(Oh, I found her good fun) and copular complementation (He seems rather too full of<br />

himself). Discuss among a group of friends a person, place or event known to you all.<br />

Tape your conversation (try to forget you are being recorded!) and then analyse what you<br />

have said. Note the constructions you have not used.<br />

7 With the help of a good dictionary, work out the various complementation patterns that<br />

the following verbs can control: prefer and drive.<br />

DEVELOPMENT: VERB COMPLEMENTS 119


CONCEPTUALISING CHAPTER 4<br />

PATTERNS OF EXPERIENCE<br />

Processes, participants, circumstances<br />

Module 13: Conceptualising experiences expressed as<br />

situation types 122<br />

13.1 Processes, participants, circumstances 122<br />

13.1.1 The process 123<br />

13.1.2 The participant roles (semantic functions) involved<br />

in the situation 124<br />

13.1.3 The circumstantial roles associated with the process 124<br />

13.2 Types of process 125<br />

13.3 Inherent participants and actualised participants 125<br />

Module 14: Material processes of doing and happening 128<br />

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14.1 Agent and Affected in voluntary processes of ‘doing’ 128<br />

14.2 Force 130<br />

14.3 Affected subject of involuntary processes of ‘happening’ 130<br />

Module 15: Causative processes 132<br />

15.1 Causative material processes and ergative pairs 132<br />

15.2 Analytical causatives with a resulting Attribute 134<br />

15.3 Pseudo-intransitives 135<br />

Module 16: Processes of transfer 137<br />

16.1 Recipient and Beneficiary in processes of transfer 137<br />

16.2 Summary of material process types 138<br />

Module 17: Conceptualising what we think, perceive<br />

and feel 139<br />

17.1 Mental processes 139<br />

17.2 Cognitive processes: knowing, thinking and believing 141


17.3 Perception processes: seeing, hearing and feeling 142<br />

17.4 Affective and desiderative processes: liking and wanting 142<br />

17.4.1 Affective processes: loving and hating 142<br />

17.4.2 Desiderative processes: wanting and wishing 143<br />

Module 18: Relational processes of being and becoming 144<br />

18.1 Types of being 144<br />

18.2 The Attributive pattern 145<br />

18.3 Circumstantial relational processes 146<br />

18.4 Possessive relational processes 146<br />

18.5 The Identifying pattern 148<br />

Module 19: Processes of saying, behaving and existing 151<br />

19.1 Verbal processes 151<br />

19.2 Behavioural processes 152<br />

19.3 Existential processes 153<br />

Module 20: Expressing attendant circumstances 155<br />

20.1 Place, time and other circumstances 155<br />

20.2 Range 158<br />

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Module 21: Conceptualising experiences from a different<br />

angle: Nominalisation and grammatical metaphor 160<br />

21.1 Basic realisations and metaphorical realisations 160<br />

21.2 Nominalisation as a feature of grammatical metaphor 162<br />

21.2.1 Process realised as entity 163<br />

21.2.2 Attribute realised as entity 164<br />

21.2.3 Circumstance as entity 164<br />

21.2.4 Dependent situation as entity 164<br />

21.3 High and low transitivity 165<br />

21.4 Summary of processes, participants and circumstances 166<br />

Further reading 167<br />

Exercises 167


CONCEPTUALISING MODULE 13<br />

EXPERIENCES EXPRESSED<br />

AS SITUATION TYPES<br />

SUMMARY<br />

1 Semantically, a clause represents a pattern of experience, conceptualised as a<br />

situation type.<br />

2 Situation types comprise three main types: material, mental and relational. There<br />

are also three subsidiary types: behavioural, verbal and existential.<br />

3 Each situation type consists of the following:<br />

• The process: the central part of the situation, realised by a verb. Process<br />

types include those of doing, happening, experiencing, being and existing.<br />

• Participant roles: these symbolically represent the persons, things and abstract<br />

entities involved in the process.<br />

• Attributes: the elements which characterise, identify or locate the participant.<br />

• Circumstances: those of time, place, manner, condition, etc. attendant on<br />

the situation.<br />

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4 The type of process determines the nature and number of the participants.<br />

Certain inherent participants can remain unactualised when understood in the<br />

context.<br />

5 The valency of the verb specifies the number of inherent participants of<br />

any process, and by reduction indicates the result of unactualising one or<br />

more participants. This type of analysis runs parallel to the traditional<br />

transitive–intransitive analysis.<br />

13.1 PROCESSES, PARTICIPANTS, CIRCUMSTANCES<br />

In this chapter we look at the clause as a grammatical means of encoding patterns of<br />

experience. A fundamental property of language is that it enables us to conceptualise<br />

and describe our experience, whether of the actions and events, people and things of<br />

122 ENGLISH GRAMMAR


the external world, or of the internal world of our thoughts, feelings and perceptions.<br />

This is done through transitivity, contemplated in a broad sense, which encompasses<br />

not only the verb but the semantic configuration of situation types.<br />

The clause is, here too then, the most significant grammatical unit. It is the unit<br />

that enables us to organise the wealth of our experience, both semantically and syntactically,<br />

into a manageable number of representational patterns or schemas. Our personal<br />

‘construals’ of each individual situation are then selected from these patterns. In describing<br />

an event, for instance, we might say that it just happened, or that it was caused<br />

by someone’s deliberate intervention, or that it is unusual, or that we feel sad about<br />

it, among other possible construals. In this chapter we will be talking about patterns of<br />

‘doing’, ‘happening’, ‘experiencing’ and ‘being’ as the main types, together with a small<br />

number of subsidiary types.<br />

As language-users, we are interested in events and especially in the human<br />

participants involved and the qualities we ascribe to them, what they do, say and feel,<br />

their possessions and the circumstances in which the event takes place. The semantic<br />

schema for a situation, therefore, consists potentially of the following components:<br />

• the process (a technical term for the action (e.g. hit, run), state (e.g. have) or change<br />

of state (e.g. melt, freeze) involved.<br />

• the participant(s) involved in the process (basically, who or what is doing what to<br />

whom);<br />

• the attributes ascribed to participants; and<br />

• the circumstances attendant on the process, in terms of time, place, manner, and<br />

so on.<br />

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13.1.1 The process<br />

There is no satisfactory general term to cover that central part of a situation, the part<br />

which is typically realised by the verb and which can be an action, a state, a meteorological<br />

phenomenon, a process of sensing, saying or simply existing. Following Halliday,<br />

we here use the term ‘process’ for all these types. We can also analyse them as dynamic<br />

processes and stative processes.<br />

Dynamic and stative processes<br />

Dynamic situations and processes involve something that occurs or happens; they can<br />

be tested for by means of the question ‘What happened?’ Stative situations and<br />

processes are conceived of as durative over time, and as existing rather than happening,<br />

so it doesn’t make sense to ask ‘What happened?’ in such cases. Generally, dynamic<br />

processes easily occur in the progressive (Pete is going away) and the imperative (Go<br />

away, Pete!), whereas most stative processes don’t usually accept the progressive or the<br />

imperative (*Pete is seeming kind. *Hear a noise!). See also 43.5.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 123


13.1.2 The participant roles (semantic functions) involved<br />

in the situation<br />

In classifying situations into schemas, we filter out the wealth of detail that we find in<br />

our personal experiences, to focus on the salient participant(s) that belong to different<br />

types of situation. These are usually just one or two, at the most three. When one of the<br />

participants is human, it is typically assigned the primary role (Agent/Subject) in<br />

the semantic and syntactic constructions. This is a consequence of our anthropocentric<br />

orientation in conceptualising events.<br />

While human participants occupy a prime place among the semantic roles, the term<br />

‘participant’ does not refer exclusively to persons or animals, but includes things and<br />

abstractions. A participant can be the one who carries out the action or the one who is<br />

affected by it; it can be the one who experiences something by seeing or feeling; it<br />

can be a person or thing that simply exists. The terminology used to identfy participant<br />

roles may be less familiar to you than the corresponding syntactic terms. As we go on,<br />

you will find that labels are useful in semantics, just as in syntax, in order to talk about<br />

concepts. We will try to keep them as simple and transparent as possible.<br />

The Attributes ascribed to entities either identify or characterise the entity,<br />

or state its location in space or time. They are realised syntactically by the intensive<br />

Complements (Complement of the Subject and Complement of the Object).<br />

13.1.3 The circumstantial roles associated with the process<br />

These include the well-known circumstances of time, place, manner and condition,<br />

as well as a few others. They are typically optional in the semantic structure, just as<br />

their adjunctive counterparts are in the syntactic structure. Circumstances can, however,<br />

be inherent to the situation: for instance, location is obligatory with certain senses<br />

of ‘be’, as in the ice-cream’s over there, and with ‘put’ in its sense of ‘placing’ as in let’s<br />

put it in the freezer (see 4.2.1; 10.8).<br />

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Fred bought a new shirt in Oxford Street yesterday<br />

Participant Process Participant Circumstance Circumstance<br />

At the present time the state of the is critical<br />

economy<br />

Circumstance Participant Process Attribute<br />

We have now outlined the framework that will serve to carry the different configurations<br />

of semantic functions that go to make up semantic structures. It is not the<br />

case, however, that any particular configuration is inherently given in nature. There are<br />

various ways of conceptualising a situation, according to our needs of the moment and<br />

what the lexico-grammatical resources of a language permit.<br />

For instance, on the day planned for a river picnic we may look out of the window<br />

and say it’s cloudy, specifying simply a state (is) and an Attribute (cloudy); alternatively,<br />

124 ENGLISH GRAMMAR


that the sky is cloudy, adding a participant (the sky) for the Attribute. More ominously,<br />

someone might say the clouds are gathering, in which the situation is represented as a<br />

dynamic happening rather than as a state, with a participant (clouds) and a dynamic<br />

process (are gathering), leaving implicit the circumstance of place (in the sky). Or we may<br />

say nothing at all about the clouds, but instead interpret what we see by saying I think<br />

it’s going to rain.<br />

There is no one-to-one correlation between semantic structures and syntactic<br />

structures; rather, the semantic categories cut across the syntactic ones, although with<br />

some correlation. Semantic structures and syntactic structures do not, therefore, always<br />

coincide; rather, they overlap. In both cases, however, it is the process, expressed by<br />

the verb, that determines the choice of participants in the semantic structure and of<br />

syntactic elements in the syntactic structure. In Chapter 3 the possible syntactic combinations<br />

are discussed from the point of view of verb complementation and verb type.<br />

In this chapter we shall start from the semantics; at the same time we shall try to relate<br />

the choice of semantic roles to their syntactic realisations.<br />

One obvious problem in the identification of participants and processes is the<br />

vastness and variety of the physical world, and the difficulty involved in reducing this<br />

variety to a few prototypical semantic roles and processes. All we can attempt to do is<br />

to specify the paradigm cases, and indicate where more detailed specification would be<br />

necessary in order to account semantically for the varied shades of our experience.<br />

13.2 TYPES OF PROCESS<br />

There are three main types of process:<br />

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(a) Material processes are processes of ‘doing’ (e.g. kick, run, eat, give) or ‘happening’<br />

(e.g. fall, melt, collapse, slip).<br />

(b) Mental processes, or processes of ‘experiencing’ or ‘sensing’ (e.g. see, hear, feel,<br />

know, like, want, regret).<br />

(c) Relational processes, or processes of ‘being’ (e.g. be, seem) or ‘becoming’ (e.g.<br />

become, turn), in which a participant is characterised, or identified, or situated<br />

circumstantially.<br />

There are also three subsidiary processes: behavioural, verbal and existential. We shall<br />

see, as we go on, that the presence or absence of volition and energy are important<br />

factors in distinguishing between processes.<br />

13.3 INHERENT PARTICIPANTS AND ACTUALISED<br />

PARTICIPANTS<br />

Most processes are accompanied by one or more inherent participants; the nature<br />

of the process determines how many and what kind of participants are involved.<br />

The material process represented by the verb fall for instance, has only one participant,<br />

whereas kick typically requires two: one participant is the Agent who carries out the<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 125


action, and must be ‘animate’ and typically ‘human’; the other is the participant affected<br />

by the action of kicking, and is not required to be human, or even animate.<br />

In the example Ted kicked the ball both the inherent participants are actualised as<br />

Ted and the ball. If we say Ted kicked hard, however, only one participant, the Agent, is<br />

actualised. The second participant, the one affected by the action, is unactualised but<br />

understood. In everyday uses of <strong>English</strong>, speakers frequently find it convenient not to<br />

actualise certain inherent participants. Give, for instance, is typically a three-participant<br />

process as in Mary gave the Red Cross a donation. Only two participants are actualised,<br />

however, in Mary gave a donation and only one in Mary gave generously.<br />

Certain participants are omitted in this way when they are conventionally understood<br />

from the context of culture or context of situation, for example:<br />

Do you drive? (a car)<br />

Have you eaten yet? (lunch/dinner)<br />

Shall I pour? (the tea/coffee)<br />

Our team is winning (the match/race)<br />

I can’t see from here (the screen, the time . . .)<br />

The participant is not specific in electricity can kill, remarks like that can hurt, elephants<br />

never forget, Enjoy! and is perhaps not even known to the speaker in he teaches, she writes.<br />

Processes such as meet and kiss can be understood as having implicit reciprocity in, for<br />

instance, your sister and I have never met (each other).<br />

Some processes have typically no participants; for example, statements about the<br />

weather, time and distance such as it’s snowing, it’s half past eleven, it’s a long walk to the<br />

beach. In these the pronoun it is merely a surface form required to realise the obligatory<br />

Subject element. It has no corresponding semantic function.<br />

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Traditionally, the term intransitive has been used to refer to verbs that express<br />

one-participant processes such as fall or no-participant processes such as rain, whose<br />

action does not extend to any Object. The term transitive has been used to refer to<br />

verbs and clauses in which the process is extended to one or more Objects. Following<br />

this convention, give is transitive in Mary gave a donation but intransitive in Give generously!<br />

Similarly, the semantic analysis into actualised and unactualised participants is<br />

paralleled by the syntactic analysis of verbs such as drive, eat etc. as being either<br />

transitive (taking an Object) or intransitive (with no Object).<br />

In this book we shall use ‘transitive’ and ‘intransitive’ as syntactic terms, while<br />

referring semantically to one-, two- or three-participant processes, with ‘actualised’ or<br />

‘unactualised’ inherent participants.<br />

The number of participants (including the subject) involved in a process can also be<br />

referred to as its valency. A process with one participant is said to be monovalent<br />

– as in the ice melted. A process with two participants is bivalent – as in the postman<br />

rides a motorcycle; a process with three participants is trivalent – as in Mary gave<br />

the Red Cross a donation. The valency is reduced from three to two, or from two to<br />

one when participants are not actualised, as in the examples above (see also Chapter<br />

3, Introduction).<br />

To sum up, processes such as eat and see each have two inherent participants (the<br />

one who eats or sees, and the one that is eaten or seen). But in our previously listed<br />

126 ENGLISH GRAMMAR


examples only one is actualised. The items in brackets represent the conventionally<br />

understood second participant. As regards valency, in each case the normal valency of<br />

two is reduced to one. As regards transitivity, each of the verbs is potentially transitive,<br />

but as the second participant is unactualised, the use is intransitive.<br />

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CONCEPTUALISING: PROCESSES AND PARTICIPANTS 127


MATERIAL PROCESSES OF MODULE 14<br />

DOING AND HAPPENING<br />

SUMMARY<br />

1 The first main category of processes, material processes, includes several<br />

kinds: ‘doing’, ‘happening’, ‘causing’ and ‘transferring’. Typically, the action<br />

of ‘doing’ is carried out by a volitional, controlling human participant: the Agent.<br />

A non-controlling inanimate agent is called Force, for instance an earthquake.<br />

2 In processes of doing, the action either extends no further than the Agent itself,<br />

as in she resigned, or it extends to another participant, the Affected (the ball in<br />

Pelé kicked the ball). A special type of ‘doing’ is the process of transfer, in which<br />

an Agent transfers an Affected participant to a Recipient or is intended for a<br />

Beneficiary (give someone a present, make someone a cake, respectively).<br />

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3 In involuntary processes of happening, the Affected undergoes the happening<br />

(the roof fell in, the old man collapsed).<br />

4 The order of elements in the semantic structures is iconic, that is, the linguistic<br />

ordering of the event reflects our conceptualisation of the event.<br />

14.1 AGENT AND AFFECTED IN VOLUNTARY PROCESSES<br />

OF ‘DOING’<br />

Material processes express an action or activity which is typically carried out by a<br />

‘doer’ or Agent. By ‘Agent’ we mean an entity having energy, volition and intention that<br />

is capable of initiating and controlling the action, usually to bring about some change<br />

of location or properties in itself or others. Agents are typically human.<br />

A. Agentive Subject of a voluntary process of ‘doing’ – They all left<br />

A voluntary one-participant process can be carried out by an Agent as Subject operating<br />

on itself:<br />

128 ENGLISH GRAMMAR


Agent<br />

The Prime Minister<br />

We<br />

Process<br />

resigned<br />

sat down<br />

One-participant voluntary material processes answer the question What did X do?<br />

(What did the Prime Minister do? The Prime Minister resigned.) To test for Agent, we<br />

can ask the question Who resigned? (The Prime Minister did).<br />

B. Affected participant in a voluntary process of ‘doing’ – Ted hit Bill<br />

With action processes such as resigning and sitting down, the action does not extend<br />

to another participant. With others, such as hitting and carrying, it does. The second<br />

participant is someone or something affected by the action denoted by the verb in an<br />

active clause, as a result of the energy flow. This participant is called the Affected (other<br />

terms in use for this participant are Patient and Goal).<br />

Agent Process Affected<br />

Ted hit Bill<br />

Pelé kicked the ball<br />

The porter is carrying our baggage<br />

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For those material processes that have two participants, an Agent and an Affected,<br />

it also makes sense to ask the question What did Ted do? (He hit Bill), and to identify<br />

the Affected by the question ‘Who(m) did Bill hit?’<br />

C. Affected Subject in a passive clause – Bill was hit by Ted<br />

Consequently, if the process extends to an Affected participant, the representation can<br />

be made in two forms, either active, in which Agent conflates with Subject, as above,<br />

or passive, in which Affected conflates with Subject:<br />

Affected Material process Agent<br />

Bill was hit by Ted<br />

The ball was kicked by Pelé<br />

Our baggage is being carried by the porter<br />

A further kind of material process is illustrated in Fiona made a cake and Dave wrote<br />

a letter. Neither the cake nor the letter existed before the process of making or writing,<br />

so they cannot be classed as ‘Affecteds’. Rather, they are created as a result of the<br />

process, and can be called ‘Effected participants’. However, no syntactic distinction is<br />

made between Affected and Effected participants; the distinction is purely semantic.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 129


14.2 FORCE<br />

The notion of agency is a complex one, which includes such features as animacy,<br />

intention, motivation, responsibility and the use of one’s own energy to initiate or control<br />

a process. In central instances, all these features will be present. In non-central instances,<br />

one or more of these features may be absent. If we say, for example, that the horse<br />

splashed us with mud as it passed we do not imply that the horse did so deliberately. We<br />

do not attribute intentionality or responsibility or motivation to the horse in this situation.<br />

We might call it an ‘unwitting Agent’.<br />

The higher animals, and especially pets, are often treated grammatically as if they<br />

were humans. Nevertheless, rather than devise a different term for every subtype of<br />

agency we will make just one further distinction: that between animate and inanimate<br />

Agents. This is useful in order to account for such natural phenomena as earthquakes,<br />

lightning, electricity, avalanches, the wind, tides and floods, which may affect humans<br />

and their possessions. They are inanimate, and their power or energy cannot therefore<br />

be intentional. They can instigate a process but not control it. This non-controlling entity<br />

we call Force; it will include such psychological states as anxiety, fear or joy.<br />

Force Process Affected<br />

The volcano erupted<br />

Lightning struck the oak tree<br />

An earthquake destroyed most of the city<br />

Anxiety can ruin your health<br />

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In the following description, the subjects in italics realise the role of Force and most<br />

of the verbs encode material processes:<br />

The cold crept in from the corners of the shanty, closer and closer to the stove. Icycold<br />

breezes sucked and fluttered the curtains around the beds. The little shanty<br />

quivered in the storm. But the steamy smell of boiling beans was good and it seemed<br />

to make the air warmer.<br />

(Laura Ingalls Wilder, The Long Winter)<br />

14.3 AFFECTED SUBJECT OF INVOLUNTARY PROCESSES<br />

OF ‘HAPPENING’<br />

Not all material processes involve a voluntary action carried out by an Agent. In<br />

situations expressed as Jordan slipped on the ice, the roof collapsed, the children have grown,<br />

the vase fell off the shelf, the participant, even when animate, is neither controlling nor<br />

initiating the action. This is proved by the inappropriateness of the question ‘What did<br />

130 ENGLISH GRAMMAR


X do?’ and of the wh-cleft test (*What the children did was grow). Rather, we should ask<br />

‘What happened to X?’ The participant on which the action centres in such cases is,<br />

then, Affected. It is found in involuntary transitional processes such as grow and melt,<br />

which represent the passage from one state to another, and in involuntary actions and<br />

events such as fall, slip and collapse, which may have an animate or an inanimate<br />

participant.<br />

Affected Subject Involuntary process Circumstance<br />

Jordan slipped on the ice<br />

The children<br />

have grown<br />

The roof<br />

collapsed<br />

The vase fell off the shelf<br />

In the following passage almost all the clauses are intransitive: the Subject participant<br />

varies from Agentive (voluntary) to Affected (involuntary animate, or inanimate).<br />

Encounter between an Indian father and his son<br />

So I raced out of my room, 1 with my fingers in my ears, to scream 2 till the roof fell<br />

3<br />

down about their ears.<br />

But the radio suddenly went off, 4 the door to my parents’ room suddenly opened 5<br />

and my father appeared, 6 bathed and shaven, his white ‘dhoti’ blazing, 7 his white<br />

shirt crackling, 8 his patent leather pumps glittering. 9 He stopped 10 in the doorway<br />

and I stopped 11 on the balls of my feet and wavered. 12<br />

(Anita Desai, Games at Twilight)<br />

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1<br />

Agentive Subject; 2 implicit Agentive Subject; 3 Affected inanimate Subject; 4 Affected inanimate<br />

Subject; 5 Affected inanimate Subject; 6 Agentive Subject; 7 Affected inanimate Subject; 8 Affected<br />

inanimate Subject; 9 Affected inanimate Subject; 10 Agentive Subject; 11 Agentive Subject;<br />

12<br />

animate diminished volition<br />

The high number of one-participant processes in this text helps to make us participate<br />

in the boy’s apprehension. Inanimate objects (radio, door, roof, ‘dhoti’, shirt, pumps)<br />

appear to take on a life of their own, able to carry out actions which to him are potentially<br />

violent and threatening (fall down, blaze, crackle, glitter). Potentially threatening, too, are<br />

his father’s actions, in this context. They are not extended to any other entity; he simply<br />

appears and stops. But the foreboding is there. The boy’s actions are not directed towards<br />

anything except escape (race out). But this initial volition weakens, becomes semivoluntary<br />

(scream) and is almost lost in the final intransitive (wavers).<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 131


CAUSATIVE PROCESSES MODULE 15<br />

SUMMARY<br />

1 In causative material processes some external Agent or Force causes something<br />

to happen. In the paradigm case, a responsible, purposeful human Agent<br />

directly causes an Affected to undergo the action named by the verb. The<br />

Affected, not the Agent, is the inherent participant that undergoes the process,<br />

as in I rang the bell.<br />

2 When the Affected object of a transitive-causative clause is the same as the<br />

Affected subject of the corresponding intransitive clause, we have an ‘ergative<br />

pair’.<br />

3 A ‘pseudo-intransitive’ expresses the facility of a participant to undergo a<br />

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process: Glass breaks easily.<br />

15.1 CAUSATIVE MATERIAL PROCESSES AND ERGATIVE<br />

PAIRS<br />

The prototypical pattern of direct causation is quite complex. A controlling, purposeful,<br />

responsible Agent directs its energy towards something or someone (the Affected), so<br />

that this undergoes the action named by the verb, with a consequent change of state.<br />

The following example illustrate this transitive-causative structure.<br />

Initiating Agent Process Affected<br />

Paul opened the door<br />

Pat boiled the water<br />

I rang the bell<br />

From this perspective, the action of boiling, ringing, etc. is initiated by a controlling<br />

Agent or a Force participant: The sun melted the ice.<br />

132 ENGLISH GRAMMAR


The Affected is, however, the essential participant, the one primarily involved in the<br />

action. It is the door that opens, the water that boils and the bell that rings.<br />

If we conceptualise the situation from a different angle, in which no Agent initiator<br />

is present, we encode the process as ‘happening’ of its own accord. An Agent can’t be<br />

added. This is the anti-causative structure.<br />

Affected<br />

The door<br />

The water<br />

The bell<br />

Process<br />

opened<br />

boiled<br />

rang<br />

When the Affected object of a transitive clause (e.g. the bell) is the same as the<br />

Affected subject of an intransitive clause, we have an ergative alternation or ergative<br />

pair, as in I rang the bell (transitive) and the bell rang (intransitive). This key participant<br />

in both cases is sometimes called the Medium. Ergative systems in many languages are<br />

ordinarily characterised by morphological case marking, the subject of the intransitive<br />

clause and the object of the transitive clause being marked in the same way, while the<br />

Agentive subject is marked differently. This is not the case with <strong>English</strong> which instead<br />

marks both the subject of an intransitive clause and that of a transitive clause as nominative,<br />

and the object of the transitive as accusative. We can see this in the two meanings<br />

of leave: he left (went away, intrans.), he left them (abandon, trans.).<br />

Nevertheless, the term ‘ergative’ has been extended to <strong>English</strong> on the basis of the<br />

semantic association between S (intrans.) and O (trans.) in alternations illustrated by<br />

boil, ring, etc. The semantic similarity between these two is one of change of state.<br />

The test for recognising an ergative pair is that the causative-transitive, twoparticipant<br />

structure must always allow for the corresponding one-participant, anticausative<br />

structure. Compare the previous examples (e.g. he opened the door/the door<br />

opened) with the following, in which the first, although transitive, is not causative. There<br />

is no intransitive counterpart, and consequently, no ergative pair:<br />

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Pelé kicked the ball.<br />

*The ball kicked<br />

Ergative pairs account for many of the most commonly used verbs in <strong>English</strong>, some of<br />

which are listed below, with examples:<br />

burn<br />

break<br />

burst<br />

close<br />

cook<br />

fade<br />

freeze<br />

I’ve burned the toast. The toast has burned.<br />

The wind broke the branches. The branches broke.<br />

She burst the balloon. The balloon burst.<br />

He closed his eyes. His eyes closed.<br />

I’m cooking the rice. The rice is cooking.<br />

The sun has faded the carpet. The carpet has faded.<br />

The low temperature has frozen the milk. The milk has frozen.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 133


melt<br />

run<br />

stretch<br />

tighten<br />

wave<br />

The heat has melted the ice. The ice has melted.<br />

Tim is running the bathwater. The bathwater is running.<br />

I stretched the elastic. The elastic stretched.<br />

He tightened the rope. The rope tightened.<br />

Someone waved a flag. A flag waved.<br />

Within this alternation – described here as an ‘ergative pair’ – there is a set of basically<br />

intransitive volitional activities (walk, jump, march) in which the second participant is<br />

involved either willingly or unwillingly. The control exerted by the Agent predominates<br />

in the causative-transitive:<br />

He walked the dogs in the park.<br />

He jumped the horse over the fence<br />

The sergeant marched the soldiers.<br />

The dogs walked.<br />

The horse jumped over the fence.<br />

The soldiers marched.<br />

It is also possible to have an additional agent and an additional causative verb in the<br />

transitive clauses of ergative pairs; for example, The child got his sister to ring the bell, Mary<br />

made Peter boil the water.<br />

15.2 ANALYTICAL CAUSATIVES WITH A RESULTING<br />

ATTRIBUTE<br />

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One final type of causative we will consider is the analytical type, based on combinations<br />

with verbs such as make and turn. In these an Agent brings about a change of state in<br />

the Affected participant. The resulting state is expressed by an Attribute (Complement<br />

of the Object in a syntactic analysis).<br />

Agent Process Affected Resulting Attribute<br />

They are making the road wider and safer.<br />

This machine will make your tasks simple.<br />

The heat has turned the milk sour.<br />

Pat had her face lifted.<br />

The resulting change of state in the Affected participant is sometimes part of the<br />

meaning of a morphologically related causative verb: widen is the equivalent of make<br />

wide and simplify means make simple. With such verbs there are alternative SPOd<br />

causative structures: They are widening the road; This machine will simplify your tasks. For<br />

other adjectives such as safe there is no corresponding causative verb. Certain dynamic<br />

verbs such as turn can be used in specific causative senses in <strong>English</strong>. Have introduces<br />

a passive sense, expressed by a participle (cause to be -en).<br />

Analytical causatives and causative-transitives are illustrated in the following text:<br />

134 ENGLISH GRAMMAR


The cold wind made the horses eager to go. 1 They pricked their ears forward and<br />

back 2 and tossed their heads, 3 jingling the bits 4 and pretending to shy at their own<br />

shadows. They stretched their noses forward, 5 pulling on the bits and prancing to<br />

go faster.<br />

(Laura Ingalls Wilder, The Long Winter)<br />

1<br />

causing a change of state (eager) in the Affected participant (horses); 2 causing the Affected<br />

(their ears) to undergo an action (prick . . . forward and back); 3 causing the Affected (their<br />

heads) to undergo an action (toss); 4 causing the Affected (the bits) to undergo an action (jingle);<br />

5<br />

causing the Affected (their noses) to undergo an action (stretch . . .).<br />

Clauses 2, 3, 4 and 5 contain verbs used causatively and could have an anti-causative<br />

counterpart:<br />

Their ears pricked forward and back<br />

Their heads tossed<br />

The bits jingled<br />

Their noses stretched forward<br />

In clause 1 the cold wind is the inanimate causer, which initiates the action. In the<br />

remaining clauses they (the horses) are the causative Agent, setting in motion parts of<br />

themselves or their harness. By choosing the two-participant, rather than the oneparticipant<br />

structure, the author is able to present the horses as lively, eager beings.<br />

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15.3 PSEUDO-INTRANSITIVES<br />

A further type of Affected Subject occurs with certain processes (break, read, translate,<br />

wash, tan, fasten, lock) which are intrinsically transitive, but in this construction are<br />

construed as intransitive, with an Affected subject.<br />

Glass breaks easily.<br />

This box doesn’t shut/close/lock/fasten properly.<br />

Colloquial language translates badly.<br />

Some synthetic fibres won’t wash. Usually they dry-clean.<br />

Fair skin doesn’t tan quickly, it turns red.<br />

Pseudo-intransitives differ from other intransitives in the following ways:<br />

• They express a general property or propensity of the entity to undergo (or not<br />

undergo) the process in question. Compare glass breaks easily with the glass broke,<br />

which refers to a specific event.<br />

• Pseudo-intransitives tend to occur in the present tense.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 135


• The verb is accompanied by negation, or a modal (often will/won’t), or an adverb<br />

such as easily, well, any of which specify the propensity or otherwise of the thing to<br />

undergo the process.<br />

• A cause is implied but an Agent can’t be added in a by-phrase.<br />

• There is no corresponding transitive construction, either active or passive, that<br />

exactly expresses the same meaning as these intransitives. To say, for instance,<br />

colloquial language is translated badly is to make a statement about translators’<br />

supposed lack of skill, rather than about a property of colloquial language. The<br />

difficulty of even paraphrasing this pattern shows how specific and useful it is.<br />

For the similarity of intransitive subjects and transitive objects as conveyors of new<br />

information, see Chapter 6. These are the roles in which new information is overwhelmingly<br />

expressed.<br />

See 30.3 for passive counterparts of active structures and 30.3.3 for the get-passive.<br />

These, like copular counterparts, are not identical in meaning to the structures discussed<br />

here, but demonstrate some of the many ways of conceptualising an event.<br />

Ed broke the glass<br />

The glass was broken (by Ed)<br />

The glass got broken<br />

The glass was already broken<br />

The glass broke<br />

Glass breaks easily<br />

active<br />

be-passive<br />

get-passive<br />

copular (state)<br />

(anti-causative)<br />

(pseudo-intransitive)<br />

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136 ENGLISH GRAMMAR


PROCESSES OF TRANSFER MODULE 16<br />

SUMMARY<br />

1 There are three participants in the processes of transfer: Agent, Affected and<br />

Recipient or Beneficiary.<br />

2 The Recipient is a central participant in three-participant processes such as give.<br />

It encodes the one who receives the transferred material.<br />

3 The Beneficiary is the optional, non-central participant in three-participant<br />

processes such as fetch. It represents the one for whom some service is done.<br />

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16.1 RECIPIENT AND BENEFICIARY IN PROCESSES OF<br />

TRANSFER<br />

With processes that encode transfer – such as give, send, lend, charge, pay, offer and owe<br />

– the action expressed by the verb extends not only to the Affected but to a third inherent<br />

participant, the Recipient, as in:<br />

Ed gave the cat a bit of tuna.<br />

Bill’s father has lent us his car.<br />

Have you paid the taxi-driver the right amount?<br />

The Recipient is the one who usually receives the ‘goods’, permission or information.<br />

(With owe there is a ‘moral’ Recipient who has not yet received anything.)<br />

The Beneficiary, by contrast is the optional, not inherent, participant for whom some<br />

service is done. This often amounts to being the intended recipient. However, it is not<br />

necessarily the same as receiving the goods. I can bake you a cake, but perhaps you<br />

don’t want it.<br />

This difference is reflected in <strong>English</strong> in the syntax of verbs such as fetch, get, make,<br />

buy, order and many verbs of preparation such as cook, bake and mix, which can be<br />

replaced by make. These can represent services done for people rather than actions to<br />

people.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 137


Nurse, could you fetch me a glass of water?<br />

Yes, but soon I’ll bring you your orange juice. I’ll get you something to read, too.<br />

Semantically, both Recipient and Beneficiary are typically animate and human, while<br />

syntactically both are realised as indirect object (see 6.2.1). Occasionally an inanimate<br />

Recipient occurs as in: ‘We’ll give the unemployment question priority.’ An inanimate<br />

Beneficiary is possible but unlikely: ?I’ve bought the computer a new mouse.<br />

The two syntactic tests for distinguishing Recipient from Beneficiary, namely<br />

passivisation and the prepositional counterpart, are discussed in 6.2.1 and 10.4.1.<br />

Recipient and Beneficiary can occur together in the same clause, as in the following<br />

example, which illustrates the difference between the one who is given the goods (me)<br />

and the intended recipient (my daughter): She gave me a present for my daughter.<br />

Both Recipient and Beneficiary may be involved in processes of an unbeneficial<br />

nature such as they sent him a letter-bomb, in which him is Recipient; and they set him a<br />

trap in which him is Beneficiary.<br />

16.2 SUMMARY OF MATERIAL PROCESS TYPES<br />

Example Participant(s) Type<br />

The Prime Minister resigned Agent doing (intrans.)<br />

Ed kicked the ball Agent + Affected doing (trans.)<br />

The volcano erupted Force doing (intrans.)<br />

The dog died Affected happening (intrans.)<br />

Ed broke the glass Agent initiator + Aff/Medium causative-trans.<br />

The glass broke Affected/Medium anti-causative<br />

Glass breaks easily Affected pseudo-intrans.<br />

The glass was broken (by Ed) Affected (+ optional Agent) passive<br />

The glass got broken Affected get-passive<br />

They made the road wider Ag. + Aff + Attribute analytical causative<br />

Ed gave the cat a bit of tuna Ag. + Rec + Aff transfer (trans.)<br />

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138 ENGLISH GRAMMAR


CONCEPTUALISING WHAT MODULE 17<br />

WE THINK, PERCEIVE AND FEEL<br />

SUMMARY<br />

1 Mental processes comprise processes of perception (see, hear, feel), of<br />

cognition (know, understand, believe) and of affection and desideration (like,<br />

fear; want, wish).<br />

2 There is always a conscious participant, the Experiencer, who perceives,<br />

knows, likes, etc. There is usually a second participant, the Phenomenon –<br />

that which is perceived, known, liked or wanted.<br />

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17.1 MENTAL PROCESSES<br />

Not all situations that we wish to express linguistically centre on doings and happenings.<br />

Mental processes are those through which we organise our mental contact with the<br />

world. There are four main types: cognition, such as know, understand, believe, doubt,<br />

remember and forget; perception, encoded by verbs such as see, notice, hear, feel and<br />

taste; affectivity, such as like, love, admire, miss and hate; desideration such as hope,<br />

want, desire and wish. Some of these are illustrated in the following invented sequence:<br />

Tom saw a ball in the tall grass. He knew it wasn’t his, but he wanted to get it. He<br />

didn’t realise there were lots of nettles among the grass. He soon felt his hands<br />

stinging. He wished he had noticed the nettles.<br />

With mental processes it makes no sense, as it does with material processes, to talk<br />

about who is doing what to whom. In, for example, Jill liked the present, Jill is not doing<br />

anything, and the gift is not affected in any way. We can’t apply the ‘doing to’ test to<br />

processes of liking and disliking, asking for instance ‘What did Jill do to the present?’<br />

In many cases, a better test is to question the Experiencer’s reaction to something. It is<br />

therefore inappropriate to call Jill an Agent and the present the Affected. Rather, we need<br />

two more semantic roles:<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 139


Jill liked the present<br />

Experiencer Process Phenomenon<br />

The Experiencer (or Senser) is the participant who sees, feels, thinks, likes, etc., and<br />

is typically human, but may also be an animal or even a personified inanimate object<br />

(The rider heard a noise, the horse sensed danger, your car knows what it needs). The use of<br />

a non-conscious entity as Experiencer in a mental process is often exploited for<br />

commercial ends, as in this last example.<br />

The second participant in a mental process, that which is perceived, known, liked,<br />

etc., is called the Phenomenon. Mental processes are typically stative and nonvolitional.<br />

When they occur in the present tense they typically take the simple, rather<br />

than the progressive, form. Compare this feature with material process verbs, for<br />

which the more usual, ‘unmarked’ form for expressing a happening in the present is<br />

the progressive. Another feature of stative verbs is that they do not easily occur in the<br />

imperative (Know thyself is a famous exception).<br />

*Jill is liking the present *Like the present, Jill! (mental)<br />

Bill is mending the bicycle. Mend the bicycle, Bill! (material)<br />

Mental processes can sometimes be expressed with the Phenomenon filling the Subject<br />

slot and the Experiencer as Object, although not necessarily by means of the same verb.<br />

This means that we have two possible construals of the mental experience: in the one<br />

case, the human participant reacts to a phenomenon, as in 1 and 2, while in the other<br />

the phenomenon activates the attention of the experiencer, as in 3 and 4. Reversibility<br />

is helped by the fact that the passive is possible with many mental processes:<br />

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Experiencer Process Phenomenon<br />

1 I don’t understand his motives<br />

2 Most people are horrified by the increase in violence<br />

Phenomenon Process Experiencer<br />

3 His motives elude me<br />

4 The increase in violence horrifies most people<br />

Similarly, <strong>English</strong> has the verb please, which is used occasionally in this way: I don’t<br />

think her choice pleased her mother (BNC G31639). More often ‘pleased’ is used as an<br />

adjective, as in he was very pleased with himself, which adjusts to the predominant pattern<br />

by which human subjects are preferred to non-human ones. ‘Pleased’ also tends to be<br />

equivalent to ‘satisfied’ or polite ‘willing’ as in <strong>University</strong> officers will be pleased to advise<br />

anyone ...(BNC G31 871), which is quite different affectively from ‘like’.<br />

In all the examples so far, the Phenomenon has been a single entity, expressed as a<br />

nominal group as the Object of the verb. But it can also be a fact, a process or a whole<br />

situation, realised by a clause (see 11.1), as in the following examples:<br />

140 ENGLISH GRAMMAR


We knew that it would be difficult<br />

Nobody saw the train go off the rails<br />

I fancy going for a swim<br />

17.2 COGNITIVE PROCESSES: KNOWING, THINKING AND<br />

BELIEVING<br />

Cognitive processes are encoded by such stative verbs as believe, doubt, guess, know,<br />

recognise, think, forget, mean, remember, understand. A selection of examples is given<br />

below. Feel is also regularly used as an equivalent of ‘believe’. Most verbs of cognition<br />

have as their Phenomenon a wide range of things apprehended, including human,<br />

inanimate and abstract entities encoded as nominal groups (a) and (b). Facts, beliefs,<br />

doubts, perceptions and expectations are encoded as finite that-clauses (c) and (f), finite<br />

wh-clauses (e), or non-finite clauses (d), as discussed in modules 11 and 12.<br />

Experiencer Cognitive process Phenomenon<br />

I don’t know anyone of that name (entity) (a)<br />

Everybody remembered his face (entity) (b)<br />

Susan felt that the first idea was the best (fact) (c)<br />

She has forgotten to leave us a key (situation) (d)<br />

Nobody realised that it was too late (situation) (e)<br />

Beryl thought that you were ill (belief) (f)<br />

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Many cognitive processes allow the Phenomenon to be unexpressed when this is<br />

‘Given information’ (see 29.2), for example I don’t know, Jill doesn’t understand, Nobody<br />

will remember.<br />

In the following short extract, the author has chosen processes of cognition, perception,<br />

affection and one behavioural to reflect the mental make-up of a meteorologist<br />

whose work contributed to chaos theory:<br />

Lorenz enjoyed 1 weather – by no means a prerequisite for a research meteorologist.<br />

He savored 2 its changeability. He appreciated 3 the patterns that come and go in the<br />

atmosphere, families of eddies and cyclones, always obeying mathematical rules, yet<br />

never repeating themselves. When he looked 4 at clouds he thought 5 he saw 6 a kind<br />

of structure in them. Once he had feared 7 that studying the science of weather would<br />

be like prying a jack-in-the-box apart with a screwdriver. Now he wondered 8 whether<br />

science would be able to penetrate the magic at all. Weather had a flavor that could<br />

not be expressed by talking about averages.<br />

(James Gleick, Chaos, Making a New Science)<br />

1<br />

affection; 2 perception; 3 cognition; 4 behavioural; 5 cognition; 6 perception; 7 affection; 8 cognition<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 141


17.3 PERCEPTION PROCESSES: SEEING, HEARING AND<br />

FEELING<br />

As expressed by the non-volitional senses of see and hear in <strong>English</strong>, perception is an<br />

involuntary state, which does not depend upon the agency of the perceiver, who in fact<br />

receives the visual and auditory sensations non-volitionally. However, as the term<br />

Recipient has been adopted for the one who receives goods and information in threeparticipant<br />

processes, we will keep to the terms Experiencer or Senser. In the following<br />

illustrations you will notice that can is used when expressing non-volitional perception<br />

at the moment of speaking. This use replaces the present progressive, which is<br />

ungrammatical in such cases (*I am smelling gas).<br />

Tom saw a snake.<br />

I can feel a draught.<br />

We heard a noise.<br />

Can you taste the lemon in the sauce?<br />

I can smell gas.<br />

The verbs see and feel are often used in <strong>English</strong> as conceptual metaphors for the cognitive<br />

processes of understanding and believing, respectively, as in You do see my point, don’t<br />

you? – No, I don’t see what you mean. I feel we should talk this over further. In addition, see<br />

has a number of dynamic uses, such as See for yourself! with the meaning of ‘verify’, and<br />

see someone off, meaning ‘accompany someone to the station, airport’, among many<br />

others. The progressive can be used with these (see 43.5).<br />

Corresponding to non-volitional see and hear, <strong>English</strong> has the dynamic volitional verbs<br />

look, watch and listen, among others. These are classed as behavioural processes.<br />

The perception processes of ‘feeling, ‘smelling’ and ‘tasting’ each make use of one<br />

verb (feel, smell and taste) to encode three different ways of experiencing these sensations:<br />

one stative and non-volitional (I can smell gas), a second dynamic and volitional (Just<br />

smell these roses!) and the third as a relational process (This fish smells bad). In languages<br />

other than <strong>English</strong>, these differences may be lexicalised as different verbs.<br />

In processes of seeing, hearing and feeling, <strong>English</strong> allows the Phenomenon to<br />

represent a situation that is either completed (I saw her cross the road) or not completed<br />

(I saw her crossing the road) (see 12.4).<br />

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17.4 AFFECTIVE AND DESIDERATIVE PROCESSES:<br />

LIKING AND WANTING<br />

17.4.1 Affective processes: loving and hating<br />

Under affectivity process we include those positive and negative reactions expressed<br />

by such verbs as like, love, please, delight, dislike, hate and detest. Common desiderative<br />

verbs are want and wish.<br />

We both love dancing.<br />

I detest hypocrisy.<br />

The ballet performance delighted the public.<br />

Do you want a cup of coffee?<br />

142 ENGLISH GRAMMAR


The Phenomenon in affectivity processes can be expressed by a nominal group which<br />

represents an entity, or by a clause representing an event or a situation. The situation<br />

is represented as actual or habitual by means of an -ing clause, while a to-infinitive clause<br />

will be interpreted as potential. For this reason, the latter is used in hypothetical<br />

meanings. Some verbs admit only one or other of the forms. Other verbs such as like,<br />

love and hate admit either (see also 12.4), and illustrate this semantic distinction in the<br />

following examples:<br />

-ing clause<br />

They enjoy walking in the woods.<br />

She likes visiting her friends.<br />

I hate having a tooth out.<br />

to-infinitive clause<br />

They love to walk in the woods.<br />

She would like to visit Janet.<br />

I would hate to have my teeth out.<br />

17.4.2 Desiderative processes: wanting and wishing<br />

These are expressed by such verbs as want, desire and wish. The Phenomenon role of<br />

want and desire can be expressed as either a thing or a situation, encoded by a nominal<br />

group or a to-infinitive clause, respectively; with wish only the situation meaning is<br />

possible. Both desire and wish can be used as very formal variants to want, and<br />

consequently occur in quite different registers and styles.<br />

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Do you want anything else? (thing)<br />

Do you desire anything further this evening, sir? (thing)<br />

If you want to stay overnight, just say so. (situation)<br />

If you wish to remain in the college, you must comply with the regulations. (situation)<br />

If you desire to receive any further assistance, please ring the bell (situation)<br />

Wishing, however, can also express in the Phenomenon role a longing for an event or<br />

state that is counter to reality. This notion of unreality is expressed by a simple Past<br />

tense (or the Past subjunctive were if the verb is be) or a Past Perfect. These Past tenses<br />

have the effect of ‘distancing’ the event from speech time. Wish takes modal would +<br />

infinitive to refer to future time. The complementiser that is normally omitted (see 11.1):<br />

present-time reference<br />

past-time reference<br />

future-time reference<br />

I wish Ted were here with us.<br />

I wish Ted had been here with us.<br />

I wish Ted would come soon.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 143


RELATIONAL PROCESSES OF MODULE 18<br />

BEING AND BECOMING<br />

SUMMARY<br />

1 The third main category of processes, relational processes, expresses the notion<br />

of being, in a wide sense. In <strong>English</strong> there are two main patterns of ‘being’:<br />

the Attributive, as in Tom is a pilot, and the Identifying, as in Fred is the<br />

doorman.<br />

2 The participant in the Attributive structure is the Carrier, the entity to which is<br />

ascribed an Attribute. The relations are of three kinds: attributive: Tom is<br />

keen, Tom is a pilot; circumstantial: The bus stop is over there; possessive:<br />

That car is mine. In possessive structures the participants are known as the<br />

Possessor and the Possessed.<br />

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3 The identifying pattern is reversible: it identifies one entity in terms of another.<br />

These are the Identified and the Identifier as in Fred is the doorman/The<br />

doorman is Fred. A different analysis assigns Value to the more general role<br />

(the doorman) and Token to the one that fills that role (Fred).<br />

4 The process itself is encoded by linking verbs (mainly be and have) whose<br />

function is to carry tense and to relate the Carrier to its Attribute, the Identified<br />

to its Identifier and the Possessor to the Possessed. Others like lack and feel<br />

encode additional meanings.<br />

18.1 TYPES OF BEING<br />

Relational processes express the concept of being in a broad sense. They answer the<br />

questions ‘Who or what, where/when or whose is some entity, or What is some entity<br />

like?’ In other words, relational processes cover various ways of being: being something,<br />

being in some place/at some time, or in a relation of possession, as illustrated here:<br />

1 Mont Blanc is a (high) mountain. (an instance of a type)<br />

2 Mont Blanc is popular with climbers. (attribution)<br />

3 Mont Blanc is the highest mountain in Europe. (identification)<br />

144 ENGLISH GRAMMAR


4 Mont Blanc is in the Alps. (circumstance: location)<br />

5 Those gloves are yours. (possession)<br />

There are two main patterns, the attributive as in 1, 2, 4 and 5 and the identifying, as in<br />

3. We shall take a look at each in turn.<br />

18.2 THE ATTRIBUTIVE PATTERN<br />

There is one participant, the Carrier, which represents an entity. Ascribed to the Carrier<br />

is an Attribute, which characterises the entity in some way. Here are some examples:<br />

Carrier Process Attribute<br />

Their eldest son was a musician<br />

The unemployment figures are alarming<br />

Sports equipment is on the third floor<br />

In the examples seen so far, the Attribute characterises the entity in the following<br />

ways: as an instantiation of a class of entities (a mountain, a musician) or a subclass (that<br />

of high mountains, as in (1); by a quality (popular with climbers, alarming); by a location<br />

(in the Alps, on the third floor); or as a type of possession (yours) (see also 18.4).<br />

There is an intensive relationship between the Carrier and its Attribute. That is to say,<br />

the Carrier is in some way the Attribute. The Attribute is not a participant in the situation,<br />

and when realised by a nominal group the NG is non-referential; it can’t become the<br />

Subject in a clause. Attributive clauses are non-reversible in the sense that they don’t<br />

allow a Subject–Complement switch. They allow thematic fronting (see 28.7) as in . . .<br />

and a fine musician he was too, but a fine musician is still the Attribute, and he the Subject.<br />

The process itself, when encoded by be, carries little meaning apart from that of tense<br />

(past time as in was; present as in is, are). Its function is to link the Carrier to the Attribute.<br />

However, the process can be expressed either as a state or as a transition. With stative<br />

verbs such as be, keep, remain, seem and verbs of sensing, such as look (= ‘seem’), the<br />

Attribute is seen as existing at the same time as the process described by the verb and<br />

is sometimes called the current Attribute.<br />

With dynamic verbs of transition such as become, get, turn, grow, run, the Attribute<br />

exists as the result of the process and can be called the resulting Attribute. Compare<br />

The weather is cold with The weather has turned cold.<br />

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Current Attribute<br />

We kept quiet<br />

He remained captain for years<br />

Your sister looks tired<br />

The public are weary of strikes<br />

Resulting Attribute<br />

We fell silent<br />

He became captain<br />

She gets tired easily<br />

The public has grown weary of strikes<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 145


There is a wide variety of verbs in <strong>English</strong> to express both states and transitions (see<br />

9.4). As states, the most common verbs of perception such as look, feel, sound, smell and<br />

taste keep their experiential meaning in relational clauses. An Experiencer participant<br />

(e.g. to me) can be optionally added to this semantic structure:<br />

feel<br />

feel as if<br />

look<br />

look like<br />

sound<br />

smell<br />

taste<br />

The surface feels too rough (to me)<br />

My fingers feel as if they were dropping off with the cold<br />

Does this solution look right? (to you)<br />

[What’s that insect?] It looks like a dragonfly (to me)<br />

His name sounds familiar (to me)<br />

That fish smells bad (to me)<br />

This soup tastes of vinegar (to me)<br />

The verb feel can function in two types of semantic structure: with an Experiencer/<br />

Carrier (I feel hot; she felt ill), or with a neutral Carrier (the surface feels rather rough).<br />

In expressions referring to the weather, such as it is hot/cold/sunny/windy/frosty/cloudy/<br />

foggy, there is no Carrier and much of the meaning is expressed by the Attribute.<br />

18.3 CIRCUMSTANTIAL RELATIONAL PROCESSES<br />

These are processes of being in which the circumstantial element is essential to the<br />

situation, not peripheral to it (see also 9.2). The circumstance is encoded as Attribute<br />

in the following examples and stands in an intensive relationship with the Carrier:<br />

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Location in space: The museum is round the corner.<br />

Location in time: Our next meeting will be on June 10.<br />

Means:<br />

Entrance to the exhibition is by invitation.<br />

Agent:<br />

This symphony is by Mahler.<br />

Beneficiary:<br />

These flowers are for you.<br />

Metaphorical meanings: He’s off alcohol. Everyone’s into yoga nowadays.<br />

The circumstance is encoded by the verb in The film script concerns (= is about) a<br />

pyschopath who kidnaps a girl, The desert stretches as far as the eye can see, The carpet<br />

measures three metres by two, The performance lasted three hours.<br />

Examples such as Tomorrow is Monday; Yesterday was July 1st are reversible and can<br />

be considered as identifying circumstantial processes.<br />

18.4 POSSESSIVE RELATIONAL PROCESSES<br />

The category of possession covers a wide number of subtypes, of which the most<br />

prototypical are perhaps part-whole (as in your left foot), ownership (as in our house) and<br />

kinship relations (such as Jane’s sister). Other less central types include unowned<br />

possession (as in the dog’s basket), a mental quality (her sense of humour), a physical quality<br />

146 ENGLISH GRAMMAR


(his strength), occupancy (his office) and an association with another person (my friends<br />

and colleagues). All these types and others are grammaticalised at the level of the clause<br />

in possessive relational processes. A relatively small number of verbs occur, principally<br />

be, have, own and possess. The two participants involved are the Possessor and the<br />

Possessed. The notion of possession is expressed either by the Attribute, as in That<br />

computer is mine, or by the process itself, as in I have a new computer.<br />

A. Possession as Attribute<br />

In this, the verb is be and the Attribute/Possessor is encoded by a possessive pronoun<br />

(mine, yours, his, hers, ours, theirs) or by an ’s phrase such as John’s in The green Peugeot<br />

is John’s. The sequence is similar with belong, although it is then the verb that conveys<br />

the notion of possession:<br />

The be/belong possessive structure<br />

Possessed/Carrier Process Possessor/Attribute<br />

These keys are my brother’s<br />

This glove isn’t mine<br />

This mansion belongs to a millionaire<br />

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B. Possession as process<br />

<strong>English</strong> has several verbs to express possession. With be, have, own, possess and the more<br />

colloquial have got, the Carrier is the Possessor and the Attribute is the Possessed.<br />

Also included in the category of ‘possessing’ are the notions of not possessing (lack,<br />

need), of being worthy to possess (deserve), and the abstract relations of inclusion,<br />

exclusion and containment:<br />

Verbs of possession in the Possessor–Possessed structure<br />

Possessor/Carrier Process Possessed/Attribute<br />

The baby has blue eyes<br />

His uncle owns a yacht<br />

I don’t possess a gun<br />

He lacks confidence<br />

Plants need water<br />

You deserve a prize<br />

The price includes postage<br />

The price excludes breakfast<br />

That can contains petrol<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 147


Relational processes are extremely common in all uses of <strong>English</strong>. The following<br />

extract is based on an interview with a young farmer who breeds pigs. He describes<br />

them, not by what they do, but as they are; this view is reflected in the large number of<br />

Attributes.<br />

Pigs are different. 1 A pig is more of an individual, 2 more human 3 and in many ways<br />

a strangely likeable character. 4 Pigs have strong personalities 5 and it is easy to get<br />

fond of them. 6 I am always getting fond of pigs and feel a bit conscience-stricken 7<br />

when I have to put them inside for their whole lives. Pigs are very clean animals 8<br />

but, like us, they are all different; 9 some will need cleaning out 10 after half a day<br />

and some will be neat and tidy 11 after three days. Some pigs are always in a mess 12<br />

and won’t care. Pigs are very interesting people 13 and can leave quite a gap when<br />

they go off to the bacon factory.<br />

(Ronald Blythe, Akenfield)<br />

18.5 THE IDENTIFYING PATTERN<br />

The participant roles in an identifying relationship are known as Identified and<br />

Identifier. Identification means that one participant, the Identified, is identified in terms<br />

of the other (the Identifier), in a relation of symbolic correlates. The Identifier is the one<br />

that fills the wh- element in a wh-question corresponding to the identifying clause:<br />

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(a) [What/Which is Mont Blanc?]<br />

Mont Blanc (Identified) is the highest mountain in Europe (Identifier).<br />

(b) [Which is your father-in-law? Looking at a photograph]<br />

My father-in-law (Identified) is the one in the middle (Identifier).<br />

Identifying processes are reversible. The previous illustrations can be turned around,<br />

with the Identified/Identifying roles now represented by the opposite constituent:<br />

(c) [What/Which is the highest mountain in Europe?]<br />

The highest mountain in Europe (Identified) is Mont Blanc (Identifier).<br />

(d) [Who/Which is the one in the middle?]<br />

The one in the middle (Identified) is my father-in-law (Identifier).<br />

The difference between the two sequences lies in which element we want to identify;<br />

for instance, do we want to identify Mont Blanc or do we want to identify the highest<br />

mountain in Europe? In a discourse context this is a matter of presumed knowledge.<br />

Question (a) presumes that the listener has heard of Mont Blanc but doesn’t know its<br />

ranking among mountains. The answer could be ‘Mont Blanc (Identified) is the highest<br />

mountain in Europe (Identifier)’, in which the highlighted part represents tonic<br />

148 ENGLISH GRAMMAR


prominence and the new information. Question (c) presumes that our listener knows<br />

there are high mountains in Europe, but not which one is the highest, receiving the<br />

answer ‘The highest mountain in Europe (Identified) is Mont Blanc (Identifier)’.<br />

Alternatively, in answer to the same question Which is the highest mountain in Europe?<br />

we could say ‘Mont Blanc (Identifier) is the highest mountain in Europe (Identified)’.<br />

In spoken discourse it is the Identifier that typically receives the tonic prominence<br />

that is associated with new information, whether this is placed at the end (the usual<br />

position) or at the beginning of the clause. In each sequence, then, one half is typically<br />

something or someone whose existence is already known (the Identified), whereas the<br />

Identifier presents information as unknown or new to the listener. (These notions are<br />

explained more fully in Module 29 on information packaging.)<br />

Reversibility in Identifying clauses<br />

Identified<br />

Identifier<br />

Mont Blanc is the highest mountain in Europe.<br />

My father-in-law is the one in the middle.<br />

Identifier<br />

Identified<br />

Mont Blanc is the highest mountain in Europe.<br />

My father-in-law is the one in the middle.<br />

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A further concept complementary to Identifying processes is that of ‘representation’<br />

or ‘roles filled’. One participant, the Token, is the entity that ‘represents’ or ‘fills the<br />

role of’ the other, the Value, as in:<br />

Token/Identified<br />

Value/Identifier<br />

My father-in-law is (= fulfils the role of) the club’s Secretary<br />

Negotiation is (= represents) the key to resolving the dispute<br />

Here the question is ‘Which role (Value) does my father-in-law/ negotiation (Token)<br />

fulfil or represent?’ However, we can put the question the other way round: ‘Which is<br />

the role of Club Secretary played by?/ the key to resolving the dispute fulfilled by?’ We<br />

have a different conflation of Identified/ Identifier with Token/ Value:<br />

Value/Identified<br />

Token/Identifier<br />

The club’s Secretary is (fulfilled by) my father-in-law<br />

The key to resolving the dispute is (represented by) negotiation<br />

The two sets of roles are different in kind. Identified and Identifier depend for their<br />

interpretation on the point in discourse in which they occur: the Identified is the one<br />

which has already been introduced, and the Identifier identifies it in a new way. Token<br />

and Value assignation depends, by contrast, on the intrinsic semantic properties of the<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 149


two ways of referring to the entity. Whichever is the more generalisable is the Value,<br />

while the Token is the specific representation of the Value. In a particular text, the Value<br />

points to particular cultural values and organisation, such as the importance of<br />

negotiation in resolving disputes, and granting denominations to people who fill certain<br />

functions in society. The following passage, Colours in Rugs across Cultures, illustrates<br />

such correspondences:<br />

The meaning of individual colours varies from culture to culture. In Muslim countries,<br />

green – the colour of Mohammed’s coat – is sacred and is very rarely used as a<br />

predominant colour, but it forms an important part of the dyer’s palette in non-Muslim<br />

cultures, particularly in China; here, the sacred colour is yellow, in which the Emperor<br />

traditionally dressed. White represents grief to the Chinese, Indians and Persians.<br />

Blue symbolises heaven in Persia, and power and authority in Mongolia. Orange is<br />

synonymous with piety and devotion in Muslim countries, while red, the most<br />

universal rug colour, is widely accepted as a sign of wealth and rejoicing.<br />

(BNC EXO 393–398)<br />

Finally, the difference between the Attributive and the Identifying patterns is reflected<br />

in the syntax in three ways: Only the identifying type is reversible (cf. *A high mountain<br />

is Mont Blanc); only the characterising type can be realised by an adjective (The<br />

unemployment figures are alarming); and Nominal groups that realise characterising<br />

Attributes are usually indefinite (a musician), while NGs that realise identifying Attributes<br />

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are usually definite (the club Secretary).<br />

Certain relational processes of possession can be analysed by the Identifying pattern,<br />

and are reversible if suitably contextualised as identifying people’s possessions. For<br />

example, sandwiches: Yours is the ham-and-cheese; Tim’s is the egg-and-lettuce and mine is<br />

the tomato-and-tuna. Similarly, circumstantial Attributes can be reversed when explaining<br />

the layout of an area: Across the road, past the fountain is the Prado Museum. On your left<br />

is the Ritz Hotel. Further back is the Real Academia.<br />

150 ENGLISH GRAMMAR


PROCESSES OF SAYING, MODULE 19<br />

BEHAVING AND EXISTING<br />

SUMMARY<br />

1 Processes of saying and communicating are verbal processes. The participant<br />

who communicates is the Sayer, and is typically human, while what is communicated<br />

is the ‘Said’ and may be a reported statement, a reported question<br />

or a reported directive (order, request, etc.). A Recipient, the addressee, is<br />

required with tell, and a Target may also be present in some verbal processes.<br />

2 Behavioural processes are half-way between material and mental processes, in<br />

that they have features of each. They include involuntary processes (cough) and<br />

volitional processes (watch, stare, listen).<br />

3 Existential processes, rather than stating that things simply exist, tend to specify<br />

the quantification and/or the location of something: There are bits of paper<br />

everywhere. The single participant is the Existent, which may be an entity or<br />

an event.<br />

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19.1 VERBAL PROCESSES<br />

Verbal processes are processes of ‘saying’ or ‘communicating’ and are encoded by such<br />

verbs as say, tell, repeat, ask, answer and report. They have one participant which is<br />

typically human, but not necessarily so (the Sayer) and a second essential participant,<br />

which is what is said or asked or reported (the Said). A Recipient is required with tell<br />

and may be present as an oblique form (e.g. to me) with other verbal processes:<br />

Sayer Verbal process Recipient Said<br />

She had to say her name twice<br />

That clock says five past ten<br />

The police officer repeated the question<br />

Jill told him what she knew<br />

Our correspondent reports renewed fighting on<br />

the frontier<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 151


The Sayer can be anything which puts out a communicative signal (that clock, Jill,<br />

our correspondent). What is said is realised by a nominal group or a nominal what-clause<br />

(what she knew). As these examples show, verbal processes are intermediate between<br />

material and mental processes. From one point of view, communicating is a form<br />

of ‘doing’, and in fact the Sayer is usually agentive or made to appear agentive, as in the<br />

case of the clock. Like material processes, verbal processes readily admit the imperative<br />

(Say it again!) and the progressive (What is he saying?).<br />

On the other hand, the action of communicating is close to cognitive processes such<br />

as thinking. Verbs of saying, telling and others can be followed by a clause that<br />

represents either the exact words said (direct report) or a reported version of the<br />

meaning (indirect report). Many speech-act verbs can function in this way, to report<br />

statements, questions, warnings, advice and other speech acts:<br />

She said: ‘I won’t be late’ (quoted statement or promise)<br />

She said she wouldn’t be late (reported statement or promise)<br />

She said: ‘Don’t go to see that film’ (quoted directive: advice)<br />

She told us not to go to see that film (reported directive: advice)<br />

These alternative encodings are described more fully in Chapter 7. For the syntacticsemantic<br />

differences between say and tell in <strong>English</strong>, see 11.2.<br />

When however, the message is encapsulated as a speech act by means of a nominal<br />

– such as ‘apology’, ‘warning’, ‘greeting’, ‘thanks’ and many others – it is treated as a<br />

participant in the verbal process. The verb then may express the manner of saying:<br />

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The airport authorities issued an apology<br />

Someone shouted a warning<br />

Retired cop vows revenge (press headline)<br />

Wish in I wish you a merry Christmas is clearly both mental and verbal. Talk and chat are<br />

verbal processes, which have an implicit reciprocal meaning (They talked/ chatted [to<br />

each other]). Talk has no second participant except in the expressions talk sense/ nonsense.<br />

Speak is not implicitly reciprocal and can take a Range participant; see 20.1 (She speaks<br />

Spanish. He speaks five languages).<br />

Besides the Sayer and the Said, a further participant, the Target, encodes the person<br />

or thing at which the message is directed, as in:<br />

Everyone is acclaiming the new musical as the event of the year.<br />

19.2 BEHAVIOURAL PROCESSES<br />

A borderline area between mental processes and material processes is represented by<br />

behavioural processes such as cough, sneeze, yawn, blink, laugh and sigh, which are<br />

usually one-participant. They are considered as typically involuntary; but it may be that<br />

there is a very slight agency involved. They can be deliberate, too, as in he coughed<br />

discreetly, he yawned rudely, in which the adjunct of manner implies volition. Acting<br />

excepted, most volitional adjuncts could not be used with die, collapse and grow, which<br />

are typically lacking in agency and volition.<br />

152 ENGLISH GRAMMAR


We have already seen that mental processes such as see and hear have behavioural<br />

counterparts (watch and listen, respectively), which are dynamic and volitional, and have<br />

agentive Subjects, while see, taste and feel have both non-volitional and volitional senses.<br />

Similarly, think (in the sense of ponder) and enjoy can be used dynamically:<br />

What are you thinking about?<br />

I am enjoying the play enormously.<br />

Enjoy!<br />

19.3 EXISTENTIAL PROCESSES<br />

Existential processes are processes of existing or happening. The basic structure consists<br />

of unstressed there + be + a NG (There’s a man at the door; there was a loud bang). There<br />

is not a participant as it has no semantic content, although it fulfils both a syntactic<br />

function as Subject (see 5.1.2) and a textual function as ‘presentative’ element (see 30.4).<br />

The single participant is the Existent, which may refer to a countable entity (There’s<br />

a good film on at the Scala), an uncountable entity (There’s roast lamb for lunch) or an<br />

event (There was an explosion).<br />

Semantically, existential processes state not simply the existence of something, but<br />

more usually expand the Existent in some way:<br />

• by adding a quantitative measure and/or the location of the Existent:<br />

I went for a walk in the woods. It was all right, there were lots of people there.<br />

BNC GUK 2339–2400<br />

There were all sorts of practical problems.<br />

• with quantification and an Attribute characterising the Existent:<br />

There are some pages blank.<br />

There were few people in favour.<br />

• with quantification and expansion of the Existent by the addition of clauses:<br />

There are few people who realise the danger.<br />

There ’s nothing to be done about it.<br />

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The process in existential clauses is expressed by the following verbs:<br />

• most typically by be;<br />

• certain intransitive verbs expressing positional states (stand, lie, stretch, hang and<br />

remain);<br />

• a few intransitive dynamic verbs of ‘occurring’, ‘coming into view’ or ‘arrival on the<br />

scene’ (occur, follow, appear, emerge, loom) (cf. 30.4.3).<br />

These are illustrated below:<br />

There remain many problems.<br />

There followed a long interval.<br />

There emerged from the cave a huge brown bear.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 153


Existential there may be omitted when a locative or directional Adjunct is in initial<br />

position:<br />

Below the castle (there) stretches a vast plain.<br />

Out of the mist (there) loomed a strange shape.<br />

Without ‘there’ such clauses are very close semantically to reversed circumstantial<br />

clauses. However, the addition of a tag question – with there, not a personal pronoun<br />

(Close to the beach stands a hotel, doesn’t there? *doesn’t it?) – suggests that they are in fact<br />

existentials.<br />

The following extract from D. H. Lawrence’s story The Lost Girl illustrates existentials:<br />

She looked at the room. There was a wooden settle in front of the hearth, stretching<br />

its back to the room. 1 There was a little table under a square, recessed window, 2 on<br />

whose sloping ledge were newspapers, scattered letters, nails and a hammer. 3 On<br />

the table were dried beans and two maize cobs. 4 In the corner were shelves, 5 with<br />

two chipped enamel plates, and a small table underneath, on which stood a bucket<br />

of water and a dipper. 6 Then there was a wooden chest, two little chairs and a litter<br />

of faggots, cane, vine-twigs, bare maize hubs, oak-twigs filling the corner by the<br />

hearth. 7<br />

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154 ENGLISH GRAMMAR


EXPRESSING ATTENDANT MODULE 20<br />

CIRCUMSTANCES<br />

SUMMARY<br />

The circumstantial element in <strong>English</strong> covers a great variety of meanings, of which<br />

the most common are those related to place and time, manner, contingency,<br />

accompaniment, modality, degree, role, matter and evidence. They are described<br />

from the point of view of their syntactic function in 8.1 and also as group structures<br />

in 57.<br />

20.1 PLACE, TIME AND OTHER CIRCUMSTANCES<br />

There are many parallel expressions of place and time, in many cases introduced by the<br />

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same preposition (see also Module 59):<br />

Place<br />

Time<br />

location at home, in the park, on the desk at 5 o’clock, in May, years ago, on<br />

Tuesday<br />

source from the library, from Ed from January<br />

path the plane flew over the hills, They stayed over the weekend<br />

through the clouds<br />

direction towards the south towards midnight<br />

goal to Canada to June<br />

[we went] home<br />

extent for several miles for several years<br />

extent + goal as far as Granada until 10 o’clock, by Tuesday<br />

relative here, there, nearby, in front, now, then, recently, before/<br />

behind us<br />

after dinner<br />

distributive at intervals, every 100 yards, at intervals, every so often, now<br />

here and there<br />

and then, off and on<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 155


Locative, goal and directional meanings are questioned by where? (the preposition<br />

to is not used in questions other than the verbless Where to?); source meanings by where<br />

...from? and for time, since when? extent by how far? how long? and distribution by how<br />

often?<br />

A. Manner<br />

The notion of manner (How?) is extended to include the notions of means (By what<br />

means?, instrumentality (What with?) and comparison (What like?):<br />

Manner how? Don’t do it that way; do it gently.<br />

Means how? It’s cheaper by bus.<br />

Comparison what ...like? Snow lay like a blanket on the ground.<br />

Instrument what ...with? You can stick the pieces together with glue.<br />

They levelled the site with a bulldozer.<br />

B. Instrument<br />

This is the tool or means, generally inanimate, used by a controlling Agent to carry out<br />

the process. It is strongly associated with the preposition with: Write with a pen.<br />

With some verbs the notion of Instrument is incorporated into the process itself. In<br />

this way, bulldoze can be used as a material process: the builders bulldozed the site. Other<br />

examples include:<br />

He elbowed his way through the crowd. (by using his elbows)<br />

Figo headed the ball into the goal. (by using his head)<br />

They levered the rock into position. (by using a lever)<br />

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C. Contingency<br />

The circumstantial element of contingency covers such meanings as cause, purpose,<br />

reason, concession and behalf:<br />

Cause what cause? The child took the pen out of envy.<br />

They are dying of hunger.<br />

Purpose what ...for? He is studying for a degree.<br />

The team is training to win.<br />

Reason why? We stayed in on account of the rain.<br />

He stopped because he was tired.<br />

Concession despite what conditions? In spite of the delay, we reached the<br />

concert hall in time.<br />

Behalf who/what for? Give up smoking for the sake of your<br />

health.<br />

I’ll speak to the Director on your behalf.<br />

Condition under what conditions? Send a telegram, if necessary.<br />

156 ENGLISH GRAMMAR


D. Accompaniment<br />

Accompaniment expresses a joint participation in the process, involving either the<br />

notion of ‘togetherness’ or that of ‘additionality’. Each of these can be either positive or<br />

negative:<br />

togetherness positive Tom came with his friend/with a new haircut.<br />

togetherness negative Tom came without his friend/without the car.<br />

additionality positive Tom came as well as Paul.<br />

additionality negative Tom came instead of Paul.<br />

E. Modality<br />

Modality expresses the notions of possibility, probability and certainty (see 44.1):<br />

possibility<br />

probability<br />

certainty<br />

His new novel will possibly come out next month.<br />

It will probably be well received.<br />

It will certainly cause a lot of controversy.<br />

F. Degree<br />

Circumstantial expressions of degree either emphasise or attenuate the process:<br />

emphasis I completely forgot to bring my passport.<br />

attenuation You can hardly expect me to believe that.<br />

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G. Role<br />

Role answers the question What as? or In what capacity?<br />

capacity<br />

I’m speaking to you as a friend.<br />

As an actor he’s not outstanding, but as a dancer he’s brilliant.<br />

H. Matter<br />

This element adds the notion of ‘with reference to . . .’ and is realised by a wide variety<br />

of simple and complex prepositions, including those circumstantial complements that<br />

follow certain verbs such as deprive, rob and help oneself (see 7.3.1 and 10.3.2):<br />

We have been talking about her wedding.<br />

Is there any news of the missing seamen?<br />

With regard to your order of July 17 . . .<br />

As for that, I don’t believe a word of it.<br />

You shouldn’t deprive yourself of vitamins.<br />

Help yourself to wine.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 157


I. Evidence<br />

Relates to the source of information in verbal processes and is expressed by as x says,<br />

or according to x:<br />

As the saying goes, no news is good news.<br />

According to the weatherman, there will be heavy snowstorms this weekend.<br />

Some of the numerous types of circumstance available are illustrated in the following<br />

extract from John Le Carré, The Spy Who Came In from the Cold. This type of fiction<br />

tends to contain very detailed references to the circumstances accompanying each<br />

episode:<br />

He’d noticed it first during the Riemick case, 1 early last year. 2 Karl had sent a<br />

message; he’d got something special for him and was making one of his rare visits<br />

to Western Germany; 3 some legal conference at Karlsruhe. 4 Leamas had managed<br />

to get an air passage to Cologne, 5 and picked up a car at the airport. 6 It was still 7<br />

quite early in the morning 8 and he’d hoped to miss most of the autobahn traffic to<br />

Karlsruhe 9 but the heavy lorries were already 10 on the move. He drove seventy<br />

kilometres in half an hour, 11 weaving between the traffic, taking risks to beat the<br />

clock, 12 when a small car, a Fiat probably, 13 nosed its way out into the fast lane 14<br />

forty yards ahead of him. 15 Leamas stamped on the brake, turning his headlights<br />

full on and sounding his horn, and by the grace of God 16 he missed it; missed it by<br />

the fraction of a second. 17<br />

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1<br />

extent: time; 2 location: time; 3 goal: space; 4 location: space; 5 goal: space; 6 location:<br />

space; 7 relative: time; 8 location: time; 9 goal: space; 10 relative; 11 extent: time;<br />

12<br />

purpose; 13 modality; 14 direction: space; 15 location: space; 16 cause; 17 degree.<br />

20.2 RANGE<br />

Rather than a circumstance, Range is a participant: the nominal concept that is implied<br />

by the process as its scope or range: song in sing a song, games in play games, race in run<br />

a race. Some, such as song, are derived from a related verb; others such as game are not.<br />

Perhaps the most common type of Range element today are the deverbal nominals<br />

which complement lexically ‘light’ verbs such as have and give:<br />

Have an argument, a chat, a drink, a fight, a rest, a quarrel, a smoke, a taste, an<br />

experience<br />

Give a push, a kick, a nudge, a smile, a laugh, a kiss; a presentation, a lecture<br />

Take a sip, a bath, a nap, a photograph, a shower, a walk<br />

Do a dance, a handstand, a left/ right turn, a sketch, a translation, some work, some<br />

cleaning, some painting<br />

158 ENGLISH GRAMMAR


Ask a question<br />

Make a choice, a comment, a contribution, a mistake, a payment, a reduction, a<br />

suggestion<br />

Using this type of range participant (a kick, a push, etc.) with a ‘light’ verb entails the<br />

meaning of the nominal as verb. In other words, if you take a sip of the juice, you sip<br />

the juice. If we have a chat, we chat. In some cases, such as make an effort, there is<br />

no corresponding verb. One reason for the popularity of this construction today is the<br />

potential that the noun has for being modified in various ways. It would be difficult<br />

to express by a verb, even with the help of adverbs, the meanings of specificness,<br />

quantification and quality present in she took a long, relaxing hot bath, they played two<br />

strenuous games of tennis, I had such a strange experience yesterday.<br />

As a result of modification, the nominal is longer and heavier than the verb which<br />

precedes it. This allows us to build up our message to a climax (see 6.1.2d). Furthermore,<br />

the Range nominal can initiate a wh-cleft structure more easily than a verb can (see 30.2)<br />

as in A good rest is what you need.<br />

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CONCEPTUALISING: PROCESSES AND PARTICIPANTS 159


CONCEPTUALISING MODULE 21<br />

EXPERIENCES FROM A<br />

DIFFERENT ANGLE<br />

Nominalisation and grammatical metaphor<br />

SUMMARY<br />

1 The semantic structures described so far reflect the basic semantic-syntactic<br />

correspondences we use when encoding situations. They reflect the typical way<br />

of saying things. Agents carry out actions that affect other participants,<br />

Experiencers perceive Phenomena. Furthermore, processes have been realised<br />

by verbs, entities by nouns, and Attributes by (for instance) adjectives and<br />

possessives. These are the basic realisations which are found in the language<br />

of children and in much everyday spoken <strong>English</strong>. But any state of affairs can<br />

be conceptualised and expressed in more than one way. A more nominalised<br />

version encodes actions and states as nouns, which involves a complete<br />

restructuring of the clause. This has been called ‘grammatical metaphor’. Its<br />

most obvious characteristic is nominalisation.<br />

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2 Thus, a process can be realised as an entity: government spending is one<br />

example. Similar transferred functions occur with attributes and circumstances.<br />

These alternative realisations of the semantic roles involve further adjustments in<br />

the correspondences between semantic roles and syntactic functions in the clause.<br />

3 Grammatical metaphor is a feature of much written <strong>English</strong> and of spoken<br />

<strong>English</strong> in professional registers.<br />

4 The ‘transitivity hypothesis’ offers an alternative view, in which transitivity is a<br />

matter of gradation from high to low.<br />

21.1 BASIC REALISATIONS AND METAPHORICAL<br />

REALISATIONS<br />

Situations and events can be conceptualised and expressed linguistically in two major<br />

ways. More transparent, because they are closer to the speaker’s experience, are the<br />

basic transitivity patterns that we have examined so far throughout this chapter. In these<br />

semantic structures the processes, participants and circumstances are encoded by their<br />

typical clause functions, with agency and chronological sequencing made explicit. That<br />

160 ENGLISH GRAMMAR


is, in active clauses, the inherent participants such as Agent, Affected, Experiencer and<br />

Carrier are realised by NGs, processes are realised by VGs and circumstantials by PPs<br />

and by AdvGs. This correspondence between the semantics and the syntax of <strong>English</strong><br />

structures is indeed the typical one, but it is by no means the only one.<br />

We have to beware of assuming that a one-to-one correspondence exists between<br />

any semantic function and any syntactic function. We have to beware of assuming that<br />

entities such as people and things are necessarily expressed by nouns, that actions are<br />

necessarily expressed by verbs and that qualities are necessarily expressed by adjectives.<br />

Except in the language of children and in very basic <strong>English</strong>, our linguistic representation<br />

of reality tends to be more complex. Any situation can be expressed in more than one<br />

way; the first or typical realisation may be called the ‘iconic’ one, in which the form<br />

mirrors the meaning; any others are the ‘metaphorical’. The two forms may be illustrated<br />

by an example.<br />

Suppose that I wish to tell you that my friends and I walked in the evening along the<br />

river as far as Henley. In the ‘typical’ or ‘iconic’ version, I first select the process type<br />

from the options ‘material’, ‘mental’ and ‘relational’ processes. A process of ‘doing’ fits<br />

the conceptualised situation best, and more specifically, a process of motion which<br />

includes manner. Among possible types of motion I select a material process walk. To<br />

accompany a process such as walk used intransitively, I then select an Agent, or ‘doer’<br />

of the action, and a number of circumstantial elements, of time, place and direction as<br />

a setting, to give the following semantic structure and its lexico-grammatical realisation:<br />

Agent Material Time circ. Place circ. Goal<br />

process<br />

circ.<br />

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NG VG PP PP PP<br />

We walked in the evening along the river to Henley<br />

This is not the only way of expressing this situation. Instead, I could have said Our<br />

evening walk along the river took us to Henley. In this ‘metaphorical’ interpretation the<br />

semantic functions are ‘transferred’ in relation to the syntactic functions. The material<br />

process walk has now become Agent, and the circumstances of time (in the evening) and<br />

place (along the river) have become classifier and post-modifier, respectively, of the new<br />

Agent realised at subject (evening walk along the river). The original Agent we is now<br />

divided into two; one part functions as possessor of the Subject entity (our evening walk<br />

along the river), the other as Affected (us) of a new material process expressed by the<br />

verb took. Only the Goal circumstance to Henley is realised in the same way in both<br />

interpretations:<br />

Agent Material process Affected Goal<br />

NG VG NG PP<br />

Our evening walk took us to Henley<br />

along the river<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 161


This second interpretation is a very simple instance of ‘grammatical metaphor’ or<br />

alternative realisations of semantic functions, and is a phenomenon which occurs all<br />

the time, in different degrees, in adult language, especially in certain written genres.<br />

Even in everyday spoken language it sometimes happens that the metaphorical form<br />

has become the normal way of expressing a certain meaning. We have seen that the<br />

Range element (see 20.1) drink/chat/rest in have a drink/chat/rest is the one that<br />

expresses the process, while the syntactic function of Predicator is now realised by the<br />

‘light’ verb have. These are simple types of transferred semantic functions which have<br />

been incorporated into everyday language. Now compare the ordinary correspondences<br />

in example a below with the nominalised version of b:<br />

Agent/Subject Material process Place/Adv Comparison/Adv<br />

a. People in all<br />

countries are [now] travelling abroad much more than they<br />

used to.<br />

Abstract Subject Relational Time/Adv Abstraction<br />

process<br />

b. Foreign travel is everywhere on the increase.<br />

In a we have a process of ‘doing’ (are travelling), with an Agent/Subject and three<br />

circumstances (now, abroad and much more than they used to). In b, by contrast, the<br />

process is relational with be, the human Agent has disppeared, and instead we have<br />

an abstract subject based on the verb ‘travel’ (foreign travel), followed by two circumstances.<br />

Apart from these differences, we note that the two meanings are not quite<br />

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equivalent. The notion of ‘all countries’ is replaced by the less explicit ‘everywhere’, that<br />

of ‘abroad’ is replaced by ‘foreign’, while the notions expressed by ‘now’ and ‘used to’<br />

are not encoded at all, but remain implicit.<br />

More importantly, the two versions represent two different cognitive mappings of a<br />

situation on to different semantic and syntactic structures. The event is ‘perspectivised’<br />

differently in each case, with attention centred in the second on the salient abstraction<br />

‘foreign travel’, rather than on persons.<br />

21.2 NOMINALISATION AS A FEATURE OF GRAMMATICAL<br />

METAPHOR<br />

It is clear that a choice of transferred realisations such as these has as one result the<br />

loss of human agency, which is usually replaced by an abstraction related to the original<br />

Agent (government spending, foreign travel). A second result is an increase in lexical<br />

density: Nominal groups become long and heavy. For this reason, nominalisation is<br />

the form of grammatical metaphor most consistently recognised under different labels.<br />

It distances us from the event, raising the representation of a situation to a higher level<br />

of abstraction. Once objectified and depersonalised in this way, the event or abstraction<br />

162 ENGLISH GRAMMAR


is conceptualised as if it had temporal persistence, instead of the transience associated<br />

with a verb.<br />

At the same time, nominalisations are more versatile than verbs. The noun ‘explosion’<br />

from ‘explode’ can carry out all the functions realised by nominals, such as a Subject or<br />

Direct Object (The explosion occurred at 6 a.m.; leaking gas caused an explosion). With this<br />

new status as a referent, a nominalisation can give the impression that what it expresses<br />

is a recognised piece of information, whose validity is beyond dispute. Compare the<br />

following a extract from a news item with the non-nominalised b version:<br />

a. Government spending showed positive growth in the last quarter in contrast to its<br />

sharp fall in the previous one.<br />

b. The government spent much more in the last quarter than was planned, whereas<br />

it spent considerably less in the previous one.<br />

As soon as we examine samples of more formal <strong>English</strong> – that used in specialised fields<br />

such as the natural sciences, the social sciences, politics, administration and business,<br />

finance and technology – we find a great number of such nominalisations. These tend<br />

to be abstract nouns derived from verbs and other parts of speech, which can encode<br />

quite complex meanings.<br />

Lexical metaphor can occur together with grammatical metaphor, as illustrated by<br />

‘growth’ and ‘fall’, so common in texts on economics. Here, grammar borders on lexis,<br />

and different languages have different means of visualising one semantic function as<br />

if it were another. Here we can do no more than briefly outline some of the transfers of<br />

semantic functions. In the following sections, metaphorical forms are given first, with a<br />

basic corresponding meaning suggested in the right-hand column.<br />

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21.2.1 Process realised as entity<br />

This is by far the most common type of grammatical metaphor. Many are institutionalised<br />

nominalisations, such as the following:<br />

Nominalised form<br />

Basic form<br />

a. Without the slightest hesitation. Without hesitating at all.<br />

b. Take a deep breath. Breathe deeply.<br />

c. There was a sudden burst of X burst out laughing suddenly.<br />

laughter.<br />

d. The exploration and mapping of X continued to explore and map the world.<br />

the world went on.<br />

Many others, however, represent a more original view of reality on the part of the<br />

speaker or writer, as in example e:<br />

e. His conception of the drama has He conceives of the drama in a way that<br />

a very modern ring.<br />

sounds very modern to us.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 163


21.2.2 Attribute realised as entity<br />

An Attribute can be realised as an entity by means of an abstract noun. The forms may<br />

be morphologically related: bigness–big as in example a and usefulness–useful in b. The<br />

remaining parts of the sentence may have different correspondences, which are not in<br />

a one-to-one relationship with the forms of the nominalised version.<br />

a. Bigness is paid for, in part, by If firms are very big, they will be fewer and<br />

fewness, and a decline in will have less need to compete.<br />

competition.<br />

b. The usefulness of this machinery This machinery is becoming less useful.<br />

is dwindling.<br />

21.2.3 Circumstance as entity<br />

A common shift is to have a temporal circumstance functioning as a locative Subject.<br />

This involves a new verb, such as ‘find’, ‘witness’ and ‘see’ in these examples:<br />

a. August 12 found the travellers in The travellers were/arrived in Rome<br />

Rome. on August 12.<br />

b. The last decade has witnessed During the last decade agricultural<br />

an unprecedented rise in technology has increased as never before.<br />

agricultural technology.<br />

c. The seventeenth century saw the In the seventeenth century scientific works<br />

development of systematic began to be published systematically.<br />

scientific publication.<br />

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As these new processes are transitive, typically taking an Object, further nominalisations<br />

are to be expected, such as rise (or increase) in agricultural technology, instead of increase<br />

as a verb. In many cases, such as c it is difficult to ‘unpack’ the metaphorical encoding<br />

completely into a simpler form. The two forms of expression are the result of different<br />

cognitive encodings.<br />

21.2.4 Dependent situation as entity<br />

A whole state of affairs, which in its congruent form would be realised as a subordinate<br />

clause, can be visualised as an entity and expressed by a nominal:<br />

Fears of disruption to oil supplies<br />

from the Gulf helped push crude oil<br />

prices up dramatically.<br />

Because people feared that oil would not<br />

be supplied as usual from the Gulf, the<br />

price of crude oil rose dramatically.<br />

We can observe that, in many cases of nominalisation, normal human Agents and<br />

Experiencers are absent, replaced by abstractions that are in some way related to them<br />

(‘fears’, ‘laughter’) and may be more emotionally charged. In other cases, those where<br />

a temporal entity ‘witnesses’ the event, the human Agent may not be recoverable at all,<br />

as in b and c above.<br />

164 ENGLISH GRAMMAR


These few examples may serve to show that in <strong>English</strong> grammatical metaphor is<br />

a very powerful option in the presenting of information. It reconceptualises an event as<br />

a participant, with the consequent restructuring of the rest of the clause, which influences<br />

the way the information is perceived. It presents a different cognitive mapping from<br />

that of the ‘congruent’ or iconic correspondence between syntax and semantics that<br />

is found in basic <strong>English</strong>. In institutionalised settings, the concept of grammatical<br />

metaphor goes a long way towards explaining professional jargons such as journalese<br />

and officialese as written forms. Others, such as the language of business management,<br />

use nominalisation in spoken as well as written <strong>English</strong> (see p. 166 for summary of<br />

processes, participants and circumstances).<br />

21.3 HIGH AND LOW TRANSITIVITY<br />

A different approach to transitivity, which has not been discussed in this chapter for<br />

reasons of space, is the ‘transitivity hypothesis’. This views transitivity in discourse as<br />

a matter of gradation, dependent on various factors. A verb such as kick, for example,<br />

fulfils all the criteria for high transitivity in a clause with an expressed object such as<br />

Ted kicked the ball. It refers to an action (B) in which two participants (A)are involved,<br />

Agent and Object; it is telic (having an end-point) (C) and is punctual (D). With a human<br />

subject it is volitional (E) and agentive, while the object will be totally affected (I) and<br />

individuated (J). The clause is also affirmative (F) and declarative, realis, not hypothetical<br />

(irrealis) (G). By contrast, with a verb such as see as in Ted saw the accident, most of the<br />

criteria point to low transitivity, while the verb wish as in I wish you were here includes<br />

even irrealis (G) in its complement as a feature of low transitivity. Susan left is interpreted<br />

as an example of reduced transitivity. Although it has only one participant, it rates higher<br />

than some two-participant clauses, as it fulfils B, C, D, E, F, G and H.<br />

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high transitivity<br />

low transitivity<br />

A. PARTICIPANTS 2 or more participants 1 participant<br />

B. KINESIS action non-action<br />

C. ASPECT telic (end-point) atelic (no end-point)<br />

D. PUNCTUALITY punctual non-punctual<br />

E. VOLITIONALITY volitional non-volitional<br />

F. AFFIRMATION affirmative negative<br />

G. MODE realis irrealis<br />

H. AGENCY Agent high in potency Agent low in potency<br />

I. AFFECTEDNESS OF O Object totally affected Object not affected<br />

J. INDIVIDUATION OF O Object highly individuated Object non-individuated<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 165


21.4 SUMMARY OF PROCESSES, PARTICIPANTS AND CIRCUMSTANCES<br />

Process Example Participant Attribute Circumstance<br />

1 The Prime Minister resigned Agent<br />

2 Ted kicked the ball into the net Agent + Affected Locative/Goal<br />

3 Lightning struck the oak tree Force + Affected<br />

4 Jordan slipped on the ice Affected Locative<br />

5 Pat boiled the water Agent + Affected<br />

6 The water boiled Affected<br />

7 They’re making the road wider. Agent + Affected Resulting<br />

8 Glass breaks easily Affected Manner<br />

Material 9 Do you drive? Agent + unactualised Affected<br />

10 I gave the cat some tuna. Agent + Rec. + Affected<br />

11 Will you fetch me a newspaper? Agent + Ben. + Affected<br />

Behavioural 12 Tom watched the snake. Experiencer (volitional) + Phenom.<br />

Mental 13 Tom saw the snake. Experiencer (non-volitional) + Phenom.<br />

14 Tom knows the answer. Experiencer + Phenom.<br />

15 We were pleased by the news. Rec. Experiencer + Phenom.<br />

16 The news pleased us very much. Phenom. + Rec. Experiencer Degree<br />

17 I wish you were here. Experiencer + Phenom. (unreal)<br />

18 Tom is generous. Carrier Characterising<br />

19 Tom is the secretary. Carrier/Token Identified Value/Identifying<br />

20 The film lasted three hours. Carrier Circumstantial<br />

21 Those gloves aren’t mine. Possessed Possessor<br />

Verbal 22 I didn’t say that. Sayer + Said<br />

23 Mary told me a secret. Sayer + Rec. + Said<br />

Existential 24 There’s a notice on the door. Existent Locative<br />

25 There are some pages blank. Existent Current<br />

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FURTHER READING<br />

Halliday (1994); Thompson (1996); on relational processes, Davidse (1992), Davidse<br />

(1996) and Davidse (2000); on Token and Value, Toolan (1992) (together with works<br />

cited above); on types of ‘being’ and ‘possessing’, Langacker (1991). On grammatical<br />

metaphor and nominalisation: Chafe (1994); Downing (2000); Eggins (1994); Halliday<br />

(1994); Martin (1992). On object omission, pseudo-intransitives, ergatives, Kilby (1984),<br />

Martínez Vázquez (1998), Payne (1997). On valency, Payne (1997). On verb classes and<br />

alternations, Levin (1993). On ‘take a sip’ etc., Round (1998). On the ‘transitivity<br />

hypothesis’, Hopper and Thompson (1980).<br />

EXERCISES ON CHAPTER 4<br />

Expressing patterns of experience: Processes, participants,<br />

circumstances<br />

Modules 13 and 14<br />

1 †Identify each process in the following examples as a process of ‘doing’ (material), a<br />

process of ‘experiencing’ (mental) or a process of ‘being’ (relational):<br />

(1) This country exports raw materials.<br />

(2) I prefer ballet to opera.<br />

(3) The abbey is now a ruin.<br />

(4) Do you know the author’s name?<br />

(5) The wounded soldier staggered down the road.<br />

(6) The weather has turned warm. The days are becoming longer.<br />

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2 †Work out for each of the examples below:<br />

• the number of inherent participants (the verb’s semantic valency)<br />

• the number of actualised participants in this use<br />

• whether the verb’s valency is reduced in this use<br />

1a) She teaches 12-year-olds maths. 2) This dog bites.<br />

1b) She teaches maths.<br />

1c) She teaches. 3) Cats purr.<br />

3 †Say whether it in each of the following clauses refers to a participant or is merely a Subjectfiller:<br />

(1) It rained heavily last night.<br />

(2) I can lend you ten pounds. Will it be enough?<br />

(3) Her baby is due next month and she knows it is a girl.<br />

(4) Where’s your bicycle? It’s in the garage.<br />

(5) It’s our first wedding anniversary today.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 167


4 †Fill in the blank space with a suitable Force participant:<br />

(1) As we left the hotel,. ..........was blowing off the sea.<br />

(2) Huge ..........crashed onto the beach and broke against the rocks.<br />

(3) Several bathers were caught by the incoming .........and had to be rescued<br />

by the coastguard patrol.<br />

(4) Further inland, a usually tranquil .........broke its banks and flooded the<br />

surrounding fields.<br />

(5) In the mountains above the village, campers were surprised by a sudden ......<br />

. . . which threatened to engulf their tents.<br />

5 Write a short paragraph on ‘A forest fire’, using Force participants and material processes.<br />

6 †Say whether the italicised nominal group is an Agentive Subject or an Affected Subject:<br />

(1) Beatrice writes black-humour comedies for television.<br />

(2) The little bird died of cold.<br />

(3) Angry housewives attacked the striking dustmen with umbrellas.<br />

(4) Three shop-assistants were sacked by their employer.<br />

(5) Many buildings collapsed during the earthquake.<br />

7 †Identify the italicised participant as Affected or Effected:<br />

(1) He paints surrealist portraits of his friends.<br />

(2) Don’t pick the flowers!<br />

(3) In their youth they wrote pop-songs and made fortunes.<br />

(4) They carve these figures out of wood.<br />

(5) Engineers are installing a telephone booth.<br />

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Module 15<br />

1 †Say which of the following clauses are causative and write underneath these the<br />

corresponding intransitive constructions where appropriate.<br />

(1) The stress of high office ages most Prime Ministers prematurely.<br />

.............................................<br />

(2) Smoking can damage your health.<br />

.............................................<br />

(3) Swarms of locusts darkened the sky.<br />

.............................................<br />

(4) They sprayed the crops with insecticide.<br />

.............................................<br />

(5) Pain and worry wrinkled his brow.<br />

.............................................<br />

168 ENGLISH GRAMMAR


(6) The photographer clicked the camera.<br />

.............................................<br />

(7) The truck tipped a load of sand onto the road.<br />

.............................................<br />

(8) This year the company has doubled its sales.<br />

.............................................<br />

2 †Say whether the participant in the following one-participant situations is acting (Agent),<br />

is acted upon (Affected) or whether the propensity of the participant to undergo the action<br />

is being expressed.<br />

(1) This kind of material creases easily.<br />

(2) The car broke down.<br />

(3) Glass recycles well.<br />

(4) Two of the deputies arrived late.<br />

(5) He ruled with an iron hand.<br />

(6) This cream whips up in an instant.<br />

(7) Peaches won’t ripen in this climate.<br />

3 †Explain the difference in meaning, in terms of participants and processes, and the types<br />

of relations we have examined, between the following representations:<br />

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(a)<br />

(b)<br />

(c)<br />

(d)<br />

(e)<br />

(f)<br />

Sarah is cooking the rice.<br />

Sarah is cooking.<br />

The rice is cooking.<br />

Sarah cooks beautifully.<br />

Rice cooks easily.<br />

Why would you not expect to hear normally ‘Sarah cooks easily’?<br />

4 †Comment on the italicised processes in the following quotation from Shakespeare’s Antony<br />

and Cleopatra (Act 2, Scene 2, l.224):<br />

Age cannot wither her, nor custom stale<br />

Her infinite variety: other women cloy<br />

The appetites they feed, but she makes hungry<br />

Where most she satisfies.<br />

5 Imagine you are a copy-writer for a well-known cosmetic firm. You are told to write a<br />

brochure for a new range of cosmetics. Include in your description causative verbs such<br />

as soften, whiten, lighten, lessen, tighten, freshen, refresh, cleanse, smooth, moisturise and/<br />

or SPOdCo structures containing make or leave and an Attribute.<br />

6 With the help of a good dictionary, draw up a list of verbs that can be used in ergative<br />

pairs and compare them with their equivalents in another language.<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 169


Module 16<br />

1 †Identify the italicised participant as Recipient or Beneficiary:<br />

(1) Don’t forget to send us a postcard.<br />

(2) My brother-in-law has been offered a job analysing mud for an oil company.<br />

(3) Can I get you something to eat?<br />

(4) I think Sammy would like you to buy him an ice-cream.<br />

(5) How much do we owe your parents for the tickets?<br />

Module 17<br />

1 †Identify each of the processes in the main clauses of the following sentences as one of<br />

perception, cognition or affectivity. Say whether the Phenomenon is an entity, a fact or a<br />

situation:<br />

(1) He recognised a group of fellow Americans by their accent.<br />

(2) Yesterday I saw a mouse in the supermarket.<br />

(3) The miner knew he wouldn’t see the light of day again for many hours.<br />

(4) Most people hate going to the dentist.<br />

(5) Did you watch the World Cup Final on television?<br />

(6) He wondered whether he had heard correctly.<br />

(7) He could hardly believe that what had happened to him was true.<br />

(8) With a cold like this I can’t taste what I’m eating.<br />

2 †Write an alternative construction for each of the following clauses so that Experiencer is<br />

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made to coincide with Subject, as in (b) below:<br />

(a) The news delighted us.<br />

(b) We were delighted with the news.<br />

(1) Neither of the proposals pleased the members of the commission.<br />

..............................................<br />

(2) His presence of mind amazed us.<br />

..............................................<br />

(3) The dramatic increase of crime in the cities is alarming the government.<br />

..............................................<br />

(4) The fact that she seems unable to lose weight worries her.<br />

..............................................<br />

(5) Will the fact that you forgot to phone annoy your wife?<br />

..............................................<br />

170 ENGLISH GRAMMAR


Module 18<br />

1a †Identify the types of ‘being’ and the participants in the following relational processes 1–8.<br />

1b †Assign Token and Value to the participants in 7 and 8.<br />

(1) The dormouse is a small rodent related to the mouse.<br />

(2) The dormouse is famous for its drowsiness and long winter sleep.<br />

(3) The Dormouse is one of the characters in Alice in Wonderland.<br />

(4) I felt quite nervous all through the interview.<br />

(5) I haven’t any change, I’m afraid.<br />

(6) The concert will be in the sports stadium at nine o’clock.<br />

(7) Food is the supreme national symbol.<br />

(8) What we call civilisation or culture represents only a fraction of human history. [BNC<br />

HRM 433]<br />

2 †Add a suitable Attribute or circumstance to each of the following clauses and say whether<br />

it is current or resulting:<br />

(1) After wandering around in circles for more than an hour, we ended up .......<br />

(2) Keep your money . . .....in this special travelling wallet.<br />

(3) Growing coffee proved to be more .......than they had expected.<br />

(4) Stand ......while I bandage your hand.<br />

(5) Feel .......to do as you like.<br />

3 Below are two opposite opinions on the effects of television on viewers: (a) the opinion of<br />

an art specialist, and (b) that of a psychologist. Elaborate on one of these opinions,<br />

expressing your opinion of television programmes by at least a proportion of relational<br />

clauses:<br />

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(a)<br />

(b)<br />

Watching television easily becomes a compulsive and addictive occupation, unlike<br />

watching ballet or looking at pictures.<br />

Our children are neither bored nor stultified; all of us need to dream the same<br />

daydream until we have had our fill of it . . . and the more frustrating reality is for<br />

us, the greater is our need.<br />

Module 19<br />

1 †Complete each of the following sentences containing verbal processes and say whether<br />

the result is a reported statement, a reported question or a reported directive:<br />

(1) Mounted policemen urged the crowd .......<br />

(2) This notice says .......<br />

(3) The usher at the House of Commons explained .......<br />

(4) Let’s enquire at the information desk .......<br />

(5) I have asked the nightwatchman .......<br />

(6) You’d better not tell the children .......<br />

(7) A voice over the loudspeaker announced .......<br />

(8) Recent reports from the north confirm .......<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 171


2a Add a suitable Existent to each of the following existential clauses and say whether your<br />

Existent represents a countable entity, a non-countable entity or an event:<br />

(1) There appeared on the horizon .......<br />

(2) There was .......and all the lights went out.<br />

(3) There’s .......in the next village, where you can get quite a good meal.<br />

(4) On the floor there lay .......<br />

(5) Just opposite the cinema there’s .......you can send an email from there.<br />

(6) There’s no . . .....to lose; the taxi will be here in five minutes.<br />

2b †In which of the clauses in 2 could there be omitted and why?<br />

3 †Look at The Lost Girl text on p. 154 and identify which Existents are introduced by<br />

existential there and which are not. How are these others introduced? What appears to<br />

be the main conditioning factor? Is quantification important for distinguishing the two types?<br />

4 Add expansions of three types (locative, attributive, clausal) to each of the following<br />

existentials:<br />

(1) There was a plane ......<br />

(2) There were a few members .......<br />

(3) There’s nothing . . .....<br />

5 Study the text in 18.4 (p. 148) and then write a paragraph describing one of the following:<br />

(1) The house of a friend who collects objects from all over the world.<br />

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(2) A carnival.<br />

Use existential clauses with different types of expansion and omit there sometimes.<br />

Module 20<br />

1 †Identify the italicised circumstantial element in each of the following:<br />

(1) Trains to Lancing run every twenty minutes in off-peak periods.<br />

(2) It’s supposed to be quicker by first-class mail.<br />

(3) In spite of the forecast for storms, they set off in a rowing-boat to cross the lake.<br />

(4) Someone may have done it out of spite.<br />

(5) Payments must be made by the end of the month.<br />

(6) The horse show was cancelled on account of the epidemic.<br />

(7) As a do-it-yourself decorator, I’m not the most enterprising.<br />

(8) As for the dog, he’ll have to go to a kennels for a month.<br />

2 †Say which of the following italicised items is Instrument, which is Means and which Range:<br />

(1) They blocked the road with dustbins.<br />

(2) We crossed the Channel by ferry.<br />

172 ENGLISH GRAMMAR


(3) Rita and Pam had a fierce quarrel.<br />

(4) She managed to open the suitcase with a hairpin.<br />

(5) They lead a quiet life.<br />

Module 21<br />

1 †Give a possible basic form for each of the following sentences. Comment on the semanticosyntactic<br />

changes involved in the nominalised form here. Provide a translation into another<br />

language of the ‘metaphorical’ (i.e. more nominalised) form, if possible.<br />

(1) We had a long chat.<br />

(2) Bombing continued throughout the night.<br />

(3) Canada saw the launch of a 50-day election campaign last weekend.<br />

(4) His obvious intelligence and exceptional oratory won him [Franz Josef Strauss] a<br />

place in Konrad Adenauer’s 1951 cabinet as minister without portfolio.<br />

(5) The release came after rising expectations in Washington throughout the day that<br />

Professor Steen, aged 48, would be the hostage to be freed.<br />

2 Revision exercises: turn to the extract of an interview with Kirsty Ackland on p. 89.<br />

(1) On some paper, make out separate columns to fill in each type of process, such as<br />

mental processes of perception, cognition and affectivity. Make a column for<br />

problematic processes.<br />

(2) Go through the text again, assigning each process with its participants to a column,<br />

Include ellipted participants when these are clearly understood. List the circumstantials.<br />

Make a numerical or statistical count of the number of instances of each<br />

type of process. List them in order of frequency.<br />

(3) Which type of process is the most frequent? Do you find this surprising? Which<br />

aspects of her life is Kirsty most concerned with? What do you think this tells us<br />

about the speaker? Would a dialogue in which you took part, on the same subject,<br />

be similar?<br />

(4) Read the article on the transitivity hypothesis (in Hopper and Thompson 1980) and<br />

try to apply the criteria to some of the examples in exercise 21.1.<br />

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3 Do you find that instances of grammatical metaphor and nominalisation in the sentences<br />

tend to be high rather than low, or conversely, low rather than high in transitivity? Can<br />

you explain the reasons for your conclusion? (You may want to check up first on the<br />

aspectual distinctions discussed in 42.2.)<br />

CONCEPTUALISING: PROCESSES AND PARTICIPANTS 173


INTERACTION BETWEEN CHAPTER 5<br />

SPEAKER AND HEARER<br />

Linking speech acts and grammar<br />

Module 22: Speech acts and clause types 176<br />

22.1 The basic correspondences 177<br />

22.2 Direct and indirect speech acts: what the utterance ‘counts as’ 178<br />

Module 23: The declarative and interrogative clause types 180<br />

23.1 Clause types and the mood element: Subject–Finite variation 181<br />

23.2 The declarative clause type 181<br />

23.3 Interrogative clauses, negation and the do- operator 182<br />

23.4 Yes/no interrogatives and their responses 183<br />

23.5 Alternative interrogatives 185<br />

23.6 Wh- interrogatives 185<br />

23.7 Double interrogatives: questions within questions 186<br />

23.8 Question tags 187<br />

23.9 Features of the main types of tag 187<br />

23.10 Invariant question tags 189<br />

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Module 24: The exclamative and imperative clause types 190<br />

24.1 The exclamative 191<br />

24.2 The imperative 191<br />

24.2.1 The verb in the imperative 193<br />

24.2.2 Negative and emphatic imperatives 194<br />

24.2.3 Let’s and Let us 194<br />

24.3 Verbless and freestanding subordinate clauses 195<br />

24.4 The subjunctive in <strong>English</strong> 196<br />

Module 25: Indirect speech acts, clause types and<br />

discourse functions 197<br />

25.1 Performatives and the declarative 197<br />

25.2 Exclamations 199


Module 26: Questions, clause types and discourse functions 201<br />

26.1 Rhetorical questions 201<br />

26.2 Questions as preliminaries 201<br />

26.3 Some, any and negative forms in biased questions 202<br />

26.4 Biased declaratives with attitudinal markers 203<br />

Module 27: Directives: getting people to carry out actions 205<br />

27.1 Directives and the imperative 205<br />

27.2 The discourse functions of let’s imperatives 207<br />

27.3 Politeness in directives 207<br />

27.4 Modalised interrogatives as polite directives 208<br />

27.5 Declaratives as directives 208<br />

27.6 Indirectness, impoliteness and confrontation 209<br />

27.7 Clause types and illocutionary force: summary table 210<br />

27.7.1 Clause combinations 211<br />

Further reading 212<br />

Exercises 213<br />

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SPEECH ACTS AND MODULE 22<br />

CLAUSE TYPES<br />

SUMMARY<br />

1 Speech acts are the acts we perform through words. Certain general types of<br />

speech act are basic to everyday interaction; these are statements, questions,<br />

exclamations and directives, the latter covering orders, requests and instructions<br />

among others.<br />

2 Each of these basic speech acts is associated in the grammar with a type of<br />

clause: the declarative is typically used to encode a statement, the interrogative<br />

a question, the imperative a directive and the exclamative an exclamation.<br />

These are the direct correspondences between form and function that we refer<br />

to as direct speech acts.<br />

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3 Indirect correspondences are also common in <strong>English</strong>. Thus declaratives, as<br />

well as encoding statements, can be used to ask questions, utter exclamations<br />

and issue directives, in addition to other speech acts such as promising and<br />

warning. In such cases the form is used to convey an ‘illocutionary force’, or<br />

intended meaning, that is different from its basic one. You’re staying here, then?<br />

has the form of a declarative – but, with appropriate intonation, the force is that<br />

of a question, as is indicated by the punctuation. The relationship between<br />

clause type and force is therefore not one-to-one but many-to-many.<br />

4 Even more indirectly, the words we use do not always express the full<br />

illocutionary force of our intended speech act. For example, It’s cold in here<br />

might be intended, and interpreted, as a request to turn up the heating. Hearers<br />

use inference to recover the intended meaning at specific points in a<br />

conversation, based on assumptions of cooperativeness, truth, relevance and<br />

cultural knowledge.


22.1 THE BASIC CORRESPONDENCES<br />

When we speak or write to each other, we perform acts through words, such as thanking<br />

and promising. These are ‘speech acts’. Certain general types of speech act are very<br />

basic, in that most, if not all, languages have ways of representing them by means of<br />

the grammar. These are statements, questions, exclamations and directives.<br />

These basic speech acts are encoded in the grammar in the system of clause types<br />

or moods, as shown in the diagram below. The indicative is the grammatical category<br />

typically used for the exchange of information, in contrast to the imperative, which<br />

grammaticalises our acting on others to get things done by requesting, ordering and so<br />

on. The exclamative grammaticalises the expression of emotion.<br />

declarative<br />

Polar (yes/no)<br />

indicative<br />

interrogative<br />

independent<br />

clause<br />

exclamative<br />

non-polar (wh-)<br />

imperative<br />

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Interrogative clauses can be either polar (yes/no interrogatives) or non-polar (whinterrogatives).<br />

These are discussed in Module 23.<br />

The basic correspondences between clause types and speech acts are summarised<br />

as follows:<br />

Clause type Basic speech act Example<br />

Declarative making a statement You are careful.<br />

Interrogative (yes/no) asking a question Are you careful?<br />

Interrogative (wh-) asking a question How careful are you?<br />

Exclamative making an exclamation How careful you are!<br />

Imperative issuing a directive Be careful!<br />

The traditional term ‘command’ is nowadays applicable only in contexts of great<br />

inequality and power such as the military. The term directive is used instead in<br />

everyday environments, to cover such acts as requests, prohibitions and instructions,<br />

as well as orders and commands.<br />

INTERACTION: SPEECH ACTS 177


22.2 DIRECT AND INDIRECT SPEECH ACTS: WHAT THE<br />

UTTERANCE ‘COUNTS AS’<br />

It is important to separate the concepts of statement, question and directive, which are<br />

semantic-pragmatic categories of meaning in use, from the grammatical categories of<br />

declarative, interrogative and imperative, which are typically associated with them. When<br />

a clause type is used to carry out the speech act typically associated with it, it is<br />

considered to be a direct speech act. Thus, in a direct speech act the declarative is said<br />

to have the illocutionary force of a statement, an interrogative has the force of a<br />

question, an imperative has the force of a directive, and an exclamative has the force of<br />

an exclamation. The force is the speaker’s ‘intended meaning’ at that particular point in<br />

the discourse. The table above shows this basic or typical correspondence between the<br />

two sets of categories; and in the following invented dialogue based on an advertisement,<br />

each clause type in the independent clauses realises its typical speech act:<br />

Is that you Brad? 1 Simon here.<br />

Hi, Simon.<br />

Did the board reach a conclusion? 2<br />

They’ve decided to launch the product, 3 if the terms are right.<br />

How do ours compare? 4<br />

Very well. But are you sure you can put up the necessary capital? 5<br />

We’ve got a massive loan from the Bank of England. 6<br />

In that case, let’s go. 7<br />

Have we got the deal, then? 8<br />

You’ve got it. 9<br />

Fantastic. How soon do you expect to be able to sign? 10<br />

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1<br />

interrog./question; 2 interrog./question; 3 declar./statement; 4 interrog./question;<br />

5<br />

interrog./question; 6<br />

declar./statement; 7<br />

imper./directive; 8<br />

interrog./question;<br />

9<br />

declar./statement; 10 interrog./question<br />

In interpersonal interaction, however, the relationship is frequently more complex – and<br />

more flexible. Every clause type can carry out different speech acts. When a clause type<br />

has any other but its typical force, we consider it an indirect speech act. That is, it<br />

‘counts as’ an act different from its typical correspondence.<br />

We can rewrite one of the executives’ utterances so that the correspondence between<br />

gramatical form and its function is no longer direct:<br />

So we’ve got the deal, then?<br />

(declarative which ‘counts’ as a question)<br />

Looking at it the other way round, our new version of this utterance still ‘counts as’ a<br />

question, as in the original text, even though it’s expressed by a different clause type.<br />

Even more indirectly, the words we use do not always express the full meaning of our<br />

intended act, as we can see in the following familiar situational dialogue:<br />

178 ENGLISH GRAMMAR


A. The door-bell’s ringing.<br />

B. I’m in the bath.<br />

A. Okay, I’ll go.<br />

A’s first utterance is to be interpreted as a directive to B: ‘Answer the door’. B’s utterance<br />

counts as a statement explaining why she can’t answer the door (‘I’m in the bath’), at<br />

the same time implying that A should answer the door. A’s second utterance shows that<br />

he has inferred the implied request and will comply with it. Notice that neither<br />

participant has made specific reference to answering the door.<br />

In this chapter we will be more concerned with the first type of indirect correspondence,<br />

the relationship between grammatical form and pragmatic meaning.<br />

In interpersonal interaction, however, especially in conversation, the second type – ‘not<br />

saying exactly what you mean’ and expecting the addressee to infer your meaning – is<br />

also extremely common in <strong>English</strong>.<br />

The motivation for using indirect speech acts is often that of tact, politeness or simply<br />

economy of effort. Assuming that speakers are cooperative and make their utterances<br />

relevant, hearers use inference in order to recover the intended meaning. For instance,<br />

a colleague’s question on leaving the office Have you come by car today? may lead the<br />

addressee to infer that the colleague is politely requesting to be given a lift. Inference<br />

is also based on cultural knowledge, for example, that people who have cars often give<br />

lifts to those who don’t.<br />

In inferring the speaker’s meaning, the situational context is all-important, as is the<br />

relationship between speaker and hearer. In different situations, or at different points<br />

in a conversation, any one utterance may take on a different pragmatic force. If an<br />

explosion has just been heard in the car-park, Have you come by car today? will suggest<br />

a very different intended meaning, perhaps that of a warning, or a suggestion to go and<br />

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see what has happened. As in other areas of the grammar, a form can fulfil more than<br />

one function, and a function can be fulfilled by more than one form.<br />

It is not always possible to make a clear-cut distinction between one type of indirect<br />

speech act and another. Sit over here by me may be a request or an invitation, or a<br />

combination of the two. Similarly, Simon’s response We’ve got a massive loan from the<br />

Bank of England is at once a statement and an assurance in answer to Brad’s somewhat<br />

anxious question. This indeterminacy of pragmatic meaning is not, in general, a disadvantage,<br />

as it allows the interlocutors in a situation to negotiate the outcome of any<br />

one utterance as they go along.<br />

INTERACTION: SPEECH ACTS 179


THE DECLARATIVE AND MODULE 23<br />

INTERROGATIVE CLAUSE TYPES<br />

SUMMARY<br />

1 Syntactically, the five clause types are distinguished in <strong>English</strong> by the presence<br />

or absence of Subject and the ordering of Subject (S) and a finite verb (F). The<br />

rest of the clause remains the same. The Finite is realised by a primary verb<br />

(am, is, are, was, were, has, had), a modal verb (can, must, etc.) or a tensed<br />

lexical verb (sells, sold, etc.), and is the first or only element of the verbal group.<br />

2 The declarative is the basic clause type, with Subject-Finite ordering (It is ready,<br />

I can swim, Ice melts). Interrogative and negative clauses in <strong>English</strong> require<br />

a finite operator. The primary verbs be and have, and the modal verbs (can,<br />

will, etc.) function as finite operators, carrying inversion (Is it ready? Can you<br />

swim?), polarity (the positive–negative distinction) – as in It is ready vs It isn’t<br />

ready – and emphasis (I am ready). If there is no primary or modal verb in<br />

the clause, a form of do is used as operator (Does she smoke? She doesn’t<br />

smoke).<br />

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3 Interrogative structures in <strong>English</strong> are of two main types: yes/no (polar) and wh-<br />

(non-polar), the latter with a preceding wh-element. Both have Finite-Subject<br />

ordering except when Who is Subject (Who said that?). A subtype, the<br />

alternative interrogative, consists of two polar interrogatives joined by or (Do<br />

you want it or don’t you?). The wh- words ending in – ever act as intensifiers<br />

(Whatever do you mean?), as do more colloquial items (What the devil . . .).<br />

4 Echo questions repeat all or part of a previous speaker’s utterance (We leave<br />

at 5 a.m. – 5a.m?). Double interrogatives consist of one interrogative embedded<br />

within another (Do you know what time it is?), the answer being pragmatically<br />

determined.<br />

5 Abbreviated clauses (I can’t, Is it?) are independent ellipted clauses based on<br />

Subject–operator and operator – Subject patterns. They are commonly used as<br />

short interactive responses after questions, statements, exclamations and<br />

directives.<br />

180 ENGLISH GRAMMAR


6 Question tags are also abbreviated yes/no interrogatives. They are not<br />

independent, but appended to a main clause. There are two types, reversed<br />

and constant, distinguished by polarity, appendibility and, in part, intonation.<br />

Invariant tags include right, okay and – for some speakers – innit, the latter<br />

often socially stigmatised. Like other ellipted forms, tags are an important<br />

interactive device in spoken <strong>English</strong>.<br />

23.1 CLAUSE TYPES AND THE MOOD ELEMENT: SUBJECT-<br />

FINITE VARIATION<br />

In <strong>English</strong>, the declarative, interrogative and imperative moods of a clause are<br />

distinguished syntactically by variation in one part of the clause, called the mood<br />

element, while the rest of the predicate, sometimes called the residue, remains<br />

unchanged. The elements of structure which together form the mood element are<br />

Subject (S) and Finite (F). Variation consists in the presence or absence of Subject and<br />

the ordering of the two elements, as summarised in the table below. These different<br />

syntactic variations are referred to as ‘clause types’:<br />

Clause type Order Example<br />

Declarative Subject-Finite Jane sings.<br />

Interrogative (yes/no) Finite + Subject Does Jane sing?<br />

Interrogative (wh-) wh + Finite + Subject What does Jane sing?<br />

Exclamative wh + Subject + Finite How well Jane sings!<br />

Imperative no subject, base form Sing!<br />

of verb<br />

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23.2 THE DECLARATIVE CLAUSE TYPE<br />

The declarative is the basic clause type, with Subject-Finite ordering, as in:<br />

Subject Finite Predicator<br />

1 We are meeting again tomorrow. [BNC AON 1644]<br />

2 You might need a holiday. [BNC AYP 47]<br />

The Finite, meaning specified for tense or modality, is always the first or only element<br />

of a verbal group (see also chapters 1 and 8). It is realised by either a verbal operator<br />

(is, can, has, etc.), as in 1 and 2, or a tensed (past or present) form of the lexical verb,<br />

as in 4 and 5. The primary verbs function both as operators 1 and as main verbs 3:<br />

INTERACTION: SPEECH ACTS 181


Subject<br />

Finite/Predicator<br />

3 We are late again.<br />

4 She arrives tomorrow.<br />

5 They sell fish and chips here.<br />

More exactly, in positive declarative clauses, Finite and Predicator fuse in the present<br />

and past tensed forms of lexical verbs and of be and have when used as main verbs. The<br />

operator is always realised by a verb: primary, modal or do, as explained and illustrated<br />

in 3.1.<br />

The Finite element relates the proposition to a point of reference: either a time<br />

reference, by tense, or the speaker’s judgement by means of modality, as discussed in<br />

chapters 8 and 9.<br />

23.3 INTERROGATIVE CLAUSES, NEGATION AND THE<br />

DO-OPERATOR<br />

In interrogative clauses, the Finite verb precedes the Subject, the rest remaining the<br />

same.<br />

Finite Subject Predicator<br />

Are we meeting again tomorrow?<br />

Do you need a holiday?<br />

Does she expect us soon?<br />

Did they emigrate to Australia after all?<br />

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When no operator is already available in the clause, a form of do (do, does, did) is brought<br />

in as a dummy operator. That is, it has no semantic value but simply fulfils the syntactic<br />

requirement of ‘finite operator’ (see 3.1.1), as illustrated in the last three examples. The<br />

functions of the operators that interest us here are, first, that they signal by position that<br />

the clause is interrogative, and second, they carry polarity, that is, they are either<br />

positive or negative. This positive–negative contrast is an essential semantic feature<br />

associated with finiteness. In order to be affirmed or denied, a proposition has to be<br />

either positive or negative.<br />

Negation, as we saw in 3.2, is usually expressed by the negative particle not, which<br />

follows the operator or is joined to it as n’t. Note that the negative interrogative with 1st<br />

person singular ‘I’ is not *amn’t but aren’t in Standard <strong>English</strong>. Other exceptions include<br />

can’t, won’t and shan’t. (Operators also function in question tags, both positive and<br />

negative, as illustrated here and discussed with further examples shortly. See also<br />

Chapter 8.)<br />

Subject Finite Predicator<br />

I won’t be going home for lunch. [BNC KNY 251]<br />

It doesn’t seem right, does it? [BNC FUL 178]<br />

You don’t sell bibles, do you? [BNC C86 2553]<br />

182 ENGLISH GRAMMAR


Negative-interrogative forms (see also Chapter 1) are illustrated as follows:<br />

Finite Subject Predicator<br />

Won’t you be going home for lunch?<br />

Don’t you sell bibles?<br />

The do forms can be used to add emphasis with lexical verbs in the declarative:<br />

Subject Finite Predicator<br />

They do sell them<br />

You do know about that, don’t you? [BNC H9W 1033]<br />

Interrogative clauses typically occur in interpersonal situations, and their direct speechact<br />

function or force is to ask for information. There are two main types of interrogative,<br />

the yes/no type and the wh-type. The examples we have seen so far are of the yes/no<br />

type.<br />

23.4 YES/NO INTERROGATIVES AND THEIR RESPONSES<br />

In the yes/no type it is only the polarity that is in question. The speaker asks for<br />

confirmation or denial of the clause content, to be expressed by yes or no. Such minimal<br />

replies often sound rather curt, however:<br />

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A. Do you sell fish fingers?<br />

B. No.<br />

A. At all? You don’t? [BNC KBC 717–721]<br />

(B’s first response overlaps with A’s question; B’s reply might be):<br />

B. You can get them from the supermarket.<br />

A feature of spoken <strong>English</strong> is the use of ellipted responses such as Yes, it is, No, we don’t,<br />

I can’t, has he? based on the Subject-operator (declarative) and operator-Subject<br />

(interrogative) patterns. These are independent abbreviated clauses. They are used<br />

in response to questions, statements, exclamations and directives. They show more<br />

interest and involvement than a mere Yes or No, and even more than mere silence! In<br />

conversation they keep the talk alive by passing the turn from one speaker to another:<br />

A. Always drunk isn’t he?<br />

B. He’s a sweet old man though.<br />

A. Is he?<br />

B. Gets me nice birthday presents.<br />

A. Does he?<br />

B. Mm. [BNC 3503–3507]<br />

INTERACTION: SPEECH ACTS 183


Another way of responding is by an echo question. This repeats part, or sometimes<br />

all, of an immediately preceding utterance by another speaker. The motivation for using<br />

echoes is that the hearer did not comprehend, found difficult to believe, or did not hear<br />

properly what had been said:<br />

I’m going to sell my golf clubs.<br />

What did you say to him?<br />

Sell them?<br />

What did I say to him?<br />

In interactive situations, in fact, a wide range of responses occurs, as speakers often<br />

express greater or less certainty about the proposition:<br />

Have you got any stamps?<br />

No, I don’t think I have, in fact I know I haven’t. [BNC KCX 3771–3772]<br />

In the following extract from Harold Pinter’s Applicant an eager applicant for a job is<br />

asked a great many unexpected questions by the interviewer Miss Piffs. All her questions<br />

are of the yes/no type, yet few are in fact answered by yes or no. The applicant Lamb<br />

shows his perplexity and surprise by responding in a variety of ways:<br />

Piffs: Would you say you were an excitable person? [1]<br />

Lamb: Not – unduly, no. Of course, I – [2]<br />

Piffs: Would you say you were a moody person? [3]<br />

Lamb: Moody? No, I wouldn’t say I was moody – well, sometimes<br />

[4]<br />

Piffs: Do you ever get fits of depression? [5]<br />

Lamb: Well, I wouldn’t call them depression exactly. [6]<br />

Piffs: Do you often do things you regret in the morning? [7]<br />

Lamb: Regret? Things I regret? Well, it depends what you mean by<br />

often, really – I mean when you say often – [8]<br />

Piffs: Are you often puzzled by women? [9]<br />

Lamb: Women? [10]<br />

Piffs: Men. [11]<br />

Lamb: Men? Well, I was just going to answer the question about<br />

women – [12]<br />

Piffs: Do you often feel puzzled? [13]<br />

Lamb: Puzzled? [14]<br />

Piffs: By women. [15]<br />

Lamb: Women? [16]<br />

Piffs: Men. [17]<br />

Lamb: Oh now, just a minute I . . . Do you want separate answers<br />

or a joint answer? [18]<br />

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184 ENGLISH GRAMMAR


23.5 ALTERNATIVE INTERROGATIVES<br />

Alternative interrogatives also start with an operator, like the yes/no type, but yes or<br />

no is no longer an appropriate answer. Instead, one of the two alternatives presented in<br />

the question is expected to be chosen, but again, variants are possible, as shown in B’s<br />

answers:<br />

A. Do you study for enjoyment or to advance your career? [BNC BNA 1630]<br />

B. – For enjoyment<br />

– To advance my career<br />

– Both<br />

23.6 WH-INTERROGATIVES<br />

Wh-interrogatives contain an element of missing information which is embodied in the<br />

wh-word. What the speaker is seeking in this type of interrogative is the identity of that<br />

element. The rest is presupposed, that is, taken as given. For instance, What do you want?<br />

presupposes that you want something. The wh-word can fill a syntactic function of the<br />

clause or be part of a group or phrase.<br />

Wh-word Finite Subject Syntactic function<br />

What do you want? (Od)<br />

What is it for? (complement of a prep.)<br />

Who(m) have they appointed? (Od)<br />

Who can it be? (Cs)<br />

Whose dog is it? (determinative in NG)<br />

When shall we go? (A)<br />

How did it happen? (A)<br />

How old is she? (Cs)<br />

How long have you known him? (A)<br />

Why would I do that? (A)<br />

Where have you most enjoyed working? (A) [BNC BNA 28496]<br />

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There is one exception to the Finite-Subject order in wh-interrogative clauses. This is<br />

when the wh-element itself functions as subject or as part of a NG at subject:<br />

Subject F/P<br />

Who told you that?<br />

Which glass got broken? (determinative in NG)<br />

The functional motivation for the ordering of interrogatives in <strong>English</strong> is that whatever<br />

is questioned comes first. If it is the polarity that is questioned, the finite operator comes<br />

first. If it is the identity of an unknown element, a wh-element comes first, followed by<br />

the Finite-Subject ordering. If the unknown element is the Subject, that (in the form of<br />

a wh-element), comes first.<br />

INTERACTION: SPEECH ACTS 185


This means that, basically, the entire interrogative system in <strong>English</strong> has Finite-<br />

Subject ordering, except when the Subject’s identity is itself questioned.<br />

Note that, in some languages, interrogative inversion is that of the Subject and the<br />

whole verbal group, as in Spanish ¿Ha llegado Pedro? We must be aware that this<br />

variation is ungrammatical in <strong>English</strong> (*Has arrived Peter?), except with primary verbs<br />

(be and have) in simple tenses. Compare: Has Peter a bicycle? is possible, but *Has had<br />

Peter lunch? is ungrammatical. Furthermore, certain languages rely on intonation to<br />

express a question, using only the declarative form. This is also possible in <strong>English</strong> (see<br />

26.4) but it does not regularly replace the use of the interrogative structures.<br />

The following dialogue between two friends illustrates declarative clauses and the<br />

two main interrogative types. Finite elements are italicised:<br />

So what did you do at the weekend, Janet?<br />

Well, Jeff and I went off to Whitby to visit our in-laws. We took the dog with us and<br />

we all ended up having a walk along the beach.<br />

Can you walk right along the cliffs to Robin Hood’s Bay?<br />

I think you probably could do, but it’s quite dangerous. You can get through<br />

occasionally when the tide’s out, but it doesn’t stay out for very long and you can get<br />

caught.<br />

(authors’ data)<br />

intensifier<br />

The wh-interrogative expressing words the surprise, sometimes perplexity combine or with disbelief the word of the -ever, speaker. which Why acts ever as an<br />

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often spelt as two words, the other items as either one or two:<br />

is<br />

Whoever would believe such a story?<br />

Wherever did you hear that?<br />

Why ever didn’t he let us know he was coming?<br />

Besides the -ever combinations, wh-interrogative words can be intensified informally by<br />

certain lexical items which include on earth, in the world, and other more marked<br />

colloquialisms including semi-taboo words, such as the devil, the hell.<br />

Why on earth didn’t you get in touch?<br />

Ellie! Where the hell have you been?<br />

(Girls Out Late)<br />

See 3.1 and 26.3 for negative-interrogatives.<br />

23.7 DOUBLE INTERROGATIVES: QUESTIONS WITHIN<br />

QUESTIONS<br />

A wh-interrogative can be embedded as a constituent of a polar interrogative, in which<br />

case the wh-interrogative has the order of a declarative clause, as in Do you know what<br />

186 ENGLISH GRAMMAR


time it is? rather than *Do you know what time is it? (see also Chapter 3). There are two<br />

questions involved in this case: (a) the polarity of the main clause, in this example<br />

whether the addressee knows the answer to the wh-question; and (b) the content<br />

embodied in the wh-element. The intention of the speaker, together with the context,<br />

will ‘weight’ one or other in importance. For example, if the addressee is slowly packing<br />

a suitcase to catch a train shortly, (a) ‘knowing the time’ is likely to be more important.<br />

On the other hand, if the speaker’s watch has stopped, (b) ‘the time is x’ is likely to be<br />

of greater interest to the speaker. The force is different too. In (a) Do you know what time<br />

it is? has the force of a polite reminder, while in (b) it will be interpreted as a request.<br />

23.8 QUESTION TAGS<br />

Question tags are not independent clauses, but they do require a response, and are<br />

highly interactive. Structurally, tags are abbreviated yes/no interrogatives consisting of<br />

an operator (either positive or negative) and a pronoun, which repeats the subject or<br />

substitutes for it. Question tags are attached to one of the following clause types:<br />

a declarative clause:<br />

an exclamative clause:<br />

an imperative clause:<br />

It was quiet in there, wasn’t it?<br />

How quiet it was in there, wasn’t it?<br />

Be quiet for a moment, will you?<br />

Of these, the declarative is by far the most common. The tag is usually placed at the<br />

end 1–5, but sometimes in the middle 6:<br />

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1 Ben is in South Africa, isn’t he?<br />

2 He isn’t with Gordon, is he?<br />

3 You live in Hammersmith, don’t you?<br />

4 You don’t live in Chelsea, do you?<br />

5 It doesn’t really matter, does it?<br />

6 It’s easy, isn’t it, to get into the habit?<br />

23.9 FEATURES OF THE MAIN TYPES OF TAG<br />

There are two main types of declarative mood tag, distinguished by polarity sequence.<br />

Type 1 tag has opposite polarity to that of the main clause. That is, if the main clause<br />

is positive, the tag is negative, and vice versa, as in the examples so far.<br />

There is either rising or falling intonation on the tag. A rising tone on the tag<br />

indicates doubt, and so the meaning is ‘Am I right?’ If however the intonation is falling,<br />

it expresses greater certainty, so that the meaning of the tag is more like ‘I’m asking<br />

you to confirm this’ and simply seeks agreement.<br />

The Type 2 tag has constant polarity, that is, the same as the main clause. It occurs<br />

mostly in combinations of positive declarative clauses with positive tags. Type 2 tags<br />

typically have a rising tone on the tag, and the statement is often preceded by a discourse<br />

INTERACTION: SPEECH ACTS 187


marker, such as Oh, So or Well now, which indicates that the speaker is expressing a<br />

conclusion or inference drawn from the situation or from what has been said before.<br />

The effect is often emotive and can either express an agreeable surprise or else sound<br />

pejorative, depending on the implication.<br />

Oh, so you’re the new assistant, are you?<br />

Oh so that’s what she said, is it?<br />

Well now, this is the Norman chapel, is it?<br />

You found the address, did you?<br />

The following extract, from James Saunders’ play Over the Wall, parodies a doctor’s<br />

questioning of a patient, who is not allowed time to reply:<br />

Falling hair, loss of weight, gain of weight, tenseness, got a drink problem have you,<br />

smoking too much, hallucinations, palpitations, eructations, on drugs are you, can<br />

you read the top line, overdoing it at work perhaps, worrying about the work, about<br />

the spouse, about where to go for your holiday, about the mortgage, about the value<br />

of the pound, about the political situation, about your old mother, about the kids,<br />

kids playing up are they, not doing well at school, got a drink problem have they,<br />

smoking, on drugs are they, suffering from loss of weight, falling hair, got any<br />

worries have you?<br />

Yes!<br />

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In both types of question tag, the pronoun in the tag is co-referential with the subject,<br />

and the operator, not the pronoun, carries the tonic stress.<br />

There is a third, less common but very useful variant, illustrated by the following<br />

example:<br />

Ooh! I love squirrels, don’t you? [BNC KBW 12683–12684]<br />

Here the pronouns are not co-referential. The sentence subject is invariably I and that<br />

of the tag, you. It is you, not the operator, that carries the tonic stress, marking a contrast<br />

with the 1st person, the speaker. The tag invites the addressee to agree or disagree with<br />

the speaker’s opinion.<br />

When an embedded clause that encodes the main propositional content of the<br />

sentence is introduced by a clausal fragment such as I think or I suppose expressing<br />

epistemic stance, the tag refers to the embedded clause, not to the clausal fragment (see<br />

also 36.2). The stance expression can be placed parenthetically:<br />

I think he left before lunch, didn’t he? (not *don’t I?)<br />

(He left, I think, before lunch, didn’t he?)<br />

188 ENGLISH GRAMMAR


I suppose you’d prefer a cold drink, wouldn’t you? (not *don’t I?)<br />

(You’d prefer a cold drink, I suppose, wouldn’t you?)<br />

Indefinite human singular pronouns take they in the tag:<br />

Everybody seemed to enjoy themselves, didn’t they?<br />

Nobody will agree to that, will they?<br />

Somebody should be told, shouldn’t they?<br />

The discourse function of tags following declaratives is to seek confirmation or agreement<br />

with the previous statement and to keep the conversation going. Tags are questions<br />

and so require an answer. They enable the speaker to elicit a response from the<br />

hearer, where a tagless declarative or imperative would not necessarily achieve this end.<br />

Together with abbreviated clauses and fragments as short responses, tags provide the<br />

main structural-functional devices for furthering speaker-hearer involvement.<br />

With certain speech act functions, such as good wishes and warnings, a question tag<br />

is not used. Instead, other forms such as the following are used, in which the adverbs<br />

do not have their normal ideational value:<br />

See you later, then! Have a good journey, then!<br />

That plate is hot, mind Look out, there! Come on, now!<br />

23.10 INVARIANT QUESTION TAGS<br />

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Invariant tags are those such as Right? 1 and okay?, which are not derived from the<br />

structure of the main clause. A form which is spreading rapidly is innit. This was<br />

originally derived from isn’t it, and is used in popular, non-standard speech as a tag<br />

appended to a declarative 2, 3. In the vernacular it is also used as a negative<br />

interrogative main verb and a question tag, in the same sentence 4. Furthermore, in<br />

some communities it is becoming a generalised tag used in environments other than<br />

those containing the operator is 5. In this respect, innit is like right and okay, although<br />

less generally accepted than they are.<br />

1 Getting over a cold, right? [BNC KBF 13393]<br />

2 It’s a nice pattern innit? [BNC KB8 7338]<br />

3 Oh it’s cold innit? [BNC KE3 8928]<br />

4 Ah innit lovely innit? [BNC KBE 9639]<br />

5 You know our life story innit? [BNC KCS 1718]<br />

Like other tags, innit? seeks confirmation or agreement from the addressee. Right and<br />

okay, however, also function (like all right) as responses indicating agreement or<br />

compliance 6, and also as discourse markers to call attention and initiate an action 7:<br />

6 . . . whenever you want to read there, you can do that.<br />

Okay right right. [BNC KCV 0941–0942]<br />

7 Right, er, let’s have a look then [BNC KB3 1867]<br />

INTERACTION: SPEECH ACTS 189


THE EXCLAMATIVE AND MODULE 24<br />

IMPERATIVE CLAUSE TYPES<br />

SUMMARY<br />

1 Exclamative clauses open with a wh- element what or how, followed by a NG<br />

or adjective/adverb, respectively. Like the declarative, they have Subject-Finite<br />

ordering. Exclamative what is a determinative (What a mess!), while how<br />

functions as a degree adverb (How strange it was!), unlike pronominal what<br />

and manner adverb how in wh- interrogatives (What is it? How is she?). They<br />

are used to make exclamative statements.<br />

2 The imperative consists of the base form of the verb alone, without modals, tense<br />

or aspect (Stop!). This can be preceded by the negative form don’t or emphatic<br />

do. There is no overt subject, but a 2nd person subject (stressed you) can be<br />

added, usually for purposes of contrast with another person (You sit down and<br />

I’ll stand). Somebody, everybody, nobody can also be used and, like you, refer<br />

to the addressee(s). These, and other forms, can also be used as vocatives. A<br />

polite clause tag is will you? Let’s is the imperative particle used for a 1st person<br />

imperative, typically suggesting a joint action. It is to be distinguished from the<br />

lexical verb let, from which it derived. The unmarked function of imperatives is<br />

to issue a directive.<br />

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3 Reduced clauses are extremely common in spoken <strong>English</strong> and fulfil an important<br />

interactive function. They include abbreviated clauses (basically S-F or F-S in<br />

structure) that function independently, question tags, verbless clauses of various<br />

degrees of ellipsis, echoes, and freestanding subordinate clauses (which it does).<br />

In this module we refer mainly to the typical speech act associated with each<br />

clause type.<br />

4 The subjunctive is not a clause type but a verb form. It remains outside the system<br />

of clause types and has a very limited use in British <strong>English</strong>, rather more in<br />

American <strong>English</strong>.<br />

190 ENGLISH GRAMMAR


24.1 THE EXCLAMATIVE<br />

The exclamative clause type starts with a wh- word, either the determinative what,<br />

followed by a nominal group or the degree adverb how and an adjective, adverb or<br />

statement:<br />

Wh- element<br />

What a shock<br />

they’ll have!<br />

What a mess we’ve got ourselves into! [BNC G0J 4081]<br />

What a lot of interference there is! [on the telephone]<br />

How dark<br />

it is!<br />

How<br />

it snowed!<br />

Exclamatives have the Subject-Finite ordering that is characteristic of the declarative,<br />

and the element following the wh- word is a clause constituent which has been brought<br />

to the front of the clause. For these reasons exclamative clauses are sometimes considered<br />

as an emotive element superimposed on the declarative rather than as a distinct<br />

mood.<br />

The declarative clauses corresponding to these examples are as follows:<br />

They’ll have a shock.<br />

We’ve got ourselves into a mess.<br />

It is dark.<br />

It snowed.<br />

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How-exclamative clauses sound somewhat theatrical nowadays, especially when<br />

followed by an adverb (How well he played!). More commonly heard than clausal<br />

exclamatives in everyday spoken <strong>English</strong> are abbreviated noun-headed or adjectiveheaded<br />

forms:<br />

What a mess! What a surprise! What a nightmare!<br />

What a player! What very sad news! How exciting!<br />

Oh great! Big deal! Fantastic! (see also 25.2)<br />

Embedded (or indirect) exclamatives occur regularly in both spoken and written <strong>English</strong>.<br />

We refer to them in 11.3.4 under wh- complements, and simply illustrate them here:<br />

You wouldn’t believe how badly the prisoners were treated.<br />

24.2 THE IMPERATIVE<br />

The most striking feature of an imperative clause is that it requires no overt Subject in<br />

<strong>English</strong>. In this it differs sharply from the other clause types:<br />

Be careful!<br />

Come on! Hurry up!<br />

INTERACTION: SPEECH ACTS 191


The subject is pragmatically understood to be the addressee, and this is confirmed by<br />

the presence of a reflexive pronoun (yourself, yourselves) 1, a question tag (will you) 2 or<br />

by a vocative (you, you people, you guys, used to address women as well as men) 3, 6.<br />

Stressed you positioned immediately before the imperative is usually interpreted as<br />

subject, and is typically used to mark a contrast with the speaker or a 3rd person 4.<br />

Subject and vocative are less distinct when realised by someone 7, everyone, or a NG<br />

such as passengers on flight IB580 to Vigo 8 preceding the verb. They could be either<br />

subject or vocative, or even merge. Both are optional and both refer to the addressees,<br />

representing either all or a sub-set of those persons present in the speech situation.<br />

When placed in final position 1, a pronoun or NG would normally be considered a<br />

vocative.<br />

1 Help yourselves, everyone!<br />

2 Be quiet, will you!<br />

3 Shut up, you two!<br />

4 You stay here and I’ll get the tickets.<br />

5 Hey, Helena, calm down! [BNC KCE 1507]<br />

6 Come on, you guys, the shops will be shutting soon. (Girls Out Late)<br />

7 Someone call an ambulance!<br />

8 Passengers on flight number IB580 to Vigo please proceed to gate number 17.<br />

Vocatives are able to occupy various positions, typically final 3, but also medial 6 and<br />

initial, often preceded by an attention-getter 5. Common vocatives are first names,<br />

Johnny, Pat, kinship names Mum/Mom, Grandad, endearments darling, love, honey, pet,<br />

pronoun you + noun you guys, surnames and titles, Mr Roberts, and (now less common)<br />

honorifics madam, sir. Vocatives fulfil important interpersonal functions in getting someone’s<br />

attention, singling out one individual among a group and maintaining relationships,<br />

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either of a close or friendly nature or, less commonly nowadays, marking distance and<br />

respect.<br />

As these examples illustrate, imperatives typically encode directives, which range<br />

from orders 2, 3 to encouragement 6, urgent request 7, invitation 1 and instructions 8<br />

(see also 27.1).<br />

The following exchange between two women friends was overheard on the London<br />

Underground when a seat became vacant. Two functions of you occur; as subject of an<br />

imperative and as vocative after an imperative:<br />

A 1<br />

B 2<br />

A 3<br />

B 4<br />

A 5<br />

Sit down!<br />

No, you sit down!<br />

You’re the one with the feet.<br />

So are you. You sit down!<br />

Sit down with the feet, you!<br />

You in B 2<br />

and B 4<br />

subject of imperative. You in A 5<br />

vocative after an imperative.<br />

192 ENGLISH GRAMMAR


24.2.1 The verb in the imperative<br />

Another important structural feature of the imperative is that it uses the base form of<br />

the verb, with no modals or tense-aspect forms. This is shown by the use of be in Be<br />

careful ! (not *are (being) careful, *can be careful). The grammatical status of the base form<br />

as a non-finite is somewhat problematic, however. It does not share functions with other<br />

non-finite verb forms; rather, the imperative has more in common, functionally, with<br />

finites than with the non-finites. Like interrogatives, it relates the speaker to the hearer<br />

and to the here-and-now, typically in face-to-face interaction.<br />

Because the base form is indistinguishable from some declarative forms, there is<br />

potentially structural ambiguity between an imperative with a you-subject and a<br />

declarative. This is disambiguated only in speech, by stress on the imperative subject:<br />

A. How do we get tickets for this show?<br />

B. You go and stand in the queue. (unstressed, declarative, use of ‘generic’ you =<br />

‘one’)<br />

A. What shall we do, then?<br />

B. You go and stand in the queue while I park the car. (stressed, imperative)<br />

There is, however, a distinction between declarative and imperative when the verb is<br />

be, as in role-taking. This is because be has retained different forms for person and tense<br />

(am, is, are). Compare:<br />

You be the doctor and I’ll be the nurse. (imperative)<br />

You’re the doctor and I’m the nurse. (declarative)<br />

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The declarative 3rd person singular finite form -s avoids ambiguity with a 3rd person<br />

subject imperative. Note however that please always points to a directive meaning:<br />

Imperative<br />

Everybody sit down, please!<br />

Nobody say a word!<br />

Declarative<br />

Everybody sits down.<br />

Nobody says a word.<br />

If the Subject is plural, the verb form is the same in both types, but intonation, pause,<br />

gesture and common sense serve to clarify the meaning in a specific context.<br />

Ticket-holders (pause) come this<br />

way!<br />

Those in agreement (pause) raise<br />

their hands!<br />

Ticket-holders come this way.<br />

Those in agreement raise their hands.<br />

INTERACTION: SPEECH ACTS 193


24.2.2 Negative and emphatic imperatives<br />

Don’t (placed before a subject) and do are used to negate or emphasise 2nd person<br />

imperatives, respectively. (To some speakers, do sounds rather old-fashioned now.)<br />

Negative & Subject Base/Predicator<br />

emphasis<br />

You be careful, now!<br />

Don’t be silly!<br />

Don’t you speak to me like that!<br />

Do keep still, Pat!<br />

24.2.3 Let’s and Let us<br />

Another feature of the imperative in <strong>English</strong> is the use of let’s to form a 1st person<br />

plural imperative with the implicit Subject we. Its typical use is to suggest or urge<br />

a collaborative action that includes both speaker and addressee(s). It is also used,<br />

however, as a disguised order by speakers in authority, as in the third example. The tag<br />

question used with 1st person imperatives is Shall we?<br />

Let’s take a few photos, shall we?<br />

Let’s go home, shall we?<br />

Let’s have some silence now!<br />

Let’s is historically derived from let us and in very formal settings, including church<br />

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services, the unabbreviated form is heard:<br />

Let us pray.<br />

Let us consider the possible alternatives.<br />

It may be that let’s is beginning to function as an unanalysed pragmatic particle, as in<br />

non-standard let’s you and I do it. The negative form of let’s is let’s not, although don’t let’s<br />

is also heard<br />

Let’s not waste any more time. [BNC AMB 799]<br />

Oh, don’t let’s talk about it, Len. [BNC GVT 2492]<br />

Let’s is not to be confused with the normal imperative of the lexical verb let meaning<br />

permit, allow, as in:<br />

Let me do it!<br />

Let me help you.<br />

As an illustration of the differences between the particle let and lexical let (= allow),<br />

compare:<br />

Let’s go and see that new film!<br />

Please let us go and see that new film.<br />

(particle let)<br />

(lexical let)<br />

194 ENGLISH GRAMMAR


Let’s go! (let as particle) Let us go! (lexical verb let)<br />

us = I + you<br />

Pronoun us reduced to ’s<br />

No subject pronoun can be added<br />

The tag is shall we?<br />

The verb is not ellipted<br />

us = me + other(s)<br />

Pronoun us not reduced<br />

2nd person subject you can be added:<br />

You let us go!<br />

The tag is will you?/can’t you?<br />

Phrasal verb is ellipted with verbs of<br />

direction: Let us in/out (= come/go in/out)<br />

Obviously, both uses of let can occur in the same clause, as in Let’s let them in now.<br />

The pragmatic particle let can also introduce a wish (the optative mood) as in Let there<br />

be light and is used only in formal registers (for inclusive and exclusive we/us, see 45.7.1).<br />

24.3 VERBLESS AND FREESTANDING SUBORDINATE<br />

CLAUSES<br />

Spoken <strong>English</strong> and genres which imitate it are rich in ellipsis and reduced forms<br />

in general. We have already seen examples of abbreviated clauses, echo questions<br />

and tags.<br />

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Verbless clauses<br />

We use the term ‘verbless clause’ to cover ellipted clauses which lack one or more<br />

structural elements: Subject and Finite verb 1, 2, 3, 5, Finite verb 4. They therefore<br />

lack the alternative orderings characteristic of abbreviated clauses. Some can take<br />

question tags, however, with either rising or falling intonation. Without a tag, intonation<br />

indicates the force of a statement, question or exclamation.<br />

1 (He is) in New York, isn’t he? (question)<br />

2 What a waste of time, (it was) wasn’t it! (exclamation)<br />

3 (This is) Simon here. (self-identifying statement on the phone)<br />

4 (Are) you ready? (question)<br />

5 (It’s) fantastic! (exclamation)<br />

In conversational exchanges in <strong>English</strong>, certain wh- questions without a finite verb play<br />

a part as initiators and responses. They can have the force of an invitation (How about<br />

some lunch?), an encouraging suggestion (Why not give it another try?), an inquiry (How<br />

come Sheila’s not with you?)<br />

INTERACTION: SPEECH ACTS 195


Freestanding subordinate clauses<br />

These also are characteristic of ongoing conversation. Two very common types are the<br />

sentential relative clause introduced by which 1 and clauses of reason introduced by<br />

because or cos 2 (see 35.3). The interesting feature is that they are not attached to a<br />

previous clause, but are freestanding, both intonationally and as regards punctuation.<br />

Functionally, they reinforce or give the reason for making the previous utterance:<br />

1 and, he said, well with the coal fire and all that, he said, it’ll, it’ll get dirty<br />

Mm which it will, won’t it? [BNC KE6 10518–10519]<br />

2a Because you’re worth it. (Closing utterance in L’Oréal hair care advertisements.)<br />

2b Did you see King Lear when it was on on the television? Cos I taped that as well.<br />

[BNC KDM 3696–3697]<br />

24.4 THE SUBJUNCTIVE IN ENGLISH<br />

In <strong>English</strong>, mood has to do with clause types rather than verb inflection. It leaves the<br />

subjunctive somewhat isolated, since this is not a clause type, but a verb form which<br />

in present-day British <strong>English</strong> plays a very marginal role, although it is rather more<br />

common in American <strong>English</strong>.<br />

As regards the expression of non-factual meaning, the subjunctive has also lost<br />

ground. In independent clauses the subjunctive can express a wish, but only in fossilised<br />

stereotyped expressions like Long live the Queen! So be it, Heaven be praised! Far be it from<br />

me to doubt your word. Even in subordinate clauses, a clearly identifiable present<br />

subjunctive is limited to the uninflected VG occurring with a 3rd person singular subject<br />

in that-clause complements of certain verbs and adjectives, as in: It is right that this House<br />

debate this issue. In less formal contexts the indicative or should + infinitive are now<br />

used by many speakers. (We recommend that he gets/should get a visa.)<br />

A past subjunctive can be identified only in the form were in the 1st and 3rd persons<br />

singular of be (If I were you ...If he were to return alive . . .) in subordinate clauses of<br />

condition and concession, where it is still very current. Most non-factual notions, such<br />

as the expression of doubt and hypothesis, are conveyed in <strong>English</strong> by other grammatical<br />

means, principally any and its compounds and the modal auxiliaries, especially should,<br />

could, may and might (see Module 44).<br />

One area in which an indicative–subjunctive contrast is made is in a certain type of<br />

if clause, as in:<br />

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If he was here I didn’t see him.<br />

If he were here I would surely see him.<br />

(indicative)<br />

(subjunctive)<br />

Only the second if clause is truly conditional. The first, meaning ‘if it is true that he was<br />

here’, is rhetorical condition in that his being here is not a condition for my seeing him.<br />

This is also referred to as pragmatic conjunction (see 35.3).<br />

196 ENGLISH GRAMMAR


INDIRECT SPEECH ACTS, MODULE 25<br />

CLAUSE TYPES AND DISCOURSE<br />

FUNCTIONS<br />

SUMMARY<br />

While examining the structure of clause types, we have mainly illustrated them with<br />

their unmarked correspondences, but these are not the only ones. All language in<br />

use carries out acts, and this is what distinguishes an utterance from a sentence. A<br />

sentence is a grammatical object, but when it gets used in context what we have is<br />

an utterance. The meaning of an utterance depends on what it is being used to do<br />

– what kind of speech act is being performed.<br />

In this section we shall start with the speech act and see how the clause types<br />

can carry out different intended meanings from their basic ones.<br />

1 All language performs acts, but there is no one-to-one correspondence between<br />

clause type and speech-act function. Here we look at some of the indirect<br />

correspondences, together with other discourse functions.<br />

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2 Certain verbs such as promise, advise and warn, when used in the declarative,<br />

are potentially explicit performatives, that is they can carry out the act they<br />

name. This is the case with a 1st person subject and the present tense (I promise).<br />

3 Exclamations can be made, with appropriate intonation, by all clause types,<br />

as well as by verbless clauses reduced to a nominal group or an adjective.<br />

25.1 PERFORMATIVES AND THE DECLARATIVE<br />

We have seen that making a statement is the basic function of the declarative. A<br />

statement describes a state of affairs in the world and has a truth value, which can be<br />

confirmed, questioned or denied (She is at home; Is she at home? She is not at home). Stating<br />

something is performing the verbal act of stating. The declarative is unique among clause<br />

types, however, in its ability to carry out certain acts by naming them. These are explicit<br />

performatives.<br />

INTERACTION: SPEECH ACTS 197


With certain verbs – such as promise, advise and warn – a declarative carries out the<br />

speech act it names. Such declaratives usually address the hearer directly, as in:<br />

1 I promise I’ll be careful. [BNC B3J 1436]<br />

2 We advise you to book early to avoid disappointment. [BNC AMW 1335]<br />

3 If you insist on staying, I warn you, you’ll get no help [BNC H94 724]<br />

from me.<br />

4 And we have a very good selection of Indian restaurants: [BNC HDT 49]<br />

I recommend the Kashmir.<br />

That is, the speaker carries out the act of promising, advising, warning and recommending,<br />

respectively. Declaratives such as these don’t have truth value. It makes no<br />

sense to ask if they are true or false. Instead, we can ask if they work as performatives.<br />

With a 1st-person speaker and present tense, as in I promise I’ll be careful, the performative<br />

is explicit and the speaker is fully accountable as the doer of the speech act.<br />

As long as the underlying Subject is the speaker or the writer, the passive forms 5,<br />

6, or an active form with an impersonal NG Subject 7, have the same effect:<br />

5 You are advised to book early to avoid disappointment.<br />

6 Passengers are requested to have their boarding cards ready.<br />

7 Liverpool Airport apologise for any inconvenience caused to the public during<br />

building works.<br />

Performatives become less explicit when modalised (with can or must), when introduced<br />

by let, want, I’m afraid or when nominalised. They still count as performatives, however:<br />

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8 I can offer you beer, whisky, gin, coke ...<br />

9 Let me thank you once more for your collaboration.<br />

10 My apologies for cross-postings. (for sending a repeated email message)<br />

11 I must beg you not to tell anyone about this.<br />

12 I am afraid I have to request you to move to another seat.<br />

13 I wanna thank you all. God bless you. (President George W. Bush to the<br />

American people in the aftermath of 11 September 2001)<br />

These ‘hedged’, that is, indirect, forms are felt to be still performing the act named by<br />

the verb. In addition, they are more polite than direct forms because they avoid invoking<br />

power and status. Hearers may perceive them to be more sincere, as is also the case<br />

with the informal use of wanna instead of want to in the President’s thanks.<br />

Other verbs that can be used as explicit performatives include: agree, apologise, beg,<br />

bet, congratulate, declare, guarantee, offer, object, warn, wish and many others.<br />

With pronouns other than I/we, or with past tense or perfect aspect, such verbs do<br />

not carry out the act they name; instead, they are statements which report a speech act:<br />

I offered them beer, whisky, gin, cola ...<br />

They have requested passengers to have their boarding cards ready.<br />

You might wonder why we don’t use performatives all the time, if they are so efficient.<br />

One reason is that not all verbs are potentially performative. For instance, we can’t<br />

198 ENGLISH GRAMMAR


threaten someone in <strong>English</strong> by saying ‘I threaten you’, nor hint by saying ‘I hint that<br />

you are wrong’. These acts have to be done indirectly.<br />

A second reason is that explicit performatives sometimes appear to invoke authority<br />

or status. The power factor is most obvious in ‘ritual performatives’ such as:<br />

Then I declare the meeting closed.<br />

[BNC GUD618]<br />

I name this ship Aurora. (Authorised person at launching of<br />

the ship) [BNC 9W787]<br />

Negative declaratives typically express a negative statement, which may have the<br />

force of a rejection 1. Negating an explicit performative can have the effect of greatly<br />

attenuating the force, as in 2, though this is not the case with passives 5. Negative<br />

declaratives can also express a polite question 3, an exclamation 4 or a prohibition 5:<br />

1 I don’t need any more calendars, thank you.<br />

2 I don’t promise you that I’ll convince him.<br />

3 Bill hasn’t said anything about the weekend?<br />

4 I never heard such rubbish!<br />

5 Smoking is not allowed in here<br />

With some performatives such as advise, what we have is transferred negation. The<br />

negative particle not is transferred from its logical place in the dependent clause to the<br />

main clause (see 3.6 for other verbs, such as think, which behave this way):<br />

I don’t advise you to buy those shares (= I advise you not to buy those shares).<br />

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Certain verbs such as promise and bet are sometimes used performatively to carry out<br />

a different act from the one they name. Basically, promise carries out acts which benefit<br />

the addressee, while bet is used to lay a wager. But, in the examples that follow, this is<br />

not the case: promise is being used to threaten the addressee while bet informally<br />

expresses strong probability:<br />

Now get out of bed and don’t you dare make a sound. One sound and you won’t<br />

make another, I promise you. [BNC FSG 2608–2609]<br />

I bet they have their problems, like us. [BNC H94 862]<br />

25.2 EXCLAMATIONS<br />

Appropriate intonation can be imposed on any type of unit, including a single word, to<br />

express an exclamation (Splendid!).<br />

With appropriate intonation, all the clause types can be used to make exclamations:<br />

the exclamative structure 1, 2; an interrogative 3, 4; a declarative 5, 6; an imperative<br />

7; a verbless clause 8, 9; a nominal group 10:<br />

Using the exclamative structure: 1 What an idiot he is!<br />

2 How tall you’ve grown!<br />

INTERACTION: SPEECH ACTS 199


Using an interrogative 3 Isn’t it a lovely day!<br />

4 Would you believe it! (expressing<br />

disbelief)<br />

Using a declarative 5 You must be joking!<br />

6 You can’t be serious!<br />

Using an imperative 7 Fancy meeting you here!<br />

Using a verbless clause 8 What an idiot!<br />

9 Amazing! Rubbish!<br />

Using a nominal group 10 The trouble I’ve had with Jamie!<br />

Interrogative exclamations, unlike basic exclamatives, call for agreement or<br />

disagreement from the hearer: A. Isn’t it a lovely day! B. Yes, it is.<br />

Such, so and other intensifying items such as terribly also confer exclamative force on<br />

a declarative:<br />

He’s such a bore!<br />

It’s terribly hot!<br />

It’s so tiring!<br />

It was extraordinarily beautiful!<br />

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200 ENGLISH GRAMMAR


QUESTIONS, CLAUSE TYPES MODULE 26<br />

AND DISCOURSE FUNCTIONS<br />

SUMMARY<br />

Questions typically seek information from the hearer that the speaker does not know.<br />

Responding to different motivations are questions functioning as preliminaries,<br />

rhetorical questions and leading questions of various types. The latter include<br />

interrogatives that are biased according to the kind of answer the speaker expects,<br />

towards a neutral, positive or negative assumption. These are marked by nonassertive<br />

forms (any), assertive forms (some) and negative forms (no, not any),<br />

respectively. Positive assumptions allow for positive forms, with some even in<br />

negative questions. Other leading questions consist of tentative declaratives with<br />

conducive markers and appropriate intonation, sometimes called ‘queclaratives’.<br />

Ellipted verbless clauses rely heavily for interpretation on intonation and their position<br />

in the exchange.<br />

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The most basic intention in asking questions is to get information that we believe the<br />

addressee knows. It is not the only one, however. We here refer to two others.<br />

26.1 RHETORICAL QUESTIONS<br />

Do you expect me to wait here all day?<br />

What could I say?<br />

Why bother?<br />

Rhetorical questions are used to make a comment or an exclamation. A response is not<br />

expected.<br />

26.2 QUESTIONS AS PRELIMINARIES<br />

In interpersonal interaction the yes/no interrogative is sometimes used as a preliminary<br />

to something else. That is, the question is not so much seeking information as serving<br />

as a preliminary to an expansion of the speaker’s topic 1 or a veiled request 2:<br />

INTERACTION: SPEECH ACTS 201


1 A. Have you read this book?<br />

B. No, no.<br />

A. It’s about a plane that crashes in the Andes and no-one comes to their rescue<br />

...<br />

2 A. Are you going to the hospital this morning?<br />

B. No.<br />

A. Well if you do it’ll give us a chance to find out whether he’s coming home<br />

today or tomorrow. [BNC KP1 36–38]<br />

This function of yes/no questions would appear to be the basis of advertisements which<br />

use this type of interrogative in their text in imitation of speech patterns. Using a<br />

problem–solution schema, the following ad poses a series of problems or worries as<br />

questions, which are answered by a diagnosis in a clause of another type:<br />

Do you need coffee and colas to keep you going throughout the day?<br />

Do you feel run-down and stressed, and struggle to keep up with life’s daily<br />

demands?<br />

Are you exhausted for several days after a hike or work-out at the gym?<br />

Is the “war on terrorism” making you feel worried, tired or depressed?<br />

You may be suffering from adrenalin disease.<br />

(Smart Publications)<br />

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26.3 SOME, ANY AND NEGATIVE FORMS IN BIASED<br />

QUESTIONS<br />

The questions expressed by yes/no interrogatives are often biased according to the kind<br />

of answer the speaker expects, and are based on neutral, positive or negative<br />

assumptions.<br />

If the speaker has a neutral assumption about the answer, non-assertive forms<br />

(any, anybody, ever, yet, etc. (see 3.3) will be added to a positive interrogative:<br />

Do you know anyone in Westminster?<br />

Is the bank open yet?<br />

With a positive assumption, assertive forms (see 3.3) – some, somebody, always, already,<br />

too, etc. – are added to the positive interrogative:<br />

Do you know someone in Westminster?<br />

Is the bank open already?<br />

Negative-interrogative yes/no questions are based on conflicting attitudes. The speaker<br />

had originally expected that the answer would be or should be positive, but new<br />

202 ENGLISH GRAMMAR


evidence suggests that it will be negative. This conflict produces a feeling of surprise,<br />

disbelief or disappointment. If the addressee is directly involved, the biased question<br />

can imply a reproach. In this type of question, nuclear negative forms (see 3.2) – no,<br />

nobody, no-one, never, etc. – can be added to a positive interrogative:<br />

Is there no butter?<br />

(There should be some butter, but it seems<br />

there isn’t.)<br />

Do you know no-one in Westminster? (You ought to know someone, but it seems<br />

you don’t.)<br />

Alternatively, non-assertive forms can be added to a negative interrogative:<br />

Isn’t there any butter anywhere?<br />

Don’t you know anyone in Westminster?<br />

Assertive forms can be added to a negative interrogative to reflect a positive bias<br />

despite an originally negative assumption:<br />

Isn’t there some butter somewhere?<br />

Don’t you know someone in<br />

Westminster?<br />

(It seems there isn’t, but I expect there is.)<br />

(It appears that you don’t, but I think you<br />

must know someone.)<br />

With offers, it seems more polite in <strong>English</strong> to assume a positive outcome, namely that<br />

the offer will be accepted. For this reason, the some forms are normal in such cases:<br />

Would you like some more coffee? [BNC KPV 2948]<br />

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Do you want something – a soft drink – before you go? [BNC KCA 952]<br />

Negation by nuclear negative elements – as opposed to negation by the negative particle<br />

not – is explained in Chapter 1 (section 3.3), together with assertive and non-assertive<br />

items (see 3.4).<br />

26.4 BIASED DECLARATIVES WITH ATTITUDINAL MARKERS<br />

Speakers also use declaratives to seek confirmation of their assumptions in a tactful<br />

way. Most simply, the declarative is accompanied by appropriate intonation: You are<br />

seeing her? You don’t mind if I stay? They are, in fact, leading questions and for this reason<br />

have been called queclaratives. Frequently, certain items function as markers to ‘draw<br />

out’ the desired information by reinforcing the speaker’s assumption:<br />

• epistemic verbs with 1st person subject (I suppose, believe, guess, bet, assume)<br />

• hearsay verbs with 1st person subject (I understand, I’m told, I hear)<br />

• adverbs used as inferential connectives (so, then)<br />

• attitudinal adjuncts of assurance or assumption (of course, no doubt)<br />

• attitudinal adjunct of challenge or assumption (surely)<br />

• a displaced wh- element (who, what, where, etc. in final position)<br />

INTERACTION: SPEECH ACTS 203


Examples are:<br />

I suppose you’ve heard the news?<br />

I understand you’re leaving your job?<br />

I hear you’ve been offered a new post?<br />

She wasn’t invited to the wedding, then?<br />

So there’s nothing we can do?<br />

She knows all about it, of course?<br />

But surely you can just defrost it in the<br />

microwave?<br />

So you took the documents to which<br />

Ministerial office? And you left them<br />

where?<br />

(epistemic verb)<br />

(hearsay verb)<br />

(hearsay verb)<br />

(inferential connective)<br />

(inferential connective)<br />

(attitudinal adjunct)<br />

(attitudinal adjunct)<br />

(displaced wh-element)<br />

More indirectly still, speakers can hint that information should be provided by You were<br />

about to say ...?<br />

The position of the declarative in the conversational sequence and the reply that<br />

follows can also help us to see how these markers function. For instance, an interviewer<br />

in a chat show might press a participant to admit that she had left her husband and child,<br />

which she denies:<br />

Interviewer:<br />

Young woman:<br />

So you’ve reported, basically, that you walked out?<br />

No, I didn’t walk out.<br />

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Ellipted yes/no questions (a type of verbless clause) are extremely common in spoken<br />

<strong>English</strong>. With these, it is even more important than usual to use appropriate intonation.<br />

For example, if you are pouring coffee for someone, you might offer sugar and milk<br />

by saying simply Sugar? Milk? with a rising tone. A falling tone would be inferred as a<br />

statement, ‘Here is the sugar, here is the milk’, but wouldn’t necessarily be interpreted<br />

as an offer.<br />

204 ENGLISH GRAMMAR


DIRECTIVES: GETTING PEOPLE MODULE 27<br />

TO CARRY OUT ACTIONS<br />

SUMMARY<br />

1 The clearest way of trying to get someone to do something is by an imperative.<br />

Strong impositions that invoke power and status are not socially acceptable in<br />

<strong>English</strong> in many everyday situations, even when accompanied by please.<br />

Orders are usually avoided and are preferably made indirectly as requests by<br />

using other clause types. Question tags either soften or heighten the force of<br />

the directive; with imperatives, tags tend to sound familiar.<br />

2 Modalisation is another resource for producing directives. With modalised<br />

declaratives the effect is usually stronger and more formal, while modalised<br />

interrogatives tend to sound more polite. In contexts of urgency (Help! Stop!)<br />

the imperative can be used, as in others in which the hearer’s welfare is referred<br />

to (Sleep well! Have fun!).<br />

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3 Besides directing other people to do things, the speaker can commit him/herself<br />

to carrying out an act. Performative uses of promise and modal will with a<br />

declarative do precisely this. The particle let’s is used to make suggestions for<br />

actions, usually to be carried out jointly with the addressee. It can also function,<br />

however, as a disguised order or request.<br />

27.1 DIRECTIVES AND THE IMPERATIVE<br />

Although the basic speech act associated with imperative clauses is commonly held to<br />

be that of expressing a command, the imperative is used more frequently in <strong>English</strong> for<br />

less mandatory purposes. It can imply attitudes and intentions that are not actually<br />

formulated in the clause, and which can only be interpreted through a knowledge of the<br />

background context and of the relationships that exist between the persons involved.<br />

In fact, the difference between commands and other directives such as requests,<br />

invitations and advice is, as we have already seen, not clear-cut. It depends on such<br />

factors as the relative authority of the speaker towards the addressee and whether the<br />

INTERACTION: SPEECH ACTS 205


addressee is given the option of complying or not with the directive: in the case of a<br />

command there is no option, whereas with a request there is.<br />

Other factors include which of the two interlocutors is judged to benefit from the<br />

fulfilment of the action: a piece of advice benefits the addressee, whereas a request<br />

benefits the speaker. Good wishes (Get well soon!) rarely refer to agentive acts (see 14.1)<br />

and so aren’t directives.<br />

Politeness is also a major factor. The more the action is likely to benefit the addressee,<br />

the more socially acceptable an imperative will be. Otherwise, an imperative is likely to<br />

sound curt or demanding in <strong>English</strong>.<br />

Consider the following cost–benefit scale on which the imperative is kept constant.<br />

The utterances at the lower end of the scale sound more polite than those at the top,<br />

even though there are no specific markers of politeness present:<br />

1 Peel those potatoes more cost to addressee less polite<br />

2 Hand me the newspaper<br />

3 Sit down<br />

4 Look at that<br />

5 Enjoy your holiday<br />

6 Have another sandwich more benefit to addressee more polite<br />

(Adapted from Leech 1983)<br />

Other factors override politeness, however, such as emergency (Help!) or attentionseeking<br />

in conversation (Look, what I meant was . . .); the imperative can also be used<br />

when the speaker and hearer are carrying out a joint task (Pass me the spanner), when<br />

the hearer’s interests are put first (Don’t worry! Cheer up! Take care!), and even as a<br />

discourse initiator or topic introducer (Guess who I saw this morning at the bank).<br />

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The speech-act force of imperatives has, therefore, to be worked out by the addressee<br />

from the logical meaning of the sentence combined with the inferences made on the<br />

basis of context and the speaker–hearer relationship. Isolated examples can simply<br />

illustrate some typical interpretations:<br />

Get out of here!<br />

Keep off the grass.<br />

Please close the window!<br />

Don’t tell me you’ve passed your driving test!<br />

Do that again and you’ll be sorry.<br />

Pass your exams and we’ll buy you a bike.<br />

Don’t forget your umbrella!<br />

Mind the step!/ Be careful with that hot plate!<br />

Feel free to take as many leaflets as you like.<br />

Just listen to this!<br />

Try one of these!<br />

Let’s go jogging!<br />

Come on now, don’t cry!/ Go on, have a go!<br />

Sleep well! Have a safe journey!<br />

Suppose he doesn’t answer.<br />

command<br />

prohibition<br />

request<br />

disbelief<br />

condition of threat<br />

condition of promise<br />

reminder<br />

warning<br />

permission<br />

showing interest/involvement<br />

offer<br />

suggestion<br />

encouragement<br />

good wishes<br />

considering a possible happening<br />

206 ENGLISH GRAMMAR


Think nothing of it.<br />

[Some people make easy profit.] Take drug<br />

handlers.<br />

rejecting thanks<br />

illustrative example of a claim<br />

27.2 THE DISCOURSE FUNCTION OF LET’S IMPERATIVES<br />

Imperatives (especially with let’s) can fulfil a textual function in regulating the<br />

conversational flow, in many cases to the advantage of the more powerful speaker:<br />

Let’s get started<br />

Let’s start by ...<br />

Let’s see/let me see<br />

Let’s just stick to the main concern<br />

More people read magazines than,<br />

let’s say, historical treatises.<br />

a call to attention<br />

management of the topic<br />

hesitation marker, to avoid silence and<br />

keep the floor<br />

disallowing an interruption/topic<br />

management<br />

giving a possible example<br />

27.3 POLITENESS IN DIRECTIVES<br />

After an imperative, a modal tag acts as an intensifier, either softening or heightening the<br />

insistence of the directive. Will you? and could you? convey a high degree of optionality<br />

while can’t you? questions the hearer’s apparent inability to do something, conveying<br />

impatience and low optionality. The more optional the act appears to be, the more polite<br />

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is the request.<br />

Intonation and the words used can make even will you less polite, however; Shut up<br />

and Drop dead don’t become polite by adding will you. Rising intonation is typically<br />

polite and persuasive, failing intonation more insistent.<br />

Check this for me, will you?<br />

Sign this for me, would you?<br />

Keep this for me, can you?<br />

Hold this for me, could you?<br />

Keep quiet, can’t you?<br />

polite, anticipates willingness<br />

polite, anticipates willingness<br />

familiar, anticipates willingness<br />

less familiar, anticipates willingness<br />

insistent, anticipates unwillingness<br />

These examples are characteristic of contexts of familiarity. With the exception of<br />

can’t, they question and anticipate the addressee’s willingness to carry out the action,<br />

and are polite but familiar, expressing solidarity. The negative imperative tag will you?<br />

is also familiar as in Don’t be late, will you?, while the invariable tag mind is more insistent:<br />

Don’t be late, mind!<br />

Where there is no relationship of closeness between the speakers, these forms may<br />

sound over-familiar. In such cases most modalised interrogatives are safer without tags.<br />

INTERACTION: SPEECH ACTS 207


27.4 MODALISED INTERROGATIVES AS POLITE DIRECTIVES<br />

The directive force is overlaid onto the interrogative. Such directives are more polite<br />

precisely because as interrogatives they appear to give the addressee the option of<br />

refusing, as in the following examples:<br />

1 Can you close the door?<br />

2 Will you close the door?<br />

3 Could you close the door?<br />

4 Would you close the door?<br />

5 Won’t you close the door?<br />

6 Can’t you close the door?<br />

7 Must you leave the door open?<br />

8 Do you mind closing the door?<br />

The modals in 3 and 4 Could you? and Would you? are most polite because by the use<br />

of oblique (‘past’) forms they create conceptual distance between themselves and the<br />

speech act. Furthermore, distance correlates with less social involvement. The speaker<br />

conveys the impression that closing the door is of no great personal benefit; this gives<br />

the hearer a wider margin for possible refusal. As in the imperative tag, can’t 6 is not<br />

polite as a request. Won’t 5 is not polite either, as it appears to question the hearer’s<br />

unwillingness to carry out the rather trivial act of closing the door. Such unwillingness<br />

to carry out simple actions that obviously need doing also violates cultural conventions<br />

of cooperation. By contrast, won’t you? as an offer or invitation (make yourself at<br />

home, won’t you) is polite because it expresses warmth and generosity, and presumes<br />

that the act benefits the addressee. Must 7 is ironical, implying that the hearer has an<br />

insurmountable urge to leave the door open.<br />

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Responding to directives<br />

Requests are sometimes responded to by a standard phrase: A. Do you mind closing the<br />

door? B. Not at all/Certainly/Sure. Of these, not at all responds to the sentence meaning<br />

of Do you mind?, whereas certainly and sure clearly respond to the pragmatic meaning<br />

of ‘request’ rather than to the sentence meaning, since they are not to be taken as<br />

certainly/sure I mind closing the door. Offers can be accepted by Yes, please or Thanks,<br />

and refused by No, thanks. Thank you alone is not interpreted as a refusal in <strong>English</strong>.<br />

Suggestions are responded to in many different ways such as okay, I might, it’s an idea.<br />

27.5 DECLARATIVES AS DIRECTIVES<br />

A declarative which contains a modal auxiliary (e.g. can, shall, will, may, might, must,<br />

ought, should) and refers to an action to be carried out by the addressee can be used<br />

with the force of a directive. They are usually quite strong, invoking authority:<br />

You will report to Head Office tomorrow.<br />

Dogs must be kept on a lead.<br />

(command)<br />

(strong obligation)<br />

208 ENGLISH GRAMMAR


You may/can leave now.<br />

Surely you can take your own decisions!<br />

(permission)<br />

(exclamative-directive)<br />

A 1st person declarative with a modal can have the effect of committing the speaker to<br />

a course of action:<br />

I’ll meet you at the entrance at about nine.<br />

I must rush off now to my aerobics class.<br />

Note that the modals also express meanings of prediction (will, shall), logical necessity<br />

(must), possibility (may, might) and reasonable inference (should, ought) – see 44.3. These<br />

meanings are almost always clearly distinguishable from the directive meanings, as in:<br />

There will be time for a few questions.<br />

It must be almost half-past nine.<br />

(prediction)<br />

(logical necessity/deduction)<br />

27.6 INDIRECTNESS, IMPOLITENESS AND CONFRONTATION<br />

Indirectness is part of everyday interaction in spoken <strong>English</strong>. It is important to learn<br />

to handle and interpret the conventional politeness forms and the force each carries, as<br />

these serve to construct and negotiate meanings and actions which lead to a satisfactory<br />

outcome for both or all the participants.<br />

This does not mean that speakers are invariably polite to each other. Far from it.<br />

Mutual insults among some communities represent a form of solidarity. In many other<br />

contexts, competitiveness or a desire to score off the adversary lead quickly to confrontational<br />

attitudes and acrimonious exchanges. Indirectness and implicit meanings are<br />

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common in such cases also, as is illustrated in the following extract from Ian Rankin’s<br />

novel Set in Darkness.<br />

Detective Inspector Linford is sitting in his BMW in the only spare bay belonging to<br />

a large office block in Edinburgh. Another car approaches and stops, its driver<br />

sounding the horn and gesturing:<br />

‘That’s my space you’re in, so if you wouldn’t mind.......?’. 1<br />

Linford looked around. ‘I don’t see any signs.’ 2<br />

‘This is staff parking.’ 3 A glance at a wristwatch. ‘And I’m late for a meeting.’ 4<br />

Linford looked towards where another driver was getting into his car. ‘Space there<br />

for you.’ 5<br />

‘You deaf or what?’ 6 Angry face, jaw jutting and tensed. A man looking for a<br />

fight.<br />

Linford was just about ready. ‘So you’d rather argue with me than get to your<br />

meeting?’ 7 He looked towards where another car was leaving. ‘Nice spot over<br />

there.’ 8<br />

INTERACTION: SPEECH ACTS 209


‘That’s Harley. He takes his lunch hour at the gym. I’ll be in the meeting when he<br />

gets back, and that’s his space. 9 Which is why you move your junk heap.’ 10<br />

‘This from a man who drives a Sierra Cosworth.’ 11<br />

‘Wrong answer.’ 12 The man yanked Linford’s door open.<br />

‘The assault charge is going to look bloody good on your CV.’ 13<br />

‘You’ll have fun trying to make a complaint through broken teeth.’ 14<br />

‘And you’ll be in the cells for assaulting a police officer.’ 15<br />

The man stopped, his jaw retreating a fraction. His Adam’s apple was prominent<br />

when he swallowed. Linford took the opportunity to reach into his jacket, showing<br />

his warrant card.<br />

‘So now you know who I am.’ 16 Linford said, ‘But I didn’t catch your<br />

name . . .?’ 17<br />

‘Look. I’m sorry.’ 18 The man had turned from fire to sun, his grin trying for<br />

embarrassed apology. ‘I didn’t mean to . . . 19 (see exercise)<br />

You will see that the numbered sentences of the fictional dialogue are either declaratives<br />

or interrogatives, although some of the clauses are verbless. Notice how the two speakers<br />

overlay the basic force of question and assertion with other more implicit forces such<br />

as explanation, reason, warning, threat, apology, challenge, provocation,<br />

suggestion, excuse. It is these indirect meanings that are inferred and which interest<br />

us here.<br />

Linguists have long debated on how we successfully interpret such indirect speech<br />

acts and how we distinguish between different degrees of politeness. One cognitive<br />

explanation is that such meanings are represented in the form of ‘illocutionary scenarios’,<br />

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that is, organised structures of our generic knowledge. Such scenarios are abstracted in<br />

our minds from a number of stereotyped situations in everyday life within a particular<br />

culture. For <strong>English</strong>, though not necessarily for other languages, the indirect way of<br />

making a request is, as we have seen, to question the addressee’s capability (can you?)<br />

or willingness (will you?) to carry out the act. As capability and willingness are necessary<br />

conditions for doing the act, such questionings stand for the whole speech act of<br />

requesting, by a process of metonymy – the part standing for the whole. In activating a<br />

scenario for strong directives, however, the cost-benefit and power factors have also to<br />

be taken into account.<br />

27.7 CLAUSE TYPES AND ILLOCUTIONARY FORCE:<br />

SUMMARY TABLE<br />

This table illustrates some of the more conventional correspondences between<br />

mood types and their illocutionary force. Many speech acts can also be expressed by<br />

units both larger and smaller than the clauses, as well as by non-linguistic means such<br />

as gestures.<br />

210 ENGLISH GRAMMAR


Clause type Illocutionary force Example<br />

DECLARATIVE Statement We are ready to go.<br />

Explicit performative I beg you to reconsider your decision.<br />

Hedged performative We wish to thank you for all your help.<br />

Biased question<br />

So you went out with her?<br />

Question (displaced wh-) You took the documents to which<br />

ministry?<br />

Exclamation<br />

It was so hot!<br />

Directives:<br />

order Papers are to be in by April 15.<br />

request<br />

I wonder if you would lend me your car.<br />

I suppose you haven’t got any change<br />

on you.<br />

prelude to request I’m terribly sorry but, could you . . .?<br />

advice<br />

I’d sell if I were you.<br />

warning<br />

That plate’s hot!<br />

offer<br />

You must try one of these.<br />

EXCLAMATIVE exclamation What an angel you’ve been!<br />

INTERROGATIVE question Who is that man over there?<br />

rhetorical question Who will believe that story.<br />

rebuke<br />

How could you be so careless?<br />

exclamation<br />

Isn’t it wonderful!<br />

rebuke<br />

How dare you speak to her like that!<br />

Directives:<br />

order<br />

Will you please be quiet!<br />

request Could you lend me a pen . . .?<br />

suggestion/advice Why don’t you see a doctor?<br />

offer/invitation Won’t you sit down?<br />

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IMPERATIVE:<br />

Directives:<br />

order<br />

request<br />

offer<br />

warning<br />

instructions<br />

disbelief<br />

Shut up!<br />

Save some for me!<br />

Have a drink!<br />

Mind your head!<br />

Twist off.<br />

Don’t tell me you’ve passed!<br />

27.7.1 Clause combinations<br />

Combinations of clauses can be used in <strong>English</strong> to express a polite request. The greater<br />

the imposition on the hearer, the longer the combination is likely to be, and it may be<br />

preceded by an apology:<br />

INTERACTION: SPEECH ACTS 211


I’m terribly sorry to bother you. I wonder if you could possibly write me a<br />

testimonial. If it’s not too inconvenient, perhaps you could let me have it back by<br />

tomorrow.<br />

Clauses without subject or finite verb<br />

How about a swim?<br />

Wh-questions as suggestion<br />

Why not start again?<br />

Why all this fuss?<br />

verbless Why-questions as inquiry<br />

What to do in case of fire Wh-to-inf. clauses as directive headings<br />

How to boost your self-esteem<br />

Subordinate clauses<br />

To think what we might have missed!<br />

Not to worry!<br />

If only I had taken his advice!<br />

What if we all go for a swim?<br />

to-infinitive clauses as exclamations<br />

or as friendly advice<br />

if only clauses, indicating regret<br />

Wh-if-clauses as suggestions<br />

Groups and words with speech act force<br />

Straight ahead!<br />

Down with war!<br />

Careful!<br />

Silence!<br />

Scalpel!<br />

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FURTHER READING<br />

For clause types, distribution and conversational grammar: Biber et al. (1999). The mood<br />

element and interpersonal interaction, Halliday (1994). Direct and indirect speech acts,<br />

Searle (1975), Thomas (1996), Grundy (1995). Performative(ness), Austin (1962),<br />

Thomas (1995). Politeness and the cost-benefit scale, Leech (1983), Brown and Levinson<br />

(1987). Queclaratives, Geluykens (1987), Downing (2005); Surely as a stance marker,<br />

Downing (2001); ‘I think’, Thompson (2002), Kärkkäinen (2003); Cooperativeness and<br />

inferencing, Grice (1975). Types and functions of questions, Taylor (1989), Weber (1993).<br />

Intonation in ellipted questions, Gumperz (1982). Discourse functions of the imperative,<br />

De Clerck (2002). Metonymy, Panther and Thornburg (1998), Pérez Hernández and Ruiz<br />

de Mendoza (2002).<br />

212 ENGLISH GRAMMAR


EXERCISES ON CHAPTER 5<br />

Interaction between speaker and hearer<br />

Module 22<br />

†The following text is an email advertisement for computer software. It has no punctuation.<br />

Mark the clause boundaries by punctuation and identify the clause types, giving reasons<br />

for your analysis. Now suggest what type of speech acts are being performed.<br />

In business and personal life<br />

Paper is the communication medium & storage device<br />

Documents fill the space<br />

Communication takes time<br />

Corrections are inevitable<br />

Clarifications are unavoidable<br />

Inaccuracy costs money<br />

Mistakes cause losses and lost opportunites<br />

Efforts may be fruitless<br />

Results may be unattained<br />

Technology rises to the occasion<br />

The software solution is available<br />

For your daily private and business use<br />

[EDIFACT Prime takes you beyond the edge]<br />

Breakthroughs are your tools<br />

Perfection and harmony is your lifestyle<br />

Exchange the routine for simplicity and speed<br />

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Module 23<br />

1 †In the following extract from a news item by Jeremy O’Grady in The Week, identify at<br />

least one occurrence of each of the following: a positive declarative, a declarative with a<br />

word ending in -ever, a wh-interrogative, a declarative with a modal operator, an<br />

exclamative, an imperative. What element goes with the interrogative and what is its<br />

function? Do you think these clause types show their usual speech act correspondences?<br />

I’m all in favour of the free market in theory, 1 but what a disappointment it often<br />

proves to be in practice. 2 Take plumbers. 3 In economic theory, London should be<br />

awash with them, the demand for their services being so high and the costs of entry<br />

to their trade so relatively low. 4 So where the hell are they when you want one? 5 Or<br />

take the principle of consumer service. 6 In theory you’d expect the market to<br />

acknowledge that ‘the consumer always knows best’. 7 In practice, whenever one<br />

complains about shoddy service, one is dismissed as an idiot. 8<br />

INTERACTION: SPEECH ACTS 213


2 †Underline the Subject and Finite elements in each of the following clauses. Then (a) make<br />

the declarative clauses negative; (b) convert the negative declaratives into yes/no negative<br />

interrogatives (main clause only); (c) underline the Subject and new Finite elements:<br />

(1) I am going to be the last one to hear about it.<br />

(2) Nadine’s mum bought enough blue denim to make two skirts.<br />

(3) He tells everyone his life history every time he meets them.<br />

(4) Sheila knew where the keys were all the time.<br />

(5) Bill took on a great deal of responsibility in his previous job.<br />

3 †Imagine you are helping at an optician’s. Below are the replies to a questionnaire, but<br />

the questions are missing. You have to provide them. 1, 2, 3, 6, 8 and 10 are wh-questions;<br />

4, 5, 7 and 9 are yes/ no questions<br />

(1) My name is Pat O’Connor.<br />

(2) My address is 31 St Gerard’s Avenue, Birmingham.<br />

(3) I was born in Ireland in 1980.<br />

(4) Yes, I am using eye drops.<br />

(5) No, my eyes don’t smart.<br />

(6) Not often. I take just aspirin occasionally.<br />

(7) No, I don’t. I wear contact lenses.<br />

(8) I’ve been wearing them for a year.<br />

(9) Yes, I’m allergic to certain things – pollens, for example.<br />

(10) I started to have visual problems two days ago.<br />

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4 †If both abbreviated clauses and tags are based structurally on Subject-Finite variation,<br />

in what way do they differ? Look again at the dialogue on page 183 and identify the<br />

instance(s) of each. For greater clarity replace B 3 ’s Mm by an abbreviated clause. Clue:<br />

Consider subject-operator alternation and the position of the utterances in the exchange.<br />

5 †Read this extract of a fictional dialogue between Nadine and Ellie and then answer the<br />

questions:<br />

N. Why have you gone pink, Ellie? [1]<br />

E. Oh God, I haven’t, have I? [2]<br />

N. Shocking pink. What is it? [3]<br />

E. Nothing. [4]<br />

(Girls Out Late)<br />

(a) What kind of interrogatives does Nadine use in speaking to Ellie in 1 and 3?<br />

(b) What does Nadine want to know?<br />

(c) Does she get this information in reply in 2 and 4?<br />

(d) What kinds of units does Ellie use in reply in 2 and 4?<br />

214 ENGLISH GRAMMAR


6 †Provide abbreviated clauses as (a) confirming and (b) disconfirming responses to each<br />

of the following questions:<br />

(1) It doesn’t seem to matter who you are.<br />

(2) You have two children, haven’t you, Charles?<br />

(3) Will you be going to the concert this evening?<br />

(4) Let’s find a seat.<br />

7 †Add (a) a reversed polarity tag to each of the following clauses, when possible; (b) a<br />

constant polarity tag when possible:<br />

(1) This wallet is yours.<br />

(2) You’ve got a new bicycle.<br />

(3) Susie likes doing crossword puzzles.<br />

(4) Don’t be late.<br />

(5) Be careful!<br />

(6) Your father used to work for the City Council.<br />

(7) Some of these shops overcharge terribly.<br />

(8) So he fell on his hand and broke it.<br />

8 Discussion: What functions do tags fulfil in interpersonal interaction?<br />

9 Practise saying the tags in the following examples: (a) with rising intonation, and (b) with<br />

falling intonation. In your reading aloud, you should aim to get in (a) the meaning of ‘Am<br />

I right?’ and in (b) ‘Please confirm this’.<br />

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(1) He approved of the plan, didn’t he?<br />

(2) He didn’t approve of the plan, did he?<br />

(3) We’ll have enough money, won’t we?<br />

(4) We won’t have enough money, will we?<br />

Module 24<br />

1 †Decide whether the italicised item is a subject, a vocative or either. Give reasons.<br />

(1) Keep still, Edward, there’s a good boy.<br />

(2) Somebody pass me the insect repellent, quick! Thank you, dear. Now you take<br />

some.<br />

(3) Everybody lift at the same time! Right, up she goes, everybody!<br />

(4) Do shut up, Helen, you’re making a fool of yourself.<br />

(5) You all wait here, that will be best. I’ll be back in a moment.<br />

(6) You just leave him alone, do you hear?<br />

2 †The following extracts are from Al Gore’s concession speech at the conclusion of the<br />

2000 US presidential campaign, after he had lost the election. For each extract, say<br />

whether let is (a) a 2nd person imperative of the verb let (=allow), (b) the pragmatic particle<br />

INTERACTION: SPEECH ACTS 215


let introducing a wish (the optative), or (c) the same particle in its function of suggesting<br />

an action to be carried out by speaker and addressee (a 1st person plural imperative).<br />

Say which type is not represented and suggest a reason for its absence:<br />

(1) Let there be no doubt, while I strongly disagree with the court’s decision, I<br />

accept it.<br />

(2) Let me say how grateful I am to all those who’ve supported me.<br />

(3) And I say to our fellow members of the world community: Let no-one see this contest<br />

as a sign of American weakness.<br />

Module 25<br />

1 †Say which of the verbs in the following clauses perform the act they name and which<br />

don’t:<br />

(1) I admit I was to blame.<br />

(2) I appeal to you as an honorary Roman to nip over here in your Popemobile and<br />

put an end to this wanton destruction. [BNC CA6 5953]<br />

(3) I demand to be paid for the hours I put in, whether your cousin passes her exams<br />

or not. [BNC JXT 454]<br />

(4) Neil and I argue about football all the time. [BNC CA6 5953]<br />

(5) I’ll say goodnight and I apologise for disturbing you so late. [BNC HWP 3355]<br />

(6) No really I insist. Please, after you! [BNC HNS 113]<br />

(7) The bed in the room next to you is perfectly adequate for me, I promise.<br />

[BNC JYC 454]<br />

(8) Much as I love the works of J.R.R. Tolkien, I refuse to call any dog Bilbo Baggins,<br />

so Bill he has become. [BNC EWB 372]<br />

(9) I bet you didn’t sit on the sofa with him holding hands [BNC BMS 3669]<br />

(10) Referring to an elusive particle that is crucial to standard theories of physics, Stephen<br />

Hawking is said to have placed a wager with Professor Gordon Kane, saying, ‘I’ll<br />

bet you $100 it has not been discovered’.<br />

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Module 26<br />

1 †Identify the clause type and suggest the possible force each utterance has:<br />

(1) Is there any coffee?<br />

(2) Coffee?<br />

(3) Could you tell me the way to the nearest Tube station, please?<br />

(4) What could I say?<br />

(5) She didn’t leave a message, then?<br />

(6) Wasn’t it exciting!<br />

(7) Where would we be without tin openers?<br />

(8) Are you going to the Post Office? Yes. Then could you get me some stamps?<br />

(9) He is aware of the risk, of course?<br />

(10) So it wasn’t you who rang just now? No. I wonder who it was.<br />

216 ENGLISH GRAMMAR


2 †(a) Provide whichever biasing element seems most suitable in the following questions<br />

(that is, neutral, positive or negative, realised by any, some, not ...any/no or their<br />

compounds, respectively). (b) Answer the questions, using a suitable orientational element.<br />

(1) Have you . . . copies of The Times and the Guardian?<br />

(2) Could you get me . . . orange juice, please?<br />

(3) So there isn’t ...we can do? (3b) So there is . . . we can do?<br />

(4) Did you meet . . . interesting at the party?<br />

(5) Do you know . . . nice to stay for a quiet holiday near the coast?<br />

(6) Would you like . . . more cake?<br />

Module 27<br />

1 Provide a context for the following indirect speech acts. For instance No. 1 could be a<br />

father speaking to a son or daughter. If the correspondence were direct, the question would<br />

be asking for information, expecting an answer such as ‘No, I won’t’. This is clearly not<br />

the case. The correspondence is indirect, equivalent to ‘Don’t leave your bicycle outside<br />

in the rain!’ That is, a directive.<br />

(1) Will you never learn not to leave your bicycle outside in the rain?<br />

(2) How many times do I have to tell you not to eat crisps on the sofa!<br />

(3) Surely you could try to drive more slowly.<br />

2 †If someone says to you ‘Have you change of a pound?’ and you say ‘Yes’ without bringing<br />

out the change, you are reacting to the structural meaning of the interrogative, but not to<br />

the pragmatic meaning, the force of ‘request’. Such a response can be uncooperative or<br />

impolite. Suggest (i) an uncooperative and (ii) a cooperative response for the following<br />

utterances:<br />

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(a)<br />

(b)<br />

Would you mind signing this petition in favour of genetically modified crops?<br />

Do you know the way to the Victoria and Albert Museum?<br />

However, the power factor may skew the reply. The following exchange occurred in a<br />

film:<br />

Lord Longhorn to his butler: Do you mind taking this book back to the library?<br />

(handing over the book)<br />

Butler: Yes sir (taking book and leaving).<br />

(c)<br />

(d)<br />

What is the butler responding to? Is it polite? Why does he say yes rather than no?<br />

And what would the butler say if he were responding to the structural meaning of<br />

‘Do you mind . . .?’<br />

3 Discussion<br />

If the unmarked illocutionary force of the imperative is that of a directive, why is the<br />

imperative mood so often replaced by another mood structure in interpersonal interaction<br />

INTERACTION: SPEECH ACTS 217


in <strong>English</strong>? In what circumstances and with what kinds of speech act is the imperative<br />

socially acceptable?<br />

4 †(a) Suggest what illocutionary force would conventionally be assigned to each of these<br />

utterances. Final punctuation is omitted. (b) Identify the clause type of each, specifying<br />

those which are performatives.<br />

(1) I order you not to smoke in the dining-room.<br />

(2) Do not smoke in the dining-room.<br />

(3) Members will refrain from smoking in the dining-room.<br />

(4) No smoking in the dining-room.<br />

(5) Smoking is not allowed in the dining-room.<br />

(6) Would you mind not smoking in the dining-room?<br />

(7) Members are requested not to smoke in the dining-room.<br />

(8) Thank you for not smoking in the dining-room.<br />

5 †The background of the following dialogue is a psychiatric hospital, where Jean and<br />

Edward have brought their daughter. For each numbered stretch of the text, identify the<br />

clause type (including ellipted ones). Discuss the possible force of each:<br />

clause type<br />

act<br />

(1) Nurse: Who sent you in here? 1<br />

(2) Edward: The porter at reception.<br />

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2<br />

(3) Jean: We’ve been waiting nearly half<br />

an hour. 3<br />

(4) Nurse: I’m sorry. 4<br />

(5) We’re very understaffed today. 5<br />

(6) It’s the bank holiday. 6<br />

(7) Edward. Yes. 7<br />

(8) Nurse: He should have sent you straight<br />

to Admissions. 8<br />

(9) If you’ll just come this way. 9<br />

(Olwen Wymark, Find Me, in Plays by Women, vol. 2)<br />

6 †Directives: Suggest a specific directive force for each of the following questions:<br />

(1) Must you make so much noise?<br />

(2) Can you pass me that hammer?<br />

218 ENGLISH GRAMMAR


(3) Would you mind signing here?<br />

(4) Will you have some more icecream?<br />

(5) Why don’t you help yourself?<br />

(6) Why don’t you apply for that job?<br />

7 In pairs, take turns to carry out a series of directives, with the aim of getting your hearer<br />

to do something, first by means of a direct directive, and then by means of an indirect<br />

directive. Notice how your hearer reacts in each case. Remember that the greater the<br />

imposition on the hearer and the greater the social distance which separates speaker and<br />

hearer, the more polite, i.e. indirect, the speaker will have to be. But remember too that<br />

people are not always polite, especially if they get angry.<br />

(1) You need a testimonial from your tutor in order to apply for a grant at a foreign<br />

university. The letter must reach the university in no more than a fortnight.<br />

(2) Someone has repeatedly been scrawling graffiti on the wall of your house. One<br />

day you unexpectedly catch him/her in the act. You decide to complain.<br />

(3) You are at the annual staff party and inadvertently spill black coffee onto the General<br />

Manager’s clothes. You have to apologise.<br />

8 †Turn to the extract from Ian Rankin on pages 209–10 and suggest the force conveyed or<br />

inferred by each numbered sentence. Bear in mind such forces as explanation, reason,<br />

threat, apology, challenge, provocation, insult, suggestion, excuse. Now<br />

consider the following questions:<br />

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(1) How many different speech acts have you identified in the dialogue of this text?<br />

(2) List them, giving the identification number.<br />

(3) Which types of speech act occur most frequently?<br />

(4) Which speech acts are expressed by the man, and which by Linford?<br />

(5) From this analysis, what inferences do you draw about the attitudes of the man and<br />

Linford and of how the encounter develops?<br />

INTERACTION: SPEECH ACTS 219


ORGANISING THE MESSAGE CHAPTER 6<br />

Thematic and information structures of the clause<br />

Module 28: Theme: the point of departure of the message 222<br />

28.1 Theme and Rheme 223<br />

28.2 Unmarked Theme and marked Theme in declarative clauses 224<br />

28.3 Theme in non-declarative clauses 224<br />

28.4 Topic, Theme and Subject 225<br />

28.5 Cognitive features of the Topic 226<br />

28.6 Topic and Subject as Theme 226<br />

28.7 Introducing new potential Topics into the discourse 228<br />

28.8 Circumstantial Adjuncts as Themes 228<br />

28.9 Objects and Complements as Themes 229<br />

28.10 Less common thematisations in the declarative clause 230<br />

28.10.1 Negative adverbs 230<br />

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28.10.2 Negative Objects 231<br />

28.10.3 Adverbs followed by verbs of motion 231<br />

28.10.4 Detached predicatives 231<br />

28.11 Detached Themes: Absolute Theme, Dislocations and Double Themes 232<br />

28.11.1 Absolute Theme 232<br />

28.11.2 Dislocations 232<br />

28.11.3 Double detached Themes 233<br />

28.12 Non-experiential Themes 234<br />

28.13 Clauses as Themes 235<br />

Module 29: The distribution and focus of information 238<br />

29.1 The information unit 238<br />

29.2 Given and New information 240<br />

29.3 Unmarked Focus and marked Focus 241<br />

29.4 Event utterances 242<br />

29.5 Ellipsis 243<br />

29.5.1 Textual ellipsis 243<br />

29.5.2 Situational ellipsis 244<br />

29.6 Substitution 244


Module 30: The interplay of Theme–Rheme and Given–New 246<br />

30.1 Thematic progression 246<br />

30.1.1 Simple linear progression 247<br />

30.1.2 Continuous progression (constant Theme) 247<br />

30.1.3 Derived Themes 248<br />

30.2 Clefting: it-clefts and wh-clefts 249<br />

30.2.1 Discourse functions of the it-cleft 250<br />

30.2.2 Discourse functions of the wh-cleft 250<br />

30.2.3 Variants of the wh-cleft 251<br />

30.3 The active–passive alternative 252<br />

30.3.1 Promoting one participant, demoting another 253<br />

30.3.2 Choosing to be informative 254<br />

30.3.3 Passives without an Agent 254<br />

30.3.4 Making smooth transitions 255<br />

30.3.5 The get-passive 256<br />

30.4 The presentative function of existential clauses 257<br />

30.4.1 Derived existentials 258<br />

30.4.2 Short existentials 258<br />

30.4.3 Extended existentials 259<br />

30.4.4 There-structures as states of affairs 259<br />

30.5 Extraposition of clauses 260<br />

30.5.1 Raised elements as new Themes 261<br />

30.6 Postponement 262<br />

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30.6.1 Postponement with ditransitive verbs 262<br />

Further reading 263<br />

Exercises 263


THEME: THE POINT OF MODULE 28<br />

DEPARTURE OF THE MESSAGE<br />

SUMMARY<br />

1 Theme is an element of the thematic structure of a clause, of which the other<br />

element is Rheme. It is therefore a different category from the syntactic Subject<br />

and from the discourse category of Topic – what the message is about –<br />

although these three often coincide in one wording.<br />

2 It is convenient to think of Topics as organised hierarchically according to their<br />

level of operation: a global topic is what the whole text or discourse is about,<br />

an episode topic represents what a shorter, but integrated, stretch of talk or<br />

writing is about. Local topics are the main referents that persist throughout a<br />

stretch of text by means of anaphora, establishing a participant frame or referent<br />

chain. They are the topics most clearly related to grammatical categories.<br />

<strong>English</strong> makes use of certain devices to introduce new referents, potential topics,<br />

into the discourse and to maintain topic continuity.<br />

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3 Theme is identified as the first clause constituent and communicatively is the<br />

point of departure of the message. When Theme conflates with Topic and<br />

Subject it can be called topical Theme. When Theme is realised by a temporal<br />

or spatial Adjunct it is a circumstantial Theme, which sets up a time-space frame<br />

within which the participant chain develops. More marked Themes such as<br />

fronted Complement and Object have a local textual function, such as initiating<br />

a change of direction by means of contrast. Relating Theme to grammar, Theme<br />

is unmarked when it coincides with the expected element, such as Subject in a<br />

declarative clause. When some other element is brought to initial position it is<br />

a marked Theme, and carries some additional significance in the discourse.<br />

Objects, Complements and Adjuncts can be thematised or fronted. Whole<br />

clauses can be thematised in complex sentences.<br />

4 Other items which tend to be placed at the beginning of the clause may be<br />

considered to be part of the Theme. These include connective Adjuncts such as<br />

however, stance Adjuncts such as personally, vocatives (Doctor!) and discourse<br />

markers such as Well. In this way we can talk of ‘multiple Themes’. They are<br />

not, however, topics. A subordinate clause in initial position may be considered<br />

as Theme of a clause complex.


Our attention in the two previous chapters has centred on two kinds of meaning:<br />

experiential meaning, which is encoded in the grammar in terms of participants,<br />

processes and circumstances, and interpersonal meaning, as encoded by the mood<br />

structures. We now turn to a third type of meaning, which helps us to organise and relate<br />

individual sentences and utterances within our discourse. This is textual meaning. We<br />

will be considering three important dimensions of textual meaning which have a place<br />

in <strong>English</strong> grammar and contribute to discourse coherence: first, the Theme–Rheme<br />

textual structure and its relation to Topic; second, the order of constituents in the<br />

clause and how the normal order may be altered to achieve different textual effects; and<br />

third, the distribution and focus of information, which makes an essential<br />

contribution to coherence and understandability in spoken and written <strong>English</strong>.<br />

INTRODUCTION<br />

To start, consider the following versions of the same piece of information about a coach<br />

tour:<br />

1 We’ll reach Toledo, but not Seville, before noon<br />

2 Before noon we’ll reach Toledo but not Seville.<br />

3 Toledo, but not Seville, we’ll reach before noon.<br />

All three utterances have the same experiential meaning: the content is the same. All<br />

three would normally be used to make a statement, and so they are interpersonally<br />

equivalent too. The difference between 1, 2 and 3 lies in the textual component of<br />

meaning: the information is the same, but the message is arranged or ‘packaged’ in<br />

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different ways, and the different forms highlight different aspects of the message. More<br />

specifically, the element which occupies first position in the clause is different in the<br />

three examples: in 1 it is we, in 2 it is before noon and in 3 it is Toledo. This element is<br />

the Theme of the clause. Since first position is salient, what to put in it is an important<br />

choice, particularly in connected discourse.<br />

28.1 THEME AND RHEME<br />

Theme and Rheme are the two components which together make up the organisational<br />

construct that is the thematic structure of the clause. The Theme comes first and is<br />

identified as the first constituent in the clause. What follows is the Rheme.<br />

Looking at the clause as a unit of communication, we can say that Theme is the clause<br />

constituent which, whatever its syntactic function, is selected to be the point of departure<br />

of the clause as message. What goes in initial position is important for both speaker and<br />

hearer. It represents the angle from which the message is projected and sets up a frame<br />

which holds at least to the end of the clause. For the speaker, the communicative choice<br />

associated with Theme is ‘What notion shall I take as my starting-point in this clause?<br />

Shall I start by saying where we are going? Or shall I start with the ‘time-frame’ – before<br />

noon? Or with the places we’ll visit?’ From whichever point of departure we choose, the<br />

ORGANISING: THEME AND INFORMATION 223


est of the clause must proceed. For the hearer or reader Theme acts as a signal, creating<br />

expectations and laying the foundation for the hearer’s mental representation of how<br />

the message will unfold. Given these cognitive and communicative functions, it is not<br />

surprising that the element in initial position is so important.<br />

While the Theme lays the basis of the message, the Rheme says something in relation<br />

to it. Typically, important new information is presented in the Rheme. Let’s diagram<br />

this thematic structure on to our previous examples:<br />

Theme<br />

Rheme<br />

1 We ’ll reach Toledo, but not Seville, before noon.<br />

2 Before noon we’ll reach Toledo but not Seville.<br />

3 Toledo, but not Seville we’ll reach before noon.<br />

28.2 UNMARKED THEME AND MARKED THEME IN<br />

DECLARATIVE CLAUSES<br />

In selecting Theme, speakers must choose between a neutral order of clause constituents<br />

or a marked order. The order of clause elements in 1 has the Subject as Theme.<br />

This is the neutral, unmarked choice in a declarative clause, used when there is no<br />

good reason to depart from the usual. Any other constituent but the Subject will be<br />

marked, and signals an additional meaning. In the case of 2 the Theme is a circumstance<br />

of time, syntactically an Adjunct, and is marked. However, it does not strike us<br />

as very unusual. This is because adjuncts of time can occupy several positions in the<br />

clause. Theme 3 is an Object participant whose normal position is after the verb. Objects<br />

are not so mobile and sound highly marked in <strong>English</strong> when brought to initial position.<br />

Marked constituent orders always signal some additional meaning and have to be<br />

motivated. Thematised Objects tend to express a contrast with something said or<br />

expected by the hearer. By specifying Toledo but not Seville as the Object, the speaker<br />

refers explicitly to a contrary expectation and justifies the thematised element. We will<br />

return shortly to the most frequent types of marked Theme. For the moment, you can<br />

‘feel’ that certain elements sound more striking than others when in initial position.<br />

From these considerations, it is clear that the Theme of a clause represents a choice,<br />

both as the absolute point of departure of a discourse and also that of each subsequent<br />

clause and of each paragraph. It gives us the choice of taking as point of departure one<br />

or other participant in the situation described, or something else, such as a circumstance.<br />

It can serve to link up with what has gone before in the discourse and it helps to push<br />

the message forward. Because sentences do not normally occur in isolation, and<br />

previous sentences and utterances condition later ones, not all thematic choices will be<br />

equally appropriate from the point of view of creating a coherent whole.<br />

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28.3 THEME IN NON-DECLARATIVE CLAUSES<br />

All the examples seen so far are of declarative clauses. In these the unmarked Theme<br />

is Subject. Non-declarative clauses, that is, interrogatives and imperatives, have<br />

224 ENGLISH GRAMMAR


unmarked Themes derived from their respective clause type, as illustrated in the<br />

examples below.<br />

In examples, 4 to 7, the starting-point of the clause is the expected one, which<br />

announces the clause-type. Theme is marked when any other but the expected one is<br />

placed in initial position, as in examples 8 to 10. Marked Themes in non-declarative<br />

clauses are relatively uncommon.<br />

Unmarked Themes<br />

4 Are we going to Toledo? Operator + subject in yes/no interrogative<br />

5 When will we get there? Wh-word in wh-interrogative<br />

6 Have your tickets ready! Base form of verb in 2nd person (imperative)<br />

7 Let’s go for a swim instead. Let’s in 1st person (imperative)<br />

Marked Themes<br />

8 We are going where? Non wh-subject in a wh-interrogative<br />

9 Do hurry up, all of you! Emphatic do in an imperative<br />

10 You keep quiet! Subject in an imperative<br />

In yes/no interrogatives in <strong>English</strong>, unmarked Theme is the Finite operator (see 3.1),<br />

together with the Subject, as in 4. In wh-interrogatives, the Theme is the wh-word as in<br />

5. In 2nd person imperative clauses, unmarked Theme is the verb, as in 6, and let’s<br />

in first person imperatives, as in 7. Any other order is marked. When the wh-element<br />

is displaced, as in 8, the element that remains as Theme (we) is marked for a whinterrogative.<br />

Emphatic do, as in 9, and the Subject you, as in 10, are marked Themes in<br />

the imperative.<br />

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28.4 TOPIC, THEME AND SUBJECT<br />

Topic is a discourse category which corresponds to ‘what the text, or part of the text,<br />

is about’. A whole book, chapter, essay or lecture can have a topic, for instance, ‘car<br />

maintenance’ or ‘the <strong>English</strong> novel in the 20th century’. A topic which coherently<br />

organises a whole piece of language can be called a global topic. (More exactly, of<br />

course, it is speakers and writers who have topics and do the organising of the text.) On<br />

an intermediate level, paragraphs or sections in writing and ‘episodes’ in talk each<br />

have their own topics. In writing, these will typically be organised under the ‘umbrella’<br />

of the global topic, but they display an internal coherence of their own. Finally,<br />

utterances and sentences have topics which contribute to the episode and help to build<br />

up the discourse as a whole. We call these local topics.<br />

All three levels of topic are integrated in normal texts and discourses. Local topics<br />

are usually the only ones that have a direct grammatical realisation. They are associated<br />

with the main referential entities represented in speakers’ sentences and utterances,<br />

which to be coherent will have to relate in some way to the higher levels of topicality<br />

of the discourse as a whole. Sentence and utterance topics are the most relevant to the<br />

ORGANISING: THEME AND INFORMATION 225


study of grammar, because this is one area in which discourse interfaces with a<br />

‘pragmatic grammar’. In a functional grammar of <strong>English</strong>, we are interested in seeing<br />

how the category of mainly local topic interacts with Subject and with Theme.<br />

28.5 COGNITIVE FEATURES OF THE TOPIC<br />

A number of cognitive features have been associated with major topic entities. First, the<br />

topic entity is inherent to the event described and it initiates the action.<br />

Second, the topic entity is typically high on what is called the empathy hierarchy.<br />

This has to do with what attracts our empathy. It starts from the speaker, since we all<br />

empathise most with ourselves, and continues as follows:<br />

Speaker > hearer > human > animal > physical object > abstract entity<br />

After the speaker, the hearer – as co-participant in a conversation – can be important,<br />

and is included with the speaker in the inclusive use of ‘we’, as in 1. But in many<br />

discourses a 3rd-person topic is even more common, in that we frequently talk and write<br />

about people, creatures and things distinct from the speaker and hearer. Abstract entities<br />

come last in the empathy hierarchy.<br />

A third feature is definiteness. This is a subjective factor since it depends on whether<br />

speakers and hearers have established empathy with the topic. When contact has been<br />

established, the topic is easily accessible and is definite.<br />

Fourth, the topic is the most salient participant on the scene of discourse.<br />

From the point of view of cognitive salience, all these features are closely associated<br />

with the Subject function in <strong>English</strong>. The prototypical Subject referent is inherent to the<br />

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event described in the clause; it fulfils the semantic function of Agent, if there is an Agent,<br />

and initiates the action. It is typically human and definite and is the main participant at<br />

any one point on the scene of discourse as represented in a particular clause or<br />

utterance. Subject and Topic are therefore closely related in <strong>English</strong>. (It must be pointed<br />

out that this does not imply that all Subjects have these characteristics.)<br />

These features are not, however, necessarily associated with Theme. Theme and<br />

Topic are quite different types of category. Topics are what a text, section or clause is<br />

about, and Topic is always conceptualised as an entity or a nominalisation (Module<br />

21). Theme, on the other hand, is what the speaker or writer chooses as the point<br />

of departure for the message in any one clause or sentence. It may be an entity, a<br />

circumstance or an attribute. Only entities initiate referential chains. Let’s look now at<br />

the main types of themes, starting from the most central.<br />

28.6 TOPIC AND SUBJECT AS THEME<br />

Themes which conflate with Subject are participants in the transitivity structures<br />

and typically refer to persons, creatures and things. As such, they are the most likely<br />

candidates to fulfil the discourse role of Topic or ‘topical Theme’ at clause level. They<br />

are typically presented by the speaker as identifiable or at least accessible to the hearer<br />

226 ENGLISH GRAMMAR


and are usually encoded by full nominal groups or proper names when introduced for<br />

the first time. Important Theme-Topic-Subject referents set up referent chains which<br />

can transcend clausal boundaries, maintaining topic continuity as long as the speaker<br />

or writer wishes. This is an important test for ‘aboutness’. Many referents enter the<br />

discourse, but only a few are selected to be major topics.<br />

We can track the referent chain, which can also be seen as an identity chain, of a<br />

major referent as it is repeated across several clauses by an anaphoric pronoun, by an<br />

alternative NG or by repetition of the name or proper noun. Such is the case in the<br />

extract about the American artist Andy Warhol from a leaflet at the Tate Modern in<br />

London. Andy Warhol is one of the painters whose pictures figure in the exhibition.<br />

Visitors are establishing contact with him through his pictures and through the following<br />

description:<br />

Andy Warhol (1962), called the ‘Pope of Pop’, cleverly fashioned his use of popular<br />

culture into a highly distinctive style. Working from his New York studio, called The<br />

Factory, he adopted mechanical processes of reproduction like stencilling and<br />

silkscreen printing to produce serial images taken from the media, as in Twenty-Five<br />

Coloured Marilyns (1962). Warhol wanted to dissolve the distinctions between ‘high<br />

art’, the kind you go to a museum to see, and ‘low art’, the kind used in advertisements.<br />

Yet he was capable of many shades of irony, and [zero anaphor] produced<br />

some of the icons of American art, including Ambulance Disaster.<br />

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The ‘referent chain’ of this paragraph can be shown graphically as follows: Andy Warhol<br />

(Subject, proper name) – he (Subject pron.) – Warhol (Subject, surname) – he (Subject<br />

pron.) – zero (anaphora in which the subject pronoun is omitted in coordinated clauses).<br />

Indefinite, and therefore unidentified, but specific referents as Subject Themes are<br />

also found in <strong>English</strong>, however. We might start up a conversation by saying A man I met<br />

in Beirut once told me a good story. At this point in the discourse we haven’t established<br />

contact with either the man or the story, and for this reason both are presented as<br />

indefinite. Similarly, news items in the press often present an indefinite (but specific)<br />

Subject Theme such as ‘an amateur yachtsman’ in the text below, which can set up an<br />

identity chain whose referent is identified only in the second clause. (The NG Theme<br />

in the headline is indefinite too,with the indefinite article ‘a’ omitted, as is usual in<br />

journalese.)<br />

Fogbound sailor was yards from shore<br />

An amateur yachtsman has spent four days fearing that he was in the middle of the<br />

North Sea, unaware that he was 100 yards from shore.<br />

Allan McKeand, a retired industrial chemist from Skipton, North Yorkshire, ran<br />

into fog off the North East coastal town of Redcar on Monday.<br />

ORGANISING: THEME AND INFORMATION 227


28.7 INTRODUCING NEW POTENTIAL TOPICS INTO<br />

THE DISCOURSE<br />

New referents have to be introduced into the discourse in order to be discussed. Some<br />

languages have specific morphological markers to indicate that something is being<br />

presented as a potential new Topic. <strong>English</strong> has no such morphological devices, but<br />

there are still ways of presenting new referents into the discourse. These include the<br />

following:<br />

1 The subject of an intransitive clause (including copular clauses) can present or<br />

identify a new entity. Such is the case in the italicised NG that identifies the fogbound<br />

sailor in the second of the two paragraphs in the news item. When spoken, extra<br />

pitch and stress (see 29.1) help the hearer to make contact with the new referent.<br />

2 When the Subject is known, the direct object often introduces a new entity: I saw<br />

a most extraordinary person in the park this afternoon. It has been estimated that<br />

between them the subject of an intransitive verb and the object of a transitive verb<br />

account for the majority of new entities introduced in spoken discourse.<br />

3 Unstressed there with be – or a presentative verb such as appear, which has the same<br />

effect – can introduce a new referent, as in There was a good programme on<br />

television last night (see 30.4).<br />

4 A statement can explicitly inform the hearer what the Topic is going to be, as in<br />

Today I want to talk to you about genetic engineering.<br />

5 Inversion of a copular clause can introduce a new Topic, as in Worst of all was the<br />

lack of fresh water (see 28.9).<br />

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It must be emphasised that not every entity introduced into the discourse is maintained<br />

as a major topic with its own identity chain. Many do not survive the first mention,<br />

such is the volume of incoming detail to be processed mentally. In conversation, establishing<br />

a discourse topic is eminently collaborative, and some new entities may not be<br />

considered newsworthy enough to survive.<br />

28.8 CIRCUMSTANTIAL ADJUNCTS AS THEMES<br />

Among the marked Themes, Circumstantial Adjuncts – particularly those of time and<br />

place – are the least unusual. Comparing the examples below, we can say that the<br />

circumstantials in London last year have been transferred from their normal position in<br />

the Rheme to initial position; that is, they have been thematised or ‘fronted’.<br />

Theme<br />

We<br />

In London last year,<br />

Rheme<br />

did a lot of sightseeing in London last year.<br />

we did a lot of sightseeing.<br />

The function of such circumstantials is to set the necessary temporal and/or spatial<br />

coordinates of the text world within which the participants move, establishing a timeframe<br />

or place-frame for the rest of the message. Such frames or settings can hold<br />

over wide spans of discourse, until a different frame is set up. The exhibition leaflet in<br />

228 ENGLISH GRAMMAR


which Warhol figures has many such temporal spans, as it describes the chronological<br />

progression of modern art.<br />

The break between European and American art<br />

In the first decades of the twentieth century Paris was the centre of modern art. Picasso,<br />

Braque and Matisse all worked there; Cubism was born there. The first part of this<br />

exhibition describes the dialogue that took place between Europe and America that<br />

gave rise to American modernism . . .<br />

By the early 1940s young American artists made the conscious decision to<br />

disconnect the line to Europe. They wanted to provoke and shock, to be the standardbearers<br />

of the avant-garde in a specifically American way. This radical group of artists<br />

launched the revolutionary movement called Abstract Expressionsim that by 1950<br />

had successfully invented a new contemporary art vocabulary. And, for the first time<br />

in the history of Western art, the centre of the artistic avant-garde shifted away from<br />

Europe to America.<br />

Initial circumstantials of time constitute a useful device for structuring lengthy stretches<br />

of text on a chronological basis. Time and place adjuncts do not initiate cohesive chains,<br />

however, although they can be referred to anaphorically in subsequent clauses by<br />

the adverbs there and then, respectively: We went to the theatre there, too, and it was then<br />

that I learned some Cockney slang. Locations such as Paris, when Subject, can set up<br />

topical chains and can also be followed by co-referential there, as in the text.<br />

There is competition between subject and adjunct Themes for initial position. If<br />

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chronological sequencing is adopted as a method of development of the text, as in<br />

this extract, temporal Themes are chosen to mark crucial points, while the topic (Paris,<br />

young American artists) takes second position, although it is Subject. The topical participant<br />

chain of the young American artists is built up within the time-span created by<br />

the Theme. Temporal adjuncts which are not thematic, such as by 1950, are backgrounded<br />

by their position within a topical chain. Nevertheless they can signal important<br />

temporal landmarks such as turning points, shifts and the end of a previous time-span<br />

as in the case of by 1950. While circumstantial Themes are important in mapping<br />

the surface development, it is the topic referents, (participant Themes when initial),<br />

however, which structure the cognitive development of the text as a whole, in terms of<br />

its global topic.<br />

28.9 OBJECTS AND COMPLEMENTS AS THEMES<br />

Apart from contrast, another motivation for thematising direct objects is that of<br />

retrospective linking to something in the previous sentence or context:<br />

Moussaka you ordered, and moussaka you’ve got.<br />

Janet asked me to bring her some tea from London. This I did.<br />

ORGANISING: THEME AND INFORMATION 229


When subject complements are thematised they tend to occur as evaluative<br />

comments made spontaneously in context, often in response to another speaker. In<br />

each case, there is retrospective linking. Identifying clauses, such as The music was<br />

the best of all, are reversible. When reversed, as in the second example, they look both<br />

backwards and forwards, linking to something just said, but also marking a shift to<br />

something new.<br />

[How did the meeting go?] – A complete waste of time it was (Subject Complement.<br />

The unmarked order: It was a complete waste of time.)<br />

[Was the festival a success?] Not bad. The best was the music. (reversed identifying<br />

clause from The music was the best.)<br />

Fantastic I call it! (Object Complement. Unmarked order: I call it fantastic.)<br />

28.10 LESS COMMON THEMATISATIONS IN THE<br />

DECLARATIVE CLAUSE<br />

28.10.1 Negative adverbs<br />

When we place negative adverbs such as never in initial position, we seem to be<br />

responding to a communicative human need to foreground and emphasise the negation.<br />

But while Never! can be used as a one-word full negative response in conversation,<br />

thematised negative constituents are much less easy to use in <strong>English</strong> than in some<br />

other languages. This is because they trigger the inversion of an existing auxiliary (or<br />

do-operator) with the subject. Furthermore, thematised negatives have an emphatic,<br />

marked effect, as can be seen from the following famous utterance made by Winston<br />

Churchill after the Battle of Britain in the Second World War. The second, more recent<br />

quotation, was made as a comment on television about the IRA’s apology in 2002 for<br />

the loss of life of non-combatants over three decades.<br />

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Never in the field of human conflict was so much owed by so many to so few.<br />

Never before has the IRA acknowledged the loss of life in its 30-year paramilitary<br />

campaign.<br />

In everyday use such a rhetorical effect may be undesirable, and it is best to reserve<br />

fronted negative elements for emphatic statements or directives. With the imperative,<br />

there is no inversion, as the base form of the verb is used: Never say ‘never again’! Certain<br />

dependent clauses of condition are likewise fronted: Should you wish to change your mind,<br />

please let us know. The negative adjuncts never and under no circumstances, fronted seminegatives<br />

such as hardly, scarcely and only + an adverb of time all have a marked effect<br />

when fronted. Their unmarked position before the main verb avoids this problem (I have<br />

never seen . . . You must under no circumstances leave . . .).<br />

The positive and negative elements most commonly thematised in everyday spoken<br />

<strong>English</strong> are so and neither or nor as substitute words (see 29.6). They behave like initial<br />

negatives, provoking operator-subject ordering, but they have no rhetorical effect.<br />

230 ENGLISH GRAMMAR


All my friends passed the driving-test and so did I.<br />

Never have I seen such a mess!<br />

Under no circumstances must medicines be left within reach of children.<br />

Only then did I realise what he really meant.<br />

28.10.2 Negative Objects<br />

These produce the same inversion, but are much less common. Negative subjects do<br />

not produce inversion. Compare: Not a thing could the patient remember, where not a<br />

thing is Object, with Nobody could remember a thing, where nobody is Subject.<br />

28.10.3 Adverbs followed by verbs of motion<br />

Initial adverbs such as up, down, in and deictics such as here, there and then are commonly<br />

used with verbs of motion such as come, go, run. In short spoken utterances they<br />

accompany or signal actions, such as In you get! (helping someone into a car) or There/<br />

Here you go! (handing something to someone). There is no inversion when the subject<br />

is a pronoun. With a full nominal group, however, the verb and the subject invert: Down<br />

came the rain and up went the umbrellas: There goes my last dollar! Here comes the bus.<br />

In certain types of written texts such as historical narrative in tourist brochures, this<br />

structure can be used to mark a new stage in the narrative, and in such cases usually<br />

initiates a new paragraph, as in:<br />

Then came the Norman Conquest.<br />

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Only simple tenses are used in this structure, not the progressive or perfect combinations.<br />

Thematised verbs rarely occur in the declarative clause in <strong>English</strong>. When they do, it<br />

is the non-finite part that is thematised:<br />

([He told me to run,) so] run I did. (Unmarked order: He told me to run, so I did run.)<br />

In the media non-finite and finite forms are sometimes fronted, together with the rest<br />

of the clause:<br />

Coming up to the stage now is this year’s winner of the Oscar . . .<br />

Snapped back the 18-year-old princess: ‘No comment’.<br />

28.10.4 Detached predicatives<br />

These are units headed by a noun, an adjective or a participle.They are closely tied<br />

to the subject but, instead of occupying a position after the verb, they are fronted, and<br />

have the status of supplementives, with an adjunctive function:<br />

A Saxon princess, she was born at Exning near Newmarket around AD 630, the<br />

daughter of Anna, King of the East Angles.<br />

ORGANISING: THEME AND INFORMATION 231


These fronted phrases are common in such genres as fiction, history, advertising and<br />

tourism, where they provide an economical means of packing information around a<br />

main topic entity, without holding up the narrative. When thematic, they are<br />

retrospective, linking up with the immediately preceding text. When they are placed<br />

after the subject, they add extra details about the topic entity as in the daughter of Anna,<br />

King of the East Angles.<br />

28.11 DETACHED THEMES: ABSOLUTE THEME, DISLOCATIONS<br />

AND DOUBLE THEMES<br />

28.11.1 Absolute Theme<br />

The Themes analysed so far all have a place within the syntax and semantics of the<br />

clause. This is not the only type, however. Across the world’s languages, a very basic<br />

way of presenting a ‘newsworthy’ piece of information is by means of a detached<br />

lexical NG standing outside the clause. This ‘Chinese-style topic’ is always a definite<br />

NG or proper name which does not function as a constituent of the clause which follows<br />

it. The construction, here called Absolute Theme, is common in the spoken registers of<br />

many European languages, as illustrated by the following sentence, from Spanish:<br />

Los Beatles, sin Sgt. Pepper no tendríamos ni la mitad de la música pop de ahora.<br />

(The Beatles) (without Sgt. Pepper) (we wouldn’t have) (even half the pop music [we<br />

have] now)<br />

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The Theme The Beatles is completely detached, with no grammatical relations connecting<br />

it to the second part of the message. Nevertheless, it provides a pragmatic frame<br />

by which the connection is made inferentially, based on contextual knowledge.<br />

Absolute Themes in <strong>English</strong> occur sometimes in spontaneous talk; they do not<br />

occur normally in written text. Here are two instances, both from news interviews on<br />

television. The first is in the context of a public appeal in a police inquiry, the second<br />

during the anthrax alarm in the aftermath of 11 September 2001. In both, the Absolute<br />

Theme provides a personal frame to the utterance.<br />

Now Manchester United, their players have been holding up a banner.<br />

The woman who died in New York, that’s obviously affecting her colleagues who work<br />

in the hospital.<br />

28.11.2 Dislocations<br />

Dislocations are different from Absolute Themes in that the ‘dislocated’ element is a<br />

constituent of the clause, frequently subject (as in the examples below), and is repeated<br />

by a co-referential pronoun (it and those respectively here) in its normal position within<br />

the clause. The connection is therefore encoded grammatically, not established<br />

inferentially. The first two illustrate what are usually known as left-dislocations. The<br />

last one is a right-dislocation.<br />

232 ENGLISH GRAMMAR


That letter, was it from Bruce? (corresponding to: Was that letter from<br />

Bruce?)<br />

And those flood waters that affected the Czech Republic, those are the ones that are<br />

sweeping towards Germany?<br />

Is it new, that top – No, I bought it (Non-dislocated form: Is that top new?)<br />

last year.<br />

One explanation sometimes given of left-dislocation is that the speaker presents the<br />

main person or thing s/he wishes to talk about (that letter, those flood waters that affected<br />

the Czech Republic) without having worked out the structure to be used. A more positive<br />

view, cognitively and communicatively, is that by ‘detaching’ the salient referent and<br />

putting it first, the speaker side-steps grammatical complexity, presenting a ‘topic–<br />

comment’ structure that is more easily grasped than the normal one. Interrogatives<br />

and relatives are complex structures in <strong>English</strong>, and it is in these cases that we can find<br />

left-dislocation.<br />

Right-dislocations are more problematic to analyse as Themes, as they are not initial,<br />

but instead are placed after the clause as a full NG, (that top) whose referent had been<br />

previously introduced as a pronoun (it). The traditional view is that the final nominal is<br />

an afterthought, which again, implies a construction failure on the part of the speaker.<br />

A cognitive-functional explanation, however, suggests a motivation for this structure,<br />

namely, that of making explicit a referent (that top) which was accessible to the speaker<br />

in the context, but perhaps not so obvious to the hearer, or not in the speaker’s mind at<br />

the moment.<br />

Affectivity may provide a different kind of motivation, as in the next two examples.<br />

In the first the referent was an escaped pig, called McQueen; the second a relative of<br />

the speaker. In the third, a deictic pronoun this refers to the immediate context:<br />

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And he not only flew over the fence, he could swim, that pig.<br />

He’s a cool dude, Sam.<br />

It’s a nice place, this.<br />

(news report)<br />

(author’s data)<br />

28.11.3 Double detached Themes<br />

Two detached Themes may occur together, the first an Absolute, the second a leftdislocation.<br />

The relationship between them must be pragmatically relevant.<br />

1 And Ben, his sister, she has disabling osteo-arthritis.<br />

2 And this consultant, what I like about him is that he doesn’t pass everyone on to<br />

his underlings; he attends to you himself.<br />

3 The white house opposite, the woman who lives there, her dog, he’s had to be put<br />

down.<br />

In 2 there is a wh-cleft, what I like about him (see 30.2), which is not detached. Both of<br />

these combinations are heard in spoken <strong>English</strong>, but rarely find their way into the written<br />

language. In 3 there are three detached nominal groups, the last of which, her dog, is<br />

picked up by the pronoun he. The function of multiple detachments is to ‘anchor’ the<br />

ORGANISING: THEME AND INFORMATION 233


final referent to other related referents, which are presumed to be accessible to the<br />

hearer.<br />

28.12 NON-EXPERIENTIAL THEMES<br />

The Theme of an utterance is essentially a constituent of the transitivity structures. It<br />

is possible to allow for a number of non-experiential Themes, which precede the<br />

experiential Theme. These can be grouped into two main kinds: interpersonal Themes<br />

and textual Themes.<br />

Interpersonal Themes<br />

These include three main subtypes. Continuative Themes (or discourse markers),<br />

such as Oh, well, Ah, please (see 8.2.8), have various functions as markers of attention,<br />

response, request, state of knowledge, surprise and hesitation, among others. Overall,<br />

they signal acknowledgements by speakers and transitions from one speaker to another<br />

or a move to another point in spoken discourse. Examples are:<br />

Now who wants to come to the castle? – Oh, actually I have to do some shopping.<br />

Well, we’ll see you later, then.<br />

Another group of interpersonal Themes, Adjuncts of stance, include three main subtypes:<br />

epistemic, (certainly), evidential (apparently) and evaluative (surely, surprisingly)<br />

1. Further sub-types include style adjuncts, such as frankly, honestly, and domain<br />

adjuncts, such as legally, technologically, consumerwise 2, which limit the domain of<br />

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reference of the rest of the sentence. All are discussed and illustrated in Section 8.2.5.<br />

A third type is made up of vocatives, such as Doctor! Mum!, and appellatives –<br />

ladies and gentlemen – which address people by name or by role or status 3.<br />

1 Surely you could find yourself a job somewhere? Honestly, I’ve tried.<br />

2 Technologically, though, the new model hasn’t been a success.<br />

3 Ladies and gentlemen, please take your seats. The coach will depart in five<br />

minutes.<br />

Textual Themes<br />

Textual Themes include a variety of connectors or connective adjuncts such as<br />

however, besides, therefore, now, first, then (non-temporal) next and anyway. These connect<br />

the clause to the previous part of the text by indicating relations such as addition,<br />

concession, reason, consequence, and so on (see 8.2.7 and 8.2.8).<br />

I don’t feel like playing tennis. Besides, it’s starting to rain.<br />

All these different types of element can be considered as being part of the Theme,<br />

as long as they are placed before the experiential theme (Subject, Circumstantial, Object<br />

234 ENGLISH GRAMMAR


or Complement). Most of them can function in other positions in the clause, and so<br />

represent a real choice when used thematically. Coordinators such as and, but and or,<br />

conjunctions such as when and relative pronouns such as who, which, that are inherently<br />

thematic and do not have alternative placements. For this reason, they will not be taken<br />

into account in our analyses.<br />

Non-defining relatives, however, because they are analysed as supplementives<br />

(see 2.4.1, 49.2), may be considered as having Themes and Rhemes in their own right,<br />

as in the following sentence, which may be analysed as two Theme–Rheme units as<br />

follows:<br />

Ladies and gentlemen, this afternoon we are going to visit the cathedral, which was<br />

built in 1241 not long after the last of the great wars.<br />

Ladies and gentlemen, this afternoon<br />

Theme<br />

we are going to visit the cathedral<br />

Rheme<br />

which<br />

Theme<br />

was built in 1241 not long after the great wars.<br />

Rheme<br />

By including the many different classes of items within the Theme category, it is<br />

possible to claim that the three macro-functions of language, the experiential, the<br />

interpersonal and the textual, can be represented by items within the Theme. Here is<br />

an examples of Multiple Themes.<br />

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Well now, Mrs Jones, what can I do for you?<br />

Continuative Connective Vocative Experiential<br />

Interpersonal Textual Interpersonal Experiential<br />

Theme<br />

Rheme<br />

28.13 CLAUSES AS THEMES<br />

Time and place are not the only types of circumstance that can be thematised: other<br />

types of situational frame can be established. Consider just three of the many meanings<br />

of as, illustrated in the following sentences: a As a gardening tool, it’s not much use (role);<br />

b As children under five, they get in free (status); c As children, we used to roll our eyes<br />

whenever grandfather told us the same old story yet again (time).<br />

The time Adjunct in c As children . . . could be reworded as d When we were children.<br />

This fact enables us to see a similarity of function between circumstances realised as<br />

ORGANISING: THEME AND INFORMATION 235


Adjuncts, as in a, b and c, and circumstances expressed as subordinate clauses as in d.<br />

We can say that in a unit composed of two or more clauses, the first clause acts as<br />

Theme to the rest.<br />

Coordinated clauses joined by ‘and’ reflect the chronological order of the events<br />

described. The first clause is therefore the natural temporal and factual starting-point<br />

of the sequence. For this reason not all coordinate clauses are coherently reversible:<br />

The lone rider got on his horse and rode into the sunset.<br />

*The lone rider rode into the sunset and got on his horse.<br />

Even when the clauses are reversible, the resultant meanings are likely to be different;<br />

for, as well as chronological sequence, other meanings such as cause and effect are<br />

implied:<br />

He bought an oil-tanker and made a fortune. (i.e. his fortune resulted from his buying<br />

the tanker)<br />

He made a fortune and bought an oil-tanker. (i.e. he bought the tanker with his<br />

fortune)<br />

Subordinate clauses impose no obligation to maintain chronological sequencing.<br />

However, an initial subordinate clause takes as starting-point the meaning it encodes,<br />

such as reason 1, simultaneity 2 and condition 3:<br />

1 As you weren’t at home, I left a message on your answer-phone.<br />

2 As she stepped off the kerb, a cyclist crashed into her.<br />

3 If you don’t like it, you can probably change it for something else.<br />

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Such Themes set up meaningful frames within which the rest of the clause develops, as<br />

is illustrated in the following short extract from Alan Ayckbourn’s Just Between Ourselves:<br />

I haven’t got time, mother, to start putting things in tins. If I want a nail, there’s a<br />

nail. I bang it in and that’s that. If I can’t find a nail I use a screw. And if I can’t find<br />

a screw, I don’t bother.<br />

Such initial clauses also set up expectations, which obviously does not happen when<br />

the subordinate clause is final. For instance, compare the next two examples. Each<br />

contains a non-finite to-infinitive clause of purpose in initial and final position,<br />

respectively:<br />

4 To cure stress, try a Jacuzzi whirlpool bath.<br />

5 He braked hard to avoid hitting the cyclist.<br />

The initial purpose clause in 4 not only sets up a purpose frame, but also names the<br />

goal to be achieved. For this reason, the to-infinitive clause here emphasises a sense of<br />

236 ENGLISH GRAMMAR


premeditated purpose, which is much less explicit in 5, where the purpose clause is in<br />

final position.<br />

The two remaining types of non-finite clause, the participial -ing clause and the<br />

-en clause, are closely tied to the main participant in the discourse and are discussed<br />

in Chapter 7. The -ing clause 6 is active in meaning and expresses an action or state<br />

dependent upon the main situation. The -en clause 7 is passive in meaning and is<br />

retrospective, summing up a previous situation:<br />

6 Taking advantage of his present popularity, the Prime Minister called an election.<br />

7 Thwarted in the west, Stalin turned east.<br />

It is useful to remember that speakers adjust their choice of Theme to the context,<br />

‘attending first to the most urgent task’. When the tourist guide starts with ‘Ladies and<br />

gentlemen’, for instance, s/he is doing just that: attracting the hearers’ attention before<br />

giving them the information they need. Context is understood here to include<br />

potentially:<br />

• the situational context in which the participants interact, including the place, the<br />

time and the participants themselves;<br />

• the texual context, or ‘co-text’, which covers the previous spoken or written<br />

discourse; and<br />

• cognitive features such as the participants’ knowledge, beliefs and assumptions, in<br />

so far as these are relevant at any particular point in the discourse.<br />

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ORGANISING: THEME AND INFORMATION 237


THE DISTRIBUTION AND MODULE 29<br />

FOCUS OF INFORMATION<br />

SUMMARY<br />

1 In order to be understood, messages are divided into chunks called information<br />

units, which are represented in speech by tone units. These do not correspond<br />

to any one grammatical category, since the speaker is free to break up the<br />

message as desired into units which are smaller or larger than a clause.<br />

2 Each tone unit contains a tonic syllable, which represents the highest point of<br />

the focus of information. Information focus extends to the syntactic unit in<br />

which the tonic occurs.<br />

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3 The tone unit in <strong>English</strong> signals the distribution of information into Given and<br />

New. Each information unit contains an obligatory New element and, optionally,<br />

a Given element, the unmarked order being Given–New. The Given is the<br />

information that the speaker presents as recoverable by the hearer; the New is<br />

the information that is presented as not recoverable by the hearer. The whole<br />

tone unit may contain New information, for instance at the start of a<br />

conversational exchange.<br />

4 The devices of ellipsis and substitution are used to avoid repeating<br />

information that is recoverable.<br />

5 Unmarked focus falls on the last non-anaphoric lexical item of the information<br />

unit. If the intonation nucleus is made to fall on some other item, it is marked and<br />

unequivocally represents New information. This is marked focus. Its function<br />

is to contrast one item with another or to add emotive colouring to the utterance.<br />

Focus can coincide with marked Theme and is a cohesive device in texts.<br />

29.1 THE INFORMATION UNIT<br />

Speakers divide their messages into chunks called information units. In the spoken<br />

language these are not represented directly by any one type of grammatical unit,<br />

238 ENGLISH GRAMMAR


although there are certain correlations. Rather, they are signalled prosodically, by<br />

means of the intonation system of the language. Information units are therefore defined<br />

in terms of the spoken language and how speakers organise it. Readers of a written<br />

text, however, interpret what they read by mentally assigning information units to<br />

the text, helped by punctuation and the grammar.<br />

The prosodic unit that represents a unit of spoken information is the tone unit. A<br />

tone unit consists potentially of a series of stressed and unstressed syllables, and always<br />

contains one syllable, the tonic, which is singled out by tonic prominence. That is, it<br />

carries the main pitch movement (for instance, falling, rising, falling and then rising,<br />

rising and then falling), a jump, up or down, in pitch and possibly extra stress and added<br />

duration. Its function is to mark the focus of information. Or rather, it signals the<br />

nucleus or highest point of the unit which is informationally in focus, as in the example<br />

below (the capitals represent the tonic syllable):<br />

He’s arriving on THURSday.<br />

If this utterance were used to convey information, it is likely that there would be a jump<br />

in pitch up to THURS and that this syllable would have a pitch fall on it. In this example,<br />

the tone unit coincides with a clause. But speakers can choose to make tone units longer<br />

1 or shorter 2 than a clause, depending on how much of the information they want to<br />

make prominent. (The symbol // indicates the end of a tone unit.) Short answers,<br />

questions and commands can consist of a single prominent syllable, such as YES! WHY?<br />

or DON’T! If a speaker wishes to make the message highly informative and emphatic,<br />

each lexical word may be treated as an information unit, with as many tonics as there<br />

are words, as in 2 (where the tonic syllable in immediately is ME):<br />

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1 I think it’s a great pity she didn’t GET the job //<br />

2 COME // HERE // IMMEDIATELY //<br />

Speakers shorten or lengthen tone units in response to their communicative needs. This<br />

response is emotive rather than deliberate, and is therefore less likely to be controlled<br />

than, for instance, the choice of a lexical item. Variation in the length of tone units also<br />

depends on several factors, some cultural, others personal. According to one cognitive<br />

view, the intonation unit or tone group represents the limited amount of information<br />

that our consciousness can focus on at any one time. This has led to the ‘one chunk per<br />

clause principle’ or ‘one new idea constraint’, in conversation at least. For spoken<br />

<strong>English</strong> a short independent clause with few content words represents the typical<br />

information unit.<br />

Other grammatical units which may correspond to tone groups include various kinds<br />

of adjunct, especially when initial (in the late nineteen thirties, better still, unfortunately); a<br />

dependent clause (although it wasn’t your fault); a main clause with an embedded clause<br />

(I thought we were leaving), coordinated predicates with the same Subject (he’s seen the<br />

pictures and likes them) and possibly NG Subjects (all the lonely people). The following are<br />

examples of utterances consisting of two tone units:<br />

// in the late nineteen THIRTIES // he went to HOLLYWOOD //<br />

// better STILL // send an E-mail //<br />

ORGANISING: THEME AND INFORMATION 239


The following transcription illustrates how one speaker organises an episode into<br />

tone units of varying length, with overlapping units (in brackets) by speaker B. The dots<br />

and dashes (. -) represent progressively longer pauses. The speakers have been talking<br />

about football grounds in Britain, many of them quite old.<br />

Of course // the CONTINENTALS I suppose // they came in LATE // and they .<br />

build them – (B: PROPERLY //) you know// this MILAN ground // . there’s a famous<br />

one THERE . ÍSN’T there? // . (B: erm) you know// they were saying how SUPERB<br />

they were // . But the one in SPAIN // was the BEST // – (B: of course //) I thought<br />

it was in MADRID // – was it Real MADRID// they were fan (b: they’re all erm . . .)<br />

oh they were FANTASTIC // it showed the PHOTOGRAPHS of them // . people<br />

sitting there in the hot SUN // you know // smoking CIGARS// and it showed the<br />

crowds . EMPTYING // – (B: they had a practice – erm) EXIT //// (B: YEAH //) and<br />

about . thirty seconds LATER // or a minute later they were CLEAR //<br />

29.2 GIVEN AND NEW INFORMATION<br />

The distribution of ‘Given’ and ‘New’ information is to a great extent the motivation for<br />

the information unit. Each information unit contains an obligatory ‘New’ element, which<br />

is associated with the tonic of the tone unit, the focus of information. There can also<br />

be optional ‘Given’ elements of information, which are associated with the rest of<br />

the tone unit. Rather than a clear-cut distinction between ‘Given’ and ‘New’, however,<br />

there is a gradation of givenness and newness. This is compatible with the notion of<br />

communicative dynamism, by which the message typically progresses from low to high<br />

information value (see 29.3).<br />

The Given element is concerned with information that the speaker presents as<br />

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recoverable by the hearer, either from the linguistic co-text, that is, what has been said<br />

before, or because it can be taken as ‘known’ from the context of situation or the context<br />

of culture. The New element is concerned with whatever information the speaker<br />

presents as not recoverable by the hearer. The following exchange illustrates the<br />

possible relationship of Given and New to information focus:<br />

A. What’s new then?<br />

B. Well, Jim’s bought a new CAR //, Norma’s getting a DIVORCE // and Jamie’s<br />

got CHICKEN-POX //, but apart from that ...<br />

In each tone unit, the tonic syllable, identified here by capitals, represents the<br />

culmination of the New information. The syntactic unit in which the tonic occurs (a new<br />

CAR, a DIVORCE, CHICKEN-POX) is in each case ‘in focus’. The referents of the proper<br />

names Jim, Norma and Jamie are treated as identifiable and Given, or at least accessible,<br />

in the discourse situation (that is the function of proper names) and there is a gradation<br />

from Given to New, with the verbs bought, getting and got marking the transition:<br />

Jim’s bought a new CAR<br />

Norma’s getting a DIVORCE<br />

Jamie’s got CHICKEN-POX<br />

Given - - - - - - - - - - - - - New<br />

240 ENGLISH GRAMMAR


29.3 UNMARKED FOCUS AND MARKED FOCUS<br />

In normal, unemphatic discourse, it is customary to start our message from what we<br />

think our hearer knows and progress to what s/he does not know. In other words, the<br />

unmarked distribution starts with the Given and progresses towards the New. This is<br />

often called the principle of end-focus.<br />

The neutral position for information focus is therefore towards the end of the<br />

information unit. In grammatical terms, this usually means that unmarked (end-)focus<br />

falls on the last non-anaphoric lexical item or name in the clause, as in the above<br />

exchange. Items which occur after the tonic can be taken as Given and are always<br />

unstressed, like about it here:<br />

Pete’s just COMPLAINED about it.<br />

Given - - - - New - - - - - - - - - Given<br />

Here, the words after complained are both grammatical rather than lexical words: that<br />

is, they have a largely grammatical meaning. Pronouns such as it always refer to<br />

something known, unless they are contrastive and therefore marked (see below). In the<br />

following example, the second use of WANT is anaphoric (the notion of ‘wanting’ occurs<br />

in the question), and is therefore not marked. Instead, DON’T is marked:<br />

A. Don’t you WANT it then? B. No, I DON’T want it.<br />

When the focus of information is placed on the last non-anaphoric lexical item in the<br />

clause, almost the whole clause may be New or just one part of it. For example, Jane<br />

dropped the COFFEE-POT could be intended to mean that it was just the coffee-pot and<br />

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not something else that Jane dropped; or the whole unit could contain new information.<br />

The amount of New material can be verified by formulating questions. In answer to the<br />

first, only the coffee-pot would be New and the rest Given (and probably ellipted in<br />

speech; see 29.3), while in answer to the second, the whole unit would represent new<br />

information:<br />

What did Jane drop? [Jane dropped] the COFFEE-POT<br />

New - - - - - - - - - - - -<br />

What happened? Jane dropped the COFFEE-POT<br />

- - - - - - - - - - - - New - - - - - - - - - - - -<br />

Marked focus occurs when the tonic is placed on any other syllable than the tonic<br />

syllable of the last non-anaphoric lexical item. Marked focus is used for the purpose of<br />

contrasting one item with another, as in 1 and 2, or to add an emotive overlay, as<br />

in 3:<br />

1 SHE didn’t make the phone call, ROBERT did.<br />

2 The kids didn’t SIT on the sofa, they JUMPED on it.<br />

3 I’m SO THIRSTY!<br />

ORGANISING: THEME AND INFORMATION 241


The first would be used in a context in which the speaker assumes that the hearer knows<br />

they are talking about someone making a phone call (‘make the phone call’ is Given<br />

information). As contrastive focus treats the focused element as New information, both<br />

she and Robert are treated as New, even though both must be identifiable in the context.<br />

Focus can fall on other, non-lexical items such as pronouns, prepositions and<br />

auxiliaries, again with an implied contrast or correction. The following examples<br />

illustrate some of the possibilities of marked focus. When auxiliaries receive focus it is<br />

meanings such as those of polarity contrast (i.e. positive/ negative) or tense which are<br />

presented as New or important information:<br />

MY brother sold his motorbike. [not someone else’s brother]<br />

Put the dog’s bowl UNDER the table. [not ON the table]<br />

[Wait for me!] I AM waiting for you. [corrects first speaker’s assumption that<br />

x is not waiting]<br />

[Don’t forget to return the video!] [corrects the assumption that the video has<br />

I HAVE returned the video. not been returned.]<br />

[Why didn’t you tell the truth?] [corrects the assumption that x did not tell<br />

I DID tell the truth.<br />

the truth]<br />

Whether for emotive reasons or for the purpose of emphasising or contrasting, it can<br />

happen that a single tone group contains more than one nucleus. The fall-plus-rise or<br />

the rise-plus-fall tones often accompany focusing of this kind.<br />

//It was QUITE exciting REALLY.//<br />

//I DO wish you’d shut UP.//<br />

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The following advertisement illustrates the possibility speakers have of assigning focus<br />

to practically any item. Some of these utterances could be interpreted as contrastive,<br />

others simply as emphatic.<br />

DO you know what kind of a day I’ve had?<br />

Do YOU know what kind of a day I’ve had?<br />

Do you KNOW what kind of a day I’ve had?<br />

Do you know WHAT kind of a day I’ve had?<br />

Do you know what KIND of a day I’ve had?<br />

Do you know what kind of a DAY I’ve had?<br />

Do you know what kind of a day I’VE had?<br />

Do you know what kind of a day I’ve HAD?<br />

Well, DO you?<br />

29.4 EVENT UTTERANCES<br />

Event utterances are usually short and typically intransitive. They provide an<br />

interesting exception to the principle of end-focus, in that a NG Subject receives the<br />

tonic stress. The reason for this is that the whole event is in Focus, and there is no<br />

242 ENGLISH GRAMMAR


presupposition (assumption) such as ‘something is bleeding’, ‘something has gone out’,<br />

‘someone is coming’:<br />

My NOSE is bleeding!<br />

The LIGHT’s gone out!<br />

[I won’t be able to go away this weekend.] My PARENTS are coming.<br />

Event sentences are extremely common in conversation. They often occur ‘out of the<br />

blue’, that is, unrelated to what was previously said, as surprisals or interruptions of<br />

an ongoing discourse topic. This is not always the case however. In the third example,<br />

the event utterance is incorporated into the dialogue as a reason for not going away<br />

this weekend. In languages with flexible constituent order, this type of message would<br />

probably be conveyed by inversion of S–P. In <strong>English</strong>, inversion is not an option here;<br />

instead, stress and intonation patterns are used.<br />

29.5 ELLIPSIS<br />

By means of ellipsis we leave out those elements of the clause that are recoverable.<br />

As a result we highlight the new information and our discourse gains in cohesion and<br />

coherence. Information can be recovered from the linguistic co-text or from the social<br />

context. Ellipsis of the first type is textual and of the second situational.<br />

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29.5.1 Textual ellipsis<br />

Textual ellipsis occurs when two consecutive clauses have elements in common. The<br />

two clauses may form part of the same utterance by one speaker 1, or they may be<br />

distributed between two speakers, as in 2. The words in common are omitted in the<br />

second clause. In <strong>English</strong> the remaining part often ends with an auxiliary or a pronoun.<br />

(In the examples, ellipted material is recovered in italics.)<br />

1 I’m sure he would help you, if he could (help you).<br />

2 Shall we go for a swim? – Yes, let’s (go for a swim).<br />

3 Why can’t he just send a message? And for that matter, why can’t YOU? (just<br />

send a message)<br />

Catenative verbs which take to-infinitive clauses such as want, mean (= intend), used<br />

to and like obligatorily retain the to, with the rest of the clause ellipted, as in 4.<br />

Wh- complement clauses and questions can be ellipted, leaving the wh-element as in 5:<br />

4 A fine mess you’ve made of things. – I didn’t mean to (make a fine mess of things).<br />

5 Why can’t he find you a comfortable job? – He will (find me a comfortable job),<br />

but I don’t know when (he’ll find me a comfortable job.)<br />

These examples illustrate final ellipsis. Medial ellipsis is featured in 6 and 7, while 8<br />

illustrates initial ellipsis, where ellipsis of the pronoun is an alternative analysis to zero<br />

anaphora.<br />

ORGANISING: THEME AND INFORMATION 243


6 What time does this party of Robin’s start? He said [it starts at] six-to-eight.<br />

7 Shirley wore jeans and Tina (wore) a miniskirt.<br />

8 They got on the bus and (they) sat down in the front seat behind the driver.<br />

29.5.2 Situational ellipsis<br />

In conversation and writing that imitates speech, unstressed pronouns and other<br />

functional items are frequently ellipted, as they are recoverable from the interactional<br />

context.<br />

Can’t hear a word<br />

See you soon<br />

Like a drink?<br />

Any news?<br />

(Subject I ellipted)<br />

(I’ll ellipted)<br />

(Would you ellipted)<br />

(Is there ellipted)<br />

Situational ellipsis is also the organising factor in ‘block language’, which includes<br />

newspaper headlines, telegrams and other announcements. We soon reach a point,<br />

however, both in textual and situational ellipsis at which the exact material ellipted<br />

is no longer recoverable. In such cases the concept of ellipsis is strictly not applicable,<br />

as in:<br />

To let. For hire. For sale. Vacancies. Bed and Breakfast. No parking.<br />

29.6 SUBSTITUTION<br />

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Substitution likewise avoids the repetition of recoverable information; but while ellipsis<br />

leaves a structural slot empty, substitution replaces it by a ‘filler’ word. Consequently,<br />

the exact words which have been ellipted are not recoverable. A commonly used clausal<br />

substitute is do so, as in 1 below. This is not acceptable, however, where the verb is not<br />

agentive (for instance, know, like) and in such cases ellipsis is used, as in 2:<br />

1 You can hire a self-drive car, but I wouldn’t advise you to do so. (hire a selfdrive<br />

car)<br />

2 Some people like mangoes, others don’t. (*don’t do so).<br />

So substitutes for clause complements after verbs such as say, hope, think, expect, be<br />

afraid, suppose and believe. Not is the negative substitute with hope, be afraid and suppose:<br />

Is it going to rain tomorrow? The weather man says so (i.e. that it is going to rain).<br />

I hope not. (i.e. that it’s not going to rain).<br />

So can also be used as an alternative to an auxiliary + too to substitute positively, just<br />

as neither alternates with auxiliary + either to substitute negatively:<br />

This hair-dryer makes an awful noise. So does mine./Mine does too./Mine too.<br />

I wouldn’t like to live in this climate. Neither/Nor would we./We wouldn’t either.<br />

244 ENGLISH GRAMMAR


Ellipsis and substitution in nominal groups<br />

In nominal ellipsis we replace the head element by pronouns such as these, any, each,<br />

all, both, either, neither, none (I’ll take these, There aren’t any left); possessives such as John’s,<br />

and numeratives such as the first, the next three. These are discussed in modules 46 and<br />

47. Nominal substitution makes use of one/ones (I prefer the dark one(s)) this, that and the<br />

pronouns (an)other (see 45.7.4):<br />

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ORGANISING: THEME AND INFORMATION 245


THE INTERPLAY OF MODULE 30<br />

THEME–RHEME AND GIVEN–NEW<br />

SUMMARY<br />

1 From the point of view of communicative effect, the important positions in the<br />

clause are the initial position and the final position. We have examined<br />

separately the two structures involved, which are mapped on to each other: the<br />

Theme–Rheme thematic structure and the Given–New information structure.<br />

We now turn to the interplay between the two. We start by going beyond the<br />

clause to look at thematic progression in a paragraph.<br />

2 We then turn to a few of the major resources used in <strong>English</strong> for shifting<br />

information either to the beginning of the clause or to the end. We have already<br />

seen thematisation (thematic fronting), which brings an element to initial<br />

position. We shall next examine the much more common device of clefting,<br />

which places an element to be focused near the front of the clause.<br />

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3 Equally important are the resources for shifting information towards the end of<br />

the clause where it receives end-focus without being marked. The function of<br />

the passive voice, of the existential sentence and of extraposition is in<br />

part just this. At the same time, a different Theme is selected. Speakers and<br />

writers of <strong>English</strong> make great use of all these devices to achieve coherence and<br />

liveliness in their speech and writing.<br />

4 The highlighting of newsworthiness is not the only motivation of information<br />

flow. Pragmatic motivations of an interpersonal kind, such as politeness, may<br />

be the influencing factor in the selection and ordering of clausal elements, in<br />

particular the order of clauses in complex sentences.<br />

30.1 THEMATIC PROGRESSION<br />

The unmarked correlation between Given–New and Theme–Rheme is for Given to<br />

coincide with the Theme, and New information with some part of the Rheme. Going<br />

246 ENGLISH GRAMMAR


eyond the clause, a consistent progression from Given to New will help the reader’s<br />

understanding of the text. Three basic types of thematic progression are identified:<br />

simple linear, continuous and derived.<br />

30.1.1 Simple linear progression<br />

In this type, something introduced as new information in the Rheme of the first clause<br />

is taken up to be the Theme of the second. The wording need not be identical.<br />

She has a huge team of people working for her. 1 Some of them have been with her<br />

for years. 2<br />

In this example, Theme 1 is she, while a huge team of people is the focused part of Rheme<br />

1. A semantic sub-set, some of them, then becomes the Theme of the second clause. We<br />

can present it graphically as follows:<br />

Clause 1 Theme 1 + Rheme 1<br />

Clause 2 Theme 2 + Rheme 2<br />

Adapted from Danes˘ 1974)<br />

30.1.2 Continuous progression (constant Theme)<br />

In this type, the same Theme, Mum, is maintained across a series of coordinated clauses,<br />

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each with its own Rheme:<br />

Mum was always a hard worker 1 and (zero) had plenty of drive 2 but, in a small way,<br />

she was also proving to be quite a successful business woman. 3<br />

This type of progression can be diagrammed as follows. Note that the same Theme is<br />

maintained in the second clause by ‘zero anaphora’, which could be replaced by the<br />

corresponding pronoun she.<br />

Mum (T1) was always a hard worker 1 (R1) and (she)(T1) had plenty of drive(R2), 2<br />

but, in a small way, she(T1) was also proving to be quite a successful business<br />

woman (R3). 3<br />

Clause 1 Theme 1 + Rheme 1<br />

Clause 2 Theme 1 + Rheme 2<br />

Clause 3 Theme 1 + Rheme 3<br />

In the illustrations of these two first types of thematic progression, we find that the<br />

progression is made on the basis of topic referent chains. The following news item<br />

The ‘lost’ Van Gogh uses both simple linear progression and constant Theme (see<br />

exercise at end of chapter):<br />

ORGANISING: THEME AND INFORMATION 247


When Vincent Van Gogh left his home in the Dutch village of Nuenen in 1895, 1<br />

having had a blazing row with the parish priest over his use of female models, 2 he<br />

left hundreds of his early pictures behind in his mother’s keeping. 3 Soon after, his<br />

mother, too, left the village for the nearby town of Breda. 4 She packed all her<br />

belongings, including a chest containing her son’s works, onto a cart, 5 and then left<br />

the chest in storage with a family friend. 6 The friend, a local merchant, threw many<br />

of the pictures away 7 and sold others off the back of his cart for about five cents<br />

a-piece. 8<br />

30.1.3 Derived Themes<br />

In this third type, the different themes of a number of Theme–Rheme structures all relate<br />

to a ‘hypertheme’ or ‘global topic’. The following text comes from Aldous Huxley’s The<br />

Doors of Perception, in which he describes research on the drug mescalin. The<br />

Hypertheme is stated in the first sentence.<br />

Mescalin research has been going on sporadically ever since the days of Lewin and<br />

Havelock Ellis. Chemists have not merely isolated the alkaloid; they have learned how<br />

to synthesize it, so that the supply no longer depends on the sparse and intermittent<br />

crop of a desert cactus. Alienists have dosed themselves with mescalin in the hope<br />

thereby of coming to a better, first-hand understanding of their patients’ mental<br />

processes. Working unfortunately upon too few subjects within too narrow a range<br />

of circumstances, psychologists have observed and catalogued some of the drug’s<br />

more striking effects. Neurologists and physiologists have found out something about<br />

the mechanisms of its action upon the central nervous system. And at least one<br />

professional philosopher has taken mescalin for the light it may throw on such ancient,<br />

unsolved riddles as the place of mind in nature and the relationship between the brain<br />

and consciousness.<br />

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The Hypertheme is mescalin research. From this, the passage develops in terms of the<br />

classes of researchers (the Themes, derived from the Hypertheme) and what they did<br />

(the Rhemes) (see diagram opposite)..<br />

A fourth type of progression has a split rheme, which is a combination of types 1<br />

and 2. This can be illustrated by the following text, which is about some photographs<br />

of Saddam Hussein:<br />

I had two particular favourites: in one he sported a green eyeshade and carried a<br />

tennis racket; in the other he wore a university gown and had a mortar-board on<br />

his head.<br />

Clause 1 I had two particular favourites<br />

Clauses 2–3 In one he sported a green eyeshade and carried a tennis racket<br />

248 ENGLISH GRAMMAR


Clauses 4–5 In the other he wore a university gown and a mortar-board on his<br />

head<br />

This can be expressed graphically<br />

Clause 1 T1 – R1. The Rheme implies two items, A and B:<br />

Clauses 2–3 In one (A) ––––––––––––––––––––––––– (T2 - - - - - - - - - - R2)<br />

Clauses 4–5 In the other (B) –––––––––––––––––– (T2 ––––––––––– R2)<br />

Hypertheme: mescalin research<br />

R 1 : chemists<br />

R 2 : alienists<br />

R 3 : psychologists<br />

T 1<br />

T 2<br />

T 3<br />

T 4 R 4 : neurologists<br />

and physiologists<br />

T 5 R 5 : at least one<br />

professional<br />

philosopher<br />

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30.2 CLEFTING: IT-CLEFTS AND WH-CLEFTS<br />

In clefting, we re-organise the content of a single clause into two related parts. The effect<br />

of the resulting structures is to focus on one element, the New, which always follows a<br />

form of the verb be. There are two kinds of cleft: the it-cleft and the wh-cleft. Here is<br />

an example of each. Compare these with the plain version: They need money.<br />

It’s MONEY (that) they need<br />

What they need is MONEY<br />

(it-cleft)<br />

(wh-cleft)<br />

Both types of cleft have MONEY in strong focus; the it-cleft brings the focus (marked<br />

by tonic stress) near the front of the first unit; the wh-cleft has the focus at the end<br />

of the second unit. There is a lesser stress, here underlined, on need, the last word of<br />

the unit containing Given or presupposed information. Presupposed information is<br />

that which is assumed by the speaker, without being asserted. Here what is assumed<br />

is ‘they need something’.<br />

If spoken, then, the devices of intonational prominence and syntactic structure<br />

reinforce each other to single out money in these examples. Let’s look first at the it-cleft.<br />

This consists of the pronoun it, + a form of the verb be, + the strongly focused item +<br />

a clause starting with a relative pronoun such as who, that or which:<br />

ORGANISING: THEME AND INFORMATION 249


It was last TUESDAY that I met Richard (compare: I met Richard last TUESDAY)<br />

It was the WOMEN that did the bartering. It was the WOMEN that actually got<br />

enough to feed the family. BNC F7L 174<br />

Who must register for VAT? It’s the PERSON, not the BUSINESS, who is registered<br />

for VAT. BNC FAU 761–762<br />

In such examples, it is a dummy element with no other function but to provide a subject<br />

for the verb be. The item in focus can be a noun group, a prepositional group, a pronoun<br />

or a clause.<br />

30.2.1 Discourse functions of the it-cleft<br />

The main function of the it-cleft is to mark contrastive focus. The contrast is very<br />

often implicit, as in Tuesday (not another day), the women, not the men; but the contrast<br />

may be made explicit, as in It’s the person, not the business, who is registered for VAT.<br />

A different, non-contrastive use, is illustrated in the following sentence from Huxley’s<br />

work:<br />

1 It was in 1886 that the German pharmacologist, Louis Lewin, published the first<br />

systematic study of the cactus, to which his own name was subsequently given.<br />

The function here is not to contrast 1886 with a different date. Rather, the function of<br />

such clefts, which often highlight expressions of time or place, is to signal the beginning<br />

of an episode in discourse. It may be the very beginning of the text, as in 1, or an oral<br />

announcement, 2; otherwise, the cleft may signal a shift to a new episode 3:<br />

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2 It is with great pleasure that I announce the name of this year’s winner . . .<br />

3 It was only years later that I realised what he meant.<br />

30.2.2 Discourse functions of the wh-cleft<br />

1 What we want is WATney’s<br />

This was a famous advertising slogan, at one time, for Watney’s beer. It is clearly much<br />

more emphatic than the plain version 2 and even more than the it-cleft 3.<br />

2 We want WATney’s<br />

3 It’s Watney’s (that) we want.<br />

In both types of cleft there is presupposed information: in this case, that we<br />

want something. But while the it-cleft 3 suggests contrast (Watney’s, not Heineken, for<br />

instance), the wh-cleft 1 suggests exclusiveness at the point in the discourse when it is<br />

used. (It’s ONLY Watney’s we want, and no other). The wh-cleft consists of a wh-word,<br />

of which by far the most common is what, followed by a clause containing Given<br />

or presupposed information, then a form of be, followed by the New information:<br />

250 ENGLISH GRAMMAR


What we want// (it is presupposed: that we want something) is<br />

Given<br />

Watney’s//<br />

New<br />

This structure is also sometimes called a thematic equative, since it is of the form<br />

‘X = Y’.<br />

30.2.3 Variants of the wh-cleft<br />

The one(s) who/that acts as replacement for the now ungrammatical who-cleft:<br />

The one who told me the news was Lizzy herself. (*Who told me the news was Lizzy<br />

herself)<br />

All (that) is used instead of *all what. ‘That’ is usually omitted.<br />

All you need is love.<br />

Reversed wh-clefts have the main focus at the beginning of the first unit, not at the<br />

end after be, as in regular wh-clefts. Some combinations (that’s what/why/how/the way)<br />

are stereotyped, as are the thing is/the problem is, which can also be included here:<br />

All you need is LOVE. (regular wh-cleft)<br />

LOVE is all you need. (reversed wh- cleft)<br />

What you should do is THIS. (regular wh-cleft)<br />

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THIS is what you should do. (reversed wh-cleft)<br />

That’s what I told you.<br />

That’s why we came.<br />

The effect is to put the new information as end-focus, but to indicate its selectively New<br />

status very clearly. The exclusiveness inherent in an element focused in this way allows<br />

the wh-cleft to be used for two important discourse purposes: (a) to introduce a new<br />

topic (in the New part), as in 1; and (b) to correct a previous statement or assumption,<br />

as in 2.<br />

1 What I don’t understand is why they don’t have a secretary in that place.<br />

2 What he did was take the money and run.<br />

The Wh-cleft identifies a particular element exclusively. In this it differs from the basic<br />

clause structure and from the ordinary cleft. Compare:<br />

We all need a holiday.<br />

It’s a holiday we all need.<br />

What we all need is a holiday.<br />

(neutral: no doubt we need other things too)<br />

(implied contrast with something else)<br />

(the only thing focused on)<br />

ORGANISING: THEME AND INFORMATION 251


Wh-clefts are always reversible, and this property distinguishes them from whembedded<br />

clauses which are not clefts. Compare the following:<br />

What he said was that he didn’t like the play. (wh-cleft)<br />

What he said was very interesting. (nominal relative clause)<br />

The first is a wh-cleft, corresponding to the plain version He said that he didn’t like the<br />

play. The next is NOT a wh-cleft. There is no equivalent to the form *He said very<br />

interesting. Another way to test this is to try for reversibility. The first is reversible, the<br />

second is not:<br />

That he didn’t like the play was what he said.<br />

*Very interesting was what he said.<br />

Certain stereotyped wh-clefts (which are not all reversible) such as What happened was<br />

. . ., What I mean is . . . and The thing is . . . are also used for a variety of purposes such<br />

as pre-signals to certain speech acts, such as giving an excuse or an explanation:<br />

What happened was that I missed the last train.<br />

The thing is, we have tickets for a concert that evening.<br />

What I mean is we should all try to convince him.<br />

30.3 THE ACTIVE–PASSIVE ALTERNATIVE<br />

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In describing situations which involve two participants, it is usually possible to take one<br />

or other participant as Subject and Theme/Topic. This is done in <strong>English</strong> by means of<br />

the active–passive voice alternative:<br />

The President has released the prisoners. (active voice)<br />

The prisoners have been released [by the President]. (passive voice)<br />

In the active construction, the Agent is mapped on to Subject and Theme/Topic, while<br />

the Affected is in final position and receives normal, unmarked end-focus:<br />

The President has released the prisoners.<br />

Agent<br />

Affected<br />

Subject<br />

Direct Object<br />

Theme/Topic ____________ Rheme ______<br />

Unmarked end-focus<br />

In the passive construction these correspondences are reversed. The Affected is now<br />

promoted to Subject and provides the point of departure, while the Agent is demoted<br />

from its privileged position as Subject and is usually omitted. If present, it occupies final<br />

position and receives normal end-focus:<br />

252 ENGLISH GRAMMAR


The prisoners have been released [by the President]<br />

Affected<br />

Agent<br />

Subject<br />

Adjunct<br />

Theme/ Topic _________________ Rheme ____________<br />

[optional end-focused element]<br />

We can see that the active–passive alternative allows speakers and writers to exploit<br />

the two main positions in the clause, the beginning and the end. In each case, a single<br />

clause can be arranged so that important new information is placed in end-position,<br />

while already known information is placed at the beginning. What is new and important<br />

and what is known is of course estimated by the speaker, and is dependent on the<br />

context and the estimated state of knowledge at that point in the discourse.<br />

30.3.1 Promoting one participant, demoting another<br />

From the point of view of the textual organisation of what the speaker wants to say, it<br />

follows that any of three possibilities may condition the choice between active and<br />

passive:<br />

1 An element which is not Agent is desired as Theme/Subject/Topic.<br />

2 The Agent is New information, so will be placed last.<br />

3 The Agent is not New and is silenced. Some other element is New and is placed<br />

last.<br />

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It is not simply a change of position that is involved in the re-structuring of the passive<br />

clause. It is also a question of topic promotion and demotion. In the active clause,<br />

the Agent–Subject has the discourse role of Topic. That is, it is the most important<br />

participant of the discourse at the point when the clause is produced. In the passive<br />

clause, the Agent ceases to be Subject/ Topic. Another participant (usually the Affected)<br />

takes on the roles of both Subject and Topic. The Recipient (see 6.2.1) can also become<br />

Subject in a passive clause, as in The boy was given a mountain bike for his birthday.<br />

The demotion of one participant and the promotion of another are two sides of the<br />

same coin. If we demote the Agent (or Experiencer, or Sayer), then a different participant<br />

(Affected, Recipient) is automatically promoted to Subject. It is clear, therefore,<br />

that, first, the passive is not a type of fronting or thematisation; second, it does not<br />

produce a marked Theme, but a different unmarked Theme; and third, the type of Theme<br />

involved is a participant Theme, which in this book we call Topic. Circumstantial<br />

Themes and textual Themes are optional additions to the core clause and play no part<br />

in restructuring the clause as passive.<br />

We now turn to the discourse motivations that involve the choice of passive.<br />

Basically, these are: to cut out unnecessary Given information; to manoeuvre important<br />

information into end position; to establish smooth connections between clauses, making<br />

for good information flow. These motivations work together in connected discourse.<br />

Choices of passive against active are not open, but are conditioned in each individual<br />

case by the immediate contextual environment.<br />

ORGANISING: THEME AND INFORMATION 253


30.3.2 Choosing to be informative<br />

Using the passive gives us the choice of not stating who carried out the action. This is<br />

an important factor, because in the active clause this information can’t be omitted. What<br />

conditions our choice, then, between a passive without an agent and one in which we<br />

keep the Agent in a by-phrase at the end? The answer is: informativeness. If the Agent<br />

is new important information, keep it. If not, omit it. Look at this extract from Stephen<br />

Hawking writing about black holes, in which there is an example of each type:<br />

Although the concept of what we call a black hole goes back more than two hundred<br />

years, the name black hole was introduced only in 1967 by the American physicist<br />

John Wheeler. It was a stroke of genius: the name ensured that black holes entered<br />

the mythology of science fiction. It also stimulated scientific research by providing a<br />

definite name for something that previously had not had a satisfactory title. The<br />

importance in science of a good name should not be underestimated.<br />

In this passage, Hawking gives credit to the originator of the term black hole, with the<br />

full name of the physicist encoded as an Agent by-phrase. The second passive has no<br />

Agent because it is generic and implied (by anyone working in science).<br />

An additional motivation for the use of a passive with an Agent by-phrase occurs<br />

when the Agent is long. By putting it at the end we follow the principle of end-weight<br />

(‘shortest first, longest last’) as in the following examples, in which the Agent is<br />

‘weightier’ than the passive Subject:<br />

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The front seats were filled by members of the families of the victims.<br />

The goal was scored by Raúl, the player with most goals to his credit this season.<br />

It is clear that end-focus, end-weight and informativeness are closely linked. New<br />

participants introduced onto the scene of discourse need to be described and defined<br />

in more detail than known ones. They are, consequently ‘heavy’ and are better placed<br />

at the end, whereas the subject in a passive clause tends to be ‘light’ (the front seats, the<br />

goal), pronouns being the lightest.<br />

Instead of an Agent, an event or a force of nature may occur in final position, as in<br />

the examples below, while Scotland’s railway network and the house will be considered<br />

important enough to become subject:<br />

Scotland’s railway network has been paralysed by the one-day strike.<br />

The house was struck by lightning.<br />

30.3.3 Passives without an Agent<br />

We have seen that uninformative Agents are silenced in discourse. More exactly, this<br />

may happen because the Agent is implied by the nature of the verb, but is unknown 1;<br />

anaphorically predictable 2; predictable by general knowledge 3; universal or general<br />

4; irrelevant at this point in the discourse 5; deliberately silenced in order to avoid giving<br />

254 ENGLISH GRAMMAR


or taking blame or responsibility 6 or to maintain privacy 7; finally, recoverable as the<br />

author of the text. Authorial ‘I’ is preferably not mentioned in formal writing 8:<br />

1 My car has been stolen.<br />

2 When he won his gold medal he gave a huge party. Everyone was invited. [by<br />

him]<br />

3 The heart transplant was carried out successfully. [by one or more surgeons]<br />

4 It is hoped that war can be avoided. [Everyone has this hope]<br />

5 Ten thousand soldiers will be needed to operate the emergency service.<br />

6 The documents have been shredded and the fax hasn’t been sent.<br />

7 It was given to me as a present. [speaker doesn’t want to reveal the Agent]<br />

8 This point will be dealt with in a later chapter.<br />

When the Agent by-phrase is omitted in a passive clause, some other element necessarily<br />

receives end-focus. This may be a verb 9, an Adjunct 10, or a Complement 11. For a<br />

verb to be focused, it must contain the main New information and the Agent must be<br />

dispensable.<br />

9 Is this seat taken?<br />

10 Nothing has been heard of him for months.<br />

11 The letters had been sent unstamped.<br />

30.3.4 Making smooth transitions<br />

Look at the following examples. Version A is based on a real occurrence:<br />

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A. Ann: Where did you get that wallet?<br />

Jo: It was given to me by my GIRL-friend.<br />

Given............................ New<br />

In this exchange that wallet is introduced at the end of the first clause and is picked up<br />

as subject pronoun in the second. Here we have again the simple linear Theme–Rheme<br />

pattern, but in this case it is the choice of the passive that enables the speaker to maintain<br />

topic continuity, as well as unmarked end-focus. Now look at version B:<br />

B. Ann: Where did you get that wallet?<br />

Jo: My GIRL-friend gave it to me.<br />

New.................................. Given<br />

In this version, instead of initiating a topic chain headed by that wallet, a new participant<br />

(my GIRL-friend) is introduced, as subject, necessarily with heavy stress (marked focus).<br />

This compensates for the lack of topic continuity, since in <strong>English</strong> stress patterns<br />

override the usual Given–New pattern, producing instead a New–Given pattern.<br />

It is not necessarily the passive which serves to maintain topic continuity, however.<br />

Compare the versions b. and c. in each of the following sets of clauses. In each case c.<br />

rather than b. preserves the continuity better with a., whether by means of the passive<br />

ORGANISING: THEME AND INFORMATION 255


(1 and 2) or the active (3). Moreover, 2b violates the ‘animacy’ and ‘empathy’<br />

hierarchies, which give priority to human referents. All are grammatically acceptable,<br />

however.<br />

1a. The Prime Minister stepped off the plane.<br />

1b. Journalists immediately surrounded her.<br />

1c. She was immediately surrounded by journalists.<br />

2a. The Prime Minister stepped off the plane.<br />

2b. The wind immediately buffeted her.<br />

2c. She was immediately buffeted by the wind.<br />

3a. The Prime Minister stepped off the plane.<br />

3b. All the journalists were immediately greeted by her.<br />

3c. She immediately greeted all the journalists.<br />

30.3.5 The get-passive<br />

The get-passive is used much more in speech than in writing and has an informal flavour,<br />

the reverse of the be-passive. Here are some examples from conversation:<br />

Poor fellow, he got knocked down in a road accident.<br />

She got bitten by a new bug of some sort in France.<br />

I got attacked by a fan at a football match.<br />

He got promoted, the lucky devil!<br />

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The get-passive grammaticalises affective meaning, and so potentially reflects speakers’<br />

involvement, whereas the be-passive is more objective. The use of the get-passive is<br />

therefore an option. Speakers’ interest centres on the get-passive subject and what<br />

happens to it, while with the be-passive interest centres on the event. Involvement of<br />

the subject referent is also implied by the get-passive, in that the subject is partly<br />

responsible for the significant result, whether this is beneficial or adverse. The be-passive,<br />

by contrast, is neutral. Compare:<br />

a. She got (herself) promoted. b. She was promoted.<br />

a. I got stung by a wasp. b. I was stung by a wasp.<br />

The action undergone by the subject of the get-passive is more often adverse than<br />

beneficial. In fact, all the adverse and violent things that can happen to a person or thing<br />

are expressible by the get-passive: get arrested, abused, fined, fired, beaten up, burgled,<br />

kidnapped, killed, mugged, raped, sacked, shot, vandalised and many more. The subject<br />

referent is either unlucky or has made an error of judgement (being at the wrong place<br />

at the wrong time) when bad events are described. On happier occasions, such as getting<br />

invited or promoted, there is often an implication that the subject referent has contrived<br />

to be promoted, invited and so on, or was lucky, being at the right place at the right<br />

time. Here is another extract from Hawking’s Black Holes and Baby Universes, with an<br />

example of each type of passive. He is discussing the idea that:<br />

256 ENGLISH GRAMMAR


if one could pass through a black hole, one might re-emerge anywhere in the<br />

universe. Quite how to choose your destination is not clear: you might set out for a<br />

holiday in Virgo and end up in the Crab Nebula.<br />

I’m sorry to disappoint prospective galactic tourists, but this scenario doesn’t work:<br />

if you jump into a black hole, you will get torn apart and crushed out of existence.<br />

However, there is a sense in which the particles that make up your body will carry<br />

on into another universe. I don’t know if it would be much consolation to someone<br />

being made into spaghetti in a black hole to know that his particles might survive.<br />

30.4 THE PRESENTATIVE FUNCTION OF EXISTENTIAL<br />

CLAUSES<br />

There are several reasons for thinking that existential there has acquired a new role:<br />

• We saw in 19.3 the structure of the existential clause (unstressed there + a form of<br />

be + a NG), as in There was a fight. The semantic role of Existent is associated with<br />

the NG, which occupies the position after the verb and is, experientially, the notional<br />

subject.<br />

• Unstressed there, however, fulfils most of the syntactic requirements for subject, as<br />

seen in 5.1.1, including its use in the tag: There’s a café just round the corner, isn’t<br />

there?<br />

• Plural concord is not always maintained in spoken <strong>English</strong>, as for example: There’s<br />

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some chocolate chip cookies out there if you want some.<br />

• Existential there can occur with the stressed adverb of place there in the same clause,<br />

as in There’s plenty more over there.<br />

These facts support the view that existential there (and especially there’s) has lost its<br />

original locative meaning and is on the way to becoming a kind of introductory particle.<br />

An alternative view is that its locative and deictic meaning is not entirely lost: rather,<br />

there points to the upcoming noun.<br />

Unstressed there is a presentative device in discourse. There points to the New<br />

information conveyed by the noun group placed at the end of the clause, where it carries<br />

end-weight and end-focus. In the basic types, the reverse order is not allowed, as we<br />

can see in the examples below. In these, a verb of very low communicative dynamism,<br />

be, placed in final position and preceded by an indefinite subject, violates the<br />

Given–New progression. The result is an ungrammatical clause in most cases. The<br />

corresponding existential clauses in 1–4 here are therefore basic existentials: they<br />

have no corresponding plain clause.<br />

1 *Hundreds of millions of stars are. There are hundreds of millions of stars.<br />

2 *Plenty of time is. There is plenty of time.<br />

3 *A storm was last night. There was a storm last night.<br />

ORGANISING: THEME AND INFORMATION 257


4 *Seven of us are in the family. There are seven of us in the family.<br />

5 ?A man is at the door. There’s a man at the door.<br />

30.4.1 Derived existentials<br />

These are existentials that have a corresponding plain clause, based on a ‘weightier’<br />

verb than be. In the following examples, the verb of the plain clause (bark, hijack) appears<br />

in the post-modifier position of the existential NG:<br />

Existential clause<br />

There’s a dog barking outside.<br />

There was another plane hijacked<br />

yesterday.<br />

Plain clause<br />

A dog is barking outside.<br />

Another plane was hijacked yesterday.<br />

Semantically, the location and/or the quantification of the NG referent are important<br />

(see 19.3) because such features may well be the most informative part of the utterance.<br />

When we say, for instance, there’s no milk, it is not the non-existence of milk that we are<br />

predicating, but rather the fact that there is no quantity of milk available at the moment<br />

of speaking. The spatial location is implicit. ‘Existence’, then, has to be understood in a<br />

very broad sense.<br />

30.4.2 Short existentials<br />

Short existentials, many containing a negative word specifying no quantity or number<br />

such as no, none, nobody/ no-one and nothing, are common in everyday <strong>English</strong>, as in<br />

the following examples:<br />

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1 There’s no problem.<br />

2 There’s no point staying on then, is there?<br />

3 There’s nothing wrong, nothing at all.<br />

4 There’s nothing on television.<br />

5 There’s no-one around today.<br />

6 There’s none left.<br />

One of the functions of negation is to deny something previously said or implied,<br />

and this may be the motivation for some utterances in context (3 and 6, for instance).<br />

But speech acts such as reassurance (1 and 3) may be the motive for the denial. Positive<br />

declarative existentials may provide factual information (8) or, when they refer to the<br />

future, may be interpreted as predictions (7) or assurances (9):<br />

7 I think this is a long-term battle. There will be battles. (George W. Bush, remarks<br />

to the employees of the Pentagon, 17 September 2001)<br />

8 There have been heavy snowfalls in the north.<br />

9 There is bound to be another opportunity.<br />

258 ENGLISH GRAMMAR


30.4.3 Extended existentials<br />

These occur as the result of expansions of the noun group (see 19.3). Common expansions<br />

include -ing clauses, which present an entity in action 1 or in a state 2. Certain<br />

postposed adjectives can express a temporary state 3, 4. Passives and comparatives<br />

are also common, especially with the constructions there’s nothing better/worse than ...<br />

in 5 and 6 respectively:<br />

1 There are hundreds of people clamouring for food.<br />

2 There is a box containing dynamite in the corner.<br />

3 There was plenty of food available.<br />

4 There are not many shops open at this hour.<br />

5 There were several civilians killed in a terrorist attack yesterday.<br />

6 There’s nothing worse than being stuck in a traffic jam when you’re late for an<br />

appointment. (comparative clause)<br />

The function of these expansions is to establish the relevance and coherence of the new<br />

referent at the point when it is introduced into the discourse.<br />

In formal <strong>English</strong> and in fiction, verbs of appearing and emerging lend themselves<br />

naturally to the presentation of New information (see 19.3) as in Fossil records suggest<br />

that there emerged a fern resistant to this disease. However, existence or appearance should<br />

not always be taken in a literal sense, but rather in relation to the discourse: it is<br />

appearance on the scene of discourse, or cognitive awareness, that counts. Because of<br />

this, even a verb like disappear may, in an appropriate context, function as a presentative,<br />

as in the first sentence of the novel by H. P. Lovecraft, The Strange Case of Charles Dexter<br />

Ward:<br />

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From an asylum for the insane near Providence, Rhode Island, there recently<br />

disappeared an exceedingly singular person.<br />

From this it becomes clear that the notions ‘bringing something into cognitive<br />

awareness’ or ‘onto the scene of discourse’ are the key to the discourse function of therestructures.<br />

In this sense we can also apply the traditional term ‘existential’: once<br />

introduced, the new referent is ‘present’ in the discourse, and can be taken up and<br />

developed as a topic.<br />

30.4.4 There-structures as states of affairs<br />

A there-structure is commonly used in <strong>English</strong> to express events, happenings and states<br />

of affairs in a schematic way, without the intervention of participants. Frequently, the<br />

noun is a nominalisation of a verbal process (see 21.2):<br />

1 There was a fight.<br />

2 There was an abrupt knock at the door.<br />

ORGANISING: THEME AND INFORMATION 259


3 There has been unprecedented industrial expansion.<br />

4 There was a sudden feeling of panic.<br />

5 There is still bribery, there is still corruption. No doubt there always will be.<br />

There-constructions with nominalisations have the effect of silencing the Agent of the<br />

action. We don’t know who knocked at the door, who panicked, who bribes whom, who<br />

fought whom. The occurrence is the only important part of the message.<br />

While the NG is typically indefinite, even definite NGs – which represent referents<br />

that are already accessible – can be introduced by a there-construction. This typically<br />

occurs when listing names of people or things 1, or when moving on to a new related<br />

topic 2:<br />

1 Who’s coming to the barbecue? Well, there’s Silvia and Pete, and Megan ...<br />

2 (Describing a nation and its peoples) And then there are the poor.<br />

This is how a woman described her new portable sauna bath, introducing each part by<br />

means of a there-construction:<br />

There’s an oval mat you put down on the floor, 1 then there’s the box which holds the<br />

heating element, 2 with a wooden seat on it – I put a towel on top, otherwise it gets<br />

too hot – then there are the sides which are soft and which you zip up. 3 It all packs away<br />

neatly afterwards.<br />

1<br />

indefinite NG; 2 definite NG; 3 definite NG<br />

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30.5 EXTRAPOSITION OF CLAUSES<br />

Certain types of long subject clauses are usually avoided in <strong>English</strong> because they<br />

violate the end-weight principle, and sound awkward (see p. 47). Finite that-clauses,<br />

wh-nominal clauses and to-infinitive clauses can all be shifted to the end of the<br />

sentence and replaced by ‘anticipatory it’ in subject position. The resulting structure is<br />

called extraposition.<br />

Clause as Subject<br />

That the banks are closed on<br />

Saturday is a nuisance.<br />

What they are proposing to do is<br />

horrifying.<br />

To interfere would be unwise.<br />

Extraposed clause<br />

It’s a nuisance that the banks are closed on<br />

Saturday.<br />

It’s horrifying what they are proposing<br />

to do.<br />

It would be unwise to interfere.<br />

Extraposed clauses are much preferred in <strong>English</strong> to the non-extraposed, as they sound<br />

much less awkward. The reason for this is that they satisfy the principles of end-weight<br />

and end-focus, thus ‘packaging’ the information in a way that is easier to process. For<br />

extraposed direct object clauses see 6.1.2d.<br />

260 ENGLISH GRAMMAR


Extraposition is often used to express an opinion or to argue one’s case. An evaluative<br />

word, such as a nuisance, horrifying, unwise comes in the middle, carrying a certain amount<br />

of stress. The main focus falls at the end of the sentence, reversing the distribution of<br />

information in the non-extraposed clause.<br />

Normal -ing clauses as subject are not perceived to be awkward, and there is less<br />

motivation to extrapose them. When they are extraposed, they are usually short and do<br />

not necessarily carry the main focus. For this reason they give the impression of being<br />

additions to the main clause, rather than extraposed subjects:<br />

Having you with us has been<br />

a PLEASURE.<br />

Seeing all the family again was NICE.<br />

It’s been a PLEASURE, having you<br />

with us.<br />

It was NICE seeing all the family again.<br />

Unlike some languages, <strong>English</strong> does not normally allow extraposed NGs: *It was<br />

amazing his insolence is not possible – though, as a right dislocation (see 28.11) with<br />

appropriate intonation, it is possible to have It was amazing, his insolence, where a pause<br />

or a comma signals the dislocated NG. A few extraposed NGs do occur, however, and<br />

these contain expressions of quantity or extent, as follows:<br />

It’s unbelievable the lengths some people are prepared to go to.<br />

It surprises me the amount of work he can get through.<br />

Obligatory extraposition after seem, appear, happen, look as if – after the expressions<br />

it’s high time, it’s a pity, it’s no use, and the passive of say, hope and intend – is illustrated<br />

in 5.1.2.<br />

Certain constructions do not admit extraposition. One of these is the wh-cleft with a<br />

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clause as subject, as in What we should do next is the main problem. (*It is the main problem<br />

what we should do next.) Another case is multiple embedding, as in That he failed his driving<br />

test the seventh time demonstrates that he lacks confidence. Here the first that-clause cannot<br />

be extraposed over the second (*It demonstrates that he lacks confidence that he failed his<br />

driving test for the seventh time).<br />

30.5.1 Raised elements as new Themes<br />

A person or thing mentioned in the extraposed clause, as direct object or even as part<br />

of the adjunct, can sometimes be brought forward (‘raised’) to stand as Theme. The<br />

result is a new subject Theme which is a person or thing (see also 37.4):<br />

To cook rice is easy – It is easy to cook rice – Rice is easy to cook.<br />

To live with Bill is difficult – It is difficult to live with Bill – Bill is difficult to live with.<br />

To teach her is a pleasure – It is a pleasure to teach her – She is a pleasure to teach.<br />

Only certain adjectives and nouns permit the final raising stage. They express an<br />

evaluative attitude to the situation, most commonly regarding the ease or difficulty<br />

involved. Interestingly, the new Subject/Theme appears to be made responsible for the<br />

situation.<br />

ORGANISING: THEME AND INFORMATION 261


30.6 POSTPONEMENT<br />

Units can be made discontinuous when we want to avoid the awkwardness of having<br />

long, heavy units to the left of the main verb, especially when this is ‘light’. Postmodifiers<br />

in NGs 1, appositive reflexive pronouns 2 and clauses of comparison 3 can all occur:<br />

1 [?The time when no-one will write by hand any more will come]<br />

The time will come when no-one will write by hand any more.<br />

2 [You yourself did it]<br />

You did it yourself.<br />

3 [?More people than used to twenty years ago are buying a second car]<br />

More people are buying a second car than used to twenty years ago.<br />

30.6.1 Postponement with ditransitive verbs<br />

We saw in 10.2 that certain ditransitive verbs – such as give, deny, grant, lend, owe, show<br />

among others – allow two alternative structures:<br />

We’ve given the children bicycles. (SPOiOd)<br />

We’ve given bicycles to the children. (SPOdOb)<br />

This alternative allows us to place end-focus either on the Recipient (the children) or on<br />

the other participant, without using the passive. This way of adjusting the clause, to get<br />

the end-focus where we want it, is especially useful when one of the participants is Given<br />

information, often realised by a pronoun; this will normally be placed in medial position:<br />

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We’ve given them bicycles.<br />

We’ve given them to the children.<br />

The oblique object (to the children) must be distinguished from a Goal Complement,<br />

which has no alternative position. Compare:<br />

I’ve sent the telegram to the club’s treasurer. (oblique object)<br />

I’ve sent the club’s treasurer the telegram.<br />

I’ve sent the telegram to his home. (Loc/Goal Complement)<br />

*I’ve sent his home the telegram.<br />

If we wish to combine destination and Recipient in the same clause, we replace the<br />

preposition to by at:<br />

I’ve sent the telegram to the club’s treasurer at his home.<br />

Two-complement verbs which do not admit postponement of a Recipient are explained<br />

in 10.3.<br />

262 ENGLISH GRAMMAR


FURTHER READING<br />

On Theme and Rheme, Halliday (1994); on information structure, Chafe (1994), Fries<br />

(1981), Downing (1991), Halliday (1994), Thompson (1996), Jiménez Juliá (2000); on<br />

thematic progression, Danes˘ (1974); on functional sentence perspective, Danes∧ (1974),<br />

Firbas (1992); on topicality and coherence, Downing (2002), Downing (2004), Givón<br />

(2001); Goutsos (1996); on dislocations and existentials, Givón (1993), Biber et al. (1999),<br />

Huddleston and Pullum (2002); on Absolute Theme, Matthiessen (1995); for an overall<br />

view of relevant theories, Gómez-González (2000); on discourse markers, Schiffrin<br />

(1987), Jucker and Ziv (1998); on negation in discourse, Hidalgo-Downing (2000). On<br />

clefting, Collins (1991). On detachments and left/right dislocations, Lambrecht (1994),<br />

Downing (1997); on postponement with ditransitive verbs, Collins (1995). On cohesion,<br />

Halliday and Hasan (1976). On the get-passive, Downing (1996).<br />

EXERCISES ON CHAPTER 6<br />

Thematic and information structures of the clause<br />

Module 28<br />

1 †Underline the Theme in each of the following examples and say whether it is marked or<br />

unmarked. If marked, say which clause constituent has been thematised (fronted) in each<br />

case:<br />

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(1) Paul telephoned an antique dealer in Brussels.<br />

(2) Abruptly they were cut off.<br />

(3) Is he a friend of yours?<br />

(4) Celebrating her victory today is downhill ski champion Marina Kiehl of Germany.<br />

(5) Freezing cold it was.<br />

(6) Meet me at eight at the Café de Paris.<br />

(7) In the American soft-drinks industry, plastic bottles are extensively used.<br />

(8) For months, all had been quiet in the Holy Wars.<br />

(9) Crazy I call it.<br />

(10) Never again will I fly with that airline.<br />

2 †Thematise one constituent of the second clause so that it links up with the first clause:<br />

(1) He asked me for paper, glue, sticky tape and clips. I bought him all of these.<br />

(2) I swim thirty lengths a day for fun. You call it fun!<br />

(3) He told us the history of the place. We already knew most of it.<br />

(4) I can’t remember what post Biggins occupies in the Government. He is Government<br />

spokesman.<br />

(5) I thought I would never get there but I did get there.<br />

ORGANISING: THEME AND INFORMATION 263


3 †The following extract is the beginning of a story by James Joyce.<br />

Mrs Mooney was a butcher’s daughter. She was a woman who was quite able to<br />

keep things to herself: a determined woman. She had married her father’s foreman,<br />

and opened a butcher’s shop near Spring Gardens. But as soon as his father-in-law<br />

was dead Mr Mooney began to go to the devil. He drank, plundered the till, ran<br />

headlong into debt. It was no use making him take the pledge: he was sure to break<br />

out again a few days after. By fighting his wife in the presence of customers and by<br />

buying bad meat he ruined his business. One night he went for his wife with the<br />

cleaver, and she had to sleep in a neighbour’s house.<br />

After that, they lived apart.<br />

(1) First, identify the topic entities. Next, see how each is introduced. That is, which<br />

of the syntactic devices listed in 28.7 as topic introducers is used by the author to<br />

introduce Mrs Mooney and then her husband? Is Mr Mooney identified at his first<br />

mention? By what means are these topics maintained?<br />

(2) Check in which cases Topic coincides with (a) Subject; (b) Theme.<br />

(4) What does ‘that’ refer to in the last line?<br />

4 Each of the clauses below contains an experiential element as Theme. Add as many nonexperiential<br />

Themes as you can from the types given in 28.12 (continuatives, adjuncts of<br />

various types, vocatives and appellatives), to make up suitable multiple Themes e.g:<br />

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Those flowers are ready to be thrown away.<br />

But honestly, Mary, judging by the look of them, those flowers are ready to be<br />

thrown away.<br />

(1) Violence in schools is an issue requiring urgent attention.<br />

(2) Bad manners among motorists mean danger to others.<br />

(3) What would you like for your birthday?<br />

Module 29<br />

1 In the extract from a conversation below, B tells how Susie looks for the money left by the<br />

tooth fairy under her pillow in exchange for her tooth, but her parents have forgotten to<br />

leave the money. Practise reading this text aloud, then tape your reading and compare it<br />

with that of a native speaker.<br />

The prosodic features indicated are as follows:<br />

// tone unit boundary<br />

| first prominent syllable of the tone unit (‘onset’)<br />

↑ the next syllable is stressed and also steps up in pitch<br />

-<br />

- -<br />

pauses, from brief to long<br />

- - -<br />

Capitals are used to indicate the nucleus.<br />

264 ENGLISH GRAMMAR


B | ANYway // - | Susie SAID // - that . there were | no such things as FAIRies // ELVES<br />

// this that and the ↑ Other // – WELL // . The | night she ↑ PUT // her tooth under the<br />

PIL | ow // we for | got to put the ↑ MOney there // and take it a ↑ WAY // we for | got<br />

all aBOUT it // (A laughs) so she got | UP in the MORning // – my | TOOTH’S all gone<br />

// and there’s | no Money // | Dave said well / there you ↑ ARE you SEE // | YOU said<br />

| you didn’t be | LIEVE in FAIRies // so | how can you ex’pect the ↑ fairies to come and<br />

↑ SEE you if // - - | OH // but I | DO believe in FAIRies // (D laughs) you | KNOW // ||<br />

really DO // (A laughs) so | Dave said well – ↑ try Again toNIGHT // - -<br />

(adapted from D. Crystal and D. Davy,<br />

Advanced Conversational <strong>English</strong>)<br />

2 †Read the following exchange aloud, trying to identify the intonation nucleus of each tone<br />

unit:<br />

A. What did she say?<br />

B. I don’t know. I didn’t hear her.<br />

A. Didn’t you hear anything?<br />

B. No, I’ve told you, I was in the other room.<br />

A. I don’t think you care about Leslie.<br />

B. I do care.<br />

A. Why don’t you talk to her then?<br />

B. I’m always talking to her.<br />

(1) Write in capitals the syllable which contains the nucleus of each tone unit.<br />

(2) Which of the units have unmarked focus and which have marked focus? Justify your<br />

identification of each in terms of Given and New information, including emphasis<br />

and contrastive polarity.<br />

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3 Read aloud each clause of the advertisement on p. 242 (section 29.3) and discuss<br />

whether, as an utterance, each element in focus expresses an implied contrast, or is simply<br />

emphatic.<br />

4 †The following extract is from the play by Giles Cooper, Everything in the Garden. In pairs,<br />

reproduce it from memory and then act it out, marking the intonation nuclei clearly. Then,<br />

look at the discussion question below.<br />

Jenny:<br />

Bernard:<br />

Jenny:<br />

Bernard:<br />

Jenny:<br />

Bernard:<br />

Jenny:<br />

Bernard:<br />

Do you want an egg?<br />

Are you having one?<br />

Do you want one?<br />

If you’re having one, I will, otherwise no.<br />

You are a lazy devil!<br />

No. It’s just that I don’t want an egg enough to start everything going towards<br />

cooking it, but if you were going to do one for yourself, well, I’d want it enough<br />

for that.<br />

I don’t think I’ll have one.<br />

I’ll do you one if you like.<br />

ORGANISING: THEME AND INFORMATION 265


Jenny:<br />

Bernard:<br />

You do want one?<br />

No, I don’t. I’ll just do you one. You ought to eat.<br />

What do you consider to be the principal communicative purposes of the marked focuses<br />

in this text?<br />

5 †Complete each of the sentences below using elliptical or substitution forms. Some have<br />

more than one possible form.<br />

(1) If YOU can’t do it, I very much doubt whether I . . .<br />

(2) I told you I’d given it back and I . . .<br />

(3) They arranged to come and put in a new water-heater, but they ...yet<br />

(4) Peter asked the girls if they would like to go for a sail and they said Yes, they . . .<br />

(5) Ed has the ambition to do some script-writing, but he really doesn’t know . . .<br />

(6) Sue’s children usually want to spend a long time on the swings, but today<br />

they . . .<br />

(7) He told me to turn down the next side-street and I . . .<br />

(8) And it was a one-way street? – Yes, I’m afraid . . .<br />

6 The following exchange, from an interview, contains an ellipted reply:<br />

(a) A. You don’t think genetically modified crops is the way to go?<br />

B. Definitely not.<br />

The reply in the next exchange, also from an interview, contains no ellipsis at all:<br />

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(b) A. Did you take a bribe?<br />

B. I did not take a bribe, I would never take a bribe and it is absolutely out of the<br />

question that there was any bribe.<br />

(c ) Both ellipsis and substitution are economical. Can you suggest any conditions in<br />

which it might be better not to ellipt? And others in which ellipsis might be a<br />

discourse necessity?<br />

(d)<br />

Comment on the use of ellipsis and substitution in ads, both written and spoken (for<br />

instance, on television and radio), as in Ashamed of your mobile?<br />

Module 30<br />

1 †Turn to the text The ‘lost’ Van Gogh on p. 248. Identify the thematic progression type<br />

used to link each clause to the next in the paragraph.<br />

2 †Change the information structure of each of the following clauses into one it-cleft and,<br />

when possible, two wh-cleft structures:<br />

(1) Experts are working on the recycling of plastic.<br />

(2) Smoking can cause fatal diseases.<br />

266 ENGLISH GRAMMAR


(3) Last thing at night I unwind by reading and listening to the radio.<br />

(4) The computer industry is fighting against viruses.<br />

(5) Shortly after I got home I realised I had lost my purse.<br />

3 †The following extract is the opening paragraph of a short story, ‘Lord Mountdrago’ by<br />

Somerset Maugham, in The World Over: The Collected Stories, vol. 2:<br />

Dr. Audlin was a psycho-analyst. 1 He had adopted the profession by accident and<br />

practised it with misgiving. 2 When the war broke out he had not been long qualified<br />

and was getting experience at various hospitals; 3 he offered his services to the<br />

authorities and after a time was sent out to France. 4 It was then he discovered his<br />

singular gift. 5<br />

(1) Identify the single cleft sentence in the paragraph and say which element is focused.<br />

(2) What is the discourse function of this type of cleft?<br />

4 †Decide whether option (b) or option (c) provides better topic continuity with (a). With<br />

which option could (a) be coordinated using and or but and a zero anaphor?<br />

(1) (a) They stepped out of the coach.<br />

(b) The owner of the hotel greeted them.<br />

(c) They were greeted by the owner of the hotel.<br />

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(2) (a) Edith chose a piece of chocolate cake.<br />

(b) She took it to her table together with an iced drink.<br />

(c) It was taken to her table together with an iced drink.<br />

(3) (a) James had planned to take the plane to Vancouver.<br />

(b) An air-traffic controllers’ strike delayed it.<br />

(c) It was delayed by an air-traffic controllers’ strike.<br />

(4) (a) She stood on the solitary beach.<br />

(b) She let the wind ruffle her hair.<br />

(c) The wind was allowed to ruffle her hair.<br />

5 †(a)For each of the sentences below, write the corresponding passive form, if passivisation<br />

is possible.<br />

(1) They founded the first kindergarten in the United States in 1856 in Watertown,<br />

Wisconsin.<br />

.........................................................<br />

(2) That legacy has traditionally benefited Milwaukee residents.<br />

.........................................................<br />

ORGANISING: THEME AND INFORMATION 267


(3) People have taken four-year-old kindergarten as much for granted as summer<br />

breezes off Lake Michigan.<br />

.........................................................<br />

(4) Now there is a severe budget crunch. Milwaukee Public School officials have<br />

proposed the unthinkable: eliminating four-year-old kindergarten.<br />

.........................................................<br />

(5) ‘Are we to raise property taxes or are we to keep four-year-old kindergarten? These<br />

are the choices we may have to make,’ said a school board member.<br />

.........................................................<br />

(6) Gov. O’Keefe’s new budget has produced the dilemma.<br />

.........................................................<br />

(7) The budget reduces the proportion of the state’s share of education costs and<br />

imposes cost controls on local district spending.<br />

.........................................................<br />

(b) You now have a number of active–passive alternatives. Note that (2) does not passivise,<br />

but that the verb ‘benefit’ allows different postponed alternatives.<br />

Now make the sentences into a text, choosing the active or passive alternative in each<br />

case, according to which you find more cohesive. Add conjunctions and conjunctive<br />

expressions wherever these help to clarify the logical connections.<br />

6 Read the extract below from Raymond Chandler’s The Long Goodbye, noting the use of<br />

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presentative ‘there’:<br />

There are blondes and blondes and it is almost a joke nowadays. All blondes have<br />

their points, except perhaps the metallic ones who are as blonde as a Zulu under<br />

the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde<br />

who cheeps and twitters, and the big statuesque blonde who straight-arms you with<br />

an ice-blue glare. There is the blonde who gives you the up-from-under look and<br />

smells lovely and shimmers and hangs on your arm and is always very, very tired<br />

when you take her home. She makes that helpless gesture and has that god-damned<br />

headache and you would like to slug her except that you are glad you found out<br />

about the headache before you invested too much time and money and hope in her.<br />

Because the headache will always be there, a weapon that never wears out and is<br />

as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing<br />

and alcoholic blonde who doesn’t care what she wears as long as it’s mink or where<br />

she goes as long as it is the Starlight Roof and there is plenty of dry champagne.<br />

There is the small perky blonde who is a little pale and wants to pay her own way<br />

and is full of sunshine and common sense and knows judo from the ground up and<br />

can toss a truck driver over her shoulder without missing more than one sentence<br />

268 ENGLISH GRAMMAR


out of the editorial in the ‘Saturday Review’. There is the pale, pale blonde with<br />

anaemia of some non-fatal but incurable type. She is very languid and very shadowy<br />

and she speaks softly out of nowhere and you can’t lay a finger on her because in<br />

the first place you don’t want to and in the second place she is reading ‘The Waste<br />

Land’ or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She<br />

adores music and when the New York Philharmonic is playing she can tell you which<br />

one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can<br />

also. That makes two of them. And lastly there is the gorgeous show piece who will<br />

outlast three kingpin racketeers and then marry a couple of millionaires at a million<br />

a head and end up with a pale rose villa at Cap d’Antibes, an Alfa Romeo town car<br />

complete with pilot and co-pilot, and a stable of shop-worn aristocrats, all of whom<br />

she will treat with the affectionate absentmindedness of an elderly duke saying<br />

goodnight to his butler. The dream across the way was none of these, not even of<br />

that kind of world. She was unclassifiable.<br />

From the use of the ‘there’ construction in this text, can you argue for the view that the<br />

existential structure expresses existence? Or is it a presentative or a cognitive device?<br />

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ORGANISING: THEME AND INFORMATION 269


EXPANDING THE MESSAGE CHAPTER 7<br />

Clause combinations<br />

Module 31: Clause combining 272<br />

31.1 The complex sentence 272<br />

31.2 The sentence as an orthographic and rhetorical unit 274<br />

31.2.1 Clausal and non-clausal material 274<br />

31.3 Degrees of dependency between clauses 275<br />

Module 32: Types of relationship between clauses 277<br />

32.1 Syntactic relationships and semantic relationships 277<br />

32.2 Syntactic relationships of equivalence: coordination and apposition 278<br />

32.3 Syntactic relationships of non-equivalence: dependency and subordination 279<br />

32.4 The semantics of clause combining: types of expansion 279<br />

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Module 33: Elaborating the message 281<br />

33.1 Apposition and elaboration in finite clauses 281<br />

33.1.1 Clarifying connectives: restating, exemplifying and upgrading 282<br />

33.2 Sentence relative clauses 283<br />

33.3 Non-finite supplementive clauses: specifying and commenting 284<br />

Module 34: Extending the message 285<br />

34.1 The semantics of coordination 285<br />

34.1.1 Addition 285<br />

34.1.2 Variation 286<br />

34.1.3 Alternation 286<br />

34.1.4 Explanation 286<br />

34.2 Contrastive dependency: while, whereas, but for the fact that 287<br />

34.3 Besides, instead of, without + non-finites 288<br />

34.4 Implicit meanings of -ing supplementives 288


Module 35: Enhancing the message 290<br />

35.1 Coordination or apposition + circumstance 290<br />

35.1.1 Inferred meanings of ‘and’ 291<br />

35.1.2 Similar meanings expressed by coordinators and subordinators 292<br />

35.2 Finite dependent clauses of time, contingency and manner 292<br />

35.2.1 Finite dependent clauses and subordinators 292<br />

35.3 Pragmatic conjunction 294<br />

35.4 Non-finite clauses expressing circumstantial meanings 296<br />

35.4.1 Explicit markers of circumstantial meanings 296<br />

35.4.2 Verb forms as circumstantial markers 297<br />

35.5 Discourse connectivity and cohesion: Initial vs final circumstantial clauses 298<br />

Module 36: Reporting speech and thought 299<br />

36.1 Direct and indirect reporting 299<br />

36.2 Direct reporting of speech and thought 300<br />

36.3 Backshift in indirect speech and thought reporting 303<br />

36.4 Reported offers, suggestions and commands 305<br />

36.5 Clause type in the reported clause 306<br />

36.6 Free direct speech and free indirect speech 307<br />

36.7 Free indirect thought 308<br />

Further reading 309<br />

Exercises 309<br />

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CLAUSE COMBINING MODULE 31<br />

SUMMARY<br />

1 The term ‘sentence’ is widely used to refer to quite different types of unit.<br />

Grammatically, it is the highest unit and consists of one independent clause, or<br />

two or more related clauses. Orthographically and rhetorically, it is that unit<br />

which starts with a capital letter and ends with a full stop, question mark or<br />

exclamation mark.<br />

2 ‘Complex sentence’ is the term we shall use to refer to a unit consisting minimally<br />

of two clauses of equal status, or two clauses of unequal status. Coordinated<br />

clauses and those in an appositional relationship have equal status. Dependent<br />

clauses have an unequal status with respect to a main clause. Clauses<br />

embedded as Adjuncts are constituents of the superordinate clause in which<br />

they are embedded.<br />

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3 In everyday uses of <strong>English</strong>, coordination and dependency typically interrelate<br />

in various patterns that contribute to produce flexible and dynamic discourse.<br />

4 Clause combinations reflect the cognitive organisation of our experience into<br />

what is presented as more salient and foregrounded, and what is less salient<br />

and backgrounded.<br />

31.1 THE COMPLEX SENTENCE<br />

The highest grammatical unit is traditionally called the sentence. Three possible types<br />

of sentence are usually distinguished:<br />

• The simple sentence consists basically of one independent clause, as in Sam bought<br />

the tickets. The independent clause is the unit we consider primary, in that it<br />

comprises minimal grammatical completeness and unity.<br />

• The compound sentence consists basically of two independent clauses, linked in a<br />

relationship of coordination, as in Sam bought the tickets and Sue parked the car.<br />

272 ENGLISH GRAMMAR


• The complex sentence consists basically of one independent clause and one<br />

dependent clause, linked in a relationship of dependency, as in Sam bought the tickets,<br />

while Sue parked the car.<br />

In connected discourse, however, the combinations may be more complex and variable<br />

than this simple outline suggests. Coordination and subordination of clauses do not<br />

necessarily occur unrelatedly, each in combination with a main clause, as illustrated in<br />

the compound and complex sentence above. More often they interrelate. Numerous<br />

combinations are possible. Here are two examples. In 1, a combination of clauses occurs<br />

in a report about the dangers of walking on hills:<br />

1 However, hillwalking is largely safe(1) but there are risks(2) and we have to<br />

educate people about these risks(3) if we are going to improve safety(4).<br />

[BNC CHK 1798]<br />

After the connective adjunct however, two coordinated clauses (1 and 2) are followed<br />

by a unit consisting of a third coordinated clause (3) in which a subordinate conditional<br />

clause is embedded (4) as adjunct. This clause ‘if we are going to improve safety’ could<br />

alternatively be placed after ‘and’ but not at the beginning of the whole complex<br />

sentence. In these examples the + sign indicates coordination, the sign subordination.<br />

Round brackets enclose independent clauses, square brackets enclose subordinate<br />

clauses,<br />

(hillwalking is largely safe) + (but there are risks) + (and we have to educate people<br />

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about these risks) [if we are going to improve safety]<br />

Adjunct<br />

Example 2 comes from a news item and illustrates a different pattern: one independent<br />

clause with two subordinate clauses successively embedded as adjuncts:<br />

2 A boy saved the lives of his brother and two sisters yesterday(1) when fire broke<br />

out(2) while they were at home alone(3). [BNC AHX 185]<br />

The three clauses are organised in a hierarchical relationship. An independent clause<br />

(1) encodes the main content – a boy saved the lives of his brother and two sisters<br />

yesterday. Two subordinate clauses (2 and 3) encode the circumstances of time, when<br />

fire broke out, while they were alone in their home. The first of these circumstantial<br />

clauses functions as A in the independent clause, the second as A in the previous<br />

subordinate clause. This is a case of double, or ‘layered’ embedding:<br />

(A boy saved the lives of his brother and two sisters yesterday)<br />

[when fire broke out<br />

Adjunct<br />

[while they were at home alone.]]<br />

Adjunct<br />

EXPANDING: CLAUSE COMBINATIONS 273


Adopting a broader application of the term, we will say that a complex sentence can<br />

consist of any number of clauses of different types and in different combinations.<br />

31.2 THE SENTENCE AS AN ORTHOGRAPHIC AND<br />

RHETORICAL UNIT<br />

The structural criteria outlined in the preceding section are not the only criteria which<br />

have intervened in the traditional and widely accepted concept (or concepts) of<br />

‘sentence’. For most native speakers of <strong>English</strong>, a sentence is something that starts with<br />

a capital letter and ends with a full stop (AmE ‘period’), a question mark or an exclamation<br />

mark. It is, then, a category associated primarily with the written language and can<br />

be described as an orthographical and rhetorical unit.<br />

31.2.1 Clausal and non-clausal material<br />

We have already seen (Chapter 5) how units of lower rank than an independent clause,<br />

such as nominal and adjectival groups, as well as incomplete clauses, appear in plays,<br />

stories and advertisements between a capital letter and a full stop, functioning independently<br />

as orthographic and rhetorical sentences. Such is the case with the italicised<br />

expressions in the following examples:<br />

The large size is unavailable. Which is a pity.<br />

(freestanding subordinate clause)<br />

[A. We’ve got the deal.]<br />

B. Fantastic!<br />

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(adjective-headed exclamation)<br />

You deaf or what?<br />

(verbless clause)<br />

A. Have you seen the satellites, B. Oh those, no, no.<br />

erm, you know, our satellite places? (non-clausal) [BNC KBB 2402–2405]<br />

The following advertisement from Newsweek uses full stops and a dash to reflect<br />

tone units, as described in Chapter 6. Here, units 2, 3 and 4 could be combined to form<br />

one sentence, just as when analysing spontaneous speech, we can attempt to make<br />

a distinction between clausal units and non-clausal material. As a structural unit the<br />

clause is easier to identify, because of its own internal structure, as described in chapters<br />

2 and 3.<br />

With Fax the possibilities are endless. 1<br />

It can send a document anywhere in the States within minutes. 2<br />

Including drawings, diagrams – even musical notes. 3<br />

Exactly as it’s written. 4<br />

Fax. 5 Worth making a song and dance about. 6<br />

1<br />

independent clause; 2 independent clause; 3 PP or non-finite -ing clause; 4 dependent<br />

clause of manner; 5 NG; 6 verbless clause<br />

274 ENGLISH GRAMMAR


In this advert, only 1 and 2 are structurally independent clauses. Punctuation serves to<br />

reinforce the presentation of each rhetorical unit as if it were independent, as would be<br />

done equally clearly if the text were read aloud.<br />

To summarise, if we take the complex sentence as the highest structural unit, we can<br />

say that, structurally, the sentence is composed of clauses, but that rhetorically and<br />

orthographically it need not be. Both in conversation and in texts that simulate the<br />

spoken mode, we can find orthographic units that are clausal and others that are nonclausal.<br />

The difference is one of degree, however, rather than absolute. In context,<br />

ellipted material can often be recovered, as we saw in section 29.5. With other units,<br />

such as fax 5 in the advertisement, it is not possible to recover any material with certainty.<br />

Consequently this unit cannot in this context be considered clausal.<br />

31.3 DEGREES OF DEPENDENCY BETWEEN CLAUSES<br />

We adopt the view that dependency is not an absolute property, but rather a question<br />

of degree. It has been suggested that the degree of dependency between two clauses<br />

reflects the degree of integration, as perceived or imagined by the speaker or writer,<br />

between events. That is, the stronger the semantic or pragmatic connectivity perceived<br />

between two events, the stronger will be the syntactic connectivity between the clauses<br />

that encode the events.<br />

The tightest integration is that of embedding (see 3.7.3), by which one clause<br />

functions as the constituent of another clause. In previous chapters we saw that in<br />

clause structure embedding occurs at Subject 1, Object 2, Complement 3 (Cs), 4 (Co),<br />

5 (obligatory Locative Complement), and A (Adjunct) 6 and 7. See also 5.1.2F (p. 46).<br />

For embedding of units in nominal group structures, see Module 49.<br />

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1 Why he resigned was never revealed. (clause embedded at S)<br />

2 She explained that the machine was out of order. (clause embedded at Od)<br />

3 The question is whether we can finish in time. (clause embedded at Cs)<br />

4 He made the club what it is today. (clause embedded at Co)<br />

5 Put the flowers where we can see them. (clause embedded at C loc<br />

)<br />

Among the various types of Adjunct described in section 8.2, circumstantial Adjuncts<br />

of time, contingency and manner are those which are most similar to the central clause<br />

constituents. They are dependent on the main clause and subordinate to it. Unlike<br />

clauses functioning at Object and Complement, they are optional, they are not controlled<br />

by the verb and they occur in both initial and final positions.<br />

6 Although Ed is only seven, he plays the piano beautifully. (subordinate clause as A)<br />

7 Annie has been saving up to buy her mother a birthday present. (subordinate clause<br />

as A)<br />

The functionally based reason for analysing such clauses as Adjuncts is the functional<br />

parallelism with adjuncts realised as adverbial or prepositional phrases. Compare:<br />

EXPANDING: CLAUSE COMBINATIONS 275


The match was cancelled because of the rain.<br />

The match was cancelled because it started to rain.<br />

Like Subject and Object, they can usually be made the focus of a cleft:<br />

It was because of the rain that the match was cancelled.<br />

It was because it started to rain that the match was cancelled.<br />

Circumstantial Adjuncts often appear to be more integrated into the main clause when<br />

they occur finally, as in 7, than when they are initial, where they fulfil a framing function,<br />

as in 6. These differences are explained and illustrated in section 35.5.<br />

More peripheral are the -en and -ing supplementive clauses (see 8.2.2) illustrated in<br />

8 and 9, together with the so-called ‘sentence relative’ clause 10, also a supplementive.<br />

Verbless clauses such as ‘if necessary’ are likewise peripheral. All are set off from the<br />

main clause by a comma and have their own intonation contour. Their function is to<br />

provide background information when they are placed initially, and supplementary<br />

details when final:<br />

8 Built of cypress, brick and glass, the house exhibits many of Wright’s significant<br />

contributions to architecture. (-en participal clause)<br />

9 He sat and looked at her, not knowing what to say. (-ing participial clause)<br />

[BNC HOF 2512]<br />

10 The door may be locked, in which case go round to the back. (sentence relative)<br />

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Finally, at the opposite end of the scale of dependency, we have coordinated and<br />

appositional clauses in which one clause is not subordinated to another, but has a relationship<br />

of equivalence and interdependency based on similarity of function and on<br />

relevance of content.<br />

We now discuss the structural relations between combinations of clauses and also<br />

the semantic relations which unite them. The latter are essential if we are to say anything<br />

of interest about the grammatical structure of any combination of clauses, since<br />

a mere enumeration of main and dependent elements reveals at best only the degree<br />

of complexity at sentence level, but not the semantic and pragmatic relations between<br />

the component clauses.<br />

Relationships between clauses, both semantic and syntactic, are most clear and<br />

explicit when a subordinator or coordinator are present. Where these are absent, and<br />

especially if the dependent clause is non-finite, the relationship is less explicit. The<br />

functional motivation for less explicit meanings is that, at the point at which they occur<br />

in discourse, greater explicitness is not necessary, and economy of expression is<br />

preferred:<br />

He has a summer job with a travel agency, guiding parties of tourists.<br />

It’s my new timetable – to help me finish my thesis.<br />

They advised me to emigrate – which is the last thing I’d do.<br />

276 ENGLISH GRAMMAR


TYPES OF RELATIONSHIP MODULE 32<br />

BETWEEN CLAUSES<br />

SUMMARY<br />

1 The clauses which comprise a complex sentence are related in two different<br />

ways: syntactically and semantically.<br />

2 Syntactic relationships are basically of equivalence, holding between clauses<br />

of equal status, or of non-equivalence, holding between clauses of unequal<br />

status.<br />

3 The semantic relations are grouped under the notion of expansion, by which<br />

one clause expands the meaning of another in some way.<br />

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32.1 SYNTACTIC RELATIONSHIPS AND SEMANTIC<br />

RELATIONSHIPS<br />

There are two kinds of relationship between clauses that together form a sentence:<br />

syntactic and semantic.<br />

The syntactic relationship is one of interdependency. Clauses are related to<br />

each other basically in one of two ways: either the relationship is one of equivalence,<br />

both or all clauses having the same syntactic status, or the relationship is one of nonequivalence,<br />

the clauses having a different status, one being dependent on another.<br />

Coordination and apposition display relationships of equivalence, while dependency<br />

and subordination are based on non-equivalence.<br />

The semantic relations are very varied, as they represent the way the speaker<br />

or writer conceptualises the connection made between one clause and another, at one<br />

point in the discourse. Such connections do not simply link clauses within a sentence,<br />

however, but also clauses within a paragraph and paragraphs within discourse. These<br />

semantic relations can be grouped together under the heading of expansion, by which<br />

one clause expands another by clarifying or exemplifying (elaboration); by adding or<br />

contrasting some feature (extension), or by providing circumstantial information such<br />

as time, cause and condition (enhancement).<br />

EXPANDING: CLAUSE COMBINATIONS 277


Both types of relationship, the syntactic and the semantic, are present in all the clausal<br />

relationships described in this chapter.<br />

32.2 SYNTACTIC RELATIONSHIPS OF EQUIVALENCE:<br />

COORDINATION AND APPOSITION<br />

Coordination is the syntactic relationship between units of equal status and often of<br />

similar form. For this reason, a repeated part may be ellipted, as in 3. Semantically, the<br />

contents of the two clauses have to be seen as relevant to each other in some way.<br />

1 I don’t like it and I don’t want it.<br />

2 You can keep it or you can give it away.<br />

3 It’s a fine piece of furniture, but (it is) too large for this room.<br />

The linking relationship is made explicit by the coordinating conjunctions (‘coordinators’<br />

for short) and, or and but. In listing a series of elements, the explicit links<br />

may be omitted, although the coordinator is typically retained between the last two<br />

items. The coordinator can also be replaced by a comma in short conjoined clauses as<br />

in This one’s yours, that one’s mine.<br />

It is not only independent clauses that can be coordinated. Dependent clauses may<br />

be coordinated as long as they have the same function:<br />

It’s much nicer here when the rain stops and (when) the sun comes out. (finite<br />

dependent circumstantial clauses as A)<br />

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She sat there, watching television and eating chocolates. (non-finite -ing dependent<br />

supplementive clauses as A)<br />

When no explicit formal link is present, but the relationship is one of equivalence,<br />

we have apposition, as long as a relation of relevance can be inferred. This involves a<br />

kind of ‘bridging assumption’. For instance, example 1 below relies on the knowledge<br />

that a hallmark guarantees authenticity. The term ‘apposition’ is extended here from its<br />

usual application to nominal groups in order to account for this type of relationship<br />

between clauses, which is close to coordination, but without an explicit link, as seen by<br />

comparing 2 and 3:<br />

1 It must be genuine; it has the hallmark. (appositive clauses)<br />

2 Tom is an astrophysicist and works at the CERN in Geneva<br />

(coordinated clauses)<br />

3 Tom is an astrophysicist; he works at the CERN in Geneva.<br />

(appositive clauses)<br />

Semantically, as such clauses have equal status, the information presented in one clause<br />

is as important as that presented in the other or others. This does not mean that such<br />

combinations are necessarily reversible.<br />

278 ENGLISH GRAMMAR


Syntactic and pragmatic factors frequently intervene to make reversibility impossible.<br />

Three such factors are:<br />

• if the second clause contains a term which refers anaphorically to an antecedent in<br />

the first clause, as does them in 1 below;<br />

• if the second clause contains an item which makes it cohesive with the first, as does<br />

as a result in example 2;<br />

• if the order of the clauses is of pragmatic significance, as shown by 3 and 4, which<br />

suggest different pragmatic interpretations:<br />

1 I have bought some beautiful tapestries and I think you will like them.<br />

2 There was no moon that night; as a result, they took the wrong turning.<br />

3 She got married and moved to York. (She first married and then moved to York)<br />

4 She moved to York and got married. (Her move to York resulted in her marrying)<br />

See also section 28.13 for clauses as Themes.<br />

32.3 SYNTACTIC RELATIONSHIPS OF NON-EQUIVALENCE:<br />

DEPENDENCY AND SUBORDINATION<br />

When units of unequal status are related, the relationship is one of dependency. One<br />

clause is dependent on another or on a cluster of clauses, as seen in section 31.1. The<br />

relationship between the clauses is therefore not symmetrical, as with coordination and<br />

apposition, but hierarchical. Syntactically and semantically, the dependency relationship<br />

is most clearly signalled by subordinating conjunctions (‘subordinators’) such as because,<br />

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although, if, as. However, when no subordinator is present, as often happens with nonfinite<br />

clauses, as in Clutching her umbrella, she hurried to a bus shelter, the non-finite<br />

form itself indicates dependency. We here use the terms ‘dependent’ and ‘dependency’<br />

to include subordination.<br />

32.4 THE SEMANTICS OF CLAUSE COMBINING: TYPES<br />

OF EXPANSION<br />

Traditional grammar has no terms for the overall semantic relationships holding<br />

between clauses, although (as we shall see) the syntactic relations are traditionally<br />

established. Following the classification proposed by M. A. K. Halliday, we shall say<br />

that in coordinated and appositive clauses the second clause expands the first clause<br />

by (a) elaborating, (b) extending or (c) enhancing it. The same semantic relations<br />

hold between a main and a dependent subordinate clause, no matter what position the<br />

subordinate clause occupies. These combinations are shown below.<br />

EXPANDING: CLAUSE COMBINATIONS 279


Expansion (i) coordination or apposition (ii) dependency<br />

(a) Tom kept quiet; Tom kept quiet,<br />

elaboration he said nothing. which was unusual.<br />

(b) Tom kept quiet Tom kept quiet,<br />

extension but Ed spoke out. whereas Ed spoke out.<br />

(c) Tom was afraid Tom kept quiet,<br />

enhancement and so he kept quiet. because he was afraid.<br />

In clause combining by elaboration, one clause expands another by elaborating on<br />

it in greater detail – by clarifying it, in other words, as in (a).<br />

In clause combining by extension, one clause expands another by adding<br />

something new – giving an alternative or an exception, as in (b).<br />

In clause combining by enhancement, clauses of result, reason, and so on, expand<br />

the primary clause by contributing these circumstantial features, as in (c).<br />

In the following sections we pay particular attention to the semantic features which<br />

result from the combination of these two systems, and the connectives which reinforce<br />

them.<br />

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280 ENGLISH GRAMMAR


ELABORATING THE MESSAGE MODULE 33<br />

SUMMARY<br />

1 Elaborating clauses are clauses that clarify or comment on a first clause. These<br />

secondary clauses can be finite or non-finite, and occur in a coordinating or a<br />

subordinating relationship with the first clause. Connective adjuncts<br />

(connectives) such as in other words, for instance, in fact, actually, can be<br />

used to reinforce the semantic relationship.<br />

2 Clauses in an appositional relationship have no coordinator. With finite clauses<br />

of equal status, the second clause provides a clarification of the first by restating<br />

or exemplifying it. Dependency with elaboration is manifested in non-defining<br />

sentential relative clauses which add extra, omissible information to the first<br />

clause.<br />

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3 As in all clause combining, the semantic relationships are typically much less<br />

explicit when realised by non-finite clauses.<br />

33.1 APPOSITION AND ELABORATION IN FINITE<br />

CLAUSES<br />

Appositive clauses stand in a syntactic relation of equivalence but have no formal link.<br />

The ‘clarifying’ meaning of elaboration is important in establishing the semantic<br />

connection between them, as in it’s no good – it doesn’t work. We interpret them by<br />

inferring the semantic connection between them, based on our cultural knowledge. In<br />

the spoken language, intonation is a helpful guide, while in writing the symmetry of this<br />

type of clause relationship is reflected in punctuation by the use of the semi-colon, colon<br />

or dash:<br />

1 It’s like going out with a child; she stops dead and refuses to go any further.<br />

2 He had been drinking very hard – only I knew how hard.<br />

3 You must make up a better excuse: no-one will believe that.<br />

EXPANDING: CLAUSE COMBINATIONS 281


Evidently, the content must be appropriate. The secondary clause commonly ‘elaborates’<br />

the meaning of the primary clause by ‘exemplifying’ it 1, or ‘clarifying’ it – as a<br />

whole, or in part 2. Causal relationships, such as reason 3, can also be inferred.<br />

Ultimately, it is the choice of the speaker or writer to present the relationships as s/he<br />

sees them, relying on the hearer’s ability to make the connection.<br />

33.1.1 Clarifying connectives: restating, exemplifying and<br />

upgrading<br />

Instead of relying on an implicit semantic connection between the clauses in apposition,<br />

the type of connection can be made explicit by the use of connectives that provide<br />

cohesive, not structural linking. The key concept is clarification, which is spelt out by<br />

connectives in three ways: restating, exemplifying or upgrading.<br />

A. Restating<br />

Here, the second clause restates the content of the first from another point of view, often<br />

making it more specific. Connectives include in other words, or rather, that is (to say),<br />

specifically, namely, as follows and i.e. (used only in writing).<br />

This picture is not an original; in other words, it’s a forgery.<br />

We became tourists; or rather, we became tramps.<br />

There is still another topic to be discussed; namely, the re-allocation of space in<br />

this building.<br />

We need someone to fix this machine, that is to say, we need a mechanic.<br />

Alcoholic drinks are sold only to adults, i.e. people over 18.<br />

Several countries have signed the pact; specifically, all the EC countries have<br />

done so.<br />

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B. Exemplifying<br />

In this, the second clause develops the content of the first by means of an example.<br />

Typical connectives are for example and for instance.<br />

There are lots of things you might do – for example, you might learn to play a musical<br />

instrument.<br />

You can’t count on the trains being punctual here; for instance, the 10.55 left at 11.15<br />

yesterday.<br />

C. Upgrading<br />

In this case, the second clause clarifies the meaning of the first by presenting a stronger<br />

argument for the point made, which in the case of actually may be contrary to<br />

expectations. These connectives can be used to signal discrepant viewpoints in<br />

conversation: in fact, indeed, actually.<br />

282 ENGLISH GRAMMAR


I was completely ignorant of women; in fact, I knew none except my own sisters.<br />

I didn’t mind their questions – indeed, I was glad to be able to answer them.<br />

We should get through this job fairly soon; actually, there is very little left to do.<br />

33.2 SENTENCE RELATIVE CLAUSES<br />

The syntax of dependency together with the clarifying meanings of elaboration provide<br />

the category of non-restrictive (or non-defining) sentence relative clauses. Nonrestrictive<br />

relative clauses of whatever type are treated as supplementives (see Module<br />

49 for defining and supplementive relative clauses in nominal groups).<br />

The sentential relative clause has as its antecedent the whole first clause, or its<br />

complement. The relative pronoun is which. Which is what is also used, especially in<br />

spoken <strong>English</strong>:<br />

They decided not to go, which turned out to be a mistake.<br />

We promised you the sun would shine, which it did. (tourism ad)<br />

His new novel is a bestseller, which is what everyone had expected.<br />

The sentential relative is characterised by the following features:<br />

• It is only loosely connected to its antecedent clause. Although its subordinate status<br />

is signalled by the relativiser which, it is a parenthetical supplementive that has<br />

considerable semantic independence.<br />

• Semantically, the sentence relative makes an independent statement, which is an<br />

extension of the already complete unit. It adds additional, omissible information to<br />

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something that is already presented as identified.<br />

• These features have much to do with information flow, as explained below.<br />

• Intonationally, the supplementive clause constitutes an independent intonation<br />

unit which is signalled by a comma or, more informally, by a dash. It contributes<br />

new information to what has already been established or is assumed to be known,<br />

for instance, that we promised you the sun would shine.<br />

• The discourse function of non-restrictive clauses (whether sentential or nominal,<br />

as in Module 49) is to assert new information without making it the main point of<br />

the utterance.<br />

Sentential relative clauses are becoming versatile in <strong>English</strong>. It is now quite common<br />

to find them functioning as freestanding subordinate clauses after a pause. They may<br />

be uttered by the same speaker or added by the addressee as a collaborative response,<br />

usually of an evaluative nature:<br />

A. Perhaps she thinks it sounds better. B. Which it does really.<br />

[BNC KD8 44 447]<br />

A. He goes out playing squash, then [B No, I know]<br />

he’s not eating his main meal until<br />

eleven o’clock at night. Which is stupid [KBC 14.505]<br />

EXPANDING: CLAUSE COMBINATIONS 283


Many such clauses can be paraphrased by a coordinated clause (e.g. and it does).<br />

The relativiser which in a supplementive clause marks the closeness of the comment to<br />

the previous discourse. Which is sometimes considered as a one-word substitute for the<br />

coordinated or appositive structure.<br />

33.3 NON-FINITE SUPPLEMENTIVE CLAUSES: SPECIFYING<br />

AND COMMENTING<br />

The non-finite participal forms -ing and -en are used as supplementives to elaborate<br />

another clause by specifying or giving an explanatory comment on it, as in 1 and 2. The<br />

non-finite form may have its own explicit subject as in 3 and 4:<br />

1 At that moment Charles appeared in the hall, propelling himself in a wheelchair.<br />

2 The mountains were invisible, enveloped in a thick mist.<br />

3 That was the last time I saw him, his face all covered in bandages.<br />

4 The soldiers filled the coaches, the younger ones eating sandwiches and chocolate.<br />

For thematised supplementive clauses, see Chapter 6.<br />

Some of the elaborating types of clause combining occur in the following extract<br />

from an anthropologist’s account of life with the Dowayos, a people of Cameroon:<br />

Faced with the impossibility of eating off the land, 1 I decided to keep my own<br />

chickens. This, also, was not a success. Some I bought, some were given to me. 2<br />

Dowayo chickens, on the whole, are scrawny, wretched things; eating them is rather<br />

like eating an Airfix model of a Tiger Moth. 3 They responded to treatment, however.<br />

I fed them on rice and oatmeal, which Dowayos who never feed them at all found<br />

a huge extravagance. 4 One day, they began to lay. I had fantasies of being able to<br />

eat an egg every day. As I sat in my hut, gloating over my first day’s haul, 5 my<br />

assistant appeared in the doorway, an expression of bland self-satisfaction on his<br />

face. 6 ‘Patron,’ he exclaimed, ‘I just noticed the chickens were laying eggs so I killed<br />

them before they lost all their strength!’<br />

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(Nigel Barley, The Innocent Anthropologist)<br />

1<br />

non-finite -en supplementive clause; 2 two short coordinated clauses with the<br />

coordinator replaced by a comma; 3 two clauses in apposition; in the second, the<br />

meaning of ‘result’ can be inferred; 4 elaborating clause whose antecedent is the<br />

whole main clause; a further nondefining relative clause introduced by who, without<br />

punctuation, has ‘Dowayos’ as antecedent; 5 explanatory non-finite -ing clause<br />

elaborating on the previous finite clause; 6 verbless supplementive clause<br />

284 ENGLISH GRAMMAR


EXTENDING THE MESSAGE MODULE 34<br />

SUMMARY<br />

1 Extension combines the syntax of coordination with the meanings of addition<br />

and contrast. The second clause extends the meaning of the first clause by such<br />

meanings as addition, variation, alternation, explanation and exception. As<br />

well as the coordinating conjunctions and, or and but which connect the clauses,<br />

cohesive connective adjuncts such as besides, in fact, actually and instead can<br />

be used to reinforce these meanings.<br />

2 Similar meanings of alternation and contrast can be expressed by finite clauses<br />

in a relationship of dependency, signalled by the connectives while, whereas<br />

and except that, among others. Non-finite clauses can be introduced by the<br />

conjunctive prepositions besides, without and instead of.<br />

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34.1 THE SEMANTICS OF COORDINATION<br />

The combination of equal status and the meaning of extension is encoded as coordination<br />

between clauses. As we have seen, clauses can be conjoined when they share related<br />

meanings and fulfil the same function. Linking is carried out by the coordinators and, or,<br />

nor, but and yet. These have fixed positions at the clause boundary, unlike cohesive<br />

connectives such as instead and actually, which are more moveable.<br />

34.1.1 Addition – and, or, nor, but, yet<br />

Two situations are represented as adjoined in a relationship of equality that is positive,<br />

negative or adversative. The adversative expresses contrast:<br />

He doesn’t like bacon and also he’s better without it. (positive)<br />

I have no intention of going, nor in fact did I ever promise to. (negative)<br />

It’s an extremely simple device, but actually it’s very effective. (adversative)<br />

EXPANDING: CLAUSE COMBINATIONS 285


Additive connectives include also, furthermore, in addition, besides.<br />

Upgrading connectives include in fact, as a matter of fact, actually. The upgrading<br />

connectives that we have seen clarifying appositional clauses are equally appropriate<br />

with coordinated clauses, whether additive or adversative, since they add force to the<br />

argument. As can be seen from the previous examples, actually can indicate surprise; it<br />

also signals that what follows may be contrary to expectations. These features makes<br />

it especially useful with the adversative conjunction but, since contrast and surprise<br />

are compatible. Yet shares these features of surprise and contrast, and can be used as<br />

an alternative to but with surprisal and concessive meanings:<br />

A four-year-old child was buried for three days under rubble, yet survived.<br />

34.1.2 Variation – but instead; in fact; only<br />

This is replacive coordination, which can occur after a negative or a positive statement.<br />

The second clause is presented as replacing the first clause or contrasting with it.<br />

Variation connectives include instead, in fact and only. In fact is here not additive but<br />

replacive:<br />

He didn’t stay even an hour, but instead returned to London on the next train.<br />

Peaches are marvellous just now, only they are very expensive.<br />

She promised to keep in touch, but in fact she never wrote or phoned us.<br />

34.1.3 Alternation – either . . . or(else); neither ...nor<br />

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Alternation is expressed by the coordinator or. The meaning can be reinforced by adding<br />

else (or else) and by the correlative coordinators either ...or. These make explicit<br />

the meaning of alternation (either we stay or we leave now), which excludes one<br />

alternative, while the negative correlates neither . . . nor exclude both:<br />

You should (either) accept his offer or (else) never see him again.<br />

Either we give the tickets back or (else) we drop everything and go.<br />

You should neither ask him for money nor accept it if he offers.<br />

Connectives associated with alternation include alternatively, conversely, on the other<br />

hand:<br />

We can arrange for a hotel room to be booked or, alternatively, self-catering facilities<br />

are available.<br />

You can add the wine to the water, or conversely, you can add the water to the wine.<br />

34.1.4 Explanation<br />

The second clause comments on or explains the first clause:<br />

There’s one thing you must realise and that is that I’m leaving.<br />

286 ENGLISH GRAMMAR


The following passage from Evelyn Waugh’s Brideshead Revisited shows the use that can<br />

be made of apposition and coordination to present a situation as being composed of a<br />

number of related, though independent situations. It is noticeable that the author makes<br />

no use of explicit connectives to reinforce the meaning of the second clause; the<br />

semantic connection between the clauses is simply inferred, while the appositional<br />

relationships are signalled by means of punctuation:<br />

There were few left in the mess now of the batch of volunteers who trained together<br />

at the outbreak of war; one way or another they were nearly all gone 1 – some had<br />

been invalided out, 1a some promoted to other battalions, 1b some had volunteered<br />

for special service, 1c one had got himself killed on the field firing range, 1d one had<br />

been court-martialled 1e – and their places were taken by conscripts; 2 the wireless<br />

played incessantly in the ante-room nowadays 3 and much beer was drunk before<br />

dinner; 4 it was not as it had been. 5<br />

1<br />

elaboration (clarifying apposition); 1a–e elaboration (exemplifying apposition);<br />

2<br />

extension (resultative coordination); 3 elaboration (restating apposition);<br />

4<br />

extension (additive coordination); 5 elaboration (restating apposition)<br />

34.2 CONTRASTIVE DEPENDENCY – WHILE, WHEREAS,<br />

BUT FOR THE FACT THAT<br />

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Meanings similar to those encoded by coordination seen in 34.1 can also be expressed<br />

by the combination of dependency and extension. The conjunctions whereas and while<br />

introduce finite subordinate clauses which contrast in some way with the main clause,<br />

especially when there is also some point of similarity between the two, as in:<br />

Jane already speaks two foreign languages, whereas her brother hasn’t yet learned<br />

any.<br />

Michelle, 24, works in an electronics factory, while Colette, 15, is still at school.<br />

[BNC A7P 409]<br />

Whereas is more formal than while. For the temporal meaning of while, see section 35.4.1.<br />

Except that, but that and but for the fact that express the meaning of exception:<br />

I would take you to the station, except that the car is being repaired.<br />

It would have been a disaster, but for the fact that everyone helped to save the<br />

situation.<br />

The forms containing subject–operator inversion (were it not for the fact that ...had<br />

it not been for the fact that . . .) can also be used, but are more formal and are stylistically<br />

marked forms to express hypothetical situations.<br />

EXPANDING: CLAUSE COMBINATIONS 287


The subordinator which expresses the meaning of alternation is if...not, and<br />

corresponds to either ...orin coordinating combinations:<br />

If your purse isn’t here, you must have left it somewhere. ( = Either your purse is<br />

here, or you must have left it somewhere)<br />

34.3 BESIDES, INSTEAD OF, WITHOUT + NON-FINITES<br />

Functioning conjunctively to introduce non-finite -ing forms, we have prepositions:<br />

• with an additive meaning: besides, as well as<br />

• with replacive, adversative and subtractive meanings: instead of, without, other<br />

than<br />

An alternative analysis to the conjunctive use of the prepositions is that of a prepositional<br />

phrase with a non-finite clause as its complement.<br />

Besides/as well as caring for her own family, Mary runs a kindergarten. (additive)<br />

Instead of turning down that side road, you should have kept straight on. (replacive)<br />

He has embarked on a huge project, without realising what is involved. (adversative)<br />

You won’t get any information from him other than by paying him. (subtractive)<br />

34.4 IMPLICIT MEANINGS OF -ING SUPPLEMENTIVES<br />

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Without a preposition, the -ing form is indeterminate in meaning. We find it interpreted<br />

as having elaborative, extending and enhancing meanings, and we should not be<br />

surprised if in some cases it is difficult to determine the exact semantic nuance<br />

expressed. This is not to be considered as some sort of deficiency, but rather as an<br />

economical means of expressing relationships which are not required to be further<br />

specified, since hearers and readers infer the relevance of the relationship intended by<br />

the writer. With the -ing form and a main clause with a finite verb, the following implied<br />

meanings are typical:<br />

• an action (main clause) and a mental process (-ing clause) occurring<br />

simultaneously:<br />

They drove on, wondering how long their petrol would last. (additive = and<br />

wondered)<br />

• a mental process, with the -ing clause implying an adversative meaning +<br />

an action:<br />

Not realising the danger, she stumbled towards the edge of the cliff. (adversative<br />

= she stumbled . . . but she didn’t realise the danger/without realising the<br />

danger)<br />

• two or more actions occurring simultaneously:<br />

The dog leapt forward, baring its teeth. (additive)<br />

288 ENGLISH GRAMMAR


• two consecutive actions:<br />

Leaving the car unlocked, he walked quickly towards the group of people.<br />

(additive = He left the car unlocked and walked . . .)<br />

• the same, but replacive:<br />

He barely stayed to express his condolences, returning to London on the next<br />

train. (replacive = instead, he returned ...)<br />

• a mental process (-ing clause with an explanatory meaning) and an action:<br />

Hardly feeling the cold, she removed her coat and gloves. (because she hardly<br />

felt the cold ...)<br />

Note that the main-dependent order of the clauses may be reversed (see Chapter 6<br />

for the thematic significance of initial non-finites).<br />

The following extract from David Lodge’s Thinks . . . illustrates some of these<br />

meanings, as well as coordinated clauses and an -en supplementive clause (supervised<br />

by Carrie):<br />

My ‘lunch’ invitation had been stretched inordinately, and in the end we all left the<br />

house together at about seven o’clock. Suddenly the pace of life speeded up.<br />

Everybody bustled about, supervised by Carrie, picking up things and putting them<br />

away, resetting thermostats and turning off lights, drawing curtains and fastening<br />

shutters, making the house secure for another week. It was as if the curtains had<br />

come down on some dreamy pastoral idyll, and the company was suddenly<br />

galvanized into action, shedding their costumes and packing up their props before<br />

moving on to the next venue. We parted in the lane outside the house as we got into<br />

our respective cars. I said goodbye and thanked them sincerely.<br />

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EXPANDING: CLAUSE COMBINATIONS 289


ENHANCING THE MESSAGE MODULE 35<br />

SUMMARY<br />

1 We use the term ‘enhancing’ for those dependent clauses which expand the<br />

meaning of the main clause by providing some circumstantial feature: time,<br />

place, manner, condition, purpose, cause, concession, etc. They correspond in<br />

general to the ‘adverbial clauses’ of traditional grammar. Their function is to<br />

add background information.<br />

2 Not all enhancing clauses are subordinate, however. So (of result) yet and then<br />

have a coordinating function when preceded by and, making the coordination<br />

explicit.<br />

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3 A great variety of conjunctions and conjunctive expressions are available to<br />

express circumstantial meanings. Non-finite verb forms are also used, of which<br />

the to-infinitive is the most explicit.<br />

35.1 COORDINATION OR APPOSITION + CIRCUMSTANCE<br />

(COORDINATING ENHANCEMENT)<br />

The combination of coordination (or apposition) and circumstantial meaning gives a<br />

kind of coordination that is intermediate between that of the ‘pure’ coordinators – and,<br />

but and or – and subordination. The secondary clause is introduced by one of the<br />

following:<br />

• the connective adverbs then, so, yet, still and the conjunction for;<br />

• a conjunctive combination formed by and followed by another item: and then, and<br />

here, and this, and so, and yet;<br />

• and plus a connective such as at that time, soon afterwards, till then, in that case.<br />

290 ENGLISH GRAMMAR


Some of the circumstantial meanings expressed by these combinations are listed below:<br />

time: now; then<br />

The lights have gone out; now we won’t be able to do any more today.<br />

They spread the cloth on the grass and then began unpacking the picnic things.<br />

place: and there<br />

She turned the corner, and there stood Robin waiting for her.<br />

manner:<br />

either (a) means (and) (in) that way<br />

Put labels on everything, and (in) that way you’ll know what you’ve got in the freezer.<br />

or (b) comparison: (and) similarly; in the same way; likewise; and so . . .<br />

The Secretary of the Association should be informed of any change of address;<br />

similarly, the Treasurer should be notified of changes regarding the payment of<br />

subscriptions.<br />

The face of a small baby is different from that of every other baby; in the same way,<br />

the development of each child is different.<br />

He likes music, and so does she.<br />

cause/effect: and so<br />

We had left the tickets at home, and so there was nothing to do but go back for them.<br />

effect/cause: for (rather formal)<br />

We left in silence, for there was little we could say.<br />

condition (positive): and then; (and) in that case<br />

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You might have an accident, and in that case who would rescue you?<br />

condition (negative): otherwise; or else<br />

Replace everything carefully in the drawers; otherwise something will get mislaid.<br />

concession: still; yet<br />

My age is against me; still, there’s no harm in trying.<br />

He criticises his colleagues, (and) yet relies on them for support.<br />

consequence: consequently; as a result<br />

He had not taken the precaution of being vaccinated and as a result he got malaria.<br />

35.1.1 Inferred meanings of ‘and’<br />

Even without the help of connectives, the conjunction and is pragmatically interpreted,<br />

according to context, as expressing meanings of simultaneity, sequentiality, condition,<br />

cause–effect, result and concession:<br />

I made the sandwiches and Jill made the salad ...(simultaneity)<br />

He got dressed quickly and went out. (temporal sequence)<br />

He was found guilty of harassment and was dismissed from his post. (cause–effect)<br />

You give me your telephone number and I’ll give you mine. (condition)<br />

She came to my house and I was out. (inclusion: time ‘while’)<br />

EXPANDING: CLAUSE COMBINATIONS 291


35.1.2 Similar meanings expressed by coordinators<br />

and subordinators<br />

Certain meanings such as contrast and concession can be expressed by either<br />

coordinators or subordinators:<br />

He was the best of them all and (yet) didn’t come first. (coordinator)<br />

He was the best of them all but didn’t come first. (coordinator)<br />

Although he was the best of them all, he didn’t come first. (subordinator)<br />

35.2 FINITE DEPENDENT CLAUSES OF TIME, CONTINGENCY<br />

AND MANNER<br />

Dependency combined with enhancement is encoded as the traditional adverbial clauses<br />

of time, condition, purpose, concession, reason and manner. They are either finite or<br />

non-finite. When introduced by subordinators they are frequently termed ‘subordinate<br />

clauses’.<br />

35.2.1 Finite dependent clauses and subordinators<br />

Finite clauses are introduced by a subordinator, which serves to indicate the dependent<br />

status of the clause together with its circumstantial meaning. Formally, subordinating<br />

conjunctions can be grouped as follows:<br />

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• simple conjunctions: when, whenever, where, wherever, because, if, unless, until,<br />

• conjunctive groups: as if, as though, even if, even though, even when, soon after,<br />

no sooner<br />

• complex conjunctions: there are three subclasses:<br />

(i)<br />

(ii)<br />

(iii)<br />

derived from verbs, usually from present or past participles, but occasionally<br />

from imperatives. All but the adverbial type have optional that: provided (that),<br />

granted (that), considering (that), seeing (that), suppose (that), supposing (that), so<br />

(that)<br />

containing a noun: in case, in the event that, to the extent that, in spite of the fact<br />

that, the day, the way<br />

adverbial: so/as long as, as soon as, so/as far as, much as, now (that)<br />

Some of these conjunctions and the meanings they convey in finite dependent clauses<br />

are illustrated below. Certain meanings, such as time, have several subtypes: for instance,<br />

‘eventive’ refers to an event that really occurs or occurred, whereas ‘potential’ refers to<br />

an event that hasn’t yet occurred and perhaps won’t occur. Other terms for eventive<br />

and potential are ‘realis’ and ‘irrealis’, respectively. Most conjunctions of time can be<br />

used to introduce either meaning.<br />

292 ENGLISH GRAMMAR


Time<br />

As (simultaneous)<br />

After (anteriority) eventive<br />

Before (potential event)<br />

Since (starting point of duration)<br />

When (eventive)<br />

When (potential event)<br />

Whenever (potential/eventive)<br />

While (time – simultaneous)<br />

Now that (time–reason)<br />

As soon as (eventive)<br />

The day (eventive)<br />

The moment (potential)<br />

Until (duration + end point)<br />

The crowd roared as the ball went into the<br />

net.<br />

Soon after the war ended, the men returned.<br />

He got away before they could stop him.<br />

I haven’t seen him since we were at school<br />

together.<br />

When he saw me, he waved.<br />

When you reach the station, give me a ring.<br />

Come round whenever you like. He visits<br />

whenever he can.<br />

The burglar broke into the house while they<br />

were asleep.<br />

Now that the days are longer, it’s worth driving<br />

up to the Lakes.<br />

As soon as she got into bed, the telephone rang.<br />

We first met the day we went on a staff<br />

excursion.<br />

The moment you hear the car draw up, give<br />

me a shout.<br />

Stay in bed until the pain goes away.<br />

Contingency<br />

As far as (to the extent that . . .) As far as I know, no date has been fixed for<br />

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the wedding.<br />

In so far as (to the degree In so far as their marketing policy is a policy at<br />

that...)<br />

all, it may reach its targets.<br />

If (open condition)<br />

If all goes well, we should finish by tomorrow<br />

at the latest.<br />

If (rhetorical condition)<br />

If you believe that, you’ll believe anything<br />

Unless (negative condition) You won’t be allowed in unless you are<br />

wearing a tie.<br />

As long as (condition)<br />

Go wherever you like, as long as you don’t get<br />

lost.<br />

Provided that (condition) Provided (that) you give me the order, I will<br />

deliver the goods in ten days’ time.<br />

Before (implied condition) Get out before I call the police!<br />

Although/though (concession) He’ll probably say no, though it’s worth trying.<br />

While (concession)<br />

While I admire his tenacity, I deplore his<br />

ruthlessness.<br />

Much as (concession)<br />

Much as I dislike driving in heavy traffic, I’ve<br />

got to put up with it or live somewhere else.<br />

As (reason)<br />

As he’s an only child, he gets a good deal of<br />

attention.<br />

EXPANDING: CLAUSE COMBINATIONS 293


Because (reason)<br />

Since (reason)<br />

So that (purpose)<br />

In order that (purpose)<br />

So that (result)<br />

We had to stay overnight, because the car<br />

broke down.<br />

Since he won’t answer the phone, we’d better<br />

leave a note.<br />

Fasten the sunshade securely, so that it won’t<br />

blow away.<br />

In order that no mistakes should be made,<br />

everyone was informed by letter.<br />

The oil tanker ran aground, so that the whole<br />

coastline was polluted.<br />

Manner<br />

As if/As though<br />

The way (manner)<br />

He talks as if/as though he owned the place.<br />

The way things are going, there’ll be more<br />

tourists than residents here.<br />

Note that, when referring to a potential future event or state, the verb in time clauses<br />

in <strong>English</strong>, unlike some languages, does not take will or a subjunctive, nor a future perfect<br />

form of the verb, but instead a normal present or past form, occasionally should +<br />

infinitive. This is illustrated by the examples with the moment and until, and is equally<br />

applicable to other time subordinators such as when and as soon as.<br />

Causal, concessive, conditional and resultative clauses depend on the hearer’s<br />

knowledge of the world, which provides an inferential link between the content of the<br />

main clause and that of the dependent clause. For instance, in the example of the<br />

oil tanker, the inferred proposition that links the cause to the effect is suggested as<br />

follows:<br />

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The oil tanker ran aground<br />

so that the whole coast was polluted.<br />

(inferential link)<br />

[oil leaks from a damaged<br />

vessel]<br />

35.3 PRAGMATIC CONJUNCTION<br />

Conjunctions express the semantic relationship between the units they connect,<br />

reflecting the speaker’s view of the connection between states of affairs in the world.<br />

Pragmatic conjunction, on the other hand, has more to do with speech acts or with<br />

discourse moves than with experiential organisation as described above. Compare:<br />

1 If all goes well, we’ll reach Dover by four. (experiential)<br />

2 If you’re looking for Amy, she’s left. (pragmatic)<br />

294 ENGLISH GRAMMAR


In 1, reaching Dover by four is conditional on all going well. In 2, however, it is not<br />

possible to interpret the relationship experientially, as in 1. The fact that Amy has left<br />

is not conditioned by the possibility that you may be looking for her. Rather, in 2 the ifclause<br />

specifies a situation in which the main clause she’s left would be relevant. In other<br />

words, the if-speech act indicates the condition under which the following speech act<br />

counts. Now compare the following:<br />

3 Sam arrived late because he missed his train.<br />

4 Is there a fire somewhere? ’Cos I can smell smoke.<br />

In 3 the because-clause states the reason Sam arrived late – he missed his train. In 4, on<br />

the other hand, my smelling smoke is not the reason for the fire. Rather, the becauseclause<br />

– here in its abbreviated form ’cos – gives a reason for the performance of the<br />

speech act of enquiring whether there is a fire.<br />

Pragmatic clauses with ’cos, as in 4, have something in common with non-restrictive<br />

supplementive clauses: both are semantically and prosodically independent while<br />

syntactically marked as dependent (by a conjunction and by a wh- relative, respectively).<br />

These somewhat conflictive properties lead one to think that both pragmatic<br />

conjunctions and the wh- non-restrictor are taking on functions in discourse different<br />

from the traditional functions ascribed to them.<br />

Both 2 and 4 give reasons or justifications for the speech act expressed in the main<br />

clause. In a different sub-type of pragmatic conjunction, the conjunction itself implicitly<br />

signals the kind of speech act being performed. In 5 the contrastive meaning of but is<br />

pragmatic as well as semantic. It signals as inappropriate A’s request to know the time,<br />

since speaker A has a watch him/herself: the adversative meaning of but here takes on<br />

the force of a mild protest.<br />

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5 A. Can you tell me the time?<br />

B. But you’re wearing a watch yourself!<br />

Pragmatic conjunctions occur sentence-initially and paragraph-initially, often at the<br />

beginning of a speaker’s turn in conversation, typically (though not necessarily) in direct<br />

relation to what the previous speaker has just said, as in 5 and 6.<br />

And is the most difficult to characterise. One possibility is that, whereas ordinary and<br />

connects units which make up a single category of knowledge, pragmatic and re-opens<br />

a concluded category, making it an explicit point of departure for a new unit, a new<br />

direction in spoken and written discourse. It is common at turn boundaries in<br />

conversation and also in radio and television presentations (7).<br />

So indicates that a conclusion has been drawn, while pragmatic or introduces a<br />

question. Both so and or elicit a response. For as a conjunction is always pragmatic,<br />

while since sometimes is – that is, when it gives a reason for the statement made in the<br />

main clause (10, 11). They are both rather formal.<br />

6a He stopped me and said ‘Where are you going?’ (experiential)<br />

6b And I said ‘Just down the road to the bank.’ (pragmatic)<br />

7 And now it’s nine o’clock and time for the news.<br />

8 So this is where you live.<br />

EXPANDING: CLAUSE COMBINATIONS 295


9 Can you give me a hand with this? Or don’t you want to have it fixed?<br />

10 We all fell silent, for there was nothing else to say.<br />

11 Since you’re here, you may as well sit down.<br />

35.4 NON-FINITE CLAUSES EXPRESSING CIRCUMSTANTIAL<br />

MEANINGS<br />

35.4.1 Explicit markers of circumstantial meanings<br />

Not all conjunctions and prepositions are able to function as introducers of non-finite<br />

dependent clauses. Those that can do so form a subset of the total class of each:<br />

subset of conjunctions<br />

when<br />

Take extra care when driving at night.<br />

while (time)<br />

While talking, he jotted everything down on a pad.<br />

while (concession) While agreeing basically with your proposal, we would<br />

nevertheless suggest certain amendments.<br />

though<br />

Though feeling unwell, she made an effort to appear<br />

cheerful.<br />

if<br />

If travelling abroad, watch out for pickpockets.<br />

rather than/sooner than Rather/sooner than wait for hours, she returned the<br />

(with bare infinitive) following day.<br />

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subset of (conjunctive) prepositions<br />

before<br />

Look both ways before crossing the road.<br />

after<br />

After applying one coat of paint, leave to dry.<br />

since<br />

I have thought about it a great deal since receiving your<br />

letter.<br />

from<br />

From being a junior clerk, he rose to become General<br />

Manager.<br />

by<br />

By turning this handle, you can make ice-cubes come out.<br />

in<br />

In learning a foreign language, several skills are involved.<br />

on<br />

On entering the mosque, we were impressed by its<br />

spaciousness.<br />

with<br />

With redecorating the house, our funds are pretty low.<br />

without (concession) Without wishing to offend our hostess, I should like to<br />

leave now.<br />

without (reason) Without having read the book, I can’t give an opinion.<br />

296 ENGLISH GRAMMAR


35.4.2 VERB FORMS AS CIRCUMSTANTIAL MARKERS<br />

Certain circumstantial meanings of enhancement are frequently expressed by the toinfinitive,<br />

the -ing and the -en participle forms alone. Of these, the to-infinitive form is<br />

the most explicit, since it usually signals purpose. Some examples follow of verb forms<br />

used in this way:<br />

to-infinitive clauses:<br />

-ing clauses:<br />

-en clauses:<br />

To relieve backache, apply liniment twice daily.<br />

Don’t do it just to please me.<br />

Living abroad, he rarely sees his relatives.<br />

(= because he lives abroad)<br />

Too excited to sleep, he paced up and down the room.<br />

(because he was too excited to sleep)<br />

There is one use of the to-infinitive in dependent clauses which is extending rather than<br />

enhancing in meaning; that is, it seems to replace coordination, as in:<br />

She arrived home to find the house empty. ( = and found the house empty) (Adjunct<br />

of ‘outcome’)<br />

Conventions of good <strong>English</strong> require that the implicit subject of a non-finite clause<br />

should be identical with the explicit subject of the main clause. Compare the acceptable<br />

(i) with the less acceptable (ii), which unintentionally suggests that the jellyfish was<br />

bathing in the sea:<br />

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(i) Bathing in the sea, I got stung by a jellyfish.<br />

(ii) Bathing in the sea, a jellyfish stung me.<br />

That this norm is not always adhered to is illustrated by the following ‘editor’s comment’<br />

from the BBC series Yes, Prime Minister:<br />

[Working funerals are the best sort of summit meeting. Ostensibly arranged for<br />

another purpose, statesmen and diplomats can mingle informally at receptions,<br />

churches and gravesides, and achieve more than at ten ‘official’ summits for which<br />

expectations have been aroused. This is presumably why Hacker immediately agreed<br />

to a state funeral for his late and unlamented predecessor – Ed.]<br />

(Jonathan Lynn and Anthony Jay, The Complete Yes Prime Minister)<br />

EXPANDING: CLAUSE COMBINATIONS 297


35.5 DISCOURSE CONNECTIVITY AND COHESION:<br />

INITIAL VS FINAL CIRCUMSTANTIAL CLAUSES<br />

These clauses are usually placed either before the main clause as in 1, or after it, as<br />

in 2:<br />

1 If you have a problem, call us immediately.<br />

2 Call us any time if you need advice.<br />

Position is related to the degree of integration of the two clauses.<br />

Semantically, a circumstantial clause in final position tends to have tight local<br />

connections to the main clause, to which it may be linked without a comma in writing<br />

or a pause in speech. In such cases it is closely integrated into the semantic structure<br />

of the main clause:<br />

3 The problem arises because there is nothing in our day-to-day life to provide us<br />

with sufficient exercise. [BNC AYK 199]<br />

From a discourse perspective, an initial circumstantial clause tends to have wider textual<br />

connections with what preceded it, often reaching back some distance. It also provides<br />

a frame for what follows, often for the whole clause or even more, as it can be not only<br />

sentence-initial but also paragraph-initial and episode-initial (see Chapter 6). It is likely<br />

to be followed by a comma or pause. Consequently an initial circumstantial clause is<br />

less integrated into the structure of the main clause. The following example illustrates<br />

the greater integration of the final to-infinitive clause compared with the framing function<br />

of the initial because clause. We consider both to have the syntactic status of adjunct,<br />

however, as both are embedded.<br />

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4 Because tranquillisers simply mask symptoms rather than provide a cure, you<br />

may need to seek help to deal with the problem which caused you to need the tablets<br />

in the first place. [BNC AYK 183]<br />

Position is also related to information structure, discussed in Chapter 6. In a complex<br />

sentence, the initial clause is likely to contain given information, while the final clause<br />

tends to present the new. In 3 the main clause is initial, with ‘the problem’ referring<br />

to preceding discourse, while the clause of reason provides new information. In 4 we<br />

have the reverse: the reason clause presents as known the fact that tranquillisers mask<br />

symptoms, preparing the way for the main clause and the final purpose clause as new.<br />

An initial dependent clause, often with progressive aspect (see 43.4), can provide a<br />

background state or activity for an event in past tense:<br />

While all the other kids were pulling on their coats, the teacher found Harry sitting<br />

sobbing in the cloakroom. [BNC CHR 913]<br />

298 ENGLISH GRAMMAR


REPORTING SPEECH AND MODULE 36<br />

THOUGHT<br />

SUMMARY<br />

1 Speakers report the utterances of other speakers, or their own, in one of two<br />

ways: either directly by ‘direct reported speech’ (also known as ‘quoted<br />

speech’), or indirectly by ‘indirect reported speech’. Thought processes can also<br />

be reported. Quoted speech supposedly repeats the exact words spoken,<br />

whereas indirect speech reporting gives the content or even only the gist of what<br />

was said.<br />

2 Verbs of saying and of thinking are used to introduce direct speech and thought,<br />

respectively. Idiomatic uses of the verbs go and be like are also used by some<br />

speakers as alternatives to verbs of saying.<br />

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3 Indirect reporting of speech (traditionally known as ‘indirect speech’ ) reports<br />

the content of statements, questions and directives. A number of formal adjustments<br />

are made, referred to as ‘backshift’, which shift deictic elements away<br />

from the speech situation to the reported situation.<br />

4 In fictional dialogue, and to a lesser extent in conversation, a wide variety of<br />

reporting verbs occur, many not strictly verbs of speaking, which aim to convey<br />

such features as speaker’s stance, voice quality and speech-act force.<br />

5 In addition, and in order to give the reader the illusion of entering a character’s<br />

mind, writers of fiction combine features of quoted and reported speech to<br />

produce the varieties known as ‘free direct speech’ and ‘free indirect speech’.<br />

36.1 DIRECT AND INDIRECT REPORTING<br />

There are two main ways of reporting what someone said or what we ourselves said:<br />

directly 1, and indirectly 2:<br />

1 She said ‘I’ll wait for you’.<br />

2 She said she would wait for us.<br />

EXPANDING: CLAUSE COMBINATIONS 299


Direct (‘quoted’) speech reporting supposedly repeats the exact words that someone<br />

said or wrote, while indirect speech reporting gives the meaning, or the gist of the<br />

content. Depending on the verb used, a good deal of further information can also be<br />

provided – for instance, the type of speech act being carried out, such as asking,<br />

complaining, responding, or the voice quality of the speaker:<br />

‘I hear you’ve been having a tough time,’ he responded.<br />

‘You haven’t sent me the Sunday supplement,’ she complained.<br />

Between quoted and indirect reported speech, there is a difference of immediacy. In<br />

quoting, the quoted clause appears to have independent status; its effect, therefore, is<br />

more dramatic and life-like. Tenses, pronouns and other deictic elements are orientated<br />

towards the speech situation, while in reported speech they shift away from it. The<br />

formal modifications of this shift are explained in section 36.3.<br />

There is also a difference in referring back to something which has been quoted and<br />

something which has been reported. To refer to the actual words quoted, a reference<br />

word such as that is typically used, whereas to refer to an indirect report, a substitute<br />

form such as so or not is used:<br />

He said, ‘I’ll pay this time.’<br />

He said he would pay that time.<br />

Did he really say that?<br />

Did he really say so?<br />

This is because the quoted words refer to a real event that can be referred back to,<br />

whereas the reported version is a representation of a representation, that is of what<br />

someone said.<br />

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36.2 DIRECT REPORTING OF SPEECH AND THOUGHT<br />

Direct (‘quoted’) speech is a common feature of everyday conversation, of fictional<br />

dialogue and, to a lesser extent, news and other genres. In direct speech, the reporting<br />

clause contains a verb of saying, while the reported clause contains what is said. The<br />

reporting clause may be placed initially, finally or medially. If it is placed medially, the<br />

quoted speech is discontinuous as in (c).With a proper name, inversion of subject and<br />

verb is another option (d). However, with a pronoun (said she), inversion is archaic.<br />

(a) She said, ‘I’m a telly addict and I always have been’.<br />

(b) ‘I’m a telly addict and I always have been,’ she said.<br />

(c) ‘I’m a telly addict’, she said, ‘and I always have been.’<br />

(d) ‘I’m a telly addict’, said Danielle, ‘and I always have been.’<br />

As there is no linking or subordinating element in (a) between the reporting verb<br />

and the quoted speech, the structural relationship between them is indeterminate. In<br />

(b), (c) and (d) the reporting clause is clearly parenthetical.<br />

In spoken <strong>English</strong>, the reporting clause receives less prosodic prominence than what<br />

is reported, in whatever position it occurs. This reflects the fact that what is said is more<br />

important than the introductory clause of saying.<br />

300 ENGLISH GRAMMAR


These two features – the mobility of the reporting clause and the importance of what<br />

is said – are sometimes interpreted as evidence that I think, he said, for example, in<br />

whatever position, are not main clauses at all, but are better analysed as epistemic,<br />

evidential or evaluative parentheticals, while what is traditionally classed as the<br />

complement clause is in fact the main proposition.<br />

A further view sees the relationship between the clauses as one of projection: the<br />

reporting clause ‘projects’ the projected clause as either a locution or an idea.<br />

Quoted speech in conversation and written dialogue<br />

Verbs used to introduce quoted speech in conversation and writing are summarised in<br />

the table below.<br />

Conversation<br />

say (and, less commonly, tell)<br />

go, be like<br />

not normally used<br />

Written dialogue<br />

Say is the basic verb<br />

Tell, write (the latter quoting written sources is<br />

used only to characterise a type of user)<br />

Verbs quoting statements: announce, explain,<br />

observe, point out, remark, report<br />

ask is used – the others not normally used Verbs quoting questions: ask, demand, query,<br />

enquire, and exclamations: exclaim<br />

not normally used<br />

Verbs indicating speech act force: affirm,<br />

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answer, argue, beg, complain, object,<br />

protest, urge, warn,<br />

or verbs which refer to the circumstances<br />

of the speech act: interrupt, reply,<br />

respond<br />

normally only shout<br />

not normally used<br />

Verbs indicating manner of locution: bark,<br />

bleat, chirp, cry, drawl, grumble, hiss,<br />

holler, moan, mumble, murmur, mutter,<br />

scream, shout, shriek, snap, snarl, stutter,<br />

whisper, whine, yell<br />

Non-utterance emotive verbs accompanying<br />

speech:<br />

Laughter: chuckle, laugh, smile, grin, giggle,<br />

twinkle<br />

Weeping: sob, moan, wail<br />

Excitement, concern: breathe, pant<br />

Incredulity: gasp<br />

Pain, anger: bellow, choke, flash<br />

EXPANDING: CLAUSE COMBINATIONS 301


For the difference between say and tell, see Chapter 3. Basically, say is a two-place<br />

verb which does not take a core Recipient, not admitting, for example, *say me your<br />

name. Tell is a three-place verb with a core Recipient (tell me your name). Pragmatically,<br />

say is used to report a locution (what is said), while tell typically informs.<br />

Go and be like are becoming widely used as quotative alternatives to say, both in<br />

younger speakers’ conversation and in the popular media. Like says and said, go and be<br />

like signal that the speaker is moving into direct speech mode. Normal combinations of<br />

tense and aspect occur with go and be like; however, the present tense appears to<br />

predominate even for past time reference (I’m like, she’s like):<br />

. . . and I was going . . . I’ll have to take my stereo home and he goes yeah your<br />

stereo’s quite big isn’t it, and I went when have you seen my stereo and he goes oh<br />

I came up the other day to see if you were in. I went why why, he said I just came<br />

round to your room and you weren’t there but your music was on.<br />

[BNC KPH 1361–1362]<br />

‘It’s just happened so fast,’ says the former Shanna Jackson. ‘Some days people will<br />

call me “Paris” and I’m like, “Who?” My mother still refuses to call me Paris.’<br />

[BNC HSJ 663–664]<br />

The range of verbs used as ‘quotatives’ is wider in written dialogue than in spoken<br />

because writers attempt to heighten interest by conveying not only the words said but<br />

also something of voice quality, attitude and manner of speaking of the character,<br />

whether fictional or real. All these are perceived by hearers in a speech situation but are<br />

absent from basic verbs of saying. Examples 1, 3, 5 are taken from Lightning in May, 2<br />

and 4 from Girls Out Late and 6 from The Peacemakers:<br />

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1 ‘I’ll take the cases,’ he whispered.<br />

2 ‘I haven’t got any money,’ I hiss.<br />

3 ‘Come on, lads,’ Tommy yelled.<br />

4 ‘You’re mad at me, aren’t you?’ I mumble.<br />

5 ‘I said come in, Mrs. Friar!’ John barked at her<br />

6 Trumbic gasped. “You can’t be serious.”<br />

Direct reporting of thought<br />

Not only words may be quoted, but also thoughts. The first two examples below are<br />

often heard in the spoken language, the third would be typical in fiction:<br />

I think I’ll have a beer.<br />

I wonder what he’s doing.<br />

‘I’ll have to get a new bulb for this lamp,’ thought Peter.<br />

Mental process verbs which occur as quotatives are few in number in <strong>English</strong>, in<br />

comparison with the wide variety of verbs used in quoted speech. They include think,<br />

the basic verb, and other verbs of cognition which express some additional, often<br />

aspectual meaning: muse, ponder, reflect, wonder.<br />

302 ENGLISH GRAMMAR


In representing their characters’ thought, writers of fictional narrative often omit the<br />

prosodic signals of quoting (inverted commas or dashes), and make the clause of<br />

thinking parenthetical. The following extract from Virginia Woolf’s Mrs Dalloway<br />

illustrates this technique:<br />

He’s very well dressed, thought Clarissa, yet he always criticises me.<br />

Here she is mending her dress; mending her dress as usual, he thought; here she’s<br />

been sitting all the time I’ve been in India; mending her dress; running to the House<br />

and back and all that, he thought, growing more and more irritated, more and more<br />

agitated, for there’s nothing in the world so bad for some women as marriage, he<br />

thought; and politics; and having a Conservative husband, like the admirable<br />

Richard. So it is, so it is, he thought, shutting his knife with a snap.<br />

36.3 BACKSHIFT IN INDIRECT SPEECH AND THOUGHT<br />

REPORTING<br />

Indirect speech reporting is characterised by a series of formal features that distinguish<br />

it from quoted speech reporting. They have the effect of shifting all deictic elements<br />

(personal pronouns, demonstratives, tense and adverbs of time and place) away from<br />

direct reference to the speech situation, and instead to the reporting situation, as in the<br />

following example (we don’t give all the possible personal pronoun shifts, which depend<br />

on context):<br />

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‘I want you to drink this juice.’ I/you/he/she said she wanted him/me to drink<br />

that juice.<br />

The shifts involved are as follows:<br />

• Personal pronouns in the 1st person, which refer to the speaker, are shifted to<br />

2nd or 3rd person, unless the speaker is reporting him/herself, as in 1 below. The<br />

2nd person pronoun, which refers to the listener, is shifted to 1st or 3rd, according<br />

to the identity of the listener, again as in 1.<br />

• Demonstratives and deictic adverbs which refer to the here and now (this, these,<br />

here, now) are replaced by more remote forms (that, those, there, then) 1 and 4.<br />

• Verb tenses are ‘back-shifted’ – that is, present forms are replaced by past forms<br />

1, 2, 4, 5. This shift is not obligatory if the described state still holds, as in 3.<br />

• Clause type is also affected. A quoted interrogative with say is replaced by a<br />

declarative introduced by ask in reported speech 7. Imperatives and verbless clauses<br />

have less clear correspondences, and are discussed later in this and other sections.<br />

EXPANDING: CLAUSE COMBINATIONS 303


Direct (quoted) speech<br />

Indirect speech<br />

1 ‘I want you to drink this juice.’ I/ you/ he/ she said I/she wanted him/ me<br />

to drink that juice.<br />

2 ‘I won’t be long,’ she said. She said she wouldn’t be long.<br />

3 He said ‘We are naked apes. They He said that we are/ were naked apes and<br />

are the same as us inside.’<br />

that they are the same as us inside.<br />

4 ‘Can you leave this book here?’ He asked if I/ we/ she could leave that<br />

he said.<br />

book there.<br />

5 ‘It’s good!’ Magda says. Madga said that it was good.<br />

6 ‘Do it yourselves!’ I said. I told them to do it themselves.<br />

7 ‘Must you go so soon?’ she said. She asked whether we/ they had to go as<br />

soon as that.<br />

Verbs used in indirect statements and questions are essentially the same as those<br />

used in quoting. The main exceptions are shown in the table.<br />

Verbs used only in quoting<br />

Verbs used only in indirect reporting<br />

(a)<br />

verbs which express rhetorical<br />

processes: claim, deny, hypothesise,<br />

imply, insinuate, maintain, make out,<br />

pretend.<br />

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(b)<br />

verbs of cognition, wishing and<br />

affection: believe, feel, hold (=believe),<br />

imagine, understand, fear, suspect,<br />

think, hope, wish, want, like.<br />

(c) Non-utterance verbs as in 36.2, Occasionally, these verbs are used in indirect<br />

such as laugh, smile, sob, moan, gasp: reporting, for instance:<br />

‘Thank you,’ she smiled.<br />

‘Yes,’ he sighed.<br />

She smiled her thanks.<br />

He sighed his consent.<br />

(a) Verbs such as claim, deny, insinuate represent an interpretation on the part of the<br />

reporter of the speech act force in the original situation, and can indicate a certain<br />

stance, for instance of reservation or disbelief:<br />

She claims her mother was related to a Polish aristocrat.<br />

He denies being involved in the incident.<br />

Are you insinuating that he knows something about it?<br />

304 ENGLISH GRAMMAR


(b) The combination of mental processes with a reporting clause is the normal way of<br />

representing what people think, believe, hope, want and like. These typically occur<br />

as reported states of wishing, wanting, and so on, since such mental states are rarely<br />

quoted; even the possible form with let as in ‘Let me be the first to speak to him’, Janet<br />

wished is relatively infrequent. Syntactically, they are no different from the<br />

complementation patterns described in Chapter 3:<br />

I hope that no damage has been done<br />

It is feared that many lives have been lost.<br />

She wishes she had never met him.<br />

(c) Conversely, verbs which are not intrinsically verbs of saying are not normally<br />

used in indirect reporting. These include verbs of laughing, weeping, and the like,<br />

as exemplified in section 36.2. A quoted locution such as ‘So what?’, he sneered would<br />

be difficult to report in a similar form, and even perhaps with a similar meaning. A<br />

paraphrase such as He asked with a sneer what it mattered might be considered<br />

acceptable within a certain context.<br />

36.4 REPORTED OFFERS, SUGGESTIONS AND COMMANDS<br />

So far we have considered quoted or reported statements and questions. We now turn<br />

to the reporting of directives – reported offers, suggestions and commands – which<br />

typically involves summary and paraphrase. Certain verbs are used in quoted directives<br />

but are not used for reporting. Conversely, there are many verbs used in reported<br />

directives that are not used in quoting. There is some overlap, however, as may be seen<br />

from the table below.<br />

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Quoted directives<br />

the general verb say<br />

verbs specific to offers, suggestions and<br />

commands: call, suggest, offer, order,<br />

request, tell<br />

verbs embodying some circumstantial or<br />

other semantic feature: threaten, vow,<br />

promise, agree, beg, insist, plead, urge,<br />

warn<br />

verbs with a connotative meaning: bark,<br />

bleat, sob, gasp<br />

not used<br />

Reported directives<br />

the general verb tell<br />

some, but not all of those in quoted directives:<br />

suggest, order, command, request, tell<br />

the same as in quoted directives<br />

not used<br />

verbs expressing a wide range<br />

of complex rhetorical processes: encourage,<br />

forbid, persuade, recommend<br />

EXPANDING: CLAUSE COMBINATIONS 305


36.5 CLAUSE TYPE IN THE REPORTED CLAUSE<br />

When we quote an offer, order or suggestion directly, there is typically an imperative<br />

in the quoted clause:<br />

1 ‘Hurry up!’, she said (to us).<br />

2 ‘Do eat more slowly’, she begged the child.<br />

3 ‘Come in and sit down’, I suggested (to her).<br />

In reported directives, the imperative of the quoted type is replaced by one of four<br />

structures. The first two are:<br />

• an Object + to-infinitive after verbs such as tell, order, command, urge, beg as in 1, 2;<br />

and<br />

• a that-clause after verbs of recommending, insisting, proposing and suggesting as<br />

in 3 (see also Chapter 3).<br />

The examples 1–3 of quoted directives would be reported as follows:<br />

4 She told/ urged us to hurry up.<br />

5 She begged the child to eat more slowly.<br />

6 I suggested that she (should) come in and sit down.<br />

Say takes a that-clause containing an embedded directive expressed either by the semiauxiliary<br />

be to or by a modal of obligation (should, must, have to). See also Section 11.2<br />

for the complementation patterns of say and tell.<br />

Using say, example 1 could be reported as follows:<br />

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7 She said (that) we were to hurry up.<br />

8 She said (that) we should/must hurry up.<br />

Say can also report a to-infinitive clause with no subject (9). In AmE a subject of the<br />

reported clause is here preceded by for (10). In both cases the use of say rather than tell<br />

suggests that the message is being relayed by a 3rd person. Compare these with 11:<br />

9 She said to hurry.<br />

10 She said for us to hurry.<br />

11 She told us to hurry.<br />

Of the verbs indicating manner of locution listed on page 301 and used in fictional<br />

narrative to introduce quoted speech, only a few can be used in reporting, and require<br />

an oblique Object. They are usually verbal processes with an emotive element<br />

predominating:<br />

(‘Turn off the gas!’, he yelled.)<br />

(‘Stay a little longer’, he whispered.)<br />

He yelled to me to turn off the gas.<br />

He whispered to her to stay a little longer.<br />

306 ENGLISH GRAMMAR


Verbless clauses are quite common in quoted speech, especially in fictional narrative:<br />

‘Not a word!’, he whispered (to us).<br />

He whispered to us not to say/ breathe a word.<br />

The absence of a verb presents a problem in reporting. Frequently a verb can be<br />

provided, although again this involves an interpretation on the part of the reporter.<br />

Inevitably, therefore, more than one reported version is possible, some differing<br />

considerably from the quoted version:<br />

‘This way, please’, the usher said.<br />

The usher asked/ invited (us?) to accompany<br />

him.<br />

The usher showed (us?) the way.<br />

As can be seen from these examples, an additional problem in reporting verbless<br />

clauses is that not only a verb but also a receiver of the directive must be provided.<br />

Presumably, the context or the co-text would enable the Recipient of the offer, order or<br />

suggestion to be identified. The verbless clause, itself, however, does not provide this<br />

information. In effect, the two versions are different messages.<br />

36.6 FREE DIRECT SPEECH AND FREE INDIRECT SPEECH<br />

We have seen so far that speakers and writers make use of direct speech and indirect<br />

speech to report the statements, questions and directives of others. In their attempts to<br />

portray the stream of thought of their characters, writers have modified the paradigm<br />

of reporting as outlined in the preceding sections in certain ways.<br />

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What we call ‘free direct speech or thought’ consists in omitting the inverted<br />

commas or dashes which conventionally signal quoting, as seen in the extract from Mrs<br />

Dalloway. More drastically, the reporting clause is omitted altogether. This is called ‘free<br />

indirect speech’ and also covers cognitive processes. In addition, certain structures<br />

of direct speech are retained, such as direct questions and exclamations, vocatives,<br />

utterance-time adverbs such as now and tag questions. Other features may belong to<br />

indirect speech, however: tense back-shift, and the temporal and spatial shifts of deictic<br />

words towards remoteness.<br />

Some of these features are present in the following extract from Joyce Carol Oates’<br />

story Happy, which describes a girl’s journey home from the airport with her mother<br />

and her mother’s new husband.<br />

They stopped for dinner at a Polynesian restaurant ten miles up the Turnpike, her<br />

mother explaining that there wasn’t anything decent to eat at home, 1 also it was<br />

getting late, wasn’t it, tomorrow she’d be making a big dinner, 2 That’s okay honey<br />

isn’t it? 3 She and her new husband quarrelled about getting on the Turnpike then<br />

exiting right away, but at dinner they were in high spirits again, laughing a good<br />

EXPANDING: CLAUSE COMBINATIONS 307


deal, holding hands between courses, sipping from each other’s tall frosted brightcolored<br />

tropical drinks. Jesus I’m crazy about that woman, 4 her mother’s new<br />

husband told the girl when her mother was in the powder room, Your mother is a<br />

high-class lady, he said. 5 He shifted his cane chair closer, leaned moist and warm,<br />

meaty, against her, an arm across her shoulders. There’s nobody in the world<br />

precious to me as that lady, I want you to know that, he said, 6 and the girl said Yes<br />

I know it, 7 and her mother’s new husband said in a fierce voice close to tears, Damn<br />

right, sweetheart, you know it. 8<br />

1<br />

indirect speech; 2 free indirect speech; 3 free direct speech; 4–8 direct speech<br />

A variant of free indirect speech, illustrated in 2 above, is to retain the reporting clause,<br />

together with the features enumerated above. Here is an instance from Mrs Dalloway:<br />

And she opened her scissors, and said, did 1 he 2 mind her 3 just finishing what she 4<br />

was doing 5 to her dress, for they 6 had 7 a party that night? 8<br />

1<br />

direct interrogative + past form; 2–4, 6 pronominal shifts; 5–7 tense shifts; 8 temporal<br />

deictic shift<br />

36.7 FREE INDIRECT THOUGHT<br />

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In the following passage from Lightning in May, John suspects for the first time that his<br />

wife may have tuberculosis. His reaction is expressed partly in direct speech introducd<br />

by verbs of manner (italicised) and partly in free indirect thought (underlined). By means<br />

of the latter, the writer or oral storyteller aims to represent the thoughts of a character.<br />

No reporting verb is used; indeed, there is no overt signal that the character’s, rather<br />

than the author’s, view or thought is being portrayed. What alerts us to the change of<br />

perspective is some ‘perspective-changing’ detail in the immediately preceding narrative<br />

– in this case ‘he opened the handkerchief’ and ‘he looked at her’:<br />

‘Ruth,’ he breathed, ‘how long have you had this cough?’ He stood up and she<br />

followed. He opened the handkerchief again. There was no mistake. Silently he<br />

cursed himself. He saw her now in a completely different light. ‘How long?’ he<br />

demanded.<br />

He looked at her then held her to him. It became bluntly clear to him now. The<br />

pale, tired face that was thinner; the droop of her body. All the symptoms that he<br />

had put down to her mental state had matured into a physical one. And now a cough.<br />

How could he have been so stupid? Yet he had to make sure.<br />

308 ENGLISH GRAMMAR


‘Ruthy,’ he whispered. ‘Let’s get back to the surgery. I want Dr. Jenkins to see<br />

you.’<br />

‘What is it, John?’ she queried.<br />

(Gordon Parker, Lightning in May)<br />

FURTHER READING<br />

Coordination and subordination Quirk et al. (1985), Biber et al. (1999); on expansion,<br />

elaboration, extension, enhancement, projection, internal and external conjunction,<br />

Halliday (1994); on non-restrictive relative clauses: Huddleston and Pullum (2002),<br />

Bache and Jakobsen (1980); on circumstantial (adverbial) clauses, degrees of event<br />

integration and dependency, Givón (2001b), Matthiessen and Thompson (1988); on<br />

epistemic parentheticals, Thompson (2002), Kärkkäinen (2003); Pragmatic (internal)<br />

connectives, van Dijk (1979), Matras (1997), Stenström (1998), Smith and Jucker (2000).<br />

EXERCISES ON CHAPTER 7<br />

Expanding the message: Clause combinations<br />

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Modules 31 and 32<br />

1 Gather a number of advertisements, with short texts and a headline or title, and compare<br />

them for the amount of clausal and non-clausal material they use. Identify the types of unit<br />

used – a single clause, a combination of clauses, a nominal group, a word, etc. – relating<br />

them to a picture if there is one. Draw up a chart showing the range of units used and the<br />

distribution of these units between the headline and the short text. Next, sort them with<br />

regard to the product or service advertised (e.g. automobiles, cosmetics, insurance<br />

companies, foodstuffs, holiday packages). Do you find any significant differences according<br />

to these or other factors, such as the amount of space the advert covers?<br />

2 †Analyse the following news item in terms of its sequencing of coordination and<br />

subordination. Does the sequencing follow the chronological order of the real events?<br />

After hundreds of shrimps came gushing out of taps in Warrington, Cheshire,<br />

yesterday, householders collected teapots full of the creatures and were forced to<br />

filter the water before they could drink it.<br />

3 †In each of the following clause combinations, say which consist of clauses in a relationship<br />

of equivalence and which hold a relationship of non-equivalence:<br />

EXPANDING: CLAUSE COMBINATIONS 309


(1) To advertise in the Homes and Gardens section, please contact one of our sales teams<br />

for further information.<br />

(2) ‘Clean your arteries – it could save your life.’<br />

(3) Heart disease is the UK’s number one killer – and one of the main causes is clogged<br />

arteries.<br />

(4) Scottish children receive the most pocket money in the UK, while those in East Anglia<br />

receive the least.<br />

(5) The ginkgo tree once flourished around the world but survived the last Ice Age only<br />

in remote eastern China.<br />

Module 33<br />

1 Using (i) punctuation signals and (ii) the clarifying connectives listed in 33.1.1, add further<br />

clauses to the following examples so as to make complex sentences which stand in an<br />

appositive relationship to each other:<br />

(1) with restating meanings (or rather, that is to say, in other words, namely, i.e.)<br />

(a) For ten days she ate nothing but yoghurt<br />

(b) At three in the morning the party was over<br />

(c) The bar is open only to members of the club<br />

(2) with exemplifying meanings (for example, for instance)<br />

(a) It’s not clear how much she understands<br />

(b) There are a hundred things you could do to get fit<br />

(c) He’s no good at mending things<br />

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(3) with upgrading meanings (in fact, indeed, actually)<br />

(a) The week started badly<br />

(b) She looks marvellous in a sari<br />

(c) I was beginning to feel most embarrassed<br />

2 †Taking the clause as antecedent, add (i) finite and (ii) non-finite, non-restrictive relative<br />

clauses to each of the following primary clauses, so as to form complex sentences:<br />

(1) She blamed herself for the accident<br />

(2) Most party members were disheartened by the congress<br />

(3) A high-rise building collapsed in Ankara yesterday<br />

(4) Certain parts of the Pacific are notorious for typhoons<br />

(5) Several hostages were released by the plane hijackers today<br />

Module 34<br />

1 Using the conjunctions and connectives associated with coordination + extension, add a<br />

conjoined clause to the following examples:<br />

(1) A man carrying a new strain of AIDS virus has left the country<br />

(2) The job was quite attractive<br />

310 ENGLISH GRAMMAR


(3) Adventurous children like sleeping in caravans<br />

(4) Either you buy yourself a mobile phone<br />

(5) The dress suits you very well<br />

2 †We have in this chapter seen three meanings of but. One is adversative, in which case<br />

it is interchangeable with one use of yet as in It’s a very simple device but/ yet it’s very<br />

effective. Another is replacive, with the meaning except for or instead as in He didn’t stay<br />

even an hour, but returned to London on the next train. The third meaning is concessive,<br />

corresponding to the subordinator (al)though as in The story is certainly strange, but it’s<br />

not entirely unbelievable.<br />

Decide which of these three meanings corresponds to but in each of the complex<br />

sentences below, and replace it by an appropriate connective, adding a pronoun when<br />

necessary:<br />

(1) The city may be prosperous, but to claim that it is a tourist attraction is absurd.<br />

(2) Zoo officials are trying to find new homes for the animals, but it is difficult to re-house<br />

orang-utangs.<br />

(3) A degree in engineering should open many doors, but without business expertise<br />

many graduate engineers have difficulty in finding a job.<br />

(4) Lorne originally thought of doing social biology and chemistry, but has changed to<br />

the new BSc in Industrial and Business Systems.<br />

(5) He almost decided to work on an oil-rig, but turned down the offer at the last minute.<br />

3 Using the conjunctive prepositions besides, as well as, except that, but for the fact that and<br />

without, add clauses to the following examples. Identify the resulting meaning:<br />

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(1) Gillian buys all her clothes in boutiques<br />

(2) The trip would have been most enjoyable<br />

(3) The singer has filed a lawsuit against her video company<br />

(4) It might have been a good idea to wait a little while<br />

(5) We sat there in silence<br />

Module 35<br />

1 Discuss the status of the combination of and and or with circumstantial elements such as<br />

then, there, so, in that way, consequently, as a result, otherwise. Are they coordinators or<br />

subordinators?<br />

2 Using these items, add further clauses to the following examples:<br />

(1) I opened the door<br />

(2) The new law came into force a year later<br />

(3) The milk is sure to have turned sour by now<br />

(4) Don’t forget to put a stamp on your letters<br />

(5) We left the casserole too long in the microwave<br />

EXPANDING: CLAUSE COMBINATIONS 311


3 †Say which of the following uses of conjunctions are pragmatic (internal) rather than entirely<br />

semantic (external). Give an explanation if pragmatic:<br />

(1) If you don’t mind my saying so, your hair looks much nicer short than long.<br />

(2) Did you see King Lear when it was on on the television? ’Cos I taped that as well.<br />

[BNC KDM 3696–3697]<br />

(3) I’ll lend it to you if you lend me your video of Hamlet.<br />

(4) Many birds lose the power of flight, for there are no longer predators to make it<br />

worthwhile. [BNC AMS 1356]<br />

(5) Since there is no means of changing the weather, there is no question of protest.<br />

[BNC AN 42791]<br />

(6) I’ve only seen Shirley once since she and her husband went to live in New York.<br />

(7) When you gonna find your way up around my way? But you know I’ve been terribly<br />

busy lately! Yeah [BNC KBO 2468–2470]<br />

4 †Analyse the following paragraph from Newsweek from the point of view of coordinating<br />

and subordinating enhancement:<br />

You can blow up a balloon so far, and then it bursts; 1 you can stretch a rubber band<br />

so far, and then it snaps; 2 you can bend a stick so far, and then it breaks. 3 How<br />

much longer can the human population go on damaging the world’s natural systems<br />

before they break down altogether? 4<br />

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5 Check the list of subordinators and their meanings in Section 35.2.1. Use as many of these<br />

items as possible to add subordinate clauses in either initial or final position, in relation to<br />

the main clauses below. Here are a few suggested meanings:<br />

(1) We’ll have to leave very early (purpose, open condition, negative condition, timeeventive)<br />

(2) I had to leave what I was doing and rush upstairs (reason, purpose, time-eventive)<br />

(3) I would like to speak to you about the new time-table (time-potential)<br />

(4) The film is certainly watchable (concession, condition-rhetorical)<br />

6 †Analyse the following news item ‘A Robot for Granny’ from The Week in terms of complex<br />

sentences. Comment on the relative integration of the subordinate clauses and how their<br />

position affects their function:<br />

The Japanese are too hard-working these days to take care of elderly relatives – and<br />

so scientists have invented a robot to do the job for them, we discovered this<br />

February. 1 The Wakamaru robot trundles around the house, keeping an electronic<br />

‘eye’ out for trouble. 2 If the owner falls, it will send an alarm call to a friend or<br />

312 ENGLISH GRAMMAR


elative; 3 it can recognise faces and will contact a security firm if a stranger enters<br />

the house. 4 It can be programmed to ask: ‘Are you all right?’ 5 If there is no reply,<br />

the robot will take action. 6<br />

Module 36<br />

1 †Give one or more possible reported forms for each of the following statements and<br />

questions taken from The Complete Yes Prime Minister. Replace say and ask by verbs with<br />

connotative meanings:<br />

(1) ‘I’m sorry to interrupt you in this vital discussion,’ said Annie.<br />

(2) ‘What exactly is your job?’ I said to the EEC official.<br />

(3) ‘Minister! You realise the press will be printing something that isn’t true?’<br />

‘Really?’ I smiled at him. ‘How frightful!’<br />

(4) ‘But what about Duncan?’ Annie asked. ‘You’d recommend him?’<br />

‘No.’ Desmond was unequivocal.<br />

(5) ‘I mean, Prime Minister . . . you . . . you – lied,’ said Humphrey.<br />

2 †Give a possible reported form for each of the following quoted directives taken from the<br />

same script:<br />

(1) ‘Won’t you sit down for a minute?’ Annie said to the official.<br />

(2) ‘Why don’t you wear a sports jacket?’ Fiona said to Godfrey.<br />

(3) ‘Suppose I sort of put on my glasses and take them off while I give my speech,’ said<br />

the Prime Minister.<br />

(4) ‘My God,’ croaked Luke, a broken man, ‘You can’t send me to Israel. What about<br />

my career?’<br />

(5) ‘Don’t be silly,’ I replied briskly, ‘It’s an honour. Promotion.’<br />

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4 Using information you have learned throughout this chapter, analyse the following extract<br />

from Pat Rushin’s story Speed of Light from the point of view of clausal and non-clausal<br />

material and of complex sentence. Identify types of reporting.<br />

Things go wrong.<br />

Take Constantine Muzhikovsky. He had everything going for him. Good law<br />

practice. Nice secluded house on the outskirts. Sweet little vegetable garden out back<br />

that brought him no end of pleasure come springtime. Handsome, devoted wife. Kids<br />

grown and gone. The way Muzhikovsky saw things, it was time to ease off and enjoy<br />

a tranquil, orderly life.<br />

Then zap.<br />

One night while they lay in bed watching Johnny Carson, Muzhikovsky’s wife<br />

told him it was over. Johnny’s last guest, a religious nut plugging a book, ranted on.<br />

EXPANDING: CLAUSE COMBINATIONS 313


‘Did you hear me?’ Muzhikovsky’s wife said.<br />

‘Yes,’ Muzhikovsky said. He stared at the glowing TV. ‘What,’ he said.<br />

A blind man could see it, Johnny’s guest assured him. The signs, the portents: all<br />

heralding the impending arrival of the blazing glory of our Lord and Saviour, you<br />

bet. Johnny nodded sagely; then, when his guest wasn’t looking, dropped his jaw,<br />

mugged dopey credulity.<br />

The audience roared.<br />

‘I said I want a divorce.’<br />

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314 ENGLISH GRAMMAR


TALKING ABOUT EVENTS CHAPTER 8<br />

The Verbal Group<br />

Module 37: Expressing our experience of events 317<br />

37.1 Syntactic elements of structure of the Verbal Group 317<br />

37.2 Realisations of the elements: lexical verbs and auxiliaries 318<br />

37.3 Types of lexical auxiliary 319<br />

37.3.1 Be + lexical item + to-infinitive 319<br />

37.3.2 Have or Have got + to-infinitive 320<br />

37.3.3 Modal idioms: had better, would rather 320<br />

37.4 ‘Raised’ subjects 321<br />

37.5 Syntactic features of the operator element 321<br />

Module 38: Basic structures of the Verbal Group 323<br />

38.1 Experiential structure of the Verbal Group 323<br />

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38.2 Simple structures of the Verbal Group 324<br />

38.3 Extended structures of the Verbal Group 325<br />

38.4 Structures with one auxiliary: o v 325<br />

38.5 Structures with two grammatical auxiliaries: o x v 326<br />

38.6 Structures with three grammatical auxiliaries: o x x v 327<br />

38.7 Telescoped order of elements of the Verbal Group 328<br />

38.8 Extended non-finite structures 328<br />

38.9 Relative frequency of complex Verbal Groups 329<br />

38.10 Discontinuous Verbal Groups 329<br />

Module 39: Organising our experience of events 331<br />

39.1 Sequencing and phasing events 331<br />

39.2 Types of phase 333<br />

39.2.1 The phase of initiation 333<br />

39.2.2 The phase of continuation 333<br />

39.2.3 The phase of termination 334<br />

39.2.4 The phase of appearing or becoming real 334<br />

39.2.5 The phase of attempting, succeeding, failing, helping 334<br />

39.2.6 The phase of manner or attitude 334<br />

39.2.7 The phase of chance and tendency 335


Module 40: The semantics of phrasal verbs 336<br />

40.1 Phrasal verbs 336<br />

40.1.1 Semantic cohesiveness and idiomaticity 337<br />

40.2 Non-idiomatic phrasal verbs: free combinations 337<br />

40.2.1 The Motion Event: Figure, Ground, Path and Manner 337<br />

40.2.2 Translating Motion, Manner and Path combinations 339<br />

40.2.3 Substituting Manner and Path elements 340<br />

40.3 Basic meanings of a particle: back 340<br />

40.4 Semi-idiomatic phrasal verbs 341<br />

40.5 Fully idiomatic phrasal verbs 342<br />

Further reading 343<br />

Exercises 343<br />

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EXPRESSING OUR MODULE 37<br />

EXPERIENCE OF EVENTS<br />

SUMMARY<br />

1 Verbal Groups (VG) encode our experience of events. The term ‘event’ is used<br />

here in representation of all types of process, including events, states and<br />

activities.<br />

2 The VG consists of a lexical verb (v), either alone (takes) or preceded by one<br />

or more auxiliaries (is taking/has been taken). The first auxiliary, the operator,<br />

has a special status and is distinguished by certain syntactic features.<br />

3 The operator is of the utmost importance in <strong>English</strong> as it carries the four ‘NICE’<br />

functions of Negation, Inversion, Code (substitution) and Emphasis. It is realised<br />

by various types of auxiliary: primary, modal and lexical auxiliaries, which help<br />

to build up the symbolic representation of the event and carry a wide range of<br />

modal and aspectual meanings.<br />

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4 Certain of the lexical auxiliaries (e.g. be bound to) have ‘raised’ Subjects.<br />

37.1 SYNTACTIC ELEMENTS OF STRUCTURE OF THE<br />

VERBAL GROUP<br />

The Verbal Group is the grammatical unit by means of which we most typically express<br />

our perception of events. ‘Event’ will be used in this chapter to cover all types of process,<br />

whether events, activities, states or acts of consciousness. These are described from the<br />

point of view of their place in the semantics of the clause in Chapter 4.<br />

The VG consists of a lexical verb (e.g. take) or a primary verb (a form of be, have or<br />

do) as main verb (v), either alone or preceded by one or more grammatical elements –<br />

the auxiliaries (x) as in has been and has taken. The lexical and grammatical elements<br />

are all integral parts of an analytical form. The first auxiliary has a special status and is<br />

usually called the ‘operator’ (o) (see 3.1.1), for reasons which are explained in section<br />

37.5. The constituent elements of the <strong>English</strong> VG can therefore be represented and<br />

exemplified as in the diagram.


VG<br />

(o) (x) (x) v<br />

v waited I waited an hour<br />

o v is waiting Everyone is waiting<br />

o x v have been waiting He has been waiting an hour<br />

o x x v will have been waiting He will have been waiting an hour<br />

37.2 REALISATIONS OF THE ELEMENTS: LEXICAL VERBS<br />

AND AUXILIARIES<br />

The elements of the VG are realised by the following classes and forms of verbs:<br />

• lexical verbs: wait, come, rain, bring, etc.<br />

• primary verbs: be, am, is, are, was, were, being, been, have, has, had, having; do,<br />

does, did<br />

• modal auxiliaries: shall, should, will, would, can, could, may, might, must, ought to<br />

• semi-modals: need, dare, used to (modals in certain uses)<br />

• lexical auxiliaries:<br />

(1) be able to, be about to, be apt to, be bound to, be due to, be going to, be liable<br />

to, be likely to, be certain to, be sure to, be to, be unlikely to, be supposed to<br />

(2) have to, have got to<br />

(3) had better, would rather, would sooner<br />

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The primary and modal verbs are limited in number, as this list shows, and form closed<br />

sets. Lexical verbs, the v or main element, constitute an open set; new ones can be<br />

coined and added to the lexicon at any time.<br />

The primary verbs carry grammatical meaning (tense, aspect, person, number), the<br />

modal auxiliaries express modal meanings (obligation, possibility, probability, necessity)<br />

(see Module 44) rather than lexical or grammatical meaning. On the other hand, the<br />

lexical element of the VG expresses both lexical meaning and grammatical meaning.<br />

The primary verbs be, have, do can function both as auxiliary and as lexical elements<br />

of the VG (with the exception of doing and done, which function only as lexical elements).<br />

The syntactic function determines the type of meaning expressed, whether grammatical<br />

or lexical, as shown here.<br />

Functioning as auxiliary<br />

Elections are approaching.<br />

We didn’t do anything about it.<br />

He has had nothing to eat.<br />

Functioning as lexical (main) verb<br />

Elections are imminent.<br />

We did everything.<br />

He had nothing to eat.<br />

318 ENGLISH GRAMMAR


In addition to its function as a main verb, be therefore has three auxiliary functions:<br />

as an aspect auxiliary in the progressive: is taking; as a passive auxiliary: is taken (38.4);<br />

and as the basis of the lexical auxiliaries that take be.<br />

37.3 TYPES OF LEXICAL AUXILIARY<br />

Lexical auxiliary is the term used for a set of verbs of modal or aspectual meaning<br />

which form chain-like structures with the main verb of the VG. The majority are<br />

followed by a V-to-inf form, but a few take the infinitive without to. They can be divided<br />

into three types according to whether their first word is (1) be; (2) have; (3) a modal<br />

idiom.<br />

As with other to-infinitive uses (see 12.2), the lexical auxiliaries tend to point to<br />

a future event, though not invariably so. They express subjective estimations by the<br />

speaker as to the imminence of the event, the certainty, probability or usualness of the<br />

event taking place, or the speaker’s duty or ability (based on knowledge or skill) to do<br />

something. Some of these auxiliaries have undergone semantic change, so they are not<br />

what they seem at first sight. (See 41.6 for more on future time.)<br />

37.3.1 Be + Lexical item + to-infinitive<br />

Be + lexical item + V-to-inf meanings<br />

be going to We’re going to need more staff (prediction based on<br />

here.<br />

evidence)<br />

be about to The plane is about to take off. (imminence of event)<br />

be due to He’s due to arrive at any moment. (expectation of scheduled<br />

event)<br />

be to As a young girl, she little knew (planned event or destiny)<br />

she was to marry the heir to the<br />

throne.<br />

be bound to There’s bound to be some cheese<br />

in the fridge.<br />

be certain to She is certain to resign.<br />

(confident anticipation)<br />

be sure to He’s sure to be waiting outside.<br />

be likely to They’re likely to win by several (probability)<br />

goals.<br />

be apt to He’s apt to ask awkward<br />

questions.<br />

(tendency or usualness)<br />

be liable to This machine is liable to break<br />

down.<br />

be supposed to We’re not supposed to smoke in (duty, general belief)<br />

here.<br />

be able to I am not able to guarantee the (ability, possibility)<br />

results.<br />

Note that a few of the lexical words in this list can also function as adjectives: an able<br />

mechanic; an apt quotation; a certain/ sure winner; the likely winner of the elections.<br />

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EVENTS: VERBAL GROUPS 319


37.3.2 Have or Have got + to-infinitive<br />

Have and have got + V-to-inf<br />

meanings<br />

have to I have to finish these letters. (obligation)<br />

There has to be a solution.<br />

(necessity)<br />

have got to I’ve got to go now. Oh, do you have to? (obligation)<br />

There’s got to be a solution.<br />

(necessity)<br />

Like must, these combinations have meanings of both obligation and necessity (see 44.5).<br />

In type 3, had better has the meaning of advisability and would rather/would sooner<br />

indicate preference.<br />

The Subject-Finite operator inversion characteristic of be, have and other auxiliaries<br />

in interrogative and negative clauses is explained in Module 23, together with the requirement<br />

of a do operator by lexical verbs. As a reminder here, we exemplify have to and<br />

have got to in interrogative clauses, showing that while have to can function either as a<br />

primary auxiliary or as a lexical verb, have got to functions only as an auxiliary:<br />

Have to Auxiliary Lexical verb<br />

Interrogative Have you to go? Do you have to go? Don’t you<br />

have to go?<br />

Negative declarative<br />

You don’t have to go.<br />

Have got to Auxiliary<br />

Interrogative Have you got to go?<br />

Haven’t you got to go?<br />

Negative declarative You haven’t got to go.<br />

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Furthermore, have got + to-infinitive has no non-finite forms and does not combine with<br />

modals. None of the following structures are possible, therefore, all being used with<br />

have to:<br />

*To have got to live there must be To have to live there ...<br />

dreadful<br />

*I don’t like having got to get up I don’t like having to get up early.<br />

early.<br />

*We have had got to repaint the We have had to repaint ...<br />

kitchen.<br />

*You will have got to watch out for You will have to watch out for ...<br />

mosquitoes there.<br />

37.3.3 Modal idioms: had better, would rather<br />

Modal idioms with had and<br />

would + V-inf<br />

meanings<br />

had better You had better come back tomorrow. (I advise you to ...)<br />

would rather I would rather stay here with you. (I would prefer to ...)<br />

would sooner I would sooner pay in advance. (I would prefer to ...)<br />

320 ENGLISH GRAMMAR


37.4 ‘RAISED’ SUBJECTS<br />

You may have noticed that in clauses such as They are likely to win, the NG at Subject<br />

does not appear to be the logical Subject of the Complement likely to win. In fact, the<br />

likelihood refers not to the subject they, but to the situation of winning. Syntactically,<br />

then, the NG (they) is the logical subject of a clause embedded at subject, as in (a) below<br />

(that they will win), which is then extraposed, as in (b). Finally the subject of the subordinate<br />

clause is raised to become subject of the main clause, as in (c):<br />

(a) That they will win is likely<br />

(b) It is likely that they will win<br />

(c) They are likely to win.<br />

This is known as subject-to-subject raising (see also section 30.5.1). Likely is used<br />

a great deal in this construction, perhaps because its apparent synonym probable does<br />

not admit raising (*He is probable to win). Other lexical auxiliaries that are the result of<br />

raising are be certain to, sure to and supposed to.<br />

Object-to-subject raising occurs when a NG Object of a clause embedded at<br />

subject (them in (a) below) is extraposed as in (b) and then is raised to subject of the<br />

main clause, as in (c):<br />

(a) To find them is hard<br />

(b) It is hard to find them<br />

(c) They are hard to find<br />

Raised subjects have the advantage of referring to persons or things by names, nouns<br />

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or pronouns in a clause that is shorter and simpler than the corresponding that-clause<br />

or extraposed structures. They also provide a different Theme and Topic (28.4).<br />

37.5 SYNTACTIC FEATURES OF THE OPERATOR ELEMENT<br />

Any of the primary verbs or the modal auxiliaries can stand in initial position and so<br />

function as operator in a VG.<br />

The operator element has four major distinctive properties which are not shared<br />

by lexical verbs. They carry the ‘operations’ in what have been called the NICE<br />

constructions: Negation, Inversion, Code and Emphasis. Compare:<br />

operation operator aux. lexical vb<br />

1 Negation: contraction with I don’t eat meat *I eatn’t ...<br />

neg. particle<br />

2 Inversion with S in Will you sign? *Sign you?<br />

interrogatives<br />

3 ‘Code’, that is, substitute I’ll go, if Ed will I want to go if you do<br />

for the Predicator and<br />

(if you *want)<br />

predicate in a clause<br />

(cf. 29.5)<br />

4 Emphasis (by tonic stress) Yes, I will go I do want to go<br />

EVENTS: VERBAL GROUPS 321


Four more features also distinguish the operator from a lexical verb:<br />

operation operator aux. lexical vb<br />

5 Position of frequency I can always go I always want to go<br />

adverb: follows operator<br />

*I want always to go<br />

but precedes lexical verb<br />

6 Postposition of quantifiers They have all/ *They went all/ both<br />

all and both both gone They all/ both went<br />

7 Verbal element in a tag You will come, ...*comen’t you?<br />

question<br />

won’t you?<br />

8 Independence of subject Ed will teach the Ed expects to teach the<br />

juniors<br />

juniors<br />

The juniors will The juniors expect<br />

be taught by to be taught by Ted<br />

Ted<br />

With verbs which have the active–passive contrast, operators usually show no change<br />

of meaning, whereas with some finite lexical verbs (e.g. expect) there is a change of<br />

meaning.<br />

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322 ENGLISH GRAMMAR


BASIC STRUCTURES OF MODULE 38<br />

THE VERBAL GROUP<br />

SUMMARY<br />

1 The experiential structure of the VG consists of Finite + Event + auxiliaries. The<br />

Finite expresses tense, person, number and modality (the latter when realised<br />

by a modal auxiliary). These relate the verbal process to the ‘speaker-now’<br />

and establish the Verbal Group in relation to the speech exchange. The Event<br />

expresses lexical meaning, which provides the representational content. Finite<br />

and Event are fused in e.g. runs, asked; was, has (as primary auxiliaries).<br />

2 Verbal Groups can be marked for tense or modality but not both.<br />

3 Verbal Group structures can be simple, consisting of one element only (runs,<br />

asked), or extended, consisting of one or more auxiliaries + a main verb (may<br />

have been running).<br />

4 Up to four auxiliaries can occur, or five if a lexical auxiliary is included.<br />

5 The meanings expressed by the auxiliaries are: modal, perfect, progressive,<br />

passive, in this order. The structures which realise these meanings are<br />

telescoped in the VG.<br />

6 The longer combinations are more frequent in spoken than in written <strong>English</strong>.<br />

7 Non-finite VGs (having been seen) can express perfect, progressive and passive<br />

meanings, but not tense or modality.<br />

8 Verbal Groups are discontinuous in <strong>English</strong> when the sequence of elements<br />

is interrupted by other clause elements or by intensifiers.<br />

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38.1 EXPERIENTIAL STRUCTURE OF THE VERBAL GROUP<br />

In finite clauses the experiential structure of the Verbal Group is Finite + Event. The<br />

Finite carries tense, number and, to a limited extent, person. A modal auxiliary provides<br />

an alternative to a tensed auxiliary, for instance is going/may go. A tensed form and a<br />

EVENTS: VERBAL GROUPS 323


modal auxiliary do not occur together: *is may go. In one-word VGs, such as takes, has<br />

(she has long hair), the finiteness is realised on the lexical verb. In longer sequences the<br />

Finite is realised by an operator and may be followed by one or more auxiliaries: It has<br />

been snowing all day.<br />

There is a parallelism between the Nominal Group and the Verbal Group as regards<br />

their respective experiential structures. Both begin with an element which relates them<br />

to the ‘speaker-now’ of the speech situation. The NG does this by means of the deictic,<br />

or ‘pointing’ element, such as ‘this’ in this house, the VG by means of the operator, which<br />

carries tense, modality and person (is waiting/will wait), or the lexical verb alone (waits).<br />

The Verbal Group ends with the Event, which corresponds to the Entity in the Nominal<br />

Group, and provides the representational content. Both Event and Entity represent the<br />

nucleus of the lexical meaning.<br />

38.2 SIMPLE STRUCTURES OF THE VERBAL GROUP<br />

A simple Verbal Group structure consists of a single element, usually the lexical element,<br />

realised by a finite or non-finite form of a lexical verb, for example drive:<br />

Finite forms<br />

drive (pres. indic.)<br />

drives (pres. indic.)<br />

drove (past indic.)<br />

Non-finite forms<br />

(to) drive (inf.)<br />

bare infinitive<br />

driving (pres. part.)<br />

driven (past part.)<br />

They drive on the left in the UK.<br />

He drives to work every day.<br />

He drove out of the garage.<br />

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It’s important to drive with care.<br />

They won’t let you drive without a licence.<br />

Driving to work this morning, I heard the 9 o’clock news.<br />

Driven away by night, the car was then abandoned.<br />

Simple VG structures are illustrated in the passage below:<br />

Rivers perhaps are the only physical feature of the world that appear at their best<br />

from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose<br />

their horizons; lakes have no longer depth but look like bright pennies on the earth’s<br />

surface; forests become a thin impermanent film, a mass on the top of a wet stone,<br />

easily rubbed off. But rivers, which from the ground one usually sees in cross sections,<br />

like a small sample of ribbon – rivers stretch out serenely ahead as far as the eye<br />

reaches.<br />

(A. M. Lindbergh, North to the Orient)<br />

324 ENGLISH GRAMMAR


38.3 EXTENDED STRUCTURES OF THE VERBAL GROUP<br />

An ‘extended’ Verbal Group structure consists of a lexical verb at the head, preceded<br />

by up to four auxiliaries, or five if we include the lexical auxiliaries. The order in which<br />

the auxiliaries occur is fixed and depends upon the grammatical meanings they convey.<br />

The features of grammatical meaning which can be expressed in an extended VG<br />

comprise the following pairs, marked and unmarked, respectively, in 3rd person singular:<br />

marked unmarked<br />

tense past, present went goes<br />

finiteness non-finite, finite going goes<br />

anteriority perfect, non-perfect has gone goes<br />

aspect progressive, non-progressive is going goes<br />

modality modal, non-modal will go goes<br />

polarity negative, positive doesn’t go goes<br />

emphasis contrastive, non-contrastive does go goes<br />

These major features of grammatical meaning represent sets of options between which<br />

speakers choose every time they combine elements to form a Verbal Group. The basic<br />

or unmarked options are: the present, finite, non-perfect, non-progressive, non-modal,<br />

positive, non-contrastive. Taking a 3rd person form of go, goes is the unmarked option<br />

in each case.<br />

The auxiliaries serve to build up the meanings expressed by the modal, perfect,<br />

progressive and passive combinations, operating not in isolation but each telescoping<br />

with the next, as is explained below. The meanings of these and the other pairs are<br />

described in this and subsequent chapters. In the following examples, we let has and is<br />

stand for any form of have and be, must for any of the modal auxiliaries and be about<br />

to for the set of lexical auxiliaries.<br />

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38.4 STRUCTURES WITH ONE AUXILIARY: O V<br />

In the finite VG with only one auxiliary, this auxiliary is necessarily the operator and,<br />

according to its type, selects a corresponding form of the lexical verb. The o v structure<br />

can express the following features of grammatical meaning, in addition to the obligatory<br />

choices of tense, finiteness, polarity and contrastiveness:<br />

features realisations example<br />

A 1 modal modal aux.+ V-inf must drive<br />

B 2 perfect have + V-en has driven<br />

C 3 progressive be + V-ing is driving<br />

D 4 passive be + V-en is driven<br />

With a lexical auxiliary:<br />

5 be + about to + V-inf is about to drive<br />

EVENTS: VERBAL GROUPS 325


The four basic combinations also combine with each other to make up more complex<br />

Verbal Groups, all of which function as one VG at Finite + Predicator in clause structure.<br />

The features modal, perfect, progressive, passive occur in ordered combinations,<br />

like the letters of the alphabet ABCD. Thus, for instance, B can follow A, or D can follow<br />

C, but not vice versa. A certain feature may be omitted, as in ACD, BD. Lexical auxiliaries<br />

can occur with any combination, as illustrated in the next section.<br />

The grammatical meanings listed above, which are realised by one auxiliary (the<br />

operator) + the lexical verb, are illustrated in the following passage. Forms of be occur<br />

as main verb, there is one main verb fell and also one ‘phased’ VG (see 39.2.7):<br />

One day, as you are washing 1 your hands, you happen to glance 2 into the mirror<br />

over the basin and a sudden doubt will flash 3 across your mind: ‘Is 4 that really me?’<br />

‘What am I doing 5 here?’ ‘Who am 6 I?’ Each one of us is so completely cut off 7 from<br />

everyone else. How do you know 8 you are reading 9 a book? The whole thing may<br />

be 10 an illusion. How do you know 11 that red is 12 red? The colour could appear 13<br />

blue in everyone else’s eyes. A similar doubt, differently expressed, is 14 inherent in<br />

the well-known question: ‘A tree that has fallen 15 in the forest, far from the nearest<br />

man – when it fell, 16 did it make 17 any noise?’<br />

(Magnus Pike, The Boundaries of Science)<br />

Be as main verb: 4 , 6 , 12 , 14 . Be as aux. progressive: 1 , 5 , 9 . Be as aux. passive: 7 .<br />

Have as aux. perfect: 15 . Do as aux. present: 8 , 11 . Do as aux. past: 17 . Modal aux:<br />

3<br />

, 10 , 13 . Phased VG with catenative happen to: 2 .<br />

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This text illustrates the options listed as ABCD choices. It must be remembered,<br />

however, that all finite Verbal Groups also select obligatorily for tense, polarity and<br />

contrastiveness. This means that a full description of any one VG realisation would have<br />

to specify all these choices, as can be exemplified by 1 are washing: finite, present,<br />

positive, non-contrastive, non-modal, + progressive, non-perfect, non-passive.<br />

38.5 STRUCTURES WITH TWO GRAMMATICAL<br />

AUXILIARIES: O X V<br />

6 modal + perfect must have driven<br />

7 modal + progressive must be driving<br />

8 modal + passive must be driven<br />

9 perfect + progressive has been driving<br />

10 perfect + passive has been driven<br />

In combination with a lexical auxiliary:<br />

11 modal + lexical-aux must be about to drive<br />

12 perfect + lexical-aux has been about to drive<br />

326 ENGLISH GRAMMAR


13 lexical-aux + progressive is about to be driving<br />

14 lexical-aux + passive is about to be driven<br />

Structures with two auxiliaries occur widely in both spoken and written <strong>English</strong>. The<br />

following extract is adapted from a report about problems facing language-school<br />

students when they come to the UK to study <strong>English</strong>:<br />

It must be realised 1 that many students will be going 2 abroad for the first time and<br />

may well be likely to feel 3 anxious about the kind of reception they will be given, 4<br />

about the kind of work they are about to have to do 5 or about the host family to<br />

which they happen to have been assigned. 6 Many of these worries can easily be<br />

allayed 7 by giving them as much information as possible beforehand. In the past,<br />

some students have been apt to complain 8 that they have had to face 9 certain<br />

difficulties in the first weeks owing to lack of sufficient information.<br />

1<br />

modal + passive; 2 modal + progressive; 3 modal + lexical-aux; 4 modal + passive;<br />

5<br />

lexical-aux + lexical-aux; 6 catenative (happen to) + perfect + passive; 7 modal +<br />

passive; 8 perfect + lexical-aux; 9 perfect + lexical-aux<br />

38.6 STRUCTURES WITH THREE GRAMMATICAL<br />

AUXILIARIES: O X X V<br />

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15 modal + perfect + progressive must have been driving<br />

16 modal + perfect + passive must have been driven<br />

17 modal + progessive + passive must be being driven<br />

18 perfect + progressive + passive has been being driven<br />

Verbal groups of three grammatical auxiliaries are more common in speech than in<br />

writing. With a modal or a lexical auxiliary, complex forms easily occur in spoken<br />

<strong>English</strong>, as in the following examples:<br />

. . . and (they) think the killer could be being protected locally [BNC KIE 23370]<br />

The matter could and should have been dealt with as set out above [BNC FD6 2851]<br />

Groups with the two forms been being are uncommon, but they can occur if they are<br />

needed.<br />

With a lexical auxiliary added there are now four auxiliaries:<br />

19 modal + perfect + lexical-aux must have been about to drive<br />

20 modal + lex.-aux + progressive must be about to be driving<br />

21 modal + lex.-aux + passive must be about to be driven<br />

22 perfect + lex.-aux + progressive has been about to be driving<br />

23 perfect + lex.-aux + passive has been about to be driven<br />

24 progressive + lex.-aux + passive is about to be being driven<br />

EVENTS: VERBAL GROUPS 327


Then his application would have to have been made to the Commission by March.<br />

[BNC FBK 14.655]<br />

We will go no further with the structure of the finite extended VG, as no examples of<br />

five auxiliaries have been found in a large corpus. In principle, however, there is no<br />

grammatical constraint on their composition and the telescoped order of elements<br />

allows for their use if the context requires them.<br />

38.7 TELESCOPED ORDER OF ELEMENTS OF THE<br />

VERBAL GROUP<br />

It is important to note that each semantico-syntactic feature of a complex VG (tense<br />

and modality, perfect, progressive and passive) is expressed, not by one element only,<br />

but by each element telescoping into the following one:<br />

modality:<br />

perfect:<br />

progressive:<br />

passive:<br />

main verb:<br />

must + V-inf<br />

have + V-en<br />

been + V-ing<br />

being + V-en<br />

driven<br />

= Verbal Group: must have been being driven<br />

(4 grammatical auxiliaries)<br />

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With respect to the other auxiliaries, lexical auxiliaries have a relatively free ordering,<br />

the basic requirement being that they are followed by an infinitive. This blocks such<br />

combinations as *is likely to can drive and *is bound to must drive. However the meaning<br />

of must can be expressed by the lexical auxiliary have + to-infinitive, and of can by be<br />

able to, giving the acceptable combinations is likely to be able to drive and is bound to have<br />

to drive, as illustrated in the following spoken example:<br />

If pain and other symptoms were being so badly managed these patients should<br />

have been referred promptly to other health care professionals who might have been<br />

able to provide a better quality of analgesia. [BNC FT2 31.588]<br />

Note that, as we mentioned in Module 37, forms of be participate in extended structures<br />

in various ways: as auxiliary of the progressive (is taking); as auxiliary of the passive<br />

(is taken); and in a lexical auxiliary combination (is bound to). These can be telescoped<br />

successively as in: is being taken (prog. + passive), is bound to be taken (lex. aux + passive).<br />

38.8 EXTENDED NON-FINITE STRUCTURES<br />

Non-finite VGs do not possess the full set of sequences that we find in finite groups<br />

because they do not express the grammatical meanings of tense, mood or modality.<br />

328 ENGLISH GRAMMAR


The perfect, progressive and passive meanings can, however, be expressed in the<br />

non-finite VG, giving the following possible combinations (the bracketed form is not<br />

common):<br />

Infinitive structures Participle structures<br />

25 to have driven having driven<br />

26 to have been driving having been driving<br />

27 to have been driven having been driven<br />

28 to be driving (being driving)<br />

29 to be driven being driven<br />

Lexical auxiliaries can of course also be incorporated into non-finite structures, making<br />

for even longer combinations, which can be produced spontaneously when they are<br />

needed, as in the example:<br />

Having been about to be operated on more than once, his operation was nevertheless<br />

postponed on each occasion.<br />

With an appropriate lexical verb and an appropriate context, such as someone who<br />

is teaching needing extended time to complete an essay on a course she is following,<br />

the participial sequence of being + V-ing is acceptable, as in the following example from<br />

Michael Halliday:<br />

You might get an extension on the grounds of being teaching.<br />

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38.9 RELATIVE FREQUENCY OF COMPLEX VERBAL GROUPS<br />

It must be realised that extended VG structures have developed and become acceptable<br />

over time, and that this process has not yet been completed. Even short progressive +<br />

passive combinations such as are being killed were avoided by writers before the second<br />

half of the nineteenth century. (Macaulay is said to have written ‘Good soldiers are killing<br />

. . .’ because he could not bring himself to write ‘are being killed’.) There is still a similar<br />

reluctance to use the longer forms such as might have been being killed. The language’s<br />

resources, nevertheless, can generate them so that they are at the user’s disposal when<br />

they are needed. The reason that longer VGs occur more frequently in spoken <strong>English</strong><br />

than in written lies partly in the on-line nature of spontaneous speech and the kind<br />

of meanings conveyed by the VG. Such meanings are related not simply to an objective<br />

point of time at which an event occurred, but also more subjectively and spontaneously,<br />

to evaluations, speculations and predictions made by the speaker as to what may happen<br />

in the future or to what could, should or might have happened in the past.<br />

38.10 DISCONTINUOUS VERBAL GROUPS<br />

The sequence of elements in VGs is often interrupted by other clause elements, such<br />

as subject, adjunct and intensifiers as in has not yet been completed. Such interruptions<br />

EVENTS: VERBAL GROUPS 329


can be seen in the following exchange, in which A asks B about her father, who is a wine<br />

dealer:<br />

A. Did he import 1 from any particular place in France, or all over?<br />

B. Well, he used to sort of be 2 forever going 3 to Bordeaux, so I assumed from that that<br />

that was his main connection.<br />

(adapted from J. Svartvik and R. Quirk, A Corpus of <strong>English</strong> Conversation)<br />

1<br />

interrupted by Subject; 2 interrupted by intensifier; 3 interrupted by Adjunct<br />

As well as in interrogative structures, separation of the VG by the subject is produced<br />

in certain types of thematisation (Only then did he realise the harm he had done; Had<br />

we known your address, we would have got in touch with you). This is explained in<br />

section 28.10.<br />

Discontinuity of the VG is also produced by negative or semi-negative items (I would<br />

never have believed that of him; You can hardly expect them to wait all day).<br />

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330 ENGLISH GRAMMAR


ORGANISING OUR EXPERIENCE MODULE 39<br />

OF EVENTS<br />

SUMMARY<br />

1 Verbal groups can be linked by coordination to express sequences of related<br />

events.<br />

2 VGs in a dependency relationship are described by the semantic notion of<br />

phase. They form chain-like sequences which symbolise a complex event<br />

consisting of two phases (try to win, end up winning).<br />

3 The first VG in a phased structure is often a catenative (start, happen) and can<br />

express the aspectual meanings of initiation, continuation, attempt, manner and<br />

usuality.<br />

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4 These catenatives are mid-way between lexical verbs and auxiliaries. They are<br />

not able to function as operators, and so require the do-operator.<br />

5 The second VG is non-finite. The to-infinitive points to a beginning or end-point<br />

of the second phase, (start to cry) while the -ing form implies its duration (start<br />

crying).<br />

We now begin to examine some of the means used in <strong>English</strong> to express the internal<br />

nature or character of the event for which the verb is a linguistic symbol.<br />

39.1 SEQUENCING AND PHASING EVENTS<br />

Verbal groups can be joined, either by coordination or by dependency to express events<br />

which occur in sequence, or are ‘phased’, respectively.<br />

When linked by coordination, VGs are conjoined. They express two events with<br />

the same subject which occur in sequence and are semantically related (washed and<br />

dressed, but hardly washed and scolded). Just as with the conjoining of other types of<br />

grammatical unit, the VGs may be linked in three ways: by the linking words and, or and<br />

but; without any linking item; or by a combination of both when more than two events<br />

are related:<br />

EVENTS: VERBAL GROUPS 331


She washed and dressed the child.<br />

Our last typist just left, disappeared without saying a word.<br />

He was born, lived and died in Bristol.<br />

In section 12.1 we considered verbs which can set up a chain of non-finite complements<br />

as catenatives, and the non-finite clauses themselves as catenative complements. Here<br />

we look at a largely different set of verbal groups e.g. happened to see, keep on running,<br />

which can in many cases be interpreted semantically as one complex or phased process,<br />

realised by two VGs, the second dependent on the first. The first VG is a catenative,<br />

which may be finite (such as happened) or non-finite (such as having kept on). Unlike the<br />

lexical auxiliaries, these verbs cannot themselves be operators. Instead they take the do<br />

operator, as in Did he happen to see it?<br />

The second VG is always non-finite, the form of the verb being controlled by the first.<br />

The infinitive form, usually with to, as in it started to rain, tends to draw attention to<br />

the initial or terminative stage of the phased event. The participial -ing form, as in it<br />

started raining tends to suggest the durative nature of the second phase. The -en form in<br />

the get-passive suggests termination, while get invokes partial responsibility, or bad luck/<br />

good luck, for the action (see 30.3.5). Get can be used in the three types of phase:<br />

Initial:<br />

Terminating:<br />

Terminating + responsibility/bad luck:<br />

Let’s get moving.<br />

I got to know him well.<br />

He got run over by a bus.<br />

Verbs which can function as the first verb in the phased verbal groups include the<br />

following:<br />

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• + to-infinitive: appear to, chance to, come to, fail to, get to, happen to, help to,<br />

hesitate to, manage to, prove to, regret to, seem to, tend to, try to, turn out to,<br />

venture to<br />

• + -ing: keep (on), go on, carry on<br />

• + to-infinitive or -ing: begin, start, get, cease, stop<br />

• get + V-en (the get-passive)<br />

• help + to-infinitive or bare infinitive<br />

The non-finite forms are illustrated as follows:<br />

to-infinitive<br />

-ing form<br />

to-inf./-ing<br />

To-inf./bare inf.<br />

-en<br />

He tried to kill the snakes.<br />

He went on killing the snakes.<br />

He began to kill the snakes.<br />

He helped kill/ to kill the snakes.<br />

He began killing the snakes.<br />

He got killed by a snake.<br />

These verbs have in common with the lexical auxiliaries the ability to form chained<br />

sequences of non-finite constructions as in Those pears don’t seem to be getting eaten and<br />

He always seems to be certain to pass his driving test, but in the end he keeps on managing to<br />

332 ENGLISH GRAMMAR


fail. Although they require the do-operator, many of them satisfy the ‘independence of<br />

the subject’ criterion which is characteristic of auxiliaries and illustrated below (see also<br />

37.5). When used as catenatives, then, the following verbs are midway between<br />

auxiliaries and full lexical verbs:<br />

Phil fails to<br />

appears to<br />

happens to<br />

tends to<br />

ceased to<br />

came to<br />

recognise the implications.<br />

appear to<br />

happen to<br />

The implications fail to be recognised by Phil.<br />

tend to<br />

ceased to<br />

came to<br />

39.2 TYPES OF PHASE<br />

Verbal Group complexes of this kind are said to be ‘phased’, because the process<br />

expressed by the VGs is interpreted as being realised by a single subject in two or more<br />

phases. The types of phase are classified notionally here in terms of the meaning of the<br />

first verb.<br />

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39.2.1 The phase of initiation<br />

Some verbs admit the aspectual contrast of initial/ terminative as opposed to durative<br />

in the second:<br />

It began to rain. It began raining.<br />

She started to cry. She started crying.<br />

- - - - - - - - - - - - - Get moving!<br />

39.2.2 The phase of continuation<br />

- - - - - - - - - - - - - Why do you keep on complaining?<br />

He went on to talk about his future plans. He went on talking for hours.<br />

It continued to snow for a week.<br />

It continued snowing for a week.<br />

- - - - - - - - - - - - - Carry on working, please!<br />

There is a difference of meaning between go on + to inf. and go on + -ing. The infinitive<br />

form suggests movement to a different topic or activity, depending on the verb, while<br />

the -ing form encodes the continuation of the same activity. Compare: He went on<br />

(afterwards) to study Physics, and He went on (as usual) studying Physics.<br />

EVENTS: VERBAL GROUPS 333


39.2.3 The phase of termination<br />

I have ceased to mind the harsh climate. I have ceased minding the constant<br />

noise.<br />

- - - - - - - - - - - - - He will end up resigning.<br />

- - - - - - - - - - - - - Have the children finished eating?<br />

- - - - - - - - - - - - - Can’t you stop making such a noise?<br />

I got to know him well<br />

I got working on the essay and finished<br />

it before dinner-time. (phase of<br />

initiation)<br />

The use of stop with a following to-infinitive indicates the end of one process and the<br />

beginning of another, rather than one phased process. Syntactically, the to-infinitive is<br />

analysed as adjunct. Compare:<br />

He stopped to think. He stopped thinking.<br />

39.2.4 The phase of appearing or becoming real<br />

The sky seemed to get darker. The patient appears to be improving.<br />

The job proved to be quite unsuitable.<br />

The stranger turned out to be a neighbour after all.<br />

39.2.5 The phase of attempting, succeeding, failing, helping<br />

The verbs used with these meanings include try, attempt, manage, be able, fail, neglect,<br />

omit, learn, which are followed by the to-infinitive form of the subordinate verb. Again,<br />

this form often draws attention to the initiation or completion of the process:<br />

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He tried to learn Arabic.<br />

We managed to find the key.<br />

We had arranged to meet at 9, but he failed to turn up.<br />

You must learn to relax.<br />

I attempted to explain but they wouldn’t listen.<br />

She neglected to turn off the gas and there was an explosion.<br />

He helped feed the baby/ This herbal tea will help you to relax. (See also section 12.3.)<br />

39.2.6 The phase of manner or attitude<br />

The manner in which a person performs an action or an attitude of mind towards<br />

performing it are expressed by verbs such as regret, hesitate, hasten, pretend, decline,<br />

bother. All are followed by the to-infinitive form, except bother, which can also take an -<br />

ing form:<br />

I regret to inform you . . . = inform with regret<br />

I hesitate to ask you this favour. = ask reluctantly<br />

They hastened to reassure her. = reassure immediately<br />

He’s only pretending to be deaf. = acting as if deaf<br />

334 ENGLISH GRAMMAR


He declined to answer the question. = was not willing to answer<br />

I never bother to iron/ ironing sheets. = trouble myself to iron<br />

I happen to like her a lot, so shut up. = showing annoyance at something said<br />

39.2.7 The phase of chance and tendency<br />

An element of chance or usualness, in the performance of the action denoted by the<br />

second verb, is expressed by certain catenatives. Semantically, these verbs are similar<br />

to the lexical auxiliaries described in section 37.3, such as be apt to, be liable to, which<br />

express usualness.<br />

She happened to notice the number-plate. = noticed by chance<br />

I chanced to overhear their conversation. = heard by chance<br />

He tends to be nervous, doesn’t he? = often is<br />

Two phased verbs are illustrated in the following news item from The Sunday Times<br />

of India:<br />

Project to save Pisa tower<br />

Workers have started removing soil from under the base of the leaning tower of<br />

Pisa, Italy, the second phase of a project meant to keep the monument from toppling<br />

over.<br />

The digging that started on Friday was carried out through 12 tubes, inserted to<br />

a depth of six metres to remove some soil. Experts hope the tower will then settle<br />

better into the ground and lean less. It now leans 6 degrees, four metres off the<br />

perpendicular.<br />

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An illustration of the occurrence of complex and phased VGs (together with lexical<br />

auxiliaries and phrasal verbs) in spoken <strong>English</strong> is provided by the following short extract<br />

from a recorded conversation:<br />

Rachel:<br />

Harry:<br />

Rachel:<br />

Harry:<br />

Rachel:<br />

Harry:<br />

We got locked out 1 of the flat yesterday.<br />

How did you get back 2 in?<br />

We had to borrow 3 a long ladder and climb up 4 to the first floor balcony.<br />

I thought that with the kind of security lock you’ve got, you’re not supposed<br />

to be able to lock yourself out. 5<br />

That’s true. But if you happen to bang 6 the door a bit too hard, it locks itself.<br />

It’s better to have to lock 7 it from the outside.<br />

1<br />

get-passive, phrasal verb; 2 phrasal verb; 3 lexical aux; 4 phrasal verb; 5 lexical aux.<br />

+ lexical-aux. + phrasal verb; 6 phased VG; 7 lexical-aux<br />

EVENTS: VERBAL GROUPS 335


THE SEMANTICS OF MODULE 40<br />

PHRASAL VERBS<br />

SUMMARY<br />

1 Phrasal verbs consist of a lexical verb + an adverb-like particle (She walked<br />

out). The syntax of these verbs, as of other multi-word combinations, is described<br />

in Chapter 2.<br />

2 The function of many of the particles is to modify the nature of the activity<br />

expressed by the verb. The result is an extended meaning which is often quite<br />

different from the meaning(s) of the verb when it functions alone.<br />

3 The more transparent combinations combine the meaning of the verb and the<br />

particle, and these allow substitution (go out/run out/hurry out: go away/run<br />

away/hurry away.<br />

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4 In a Motion Event analysis the lexical verb in such combinations expresses<br />

Motion, while the particle expresses the Path taken by the moving Figure with<br />

respect to the Ground.<br />

5 The notions of Manner and also Cause are typically incorporated, together with<br />

Motion, in <strong>English</strong> verbs.<br />

6 Phrasal verb particles can also draw attention to the beginning or end of an<br />

activity, to its continuation, slow completion, increased or decreased intensity<br />

and many other meanings.<br />

40.1 PHRASAL VERBS<br />

No student of <strong>English</strong> can fail to notice that phrasal verbs are one of the most distinctive<br />

features of present-day informal <strong>English</strong>, both in their abundance and in their<br />

productivity. New combinations are constantly being coined. A phrasal verb is a<br />

combination of a lexical verb and an adverb-like particle such as run in, fly away, get off,<br />

walk back, drive past, come over. The syntactic behaviour of phrasal verbs is compared<br />

with that of prepositional verbs in Chapter 2.<br />

336 ENGLISH GRAMMAR


In this section we turn our attention to the combinations of meanings provided by<br />

the lexical verb together with its particle. We will try to show how the concept of Motion<br />

Event offers a cognitive explanation for these combinations in <strong>English</strong> that should help<br />

to dispel the opaqueness often ascribed to phrasal verbs. (We present here only a small<br />

part of what is a far-reaching model, which provides a typology of motion events across<br />

languages.)<br />

The function of many of the particles is to modify the nature of the activity expressed<br />

by the verb. The result is an extended meaning which is often different from the<br />

meaning(s) of the verb when it functions alone.<br />

40.1.1 Semantic cohesiveness and idiomaticity<br />

Phrasal verbs are semantically highly cohesive. The verb and particle function as a<br />

whole, and the more idiomatic combinations frequently have a unique, idiomatic<br />

meaning which is not merely the sum of the two parts.<br />

Other verb + particle combinations, however, present varying degrees of cohesiveness<br />

and little or no idiomaticity. For practical purposes, the following three degrees<br />

will be recognised: non-idiomatic, semi-idiomatic and fully idiomatic. We shall<br />

deal with each type separately.<br />

40.2 NON-IDIOMATIC PHRASAL VERBS: FREE COMBINATIONS<br />

The lexical verb and the adverbial particle each keep their own meaning, the sum of the<br />

meanings being one of movement + direction. The particle encodes the direction of<br />

the movement, while the lexical verb encodes the movement, as in:<br />

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The children went down to the beach<br />

40.2.1 The Motion Event: Figure, Ground, Path and Manner<br />

It is here that the concept of Motion Event is revealing. The components in the Motion<br />

Event are Figure, Ground, Motion, and optionally, Path and Manner. Figure is the salient<br />

moving or stationary object in a motion event (we centre here on moving objects). In<br />

our previous example the children functions as Figure, while the beach serves as a point<br />

of reference or Ground with respect to which the Figure’s Path is conceptualised. Path<br />

refers to the one or more paths occupied by the Figure. In our example Path is fully<br />

expressed by the adverb-like particle down plus the preposition to. The lexical verb went<br />

expresses Motion.<br />

Figure Motion Path Ground<br />

The children went down to the beach<br />

ran<br />

walked<br />

In <strong>English</strong> the notion of Manner is easily incorporated together with Motion in the lexical<br />

verb, giving combinations such as ran down and walked down, which encode the different<br />

EVENTS: VERBAL GROUPS 337


ways in which the movement is carried out. In this way, the manner of movement is<br />

integrated into the verbal group without the need to add an adverbial phrase or clause<br />

of manner.<br />

Both Path and Manner are important components of phrasal verbs. In many clauses<br />

which express motion in <strong>English</strong>, the particle expressing Path can stand alone without<br />

the preposition, and also without the rest of the Ground, as in The children went down/<br />

walked down. When the information in the Ground can be inferred from the context, it<br />

is conventionally omitted, as is the bracketed part in 1 and 2. In 3 the whole of the<br />

Ground is retained (back on the shelf):<br />

1 The bus stopped and we got on/got off (it, the bus).<br />

2 We turned off (the main road) down a side-road.<br />

3 Put all the books back on the shelf.<br />

Non-literal uses of Path combinations may not admit this reduction of the Path<br />

component. Compare the literal use of into as in go into the house with the non-literal<br />

use as in go into the matter: They went into the house/They went in. They went into the<br />

matter/ *They went in.<br />

While many adverb-particles have the same form as prepositions (get on/off the bus<br />

– get on/ off), the two categories are distinguished by certain features:<br />

• A preposition is unstressed or lightly stressed; a particle receives heavy stress, even<br />

when they have the same form: compare come to class vs come TO (= recover<br />

consciousness).<br />

• A preposition is followed by a nominal element (noun, pronoun, -ing clause), a<br />

particle does not need to be followed by anything cf. climb up the cliff vs climb up.<br />

• The category of particle includes words that don’t function as simple prepositions:<br />

apart, together. Conversely, from and at are always prepositions, never particles;<br />

consequently, apart from and together with are complex prepositions (see Chapter<br />

12).<br />

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<strong>English</strong> admits multiple expressions of Path, which include both particles and a<br />

preposition, as in:<br />

Paul ran back down into the garage.<br />

In this very ordinary <strong>English</strong> sentence, a great deal of information has been packed in:<br />

that the manner of motion was by running (ran); that Paul was returning to the place<br />

where he had been before (back); that his starting-point was higher than the garage, so<br />

that he had to descend (down), and that he went inside the garage, which was an<br />

enclosed place (into). Note that, in a semantic roles analysis, the preposition (in)to is a<br />

marker of Goal, the final location after the movement (see 59.2).<br />

A further (optional) component of the Motion Event is Cause. This is incorporated<br />

into <strong>English</strong> verb roots such as blow and knock, while the particle encodes Path as<br />

usual:<br />

338 ENGLISH GRAMMAR


The paper blew off the table. = The Figure (the paper) moves from the<br />

Ground (the table) (due to the air blowing<br />

on it)<br />

I blew the crumbs off the table. = The Figure (the crumbs) moves from the<br />

Ground (the table) (due to my blowing<br />

on it)<br />

He knocked the lamp over. = The Figure (the lamp) moves from a<br />

vertical position (on an unspecified Ground)<br />

to a horizontal one (due to his giving it a<br />

blow)<br />

The causer is not necessarily expressed, and when it is, the cause may be deliberate or<br />

accidental.<br />

40.2.2 TRANSLATING MOTION, MANNER AND PATH<br />

COMBINATIONS<br />

It is characteristic of everyday colloquial <strong>English</strong>, and of a number of other languages,<br />

to express Path by particles (+ preposition) and to combine Manner with Motion in the<br />

verb.<br />

This is not so in the Romance languages, however. Spanish and French, for instance,<br />

have a different pattern. Let us take the sentence Paul ran back up into the attic.<br />

Spanish can combine Motion in the lexical verb with just one of the above components,<br />

either Manner alone (corrió=ran), or just one of the Path notions (subir=go up; entrar=go<br />

in, volver=go back, followed by a participle expressing Manner). The literal equivalents<br />

of these are not idiomatic <strong>English</strong> and should be avoided:<br />

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Pablo corrió al ático.<br />

Pablo volvió al ático corriendo.<br />

Pablo subió al ático corriendo.<br />

Pablo entró en el ático corriendo.<br />

(‘Paul ran to the attic’)<br />

(‘Paul went back to the attic running’)<br />

(‘Paul went up to the attic running’)<br />

(‘Paul went into the attic running’)<br />

To attempt to put in more would be awkward and stylistically unacceptable. For this<br />

reason, translators working from <strong>English</strong> to Spanish are obliged to under-translate, usually<br />

omitting Path or Manner meanings. Conversely, in translations from Spanish into<br />

<strong>English</strong> over-translation is common through the addition of Path or Manner meanings.<br />

In both cases the aim is to provide a natural text in the target language.<br />

<strong>English</strong> phrasal and prepositional verbs often require to be translated into other<br />

languages by transposing the meanings of the verb and particle in the target language.<br />

For example, row across the lake can be translated into Spanish as cruzar el lago remando<br />

[literally cross the lake rowing]. The <strong>English</strong> particle across is translated as the main verb,<br />

cruzar, while the verb row is translated as a participle, remando. This process has been<br />

called cross transposition. In this case the transposition was complete, since both<br />

verb and adverb were translated. In other cases, either the verb or the particle is better<br />

not expressed, being inferred, as in: A bird flew in: Entró un pájaro. The transposition is<br />

then ‘incomplete’ since the notion of flying has been omitted as not salient.<br />

EVENTS: VERBAL GROUPS 339


40.2.3 Substituting Manner and Path elements<br />

The lexical verbs in non-idiomatic combinations are among the most frequently used<br />

<strong>English</strong> verbs, denoting basic movement, either with the whole body (go, carry, come,<br />

walk, etc.) or, more specifically, with part of the body (kick, hand, head, elbow, etc.),<br />

whereas others have very general or directional meanings (get, put, bring, take).<br />

They combine with a wide variety of adverb-particles. Since they allow substitution,<br />

we can start from each lexical verb such as those below and make combinations with<br />

various particles. Obviously, other lexical verbs and other particles can be used. Not<br />

every lexical verb can combine with every particle. Here is a small selection:<br />

up up up Take it up<br />

down down down Take it down<br />

in in in Take it in<br />

take out go out carry out Take it out<br />

off off off Take it off<br />

away away away Take it away<br />

back back back Take it back<br />

Alternatively, you can replace the basic lexical verb by a more specific verb of<br />

movement, while retaining the same adverbial particle. Instead of the basic go out, for<br />

instance, we can specify the manner of movement more exactly: walk out, run out, hurry<br />

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out, rush out. With the notion of Cause added (= make come out), we have bring out, print<br />

out, squeeze out (You squeeze the toothpaste out like this). Such combinations have<br />

frequently developed a non-literal meaning, as in the following business news item:<br />

More supermarkets opening in-store chemists could squeeze out High Street<br />

pharmacies.<br />

40.3 BASIC MEANINGS OF A PARTICLE: BACK<br />

A great deal of the opaqueness that learners find in phrasal verbs can be dispelled by<br />

acquiring a grasp of the basic meaning of each adverb-particle, together with some of<br />

the derived meanings. Take back, for instance. Back has two basic Path meanings.<br />

First, back can represent a circular path in which the Figure ends up where it<br />

started. This is the one expressed by Come back tomorrow, Put the books back on the<br />

shelves. The person or thing comes to be in the place or position where they were before,<br />

so that I’ll be back at 4.30 means ‘I’ll be again in this place where I am now’.<br />

Close to the basic meaning is give back and pay back as in I’ll give/ pay you back<br />

the money tomorrow (that is, I’ll return the money to you tomorrow). By a short extension,<br />

we have the meaning of reciprocity ‘in return, in reply’ as in I’ll ring you back this<br />

340 ENGLISH GRAMMAR


evening. A metaphorical extension of pay back occurs as a threat in I’ll pay you back<br />

for this!<br />

Second, back can have the meaning ‘in the opposite direction to the one a person<br />

is facing’ as in:<br />

stand back:<br />

keep back:<br />

Stand back from the edge of the platform!<br />

The police kept the crowd back as the royal car drew near.<br />

This meaning is given a figurative extension in His illness has kept him back all this term.<br />

With this second meaning, the end-point is not the same as the initial point.<br />

40.4 SEMI-IDIOMATIC PHRASAL VERBS<br />

In semi-idiomatic combinations the lexical verb, generally speaking, keeps its literal<br />

or metaphorical meaning, while the particle is used as an aspectual marker of various<br />

kinds. By this we refer here to the way a particle with a verb in <strong>English</strong> can express the<br />

completion, beginning-point, end-point or high intensity of an event. Continuation, a kind<br />

of non-completion, can also be expressed. These notions are explained and discussed in<br />

Chapter 9 under the concepts of perfectivity and imperfectivity, respectively.<br />

Aspect is seen here as the pattern of distribution through time of an action or state,<br />

and relates to such questions as its completion, beginning-point, end-point or high<br />

intensity, all kinds of perfectivity. Non-completion, which is a type of imperfectivity, can<br />

also be expressed.<br />

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The following connotations of particles have been suggested:<br />

1 beginning of an activity: doze off, switch on, start out<br />

He sat in an armchair in front of the television and soon dozed off.<br />

2 momentary character of an activity: cry out, sit down, wake up, stand up<br />

Everyone cried out in fear when the boat capsized.<br />

3 the bringing of an activity to an end or getting to a certain limit: eat up, catch up,<br />

drink up, fill up, heat up, mix up, use up, sweep up; count out, hear out, knock out,<br />

sort out, throw out, wear out; break off, call off, cut off, sell off, switch off<br />

Heat up the milk but don’t let it boil over.<br />

He hit the burglar so hard that he knocked him out.<br />

The two countries have broken off diplomatic relations.<br />

4 the slow completion of an activity: melt down, wind down, die away, fade away,<br />

melt away, pine away, waste away; chill out, peter out.<br />

The sound of thunder gradually died away/faded away.<br />

We are all stressed out. Let’s go and have a drink to wind down/chill out.<br />

EVENTS: VERBAL GROUPS 341


5 the completion of an activity from beginning to end: read through, rush through,<br />

think through<br />

I don’t think they have really thought the problem through.<br />

6 reach a different, non-integral or denatured state: break up, burn up, tear up<br />

Their marriage broke up.<br />

She tore up the letter and threw the bits of paper into the fire.<br />

7 the continuation or resumption of an activity: carry on, go on, keep on, work on,<br />

stay on, walk on.<br />

George carried on the family business.<br />

The orchestra went on/kept on playing as the Titanic sank.<br />

We stopped for a ten-minute break and then worked on until 7 o’clock.<br />

8 the continuation of an activity with dedication or abandon: work away, chat away<br />

They’ll sit gossiping away/chatting away happily for hours.<br />

9 end of motion: settle down<br />

Isn’t it time he got a job and settled down?<br />

10 distribution: give out, share out<br />

What are those leaflets that are being given out?<br />

11 decreased intensity: slow down, die down<br />

Slow down before you reach the crossing.<br />

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The clamour finally died down.<br />

12 mass character of an activity in progressive sequence: die off, kill off<br />

All the rabbits have died off in this area. Flies die off as soon as winter comes.<br />

13 reciprocity of an activity: hit back<br />

Tom hit Bill and he hit him back.<br />

In phrasal verbs the notion of completion or bringing to an end is most clear in those<br />

cases in which there is a contrast with a single verb, as in use vs use up, eat vs eat up,<br />

drink vs drink up, knock vs knock out and so on. Compare I’ve used this detergent (i.e. some<br />

of this detergent) with I’ve used up this detergent ( = there is none left); He knocked the<br />

burglar down the stairs with He knocked him out (= left him unconscious).<br />

40.5 FULLY IDIOMATIC PHRASAL VERBS<br />

Fully idiomatic combinations are those in which the meaning of the whole is not easily<br />

deduced from the parts, although it may well be deduced from the context:<br />

342 ENGLISH GRAMMAR


The conversation petered out after about ten mintues. (gradually came to an end)<br />

Someone tipped off the police that a robbery was being planned. (warn, give secret<br />

information)<br />

The government has decided to crack down on antisocial behaviour. (impose<br />

sanctions).<br />

The nonsense song caught on and was soon being heard everywhere. (become<br />

popular)<br />

Please stop butting in. We are trying to balance the accounts. (interrupt)<br />

The illustrations given in these sections show that it is by no means easy to establish<br />

boundaries between what is idiomatic and what is not. Many verbs, both one-word and<br />

multi-word, have a number of related meanings according to their collocation with<br />

different nouns and depending on the contexts in which they are used. Particularly<br />

characteristic of phrasal verbs are their metaphorical extensions of meaning, from<br />

concrete to abstract or abstract to concrete; and from one context to another less typical<br />

one. A simple phrasal verb such as put up offers the following examples, among others:<br />

The boys have put up the tent. (erect)<br />

They’re putting up a new block of flats. (build)<br />

They’ve put the bus fares up. (raise)<br />

I can put two of you up for a couple of nights. (provide a bed for)<br />

The others will have to put up at a hotel. (lodge)<br />

The project has been approved, but someone will have to put up the necessary<br />

funds. (provide)<br />

Our neighbours have put their house up for sale. (announce, offer)<br />

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FURTHER READING<br />

For structure of the VG and phase, similarity to the NG, Halliday (1994); Multi-word<br />

verbs, Quirk et al. (1985); aspectual meanings of phrasal verbs, Slobin (1996); Spasov<br />

(1978); Motion Event, Talmy (2002), Goldberg (1995). Collins Cobuild <strong>English</strong> Dictionary<br />

(1987); Cambridge International Dictionary of <strong>English</strong> (1995); Shorter Oxford <strong>English</strong><br />

Dictionary (2002).<br />

EXERCISES ON CHAPTER 8<br />

Talking about events: The Verbal Group<br />

Module 37<br />

1 Discussion: Discuss the importance of the operator in <strong>English</strong> by examining its various<br />

syntactic features. Taking your own or another language as a basis of comparison, discuss<br />

how in that language each of the functions of the <strong>English</strong> operator would be realised.<br />

EVENTS: VERBAL GROUPS 343


2 †Read the following extract and identify the functions of be, have (got) to and get as<br />

primary verb, as part of a lexical auxiliary or as a lexical verb:<br />

Imagine that you’re out, 1 you’re in Wolverhampton, 2 and you’re about to cross the street, 3<br />

and round the corner comes a big lorry. What happens? Your sense organs have told<br />

you there’s a big lorry. You’ve got to deal with it, 4 you can’t fight it. You’ve got to 5 get<br />

across that road quickly. 6 All these things happen to you, all those hormones, particularly<br />

adrenaline, have got into your bloodstream 7 because you need this sudden burst of energy<br />

to get you across the road. 8 [BNC JJH 8026]<br />

3 †Underline the Verbal Groups in the sentences below and then answer the questions:<br />

(1) A bicycle whizzed past me as I was crossing the road.<br />

(2) It startled me.<br />

(3) It also startled the elderly woman just ahead of me. She was clutching a bag or bundle<br />

or something, and almost fell.<br />

(4) ‘Can’t you be more careful?’ I shouted after the cyclist.<br />

(5) He just turned his head a little, but said nothing.<br />

(6) He was pedalling fast and was soon lost in the traffic.<br />

(7) He could have injured us both.<br />

(8) The elderly woman’s bundle had fallen open into the middle of the road. A strange<br />

collection of objects was rolling everywhere.<br />

(9) ‘Are you all right?’ I asked, as we scrambled to pick up the things before the lights<br />

changed.<br />

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In sentences 1–9 above:<br />

1 List the Verbal Groups of one element (v).<br />

2 List the Verbal Groups of two elements (o v)<br />

3 Are there any Verbal Groups of three elements (o x v)?<br />

4 What is the syntactic status of are in sentence 9?<br />

5 Write the elderly woman’s answer to the question in sentence 9.<br />

6 Continue with another sentence starting: We might have ...<br />

7 Now give the speaker’s opinion of the cyclist, starting He was ...<br />

8 Conclude with a general comment starting People should ...<br />

4 †Using the lexical auxiliaries and modal idioms listed in section 37.2, fill in the blanks in<br />

the sentences below with a form of be or have and the lexical auxiliary you consider most<br />

appropriate in each case:<br />

(1) Wheat-germ - - - - - - - - - - - - good for you, isn’t it?<br />

(2) We - - - - - - - - - - - - have finished exams by the second week in July.<br />

(3) At what time - - - - - - - - - - - - the concert - - - - - - - - - - - - start?<br />

(4) Don’t you think we - - - - - - - - - - - - enquire at the Information desk?<br />

344 ENGLISH GRAMMAR


(5) Will you - - - - - - - - - - - - pick us up at the station tomorrow evening?<br />

(6) I - - - - - - - - - - - - say something tactless, but I stopped myself in time.<br />

(7) The storms are so severe in this part of the world that basements - - - - - - - - - - - - flooded<br />

after ten minutes’ rain.<br />

(8) Do you feel you really - - - - - - - - - - - - work in the library on a day like this?<br />

5 Rewrite the following sentences, which contain that-clauses, so that they have a raised<br />

subject with the same lexical auxiliary:<br />

(1) It’s likely that the main markets will be France, Germany and Spain.<br />

(2) It was virtually certain that Diana and Charles would divorce.<br />

(3) It is sure that you will be among the first three.<br />

(4) It is supposed that he is her boyfriend.<br />

(5) It’s not likely that you’ll get a question like that.<br />

Module 38<br />

1 †What is the function of be in the following examples: lexical verb, progressive auxiliary,<br />

passive auxiliary or lexical auxiliary?<br />

(1) It’s getting late.<br />

(2) I have never been here before.<br />

(3) Has he been invited to the reception?<br />

(4) There is sure to be some delay at airports this summer.<br />

2a †Give the syntactic structure of the Verbal Groups in the sentences below, and analyse<br />

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them for the tense and ABCD features they contain. Do you see any discontinuous VGs?<br />

(1) Someone should be telling the present administration about Kenya.<br />

(2) Kenya was about to take off economically.<br />

(3) Our population has been greatly increased.<br />

(4) That increase should have been expected.<br />

(5) It was realised that modern medicine was cutting back the death rate dramatically.<br />

(6) But numerous mistakes were being made in the allocation of scarce national resources.<br />

(7) Our exports were earning less in real terms than they had been earning a decade<br />

ago.<br />

(8) Many developing nations are gradually shifting their economic policies towards free<br />

enterprise.<br />

(9) We feel that the country has not yet been able to achieve its potential.<br />

(10) But that potential should at least be receiving recognition.<br />

2b Now, re-write each sentence in 2a with a different combination of features but maintaining<br />

the lexical verb. For instance, for 1: should have told or may have told.<br />

3 †Complete the sentences below (which make up a text) with Verbal Groups containing<br />

two, three or four auxiliaries, using the verbs indicated. Example 1 is done for you:<br />

EVENTS: VERBAL GROUPS 345


(1) The last photograph - - - - - - - - - - - - (prog. + pass.+ take) when I arrived. (was being<br />

taken)<br />

(2) Pete - - - - - - - - - - - - (past + perf. + prog. + pass.+ instruct) on how to use a wide-angle<br />

lens.<br />

(3) He - - - - - - - - - - - - (must + perf. + prog. + use) a filter.<br />

(4) He - - - - - - - - - - - - (can’t + perf. + prog.+ use) a filter.<br />

(5) She - - - - - - - - - - - - (must + perf.+ move) when the photograph - - - - - - - - - - - - (take +<br />

prog. + pass.)<br />

(6) The film - - - - - - - - - - - - (will + prog. + pass. + develop) by my brother.<br />

(7) More colour films - - - - - - - - - - - - (be likely + pass. + sell) than ever this year.<br />

(8) And more cameras - - - - - - - - - - - - (be sure + perf. + pass. + buy) in the holiday period.<br />

(9) Look! Some kind of television film - - - - - - - - - - - - (prog. + pass. + shoot) over there.<br />

(10) I should say it - - - - - - - - - - - - (shoot + must + perf. + prog. + pass. + shoot), rather.<br />

They seem to have finished.<br />

Text for modules 37 and 38 combined<br />

5 † Underline the Verbal Groups in the following passage and then answer the questions<br />

below:<br />

A car with a trailer coming our way is passing and having trouble getting back into<br />

his lane. I flash my headlight to make sure he sees us. He sees us but he can’t get<br />

back in. The shoulder is narrow and bumpy. It’ll spill us if we take it. I’m braking,<br />

honking, flashing. Christ Almighty, he panics and heads for our shoulder! I hold<br />

steady to the edge of the road. Here he COMES! At the last moment he goes back<br />

and misses us by inches.<br />

(Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance)<br />

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(1) Which are more important to this text – actions or states?<br />

(2) Identify the finite VGs in the text. List separately the VGs in which finiteness is realised<br />

on the verb (the Finite is fused with the Event), and those in which the Finite is realised<br />

by an operator.<br />

(3) Are there any non-finite Verbal Groups in this extract?<br />

(4) What tense choice has been made in this text?<br />

(5) What aspectual (progressive) choices have been made?<br />

(6) What modality choices have been made?<br />

(7) What positive–negative polarity choices have been made?<br />

(8) What choices of contrastiveness have been made?<br />

(9) Can you explain how the sum of these choices helps to give the impression of<br />

movement and excitement and danger in this text?<br />

346 ENGLISH GRAMMAR


Module 39<br />

1 †Discuss the different behaviour of the italicised verbs in (a) their use as an ordinary lexical<br />

verb and (b) as a catenative in phased verbal groups. Apply constituency tests (2.2),<br />

consider ‘raised subjects’ (37.3), and take into account possible lexical alternatives:<br />

(1) (a) What has happened? I pressed the switch but nothing happened.<br />

(b) We all happened to be away when the burglar broke in.<br />

(2) (a) A strange figure appeared in the doorway.<br />

(b) He appears to have misunderstood your explanation.<br />

(3) (a) Pete has failed the driving test again.<br />

(b) He fails to realise how important it is to practise.<br />

2 †Using the VGs listed in 39.2, complete the phased Verbal Groups in the sentences below.<br />

The first one is done for you:<br />

(1) The supposedly quiet fishing village turned out to be/proved to be quite different from<br />

what the travel agency had led us to expect.<br />

(2) Did you go all the way to the other side of town to take part in the demonstration? –<br />

No, I just - - - - - - - - - - - - there.<br />

(3) Some years ago we - - - - - - - - - - - - to enquire whether a visa was necessary and were<br />

held up at the frontier for two days.<br />

(4) After - - - - - - - - - - - - unsuccessfully on several occasions to pass the seamanship test,<br />

he eventually - - - - - - - - - - - - do so at the fourth attempt.<br />

(5) Isn’t there any washing-up liquid anywhere? – Well, there - - - - - - - - - - - - a little left<br />

at the bottom of the container.<br />

(6) The shop assistant - - - - - - - - - - - - reassure the child that her mother would come soon.<br />

(7) Even old black-and-white films - - - - - - - - - - - - coloured these days.<br />

(8) He - - - - - - - - - - - - convince the Customs official that he was not smuggling anything,<br />

but it - - - - - - - - - - - - be impossible.<br />

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3 Read the following letter, taking note of the variety of Verbal Group structures used. Then<br />

write a reply to it, telling your own experiences in any environment you like.<br />

Dear Angela,<br />

Sorry I’ve taken so long to answer your very welcome letter. I meant to do so ages<br />

ago but then it got left to the half-term break. I must say, holidays do suit me much<br />

better.<br />

School is insane because of the new exam. No-one knows what rules we’re<br />

supposed to be following for criteria assessment. Someone high-up issues a decree<br />

and then disappears while the opposite is decreed. If parents really knew what a<br />

mess it was, they’d be frantic. I’ve stopped worrying about my candidates as I feel<br />

it’s out of my control. We’re also secretly planning another reorganisation in Liverpool.<br />

I haven’t been hit or sworn at yet.<br />

EVENTS: VERBAL GROUPS 347


Philip is doing teaching practice in a hilarious school in Leicester where there is<br />

no ‘confrontational discipline’, i.e. some were arm-wrestling, some talking, some<br />

listening to walkmans and some working. I hesitate to think about exam results.<br />

They’ve a 90% attendance record, which implies that our arm-wrestlers are just shoplifting<br />

somewhere, so perhaps they’ve hit on the right idea. They’re all on individual<br />

programmes. Here am I intending to try Romeo and Juliet on my low ability fourth<br />

year. I’ve told them it’s not fair to deprive them.<br />

Claire’s brother seems to have worked out a good arrangement. He lectures in<br />

Manchester, has three months on sabbatical leave and goes digging in Turkey or<br />

Greece. Funding doesn’t seem to be a problem because the relevant countries or<br />

international groups give him grants, because his wife, who’s a botanist, also comes<br />

up with information about plant types and soil, etc., that have succeeded or failed<br />

in the past. They have three children and all go camping, the baby being two weeks<br />

old on the last trip.<br />

I have talked about my family all the time. How are all of you? Keep me in the<br />

picture.<br />

Much love, Jean<br />

Module 40<br />

1 †Underline the Figure and Path(s) in the following examples. Decide whether the verb<br />

expresses (a) just Motion, (b) Motion + Manner or (c) Motion + Cause.<br />

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(1) The president and his wife drove in an open carriage through the Place de la<br />

Concorde and on up the Champs-Élysées to their residence.<br />

(2) The ship slid out of the New York dock past the Statue of Liberty to the Atlantic.<br />

(3) She accidentally knocked a book off the bedside table.<br />

(4) Several trees were blown down.<br />

(5) He gulped down his beer.<br />

(6) We cycled back home.<br />

2 With the help of a good monolingual dictionary, list the Path meanings of up and out, with<br />

examples.<br />

3 †Suggest an aspectual meaning for the italicised words in each of the following examples:<br />

(1) Fill up the tank, please.<br />

(2) He was kept on by his firm.<br />

(3) A lot of this scrap metal can be melted down and used again.<br />

(4) His vocation urged him on.<br />

(5) She woke up suddenly when the alarm went off.<br />

4 With the help of a good dictionary, try to work out the Path meaning(s) of over from the<br />

following examples (see also 59.2.3).<br />

348 ENGLISH GRAMMAR


(1) The travel agency is just over the road.<br />

(2) You can walk over the cliffs to Robin Hood’s Bay.<br />

(3) Why don’t you come over for a drink this evening? Fine! We’ll drive over about<br />

seven.<br />

(4) The milk has boiled over.<br />

(5) Many smaller firms have been taken over by larger ones.<br />

5 †In the passage preceding the one below in the novel, the ‘three men in a boat’ have tried<br />

unavailingly to open a tin of pineapple without a tin-opener (see 6.4.3, p. 63).<br />

Then we all got mad. We took the tin out on the bank, and Harris went up into a<br />

field and got a big, sharp stone, and I went back into the boat and brought out the<br />

mast, and George held the tin and Harris held the sharp end of the stone against the<br />

top of it, and I took the mast and poised it high in the air, and gathered up all my<br />

strength and brought it down.<br />

It was George’s straw hat that saved his life that day, while Harris got off with<br />

merely a flesh wound.<br />

After that I took the tin off by myself, and hammered at it with the mast till I was<br />

worn out and sick at heart, whereupon Harris took it in hand.<br />

We beat it out flat; we beat it back square; we battered it into every form known<br />

to geometry, but we could not make a hole in it . . . Harris rushed at the thing, and<br />

caught it up, and flung it far into the middle of the river, and as it sank we hurled<br />

out curses at it, and we got into the boat and rowed away from the spot, and never<br />

paused till we reached Maidenhead.<br />

(Jerome K. Jerome, Three Men in a Boat)<br />

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(1) Identify the phrasal verbs in this passage.<br />

(2) Discuss whether the particles in the first paragraph have (a) a Path function, (b) an<br />

aspectual function. Suggest a meaning associated with each one.<br />

6 Read again the section on translation at the end of 40.2.2. Then translate the following<br />

into your own or another language and indicate whether the translation is complete or<br />

incomplete:<br />

(1) He got on his bike and rode off.<br />

(2) The orders were sent out yesterday.<br />

(3) The cracks in the wall have been plastered over.<br />

(4) Now that all the kids have left we end up back where we started – just the two of us.<br />

(5) He was sent out to get some stamps.<br />

(6) He walked on away from the Real Madrid stadium entrance and the crowds towards<br />

the bus-stop on the Castellana.<br />

EVENTS: VERBAL GROUPS 349


VIEWPOINTS ON EVENTS CHAPTER 9<br />

Tense, aspect and modality<br />

Module 41: Expressing location in time through the<br />

verb: tense 352<br />

41.1 The meaning of tense 352<br />

41.1.1 Present tense, Past tense and future time 353<br />

41.1.2 Stative and dynamic uses of verbs 354<br />

41.2 Basic meanings of the Present tense 355<br />

41.2.1 The Instantaneous Present 355<br />

41.2.2 The State Present 355<br />

41.2.3 The Habitual Present 356<br />

41.3 Secondary meanings of the Present tense: reference to past events 356<br />

41.4 Basic meanings of the Past tense 358<br />

41.5 Secondary meanings of the Past tense: present and future reference 358<br />

41.6 Referring to future events 359<br />

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41.6.1 ‘Safe’ predictions 359<br />

41.6.2 Programmed events 359<br />

41.6.3 Intended events 360<br />

41.6.4 Imminent events 360<br />

41.6.5 Future anterior events 360<br />

Module 42: Past events and present time connected:<br />

Present Perfect and Past Perfect 361<br />

42.1 Present Perfect aspect and Past tense compared: anteriority vs definite time 361<br />

42.2 Time adjuncts and the Present Perfect aspect 363<br />

42.3 Current relevance 364<br />

42.4 Functions and discourse interpretations of the Present Perfect 364<br />

42.4.1 The experiential Perfect 364<br />

42.4.2 The continuous Perfect 365<br />

42.4.3 Implied meanings of the Present Perfect 365<br />

42.5 Expressing more distanced events: the Past Perfect 366<br />

42.6 Non-finite Perfect forms 368


Module 43: Situation types and the Progressive aspect 369<br />

43.1 The meaning of aspect 369<br />

43.2 Lexical aspect of <strong>English</strong> verbs 370<br />

43.3 Grammatical aspects in <strong>English</strong> 372<br />

43.4 The meaning of the Progressive 373<br />

43.5 Lexical aspect and the Progressive 373<br />

43.5.1 States and the Progressive 373<br />

43.5.2 Punctual occurrences and the Progressive 374<br />

43.5.3 Verbs with no end-point and the Progressive 374<br />

43.5.4 End-point-completion verbs and the Progressive 375<br />

43.6 The discourse functions of the Progressive 375<br />

43.7 Present Perfect and Progressive aspects combined 376<br />

43.8 Habituality: past habit or state 377<br />

Module 44: Expressing attitudes towards the event:<br />

modality 379<br />

44.1 The meaning and functions of modality 379<br />

44.2 Realisations of modal meanings 380<br />

44.3 Extrinsic modality: modal certainty, probability and possibility 381<br />

44.3.1 Modal certainty: will, must, be bound to 381<br />

44.3.2 Probability or ‘reasonable inference’: should, ought 383<br />

44.3.3 Extrinsic possibility: may, might, could 383<br />

44.4 Structural features of extrinsic modality 385<br />

44.4.1 Summary of extrinsic modal and lexical-modal auxiliaries<br />

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and their meanings 385<br />

44.5 Features of intrinsic modality: volition, obligation, necessity, permission 385<br />

44.5.1 Volition: willingness and intention: will, shall, ‘ll 386<br />

44.5.2 Inescapable obligation and necessity: must, have to, have got to,<br />

gotta, shall 387<br />

44.5.3 Negation of the modals must and may 388<br />

44.5.4 Non-binding obligation: should, ought 390<br />

44.6 Dynamic modality: Possibility, ability, permission, propensity: can, be able,<br />

could, will, would, may 390<br />

44.7 Hypothetical uses of the modals 393<br />

44.7.1 Summary of intrinsic modals and modal meanings 393<br />

Further reading 394<br />

Exercises 394


EXPRESSING LOCATION IN MODULE 41<br />

TIME THROUGH THE VERB<br />

Tense<br />

SUMMARY<br />

1 Tense is the grammatical expression of the location of events in time. It anchors<br />

an event to the speaker’s experience of the world by relating the event time to<br />

a point of reference. The universal, unmarked reference point is the moment of<br />

speaking – speech time. In narrative, a point in past time is usually taken as the<br />

reference point.<br />

2 <strong>English</strong> has two tenses, the present and the past, the past being the marked<br />

form, both morphologically and semantically.<br />

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3 The basic meaning of the present tense is to locate a situation holding at the<br />

present moment. This may be an instantaneous event (I promise to wait), a state<br />

which holds over time (Jupiter is the largest planet), or a habitual occurrence<br />

(He works in an office). Secondary meanings of the Present include reference<br />

to past and future events, ‘historic present’ (This man comes up to me . . .) and<br />

the quotative (and she goes/she’s like ‘I don’t believe it’).<br />

4 The past tense primarily refers to a definite event or state that is prior to utterance<br />

time. Its secondary uses refer to a present event or state as hypothetical (If<br />

I were you).<br />

5 <strong>English</strong> has no verbal inflection to mark a future tense. Instead, <strong>English</strong> makes<br />

use of a number of forms to refer to future events.<br />

Finite clauses in <strong>English</strong> can be marked for either tense or modality but not<br />

both. Verbs marked for tense are said to be ‘tensed’. Non-finite clauses are<br />

not tensed.<br />

41.1 THE MEANING OF TENSE<br />

Tense is the grammatical expression of the location of events in time. It anchors (or<br />

‘grounds’) an event to the speaker’s experience of the world by relating the event time<br />

352 ENGLISH GRAMMAR


to a point of reference. The normal, universal and therefore unmarked point of reference<br />

is the moment of speaking – speech time, what has been called ‘the inescapable and<br />

constantly changing now in which all verbal interaction takes place’. Past events take<br />

place before the ‘now’, while future events are thought of as taking place after it.<br />

The location of the speaker, the moment of speaking and the speaker her/himself<br />

make up ‘the I, the here and the now’- the ‘deictic centre’ – which serves as the point<br />

of reference for definiteness and proximity (see Chapter 10). Tense, therefore, has a<br />

deictic function; it distinguishes a ‘proximal’ event expressed by the present tense from<br />

a ‘distal’ event expressed by the Past tense. The ‘now’ can be diagrammed as shown.<br />

past time now future time<br />

speech<br />

time<br />

the present<br />

moment<br />

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41.1.1 Present tense, Past tense and future time<br />

Tense is a grammatical category that is realised in <strong>English</strong> morphologically on the verb.<br />

In accordance with this criterion, <strong>English</strong> has just two tenses: the Present and the Past,<br />

as in goes/ went, respectively. <strong>English</strong> has no verbal inflection to mark a future tense.<br />

The forms shall and will are not verbal inflections but modal auxiliaries which, when<br />

reduced, are attached to pronouns, not to the verb root (I’ll wait outside). Also important<br />

are the form–meaning relationships. Shall and will belong to a set of modal auxiliaries<br />

and can express meanings other than reference to future time, as we shall see later in<br />

this chapter (see 44.1). Instead of a future tense, <strong>English</strong> makes use of a number of<br />

combinations such as be going to to refer to future events (see 41.6) Compare:<br />

They do the shopping on Saturdays. (present tense)<br />

They did the shopping on Saturday. (past tense)<br />

They are going to do/ will do the shopping on Saturday. (lexical auxiliary/ modal)<br />

In general, as these examples illustrate, past and present events are taken to have<br />

the status of real events, while references to the future are to potential, that is unreal,<br />

events.<br />

In <strong>English</strong>, therefore, the three-term semantic distinction into past, present and future<br />

time is grammaticalised as a two-term tense distinction between Past tense and Present<br />

tense.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 353


Besides tensed forms of verbs, other linguistic forms, particularly adverbs of time<br />

such as now, then, tomorrow, PPs such as in 1066 and lexico-grammatical expressions<br />

such as ten minutes after the plane took off can make reference to time. <strong>English</strong>, in fact,<br />

relies to a considerable extent on such units to make the temporal reference clear.<br />

The Past tense in <strong>English</strong> is the marked form. Cognitively, the situations conceptualised<br />

by the speaker as past have the status of known, but not immediate, reality;<br />

they are not currently observed. Morphologically, the vast majority of verbs in <strong>English</strong><br />

have a distinctive past form, (played, saw) and, semantically, the past tense basically<br />

refers to a situation that is prior to the present, as in Yesterday was fine. (See 41.5 for<br />

secondary meanings.)<br />

The Present tense is the unmarked tense. Cognitively, it expresses situations which<br />

have immediate reality, that is, what is currently observed. Morphologically, it is marked<br />

only on the 3rd person singular (with the exception of be, which has three forms (am,<br />

are and is). Semantically, it covers a wider range of temporal references than the Past<br />

tense, including reference to future time (Tomorrow is a holiday).<br />

Even in our everyday use, ‘at present’ and ‘at the present time’ have a wider application<br />

than simply to the present moment of speech time. Thus, Birds have wings represents a<br />

situation which holds not only at the present time but has also held in the past, and will<br />

conceivably continue to hold in the future. It can be diagrammed as shown here.<br />

past time now future time<br />

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Birds have wings<br />

present<br />

41.1.2 Stative and dynamic uses of verbs<br />

The meaning expressed by a verb in present or past tense depends to a great extent on<br />

whether the verb refers to a single constant state, as in I know her address, or to a dynamic<br />

occurrence, as in He goes to work by train.<br />

More exactly, the meaning depends on whether the verb is being used statively or<br />

dynamically, since many verbs lend themselves to both interpretations. ‘Have’ usually<br />

refers to a state, as in birds have wings, but it also has dynamic uses as in have breakfast.<br />

In general, dynamic but not stative senses can occur with the imperative and<br />

progressive, and after do in wh-cleft sentences:<br />

Have breakfast! We are having breakfast. What we did was have breakfast.<br />

*Have wings! *Birds are having wings. *What birds do is have wings.<br />

354 ENGLISH GRAMMAR


It is important to realise that, in the following sections, the Present tense is what is<br />

sometimes referred to as the ‘simple’ Present, more exactly as the ‘non-progressive<br />

Present’. The Progressive, consisting of a form of be + -ing, is a verbal aspect which<br />

combines with tense. It is discussed in Module 43 as encoding a single event observed<br />

in the process of happening. There is a meaningful distinction – and an obligatory choice<br />

in <strong>English</strong> – between expressing a situation by means of the Present tense alone and<br />

expressing it by the Present Progressive. Compare:<br />

The sun doesn’t shine everyday in Brussels, (non-Progressive Present)<br />

but it is shining today. (Progessive Present)<br />

41.2 BASIC MEANINGS OF THE PRESENT TENSE<br />

The basic meaning of the Present tense is to locate a situation holding at the present<br />

moment. The tense itself does not say whether that same situation continues beyond<br />

the present moment and whether it also held in the past. These are implications which<br />

we derive from our knowledge of the world and from the type of situation encoded in<br />

the clause.<br />

In fact it is relatively rare for a situation to coincide exactly with the present moment,<br />

that is, to occupy a single point in time, literally or conceptually. Situations of this nature<br />

do occur, however and can be classed together as types of the Instantaneous Present.<br />

41.2.1 The Instantaneous Present<br />

These are events which coincide, or are presented as coinciding, with speech time and<br />

have no duration beyond speech time:<br />

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Performatives: I promise I’ll be careful. (see 25.1)<br />

Exclamations with initial directional adverb: Off they go! (at the start of a race)<br />

In you get! (helping someone to get in a car, etc.)<br />

Commentaries: Jones passes and Raul kicks the ball into the net.<br />

Demonstrations: I place the fruit in the blender, press gently, and then pour out the<br />

liquid.<br />

More characteristically, the Present is used to refer to situations which occupy a longer<br />

period of time than the moment of speaking, but which nonetheless include speech time.<br />

Traditionally these situations are classed according to the verb as stative uses and<br />

habitual uses of the Present.<br />

41.2.2 The State Present<br />

Used with stative verb senses, the Present refers to a single uninterrupted state, which<br />

began before the moment of speaking and may well continue after it. They include<br />

timeless statements, that is, statements which apply to all time, including speech time:<br />

Jupiter is the largest planet in the solar system.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 355


They also include states whose time span is not endless, e.g. know, think, believe, belong,<br />

stand for. They are nevertheless states in which no change or limitation into the past or<br />

future is implied. Here too the temporal reference includes speech time.<br />

I think you are right.<br />

MP stands for Member of Parliament.<br />

41.2.3 The Habitual Present<br />

This is used with dynamic verbs to encode situations that occur habitually over time,<br />

even if the action is not being carried out at the moment of speaking. For instance,<br />

referring to the following examples, Tim may not actually be working, nor the leaves<br />

falling at the moment of speaking. Nevertheless, the recurrent situation holds as the<br />

normal course of things and is appropriately referred to by the Present tense.<br />

Tim works in an insurance company.<br />

Many trees lose their leaves in autumn.<br />

Again, it must be pointed out that the plain Present tense used for habitual and other<br />

meanings contrasts with the Present Progressive, which encodes an actual occurrence<br />

of a dynamic action observed in the process of happening, as in Tim is working late today,<br />

The trees are already losing their leaves (see 43.4–43.7).<br />

41.3 SECONDARY MEANINGS OF THE PRESENT TENSE:<br />

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REFERENCE TO PAST EVENTS<br />

The Present can be used to refer to past events in certain limited ways.<br />

In newspaper headlines and captions to photographs<br />

Thousands flee persecution.<br />

Demonstrators clash with armed police as violence increases.<br />

In relating incidents in informal, casual speech: the historic present<br />

and the quotative<br />

He was only an average athlete, and then suddenly he wins two Olympic medals.<br />

I had just left the bank when this guy comes up to me and asks for money.<br />

The Present tense in headlines and the sudden switch from Past to Present in speech<br />

have the effect of dramatising the event, bringing it before the reader’s eyes as if it were<br />

an instance of the instantaneous Present. However, the headline stands apart from the<br />

text, while the ‘historic present’ switch occurs within the discourse at a key point in<br />

the narrative, and is frequently paralleled by a switch to a proximal demonstrative (this),<br />

as in the example: this guy comes up.<br />

356 ENGLISH GRAMMAR


Go and be like are used by young speakers talking among themselves, as quotative<br />

verbs like say, to introduce direct speech as in: ‘and she goes “What’s he like?” and I’m<br />

like “Gorgeous”.’ They usually occur in the Present tense. These verbs are not used in<br />

this way by all speakers.<br />

In reporting information<br />

With verbs of communicating (say, tell) and of perception (see, hear, understand) the use<br />

of the Present implies that the reported information is still valid, even though the<br />

communicative process took place in the past. With a Past tense, the validity is not<br />

implied:<br />

The weather forecast says that rain is on the way.<br />

I understand that you would like to move to London.<br />

Some of the uses of the Present tense are illustrated in this feature article from The<br />

Week:<br />

Pete earns his living by breaking into other people’s homes. He rises early, dresses<br />

smartly – ‘jeans, loafers, shirt, good coat; everthing ironed and clean’ – and tucks<br />

surgical gloves (his anti-fingerprint protection) up his sleeves. He picks ‘nice’ – by<br />

which he means moderately affluent – houses within five minutes of an underground<br />

or railway station in case he needs an emergency getaway. He targets houses<br />

screened from the street by a hedge or fence, and rings the bell. ‘If someone comes,<br />

I’ve got a set of car keys in my hand. “Minicab? No? Oh, sorry. Wrong house, Third<br />

time that’s happened this week”.’<br />

Once he’s certain no one’s at home, he goes down the side of the house, vaulting<br />

gates. ‘Boof – over the top. I’m only ten stone and I’m fit. I’ve gone up plastic<br />

drainpipes and got through toilet windows this size,’ he indicates a tiny square with<br />

his hands. He either forces or smashes a small window, leans in and breaks the main<br />

window locks. ‘They do feel solid, but you can snap ’em.’ His aim is to be in and out<br />

in three minutes. He double locks the front door to forestall unwelcome interruption.<br />

– ‘I’m on my toes now . . . running for the stairs . . . I’m doing like four steps at a<br />

time’ – and identifies the master bedroom. ‘Your jewellery is either on your bedside<br />

chest, or in the top two drawers. Not there? Your wardrobe or the drawers in your<br />

bed – I’ve got it.’ He leaps up and claps his hands, reliving the adrenaline rush. ‘I<br />

pull your pillow out – everything goes wrapped up in a pillowcase, then inside my<br />

jacket and boof! – I’m off. I don’t bother with the other rooms.’ He leaves by the<br />

front door or through a neighbouring garden. If he’s spotted he brazens it out. ‘I<br />

walk past ’em. All right mate?’ I do six, seven, maybe ten burglaries in a day’s work”<br />

(Pete uses the words ‘work’ and ‘earning’ without irony.) He steals only jewellery,<br />

netting thousands of pounds. But the money – spent on drugs, clubbing, clothes, his<br />

daughters – slips through his hands like wet soap.<br />

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VIEW POINTS: TENSE, ASPECT AND MODALITY 357


41.4 BASIC MEANINGS OF THE PAST TENSE<br />

We have seen that the basic meaning of the Past tense in <strong>English</strong> is to locate an event<br />

or state in the past. It situates the event at a ‘temporal distance’ from the moment of<br />

speaking, whether in time, towards the past, or with regard to potential or hypothetical<br />

events which have not yet occurred in the present or the future.<br />

When used to refer to a definite past event or state, the Past in <strong>English</strong> contains two<br />

semantic features:<br />

• The speaker conceptualises the event as having occurred at some specific time in<br />

the past.<br />

• The event is presented as wholly located in the past, in a time-frame that is<br />

separated from the present.<br />

These features are illustrated in the following examples:<br />

James Joyce was born in Dublin in 1882.<br />

He lived in Ireland until 1904 and spent the rest of his life abroad.<br />

The Past tense in <strong>English</strong> says nothing about whether the event occupied a point in<br />

time or a longer extent. These additional meanings are understood from the lexical verb<br />

used and from the whole situation represented by the clause. In the examples above<br />

referring to one single person, was born is interpreted as referring to a point in time,<br />

while lived and spent are interpreted as being of longer duration. With a plural subject,<br />

the Past tense were born is interpreted here as referring not to one single point in time<br />

but to many:<br />

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Generations of writers were born who imitated Joyce’s style of writing.<br />

In using the Past tense, speakers do not need to specify a past occurrence by means of<br />

an Adjunct, however. As long as the speaker has a specific time in mind and can assume<br />

that the hearer infers this from the situational context, the Past tense is used, as in:<br />

Did you see that flash of lightning?<br />

[Who said that?] It wasn’t me.<br />

I spoke to a dancer from the Bolshoi ballet.<br />

41.5 SECONDARY MEANINGS OF THE PAST TENSE:<br />

PRESENT AND FUTURE REFERENCE<br />

The Past tense can refer to time-frames other than the past in the following three ways:<br />

• In ‘closed conditionals’ and other hypothetical subordinate clauses<br />

which express a counterfactual belief or presupposition on the part of the speaker.<br />

The reference is to present time. The past in such expressions was originally a<br />

subjunctive whose only relic remains in the form were for all persons of be.<br />

358 ENGLISH GRAMMAR


If we had enough time . . .<br />

He talks as if he owned the place.<br />

I often wish I were somewhere else.<br />

presupposes we haven’t enough time<br />

presupposes he doesn’t own the place<br />

presupposes I am not somewhere else<br />

• In reported speech or thought: after a reporting verb in the Past tense, the<br />

reported verbs in the dependent clauses are also in the Past. This phenomenon is<br />

known as ‘backshift’ (see 36.3). Present tense forms are optional, as in She said she<br />

prefers/ preferred vanilla ice cream, as long as the situation is still valid.<br />

• In polite requests and enquiries, the past form ‘distances’ the proposed action,<br />

so making the imposition on the hearer less direct:<br />

Did you want to speak to me now?<br />

I wondered whether you needed anything.<br />

41.6 REFERRING TO FUTURE EVENTS<br />

We cannot refer to future events as facts, as we can to past and present situations, since<br />

future events are not open to observation or memory. We can predict with more or less<br />

confidence what will happen, we can plan for events to take place, express our intentions<br />

and promises with regard to future events. These are modalised rather than factual<br />

statements, and are treated in 44.3. Here we simply outline the main syntactic means<br />

of referring to future events as seen from the standpoint of present time.<br />

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41.6.1 ‘Safe’ predictions<br />

These are predictions which do not involve the subject’s volition, and include cyclical<br />

events and general truths. Will + infinitive is used, shall by some speakers for ‘I’ and ‘we’:<br />

Susie will be nineteen tomorrow.<br />

You’ll find petrol more expensive in France.<br />

Will/shall + progressive combine the meaning of futurity with that of focusing on the<br />

internal process, in this way avoiding the implication of promise associated with will<br />

when the subject is ‘I’ or ‘we’. Compare:<br />

I will (I’ll) speak to him about your application tomorrow.<br />

We shall (we’ll) be studying your application shortly.<br />

41.6.2 Programmed events<br />

Future events seen as certain because they are unalterable 1 or programmed 2, 3 and<br />

4 can be expressed by the Present tense + time adjunct, by will or by the lexical<br />

auxiliaries be due to + infinitive and be to (simple forms only):<br />

1 The sun sets at 20.15 hours tomorrow.<br />

2 Next year’s conference will be held in Milan.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 359


3 He is due to retire in two months’ time.<br />

4 She is to marry the future heir to the throne.<br />

41.6.3 Intended events<br />

Intended events can be expressed by be + going to + infinitive 1 and by the Progressive<br />

(be + -ing) 2. These forms can be marked for tense. The past forms refer to an event<br />

intended at some time in the past to occur in some future time 3. As with all intended<br />

events, they may or may not actually take place. (See also modal will, 44.6.)<br />

1 I am going to try to get more information about this.<br />

2 Pete is thinking of changing his job.<br />

3 I was going to leave a note but there was no-one at Reception. [BNC BMR 625]<br />

41.6.4 Imminent events<br />

An event seen as occurring in the immediate future is expressed by be + going to or by<br />

combinations such as: be about to + infinitive, be on the point of/ be on the verge of + -ing.<br />

There is usually some external or internal sign of the imminence of the happening.<br />

It looks as if there’s going to be a storm.<br />

This company is about to be/on the verge of being taken over by a multinational.<br />

An expectation orientated to past time is expressed by the corresponding forms in the<br />

past:<br />

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It’s not what I thought it was going to be.<br />

. . . the territory which was later to be part of Lithuania.<br />

41.6.5 Future anterior events<br />

A future event anterior to another event is expressed by the Future Perfect:<br />

The programme will have ended long before we get back.<br />

By the time he is twenty-two, he’ll have taken his degree.<br />

Otherwise, the Future Perfect expresses the duration or repetition of an event in the<br />

future. The addition of the Progressive emphasises the incompletion of the sequence<br />

(see 43.4):<br />

We’ll have lived here for ten years by next July.<br />

We’ll have been living here for ten years by next July.<br />

360 ENGLISH GRAMMAR


PAST EVENTS AND PRESENT MODULE 42<br />

TIME CONNECTED<br />

Present Perfect and Past Perfect<br />

SUMMARY<br />

1 Both tense and aspect have to do with time relations expressed by the verb, but<br />

from different perspectives. While tense basically situates an event or state in<br />

present or past time, aspect is concerned with such notions as duration and<br />

completion or incompletion of the process expressed by the verb. <strong>English</strong> has<br />

two aspects, the Perfect and the Progressive. We first consider the Perfect<br />

aspect, noticing how it differs from the simple tenses. In Module 43, we go<br />

on to consider the Progressive aspect.<br />

2 The Present Perfect is a retrospective aspect which views a state or event as<br />

occurring at some indefinite time within a time-frame that leads up to speech<br />

time.<br />

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3 The event is viewed as psychologically relevant to the present. By contrast, an<br />

event encoded in the Past tense is viewed as disconnected from the present.<br />

4 Consequently, the Perfect is not normally interchangeable in <strong>English</strong> with the<br />

Past tense. For the same reason, the time adjuncts accompanying them are<br />

normally different.<br />

5 Implications of recency, completion and result, derived from the combination<br />

of Present Perfect and verb type, are all manifestations of current relevance.<br />

6 The Past Perfect is used to refer to events previous to those expressed by a past<br />

tense or by a Present Perfect.<br />

42.1 PRESENT PERFECT ASPECT AND PAST TENSE<br />

COMPARED: ANTERIORITY VS DEFINITE TIME<br />

The Perfect construction in <strong>English</strong> relates a state or event to a relevance time (R). This<br />

is speech time for the Present Perfect, some point in time prior to speech time for the<br />

Past Perfect and some point in time after speech time for the Future Perfect.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 361


The Present Perfect is a subtle retrospective aspect which views states or events as<br />

occurring in a time-frame leading up to speech time. Expressed by have + past participle,<br />

the have element is present, the participle is past. The event is psychologically connected<br />

to the present as in the following example, which is diagrammed to show relevance<br />

time:<br />

R<br />

His marriage has broken down and he has gone to live in another part of England<br />

speech<br />

time<br />

These and other features contrast with those of the Past tense:<br />

Present Perfect<br />

Past Tense<br />

a. Its time-frame is the extended now, Its time-frame is the past, which is<br />

a period of time which extends up to viewed as a separate time-frame from<br />

speech time.<br />

that of the present.<br />

b. The event occurs at some indefinite The event is located at a specific and<br />

and unspecified time within the definite time in the past.<br />

extended now. The Perfect is nondeictic<br />

– it doesn’t ‘point’ to a specific The Past tense is deictic – it points to a<br />

time but relates to a relevant time. specific time in the past.<br />

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c. The event has ‘current relevance’, The event is seen as psychologically<br />

that is, it is viewed as psychologically disconnected from the moment of<br />

connected to the moment of speaking. speaking.<br />

Within the extended now, the Present Perfect is used in <strong>English</strong> when the speaker<br />

does not wish to refer to a definite moment of occurence of the event, but simply to the<br />

anteriority of the event. This is in marked contrast with the definite time use of the<br />

Past tense. Compare:<br />

They have left for New York.<br />

They left for New York an hour ago.<br />

Similarly, the Present Perfect is not normally used in main clauses with interrogative<br />

adverbs, which imply definite time and require the Past tense.<br />

We can say Have they started? Have they finished? (Present Perfect)<br />

Or When did they start? At what time did they finish?<br />

(Past tense)<br />

But not *When have they started? *At what time have they finished?<br />

When a definite time is not implied by the verb the Present Perfect is possible:<br />

362 ENGLISH GRAMMAR


Where have you most enjoyed working? [BNC BNA 28496]<br />

In subordinate clauses, with future reference, the Present Perfect can follow when, since<br />

this use refers to an unspecified time: When I have finished, I’ll call you.<br />

Furthermore, the Present Perfect operates in a time-frame that is still open, blocking<br />

examples such as 1a and 2a. By contrast the b examples are grammatical, as are<br />

3 and 4:<br />

1a *James Joyce has been born in Dublin. 1b James Joyce was born in Dublin.<br />

2a *He has lived in Ireland until 1904. 2b He lived in Ireland until 1904.<br />

3 Michael has lived in Ireland all his life (implying that he still lives there).<br />

4 Generations of writers have been influenced by Joyce (and are still influenced).<br />

In 1a and 2a the Perfect is blocked because Joyce’s life-span is over. In 3 this is not the<br />

case. In 4 the plural subject ‘generations of writers’ allows for a time-frame that is open.<br />

The perspective of the ‘extended now’ time-frame in contrast with that of the Past<br />

tense is illustrated in this passage from Penelope Lively’s Moon Tiger:<br />

I’ve grown old with the century; there’s not much left of either of us. The century of<br />

war. All history, of course, is the history of wars, but this hundred years has excelled<br />

itself. How many million shot, maimed, burned, frozen, starved, drowned? God only<br />

knows. I trust He does; He should have kept a record, if only for His own purposes.<br />

I’ve been on the fringes of two wars; I shan’t see the next. The first preoccupied me<br />

not at all; this thing called War summoned Father and took him away for ever. I saw<br />

it as some inevitable climactic effect: thunderstorm or blizzard. The second lapped<br />

me up but spat me out intact. Technically intact. I have seen war; in that sense I have<br />

been present at wars, I have heard bombs and guns and observed their effects.<br />

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42.2 TIME ADJUNCTS AND THE PRESENT PERFECT<br />

ASPECT<br />

The Present Perfect aspect is frequently accompanied by time Adjuncts that refer to a<br />

period of time that is still open at the moment of speaking, e.g. this week, this month, this<br />

year, etc. Adjuncts which refer to a period of past time that is now over (e.g. last month,<br />

last year, yesterday) are incompatible with the Perfect. Compare:<br />

Have you seen any good films this month?<br />

*Have you seen any good films last month<br />

A period of time expressed by an adjunct such as in July is either open or closed<br />

depending on the speaker’s vantage-point. If closed, the verb is in the Past tense:<br />

Temperatures have reached an all-time high in July. (July is not yet over)<br />

Temperatures reached an all-time high in July. (July is over)<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 363


Adjuncts of indefinite or unspecified<br />

time used with the Perfect, such as:<br />

sometimes, often, always, never, at times<br />

twice, three times<br />

in the last ten years<br />

Adjuncts of definite or specific time<br />

used with past tense, such as:<br />

yesterday<br />

last week, last year, last month<br />

an hour ago, two years ago<br />

lately, recently, now last June, in 1066<br />

at 4 o’clock, at Christmas, at Easter<br />

42.3 CURRENT RELEVANCE<br />

By ‘current relevance’ we mean that the event referred to by means of the Present Perfect<br />

is psychologically connected to speech time, and has some (implicit) relevance to it.<br />

This meaning is quoted in all accounts of the present perfect and is considered by<br />

some to be the main one. It is undoubtedly of the utmost importance. Nevertheless,<br />

we prefer to consider current relevance as a pragmatic implication deriving from<br />

the combination of time-frame, perfect aspect and verb type. This will become clear as<br />

we turn to the interpretations of the perfect in discourse.<br />

At this point we simply illustrate the notion of current relevance as follows: They have<br />

been out implies that they have now come back, whereas They went out has no such<br />

implication. It would not be normal to say *They have been out a moment ago (since an<br />

adjunct such as ‘a moment ago’ visualises a definite time in the past, no matter how<br />

recent).<br />

Occasional occurrences in spoken <strong>English</strong> of forms which appear to combine the two<br />

can be explained as mental switches from an indefinite to a definite time-frame produced<br />

as speakers modify their messages as they go along. Regional variation may also be a<br />

factor.<br />

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42.4 FUNCTIONS AND DISCOURSE INTERPRETATIONS<br />

OF THE PRESENT PERFECT<br />

Interpretations of the functions of the Perfect are described under certain well-known<br />

labels, as follows.<br />

42.4.1 The experiential Perfect<br />

This refers to the fact that there have been one or more experiences of the event in<br />

the recent history 1 and 2, or in the life-span 3 of a certain person up to the present<br />

time, as in:<br />

364 ENGLISH GRAMMAR


1 I’ve been ill.<br />

2 We’ve been away.<br />

3 You’ve lived in Brighton, and you’ve lived in Kingston and now you live in<br />

Lewes. [BNC KRG 1188]<br />

Included in this type is the first-time experience use, as in It’s the first time I’ve been<br />

here, for which certain languages use a Present tense.<br />

Another is the contrast between the one-way have gone to and the cyclic have<br />

been to, as in:<br />

Peter’s gone to England = he’s still there<br />

Peter’s been to England = he has returned after a visit to England<br />

This explains the anomalous *I’ve gone to England, and the fact that I’ve been to England<br />

several times is normal, whereas *I’ve gone to England several times is odd.<br />

42.4.2 The continuous Perfect<br />

This is a state, duration or repeated occurrence of a process such as walk, lasting up to<br />

speech time. An adjunct of extent is virtually necessary to complete the meaning.<br />

I have known Bill since we were at school together. (i.e. and I still know him)<br />

We have walked for hours. (up to the present moment)<br />

For the last ten years he has lived and worked in Brussels. (i.e. He still does)<br />

Over the last three years the pressure group has staged a number of hunger strikes.<br />

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For and over + a unit of time (for hours, over the last three years) express the duration<br />

of the event from the vantage point of speech time, and this form is retrospective. Since<br />

+ a point of time expresses extent viewed from the initiation of the event, and is<br />

prospective.<br />

42.4.3 Implied meanings of the Present Perfect<br />

Deriving from the features and main uses of the present perfect, certain implications<br />

are associated with it, especially in BrE. These are recency, completion and resulting<br />

state.<br />

Recency<br />

The Present Perfect lends itself to a ‘hot news’ interpretation, which can be reinforced<br />

by just. In AmE, at least with some verbs, the Past + just is used.<br />

The Prime Minister has resigned.<br />

He’s done it! (played the winning ball in a golf tournament) (sports commentary)<br />

We’ve just eaten/had lunch. (BrE) We just ate. (AmE)<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 365


Completion<br />

This is the pragmatic implication arising from the combination of the Perfect with<br />

processes having an end-point (see 43.2), as in grow up, tape something:<br />

Hundreds of people have been evacuated from their homes, which have been burnt to<br />

rubble. (news)<br />

His brothers have grown up and have left home.<br />

You can listen to what you’ve taped. Oh yeah, you can play it back. [BNC KCL7]<br />

Resulting state<br />

Such situations with the Perfect are in many cases interpreted as having a visible result<br />

as in:<br />

You’ve squashed my shoe! [BNC KPO 838]<br />

(The shoe is in a squashed state)<br />

I’ve baked a cake. (the cake is visibly made)<br />

The result may be resulting knowledge or know-how, as implied in He has learned to<br />

drive. These are all forms of current relevance.<br />

In certain types of discourse such as news items a topic is presented as ‘hot news’<br />

by a clause with the Present Perfect and an indefinite NG. Once the topic has been<br />

introduced, the narrative continues in the Past tense, and the NGs are treated as definite,<br />

as in the following short news item from The Week.<br />

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A polar bear has become the star attraction at a zoo in Argentina. But the extraordinary<br />

spectacle only happened by accident. When Pelarus, a 14-year-old bear,<br />

developed a stubborn case of dermatitis, zookeepers at Mendoza zoo tried every<br />

medicine under the sun, but to no avail. As a last resort, they gave the bear an<br />

experimental medication which had a bizarre side effect – it turned Pelarus purple.<br />

Officials aren’t complaining: not only is the bear on the road to recovery, but visitor<br />

numbers are up by 50%.<br />

42.5 EXPRESSING MORE DISTANCED EVENTS: THE PAST<br />

PERFECT<br />

To refer to an event that is previous to another event in the past, the Past Perfect is used<br />

(had + past participle). It can represent a distanced event of three different types:<br />

(a) the past of the Past tense as in the 1a examples. When the time relation is unambiguous,<br />

the past tense can replace the Past Perfect in <strong>English</strong> as in 1b:<br />

1a We had heard nothing from Tony before he returned.<br />

She didn’t mention that she had seen you at the match.<br />

366 ENGLISH GRAMMAR


1b We heard nothing from Tony before he returned.<br />

She didn’t mention that she saw you at the match.<br />

(b) the past of the Present Perfect:<br />

She had lived in the north since she changed her job.<br />

corresponding to:<br />

She has lived in the north since she changed her job.<br />

(c) the ‘unreal’ past in counterfactual conditions:<br />

If I had known he was in trouble, I would have helped him.<br />

As the Past Perfect refers to a time previous to a time signalled somewhere else in<br />

the context, it is not always easy to determine its time reference. For this reason, the<br />

Past Perfect often occurs in subordinate clauses accompanied by time Adjuncts, both<br />

of which help to establish the temporal links between events. Furthermore, as <strong>English</strong><br />

has only this one tense to refer to any time previous to the past, it is used to express a<br />

series of events each preceding the other.<br />

The role of the Past Perfect in orientating the reader in tracking events is illustrated<br />

in this extract from William Boyd’s The New Confessions. The Past tense described marks<br />

a switch from one space-time unit to another in the story:<br />

Duric Ludokian was 1 a huge wealthy Armenian who had fled 2 from his native country<br />

to Russia in 1896 shortly after the first Turkish massacres and pogroms against the<br />

Armenian people had begun. 3 He had fled 4 again in 1918 after the Russian<br />

Revolution and was among the first of the thousands of Russian emigrés who found 5<br />

sanctuary in Berlin. Ludokian had made 6 his fortune in nuts. He described himself<br />

as a ‘nut importer’.<br />

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The sequence of events in time would be as follows, reading from right to left:<br />

Massacres<br />

had begun<br />

had fled<br />

in 1896<br />

had fled<br />

in 1918<br />

found<br />

sanctuary<br />

had made<br />

was<br />

3 2 4 5 6 1<br />

X X X<br />

events previous to relevance<br />

time<br />

speech<br />

time<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 367


42.6 NON-FINITE PERFECT FORMS<br />

The time-frame of the Perfect is also reflected in non-finite Perfect forms to have +<br />

participle and having + participle:<br />

To have made such a statement in public was rather unwise.<br />

Having satisfied himself that everything was in order, he locked the safe.<br />

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368 ENGLISH GRAMMAR


SITUATION TYPES AND THE MODULE 43<br />

PROGRESSIVE ASPECT<br />

SUMMARY<br />

1 Important aspectual contrasts include perfectivity (viewing the event as a<br />

whole) vs imperfectivity (viewing the event as incomplete). These distinctions<br />

remain indeterminate in <strong>English</strong> in the simple Past and Present tense forms.<br />

Perfectivity then must be interpreted from the whole clause.<br />

2 The only grammaticalised aspectual contrasts in <strong>English</strong> are the Progressive vs<br />

non-progressive and the Perfect vs non-perfect. (The Perfect is not identical to<br />

perfectivity!)<br />

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3 Progressiveness is a type of imperfectivity which focuses on the continuousness<br />

of the internal part of the event. Another type, that of past habituality, is<br />

expressed by the lexical auxiliary used to + inf.<br />

4 Situations (and verbs) can be classed according to their inherent aspectual<br />

meaning as states (with no internal change: It’s hot), as punctual occurrences<br />

(the cable snapped), as durative occurrences without an end-point: we walked<br />

along (activities) and as durative with an end-point: we walked home<br />

(accomplishments).<br />

5 The Progressive and Perfect aspects add their communicative perspectives to<br />

the inherent aspectual meaning of the verb. Other factors to be taken into<br />

account, in order to understand the aspectuality of a particular verbalised<br />

situation, are the single or multiple nature of the subject and object, and the<br />

presence of Adjuncts.<br />

43.1 THE MEANING OF ASPECT<br />

While tense is used to locate events in time, aspect is concerned with the way in<br />

which the event is viewed with regard to such considerations as duration and completion<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 369


when encoded by a verb. This is sometimes defined as the internal temporal contour<br />

of the event. Compare, for instance, the following representations of a situation:<br />

1a He locked the safe. 1b He was locking the safe.<br />

As regards tense, both are the same – the Past. They both locate the situation in past<br />

time. The difference is one of aspect, expressed by the verbal form was locking as<br />

opposed to the ordinary past locked. What we have is a difference of viewpoint and of<br />

focus of attention.<br />

A basic aspectual distinction is that of perfectivity vs imperfectivity:<br />

• Perfective: the situation is presented as a complete whole, as if viewed externally,<br />

with sharp boundaries, as in 1a. (Note that perfectivity is not the Perfect aspect!)<br />

• Imperfective: the situation is viewed as an internal stage, without boundaries and<br />

is conceptualised as ongoing and incomplete; the beginning and end aren’t included<br />

in this viewpoint – we see only the internal part, as in 1b. The Progressive is thus<br />

a kind of imperfectivity.<br />

In many languages the perfective/ imperfective pairs are related morphologically.<br />

Having fewer aspectual inflections, <strong>English</strong> has fewer grammaticalised aspectual choices<br />

than some languages. Take for instance the following examples containing the verb<br />

speak, together with their Spanish counterparts:<br />

2a He stopped and spoke to me in <strong>English</strong>.<br />

2b He spoke <strong>English</strong> with a Welsh accent.<br />

(Spanish habló)<br />

(Spanish hablaba)<br />

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The Past tense in <strong>English</strong> does not distinguish formally between the single event<br />

represented in 2a, whose counterpart in Spanish is marked as perfective (habló), and<br />

the habitual event represented in 2b, which is marked as imperfective in Spanish<br />

(hablaba).<br />

In other words, the Past tense in <strong>English</strong> is indeterminate between a perfective<br />

and an imperfective interpretation. This distinction is captured inferentially by speakers<br />

according to the relevance of one meaning or other within a context, but is not<br />

grammaticalised.<br />

43.2 LEXICAL ASPECT OF ENGLISH VERBS<br />

Before examining the second grammatical aspect available to speakers of <strong>English</strong>, the<br />

Progressive, we turn for a moment to lexical aspect. All verbs (and predicates) have an<br />

inherent lexical aspect. We have touched on this concept in outlining the stative vs<br />

dynamic distinction, phased verbal groups and the behaviour of particles in phrasal<br />

verbs.<br />

Lexical aspect proves to be an invaluable tool for understanding the functioning of<br />

the Progressive and the Perfect aspects. In fact, it is not easy to grasp the contribution<br />

made by the grammatical aspects without realising how they interact with the lexical<br />

370 ENGLISH GRAMMAR


aspect of the verb. In taking a little further the stative–dynamic distinction, we will now<br />

be considering whole situations to which the verb brings its own inherent aspectuality,<br />

in terms of two factors:<br />

• temporal boundaries: whether the situation is bounded (i.e. has an end-point) or<br />

unbounded (has no end-point)<br />

• duration or non-duration (through time)<br />

The diagram illustrates the main situation types.<br />

Situations<br />

States Jane is their eldest daughter<br />

Occurrences<br />

Processes<br />

(dynamic, durative)<br />

Unbounded (no end-point)<br />

(Activities)<br />

we walked slowly along<br />

he swam in the pool<br />

Bounded (+end-point)<br />

(Accomplishments)<br />

we walked home<br />

he swam 70 lengths in an hour<br />

the sun went down<br />

Punctual occurrences the cable snapped<br />

Reading from left to right in the diagram, situations can be classified as follows:<br />

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1 States vs Occurrences. States have relatively long duration but do not have<br />

boundaries: they are unbounded, as with verbs such as be, stand (The house stands<br />

on a hill). Occurrences are dynamic and more complex. They are subdivided<br />

according to duration into:<br />

2 Processes vs punctual occurrences. Processes are durative, they last through<br />

time, while punctual occurrences occupy little or no appreciable time and have<br />

sharp boundaries, e.g. the cable snapped. (Note that ‘process’ is used here differently<br />

from its use as a general term for the semantic structure of clauses, as discussed in<br />

Chapter 5.)<br />

3 Durative processes are divided into those that have no end-point (unbounded<br />

Activities), as in He walked slowly along, and those that have a sharp end-point<br />

(bounded Accomplishments), as in he walked home. The latter consist of two phases,<br />

a durative phase, the walking, and a terminative phase, the arrival home. The<br />

durative phase is usually not in focus unless combined with progressiveness (see<br />

43.5.4).<br />

Note that although the traditional terms, Activities and Accomplishments, suggest<br />

human agency, it is not the case that all processes are agentive. It rained heavily, for<br />

instance, is a non-agentive activity. The key concept here is boundedness, that is,<br />

whether or not there is an end-point.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 371


The way in which a situation is viewed can be modified in various ways:<br />

• By adding an adjunct or an adverbial particle such as up, which establishes an endpoint:<br />

In this way an unbounded situation can be made bounded. Compare:<br />

unbounded process<br />

It rained heavily.<br />

The children have grown in your<br />

absence.<br />

He read the book for an hour.<br />

bounded process<br />

It rained heavily until six o’clock.<br />

The children have grown up in your<br />

absence.<br />

He read the book in an hour.<br />

• By including a multiple subject or object instead of a single element, a situation is<br />

presented as repeated or ‘serial’. This effect can also be achieved by adjuncts.<br />

He rang his agent last week.<br />

They rang their agents every day last week.<br />

• By grammatical aspect, which we deal with next.<br />

Verbs corresponding to each of the four groups include:<br />

1 Stative verbs: be, belong, seem, stand, lie, have, want, know, understand, see,<br />

hear, feel, like, dislike, hate, love.<br />

2 Punctual or momentary verbs: cough, blink, flash, hit, tap, slam, slap,<br />

kick, shoot.<br />

3a Unbounded-process verbs: bend, dance, drive, read, sleep, write, walk, work.<br />

3d Bounded-completion verbs: be born, die, fall, drop, arrive, sit down,<br />

stand up.<br />

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43.3 GRAMMATICAL ASPECTS IN ENGLISH<br />

<strong>English</strong> has two clearly grammaticalised aspectual distinctions: the Progressive, as in<br />

was locking vs the non-progressive in locked; and the Perfect, as in has locked vs the<br />

non-perfect locked. We have seen that the Perfect is a subtle aspect which is not to<br />

be confused with perfectivity. Perfect and Progressive may combine in one VG and are<br />

marked for present or past tense:<br />

Present + progressive<br />

Past + progressive<br />

Present perfect<br />

Past perfect<br />

Present perfect + progressive<br />

Past perfect + progressive<br />

is locking<br />

was locking<br />

has locked<br />

had locked<br />

has been locking<br />

had been locking<br />

As we saw in Chapter 8, progressive and perfect aspects also combine with modals,<br />

lexical auxiliaries and the passive.<br />

372 ENGLISH GRAMMAR


43.4 THE MEANING OF THE PROGRESSIVE<br />

The basic function of the <strong>English</strong> progressive aspect is to indicate a dynamic action in<br />

the process of happening. Attention is focused on some internal stage of the process,<br />

which cognitively, is viewed as something directly observed, unfolding before our eyes.<br />

<strong>English</strong> makes a grammatical contrast between the progressive and the non-progressive.<br />

That is to say, there is an obligatory choice between viewing the situation as in the<br />

process of happening and viewing it as a complete whole:<br />

What was he doing?<br />

(Past + progressive)<br />

What did he do?<br />

(Past, non-progressive)<br />

There is more to grammatical aspect than obligatory choice, however. The best way to<br />

understand grammatical aspect is to see it working in conjunction with the lexical aspect<br />

of verbs. The Progressive (and, in a different way, the Perfect) add a communicative<br />

perspective to events and states that is different from their lexical aspect.<br />

43.5 LEXICAL ASPECT AND THE PROGRESSIVE<br />

As the Progressive is essentially dynamic in character, it lends a dynamic interpretation<br />

to whatever verbal action it is applied to. For this reason, not all types of verbal situation<br />

admit the Progressive, as in 1a, and those that do admit it are affected in different ways.<br />

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43.5.1 States and the Progressive<br />

Most stative situations are in general incompatible with the progressive. Permanent<br />

qualities such as be tall, be red and relations expressed by such verbs as own, belong, seem<br />

are conceptualised in <strong>English</strong> as invariable and therefore non-dynamic. When normally<br />

stative verbs are used with the Progressive the situation is viewed as a temporary state,<br />

often with the implication of a type of behaviour or stance, as in 1b. Compare:<br />

1a *You are being tall, George.<br />

1b You are being far too optimistic, George.<br />

The stative meanings of verbs such as see, hear (involuntary perception), like, love, hate<br />

(affection) and know, believe, understand, wonder (cognition) are in general incompatible<br />

with the progressive. However, many such verbs have taken on dynamic uses and these<br />

admit the progressive, as in the following examples:<br />

I’m seeing the doctor tomorrow. (= consulting) (programmed event)<br />

Janet is seeing her friends off. (= taking leave of)<br />

They were seeing so much of each other, he was almost one of the family.<br />

How are you liking your visit to Disneyland? (= enjoying)<br />

Pat: Oh, I’m just loving it./ I’m enjoying it. Ben: Frankly, I’m hating it.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 373


43.5.2 Punctual occurrences and the Progressive<br />

With punctual verbs such as tap, kick, fire, sneeze, bounce, flash, hit and the progressive,<br />

the situation is interpreted as iterative, that is, repeated:<br />

Someone is tapping on the wall next door.<br />

The rain is hitting the windows harder now. [BNC FP6 296]<br />

These categories are approximate, rather than absolute. Some processes appear to<br />

be more punctual than others. Some end-points appear to be more final than others.<br />

It would, for instance, be unusual to hear He’s slamming the door for it is not possible to<br />

keep on slamming the same door unless you keep on opening it. He kept slamming<br />

the door would imply this process, but would nonetheless be unusual. A multiple situation<br />

in which several doors slammed can be expressed by the Past tense, as in the<br />

following:<br />

Behind the swing door, cupboards opened and slammed shut. Pots cracked against<br />

work tops.<br />

Punctual verbs are frequently used metaphorically with the progressive, in which case<br />

the resulting situation may perhaps be considered durative:<br />

The recession is hitting the stores hard. (=affecting adversely) [BNC ABE 1784]<br />

43.5.3 Verbs with no end-point and the Progressive<br />

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With those durative verbs that have no end-point (play, sing, work, talk, dance, rain, snow,<br />

etc.), including verbs of bodily sensation (ache, hurt, itch, feel cold), the Progressive has<br />

the effect of perspectivising the process as seen in progress by an observer (the<br />

speaker when the reference point is speech time, the relevant participant when it is in<br />

the past):<br />

Something very strange is going on here.<br />

That’s what we were talking about.<br />

The contrast between the temporary, ongoing nature of the progressive as seen by an<br />

observer and unbounded duration expressed by the simple Past or Present is noticeable:<br />

Observed ongoing process<br />

Lamps were glowing in the dark.<br />

Snow was falling gently.<br />

My back is aching.<br />

Unbounded duration<br />

Lamps glowed in the dark.<br />

Snow fell gently.<br />

My back aches.<br />

Similarly, habitual events, when combined with the progressive, have limited duration.<br />

The use of the progressive implies a temporary situation, whereas the ordinary Present<br />

tense suggests greater permanence. Compare:<br />

374 ENGLISH GRAMMAR


She is running a fringe theatre group (over the summer holidays).<br />

She runs a fringe theatre group (as her permanent job).<br />

43.5.4 End-point-completion verbs and the Progressive<br />

With these bounded processes (e.g. die, heat up, recover) the effect of the progressive is<br />

to bring into our focus of attention the durative phase of the process before the endpoint:<br />

He is dying from AIDS. [BNC AH2 12366]<br />

The atmosphere is heating up and the seas are rising. [BNC CER 55]<br />

Last night the 53-year-old father-of-two was recovering in intensive care.<br />

[BNC CH2 9805]<br />

Plurality can lead to an interpretation of multiple accomplishments. Arrive, with a<br />

singular subject, will be interpreted as a single event, the Progressive stretching<br />

the stage previous to the endpoint, as in Hurry! The taxi is arriving. With a plural subject<br />

and the progressive, arrive will be interpreted as a series of arrivals: The guests are<br />

arriving.<br />

This effect is illustrated in the following passage about an autumn game of rugby:<br />

Autumn has come early in the north. The leaves are turning, 1 the nights are drawing<br />

in 2 and the lustre has faded from the lakeside boathouses. On the playing-fields,<br />

smallish boys in red shirts are bending and hooking 3 in a scrum, before straightening<br />

up again to run, pass and tackle, try and kick, urged on by men with large knees<br />

and piercing whistles. Rain is starting to fall 4 as the last whistle of the day shrills out<br />

over the darkening field.<br />

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1<br />

stretching out the process before the end-point (multiple Activities); 2 serial<br />

Accomplishments; 3 serial Activities; 4 stretching the phase of initiation of an Activity<br />

(this is a phased verbal group (see 39.2.1) in which start to marks ingressive aspect)<br />

43.6 THE DISCOURSE FUNCTIONS OF THE PROGRESSIVE<br />

The Progressive presents an ongoing event as something directly observed in relation<br />

to some point in time. This is either explicitly mentioned, as in 1 and 2 or else inferred<br />

as coinciding with speech time, 3:<br />

1 By the end of January 1919 the main outlines of the peace settlement were<br />

emerging. (The Peacemakers)<br />

2 At half-past five, crowds were pouring into the subways.<br />

3 What are you doing? I’m switching on the answer-phone (coincides with speech<br />

time)<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 375


Progressive aspect provides a frame within which another event takes place. That is<br />

to say, the time-frame of the progressive event includes the bounded event:<br />

We finally reach the supermarket and they are just closing the doors.<br />

What was she wearing when she came to your house for her music lesson?<br />

(temporary state framing bounded event in simple past ‘came’)<br />

She was wearing her school uniform. She always wore it. (Elizabeth George)<br />

(temporary behavioural state contrasted with habitual (‘wore’)<br />

Two simple forms, by contrast, are normally interpreted as a sequence:<br />

We finally reach the supermarket and they close the doors.<br />

Crowds poured into the subways and boarded the trains.<br />

In the following text about a boat trip down the River Amazon, the Progressive is used<br />

to provide a frame for the details of the party related in the non-progressive past form.<br />

On the first evening of a 7-day-trip, I was sitting in the bow enjoying the cooling<br />

breeze and watching the sun go down. Soon a small crowd of Peruvian and Brazilian<br />

passengers and crew gathered, and a rum bottle and a guitar appeared. Within<br />

minutes we had a first-rate party going with singing, dancing, hand-clapping and<br />

an incredible impromptu orchestra. One of the crew bent a metal rod into a rough<br />

triangle which he pounded rhythmically, someone else threw a handful of beans into<br />

a can and started shaking, a couple of pieces of polished wood were clapped<br />

together to interweave yet another rhythm, a mouth harp was produced, I blew bass<br />

notes across the top of my beer bottle and everyone had a great time. A couple of<br />

hours of rhythmic music as the sun went down became a standard part of the ship’s<br />

routine and gave me some of my most unforgettable moments of South American<br />

travel.<br />

(Rob Rachowiecki, Peru: A travel survival kit)<br />

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43.7 PRESENT PERFECT AND PROGRESSIVE ASPECTS<br />

COMBINED<br />

When these two aspects combine in one VG, the progressive brings into focus the<br />

continuous nature of the situation, whereas the Perfect leads the situation from an indefinite<br />

time in the past up to the present, usually to speech time. The possible situations<br />

include:<br />

a. continuous state lasting up to the present<br />

I have been wanting to meet him for ages.<br />

He has been hearing better since he got the hearing-aid.<br />

376 ENGLISH GRAMMAR


. continuous habitual process<br />

The government has been spending beyond its means. [BNC AAK 416]<br />

She has been going to therapy since she was about two. [BNC CAS 1200]<br />

c. iterative ocurrence lasting up to the present<br />

You have been coughing since you got up.<br />

d. unbounded situations lasting up to the present<br />

We have been waiting here for some time.<br />

e. normally bounded situations become unbounded<br />

I have been fixing the lamp.<br />

So people have been taping this talk?<br />

The non-progressive forms would remain bounded: I have fixed the lamp, So people have<br />

taped this talk?<br />

The Past Perfect Progressive combines the anteriority of the Past Perfect with the<br />

features of the Progressive:<br />

He had been seeing her quite a lot at that time.<br />

The unbounded result does not necessarily mean that the event was not completed;<br />

simply that the Perfect Progressive concentrates on the internal phase of the process.<br />

43.8 HABITUALITY: PAST HABIT OR STATE<br />

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Progressiveness is considered here as a type of imperfectivity, or incompletion. Other<br />

types of imperfectivity include habituality and iterativity. Habituality is, as we have<br />

seen, expressed by both present and past tenses in <strong>English</strong>. Present tense uses are almost<br />

invariably imperfective, the only perfective uses being performatives (e.g. I promise not<br />

to be late) and the others classed as ‘instantaneous present’. Past habit or state is<br />

expressed by the lexical auxiliary used to + infinitive as in the following examples. There<br />

is a strong pragmatic implication that the state or event no longer holds:<br />

He knew he used to speak too fast.<br />

We used to see each other quite often.<br />

There used to be trees all round this square.<br />

Used to avoids the temporal indeterminacy of the past tense (e.g. visited = on one<br />

occasion or on many occasions) by making clear the habitual. Compare:<br />

She visited us. (perfective or imperfective)<br />

She used to visit us. (imperfective only)<br />

Furthermore, although a time expression such as not any longer may be added, the<br />

implicit meaning of discontinued habit is so strong that an additional expression is<br />

unnecessary.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 377


‘You’re the ball player,’ Danny said. ‘The big-leaguer. You played with the<br />

Washington Senators.’<br />

‘Used to. Don’t play anymore.’<br />

(William Kennedy, Billy Phelan’s Greatest Game)<br />

Used to + infinitive is not to be confused with be used to + -ing ‘be accustomed to’ + -ing<br />

as in: He is not used to working late hours.<br />

Iterativity is interpreted from the progressive with punctual verbs, and also from<br />

keep on/ continue+ -ing (kept on shouting) and from the phrasal verb particle away (he<br />

hammered away, As regards perfectivity, ingressive aspect focuses on the initial point of<br />

a situation and egressive aspect on the end-point. These are not expressed by inflections<br />

in <strong>English</strong>, but by combinations such as phased VGs (start to rain/raining) and phrasal<br />

verb particles (e.g. She came to, We ended up exhausted).<br />

Summary of certain aspectual distinctions realised in <strong>English</strong><br />

in the lexico-grammar<br />

Prospective: I am going to write a note<br />

Immediate prospective: I am about to write a note<br />

Ingressive: I started to write a note<br />

Progressive: I am/was writing a note<br />

Iterative: I kept writing notes<br />

Habitual in the past: I used to write notes<br />

Egressive: Finish writing the note<br />

Retrospective, Recent Perfect: I have just written a note<br />

Retrospective, Perfect: I have written a note<br />

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378 ENGLISH GRAMMAR


EXPRESSING ATTITUDES MODULE 44<br />

TOWARDS THE EVENT<br />

Modality<br />

SUMMARY<br />

1 Modality is the semantic category by which speakers express two different kinds<br />

of attitude towards the event.<br />

2 One attitude is that of assessing the truth of the proposition or the potential<br />

occurrence of the event in terms of modal certainty, probability or possibility.<br />

This is epistemic (or extrinsic) modality as in The key must be here somewhere.<br />

It may be in your pocket.<br />

3 A different kind of attitude is expressed when speakers intervene in the speech<br />

event, by laying down obligations or giving permission. This is deontic (or<br />

intrinsic) modality as in You must go now; the others may stay.<br />

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4 The modal auxiliaries (except can) in <strong>English</strong> express both types of modal<br />

meanings, which have in common the fact that they express the speaker’s attitude<br />

to a potential event. Closely related to these meanings are those of ability<br />

and intrinsic possibility as in We can take the early train. This is known as<br />

dynamic modality. In addition, a number of other forms are available for the<br />

expression of particular modal meanings.<br />

5 All modal expressions are less categorical than a plain declarative. For this<br />

reason modality is said to express a relation to reality, whereas an<br />

unmodalised declarative treats the process as reality.<br />

44.1 THE MEANING AND FUNCTIONS OF MODALITY<br />

From a semantic point of view, in making an assertion such as It’s raining, speakers<br />

express a proposition and at the same time commit themselves to the factuality of that<br />

proposition. In ordinary subjective terms, we should say that speakers know that their<br />

assertion is a fact.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 379


If, on the other hand, speakers say It must be raining, or It may be raining, they are not<br />

making a categorical assertion, but are rather modifying their commitment in some<br />

degree by expressing certainty or possibility based on evidence or inference. It is<br />

paradoxical that as speakers we only express certainty when we are not sure about<br />

something. Compare:<br />

That’s the First Lady over there. (categorical assertion)<br />

That must/may/can’t be the First Lady over there. (modalised assertion)<br />

A different kind of modification is made when the speaker intervenes directly in the<br />

speech event itself, by saying, for example, I must leave now. You’d better come too. The<br />

rest of you may/ can stay. Here the issue is not about factuality but has to do with the<br />

actualising of a potential event. The speaker brings about an action, using modal expressions<br />

to lay down an obligation or give permission regarding the event. Basically, both<br />

types of modality are subjective: the speaker is involved. And by means of modality<br />

speakers are enabled to carry out two important communicative functions:<br />

• to comment on and evaluate an interpretation of reality;<br />

• to intervene in, and bring about changes in events.<br />

Modality is to be understood as a semantic category which covers such notions as possibility,<br />

probability, necessity, volition, obligation and permission. These are the basic<br />

modalities. Certain other types of modality, not all speaker-based, will be mentioned<br />

in the following sections. In very general terms, modality may be taken to express a<br />

relation with reality, while a non-modal utterance treats the process as reality.<br />

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44.2 REALISATIONS OF MODAL MEANINGS<br />

Modality covers a broad semantic area and can be expressed by many forms. In <strong>English</strong><br />

the syntactic class of modal auxiliaries (37.2) is the most central, and these will be<br />

our main concern in this chapter. Other modal realisations include the following:<br />

• Other verbs expressing modal meanings:<br />

(a) The lexical-modal auxiliaries listed in 37.3 composed of be or have, usually<br />

another element + infinitive (have got to, be bound to, be likely to, etc.).<br />

(b) The semi-modals need and dare.<br />

(c) Lexical verbs such as allow, beg, command, forbid, guarantee, guess, promise,<br />

suggest, warn (discussed in 25.1 as performatives).<br />

(d) The verbs wonder and wish, which relate to non-factual meanings.<br />

• Other means of expressing modality:<br />

(e) Modal adverbs such as probably, possibly, certainly, hopefully, thankfully,<br />

obviously.<br />

(f) Modal adjectives such as possible, probable, likely, used in impersonal constructions<br />

such as He is likely to win or as part of a nominal group, as in a likely<br />

winner of this afternoon’s race or the most probable outcome of this trial.<br />

380 ENGLISH GRAMMAR


(g) Modal nouns such as possibility, probability, chance, likelihood, as in There’s just<br />

a chance that he may win.<br />

(h) The use of the past tense to indicate remoteness from reality, as in I thought I’d<br />

go along with you, if you don’t mind. Similarly, the past form in the closed<br />

conditional, as in ‘If you went, I would go too.’<br />

(i) Parentheticals such as I think, I guess.<br />

These other diverse forms and uses serve to provide a contextual frame for the<br />

more central meanings and exponents of modality. Here we take modality to be basically<br />

the expression of possibilities, probabilities, certainty, obligations and permission,<br />

as expressed by modal auxiliaries. These, together with the lexical-modal auxiliaries,<br />

are the most basic exponents of modality in <strong>English</strong>.<br />

The other modal elements tend to reinforce the modal meaning, as in the example:<br />

I’m sure she couldn’t possibly have said that. This is called modal harmony and illustrates<br />

the way in which modality can be expressed not simply at one point in an utterance, by<br />

a modal auxiliary, but at different points right throughout the clause.<br />

Modal harmony is exemplified in this short extract from a novel by Richard Gordon,<br />

in which George expresses his doubts about his future as a doctor.<br />

‘Dad –’ George shifted his feet. ‘I wonder 1 if I’m really suited 2 for medicine.’ ‘Of<br />

course you are,’ his father told him briefly. ‘We’ve had medical men in this family<br />

since the days of Gladstone bags and leeches. I wish you’d 3 follow the example of<br />

your sister. She will 4 certainly be 5 studying upstairs with her usual diligence. And<br />

what, might 6 I ask, would 7 you intend 8 to do instead?’<br />

‘I’ve thought of the – er, drama.’<br />

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1<br />

lexical modal verb; 2 conditional clause expressing doubt; 3 lexical modal verb +<br />

hypothetical would; 4 will of prediction; 5 modal adverb, 6 ironical use of might =<br />

requesting permission; 7 hypothetical would; 8 lexical verb of intention<br />

44.3 EXTRINSIC MODALITY: MODAL CERTAINTY,<br />

PROBABILITY AND POSSIBILITY<br />

These three options represent the three degrees of confidence, or lack of it, that the<br />

speaker feels towards the factuality of the proposition expressed.<br />

44.3.1 Modal certainty: will, must, be bound to<br />

What we call modal certainty is not the hundred per cent certainty of a categorical<br />

assertion. An unmodalised declarative constitutes a stronger statement of fact than any<br />

additional expression of certainty can. If, for instance, George’s father had said ‘Your<br />

sister is studying upstairs’, this is a stronger statement of fact than ‘Your sister will<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 381


certainly be studying upstairs’, in which he expresses a strong assumption, reinforced<br />

by certainly.<br />

Modal certainty is, therefore, diminished certainty, chosen either because the speaker’s<br />

state of knowledge has not permitted a plain assertion or because the speaker does not<br />

want to express strong commitment at a given moment in a particular interpersonal<br />

interaction, perhaps for reasons of politeness (see Chapter 5).<br />

With modal certainty expressed by will and must, the speaker does not accept any<br />

possibility of the proposition not being true. For this reason adding but it may not be to<br />

1 and 2 would result in a contradiction.<br />

1 The concert will be over by now.<br />

2 The concert must be over.<br />

Assumption or prediction: will<br />

Will expresses a confident assumption by the speaker as observer, based on experience,<br />

known facts or what is usually the case. It can be glossed by ‘I assume that . . .’, as in 3.<br />

3 Her mother will know her age. (I assume that her mother knows her age.)<br />

When the orientation frame is past time, as in a narrative, would is used, as in 4. It is<br />

not limited to future occurrences, but can refer to present time.<br />

4 He would be about sixty when I first met him. (I assume that he was about sixty)<br />

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Will can also be used to refer to future time, expressing a modal judgement or prediction,<br />

as in 5 and 6. (See also 27.5 and 44.7 for will and must as committing the speaker to a<br />

future action. See 41.6 for other means of referring to future events.)<br />

Predictive shall is much less common than will. It is used by some speakers for the<br />

1st person singular and plural, as in 7, and is usually contracted to ’ll (I’ll, we’ll), negative<br />

shan’t in spoken <strong>English</strong>:<br />

5 It won’t work. (I predict that it won’t work)<br />

6 Scotland will be dry tomorrow with a fair amount of cloud.<br />

7 I must have an early night, otherwise I shall (I’ll) be worn out tomorrow.<br />

Logical necessity: must<br />

The second type of modal certainty is that of ‘logical necessity’ meaning ‘it is necessarily<br />

the case that x is true’. Must is the modal most used in BrE and is usually subjective,<br />

expressing strong conviction based on deduction or inference from evidence, which<br />

may or may not be stated. The concert must be over might be said, for instance, if the<br />

speaker sees that the lights are off or the concert hall is closed. The lexical-modal have<br />

to 2 is relatively uncommon in BrE with the epistemic meaning of logical necessity, but<br />

it is now used by some speakers as an alterntive to epistemic must 1. In AmE, have to<br />

or have got to is generally preferred to must in the meaning of logical necessity. A strict<br />

382 ENGLISH GRAMMAR


meaning of logical necessity (‘this is the only possibility there is’) is objective in 4. There<br />

is little difference in meaning between the modal and the non-modalised declarative in<br />

4, while this is not the case in the subjective uses.<br />

1 The key must be in your pocket.<br />

2 The key has to be in your pocket.<br />

3 The key is bound to be/is sure to be in your pocket.<br />

4 If Jane is Pat’s sister and Jill is Jane’s daughter, Pat must be Jill’s aunt.<br />

44.3.2 Probability or ‘reasonable inference’: should, ought<br />

A medium degree of conviction is expressed by should and the less common ought. A<br />

driver might say, studying a map ‘It should be easy to reach York from here’, glossed<br />

as ‘I assume it is easy’ or ‘it is probably easy’. Here we have the notion of probability,<br />

or what is reasonable to expect, based on deduction from facts known to the speaker.<br />

The main semantic feature distinguishing these modals from must is that they implicitly<br />

admit non-fulfilment of the predicated event, whereas must and will do not. We can say<br />

It should be easy to reach York, but of course it may not be, but not *It must be easy to<br />

reach York, but of course it may not be. Should and ought are said to be ‘non-factive’, that<br />

is not binding, as opposed to will and must which are ‘factive’ or binding. They can be<br />

illustrated as follows:<br />

Dinner should be ready. You must be hungry after such a long journey.<br />

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Similarly, with past time reference, made by have + -en, should and ought imply<br />

probability, but can be contradicted. Will and must, because of their strong epistemic<br />

commitment, do not make this implication and can’t be contradicted by the speaker.<br />

Compare:<br />

He should have reached York by now (but Pat has rung to say he hasn’t).<br />

He will/ must have reached York by now (*but Pat has rung to say he hasn’t).<br />

The probability meaning of should and ought is often merged with that of nonbinding<br />

obligation (see 44.5.4), as in The hotel should be good for this price, i.e. one<br />

would expect it to be good/it has the obligation to be good. Likely and likelihood, with<br />

the corresponding negative forms unlikely and unlikelihood, unambiguously express<br />

probability:<br />

All flights are likely to be delayed.<br />

There’s no likelihood of frost tonight.<br />

44.3.3 Extrinsic possibility: may, might, could<br />

Weaker conviction is expressed as the possibility of an event occurring or being true.<br />

<strong>English</strong> speakers make use of the modal auxiliaries may, might and could, the latter<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 383


particularly in the media. These are all stressed and can be glossed by ‘it is possible<br />

that x’:<br />

They may be real pearls, you know.<br />

They might be real pearls, you know.<br />

They could be real pearls, you know.<br />

All three expressions mean ‘It is possible that they are real pearls’. We can see that might<br />

and could, although historically past forms, don’t in such cases refer to past time, but to<br />

present states of affairs. They can also be used to refer to future events:<br />

It may/ might/ could snow tonight. (= it is possible that it will snow tonight)<br />

Can is not used in positive declarative clauses that express extrinsic (‘epistemic’)<br />

possibility. We do not say *They can be real pearls *It can snow tonight.<br />

Degrees of confidence<br />

It is not easy to claim with certainty that may, might and could represent points on a<br />

scale of confidence or, in other words, that one or other of these modals expresses either<br />

a stronger or a more remote possibility. They can all be intensified by (very) well, which<br />

heightens the possibility, and by just, which lowers it:<br />

They may/might/could very well be real pearls.<br />

They just may/might/could be real pearls.<br />

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The following examples, 1 from spoken <strong>English</strong>, 2 from written, illustrate how the three<br />

can be used in one utterance:<br />

1 I may be a few minutes late; it might be seven o’clock before I can get away; it<br />

could even be half-past.<br />

2 The provision might be deleted altogether; it may remain as it stands; or it could<br />

emerge considerably strengthened and broadened.<br />

In these examples the three modals are interchangeable, with little difference to the<br />

message. Factors such as speakers’ age and social dialect, and the degree of formality<br />

or informality of the situation, undoubtedly influence the choice of modal. We suggest<br />

that may is more formal and indicates reserve, might being now the more neutral form,<br />

especially with younger speakers, while could expresses tentative possibility.<br />

384 ENGLISH GRAMMAR


44.4 STRUCTURAL FEATURES OF EXTRINSIC MODALITY<br />

Modal auxiliaries expressing extrinsic meanings correlate with the following features:<br />

existential Subject<br />

be + -ing<br />

stative main verb<br />

dynamic main verb<br />

lexical auxiliary<br />

past reference by have + -en<br />

There may be trouble ahead<br />

She might be waiting<br />

It might be cold<br />

I might leave early<br />

It might have to be abandoned<br />

He might have left by now<br />

When we refer to past events by the extrinsic modals, the modal meaning of prediction,<br />

certainty, possibility or probability is not itself past; the speaker carries out the act of<br />

predicting, or whatever in present time. Pastness is realised by the have + -en perfect<br />

form attached to the main verb, as in I may have made a mistake. It must have got lost.<br />

They will have finished.<br />

44.4.1 Summary of extrinsic modal and lexical-modal auxiliaries<br />

and their meanings<br />

He will be there by now.<br />

(assumption/prediction based on<br />

experience or common sense)<br />

I shall probably be back before you (prediction)<br />

He must be there by now.<br />

(logical necessity, deduction based on<br />

evidence)<br />

He can’t be there yet. (logical necessity negated) (see 44.5.3)<br />

He’s bound to be there.<br />

(modal certainty + inevitability)<br />

He has to be there by now. (logical necessity, objective)<br />

He’s likely to be there by now. (probability)<br />

He should be there by now. (reasonable inference based on deduction)<br />

He could be there by now.<br />

(tentative possibility)<br />

He might be there by now.<br />

(neutral possibility)<br />

He may be there by now.<br />

(weak possibility)<br />

He may be intelligent, but he’s a bit (concessive meaning of may)<br />

of a prat.<br />

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For lexical auxiliaries, modal idioms and modal auxiliaries in VG sequences, see Chapter<br />

8. For backshifted modals in reported speech, see 36.3.<br />

44.5 FEATURES OF INTRINSIC MODALITY: VOLITION,<br />

OBLIGATION, NECESSITY, PERMISSION<br />

Functionally, these modal meanings are used to establish and maintain social relations<br />

and interaction. Through them, speakers influence and control others, and commit themselves<br />

to certain courses of action. They may bring about changes in their surroundings<br />

by obligations which are met, permissions given, promises kept and so on.<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 385


Semantically, the modal utterance forms part of the linguistic event, and the speaker<br />

intervenes in the action.<br />

Syntactically, we find the following correlates:<br />

(a) Unstressed ‘there’ is rare as Subject, which is typically a human Agent controlling<br />

the main verb.<br />

(b) The main verb is usually dynamic.<br />

(c) With past time reference, must and may express obligation/ permission that<br />

took place in past time and is expressed, not by have + -en, but by forms of other<br />

verbs.<br />

Present<br />

I must go.<br />

They may go.<br />

Past<br />

I had to go.<br />

They were allowed to go.<br />

44.5.1 Volition: willingness and intention will, shall, ’ll<br />

The concept of volition covers the meanings of willingness as in Will you sign this for<br />

me? and intention as in I’ll bring it back tomorrow. The negative form is will not/won’t.<br />

Willingness<br />

This can be paraphrased by be willing to. The action predicated by the main verb can<br />

coincide with speech time, or refer to repeated or future events:<br />

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Will you give a donation to the Wildlife Society? – Yes, I will.<br />

The key won’t go in the lock. (speaker attributes unwillingness to an inanimate thing)<br />

As in these examples, will is used for all persons. The reduced form ’ll occurs in the<br />

affirmative, except when stressed to express insistence, which requires the full form, as<br />

in I WILL do it.<br />

The meaning of willingness, realised by will, readily lends itself to various pragmatic<br />

uses. For instance, will would be interpreted as a directive in Will you listen to<br />

me and stop interrupting? and as a polite offer in Will you have another slice of melon? (See<br />

Chapter 5.)<br />

In interrogatives shall is used with a 1st person subject to consult the addressee’s<br />

wishes or ask for advice. This is the most widespread use of shall in present-day<br />

<strong>English</strong>.<br />

Shall we go back home now? (= Do you want us to ...?)<br />

Intention<br />

This can be glossed by intend to. When a speaker expresses an intention, the intention<br />

is, naturally, coincident with speech time, but the intended action is in the future:<br />

386 ENGLISH GRAMMAR


I’ll ring you sometime next week.<br />

I think I’ll just tape this bit of opera.<br />

Will is used for all persons, shall by some speakers for the 1st person singular and<br />

plural.<br />

The speaker’s commitment in using these modals is as strong as in the extrinsic<br />

meanings. For this reason the will of intention can have the force of either a promise or<br />

a threat, according to whether the intended action is beneficial to the addressee or<br />

otherwise. These interpretations are reinforced by the addition of such verbs as promise<br />

and warn:<br />

I’ll bring you something back from Paris, I promise.<br />

I warn you that if you keep talking this way I shall hang up.<br />

The full form shall is also used with a 2nd or 3rd person subject with the meaning of<br />

speaker’s guarantee, as in you/they shall be paid tomorrow.<br />

44.5.2 Inescapable obligation: must, have to, have got to/<br />

gotta, shall<br />

In <strong>English</strong>, obligation and necessity can be thought of as an inescapable duty or<br />

requirement, realised by must, have (got) to and, in a lesser degree, by shall; or else, simply<br />

as an advisable course of action, realised by should and ought. Must can have the force<br />

of a command.<br />

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Must as a modal of obligation<br />

When realised by must, obligation can have the force of a direct command, as in 1 and<br />

2, although modal lexical verbs are more explicit. Compare You must go with I order you<br />

to go, I urge you to go.<br />

1 You must try harder.<br />

2 You must copy this out again.<br />

This force derives from the fact that (a) in certain cultural contexts such as school, family,<br />

the Armed Forces, the speaker has authority over the addressee, who is the subject<br />

‘you’; (b) the speaker takes the responsibility for the action being carried out; and<br />

(c) the verb is agentive and in active voice.<br />

The force of must is diminished if one or more of these factors is modified, providing<br />

useful strategies to mitigate the directness of the obligation, although not its<br />

inescapability:<br />

I must catch the last bus without fail. (subject is I, the obligation is internal)<br />

Drug-traffickers must be punished. (3rd person subject; authority does not reside<br />

in the speaker; passive voice)<br />

Applications must be in by May 1st. (non-agentive verb; passive; 3rd person subject)<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 387


When no human control is implied, the meaning is that of intrinsic necessity, as in:<br />

Lizards must hibernate if they are to survive the winter. (= it is necessarily the case<br />

that.)<br />

The following news item ‘Killing with a Kiss’ from The Sunday Times of India illustrates<br />

the inescapable obligation of intrinsic must:<br />

Medics were on standby as 53 couples locked their lips on Saturday at the start of<br />

a bid to set a new world record for the longest kiss.<br />

The couples will need to kiss non-stop for more than 29 hours and 57 minutes to<br />

make it into the Guinness Book of Records. The Valentine weekend attempt was<br />

organised by a local radio station, which advertised for participants to take part in<br />

the competition at Newcastle, Sydney.<br />

To break the record, participants must follow strict rules, station spokeswoman<br />

Tricia Morris said. “Their lips must be touching at all times, they must be standing,<br />

they must not fall asleep, must not leave the venue, mustn’t wear any incontinence<br />

pads or adult nappies and there are no toilet breaks,” Morris said.<br />

Shall, have to, have got to, gotta as modals of obligation<br />

Of all the modals of obligation shall is the most imperious, direct and subjective, and<br />

for this reason is little used in the spoken language. It occurs in legal language and other<br />

formal contexts, as in the regulations of the Olympic Games 1.<br />

Of the lexical-modals, have to is objective (the obligation is external) and have got<br />

to/gotta subjective (the obligation is internal). Compare 2 and 3.<br />

Syntactically, have to, unlike must and have got to, has non-finite forms having to, to<br />

have to. Both have to and have got to have a past form had (got) to. Only have to can<br />

combine with the modal auxiliaries (may have to, *may have got to).<br />

Must has no past form as it is, historically, itself a past form. Forms of have to are<br />

therefore brought in to express past and future obligation 4.<br />

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1 All competitors in the Games shall wear a number.<br />

2 I’ve got to go now. (I gotta go now) (the obligation is internal)<br />

3 I have to go and see the Dean. (the obligation is external)<br />

4 We had to pay in advance. We’ll have to pay in advance. (external)<br />

44.5.3 Negation of the modals must and may<br />

Negation of the modal verbs must and may is complex because either the modal concept<br />

(in the ‘a’ examples) or the lexical concept (in the ‘b’ examples) can be negated.<br />

388 ENGLISH GRAMMAR


1. obligation and permission (intrinsic meanings)<br />

positive negative meaning<br />

You must go now a 1<br />

You needn’t go now = you are not obliged to go<br />

a 2<br />

You don’t have to go now = you are not obliged to go<br />

b You must not (mustn’t) go = you are obliged not to go<br />

You may go now a You may not/ can’t go = you have not permission to go<br />

b You may/ can not go = you have permission not to go<br />

2. necessity and possibility (extrinsic meanings)<br />

positive negative meaning<br />

It must be true a It can’t be true = It is not possible that it is true<br />

b 1<br />

It needn’t be true = It is not necessarily true<br />

b 2<br />

It doesn’t have to be true = It’s not necessarily true<br />

It may be true (a) It can’t be true = It is not possible that it is true<br />

(b) It may not be true<br />

= It is possible that it is not true<br />

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When might and could express possibility, they negate in the same way as may, with<br />

replacement by can’t for modal negation and not to negate the lexical verb.<br />

Need not (needn’t) is often replaced by the objective form doesn’t/don’t have to in both<br />

kinds of modal meaning, the extrinsic and the intrinsic. Have to is also used by many<br />

speakers in the interrogative: Do you have to go now? for Need you go now?, especially in<br />

the meaning of obligation. Questioning is less common with meanings of possibility and<br />

necessity, for example: Does it have to be true?<br />

Mustn’t is usually reserved for the obligation meaning of must, for example, We mustn’t<br />

forget to ask Sue to water the plants (= obligation not to forget).<br />

May in its meaning of permission does not have a full set of unambiguous forms: you<br />

may not go serves for both modal and lexical negation. The meaning ‘you have permision<br />

not to go’ can be conveyed by stressing the negative particle not – You may not go, if<br />

you like.<br />

Can and can’t have replaced may/may not in the expression of permission except in<br />

the most formal contexts.<br />

Can’t, needn’t and don’t have to negate and question the modal concept. When the<br />

lexical concept is negated, this is achieved by not, which can be attached as n’t to must<br />

(mayn’t is not normally used).<br />

Can’t is the usual form used to negate must (necessity) and may (possibility).<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 389


44.5.4 Non-binding obligation: should, ought<br />

Should and ought express a medium obligation, which is not binding and may be<br />

unfulfilled:<br />

People should drive more carefully.<br />

You really ought to cut down on smoking.<br />

These modals are used instead of the stronger must when the speaker lacks authority<br />

to impose the obligation. Tact, politeness or a lack of conviction of the absolute necessity<br />

of the predicated action are further motivations. The following invented advertisement<br />

clearly distinguishes the necessary from the merely desirable:<br />

Candidates must be university graduates.<br />

Candidates must be between 21 and 35.<br />

Candidates should have a knowledge of two foreign languages.<br />

Candidates should have at least three years’ experience.<br />

Referring to a past event, with should and ought + have + -en, the speaker implies that<br />

the obligation was not fulfilled. Ought is less common than should nowadays. Be supposed<br />

to is similar to should and ought in being contrary to fact:<br />

He ought to have been more careful.<br />

The Government should have taken a decision earlier.<br />

They were supposed to be here by eight, but most people turned up at half-past.<br />

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44.6 DYNAMIC MODALITY: POSSIBILITY, ABILITY,<br />

PERMISSION, PROPENSITY CAN, BE ABLE, COULD, WILL,<br />

WOULD, MAY<br />

A. Can, could<br />

Dynamic modality expresses properties or dispositions of the subject referent. The three<br />

related meanings are expressed by can, negative cannot, can’t:<br />

This paint can be applied with a<br />

spray.<br />

Can you reach the top shelf?<br />

You can’t park here<br />

(= It is possible to apply this paint . . ./for<br />

this paint to be applied . . .) (dynamic<br />

possibility)<br />

(= Are you able to reach . . .?) (ability)<br />

(= You are not allowed to park here)<br />

(intrinsic permission)<br />

It is important to distinguish dynamic possibility, which is expressed by can and is<br />

paraphrased by ‘It is possible to . . .’or ‘It is possible for . . . to . . ., from extrinsic<br />

possibility, which is expressed by may, might or could, and is paraphrased by ‘It is<br />

possible that . . .’. Compare:<br />

390 ENGLISH GRAMMAR


I can be there by 10 o’clock.<br />

I may/might be there by 10 o’clock.<br />

(= It is possible for me to be there by<br />

10 o’clock)<br />

(= It is possible that I’ll be there by<br />

10 o’clock)<br />

B. Will and would: propensity<br />

This is a dynamic meaning which involves a property or a propensity of the subject<br />

referent. From our knowledge of how the world is structured, we are able to predict not<br />

only single instances (see p. 382) but regular occurrences, using will. Would is used in<br />

a past time-frame:<br />

Ice will melt at room temperature. (Ice has the property to melt ...)<br />

They’ll gossip for hours.<br />

(They have a tendency to gossip for hours)<br />

They would gossip for hours, sitting in the park. (They tended to gossip ...)<br />

Heavy stress on will and would is emotive and can suggest that the propensity is not<br />

welcome to the speaker:<br />

He WILL ring up late at night asking silly questions.<br />

Dynamic would in narrative is illustrated in the following passage by James Thurber:<br />

With the lexical-modal be apt to, propensity shades into usuality, since it is based on the<br />

natural habits or tendency of the subject. It refers to repeated states or happenings, as<br />

in He’s apt to turn up for dinner without warning.<br />

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When Grandpa got to his office, he would put his hat on his desk. . . . It was a device<br />

of his to get away from bores or talkative friends. As the door opened, he would<br />

automatically reach for his derby, and if it was somebody he didn’t want to see, he<br />

would rise and say, ‘I’m sorry, but I was just about to leave.’ He would then walk<br />

to the street with his visitor, find out which way the man was going, and set off in<br />

the opposite direction, walking around the block and entering the store by the back<br />

door.<br />

C. The core meaning of can – You can’t do that<br />

The meanings expressed by can all correspond to a basic pattern, which in its positive<br />

form can be expressed as ‘nothing prevents x from occurring’ and in its negative form<br />

as ‘something prevents x from occurring’. That ‘something’ in each case represents a<br />

set of laws, whether natural laws, moral laws, laws of physics, of good manners, and<br />

perhaps many more. For this reason, an utterance such as You can’t do that will be<br />

interpreted in different ways according to the context in which it occurs, and depending<br />

on which set of laws applies in a particular case:<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 391


You can’t do that = It’s not possible for you to do that, e.g. walk from Genoa<br />

to Tangier.<br />

You can’t do that = You are not able to do that, e.g. lift such a heavy box.<br />

You can’t do that = You are not allowed to do that, e.g. park your car in the<br />

square.<br />

You can’t do that = social norms prevail against doing that, e.g. infringe local<br />

customs.<br />

As the possibility and ability to carry out an action is a necessary requirement for a<br />

person to perform that action, can lends itself to various pragmatic interpretations by<br />

implication:<br />

willingness<br />

command<br />

request<br />

existential<br />

I can get the copies for you, if you like.<br />

If you won’t keep quiet, you can get out.<br />

Can you help me lift this sofa?<br />

It can be very cold in Edinburgh in winter.<br />

D. May (negative may not) – You may go now<br />

May is a more formal alternative to can in the meanings of permission and dynamic<br />

possibility, and is extended to such meanings as polite offer.<br />

May I come in? Yes, you may. (request for permission and giving permission)<br />

In spring, wild orchids may be found in the woods. (possibility = it is possible to<br />

find...)<br />

May I help you with the luggage? (polite offer)<br />

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Might is sometimes used for an indirect request:<br />

You might fetch me a bottle of tonic water and a bag of crisps.<br />

E. The past of can is could or was/were able + to-infinitive<br />

depending on whether an imperfective or perfective meaning is intended. With be able<br />

a single, predicated action is achieved, that is to say, it is seen as holistic, perfective;<br />

with could, the action is viewed as extended in the past, that is, as imperfective:<br />

From the top of the hill we could see for miles.<br />

He was able to escape in time. (not *He could escape in time)<br />

This distinction is obligatory only in the affirmative and the interrogative. In the negative,<br />

could and be able to are interpreted as having the same result and are therefore<br />

interchangeable:<br />

He wasn’t able to escape. He couldn’t escape.<br />

392 ENGLISH GRAMMAR


44.7 HYPOTHETICAL USES OF THE MODALS<br />

Apart from their other meanings, the past tense modals could, might, would can be used<br />

in a ‘remote’ or hypothetical sense in both main and subordinate clauses. Compare:<br />

I will help you if I can.<br />

She may pass if she works hard.<br />

I would help you if I could.<br />

She might pass if she worked harder.<br />

To refer to a past event have + -en is used. The event is understood to be contrary to<br />

fact:<br />

I would have helped you if I had been able to.<br />

She would/ might have passed if she had worked harder.<br />

Should is also used, especially in BrE, as the replacement of a subjunctive in referring<br />

to states of affairs that may exist or come into existence (see also Chapter 3):<br />

It is only natural that they should want a holiday.<br />

I am amazed that he should think it’s worth trying.<br />

44.7.1 Summary of intrinsic modals and modal meanings<br />

Will you sign here?<br />

(willingness)<br />

Shall we go to the theatre?<br />

(suggestion/consulting addressee)<br />

I’ll let you know tomorrow<br />

(intention)<br />

You must try harder<br />

(inescapable obligation, subjective)<br />

You have to try harder<br />

(inescapable obligation, objective)<br />

We must go; we’ve got to/ gotta go (inescapable obligation, self-imposed)<br />

You needn’t go; you don’t have to go (absence of obligation)<br />

All competitors shall wear a number (inescapable obligation, formal)<br />

You should drive more carefully (medium obligation, not necessarily fulfilled)<br />

You can do it<br />

(ability, possibility, or informal permission)<br />

It can be cold in Edinburgh (existential)<br />

You may go now<br />

(permission, formal)<br />

You can go now<br />

(permission, informal)<br />

I would help you if I could<br />

(hypothetical)<br />

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The following extract from a novel by David Lodge illustrates some of the realisations<br />

of modal meanings in <strong>English</strong>. It is noticeable that the dialogue, in which members of a<br />

family debate possible courses of action, contains more modals than the narrative part:<br />

Their Dad would be coming 1 home the next day and they would 2 have to 3 look after<br />

him until he was too ill to stay out of hospital. The question was, should 4 he be told?<br />

‘How long . . .?’ somebody wondered. 5 The doctor hadn’t been specific. A matter<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 393


of months rather than weeks. One could 6 never be sure. ‘Who would 7 tell him?’ ‘I<br />

couldn’t. I just couldn’t,’ 8 said their mother and wept. ‘I would, 9 said Angela, ‘if we<br />

agreed that was the right thing to do.’ ‘Why tell him?’ said the youngest sister. ‘It<br />

would 10 just be cruel.’ ‘But if he asks . . .’ said another. ‘Are you going to 11 lie to<br />

your own Dad?’<br />

Tom lit a cigarette and blew smoke from his nostrils. A grey haze from previous<br />

cigarettes hung in the air. All the men in the family were heavy smokers, perhaps<br />

because cigarettes had always been readily available. No reference was made by<br />

anyone to this as the likely 12 cause of their father’s disease.<br />

‘I see no reason to tell Dad yet,’ Tom said at length. ‘We should 13 try to keep him<br />

as cheerful as possible.’<br />

Their mother looked at Tom gratefully, but fearfully. ‘But he must 14 have time to<br />

. . . receive the last . . . sacraments and everything,’ she faltered.<br />

‘Of course, Mum, but there’s no need 15 to rush these things. Let’s make him as<br />

happy as we can for the rest of his days.’<br />

1<br />

past time prediction; 2 past time prediction; 3 obligation; 4 advisability; 5 doubt;<br />

6<br />

intrinsic possibility; 7<br />

willingness; 8<br />

incapability; 9 10<br />

willingness; hypothetical;<br />

11<br />

intention; 12 probability; 13 advisability; 14 inescapable obligation; 15 lack of necessity/<br />

obligation<br />

FURTHER READING<br />

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On tense Brazil (1995), Comrie (1985); and aspect Comrie (1976), Givón (2001a),<br />

Kravchenko (2002), Langacker (1991); on situation types Huddleston and Pullum (2002),<br />

Mourelatos (1981); on Perfect aspect McCoard (1978); Stoevsky (2000); on modality<br />

Coates (1983); Palmer (1988); Huddleston and Pullum (2002).<br />

EXERCISES ON CHAPTER 9<br />

Viewpoints on events: Tense, aspect and modality<br />

Module 41<br />

1 Discussion: To what extent do the Present and Past tenses of <strong>English</strong> correspond to present<br />

and past time?<br />

2 †Identify the Present tense verb in each sentence as a state or an event. If an event, is it<br />

instantaneous, habitual, ‘historic’, past referring, reporting or quotative?<br />

(1) They cycle to work on a tandem most days.<br />

(2) Ignorance is bliss.<br />

(3) I had just got off the bus when up comes this guy and asks me for a light.<br />

394 ENGLISH GRAMMAR


(4) And he’s like ‘But she looks just like a little kid.’<br />

(5) Finally, I plug in and press the button.<br />

(6) Wounded tell of terror march.<br />

(7) Many believe that violence on television is partly the cause of violence in real life.<br />

(8) Clinical tests prove conclusively that untreated gum disease leads to tooth loss.<br />

3 Turn to the article on Pete the burglar on p. 357. Discuss the function type of the Present<br />

tense in: (a) the writer’s narrative and (b) Pete’s quoted words.<br />

4 Write a description, using the Present tense, of some piece of equipment that you find<br />

useful, for instance an answer-phone, a mobile phone, or a personal computer.<br />

5 †Decide which is more meaningful, the Past or the Perfect, in the sentences below and<br />

write the correct form of the verb (given in brackets) below. Give reasons for your choice:<br />

(1) We - - - - - - - - - - - - (set off) early and - - - - - - - - - - - - (leave) the car by the bridge.<br />

(2) ‘I - - - - - - - - - - - - (get) it,’ he shouted, ‘I think I really - - - - - - - - - - - - (get) it.’<br />

(3) During his short lifetime, he - - - - - - - - - - - - (compose) some of the most beautiful<br />

organ music of his time.<br />

(4) How many plays - - - - - - - - - - - - Shakespeare (write)?<br />

(5) I (wake up) late this morning and - - - - - - - - - - - - (have) any breakfast yet.<br />

(6) What- - - - - - - - - - - - you (say) your name - - - - - - - - - - - - (be)?<br />

(7) - - - - - - - - - - - - you (come) for a work permit, or for something else?<br />

(8) When - - - - - - - - - - - - your son (qualify) as a doctor?<br />

(9) - - - - - - - - - - - - the children (like) the circus?<br />

(10) I’m afraid there - - - - - - - - - - - - (be) a mistake. You - - - - - - - - - - - - (put, passive) in<br />

the wrong group.<br />

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Module 42<br />

1 Discussion: Compare the uses and implications of the Present Perfect in <strong>English</strong> with those<br />

of its counterpart in any other language you know.<br />

2 †Discuss the difference in meaning between the use of Past tense and Perfect aspect in<br />

the following sentences. What pragmatic inferences would be made to establish the<br />

psychological link between past and present time in the case of the Perfect uses?<br />

(1) (a) His last film set a new standard in horror and violence.<br />

(b) His latest film has set a new standard in horror and violence.<br />

(2) (a) I was a colleague of hers, working in the same Department, for several years.<br />

(b) I have been a colleague of hers, working in the same Department, for several<br />

years.<br />

(3) (a) How far did you get?<br />

(b) How far have you got?<br />

(4) (a) Where did you go?<br />

(b) Where have you been?<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 395


(5) (a) What did you do?<br />

(b) What have you done?<br />

(6) (a) She made a fool of herself in public.<br />

(b) She has made a fool of herself in public.<br />

(7) (a) Mobile phones suddenly became popular.<br />

(b) Mobile phones have suddenly become popular.<br />

(8) (a) That report that I gave you has a couple of serious errors.<br />

(b) That report that I’ve just given you has a couple of serious errors.<br />

3 †Turn to the William Boyd text on p. 367. You will see that the dates make explicit the<br />

exact relationships in some cases of the Past Perfect. Change the first was to is and examine<br />

carefully the effect on the rest of the verb forms. Justify your decision to make or not to<br />

make changes in the verb forms.<br />

4 †In each numbered section from the following short news item from The Week, identify the<br />

verb forms as Past, Present or Present Perfect (there is also one modal). Do you find any<br />

of the following types or uses: habitual, reported, quotative?<br />

Padma Lakshmi feels she is famous for all the wrong things 1 . . . She has always<br />

wanted to be an actress 2 but she gets distracted by alternative careers: first as a<br />

model, then as a presenter on Italian television and next as a celebrity chef in<br />

America. 3 In Britain, she’s most famous as the girlfriend of novelist Salman Rushdie. 4<br />

This, in particular, drives her mad. 5 “I would like to be known for myself,” she says. 6<br />

“Like today, in the paper I read something that said, ‘Rushdie’s girlfriend Padma<br />

Lakshmi,’ 7 and I thought 8 ‘Oh, when is this going to end?’ 9 It’s terrible because, of<br />

course, I love him, so of course I’m proud of him, 10 and he’s achieved so much 11 and<br />

blah, blah, blah, but I’m like, 12 ‘When is it my turn?’ 13<br />

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Module 43<br />

1 †Discussion: Comment on the aspectual meaning of the past tense in: His rubber-soled<br />

shoes squeaked on the vinyl floor. Does it refer to one occurrence or more?<br />

2 †Decide whether the situation expressed in each sentence below is bounded (with an<br />

end-point) or unbounded (without an end-point).<br />

(1) They dumped their bags on the floor.<br />

(2) They are negotiating with the Chinese to buy a panda.<br />

(3) The west wind blows constantly across the beaches of Almería.<br />

(4) The cat pounced on the unwary mouse.<br />

(5) Snow fell gently on the city streets.<br />

(6) He dragged himself along the road.<br />

(7) A man in a pin-striped suit stepped off the bus.<br />

(8) He slipped the pen into his pocket.<br />

396 ENGLISH GRAMMAR


(9) The sofa cast a shadow on the wall.<br />

(10) She handed me the paper bag containing the mushrooms.<br />

3 †Put the main verb in each of the sentences below into the Progressive, and say what kind<br />

of meaning ensues:<br />

(1) Paul drove us home.<br />

(2) Sue crossed the street when she saw us.<br />

(3) The children jumped up and down with excitement.<br />

(4) I have tried to trace an old friend who lives in an unfamiliar town.<br />

(5) Peter sees the Health Officer tomorrow.<br />

(6) A big fire crackled in the grate.<br />

(7) They photographed the trail of footprints around the pool.<br />

(8) I shiver and cough.<br />

(9) The police car pulled up in front of the hotel.<br />

(10) The doctor bent over the man who lay on the ground.<br />

Module 44<br />

1 Discussion: Modals in context: Do the modals in the following three short texts have intrinsic<br />

or extrinsic meanings? Give a gloss of each to help you decide.<br />

(a) ‘He surrounds himself with people that want to win. He taught me to win at all costs.<br />

Quite simple. Must win. No secret to it. But you have to manage your way because<br />

if you fail, it’s you that’s done it.’ [He refers to Sir Alex Ferguson, the manager of<br />

Manchester United]<br />

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(b) Motorists who use their mobile phones at the wheel are to face fines of up to a<br />

thousand pounds from this December. But the real question may be whether these<br />

fines can or could be enforced.<br />

(c)<br />

You could be exceptionally bright and super-competent so far as brain work and<br />

the thought processes are concerned. The trouble could be that you put all this<br />

mental efficiency into unimportant, instead of worthwhile, issues. (Horoscope)<br />

2 †Supply the modal verb which corresponds to the paraphrase in each case. In some cases<br />

more than one form is acceptable:<br />

(1) I - - - - - - - - - - - - let you know as soon as 1 have any news. (intention, promise)<br />

(2) We - - - - - - - - - - - - get away until the end of August. (It will not be possible for us<br />

to get away.)<br />

(3) There - - - - - - - - - - - - be something burning. I can smell it. (It is necessarily the case<br />

that . . . )<br />

(4) The banks - - - - - - - - - - - - be closed at this time of day. (prediction)<br />

(5) You - - - - - - - - - - - - have forgotten your house keys! (It’s not possible that you have<br />

forgotten.)<br />

(6) This 12-can pack of beer - - - - - - - - - - - - be enough. (probability, reasonable<br />

inference)<br />

VIEW POINTS: TENSE, ASPECT AND MODALITY 397


(7) Because of his wide experience, he - - - - - - - - - - - - to find an acceptable solution.<br />

(ability, past)<br />

(8) That young man - - - - - - - - - - - - be our next Prime Minister. (It is possible that . . .)<br />

(9) You - - - - - - - - - - - - not feed the animals at the zoo. (You are under the obligation<br />

not to . . .)<br />

(10) You - - - - - - - - - - - - (not) tip the waiter. (It is not necessary that you tip the waiter.)<br />

3 †Change the modalised verb form in each sentence below to the past. Make any<br />

adjustments necessary to tenses or adverbs, for instance, in the rest of the sentence.<br />

(1) They will not wait for us more than ten minutes.<br />

(2) He must be mistaken about his daughter’s age.<br />

(3) You can’t be listening to what I’m saying.<br />

(4) Ben should take two tablets every day this week.<br />

(5) Lying in our tent, we can hear the wind howling down from the heights.<br />

(6) With their fast patrol-boats, the police can capture drug-traffickers operating in the<br />

Strait.<br />

(7) There may be a hold-up on the motorway this afternoon.<br />

(8) I must have the baby vaccinated.<br />

(9) He will telephone us immediately if he can.<br />

(10) They oughtn’t to be talking while the pianist is playing.<br />

4 Study the following extract from an article by Angela Carter in Nothing Sacred, about her<br />

memories of her parents. The occasion is a visit to her father’s new home, after her mother’s<br />

death:<br />

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My father had lined the walls of his new home with pictures of my mother when she<br />

was young and beautiful; and beautiful she certainly was, with a broad, Slavonic<br />

jaw and high cheekbones like Anna Karenina, she took a striking photograph and<br />

had the talent for histrionics her pictures imply. They used to row dreadfully and pelt<br />

one another with household utensils, whilst shrieking with rage. Then my mother<br />

would finally break down and cry, possibly tears of sheer frustration that he was<br />

bigger than she, and my father, in an ecstasy of remorse – we’ve always been very<br />

good at remorse and its manifestations in action, emotional blackmail and irrational<br />

guilt – my father would go out and buy her chocolates.<br />

Analyse the tenses and aspects used by the writer in this lively evocation of her parents.<br />

For instance, which tense does the author use to describe her mother? Do the verbs in this<br />

part of the article refer to states, repeated actions or events in the past?<br />

Which forms does the writer make use of to describe her parents’ life together? With<br />

which tense-aspect form does the author establish a psychological link between past and<br />

present time, with regard to certain family characteristics?<br />

398 ENGLISH GRAMMAR


TALKING ABOUT PEOPLE CHAPTER 10<br />

AND THINGS<br />

The Nominal Group<br />

Module 45: Expressing our experience of people and things 401<br />

45.1 Classes of entities 401<br />

45.2 Overview: The structure of the nominal group 403<br />

45.3 The head element 1: common nouns 405<br />

45.4 Regular and irregular plurals 405<br />

45.5 Countability: Count and non-count nouns 405<br />

45.5.1 Grammatical features of countability 406<br />

45.5.2 Selected classes of non-count nouns 407<br />

45.5.3 Countability markers of non-count referents 409<br />

45.6 The head element 2: proper nouns 410<br />

45.7 The head element 3: pronouns 411<br />

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45.7.1 Personal pronouns and reflexive pronouns 411<br />

45.7.2 The pronouns this and that 414<br />

45.7.3 The discourse function of pronouns 415<br />

45.7.4 Substitute one/ones 416<br />

Module 46: Referring to people and things as definite,<br />

indefinite, generic 417<br />

46.1 Definite and indefinite reference 417<br />

46.2 Indefinite reference: specific and non-specific 418<br />

46.3 Indefinite proper nouns 419<br />

46.4 Definite reference 419<br />

46.5 Discourse functions of definite and indefinite nominal groups 420<br />

46.6 Generic reference 421<br />

Module 47: Selecting and particularising the referent: the<br />

determiner 423<br />

47.1 The determiner function 423<br />

47.2 Demonstrative and possessive determinatives 424<br />

47.2.1 Functions of the ’s phrase 425<br />

47.2.2 Possessives as nominal group heads 426<br />

47.3 Wh-determinatives: which, whose, what 426<br />

47.4 Quantifiers 427


47.4.1 Indefinite quantifiers 427<br />

47.4.2 Distributors: all, both, either, neither, each, every 429<br />

47.5 The semi-determinatives: such, what, certain, same, (an)other, former, latter 431<br />

47.6 Summary of determinative features 432<br />

47.7 Ordering of determinatives 434<br />

Module 48: Describing and classifying the referent: the<br />

pre-modifier 435<br />

48.1 The pre-modifier functions: epithet and classifier 436<br />

48.2 Adjectives as epithet: descriptive and attitudinal uses 437<br />

48.3 Ordering of multiple epithets 439<br />

48.4 Functions and properties of the classifier 440<br />

48.5 Adjectives, participles and nouns as classifiers 440<br />

48.6 Words functioning as both epithet and classifier 442<br />

48.7 Multiple classifiers 443<br />

48.8 Mixed pre-modifiers and their ordering 444<br />

Module 49: Identifying and elaborating the referent: the<br />

post-modifier 446<br />

49.1 Communicative functions of the post-modifier elements 447<br />

49.2 Restrictive and non-restrictive realisations of the post-modifier 447<br />

49.3 Finite relative clauses as post-modifiers 449<br />

49.3.1 The relativisers 449<br />

49.3.2 Features of the restrictive relative clause 450<br />

49.3.3 Features of the non-restrictive relative clause 451<br />

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49.4 Non-finite relative clauses as post-modifiers 452<br />

49.5 Other types of unit as post-modifiers 452<br />

49.5.1 Prepositional phrases 452<br />

49.5.2 Adjectival groups 453<br />

49.5.3 Adverbial groups 454<br />

49.5.4 Appositive nominal groups 455<br />

49.6 Mixed realisations of the post-modifier 455<br />

Module 50: Noun complement clauses 457<br />

50.1 Features of the that-complement clause 457<br />

50.2 To-infinitive complement clauses 459<br />

50.3 of + -ing complement clauses 459<br />

50.4 Wh-complement clauses 459<br />

50.5 Prepositional complements of nouns 460<br />

50.6 Functions of the nominal group 460<br />

50.7 Nominalisation 461<br />

Further reading 462<br />

Exercises 462


EXPRESSING OUR EXPERIENCE MODULE 45<br />

OF PEOPLE AND THINGS<br />

SUMMARY<br />

1 Nouns refer to classes of entities: persons, objects, places, institutions,<br />

actions, abstract ideas, qualities, phenomena, emotions, etc.<br />

2 How we experience entities: experiential features: countability, definiteness,<br />

quantity, description, classification, identification.<br />

3 Structural elements that realise experiential features: the head, the<br />

determiner, the pre-modifier, the post-modifier.<br />

4 Noun heads<br />

1. Common nouns. Countability. The notion of ‘count’ and ‘non-count’ (or<br />

‘mass’).<br />

2. Proper nouns.<br />

3. Pronouns. Personal pronouns: I, we, he/she it, one. Demonstrative<br />

pronouns: this, that, these, those. Interrogative pronouns: who, which, what.<br />

Substitute words: one/ones.<br />

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45.1 CLASSES OF ENTITIES<br />

Nominal Groups refer semantically to those aspects of our experience that we perceive<br />

as entities. The term ‘entity’ refers here not only to concrete entities such as persons,<br />

objects, places, institutions and other ‘collectives’, but also to the names of actions<br />

(swimming, laughter), abstractions (thought, experience), qualities (beauty, speed), emotions<br />

(anger, excitement) and phenomena (thunder, success), among others. Prototypical entities<br />

are those which are concrete, with well-defined outlines and relatively stable in time<br />

(‘person’, rather than ‘weather’). The following description of the sale of the painting<br />

known as L’Absinthe includes a number of nominal groups, which represent several<br />

classes of entities. (The article appeared under the ironic title ‘Fairy Liquid’ in The Times<br />

Weekend Review).<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 401


One Saturday morning in February 1893, a sale was in progress at the smart new<br />

rooms of a London art dealer in a street leading to the flower market in Covent<br />

Garden. Smartly dressed wealthy art lovers had come from all over the country to<br />

bid for pictures from the estate of Henry Hill.<br />

Lot 209, showing a man and a woman in a Paris café, was brought in by staff<br />

and placed on the easel. Instead of quiet appraisal, a hush fell on the gallery,<br />

followed by low groans of disgust, then the sibilant sound of hissing anger. Bizarrely,<br />

a group of well-off <strong>English</strong> art lovers was jeering a painting by the acknowledged<br />

master Edgar Dégas.<br />

When we name an entity, we usually add some information about it which shows<br />

how we ‘experience’ or perceive it. In expressing this ‘experiential’ information about<br />

an entity, some of it is placed before the noun and some after it, as we can see in some<br />

of the groups contained in the example text:<br />

Pre-head Head Post-head<br />

1 one Saturday morning in February 1893<br />

2 a sale<br />

3 the smart new rooms of a London art dealer<br />

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4 a street leading to the flower<br />

5 smartly dressed wealthy art lovers<br />

6 pictures from the estate of Henry<br />

Hill<br />

7 lot 209 showing a man and a<br />

woman in a Paris café<br />

8 staff<br />

9 quiet appraisal<br />

10 a hush<br />

11 the gallery<br />

low groans of disgust<br />

12 the sibilant sounds of hissing anger<br />

13 a group of well-off <strong>English</strong> art<br />

lovers<br />

14 a painting by the acknowledged<br />

master Edgar Dégas<br />

In this text, we see that the post-head information, given on the right about the head<br />

nouns in the middle column, also contains nouns with their own pre-head and posthead<br />

information.<br />

402 ENGLISH GRAMMAR


45.2 OVERVIEW: THE STRUCTURE OF THE NOMINAL GROUP<br />

The nominal group has four primary elements or structural functions: the head, which<br />

is the central element, the determiner and the pre-modifier functions in the prehead<br />

position, and the post-modifier function in post-head position. Of all these<br />

elements, the pre- and post-modifiers can usually be omitted, while the head together<br />

with the determiner, when present, may realise the NG (a sale, staff), as illustrated in the<br />

following examples:<br />

NG<br />

determiner pre-modifier head post-modifier<br />

(d) (m) (h) (m)<br />

dmhm<br />

one<br />

Saturday morning in February 1893<br />

dh a<br />

sale<br />

h<br />

staff<br />

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The head<br />

The head is typically realised by a noun or pronoun (book, it). Instead of a noun we may<br />

find a substitute head, realised most commonly by one/ ones (a good one/ good ones).<br />

Adjectival heads are limited in <strong>English</strong>, for example: the poor, the unemployed, the<br />

supernatural.<br />

The determiner<br />

The determiner function particularises the noun referent in different ways: by<br />

establishing its reference as definite or indefinite, by means of the articles (a book, an<br />

actor, the actor/the book), or relating the entity to the context by means of the demonstratives<br />

this, that, these, those (which are deictics or ‘pointing words’), signalling that<br />

the referent is near or not near the speaker in space or time (this book, that occasion).<br />

The possessives signal the person to whom the referent belongs (my book, the Minister’s<br />

reasons) and are sometimes reinforced by own (my own book).<br />

Other particularising words are the wh-words (which book? whatever reason) and<br />

the distributives (each, every, all, either, neither). Quantifiers are also included in the<br />

determiner function. Quantification may be exact (one, seven, a hundred, the first, the next)<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 403


or inexact (many, a lot, a few, some). All these classes of item that realise the determiner<br />

function are called determinatives.<br />

With regard to their position in the NG, determinatives fall into three broad groups:<br />

• central determinatives: the articles, the demonstratives, the possessives,<br />

including the ’s possessive, the quantifiers each, every, either, neither, some, any,<br />

enough, no.<br />

• pre-determinatives: all, both, half and once, twice, double, three times, such, what.<br />

• post-determinatives: the ordinal numerals (first, second, etc.) and the semideterminatives<br />

same, other, former, latter, last, next, certain, own.<br />

The central determinatives are mutually exclusive, that is, each NG has only one. They<br />

can combine with the pre- and post-determinatives, however, as we shall see shortly.<br />

The pre-head modifier<br />

After the defining, particularising and quantifying items of information, which select<br />

the noun referent from others in the surrounding context, the pre-head modifier<br />

function (pre-modifier for short) describes or classifies the referent. Within this function,<br />

the epithet characterises the referent by attributing qualities to it, realised by<br />

adjectives (smart, new rooms, a young man). The classifier restricts the referent to a<br />

sub-class (art lovers) and is realised by nouns (one Saturday morning, art lovers, top ten)<br />

or certain types of adjectives and participles (a political broadcast, general elections,<br />

leading articles).<br />

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The post-head modifier (post-modifier for short)<br />

includes all the experiential post-head items that are placed after the head noun and<br />

which, like the pre-head items, help to define and identify the noun referent still further.<br />

The post-modifier, for which one can also use the term qualifier, is realised by finite<br />

and non-finite clauses, (the film we saw, a man reading a newspaper), PPs (in February<br />

1893) and, to a lesser extent, by other groups: NGs (shoes that size) and adverbial groups<br />

(the car outside).<br />

Supplementive (or ‘non-defining’) post-head elements are parentheticals. They<br />

don’t define the noun referent, which is already defined, but instead contribute additional<br />

information. Compare the integrated relative clause which helps to define the noun<br />

referent 1 with the supplementive 2:<br />

1 I picked up the umbrella that was lying on the floor. (= the one on the floor)<br />

2 I picked up the umbrella, which was lying on the floor. (= the only umbrella)<br />

Different from the post-modifier is the complement, realised for instance by content<br />

clauses (the fact that he left, the belief that peace is round the corner . . .).<br />

Nominal groups can also function in apposition to the head noun (the acknowledged<br />

master Edgar Dégas).<br />

As we have seen in chapters 2, 3 and 4, nominal groups function in clause structure<br />

as Subject, Object and Complement, realising the principal participants in the situation<br />

404 ENGLISH GRAMMAR


described by the clause: Agent, Affected and Recipient in material processes, and the<br />

corresponding participants in mental and relational processes. To a lesser extent the<br />

nominal group occurs as Adjunct (They left last Saturday). The NG also functions as<br />

complement of a preposition (in progress).<br />

45.3 THE HEAD ELEMENT 1: COMMON NOUNS<br />

Nominal heads fall into three main categories: common nouns, proper nouns and<br />

pronouns. Common nouns are characterised by having number contrast (i.e. having<br />

both singular and plural forms) and by being countable or non-countable, as described<br />

shortly.<br />

45.4 REGULAR AND IRREGULAR PLURALS<br />

Regular plurals are formed by the addition of a suffix:/iz/ after a sibilant, as in kiss –<br />

kisses, church – churches (with the spelling -es); /s/ after a voiceless consonant as in books,<br />

cakes; or /z/ after a voiced consonant, as in pole – poles, streams – streams, or a vowel<br />

eye – eyes, cry – cries (the spelling is -s, with y becoming i after a consonant, but not after<br />

a vowel: day – days). A number of words of classical origin retain their original plurals,<br />

for example: phenomenon – phenomena; criterion – criteria.<br />

Most common irregular plurals are formed by a change of vowel (or of two vowels):<br />

woman – women, man – men, tooth – teeth. Child – children has developed a ‘double’ plural,<br />

having both a vowel change and a suffix. Another group marks the plural by a consonant<br />

change: half – halves; calf – calves; loaf – loaves. A third group of nouns have the same<br />

form for both singular and plural. This is known as ‘zero plural’: trout, salmon, sheep,<br />

deer, series, species, aircraft.<br />

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45.5 COUNTABILITY: COUNT AND NON-COUNT<br />

NOUNS<br />

<strong>English</strong> obliges us to make a distinction with regard to how a referent is cognitively<br />

perceived: whether as a discrete, countable entity, such as cow, or as an indivisible, noncountable<br />

‘mass’ entity, such as beef. This difference constitutes a feature which is salient<br />

in speakers’ experience of ‘things’.<br />

Other languages make a count–mass distinction, but we must never assume that<br />

particular items are conceptualised and lexicalised in the same way in different<br />

languages. News, for instance, is a singular mass noun in <strong>English</strong> (the news is good); *one<br />

news, *a news, *many news are ungrammatical. In Spanish, by contrast, noticia is a normal<br />

count noun: una noticia, dos noticias, muchas noticias (=one/a, two, many news,<br />

respectively).<br />

Note that we use the terms ‘non-count’ and ‘mass’ without distinction, as both are in<br />

common use.<br />

A count noun is basically one whose referent can be counted, as in one cow, two<br />

cows, but not *one beef, *two beefs. The referents of these nouns are viewed as<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 405


individuated things or persons. The following count nouns include both regular plurals<br />

in -s and invariable or ‘zero’ plurals:<br />

ten cyclists two trout a dozen eggs three new television<br />

series<br />

five minutes five salmon one grapefruit four crossroads<br />

two and a half kilos a hundred sheep two US aircraft two spacecraft<br />

A non-count noun is one whose referent is cognitively perceived as not countable.<br />

We don’t say, for example *three furnitures, *one luggage. Both furniture and luggage,<br />

as well as news can be individuated by a preceding ‘counter’ – ‘a piece of’ – as explained<br />

shortly.<br />

45.5.1 Grammatical features of countability<br />

Although individuation by cardinal numerals is a useful guide to countability, to get a<br />

more accurate description we have to consider the range of determiners that a noun<br />

admits.<br />

Grammatical features of count nouns<br />

• the cardinal numerals one, two, three, etc. (four miles)<br />

• other quantifiers which imply numerals: both, a dozen, etc. (both hands, a dozen eggs)<br />

• the article a(n) taking a singular form:<br />

I’m looking for a new job.<br />

• the determiners each, every, either, neither, which precede singular heads.<br />

Each day is different. We go there every year.<br />

• the plural (including ‘zero’) form of the noun preceded by a plural determiner: many,<br />

several, few, these, those.<br />

many choices, few opportunities; these aircraft, those sheep, several series.<br />

• the plural with number contrast marked on the noun: lion/lions; child/children;<br />

mouse/mice; stimulus/stimuli.<br />

• plural number concord with verb or pronoun: People want to be happy, don’t they?<br />

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Grammatical features of non-count (mass) nouns<br />

The following grammatical forms and structures mark a NG typically as ‘mass’:<br />

• the singular form of the noun with zero determiner:<br />

Water is necessary for animal and plant life.<br />

• the singular form of the noun preceded by all:<br />

I say this in all sincerity. All equipment must be regularly inspected.<br />

406 ENGLISH GRAMMAR


• the singular form of the noun, quantified by much, little, a little:<br />

There isn’t much room in our apartment so we have little furniture.<br />

Nominal Groups that are not marked for countability<br />

The determiners the, this, that, my, your, his, her, its, our, their are neutral to the mass–count<br />

distinction and can be used with both types of reference: this house, this bread; our friend,<br />

our friendship.<br />

45.5.2 Selected classes of non-count nouns<br />

As non-count nouns are usually the most problematic for students of <strong>English</strong>, we group<br />

them into various types, starting with singular only or plural only. The selection of items<br />

is not intended to be exhaustive.<br />

1. Non-count singular nouns – The news is good<br />

(a) Nouns which end in -ics and appear to be plural, but are in fact singular:<br />

linguistics logistics aerobics athletics mathematics<br />

ethics statistics phonetics physics politics<br />

These are areas of study or activities. They take all the grammatical markers of<br />

mass nouns. Ethic and statistic are sometimes used as count nouns: an ethic, a statistic.<br />

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(b) Nouns which refer to a number of items conceptualised as an aggregate:<br />

baggage luggage cutlery crockery jewellery furniture<br />

The referents of these nouns consist of different objects: cutlery includes knives,<br />

forks and spoons, among other items. We can add or remove an item without<br />

affecting the concept expressed by the noun. They take all the grammatical markers<br />

of mass nouns.<br />

(c) Names of certain illnesses, diseases and of certain games:<br />

measles mumps rickets AIDS draughts darts skittles<br />

Darts and skittles take their names from the objects used, which are count nouns:<br />

one dart, two skittles.<br />

(d) Substances: natural phenomena, food<br />

rain snow hail sand water soil<br />

bread butter coffee meat fruit spaghetti<br />

The notion of substance is useful and may be extended to oxygen, heat, light and<br />

so on.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 407


(e) Abstractions<br />

(f)<br />

sleep luck advice anger disgust love fun<br />

peace magic silence information courage justice time<br />

safety knowledge health music childhood youth age<br />

Activities<br />

research work homework housework travel<br />

(g) Miscellaneous<br />

money progress environment weather electricity machinery<br />

Researches and works in works of art occur as plural, but homework and housework do not<br />

pluralise. Travel can be compared with the count noun journey. Travel is used for generic<br />

reference (see 46.6): air travel, sea travel in the singular, and in expressions such as on<br />

your travels in the plural. Journey is a regular count noun. Compare:<br />

*We went on a travel.<br />

Travel broadens the mind.<br />

We went on a journey.<br />

*Journey broadens the mind.<br />

2. Non-count plural nouns – pyjamas and shorts<br />

These nouns have a plural morpheme but do not combine with numerals. They have<br />

no singular form. These ‘things’ may be lexicalised in other languages as regular count<br />

nouns, (for example un pantalón, un pijama in Spanish: ‘a pair of trousers/pyjamas’). In<br />

<strong>English</strong> such items consisting of two equal parts are individuated by a pair of (a pair of<br />

trousers, shorts, etc.) to refer to one item of clothing.<br />

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1 trousers shorts pyjamas scissors specs sunglasses<br />

binoculars<br />

2 manners thanks belongings surroundings means clothes<br />

goods<br />

More problematic are the nouns people, police and cattle. All three are singular in<br />

form but plural in meaning, taking plural concord with verbs. In other ways, however,<br />

they differ from each other. People and police can be enumerated (two or three people,<br />

six police). People generally replaces the use of persons with definite reference. Police is<br />

a collective (the police, police) and can be individuated by a noun compound (policeman/<br />

policewoman/police officer/police constable), all count nouns. Cattle is individuated by<br />

‘head’ (a/two head of cattle), used in specific registers.<br />

These nouns are only partially count in that they are not compatible with all the<br />

markers of countability. They take plural concord on the verb. Typical collocations with<br />

neutral quantifiers (a lot of, lots of) and plural quantifiers many, few, several are as follows:<br />

A lot of police/people/cattle/clothes.<br />

Lots of police/people/cattle/clothes.<br />

408 ENGLISH GRAMMAR


(Not) many/ few police officers/ people/ cattle/ clothes.<br />

Several policewomen/ police constables.<br />

3. Nouns with count and non-count uses – (some) coffee; two coffees<br />

Many mass nouns can be interpreted as count when they refer to instances of the mass<br />

referent, conceptualised as conventional quantities of food or drink. Compare:<br />

Mass:<br />

Count:<br />

Coffee and tea help to keep you awake.<br />

Two coffees, please, and three teas.<br />

In the context of restaurants or in-flight meals, even nouns such as beef and chicken may<br />

be interpreted as portions or choices, and countabilised: One beef and two chickens, please.<br />

In other cases the shape matters. Eatable entities visualised as having a definite shape<br />

are count (a cheese, a ham, a cake, a potato, an egg, a chicken, a fish) while the substance<br />

or flesh is conceptualised as mass: (some) cheese, (some) ham, (some) cake, (some) tomato,<br />

(some) mashed potato, (some) egg, (some) chicken, (some) fish.<br />

You’ve got egg on your tie.<br />

Susie prefers chicken to veal.<br />

The same happens with edible fishes. The animal itself is count, the flesh mass: He caught<br />

a salmon. We had salmon for dinner. Shellfish, however, is always non-count. The noncount<br />

is lexicalised differently in pairs such as cow (count) versus beef (mass), pig – pork,<br />

sheep – mutton, calf – veal, deer – venison.<br />

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4. Abstract nouns – health, wealth and love<br />

Many, but not all, abstract nouns can be re-conceptualised as concrete instances of the<br />

mass meaning. Some, but by no means all, can be pluralised:<br />

Everyone needs sleep.<br />

Silence in court!<br />

They’re making a lot of noise.<br />

Time is on your side.<br />

Business is improving.<br />

One can never be sure of success.<br />

Health is more important than<br />

wealth.<br />

She fell into a deep sleep.<br />

His remark was followed by a long<br />

silence.<br />

I hear many strange noises at night.<br />

How many times have you seen that film?<br />

His several businesses are doing well.<br />

As an actor, he had more successes than<br />

failures.<br />

*Healths are more important than<br />

*wealths.<br />

45.5.3 Countability markers of non-count referents<br />

There are a number of nouns which evoke smallness or shape and which are used to<br />

suggest a minimal quantity of a substance or of something not concrete. They are<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 409


followed by of and the non-count word, and tend to have particular collocations. Here<br />

are some of the most common ones, preceded by the indefinite article:<br />

A bit of<br />

A piece of<br />

A clove of<br />

A drop of<br />

A game of<br />

A loaf of<br />

A pinch of<br />

A ray of<br />

A scrap of<br />

A slice of<br />

A speck of<br />

A spoonful<br />

paper, cheese, ham, cloth, wood, information, fun, advice, news<br />

paper, cheese, meat, chocolate, bread, toast, wood, advice, news<br />

garlic (vs a head of garlic)<br />

milk, whisk(e)y, sherry, water, blood<br />

cards, tennis, monopoly, golf<br />

bread<br />

salt<br />

sunshine, light, hope<br />

paper, cloth, evidence<br />

bread, ham, cheese, turkey<br />

dust, dirt (often used in the negative not a speck of dust/dirt, etc.)<br />

of sugar<br />

Note that toast meaning ‘toasted bread’ is always non-count and requires ‘a piece of’ in<br />

order to refer to an individuated piece (a piece, two pieces of toast). The count use as in<br />

a toast is only found in the sense of ‘act of proposing a celebratory drink to someone’.<br />

Let’s drink a toast to the happy pair’. A piece/a bit of news can be contrasted with a news<br />

item, used in the media.<br />

As well as these, various types of container are used to quantify both mass and count<br />

referents:<br />

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A bottle of<br />

A cup/ mug of<br />

A can of<br />

A carton of<br />

A pack of<br />

A packet of<br />

A tablet of<br />

A tin of<br />

wine, beer, whisk(e)y, water<br />

tea, coffee<br />

beer, petrol<br />

yogurt, cream, custard<br />

cards, milk, fruit juice, yoghurts<br />

detergent, tea, coffee, cigarettes, biscuits<br />

soap, chocolate<br />

tomatoes, soup, sardines, biscuits<br />

45.6 THE HEAD ELEMENT 2: PROPER NOUNS<br />

Traditionally a distinction is made between proper nouns and proper names. Proper<br />

nouns such as Hilary, Madrid are nouns that have no definable meaning in the language.<br />

They are arbitrary. That is, we can’t specify characteristics of entities called Hilary or<br />

Madrid as we can for the entities referred to by the common noun horse. Proper names<br />

potentially have a more complex structure. They may consist of a proper noun such<br />

as Coca-Cola or include a proper noun as in Real Madrid, the <strong>University</strong> of Oxford.<br />

This is not necessarily the case, however, as can be seen from the titles of films and<br />

TV comedies with names such as The Office, Sex and the City, The Golden Globe. These<br />

and others, such as the names of universities, hospitals and other institutions, are – or<br />

started out as – descriptive labels.<br />

410 ENGLISH GRAMMAR


All are definite (see 46.1) and many contain a definite article as part of the name.<br />

Proper nouns such as Washington, Moscow, Brussels are used metonymically to stand for<br />

the administrative centre of the state or entity of which they are the capital.<br />

Artefacts such as cars, designer clothes and paintings are commonly referred to by<br />

their owners by proper nouns functioning as common nouns: a Volvo, an early Picasso,<br />

your Reeboks.<br />

45.7 THE HEAD ELEMENT 3: PRONOUNS<br />

45.7.1 Personal pronouns and reflexive pronouns<br />

The personal prounons I, we (1st person), you (2nd singular and plural), he, she, it and<br />

they (3rd person) derive their functions directly from their relation to the speaker in the<br />

speech event They are therefore a type of ‘pointing’ element in that some of their<br />

meaning is derived from the context. (Other deictics include the demonstrative and<br />

possessive pronouns and determiners, which we deal with later on in this chapter).<br />

I and you refer directly to the participants engaged in the discourse exchange. I is the<br />

current speaker and you the addressee(s). The 3rd person pronouns he, she, it and they<br />

refer to persons and things who are not, at the moment of speaking, addressees. They<br />

may be either physically present or completely outside the discourse event.<br />

One is an impersonal singular pronoun which is sometimes used in formal styles to<br />

make general statements, often of (the speaker’s own) opinion, or simply to avoid using<br />

I, as in examples 1 and 2, quoting the actor Edward Fox in The Times.<br />

The pronoun you, as in 3, can refer informally to people in general to describe<br />

a common kind of happening or experience. These are non-deictic (non-pointing)<br />

uses:<br />

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1 ‘One thinks about life a lot more as time goes by.’<br />

2 ‘My two years there [at RADA, the Royal Academy of Dramatic Art] were an<br />

utter waste of time but I did meet one’s first wife and had one’s first child.’<br />

3 It’s embarrassing when you can’t remember someone’s name.<br />

I and we<br />

Whereas I refers to the current speaker, we is not the plural of I, but rather I plus one<br />

or more other persons. The pronouns we/us either include or exclude the addressee:<br />

inclusive we: Shall we sit together over there?<br />

inclusive us: Let’s go! Let us pray. (formal)<br />

exclusive we We wanted to ask you a favour.<br />

exclusive us: Let us go! (see 24.2.3)<br />

Strong stress (marking information focus) on we can disambiguate a potentially<br />

ambiguous reference. Otherwise, the addressee has to work out the meaning from the<br />

context:<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 411


A. How are we going to get there? (ambiguous: speaker’s intended meaning<br />

was probably inclusive)<br />

B. Well, WE’re going in Tom’s car. (exclusive)<br />

We/ us can refer to ‘everybody in general’:<br />

We don’t seem to be near world peace yet.<br />

The following letter, which appeared as a question (Q) in the Dear Doctor section of<br />

the Guardian, illustrates how context enables us to identify the referents of personal<br />

pronouns. For instance, who is the referent of the pronoun ‘I’ (in Q) and ‘you’ (in the<br />

answer A)? And of ‘he/she’ in Q, and ‘they’, ‘themselves’ in A? Are the references to<br />

‘we’ and ‘our’ inclusive or exclusive?<br />

Q. I live on the outskirts of London and have noticed a very tame fox that seems to<br />

be getting increasingly bold and is coming near the house. Last week, he (she?)<br />

even stuck his nose into the kitchen and we spotted him playing on the kids’<br />

swings and eating leftovers on the picnic table in the garden. He looks wary<br />

when he sees us but doesn’t exactly run away. My wife is concerned about the<br />

potential health risk to us and to our young children. Should we get rid of him,<br />

and if so, how?<br />

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A. He’s not a health risk unless you’re a hen or a rabbit, in which case you’re in<br />

mortal danger. Urban foxes never attack humans unless they’re cornered and<br />

under attack themselves. Rabid foxes sometimes do, but there is officially no<br />

rabies in the UK. Apparently, at this time of year, parent foxes turf out their<br />

young to fend for themselves, which is why they can be spotted wandering<br />

disconsolately round the garden, playing on swings and scavenging for food.<br />

He, she and they as gender-neutral pronouns<br />

Until fairly recently the pronouns he and his (in both pronominal and determiner<br />

function) were regularly used, not only to refer to a male referent, but also as a<br />

supposedly gender-neutral pronoun to include a female referent, as in 1 below. Such a<br />

discriminatory use in favour of males has become increasingly unacceptable to many<br />

speakers, particularly with reference to occupations, jobs and roles. One alternative, to<br />

use she as the unmarked form, has not caught on extensively, presumably because it<br />

discriminates in favour of females, as in 2, so it does not solve the problem, which is<br />

essentially the fact that <strong>English</strong> does not have a sex-neutral 3rd person singular pronoun.<br />

In writing, the combination s/he is becoming common, but it is not transferable to<br />

the spoken language. The disjunctive he or she becomes cumbersome if repeated too<br />

often. A further alternative, the use of they with both singular and plural verb forms, is<br />

becoming more extensive as in 2:<br />

412 ENGLISH GRAMMAR


1 Every human being of adult years and sound mind has a right to determine<br />

what shall be done with his own body. [BNC ASK 1476]<br />

2 . . . the non-distressed parent may choose to make explicit to the friend her own<br />

thinking, such as ‘well, the children do usually obey us and every parent gets<br />

wound up from time to time with their child.’ [BNC ALN 778]<br />

The pronoun it<br />

The pronoun it, besides referring to specific objects and animals, can refer to a situation<br />

1 or a fact 2. It is also used to refer to babies and infants, especially if the sex is<br />

undetermined by the speaker 3 or the reference is generic 4. In addition, it is often nonreferring<br />

as in 3, its presence responding to the need, in <strong>English</strong>, for an overt syntactic<br />

subject (except in the imperative) (see 24.2).<br />

1 They were all shouting and fighting; it was terrible.<br />

2 She was very scared, but she tried not to show it.<br />

3 Olga’s baby is due in October. – Oh, is it a boy or a girl?<br />

4 After the child is born, it needs constant care.<br />

5 It won’t be easy to pass the driving test first time.<br />

The pronouns he and she are often used to refer to animals, especially when they are in<br />

contact with humans. Otherwise they are referred to as it.<br />

The reflexive pronouns<br />

These pronouns – myself, yourself, himself, herself, itself, ourselves, yourselves, themselves –<br />

have three functions: co-reference with the subject 1; an emphatic use, in which the<br />

pronoun is either appositive to the subject or postponed 2; and where they are required<br />

by the verb 3:<br />

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1 They learned to take care of themselves.<br />

2 Susan herself told me so. Susan told me so herself.<br />

3 She knows how to fend for herself. One should avail oneself of such opportunities.<br />

Interrogative and indefinite pronouns<br />

The interrogative pronouns – who, whose, which, what – are described and illustrated<br />

in their pronominal and determinative functions in Chapter 5, devoted to interpersonal<br />

meaning.<br />

Rather different are the indefinite pronouns compounded from some, any, no and<br />

every<br />

somebody, someone, something<br />

everybody, everyone, everything<br />

anybody, anyone, anything<br />

nobody, no-one, nothing<br />

These pronouns refer directly to an indefinite person or thing, or a broad class or persons<br />

or things, not to a referent already present in the discourse. In this respect they behave<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 413


more like nouns than like pronouns, and are often post-modified, as in nothing new,<br />

someone like you.<br />

45.7.2 The pronouns this and that<br />

The deictics this and that can function as NG heads to refer to a whole proposition or<br />

situation or something inferred from it, a use which we classify here as pronominal. (For<br />

their function as determiners, see 47.2). These pronominal references may be anaphoric<br />

(to a previous part of the discourse), cataphoric (to a later part of the discourse) or<br />

exophoric (to something outside the discourse):<br />

Anaphoric reference:<br />

Cataphoric reference:<br />

Exophoric reference:<br />

Hilda was making a Dutch Delft cake at the oven. This was<br />

her speciality and she made it on every occasion.<br />

[BNC ATE 1180–1181]<br />

This is a security announcement: Would those<br />

passengers who have left bags on their seats please<br />

remove them.<br />

I never thought things would come to this.<br />

(= to this extreme)<br />

We can see that all the referents in these examples are inanimate and general, and some<br />

of them refer to pieces of extended discourse.<br />

Reference to persons by the pronouns this and that is limited in <strong>English</strong> to the<br />

following uses:<br />

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1. This is (+ one’s own name) for identifying oneself in a non-face-to-face situation,<br />

illustrated by 1a; as compared with self-introduction when face-to-face 1b, where<br />

we can use I am/I’m (+ one’s own name).<br />

2. This is...for introducing one person to another 2 (less formal than May I introduce<br />

you to X?).<br />

3. That ...for asking or giving the identification of a more distant 3rd person, using<br />

that 3.<br />

1a This is Sally Jones speaking (non-face-to-face self-identification,<br />

(not *I am Sally Jones)<br />

for instance, on the telephone)<br />

1b I am Sally Jones (not *This is (face-to-face self-identification)<br />

Sally Jones)<br />

2 This is my friend June. (introducing one person to another)<br />

3 Who is that? That’s my friend (identification of a 3rd person<br />

June.<br />

at some distance away from the speaker,<br />

or looking at a photograph)<br />

So far we have seen this indicating proximity to the speaker and that distance. However,<br />

these terms are often interpreted subjectively. For instance, an event distant in time<br />

may be referred to as this if it has just been mentioned:<br />

414 ENGLISH GRAMMAR


Columbus discovered the Bahamas in 1492 and this changed the course of history.<br />

Conversely, events near in time may be referred to by that when an effect of<br />

psychological distancing is required. In many cases, however, the choice is open:<br />

If the Opposition wins the motion of ‘No Confidence’ today, that/ this will mean the<br />

end of the present government.<br />

45.7.3 The discourse function of pronouns<br />

The principal function of personal pronouns is to help establish major referents in the<br />

discourse by setting up referential (or identity) chains by means of anaphora (Chapter<br />

6). This is an important part of referential coherence, of making important referents<br />

continuous and salient enough to be perceived and remembered by listeners and<br />

readers. In conversation, interlocutors participate in the joint construction of referential<br />

chains, as can be seen in our next illustration.<br />

A new referent is likely to be introduced first by a proper noun such as Vera or Mother,<br />

when the speaker expects the addressee to be able to identify the referent. Otherwise,<br />

a full nominal group containing descriptive information is used (a/ the girl I met this<br />

morning at the Post Office). Subsequent mentions can be carried out by pronouns, which<br />

are ‘lighter’ than nouns and much lighter than extended nominal groups. Finally, zero<br />

anaphora (She came in and (0) sat down) is even lighter than the pronoun. From time to<br />

time, especially if ambiguity might arise through two referents having the same gender<br />

(‘Vera’ and ‘Mother’, she . . . she), the pronoun is replaced by the proper noun. Anaphoric<br />

reference has also been described as a device of cohesion.<br />

In the following extract from Just Between Ourselves, by Alan Ayckbourn, Dennis is<br />

telling his friend Neil about the bad relations that exist between his mother and his wife<br />

Vera. The italicised pronouns function in referential chains:<br />

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Neil: Vera’s looking better.<br />

Dennis: Oh, she is. She’s a lot better. She’s getting better every day. Once she<br />

and mother can bury the hatchet, we’ll be laughing.<br />

Neil: Are they still . . .?<br />

Dennis: Not talking at all.<br />

Neil: Really.<br />

Dennis: Well, actually, it’s Vera who’s not talking to mother. Mother comes in one<br />

door, Vera goes out the other. Ridiculous. Been going on for weeks. I said<br />

to them – look, girls, just sit down and have a laugh about it. There’s only<br />

one life, you know. That’s all you’ve got. One life. Laugh and enjoy it while<br />

you can. We’ll probably all be dead tomorrow so what’s the difference?<br />

Do they listen to me? Do they hell!<br />

When two referents share identifying properties, naming may not be sufficient to avoid<br />

ambiguity in the use of a pronoun. In the following example, inference based on the<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 415


interpretation of concession in ‘though’, and of reason in ‘because’ enables the hearer<br />

or reader to correctly assign the reference of he in the subordinate clauses:<br />

Tom jumped in the river to save Bill though he couldn’t swim. (he = Tom)<br />

Tom jumped in the river to save Bill because he couldn’t swim. (he = Bill)<br />

45.7.4 Substitute one/ ones<br />

An object that has already been mentioned or is visible in the discourse can be referred<br />

to by the head-word one, plural ones. These words have no semantic identity of their<br />

own, but only the grammatical function of substituting for a noun or NG in order to<br />

avoid repetition. When used in this way, these items are classed as ‘substitute heads’,<br />

to distinguish them from the classes of ‘pronominal heads’ of NGs.<br />

It is important to note that one/ ones can replace either a whole antecedent NG or<br />

only part of it. Compare 1 and 2 with 3. In 4, the elliptical plural some, not ones is the<br />

plural of one:<br />

1 I knew Mavis wanted a blue scarf, so I bought her one. (one = whole NG a blue<br />

scarf)<br />

2 I knew Mavis wanted a blue scarf, so I bought her a lovely one. (= blue scarf ).<br />

3 I couldn’t find a blue scarf for Mavis, so I bought her a green one. (= scarf )<br />

4 I know Mavis likes scarves, so I bought her some lovely ones. (= scarves)<br />

The substitute item one/ones may be accompanied by a determiner, a pre-modifier or<br />

a post-modifer, thus producing NGs of varying structures:<br />

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dh:<br />

dmh:<br />

dhm:<br />

dmhm:<br />

this one, each one, either one, which ones, any ones.<br />

that big one, a small red one, a few ripe ones.<br />

that one over there, any one you like.<br />

some fresh ones from the country.<br />

Possessive determinatives are rarely used before one/ ones in standard <strong>English</strong>. Possible<br />

uses are ?my one, Peter’s one, my friend’s ones, although those ones is becoming standard.<br />

For other comments on substitution and ellipsis in the NG, see also 29.6.<br />

416 ENGLISH GRAMMAR


REFERRING TO PEOPLE AND MODULE 46<br />

THINGS AS DEFINITE, INDEFINITE,<br />

GENERIC<br />

SUMMARY<br />

1 Definiteness is marked by the definite article the and by the determinatives this,<br />

that, these, those or by the possessives my, your, etc. + noun.<br />

2 Indefiniteness is marked by a(n), some, any and zero. Indefinite nouns are<br />

specific or non-specific.<br />

3 Generic reference by zero (+ singular mass, plural count nouns); by a(n) and<br />

by the.<br />

46.1 DEFINITE AND INDEFINITE REFERENCE<br />

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In <strong>English</strong>, the grammar obliges us to refer to people and things as definite, indefinite,<br />

or generic. This is done syntactically by the use of determinatives, and among these, in<br />

particular, by the definite, indefinite and zero articles, which are traditionally treated<br />

separately as a subsystem of the system of determination.<br />

Definite reference is made by the or a deictic determinative (this, that, these, those) or<br />

a possessive (my, your, etc.). Indefinite reference is made by a(n), unstressed some, any<br />

or the absence of a marker, which, since its absence is grammatically significant, is called<br />

the ‘zero article’. ‘Zero’ doesn’t mean that an article has been omitted, as may occur in<br />

a newspaper headline, such as Plane crashes on village, but is a category in its own right.<br />

The three articles are distributed as follows with mass and count nouns:<br />

Mass Singular count Plural count<br />

definite the butter the woman the women<br />

indefinite – (zero) butter a woman – (zero) women<br />

(unstressed) some butter – (unstressed) some<br />

women<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 417


An entity is considered as ‘indefinite’ if there is nothing in the discourse or the<br />

situation or our general knowledge of the world that identifies it for us. This is the case<br />

with a tiger, a child of six, a show and a school in the news item from The Sunday Times<br />

below.<br />

A tiger attacked a child of six during a show at a school in California after its handler<br />

lost control of the 200lb animal. The head teacher wrestled the boy from the animal’s<br />

jaws and he was flown to hospital.<br />

Once the entity has already been mentioned it can be considered as ‘definite’: the 200lb<br />

animal, the boy, the animal’s jaws. Definiteness is inferred if there is sufficient information<br />

to identify it, either in the text (its handler, the head teacher) or in the non-linguistic<br />

situation (Don’t forget to lock the door) or in general knowledge (The Olympic Games).<br />

Note that neither the handler nor the head teacher in this text had been previously<br />

mentioned. We identify them in relation to ‘tiger’ and ‘school’, respectively through<br />

general knowledge and inference: animals on show have a handler and schools have a<br />

head teacher. This is known as indirect anaphoric reference.<br />

46.2 INDEFINITE REFERENCE: SPECIFIC AND NON-SPECIFIC<br />

Although the term ‘indefinite’ might appear to be synonymous with ‘non-specific’, it can<br />

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in fact be applied to both non-specific and specific entities, whether these are count or<br />

singular: I’ve bought a new car. (indef. specific)<br />

I need a new car.<br />

(indef. non-specific)<br />

plural: I’ve got some friends in London. (indef. specific)<br />

I’ve got friends in London. (indef. non-specific)<br />

mass: I managed to find some work. (indef. specific)<br />

I managed to find work. (indef. non-specific)<br />

The examples show that with singular count nouns (a car), the article a(n) refers to both<br />

specific and non-specific entities, the different interpretations being deduced pragmatically<br />

from shared knowledge and also from the different predicates. When we need<br />

a car, it is obviously not yet specific, but potentially any car. When we have bought a<br />

car, it is obviously a specific one. The article a(n) can be indeterminate, however,<br />

between specific and non-specific interpretations:<br />

Ted wants to buy a house in Sussex. (= any house, as long as it’s in Sussex)<br />

Ted wants to buy a house in Sussex.<br />

It’s number 2, Farm Road, Brighton. (= a specific house)<br />

418 ENGLISH GRAMMAR


As an indefinite determinative, some (unstressed) is used mainly with mass and plural<br />

count nouns, but the stressed form is sometimes used with mass or count nouns with<br />

the meaning of indefinite specific as in: There is still some hope of recovery, or non-specific<br />

as in I’ll need some book or other to read on the beach. Either would be meaningful here.<br />

46.3 INDEFINITE PROPER NOUNS<br />

Since proper nouns (Albert Einstein, William Shakespeare) refer to unique entities, they<br />

are already definite and cannot logically be conceived of as indefinite. On the other<br />

hand, since it is often possible for several entities to be denoted by the same name, such<br />

as persons or days of the week, they can be treated sometimes as classes composed of<br />

individual members. This allows expressions such as the following:<br />

Is there a John Smith in this class?<br />

It would be better to meet on a Monday.<br />

We had a very hot June last year.<br />

(indef. specific)<br />

(indef. non-specific)<br />

(indef. specific)<br />

Indefinite reference can be made to proper nouns used as common nouns:<br />

I’d like a Martini.<br />

46.4 DEFINITE REFERENCE<br />

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The definiteness of a common noun is indicated by the article the. This does not by itself<br />

identify the referent, but indicates that it can be identified within the text, or outside the<br />

text in the situation or from general knowledge. Within the text, the reference may<br />

be anaphoric (backwards) or cataphoric (forwards). The anaphor often expresses the<br />

antecedent in different words, as in the following news item:<br />

Ten lionesses at the city zoo are to be put on a contraceptive pill to prevent a<br />

population explosion. For 20 years the lions 1 have prided themselves on their<br />

breeding capabilities. Now, the treatment 2 will make them infertile for 3 years and<br />

so stop the increase. 3<br />

1<br />

= ten lionesses; 2 = a contraceptive pill; 3 = a population explosion<br />

The referent of a definite head noun can be identified cataphorically by the information<br />

contained in the post-modifer, as in: the bus coming now, the journey home, the Ministry of<br />

Health; or by a determiner or pre-modifier: this bus, the first bus, the red bus.<br />

Reference to shared knowledge immediately identifies the referent of, for example,<br />

the sun, the sky, the rain, the government, the political situation, the television.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 419


Clearly dependent upon inference for their interpretation, but totally normal in certain<br />

professional registers of <strong>English</strong> are metonymic uses, where the thing stands for the<br />

person, as in the following examples:<br />

The ham sandwich has left without paying.<br />

The kidney transplant in 104 is asking for a glass of water.<br />

When a personal noun, such as secretary, queen, director, head, functions as Subject<br />

Complement in a clause and refers to a unique social role, definiteness can be marked<br />

either by the or by zero, with certain lexico-grammatical constraints:<br />

He soon became director/ the director of the firm.<br />

When the noun functions as Complement in a verbless clause introduced by when, while,<br />

if, although, definiteness can be marked by zero:<br />

While Minister of Health, he introduced many reforms.<br />

Although not party leader, he greatly influenced the party’s policies.<br />

46.5 DISCOURSE FUNCTIONS OF DEFINITE AND INDEFINITE<br />

NOMINAL GROUPS<br />

The semantic function of the articles is to present the referents of NG heads as definite,<br />

indefinite or generic.<br />

The first two meanings are basically discourse functions, associated with the information<br />

packaging of the content of a clause, sentence or extended discourse into Given<br />

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and New information; that is, what is taken by the speaker as known to the hearer, and<br />

what is taken as not known, respectively (see Chapter 6). The following paragraph, also<br />

from Alan Ayckbourn, giving the stage directions for the play, illustrates these functions.<br />

‘New’ is marked by a/ an or zero, and ‘Given’ by the:<br />

February. A garage attached to a medium price executive house on a private estate<br />

belonging to DENNIS and VERA. Down one wall of the garage a workbench littered<br />

untidily with tools, etc. In fact the whole place is filled with the usual garage junk,<br />

boxes, coils of rope, garden chairs, etc. In the midst of this, a small popular car, at<br />

least seven years old, stands neglected. Over the work bench a grimy window which<br />

looks out over a small paved ‘sitting area’. On the other wall a door, leading across<br />

a small dustbin yard to the backdoor of the house. There is also a paved walkway<br />

round the side of the garage, nearest us, leading to the ‘sitting area’.<br />

The text begins naturally with New items (a garage, a house and a private estate); followed<br />

by a second mention of the garage, which is now known or ‘Given’; then a ‘New’ item,<br />

a workbench, with indefinite ‘New’ tools, and a second mention, by inference, to the whole<br />

420 ENGLISH GRAMMAR


place. The text continues to build up a description of the stage cohesively, bit by bit, in<br />

a straightforward, coherent way. This is a normal way of introducing Given and New<br />

information in a text of this kind.<br />

Quite commonly in fiction, however, a writer introduces a new referent at the<br />

beginning of a story as if it were already known. This happens in the novel Watership<br />

Down, where the first sentence is ‘The primroses were over’. The use of the definite<br />

article here perspectivises the story from a particular viewpoint: that of the rabbits, the<br />

protagonists of the story, as readers soon discover.<br />

46.6 GENERIC REFERENCE<br />

Each of the articles can also be used when we wish to refer to a whole class of entities,<br />

usually with regard to their typical characteristics or habitual activities:<br />

the + singular count noun:<br />

a(n) + singular count noun:<br />

zero + plural count noun:<br />

zero + mass noun:<br />

They say the elephant never forgets.<br />

They say an elephant never forgets.<br />

They say elephants never forget.<br />

They say exercise keeps you healthy.<br />

In the everyday use of <strong>English</strong>, the zero form with plural count nouns (elephants) is most<br />

applicable, while with mass nouns (e.g. love) the zero form is obligatory. The three<br />

articles express genericity from different points of view, which we will gloss as follows:<br />

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• the represents the referent of the noun as a single undifferentiated whole class of<br />

entities;<br />

• a(n) represents any individual member of a class of entity as typical of the whole<br />

class;<br />

• zero implies that all or most members of the class of entity possess the characteristic<br />

that is predicated of it.<br />

The four structures mentioned above are not freely interchangeable in all generic<br />

statements. The generic use of a(n) is restricted, in that it can’t be used in attributing<br />

properties which belong to the class as a whole. For example, the but not a is acceptable<br />

in the following, since an individual kangaroo does not constitute a species, whether<br />

near extinction or not, whereas the class as a whole, represented by the, does:<br />

The kangaroo is far from being extinct.<br />

*A kangaroo is far from being extinct.<br />

Both the and a(n) are acceptable with a characterising predicate, as in our next example,<br />

since carrying its young in a pouch is characteristic of each and every female kangaroo:<br />

The female kangaroo carries its young in its pouch.<br />

A female kangaroo carries its young in its pouch.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 421


The article the tends to generalise more readily than a(n), which refers essentially to a<br />

singular indefinite member as representative of its class. The + singular count noun may<br />

have a generalising value, even when not used in a generic statement:<br />

Do you play the piano?<br />

Some people sit for hours in front of the television.<br />

The definite article is also used:<br />

• with certain adjectival or participial heads of NGs referring to abstract qualities (the<br />

unknown);<br />

• for groups of people named by a nominalised Attribute, the underprivileged, the<br />

vulnerable;<br />

• with nouns derived from PPs (the under-fives, the over-forties);<br />

• for nationalities (the Dutch, the Swiss).<br />

All but abstract qualities have plural concord with the verb:<br />

Science proceeds from the known to the unknown.<br />

Nursery schools for the under-fives are desperately needed in this area.<br />

Not all adjectives and PPs can function in these ways and the non-native speaker should<br />

be cautious in choosing them.<br />

The loosest and therefore most frequent type of generic statement is that expressed<br />

by the zero article with plural count nouns or with mass nouns:<br />

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Kangaroos are common in Australia.<br />

Wine is one of this country’s major exports.<br />

Zero article with plural count nouns may have generic or indefinite reference according<br />

to the predication:<br />

Frogs have long hind legs.<br />

He catches frogs.<br />

(generic = all frogs)<br />

(indefinite = an indefinite number of frogs)<br />

A mass noun with zero article can be considered generic even if it is modified:<br />

Colombian coffee is said to be the best. It is definite, however, if preceded by the. Contrast,<br />

for example:<br />

generic:<br />

definite:<br />

Nitrogen forms 78% of the earth’s atmosphere.<br />

The nitrogen in the earth’s atmosphere is circulated by living<br />

organisms.<br />

422 ENGLISH GRAMMAR


SELECTING AND MODULE 47<br />

PARTICULARISING THE REFERENT<br />

The determiner<br />

SUMMARY<br />

1 The determiner<br />

The first element of the nominal group, the determiner, particularises by<br />

‘selection’. Four main types of selection: demonstrative and possessive,<br />

quantification and distribution.<br />

2 Demonstrative and possessive determinatives<br />

Demonstrative: this week, that day, these events, those ideas<br />

Possessive: my coat, Tom’s house, their university, our bus, the moon’s<br />

orbit . . .<br />

3 Wh- determinatives: which, what, whose, whichever, etc.<br />

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4 Quantifying determinatives<br />

Exact quantifiers (numeratives): cardinal and ordinal numerals<br />

Non-exact: some, any, no, much, many, little, few, several<br />

5 Distributors: all, both, each, every, either, neither,<br />

6 The semi-determinatives: such, same, certain, another, other, former, latter, last,<br />

next<br />

7 Summary of determinative elements<br />

8 Multiple realisations of the determiner<br />

47.1 THE DETERMINER FUNCTION<br />

Common nouns in the dictionary refer to classes of things, but when they are used in<br />

discourse they need to be particularised. This is done by the first element of the nominal<br />

group, called the determiner. The basic function of this element is to particularise and<br />

so help to identify the NG referent in the context of the speech situation.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 423


As in other areas of the grammar, we distinguish between a function, in this case the<br />

determiner, and the classes of units, here called determinatives, which realise the<br />

function. The determiner is an element in the syntactic or ‘logical’structure of the NG.<br />

(Module 50); the various classes of determinatives contribute to the ‘experiential structure’<br />

of the NG (see 45.2); that is, their functions are semantic, and express the different<br />

features the speaker chooses in order to select and particularise the noun referent within<br />

the context of discourse.<br />

Determiners identify a nominal group referent by telling us which or what or whose<br />

it is, how much, how many, what part or degree of it we are referring to, how big or<br />

frequent it is, how it is distributed in space or time. In the following short passage about<br />

the problem of waste disposal, the writer refers to the entities: rubbish, day, year, goods,<br />

amount, plants, factories, fuel, snags, risk, damage, degrees centigrade, and specifies them<br />

in respect to the questions given below:<br />

Three quarters of the rubbish 1 we generate every 2 day could be recycled, and more<br />

of it 3 could be, if the production of biodegradable goods were encouraged. At present<br />

the same 4 amount is wasted every 5 day because of the notorious lack of incineration<br />

plants. Such 6 plants could be installed in all 7 factories so that each 8 company could<br />

burn its own 9 rubbish and save a great deal of 10 fuel. The only 11 snag about waste<br />

burners is that they emit certain 12 kinds of highly contaminating gases, but it is<br />

calculated that in a few 13 years rubbish will be burned without causing any 14 damage<br />

to the environment. A further argument is that, although nuclear fusion has none of 15<br />

the risk of fission, so far, no 16 scientist has yet found a system which can function at<br />

temperatures lower than millions of 17 degrees centigrade.<br />

(Speak Up, no. 66)<br />

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1<br />

how much? 2 how often? 3 how much? 4 which amount? 5 how often? 6 which kind?<br />

7<br />

which ones? 8 how many? or which? 9 whose? 10 how much? 11 which? 12 which?<br />

13<br />

how many? 14 how much? 15 how much? 16 which? 17 how many?<br />

47.2 DEMONSTRATIVE AND POSSESSIVE DETERMINATIVES<br />

Demonstratives: this, that, these, those<br />

These items particularise the NG referent by indicating whether it is near (this, these) or<br />

not near (that, those) the speaker, in space or time or psychologically, as explained in<br />

45.7.2 for demonstrative pronouns. They can refer to both human and non-human<br />

entities in both singular and plural (this century, these girls, that cat, those brakes).<br />

Like the demonstrative pronouns, the determinatives are used with anaphoric,<br />

cataphoric and situational reference (see 45.7.2).<br />

The determinatives this and these are also used to introduce a new topic entity into<br />

the discourse. This use is particularly common in anecdotes, stories and jokes:<br />

I’m walking along the street when this man comes up to me and says . . .<br />

424 ENGLISH GRAMMAR


Possessive determinatives<br />

These include not just the possessive determinatives my, your, his, her, its, our, your, their,<br />

but also the inflected’s genitive form.<br />

The ’s determinative must be understood in a broader sense than that of the traditional<br />

term ‘possessive’. The following selection, each with a corresponding paraphrase<br />

does not pretend to be exhaustive:<br />

Example Paraphrase Function<br />

My daughter’s car My daughter has a car possessive<br />

Napoleon’s army N. commanded the army. subjective<br />

Napoleon’s mistake N. made a mistake. subjective<br />

Napoleon’s defeat N. was defeated by X. objective<br />

Europe’s chief cities The chief cities in Europe. locative<br />

Today’s paper The paper published today. temporal<br />

A month’s holiday The holiday lasted a month. extent<br />

The dog’s tail The dog has a tail. metonymy<br />

(part–whole relation)<br />

The car’s brakes The car has brakes metonymy<br />

The sun’s rays The rays come from the sun. source<br />

These varied functional relationships also exist between a noun head and the determinatives<br />

my, your, his, her, its, our, their, someone’s, everyone’s, nobody’s and the like:<br />

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His mistake He made a mistake. subjective<br />

Our friendship We became friends. reciprocal<br />

Their love They love each other. reciprocal<br />

Its collapse It collapsed. subjective<br />

The ’s determinative is formally a NG plus an inflected genitive morpheme. By convention,<br />

the apostrophe is placed before the s with a singular noun, but after it with<br />

a regular plural noun in s. Compare: the boy’s bicycle, the boys’ bicycles. With a name<br />

of three syllables or more ending in -s, the apostrophe tends to be placed after the s:<br />

Socrates’ wisdom. With a name of two syllables, the placement of the s is optional: Dr.<br />

Davies’ surgery, Dr. Davies’s surgery, the latter case reflecting the additional syllable in<br />

speech/deivisiz/.<br />

The inflection is added not merely to the head noun but to the group as a whole:<br />

My supervisor’s advice; my mother and father’s wishes.<br />

I liked those other children’s paintings very much.<br />

That young Japanese pianist’s performance was wonderful.<br />

47.2.1 Functions of the ’s phrase<br />

The examples seen so far have all illustrated the central function of the ’s phrase: to<br />

specify the nominal group referent, as in that girl’s name.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 425


Some ’s NGs may also function as classifiers, as in girls’ names. With the article a(n) the<br />

NG may have two interpretations. The NG a lady’s bicycle may refer to the bicycle of a<br />

particular lady, or to the class of bicycle designed for ladies, not for men. The context<br />

of discourse normally clarifies the interpretation. Other examples of this type include:<br />

a lion’s mane, a bird’s nest, a child’s toothbrush, and also:<br />

I need a specialist’s opinion, not a journalist’s.<br />

Classifying genitives are typically used with plural personal nouns: children’s clothing, a<br />

men’s club, boys’ names.<br />

47.2.2 Possessives as nominal group heads<br />

The possessive pronouns mine, yours, his, hers, (its), ours, theirs function not as determinatives<br />

but as pronominal heads. (Its is not used to realise this function.)<br />

This suitcase is yours. Where is mine? It’s over there with Tom’s.<br />

The ’s phrase stands alone as an ellipted head of the NG when the noun head is<br />

recoverable, either because it has already been mentioned, or by convention. In the<br />

latter case the ’s element often refers to people’s homes or establishments such as<br />

restaurants and shops, as well as to individuals:<br />

Let’s have dinner at Archy’s. These gloves aren’t mine, they’re Daniel’s.<br />

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I have to go to the cleaner’s (dry cleaner’s), the butcher’s, the florist’s.<br />

A friend of mine, a friend of my sister’s<br />

The post-modifying possessive phrase of mine, of yours etc. is equivalent to the ‘double<br />

possessive’ as in a friend of my sister’s. They have the meaning of ‘one among several’<br />

as opposed to the more exclusive meaning of ‘my friend’, ‘my sister’s friend’. An exclusive<br />

meaning, which may also express an attitude on the part of the speaker, is found,<br />

however, when the phrase occurs together with another determinative (this, that, a, the,<br />

other, etc.), a combination that is not possible otherwise:<br />

That motorcycle of your brother’s<br />

47.3 WH- DETERMINATIVES: WHICH, WHOSE, WHAT<br />

Which, whose express specific selection among a known number; what asks about the<br />

identity or kind of thing something is. Whatever, whichever express non-specific selection,<br />

meaning ‘it doesn’t matter what’, ‘it doesn’t matter which’, respectively, when the<br />

speaker is not able to specify a particular type. What can also be used as an equivalent<br />

to whatever or stressed any (see 47.4.1):<br />

426 ENGLISH GRAMMAR


Which bus do you take?<br />

Whose car did you come in?<br />

What plans have they made for the summer?<br />

You’ll have to rely on whatever transport is available.<br />

You’ll find plenty of traffic whichever road you take.<br />

What hopes we had are now fading. (= whatever hopes, any hopes)<br />

47.4 QUANTIFIERS<br />

A speaker may select or particularise a referent by referring to its quantity, which may<br />

be exact (three friends), non-exact (many friends), ordinal (the first friend), or partitive (three<br />

of my friends).<br />

Exact numeratives<br />

These include the cardinal numerals one, two, three ...twenty-one, twenty-two ...<br />

a hundred and five ...one thousand, two hundred and ten, and so on. These function<br />

directly as determinatives.<br />

The ordinal numbers – first, second, third, fourth, fifth . . . twenty-first . . . hundredth<br />

. . . hundred and fifth and so on – specify the noun referent in terms of order. They follow<br />

a determinative, as in: the first time, a second attempt, every fifth step, and in this respect<br />

are more like the semi-determinatives, including the next, the last.<br />

Non-exact quantifiers<br />

The two types select referents by referring to:<br />

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• their indefiniteness: some, any, no, much, many, little, few (a(n) is treated in 46.1).<br />

• their distribution: all, both, either, neither, each, every, another, other.<br />

47.4.1 Indefinite quantifiers<br />

Some, any, no, (none)<br />

Some specifies a quantity (with mass nouns) or a number above two (with count nouns)<br />

as in some money, some time, some friends, some details. Other quantifiers are used to<br />

express very small or very large amounts. The word some is pronounced in two ways,<br />

according to its function. It has a weak form when used non-selectively as an indefinite<br />

determiner (see 46.1), but it is strong when used as a selective quantifier:<br />

non-selective /sɘm/ We’re spending some days by the sea.<br />

selective /sm/ Some days it’s hot, other days it’s cold.<br />

Stressed some can also be used with various types of evaluative force:<br />

quantifying: I haven’t seen you for some time. (= a long time)<br />

appreciative: That really was some meal! (= a wonderful meal)<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 427


Any has two meanings, as illustrated in the following examples (see also 3.3):<br />

1 Have you any money/any coins? I haven’t any money/any coins.<br />

2 Any information would be useful.<br />

In 1, any specifies an indeterminate amount or number of something. It occurs in nonaffirmative<br />

clauses, that is, in negative and interrogative clauses mainly (see nonassertion,<br />

3.4). It is typically unstressed.<br />

In 2, any is equivalent to ‘no matter which or what’. It occurs typically in affirmative<br />

clauses and is stressed. Compare this use of any with anything and either:<br />

You can choose any of the main courses on the menu.<br />

You can choose anything on the menu.<br />

You can choose either meat or fish.<br />

(it doesn’t matter which)<br />

(it doesn’t matter what)<br />

(one or the other, not<br />

both)<br />

The negative determinative no has mass, count, singular and plural references: no<br />

time, no change, no changes.<br />

There is no need to worry. No changes will be made. None (pronoun) will be made.<br />

Some and any – but not no – can function as elliptical heads of the NG. Instead of no,<br />

the pronoun none is used, as in the previous example, and also for the partitive (‘none<br />

of the men’).<br />

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Have you any change? Yes, I have some. No, I haven’t any. I have none.<br />

Did you have any problem in parking?<br />

No, none. (= no problem)<br />

Did you have any difficulties with your papers? No, none. (= no difficulties)<br />

Note that not is a negative particle, and does not function as a determinative or a<br />

pronoun. It can precede the quantifiers much and many in ellipted responses.<br />

Isn’t there anything to eat?<br />

Haven’t you any friends?<br />

Not much.<br />

Not many.<br />

Much, little, a little, many, few, a few<br />

These quantifiers are used with both indefinite and definite NGs. With definite reference<br />

they are followed by of and have partitive reference: they represent a sub-set of an<br />

already selected class.<br />

Indefinite reference – non-partitive<br />

Definite reference – partitive<br />

much time, much food (+ mass n.) Much of the time, much of the food<br />

little time, little food (+ mass n.) little of the time, little of the food<br />

many pubs, many people (+ count n.) many of the pubs, many of the people<br />

few seats, few people (+ count n.) few of the seats, few of the people<br />

a few seats, a few people (+ count n.) a few of the seats, a few of the people<br />

428 ENGLISH GRAMMAR


These quantifiers can function as ellipted heads. Much and many are used mainly in<br />

negative and interrogative clauses. Much and little are commonly modified by very or<br />

replaced by a lot, not very much, respectively.<br />

Is there much food? There’s very little. There’s a lot. *There’s much. There isn’t<br />

much. There aren’t (very) many people.<br />

A lot of, lots of, plenty of, a great deal of, a number of a lot of/lots of<br />

These quantifiers are determinatives with noun heads followed by a PP complement.<br />

They range from the informal (a lot/ lots of ) to the formal (a great deal/ number of). Some<br />

of them admit both mass and count nouns, others do not:<br />

Singular mass and a lot of, lots of, plenty of a lot of/lots of/ plenty of<br />

plural count:<br />

money<br />

a lot of/lots of/plenty of<br />

friends<br />

Singular mass only a great deal of a great deal of money<br />

Plural count only: a number of a number of policemen<br />

More informal combinations of this type which function like a lot/ lots of include loads<br />

of, heaps of, masses of.<br />

These phrasal quantifiers are not partitives even though they contain the preposition<br />

of. Partitives have definite reference and represent subsets from already selected sets.<br />

Here is a selection of examples of non-partitive quantifiers, as well as cardinal and<br />

ordinal numbers, together with their partitive counterparts:<br />

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Non-partitive quantifiers<br />

Partitive quantifiers<br />

A lot of money was wasted<br />

No money was wasted<br />

They spent a great deal of time in pubs<br />

Some books were damaged in the fire<br />

Few seats were vacant<br />

Three people were injured<br />

Their first child was born in Wales<br />

A lot of the money was wasted<br />

None of the money was wasted<br />

They spent a great deal of the time in pubs<br />

Some of the books were damaged in the<br />

fire<br />

A few of the seats were vacant<br />

Three of the people were injured<br />

The first of their children was born in Wales<br />

47.4.2 Distributors: All, both, either, neither, each, every<br />

Of the distributive determinatives, all refers to a totality; it can be used with mass nouns<br />

(all power corrupts), plural nouns in a generic sense (all men are mortal) and certain<br />

temporal and locative nouns (all day, all night, all America). When the reference is not<br />

generic, all is optionally followed by of + noun (all the pie/ all of the pie; all the pages/ all<br />

of the pages).<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 429


Both refers to two entities together. Either and the negative form neither refer to two<br />

entities as alternatives. Each and every refer to one of a group or series, but while each<br />

emphasises the separateness of the entity, every highlights the individual within the<br />

group. Each can refer to two entities separately (each hand, each foot) but every is applicable<br />

only to groups of three or more. Both, either, neither and each (but not every) can<br />

take optional of before the noun (the partitive use). Here are some examples:<br />

All birds have feathers, but not all birds can fly. (generic)<br />

All the bedrooms/All of the bedrooms have a balcony and telephone, and some take<br />

a third and fourth bed. [BNC AMD 1724]<br />

Keep hold of the wheel with both hands.<br />

Both children/both the children/both of the children had measles at the same time.<br />

He can write with either hand/with either of his hands.<br />

Neither twin/neither of the twins is very good at maths.<br />

Each player/Each of the players was given a premium.<br />

This applies to each of us – men as well as women. [BNC AT9 192]<br />

Two out of every five people catch more than one cold a year.<br />

Every known criminal of New York was there. [BNC ATE 1753]<br />

They went to visit her, as they did nearly every Sunday.<br />

All, both and each following pronouns<br />

These distributors can follow pronouns, whether subjective or objective, for emphasis:<br />

They all/both/each carried backpacks.<br />

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We’ve bought them all/both bicycles. We’ve bought them each a bicycle.<br />

All of them have bicycles. Both of them have bicycles. Each of them has a bicycle.<br />

All, everything, everyone/everybody<br />

All is marginally used in formal styles as an alternative to everything to refer to a situation,<br />

ideas, objects, actions in general terms.<br />

All went well. Everything went well.<br />

All is ready. Everything is ready.<br />

All is much less common than everything and everyone in everyday <strong>English</strong>, however.<br />

Furthermore, it is not used as an elliptical head in Object and Complement functions,<br />

where it can be used with a pronoun. Compare:<br />

*I liked all. I liked everything. I liked it all.<br />

Everyone and everybody refer to all the people in a particular group. The notion of<br />

generality can be extended to wider groups and even everyone everywhere:<br />

Everyone enjoyed the show.<br />

He poured drinks for everybody.<br />

430 ENGLISH GRAMMAR


Everyone condemned the terrorist attack.<br />

Everyone has their own opinion.<br />

All is not normally used in this way, without a head or modifier. Compare:<br />

*All enjoyed the show.<br />

*He poured drinks for all.<br />

All those present enjoyed the show.<br />

He poured drinks for all present/ for us all/ for them<br />

all<br />

All people is not an acceptable alternative to everyone/ everybody. All the people there<br />

would refer to definite people on a specific occasion, rather than the more general<br />

meaning of totality expressed by everyone.<br />

The following horoscope illustrates some of these quantifiers:<br />

Libra (Sep 24 – Oct 23)<br />

None of it matters quite as much as we think. All of it is a journey, a dream.<br />

Of course, it seems real. Dreams always do while we are dreaming them. This does<br />

not make life any the less precious. To the contrary. We should treasure every<br />

moment because we never know how many more moments we will have left.<br />

Yet sometimes, we cannot properly treasure each moment because we are too<br />

worried about making the most of our every moment. This weekend brings magic.<br />

Enjoy it.<br />

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47.5 THE SEMI-DETERMINATIVES: SUCH, WHAT, CERTAIN,<br />

SAME, (AN)OTHER, FORMER, LATTER<br />

These words (except such) are sometimes classed as adjectives. However, they do not<br />

describe the referent and appear to have a specifying function. They precede either a<br />

definite or an indefinite determiner.<br />

Such and exclamatory what are among the few elements of this kind which precede<br />

the indefinite article. They require a(n) before a singular count noun, zero before noncount<br />

and plural nouns.<br />

Such classifies an entity by kind or intensifies it by degree. It usually relates to<br />

something already mentioned in the discourse.<br />

Classifying: (= of that kind)<br />

I’ve never heard of such an animal.<br />

Such cruelty is incomprehensible.<br />

Such people are dangerous<br />

Intensifying:<br />

Don’t be such a fool! They are such idiots! ( = of that degree)<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 431


Certain, by contrast, follows a(n) or is followed by zero. It helps to pick out a specific,<br />

but as yet not identified, person or thing:<br />

There is a certain opposition to the Government’s proposals.<br />

A certain person in this room might disagree with you.<br />

Same indicates that the person or thing referred to is exactly like one previously<br />

mentioned.<br />

He always asks the same two questions.<br />

Another (+ singular count noun) has two meanings: it indicates that the entity referred<br />

to is different from one already mentioned; and it refers to a subsequent entity of the<br />

same kind as the one already mentioned in the discourse. The indefinite plural other<br />

(+ plural count noun) is used mainly in the first sense.<br />

Couldn’t you choose another title? (= a different title)<br />

Would you like another beer? (= of the same kind, not of a different kind)<br />

I saw him the other day. We talked about other things.<br />

Former and latter refer back to the first and the second respectively of two entities<br />

already mentioned. They are preceded by the definite article and can occur together<br />

with the ’s possessive determinative.<br />

Bill and Steve both made proposals. The former’s was rejected, the latter’s approved.<br />

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Former is also used adjectivally with the meaning of ‘previous’ when referring to jobs,<br />

positions or roles. In this function it may be preceded by a possessive determinative<br />

such as my, your.<br />

A former President of the Royal Society.<br />

His former partner has set up business on his own.<br />

Note that such and the same can function as substitute heads (see 45.7.4), as in:<br />

Is this a dangerous area? I wouldn’t consider it as such (= a dangerous area)<br />

Alice had a cola and Sue had the same (= a cola)<br />

In Spanish, for instance, instead of el mismo (‘the same’), the pronoun otro (‘another’) is<br />

used.<br />

47.6 SUMMARY OF DETERMINATIVE FEATURES<br />

The following table summarises the four broad experiential types of determination by<br />

which referent things can be particularised in <strong>English</strong>, together with their subtypes and<br />

principal exponent.<br />

432 ENGLISH GRAMMAR


1 Defining and 2 Quantifying and 3 Numbering and 4 Semi-<br />

Particularising Distributing Ordering determinatives<br />

Definite Fractional (± of) Cardinal such, certain,<br />

the half, (a) quarter, one, two, ten, two former, latter;<br />

two-thirds, hundred, etc. same, other,<br />

four-fifths, etc.<br />

last, next, own<br />

a dozen, a thousand<br />

Indefinite<br />

a(n), some<br />

zero (0)<br />

Demonstrative<br />

This, that, these,<br />

those<br />

Multiplying (*of)<br />

double, treble, twice,<br />

hundreds of,<br />

thousands of,<br />

millions of<br />

three times,<br />

Possessive Non-exact Ordinal<br />

my, your, his, her, some, any, no first, second,<br />

their much, (a) little, third . . .<br />

Sam’s, my friend’s (a) few,<br />

etc.<br />

many, several,<br />

enough<br />

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Interrogative/ Other quantifiers<br />

relative<br />

what, whose, A lot of, lots of,<br />

which, whichever plenty of,<br />

a great deal of,<br />

a number of<br />

Exclamative<br />

what (a) . . .<br />

Distributives<br />

all, both, either,<br />

neither,<br />

each, every,<br />

none (of)<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 433


47.7 ORDERING OF DETERMINATIVES<br />

The governing principle of placement of multiple determinatives is the same as that of<br />

a whole NG, that is, a gradual process of dependency selection from right to left, as in:<br />

Pre-determinatives Central Post- HEAD<br />

and partitives determinatives determinatives<br />

half his last sixty dollars<br />

a few of my many other friends<br />

some of the doctor’s former patients<br />

none of those several options<br />

such an experience<br />

their own house<br />

the same day<br />

that certain feeling<br />

What an idea!<br />

Here, from all dollars, we first select sixty; these are particularised as his last sixty dollars<br />

and of these we select half and say: ‘He paid only half his last sixty dollars for his seat’.<br />

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434 ENGLISH GRAMMAR


DESCRIBING AND CLASSIFYING MODULE 48<br />

THE REFERENT<br />

The pre-modifier<br />

SUMMARY<br />

1 The epithet and the classifier functions, realised by descriptors and classifiers,<br />

respectively.<br />

2 The epithet function is realised by adjectives and participles whose reference<br />

may be: descriptive: a popular disco, a sunny day, a galloping horse, an<br />

abandoned car<br />

evaluative: a princely meal, a vile crime<br />

either of the above: absolute zero, absolute rubbish<br />

3 The classifier function limits the entity to a subclass in relation to:<br />

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affiliations: Indian art, French window, a Buddhist monk<br />

quality: a poisonous snake, a non-alcoholic drink<br />

norms: average age, standard size, top ten<br />

process: the rising tide, a growing population<br />

society and institutions: metropolitan police, a football club; social status<br />

technology: a nuclear power-station, electric light, solar energy<br />

4 Some words can function as either epithets or classifiers: civil: a civil manner<br />

(epithet); civil rights (classifier).<br />

5 The elements of a NG are organised in a relationship of successive dependency<br />

and selection, from the head leftwards to the classifier, the epithet and the<br />

determiner, and rightwards to the postmodifier, as indicated by the arrows in<br />

the following example:<br />

d← e← clas. ←h→ fin. cl.<br />

that short summer course we attended<br />

6 The order of epithets is semantic and partly conventional, rather than<br />

grammatical.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 435


48.1 THE PRE-MODIFIER FUNCTIONS: EPITHET AND<br />

CLASSIFIER<br />

The pre-modifier (experientially the epithet and the classifier) is different from the<br />

determiner in certain ways. While the determiner function is realised by closed class<br />

items which define and select the referent, the pre-modifier function describes or classifies<br />

the referent by means of open-class items, mainly adjectives and nouns. Unlike<br />

the determiner, these are optional. Furthermore, and again unlike determinatives, there<br />

is no grammatical constraint on the number of modifiers placed before a noun. The<br />

main types of structural element that either describe or classify are illustrated by<br />

examples from the art sale text (‘Fairy Liquid’) in Section 45.1, among others:<br />

Descriptor and classifier elements<br />

(a) adjectives<br />

(b) en-participle<br />

smart rooms, low groans, a tall building, good weather (epithet);<br />

new rooms, digital camera (classifier)<br />

well-dressed art-lovers (epithet), the acknowledged master,<br />

worn-out machinery, fallen leaves (classifiers)<br />

(c) ing-participle a disappointing exam result/ finish (to a match), breathtaking<br />

speed (epithet); running water, a leading article, coming events<br />

(classifier)<br />

(d) noun<br />

the flower market, a Paris café (classifier)<br />

In addition, the following are also used, though less commonly, as modifiers:<br />

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(e) nominal group a no-frills airline<br />

(f) adverb the then President<br />

(g) coordinated clauses<br />

a take-it-or-leave-it attitude<br />

The true -en participial epithet derived from a verb, such as broken in a broken cup,<br />

must be distinguished from ‘pseudo-participials’, which are derived from nouns,<br />

as in:<br />

A dark-green, big-leaved, long-stemmed plant with orange flowers.<br />

Such pseudo-participials are often modified, as the modification represents some nonessential<br />

feature. We don’t say *a leaved plant, *a haired girl, because plants normally<br />

have leaves and girls have hair. Not all leaves are big and not all girls’ hair is dark,<br />

however, allowing the formation of big-leaved and dark-haired: a dark-haired girl. In a<br />

camera’ed bystander, by contrast, no modifier is needed because carrying a camera is<br />

not an essential feature of a bystander.<br />

436 ENGLISH GRAMMAR


48.2 ADJECTIVES AS EPITHET: DESCRIPTORS AND<br />

ATTITUDINAL USES<br />

In the epithet function the adjective is used to ascribe a quality (big, old, red, etc.) to the<br />

referent. This may be an objective quality (e.g. a square box, a round table, a blue truck,<br />

old magazines) while others are subjective and represent the speaker’s or writer’s<br />

attitude towards the referent (good, bad, nice, stupid, lovely, horrible, etc.).<br />

The subjective–objective distinction is not as clear as we might think, however. The<br />

act of appreciation is bound to be subjective, because the quality is inevitably presented<br />

through the eyes of the speaker, and yet the appreciation is objectivised because it<br />

is related to some cultural norm. Some ‘objective’ qualities are culture-specific. What<br />

counts as a tall man or a narrow street in one culture may not appear to be so to<br />

members of another.<br />

Adjectival epithets expressing objective qualities may simply ‘describe’ an entity (I<br />

bought a small bottle) or ‘define’ it (I bought the small bottle). The meaning in both is clearly<br />

‘experiential’ in that it denotes a quality experienced by everyone in the culture and<br />

denoted by the word ‘small’. The two semantic functions of describing and defining are<br />

reflected in the grammar by the a/ the contrast. That is to say, the terms ‘descriptive’<br />

and ‘defining’ don’t refer to two subclasses of adjectives, but to two potential functions<br />

of most objective adjectives.<br />

The defining function of an epithet is different from the classifying function, as<br />

illustrated in the following extract from Paul Gallico’s The Silent Hostages:<br />

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The car carrying the two escaped 1 killers, Rickman and Hoser, nosed carefully into<br />

the unidentified2 desert town. It was that darkest3 hour before dawn of a moonless, 4<br />

starlit 5 night. Rickman, the more vicious 6 man, driving, with cold, 7 snake-like 8 eyes<br />

and bloodless 9 mouth.<br />

Since they had murdered their three hostages, they had been attempting to find their<br />

way towards the Mexican 10 border, driving without lights on back roads and wagon<br />

trails.<br />

1–3<br />

defining; 4–5 descriptive; 6 defining; 7–9 descriptive; 10 classifying<br />

The attitudinal epithet expresses the speaker’s or writer’s subjective evaluation of the<br />

referent, and is interpersonal, rather than experiential. There are two broad kinds of<br />

evaluation:<br />

appreciative: good, wonderful, heavenly (a good film, an intelligent remark)<br />

pejorative: bad, idiotic, monstrous, appalling (a horrible film, a foolish remark)<br />

Certain adjectives can be used both to describe objectively and to express attitude:<br />

Descriptive<br />

a poor part of the city<br />

a huge piece of machinery<br />

Attitudinal<br />

Poor you! Poor little boy!<br />

The show was a huge success.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 437


Epithets used attitudinally don’t usually have the potential to define the referent of the<br />

noun, as is usual with the objective use of adjectives. The superlative preceded by the,<br />

with attitudinal adjectives, for instance, simply intensifies the effect but does not define.<br />

Compare: We saw the sweetest little girl/the most horrible film (attitudinal) with we saw the<br />

poorest part of the city (objective).<br />

Attitudinal adjectives are usually placed before descriptive ones: a marvellous sunny<br />

day; a sickly greenish yellow. They also tend to be preceded or followed by others which<br />

express similar or related meanings and so reinforce or intensify the attitude or emotion<br />

in question:<br />

a lumbering great lorry<br />

that splendid, delicious meal<br />

a whopping big lie<br />

a sweet little girl<br />

So although these two uses of certain adjectives have different communicative effects,<br />

they are not always easy to distinguish, and we should not think of epithets as divided<br />

into two rigid sets called ‘descriptive’ and ‘attitudinal’.<br />

We will use the symbol e for both attitudinal and descriptive uses, distinguishing<br />

these from the classifier (clas).<br />

If we divide the determinative features of a referent entity into the two broad types<br />

– defining/ deictic (d d ) and numerative/quantifying (d q ) – we can now give some idea,<br />

in the following tree, of the experiential structure of the NG as we have described it so<br />

far, and without including the post-modifier described in Module 49:<br />

NG<br />

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determiner modifier head<br />

d d<br />

d q<br />

e sub e obj clas n<br />

those<br />

two<br />

lovely<br />

tall<br />

sailing<br />

ships<br />

Strictly speaking, it is not an adjective but an adjectival group that can modify the<br />

head noun. This will be considered again in Chapter 11. For the present we simply point<br />

out that many adjectives can be pre-modified by an intensifier, as in a very tall building,<br />

and post-modified, as in a very exciting thing to do.<br />

Multiple epithets<br />

Sequences of two epithets (mainly adjectives and participles) are found in many types<br />

of speech and writing. Strings of three, four or five epithets can have a rather marked<br />

effect. They are common in certain genres, such as advertisements, especially personal<br />

classified ads, as the second and fourth below, from The Times [square brackets enclose<br />

other elements]:<br />

438 ENGLISH GRAMMAR


Two items: long, winding roads; hard, stale cheese<br />

Three items: exotic, exciting, focused female [seeks professional male, 38+, to<br />

live life to the max with]<br />

Four items: [what an] absurd, cruel, strange, mad thing [to do]<br />

Five items: educated, kind, slightly mad, solvent, good-looking gent, [53,<br />

seeks partner for long-term relationship]<br />

Adjectives functioning as multiple epithets may be coordinated or subordinated.<br />

Coordinated epithets (without a coordinator) were illustrated in the previous<br />

examples. Below are examples of coordinated adjectives (with a coordinator: and, or,<br />

either . . . or, but, yet) and subordinated ones:<br />

Co-ordinated: and good and bad camping-sites<br />

or<br />

hot or cold meals<br />

either ...or either white or light blue shirts<br />

but a long but interesting trip<br />

yet a strange yet friendly person<br />

Subordinated:<br />

an enlightening if heated discussion<br />

a disappointing though not unexpected result<br />

Epithets, like classifiers, can be sub-modified: slightly mad, very good-looking.<br />

48.3 ORDERING OF MULTIPLE EPITHETS<br />

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Epithets are not necessarily ordered in a relation of dependency, as classifiers are (see<br />

48.5). Neverthless, their order of occurrence is not totally free, and various suggestions<br />

have been offered of preferred orderings:<br />

• attributes of size, age, shape and colour usually occur in that order: a large,<br />

rectangular, black box.<br />

• de-verbal adjectives (i.e. derived from verbs) before denominal ones (derived<br />

from nouns; see 51.2), as in: an attractive, ambitious woman.<br />

• short adjectives before long ones, as in: a small, pretty, well-kept garden.<br />

• well-known words before less common ones: a strange, antediluvian monster.<br />

• the most forceful or ‘dynamic’ adjective tends to be placed at the end: a sudden,<br />

loud, ear-splitting crash; such sequences are also felt to be more satisfying<br />

rhythmically, compared with an ear-splitting, loud, sudden crash.<br />

We shall return to the ordering of pre-modifiers in the following section, since many<br />

sequences are mixed, consisting of both epithets and classifiers.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 439


48.4 FUNCTIONS AND PROPERTIES OF THE CLASSIFIER<br />

The function of the classifier is to sub-classify the noun referent; for instance, dental<br />

treatment is a subclassification of medical treatment, dental contrasting with other<br />

sub-domains of medicine. Although certain words can function as both epithets and<br />

classifiers, these functions can normally be distinguished by the following criteria:<br />

(a) Classifiers are not gradable, as descriptive adjectives are; that is, they don’t admit<br />

degrees of comparison or intensity; we can’t say *more dental treatment’, *very dental<br />

treatment, as we can with descriptors: more effective treatment, very effective<br />

treatment.<br />

(b) Classifiers tend to be organised into mutually exclusive sets, as in presidential<br />

election, the presidential airplane (AmE), which contrast with other elections and<br />

airplanes (BrE aircraft) not relative to a president or a presidency. Another set in a<br />

different domain, that of ways of cooking eggs, includes fried, boiled, poached,<br />

scrambled [eggs].<br />

(c) The classifier function is realised by adjectives, nouns, participles, ordinal numbers<br />

and, to a lesser extent, adverbs, phrases and clauses. We shall illustrate these in<br />

turn.<br />

48.5 ADJECTIVES, PARTICIPLES AND NOUNS AS CLASSIFIERS<br />

Adjectives as classifiers are frequently derived from nouns and restrict the noun head<br />

in relation to another referent. There is a wide variety of relations expressed, including:<br />

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(a) affiliations to national, political or religious groups, such as: African, American, British,<br />

Buddhist, Canadian, Chinese, Christian, Conservative, Dutch, French, German,<br />

Indian, Liberal, Muslim, Norwegian, Russian, Socialist, Swiss (all written with a<br />

capital letter);<br />

(b) related to norms, sequences, sizes, ratings, scales, for example: average, chief, main,<br />

standard, regular, top; previous, following, initial, final; personal, particular, external,<br />

internal;<br />

(c) related to areas of study, art, science and institutions, as in the following examples:<br />

affiliations:<br />

norms, ratings:<br />

time, place:<br />

periods:<br />

institutions:<br />

professions:<br />

devices:<br />

processes:<br />

African politics, Swedish voters, the Conservative party;<br />

average age, regular doctor, standard size, top ten, main<br />

road, personal contribution, particular occasion;<br />

former boss; old friend; previous page; left leg; right hand;<br />

prehistoric remains, modern times, classical music;<br />

municipal authorities, industrial unrest, metropolitan<br />

police;<br />

medical student, social worker, agricultural expert;<br />

atomic energy, digital watch, mobile phone (BrE)/<br />

(AmE cell phone).<br />

Both -ing and -en participles classify an entity by a process:<br />

coming events, sun-dried tomatoes<br />

440 ENGLISH GRAMMAR


Here too, a participle + noun may be a compound: guided missile, leading article. The<br />

-ing classifiers mentioned here are different from de-verbal nouns such as boxing as in<br />

boxing-gloves, snorkling gear, reading materials, which belong to the noun class.<br />

When the adjective and noun are written as one word, as in software, hardware, they<br />

are compounds, referring to a single class referent, not to a subtype of a class. The same<br />

may happen with separate or hyphenated words: fancy dress, fast-food, first-aid.<br />

A noun as classifier functions in a similar way to an adjective, delimiting the<br />

referent according to membership of a mutually exclusive set (e.g. ham sandwich, bacon<br />

sandwich).<br />

Types of noun classifier<br />

simple (apple blossom)<br />

genitive (a girls’ school)<br />

compound (farmyard animals)<br />

short NGs (Social Security contributions)<br />

The classifying function of a genitive noun or NG, as in The Minister gave a typical Minister<br />

of Labour’s reply, must be distinguished from its determiner function as in the Minister of<br />

Labour’s reply.<br />

Nouns as classifiers are not usually pluralised: trouser belt, car production, rebel<br />

forces, but certain plural nouns are regularly used, including women drivers; sales<br />

campaign. Plural forms are also used when the referent of the classifier has come to be<br />

regarded as a collective noun, as in arms race, sports field, Olympic Games medal, the Arts<br />

Council.<br />

When the semantic relation between a classifier and a noun is very cohesive, they<br />

frequently become fused as a noun compound denoting a single referent, rather than<br />

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a subclass of a larger class of referents. The dividing line between a noun modifier +<br />

noun and a noun compound is not entirely clear. Punctuation, as we have seen, provides<br />

only a rough guideline to the degree of integration achieved by the two nouns.<br />

When the combination is written as separate words, it is likely to be a noun with a<br />

noun modifier (head waiter); if written as a single word it is more likely to be a noun compound<br />

(headache, headrest). Hyphenation signals those elements which form a compound<br />

(walkie-talkie) and which otherwise would appear to be separate pre-modifiers. This is<br />

a useful guide with units occurring within a larger unit (high-rise block, high-speed bullet<br />

train).<br />

Stress-patterning is not always reliable. Compounds are said to have the tonic stress<br />

on the first noun. However, many compounds do not follow this pattern (cotton wool,<br />

zebra crossing), while some classifiers do (steam vehicles, rose-bush).<br />

The factor that best distinguishes noun classifiers from noun compounds is that<br />

classifiers can enter into relations of coordination and modification. Compare:<br />

Coordinated classifiers<br />

new and second-hand stereos<br />

European and local councils<br />

Lunch and dinner menus<br />

plane or coach trips<br />

Modified classifier<br />

brand-new stereos<br />

various agricultural colleges<br />

early Chinese pottery<br />

modern sculpture techniques<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 441


silk and cotton shirt<br />

bus and coach stations<br />

pure silk shirt<br />

inter-city coach station<br />

Compound nouns do not admit coordination or modification of their component<br />

elements:<br />

*soft and hardware<br />

*pain and insect killers<br />

*silk and earth worms<br />

*extremely software<br />

*persistent painkiller<br />

*pure silkworm<br />

Classification by other classes of units<br />

Certain institutionalised word, group and clausal expressions are sometimes used:<br />

morpheme:<br />

adverb:<br />

PP:<br />

NG:<br />

VG:<br />

AdjG:<br />

clause:<br />

pro- and anti-abortionists<br />

an only child, an away match<br />

over-the-counter sales, on-line editing<br />

a New Year’s Eve party<br />

a stop-and-go policy, a live-and-let-live philosophy<br />

a bored-with-life attitude<br />

a couldn’t-care-less attitude.<br />

Phrasal modifiers are used daily in many practical registers of <strong>English</strong>. The following<br />

short example occurred in the report of a meeting called to prepare an <strong>English</strong> language<br />

examination of the Royal Society of Arts:<br />

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It was decided that section 1 of the examination would involve no-choice shortanswer<br />

questions, and section 2 an essay-style question on language systems. The<br />

group felt that the candidates should also be required to submit six non-exam-type<br />

pieces of work done at home.<br />

48.6 WORDS FUNCTIONING AS BOTH EPITHET<br />

AND CLASSIFIER<br />

Many words can function as both epithets and classifiers. Some classifiers can be<br />

modified and then lose their classifier function: a very French lady.<br />

Epithet<br />

fresh bread (= freshly made)<br />

a sick person<br />

new houses (= recently built)<br />

to do that would be criminal<br />

a medieval state of sanitation<br />

a provincial attitude<br />

Classifier<br />

fresh water (i.e. not salty, not sea-water)<br />

sick pay, sick leave<br />

new rooms (new to the occupier)<br />

the criminal court<br />

a medieval castle<br />

a provincial town<br />

442 ENGLISH GRAMMAR


48.7 MULTIPLE CLASSIFIERS<br />

Classifiers are related by coordination or dependency. A lot is left implicit in classifier<br />

+ noun combinations, and with more than two elements the complexity increases.<br />

Related by coordination<br />

The History and Geography Faculty<br />

The Management and Finance Committee<br />

Apple and blackberry tart<br />

A plane and coach trip<br />

The singular head noun indicates that there is only one Faculty, committee, tart and<br />

trip, each of a dual kind. Ambiguity may arise if the head noun is plural. For example,<br />

plane and coach trips could refer to several trips of a plane + coach type, or to plane<br />

trips separate from coach trips, analysed as : [[plane and coach] trips] or [[plane] and<br />

[coach] trips]], respectively.<br />

Related by dependency<br />

Sequences of two classifiers can occur before a noun head, as in the following:<br />

chrome bathroom fittings<br />

Madrid terrorist bombings<br />

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In these examples the semantic relations can be inferred directly as increasing<br />

dependency from the head noun towards the left. That is, chrome modifies bathroom<br />

fittings, not bathroom, and Madrid, in the actual sense used, modified the terrorist<br />

bombings. This combination is ambiguous, however, as another reading could be<br />

‘bombings by Madrid terrorists’.<br />

It is common, then, to find combinations in which either the classifier or the head is<br />

itself sub-modified, or rather, sub-classified, as in the following examples:<br />

Sub-modified classifier<br />

dining-car service<br />

state school pupils<br />

two-litre plastic jug<br />

hard-boiled eggs<br />

Sub-modified head<br />

pocket address book<br />

The Observer book reviews<br />

Italian graduate students<br />

Australian ostrich eggs<br />

In fact, both head and classifier may be sub-modified: Human Rights Select Committee;<br />

two hard-boiled Australian ostrich eggs.<br />

Such combinations reflect cultural realities. In everyday contexts as well as in more<br />

specialised areas of knowledge and activity, there is a tendency in <strong>English</strong> to ‘encapsulate’<br />

experiences, devices and phenomena of all kinds into short but complex NGs.<br />

The ‘telescoped’ effect of such ordered sequences means that, on a first encounter, not<br />

only non-native speakers but also natives sometimes have to put in some inferencing<br />

to work out the semantic relations.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 443


In medical, political and other institutionalised contexts, the NG is often represented<br />

as an acronym, that is, initial letters which themselves are pronounced as a word, or, if<br />

that is not possible, as initials:<br />

NATO:<br />

AIDS:<br />

TEFL<br />

VIP:<br />

North Atlantic Treaty Organisation<br />

Acquired Immune Deficiency Syndrome<br />

Teaching <strong>English</strong> as a Foreign Language<br />

Very Important Person<br />

Note that with reference to the AIDS sequence, ‘Acquired’ does not modify ‘Immune’<br />

but ‘Immune Deficiency’.<br />

48.8 MIXED PRE-MODIFIERS AND THEIR ORDERING<br />

Between the head of a NG and the other elements, there is one basic logical relationship,<br />

that of successive dependency: leftwards from the head to the pre-head elements and<br />

rightwards in the case of the post-head elements, as indicated by the arrows in the<br />

following example:<br />

NG<br />

d e clas. h<br />

post-head<br />

those beautiful Persian RUGS we saw<br />

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Within this logical framework, speakers seem to use semantic criteria, based on<br />

degrees of permanence and objectivity, to decide the order of pre-modifiers. Those<br />

properties perceived as permanent, intrinsic and undisputed are placed nearest the head<br />

of the nominal group. Those that are more variable, subjective or attitudinal are placed<br />

further from the head.<br />

Immediately to the left of the head is the classifier, since this is the closest relationship,<br />

as in Persian rugs, radio programme, park entrance, leather suitcases.<br />

Where there is more than one classifier, affiliation precedes substance as in German<br />

leather suitcases, Indian lamb curry. If there is no affiliation, substance precedes other<br />

classifiers (steel medical instrument, cotton gardening gloves).<br />

The next place, moving to the left, is occupied by colour adjectives, and before<br />

them come any participial modifiers (battered brown German leather suitcases, stained<br />

blue plumbers’ overalls). Preceding these are the most central adjectives, such as<br />

tall, young, long, hot (for ordering of these, see 48.3). At the start of the list are the<br />

attitudinal adjectives – such as beautiful, ugly, marvellous, horrible, nice, nasty – after any<br />

determinatives. This is the unmarked order, which causes us to say:<br />

a large oil tanker<br />

increased income tax rebates<br />

and not *an oil large tanker<br />

and not *income increased tax rebates<br />

444 ENGLISH GRAMMAR


a beautiful blue silk scarf<br />

a nice hot Indian curry<br />

and not *a silk beautiful blue scarf<br />

and not *a hot Indian nice curry<br />

Participial modifiers can occupy various positions. Those that are verbal nouns, such<br />

as gardening in gardening gloves, always stay close to the head noun, whereas those that<br />

have become gradable adjectives, such as interested, bored, exciting, may occur nearer<br />

the determinative, if there is one. If the participial seems to have an evaluative tinge, it<br />

is even more likely to precede other adjectives:<br />

interested foreign spectators<br />

an exciting new adventure story<br />

a battered old leather suitcase<br />

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PEOPLE AND THINGS: THE NOMINAL GROUP 445


IDENTIFYING AND MODULE 49<br />

ELABORATING THE REFERENT<br />

The post-modifier<br />

SUMMARY<br />

1 The post-modifier elements of the nominal group either provide information that<br />

helps to identify the referent of the nominal group, or else they add<br />

supplementary information not essential for identifying it.<br />

2 Most of the units (clauses, phrases, groups) which occur in post-head position<br />

of the NG can be either restrictive (integrated) or non-restrictive (supplementive).<br />

Restrictive post-modifier units are embedded in the structure of<br />

the NG and have the function of helping to identify the referent of the NG<br />

among other possible referents. Non-restrictive units are not embedded in the<br />

NG structure. Their function is to add supplementary information to a referent<br />

which is already defined. These units are classed as supplementives.<br />

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3 The post-modifier is realised by a wide variety of units, including the following,<br />

which are here used restrictively:<br />

PPs<br />

finite relative clauses<br />

non-finite relative clauses<br />

adj or adjG<br />

adverb<br />

apposition NG<br />

reflexive pronoun<br />

the house on the corner, a new album by a<br />

top musician<br />

the man who is standing in the corridor<br />

the man standing in the corridor (-ing cl.)<br />

the man to consult is Jones (to-inf. cl.)<br />

the fax sent this morning (-en cl.)<br />

a room full of furniture; the best hotel available<br />

the flat upstairs<br />

my friend the doctor<br />

the doctor himself<br />

4 Complements of nouns are a different type of post-modifier element.<br />

446 ENGLISH GRAMMAR


49.1 COMMUNICATIVE FUNCTIONS OF THE POST-MODIFIER<br />

ELEMENTS<br />

The post-modifier elements have two basic communicative functions:<br />

(a) to supply information enabling the hearer/reader to specify and identify the person<br />

or thing referred to by the NG, as in:<br />

1 This is the house where the Prime Minister lives.<br />

(b) to add supplementary information about the referent when it has already been<br />

identified, as in:<br />

2 This is Number 10 Downing Street, where the Prime Minister lives.<br />

These two roles or functions are encoded as restrictive (or defining) and non-restrictive<br />

(or non-defining) units, respectively. In 1, the restrictive type, the clause where the Prime<br />

Minister lives is integrated (embedded) within the nominal group structure. Its function<br />

is to identify the house where the Prime Minister lives from all other possible houses.<br />

When the referent is already identified or assumed to be known, as in 2, the nonrestrictive<br />

unit is subordinate but not embedded. Its function is to add descriptive,<br />

supplementary information. Thus the same clause where the Prime Minister lives does not<br />

identify the house where the Prime Minister lives in 2, because Number 10, Downing<br />

Street is already identified or assumed to be known. Rather, it makes a linked, but<br />

separate assertion and has the status of a supplementive.<br />

The difference between the two types of unit is marked both prosodically and in<br />

writing. Restrictive units such as 1 are not separated from their antecedent by either<br />

pauses or punctuation. By contrast, non-restrictive units are usually written between<br />

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commas, dashes or brackets and pronounced between short pauses as separate<br />

information units (33.2). Punctuation is not a hundred per cent reliable, however and<br />

it is possible that prosodic features such as pauses are not generalised either. We shall<br />

see further distinguishing characteristics in the section on relative clauses (49.3)<br />

49.2 RESTRICTIVE AND NON-RESTRICTIVE REALISATIONS<br />

OF THE POST-MODIFIER<br />

Most of the various units that occur as post-modifiers or as complements of the noun<br />

(see p. 348 and Module 50) can be either restrictive or non-restrictive. We shall look at<br />

each type in turn, starting with the restrictive.<br />

Restrictive (embedded) realisations of the post-modifier<br />

The post-modifier is realised by a wide range of units, including clauses, phrases and<br />

groups.<br />

Type of unit<br />

Example<br />

1 finite relative clause Perhaps the people who were waiting are<br />

still there.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 447


2 non-finite clauses<br />

to-infinitive clauses It’s time to say good night; there’s nothing to eat<br />

-ing clause<br />

an envelope containing a white powdery substance<br />

-en clause<br />

spring water bottled in the Malvern hills<br />

3 prepositional phrase a policeman on a motor-cycle; a new album by a<br />

top musician<br />

4 adjectival group a box full of screwdrivers and spanners<br />

5 adverbial group the Prime Minister’s speech yesterday<br />

6 appositive NG our son Barney; the explorer Marco Polo<br />

7 reflexive pronoun the Americans themselves<br />

8 noun complement clause expectations that we’ll win the Cup; their plans to<br />

go on strike<br />

9 PP complement reliance on public transport; a threat to our<br />

security<br />

Non-restrictive (supplementive) realisations of the post-head element<br />

1 finite relative clause A meeting was arranged with the gypsies, who<br />

were allowed to stay until the 24th of July<br />

[BNC BPK 1301]<br />

2 non-finite clauses<br />

-ing clause<br />

. . . and the taps, gleaming as gold, were<br />

surrounded by a platoon of little bottles and<br />

cases, all matching [BNC ECU 2433]<br />

the enormous volume, dedicated to his wife, lay on<br />

the desk<br />

-en clause<br />

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3 prepositional phrase The departure time, at 5 a.m., was uncomfortably<br />

early.<br />

4 adjectival group and he opened out the big, blue toolbox, full of<br />

screwdrivers and spanners<br />

5 circumstantial clause We were all just trying to get through high school<br />

so we could hurry up and get to college, where,<br />

we’d heard, things were better<br />

(All American Girl)<br />

6 appositive NG our youngest son, Barney; Marco Polo, the explorer<br />

7 verbless clause and the Minister, himself a Quaker, made no<br />

objection<br />

8 complement clause her life-long wish, to own a horse, was at last<br />

fulfilled<br />

Complements of nouns, whether restrictive or non-restrictive, differ from post-modifiers<br />

in being controlled by the noun and are dealt with separately in Module 50.<br />

448 ENGLISH GRAMMAR


49.3 FINITE RELATIVE CLAUSES AS POST-MODIFIERS<br />

49.3.1 The relativisers<br />

Finite relative clauses are introduced by a relative pronoun or adverb (called a<br />

relativiser). <strong>English</strong> uses several different relativisers: who, whom, whose, which, that,<br />

where, when, why and zero (0). The relativiser refers back to the head of the nominal<br />

group, which is termed the antecedent, for example, ‘people’ in the people who were<br />

waiting.<br />

Who (objective whom) is used after an animate, particularly a human, head noun.<br />

The relativiser who is not omitted when it functions as subject in the relative clause:<br />

Perhaps the people who were waiting are still there. (perhaps *the people were waiting<br />

are still there)<br />

The only exceptions are introduced by unstressed there or by a cleft. They are on the<br />

borderline between dialectal and very colloquial speech, and are not obligatory uses:<br />

There’s a man outside (0) wants to speak to you.<br />

It was John (0) told me about you.<br />

Whom is always used when it directly precedes a preposition, as in 1. This is a formal<br />

use. In less formal speech and writing whom is commonly avoided by ‘stranding’ the<br />

preposition (see 6.3.3) and replacing whom by who, that or zero, as in 2. Compare:<br />

1 the students with whom I share a flat.<br />

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2 the students who I share a flat with/that I share a flat with/(0) I share a flat with<br />

Which is used with inanimate heads in both subject and object functions in the relative<br />

clause, and before a preposition. The same alternatives are open for which as for whom:<br />

the matter which concerns us at present (subject)<br />

there is one matter which I must bring up (object)<br />

Their life was one for which she was unprepared. (following a preposition)<br />

Their life was one that/which/(0) she was unprepared for.<br />

That is used in both subject and object functions and for both animate and inanimate<br />

heads in integrated relative clauses. It is a useful alternative to who(m) and which when<br />

the speaker prefers to avoid the animate–inanimate distinction:<br />

The large Alsatian that lives next door is rather fierce.<br />

However, that is not normally used after a personal proper name, as such a use is<br />

typically non-restrictive (see below). Neither is that used following a preposition.<br />

As a relative pronoun, that is more common than which in spoken and in much written<br />

<strong>English</strong>, but which is said to be more common than that in academic writing. When the<br />

antecedent is a demonstrative pronoun, that tends to be avoided (What’s that [that] you<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 449


have there?), zero being preferred over both that and which (What’s that [0] you have there?).<br />

When the antecedent is an indefinite pronoun, that is more common than which in subject<br />

function (Anything that might happen . . .) whereas zero is common in object function<br />

(Everything [0] we know . . .).<br />

Zero (that is, the non-use of the relative pronouns whom, which or that) is common<br />

practice when these pronouns function as object in the relative clause. Compare the<br />

various options, ranging from most formal to informal, in the following example:<br />

the girl to whom I lent my coat<br />

the girl whom I lent my coat to<br />

the girl that I lent my coat to<br />

the girl (0) I lent my coat to<br />

When and where as relativisers introduce circumstantial information, of time and place<br />

respectively: the place where he was born; the time when he’s sure to be at home.<br />

Why occurs as a relative only after the noun ‘reason’ and the like – cause, explanation,<br />

excuse: There’s no reason why we shouldn’t be friends.<br />

Whose is the possessive form and is used not only to refer to animate head nouns<br />

but also to inanimates, as a shorter alternative to of which + determiner:<br />

children whose parents both go out to work<br />

the houses whose roofs were in need of repair.<br />

49.3.2 Features of the restrictive relative clause<br />

The restrictive relative integrates with the head noun together with its pre-modifiers to<br />

form a larger unit, syntactically, prosodically and semantically.<br />

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• Syntactically it is embedded in the NG matrix structure.<br />

• Prosodically, it shares the intonation contour of its antecedent, as the two together<br />

constitute one information unit:<br />

They admitted the immigrants who had their papers in order. (= only the immigrants<br />

who had their papers in order)<br />

• Semantically, the restrictive relative is an integral part of the meaning of the whole<br />

nominal group. It helps to establish what (or whom) the speaker is talking about. It<br />

picks out the referent(s) from other possible referents by some distinguishing<br />

property; in this case, that only the immigrants who had their papers in order were<br />

admitted.<br />

• The larger NG unit with its relative clause can be expanded by a further relative<br />

clause:<br />

The umbrella 1 we bought 2 that has a duck’s head handle made a good present.<br />

Restrictive relatives are not common after proper names, as their referents are normally<br />

already identified. However, they can serve to distinguish between two referents with<br />

the same name (by treating them as common nouns), as in:<br />

Do you mean the Toledo which is in Spain or the Toledo in the United States?<br />

450 ENGLISH GRAMMAR


49.3.3 Features of the non-restrictive relative clause<br />

Unlike restrictive (integrated) relative clauses, non-restrictive relative clauses are not<br />

embedded in the matrix nominal group. Although they are marked as subordinate by a<br />

relativiser, they are parentheticals which have considerable semantic independence.<br />

Prosodically, they don’t share the intonation contour of the matrix clause. Instead,<br />

they have their own intonation contour, which constitutes an independent information<br />

unit:<br />

They admitted the immigrants, who had their papers in order.<br />

They don’t identify one referent from other possible referents. The antecedent is already<br />

restricted and the clause is complete. The immigrants is a delimited subset of immigrants.<br />

Consequently, unlike integrated relatives, non-restrictive relatives can have as<br />

antecedent a proper noun or name which identifies a particular person or persons,<br />

object(s) or institution(s). The pronouns used are who, whom, whose and which, rarely<br />

that:<br />

I’ll give the CD to Ben, who likes music. (*that likes music)<br />

The injured child was taken to Alderhey Children’s Hospital, which is in Wavertree.<br />

Semantically, the non-restrictive clause is not an integral part of the NG. As the<br />

antecedent is already defined, the supplementive provides additional new information<br />

which is not essential, but may explain or elaborate on the content of the previous clause.<br />

When placed medially, the non-restrictive relative is enclosed:<br />

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Plans for the new airport, which will cope with ten times the present air traffic, are now<br />

under way.<br />

You would think that my dad, who is an international economist with the World Bank,<br />

would understand this.<br />

(All American Girl)<br />

It makes an independent statement, which is an extension of the already complete unit.<br />

As such, non-restrictive relatives are increasingly found functioning as freestanding<br />

subordinate clauses, which may initiate a new paragraph in written discourse. (See also<br />

33.2 for spoken examples of ‘sentential’ relatives, whose antecedent is the whole clause.)<br />

And into the room walked David, the President’s son.<br />

Who also happened to be David from my drawing class with Susan Boone.<br />

(All American Girl)<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 451


49.4 NON-FINITE RELATIVE CLAUSES AS POST-MODIFIERS<br />

-ing clauses and -en clauses<br />

He wrote a book containing his reminiscences of five U.S. Presidents.<br />

The book also described his own life as a press officer serving them in the White<br />

House.<br />

(Libra, journal of Foyle’s Ltd)<br />

The value of these restrictive -ing clauses is similar to that of a finite relative clause: a<br />

book that contained ...a press officer who had served them. However, in such cases, the<br />

participle is not to be interpreted as an abbreviated progressive, as is proved by the fact<br />

that contain is a state verb and does not combine with the progressive: *the book was<br />

containing. As we saw in Chapter 7, the -ing form is, in many constructions, an economical<br />

resource for expressing relationships where tense or aspect do not need to be further<br />

specified.<br />

This property of the -ing, as also the -en clauses, which are always passive, is<br />

particularly evident in their non-restrictive function as supplementives.<br />

-ing clauses<br />

He was sent several letters, all containing a white, powdery substance.<br />

The stained-glass windows, illustrating biblical scenes, are splendid.<br />

-ed-clauses The enormous volume, dedicated to his wife, lay on the desk.<br />

to-infinitive clauses – nothing to fear<br />

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As post-modifiers, to-infinitive clauses can correspond to full relative clauses in which<br />

the relative pronoun is S, Od or C:<br />

S<br />

Od<br />

C<br />

The next train to arrive at Platform 5 is the express train to York<br />

(= the train which/that will arrive)<br />

They have nothing to eat. (= nothing which they can eat)<br />

The man to consult is Jones. (= the man whom/that you should consult is<br />

Jones)<br />

The commonest kind of worker to become nowadays is an unemployed one.<br />

(= The commonest kind of worker that one can become)<br />

49.5 OTHER TYPES OF UNIT AS POST-MODIFIERS<br />

49.5.1 Prepositional phrases<br />

This is by far the commonest class of circumstantial post-modifier used in <strong>English</strong> NGs.<br />

It is also the most economical. The listed examples are all restrictive, except the last,<br />

which is non-restrictive (supplementive):<br />

452 ENGLISH GRAMMAR


the concert on Monday a clown with a red nose<br />

the plane from Oslo a job for the experts<br />

a ticket to Paris the man in the dark suit<br />

the end of the story the back wheels of the car<br />

The departure time, at 5 o’clock in the morning, was uncomfortably early for most<br />

passengers. (non-restrictive)<br />

Multiple PP post-modifiers can be either coordinated or embedded:<br />

The path over the cliffs and down to the beach. (coordinated)<br />

Those books [on the top shelf [of the bookcase [in my bedroom]]]. (embedded)<br />

49.5.2 Adjectival groups<br />

Single adjectives are rarely used as post-modifiers and are limited to the following types:<br />

• a small number of fixed expressions, the relic of a French structure: a court martial,<br />

the devil incarnate, from time immemorial;<br />

• after certain pronominal heads: those present, something nice, nobody interesting;<br />

• adjectives placed after a modified noun head, but which modify the modifier, not<br />

the head: the worst time possible = the worst possible, not *the time possible. The<br />

close relationship between worst and possible is shown by the possibility of placing<br />

them together as an epithet: the worst possible time.<br />

Adjectival group post-modifiers usually contain their own modifier elements:<br />

We chose the solution most likely to succeed.<br />

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He always wore socks full of holes.<br />

In supplementive verbless clauses, coordinated or post-modified adjectives are said<br />

to be more acceptable than single ones. Thus, the single adjective in 1 is less likely than<br />

the longer, coordinated structure in 2:<br />

1 The other candidates, confident, all passed the test.<br />

2 The other candidates, confident and well-prepared, all passed the test.<br />

But see the following extract from an article by Jeremy Clarkson in The Sunday<br />

Times, which illustrates the use of various supplementive units. Adjectival groups are<br />

underlined:<br />

Here’s a game you might like to try next time you’re in America. Go into a Denny’s<br />

restaurant and see if you can order breakfast in such a way that the waitress can<br />

ask no supplementary questions.<br />

It’s very hard. Denny’s offers a vast range of everything, all of which can be<br />

cooked in ways you haven’t even dreamed of. Take eggs: they can be soft-boiled,<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 453


hard-boiled, scrambled, sunny-side up, sunny-side down, easy over, over easy, easy<br />

easy, over there or poached. So you have to be specific.<br />

‘Hello, I’d like a table, wooden preferably, for two, in the smoking section, and I<br />

would like to eat four rashers of bacon, crispy, two eggs, sunny-side up, rye bread,<br />

sausages, no grits, no water, no hash browns, and coffee, with milk, semi-skimmed,<br />

and two level teaspoons of sugar, not sweetener.’<br />

You’ll sit back, confident that you’ve covered all the bases. But you haven’t, have<br />

you? You didn’t say whether you wanted sausage links or sausage patties, and the<br />

waitress is going to pounce on that. So you lose.<br />

49.5.3 Adverbial groups<br />

Adverbial group heads used to post-modify nouns express notions such as space, time<br />

and reason. In many cases they may be analysed as ellipted adverbial groups or clauses:<br />

place:<br />

time:<br />

reason:<br />

Is this the way out?<br />

He came, and left the week after.<br />

She fell out with her sister, but I never knew the reason why.<br />

Relative adverbial clauses as post-modifiers<br />

The relative adverbs where, when and why introduce clauses which post-modify nouns<br />

denoting places, times or reasons. Where and when have corresponding supplementive<br />

uses. The examples with why, however, do not correspond in function. In 3b why is a<br />

supplementive headless relative in apposition with ‘the mystery’.<br />

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Restrictive<br />

1a She took her degree at the university<br />

where she was studying.<br />

2a The week when the exams take<br />

place, I intend to be ill.<br />

3a The reason why I ask is very simple.<br />

Supplementive<br />

1b She took her degree at London<br />

<strong>University</strong>, where she was studying.<br />

2b The week after, when the exams took<br />

place, I was ill.<br />

3b And the mystery, why the numbers<br />

were changed, was never solved.<br />

The relative adverbs when and why, but rarely where, can be replaced by that or zero<br />

in restrictive clauses:<br />

In the week (that) the exams take place ...<br />

The reason (that) I ask you ...<br />

The town where I was born but not *The town that I was born.<br />

Zero is also common after the head noun way: That’s not the way (0) we do it here.<br />

454 ENGLISH GRAMMAR


49.5.4 Appositive nominal groups<br />

The closest post-modifying relationship is that between the head of a NG and an<br />

appositive unit, that is, a nominal unit that has the same referent. The relation between<br />

them and the head noun may be integrated (my friend the doctor . . .) or supplementive<br />

(my friend, the doctor I told you about . . .).<br />

The following are some of the appositive relationships these may express:<br />

definition:<br />

naming:<br />

role:<br />

description:<br />

particularisation:<br />

identity:<br />

My friend the doctor.<br />

The explorer Marco Polo.<br />

Thierry Henry, Arsenal’s leading goal-scorer.<br />

Chivalry, the dominant idea of the medieval ruling classes,<br />

was symbolised by the Round Table, nature’s perfect shape.<br />

The members voted for a change in the statutes: the election<br />

of the chairman by popular vote.<br />

We British; Me Tarzan, you Jane.<br />

49.6 MIXED REALISATIONS OF THE POST-MODIFIER<br />

Post-modification of the noun head can be realised by a wide variety of units, including<br />

clauses. Futhermore, the units can freely expanded. When units of different types are<br />

used, a common-sense criterion is to avoid ambiguous or incongruent sequences.<br />

The following is an example of a pronominal head (‘something’) which has as postmodifier<br />

a single finite relative clause, some of whose elements are realised more than<br />

once. Embedding is indicated here by a bracket, and coordination by ‘+’:<br />

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The other night, on television, I saw SOMETHING [which reminded me of the<br />

Spaniards [going into South America + and advancing over the mountains + and<br />

terrifying the population with terrible new weapons, + cannon + and the horse<br />

[which nobody [in their world] had ever seen]]].<br />

A different organisation of successive post-modification is used in the following sentence<br />

which describes a system of grants which, sadly, no longer holds in the UK. In the<br />

sentence each of the two NGs, EVERY STUDENT and A GRANT, is post-modified by<br />

three coordinated units: AdjG + PP + non-restrictive relative clause in the case of the<br />

first, and PP + two relative clauses in the case of the second. Three of these six modifiers<br />

contain embedded units of their own:<br />

Virtually every STUDENT<br />

[normally resident in England or Wales],<br />

[with specified minimum qualifications],<br />

[who is admitted to a full-time degree, [at a university [in the UK]]]<br />

is entitled to a GRANT<br />

[from his/ her Local Education Authority],<br />

[which is intended to cover his/ her TUITION FEES AND MAINTENANCE<br />

[for the duration [of the course]<br />

[and which also includes AN ELEMENT [towards his/ her vacation<br />

maintenance.]]<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 455


Ambiguity<br />

The relation between two post-modifying units may be potentially ambiguous in NGs<br />

such as Those books on the table which you bought, which can represent two different<br />

structures:<br />

coordinated<br />

embedded<br />

Those books [on the table] [which you bought.]<br />

Those books on the table [which you bought].<br />

In reverse order – Those books which you bought on the table – the meaning can only be<br />

guessed.<br />

In writing, the solution is to punctuate the parenthesis:<br />

Those books, that you bought, on the table ...<br />

In spoken <strong>English</strong>, the most likely form is:<br />

Those BOOKS you bought | on the table | ...<br />

This would be understood as<br />

[Those books [that] you bought, [the ones] on the table, . . .<br />

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456 ENGLISH GRAMMAR


NOUN COMPLEMENT CLAUSES MODULE 50<br />

SUMMARY<br />

1 A different type of post-head element is the complement clause, which is<br />

controlled by head nouns.<br />

2 The two main types of noun complement clause are that-clauses and to-infinitive<br />

clauses. Less common types are of + -ing clauses and wh- complement clauses.<br />

Adjectives which control clausal and prepositional complements are dealt with<br />

in Module 53.<br />

50.1 FEATURES OF THE THAT-COMPLEMENT CLAUSE<br />

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Although they look superficially similar to relative clauses, they are in fact quite different.<br />

The that-clause which complements the noun is a content clause, not a relative clause.<br />

That is not normally omitted from complement clauses. Compare:<br />

The news (that) we received was worse than expected. (relative clause, admits zero)<br />

The news that the President had fled the country was expected. (complement<br />

clause)<br />

?The news (0) the President had fled the country was expected. (zero not common)<br />

While relative clauses can modify all types of nouns, complement clauses are dependent<br />

on a relatively small number of abstract nouns, such as fact, belief, suggestion, hope, idea,<br />

expectation, wish. These can take a content clause as dependent, whereas general nouns<br />

such as house, bicycle, institution take only relative clauses.<br />

The content clause expresses the whole content of the head noun, as in: the news<br />

that the President had fled the country, his belief that he was always right.<br />

The nominal groups taking noun complements tend to be definite and singular, as<br />

illustrated in the present examples.<br />

Head nouns that take complement clauses are mainly nominalisations which have<br />

corresponding verbs or adjectives, though a few are simple. Here is a sample:<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 457


with a corresponding verb:<br />

with a corresponding adjective:<br />

simple:<br />

knowledge, belief, assumption, claim,<br />

thought, report, hope, reply, wish, proof,<br />

guess, expectation, suggestion, intuition,<br />

hypothesis<br />

awareness, confidence, probability,<br />

eagerness, possibility, likelihood<br />

fact, story, idea, news, message, rumour<br />

The fact that inflation is going down is a sign that our economy is improving.<br />

The possibility that they might be beaten never crossed their minds.<br />

His suggestion that the meeting be postponed was accepted. (cf. He suggested<br />

that...)<br />

The function of the that-complement clause is to report a proposition (that inflation is<br />

going down, that they might be beaten) derived from the previous discourse. The head<br />

noun represents the proposition in a particular light, which conveys different types of<br />

stance, depending on the noun used: nouns of cognition and reasoning: knowledge, belief,<br />

idea, assumption, hypothesis, conclusion; speech-act nouns, such as suggestion, proposal,<br />

claim; personal assessment: possibility, doubt, fact, fear, hope, chance, or the source of<br />

knowledge (evidence, rumour) (see 8.2.5 for epistemic, evidential and evaluative stance).<br />

Stance in complement clauses is much less direct than in that-clauses following a<br />

verb, such as ‘he believes that . . . etc.’ (see 11.1). Furthermore, as the head noun often<br />

takes the form of a nominalisation and is typically definite, it presents the following<br />

proposition as Given information and therefore beyond dispute. These factors make the<br />

complement clause a useful tool in argumentation.<br />

Noun complement clauses occur mainly in formal written and spoken <strong>English</strong>. They<br />

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are not at all common in conversation.<br />

The following lines from The Sunday Times about social systems in the Pacific Islands<br />

illustrate this type of complement:<br />

No culture has failed to seize upon the conspicuous facts of sex and age in some<br />

way, whether it be the convention of one Philippine tribe that no man can keep a<br />

secret, the Manus’ assumption that only men enjoy playing with babies, or the Toda<br />

belief that almost all domestic work is too sacred for women.<br />

Noun complement clauses can also be used non-restrictively following a relative clause<br />

that post-modifies the same noun:<br />

The rumour that was circulating, that the Chancellor was about to resign, proved to be<br />

false.<br />

458 ENGLISH GRAMMAR


50.2 TO-INFINITIVE COMPLEMENT CLAUSES<br />

Head nouns which take to-infinitive complement clauses are likewise often related to a<br />

verb or an adjective and include the following:<br />

de-verbal:<br />

de-adjectival:<br />

simple:<br />

attempt, decision, desire, failure, plan, tendency, permission<br />

ability, inability, right, capacity<br />

chance, effort, opportunity<br />

The function of to-infinitive complements is to point to human acts or goals, as in:<br />

attempts to trump up facts and evidence<br />

failure to warn the students in advance<br />

plans to build a new underpass<br />

To-infinitive complements must be distinguished from PP complements with the<br />

preposition to. The following quotation illustrates the difference:<br />

The global threat to our security was (PP complement = x threatened our<br />

clear.<br />

security)<br />

So was our duty to act to eliminate it. (to-infinitive complement)<br />

(PM Tony Blair’s speech on the threat of international terrorism,<br />

5 March 2004)<br />

50.3 OF + -ING COMPLEMENT CLAUSES<br />

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Head nouns which take -ing followed by of complement clauses include: thought, habit,<br />

importance, way, effect, danger, risk<br />

There is overlap with the to-infinitive construction in that some nouns (idea, way,<br />

possibility, thought, hope) can take either of these constructions as complement, besides<br />

taking a relative clause with that as post-modifier:<br />

The risk of losing your way in the forest/that you might lose your way. (comp.)<br />

The possibility of not being rescued/that you might not be rescued. (comp.)<br />

The risk/possibility that you told us about was very real. (restrictive relative clause)<br />

50.4 WH-COMPLEMENT CLAUSES<br />

A further type of post-head complement is the wh-clause. It is most common when<br />

following the preposition of or about. Both finite clauses and non-finite to-infinitive<br />

clauses can occur:<br />

The question (of) how much we should spend on our holidays ...<br />

He has strong doubts (about) whether he should accept the post.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 459


The question (of) how much to spend on our holidays . . .<br />

He has strong doubts (about) whether to accept the post.<br />

50.5 PREPOSITIONAL COMPLEMENTS OF NOUNS<br />

These are typically controlled by nouns which have corresponding verbs:<br />

A desire for fame<br />

Reliance on public transport<br />

A lack of knowledge<br />

x desires fame<br />

x relies on public transport<br />

x lacks knowledge<br />

The preposition of, however, is controlled by many nouns which are not related to verbs:<br />

advantage, danger, effect, importance, means, method, problem, purpose, task, way.<br />

The following extract from David Lodge’s novel The British Museum is Falling Down<br />

illustrates the use of certain types of post-modifier and complement:<br />

. . . the Department did not have the resources to mount a proper graduate<br />

programme, 1 and in any case espoused the traditional belief that research was a<br />

lonely and eremitic occupation, 2 a test of 3 character rather than learning, which<br />

might be vitiated by excessive human contact. 4 As if they sensed this, the new<br />

postgraduates, particularly those from overseas, 5 roamed the floor accosting the<br />

senior guests. As he left the bar with his first sherry, Adam was snapped up by a<br />

cruising Indian:<br />

‘How do you do’, said Mr Alibai.<br />

‘How do you do’, said Adam, who knew what was expected of him. 6<br />

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1<br />

inf. cl. modifier; 2 that-cl. complement; 3 prep of complement; 4 non-restrictive relative<br />

clause; 5 supp. appositive, narrowing down the referent to a smaller group; 6 nonrestrictive<br />

relative clause<br />

50.6 FUNCTIONS OF THE NOMINAL GROUP<br />

In clauses, NGs can realise any structural element except the Predicator. At group rank<br />

they can be embedded in PPs as complements of the preposition and in NGs as pre- or<br />

post-modifiers, or as supplementives, of the head element. Here are examples of the<br />

functions that can be realised by a simple NG such as the best player available.<br />

NGs as clause elements<br />

The best player available was a Brazilian.<br />

The committee engaged the best player available.<br />

S<br />

Od<br />

460 ENGLISH GRAMMAR


They offered the best player available a high salary.<br />

Ronaldo seemed to be the best player available.<br />

Everybody considered him the best player available.<br />

He signed the contract last week.<br />

Oi<br />

Cs<br />

Co<br />

A<br />

NGs as group elements<br />

They paid a high price for the best player available.<br />

The best player-available topic was not discussed<br />

Ronaldo, the best player available, earns a high salary.<br />

c<br />

pre-modifier<br />

Appos. sup.<br />

50.7 NOMINALISATION<br />

In many professional registers, above all in written genres, the use of nominalisation<br />

has become extremely common. Superficially, it consists of the use of a nominal form,<br />

such as ‘starvation’ in the following text, instead of the corresponding verb ‘starve’, from<br />

which the nominal is derived. Other examples from the text are:<br />

accuracy<br />

explanation<br />

increase<br />

speed<br />

derived from the adjective ‘accurate’<br />

derived from ‘explain’<br />

has the same form as the verb ‘increase’<br />

has the same form as the verb ‘speed’<br />

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It has been known for nearly a century that starvation for about two weeks 1 increases<br />

the speed and accuracy of mental processes, 2 especially mental arithmetic. 3 This is<br />

probably the explanation of the huge increase in self-starvation among young<br />

women doing academic work. 4 An extreme form of this condition known as<br />

‘anorexia nervosa’ 5 is now common and our studies 6 have shown that in 75% of<br />

cases 7 they start crash-dieting 8 in the year in which they are working for a major<br />

examination. 9<br />

It is clear that nominalisation is no mere substitute for a verb or adjective, however.<br />

Instead, the use of a nominalised expression requires an entirely different organisation<br />

of the whole sentence, and indeed a completely different semantic conceptualisation.<br />

(This is discussed in Chapter 5.) In this way, a great deal of information, which would<br />

otherwise be expressed as verbs, adjectives and PPs, is packed into the nominal groups.<br />

The result is very long, dense NGs, which tend to be abstractions, instead of referring<br />

to concrete persons who act as Agents. In fact, personal participant subjects in heavily<br />

nominalised styles tend to be no longer the head of the NG.<br />

A non-nominalised equivalent of the first four NGs in the extract above might look<br />

something like this:<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 461


1 If you/people starve for about two weeks, 2 you/they think faster and more<br />

accurately, 3 especially when doing arithmetic; 4 This probably explains why<br />

young women who are doing academic work starve themselves.<br />

One reason for the use of nominalisation is that it is shorter than the non-nominalised<br />

form. More important, the nominalised form encapsulates a whole situation in one<br />

word, such as ‘self-starvation’, ‘crash-dieting’. Because density and brevity prevail over<br />

clarity, heavy nominalisation can become difficult to understand in unfamiliar contexts.<br />

For those familiar with the subject-matter, on the other hand, nominalisation provides<br />

them with a kind of shorthand by which complex concepts and processes are easily<br />

handled without further explanation. All adult speakers of <strong>English</strong> handle at least some<br />

specialised registers such as education, business, football, etc. and pick up nominalised<br />

expressions such as ‘infant primary schools’ or ‘mixed comprehensive schools’. Such<br />

expressions become relatively fixed until new cultural developments give rise to new<br />

combinations – something which is happening in all areas of life.<br />

FURTHER READING<br />

Some of the ideas presented in the revised version of this chapter are indebted to<br />

the following publications: for ordering of pre-modifiers, Quirk et al. (1985); for supplementive<br />

units and noun clause complements, Biber et al. (1999), Huddleston and<br />

Pullum (2000); for experiential and interpersonal meanings, subjective and objective<br />

epithet, Halliday (1994); for frequencies of occurrence, see Biber et al. (1999).<br />

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EXERCISES ON CHAPTER 10<br />

Talking about people and things: The Nominal Group<br />

Module 45<br />

1 †Identify all the nominal groups in the following examples. Remember that NGs may have<br />

other units embedded in their structure, especially in post-head position. Identify the head<br />

of each NG:<br />

(1) Everyone in the library was concentrating on what they were doing.<br />

(2) There were old men reading newspapers and there were high-school boys and girls<br />

doing research.<br />

(3) The outcome of the current crisis would determine the pattern of international<br />

relations for the next generation.<br />

(4) Someone here once told me a story about the most notorious of the dictators who<br />

ruled this country at the turn of the century. [BNC BMR 1298]<br />

462 ENGLISH GRAMMAR


(5) The seat on my left was occupied by a fat lady who was busy peeling an orange.<br />

On my right was a thin-faced man with a moustache and a blotchy skin. He was<br />

the one who gave a friendly smile and a cheery ‘Good evening!’ I nodded amiably<br />

[BNC BN3 1700–1703]<br />

(6) The violent attacks on the police by the counter-demonstrators who used bottles,<br />

bricks, and other assorted missiles resulted in a large number of casualties.<br />

[BNC BNE 191]<br />

2 †Underline the nominal groups marked in the following text based on an advert, and then<br />

write each one out in three parts as for the description of the art sale in 45.1:<br />

Fit, fun, funky, single parent seeks gorgeous, good-humoured, intelligent, Londonbased<br />

man interested in a loving and lasting relationship<br />

3 Complete the following advertisement for an ‘au pair’ in the country where you live, using<br />

NGs different from those in task 2:<br />

Young married couple need - - - - - - - - - - - - - - with - - - - - - - - - - - - - - and - - - - - - - - -<br />

- - - - - Applicant must have - - - - - - - - - - - - - - as well as - - - - - - - - - - - - - - The family<br />

consists of - - - - - - - - - - - - - - .<br />

4 In the form of full NGs, write the continuation of this advertisement for your college notice<br />

board beginning as follows: Penniless student offers the following articles for urgent sale:<br />

- - - - - - - - - - - - - -<br />

5 †In the following conversation, Neil is telling his friend Dennis about the bad relations<br />

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existing between him and his wife Pamela. Dennis is having some difficulty in following<br />

him. After reading the passage, answer the questions on the numbered pronouns:<br />

NEIL: . . . You see, my trouble – Pam’s trouble – is this. 1 I think we 2 both expect<br />

things from each other. 3 Things that the other one 4 is not prepared to give<br />

– to the other one. 4 Do you get me?<br />

DENNIS: Uh – huh.<br />

NEIL: I suppose it’s 5 nature really, isn’t it?<br />

DENNIS: Ah.<br />

NEIL: You 6 have your opposites – like this 7 (he holds up his hands). This 8 is me 9<br />

– that’s 10 her. 11 And they 12 attract – like a magnet. Only with people, as<br />

opposed to magnets, the trouble is with people – they 13 get demagnetised<br />

after a bit. I honestly think Pam and me 14 have reached the end of the<br />

road.<br />

(1) Explain the type of reference carried out by each of the numbered pronouns.<br />

(2) Comment on the use of the objective pronouns me, 9 her 11 and me. 14<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 463


6 †Read the following news item and then answer the questions:<br />

Health workers in two Birmingham hospitals went on strike yesterday after one of<br />

their members had been dismissed. About 300 laundry staff and kitchen staff walked<br />

out, and within a few hours, their colleagues at the city’s main maternity and children’s<br />

units had stopped work in sympathy. This has caused disruption to all areas of health<br />

care and forced the cancellation of operations.<br />

(1) If somebody asked you: This what? what would you answer?<br />

(2) How would you analyse This?<br />

Module 46<br />

1a †Are the NGs in the following examples interpreted as mass or count?<br />

(1) I haven’t time 1 to go to the gym 2 these days. But I’m really keen on gym. 3<br />

(2) The only things my sister likes are fashion 4 and shopping. 5<br />

(3) I’ll see you in class 6 on Tuesday – unless, of course, I’m moved to a different class. 7<br />

(4) My agent will be handling my appearance 8 in the show next week.<br />

(5) Cynthia and I are going over to Jean’s this evening to do our homework 9 together.<br />

(6) My sister’s boy-friend is really good at football. 10<br />

1b †Say which of these NGs (apart from those in sentences 2 and 3 could be used in the<br />

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other sense. Make sentences to illustrate your answer.<br />

2 †Read the following passage by Valentina Tereshkova, the first woman in space, and say<br />

whether you interpret each NG as count or mass:<br />

It is deep in one’s nature to expect or not to expect material comfort and it starts as<br />

a habit in childhood. That is why I did not find the cosmonaut’s denial of terrestrial<br />

comforts difficult.<br />

The space flight was like being born again – not only the satisfaction of the scientific<br />

achievement, but also the impact of seeing how fragile our planet looks from outer<br />

space. It is so beautiful. I wish I could be a painter. The sight convinced me that we<br />

must treat it kindly and that humanity must have the common sense never to let atomic<br />

flames engulf it. All cosmonauts feel like members of one family but my space<br />

experience inspired me to see the people who live on our planet also as one family.<br />

3 †The article the indicates that the referent of a noun is being presented as definite, and<br />

can be identified either somewhere in the text or from our general knowledge. Read the<br />

following short paragraph from Mario Puzzi’s The Godfather and then do the exercise<br />

given below.<br />

464 ENGLISH GRAMMAR


The Don was a real man at the age of twelve. Short, dark, slender, living in the<br />

strange Moorish-looking village of Corleone in Sicily, he had been born Vito Andolini,<br />

but when strange men came to kill the son of the man they had murdered, his mother<br />

sent the young boy to America to stay with friends. And in the new land he changed<br />

his name to Corleone to preserve some tie with his native village. It was one of the<br />

few gestures of sentiment he was ever to make.<br />

(1) Write out the definite nouns in the text and say how each one is identified, within<br />

the text or outside it.<br />

(2) Write out the indefinite nouns in the text, and say how their indefiniteness is marked,<br />

e.g. The Don: The article forms part of a proper noun and proper nouns are<br />

inherently definite.<br />

the age: Identified by the qualifying information of twelve.<br />

a real man: Marked by a as an indefinite-specific count noun.<br />

4 †In this first paragraph of a short story by Philip Smith, The Wedding Jug, all the ‘things’<br />

mentioned are presented as definite. How does the reader identify them?<br />

I stood at the backdoor and looked up at the moon. Its brightness from over the dark<br />

hump of the hillside made clear the pale drifting smoke from somebody’s garden.<br />

The wood-smoke and the moon made me restless, eager to be moving in the sharp<br />

October night.<br />

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Read the paragraph aloud, replacing the and its by a. Is it possible to do so? If so, how<br />

does it change our interpretation of the scene?<br />

5 †The following are generic statements in which the first noun is preceded by a definite or<br />

indefinite or zero article. Test each noun for its use with the other two articles, and say<br />

whether either of them can also be used to express generic reference.<br />

(1) A liquid has no shape.<br />

(2) Gases have no mass.<br />

(3) A human being needs the company of others.<br />

(4) War is politics carried out by violent means.<br />

(5) Animals that live in captivity play with their food as if it were a living animal.<br />

(6) Television is a mixed blessing.<br />

(7) The bicycle is a cheap form of private transport.<br />

(8) The computer has revolutionised business methods.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 465


6 †Which of the following statements do you interpret as indefinite and which as generic,<br />

according to the definition of genericity given in 46.6?<br />

(1) Bicycles are very useful during a holiday.<br />

(2) We always hire bicycles during our holidays.<br />

(3) I have official information for you.<br />

(4) Official information is usually difficult to obtain.<br />

7 †What are the two possible interpretations of the final noun in the following sentence?<br />

My sister wants to marry a Frenchman.<br />

Module 47<br />

1 †What type of semantic function is realised by the ’s phrase in each of the following<br />

expressions (see 47.2.1)?<br />

(1) the firm’s success<br />

(2) our team’s defeat (by our rivals)<br />

(3) America’s film industry<br />

(4) today’s news<br />

(5) a stone’s throw<br />

(6) the BBC’s director<br />

(7) the director’s orders<br />

(8) nobody’s responsibility<br />

(9) my bus<br />

(10) cow’s milk<br />

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2 †Express the following sentences differently, using ’s determinatives if you think this structure<br />

is acceptable:<br />

(1) I should like the opinion of another doctor.<br />

(2) Have you read the report of the chairman of the examination committee?<br />

(3) The failure of the Regional Training Scheme was inevitable.<br />

(4) The dog belonging to my next-door neighbour barks all night.<br />

(5) The grandmother of one of the girls in my class has died.<br />

(6) Here’s the address of the only person I know in London.<br />

3 †Complete each sentence with a suitable determinative of the class indicated on the left:<br />

(1) (Non-specific): - - - - - - - - - - - - - - – member of our family has a car.<br />

(2) (Non-exact cardinal): - - - - - - - - - - - - - - My young brother has collected – of<br />

butterflies.<br />

(3) (Non-specific): - - - - - - - - - - - - - - I had – very good news today.<br />

(4) (Specific) (indef): - - - - - - - - - - - - - - – people wouldn’t agree with that opinion.<br />

(5) (Partitive): - - - - - - - - - - - - - - – of the people in this office have a car.<br />

466 ENGLISH GRAMMAR


(6) (Negative): - - - - - - - - - - - - - - – of this work will be wasted.<br />

(7) (Specific comparative): - - - - - - - - - - - - - - You will never have – opportunity again.<br />

(8) (Fractional): - - - - - - - - - - - - - - my friends have given up smoking.<br />

4 †Complete the following sentences with one of the following: each, every, both, either,<br />

neither, all, any, none, no (In some cases more than one determinative is possible):<br />

(1) She tells me she plays golf almost - - - - - - - - - - - - - - weekend.<br />

(2) - - - - - - - - - - - - - - of the brothers applied for the job but - - - - - - - - - - - - - - was<br />

successful.<br />

(3) Draw a line between - - - - - - - - - - - - - - item and the next.<br />

(4) - - - - - - - - - - - - - - child should spend some of its leisure time with - - - - - - - - - - - - - -<br />

parent.<br />

(5) There are two good films on the television this evening, but I have seen them - - - -<br />

- - - - - - - - - -<br />

(6) Ah, in fact there are three and I haven’t seen - - - - - - - - - - - - - - of them/ I have seen<br />

- - - - - - - - - - - - - -<br />

(7) He has passed - - - - - - - - - - - - - - exam so far.<br />

(8) - - - - - - - - - - - - - - type of coffee except the soluble kind will do.<br />

5 †Complete the following sentences with either all or everything:<br />

(1) If that happened, she would lose her job. It would be the end of - - - - - - - - - - - - - -<br />

(2) You need a sports bag to carry - - - - - - - - - - - - - - your things in.<br />

(3) But how much would - - - - - - - - - - - - - - this cost?<br />

(4) My father paid for - - - - - - - - - - - - - -<br />

(5) They did - - - - - - - - - - - - - - together and people thought they were twins.<br />

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Module 48<br />

1 †Read the following passage from The Sunday Times and discuss with another student<br />

which NG heads are modified by epithets and which by classifiers. Is any of the post-head<br />

information of a classifying type? Test this by the effect on the meaning when the information<br />

is omitted.<br />

MORE THAN 200 young Europeans will assemble in Lisbon’s national assembly<br />

building this weekend to debate issues ranging from the need for a common defence<br />

policy to nuclear power and pollution.<br />

The students, aged between 17 and 19 and chosen after competitions between<br />

schools throughout the Community, make up the European Youth Parliament. How<br />

they vote over the coming week of activities will reveal much about young people’s<br />

attitudes to major European questions.<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 467


2 †The following newspaper advertisement of a job vacancy consists of twelve NGs, in which<br />

each head noun is modified by an epithet or a classifier. Identify these and comment on<br />

their distribution between the ‘essential qualifications’ and the ‘outstanding benefits’. Can<br />

you explain the difference which you will observe?<br />

Essential qualifications<br />

(1) A good examination record at school<br />

(2) Effective self-presentation<br />

(3) Persuasive rapport with others<br />

(4) An optimistic commitment to hard work<br />

(5) Sound judgement<br />

(6) Mental agility<br />

Outstanding benefits offered<br />

(7) A competitive salary<br />

(8) Excellent leave entitlement<br />

(9) Non-contributory pension scheme<br />

(10) Personal home loans<br />

(11) A company car<br />

(12) Career development and training<br />

3 Write a letter to a business firm or a public organisation in which you would like to work.<br />

Present it in two parts, describing, in the form of Nominal Groups, (a) your qualifications<br />

for the job and (b) the working conditions and benefits you would like to receive. Do not<br />

use the phrases contained in the example.<br />

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4 Choose some of the following nouns and mention three or four subclasses of each general<br />

class. Use any form of classifier you wish.<br />

train machine department officer tree<br />

club shop affairs problems life<br />

e.g. passenger train, goods train, express train, etc.<br />

5 †Which of the adjectives in the following NGs function as epithets and which as classifiers?<br />

Remember that classifiers are non-gradable.<br />

(1) cultural activities popular activities<br />

(2) a professional attitude a professional opinion<br />

(3) medical treatment a medical student<br />

(4) a mechanical engineer a clever engineer<br />

(5) quick agreement international agreement<br />

(6) efficient workers mining workers<br />

(7) electric light bright light<br />

468 ENGLISH GRAMMAR


6 †Consider the order of the epithets and classifiers in the following sentences. Change the<br />

order if you think it is necessary, and say why. Insert a coordinator or subordinator where<br />

you think it is required, and insert commas where needed (see 48.1).<br />

(1) It was an unforgettable, heart-breaking sad sight.<br />

(2) We heard a tinkling, mysterious, faint sound.<br />

(3) Her artistic, slender, long hands fluttered in the air.<br />

(4) She had a pair of designer, exotic-looking, smart sunglasses.<br />

(5) The lavatory was a wooden, brown, smallish box inserted in the floor.<br />

(6) We drove through the granite, wooded, threatening, dark mountains.<br />

Module 49<br />

1 †In the following sentences. Which NG post-modifiers are integrated (restrictive) and which<br />

are supplementive (non-restrictive)?<br />

(1) The morning we were supposed to leave my car broke down.<br />

(2) I didn’t like certain strange noises coming from the engine.<br />

(3) These noises, which I had never heard before, worried me.<br />

(4) We went to Greece, a country which I didn’t know.<br />

(5) An archaeologist, an American from Yale, was in the party.<br />

(6) Excursions with a well-informed guide are more interesting.<br />

(7) I finally achieved my ambition, to see the Parthenon.<br />

(8) It was the main reason we went to Greece.<br />

(9) The narrow streets, full of chaotic traffic, made progress slow.<br />

(10) We gazed up at the night sky, studded with stars.<br />

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2 †Identify the type of post-modifier in the following sentences:<br />

(1) My sister Jessica lives in Milan.<br />

(2) The new Youth Training Scheme, a failure by any standard, has been abandoned.<br />

(3) Inflation, the curse of twentieth-century democracy, is once again out of control.<br />

3 Complete the following sentences with the classes of NG post-modifier given on the left:<br />

(1) PP: There should be a law - - - - - - - - - - - -<br />

(2) PP: The countryside - - - - - - - - - - - - is lovely.<br />

(3) PP: Have you any experience - - - - - - - - - - - -<br />

(4) That-clause: The discovery - - - - - - - - - - - - was fundamental for scientific<br />

advance.<br />

(5) Wh-adv clause: The day - - - - - - - - - - - - has not arrived yet.<br />

(6) Rel. clause: She had a voice - - - - - - - - - - - -<br />

(7) V-ing clause: We went up a rickety old staircase - - - - - - - - - - - -<br />

(8) V-en clause: All my postcards - - - - - - - - - - - - got lost in the post.<br />

(9) V. Inf clause: Have you got a licence - - - - - - - - - - - -<br />

(10) AdjG: I would like something - - - - - - - - - - - -<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 469


4 †Give the symbol for each element of the following NGs, repeating the symbol if an element<br />

is realised more than once, e.g. (2) eeh.<br />

(1) university students<br />

(2) clear, cool water<br />

(3) our first day in London<br />

(4) that new colour magazine about photography that I bought<br />

(5) six beautiful old Chinese Ming vases<br />

(6) somebody more knowledgeable with teaching experience<br />

5a Give a paraphrase of the following NGs.<br />

(1) television aerial repair service<br />

(2) Manchester <strong>University</strong> Research Fellowship Appointments<br />

(3) daytime telephone calls price reduction<br />

(4) adult education reform proposals alarm<br />

(5) university athletics teams gold medals award<br />

5b †Express the following as single NGs.<br />

(1) missiles based on land and carrying multiple warheads<br />

(2) weapons of a nuclear type having an intermediate range<br />

(3) an exhibition of robots designed for use in the home and now available all over<br />

Europe<br />

(4) a lady’s suit for wearing in the evening made of velvet and having the blue colour<br />

of the night in a classic style<br />

(5) a farmhouse made of stone having the colour of honey and built two years ago in<br />

Malta<br />

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6 †In the following sentence from a novel we have changed the positions of four postmodifying<br />

units. Can you say why these positions are not appropriate and how they should<br />

be rearranged?<br />

A clear fire burned in a tall fireplace and an elderly man with a chain round his neck<br />

in evening dress and standing with his back to it, glanced up from the newspaper<br />

he was holding before his calm and severe face spread out in both hands.<br />

7 Each of the following NGs is post-modified by two units of different classes. Decide whether<br />

it is possible to re-order each sequence without resulting in a change of meaning,<br />

incongruity or ambiguity.<br />

1 to-inf. cl. + relative cl: (I have) something//to tell you//that you won’t like//<br />

2 Relative cl. + to-inf. cl: the decision//(which) they took//to organise a demo//<br />

3 AdjG + relative cl: something/very odd//that may surprise you//<br />

470 ENGLISH GRAMMAR


4 PP + relative cl: the woman/in hospital//whose life you saved//<br />

5 AdjG + AdvG: nobody/intelligent/there (would believe that)<br />

6 AdvG + relative cl: the journey/back//which was quite short// . . .<br />

7 Relative cl. + -en cl: the officer//that came,//sent by the general//<br />

8 Write a short description of one of the following groups of persons or things. Include a<br />

sufficient number of epithets, classifiers and post-modifiers to make the description<br />

interesting. Write it in the form of a letter to a friend:<br />

(1) the members of your family<br />

(2) columns of people you have seen on television, fleeing from a war zone<br />

(3) people and things at the scene of an earthquake (seen on TV)<br />

(4) some new clothes that you have seen in shops and which you would like to<br />

buy<br />

Module 50<br />

1 Identify the extent of the NGs in the following sentence from The Times. Then consider<br />

whether the numbered sections have a post-modifier or complement function. Give evidence<br />

for your decision.<br />

The annual celebration of a pagan Spanish ritual 1 honouring the coming of spring 2<br />

is always an expression of unity and fun. 3<br />

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2 †Read the following short paragraph and identify the extent of each numbered NG; then<br />

indicate the syntactic function of each one in a clause or group:<br />

In describing his taste in women, 1 the famous baby doctor, 2 Benjamin Spock 3<br />

said: ‘I have always been fascinated by rather severe 4 women, women I then could<br />

charm despite their severity. 5 The model for these women 6 – as Dr. Spock was well<br />

aware – was his own mother. 7 And if, in his early eighties, 8 he is indeed a most<br />

exceptionally charming man, 9 the wish to win over his mother 10 may help explain<br />

why.<br />

3 Rewrite the following sentence from The Guardian in simpler, less abstract terms. Instead<br />

of de-verbal nouns like introduction, approach, increase, insistence, and the de-adjectival<br />

noun truth use the corresponding verbs: introduce, insist, etc. and adjectives true and<br />

independent. Even better, use some simpler <strong>English</strong> verbs such as grow and use instead<br />

of the more formal words. Avoid other abstractions.<br />

Begin: If we introduced classes of no more than 15 children in infant primary schools, this<br />

would allow . . .<br />

PEOPLE AND THINGS: THE NOMINAL GROUP 471


The introduction of a maximum class size of 15 in infant primary schools, combined<br />

with a child-centred approach, would permit the increase of class sizes as children<br />

progress, utilising their learning skills and expanding their independence. We already<br />

acknowledge the underlying truth of this approach in nursery education by insistence<br />

on low teacher–children ratios which increase dramatically and illogically in the first<br />

year of compulsory education.<br />

4 Rewrite the following sentence in a more abstract way, by nominalising some of the verbal<br />

predications:<br />

Most archaeologists think that men and women began to become civilised in the<br />

Middle East, where natural conditions helped them to change the way they lived<br />

from constantly moving around and hunting animals to settling down in one place<br />

and cultivating the land.<br />

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472 ENGLISH GRAMMAR


DESCRIBING PERSONS, CHAPTER 11<br />

THINGS AND CIRCUMSTANCES<br />

Adjectival and Adverbial Groups<br />

Module 51: Adjectives and the adjectival group 475<br />

51.1 Structure and characteristic uses of the adjectival group 476<br />

51.2 Simple, derived and compound adjectives 477<br />

51.3 Participles and participial adjectives 478<br />

51.4 Semantic classes of adjectives 480<br />

51.4.1 Descriptors 480<br />

51.4.2 Classifiers 480<br />

51.4.3 Degree emphasisers 481<br />

51.4.4 Non-adjectival words used as modifiers 481<br />

51.5 Syntactic functions of the adjectival group 481<br />

51.6 Central and peripheral adjectives 482<br />

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Module 52: Degrees of comparison and intensification 484<br />

52.1 Comparative and superlative degrees 484<br />

52.1.1 Functions of comparatives and superlatives 486<br />

52.1.2 The -er and -er construction 487<br />

52.1.3 The nice and construction 487<br />

52.1.4 The degree of sufficiency 487<br />

52.2 Intensifying the attribute 488<br />

52.2.1 High intensification 488<br />

52.2.2 Medium intensification 489<br />

52.2.3 Attenuation 490<br />

52.3 Quantifying modifiers 491<br />

52.4 Descriptive modifiers 492<br />

52.5 Submodifying the adjective 492<br />

Module 53: Complementation of the adjective 494<br />

53.1 Adjectival complements 494<br />

53.1.1 Complementation by finite clauses 495<br />

53.1.2 Complementation by non-finite clauses 496


53.1.3 Prepositional phrase complements 497<br />

53.2 Degree complements 499<br />

53.2.1 Discontinuous degree complements 500<br />

Module 54: Adverbs and the adverbial group 502<br />

54.1 Structure and general characteristics of the adverbial group 502<br />

54.2 Forms of adverbs 503<br />

54.3 Types of meanings expressed by adverbial groups 505<br />

Module 55: Syntactic functions of adverbs and adverbial<br />

groups 508<br />

55.1 Summary of the syntactic functions of adverbs and adverbial groups 508<br />

55.2 Positions of adverbs in the clause: initial, middle and final 509<br />

55.2.1 Adverbs in initial position 510<br />

55.2.2 Scope of reference of adverbs as adjuncts 510<br />

55.2.3 Adverbs of place, time and manner 511<br />

55.2.4 Adverbs of modality, evidence and degree 512<br />

55.2.5 Function and type 514<br />

Module 56: Modification and complementation in the<br />

adverbial group 515<br />

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56.1 Comparative and superlative uses 515<br />

56.2 Intensifying the adverbial meaning 516<br />

56.3 Complementation of adverbs 518<br />

56.3.1 Complements of comparison and excess 519<br />

56.3.2 Adverbs taking direct complements 520<br />

Further reading 521<br />

Exercises 521


ADJECTIVES AND THE MODULE 51<br />

ADJECTIVAL GROUP<br />

SUMMARY<br />

1 AdjGs and typical AdvGs have potentially the same structure: head (clear,<br />

clearly), pre-modifier (very clear, very clearly) and post-modifier (very clear<br />

indeed, very clearly indeed).<br />

2 Both AdjGs and AdvGs are frequently realised by the head element alone (a<br />

fast train; drive fast).<br />

3 Their main functions and uses, however, are different. The AdjG typically<br />

provides information about people, places and things, while the adverb typically<br />

characterises the process expressed by the verb. For this reason we deal first<br />

with adjectives and the adjectival group, and later with adverbs and the<br />

adverbial group.<br />

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4 Formally, adjectives may be simple (tall, brilliant), prefixed (un-, im-, dis-, ab-),<br />

suffixed (-ful, -able, -ous, -ive), participial (-ing, -en) or compound (home-made,<br />

duty-free, sunburnt).<br />

5 Syntactically, AdjGs typically function attributively as pre-modifier (in NG) (hot<br />

water) and predicatively as Complement of the Subject in clauses (the water is<br />

hot). In addition they can function as Complement of the Object (I like it hot) in<br />

clauses, and less commonly, in various other functions in groups and clauses.<br />

6 Semantically, AdjGs can express a state (lonely), a quality (narrow), a sub-class<br />

(northern) or a property (creative). They can indicate an attitude (lovely, odious)<br />

or a judgement (true).<br />

7 Many adjectives may take a complement in post-head position which completes<br />

their meaning (good at chess, glad (that) you came).<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 475


51.1 STRUCTURE AND CHARACTERISTIC USES OF THE<br />

ADJECTIVAL GROUP<br />

The adjectival group is composed potentially of three structural elements: a head (h),<br />

a modifier (m) and a post-head element, which will be either a modifier (m) or a<br />

complement (c). Post-modifier and complement can occur together in the same AdjG.<br />

The basic structures are as follows:<br />

AdjG<br />

m h m c<br />

1<br />

h<br />

good<br />

2<br />

hc<br />

good<br />

at chess<br />

3<br />

mh<br />

very<br />

good<br />

4<br />

mhm<br />

very<br />

good<br />

indeed<br />

5<br />

mhmc<br />

very<br />

good<br />

indeed<br />

at chess<br />

Other examples of full AdjG structures are:<br />

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extremely hot for this time of the year (mhm)<br />

very glad that you won the match (mhc)<br />

quite fond of music (mhc)<br />

The difference between a post-modifier and a complement is that the complement is<br />

controlled by the adjectival head (good at . . ., fond of . . ., glad that . . ., glad to . . . etc.),<br />

whereas the post-modifier is not.<br />

The head of an AdjG is always realised by an adjective, which may function alone in<br />

representation of a whole AdjG. The following sentence contains four coordinated<br />

AdjGs:<br />

You couldn’t call it a bang or a roar or a smash; it was a fearful, tearing, shattering,<br />

enormous sound like the end of the world.<br />

(G. B. Shaw, The Emperor and the Little Girl)<br />

In the following blurb of a novel from The Review, four of the adjectives are modified (5,<br />

8, 10, 17) and one has a complement (14). The rest are single (1, 2, 3, 4) or coordinated<br />

(6–7–8, 11–12–13, and 14–15).<br />

476 ENGLISH GRAMMAR


Ben and Olly are ten. For as long as they can remember they have been best 1 friends<br />

and close 2 neighbours in a quiet 3 Northern suburb. Then Carl moves into their street,<br />

Carl is bad. 4 Carl is very bad. 5 His games are rough, 6 dangerous 7 and strangely<br />

exciting. 8 But soon Ben begins to wonder where their new 9 friend is leading them.<br />

Why is Carl so fearless? 10 Why are they never allowed into his house? And why is<br />

it that Carl seems to want Olly all to himself? In a funny, 11 heartfelt 12 and ultimately<br />

shocking 13 story, Sutcliffe reveals how childhood friendships can be as consuming 14<br />

and intense 15 as any love affair, and how, when jilted, children are capable 16 of<br />

taking the most extraordinary 17 steps.<br />

These short examples illustrate the descriptive use of adjectives: they characterise NG<br />

referents in evaluative and emotive terms. By contrast, the classifying use is illustrated<br />

in Northern suburb and best friends. Classifying adjectives are more commonly found in<br />

the media and academic prose.<br />

51.2 SIMPLE, DERIVED AND COMPOUND ADJECTIVES<br />

The most frequently used adjectives in <strong>English</strong> are monosyllabic or bisyllabic words of<br />

native origin such as good, bad, big, small, little, tall, short, black, white, easy, hard which<br />

have no distinctive form to mark them as adjectives.<br />

Many adjectives are derived from nouns, other adjectives and verbs by the addition<br />

of certain characteristic suffixes. Some of these are of native origin, as in greenish,<br />

hopeful, handsome, handy, foremost, while others are formed on Greek or Latin bases,<br />

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as in central, secondary, apparent, civic, creative, and yet others via French such as<br />

marvellous and readable.<br />

Most adjectival prefixes are added to words which are already adjectives: unhappy,<br />

insecure, discourteous, abnormal, irrelevant. Some adjectives are formed by adding the<br />

prefix a- to a verb or adjective (asleep, awake, ablaze, alone).<br />

Many adjectives have compound forms composed of various classes of words, for<br />

example:<br />

noun + adjective:<br />

determinative + noun:<br />

number + noun<br />

adverb + participle<br />

adverb + adverb<br />

tax-free (goods)<br />

all-American (girl)<br />

four-wheel (drive)<br />

well-balanced (character)<br />

well-off (people)<br />

Adjectives in <strong>English</strong> are invariable in form. They are not marked for gender or number.<br />

A fair-haired girl – fair-haired girls; a tough character – tough characters<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 477


51.3 PARTICIPLES AND PARTICIPIAL ADJECTIVES<br />

Many present and past participles of verbs perform grammatical functions which are<br />

typical of those realised by adjectives, and for this reason are recognised as adjectives<br />

having the same form as participles, or as being derived from participles. We indicate<br />

them here by the symbols -ing and -en, and recognise the following classes:<br />

Participial adjectives seldom used in VGs<br />

This is a small set of forms which are never or very rarely used as part of a Verbal Group,<br />

but only as modifiers in NGs or as Complements (Cs and Co) in a clause, for example:<br />

-ing: interesting, amazing, charming, disappointing, pleasing<br />

-en: animated, ashamed, assorted, sophisticated<br />

Pseudo-participial adjectives<br />

An increasing number of adjectives are coined by adding -ing or -ed not to verbs but to<br />

nouns. These are termed pseudo-participial adjectives, such as:<br />

-ing:<br />

-en:<br />

enterprising, neighbouring, appetising<br />

talented, skilled, gifted, bearded, detailed<br />

Participial adjectives commonly used as VGs<br />

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A large number of participial adjectives derived from transitive verbs can be used as<br />

modifiers in a NG and as Complements in a clause, while also retaining their ability to<br />

function as part of a VG: A confusing remark (m); That is confusing (Cs); You are confusing<br />

me (part of VG). Forms which can carry out these functions include the following:<br />

-ing: annoying, exciting, frightening, surprising, boring, distressing, satisfying,<br />

tiring<br />

-en: annoyed, excited, frightened, surprised, bored, distressed, satisfied, tired<br />

In both their attributive and predicative functions, these participial adjectives can be<br />

graded and intensified (see 52.1 and 52.2):<br />

Attributive<br />

Predicative<br />

-ing: very distressing news the news is most distressing<br />

-en: rather frightened tourists the tourists seemed quite frightened<br />

Participial modifiers<br />

To distinguish the -ing adjectives from participial modifiers such as rising prices (48.5),<br />

we shall adopt the following criterion: if the -ing form cannot be graded, or intensified<br />

478 ENGLISH GRAMMAR


y very, as in 1, we shall consider it to be a participial modifier. If it can be graded, or<br />

intensified by very, we consider it an adjective. Compare a sleeping child with a horrifying<br />

story:<br />

1 (participial modifier) *a more/very sleeping child *the child is more/very<br />

sleeping<br />

2 (adjective) a more/very horrifying story the story is more/very<br />

horrifying<br />

Furthermore, is sleeping in the child is sleeping will be interpreted as a verb, the predicative<br />

adjective being asleep. In examples such as sleeping bag, sleeping pill, the word sleeping<br />

is neither adjective nor verb, but a noun modifier (a bag/ pill for sleeping), the<br />

combination now having the status of a count noun.<br />

Past participles may often have either an adjectival or a verbal interpretation. In The<br />

flat was furnished, the participle may be understood either as part of a passive verb form<br />

or as the adjectival Cs of the copula was.<br />

Compound forms<br />

Many participial forms are compounded with a noun, an adjective or an adverbial prefix,<br />

whose syntactic relationship with the verbal participle may be Subject, Object or<br />

Adjunct:<br />

-ing: heart-breaking news; good-looking girl; fast-selling magazines<br />

-en: well-paid workers; sun-tanned legs; well-known brands<br />

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Compound forms are extremely common in <strong>English</strong>, where new ones are freely coined<br />

every day, many of them being nonce formations,such as ankle-twisting and toil-broken<br />

coined by G. B. Shaw in the following paragraph from A Sunday on the Surrey Hills. The<br />

relative absence of morphological markers in <strong>English</strong> adjectives can be observed in the<br />

following text, where some are marked (e.g. poisonous), others are not (e.g. dull), and<br />

two are compounds:<br />

As I am not a born 1 cockney I have no illusions on the subject of the country. The<br />

uneven 2 ankle-twisting 3 roads; the dusty 4 hedges; the ditch with its dead 5 dogs, rank 6<br />

weeds and swarms of poisonous 7 flies; the groups of children torturing something;<br />

the dull, 8 toil-broken, 9 prematurely old, 10 agricultural 11 labourer; the savage 12 tramp;<br />

the manure heaps with their horrible 13 odour; the chain of milestones, from inn to<br />

inn, from cemetery to cemetery: all these I pass heavily by until a distant 14 telegraph<br />

pole or signal post tells me that the blessed, 15 rescuing train is at hand.<br />

1<br />

participle; 2 prefixed; 3 compound; 4 suffixed; 5 participial; 6 unmarked; 7 suffixed;<br />

8<br />

unmarked; 9 10 11 12 13<br />

compound; unmarked; suffixed; unmarked; suffixed;<br />

14<br />

unmarked; 15 participial<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 479


51.4 SEMANTIC CLASSES OF ADJECTIVES<br />

As we saw in Module 48, when discussing modifiers of nouns, adjectives in use fall into<br />

two broad groups: those that describe the referent (descriptors) and those that subclassify<br />

it (classifiers). Here we simply provide some further subtypes and examples of<br />

each, with the reminder that many adjectives have both uses. Furthermore, there are<br />

words outside these two groups that can function as pre-modifiers (see 51.4.4).<br />

51.4.1 Descriptors<br />

Such adjectives express the following types of meaning:<br />

• size, weight, extent: (note that these are often paired as opposites): big/ little,<br />

large/small, heavy/light, long/short, tall/short, wide/narrow, deep/shallow<br />

• colour: black, white, red, blue, green, yellow<br />

• meanings related to time: young, old, new, recent, early, late, weekly, daily<br />

• evaluative: pretty, beautiful, good, bad, nice, awful, dreadful, shocking<br />

• an active or passive process (participial adjectives): frightening, surprising,<br />

soothing, tired, exhausted, refreshed<br />

• general qualities: hot, cold, full, empty, sweet, sour, hard, soft, strong, weak,<br />

bright, dull<br />

• a temporary state: asleep, alone, awake, ajar (with predicative function only)<br />

51.4.2 Classifiers<br />

These are of three types:<br />

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• restrictive: they restrict the referent of a noun in relation to another referent:<br />

average, additional, chief, complete, entire, final, following, initial, main, only,<br />

particular, primary, public, single, standard.<br />

– A sub-type relates the noun referent to time or place: old, new, previous, former,<br />

right, left;<br />

• relating to groups such as nationalities, religions, politics: Brazilian, Christian,<br />

Muslim;<br />

• category-specific meanings associated with culture, technology, science, and<br />

so on.<br />

All these are listed more extensively according to topic in 48.5.<br />

restrictive: an only child, the standard size, the main reason, the entire novel, the<br />

previous page, his former boss, my old school, her current boyfriend, your left leg,<br />

my right hand<br />

relating to groups: Greek sculpture, the Western powers, African music<br />

category-specific meanings: a nuclear plant, a medical student, parliamentary<br />

debates<br />

480 ENGLISH GRAMMAR


51.4.3 Degree emphasisers<br />

In addition to these two main types, certain adjectives can function as degree emphasisers<br />

with a strongly emotive tinge. Of these mere and utter have no other meaning as<br />

adjectives; the others can be used as descriptors (a sheer cliff, a true story, pure water):<br />

sheer nonsense; mere repetition; utter rubbish; a real mess; a true genius; absolute<br />

folly; a perfect fool; pure ignorance<br />

The words sheer, mere, utter, only, previous, main, chief, sole cannot function as predicative<br />

Complements. The words real, true, absolute, perfect, pure can be used predicatively when<br />

they have qualitative (not emphatic or restrictive) meaning, as in pure water – this water<br />

is pure.<br />

51.4.4 Non-adjectival words used as modifiers<br />

Although it is mainly the semantic feature of attribution that induces us to classify a<br />

word as an adjective, this is not an infallible criterion for classification, any more than<br />

the morphological one. For example, in the expressions the then president, velvet curtains,<br />

rising prices, the words then, velvet, rising are normally classed as adverb, noun and verb,<br />

respectively and there is no need to reclassify them as adjectives simply because the<br />

temporal circumstance, the substance and the active process which they denote function<br />

as premodifiers of nouns. There is no grammatical problem in saying that an adverb<br />

or noun or verb functions as an epithet or a classifier in a NG or (with the exception of<br />

verbs) as Subject Complement in a clause. That is, we distinguish the premodifier<br />

function from the class of item that realises it. Compare:<br />

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1 velvet curtains, a stone path<br />

2 velvety fur, a stony path<br />

In 1, velvet and stone are nouns which classify the head noun. In 2, velvety and stony are<br />

adjectives which modify the head noun.<br />

51.5 SYNTACTIC FUNCTIONS OF THE ADJECTIVAL<br />

GROUP<br />

AdjGs can realise functions in both group and clause structures, as follows:<br />

AdjGs in groups:<br />

• (pre-)modifier in a NG: a very good actor, heavy rain, an old friend<br />

• (post-)modifer in a NG something cheap, the person responsible<br />

• head of a NG: the French, the sick, the most expensive<br />

• complement of a preposition: at last, for good, in short<br />

• modifier in an AdjG: bright red, pale blue, red hot<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 481


AdjGs in clauses:<br />

• Subject Complement: The acting was brilliant.<br />

• Object Complement: I consider that offensive.<br />

Peripheral AdjGs<br />

• Stance Adjunct: Strange, I never suspected him.<br />

• Detached predicative supplement: Angry and tearful, Susan walked out.<br />

• Exclamation: Fine! Great! Right! Fantastic!<br />

Among adjectives as modifiers, the type ‘a good actor’ constitutes a special use of certain<br />

adjectives, as in a slow reader, a hard worker, a big eater. This is sometimes called the<br />

process-oriented use, as the adjective doesn’t modify the noun directly, but rather the<br />

manner of performing the action. However, the manner of performing the action may<br />

become a characteristic feature of the entity: I’m a sound sleeper means, in effect, ‘I always<br />

sleep soundly’.<br />

Stance Adjuncts make an evaluative comment on the content of the whole clause.<br />

In common use in this function are: odd, strange (Odd, I never noticed). Others such as<br />

More important still can also function as connectives between clauses.<br />

Detached predicatives such as angry and tearful are a type of supplementive unit,<br />

that is, a unit used non-restrictively (see 49.2) and are illustrated in the text in that<br />

section. Syntactically, they are not integrated into the unit which they modify. They are<br />

thus free as regards position, though in practice they are usually found in initial rather<br />

than final or medial positions. They provide an economical means of adding contextual<br />

information which fills out the reader’s perception of the person or thing referred to.<br />

They are common in certain written genres and generally absent from conversation.<br />

Adjectives as exclamations as in Great! can be considered as ellipted copula<br />

clauses: That’s great! In addition, adjectives function in the exclamative structure initiated<br />

by how: How dreadful it was! This too can be ellipted to How dreadful! (see 24.1).<br />

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51.6 CENTRAL AND PERIPHERAL ADJECTIVES<br />

Of these functions the most central are the attributive function, as modifier in the NG,<br />

and the predicative function, as Subject Complement in the clause. It is normal to<br />

classify as central those adjectives which fulfil these two functions, and as peripheral<br />

those which realise other functions, or only one, or neither of these central functions.<br />

Interestingly, central adjectives are also descriptors. They add information as part of<br />

the nominal group or as subject complement, which fills out and enlivens the description<br />

of people, places and things. Central adjectives also play an important role as evaluators,<br />

expressing the subjective or objective evaluation of the speaker.<br />

With the exception of the adjectives of temporary state beginning a-, all the adjectives<br />

discussed in 51.4.1 are central and are different types of descriptor. By contrast, the<br />

classifiers, degree emphasisers and process-oriented adjectives are all peripheral.<br />

Summarising, then, we have:<br />

1 Central adjectives: descriptors<br />

2 Predicative adjs only: afraid, asleep, ablaze, afloat, alive, alone, alike, aware,<br />

averse<br />

482 ENGLISH GRAMMAR


3 Attributive adjs only: these can be grouped into the following types:<br />

• restrictive classifiers: the chief/ main reason; sole responsibility; an only child<br />

• time/ space: the previous page; my old school; a new baby; your left leg<br />

• associative classifiers: an agricultural college, foreign affairs, a nuclear weapon<br />

• degree emphasisers: sheer nonsense; utter rubbish; an outright lie<br />

• process-oriented: a big eater; a hard worker, a light sleeper, a slow reader<br />

Most peripheral adjectives have a further restriction in that they cannot be graded or<br />

intensified: *very main, *extremely chief, *more utter. This also applies to adjectives functioning<br />

as classifiers: *a very nuclear weapon, *a rather Egyptian mummy, *fairly prehistoric<br />

remains (see Module 52). However, as is explained in Chapter 10, a number of classifying<br />

adjectives can also be used as descriptors and graded, some more easily than others:<br />

British exports (classifier), a very British attitude (descriptor).<br />

The following book blurb from The Review illustrates several of the grammatical<br />

functions that can be realised by adjectives and AdjGs.<br />

Advertising director Charles Schine is just another New York commuter, regularly<br />

catching the 8.43 to work. But the day he misses his train is the day that changes<br />

his life. Charles has never cheated on his wife in eighteen years of marriage. But<br />

then Charles has never met anyone like Lucinda Harris before. And though Lucinda<br />

is married 1 too, it is immediately apparent 2 that the feeling is mutual. 3 Suddenly their<br />

temptation turns horrifically sour, 4 and their illicit 5 liaison becomes caught up in<br />

something bigger, 6 more dangerous, 7 more brutally violent. 8 Unable to talk to his<br />

partner or the police, 9 Charles finds himself trapped in a world of dark 10 conspiracy<br />

and psychological 11 games. Somehow he’s got to find a way to fight back, or his<br />

entire 12 life will be spectacularly derailed for good. 13<br />

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1–4<br />

predicative Complement; 5 m in NG; 6–8 post-modifier in NG; 9 detached predicative;<br />

10<br />

m in NG; 11 m (classifier) in NG; 12 m (classifier) in NG; 13 complement of preposition<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 483


DEGREES OF COMPARISON MODULE 52<br />

AND INTENSIFICATION<br />

SUMMARY<br />

1 Comparative and superlative forms in -er, -est and more, most,<br />

respectively. Irregular forms: better, best; worse, worst; farther/ further, farthest/<br />

furthest. Comparative constructions with the + adjective. Structures of sufficiency<br />

(enough) and excess (too).<br />

2 Intensification: high: very, most, extremely, extra, seriously (stupid); medium:<br />

quite, rather, pretty, fairly (cool).<br />

3 Attenuation: slightly (better), a little (different), a bit salty; not very (good),<br />

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hardly (likely).<br />

4 Quantification: exact: one-mile; a mile (long); 2-foot-thick; 2 feet thick;<br />

3-year-old; 3 years old; non-exact: not that long; this big.<br />

5 Description: by adjs: pale green, dark blue, deep red; by advs: strangely<br />

silent, cheerfully confident; by nouns: pitch black, paper-thin, world-wide.<br />

6 Submodification: just as easy, really quite angry, far too expensive, quite<br />

old enough.<br />

An important feature of central adjectives is that they are gradable, that is, the quality<br />

they express can be held in differing degrees. We can question and express the degree<br />

by a degree adverb How important is it? It is extremely important. Many descriptive<br />

adjectives are gradable, classifiers in general are not.<br />

52.1 COMPARATIVE AND SUPERLATIVE DEGREES<br />

When we want to express the notion that a person, thing or situation has more or less<br />

of a quality, we can mark a gradable adjective for comparative or superlative degree.<br />

484 ENGLISH GRAMMAR


This is done grammatically in one of two ways: by inflection, adding -er and -est to the<br />

base form, or analytically by the adverbs more and most:<br />

Base form Comparative Superlative<br />

big bigger biggest (inflectional)<br />

comfortable more comfortable most comfortable (analytic)<br />

Inflected forms are used with:<br />

• Short adjectives of one syllable, and two-syllable adjectives ending in -y<br />

(hot–hotter–hottest; easy–easier–easiest). Exceptions are right, wrong and real.<br />

• Disyllabic adjectives in -ow (narrow, shallow, hollow, mellow) can be inflected, as can<br />

other short adjectives ending in weak syllables such as -le (simple, able, noble).<br />

Analytic forms are used with:<br />

• adjectives of more than two syllables (e.g. encouraging); and<br />

• adjectives which are already inflected (e.g. lovable, famous, greenish, pleased).<br />

However, ease of pronunciation and smoothness of sound are important factors, and<br />

speakers sometimes improvise if the result sounds acceptable. Lewis Carroll, the creator<br />

of Alice in Wonderland, is said to have introduced ‘curiouser and curiouser’, which is still<br />

used, though jocularly, by some speakers.<br />

Adjectives in -y which commonly take -er and -est include: happy, lazy, cosy, crazy,<br />

dirty, empty, lucky, nasty, pretty, silly, sexy, tidy, tricky.<br />

The following adjectives have suppletive forms for grades 1 and 2:<br />

good, better, best far, farther, farthest<br />

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bad, worse, worst far, further, furthest<br />

The word further can also be used with the sense of ‘other’, ‘later’, ‘additional’:<br />

There will be a further meeting next week.<br />

The theatre is closed until further notice.<br />

The adjectives elder, eldest (alternative to older, oldest) refer only to persons.<br />

my elder son; our eldest daughter; an elder brother or sister;<br />

John is the elder of the two. I was the second eldest. [BNC FY1 45]<br />

The adjective elderly is not comparative, but refers euphemistically to a person<br />

approaching old age. The comparative degree of certain other adjectives has the value<br />

of a classifier:<br />

junior rank (= low) inferior quality (= bad) major error (= great)<br />

senior rank (= high) superior quality (= good) minor error (= small)<br />

your upper/ lower jaw my inner life the outer walls (of the city)<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 485


There are no inflections of lower and lowest degree corresponding to -er and -est. For<br />

this meaning less and least are used as modifiers. The following table summarises the<br />

grading options in <strong>English</strong>:<br />

The scale of degree Inflectional Analytic<br />

1 Comparative superiority easier more difficult<br />

2 Superlative superiority the easiest the most difficult<br />

3 Equality as easy, as difficult<br />

4 Comparative inferiority less easy, less difficult<br />

5 Superlative inferiority the least easy, the least difficult<br />

6 Sufficiency easy enough, difficult enough<br />

Adjectives and adverbs whose meanings are inherently superlative such as unique<br />

and perfect are prescriptively banned from comparative and superlative marking. They<br />

are sometimes heard in conversation however, intensified by the ‘absolute’ most: a most<br />

perfect example.<br />

52.1.1 Functions of comparatives and superlatives<br />

Adjectives graded for comparative and superlative degree can function both as modifiers<br />

of a noun and as Complements in a clause. Most descriptive adjectives are gradable:<br />

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As modifiers of a noun<br />

Have you got a larger size?<br />

I think you need a more up-to-date stereo.<br />

What’s the funniest joke you’ve heard recently?<br />

It wasn’t the most exciting match of the season.<br />

The cleverest animals, as well as the better-looking, better-humoured and more classy,<br />

are not the ones holding the leads.<br />

(Philip Howard in The Times)<br />

As Cs in clauses<br />

This house is smaller, but it’s nicer, and it’s got a bigger garden.<br />

We need something more central.<br />

We went into several pubs, but this one was undoubtedly the best.<br />

Really, they should appoint Jones. He’s the most experienced.<br />

The analytic forms of the comparative and the superlative are illustrated in this short<br />

description from an in-flight magazine:<br />

486 ENGLISH GRAMMAR


The miles of clean, pristine sandy beaches look especially inviting to the tourist. They<br />

are safe for even the most daring swimmers. The more adventurous may avail<br />

themselves of scuba diving training at beginner, intermediate and advanced levels<br />

from the Professional Association of Diving Instructors. From May to October the water<br />

is so warm that no wet-suits are needed. Light 3mm suits are comfortable for the rest<br />

of the year. Submerged wrecks and coral reefs that attract an array of vivid tropical<br />

fish contribute to a fascinating diving experience.<br />

For the complementation of graded adjectives by than-clauses, that-clauses and PPs,<br />

see Module 53.<br />

When a comparative adjective is not followed by a complement, the other entity in<br />

the comparison should be inferrable, as happens in the previous text. We understand<br />

that the more adventurous implicitly compares with other swimmers who are less<br />

adventurous. In fact, it is normal in everyday communication, especially in conversation,<br />

to use graded adjectives without mentioning the other entity in the comparison.<br />

52.1.2 The -er and -er construction<br />

The repeated comparatives joined by and are used to express a gradually increasing<br />

degree of the quality denoted by the adjective (or adverb; see 56.1). Verbs of becoming<br />

such as become, get and grow are commonly used with adjectives. More and more occurs<br />

with adjectives which don’t admit the comparative inflection.<br />

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It’s growing darker and darker.<br />

This crossword is getting more and more difficult.<br />

They became wearier and wearier as time went on.<br />

52.1.3 The nice and construction<br />

Nice and is often used in informal speech to intensify a second adjective: nice and hot,<br />

nice and cold, nice and dirty. Good and is also used in the same way.<br />

52.1.4 The degree of sufficiency<br />

This comprises three terms: ‘excess’, ‘sufficiency’, ‘insufficiency’, realised by the adverbs<br />

too, enough, not enough, respectively. When functioning predicatively, that is at Cs, the<br />

AdjG structure is as follows:<br />

excess:<br />

sufficiency:<br />

insufficiency:<br />

This knife is too sharp.<br />

Is this knife sharp enough?<br />

This knife is not sharp enough.<br />

When the AdjG modifies a noun, the NG structures are as follows:<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 487


excess:<br />

sufficiency:<br />

insufficiency:<br />

This is too sharp a knife.<br />

This is a sharp enough knife.<br />

This is not a sharp enough knife.<br />

If the noun is uncountable or plural (e.g. weather, knives), only the predicative structure<br />

is used for the expression of ‘excess’:<br />

excess: The weather was too wet. *It was too wet weather.<br />

These knives are too sharp. *These are too sharp knives.<br />

The degree of excess can be expressed by the lexical item over (AmE overly) used as a<br />

compound adjective: Don’t be over-anxious about the future.<br />

52.2 INTENSIFYING THE ATTRIBUTE<br />

Intensification is a kind of grading and will be described here in terms of three degrees:<br />

‘high’, ‘medium’ and ‘attenuated’. They constitute a cline rather than a scale of fixed<br />

points, since they are realised exclusively by lexical items rather than by varied<br />

structures. In spoken <strong>English</strong>, the intended degree of intensification can be reinforced<br />

by stress and intonation patterns.<br />

52.2.1 High intensification<br />

This is expressed by adverbs, adjectives and, exceptionally, nouns. The following<br />

examples show them in AdjGs in both of the central adjectival functions:<br />

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very: the very latest techniques That’s very kind of you<br />

really: a really good film It was really good<br />

awfully: an awfully nice man He looked awfully tired<br />

most: a most extraordinary performance His ideas are most odd<br />

way: I am way concerned about the environment (AmE) (Cs only)<br />

Some intensifiers, such as very and extremely, can intensify almost any adjective. Others<br />

are more limited to specific types of adjectives or to individual ones. Notice that the<br />

original meaning of some high intensifiers has undergone semantic change. For example,<br />

terrifically indicates approval, awfully and terribly can intensify both good and bad<br />

qualities, while dreadfully and horribly are used only with bad ones. The following are<br />

common collocations:<br />

dripping wet; boiling hot; freezing cold; blind drunk; dead straight; wide awake; fast<br />

asleep; frozen stiff; extra special; stinking rich; fully aware; raving mad; highly<br />

controversial; radically opposed; eminently suitable; deeply moving; seriously<br />

stupid; hugely successful; supremely confident; terrifically good-looking; horribly<br />

disfigured.<br />

488 ENGLISH GRAMMAR


Quite, which normally expresses a medium degree of intensification, can express a high<br />

degree in the sense of indicating a complete degree or extent to which something is the<br />

case: I stood quite still. To convey this meaning, quite is spoken with higher pitch and<br />

emphasis. Quite always takes on a high degree when it modifies an emotive adjective<br />

as in quite amazing, quite incredible, quite disastrous.<br />

He looks quite different in his everyday clothes.<br />

You are quite right.<br />

52.2.2 Medium intensification<br />

A medium degree of intensification is expressed by the four adverbs quite, pretty, rather,<br />

fairly. Within the medium degree, we can recognise four sub-degrees in order of<br />

descending intensification:<br />

It’s quite cold here in the winter.<br />

It’s rather cold here in the winter.<br />

It’s pretty cold here in the winter. (informal, spoken style)<br />

It’s fairly mild here in the winter.<br />

Quite denotes moderate but unequivocal intensification of the adjective, whether this<br />

is appreciative as in quite pleased, quite satisfactory, quite nice, unappreciative as in quite<br />

dangerous, quite pessimistic, quite nasty, or neutral as in quite tall, quite cheap/expensive,<br />

quite short/long.<br />

She felt there was something not quite right about the room.<br />

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Politeness or lack of certainty are often the motivations of the use of quite, as in I’m not<br />

quite sure. Quite is used to modify not only adjectives but also verbs and adverbs: I don’t<br />

quite know, I didn’t quite understand.<br />

Rather can lower the force of a statement by indicating a certain limited degree, as<br />

in it looks rather difficult. It becomes related to indirectness (see Chapter 5) when used<br />

in situations which warrant a stronger word such as very or extremely. Politeness is<br />

sometimes the motivation for the use of rather, for example, to avoid direct criticism<br />

of others, I’m rather worried about your exam results, or to mitigate the expression of<br />

the speaker’s own emotions, as in I was rather pleased at winning the lottery. At the same<br />

time it implies that a larger degree or extent is to be understood, for instance very worried,<br />

very pleased. This ability to say one thing while implying another makes rather a subtle<br />

tool in interpersonal interaction. Rather is a word that has contributed greatly to the<br />

notion of ‘<strong>English</strong> understatement’, as in:<br />

Buying that second-hand car may turn out to be a rather costly mistake.<br />

Pretty expresses the notion of quite but not completely. It is used with all types of gradable<br />

adjective, but has an approximative value characteristic of informal speech; e.g. She’s<br />

pretty good-looking, I feel pretty tired after that long walk, That film was pretty awful, don’t<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 489


you think? Like rather, it can also imply a stronger degree, especially when expressing a<br />

negative evaluation: That paper of his was a pretty poor effort (= very poor). The idiomatic<br />

combinations pretty well, pretty much can modify certain adjectives and determinatives,<br />

for instance, pretty well impossible, pretty much the same.<br />

He’s going to have a pretty bad headache for a while, and the cut is pretty deep, so<br />

it’s bound to be sore ... [BNC JXU 32349]<br />

Fairly as a modifier indicates an almost large or reasonable degree of a quality<br />

(fairly accurate, fairly well-off). It can be used more easily with favourable and neutral<br />

adjectives than with strongly unfavourable ones, as with fairly honest, fairly intelligent,<br />

fairly reasonable, but not ?fairly dishonest, ?fairly foolish, ?fairly unreasonable:<br />

He seems to have a fairly good idea of what he wants to do.<br />

The above glosses represent only the typical semantic orientation of these four intensifiers.<br />

At the same time, their references are all slightly indeterminate, rather than fixed<br />

points on the scale. The attitudes they express can be varied in speech by intonation.<br />

Other adverbs which suggest that something is very close to having the quality named<br />

are: almost, nearly, roughly, approximately, partly, largely.<br />

The following ironical report from the economics section of a newspaper illustrates<br />

a normal everyday use of intensified adjectives in <strong>English</strong>:<br />

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A remarkable entirely new economic cure-all has just emerged from widely extensive<br />

tests. The miracle drug, called taxcuts, is the most versatile drug since penicillin. The<br />

manufacturers say that if applied in sufficiently liberal doses, it will make people<br />

more hardworking and less preoccupied with their own financial problems.<br />

52.2.3 Attenuation<br />

Attenuation refers to a slight degree of the quality or its entire absence, and is expressed<br />

as follows:<br />

slightly better a little disappointing a bit salty<br />

kind of weird sort of greyish hair somewhat odd (formal)<br />

Sort of and kind of are used, in very informal <strong>English</strong>, when the speaker is uncertain how<br />

to express the exact quality of something.<br />

At all can be used as an attenuator in yes/no interrogative, negative and conditional<br />

clauses, as a politeness strategy in the case of conditionals. It is placed before or after<br />

the adjective:<br />

Are you at all worried? Are you worried at all?<br />

We’d like to stay another week, if it’s at all possible (or if it’s possible at all).<br />

490 ENGLISH GRAMMAR


Slight attenuation or reservation can be expressed by negating a high degree:<br />

not very likely<br />

not entirely true<br />

not quite sure of her name<br />

not particularly fond of insects<br />

The following modifiers express in 1 a minimal degree of attribution and often imply a<br />

certain degree of the opposite quality; in 2 they express absence or denial of the quality<br />

named:<br />

1 hardly likely, barely necessary, scarcely believable, none too happy<br />

2 I’m not at all surprised at the result, or, I’m not surprised at all at the result<br />

52.3 QUANTIFYING MODIFIERS<br />

Exact quantification<br />

If we ask the questions How old is she? How long was the queue? How high is Everest? How<br />

bad was the traffic-jam? the depth, length, height and age can be measured or quantified<br />

by saying:<br />

She is 20 years old.<br />

Everest is 8,708 metres high.<br />

The queue was 100 yards long.<br />

The cars were four deep on the motorway.<br />

These AdjGs can be lexicalised as compound adjectives to modify nouns:<br />

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a twenty-year-old girl<br />

an 8,708-metre-high mountain<br />

a hundred-yard-long queue<br />

a four-deep traffic-jam on the motorway<br />

Non-exact quantification<br />

With predicative function, non-measurable quantification is expressed by the<br />

determinatives the, that, this, any, all, little and no, as in:<br />

Things are not getting any better. Well, as long as they’re not getting any<br />

worse . . .<br />

The situation is no worse than it was before.<br />

The trip wasn’t that interesting after all.<br />

We need a box this big.<br />

She looked all upset.<br />

That + adjective can be used to modify a singular noun, but not a plural or non-count<br />

noun:<br />

It wasn’t that interesting a trip after all.<br />

The trips were not that long. *They were not that long trips.<br />

The thunder was not that loud. *It was not that loud thunder.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 491


52.4 DESCRIPTIVE MODIFIERS<br />

If adjectives serve to describe nouns, they themselves can also be described, by<br />

reference to (a) a quality or (b) a specific context:<br />

(a) Qualitative modification of adjectives is realised by the following classes of units:<br />

-ly adverbs: strangely attractive; deathly pale; reasonably friendly<br />

adjectives: light brown; deep red; dark blue; vivid green; bright yellow<br />

nouns: pitch black; emerald green; blood red; rose pink; paper-thin;<br />

feather-light; day-long; world-wide<br />

Note that an expression like a strangely attractive city does not mean ‘a strange and<br />

attractive city’ but ‘a city which is attractive in a strange way’; it is the adjective<br />

(attractive) which is modified, not the noun (city). The structure ‘adj + adj’ (e.g. light<br />

brown) is used especially with colour adjectives. When it modifies a noun, ambiguity<br />

may occur: The deep blue sea (a sea of deep blue? or a deep sea which is blue?)<br />

(b) Relational (or contextual) modification indicates the sense in which the adjective is<br />

to be understood. It is realised by:<br />

-ly adverbs: socially acceptable; economically difficult; technologically<br />

impressive; financially independent; physically handicapped<br />

nouns: music-mad; girl-crazy; foot-weary; duty-free<br />

The following short paragraph exemplifies the use of modified AdjGs:<br />

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He is one of the most compellingly 1 watchable comic talents I have seen for a long<br />

time; a slightly 2 comic nose, a retiringly 3 unassertive chin and a wide loosely 4 shaped<br />

mouth contribute a totally convincing 5 performance as the court jester. He obviously<br />

has a cheerfully perceptive 6 gift for comedy.<br />

1<br />

intensification; 2 attenuation; 3 description; 4 description; 5 intensification; 6 description<br />

52.5 SUBMODIFYING THE ADJECTIVE<br />

Modifiers of degree (e.g. less in less interesting) are often themselves graded or intensified<br />

by a submodifier (sm) placed before them, e.g. rather less interesting. The following are<br />

examples of this smmh structure which occur in both spoken and written discourse.<br />

sm m h sm m h<br />

not quite right only too pleased<br />

much more productive not nearly as nice<br />

far too expensive just as complicated<br />

492 ENGLISH GRAMMAR


This type of AdjG structure reflects two converse types of intensification which are<br />

characteristic of many <strong>English</strong> speakers: (a) That of attenuating the negative value<br />

of an Attribute, as in 1, and (b) that of reinforcing a positive value, as in 2:<br />

1 This time the results are not quite so clear-cut. [BNC KRL 96478]<br />

2 We would be only too pleased to provide information on the Association.<br />

[BNC GX9 13997]<br />

The submodifier of the modifier enough is placed immediately before the adjective:<br />

hardly good enough; not nearly clever enough; quite old enough<br />

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DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 493


COMPLEMENTATION OF MODULE 53<br />

THE ADJECTIVE<br />

SUMMARY<br />

1 When an adjective (e.g. happy) functions in a clause, as Complement of the<br />

Subject (e.g. I am happy) or of the Object, it is often followed by a complement<br />

relating it to a fact (e.g. that you are here), a process (e.g. to see you), or a<br />

circumstance (e.g. about your success). This information indicates the way in<br />

which the adjective is to be understood and is expressed mainly by finite and<br />

non-finite clauses, and by prepositional phrases (PPs).<br />

2 When the complement is a PP, the preposition is determined by the adjective<br />

and the context: dependent on, clever at, clever with, fond of (see also Chapter<br />

12).<br />

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3 When the adjective is modified (graded, intensified, etc.), the modifier partly<br />

determines the type of complement or post-modifier: too cold for us, too cold to<br />

swim, too cold for us to swim, too cold for swimming in the sea.<br />

4 When the adjective modifies a NG, it is separated from its complement: too<br />

difficult a problem to solve.<br />

53.1 ADJECTIVAL COMPLEMENTS<br />

Adjectival heads can take as post-head complements finite and non-finite clauses, or<br />

prepositional phrases which relate the Attribute to a fact, a situation, a process or a<br />

circumstance and so tell us how the Attribute is to be understood.<br />

All adjectives which can take complements indicate the speaker’s or writer’s stance<br />

with respect to the proposition stated in the complement. They comprise three semantic<br />

types: epistemic (sure, certain, etc.), affective (glad, sorry, etc.) and evaluative (right, wrong,<br />

etc.).<br />

494 ENGLISH GRAMMAR


53.1.1 Complementation by finite clauses<br />

Adjectives which take embedded that-complement clauses indicate the speaker’s or<br />

writer’s stance with respect to what is expressed in the complement. Semantically, they<br />

fall into two main types:<br />

1 degrees of certainty, such as: sure, certain, positive, convinced<br />

2 affective meanings, such as: glad, sorry, happy, sad, afraid, grateful, pleased,<br />

amazed, annoyed<br />

This structure relates the adjectival quality to a factual complement and is realised by<br />

a finite clause introduced optionally by that:<br />

We are sure (that) he is innocent.<br />

We are proud (that) you are so successful.<br />

After some adjectives of emotive or modal meaning, such as anxious, willing, eager,<br />

insistent, determined, essential, the non-factual auxiliary should (in Br E), or the subjunctive<br />

(especially in Am E), can be used in the that-clause to suggest a present or future action.<br />

An indicative is used by some speakers, as in 3 (see 11.1).<br />

1 The public is anxious that the truth (should) be known.<br />

2 We are not willing that justice (should) be forgotten.<br />

3 Bill’s wife is insistent that he give/ gives up smoking.<br />

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The complement can also be realised by a wh-clause. I am not quite clear what you mean.<br />

Extraposed clausal subject<br />

In the following type of sentence, the second clause does not function as a complement<br />

of the preceding adjective, but as extraposed subject, replaced by it in the main clause<br />

(see 5.1.2). Compare the extraposed with the non-extraposed clauses.<br />

I just think it’s unfortunate that all these rumours have circulated. [BNC KRT 91068]<br />

That all these rumours have circulated is unfortunate. (non-extraposed that-clause)<br />

It is not clear why she left.<br />

Why she left is not clear. (non-extraposed wh-clause)<br />

The adjective in this construction expresses an evaluative attitude, (usually the<br />

speaker’s) towards the content of the following clause. But because the construction<br />

has anticipatory it as subject, the stance or attitude is not directly attributed to the<br />

speaker or some other person, as occurs with complement clauses, whose subjects are<br />

referential pronouns or NGs.<br />

Adjectives which occur in structures with anticipatory it tend to be more impersonal<br />

than those taking a complement clause. They include:<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 495


advisable, evident, (im)possible, (un) likely, noticable, (un)typical, important, obligatory,<br />

curious, obvious, shocking, surprising, true, vital<br />

Certain adjectives can occur in both constructions, however: clear, certain, sure.<br />

53.1.2 Complementation by non-finite clauses<br />

This AdjG structure is used to describe the relation between an Attribute and a process<br />

or situation. The Attribute and process/situation both refer to the same Subject in<br />

examples (a–g) below:<br />

(a) The adjective evaluates the process performed by the subject:<br />

You are kind to visit me.<br />

She must be clever to have won the first prize.<br />

(b) The adjective describes the manner of performing the process:<br />

The Minister was quick to reject the accusation.<br />

You are very slow to give your opinion, aren’t you?<br />

(c) The adjective expresses an emotion caused by the process. The subject of the main<br />

clause is also the implied subject of the to-clause:<br />

Everyone was sorry to hear about the accident.<br />

We were all delighted to receive your invitation.<br />

(d) The adjective expresses an attitude or state concerning the process:<br />

I am not willing to believe that story.<br />

The police are powerless to take action in this matter.<br />

(e) The adjective expresses a property of the subject:<br />

Mountain water is not always safe to drink.<br />

Are these pamphlets free to take away (or to be taken away)?<br />

(f) The adjective forms part of a lexical auxiliary (be sure to, be likely to be bound to) in<br />

a VG (see 37.3). It denotes a degree of certainty or the tendency of the process to<br />

occur. The subject is a ‘raised subject’ (see 37.4):<br />

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He is sure to arrive late.<br />

She is likely to get angry.<br />

It is bound to rain.<br />

I am apt to forget details.<br />

(g) The adjective evaluates the process realised by an -ing clause or a to-inf:<br />

You were foolish going out/to go out without an overcoat.<br />

He must have been crazy driving/to drive as fast as that.<br />

The above examples refer to processes performed by the Subject of the clause, that is,<br />

the Carrier of the Attribute. The following ones refer to processes not performed by the<br />

Subject:<br />

496 ENGLISH GRAMMAR


(h) The adjective does not refer to the Subject:<br />

Smoking is hard/ difficult to give up.<br />

This sentence does not mean that smoking is difficult, but that to give up smoking<br />

is difficult. Structurally, it is a ‘raised object’, that is, the implied object of the toclause<br />

to give up smoking is raised to subject (see 37.4).<br />

(i)<br />

In other cases, the Subject may possess the Attribute and at the same time be the<br />

prepositional Object of the to-infinitive verb:<br />

This paper is thin to write on. The Atlantic is cold to swim in.<br />

53.1.3 Prepositional phrase complements<br />

Prepositional phrase complements are not usually obligatory (though a few are), but<br />

they are all controlled by particular adjectives. The complement completes the meaning<br />

with respect to the adjective. Especially in conversation, where speakers can assume a<br />

knowledge of what has been said, it is frequently unnecessary to add a complement.<br />

We can say I was angry, we were anxious, everyone was delighted without specifying<br />

the reason. In writing, however, we often need to make the motivation more specific.<br />

A number of adjectives, including accustomed (to), conscious (of) and prone (to) (with the<br />

appropriate senses) require a complement. Several adjectives control more than one<br />

preposition, for instance good at maths, good for your health, good with children; similar<br />

to mine, similar in shape.<br />

We here offer a small representative selection of everyday examples. These are<br />

grouped according to the preposition and the types of meaning conveyed by the<br />

adjective.<br />

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1 adjective + about or + at is used for emotional reaction to something:<br />

angry about what I said; annoyed about the delay<br />

mad about music concerned about his safety<br />

2 adjective + at has two meanings: (a) emotional reaction to something or someone,<br />

and (b) an ability:<br />

(a) happy at the prospect<br />

mad at my sister<br />

(b) clever at getting what he wants<br />

good at mathematics<br />

alarmed at the news<br />

indignant at the accusation<br />

bad at letter-writing<br />

hopeless at remembering names<br />

Other adjectives used with at: (a) pleased, annoyed (b) brilliant, terrible, adept,<br />

skilled, marvellous<br />

3 adjective + by (with adjectives derived from past participles and passive in<br />

meaning):<br />

amused by the anecdote<br />

hurt by her remarks<br />

puzzled by the question<br />

worried by their failure to return<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 497


4 adjective + for means the value the adjective has for something or someone:<br />

anxious for success<br />

good for the health<br />

hopeful for the future<br />

responsible for their welfare<br />

5 adjective + from has two meanings: (a) separation and distancing; (b) effect–cause:<br />

(a) remote from civilisation<br />

(b) sleepless from anxiety<br />

different from everyone else<br />

tired from overworking<br />

6 adjective + in is used for an existing or resulting state:<br />

dressed in white<br />

deep in a book<br />

slow in reacting<br />

lost in thought<br />

7 adjective + of is used for (a) mental state in terms of the antagonist or process;<br />

(b) mental state in terms of the protagonist; (c) containment:<br />

(a) afraid of wild animals<br />

(b) kind of you<br />

(c) full of enthusiasm<br />

capable of great concentration<br />

stupid of him<br />

sick of it all<br />

The (b) sequence occurs in clauses beginning It is + adjective + extraposed subject:<br />

It is kind of you to take such trouble.<br />

8 adjective + on is used for dedication, dependence or aim:<br />

It was stupid of him to lose the keys.<br />

keen on sport<br />

intent on divorce<br />

dependent on other people set on studying abroad<br />

9 adjective + to means (a) mental state or attitude related to a phenomenon; (b)<br />

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equivalence, similarity or comparison:<br />

(a) opposed to innovation<br />

(b) similar to the others<br />

kind to old people; accustomed to hardship<br />

equal to half a kilo<br />

10 adjective + with can be (a) emotional reaction or physical state due to a cause, or<br />

(b) property or ability:<br />

(a) fed up with the weather<br />

(b) skilful with his hands<br />

pale with fear<br />

good with children<br />

Note that 2(b) describes ability in relation to the task; 10(b) describes ability in<br />

relation to the tools or raw material.<br />

11 adjective + beyond means to an extreme degree (with non-count nouns):<br />

cruel beyond endurance<br />

injured beyond recovery<br />

The fact that a PP occurs after an adjective does not necessarily mean that it complements<br />

the adjective; it may be functioning as a clausal or stance Adjunct:<br />

Complement:<br />

Clausal Adjunct:<br />

Stance Adjunct:<br />

He is brilliant at maths.<br />

He is brilliant in many respects.<br />

In my opinion, he’s a brilliant mathematician.<br />

498 ENGLISH GRAMMAR


The following extract from Roald Dahl’s Boy illustrates the use of adjectives and their<br />

grading and complementation:<br />

It was always a surprise to me that I was good at games. It was an even greater<br />

surprise that I was exceptionally good at two of them. One of these was called fives,<br />

the other was squash-raquets.<br />

Fives, which many of you will know nothing about, was taken seriously at Repton<br />

and we had a dozen massive, glass-roofed fives courts kept always in perfect<br />

condition.<br />

We played the game of Eton-fives, which is always played by four people, two<br />

on each side, and basically it consists of hitting a small, hard, white, leather-covered<br />

ball with your gloved hands. The Americans have something like it which they call<br />

handball, but Eton-fives is far more complicated because the court has all manner<br />

of ledges and buttresses built into it which help to make it a subtle and crafty game.<br />

Fives is possibly the fastest ball-game on earth, far faster than squash, and the<br />

little ball ricochets around the court at such a speed that sometimes you can hardly<br />

see it. You need a swift eye, strong wrists and a very quick pair of hands to play<br />

fives well, and it was a game I took to from the beginning. You may find it hard to<br />

believe, but I became so good at it that I won both the junior and the senior school<br />

fives in the same year when I was fifteen. (see exercise 3 on p. 524).<br />

53.2 DEGREE COMPLEMENTS<br />

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When the adjective is graded, the complement is dependent, not on the adjective<br />

directly, but on the grading element (-er, more, less, as, etc.), and is realised according to<br />

the type and structure of the grading element. The following examples serve as a brief<br />

summary of this area of <strong>English</strong> grammar.<br />

Comparative degree<br />

This takes one of two forms: either adjective + -er + than, or more/ less + adjective +<br />

than, plus a word, phrase or clause:<br />

Adj + -er + than + PP It was cooler than in Russia<br />

Adj + -er + than + clause It was better than we expected<br />

more + adj + than + AdvG It was more comfortable than usual<br />

less + adj + than + clause It was less complicated than any of us expected<br />

more + adj. + -ing clause It was more enjoyable than travelling by air<br />

Superlative degree<br />

Adj + -est + PP (in)<br />

most + adj + PP (of)<br />

least + adj + that-clause<br />

It is the longest in the world<br />

It is the most famous of all his plays<br />

It is the least interesting novel (that) I have ever read<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 499


Degree of equality<br />

as + adj + as +AdvG<br />

neg + as + adj + as + clause<br />

so + adj + as + to-clause<br />

It was as lovely as ever<br />

It was not as easy as most of us expected<br />

It was so difficult as to be impossible<br />

If the comparison is between two adjectives, the complement of equality is realised by<br />

a finite clause:<br />

She is as good-looking as she is intelligent.<br />

*She is as good-looking as intelligent.<br />

If the comparison is negative, the modifier not as may be replaced by not so, though<br />

so suggests intensification besides equality: In winter, London is not as/ so cold as New<br />

York.<br />

Degree of sufficiency (enough) and excess (too)<br />

Heads modified by postposed enough and preposed by too are qualified by similar units<br />

to the above:<br />

Sufficiency: Adj + enough + PP Is the water hot enough for you?<br />

Adj + enough + to-cl Is the water hot enough to take a<br />

shower?<br />

Adj + enough + PP + to-cl Is the water hot enough for you to<br />

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Excess: Too + adj + PP This coffee is too hot for me.<br />

Too + adj + to-cl<br />

This coffee is too hot to drink.<br />

(not *to drink it)<br />

Too + adj + PP + to-cl This coffee is too hot for me to<br />

drink. (not *for me to drink it)<br />

If the to-infinitive verb is prepositional (e.g. think about), the preposition is stranded (see<br />

6.3.3):<br />

To-inf cl + prep.<br />

Your project is too expensive to think about. (*about it)<br />

This knife is too blunt to cut with. (*with it)<br />

Notice the emotive use of too in expressions such as: The film was too awful for words!<br />

and its equivalence to very in: I shall be only too pleased to help you ( = very pleased).<br />

53.2.1 Discontinuous degree complements<br />

A degree complement is separated from its adjective when the AdjG premodifies a noun.<br />

The AdjG is said to be discontinuous, as in examples 1 and 2 below.<br />

500 ENGLISH GRAMMAR


If we want to put the notion of equality before the noun, the adjective functions as<br />

a pre-determinative (preceding the article a/ an), with the as-clause following the noun:<br />

1 It was the most comfortable journey (that) we have ever made.<br />

2 It’s as nice a country garden as you could ever find.<br />

When an adjective is graded by a modifier, e.g. more convinced, one complement may<br />

relate to the modifier as in more (convinced) than I was, and a second one to the head, as<br />

in (more) convinced of the man’s guilt. They may be placed in either order, the emphasis<br />

normally being on the second one:<br />

The judge seemed more convinced than I was of the man’s guilt.<br />

The judge seemed more convinced of the man’s guilt than I was.<br />

If one complement is notably longer than the other(s), it is usually placed at the end:<br />

The judge seemed more convinced than I was of the evidence that had been given<br />

by one of the witnesses.<br />

*The judge seemed more convinced of the man’s guilt after listening to the evidence<br />

given by one of the witnesses than I was.<br />

When complements are coordinated by and, but, or, they are often of the same class<br />

form:<br />

PP: He’s fond of teaching and good with children.<br />

to-inf cl: The programme was delightful to watch and to listen to.<br />

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DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 501


ADVERBS AND THE ADVERBIAL MODULE 54<br />

GROUP<br />

SUMMARY<br />

1 AdvGs have certain general characteristics similar to those of AdjGs:<br />

• Potentially three structural forms: a head, a modifier, and a post-head<br />

element, which may be a post-modifier or a complement.<br />

• They are frequently represented by the head element alone.<br />

• Morphologically, the adverbial head may be simple, derived or compound.<br />

• Semantically, many adverbs express qualities of processes and situations,<br />

just as adjectives express qualities of people and things.<br />

• Not all adjectives and adverbs have the potential of heading a group<br />

structure: e.g. mere, merely; sole, solely.<br />

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2 In other respects, AdvGs are different from AdjGs:<br />

Adverbs are a more heterogeneous word class, and can be roughly grouped<br />

into three main semantic sets:<br />

• circumstantial: place, time, manner<br />

• degree or focus<br />

• connective: addition, reinforcement, result, concession, and the like<br />

Many adverbs fulfil several functions, however, and their meanings may change<br />

according to the function.<br />

54.1 STRUCTURE AND GENERAL CHARACTERISTICS OF THE<br />

ADVERBIAL GROUP<br />

The structure of the adverbial group is similar to that of the adjectival group; that is, it<br />

is composed potentially of three elements: the head h, the modifier m and the posthead<br />

element, either m (post-modifier) or c (complement). These elements combine to<br />

form the following four basic structures:<br />

502 ENGLISH GRAMMAR


AdvG<br />

1 h yesterday<br />

2a h early<br />

2b hm early in the morning<br />

3 mh very early<br />

4 mhm very early in the morning<br />

Other examples of full AdvG structures are:<br />

mhc more slowly than necessary<br />

mhc far away from civilisation<br />

mhc so fast (that) I couldn’t catch him<br />

mhc quite clearly enough<br />

The head element is always realised by an adverb (see 54.3). The modifier (see 56.1–2)<br />

is realised typically by grading and intensifying adverbs, as in these examples, and less<br />

typically by quantifiers (ten miles across). The complement (see 56.3) expresses a different<br />

type of meaning from that of the modifier, as it does in AdjGs. It expresses the scope or<br />

context of the meaning expressed by the head (e.g. luckily for us); alternatively, it can<br />

serve to define the modifier more explicitly (e.g. more correctly than before). It is for this<br />

reason that complements of adjectives and adverbs are mostly realised by PPs and<br />

clauses, whereas pre-modifiers are usually realised by words. However, we shall see<br />

that few adverbs take prepositional complements.<br />

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General characteristics of adverbs and adverbial groups<br />

1 Whereas adjectives modify nouns as one of their main functions, adverbs modify<br />

verbs, clauses, adjectives and other adverbs.<br />

2 Adverbs and AdvGs function typically in the clause as Adjunct or Complement, and<br />

in group structures as pre-modifier and post-modifier. In addition, they marginally<br />

realise subject and object functions in clauses. Many adverbs of directional meaning<br />

function as particles (up, down, in, out, etc.) in phrasal verbs (Complement or Adjunct<br />

in clauses.)<br />

3 They express a wide variety of types and subtypes of meaning (see 54.3).<br />

4 They perform a wide variety of syntactic functions (see 55.1).<br />

5 They can occupy different positions in clause structure, when functioning as<br />

manner, evidential, stance and connective adjuncts (see 55.2; see also Chapter 2).<br />

6 They are very frequently optional, in the sense that they can be omitted without<br />

the clause becoming ungrammatical.<br />

54.2 FORMS OF ADVERBS<br />

Morphologically, <strong>English</strong> adverbs are either simple, derived or compound.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 503


Simple forms<br />

These are words of one or two syllables, usually of native origin, that are not compounded<br />

and do not have derivational affixes. Examples: now, then, here, there, far, near,<br />

soon, as, such, pretty, quite, rather, else, well, even, ever, ago.<br />

Many adverbial forms also function as prepositions (see p. 543, ‘homograph’).<br />

However, prepositions are best contrasted with adverbial particles: up, down, in, out,<br />

on, off, over, away, back, and so on. These are a sub-set of short forms with meanings of<br />

direction and ‘path’, among others, which are used with verbs to form phrasal verbs:<br />

walk down the street – walk down; get off the bus – get off (see 40.2). Adverbs are also used<br />

to form complex prepositions, such as far from, as well as, instead of.<br />

Certain simple adverbs have the same form as the corresponding adjective:<br />

A hard worker – he works hard<br />

An early arrival – we arrived early<br />

a fast car – she drives fast<br />

a late performance – we left late<br />

Derived forms<br />

• Those formed from adjectives by the addition of the suffix -ly include: badly, happily,<br />

fairly, freely, slowly, proudly, honestly, cheerfully, sadly, warmly.<br />

• Some adjectives already have the -ly suffix (friendly, princely, daily, weekly, monthly,<br />

etc.), and this form is also that of the adverb. That is to say, another -ly suffix is not<br />

added: we don’t say *monthlily.<br />

• Some adjective–adverb pairs have quite unrelated meanings: hard–hardly;<br />

bare–barely; scarce–scarcely; present–presently; late–lately; short–shortly.<br />

• A few adverbs in -ly are not derived from adjectives: accordingly, namely, jokingly,<br />

among others.<br />

• Certain very common adjectives expressing very basic meanings don’t lend<br />

themselves to adverb formation: big, small, young, old, tall, tiny, fat, among others.<br />

• Those formed from nouns, by the addition of -wise, -ways, -ward(s), include:<br />

clockwise, moneywise; sideways, lengthways; backward(s), forward(s).<br />

• A small group of adverbs beginning a- indicate mainly position or direction: about,<br />

above, across, again, ahead, along, aloud, apart, around, aside, away.<br />

• Another small set of adverbs has be- as first syllable, also indicating position or<br />

direction: before, behind, below, beneath, besides, between, beyond. These can also<br />

function as prepositions: I’ve been here before (adv.); It was before the war (prep.).<br />

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Compound forms<br />

There are two types:<br />

• shortened forms of what were originally PPs: downhill, indoors, inside, outside,<br />

downstairs, overhead, overall, overnight, and others.<br />

• combinations with other classes of word: somewhere, anywhere, nowhere, everywhere;<br />

however, moreover, nevertheless; anyway, anyhow.<br />

504 ENGLISH GRAMMAR


Phrasal adverbs are those which do not form compounds, but consist of more than<br />

one word: of course; at all; kind of, sort of; in fact; as well.<br />

A representative number of adverbs appear in the following passage adapted from<br />

Joyce Cary’s novel The Horse’s Mouth, which tells how he finds his studio on his release<br />

from prison:<br />

I could see my studio from where I stood, an old boathouse down by the water-wall.<br />

A bit rotten in places, but I had been glad to get it . . . When I had my canvas up it<br />

was two feet off the ground, which just suited me. I like to keep my pictures above<br />

dog level.<br />

“Well”, I thought, “the walls and roof are there. They haven’t got blown away,<br />

yet. No-one has leaned up against them.” I was pleased, but I didn’t go along in a<br />

hurry. One thing at a time. Last time I was locked up, I left a regular establishment<br />

behind. Nice little wife, two kids, flat and a studio with a tin roof. Water-tight all round<br />

. . . When I came back, there was nothing. Wife and kids had gone back to her mama.<br />

Flat let to people who didn’t even know my name. My cartoons, drawings, ladders,<br />

they’d just melted. I hadn’t expected to see the fryingpan and kettle again. You can’t<br />

leave things like that about for a month in a friendly neighbourhood and expect to<br />

find them in the same place. When I came back from gaol, even the smell had gone.<br />

54.3 TYPES OF MEANINGS EXPRESSED BY ADVERBIAL<br />

GROUPS<br />

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Adverbs express five broad types of meaning in clauses and groups: circumstantial,<br />

stance, degree, focusing, connective. As with many adjectives and other word classes,<br />

however, the meaning of a particular adverb must be seen together with its function in<br />

context. The literal meaning of many adverbs can become figurative, or completely<br />

different, when used as an intensifier. So, although far is listed in section A (below) as<br />

meaning distance, Don’t go too far, it expresses degree in Prices won’t go down very far.<br />

When it functions as an intensifier it takes on a meaning similar to much: far too short, a<br />

far nicer place, while so far expresses time, similar to up to now.<br />

A Circumstantial adverbs: where, when and how things happen<br />

Space<br />

Position: Put the chairs here/outside/upstairs. An away match.<br />

Direction: Push it inwards/down/through/out/away. The trip back.<br />

Distance: Don’t go too far/near/close.<br />

Time<br />

Moment:<br />

Frequency:<br />

Duration:<br />

They will be coming tomorrow/sometime/then/soon/later.<br />

The doctor came once/daily/frequently/now and again.<br />

We didn’t stay long. We spoke briefly.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 505


Relation:<br />

Sequence:<br />

Manner<br />

Domain<br />

The train will arrive soon. It hasn’t arrived yet.<br />

first, second, next, then, last, finally.<br />

Hold it carefully.<br />

The concert was a success artistically but not financially.<br />

B Stance: expressing a personal angle<br />

Certainty, doubt: You are certainly right. Perhaps I’m wrong.<br />

Evidential: Apparently, they emigrated to Australia.<br />

Viewpoint: We are in good shape financially, and healthwise, too.<br />

Emphasis: He is plainly just a creep. Indeed he is.<br />

Judgement: The Minister has wisely resigned.<br />

Attitude: Thankfully, it didn’t rain. Hopefully, it will be fine tomorrow.<br />

C Degree adverbs: comparing, intensifying<br />

Comparison: This is the most/the least efficient scanner we’ve had so far.<br />

Intensification: He lives all alone but seems quite/fairly/pretty happy.<br />

Attenuation: It was kind of strange to see her again.<br />

Approximation: There were about/roughly/more or less 20 people there.<br />

Sufficiency: Is the water hot enough?<br />

Excess: Well, actually, it’s too hot.<br />

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D Focusing adverbs: restricting the scope<br />

Restriction: That is merely a detail. He is just interested in money.<br />

He hardly ate anything, only a yoghurt.<br />

Reinforcement: The hotel had everything, even a fitness centre.<br />

Even is a scalar adverb which carries an implication that the unit modified by even is<br />

either high or low on a scale of expectedness, in the context. In the example, a fitness<br />

centre is higher than expected, as not all hotels have a fitness centre. In he wouldn’t stay<br />

even for one day, it is implied that one day is a shorter stay than had been expected. Both<br />

are interpreted as slightly surprising.<br />

E Connective adverbs: logical connection<br />

Sequence: First, we have no money, and second, we have no time.<br />

Reinforcement: The house is small and furthermore has no garden.<br />

Conclusion: It was a tiring trip, but altogether very interesting.<br />

Restating: We’ve got two pets, namely a rabbit and a canary.<br />

Reason: I couldn’t find you, so I left.<br />

Condition: Take an umbrella; otherwise you’ll get wet.<br />

Clarification: He wants to live abroad, or rather anywhere away from home.<br />

506 ENGLISH GRAMMAR


Contrast:<br />

Alternation:<br />

Concession:<br />

Attention-seeking:<br />

They accept his invitations, yet they run him down.<br />

There’s no tea. Would you like a cup of coffee instead?<br />

What you said was true; still it was unkind.<br />

Now, you listen to me! Now then, what’s all this about?<br />

Technical description often makes use of adverbs of degree and quantity as in the<br />

following extracts from an elementary textbook on Metals by H. Moore.<br />

Of the ninety or so 1 naturally 2 occurring elements, about seventy are metals. Of these,<br />

over 3 half are put to practical use, although many of them only 4 in small amounts.<br />

In every household there are dozens of metal implements . . . from water-tanks to<br />

tea-spoons. Industrial machinery is made almost entirely 5 of metals. If man had not<br />

learnt to use metals, we would still 6 be living in the Stone Age. Some metals are used<br />

in a relatively 7 pure state, for example aluminium, whose lightness and corrosionresistance<br />

make it especially 8 useful. But metals are used mostly 9 with other elements<br />

to form alloys and so 10 in this way their properties can be improved and their range<br />

of uses widely 11 extended.<br />

1<br />

quantity; 2 classification; 3 quantity; 4 restriction; 5 restriction; 6 duration; 7 degree;<br />

8<br />

degree; 9 intensification; 10 degree; 11 consequence (connective); 12 degree<br />

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DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 507


SYNTACTIC FUNCTIONS OF MODULE 55<br />

ADVERBS AND ADVERBIAL<br />

GROUPS<br />

SUMMARY<br />

1 Just as adverbs express many meanings, they also realise many kinds of<br />

syntactic functions:<br />

• potentially as head of an adverbial group;<br />

• as Adjunct, Complement and, marginally, as Subject and Object in clauses;<br />

• as modifiers, and complements in AdjGs, AdvGs, NGs, VGs and PPs;<br />

• as stance adjuncts associated with whole clauses;<br />

• as connectives between clauses.<br />

2 Some adverbs have fixed position; others are mobile between initial, middle<br />

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and end positions.<br />

3 Some adverbs vary their meaning according to their functional role, so just may<br />

denote an event near to speech time, We’ve just finished, or be used to intensify,<br />

as in That’s just fine.<br />

55.1 SUMMARY OF THE SYNTACTIC FUNCTIONS OF<br />

ADVERBS AND ADVERBIAL GROUPS<br />

Adverbs have three main functions:<br />

• as Adjunct in clause structures;<br />

• as modifier in group structures; and<br />

• as connectives between clauses.<br />

Less typically, adverbs and AdvGs can realise the integrated clause functions of<br />

Complement, Object and Subject.<br />

508 ENGLISH GRAMMAR


In clause structures<br />

1 Adjunct: I knew her pretty well.<br />

2 Stance adjunct: Fortunately, it didn’t rain.<br />

3 Inferential connective So you don’t want to come, then.<br />

4 Subject Complement: That’s quite all right.<br />

5 Directional Complement: Everyone rushed out.<br />

6 Direct Object: I don’t know when. They didn’t tell me why.<br />

7 Subject (marginally): Today is the last Friday in the month.<br />

In group structures<br />

8 modifier in AdjGs: all wet; quite nice; too long; completely new.<br />

9 modifier in AdvGs nearly there; more easily; very often.<br />

10 modifier in NGs: the then Minister of Health; a nearby hotel;<br />

quite a success.<br />

11 modifier of determiners: about double; roughly half; almost all.<br />

12 modifier in PPs: right out of sight; just down the road.<br />

13 submodifier in AdjGs: much too short; rather more interesting.<br />

14 submodifier in AdvGs: (not) all that easily; far too often.<br />

15 post-modifier in AdjGs: quick enough; very beautiful indeed.<br />

16 post-modifier in AdvGs: quickly enough; beautifully indeed; never again.<br />

17 post-modifier in NGs: the journey back; the way ahead.<br />

18 complement of determinative: any (interest) at all; somewhere else.<br />

19 complement in PPs: over here; through there; from inside; till now.<br />

20 particle in VGs: pick up; put on; take out; pull off; go in.<br />

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Note that 6 and 7 are realised only marginally by adverbs and AdvGs. As Direct Object,<br />

when and why can be used elliptically to stand for a whole clause: There’s to be another<br />

meeting soon, but I don’t know when/ why [there’s to be another meeting].<br />

Since Adjuncts of various kinds are syntactic elements that can be realised not only<br />

by adverbs and AdvGs but also by PPs and finite or non-finite clauses, some grammars<br />

group all these classes of realisations under the general name of ‘adverbial’. In this book,<br />

we reserve the term ‘adverbial’ strictly for a class of unit, the Adverbial Group, not to<br />

be confused with a type of function.<br />

55.2 POSITIONS OF ADVERBS IN THE CLAUSE: INITIAL,<br />

MIDDLE AND FINAL<br />

In their function as modifier in group structure, adverbs occupy fixed positions. As<br />

adjuncts, however, they are more mobile, occupying initial, middle or end positions, as<br />

the following examples show:<br />

1 Really, I don’t like driving.<br />

2 I really don’t like driving.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 509


3 I don’t really like driving.<br />

4 I don’t like driving, really.<br />

Not all adjunctive adverbs are equally mobile. The choice of position is determined by<br />

its type (circumstantial, modal, degree, etc.), the scope of its meaning (whole clause or<br />

part of a clause), the degree of emphasis the speaker wishes to give to it, and the general<br />

information structure of the clause (see Chapter 6).<br />

55.2.1 Adverbs in initial position<br />

When an adverb is placed in initial position as adjunct, its scope extends to the whole<br />

clause. In this position, the meaning may be one of two broad kinds:<br />

• It may be thematised (see 28.8), functioning as what is traditionally called a<br />

‘sentence adjunct’, having the same status as the other clause elements, though<br />

referring to them all together, as in:<br />

Slowly, the rising sun appeared over the distant horizon.<br />

• It may function as a stance adjunct 1, expressing the speaker’s attitude to the<br />

content of the clause or comment on its truth value 2. Stance adjuncts stand outside<br />

the clause structure (see Chapter 2).<br />

1 Hopefully, the new plan will lead to some improvements.<br />

2 Undoubtedly, the success is due to your efforts.<br />

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Hopefully, and other similar adverbs such as seriously, frankly, may also function as<br />

adjuncts of manner, within the clause:<br />

She underwent the operation hopefully. (i.e. full of hope)<br />

55.2.2 Scope of reference of adverbs as adjuncts<br />

The different positions an adverb may occupy determine the scope of its reference.<br />

Compare the examples at the start of Section 55.2, all containing the adverb really. In<br />

1 the scope of the adverb comprises the whole sentence, the subject and the predicate.<br />

In 2 the scope covers the predicate, without the subject, but including the negation and<br />

auxiliary (don’t). In 3 the scope comprises the predicator and its complement (driving).<br />

In 4, as in 1, the adverb is parenthetical, separated from the clause. Both function as<br />

stance adverbs whose scope comprises the whole clause, the first strongly, the second<br />

weakly, as if it were an afterthought.<br />

In 2 and 3 the adverb focuses mainly on the predicator and its complement and is<br />

placed before or after the auxiliary, which in this case carries negation. In 2 really emphasises<br />

the negation more strongly than in 3. Other elements are sometimes focused, for<br />

example by restrictive adverbs: He alone, only for them.<br />

510 ENGLISH GRAMMAR


55.2.3 Adverbs of place, time and manner<br />

Adverbs referring to the place, time and manner of an event are placed most naturally<br />

in final position. This is equivalent to ‘immediately after the verb’, as long as there is no<br />

direct object, as in 1 with the intransitive verb arrive. When there is a direct object,<br />

however, the adverb must be placed after the object, as in 2. Compare:<br />

1 We arrived early.<br />

2 We caught the bus easily. Not *We caught easily the bus.<br />

This is because in <strong>English</strong>, unlike some languages, an object is not separated from the<br />

verb which selects it, even by adjuncts of degree:<br />

I like apples very much.<br />

Not *I like very much apples.<br />

The only exception to this is when the direct object is exceptionally long and so requires<br />

end-focus.<br />

Indefinite time adverbs such as sometimes, eventually, immediately, finally, recently,<br />

previously, can be placed in final, pre-verbal or initial position. Again separation of<br />

verb–object is excluded:<br />

(a) He stopped the machine immediately.<br />

(b) He immediately stopped the machine.<br />

(c) Immediately he stopped the machine.<br />

(d) *He stopped immediately the machine.<br />

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Of these, (a) is the normal unmarked position, (b) focuses on the process stop, and<br />

(c) on the whole of the clause. By contrast, (d) is unacceptable.<br />

Certain adverbs of frequency – always, never, seldom, hardly ever, often, rarely,<br />

sometimes, usually – tend to occur in mid-position, between Subject and Predicator or<br />

between operator and main verb. The word often may also focus on the whole clause,<br />

in initial position:<br />

(e) We always spend our holidays abroad. (*Always we spend . . .)<br />

(f) We have never been to Africa. (*Never, we have . . .)<br />

(g) Lawyers often love to tell you about how good they are. (Often lawyers love<br />

to...) [BNC J75 3288]<br />

The adverbs of negative import – never, seldom, rarely, hardly ever – are occasionally<br />

fronted and followed by Subject–operator inversion for purposes of emphasis, though<br />

this structure is formal in style (see also 28.10.1):<br />

Rarely does one find such kindness nowadays.<br />

Never in my life have I heard such crazy ideas!<br />

The adverbs still, yet, already express certain time relationships which are described<br />

briefly and illustrated in the table on p. 513 in question-and-answer structures which<br />

show their contrasting meanings.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 511


The examples given of these three adverbs show that their scope of meaning extends<br />

to the process or the whole predicate, and for this reason they normally occur in midor<br />

end-position.<br />

Finally we may observe the similarity of meaning of still and yet in a be + to-infinitive<br />

structure, and as concessive connectives:<br />

He’ll make a champion of you yet/ still.<br />

A cure for chronic bronchitis is still/ yet to be found.<br />

It was a hard climb. Still, it was worth it. (concessive)<br />

He’s rather uncommunicative, yet everyone seems to like him. (concessive)<br />

Spatial adverbs such as abroad, across, back, everywhere, downstairs, inside, uphill, forwards,<br />

sideways, expressing position and direction, are normally placed after the Predicator or<br />

in end-position: Push it forwards; turn it sideways.<br />

Adverbs of manner<br />

The unmarked position for adverbs of manner is at the end of the clause, as in He speaks<br />

<strong>English</strong> fluently, not *He speaks fluently <strong>English</strong>. If the Object is long, and the adverb is a<br />

single word, the Od may be placed at the end, as in He speaks fluently several European<br />

and oriental languages. If the adverb is modified or complemented as a group, it may still<br />

occupy end-position, according to the principles of end-focus and end-weight (30.3.2)<br />

even if the Od is also long:<br />

He speaks <strong>English</strong> fluently.<br />

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He speaks several European and oriental languages as well as Arabic very fluently<br />

indeed.<br />

Adverbs in -ly include many of manner: carefully, easily, correctly, cheaply, politely,<br />

peacefully, urgently, and also some emotive ones: angrily, gladly, desperately. Both can<br />

also occur as adjuncts in mid-position, before the lexical verb. Together such<br />

combinations constitute a useful pattern, as they lend force to what immediately follows:<br />

We sincerely hope you enjoyed your stay with us.<br />

I have been seriously thinking of changing my job.<br />

I will gladly help you if you need me.<br />

55.2.4 Adverbs of modality, evidence and degree<br />

The tendency to occupy mid-position extends also to these semantic types:<br />

They’re probably still partying. (modal) [BNC JY7 9563]<br />

She is supposedly a rich woman. (hearsay evidential)<br />

I totally disagree with you. (degree)<br />

512 ENGLISH GRAMMAR


The adverbs still, yet, already<br />

These three adverbs express, in broad terms, the following time relationships:<br />

Still refers to processes or states which continue to occur or not occur up to the present.<br />

Yet refers to processes or states which may occur in the future or have not occurred up to the present moment.<br />

Already refers to processes or states which occurred before the present moment.<br />

The following table shows their interrelated uses in questions and answers, as in interpersonal communication. In negative replies, there is<br />

sometimes an equivalence between the not yet and the still not constructions. When used in monologues or continuous prose, these adverbs<br />

may be found in other syntactic frames, but mostly in the same basic placements as those shown in the table.<br />

Question Affirmative answer Negative answer<br />

1 Does Tom still visit you? Yes, he still visits us. No, he doesn’t visit us any more.<br />

Yes, he still does. No, he doesn’t visit us any longer.<br />

No, he no longer visits us.<br />

2 Is Tom still working? Yes, he is still working. No, he isn’t working any more.<br />

Yes, he still is. No, he isn’t any more.<br />

No, he isn’t working any longer.<br />

No, he is no longer working.<br />

3 Is Tom working yet? Yes, he is already working. No, he isn’t working yet.<br />

Yes, he already is. No, he still isn’t working.<br />

4 Has Tom arrived yet? Yes, he has arrived already. No, he hasn’t arrived yet.<br />

Yes, he has already arrived. No, he still hasn’t arrived.<br />

Yes, he already has. No, he hasn’t yet.<br />

5 Has Tom already gone? Yes, he has already gone. No, he hasn’t gone yet.<br />

Has Tom gone already? Yes, he has gone already. No, he is still here.<br />

Yes, he already has.<br />

6 Does Tom know yet? Yes, he already knows. No, he doesn’t know yet.<br />

Yes, he knows already. No, he still doesn’t know.<br />

Yes, he already does. No, he doesn’t yet.<br />

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55.2.5 Function and type<br />

Since there is rarely a one-to-one relationship between function and type, many words<br />

can realise more than one syntactic function, with the position of the adverb varying<br />

according to its function. This is illustrated by the adverbs ‘altogether’ and ‘later’:<br />

Altogether:<br />

Later:<br />

He owes me a hundred dollars altogether (adjunct)<br />

I think you are altogether wrong (modifier of adj.)<br />

There were a lot of interesting people there, so altogether we had a<br />

very good time. (connective)<br />

There will be another performance later. (adjunct)<br />

The later performance will be at midnight. (modifier of noun)<br />

The performance later will be a better one. (post-modifier of noun)<br />

In conversation, adverbs sometimes occur alone, as responses to something said by the<br />

previous speaker. In such cases the adverb can carry out such discourse functions as<br />

agreeing emphatically, expressing mild interest, asserting strongly or granting<br />

permission in particular contexts:<br />

Maybe that’s a way to do it. [BNC F7C 26–27]<br />

Absolutely<br />

(emphatic agreement)<br />

Now that’s what I call a first-class meal!<br />

Definitely!<br />

(emphatic agreement)<br />

Did you enjoy the outing?<br />

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Tremendously, yes!<br />

(emphatic assertion)<br />

Can I have a look at the contract?<br />

Certainly.<br />

(granting permission)<br />

514 ENGLISH GRAMMAR


MODIFICATION AND MODULE 56<br />

COMPLEMENTATION IN THE<br />

ADVERBIAL GROUP<br />

SUMMARY<br />

1 Adverbs are graded in the same way as adjectives by more, less, as and so<br />

on, and the same suppletive forms are used for well and badly as for good and<br />

bad.<br />

2 Similarly, intensification is carried out by very, quite, rather, pretty, fairly, among<br />

others.<br />

3 Adverbs of space or time are frequently modified by other adverbs of space or<br />

time (out there, back home). Adverbs of manner are not normally used to modify<br />

other adverbs of manner, except when expressing modal attitudes.<br />

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4 Few adverbs take direct complements with prepositions or clauses (Luckily for<br />

us, long to wait). Indirect complements of graded forms function in the same<br />

way as with adjectives.<br />

56.1 COMPARATIVE AND SUPERLATIVE USES<br />

Adverbs are graded by the same words as adjectives:<br />

more often, most often, less often, least often, as often, often enough, too often.<br />

Although the adverb enough is placed after the head adverb, we shall consider it as a<br />

modifier as we do with adjectives, since it can itself be submodified by an adverb placed<br />

before the head: not quite often enough (*not quite enough often).<br />

The following suppletive forms are used as comparative and superlative forms of the<br />

adjectives good, bad and far, and the adverbs well, badly and far: Good/well: better, best;<br />

bad/badly: worse, worst; far: further, furthest.<br />

Tomorrow morning would suit me best, for the meeting.<br />

It was the driver who came off worst in the accident.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 515


The forms shared by adverbs and adjectives early, late, quick, fast, long, soon take -est<br />

and -er in grades 1 and 2.<br />

His speech was longer than mine. He spoke longer than I did.<br />

I arrived later than Monica, because I came by a later train.<br />

Please come the earliest you possibly can. Take the earliest train.<br />

Correlative forms<br />

The constructions formed by the more ...the more (or -er ...-er), the less . . . the less, the<br />

more . . . the less can be used correlatively to indicate a progressive increase, or decrease,<br />

of the quality or process described. Both adjectives and adverbs can occur in this<br />

construction:<br />

The bigger they are, the harder they fall, don’t they? (adj–adv) [BNC KBB 4742]<br />

The sooner you forget the whole incident, the better. (adv–adv)<br />

It’s funny, the more painting you do, the more you realise you don’t know.<br />

[BNC CCO 344]<br />

The more closely I look at the problem, the less clearly I see a solution. (adv–adv)<br />

This construction is illustrated in the following extract from an in-flight magazine:<br />

Don’t eat a large high-fat meal if you want to be mentally sharp afterwards. Too<br />

much food brings on lethargy. Fat stays in the digestive tract longer, prolonging<br />

tiredness. The fattier and heavier the meal, the longer it takes you to recover mental<br />

alertness and energy.<br />

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56.2 INTENSIFYING THE ADVERBIAL MEANING<br />

As with adjectives, intensification may be (a) high, or (b) medium.<br />

(a) very soon quite recently right now high up<br />

just then far back soon after close by<br />

(b) fairly well pretty easily rather badly<br />

We saw in 52.1.2 that coordinated comparative adjectives indicate a progressively<br />

high degree of the quality expressed: it’s getting colder and colder. Adverbial heads also<br />

participate in this structure, with the adverb as head or as modifier:<br />

He drove faster and faster along the motorway.<br />

Her paintings are selling more and more successfully every day.<br />

516 ENGLISH GRAMMAR


Reduplicative adverbs have an intensifying effect:<br />

very very fast much much better never ever through and through<br />

over and over up and up again and again round and round<br />

Attenuation<br />

a bit harshly kind of hesitantly almost never<br />

somewhat casually sort of sarcastically hardly ever<br />

Quantification<br />

As with adjectives, this refers mainly to circumstantial adverbs of space and time and<br />

may be either exact, or non-measurable:<br />

Exact:<br />

Non-measurable:<br />

Our houses are only two streets apart.<br />

I saw her a moment ago.<br />

quantity is expressed by modifiers such as: soon after, long<br />

before, quite near, shortly afterwards.<br />

These circumstantial adverbs can be questioned by how + adj/adv:<br />

How long have you been waiting? Not long.<br />

How far is it to the railway station? Not far.<br />

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The focusing modifier: only<br />

Only is a restrictive focusing adverb which can modify different units:<br />

I wanted only one piece of toast.<br />

We go there only once a year.<br />

There is a tendency in spoken <strong>English</strong> to front the adverb to a position before the verb:<br />

I only wanted one piece of toast.<br />

We only go there once a year.<br />

Description<br />

Adverbs of space or time are often preceded by other adverbs of space or time which<br />

reinforce or describe them more explicitly:<br />

straight ahead back home up above early today<br />

out there late yesterday down below in here<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 517


As with adjectives, we may note the emotive modification of adverbs by swear words<br />

such as damn(ed), as in You behaved damn foolishly, and other less polite ones.<br />

Though less common in adverbial groups than in adjectival groups, modifiers can be<br />

found submodified, or even sub-submodified, especially in spoken <strong>English</strong>:<br />

rather less fluently<br />

very much more profitably<br />

The following adapted extract from a conversation illustrates a rather British use of<br />

intensifiers:<br />

J.W. What in fact do we think of when we think of a camel?<br />

A.R. Well, 1 ...<br />

J.W. Is it a pleasant animal or . . .<br />

A.R. An unpleasant animal? . . . Obtuseness I should say generally, 2 the whole<br />

attitude of a camel seems to be, er, obtuse. It has this, er, rather 3 supercilious<br />

look on its face . . . for example . . . and they have, I’m told, I’ve never 4<br />

experienced this I’m happy to say, but they have this magnificent facility for<br />

spitting quite 5 a considerable distance with great accuracy, er . . .<br />

J.W. I don’t know that spitting shows obtuseness. I should have thought it probably 6<br />

shows perspicacity . . .<br />

G.T. I think he’s slightly 7 ridiculous, the camel, isn’t he? The, er, weird expression<br />

he has on his face is rather 8 like the ostrich, but the ostrich carries it off. The<br />

ostrich looks marvellous, where, whereas the camel just 9 doesn’t bring it off<br />

at all.<br />

K.B. Camels always 10 strike me as rather 11 mean, they’re ready to do you down<br />

at the slightest opportunity.<br />

(L. Dickinson and R. Mackin, Varieties of Spoken <strong>English</strong>)<br />

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1<br />

hesitation; 2 frequency; 3 medium intensification; 4 frequency; 5 high intensification;<br />

6<br />

modality; 7<br />

attenuation; 8<br />

medium intensification; 9 10<br />

emphasis; frequency;<br />

11<br />

intensification (= very)<br />

56.3 COMPLEMENTATION OF ADVERBS<br />

The wh-items when, where, why, how and their compounds (somewhere, anywhere, etc.)<br />

have nominal as well as circumstantial value, as is shown in their post-modification by<br />

AdjGs (somewhere more exotic), PPs (everywhere in the world), non-fin cl (nowhere to sleep)<br />

and the adverb else:<br />

where else? = in what other place?<br />

when else? = at what other time?<br />

how else? = in what other way?<br />

why else? = for what other reason?<br />

518 ENGLISH GRAMMAR


The forms somewhere, anywhere, nowhere are often replaced in informal AmE by<br />

someplace, anyplace, no place, though not in wh-questions, e.g. someplace else, anyplace<br />

else, no place else Circumstantial adverbs are sometimes qualified by others of a similar<br />

type, so that it is not always clear which is the head and which the modifier:<br />

We’ll be meeting them sometime soon.<br />

I need a drink. There must be a pub somewhere near.<br />

In clauses like the following, the AdvG realising the Adjunct is composed of two<br />

apposed adverbs: We’ll meet tomorrow Sunday. In informal speech, intensification and<br />

reinforcement of circumstantial adverbs may be expressed by post-modifiers, such as<br />

the following:<br />

The train will be arriving now any minute/any minute now.<br />

It always arrives punctually on the dot ( = on time).<br />

Stance adverbs are sometimes modified by enough, in the sense of intensification<br />

rather than sufficiency:<br />

Curiously enough, he doesn’t seem to mind criticism.<br />

The police never found out, oddly enough, who stole the jewels.<br />

56.3.1 Complements of comparison and excess<br />

Complements of adverbs are almost exclusively of one type, namely grading. As with<br />

adjectives, many adverbial heads admit indirect complements, which depend, not on<br />

the adverb itself, but on the degree modifier.<br />

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More, less . . . than<br />

-er . . . than<br />

as...as<br />

too . . . to-inf<br />

not adv enough . . . to-inf<br />

Bill speaks Spanish much more fluently than his sister.<br />

It rains less often here than in some other countries.<br />

Our coach left earlier than it should have done.<br />

I don’t translate as accurately as a professional.<br />

We reached the station too late to catch the train.<br />

We didn’t leave early enough to get there in time.<br />

Such structures may be considered (as with AdjGs) as discontinuous complementation,<br />

though the two parts of the structure, before and after the head, differ in position and<br />

content. The modifiers more (-er) and less do not necessarily require the thancomplement;<br />

on the other hand, complements introduced by than cannot be used<br />

without a previous modifier which controls this construction.<br />

If a comparison of equality (as...as...) is established between two adverbs of<br />

manner (such as elegantly, amusingly) the second as must be followed by a finite clause<br />

with a form of be, do, or have substituting for the predicator:<br />

Jane Austen wrote as elegantly as she did amusingly. (and not *as elegantly as<br />

amusingly)<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 519


Adverbs modified quantitatively by so and that are also complemented in the same<br />

way as adjectives. The sequence of the clauses can be inverted, the second one then<br />

becoming an explanatory comment on the first:<br />

He explained the problem so clearly (that) everybody understood.<br />

Everybody understood the problem, he explained it so clearly.<br />

56.3.2 Adverbs taking direct complements<br />

Whereas a good number of adjectives take prepositional and clausal complements, only<br />

a few adverbs, all ending in -ly, take direct complements in this way. The preposition<br />

or clausal complement associated with an adjective is in most cases not extended<br />

to the adverb: Compare mad about music, safe to drink, but not *madly about music or<br />

*safely to drink. Only a few prepositions complementing adjectives are also found<br />

with an adverb. These include: similarly to, independently of, separately from and differently<br />

from. Apart from these, luckily, fortunately, when used as stance adjuncts, can be complemented<br />

by for + NG, while the adverbs long (= a long time) and far (=a great distance),<br />

take a to-infinitive and tend to occur in non-assertive contexts (p. 24), e.g. negative,<br />

interrogative:<br />

Luckily/ fortunately for us another coach came along shortly afterwards.<br />

We didn’t have long to wait.<br />

Do you have far to go?<br />

The following recorded conversation is characterised by a variety of very commonly<br />

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used adverbs in various syntactic and discourse functions:<br />

A. So what’s new, Ann?<br />

C. Well I don’t know if anything’s terribly 1 new at all 2 really 3 or is it all much 4<br />

the same?<br />

B. You still 5 living with Deb?<br />

C. No, she moved out 6 at the end of April.<br />

B. Oh.<br />

A. So, 7 you know, well, 8 we’d been scarcely 9 speaking for almost a year really, 10<br />

so 11 it was a bit of a 12 heavy atmosphere it didn’t really 13 bother me in fact<br />

...<br />

B. m<br />

C. In fact we just 14 sort of 15 lived entirely 16 separate lives. I used only 17 to see her<br />

when she came through the kitchen her nose in the air sort of thing. Anyway, 18<br />

really, 19 I think, the kitchen . . .<br />

B. A bit 12 awkward, that, I should think you would think a door could be pushed<br />

through, 21 through where you’ve got that little room with the cupboard in it.<br />

C. I suppose so, 22 you see, I mean, even 23 if it were a couple living together, 24 it<br />

520 ENGLISH GRAMMAR


would be just 25 ideal, that sort of thing wouldn’t matter, but it isn’t really 26 suited<br />

to people who are living separate lives really. 27 So 28 at any rate, she moved<br />

out. 29 I never 30 heard from her since. 31<br />

B. You haven’t, not a word?<br />

C. No, I haven’t heard from her at all 32 and I haven’t contacted her, and she hasn’t<br />

contacted me. I haven’t really 33 felt I wanted to, cos it was a little 34 sort of 35<br />

rather 36 unpleasant in the end.<br />

(Adapted from Jan Svartvik and Randolph Quirk (eds),<br />

A Corpus of <strong>English</strong> Conversation)<br />

FURTHER READING<br />

Some of the ideas presented in the revised version of this chapter are indebted to the<br />

following publications: Biber et al. (1999); Halliday (1994); Huddleston and Pullum<br />

(2002); Quirk et al. (1985).<br />

EXERCISES ON CHAPTER 11<br />

Describing persons, things and circumstances<br />

1 ADJECTIVES AND THE ADJECTIVAL GROUP<br />

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Module 51<br />

1 After reading the two book blurbs (pp. 477 and 483), use some of the structures to write<br />

a description of any person you know or have seen, or any novel you have read.<br />

2 †Express the following sentences differently using a pseudo-participial adjective in -ing or<br />

-en formed from the noun shown in italics. The first is done for you:<br />

(1) Lots of people drink spring water sold in bottles. Lots of people drink bottled spring<br />

water.<br />

(2) You have shown great enterprise in setting up this firm.<br />

(3) The newspapers reported all the details of the case.<br />

(4) Conflicts often arise between countries that are neighbours.<br />

(5) We live in an ancient town with a great wall round it.<br />

(6) There are often better opportunities for workers who have skills than for those who<br />

have not.<br />

3 †Turn to the passage about Ben and Olly on p. 477. State (a) the function of each<br />

numbered adjective or AdjG, for example: 1 modifier in NG; (b) Which are classifiers<br />

and which descriptors; (c) How would you analyse ‘ten’ in ‘Ben and Olly are ten’?<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 521


4 †Say whether the -ing forms derived from transitive and intransitive verbs in the following<br />

phrases are participial adjectives or participial modifiers. Give a grammatical reason to<br />

support your analysis:<br />

transitive:<br />

intransitive:<br />

an alarming inflation rate; disturbing rumours; a relaxing drink.<br />

a ticking clock; fading hopes; a growing debt.<br />

5 Write very short sentences using the following formal types of compound adjectives. If you<br />

are not sure of the meaning, consult a good dictionary:<br />

(1) Adj + V-ing: nice-looking, good-looking, easy-going, hard-wearing.<br />

(2) Adj + V-en: deep-frozen, big-headed, sharp-eyed.<br />

(3) Noun + Adj: world-famous, water-tight, self-confident.<br />

6 Suggest appropriate nouns or adjectives to form compounds with the following adjectives,<br />

e.g. sea-green.<br />

-blue, -green, -pink, -red, -cold, -hot, -black, -sweet, -white.<br />

7 †Express the following NGs differently, using a compound adjective as modifier of the<br />

head noun. The first is done for you:<br />

(1) a story so scarifying that it raises the hair on your head = a hair-raising story<br />

(2) an activity that consumes too much of your time<br />

(3) cakes that have been made at home<br />

(4) a speed that takes your breath away<br />

(5) troops that are borne (= transported) by air<br />

(6) a plain that has been swept by the wind<br />

(7) the performance that won an award<br />

(8) a device that saves a great deal of labour<br />

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Module 52<br />

1a †Say which of the following adjectives take the inflected forms (-er, -est) for grading and<br />

which the analytical (more, most): risky, real, varied, blue, typical, mistaken, friendly, userfriendly,<br />

small, tight, generous, bitter.<br />

1b Say which of the adjectives as used in the following phrases can be graded:<br />

(1) shallow water; (2) the closing date; (3) a daily newspaper; (4) a small size;<br />

(5) the probable outcome; (6) the main reason; (7) a fast driver; (8) the political<br />

consequences.<br />

2 In the course of a conversation, a friend makes the following remarks to you. Disagree<br />

with your friend emphatically using highly intensified adjectives and, where possible, an<br />

emotive adjective. Use a different intensifier each time, chosen from the following: very,<br />

extremely, absolutely, really, thoroughly, terrifically, most, exceedingly, completely, highly,<br />

utterly, perfectly, awfully, hopelessly, dreadfully.<br />

522 ENGLISH GRAMMAR


(1) I don’t think much of these paintings, do you?<br />

(2) The food in the students’ canteen is pretty awful.<br />

(3) Have you seen Ross’s new car? It’s a real beauty!<br />

(4) Apparently, two members of the team have been involved in some kind of scandal.<br />

(5) You don’t seem to know what’s going on.<br />

(6) I don’t think she’s the right girl for him.<br />

(7) Did you see that lousy match on the telly last night?<br />

(8) You’re looking very energetic and happy today.<br />

3 On this occasion, your friend will ask you for your opinion, and you will answer using<br />

adjectives that are moderately intensified by quite, pretty, rather, fairly, reasonably or<br />

attenuated by expressions such as: a bit, a little, slightly, not particularly, not very, not<br />

really, to some extent, in some respects, kind of, sort of, not at all.<br />

(1) Did you have an interesting time in Egypt?<br />

(2) Was it very hot there at that time of the year?<br />

(3) Were you in a very large group?<br />

(4) What were the hotels like?<br />

(5) Did you find it difficult to communicate with people?<br />

(6) Were the guides well informed?<br />

(7) Was the trip expensive?<br />

(8) Didn’t you find all that travelling tiring?<br />

(9) I expect you were glad to get home, weren’t you?<br />

4 Working in pairs, ask and answer questions using how? and the following measurable<br />

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adjectives:<br />

How long is ...? How old . . .? How deep . . .? How thick . . .?<br />

How high is/are ...? How tall . . .? How wide . . .?<br />

4b Ask each other questions with How? and non-measurable adjectives, and use any types<br />

of intensifier you wish in the answers, for instance: not nearly tall enough to play in a<br />

basketball team.<br />

How important . . .? How clever . . .? How hungry . . .? How difficult . . .?<br />

5 †Add qualitative modifiers to the adjectives in these sentences, choosing them from the<br />

following list: essentially, genuinely, imaginatively, pleasantly, ferociously, radically,<br />

ideally.<br />

(1) The new cultural centre is a(n) - - - - - - - - - - - international project.<br />

(2) It will be in a style - - - - - - - - - - - different from the usual urban architecture.<br />

(3) It will be - - - - - - - - - - - placed outside the city, and - - - - - - - - - - -<br />

(4) - - - - - - - - - - - surrounded by fields and trees.<br />

(5) Some traditionalists have been - - - - - - - - - - - critical of the design.<br />

(6) The architect has said: ‘We have tried to combine the - - - - - - - - - - - old with the<br />

- - - - - - - - - - - new’.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 523


6 †Express these sentences differently by using a ‘relational modifier + adjective’ unit, as in<br />

the following example:<br />

From a scientific point of view that opinion is not based on facts or evidence.<br />

That opinion is scientifically unfounded.<br />

(1) Drugs are necessary for medical purposes, but if abused they may be dangerous<br />

from a social point of view.<br />

(2) The new oral examinations are very good in theory but have proved somewhat<br />

time-consuming to administer.<br />

(3) Countries which are advanced in technological matters should help those in which<br />

science is under-developed.<br />

Module 53<br />

1 Complement the adjectives in the following clauses with a finite or non-finite clause. The<br />

first is done for you:<br />

(1) Jasmine and Nick are keen to take up golf.<br />

(2) I am sorry - - - - - - - - - - - - - - - - - - - - - -<br />

(3) My girl-friend is insistent - - - - - - - - - - - - - - - - - - - - - -<br />

(4) You are right - - - - - - - - - - - - - - - - - - - - - -<br />

(5) This extraordinarily violent film on the passion of Christ is likely - - - - - - - - - - - - - -<br />

- - - - - - - -<br />

(6) We are convinced - - - - - - - - - - - - - - - - - - - - - -<br />

(7) The Olympic team’s trainer feels confident - - - - - - - - - - - - - - - - - - - - - -<br />

(8) You must be crazy - - - - - - - - - - - - - - - - - - - - - -<br />

(9) I am happy - - - - - - - - - - - - - - - - - - - - - -<br />

(10) Is she glad - - - - - - - - - - - - - - - - - - - - - -?<br />

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2 †Complement the following adjectives with PPs expressing the types of information<br />

mentioned on the left. The first one is done for you.<br />

(1) a cause: I’m angry about what you said yesterday - - - - - - - - - - - - - - - - - -<br />

(2) a cause: I was delighted - - - - - - - - - - - - - - - - - - - - - -<br />

(3) a process: Not all the students are satisfied - - - - - - - - - - - - - - - - - - - - - -<br />

(4) a phenomenon: Many of them are opposed - - - - - - - - - - - - - - - - - - - - - -<br />

(5) an emotion: He went white - - - - - - - - - - - - - - - - - - - - - -<br />

(6) an activity: He is really expert - - - - - - - - - - - - - - - - - - - - - -<br />

(7) an activity: Aren’t you tired - - - - - - - - - - - - - - - - - - - - - -?<br />

(8) a subject: I’m very keen - - - - - - - - - - - - - - - - - - - - - -<br />

3 Turn to the extract from Roald Dahl’s Boy on p. 499. Then (a) Underline all the adjective<br />

and AdjGs and state their function; (b) Discuss the parallel aspects of ‘complement’ in both<br />

nominal groups and adjectival groups, as illustrated in this passage. (NG complements<br />

are discussed in Chapter 10.)<br />

524 ENGLISH GRAMMAR


4 The following extract comes from the Time discussion transcript archive. The topic was the<br />

cloning of humans. Read the passage, underlining whole groups containing adjectives and<br />

adverbs. Use these in sentences of your own on the same topic:<br />

Timehost presents question: I would like for you to clearly define why you think it is<br />

morally wrong to clone a human being. So far that has been totally unclear.<br />

Thomas Murray says: ‘I think the reasons have been made abundantly clear in<br />

much of the conversation that has taken place since June. The immediate and most<br />

compelling reason is that cloning, from all the evidence, appears to be an extremely<br />

unsafe activity right now. The US, and other nations as well, have very strong<br />

traditions of protecting the human subjects of research. At this time, and for the<br />

foreseeable future, trying to clone a human being would be clearly unethical<br />

experimentation.’<br />

Another question:<br />

Timehost presents question: What are your views on the possibility of a ‘master race’<br />

possibly being created, where ‘perfect’ children are bought and sold on the black<br />

markets around the world?<br />

Thomas Murray says: ‘Well, probably the most fortunate thing about that scenario<br />

is that at this point it’s really science fiction. I wish I could assure everybody that<br />

there’s not some crazy person someplace who wouldn’t find a scenario like that<br />

attractive.’<br />

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Later, the final question . . .<br />

Timehost presents question: If this is a fertility treatment, what about custody?<br />

Wouldn’t a parent that provided the DNA for the cloned child be predisposed to<br />

custody?<br />

Thomas Murray: ‘Well, it would be a brand new problem for the law to decide.<br />

An easy way to dismiss cloning is to raise a variety of legal complexes that it would<br />

create. And it would create lots of them. I don’t in the end think that’s the most useful<br />

way to think about what’s good and bad about cloning. I’m more concerned about<br />

the precise control over the characteristics of offspring that people think, almost<br />

certainly erroneously, that cloning might provide.’<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 525


2 ADVERBS AND THE ADVERBIAL GROUP<br />

Module 54<br />

1 †Read again the passage by Joyce Cary on p. 505 and identify the type of meaning<br />

expressed by each adverb or AdvG printed in italics. Are any types used more frequently<br />

than others? Do you think there is any reason for this?<br />

2 †Do the same with the following passage, and say whether the relative frequency of the<br />

types of meanings is the same as in the previous text:<br />

Is there life elsewhere in the cosmos? One view is that life on earth, especially<br />

intelligent life, is the result of an incredibly unlikely set of circumstances, and that<br />

there is no intelligent life anywhere else in our Galaxy, perhaps none in the entire<br />

Universe. The opposing argument is that there are so many stars and planets in the<br />

Galaxy that, provided there is even a small chance of intelligence developing on one<br />

planet, it has probably happened on many others, too. Observations show that about<br />

10% of all bright stars are roughly similar to the sun. In our Milky Way Galaxy alone<br />

that means approximately 40 billion stars of the right type. This number is great<br />

enough to suggest that the odds are quite high.<br />

James Jeans, The Universe Around Us<br />

3 †Insert in the following sets of sentences, in appropriate places, suitable adverbs chosen<br />

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from the list of examples suggested for each set.<br />

(a) Stance adverbs: certainly, reportedly, obviously, allegedly, admittedly, undeniably,<br />

actually, clearly, undoubtedly, eminently.<br />

(1) This novel is well suited to the cinema.<br />

(2) The film is brilliant and moving, though it might have been even more so.<br />

(3) A visit to the National Theatre is an educational experience for anyone interested<br />

in twentieth-century architecture.<br />

(4) The President has not decided yet on seeking a second term.<br />

(5) The collection includes a poem written by Hitler.<br />

(6) It was not a well-planned ‘coup’, because it failed so quickly.<br />

(7) He became a star during the revolt, which allowed him to turn it into a political<br />

asset.<br />

(8) Their popularity is rising, judging by the number of fans at their concerts here.<br />

(b)<br />

Adverbs of respect: historically, stylistically, politically, socially, racially,<br />

ideologically, morally, constitutionally, clinically, formally.<br />

(1) Though not ‘true enemies’, they are unyielding.<br />

(2) He is well connected.<br />

(3) The sentences are too long and complex.<br />

526 ENGLISH GRAMMAR


(4) The British are mixed.<br />

(5) The higher ranks were responsible for the harsh treatment of the prisoners.<br />

(6) The costumes designed for the play are accurate in every detail.<br />

(c)<br />

Restriction and reinforcement: merely, hardly, solely, alone, exclusively, simply;<br />

just, even; also, too, again, as well, similarly.<br />

(1) The doctor who begins by searching for a heart-beat on the right-hand side will<br />

convince the patient that he will be able to help him.<br />

(2) These taxis are always there when you need one, in the rain.<br />

(3) To put it in a few words, we do not know the answer.<br />

(4) The emphasis in language study was for a while on formal grammar.<br />

(5) Harry said that the river would suit him perfectly, and I said so.<br />

(6) What has happened explains many problems of the past and will help us avoid<br />

future ones.<br />

(d)<br />

Process adverbs of manner: cautiously, soundly, surreptitiously, heavily,<br />

momentarily, secretly, endlessly, rigorously, slowly, mechanically.<br />

(1) Yusuf was sleeping on his back.<br />

(2) Apparently, the man was suspected of carrying diamonds and should be searched.<br />

(3) Behind the barrier, Wilson worked at his code books.<br />

(4) He went on speaking, choosing his words.<br />

(5) It was said that he drank.<br />

(6) The rain had stopped.<br />

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Module 55<br />

1 Revise briefly the list given in 55.1 of the syntactic functions which can be realised by<br />

AdvGs in groups and clauses. Then make a list of the functions realised by all of those<br />

used in the text on metals on p. 507. Write out the list and comment on the relative<br />

frequency of each function.<br />

2 †Revise the table of uses of still, yet, already given on p. 513. Then answer the following<br />

questions, (a) affirmatively, and (b) negatively. Give two or three answers to each question.<br />

(1) Is it time to go yet? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(2) Have you had your lunch yet? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(3) Do you still love me? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(4) Are you still studying Russian? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(5) Is it ten o’clock already? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(6) Have you already been to Venice? - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

3 †In the following sentences, insert the adverb given on the left in its appropriate position,<br />

Indicate alternative positions where they are acceptable, and say whether this affects the<br />

meaning in any way:<br />

(1) sometimes: We take long holidays in mountainous areas.<br />

DESCRIBING: PERSONS, THINGS AND CIRCUMSTANCES 527


(2) often: Journalists working in war zones are in danger.<br />

(3) abroad: She gets on well with people.<br />

(4) yesterday: They gave a concert.<br />

(5) longingly: The cat gazed at the brightly coloured fish in the aquarium.<br />

(6) perhaps: You’d better take an overcoat with you.<br />

(7) probably: We shall leave tomorrow.<br />

(8) hopefully: They have arrived at their destination.<br />

4 We have included the word today in the category of adverb, functioning marginally as<br />

subject in clause structure and more centrally as adjunct. In one of the grammars mentioned<br />

in the ‘Further Reading’, today and tomorrow are classed as deictic pronouns, not adverbs.<br />

Another grammar treats these words as nouns. Discuss these proposals, providing criteria<br />

and evidence for the different views. Does yesterday fulfil the same conditions as today<br />

and tomorrow?<br />

Similarly, ago is sometimes analysed as a preposition with a postposed complement.<br />

Discuss.<br />

Module 56<br />

1 Modify the adverbs marked in the following sentences, in the senses indicated on the left:<br />

(1) Intensification: She answered automatically, without thinking.<br />

(2) Medium intensification: He recovered quickly after the operation.<br />

(3) Description: The book is selling well.<br />

(4) Attenuation: The look on his face was weird.<br />

(5) Quantification: He had a few drinks and later was involved in an<br />

accident.<br />

(6) Description: The winner of the car rally drove fast.<br />

(7) Intensification: Our team didn’t play well on that occasion.<br />

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2 Add a post-modifier or complement to the AdvG in the following sentences:<br />

(1) It’s hotter in the Sahara than anywhere - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(2) When we came out of the Pyramids, I said to myself: ‘Never’ - - - - - - - - - - - - - - - - -<br />

(3) I can’t find my glasses. They must be somewhere - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(4) Curiously - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - he used exactly the same word<br />

as I did.<br />

(5) She doesn’t dance as beautifully - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />

(6) Do your friends live far - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ?<br />

3 †Read the conversation on pages 520–1, nd identify the syntactic function of each<br />

numbered adverb and the semantic type to which it belongs.<br />

528 ENGLISH GRAMMAR


SPATIAL, TEMPORAL AND CHAPTER 12<br />

OTHER RELATIONSHIPS<br />

The Prepositional Phrase<br />

Module 57: Prepositions and the Prepositional Phrase (PP) 531<br />

57.1 Internal structure of the Prepositional Phrase 532<br />

57.2 Features of the Prepositional Phrase 533<br />

57.3 One-word, two-word and multi-word prepositions 534<br />

57.4 Realisations of the complement element 536<br />

57.5 Realisations of the modifier element 538<br />

Module 58: Syntactic functions of the Prepositional Phrase 540<br />

58.1 The grammatical role of prepositions 540<br />

58.2 Syntactic functions of Prepositional Phrases 541<br />

58.2.1 PPs embedded as elements of groups 541<br />

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58.2.2 PPs as elements of clauses 541<br />

58.3 Classes of words with the same form as prepositions 543<br />

58.3.1 Prepositions and verbs 543<br />

58.3.2 Prepositions and conjunctions 543<br />

58.3.3 Prepositions and adverbs 544<br />

Module 59: Semantic features of the Prepositional Phrase 546<br />

59.1 Two types of prepositional meanings 547<br />

59.2 Lexical prepositional meanings 547<br />

59.2.1 Location in space 547<br />

59.2.2 Change of location 549<br />

59.2.3 Other spatial prepositions 549<br />

59.2.4 Non-locative meanings 551<br />

59.3 Time relations 551<br />

59.4 Metaphorical and abstract uses 552<br />

59.5 Grammaticised prepositions 554


Module 60: Stranded Prepositions; Discontinuous prepositional<br />

phrases 556<br />

60.1 Structures which involve stranding a preposition 556<br />

Further reading 559<br />

Exercises 559<br />

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PREPOSITIONS AND THE MODULE 57<br />

PREPOSITIONAL PHRASE (PP)<br />

SUMMARY<br />

1 Prepositions have a relating function: they establish relations between nominal<br />

units, mainly nouns and nominal groups, and other units in the surrounding<br />

discourse. The prepositional phrase consists of a preposition together with its<br />

complement, typically a nominal group as in under the chair.<br />

2 Prepositions may consist of one word (from), two words (because of) or three<br />

(in contact with) and occasionally four (with the exception of ). All are single<br />

prepositions.<br />

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3 The sequence preposition + nominal complement, with optional<br />

modifier, can function as a clause element (It fell right into the water) or a<br />

group element (the house on the corner). Unlike nouns, adjectives and adverbs,<br />

which can function alone as head of their respective groups, the preposition<br />

cannot stand alone, without its complement (*it fell right into, *the house on).<br />

In other words, the combination of preposition + complement is not reducible<br />

to a single element and for this reason is classified as a ‘phrase’.<br />

4 The complement may be realised by a nominal group represented by a noun<br />

(in town), a pronoun (after me), a full NG (for a long time), an adjective (in<br />

full), an adverb (for now), a PP (except at work), a wh-clause (because of what<br />

happened), a non-finite -ing clause (by concentrating hard).<br />

5 When modified, the preposition, or sometimes the whole PP, may be graded<br />

(more like a canary), intensified (right through the wall), quantified (a mile down<br />

the road) or described (wonderfully on form).<br />

INTRODUCTION<br />

A notable feature of the <strong>English</strong> language is the extremely wide lexico-grammatical use<br />

it makes of prepositions. And where there is a preposition there is a PP, since<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 531


prepositions cannot normally stand alone, although they can be separated from their<br />

complement by ‘stranding’ (see 6.3.3; 60.1).<br />

57.1 INTERNAL STRUCTURE OF THE PREPOSITIONAL<br />

PHRASE<br />

Nouns, adjectives and adverbs each function as head of their respective groups. In<br />

AdjGs, AdvGs and NGs, the ‘head’ is the main element, to which the other elements,<br />

when present, are subordinate. For this reason, the head element – a noun, an adjective<br />

or an adverb – can be used alone, without other elements, potentially in representation<br />

of the whole group. Structures of this kind centre on the head.<br />

In a prepositional phrase (PP), the relation between the preposition and the nominal<br />

unit that follows it (e.g. under the bed, from home) does not centre on a head. A<br />

preposition cannot normally occur without a nominal unit, and a nominal unit is not<br />

part of a PP if there is no preposition. Both are equally necessary to form the phrase;<br />

both have equal grammatical status. For this reason we refer to the unit consisting of a<br />

preposition, its complement and an optional modifier as a ‘prepositional phrase’ (PP).<br />

The internal structure of PPs consists of a preposition and its complement, both of<br />

which are obligatory, and an optional modifier. It can be represented as follows:<br />

Prepositional Phrase<br />

m prep c<br />

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right<br />

into<br />

the policeman’s arms<br />

completely<br />

straight<br />

just<br />

quite<br />

only<br />

out of<br />

along<br />

at<br />

near<br />

by<br />

control<br />

this road<br />

that moment<br />

here<br />

concentrating hard<br />

Not all PPs contain a modifier but all of them contain a preposition and a<br />

complement. The modifier typically intensifies the preposition by adding something<br />

semantically specific to the sense of the preposition, such as exactness and immediacy<br />

in the case of right, together with completion (right into the policeman’s arms) or<br />

exclusiveness (only by concentrating hard).<br />

Here is a recorded conversation between three students and a teacher (T), which<br />

illustrates the abundant use of prepositional phrases in <strong>English</strong>. Examples are numbered<br />

for future reference and explanation:<br />

532 ENGLISH GRAMMAR


T: What’s this about? 1<br />

B: Oh, animals.<br />

T: Oh, yes. People are obsessed in this country 2 with being kind 3 to animals, 4 aren’t<br />

they?<br />

A: Alison and her cat . . .!<br />

B: Don’t talk to us 5 about Alison’s cat! 6<br />

C: That cat is definitely not popular in our house! 7<br />

B: That cat moults constantly all over our carpet and sofa! 8<br />

T: But is it true, though? See what I mean? She hates cats!<br />

A: Just for that silly reason? 9<br />

T: No, but there seem to be more cases of animal cruelty 10 going on here than<br />

anywhere else. 11<br />

A: Yeah. I get the impression from the little I know 12 they’re just as crazy about<br />

dogs 13 in Belgium and Holland and France and Italy 14 as they are over here. 15<br />

T: Is it just one of those myths that we perpetuate regarding the British character? 16<br />

Is it true?<br />

A: I think it probably is a myth.<br />

(recorded conversation)<br />

57.2 FEATURES OF THE PREPOSITIONAL PHRASE<br />

The prepositional phrase normally functions as:<br />

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• an element of clause structure, for example as Adjunct (e.g. I decided to become a<br />

writer precisely for that reason); or<br />

• as a unit embedded in classes of groups, for example as post-modifier of a noun<br />

(e.g. the girl at the cash desk) or as complement of an adjective (e.g. delighted at your<br />

success) as explained in 58.2.<br />

PPs are frequently embedded in other structures, including other PPs:<br />

On top of [the cupboard [[in your office]]<br />

In [an envelope [under the letters [in the drawer]]]<br />

Obsessed [with being kind [to animals]]<br />

The sequence prep + NG + prep + NG may sometimes be structurally ambiguous.<br />

For instance, ‘near the bar on the corner’ can represent the following two structures<br />

which express different meanings:<br />

1 a simple preposition + complement, which contains another PP as post-modifier:<br />

near [the bar on the corner] (on the corner is m in the NG headed by ‘bar’)<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 533


2 two independent PPs, functioning as two adjuncts, which might be reversed in<br />

order:<br />

near [the bar] + [on the corner]<br />

on [the corner] + near [the bar]<br />

The preposition is often stranded to the end of a clause and is separated from the<br />

nominal. Stranding is typical of spoken <strong>English</strong>, while the non-stranded counterparts<br />

are very formal:<br />

What’s this about? (‘What’ functions as complement of about: about what?)<br />

Which book are you referring to? (To which book are you referring?)<br />

The meanings of prepositions are either lexical and ‘free’, or grammaticised and<br />

‘bound’. Grammaticised uses of prepositions are those which are controlled by a verb,<br />

adjective or noun, as happens in obsessed with, talk to us, kind to animals, cases of cruelty.<br />

Lexical prepositional meanings are those freely chosen according to the speaker’s<br />

communicative intention (in this country, all over our carpet and sofa). Both are discussed<br />

in Module 59.<br />

57.3 ONE-WORD, TWO-WORD AND MULTI-WORD<br />

PREPOSITIONS<br />

Prepositions may be ‘simple’ (consisting of a single word) or ‘complex’ (consisting of<br />

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two words or three).<br />

One-word prepositions<br />

The short, simple forms are by far the commonest, such as:<br />

about, across, after, around, as, at, by, down, for, from, in, like, near, of, off, on, round,<br />

to, towards, with, without<br />

Other one-word prepositions include:<br />

above, against, beneath, besides, below; during, inside, throughout; considering, regarding;<br />

given, granted; opposite; despite; than<br />

Two-word prepositions<br />

These consist of a preposition (e.g. except), an adjective (e.g. contrary), an adverb (e.g.<br />

instead) or a conjunction (e.g. because), followed by one of the prepositions for, from, of,<br />

to, with:<br />

+ for: as for, except for, but for<br />

+ from: apart from, away from, as from<br />

534 ENGLISH GRAMMAR


+ of: ahead of, because of, inclusive of, instead of, regardless of, out of<br />

+ to: according to, as to, close to, contrary to, due to, next to, on to, near to; on<br />

to, owing to, thanks to, up to<br />

+ with: together with, along with<br />

In most two-word prepositions, the meaning is expressed by the first word, the second<br />

serving to link it to the complement:<br />

according to my information; because of what I said<br />

The forms into and onto can be considered as merged forms, consisting of an adverb<br />

(in, on) merged with a preposition to. Some other one-word prepositions were once two<br />

words: upon, without, throughout among others.<br />

Three-word prepositions<br />

These usually have the form prep + noun + prep (e.g. in conflict with), with the noun<br />

sometimes being determined by the (e.g. in the hands of). The first preposition is virtually<br />

limited to in, on, by, at, for, with, and the second to of, with, for and to. Two other<br />

combinations in common use have an adverb between two occurrences of as: as far as,<br />

as well as.<br />

as far as, as well as, by means of, by way of, in aid of, in charge of, in view of, in return<br />

for, in exchange for, in spite of, in contact with, on top of, on the part of, at the hands of,<br />

with regard to, with reference to<br />

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Four-word prepositions<br />

All these have the form prep + a/ the + noun + of (e.g. as a result of, at the expense of,<br />

on the part of, with the exception of ).<br />

Sometimes the noun of a complex preposition may be modified by an adjective, as<br />

in with the surprising exception of Tom; in close contact with you.<br />

PPs with the possessive<br />

A small number of PPs containing complex prepositions ending in of have an alternative<br />

structure in ’s, no doubt because the complex preposition could also be analysed as a<br />

simple preposition with a NG complement: for + the sake of the children; on + behalf of<br />

the committee:<br />

for the sake of the children;<br />

for the children’s sake;<br />

on behalf of the committee;<br />

on the committee’s behalf.<br />

However, non-personal reference is not always used with the genitive form: compare<br />

for heaven’s sake, but not *for peace and quiet’s sake.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 535


57.4 REALISATIONS OF THE COMPLEMENT ELEMENT<br />

The complement element of a PP is most typically realised by a nominal group, but it<br />

may also be realised by the classes of groups and clauses shown below. Simple nouns<br />

and pronouns, adjectives and adverbs are treated as ‘groups’ represented by the head:<br />

NGs: at home after which on account of his age<br />

AdjGs: in private at last for good<br />

AdvGs: for ever since when until quite recently<br />

PPs: except in here from out of the forest<br />

fin. wh-cl:<br />

Have you decided about when you’re leaving?<br />

wh + to-inf. cl: Have you any problems apart from where to stay?<br />

-ing cl:<br />

The miners charge the employers with ignoring their<br />

claims.<br />

The following restrictions exist on the realisation of complements:<br />

Adjectival and adverbial groups<br />

Nouns, pronouns and NGs are by far the most common realisation of the prepositional<br />

complement. By contrast, the use of AdjGs and AdvGs as complements is infrequent<br />

and limited to certain set expressions such as at last, for good, for ever, as in:<br />

At last I’m free! [BNC GWH 1268]<br />

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. . . the family left Ireland for good and made its future in England.<br />

I could stay here for ever, it’s so beautiful.<br />

[BNC EDA 313]<br />

Wh-clauses<br />

<strong>English</strong> prepositions are not followed by that-clauses (see 11.1.2, p. 104). The only type<br />

of finite clause admissible is the wh-clause, and the only non-finite type the -ing clause.<br />

To-infinitive clauses are not admissible either, except when introduced by a wh-item.<br />

Combinations 1a and 2a (below), therefore, are not acceptable. An -ing clause can often<br />

provide an acceptable alternative, as in 1b and 2b:<br />

1a *I was pleased about (that) Pat won the prize.<br />

1b I was pleased about Pat winning the prize.<br />

2a *We were annoyed at not to get any news from you.<br />

2b We were annoyed at not getting any news from you.<br />

536 ENGLISH GRAMMAR


Use of -ing clauses<br />

One must be careful to distinguish to-infinitive clauses from the preposition to, which<br />

can take an -ing clause, as in the first example below. Most other prepositions likewise<br />

take the -ing form, as this is the most nominal among clauses:<br />

He devoted his career to helping needy and deprived children.<br />

The intruder escaped by clambering over a back fence.<br />

The following continuation of the recorded student–teacher conversation shows that<br />

the largest number of complements are realised by nouns, pronouns and full NGs, with<br />

a sprinkling of finite and non-finite clauses (see exercise on p. 559).<br />

The ‘Green’ Party<br />

A: It’s really making a come-back all of a sudden. 1<br />

B: Seems to come in and out of fashion. 2<br />

A: Yeah.<br />

B: We had elections at school 3 and the ‘Green’ party did win, actually.<br />

A: So did we. It was a big surprise to everyone, 4 so many anti-establishment<br />

adherents amongst us. 5<br />

T: I get the impression that it’s a non-vote, just a comfortable way of not having<br />

to take a decision. 6<br />

B: Yeah, a pressure vote, so that you don’t have to vote either for the<br />

Conservatives 7 or for the Labour Party. 8 People just can’t be bothered with<br />

comparing programmes and thinking 9 about who to vote for. 10<br />

T: And you think this has a significant impact on the way the other parties have<br />

formed their policies? 11<br />

B: Yeah, but it’s . . . it’s just waffle, just an excuse for getting votes. 12<br />

T: Do you feel very cynical about them, 13 then?<br />

B: Suppose I do, a bit.<br />

T: One of the things people say about, well, at least some of the younger<br />

generation, 14 not all of them, 15 but on the whole 16 is, there’s no radicalism<br />

among people today 17 who are in their late teens and twenties. 18 It’s what the<br />

forty-year-olds say about the twenty-year-olds. 19 They think back to when they<br />

were young 20 and what they were like then 21 and say that the younger<br />

generation don’t have any radical or controversial views any more.<br />

A: I don’t think radicalism has disappeared. Maybe it has been channelled into<br />

that ‘green’ area. 22<br />

B: Yeah. A lot of former ideas have been ditched in favour of moving towards a<br />

position much closer to the centre than before. 23<br />

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RELATIONSHIPS: THE PREPOSITIONAL PHRASE 537


57.5 REALISATIONS OF THE MODIFIER ELEMENT<br />

Like nouns, adjectives and adverbs, prepositions can also be modified. As already stated,<br />

the modifier tends to modify the preposition, though, as we have mentioned, it<br />

sometimes appears to modify the relationship expressed by the preposition + complement,<br />

for instance, in the case of directional modifiers. The modification usually takes the form<br />

of intensification, direction, attenuation, quantification, description (as with adjectives<br />

and adverbs) or simply of focusing and reinforcement. Grading by comparative or<br />

superlative appears to be more restricted. Not all prepositions admit modifiers. The<br />

following are attested examples.<br />

Grading modifiers – more, less, far more, much less, the most, the least, in the least<br />

It was a wonderful day. A day that seemed more like a dream than real life.<br />

[BNC FRY 494]<br />

Later, the two houses nearer the church were made into one. [BNC B13 600]<br />

He says he doesn’t want to sound in the least like our noisy neighbours.<br />

Intensifying modifiers – completely, directly, right, well, all, absolutely, greatly,<br />

straight, badly, much<br />

The ball went right through the window.<br />

Today I’m feeling absolutely on top of the world.<br />

Sit down, Paul, and I’ll tell you all about it.<br />

The walls are badly in need of a coat of paint.<br />

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Directional modifiers – up, down, out, over<br />

I’ll meet you down by the river.<br />

The balloons floated up over the houses.<br />

The race-course is over/out on the other side of Madrid.<br />

Attenuating modifiers – partly, scarcely, not fully, to some extent, slightly, a little, a<br />

bit, hardly, not at all, not altogether, somewhat<br />

I think you’re slightly/a bit out of touch with reality.<br />

It’s hardly thanks to Mr Payne’s advice that the deal was concluded successfully.<br />

Quantifying modifiers – a long time, not that much, miles, two hours, way back,<br />

light years, streets; nearly, almost<br />

She was streets ahead of her rivals.<br />

That all happened way back in history.<br />

Almost at the same moment, they realised they were lost.<br />

538 ENGLISH GRAMMAR


Descriptive or attitudinal modifiers – surprisingly, hopelessly, dangerously,<br />

unexpectedly<br />

We were dangerously close to having an accident.<br />

He is hopelessly in love with a girl who ignores him.<br />

Focusing or reinforcing modifiers – precisely, mainly, just, principally, chiefly,<br />

merely, only<br />

Emil told him that alcohol was available only after departure [BNC BP9 317]<br />

You say that just for the sake of arguing.<br />

In many of these examples – just as with prepositions that have adverbs of the same<br />

form, such as near, after, before, in, above – it is the preposition rather than the prep +<br />

complement that is being modified:<br />

We live quite near the main square.<br />

We arrived just before midnight.<br />

On the other hand, certain modifiers seem to relate semantically, though not syntactically,<br />

more closely to the complement, as is sometimes seen in the possibility<br />

of using an alternative construction, where the adjective or adverb do modify the head<br />

syntactically:<br />

I obtained my first job purely by I obtained my first job by pure accident.<br />

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accident.<br />

We worked almost until midnight We worked until almost midnight.<br />

The firm is badly in debt.<br />

The firm has some bad debts.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 539


SYNTACTIC FUNCTIONS OF MODULE 58<br />

THE PREPOSITIONAL PHRASE<br />

SUMMARY<br />

1 The basic grammatical role of a preposition is to establish a functional<br />

relationship between its complement and another syntactic element in a nearby<br />

structure, whether a clause or a group.<br />

2 In doing this, the whole PP itself functions as an element of the clause (e.g. as<br />

adjunct in: He works at Heathrow Airport) or group (e.g. complement in: angry<br />

at his refusal).<br />

3 PPs can realise up to six syntactic functions in groups and eight in clauses. Some<br />

of these are frequent and others infrequent.<br />

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4 Some words can be used not only as prepositions but also as adverbs (e.g.<br />

about) or conjunctions (e.g. until) or verbs (considering), or adverbial particles<br />

(up). It is important to recognise their different class and functions.<br />

5 The two-word and three-word prepositions tend to have a ‘core’ or ‘prototype’<br />

meaning. The one-word items cover a more varied range of case meanings.<br />

58.1 THE GRAMMATICAL ROLE OF PREPOSITIONS<br />

The grammatical role of prepositions is to express a variety of syntactic and semantic<br />

relationships between nominal entities and<br />

• other nominals (the bridge over the river),<br />

• verbs (he ran into the room),<br />

• clauses (support for raising the subscription),<br />

• adjectives (angry at his refusal),<br />

• adverbs (up to the top).<br />

540 ENGLISH GRAMMAR


When a preposition links its complement to another element of a clause or a group, the<br />

whole PP itself becomes a functional element of the clause or group.<br />

58.2 SYNTACTIC FUNCTIONS OF PREPOSITIONAL PHRASES<br />

PPs can realise up to fourteen syntactic functions as constituents of groups, of clauses<br />

or outside clauses. They share the functions with other classes of unit and are therefore<br />

mentioned again in the sections below.<br />

58.2.1 PPs embedded as elements of groups<br />

1 (Post-)modifier in NG A bridge over the river, apricots on the tree.<br />

2 Complement in NG He is a teacher of French literature.<br />

3 (Pre-)modifier in NG Off-the-record comments should not be printed in<br />

a newspaper.<br />

4 Complement in AdjG My son is brilliant at mathematics.<br />

5 Complement in AdvG They don’t live far from here.<br />

6 Complement in PP I’m free all day except on Mondays.<br />

An important feature of PPs is their ability to be embedded recursively in other PPs or<br />

in groups. In other words, one unit is embedded in another, which is embedded in<br />

another, and so on (see 3.6.3), as in:<br />

7 A car accident [on the motorway [to Yorkshire]].<br />

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58.2.2 PPs as elements of clauses<br />

Prepositional phrases can realise every element of clause structure except the predicator.<br />

However, their use in the central functions of subject and object is marginal, and<br />

is normally restricted to expressions of place or time.<br />

8 Subject After dark is the only good time for fireworks.<br />

9 Direct Object I don’t consider next to a railway line a good place to live.<br />

Some verbs are closely related to a specific preposition and take a prepositional object<br />

(see also 6.3.1):<br />

10 Prepositional Object Someone has been tampering with the scanner.<br />

Prepositional phrases are used freely as Complements of the subject or the object to<br />

express temporary states, where they are often interchangeable with adjectives. Even<br />

more commonly, they occur after verbs of position or movement to specify place or<br />

direction (Locative/ Goal Complement):<br />

11 Subject Complement Monica must be out of her mind to reject such an<br />

interesting offer. (Monica must be mad.)<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 541


12 Object Complement His illness left him without a job. (His illness left him jobless.)<br />

13 Locative/Goal Complement The train to London is now standing at the platform<br />

and the high-speed train from York is drawing into the station.<br />

Prepositional phrases are also commonly used to realise the three main types of adjunct:<br />

circumstantial, stance and connective.<br />

As circumstantial adjuncts<br />

In this function they typically occur in either final or initial position:<br />

14 final position All this happened long before the war.<br />

15 initial position Behind us, we saw that the queue on the motorway stretched for<br />

miles.<br />

As stance adjuncts<br />

Like some other classes of units – mainly adverbs, AdvGs and clauses – certain PPs can<br />

function syntactically as Stance Adjuncts (see 8.2.5), that is to say outside clause<br />

structures, to express a comment on–or an attitude to–the form or content of a whole<br />

clause. They then have the status of supplementives (see 2.4.1):<br />

16 In all honesty, I don’t believe a word he said.<br />

17 By all means, do whatever you think best.<br />

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Although we regard Stance Adjuncts here as syntactically outside clause structure, from<br />

a semantic and psychological point of view they are part of the thematic organisation<br />

of the discourse surrounding the clause. In other words, the clause itself is not the<br />

domain of Theme, but rather the clause plus any supplementive attached to it. For this<br />

reason, we include them in Chapter 6 as a type of non-experiential Theme (see 28.12).<br />

As connective adjuncts<br />

Prepositional phrases can also be used as connective Adjuncts to link clauses, or groups<br />

and words within clauses:<br />

18 A. I’m leaving now. B. In that case, I’ll go too.<br />

Of these syntactic functions, by far the commonest are adjuncts of various kinds and<br />

Locative/Goal Complements in clauses, together with modifiers in group structures,<br />

especially NGs.<br />

542 ENGLISH GRAMMAR


58.3 CLASSES OF WORDS WITH THE SAME FORM AS<br />

PREPOSITIONS<br />

Some of the one-word prepositions included in 57.3 can also realise functions characteristic<br />

of verbs, conjunctions, adverbs and adjectives. Such items are considered here<br />

as words having the same form (homographs), but fulfilling different functions as a result<br />

of diachronic extension.<br />

58.3.1 Prepositions and verbs<br />

The following participial forms can function either as prepositions or as verbs:<br />

barring, considering, excepting, excluding, following, including, regarding, given, granted. For<br />

example,<br />

prep:<br />

verb:<br />

prep:<br />

verb:<br />

prep:<br />

verb:<br />

prep:<br />

verb:<br />

No-one barring a lunatic would start a nuclear war.<br />

There are restrictions barring the employment of children under<br />

sixteen.<br />

There are always problems regarding punctuality.<br />

Up to now I have been regarding you as a friend.<br />

We open seven days a week excluding Christmas Day.<br />

I’m not excluding the possibility of an agreement.<br />

These prices refer to a double room, including breakfast.<br />

We are including two new colleagues in the research group.<br />

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58.3.2 Prepositions and conjunctions<br />

It was mentioned in Section 57.4 that prepositions may be followed by finite wh-clauses<br />

and by non-finite clauses in -ing, since these have nominal reference. A small number<br />

of items referring to moments of time can, however, be used to introduce declarative<br />

finite clauses, and are then usually considered as having a conjunctive function (35.2.1):<br />

prep:<br />

conj:<br />

prep:<br />

conj:<br />

prep:<br />

conj:<br />

prep:<br />

conj:<br />

after his accident; after having an accident.<br />

after he had his accident.<br />

before your arrival; before arriving.<br />

before you arrived.<br />

since our meeting; since meeting you.<br />

since we met.<br />

until my visit to Paris; until going to Paris.<br />

until I went to Paris.<br />

Three of the participial items mentioned in Section 57.3, considering, given, granted, enter<br />

into construction with finite that-clauses and so can be classed as conjunctious having<br />

the same form as the corresponding prepositions:<br />

prep:<br />

conj:<br />

Considering his age, he did very well in the competition.<br />

Considering that he is so young, he did very well.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 543


prep:<br />

conj:<br />

prep:<br />

conj:<br />

Given your interest in painting, you’ll enjoy living in Florence.<br />

Given that you are so interested in painting, you’ll enjoy your stay in<br />

Florence.<br />

Granted the changes nuclear energy will bring about, it will still need to be<br />

carefully controlled.<br />

Granted (that) nuclear energy will bring about many changes, it will still<br />

need to be carefully controlled.<br />

58.3.3 Prepositions and adverbs<br />

Both prepositions and adverbs express, typically, circumstantial meanings, especially<br />

those of space and time. It is not surprising, therefore, that some words can realise<br />

functions of both classes. The following are examples: aboard, about, above, across, after,<br />

along, around, behind, below, beneath, between, beyond, down, in, inside, near, off, on,<br />

opposite, outside, through, throughout, under, underneath, up.<br />

Here are some structural criteria for distinguishing prepositions from adverbs:<br />

• A preposition – but not an adverb – requires a nominal complement, and when this<br />

is a pronoun, the preposition governs its case (for him, to them).<br />

• In paired examples such as We went into the café – we went in, what was a preposition<br />

in the first version is replaced by an adverb in the second.<br />

• the adverb is heavily stressed, whereas the preposition is normally unstressed, or<br />

only lightly stressed (lower down the scale vs lower DOWN; we walked past the café –<br />

we walked PAST); see Section 6.4.2.<br />

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In certain positions prepositions are stressed; for instance, when stranded at the end of<br />

a wh-question: What is it FOR? Where is it FROM? The preposition with is stressed in the<br />

expression ‘with it’ (= trendy), and also in one adjunctive use I’ll take it WITH me, but<br />

not in to start with (= (at) first). Without is similarly stressed in I can’t do WITHOUT it,<br />

WITHOUT you. In the combinations do without and go without (food), the word without<br />

functions as an adverb particle: There’s no milk left, so we’ll just have to do without.<br />

In the following examples, both the adverb and the PP are functioning as Adjuncts<br />

or Locative Complements:<br />

Adverb<br />

Preposition<br />

There are always two pilots aboard aboard the plane.<br />

All the children were running around around the playground.<br />

The last time I met Monica was<br />

in September, but I haven’t seen her since since then. (cohesive with<br />

September)<br />

The rule is that workmen must go outside outside the factory if they<br />

want to smoke during the<br />

morning break.<br />

544 ENGLISH GRAMMAR


However, not all prepositions have adverbial counterparts: the forms at, from and<br />

towards function as prepositions, but not as adverbs. Conversely, the forms together,<br />

apart and forth function singly as adverbs but not as prepositions. When combined with<br />

a preposition, however, together with and apart from function as complex prepositions.<br />

Furthermore, even when a form serves both functions, the sense may be different in<br />

each case. To as a preposition is different from its adverbial function in The unconscious<br />

boy came TO (= recovered consciousness) in both stress and meaning.<br />

In the following examples, the words in italics function as part of a PP (in the left<br />

column) and as modifier of a NG head (in the right):<br />

PP<br />

near the town centre<br />

outside the gates<br />

inside the museum<br />

tears rolled down her cheeks<br />

m in NG<br />

near neighbours of mine<br />

an outside broadcast<br />

some inside information<br />

a down payment<br />

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RELATIONSHIPS: THE PREPOSITIONAL PHRASE 545


SEMANTIC FEATURES OF THE MODULE 59<br />

PREPOSITIONAL PHRASE<br />

SUMMARY<br />

1 The choice of preposition in a PP may be (a) governed by the particular noun,<br />

verb or adjective that precedes it (a threat to, depend on, bored with), or (b)<br />

chosen freely from a set of prepositions expressing different relationships (under,<br />

over, between, across, along, etc.), as in Let’s place the lamp in the corner/<br />

on the desk/ by the armchair). The former type is said to be ‘grammaticised’<br />

or ‘bound’. The latter type is ‘lexical’ or ‘free’.<br />

2 Location in space and change of location are the most basic types of<br />

prepositional relations. When speakers use in or on or under in <strong>English</strong>, for<br />

example, they make use of cognitive patterns or mental image schemas of each<br />

relationship, in accordance with the way each relation is perceived in the<br />

culture.<br />

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3 The concepts of Figure and Ground (or, more specifically, Trajector and<br />

Landmark) are used to refer to the salient object, whether moving or stationary,<br />

and the point of reference, respectively, in a spatial event. The preposition<br />

expresses the relation between the two – such as ‘containment’ (in), or ‘support’<br />

(on) – in the most basic use. Further uses can then be explained as modifications<br />

of the basic image schema, as these mental pictures are perceived and derived<br />

from our experience of the world.<br />

4 Many basic patterns of spatial location are carried over to time relations, e.g.<br />

in the house, in November, in 1492, and to ordinary metaphorical uses which<br />

form part of our daily interaction (in love, in time, in pain).<br />

546 ENGLISH GRAMMAR


59.1 TWO TYPES OF PREPOSITIONAL MEANINGS<br />

Prepositional meanings can be divided into two broad types:<br />

• those in which the choice of preposition is determined by the verb, noun or adjective<br />

preceding it; and<br />

• those in which a preposition is chosen freely in accordance with the speaker’s<br />

intentions.<br />

We say that the first type has become ‘grammaticised’ or ‘bound’, while the second type<br />

is more ‘lexical’ and ‘free’:<br />

grammaticised<br />

lexical<br />

I agree with you; I have confidence in you; fruit is good for<br />

you.<br />

We flew/in/into/out of/through/above/below/close to/<br />

near/a long way from the clouds.<br />

In previous sections we have discussed those prepositions which are determined by<br />

nouns (50.5), adjectives (53.1.3) and verbs (6.3.1; 10.5) (e.g. look after, rely on, put up<br />

with). These are all grammaticised; that is to say, in such cases the preposition does not<br />

have its full lexical meaning and is not in open choice with other prepositions. We<br />

noticed that nouns which take prepositional complements are related to cognate verbs<br />

or adjectives that take the same prepositional complement, as in the following examples:<br />

nouns:<br />

adjs:<br />

verbs:<br />

compatibility with, reliance on, damage to, a liking for, an attack on, a<br />

quarrel with<br />

compatible with, opposed to, free of/from, lacking in<br />

to rely on, to dispose of, to amount to, to hope for, to quarrel with, give<br />

it to me (with the Recipient encoded as a prepositional phrase)<br />

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But notice that, when the noun or adjective takes of, the verb (if it exists) does not<br />

necessarily take the same, as with ‘hope(ful) of success’ but ‘hope to succeed’.<br />

59.2 LEXICAL PREPOSITIONAL MEANINGS<br />

59.2.1 Location in space<br />

The most basic prepositional meanings have to do with location in space. When we<br />

express spatial relationships we use a mental picture or image schema for each type of<br />

relationship, in which a salient Figure, typically a person or thing, is located – or moves<br />

– with relation to a reference point or Ground (usually another entity). It is the principle<br />

of salience or prominence which enables us to explain why it is more natural to say ‘the<br />

book is on the table’ than ‘the table is under the book’. In Chapter 8, we encountered<br />

Figure and Ground, together with Path and Manner, when describing a Motion Event,<br />

with the example: The children went down to the beach, in which the Figure is ‘the children’<br />

and the Ground is ‘the beach’.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 547


In 1 (below), the Figure (the boy) is stationary with respect to the Ground (the water),<br />

while in 2 the Figure (the boy) is moving with respect to the Ground:<br />

1 The boy is in the water. 2 The boy is going into the water.<br />

As we examine the different spatial relationships expressed by prepositions, we see that<br />

the nominal group or clause following the preposition represents the Ground, while the<br />

Figure is a nearby entity in the clause, like the boy. (Other, more specific terms which<br />

have been widely adopted in the analysis of prepositions are ‘Trajector’ and ‘Landmark’<br />

for Figure and Ground, respectively.)<br />

We now turn to the main types of meaning expressed by spatial prepositions in<br />

<strong>English</strong>, in terms of Figure and Ground:<br />

At: point in space: Tim is at home, at the football match, at the<br />

cinema, at the supermarket, at work<br />

On: in contact with a surface: on the floor/wall/ceiling; on the corner of<br />

Bond Street; on a bicycle; on the train/bus/<br />

on board ship; on the map; a wasp on my<br />

hand<br />

In: containment: in the universe, in the world, in France, in the<br />

garden; in the corner, in the car, in a boat,<br />

the coin in my hand<br />

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The preposition at is used when attendance at the typical function of the premises<br />

is implied (e.g. at the cinema in order to see a film; at church to attend a religious service),<br />

all when the speaker is not at the same location as the Figure. In visualising Tim’s<br />

location at the cinema, the speaker is deliberately vague about exactly where at the<br />

cinema Tim is. Tim may in fact be in the queue outside the cinema, or inside, seeing<br />

the film. If the speaker were already outside the cinema and asks where Tim is, the<br />

answer would be specific: He’s in the cinema, he’s inside.<br />

On prototypically has the Figure in contact with and supported by a surface (the<br />

Ground), whether horizontal (there’s a pen on the floor) or vertical (there’s a fly on the wall).<br />

The Ground includes vehicles and animals on which one rides (on a bicycle/motorcycle/<br />

horse), and larger vehicles in transit which have a walkway (on the bus/train, plane, on<br />

board a ship), whereas in is used where no such walkway exists (in a boat, in a car, in a<br />

helicopter). However, referring to a train, we say in the dining-car, in the first-class<br />

compartment, which are conceptualised as containers. When the vehicle is not in active<br />

use, it is conceived as a container and in may be used (The children were playing in the<br />

abandoned bus).<br />

In implies containment: There are strong security forces in the stadium. Containment<br />

may be complete (the coins in my purse) or in part (Put the flowers in water, a man in a blue<br />

shirt and jeans). The difference between in the corner (of a room) and on the corner (of the<br />

street) is one of perspective, whether the right-angle is perceived as containing or<br />

projecting.<br />

548 ENGLISH GRAMMAR


59.2.2 Change of location<br />

Change of location implies motion. Source (see 8.2.3) represents the initial location, and<br />

is typically marked by the preposition from, while Goal represents the final location and<br />

is most often marked by to, or by to in combination with on for a surface (onto) or in for<br />

a container (into). ‘Home’ in go home is an exception in not expressing the notion of<br />

final location (Goal) explicitly. (Note the explicit encoding of location in BrE ‘stay at<br />

home’ against the inexplicit AmE ‘stay home’).<br />

From (source) . . . to (goal) From the bus-stop to the stadium.<br />

Off . . . (source) . . . onto (goal) The vase fell off the table onto the floor.<br />

Off . . . (source) . . . into (goal) The boy fell off the cliff into the sea.<br />

Out of (source)<br />

I took the money out of my purse. He ran<br />

out of the house.<br />

Across, along (path)<br />

We went from the bus-stop, along the<br />

street to the stadium.<br />

Through (passage)<br />

We went through the tunnel.<br />

Out of is visualised as exit from a container. Note that the adverb out + the<br />

preposition of provides the converse meaning with respect to into: into the water/ out of<br />

the water, while away + from indicates greater distancing: away from the water. Similarly,<br />

off is the converse of on and onto (off the table onto the floor).<br />

As we saw in 40.2.2, embeddings of prepositional phrases within adverbial groups<br />

express complex spatial meanings which are difficult to translate, for example: back from<br />

the front line, in from the fields, over to the left, up from below.<br />

Across, along express Path. The difference is that along simply follows a horizontal<br />

axis, (We walked along the river bank, Cars were parked along the street), while across<br />

involves crossing the axis, or an open space, at an angle, from one side to another (She<br />

walked across the street/ the field).<br />

Through prototypically has the meaning of Passage (motion into a point and then<br />

out of it (He hurried through the doorway). The Ground can also be two-dimensional<br />

(You could go through the park, through a maze of streets) or three-dimensional, with<br />

volume (We drove through the tunnel).<br />

Past is similar to along, but with respect to some fixed point: Go past the stadium and<br />

you’ll come to a supermarket.<br />

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59.2.3 Other spatial prepositions<br />

Other basic spatial prepositions include over, under, up and down. Over is used in<br />

several ways:<br />

(a) A picture hangs over the fireplace.<br />

(b) A helicopter flew over our heads.<br />

(c) They live over a sweet-shop.<br />

(d) He wore a raincoat over his suit.<br />

(e) The lake is just over the hill.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 549


(f) They sprayed paint all over the wall.<br />

(g) The horse jumped over the fence.<br />

(h) I fell over a stone and broke my leg.<br />

In (a) and (b), one entity is higher than the other, with a space between, the difference<br />

being that (a) is static location (b) involves motion. The notion of ‘higher’ is still clear in<br />

(c) but less clear in (d) where, in addition, ‘space’ is reduced to the meaning of ‘on top<br />

of’. In (e), over implies location at the end of a path. One has to go over the hill to reach<br />

the lake. In (f) all over is ‘pervasive’ or ‘covering’, whereas (g) signals a movement of<br />

going up higher than an obstacle and down again on the other side, and (h) moving from<br />

an upright to a non-upright position. (Compare fall over as an intransitive phrasal verb<br />

with an adverbial particle: The lamp fell over and broke.)<br />

Under, meaning vertically below, but with some intervening space, is the converse<br />

of over. It can function with verbs of location and motion, and the distance may be<br />

greatly reduced:<br />

There’s a rug under the table; a bench under the tree. (i.e. under the branches of the<br />

tree!)<br />

I pushed the letter under the door.<br />

He’s wearing a T-shirt under his sweater. (conversely, a sweater over his T-shirt)<br />

Above and below are similar to over and under, but absolute verticality is not a<br />

requirement:<br />

The castle stands above the town; below the castle there is a river.<br />

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Up and down indicate a higher or lower position respectively, as in (a), or motion<br />

towards that position, as (b). Like under, they can imply the path taken to the higher or<br />

lower location, as with (b):<br />

(a) There’s a pub just up/ down the road.<br />

(b) We had to walk up/ down three flights of stairs.<br />

Up and down are, however, more commonly used as adverb particles in phrasal and<br />

phrasal-prepositional verbs, such as If you take it up, I’ll bring it down (see 6.4).<br />

Round/ around express circular movement along a path in She danced around<br />

me, but circular position on a path in The children sat round the teacher (though probably<br />

the circle was not a full one). In the sentence They drove furiously round the race<br />

track, the track was probably irregularly curved, not circular. Sometimes the meaning<br />

is indeterminate movement in different directions within an area, as in We walked for<br />

hours round the streets looking for a cheap hotel. At other times, the movement may be<br />

neither circular nor along a clear path, but varied and indeterminate in a volume of space<br />

(e.g. The bees swarmed around us.) These differences may be regarded as different senses<br />

of the general meaning of ‘circularity’.<br />

By, beside, at my side, next to, in front of, behind (AmE in back of), on the left, on<br />

the right, facing, all express degrees of proximity. They correspond to the physical<br />

550 ENGLISH GRAMMAR


orientation of our bodies, and are extended to certain objects such as cars and houses<br />

which have a front, a back and sides.<br />

By has also the meanings of agency (a novel by Tolstoy) and means (by train, by bus,<br />

by air).<br />

Between and among express relative position, referring to two entities, or more than<br />

two, respectively.<br />

59.2.4 Non-locative meanings<br />

For has been explained in chapters 2 and 3 as the Beneficiary meaning, that is, intended<br />

Recipient. It also expresses purpose and intended destination (I’ve brought it for you;<br />

an extra-fast machine for copying; they’re making for the coast).<br />

Like expresses similarity of features or character (She looks rather like Lady Macbeth,<br />

What is she like as a person?) It can also introduce a simile (The lake shone like a mirror)<br />

and draw on a more vague similarity of situations (Let’s not quarrel over a silly thing<br />

like this). Like is related to the predicative adjective alike (The brothers look alike) and<br />

to the adverb alike (The change in climate affects young and old alike).<br />

As is used when referring to roles, jobs or functions (He made his name as a pop<br />

singer; Have you ever worked as a shop assistant?). As is grammaticised in comparisons<br />

(as clear as crystal) and is related to the conjunction as (As I was saying, ...).<br />

With and without can signal (a) accompaniment and lack of it, respectively (I’ll go<br />

with you; she turned up at the gala dinner without her husband); (b) possession (a girl with<br />

red hair, a street without a name) or a part–whole relationship (a cup without a handle);<br />

or (c) instrument (he broke the lock with a hammer; she pushed her hair back with her<br />

hand).<br />

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59.3 TIME RELATIONS<br />

Certain prepositions expressing location in space are also used to express location in<br />

time. Other prepositions – such as during, until and since – are not used with spatial<br />

meanings.<br />

examples<br />

usage<br />

At: at one o’clock; at Christmas; point in time: clock time, fixed<br />

at midday<br />

holidays<br />

On: on Friday, on June 2nd for specific days and dates<br />

regarding the occurrence<br />

of events<br />

In: in May, in the year 1888, in the months, years, times of day,<br />

evening<br />

seasons, centuries and other<br />

periods of time, all<br />

conceptualised as containers;<br />

note however, in the morning/<br />

afternoon/evening, but at night<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 551


Over: We stayed with them over the periods of short duration<br />

weekend, over Christmas<br />

During: during the war, during my stay experiential periods of time<br />

in Rome<br />

For: We read for hours (cf spatially, duration of time<br />

We walked for miles);<br />

We are camping here for the<br />

summer; for a long time, for<br />

good (= ‘for ever’)<br />

for the third time<br />

frequency<br />

Since: I’ve been here since 10 a.m. retrospective, referring to the<br />

initiation of the duration<br />

Until: We’ll wait until 4 o’clock; typically marks end-point of<br />

until the plane takes off;<br />

duration, but marks a starting-<br />

We didn’t eat until four o’clock; point with negative sentences;<br />

from morning till night; up till till and up till are informal<br />

now<br />

variants, but till is not used<br />

to start a sentence<br />

Before before the Flood; the week after almost always express<br />

and after: next time meanings, but note the<br />

formal spatial expression ‘He<br />

appeared before the judge’<br />

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By: (a) Essays must be handed in (a) a time deadline<br />

by Friday<br />

(b) By the summer, she was (b) before a certain time<br />

feeling stronger<br />

59.4 METAPHORICAL AND ABSTRACT USES<br />

Many spatial prepositions are used in abstract or metaphorical expressions. For<br />

example, about in walk about the house expresses ‘indeterminate spatial movement’,<br />

whereas in talk about the house it expresses the notion of ‘reference’.<br />

Although many abstract and metaphorical uses of prepositions (and adverbs) may at<br />

first sight appear arbitrary, metaphor and metonymy can provide enlightening<br />

explanations. For instance, the expressions in love, in pain, in anger construe these<br />

emotions as containers, yet this construal is not applicable to happiness and hate (*in<br />

happiness, *in hate.) For these, full of happiness/joy/hate and also anger are normal uses,<br />

with the body in this case construed as the container. The field of vision as well as the<br />

mind are also seen as containers, as in the expressions ‘in full view’, ‘out of sight, out of<br />

mind’.<br />

552 ENGLISH GRAMMAR


Between, meaning relative position, is extended to both temporal and abstract<br />

meanings: Between six and seven this evening; the discussion between them turned into a<br />

quarrel.<br />

Into, used metaphorically, indicates active participation in something, as in he’s into<br />

rugby these days.<br />

Over and under have non-spatial meanings as in: it weighs over a kilo, it cost under<br />

ten euros, while in the verbs overact, overcharge, under-estimate, undernourished the<br />

meaning is ‘excess’ and insufficiency’, respectively. A different extension of meaning,<br />

something like ‘subordination’ or ‘subjection to’ is illustrated in: under the influence of<br />

drugs; under his leadership; under the threat of expulsion; under control; under the<br />

circumstances; under contract for a year.<br />

With over, the meaning of ‘surmounting an obstacle’ is extended to that of illness and<br />

difficulties – get over an operation has the sense of recovering from its effects – while<br />

control over/power over someone, or something, is an extension of the basic higher-vslower<br />

spatial meaning, as is also the use of over in ‘let’s discuss it over a cup of coffee’.<br />

Here the mental image is of persons leaning slightly foward, engaged in talk, with the<br />

coffee on the table between them.<br />

Out of as ‘exit from a container’ is extended to expressions such as out of petrol,<br />

out of sugar, out of work (=jobless), out of date (=obsolete). Out also responds to the<br />

‘emergence metaphor’ as in He did it out of despair, out of love for his family, and to<br />

the ‘object comes out of a substance’ metaphor, as in Mammals developed out of reptiles.<br />

The opposite is the ‘substance goes into the object’ metaphor, as in I made a sheet of<br />

newspaper into a plane.<br />

Off and on have converse meanings in relation to the notion of support as the Ground:<br />

the pen fell off the table onto the floor. They are used colloquially as converses in<br />

expressions such as he’s off alcohol, he’s on drugs.<br />

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Up and down are often metaphorically construed as converses, with positive and<br />

negative connotations respectively, in expressions such as as coming up in the world,<br />

going down in the world, look up to someone and look down on someone. Up north and down<br />

south reflect geographical orientation, whereas up to London, down to the country reflects<br />

the status of the capital.<br />

Through can have the meaning of completion and result: He went through a fortune<br />

in a year; I finally got through that long novel.<br />

With can metaphorically signal the manner of doing something (Say it with a smile =<br />

smiling; With a wave of his hand, he left) or result, in black with the smoke, together with<br />

increasing or decreasing value (This wine has improved with age).<br />

The following descriptive-narrative paragraphs from Graham Greene’s novel The<br />

Heart of the Matter illustrate a variety of meanings expressed by PPs:<br />

Wilson stood gloomily by his bed 1 in the Bedford Hotel 2 and contemplated his sash,<br />

which lay uncoiled and ruffled like an angry snake; 3 the small hotel room was hot<br />

with the conflict 4 between them. 5 Through the wall 6 he could bear Harris cleaning<br />

his teeth for the fifth time 7 that day. Harris believed in dental hygiene. 8 ‘It’s cleaning<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 553


my teeth before and after every meal 9 that’s kept me so well in this climate, 10 he<br />

would say, raising his pale exhausted face over an orange squash. 11 (now he was<br />

gargling: it sounded like a noise 12 in the pipes.) 13<br />

Wilson sat down on the edge 14 of his bed 15 and rested. He had left his door<br />

open for coolness 16 and across the passage 17 he could see into the bathroom. 18 The<br />

Indian with the turban 19 was sitting on the side 20 of the bath 21 fully dressed: he stared<br />

inscrutably back at Wilson 22 and bowed. ‘Just a moment, sir,’ he called. ‘If you would<br />

care to step in here’. 23 Wilson angrily shut the door.<br />

1<br />

proximity; 2 containment; 3 similarity; 4 result; 5 abstract, derived from relative position;<br />

6<br />

transversality; 7<br />

frequency; 8<br />

grammaticised prep.; 9<br />

time relative to point;<br />

10<br />

containment (metaphorical); 11 verticality + activity; 12 similarity; 13 containment;<br />

14<br />

support ; 15 part–whole;<br />

16<br />

purpose;<br />

17<br />

path;<br />

18<br />

goal;<br />

19<br />

possession;<br />

20<br />

support;<br />

21<br />

part–whole; 22 grammaticised prep. (direction); 23 direction–container<br />

59.5 GRAMMATICISED PREPOSITIONS<br />

Outlined next are some of the most common grammaticised prepositions, functioning<br />

mainly as complements of verbs.<br />

At is the preposition controlled by certain verbs such as laugh, verbs of looking<br />

– look, glance, gaze, stare – and verbs of aiming: aim, shoot at someone or something.<br />

The latter implies that the attempt failed, whereas transitive shoot + Od is effective: The<br />

terrorist shot two policemen dead (i.e. killed them; the addition of the Object<br />

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Complement dead clarifies the difference between a fatal shooting and an injury); he<br />

shot at the escaping criminal, but missed.<br />

In is used with the verbs believe, confide, trust, engage, interest and succeed (I tried to<br />

engage her in conversation, to interest them in world affairs, to get them interested in politics).<br />

On is the preposition selected by agree, rely, count, concentrate, depend, and by the<br />

ditransitive verbs feed and spend (spend a lot on entertainment; feed them on cereals).<br />

By has so many meanings in addition to those already mentioned that it appears not<br />

to call up one basic mental image. Here are just a few:<br />

Agency:<br />

Means:<br />

Extent:<br />

Time during:<br />

The goal was scored by Evans.<br />

They travelled by bus, by air, by plane.<br />

The envelopes measure 9cm by 6 cm.<br />

Travel by day or by night.<br />

By is also used with intransitive or transitive phrasal verbs: stand by, get by, pass by; Don’t<br />

let the opportunity pass you by.<br />

For is used with the verbs allow (allow for delay), ask (ask for help), (exchange) exchange<br />

one coin for another; (hope) hope for the best, (wait) I’m waiting for you.<br />

From is used with verbs of preventing (keep, discourage, exclude, exempt, prevent,<br />

restrain someone from doing something), among other meanings.<br />

554 ENGLISH GRAMMAR


Of is also highly grammaticised, and occurs after verbs (think, hear, approve, convince<br />

someone, die), adjectives (full, tired) and nouns (a bottle of wine, the home of a former PM).<br />

These and other prepositions are discussed and illustrated in the chapters referred to<br />

above.<br />

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RELATIONSHIPS: THE PREPOSITIONAL PHRASE 555


STRANDED PREPOSITIONS; MODULE 60<br />

DISCONTINUOUS PREPOSITIONAL<br />

PHRASES<br />

SUMMARY<br />

There are five clause structures in which the preposition is normally or optionally<br />

separated from its complement and placed after the verb. The prepositional phrase<br />

is then discontinuous. Inversion permits different constituents to be fronted as marked<br />

theme and so emphasised (see 28.8). In some fixed expressions discontinuity is not<br />

possible.<br />

60.1 STRUCTURES WHICH INVOLVE STRANDING A<br />

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PREPOSITION<br />

The normal order of the elements, preposition + complement, is frequently inverted,<br />

as in Who is the play by? The nominal complement is fronted to initial position in the<br />

clause, and the preposition is placed at the end, the prepositional phrase being<br />

consequently discontinuous. This is called stranding. It occurs frequently in <strong>English</strong>,<br />

particularly in the five types of sequence illustrated below. Although grammatically<br />

it is a marked form, it has become the normal, unmarked form used in conversation. It<br />

has the effect of giving prominence to certain parts of the message. The examples on<br />

the left illustrate its use, in contrast with the non-stranded order on the right, which in<br />

the bracketed examples sounds stilted or, if marked by an asterisk, ungrammatical. The<br />

other examples are all grammatical and normal.<br />

In cleft clauses<br />

It is your health I am worried about.<br />

What I am worried about is your<br />

health.<br />

[It is your health about which I am<br />

worried.]<br />

[*About what I am worried is your health.]<br />

556 ENGLISH GRAMMAR


In clauses with restrictive meaning<br />

The only thing he thinks about is his<br />

work.<br />

[The only thing about which he thinks is his<br />

work.]<br />

In passive clauses<br />

With many prepositional verbs (see 6.3), stranding of the preposition is the only way a<br />

passive can be formed:<br />

My opinion is never asked for.<br />

I don’t like being shouted at.<br />

Nobody ever asks for my opinion.<br />

I don’t like people shouting at me.<br />

In active clauses with a ‘raised object’ equivalent to sequences introduced by<br />

anticipatory it<br />

That firm is wonderful to work for.<br />

My boss is easy to get on with.<br />

It is wonderful to work for that firm.<br />

It is easy to get on with my boss.<br />

In each of these examples, the two different forms have different ‘theme’ and ‘focus’.<br />

For instance, in the last example, one structure has my boss as Theme and focuses on<br />

easy to get on with, while the other has the evaluative word easy in the Theme, and focuses<br />

on my boss (see 30.5.1).<br />

With wh-complements in interrogative and relative clauses<br />

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When the complement of a preposition is realised by an interrogative or a relative<br />

pronoun, the discontinuous structure is normal in familiar styles of expression, while<br />

the continuous (preposition + complement) order is distinctly more formal:<br />

Familiar style<br />

Who can we rely on?<br />

The person we can rely on is Tom.<br />

Formal style<br />

On whom can we rely?<br />

The person on whom we can rely is Tom.<br />

Some wh-questions admit only the discontinuous structure<br />

What’s the weather like?<br />

What have you come for?<br />

Where do we leave from?<br />

[*Like what is the weather?]<br />

[*For what have you come?]<br />

[*From where do we leave?]<br />

Short questions in response to statements or directives are very common in <strong>English</strong>:<br />

We are leaving tomorrow.<br />

I have to speak to your headmaster.<br />

We had better leave now.<br />

Where from?<br />

What about?<br />

What for?<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 557


What for? as an independent question is used as an informal alternative to why? to ask<br />

the reason for the previous statement. Discontinuous What...for? asks about the<br />

purpose of something, as in What is that tool for?<br />

Certain PPs which constitute fixed phrases are very rarely discontinuous<br />

To what extent do they disagree?<br />

In which respect do you think I am<br />

wrong?<br />

[*What extent do they disagree to?]<br />

[*Which respect do you think I am wrong<br />

in?]<br />

Finally it may be mentioned that PPs containing complex (two-word or three-word)<br />

prepositions can also be discontinuous, though perhaps less often than those based on<br />

simple prepositions:<br />

His death was due to natural causes.<br />

There are certain regulations which<br />

are in conflict with these proposals.<br />

What was his death due to?<br />

There are certain regulations that these<br />

proposals are in conflict with.<br />

The following extracts are from an interview in Play in which Iain Banks talks about<br />

things he dislikes. They illustrate in context some of the prepositions and adverb<br />

particles that we have examined in these sections (see exercise 2 for module 60):<br />

Pet hates<br />

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For me, 1 the theatre is a bit like porridge. 2 I don’t like porridge very much, but I force<br />

myself to eat it every now and again because, damn it, I am a Scotsman and I should<br />

like it. But even if I dress those rubbery oats up 3 with strawberry jam or salt, 4 I can’t<br />

get over the impression 5 that I am eating wallpaper paste.<br />

Theatre is just the same. I just don’t have the taste for it. 6 I go to see things at the<br />

Edinburgh Festival 7 now and again, but I usually find myself staring at my watch 8<br />

and wondering what time the pub shuts.<br />

I avoid opera like the plague. 9 There are two reasons for this. 10 Firstly, the plot<br />

of your average opera 11 is just nonsensical. Secondly, I detest vibrato singing. I used<br />

to think that opera singers were unfortunate people who couldn’t hit a note without<br />

warbling, 12 until my wife told me that they are trained to sound like that. 13 I was<br />

shocked. You mean they actually choose to sing in that ridiculous manner? 14<br />

That said, I have been to a few operas 15 in my time. 16 I normally just settle down 17<br />

in my seat 18 and ask whoever I am with 19 to wake me up when it is all over, or when<br />

the world ends, whichever comes first.<br />

558 ENGLISH GRAMMAR


FURTHER READING<br />

For the structure of the prepositional phrase, Halliday (1994); for the semantics of<br />

prepositional phrases in terms of Figure, Ground, Path, Talmy (1986); in terms of<br />

Trajector, Path and Landmark, Langacker (1987); for the container schema and other<br />

metaphors, Lakoff and Johnson (1980), Lakoff (1987); for an introduction to these<br />

concepts Ungerer and Schmid (1997); for grammaticised vs lexical prepositions,<br />

Huddleston and Pullum (2002); prepositions as bound vs free, Biber et al. (1999).<br />

EXERCISES ON CHAPTER 12<br />

Spatial, temporal and other relationships: The Prepositional Phrase<br />

Module 57<br />

1 Complete the PPs in these sentences with units of the classes indicated on the left:<br />

(1) NG: We were woken up by a sound like - - - - - - - - - - - - - -<br />

(2) AdjG: The couple left Scotland for - - - - - - - - - - - - - - and settled in Brussels.<br />

(3) AdvG: I was sitting in the back row and couldn’t hear the speaker from<br />

- - - - - - - - - - - - - -<br />

(4) PP. The shops are open every day except - - - - - - - - - - - - - -<br />

(5) fin. wh-cl: Can you see the sea from - - - - - - - - - - - - - - ?<br />

(6) wh + to-inf. cl: Have the judges decided on - - - - - - - - - - - - - - ?<br />

(7) -ing cl: Are you worried about - - - - - - - - - - - - - - ?<br />

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2 †Read again the conversation on ‘The Green Party’ on p. 537. Write a list of the<br />

complements of the PPs used, and say what classes of unit they belong to. Compare the<br />

relative frequency of the classes. Which classes are not represented in this text?<br />

3 Insert suitable modifiers of the types indicated, before the PPs marked in the following<br />

sentences. Refresh your memory first by re-reading the examples in Section 57.5:<br />

Grading<br />

(1) His proposals for changes in the public transport system are - - - - - - - - - - - - - - in line<br />

with the opposition party<br />

(2) However, they also go - - - - - - - - - - - - - - against public opinion.<br />

Intensification<br />

(3) Many villages isolated by the snow were left - - - - - - - - - - - - - - without electricity for<br />

several days.<br />

(4) Our plane flew - - - - - - - - - - - - - - over the North Pole.<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 559


Attenuation<br />

(5) I am - - - - - - - - - - - - - - in agreement with you.<br />

(6) We moved to this area for financial reasons, but also - - - - - - - - - - - - - - on account<br />

of my health.<br />

Quantification<br />

(7) Archaeologists found prehistoric remains - - - - - - - - - - - - - - below the surface.<br />

(8) You would have to travel - - - - - - - - - - - - - - into space to find another planet like the<br />

earth.<br />

Description or viewpoint<br />

(9) As a journalist, he is - - - - - - - - - - - - - - out of touch with what’s going on in the<br />

developing countries.<br />

(10) Certain industries that have not been modernised are now finding themselves - - - -<br />

- - - - - - - - - - without resources to be competitive.<br />

Focus or reinforcement<br />

(11) The barmen told the boys that alcohol was served - - - - - - - - - - - - - - to persons over<br />

eighteen.<br />

(12) She got the job - - - - - - - - - - - - - - because of her knowledge of Arabic.<br />

Module 58<br />

1 †To illustrate the syntactic potential of PPs in <strong>English</strong>, re-read the conversation about animals<br />

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on p. 533 and identify the syntactic function of each PP.<br />

2 †In the following sentences, classify the italicised words as prepositions or adverbs. Can<br />

you spot the one which is neither a preposition nor an adverb?<br />

(1) The children had left their toys lying about all over the floor.<br />

(2) Our friends live just across the road from us.<br />

(3) It’s cold on deck. Why don’t you go below to your cabin?<br />

(4) Some people have the telly on all day.<br />

(5) Keep on walking.<br />

(6) Keep on the right side.<br />

(7) We usually go to a little pub up the street.<br />

(8) Come on, drink up your beer.<br />

(9) Tell me all about what happened.<br />

(10) I’ll run off enough copies for all the students.<br />

(11) Everything is going to change in the near future.<br />

(12) In debates he puts his ideas across very well.<br />

(13) Some plants can live at temperatures below freezing.<br />

(14) The picture is not finished yet, but I’ll paint in the sky later.<br />

(15) There were just a few light clouds high up in the sky.<br />

(16) We’re a long way off understanding the real causes of this situation.<br />

560 ENGLISH GRAMMAR


Module 59<br />

1 †Identify the different contextual meanings of the preposition over in the following<br />

(1) They built a bridge over the river.<br />

(2) We live over the road.<br />

(3) I weigh over 80 kilos.<br />

(4) He looked at the blue sky over his head.<br />

(5) We had to climb over the wall.<br />

(6) She laid a blanket over his bed.<br />

(7) The baby fell over a toy.<br />

(8) The thief knocked me over the head.<br />

2 Work in pairs or small groups, as follows:<br />

(1) Choose one of the simple, frequently used prepositions, e.g. for, at, from, with,<br />

through, on, etc.<br />

(2) Collect a good number of examples of the use of the chosen preposition, by<br />

consulting various dictionaries, periodicals, books or spoken sources.<br />

(3) Arrange the examples in groups that have a common and reasonably definable<br />

meaning.<br />

(4) Study the groups and observe how close the meanings are: (a) within each group;<br />

(b) between the groups.<br />

(5) In the light of your observations, try to formulate a core meaning, either for the<br />

general meaning of the preposition or for the meaning of each group.<br />

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3 Work in pairs or small groups as before:<br />

(1) Choose one of the following sets of spatial prepositions: (a) by, beside, close to,<br />

near to, next to or (b) under, underneath, beneath, below.<br />

(2) Collect examples of their use in their ordinary spatial senses.<br />

(3) Test the prepositions for substitutability one for another, and try to explain in what<br />

ways and to what extent they differ in meaning and use.<br />

4 †There are many fixed PPs in common usage. Can you formulate for each of the following<br />

four sets a basic meaning relating the preposition to the five complements?<br />

at once on duty out of work in a hurry under stress<br />

at times on purpose out of practice in full view under control<br />

at sea on business out of fashion in luck under-privileged<br />

at work on time out of sight in labour under the tyrant’s thumb<br />

at war on holiday out of breath in charge under-weight<br />

5 †The following sentences all express processes taking place in a period of time. Can you<br />

explain the different semantic relations between process and period which motivate the<br />

choice of a different preposition in each sentence?<br />

RELATIONSHIPS: THE PREPOSITIONAL PHRASE 561


(1) I have worked here for two years.<br />

(2) I have been happy here over the two years.<br />

(3) We have had problems during the two years.<br />

(4) We have lived through two years of problems.<br />

(5) There has been steady progress throughout the two years.<br />

(6) The building will be finished in two years.<br />

(7) The building will be finished within two years.<br />

6 †The following incident from the autobiography of Shirley MacLaine, Don’t Fall Off the<br />

Mountain, includes many examples of location and change of location. Suggest a semantic<br />

function such as Source, Path, Location, Goal for each numbered phrase:<br />

Late one evening on our way home 1 from the studio, 2 we pulled up at a red light. 3<br />

As we chatted quietly about the day’s work, 4 something suddenly kicked us in the<br />

rear 5 and my feet went over my head. 6 I reached out for Steve, 7 screaming. I didn’t<br />

know where down was, and my head wouldn’t move on my neck. 8 The car came to<br />

a halt. 9 We had been knocked sixty feet to the opposite side 10 of the highway 11 into<br />

the path 12 of oncoming traffic. 13 Our trunk was in the front seat 14 and Steve was<br />

pinned under it. 15 ‘Are you all right?’ he called to me. 16 He was twisted out of shape 17<br />

on the floor, 18 with one arm tangled in the steering wheel. 19<br />

7 Use the following in sentences to show the difference in meaning between the two members<br />

of each pair:<br />

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in view of in search of in contact with<br />

in the view of in the search for in our contact with<br />

8 Many verbs and adjectives allow only one or two specific prepositions. Try testing your<br />

knowledge of the prepositions selected by the following items:<br />

Verbs Adjectives Nouns<br />

ask plot bored aware answer<br />

agree hope tired surprised damage<br />

amount pay delighted prone desire<br />

appeal suffer anxious related search<br />

depend complain sorry fraught anger<br />

point insist suspicious lacking effect<br />

9 Words related in meaning though of different class usually occur with the same preposition,<br />

though not always. Illustrate this by composing sentences with the following related words:<br />

to rely reliant reliance<br />

to care careful care<br />

to boast boastful boast<br />

grateful gratitude<br />

furious fury<br />

562 ENGLISH GRAMMAR


Module 60<br />

1 †Rewrite these sentences with a stranded preposition, beginning each one as indicated.<br />

(1) I am most interested in the ecological consequences of this project. – It is the - - - -<br />

- - - - - - - -<br />

(2) You must be particularly careful about your money when walking in the streets. –<br />

What you must be - - - - - - - - - - - -<br />

(3) I haven’t yet paid for the meals. – What - - - - - - - - - - - - the meals.<br />

(4) I find it difficult to talk to my parents. – I find my - - - - - - - - - - - -<br />

(5) In what do you believe then? What - - - - - - - - - - - -<br />

(6) On which flight did you say we are booked? Which flight - - - - - - - - - - - - ?<br />

(7) We are collecting this money in aid of the refugees. Who are you - - - - - - - - - - - ?<br />

(8) Caracas is the capital of Venezuela. Which country - - - - - - - - - - - - ?<br />

(9) The caretaker said that you can’t park in this parking place. Which parking-place<br />

did the caretaker - - - - - - - - - - - - ?<br />

2 †Read again the extract ‘Pet Hates’ at the end of Module 60 (p. 558). Comment on the<br />

numbered items in ways relevant to the contents of this chapter.<br />

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RELATIONSHIPS: THE PREPOSITIONAL PHRASE 563


ANSWER KEY<br />

CHAPTER 1<br />

Module 1<br />

1 (1) participant; (2) participant; (3) circumstance; (4) circumstance; (5) participant.<br />

2 (1) Adjunct; (2) Subject; (3) Direct Object; (4) Subject; (5) Adjunct.<br />

Module 2<br />

3 (1a) No; (1b) Yes; (1c) No; (1d) No; (2a) No; (2b) No; (2c) Yes; (2d) No.<br />

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4 (1) independent; (2) verbless (3) dependent non-finite (as in Not being a tele viewer<br />

myself, 1 have no preferences as regards programmes; it could also be embedded, as in<br />

Not being a televiewer myself does not worry me); (4) dependent finite; (5) independent;<br />

(6) abbreviated; (7) verbless; (8) dependent finite; (9) dependent finite; (10)<br />

independent.<br />

5 (1) NG; (2) AdjG; (3) PP; (4) AdvG; (5) VG; (6) AdjG; (7) NG; (8) PP.<br />

Module 3<br />

6 (1a) finite independent are 3, 4, 5, 6, 10; (1b) finite embedded are 7, 8; (1c)<br />

abbreviated are 1, 2; (1d) verbless is 9; (2) 1 and 2; 4 and 5; 7 and 8; (3) 1, 2, 5, 8,<br />

9; (4) All the coordinated elements are recursive. These include, as well as the<br />

clauses: coordinated colour nouns as c in PP (of reds and blues, golds and silvers,<br />

greens and purples); adjectives as modifiers in NG (louder and louder yes; bold, exotic<br />

and decidedly unnatural colors); mixed modifiers in NG (inexpensive, temporary, haircoloring<br />

products; shocking British and American punk emblem); nonfinite -ing forms<br />

in VG (streaking, squiggling and dotting).<br />

Possibly, the use of elements of equal syntactic status in this text provides, first,<br />

an element of suspense by means of the conjoined abbreviated interrogative clauses,<br />

and then a cumulative effect of movement and colour, which mirrors the notions<br />

expressed and is therefore to some extent iconic.<br />

564 ENGLISH GRAMMAR


7 (1a) It won’t be difficult . . . (1b) Won’t it be difficult...(2a) Sheila hasn’t anything/<br />

has nothing to tell you. (2b) Hasn’t Sheila anything/ Has Sheila nothing to tell<br />

you. (3a) No-one has left a bag on a seat in the park, (3b) Hasn’t anyone/ Has noone<br />

left a bag. ...(4a) He doesn’t know anyone/ He knows no-one who lives in<br />

Glasgow; Doesn’t he know anyone . . ./ Does he know no-one . . . (5a) It isn’t worth<br />

going/ It’s not worth going to see any of those pictures. Isn’t it worth going to see<br />

any of those pictures?<br />

8 (1) any (in an interrogative clause); (2) ever . . . anything (hardly is a semi-negative<br />

word) (3) anywhere/ anything/ any place (in an embedded clause after negative<br />

don’t think); (4) anyone/ anybody (in an embedded clause after negative don’t<br />

remember).<br />

9 (1) The alternative negative forms never in (a) and not ...ever in (b) establish<br />

negative clauses and within this scope are followed by non-assertive items such as<br />

any. (1c) by contrast contains ever, which is not a negative word, but a non-assertive<br />

word. The clause is therefore not negative as it would be with never, but neither is<br />

it correctly positive.<br />

(2) Similarly, no-negation and not-negation are used correctly in (a) and (b)<br />

respectively. In (c) as anybody is non-assertive but not negative, it can’t make a<br />

clause negative.<br />

CHAPTER 2<br />

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Module 4<br />

1 (1) (since my father’s day); (2) (briefly) (to Mrs Davies); (3) (at the time); (4) none;<br />

(5) none; (6) (in the park); (7) (before the fall of the Berlin Wall) (practically);<br />

(8) (just); (9) (insistently) (at six o’clock in the morning) (on a cold November day);<br />

(10) (for the fifth time) (on Monday). Note that although 10 is grammatically complete,<br />

the use of the past tense ‘became’ creates expectations of at least an adjunct<br />

expressing a point in time (see Chapter 7). With a present perfect ‘has become’ this<br />

would not be the case.<br />

Module 5<br />

1 Position in relation to the verb in a declarative clause (All except (1) and (8);<br />

Position in interrogative clauses (1) and (8). Ellipted in conjoined clauses with same<br />

subject (3). Concord with verb (all except (7) which lacks number agreement.)<br />

Realisations: pronouns, subjective forms (all, note ‘which’ in (6)) there (6); dummy<br />

it (4). The criterion not represented is the question tag.<br />

2 (1) the use of caves for smuggling; (2) there (Subject place-holder), half a dozen<br />

men (notional Subject); (3) the light of a torch; (4) what the critics failed to<br />

understand; (5) the list of people who she says helped her; (6) it (anticipatory) to<br />

meet him before he died (extraposed Subject); (7) Run like mad; (8) it (anticipatory)<br />

ANSWER KEY 565


to tell the neighbours you are going away on holiday (extraposed Subject); (9) it<br />

(anticipatory) that there is no real progress (extraposed Subject); (10) reading in a<br />

poor light.<br />

3 (1) It surprised us that Pam is seeking a divorce. (2) It was bad manners, really,<br />

to leave without saying goodbye. (3) It doesn’t interest me who she goes out with.<br />

(4) It requires a lot of nerve for such a man to succeed in the world of politics.<br />

(5) It is obvious that recognising syntactic categories at first sight is not easy.<br />

4 (1) lies, finite; (2) is, finite; (3) called, non-finite; (4) is, finite; (5) quarried, finite;<br />

(6) and (7) decorating, filling, non-finite; (8) laid, finite; (9) surrounded, finite; (10)<br />

making, non-finite. Note that dried up, mummified and bejewelled do not realise clause<br />

constituents but are participial modifiers in nominal groups.<br />

Module 6<br />

1a (1)most of my life (NG); (2) the door (NG); (3) that foreign doctors were not allowed<br />

to practise in that country (finite that clause); (4) very little (AdvG as quantifier);<br />

(5) discretion (NG); (6) what they believe to be sunken treasure (nominal relative<br />

cl.); (7) Anticipatory it as place-holder; that the money will be refunded as extraposed<br />

object. (8) that many will survive the long trek over the mountains (finite<br />

that-clause); (9) what is the use of all this (wh-interrogative clause); (10) a ton of<br />

gravel (NG).<br />

1b All the NGs are prototypical, except (5) discretion, which is non-prototypical. The<br />

verb ‘lack’ does not passivise. However, in other respects, ‘discretion fulfills the<br />

criteria for Od. (4) ‘very little’ might be considered as an ellipted NG, but in this<br />

case the ellipted part is not as easily recoverable as it is in ‘we ate very little’ i.e.<br />

(food). The that-clauses are less prototypical realisations, as are the wh-clauses, but<br />

are nevertheless perfectly normal. Anticipatory it is not prototypical, but is a<br />

requirement in extraposition.<br />

2a (1)S and Od NGs; (2) S-NG. Od that-cl; (3) Od-NG; (4) S-NG, Od-NG; (5) S-ellipted<br />

(they), Od-that-cl.; (6) S-NG and name in apposition, Od-NG; (7) S-NG; (8) S-pron;<br />

(9) S-pron; (10) S-there.<br />

2b Realisations of Subject: there are 3 long and heavy ones, the rest short and one<br />

ellipted. Object: the opposite occurs: All are long and heavy, carrying a lot of<br />

information. Heavy S and Od occur in ‘reported speech’, the short subjects occur<br />

in ‘direct speech’. The heaviness is a direct result of the amount of information<br />

conveyed. The subject in (5) is the same as that of (4), ellipted in coordinated<br />

clauses. The subject in (8) refers to the whole of (7).<br />

3 (1) Recipient; (2) Beneficiary; (3) Beneficiary; (4) Recipient; (5) Recipient;<br />

(6) Beneficiary; (7) Recipient; (8) Beneficiary.<br />

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4 (1) put off (phrasal, trans.;) stare + prep at; (2) approve + prep of; (3) get back<br />

(intrans phrasal); (4) break into (prepositional); (5) turn up (intrans phrasal); (6) get<br />

at (prepositional); (7) come up to (phrasal prepositional; (8) intrans phrasal (ellipted<br />

version of prepositional get off (the bus/train).<br />

566 ENGLISH GRAMMAR


5a (a) Prepositional Object; (b) Adjunct; (c) Adjunct; (d) Prepositional Object.<br />

Sentences (a) and (d) can be passivised, and the verb + preposition have lexical<br />

equivalents (rehearse and be wise to, respectively. Sentences (b) and (c) don’t have<br />

these possibilities. In (b) through the streets can be fronted, but (c) through the trees<br />

can’t, presumably because see is not a verb of movement.<br />

5b In run up large bills, run up is a transitive phrasal verb, with large bills its Od. Run up<br />

can be discontinuous, as in she ran large bills up. But up large bills is not a constituent,<br />

and consequently can’t be fronted. Furthermore, only directional/locative adverbs<br />

in phrasal verbs can be fronted. Up in Run up bills is not directional/locative, whereas<br />

in run up the stairs it is.<br />

5c In one meaning on the bus is a locative Adjunct; in another, on the bus is a<br />

Prepositional Object, equivalent to she opted for the bus.<br />

5d He rode out; we swam across; they jumped over; get in, all of you!<br />

Module 7<br />

1 (1) not very hard Cs (AdjG) to be able to laugh and to cry Cs (conjoined to-inf<br />

clauses; (2) fit for the task Co (AdjG); (3) a multi-million pound industry Cs (NG);<br />

(4) what Co (pronominal head of NG); (5) a series of accidents Cs (NG), what he<br />

thinks Cs (finite nominal clause); (6) accessible to a wide public Co (AdjG);<br />

(7) unexpectedly cold (AdjG); (8) happy Co (AdjG); (9) utterly miserable Cs (AdjG);<br />

(10) illegal Co (AdjG).<br />

2a (1) healthy; (2) smart; (3) one of the most efficient ways of getting about; (4) so<br />

versatile as transport or for simple pleasure; (5) to work (6) fit; (7) effective exercise.<br />

All are Subject Complements except (5) Locative/ Goal and (6) Object Complement.<br />

The particles of phrasal verbs in (3) about and in sitting down, because predicted<br />

by the verb, can be considered circumstantial Complements.<br />

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Module 8<br />

1 (1) for five years, circ.; (2) first, then, after that, connectives; (3) allegedly, hearsay<br />

evidential; under the barbed wire, circ. directional/locative Complement; to reach the<br />

arms depot, circ. purpose; (4) hopefully, stance, attitudinal; (5) shaped like a spiral<br />

staircase, supplementive.<br />

2 (1) the gang’s hideout is Direct Object, without much difficulty is Adjunct; (2) the gang’s<br />

hideout is Direct Object, more elaborately equipped with technology than they had<br />

expected is Object Complement.<br />

3 The sun | never | sets | on the tourist empire.|| But<br />

S A P A (conj.)<br />

NG Adv. VG PP<br />

travel pictures, business contracts and sports programmes|<br />

S<br />

NG + NG (conj.) + NG<br />

ANSWER KEY 567


don’t tell | the full story:|| getting there | may be | no fun at all.<br />

P Od S P Cs<br />

VG NG -ing cl. VG NG<br />

(appositive clause..........................)<br />

|| Aircraft | perform | flawlessly,|| but what|<br />

S P A (conj) S<br />

NG VG Adv WH<br />

happens | to passengers, flight crews and cabin staff?||<br />

P<br />

Ob<br />

VG<br />

PrepG + (ellipted prep. + 2 NGs)<br />

Jet lag.|| A mass phenomenon, almost as universal as the common cold.||<br />

Verbless cl.<br />

verbless cl.<br />

NG NG Supplementive<br />

CHAPTER 3<br />

Module 9<br />

1 Exclusively intransitive (a): 2, 4 and 8. Those that can function either as intransitives<br />

or transitives: (b) 1, 3, 5, 6, 7, 9 and 10.<br />

2 (a) Objects unexpressed by social convention 1, 3, 7, 9, 10. (b) With implied<br />

reflexive meaning 6 (adapt himself). (c) With reciprocal meaning 2 (collided with<br />

each other).<br />

3 A valency of 4: for example, I, [PAY] Tom, a lot of money, for his mountain bike<br />

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Module 10<br />

1 (1) reason with: Cecil can’t be reasoned with; (2) dispose of: Old, broken furniture is not<br />

easily disposed of, (3) call on: The Minister of Defence will be called on . . .; (4) aim at:<br />

The target that is being aimed at . . .; (5) keep to: Your schedule should be kept to ...<br />

Module 11<br />

1 (2) I doubt whether we have enough petrol to reach Barcelona. (3) Who knows<br />

whether/ if there is an emergency kit in the building. (4) I asked where the nearest<br />

Metro station was. (5) We have all agreed (on it) that you keep/should keep the<br />

keys. (6) The Under-Secretary can’t account for the fact that some of the documents<br />

are missing. (7) I suggest he look/should look/looks in the safe. (8) The spokesman<br />

confirmed what we had just heard. (9) We must allow for the fact that he has<br />

been under great strain lately. (10) Will you see to it that these letters are posted<br />

today, please?<br />

2 (1) clause containing NG placed between main clause and that-clause favours<br />

retention of that, despite co-referential pronoun in that-cl.; (2 )think in previous cl.,<br />

568 ENGLISH GRAMMAR


followed by pronoun in that-cl. favours omission of that. (3) Say + co-referential<br />

pronoun in that-clause. Think followed by pronoun in that-clause.<br />

3 (a) noun head (proper name) in the that-clause favours retaining that; (b) verbs say<br />

and think followed by pronouns in that-clauses favour omission.<br />

4 1st that-cl. as Od complement of says: he’s really sorry he said he’d take someone<br />

else to the dance.<br />

2nd that-cl as complement of sorry: he said he’d take someone else to the dance.<br />

3rd that-cl as complement of said: he’d take someone else to the dance.<br />

5 (1) indirect interrogative; (2) nominal relative; (3) embedded exclamative/ indirect<br />

interrogative; (4) indirect interrogative; (5) embedded exclamative (6) nominal<br />

relative nominal relative.<br />

6a Suggest does not take to-infinitive complements. (It takes non-finite -ing-complements<br />

when only the same subject is involved, and finite that-clause complements when<br />

a different subject is involved.)<br />

6b Explain does not allow an Indirect Object (me). But it does allow a prepositional<br />

Object (to me). Otherwise just the that-clause Object.<br />

Module 12<br />

4 (1) He never allowed/Thomas/to drive the jeep in his absence./ V+NG+toinf<br />

cl.<br />

(2) The shopkeeper asked/me/what I wanted./ V+NG+wh-interrog cl.<br />

(3) His powerful imagination makes/ him/quite different from the others./<br />

V+NG+AdjG<br />

(4) Keep/ your shoulders/straight./ V+NG+AdjG<br />

(5) He left/her/sitting on the bridge./ V+NG+ -ing cl.<br />

(6) They like/their next-door neighbours to come in for a drink occasionally./<br />

V+to-inf cl. with overt subject<br />

(7) I would prefer/Mike to drive you to the station./ V+to-inf with overt subject<br />

5 (all patterns) 1 V+NG+ wh-cl. (if =whether); 2 V+NG+to-inf. cl., 3 V+that-cl. with v in<br />

subjunctive mood; 4 and 5 V+NG+Adjunct; 6 V+PP; 7 V+NG+that-cl.+ to-inf. cl. as<br />

adjunct, 8 V+NG+that-cl., 9 V+NG+wh-(if =whether)cl.; 10 V+NG+that-cl.; 11 V+thatcl.,<br />

indicative; 12 V+NG+to-inf.cl.<br />

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CHAPTER 4<br />

Modules 13 and 14<br />

1 (1) material; (2) mental; (3) relational; (4) mental; (5) material; (6) relational.<br />

2 (1a) Teach has a semantic valency of 3: it is trivalent. In 1a all the participants are<br />

actualised. In 1b they are reduced to 2, and in 1c they are reduced to 1.(2) Bite has<br />

ANSWER KEY 569


a semantic valency of 2. In this example only one is actualised, the valency is<br />

reduced to 1. (3) Purr has a valency of 1, as in this example.<br />

3 (1) Subject-filler; (2) participant (the sum of ten pounds; (3) participant (the baby);<br />

(4) participant (the bicycle); (5) Subject-filler.<br />

4 Suggested participants might be: (1) a strong wind; (2) waves; (3) tide; (4) river;<br />

(5) landslide.<br />

6 (1) Agent; (2) Affected; (3) Agent; (4) Affected; (5) Affected.<br />

Module 15<br />

1 (1) Yes; Most Prime Ministers age prematurely; (2) No; (3) Yes; The sky darkened;<br />

(4) No; (5) Yes; His brow wrinkled; (6) Yes; The camera clicked; (7) Yes; The load of<br />

sand tipped onto the road; (8) Yes; The company’s sales have doubled.<br />

2 (1, 6 and 7) the facility to undergo the action expressed; (2) acted upon; (3) acted<br />

upon; (4) acting Agent; (5) acting Agent.<br />

3 (a) is transitive-causative: Sarah causes the rice to cook; (b) is transitive with an<br />

unactualised Affected participant; (c) is anti-causative. It forms an ergative<br />

alternation with (a); (d) cook is basically a bivalent process, but in this case its<br />

valency is reduced to 1 (the same applies to (b); (e) is a pseudo-intransitive involving<br />

the facility of rice to undergo cooking; (f) Do you often hear of persons being<br />

cooked?<br />

4 All the italicised verbs are used causatively in this extract. (Wither = make x shrivel<br />

and dry up; stale = make x stale; cloy= make x sick with sweetness; satisfy = make<br />

x satisfied). The Affected participant is different in each case and only the first two<br />

refer to Cleopatra.<br />

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Module 16<br />

1 (1) Recipient; (2) Recipient; (3) Beneficiary; (4) Beneficiary; (5) Recipient.<br />

Module 17<br />

1 1) cognition, Ph=entity; (2) perception, Ph=entity; (3) cognition, Ph=fact;<br />

(4) affectivity, Ph=situation; (5) behavioural, Ph=entity, or rather, an event,<br />

(6) cognition, doubt; (7) cognition, fact; (8) perception (sense of taste), Ph=entity.<br />

2 (1) The members of the commission were not pleased by/with either of the<br />

proposals. (2) We were amazed at/by his presence of mind. (3) The government<br />

is alarmed at/by the dramatic increase of crime in the cities. (4) She is worried by<br />

the fact that she seems unable to lose weight. (5) Will your wife be annoyed by the<br />

fact that you forgot to phone?<br />

570 ENGLISH GRAMMAR


Module 18<br />

1a (1) instantation of a type, attributive, Carrier-Attribute; (2) the same as 1; (3)<br />

identifying, Identified-Identifier; (4)attributive, Carrier-Attribute; (5)possessive,<br />

Possessor-Possessed; (6) circumstantial; Carrier-(intensive)-circumstance; (7)<br />

identifying, Identified-Identifier; (8) identifying, Identified-Identifier.<br />

1b (7) Food (Identified/Token) is the supreme symbol (Identifier/Value).<br />

(8) What we call civilisation or culture (Identified/Value) represents only a fraction<br />

of human history (Identifier/Token).<br />

2 (1) e.g. exhausted, resulting; (2) e.g. safe,current; (3) e.g. risky, profitable etc,<br />

resulting; (4) e.g. still, current; (5) free, current.<br />

Module 19<br />

1 (1) reported directive, with to-infinitive cl., (2) reported quote, as in ‘No smoking’<br />

or reported statement, with that-cl.; (3) reported statement, with that-cl.; (4)<br />

reported question, with wh-cl.; (5) either a reported question (expressed by a<br />

wh-clause) or a reported directive (expressed by a to-infinitive clause); (6) either<br />

a reported statement (expressed by a that-clause) or a reported directive (expressed<br />

by a to-infinitive clause); (7) reported statement or (if suitably modalised) a reported<br />

directive, e.g. that passengers should proceed to Gate number 2; (8) reported<br />

statement, with that-cl.<br />

2b There could be omitted from (4) and (5) since each has a ‘presentative’ locative<br />

Adjunct in initial position.<br />

3 This explanation applies equally well to the instances of there omission in The Lost<br />

Girl.<br />

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Modules 20 and 21<br />

1 (1) time (distribution); time (location); (2) manner (means); (3) contingency<br />

(concession); (4) contingency (cause); (5) goal/destination in time; (6) contingency<br />

(reason); (7) role (capacity); (8) matter.<br />

2 (1) Instrument; (2) Range; (3) Range; (4) Instrument; (5) Range.<br />

Module 21<br />

1 (1) We chatted for a long time; process is realised as entity (chat), circumstance (for<br />

a long time) as part of entity. (2) X continued to drop bombs (on Y) throughout the night;<br />

process as entity (bombing). (3) An election campaign that would last for 50 days was<br />

launched in Canada last weekend; circumstance of place (locative) as entity (Canada),<br />

process as entity (launch), new process see, circumstance (extent in time) as part of<br />

entity (50-day). (4) Because he (Franz Josef Strauss) was obviously intelligent and spoke<br />

exceptionally well in public, Konrad Adenauer appointed him minister without portfolio<br />

in his cabinet in 1951; Attribute as entity (his obvious intelligence), circumstance<br />

ANSWER KEY 571


(reason) as entity (exceptional oratory), both of these being causative Agents in the<br />

metaphorical version won him a place. (5) X was released after people in Washington<br />

had been increasingly expecting throughout the day that the hostage who would be released<br />

would be Professor Steen, aged 48; processes as entity (release and expectations),<br />

circumstance as part of entity (rising).<br />

3 We have seen that nominalisation and grammatical metaphor tend to reorganise<br />

an experience in terms of abstractions rather than persons as Agents. This in itself<br />

results in lower transitivity than when the sentence contains an Agent. Verbs tend<br />

to be relational (be, have) or if they are material (won) or mental (see) they do not<br />

have their basic meaning, although they can occasionally have endpoints. Objects<br />

are rarely Affected.<br />

CHAPTER 5<br />

Module 22<br />

1 Except for the first line and the last, each line of the text consists of one positive<br />

declarative clause, with Subject-Finite structure. There are primary auxiliaries as<br />

operators (is, are,) the modal auxiliary may, and the rest are finite lexical verbs.<br />

They all make statements, whose purpose is to persuade the reader that software<br />

is better than paper. Punctuation could be by semi-colon or comma. The first line<br />

is a PP functioning as an Adjunct and does not require punctuation. The last is an<br />

imperative, exhorting the reader to opt for the better choice, and could be followed<br />

by an exclamation mark.<br />

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Module 23<br />

1 (1) positive declarative; Yes; (2) exclamative; Yes; (3) and (6) imperative; No, they<br />

introduce an illustration; (4) and (7) modalised declaratives, giving an opinion;<br />

(5) wh-interrogative + intensifier, rhetorical question; (8) whenever is an adverb of<br />

frequency, and does not introduce a wh-question.<br />

2 (1) I am not going . . ./ Aren’t you going . . .? (2) Nadine’s Mum didn’t buy . . ./<br />

Didn’t Nadine’s Mum buy ...?(3) He doesn’t tell/ Doesn’t he tell ...?(4) Sheila<br />

didn’t know . . ./ Didn’t Sheila know . . .? (5) Bill didn’t take on . . ./ Didn’t Bill take<br />

on...?<br />

3 (1) What’s your name?; (2) What is your address? (3) Where were you born? (4)<br />

Are you using eye drops? (5) Do your eyes smart? (6) Do you take any medicines?<br />

(7) Do you wear spectacles/glasses? (8) How long have you been wearing them?<br />

(9) Are you allergic to anything? (10) When did you start to have visual problems?<br />

4 Abbreviated clauses have the same polarity as the previous utterance, and are<br />

typically said by a partner in the conversation. Question-tags usually have reversed<br />

polarity, and are typically said by the speaker making the previous utterance.<br />

5 (a) wh-type; (b) Why Ellie has gone pink, i.e. is blushing; (c) No, 2 and 4 are not<br />

answers; (d) In 2: exclamation and question tag. In 4: ellipted clause.<br />

572 ENGLISH GRAMMAR


6 (1) Yes it does, No it doesn’t; (2) Yes, I have, No, I haven’t; (3) Yes, I will/shall,<br />

No, I won’t/shan’t; (4) O.K. All right/Let’s; Oh no, let’s not sit down.<br />

7 (1) isn’t it? (2) haven’t you?/have you? (3) doesn’t she? (4) will you? (5) won’t/can’t<br />

you? (6) didn’t he?/did he? ((7) don’t they? (8) did he?<br />

Module 24<br />

1 (1) vocative, (2) Somebody: subject-vocative; dear: endearment, vocative; you:<br />

subject, contrastive; (3) Everybody (initial), subject-vocative, (final) vocative;<br />

(4) vocative; (5) subject; (6) subject-vocative.<br />

2 (1) pragmatic particle introducing a wish (optative mood); (2) 2nd person<br />

imperative (= ‘allow’); (3) optative. Type c, suggesting a joint action, is not represented,<br />

no doubt because Gore did not win the election and so was not in a position<br />

to invite the American people to collaborate in joint action with him.<br />

Module 25<br />

1 (1) Yes; (2) Yes; (3) Yes; (4) No; (5) Modalised performatives are less explicit, but<br />

yes, it counts; yes; (6) Yes; (7) No, the speaker is assuring, not promising; (8) Yes;<br />

(9) No, it means ‘I suppose’; (10) Yes, this really was a wager. The ’ll form is<br />

conventionally used with ‘I bet’.<br />

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Module 26<br />

1 (1) yes/no (‘polar’ is also used) interrog., query; (2) verbless clause; offer;<br />

(3) modalised yes/ no interrog., polite request; (4) wh-interrog., rhetorical question;<br />

(5) declarative, leading question (with marker); (6) polar interrog., exclamation; (7)<br />

wh-interrog., rhetorical question; (8) polar interrog. as preliminary to request; (9)<br />

declarative as leading question (with marker); (10) the same, but negative.<br />

2 (1) any; (2) some; (3a) anything; (3b) nothing; (4) anyone/ anybody; (5) anywhere;<br />

(6) some.<br />

Module 27<br />

2 (a) Uncooperative: Yes, I would mind (without signing). Cooperative: No, I wouldn’t<br />

mind/ Not at all (signing); (b) Yes, without explaining, or No; Yes (explaining);<br />

(c) The butler is reacting to the pragmatic meaning of an order, and says ‘yes’ in<br />

compliance; (d) He might say ‘Not at all, sir’.<br />

4a (1) declarative, explicit performative; (2) negative imperative; (3) declarative,<br />

modalised performative; (4) nominal group; (5) passive declarative; (6) modalised<br />

polar interrog.; (7) passive declarative, performative; (8) declarative, explicit<br />

performative of thanking (although the thanking is given beforehand!).<br />

4b 1–5 are orders (4 and 5 are more specifically prohibitions), 6–8 are requests, 8 is an<br />

indirect request.<br />

ANSWER KEY 573


5 (1) Wh-interrogative, question, but also disapproval, as is clear from (8); (2) answer,<br />

statement; (3) declarative, statement (+ aggrieved protest); (4) declarative, apology;<br />

(5) declarative, explanation/excuse in answer to (3); (6) declarative, explanation<br />

of (5); (7) acceptance of explanation; (8) declarative, statement + disapproval;<br />

(9) invitation/polite order.<br />

6 (1) reprimand; (2) request; (3) request; (4) offer; (5) permission; (6) suggestion.<br />

8 (1) indirect request following reason for request; (2) ignoring the reason and<br />

refusing the request; (3) and (4) further reasons for request; (5) suggestion;<br />

(6) challenge; (7) provocation; (8) suggestion; (9) explanation; (10) order;<br />

(11) provocation; (12) provocation; (13) warning; (14) threat; (15) threat; (16) selfidentification/<br />

implied warning; (17) request; (18) apology; (19) excuse.<br />

CHAPTER 6<br />

Module 28<br />

1 (1) Paul, unmarked; (2) Abruptly, marked, Adjunct; (3) Is he, unmarked;<br />

(4) Celebrating her victory today, marked, non-finite Predicator + operator is;<br />

(5) freezing cold, marked, Subject Complement; (6) meet, unmarked; (7) In the<br />

American soft-drink industry, marked, Adjunct; (8) For months, marked, Adjunct;<br />

(9) crazy, marked, object complement; (10) Never again, marked, negative Adjunct.<br />

2 (1) all of these I bought him; (2) fun you call it; (3) most of it we already knew;<br />

(4) Government spokesman he is; (5) get there I did.<br />

3 (1) The two topic entities in the paragraph are Mrs Mooney and Mr Mooney. Mrs<br />

Mooney is introduced as primary topic referent at subject in an intransitive (copular)<br />

clause. Mr Mooney is first introduced as ‘her father’s foreman’, as object of the verb<br />

marry. He is later identified as Mr Mooney, as subject of an intransitive verb go (to<br />

the devil). The topical referent chains are maintained mainly by means of anaphoric<br />

reference realised by personal pronouns. One chain is initiated by Mrs Mooney, and<br />

continues with she ...herself ...she . . . (zero). Another chain is initiated by Mr<br />

Mooney and continues with he . . . (zero) ...him ...he. In the last four lines the two<br />

topic referents appear together with Mr Mooney as primary topic referent, at<br />

subject, and Mrs Mooney as second topic referent at object (he ...his wife). The<br />

last line has both of them together (they) as subject. That refers to the events related<br />

in the previous sentence One night he went for his wife, etc. until the end of the<br />

sentence.<br />

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Module 29<br />

2 (1) SAY; KNOW; HEAR; ANYthing; TOLD; ROOM; CARE; DO; TALK; ALways;<br />

(2) marked focuses are CARE, DO and ALways.<br />

4 The intonation nuclei could be assigned as follows: EGG; YOU; YOU; YOU’RE; I;<br />

NO; ARE; COOKing; yourSELF; THAT; I’LL; I’LL; DO; NO; DON’T; YOU; EAT.<br />

574 ENGLISH GRAMMAR


5 (1) can; (2) have/’ve done so; or did/did so; (3) haven’t/haven’t done so;<br />

(4) would/would like to; (5) how/how to; (6) didn’t/didn’t want to; (7) did/did so;<br />

(8) so/it was.<br />

Module 30<br />

1 The thematic progression type between 1, 2 and 3 is Type 2, constant theme<br />

(Vincent van Gogh – (zero) – he, with the subject in 2 being implicit. Between 3 and<br />

4 we have Type 1, simple linear (his mother’s keeping – his mother). Between<br />

clauses 4, 5 and 6 the progression type is constant theme (his mother – she – she).<br />

From 6 to 7 we have Type 1, simple linear, (with a family friend – the friend) and from<br />

7 to 8 constant theme with zero anaphora after and.<br />

2 (1) It is on the recycling of plastic that experts are working; The ones who are<br />

working on . . . are experts; What experts are working on is . . .; (2) It is fatal diseases<br />

that smoking can cause; what smoking can cause are fatal diseases; what can cause<br />

fatal diseases is smoking; (3) It’s by reading and listening to the radio that I unwind<br />

last thing at night; how I unwind ...is...; when I unwind by reading ...is...; (4)<br />

It’s against viruses that the computer industry is fighting; it’s the computer industry<br />

that is fighting . . .; what the computer industry is fighting against are viruses;<br />

(5) It was shortly after I got home that I realised that . . .; what I realised shortly<br />

after I got home was that . . .; when I realised that I had lost my purse was ...<br />

3 (1) Sentence 5; then. (2) Its discourse function is to signal an upcoming shift in the<br />

story.<br />

4 (1) a + c; (2) a + c; or a + b, as Edith is higher on the empathy hierachy, and so a<br />

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better topic, than the cake; (3) a + c; (4) a + b.<br />

5a Suggested preferences for active and passive: (1) passive, because the first kindergarten<br />

in the United States announces the main topical referent, whereas they refers<br />

to people in general; (2) either: active makes for topic continuity with 1, while<br />

passive achieves topic continuity with 3; (3) better active; (4) active effectively gets<br />

the unthinkable in apposition with its explanation, while passive would separate<br />

these; (5) either is possible, but when the passive does not fulfil a specific purpose,<br />

it is wise to opt for the simpler active form; (6) the passive effectively brings the<br />

choices in topic continuity with the dilemma, leaving budget in final position, where<br />

(7) active maintains topic continuity with budget.<br />

CHAPTER 7<br />

Modules 31 and 32<br />

2 The sequencing of the clauses is as follows: Finite subordinated circumstantial<br />

clause (After–yesterday), two coordinated finite clauses (householders–water),<br />

finite subordinated circumstantial clause (before–it). Chronological sequencing is<br />

maintained.<br />

ANSWER KEY 575


3 (1) non-equivalence (subordinate clause of purpose + imperative clause); (2)<br />

syntactic equivalence (two clauses in an appositional relationship), semantically<br />

there is an implied cause–effect relationship; (3) equivalence (two clauses in an<br />

appositional relationship, the second with pragmatic and); (4) non-equivalence<br />

(contrastive dependency); (5) equivalence (contrastive coordination).<br />

Module 33<br />

2 Suggested completions: (1) which she needn’t have done/ causing herself much<br />

remorse; (2) which was totally to be expected/ resulting in many absences in the<br />

following weeks; (3) which has happened several times before/ causing many<br />

injured; (4) which makes them dangerous areas/ causing merchant vessels to avoid<br />

them; (5) which is good news/ ending their families’ distress.<br />

Module 34<br />

2 (1) adversative (yet); (2) concessive (although); (3) adversative (yet); (4) replacive<br />

(but instead); (5) replacive (but instead).<br />

Module 35<br />

3 (1) pragmatic; (2) pragmatic) (3) semantic; (4) pragmatic; (5) pragmatic; (6)<br />

semantic; (7) pragmatic. The pragmatic uses give a reason or justification for the<br />

speech act expressed in the main clause.<br />

4 (1), (2) and (3) are instances of coordinating enhancement, the combination that<br />

is intermediate between coordination and dependency; in each case, there is a finite<br />

secondary clause conjoined to the primary clause by the conjunctive combination<br />

and + then. The circumstantial meaning expressed is that of time, but also, implicitly,<br />

one of cause and effect. (4) is an instance of subordinating enhancement, in which<br />

the primary clause is followed by a finite dependent clause introduced by the<br />

conjunction before. Again, the circumstantial meaning is that of time, together with<br />

implicit cause and effect. The parallel or similar organisation of these clause<br />

complexes, together with the same explicit and implicit meanings in each, contribute<br />

considerably to the force of the argument expressed.<br />

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6 (1) The independent clause The Japanese . . . relatives is followed by a coordinated<br />

enhancement clause introduced by and so. This whole complex is dependent<br />

on the parenthetical We discovered this February. (2) The independent clause The<br />

Wakamaru ...house is followed by a non-finite clause, with an implicit meaning of<br />

simultaneity and could be replaced by a coordinated clause and keeps; (3) There<br />

are two complex sentences joined by a semi-colon, indicating an appositional<br />

relationship. In the first, the subordinate if-clause frames the independent clause by<br />

a condition which points to the result in the main clause. The second appositional<br />

combination is similar to the first, except that the main clause precedes the conditional<br />

clause; (4) A main clause is followed by direct reported speech in the second<br />

clause; (5) A subordinate conditional clause followed by a main clause.<br />

576 ENGLISH GRAMMAR


Module 36<br />

1 (1) Annie said she was sorry/Annie apologised for interrupting us/ them in that<br />

vital discussion. (2) I asked the EEC official what exactly his job was. (3) X<br />

demanded whether I realised that the press would be printing something that wasn’t<br />

true. I agreed with a smile that indeed it would be frightful. (4) Annie inquired about<br />

Duncan and asked whether he would be recommended/Annie asked Desmond<br />

whether he would recommend Duncan. Desmond said he wouldn’t/flatly refused<br />

to do so. (5) Humphrey stammeringly/in a stammering voice accused the Prime<br />

Minister of lying.<br />

2 (1) Annie invited the official to sit down for a minute. (2) Fiona suggested to Godfrey<br />

that he (should) wear a sports jacket. (3) The Prime Minister suggested that he could<br />

sort of put on his glasses and take them off while he gave his speech. (4) Luke<br />

exclaimed in horror and begged/pleaded not to be sent to Israel, claiming that his<br />

career would be at stake. (5) I told him briskly not to be silly, and pointed out that<br />

it was an honour and could be considered as promotion.<br />

CHAPTER 8<br />

Module 37<br />

2 (1) primary verb; (2) primary verb; (3) part of lexical aux. be about + to-inf; (4)<br />

lexical aux. have got + to-inf); (5) same as 4; (6) lexical verb get; (7) lexical verb get;<br />

(8) lexical verb get (causative).<br />

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3 (1) one-element VGs: whizzed, startled, fell, shouted, turned, said, are, asked, scrambled,<br />

pick, changed; (2) two-element VGs: was crossing, was clutching, can’t . . . be, was<br />

pedalling, was lost, had fallen, was rolling; (3) three-element VG: could have injured;<br />

(7) are in (9) functions as a main verb.<br />

4 suggested combinations are as follows: (1) is supposed to be; (2) are (un)likely/<br />

bound/sure to; (3) is...due to; (4) had better; (5) be able to; (6) was about to; (7)<br />

are apt/liable to be; (8) have to/would rather/sooner.<br />

5 (1) The main markets are likely to be France, Germany and Spain. (2) Diana and<br />

Charles were virtually certain to divorce. (3) You are sure to be among the first<br />

three. (4) He is supposed to be her boy-friend. (5) You are not likely to get a<br />

question like that.<br />

Module 38<br />

1 (1) as aux in progressive; (2) as lexical verb; (3) as aux in passive; (4) lexical aux<br />

(is sure to) and lexical verb (be).<br />

2a (1)oxv, present, modal, progressive; (2) oxv, past, lexical-modal; (3) oxv, present,<br />

perfect, passive; (4) oxxv, modal, perfect, passive; (5) ov, past, passive; oxv, past,<br />

progressive; (6) oxv, past, progressive, passive; (7) ov, past, progressive; oxv, past,<br />

ANSWER KEY 577


perfect, progressive; (8) ov, present, progressive; (9) oxv, present, perfect, lexicalmodal;<br />

(10) oxv, present, modal, progressive.<br />

3 (1) was being taken; (2) had been being instructed; (3) must have been using;<br />

(4) can’t have been using; (5) must have moved; was being taken; (6) will be being<br />

developed; (7) are likely to be sold; (8) are sure to have been bought; (9) is being<br />

shot; (10) must have been being shot.<br />

Modules 37 and 38<br />

1 (1) There are only three occurrences of states: the stative verbs (is, sees, sees); all<br />

the rest are dynamic, showing actions; (2) Finiteness is realised on the lexical verb<br />

(i.e. Finite is fused with Event) in flash, sees, is, take, panics, heads, hold, comes, goes,<br />

misses; Finite is realised by an operator in is passing, (is) having, can’t get, (wi)ll’spill,<br />

‘m braking, honking, flashing; (3) Yes: coming, getting, to make (sure); (4) Present;<br />

(5) five progressive choices, the rest non-progressive; (6) One instance of can’t<br />

meaning inability or impossibility, one instance of will with a predictive meaning<br />

(see Chapter 9; (7) One instance of negative polarity, the rest positive; (8) One<br />

instance of emphasis (COMES); (9) Briefly, the non-progressive forms are used to<br />

express a series of actions presented as complete and, in this text, sudden and<br />

for this reason alarming. The sense of imminent danger is heightened by the use<br />

of emphasis (COMES) and by modalising the declarative in two cases. The interjection<br />

(Christ Almighty) and exclamative force of the following clause, indicated by<br />

punctuation, also contribute. The progressive forms at the beginning of the extract<br />

plunge the reader into the scene by presenting an action in the process of happening,<br />

not yet completed (the car with a trailer is passing and having trouble getting back in<br />

lane); a later sequence of progressives (I’m braking, honking, flashing) represents<br />

iterative actions (see Module 42, here conveying an impression of urgency. The<br />

overall use of positive polarity, with one exception, together with the use of Present<br />

rather than Past tense in the narrative effectively convey the impression of a series<br />

of events which happened, rather than, for instance, a speculation on events which<br />

didn’t happen or might have happened.<br />

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Module 39<br />

1 Clues for the discussion: The italicised verbs in the (a) sentences are lexical verbs;<br />

in the (b) sentences they are catenatives. The subjects of 1b and 2b are ‘raised’ from<br />

being subjects in that-clauses to subjects in the sentence: ‘It happened that we were<br />

away’ to ‘We happened to be away’; ‘It appears that he has misunderstood your<br />

explanation’ to ‘He appears to have misunderstood your explanation.’<br />

2 (2) happened to be/chanced to be; (3) neglected to/failed to; (4) trying . . .<br />

managed to do so; (5) seems to be; (6) hastened to; (7) tend to be/ tend to be being;<br />

(8) tried to; proved to be.<br />

578 ENGLISH GRAMMAR


Module 40<br />

1 (1) Figure: the president and his wife; Path: through and on up; Verb: Motion +<br />

manner; (2) Figure: The ship; Path: out of . . . past. Verb: Motion + Manner; (3)<br />

Figure: She; Path: off. Verb: Motion + Manner + cause; (4) Figure: several trees;<br />

Path: down; Verb: motion + Manner + Cause; (5) Figure: he; Path: down; Verb:<br />

motion + Manner; (6) Figure: we; Path: back; Verb: motion + Manner. The<br />

preposition to + a nominal group, as in (1) and (2) can be analysed as marking Goal,<br />

i.e. as end of Path.<br />

3 (1) bring activity to end by reaching a certain limit (a form of completion);<br />

(2) continuation of an activity; (3) slow completion of an activity; (4) continuation<br />

of an activity; (5) momentary character of an activity.<br />

5 (1) Particles with Path meanings: (took) ...out on, (went) up into, (went) back into,<br />

brought ...out, brought . . . down; (take) ...off, (rowed) away from; Both off and away<br />

indicate distancing from a point.<br />

(2) Particles with aspectual meanings: (gathered) up (bringing to a certain limit –<br />

intensifying function; (worn) out (bringing to a certain limit) – Intensifying function;<br />

(caught) ...up.<br />

CHAPTER 9<br />

Module 41<br />

2 (1) event, habitual; (2) state; (3) comes . . . and asks, both events, historic present;<br />

(4) events, quotative; (5) instantaneous events (a demonstration); (6) events,<br />

referring to past (in press headline); (7) states; (8) ‘prove’ reporting an event that<br />

is still valid, ‘leads’ habitual.<br />

5 (1) Past, Past. Early suggests that the speaker is visualising the event as occurring<br />

at some specific time in the past. The coordinated sequence of events suggests Past<br />

in both, although in the second the Perfect is marginally possible (have left), in which<br />

case the car is still by the bridge; (2) Perfect in both: Get here could mean ‘grasp’<br />

in either its literal sense or its figurative senses of ‘understand’ or ‘discover’; in either<br />

case continuation of what has been grasped is more likely than definite possession<br />

(got) followed by a gap in time; (3) Past, necessarily, since the referent of ‘he’ is<br />

obviously now dead; (4) Past, for the same reason as in 3; (5) woke up (Past), since<br />

the waking is clearly over, with a gap in time between the waking and speech time;<br />

haven’t had (Perfect) since no gap is established; (6) Past (did you say), since the<br />

action of saying is seen as occurring at some specific time in the past; Past (was)<br />

with back-shift, or Present (is), since ‘your name’ is presumably still the same;<br />

(7) Perfect because no specific time is implied, and there is no disconnectedness,<br />

the addressee still being present; (8) Past, a specific point in time being implied;<br />

(9) Past, a specific event being visualised; (10) better Perfect in both, since the<br />

interpretation of connectedness is the more likely: ‘you are still in the wrong group’.<br />

The Past in both would imply that the situation described no longer holds.<br />

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ANSWER KEY 579


Module 42<br />

2 (1) In (b) the standard set-up still prevails, whereas in (a) this is not necessarily the<br />

case. (2) The implication in (a) is that I am no longer a colleague of his, nor in<br />

the same department, whereas in (b) the situation still holds. (3) (a) asks about the<br />

point at which you stopped some time in the past; (b) asks about the point at which<br />

you are now. (4) (a) asks about a destination in the past unrelated to the present,<br />

whereas (b) connects the destination to present time, with the inference that the<br />

hearer has (recently) been somewhere and has now returned. (5) In (a) the action<br />

is over, in (b) it is recent and its effects are probably still felt or visible. (6) is similar<br />

to 5. (7) In (b) mobile phones are still popular, whereas no such implication exists<br />

in (a). (8) In (b) the action of giving is recent, in (a) there is no such implication.<br />

3 (1) is; (2) fled, because located at a definite time, in 1896; (3) had begun, because<br />

previous to ‘fled’; (4) fled, for the same reason as in 2 – definite time; (5) found or<br />

has found, the latter if he still lives in Berlin; (6) has made because relevant to present<br />

time.<br />

4 (1) feels, is, Present; (2) has wanted, Present Perfect; (3) gets distracted Present<br />

habitual; (4) is, Present state; (5) drives, Present habitual; (6) says, Present reporting<br />

(7) read, Past said Past, reporting; (8) thought, reporting, Past; (9) Present +<br />

progressive, is it going to end, reference to future time; (10) Present states is, love,<br />

am; (11) he’s achieved, Present Perfect; (12) I’m like, quotative; (13) is, Present with<br />

future reference.<br />

Module 43<br />

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1 The Past form ‘squeaked’ is indeterminate between an imperfective (repeated) and<br />

a perfective (single) occurrence. As ‘squeak’ is a punctual verb whose subject is<br />

‘shoes’, it makes more sense to interpret it as repeated (iterative).<br />

2 (1) bounded (2) unbounded (3) unbounded (4) bounded or punctual, depending<br />

on how you visualise the pouncing (5) unbounded (6) unbounded (7) bounded,<br />

comprising the stepping and the landing phases (8) bounded (9) unbounded<br />

(10) bounded.<br />

3 (1) was driving, focuses on the internal phase of the process before the end-point<br />

home; (2) was crossing, extended internal phase of the process. Provides a frame for<br />

when she saw us; (3) were jumping, iterative; (4) have been trying, continuous phase<br />

anterior to speech time; (5) is seeing, dynamic use of a normally stative verb, see<br />

(=‘visit’). Both sees and is seeing have future reference, but sees emphasises the<br />

scheduled nature of the visit; (6) was crackling, ongoing event of temporary duration<br />

as seen by an observer; (7) were photographing, as in 6, and indeterminate (as is<br />

photographed) as to whether a single (perfective) or several (serial, imperfective)<br />

photographs were taken; (8) am shivering and coughing, iterative, speaker observing<br />

the process at speech time; (9) was pulling up, focuses on the internal phase of the<br />

process before the end-point expressed by ‘up’; (10) was bending, ongoing event of<br />

temporary duration as seen by an observer. In all but 4 and 8 the point of time or<br />

580 ENGLISH GRAMMAR


past event to which these ongoing events relate is not made explicit. In 4 and 8 the<br />

progressive relates the event to speech time.<br />

Module 44<br />

2 (1) will/’ll/shall; (2) can’t/won’t be able to; (3) must; (4) will; (5) can’t; (6) should;<br />

(7) was able to (8) might, could; (9) must; (10) needn’t/don’t have to.<br />

3 (1) ambiguous: with volitional meaning, wouldn’t wait; with predictive meaning,<br />

won’t have waited; (2) must have been mistaken; (3) can’t have been listening . . .<br />

was saying; (4) should have taken; (5) could hear; (6) were able to capture; (7) may<br />

have been; (8) had to have . . . vaccinated; (9) would have telephoned, had been<br />

able; (10) oughtn’t to have been talking/shouldn’t have been talking, was playing.<br />

CHAPTER 10<br />

Module 45<br />

1 (1) [The head is underlined] Everyone in the library; (2a) old men reading<br />

newspapers; (2b) high-school boys and girls doing research; (3a) the outcome of<br />

the current crisis; (3b) the pattern of international relations; (4a) Someone here;<br />

(4b) a story, etc. (to end of sentence), the most notorious of the dictators . . . to end;<br />

this country; (at) the turn of the century (5a) the seat on my left; (5b) a fat lady<br />

who, etc. (to end of sentence); an orange; (5c) my right; a thin-faced man etc. (to<br />

end of sentence); a moustache; a blotchy skin; (5d) He was the one who...etc. (to<br />

end); a friendly smile; a cheery ‘Good evening’; (6a) The violent attacks . . . missiles;<br />

the police; bottles, bricks and other assorted missiles; (6b) a large number of<br />

casualties.<br />

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2 pre-head head post-head<br />

(1) fit, fun, funky, single parent<br />

(2) gorgeous, good-humoured, man interested in a loving and lasting<br />

intelligent, London based<br />

relationship<br />

(3) a loving and lasting relationship<br />

5 Questions 1 and 3: (1) cataphoric reference to the next clause; (2) exclusive we:<br />

speaker and another, not the addressee; (3) reciprocal; (4) reference to speaker<br />

or Pam; (5) ambiguous: either anaphoric reference to the mentioned situation or<br />

relationship, or cataphoric reference to the Complement nature as the cause of<br />

the relationship (impersonal use of it); (6) impersonal use of you; (7) exophoric<br />

(ostensive) reference to speaker’s gesture; (8) exophoric (ostensive) reference to<br />

speaker’s hand; (9) exophoric reference to speaker; (10) exophoric (ostensive)<br />

reference to speaker’s other hand; (11) anaphoric reference to Pam; (12) anaphoric<br />

reference to this and that; (13) anaphoric reference to people; (14) exophoric<br />

reference to speaker.<br />

ANSWER KEY 581


Question 2: (9) normal use of objective form of pronoun at Cs under prosodic stress<br />

of end-focus; (11) the same as 9 for her; (14) ungrammatical use of objective form<br />

of pronoun instead of subjective form.<br />

6 (1) Ambiguous: either this whole sequence of events, or this last event (i.e. ‘the stopping<br />

of work at the city’s maternity and children’s units’); (2) Analyse as pronoun.<br />

Module 46<br />

1a 1 mass; 2 count [= gymnasium]; 3 mass [= gymnastics]; 4 and 5 mass; 6 mass; 7<br />

count; 8 ambiguous: appearance 1 = looks, mass; appearance 2 = performance, count;<br />

9 mass; 10: mass.<br />

1b Fashion and football can be used as count nouns (new fashions; a new white football);<br />

shopping and homework can’t be used as count nouns.<br />

2 The following are used in the text as: (1) mass NGs: one’s nature, material comfort,<br />

childhood, outer space, humanity, the common sense; (2) count NGs: a habit, the<br />

cosmonaut’s denial, terrestrial comforts, the satisfaction, the scientific achievement, the<br />

impact, our planet, a painter, the sight, atomic flames, all cosmonauts, members, one<br />

family, my space experience, the people who live on our planet.<br />

3 (1) definite nouns: The Don (proper noun); the age (identified by its post-modifier);<br />

the village (identified by its post-modifier); the son (identified by its post-modifier);<br />

the man (identified by its post-modifier); the young boy (identified anaphorically<br />

by inference from ‘the son’ and ‘the age of twelve’); the new land (identified<br />

anaphorically by inference from ‘America’); the few gestures (identified by its postmodifier);<br />

(2) indefinite nouns: a real man (marked by a as indefinite-specific); strange<br />

men and friends (marked by zero article as indefinite-non-specific); some tie (marked<br />

by some as indefinite-specific).<br />

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4 the backdoor by inference that it is the backdoor of the speaker’s house, or of a house<br />

which will be identified later in the text; the moon, exophoric reference to the earth’s<br />

only moon; the dark hump of the hillside, identified by inference, as what the speaker<br />

saw from ‘the backdoor’; the smoke, the moon, the night, identified by inference as<br />

the view from ‘the backdoor’ and ‘the moon’, which shines at ‘night’.<br />

5 Genericity could also be expressed by the following forms: (1) Liquids have<br />

no shape, (2) A gas has no shape. (3) Human beings need the company of others.<br />

(4) A war is politics carried out by violent means. (5) An animal that lives in captivity<br />

plays with its food . . . (6) A television (set) is a mixed blessing. (7) A bicycle is a<br />

cheap form of transport. Bicycles are a cheap form of transport. (8) Computers have<br />

revolutionised business methods.<br />

6 (1) generic; (2) indefinite; (3) indefinite; (4) generic.<br />

7 Either an indefinite but specific Frenchman; or, any man who is French (indefinitenon-specific).<br />

582 ENGLISH GRAMMAR


Module 47<br />

1 (1) subjective; (2) objective; (3) locative; (4) temporal; (5) extent; (6) objective;<br />

(7) subjective; (8) subjective; (9) subjective; (10) source.<br />

2 (1) I should like another doctor’s opinion. (2) Have you read the chairman of the<br />

examination committee’s report? (3) The Regional Training Scheme’s failure was<br />

inevitable. (4) My next door neighbour’s dog barks all night. (5) No change, in order<br />

to avoid in my class’s grandmother. (6) Preferably no change, for similar reasons<br />

to 5.<br />

3 (1) Every member ...;(2) . . . hundreds of butterflies; (3) . . . some/ sɘm/ very<br />

good news; (4) Some/s m/ people ...;(5) Most of the people in this office have<br />

a car. . . . ; (6) None of this work . . . ; (7) . . . such an opportunity; (8) Half my friends.<br />

4 (1) every; (2) both . . . neither; or, all . . . none; (3) each; (4) every . . . each; (5) both;<br />

(6) any/ none; (7) every; (8) any (= it doesn’t matter which) or, no (= only the<br />

soluble kind will do).<br />

5 (1) everything; (2) all; (3) all; (4) everything; (5) everything.<br />

Module 48<br />

1 modified by epithets: Europeans; modified by classifiers: building, policy, power,<br />

Parliament, week, questions. The post-modifiers of students and attitudes are of a<br />

classifying type.<br />

2 The adjectives good, effective, persuasive, optimistic and sound are evaluative epithets,<br />

all of an appreciative kind, which describe the ideal person for the job. In the context<br />

of essential qualifications, however, good at least takes on a classifying besides<br />

a descriptive value. (‘Good’ is a grade in many academic institutions.) Mental is<br />

clearly classifying. The outstanding benefits non-contributory (pension), personal<br />

(loan), company (car), career (development), are classified administratively, except<br />

for the epithet excellent.<br />

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5 (1) classifier ambiguous<br />

(2) ambiguous classifier<br />

(3) classifier classifier<br />

(4) classifier epithet<br />

(5) epithet classifier<br />

(6) epithet classifier<br />

(7) classifier epithet<br />

6 (1) Place first the shortest, and last the one which you prefer to emphasise; separate<br />

them by commas. (2) Most speakers would say: We heard a mysterious, faint tinkling<br />

sound; that is: subjective + short objective + participial epithets. (3) Place shortest<br />

first, longest last; also in order of ascending ‘dynamism’: her long, slender, artistic<br />

hands. (4) Shortest first, then submodified -ing epithet, then classifier (a) She had a<br />

pair of smart, exotic-looking designer sunglasses (5) The most natural order is: size +<br />

colour + material: The toilet was a smallish, brown, wooden box. Place wooden last as<br />

ANSWER KEY 583


classifier. (6) The most likely order is: two subjective + two objective epithets.<br />

Classifier granite nearest the noun: We drove through the dark threatening, wooded,<br />

granite mountains. No comma after dark (threatening because dark).<br />

Module 49<br />

1 (1) integrated; (2) integrated; (3) supplementive; (4) a country which I didn’t know,<br />

supplementive; which I didn’t know, integrated; (5) supplementive; (6) integrated;<br />

(7) supplementive; (8) integrated; (9) supplementive; (10) supplementive.<br />

2 (1) Jessica: appositive integrated. (2) a failure by any standard and (3) the curse of<br />

twentieth-century democracy appositive, supplementive NGs.<br />

4 (1) clas. h; (2) eeh; (3) ddhm; (4) de clas. hmm; (5) dee clas. clas. h; (6) hmm.<br />

5a (1)service for the repair of television aerials; (2) Appointments of Research Fellows<br />

at the <strong>University</strong> of Manchester; (3) reduction of the prices of telephone calls made<br />

during the daytime; (4) alarm about the proposals for the reform of adult education;<br />

(5) awards of gold medals made to the athletics teams of universities.<br />

5b (1) land-based multiple-warhead missiles; (2) intermediate-range nuclear-type<br />

weapons; (3) an all-European home-robots exhibition; (4) a classic midnight-blue<br />

lady’s velvet evening suit; (5) a two-year-old Maltese honey-coloured stone<br />

farmhouse.<br />

6 (a) If there is no comma after neck it seems that it is his neck that is in evening<br />

dress; moreover one would normally perceive the whole evening dress before the<br />

chain round the neck. (b) ‘it’ is here placed too far from its presupposed NG a clear<br />

fire, and appears to say that he is ‘standing with his back to his own evening dress’.<br />

(c) It also appears that ‘his face is spread out in both hands’. Rearrange the sentence<br />

as follows: A clear fire burned in a tall fireplace, and an elderly man, standing with his<br />

back to it in evening dress and with a chain round his neck, glanced up from the newspaper<br />

he was holding spread out in both hands before his calm and severe face.<br />

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Module 50<br />

1 First NG The . . . ritual; second NG the coming of spring: third NG an expression of unity<br />

and fun. (1) complement, (2) complement, (3) complement. All take prepositional<br />

complements, as the nouns celebration, coming and expression are derived from verbs.<br />

2 (1) his taste in women: Od of describing; (2) the famous baby doctor, Benjamin Spock:<br />

S of said; (3) Benjamin Spock: supplementive appositive of doctor; (4) rather severe<br />

women: complement (c) of the preposition by; (5) their severity: c of the preposition<br />

despite; (6) The model for these women: S of was; (7) his own mother. Cs after the<br />

copular verb was; (8) his early eighties: c of the preposition in; (9) a most exceptionally<br />

charming man: Cs after the copular verb is; (10) the wish to win over his mother. S of<br />

may help.<br />

584 ENGLISH GRAMMAR


CHAPTER 11<br />

Describing persons, things and circumstances<br />

1 ADJECTIVES AND THE ADJECTIVAL GROUP<br />

Module 51<br />

2 (2) You have been very enterprising in setting up this firm. (3) The newspapers have<br />

published/ given detailed reports of the case. Newspaper reports of the case were very<br />

detailed. (4) Conflicts often arise between neighbouring countries. (5) We live in an<br />

ancient walled town. (6) There are often better opportunities for skilled workers than<br />

for unskilled (ones).<br />

3 (a) Pre-modifiers in NG: 1, 2, 3 (also Northern); 9, 11, 12, 13, 17. As predicative Cs<br />

in clause: 4–8, 10, 14–16. (b) classifiers: 1 and 9, the rest are descriptors. (c) Possibly<br />

as an ellipted AdjG: ten years old.<br />

4 The transitive ones are participial adjectives; they can be graded by more, most<br />

and intensified by very. They can also function as Complements of the Subject and<br />

of the Object. The intransitive ones do not fulfil these criteria. Ticking, fading<br />

and growing are participial modifiers of the head noun. (Notice that, in ‘the clock is<br />

ticking’, is ticking, are fading, etc. are verbs.)<br />

6 navy/sky/royal blue; grass/olive green; shocking pink; brick-red; ice-cold; boiling hot;<br />

pitch black; bitter-sweet; snow-white.<br />

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7 The compound adjectives are: (2) time-consuming; (3) home-made; (4) breath-taking;<br />

(5) airborne; (6) wind-swept; (7) award-winning; (8) labour-saving.<br />

Module 52<br />

1a Inflected for grading: risky, blue, friendly, small, tight. (Bitterest is normal but more<br />

bitter is probably preferred to bitterer). The remaining adjectives take analytic forms.<br />

1b Gradable are: shallow (er/more), small, probable and fast. The rest are not gradable.<br />

5 Suggested correspondences: (1) essentially; (2) radically; (3) ideally placed and<br />

(4) pleasantly surrounded; (5) ferociously; (6) genuinely old, imaginatively new.<br />

6 (1) medically necessary, socially dangerous. (2) theoretically very good/very good<br />

theoretically; (3) Countries which are technologically advanced . . . those which are<br />

scientifically under-developed.<br />

The remaining exercises in this module invite free answers; they require only<br />

reference to the text book or to a good dictionary for some items, and then the free<br />

composition of examples. For these reasons, no key is offered.<br />

ANSWER KEY 585


Module 53<br />

2 Introduce your PPs with the following prepositions: (2) (delighted) at; (3) (satisfied)<br />

with; (4) (opposed) to; (5) (white) with; (6) (expert) at; (7) (tired) of; (8) (keen) on.<br />

3 (a) The adjectives and AdjGs in the extract from Boy are: (i) functioning at Cs in<br />

clause: good at games; exceptionally good at two of them); far more complicated; far<br />

faster than squash; so good at it that I won . . . (to end of clause); (ii) functioning as m<br />

in NG: glass-roofed; perfect; small, hard, white, leather-covered; gloved; subtle and crafty;<br />

fastest . . . on earth (m and c); swift, strong, very quick; and (iii) functioning as Object<br />

Complement in clause: hard to believe.<br />

2 ADVERBS AND THE ADVERBIAL GROUP<br />

Module 54<br />

1 where (space, position); down (space, position); up (space, position); just (degree,<br />

intensification); well (discourse marker, attitude of acceptance); there (space,<br />

position); away (space, direction); yet (time, relation); up (degree, intensification);<br />

along (space, direction); up (degree, intensification); behind (space, position); all<br />

round (degree, intensification); back (space, direction); back (space, direction); even<br />

(scalar, not knowing a neighbour’s name is less than expected); just (focusing by<br />

reinforcement); again (time, frequency); about (space, indeterminate position); back<br />

(space, direction); even (focusing by reinforcement). Comment: the preponderance<br />

of circumstantial (space and time) adverbs, together with focusing adverbs, is in<br />

accordance with the topic and the subjective stance manifested in this personal<br />

account.<br />

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2 In this passage, the adverbs are distributed as follows: circumstantial: elsewhere,<br />

anywhere; modal: incredibly, perhaps, probably; focusing: especially, even, too (= also),<br />

alone; degree: roughly, about, approximately, enough, quite, so. Comment: the passage<br />

contains argumentation about space rather than its description, and therefore<br />

contains only two ‘spatial’ adverbs. No subjective attitude is expressed; the adverb<br />

incredibly is not emotive in this context, where it means little more than very. The<br />

modal, focusing and grading meanings of the other 13 adverbs express, not personal<br />

feelings, but a cautious assessment of the arguments concerning a relatively<br />

undocumented scientific matter. The observation of this one linguistic feature (use<br />

of adverbs) in two different kinds of text (personal experience and objective<br />

exposition) shows how subject matter and its mode of treatment by an author<br />

always affects the choices of language forms in which a text is written or spoken.<br />

3a (1)eminently well suited; (2) certainly brilliant and moving, though admittedly it might;<br />

(3) an undeniably educational experience; (4) Reportedly, the President; (5) a poem<br />

allegedly written by Hitler; (6) it was obviously/clearly; (7) He actually became a star<br />

. . . which clearly allowed him to; (8) Their popularity is undoubtedly rising.<br />

3b (1)ideologically unyielding; (2) socially well-connected; (3) stylistically too long and<br />

complicated; (4) racially mixed; (5) morally responsible; (6) historically accurate.<br />

586 ENGLISH GRAMMAR


3c (1) hardly convince; (2) even in the rain; (3) we simply do not know; (4) solely/<br />

exclusively on formal grammar; (5) and I said so too/also; (6) and will similarly<br />

help us.<br />

3d (1) sleeping soundly; (2) surreptitiously carrying diamonds; (3) Wilson worked<br />

endlessly; (4) speaking slowly, carefully choosing; (5) he drank heavily; (6) momentarily<br />

stopped.<br />

Module 55<br />

2 (a) Affirmative answers: (1) Yes, it’s already time. (2) Yes, I’ve already had it. Yes,<br />

I’ve had it already. (3) Yes, I still love you. Yes, I still do. Yes, I love you still. (4) Yes,<br />

I’m still studying it. Yes, I still am. (5) Yes, it’s already ten. Yes, it’s ten already.<br />

(6) Yes, I’ve already been there. Yes, I’ve been there already. Yes, I already have.<br />

(b) Negative answers: (1) No, it isn’t time to go yet. It isn’t yet time to go. (2) No,<br />

I haven’t had it yet. I haven’t yet had lunch. (3) No, I don’t love you any more/ any<br />

longer. I no longer love you. (4) No, I’m not studying it any more/ any longer. No,<br />

I’m no longer studying it. (5) No, it’s not ten o’clock yet. No, it’s not yet ten o’clock.<br />

(6) No, I haven’t been there yet. No, I haven’t yet been there.<br />

3 Possible positions are indicated by #. The adverb is given in the unmarked,<br />

preferred position. (1) #We sometimes take long holidays# in mountainous areas#.<br />

(2) #Journalists #working in war zones are often in danger. (3) #She gets on well<br />

with people abroad. (4) #They gave a concert yesterday. (5) #The cat gazed<br />

longingly at the brightly coloured fish in the aquarium#. (6) Perhaps you’d better<br />

take an overcoat with you#. (7) #We shall probably leave tomorrow#. (8) Hopefully,<br />

they have arrived at their destination. They have arrived hopefully at their<br />

destination. Comments: Remember that the different positions an adverb may<br />

occupy determine the scope of its reference. When the adverb is in initial position,<br />

the whole clause is in its scope, and may express either stance or judgement. Within<br />

the clause, it focuses mainly on the predicator and so is placed closely before, after<br />

or within the Predicator: sometimes take, are often, gaze longingly, shall probably leave.<br />

Other elements are sometimes focused, for example by restrictive adverbs: He alone,<br />

only for them. In end-position, the adverb is either in focus, or else is almost<br />

parenthetical, as in: We shall leave tomorrow, probably.<br />

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Module 56<br />

3 Adverb Function Semantic type<br />

(1) terribly modifier of new intensification<br />

(2) at all postmod. of anything attenuation<br />

(3) really Adjunct modal, judgement<br />

(4) much modifier of the same intensification<br />

(5) still Adjunct time relation<br />

(6) out Adjunct spatial direction<br />

(7) so connective result<br />

ANSWER KEY 587


(8) well connective concession<br />

(9) scarcely Adjunct attenuation<br />

(10) really Adjunct modal, judgement<br />

(11) so connective result<br />

(12) a bit of modifier of NG attenuation<br />

(13) really Adjunct modal, judgement<br />

(14) just Adjunct restriction<br />

(15) sort of Adjunct attenuation<br />

(16) entirely modifier of separate intensification<br />

(17) only Adjunct restriction<br />

(18) anyway connective concession<br />

(19) really Adjunct modal, judgement<br />

(20) a bit modifier of awkward attenuation<br />

(21) through Adjunct spatial direction<br />

(22) so substitute clausal<br />

(23) even if concessive-conditional focus on if<br />

(24) together Adjunct manner<br />

(25) just modifier of ideal intensification<br />

(26) really Adjunct modal, judgement<br />

(27) really Adjunct modal, judgement<br />

(28) so connective result<br />

(29) out Adjunct spatial direction<br />

(30) never Adjunct time, frequency<br />

(31) since Adjunct time, relation<br />

(32) at all modifier of not intensification<br />

(33) really Adjunct modal, emphasis<br />

(34) a little modifier of unpleasant attenuation<br />

(35) sort of modifier of unpleasant attenuation<br />

(36) rather modifier of unpleasant intensification<br />

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Comment: some common adverbs may be interpreted semantically in more than one<br />

way. For example, 13 (really) may be considered as an Adjunct having intensifying force<br />

instead of as an Adjunct expressing a judgement of the truth value of the statement.<br />

Similarly 14 (just) may be interpreted as expressing attenuation rather than restriction.<br />

Discussion of the other adverbs in this exercise may well reveal further examples of this<br />

semantico-syntactic fluidity.<br />

CHAPTER 12<br />

Module 57<br />

2 (1) a sudden: The determiner a gives the impression that we have here a NG.<br />

However, the whole phrase is an invariable idiom, which functions as Adjunct NG;<br />

(2) fashion: noun; (3) school: noun; (4) everyone: pronoun; (5) us: pronoun; (6) not<br />

having to take a decision: -ing cl; (7) the Conservatives: NG; (8) the Labour Party: NG;<br />

588 ENGLISH GRAMMAR


(9) comparing programmes and thinking: -ing cl; (10) who to vote for: PP; (11) the way<br />

etc: NG; (12) getting votes: -ing cl; (13) them: pronoun; (14) at least some of the younger<br />

generation: NG; (15) them: pronoun; (16) the whole: NG; (17) people: NG; (18) their<br />

late teens and twenties: NG; (19) the twenty-year-olds: NG; (20) when they were young:<br />

fin. cl; (21) what they were like: PP with wh- complement; (22) that ‘green’ area: NG;<br />

(23) moving towards a position etc: -ing cl.<br />

Comments: (a) distribution of these complement forms is as follows: NG (12),<br />

noun (2), pronoun (4), -ing cl (4), wh-cl (2); (b) AdjG, AdvG, PP (0). (9) consists of<br />

two coordinated non-finite -ing clauses, the second containing a PP whose<br />

complement is another PP who to vote for, with stranded preposition. (13) is a NG<br />

containing a finite relative clause post-modifier, people say. (14) itself contains a<br />

PP, about . . ., whose complement is a NG containing another PP, of . . . whose<br />

complement is a NG (14). (17) is a NG, people today, whose post-modifier contains<br />

a finite relative clause, itself containing a PP, in . . . with a NG as complement (18).<br />

Nos. (20) and (21) are coordinated finite clauses, functioning together as a complex<br />

complement of the preposition to. Of in (13), (14) and (15) is a grammaticised<br />

preposition functioning as part of a quantitative modifier (see 47.4). AdjGs and<br />

AdvGs are not represented; they are in fact very restricted in this function.<br />

Module 58<br />

1 (1) Cs (with stranded preposition) in clause; (2) A in clause; (3) c of obsessed;<br />

(4) c of AdjG kind; (5) Ob in clause; (6) A in clause; (7) A in clause; (8) A in clause;<br />

(9) A in clause (of previous speaker); (10) m in NG; (11) m in NG. Graded pre- and<br />

post-modifier (more cases of . . . than . . .) form one discontinuous unit; (12) A in<br />

clause; (13) m in AdjG; (14) A in clause; (15) A in clause; (16) in NG headed by<br />

myths post-modifier.<br />

2 (1) adverb, (2) prep; (3) adverb; (4) adverb; (5) adverb; (6) prep; (7) prep; (8)<br />

adverb; (9) prep; (10) adverb; (11) neither adverb nor preposition, but an adjective;<br />

(12) adverb; (13) prep; (14) adverb; (15) prep; (16) prep.<br />

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Module 59<br />

1 (1) static, extending from one side to the other, space below; contact only at each<br />

end; (2) path leading to position; on the other side; contact with surface; (3) nonlocational;<br />

more than a mentioned quantity; (4) position; higher than; without<br />

contact; (5) movement up one side and down the other; with contact; (6) extent;<br />

covering a horizontal surface; with contact; (7) movement downwards from an<br />

upright position; caused by an obstacle; making contact with the obstacle; (8)<br />

indeterminate position of a blow on an object. Comment: some different semantic<br />

features can be expressed by the preposition over in other contexts; e.g. to fall over<br />

a cliff; to be over an operation; to be over the worst; all over the world; conversation over<br />

lunch; over the telephone; to take a long time over something; to have difficulties over<br />

something.<br />

4 At: related to points in space (sea), time (once, times), and engagement in an activity<br />

(work, war). On: related to a state or activity. Out of: related to a lack of, or absence<br />

ANSWER KEY 589


of something, derived from the basic meaning of exit from a container; out of sight,<br />

not within the field of vision. In: related to a state, or field of vision (in full view)<br />

abstracted from the container metaphor. Under: in a disadvantaged state, abstracted<br />

from the basic meaning of ‘in a lower position’ relative to something else.<br />

5 (1) for is the preposition most often used for the simple expression of the extent of<br />

a period; (2) over, metaphorical use, spanning the period as a whole; (3) during refers<br />

to points or short periods at different times during the whole period; (4) through,<br />

metaphorical use, treating the years of problems as having volume, like a forest or<br />

a tunnel; (5) throughout intensifies the notion of ‘the entire period’ and ‘constant<br />

activity’; (6) in means ‘at the end of the next two years’; (7) within means during<br />

the next two years or a period not longer than two years.<br />

6 (1) Path; (2) Source; (3) Location (point) in space; (4) reference; (5) Location<br />

in space; (6) movement of going up higher than something and down again;<br />

(7) purpose; (8) Location; (9) Goal; (10) Goal; (11) part–whole; (12) Goal;<br />

(13) part–whole; (14) Location (partly contained); (15) Location; (16) Recipient;<br />

(17) metaphorical; (18) Location; (19) Location.<br />

Module 60<br />

1 (1) It is the ecological consequences of this project that I am most interested in.<br />

(2) What you must be particularly careful about when walking in the streets is your<br />

money. (3) What I haven’t paid for yet are the meals. The meals haven’t been paid<br />

for yet. (4) I find my parents difficult to talk to. (5) What do you believe in, then?<br />

(6) Which flight did you say we are booked on? (7) Who are we collecting this money<br />

for? (8) Which country is Caracas the capital of ? (9) Which parking-place did the<br />

caretaker say we can’t park in?<br />

2 (1) for, abstract, orientation, functioning as a stance adjunct; (2) like, similarity,<br />

modified by a bit; (3) dress ...up, discontinuous transitive verb + adv. particle; (4)<br />

with, means; (5) get over, prep. verb, metaphorical, ‘overcome’; (6) for, selected by<br />

the noun, taste; (7) at the Edinburgh Festival, location viewed as point, function; (8)<br />

at, selected by the verb stare; (9) like, similarity; (10) for, selected by the noun<br />

reasons; (11) of, grammaticised, part–whole; (12) without, conjunctive preposition;<br />

(13) like, similarity, selected by verbs such as look and sound; (14) in that . . . manner,<br />

abstract; (15) to, direction, grammaticised; (16) in, container metaphor of time; (17)<br />

settle down, v + adv. particle; (18) in, container metaphor, a theatre seat has arms<br />

and is comfortable; (19) with, stranded preposition in wh-relative clause (with<br />

whoever I am).<br />

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590 ENGLISH GRAMMAR


SELECT BIBLIOGRAPHY<br />

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Bloor, T. and M. Bloor, (1995, 2nd edition 2004). The Functional Analysis of <strong>English</strong>. A Hallidayan<br />

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Collins, P. (1991) ‘Pseudocleft and cleft constructions: a thematic and informational interpretation’.<br />

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Comrie, B. (1985) Tense. Cambridge: Cambridge <strong>University</strong> Press.<br />

Connolly, J., R. Vismans, C.S. Butler and R. A. Gatward (1997) Discourse and Pragmatics in<br />

Functional <strong>Grammar</strong>, Functional <strong>Grammar</strong> 18. Berlin and New York: Mouton de Gruyter.<br />

Daneš, F. (1974) Functional sentence perspective and the organization of the text. Prague: Academia.<br />

Davidse, K. (1992) ‘A semiotic approach to relational clauses’. Occasional Papers in Systemic<br />

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Davidse, K. (1996) ‘Ditransitivity and possession’, in R. Hasan, C. Cloran and D. Butt (eds)<br />

Functional Descriptions. Theory in Practice. Amsterdam and Philadelphia: John Benjamins:<br />

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Davidse, K. (2000) ‘Semiotic and possessive models in relational clauses: Thinking with grammar<br />

about grammar’. Revista Canaria de Estudios Ingleses, 40 (2000): 13–35.<br />

De Clerck, B. ‘On the pragmatic functions of let’s utterances in the ICE-GB’, in K. Aijmer and<br />

B. Altenberg (eds), Working with new corpora. Papers from the 23rd International Conference of<br />

<strong>English</strong> Language Research on Computerized Corpora (ICAME 21), Göteborg, 2002. Amsterdam<br />

and Atlanta: Rodopi: 213–233.<br />

Dik, S.C. (1997) The Theory of Functional <strong>Grammar</strong>, 2 vols., 2nd revised edn, ed. Kees Hengeveld.<br />

Berlin: Mouton de Gruyter.<br />

Dirven, R. and M. Verspoor (1998) Cognitive Exploration of Language and Linguistics. Amsterdam<br />

and Philadelphia: John Benjamins.<br />

Downing, A. (1991) ‘An alternative approach to Theme: a systemic-functional perspective’.<br />

WORD, vol. 42, no. 2 (August 1991): 119–141.<br />

Downing, A. (1996) ‘The semantics of get-passives’ in R. Hasan, C. Cloran and D. Butt (eds)<br />

Functional Descriptions. Theory in Practice. Amsterdam Studies in the Theory and History of<br />

Linguistic Science: Series IV – Current Issues in Linguistic Theory. Amsterdam and<br />

Philadelphia: Benjamins: 179–206.<br />

Downing, A. (2000). ‘Nominalisation and topic management in leads and headlines’, in E. Ventola,<br />

(ed.), Discourse and Community. Doing Functional Linguistics: 355–378.<br />

Downing, A. (2001) ‘“Surely you knew!” Surely as a marker of evidentiality and stance’. Functions<br />

of Language, vol. 8, no. 2: 253–286.<br />

Downing, A. (2002) ‘Negotiating topic coherence through talk-in-action’, in J. Hladky (ed.),<br />

Language and Function: To the memory of Jan Firbas. Amsterdam and Philadelphia: John<br />

Benjamins: 111–126.<br />

Downing, A. (2004) ‘Achieving coherence: Topicality, conceptualisations and action sequences<br />

in negotiating conflicting goals’. Revista Canaria de Estudios Ingleses 49: 13–28.<br />

Downing, A. (2005) ‘The <strong>English</strong> pragmatic marker surely and the functional counterparts in<br />

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Duffley, Patrick J. (1992) The <strong>English</strong> Infinitive. London and New York: Longman.<br />

Eggins, S. (1994) An Introduction to Systemic Functional Linguistics, London: Pinter.<br />

Fawcett, R. (2000) A Theory of Syntax for Systemic Functional Linguistics. Amsterdam and<br />

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Fillmore, C.J. (1977) ‘The case for case reopened’, in Cole and Sadock (1977): 59–81.<br />

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BIBLIOGRAPHY 595


INDEX<br />

Terms in brackets are (explanation or equivalent) or [category]; a stroke means either/or. Page<br />

numbers in italics show diagrams.<br />

abbreviated clauses 180, 183–4<br />

abbreviations xxi–xxii<br />

ability 390–2<br />

aboutness 227<br />

Absolute Themes 232<br />

abstract nouns 408–9<br />

abstract use of prepositions 552–4<br />

Accompaniment [circumstance] 157, 551<br />

active/passive voice 7–8, 129, 252–7<br />

Activities and Accomplishments 371<br />

actualised participant 125–7<br />

additionality 157, 285–6<br />

Adjectival Group (AdjG) 16, 18, 436–42,<br />

475–9, 484–8<br />

as Complement 66, 68, 88, 97–8, 536<br />

detached predicative 71, 231–2, 482<br />

as post-modifier 453–4, 481<br />

structure 475, 476, 492<br />

syntactic functions 18, 481–2<br />

adjectives 16, 475, 477–81, 484<br />

and attitude 437–8<br />

central vs peripheral 482–3<br />

comparative and superlative 484–8,<br />

499–501<br />

complement of 494–501<br />

functions 482–3<br />

classifier 404, 426, 435–6, 440–4, 480<br />

connective adjunct 482<br />

degree emphasiser 481, 482–3<br />

descriptor (epithet) 404, 435–9, 442, 480,<br />

492<br />

exclamation 482<br />

modifier in AdjG/AdvG 492–3<br />

post-modifier in NG 453, 481–93<br />

pre-modifier in NG 437–9, 481–93<br />

untypical head of NG 6, 403<br />

modal 380<br />

multiple 438–9, 443–5<br />

participial 478–9<br />

predicative 482<br />

see also degree complement; intensifiers<br />

Adjunct (A) 6–8, 35–6, 69–76, 87, 542<br />

adds end-point 372<br />

Circumstantial 17, 36, 69, 70–2, 542<br />

framing function 71–2, 235–6, 275–6<br />

as Theme 222, 228–9<br />

Connective 17, 36, 69, 74–5, 234, 281–3,<br />

285–6<br />

circumstance 290–1, 542<br />

operator-related 70, 513<br />

with present perfect 363–4<br />

Stance 17, 36, 69, 73–4, 542<br />

epistemic 73, 234<br />

evaluative 73, 234, 482<br />

evidential 73, 234<br />

vs Complement 35–6, 71–2, 87<br />

adverbial clauses 292<br />

Adverbial Group (AdvG) 16, 18, 45–6, 454,<br />

502–3<br />

structure/functions 475, 502–3, 508–9<br />

adverbial particle 336–41, 372<br />

adverbs 16, 230–1, 502–7<br />

complementation 518–21, 536<br />

degree 190<br />

modal 380<br />

modification 515–18<br />

modifying adjectives 492–3<br />

position/scope 509–12, 513, 514<br />

and prepositions 544–5<br />

relative 454<br />

syntactic functions 508–9, 514<br />

see also Complement; grading; intensifiers<br />

www.IELTS4U.blogfa.com


Affected [participant] 5, 7–8, 51, 128–9<br />

affectedness 165<br />

as object 5, 7–8, 51, 128–30<br />

as subject 130–1, 135–6, 252–5<br />

affectivity [process] 139–40, 142–3, 233<br />

Agent [participant] 5, 7–8, 128–31, 146, 165<br />

optional in passive 8, 254–5<br />

already vs still/yet 513<br />

ambiguity 9–10, 193, 443, 456, 533–4<br />

American <strong>English</strong> see British <strong>English</strong> (BrE)<br />

analysing text 9–10, 37–9<br />

analytical causatives 134–5, 138<br />

anaphoric (backwards) reference 414, 418,<br />

419<br />

anaphora 227, 229, 415<br />

zero 227, 449–50, 454<br />

and 278–9, 290–1, 295<br />

animacy 130, 140, 449–50<br />

hierarchy 256<br />

antecedent in relative clauses 449–50<br />

anteriority 325, 362, 366–7<br />

anti-causative construction 135, 138<br />

see also ergative pairs<br />

anticipatory it 52<br />

vs extraposition 47–8<br />

any 23–4, 428<br />

in negative 23–4, 202–3<br />

appellatives 234<br />

apposition 278–80, 281–3, 448<br />

and circumstance 290–4<br />

articles 16, 402–4, 417–22<br />

and countability 405–6, 409–10<br />

generic reference 421–2<br />

in/definite 417–22<br />

zero 420, 421–2, 450<br />

aspect 325, 361, 369–70, 378<br />

grammatical 372<br />

im/perfectivity 369–70<br />

iterative 377, 378<br />

lexical 370–5<br />

durative/dynamic [situation/verb]<br />

371–2<br />

habitual 374–5, 377–8<br />

punctual [situation/verb] 371–2, 374,<br />

378<br />

Perfect vs Progressive 325–9, 372<br />

and phasing 112, 331–5, 378<br />

(un)bounded ((no) end-point) 165, 371–2,<br />

374–5<br />

see also Perfect; Progressive<br />

aspectual marker 341<br />

assertive/non-assertive 23–5<br />

biased questions 202–3<br />

attempting/helping [phase] 334<br />

attention 96–7<br />

attenuation 157, 490–1, 493, 538<br />

see also intensifiers<br />

attitude 4, 6, 73–4, 256, 385–90, 437–8<br />

attitudinal marker 203–4<br />

Attribute 4–5, 24, 123, 124, 144–6, 164<br />

circumstantial 146, 150<br />

current/resulting 88, 97–8, 145<br />

resulting 134–5<br />

possessive 146–8<br />

respect 98<br />

see also Object Complement; relational<br />

processes; Subject Complement<br />

attributive adjective 482–3<br />

auxiliary verbs (x) 18, 318–22, 323, 325–8<br />

lexical 21, 318–20<br />

modal 318, 320, 380, 385<br />

shall/will 353<br />

see also be; get; have; primary verbs;<br />

semi-modal verbs<br />

backgrounding 272, 276, 290, 298<br />

backshift 299, 303–4, 359<br />

bare infinitive 12–13, 47, 102, 111–12, 324<br />

be 21–2, 124, 193, 322<br />

as auxiliary 21, 318–19, 325–8, 360<br />

be able/likely/sure to 319, 321<br />

be going to 353, 360<br />

in passive 136, 256<br />

with clefting 249–52<br />

as copula 22, 88–9<br />

with existential there 45, 153, 257–60<br />

as uninflected subjunctive 103<br />

Behalf [circumstance] 156<br />

behavioural processes 122, 142, 151, 152–3<br />

verbs of 85–6, 153<br />

being/becoming 144–6<br />

belief see cognition<br />

Beneficiary [participant] 55–6, 137–8, 146<br />

biased questions 202–3<br />

bibliography 591–5<br />

bivalency see two-place [monotransitive]<br />

verbs<br />

blame-type verbs 95–6<br />

block language 244<br />

bound (grammaticised) prepositions 534<br />

boundedness (verb, contrast) 371–2,<br />

374–5<br />

British <strong>English</strong> (BrE) vs American <strong>English</strong><br />

(AmE) 65, 440, 488<br />

anywhere/place 519<br />

haven’t got/don’t have 382<br />

for as subordinator 110<br />

have just eaten 365<br />

must/have to, gotta 382, 388<br />

prepositions 549, 550<br />

www.IELTS4U.blogfa.com<br />

INDEX 597


punctuation 274<br />

use of subjunctive 103, 196, 495<br />

British National Corpus xxii<br />

but 278, 287<br />

can, cannot, can’t 21–3, 142, 390–3<br />

can’t 109–10, 112, 392<br />

negative of may/must 388–9<br />

capacity (as) 157<br />

Carrier [participant] 144–7<br />

cataphoric (forwards) reference 414, 419<br />

catenative verbs/complements 108–9<br />

and ellipsis 243<br />

causative processes/verbs 91, 113, 126, 130,<br />

132–6, 138<br />

causation 130, 132–5<br />

Cause [circumstance] 156<br />

certainty 157, 209, 381–5<br />

chance/tendency [phase] 335<br />

circumstance<br />

apposition/coordination 290–1<br />

clauses 296–8<br />

semantic roles 4–5, 123–5, 155–9, 166<br />

enhancement 290–8<br />

Range 158–9<br />

circumstance [Adjuncts] as Theme 228–9<br />

circumstance as clause element 37, 122,<br />

124–5, 166, 280<br />

as Adjunct 4–7, 17, 36, 290–4<br />

as Complement 37–8<br />

locative/goal 86–7, 99<br />

as Entity 164<br />

Circumstantial Adjunct see Adjunct,<br />

Circumstantial<br />

circumstantial adverbs 505–6<br />

clarifying connectives 282–3<br />

classes of units xxi, 12–16<br />

classification criteria 37–9<br />

classifier in NG 404, 435–6, 440–5, 480<br />

multiple 443–4<br />

’s 426<br />

vs noun compound 440–2<br />

clauses 11, 101, 176–9, 177, 277–80<br />

classes of 177–212<br />

comparative 14<br />

finite dependent 14–15, 292–4<br />

finite/non-finite 12–13<br />

in/dependent 13–14, 100–1, 275–6<br />

infinitival 13<br />

main 13–14, 187–8, 272–3, 275–6,<br />

279–80, 288–9, 292–8<br />

matrix 14, 100, 451<br />

nominal 14, 44, 46–8, 59–60<br />

participial 13, 237<br />

reduced 190, 195–6<br />

abbreviated 15, 180, 183–4<br />

echoes 180, 183–4, 190<br />

supplementive 14–15, 71, 196<br />

verbless 15, 46–7, 195, 276<br />

relative 14, 276<br />

subordinate 14–15, 236, 270–3, 275, 283,<br />

292<br />

superordinate 14, 100<br />

clausal negation 22<br />

combining 211–12, 272–6<br />

extraposed 260–1<br />

functions 17–18, 66, 230, 235–7<br />

as adjunct 71, 74, 75<br />

complement of noun 83–99, 114–15<br />

embedded 46–7, 52–6, 66–8, 100–1, 275<br />

in NG 101, 436, 452<br />

in wh-cleft clauses 250–2<br />

interpreted as<br />

interaction/exchange 3–4, 6<br />

organised message 6–7<br />

representing a situation 3, 5, 17, 128–9,<br />

148–9, 161–3<br />

reporting 300–7<br />

sentential antecedent 283<br />

illocutionary force 176, 210–11<br />

initial/final 298<br />

non-clausal material 274–5<br />

structure 17–18, 34–41, 101, 277–9<br />

see also complementation patterns;<br />

declarative; dependent clauses;<br />

exclamative; imperative; interrogative;<br />

mood; negative<br />

clefting 249–52<br />

acting as test 9–10, 58, 70–1<br />

it-cleft 249–50<br />

stranded preposition 556<br />

wh-cleft 159, 249–52, 250–1<br />

and extraposition 261<br />

reversible 251–2<br />

closed conditionals 358<br />

coercion, clauses of 111–12<br />

cognition [process] 102, 139–41<br />

cognitive<br />

representation 96, 210, 407–9<br />

salience/perspective 96–7, 226, 272<br />

coherence and cohesion 298, 337, 421, 441<br />

by ellipsis and substitution 243–5<br />

by use of articles 421<br />

by use of pronouns 414–15<br />

identity chain 226–7, 243, 259, 415<br />

see also topic<br />

commands see directives<br />

communication, see also verbal process<br />

communication and content 3–5<br />

communicative dynamism 240, 257<br />

www.IELTS4U.blogfa.com<br />

598 INDEX


comparison of adjectives 484–8, 499–501<br />

comparison of adverbs 515–16<br />

Comparison [circumstance] 156, 290–1<br />

Complement (C) 34–8, 71–2, 229–30<br />

see also Locative Complement; Object<br />

Complement; Subject Complement<br />

complement<br />

of adjective 494–501<br />

vs extraposed clause 495–6<br />

of adverb 19, 518–21<br />

vs modifier 502, 519<br />

circumstantial 34, 37, 62, 71–2<br />

determined by verb 34, 37–8, 100<br />

of noun 404, 457, 460<br />

of preposition (in PP) 19, 531<br />

vs post-modifier 404, 476<br />

complementation patterns of the verb 83–99,<br />

114–15<br />

by finite clauses 100–7<br />

by non-finite clauses 108–15<br />

copular 83, 87–9<br />

intransitive 83, 85–7<br />

transitive 83<br />

complex 90, 97–9<br />

ditransitive 90, 92–6<br />

monotransitive 90–2<br />

valency 83–4<br />

see also -ing clauses; that-clauses;<br />

to-infinitive clauses; wh-clauses<br />

complementisers (subordinators) 100–1<br />

that omitted 102–5<br />

completed events 112, 366<br />

complex sentences 272–4<br />

complex-transitive verbs 90, 97–9, 115<br />

compound<br />

adjectives 477<br />

adverbs 504<br />

prepositions 534–5<br />

see also nouns; sentences<br />

concatenated see catenative<br />

Concession [circumstance] 156, 290–3<br />

concord 43–4, 45, 257<br />

Condition [circumstance] 156, 290–3<br />

condition and conditional clauses 72, 367<br />

pragmatic vs rhetorical 196<br />

and subjunctive 196, 358–9<br />

confrontation 209–10<br />

conjoined VGs 331–2<br />

conjunctions 16, 285, 290, 292–6<br />

conjunctive prepositions 296, 543–4<br />

coordinating 276, 278, 290–2<br />

pragmatic 294–6<br />

subordinating 287–8, 292–4<br />

vs prepositions 543–4, 551<br />

see also connectives; coordinators<br />

conjunctive combination 290–1<br />

connectives [adjuncts] 17, 36, 69, 74–5, 234,<br />

285–6<br />

adjectives 482<br />

adverbs 506–7<br />

clarifying 282–3<br />

enhancing 290–1<br />

connectivity<br />

and discourse cohesion 298<br />

pragmatic/semantic/syntactic 275–6<br />

connectors see conjunctions; connectives<br />

constituents and constituency 9–10, 34,<br />

275–6<br />

order of constituents 224<br />

see also tests<br />

containers (mass/count) 410, 552–3<br />

content clause vs relative clause 457<br />

see also Complement<br />

context 4, 86, 178–9, 195–6, 205–6, 237,<br />

242<br />

co-text 8, 12–16, 22–4, 177<br />

Contingency [circumstance] 156, 292, 293–4<br />

continuation or duration [phase/aspect] 112,<br />

331–5, 378<br />

Continuative Themes see discourse markers;<br />

Theme<br />

contrastive dependency 287–8<br />

contrastive focus in cleft constructions 250<br />

conversation 301–2<br />

coordination 26–7, 331–2<br />

between clauses 236, 278–80, 455–6<br />

and circumstance 290–4<br />

of complements 501<br />

semantics 285–7<br />

as test for constituents 441–2<br />

that-clauses 104<br />

coordinators (conjunctions) 278, 285–6,<br />

291–2<br />

correlative (n)either . . . (n)or 286<br />

copular verbs and clauses 37–8, 228<br />

complementation 64–6, 83, 87–9<br />

core see prototypical<br />

co-referential [pronoun] 232<br />

cost-benefit scale 206<br />

countability 405<br />

count and non-count 405–6, 417<br />

non-count 406–10, 421–2<br />

markers 409–10<br />

cross-transposition 339<br />

current relevance in Present Perfect 361–2,<br />

365–6<br />

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declarative mood/clauses 6, 177, 180–2,<br />

211<br />

with attitudinal markers 203–4<br />

INDEX 599


explicit performatives 197–9<br />

modalised 20, 208–9<br />

negative (discourse functions) 23, 199<br />

un/marked Theme 224<br />

defining clauses see relative clauses,<br />

restrictive<br />

definite reference 226, 417–18, 419–21<br />

see also articles; determiner<br />

degree adverb 190, 506<br />

Degree [circumstance] 157<br />

degree complement<br />

of adjective 499–501<br />

of adverb 519–20<br />

degree emphasisers 481, 482–3<br />

deictic centre 353<br />

deictics (pointing words) 303, 353, 362, 403,<br />

417<br />

non-deictics 362, 411<br />

pronouns 411–13, 424–5<br />

there 257<br />

see also backshift<br />

demonstrative see determiner; pronouns<br />

deontic [modality] see modality, meanings<br />

dependency 277, 279–80, 285, 292–4<br />

contrastive 287–8<br />

degrees of between clauses 275–6<br />

subordination 26, 27–8<br />

dependent clauses 13–14, 272–3, 292–4<br />

as adjunct 71, 74, 75<br />

finite vs non-finite 12–13, 71, 74, 75<br />

as object 53–4<br />

replaced by Entity 164<br />

sentential relative 283–4<br />

as subject 46–7<br />

and subordinators 292–4<br />

see also clauses, functions; Complement;<br />

nominal clauses; non-finite; relative<br />

clauses<br />

descriptive modifiers of prepositions 539<br />

descriptors see epithets<br />

desideration [process] 139–40, 142–3<br />

detached predicatives 71, 231–2, 482<br />

detached Themes 232–7<br />

determiner (d) 403–4, 423–4, 434<br />

determinatives 404, 424–34<br />

central 404<br />

demonstratives 403, 424, 433<br />

distributives 403, 423, 429–31, 433<br />

exclamative what 190–1, 195, 433<br />

in/definite 403–4, 433<br />

negative 428<br />

possessives 403, 423, 425, 433<br />

quantifiers 403–4, 423, 427–9, 433<br />

wh-type 190, 193, 403, 426–7, 433<br />

post-determinatives 404<br />

pre-determinatives 404<br />

semi-determinatives 423, 431–3<br />

see also articles<br />

dialogue 301–2<br />

written 301–3, 307–8<br />

Direct Object (Od) 6–8, 17, 34, 50–4<br />

extraposed 53<br />

non-/finite clauses 53–4<br />

and passivisation 51, 53<br />

position 50, 51, 60–2<br />

realisations 50, 52–4<br />

semantic/syntactic roles 50–2<br />

thematised 229–30<br />

unactualised (implied) 91<br />

untypical 51, 52, 112<br />

direct (quoted) speech 299–305<br />

say and tell 105, 152, 301–2<br />

thought 302–3<br />

direction and directional 62, 155, 538<br />

adjuncts 155<br />

complements 62, 72<br />

Direction or Path [circumstance] 72, 155–6<br />

see also Location; Locative<br />

directives 192, 205–10<br />

commands 177<br />

quoted or reported 305–7<br />

responding to 208<br />

discontinuity 323, 329–30, 500–1, 519–20<br />

stranding 59, 534, 556–8<br />

discourse connectivity and cohesion 298<br />

discourse markers 75, 234<br />

dislocations see Theme, detached<br />

distance, statements about 126<br />

Distribution [circumstance] 155<br />

distribution of information 223<br />

distributors see determiner<br />

ditransitive patterns/verbs 90, 92–6, 262<br />

atypical 103<br />

do 158–9<br />

do-operator 22–3, 182–3<br />

see also Finite element; operator<br />

doing, verbs of 126, 128–30, 138<br />

domain adjuncts 73–4<br />

double Themes 233–4<br />

doubt see cognition<br />

dummy it 44, 250<br />

durative processes 371–2<br />

dynamic [process, use or verb] 123, 142<br />

vs stative 370–2<br />

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each vs every 429–30<br />

echo questions 180, 183–4, 190<br />

egress/termination [phase/aspect] 112,<br />

331–5, 378<br />

elaboration 279–80, 281–4<br />

600 INDEX


elements of structure see structure<br />

ellipsis 238, 243–4, 245<br />

quantifiers 428, 429, 430<br />

textual 243–4<br />

yes/no questions 183–4, 204<br />

see also clauses, classes of, reduced<br />

embedding 26, 28, 101, 275–6, 447–8<br />

layered/multiple 105, 273, 455–6<br />

prepositions 533, 541<br />

emotive overlay 241–2<br />

emotive verbs 113<br />

empathy hierarchy 226, 256<br />

emphasis 157, 325<br />

emphatic imperative 194<br />

-en/ed (past participle) 12–13<br />

as adjective 436, 478–9<br />

clauses 13, 102, 108, 115, 237, 276<br />

meanings 113–14, 297<br />

post–modifiers 448, 452<br />

end-focus 241–2, 252–5, 257, 512<br />

end-point 165, 371–2, 374–5<br />

end-position 246, 254<br />

end-weight 47, 52, 254, 257, 512<br />

enhancement 279–80, 290–8<br />

entailment 111–12<br />

Entities 401–2<br />

realising process 163–5<br />

episodes in talk 225<br />

epistemic<br />

parentheticals 301<br />

see also adjunct, stance; modality, meanings<br />

Epithets (descriptors) 404, 435–9, 442<br />

multiple 439, 444–5<br />

equality, degrees of 500, 501<br />

equivalence/non–equivalence between<br />

clauses 277–9<br />

ergative pairs (alternation) 91, 132–4, 138<br />

evaluative (attitudinal)<br />

adjectives 437–9<br />

parentheticals 301<br />

see also adjunct, stance; modality, meanings<br />

Event 317, 352–3<br />

utterances 242–3<br />

every vs each/all 429–30<br />

see also pronouns, indefinite<br />

Evidence [circumstance] 158<br />

evidential<br />

parentheticals 301<br />

see also adjunct, stance; modality, meanings<br />

exclamative mood/clauses 177, 190–1<br />

directive 209<br />

embedded [indirect] 105, 107, 191<br />

exclamations 3, 199–200, 211<br />

rhetorical questions 201<br />

exemplifying to clarify 282<br />

Existent [participant] 153, 257<br />

existential clauses 257–60<br />

derived 258<br />

extended 259<br />

short 258<br />

states of affairs 259–60<br />

existential processes 122, 125, 151, 153–4<br />

existential or unstressed there 45, 153–4,<br />

257–60<br />

and concord 257<br />

expansion (semantics of clause combining)<br />

277, 279–80<br />

elaboration 279–80, 281–4<br />

enhancement 279–80, 290–8<br />

extension 279–80, 285–9<br />

experience, first–time 364–5<br />

Experiencer [participant] 139–43<br />

experiential meaning 4, 7, 222–3, 401–2,<br />

437–8<br />

explicit performatives 197–9<br />

extended now 362–3<br />

extension 279–80, 285–9<br />

Extent [circumstance] 71–2, 155<br />

extraposition 46, 47–8<br />

of clauses 260–1, 495–6<br />

extrinsic modality see modality, meanings<br />

factual or not? 24, 379–81<br />

see also assertive/non-assertive<br />

fairly as intensifier 490<br />

Figure and Ground 337, 340, 546, 547–8<br />

final position 246, 254<br />

finite clauses 12, 14–15, 46, 53<br />

as adjunct 71, 74, 75<br />

apposition 281–3<br />

as complement 100–7, 495–6<br />

dependent 292–4<br />

see also that-clauses<br />

Finite element or operator (o) 6, 180–3,<br />

185–6<br />

finite operator 18, 21–2<br />

ordering with Subject 43<br />

finiteness 6, 325<br />

auxiliary verbs 48<br />

and person/number 6<br />

and tense 12, 48<br />

focus of attention 96–7, 370, 373, 376<br />

Focus of information 238–42<br />

by clefting 250–1<br />

contrastive 241–2<br />

emotive 241–2<br />

marked 230–1, 238, 241–2<br />

unmarked (end-focus) 241–2, 252–5, 257,<br />

511–12<br />

focusing adverb or modifier 505–6, 539<br />

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INDEX 601


for as subordinator 110<br />

force see illocutionary force<br />

Force [agent] 130<br />

foregrounding 272<br />

frame, perspective and attention 96–7<br />

framing function of circumstantials 223–4,<br />

228–9, 235–6<br />

free in/direct speech 307–8<br />

indirect thought 308–9<br />

free (lexical) prepositions 534<br />

freestanding subordinate clause 15, 196, 274,<br />

283, 451<br />

fronting see thematic, fronting<br />

functions 20<br />

discourse/pragmatic 6–8, 207, 250<br />

semantic 4–5, 19–20<br />

syntactic 7–8, 19–20<br />

see also adjectives; adverbs; clauses;<br />

clefting; existential clauses; nominal<br />

group; question tags; verbal group<br />

future events 352–3, 359–60<br />

future perfect 360<br />

gender-neutral pronouns 412–13<br />

generic reference 421–2<br />

genitive determiner see ’s possessive<br />

get-passive 136, 138, 256–7, 332<br />

give [verb] 92–3, 106<br />

use for Range 94, 158–9<br />

Given–New information 60–1, 238, 240–2,<br />

420–1<br />

New–Given pattern 255–6<br />

Theme–Rheme 252–7<br />

Goal see Location; Locative; see also Affected<br />

grading<br />

adjectives 484–6<br />

adverbs 519–20<br />

PP modifiers 538<br />

grammatical metaphor 160–5<br />

grammatical status 193, 532<br />

grammaticised (bound) prepositions 534, 547,<br />

551, 554–5<br />

Ground see Figure and Ground<br />

groups (within clauses) 11<br />

classes of 16<br />

syntactic elements 18–19<br />

habit and habituality 356, 374–5, 377–8<br />

happening [verbs/processess] 126, 130–1,<br />

138<br />

have 21, 323–30<br />

as auxiliary 318–19<br />

had better 320<br />

have been/gone to 365<br />

have (got) to 320, 382, 388, 393<br />

as primary verb 21, 318<br />

use for Range 94, 158–9<br />

as verb of possession 147<br />

see also aspect; Perfect; Progressive<br />

head (h) and headword 402–3<br />

adjectival 403, 422, 475–6<br />

adverbial 502–3<br />

common nouns 405–10<br />

nominal 401–2, 405<br />

taking complement 457–8<br />

pronouns 411–16<br />

proper nouns 410–11<br />

substitute 403, 416<br />

hedged see performatives<br />

help [verb] 108–9, 112, 332<br />

historic present 356<br />

how, exclamative 107, 191<br />

hypertheme (global topic) 248–9, 249<br />

hyphenation 441<br />

hypothetical uses of modals 393<br />

see also should and ought<br />

I and we 411–12<br />

Identified/Identifier 144, 148–50<br />

and Token/Value 144, 149<br />

identifying clause 230<br />

identifying relationship 148–50<br />

identity chains 226–7, 243, 259, 415<br />

idiomatic usage 45, 48, 189<br />

modal verbs 384–5, 393<br />

phrasal verbs 60, 61–2, 337<br />

prepositional verbs 56–7, 59<br />

see also spoken <strong>English</strong><br />

illocutionary force 176, 178, 210–11<br />

see also speech acts<br />

imminent events 360<br />

imperative mood/clauses 177, 190, 191–5,<br />

205–7, 211<br />

directives 192, 205–7<br />

with dynamic process 123<br />

reported 306–7<br />

stative verbs 140, 354<br />

Theme 225<br />

imperfective see perfective/imperfective<br />

implied sense inferred 91, 258, 288–9<br />

impoliteness see politeness<br />

indefinite see articles; determiner (d)<br />

indefinite reference 417–19, 420–1<br />

pronouns 413–14<br />

proper nouns and NGs 150, 419<br />

specific 418–19<br />

time-frame 361–4<br />

independent clauses 13, 270–4, 278<br />

indeterminacy 179, 418–19<br />

indicative [mood] 6, 103, 177<br />

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602 INDEX


Indirect Object (Oi) 6–7, 34, 50–1, 55–6<br />

semantic roles 50, 55<br />

indirect (reported) speech 102–3, 299–300,<br />

303–9<br />

backshift 359<br />

say and tell 105, 152<br />

speech acts 178–9<br />

thought 305, 308–9<br />

indirectness 209–10<br />

individuation (countability) 405–10<br />

inference 207, 281–4, 291<br />

infinitive see bare infinitive; to-infinitive<br />

information 93, 238–46<br />

presupposed 249, 250–1<br />

units 238–40<br />

see also Focus of information<br />

informativeness 254<br />

-ing (present participle) 12–13, 436, 478–9<br />

clauses 13, 54, 101–2, 276<br />

and affectivity 143<br />

as complement 54, 56, 112–13, 115,<br />

536–7<br />

as Direct Object 53–4<br />

expanding NG 259<br />

initial as Theme 237<br />

meanings 112–13, 288–9, 297<br />

of + -ing 459<br />

as Predicator 48<br />

restrictive 452<br />

as Subject 47<br />

as supplementives 284, 447–8, 452<br />

vs to-infinitive 108, 113, 332, 537<br />

ingress or initiation [phase/aspect] 112,<br />

331–5, 378<br />

inherent circumstance 124–5<br />

inherent participants 122, 125–7<br />

see also obligatory elements<br />

initial position see thematic, fronting<br />

initiation or ingress [phase/aspect] 112,<br />

331–5, 378<br />

Instrument [circumstance] 156, 551<br />

integration<br />

of classifier and noun 440–2<br />

of preposition and verb 59–60<br />

intended events 360<br />

intensifiers, interrogatives 207<br />

intensifiers and intensification 488<br />

of adjectives 488–90<br />

of adverbs 516–18<br />

attenuation 490–1, 493<br />

in discontinuous VGs 329–30<br />

-ever in wh-words 186<br />

of prepositions 531, 538<br />

intensive relationship 68<br />

intention 386–7, 393<br />

interdependency [clauses] 275–6<br />

interpersonal meaning 4–7, 178, 223, 234<br />

interrogative mood/clauses 6, 22–3, 177–8,<br />

180–9, 211, 225<br />

alternative 180, 185<br />

double 186–7<br />

exclamations 200<br />

in/dependent 106<br />

indirect 105–6<br />

intensifiers 207<br />

modalised as directive 208<br />

negative 21–4, 182–3<br />

position of Subject 43, 180, 182–3<br />

wh- (non-polar) 22–3, 100, 105–6, 185–7<br />

yes/no (polar) 22, 177, 201–2, 225<br />

see also queclaratives; questions<br />

intonation 193, 195, 196, 199, 203, 207<br />

contour 276<br />

questions 176, 181, 186, 187<br />

see also nucleus; tone units<br />

intransitive patterns/verbs 37–8, 91, 126–7<br />

complementation 83, 85–7<br />

copular verbs 37–8<br />

pseudo-intransitive 132, 135–6<br />

intrinsic modality see modality, meanings<br />

inversion of subject–verb 230–1, 300–1<br />

interrogatives 22–3, 182–4, 321–2<br />

not always possible 243, 287<br />

so/neither/nor 244–5<br />

involuntary processes 130–1, 152<br />

involvement of speaker in get-passive 256<br />

it 413<br />

anticipatory 47–8, 52, 260–1<br />

dummy 44, 250<br />

iterativity (of aspect) 377, 378<br />

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just [aspectual marker] 508<br />

just [intensifier] 508–9, 516<br />

keep [verb] 88, 97–9, 332–3, 340, 378<br />

know [verb] 102, 104–7, 141<br />

don’t know 105<br />

Landmark 546<br />

laugh at 57–9<br />

left-dislocations 232–3<br />

let’s/let us/let 194–5<br />

discourse functions 194, 207<br />

lexical auxiliaries 21, 319–20<br />

see also verbs, lexical<br />

lexical density 162<br />

lexical (free) prepositions 534, 546–8<br />

like [verb] 108–10, 142–3<br />

Location [circumstance] 71, 86, 155–6<br />

with be and put 124<br />

INDEX 603


Goal 72, 155–6<br />

space or time 146<br />

Time 292, 293–4<br />

verb tense 353–4<br />

Locative [space/time] 37–8, 155<br />

adjuncts 155<br />

adverbs 505–6<br />

change of location 549<br />

prepositions 546, 548–51<br />

Locative/Goal Complement (C loc<br />

) 17, 37–8,<br />

99<br />

intransitive verbs 86–7<br />

logical necessity 382–3, 385<br />

look after 57–9<br />

loving/hating see affectivity<br />

make, use for Range 94, 158–9<br />

Manner [circumstance] 37, 72, 156, 292,<br />

293–4, 553<br />

phrasal verbs 337–40<br />

manner-of-motion verbs 86, 337–40<br />

manner/attitude [phase] 334–5<br />

marked vs unmarked see Focus; tense; Theme<br />

markers<br />

attitudinal 203–4<br />

discourse 222<br />

of countability 409–10<br />

mass noun see countability, non-count<br />

material processes 122, 125, 138<br />

causative 132–4<br />

doing/happening 128–31<br />

Matter [circumstance] 157<br />

may and may not 323–4, 388–9, 392<br />

Means 146, 156<br />

mental processes 122, 125, 139–43<br />

metaphor 146<br />

grammatical 160–5<br />

prepositions 552–3<br />

metonymy 420, 552–3<br />

might and mightn’t 392<br />

hypothetical 385, 393<br />

might/must have 327–8<br />

modal auxiliaries [verbs] 21, 318, 320,<br />

325–8, 385<br />

negation of may/must 388–9<br />

past time ref. 386, 388, 391, 392<br />

have + -en 383, 385, 390<br />

with perfect + passive 327–8<br />

with perfect/progressive 318, 325–6<br />

semi-modals 21–2, 318, 380<br />

should for subjunctive 103, 393<br />

modality 325, 379–94<br />

adjectives/adverbs/nouns 380–1<br />

as circumstance 157<br />

meanings 379–81, 385, 393<br />

deontic or intrinsic 385–90, 393<br />

dynamic 390–2<br />

epistemic or extrinsic 157, 209, 381–5<br />

hypothetical 393<br />

modal harmony 381<br />

modal tags 207<br />

modalised declarative/interrogative 208–9<br />

modifier (m) 18–19, 403, 492<br />

of adjectives 492–3<br />

of adverbs 515–18<br />

of nouns 404<br />

of prepositions 531–2, 538–9<br />

quantified 491<br />

see also post-modifier; pre-modifier<br />

momentary verbs/acts see aspect, lexical<br />

monotransitive patterns/verbs 90–2, 101<br />

atypical 103<br />

monovalency 126<br />

mood 6, 176, 181, 196, 207<br />

see also declarative; exclamative; imperative;<br />

interrogative; subjunctive<br />

morphs and morphemes 11, 16, 26<br />

Motion Events/verbs 231, 336–9<br />

and Cause 338–9<br />

and Manner 86, 337–40<br />

and Path 72, 337–41<br />

translation of 339<br />

movement see Motion Events/verbs<br />

mustn’t vs needn’t/don’t have to 387–9<br />

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necessity 385–90, 393<br />

logical 157, 209, 381–5<br />

need [semi-modal] 21–2, 380<br />

needn’t as negative of must 389, 393<br />

negation and negative clauses 21–6, 230–1<br />

cumulative 23<br />

declaratives 199<br />

imperative 194<br />

interrogative 21–4, 183<br />

inversion of subject–operator 230–1,<br />

510–11<br />

must/need 388–9, 393<br />

no/none/no-one 258, 428<br />

not + any 23, 428<br />

not 22, 182<br />

nuclear 23, 203<br />

question tags 187<br />

transferred 26, 199<br />

negative objects 231<br />

neither [substitutive] 230, 244<br />

see also coordination; determiner, distributives<br />

new information see Given–New<br />

NICE properties 321<br />

no and not see negation<br />

nominal clauses 14–15, 106<br />

604 INDEX


see also that-clauses; wh-interrogative<br />

clauses<br />

Nominal Group (NG) 16, 18, 44, 52, 403–5<br />

appositive as post-modifier 455<br />

Complement of Subject/Object 66, 68, 98,<br />

420<br />

complement of preposition 531<br />

functions 404–5, 460–1<br />

divisible 110–12<br />

in/definite 417–21<br />

structure 18, 403, 403–5, 416, 438, 444<br />

order of elements 435<br />

unmarked for count 407<br />

nominalisation 162–5, 461–2<br />

non-agentive verbs 244<br />

non-assertion see assertive/non-assertive<br />

non-clausal material 274–5<br />

non-count nouns 405–9<br />

markers 409–10<br />

non-declarative see imperative; interrogative<br />

non-defining see relative clauses, restrictive<br />

non-factual see factual or not?<br />

non-finite (dependent) clauses 12–14, 47,<br />

53–4<br />

as complement 108–15, 496–7<br />

see also bare infinitive; -en/ed; -ing;<br />

to-infinitive<br />

adjuncts/variants 71, 74, 75, 106<br />

supplementive 284<br />

non-finite verb forms 12–13, 324, 328–9<br />

non-restrictive see relative clauses, restrictive<br />

non-specific vs indefinite 418–19<br />

notational symbols xxi–xxii<br />

noun complement clauses 457–62<br />

nouns 16, 380, 405–11<br />

compound 440–2<br />

nominalisation 162–5, 461–2<br />

proper 410–11<br />

see also pronouns<br />

nuclear negative 23, 203<br />

nucleus (intonation) 239, 242<br />

numerals, cardinal/ordinal 427<br />

Object 35–6, 229–30, 231<br />

see also Direct Object; Indirect Object;<br />

Object Complement; Prepositional<br />

Object<br />

Object Complement (Co) 17, 36, 38, 64,<br />

67–8<br />

Attributive 68, 97–8<br />

oblique 56, 68, 105<br />

vs adjunct 68<br />

object-to-subject raising 38, 50, 321<br />

objective/subjective (case) 437–8<br />

pronouns 43, 50, 64<br />

obligation 385–90, 393<br />

obligatory elements 37–8, 64, 83, 86, 238<br />

occurrence, verbs of 85–6<br />

offers reported 305–7<br />

one-to-one correspondence 20, 40<br />

one/ones [pronoun] 403, 416<br />

operator/finite operator 21–2, 181–2,<br />

317–18, 321–2, 324<br />

the do-operator 21<br />

extended VGs 325–8<br />

optative mood 195<br />

order (sequence) 224<br />

adjectives 438–9, 444–5<br />

AdjG 438–9, 444–5<br />

determinatives 434<br />

determiners 434<br />

Finite and Subject 43<br />

NG 403, 435, 438<br />

ought 21, 318, 383, 387, 390<br />

parenthetical clauses 105, 283–5, 300–3, 451<br />

participants (semantic roles) 4–5, 123, 124,<br />

129, 166<br />

un/actualised 125–7<br />

see also Affected; Agent; Beneficiary;<br />

Carrier; Existent; Experiencer; Force;<br />

Phenomenon; Possessor/ed; Range;<br />

Recipient; Sayer/Said<br />

participials (adj) 478–9<br />

pseudo-participials 436, 478<br />

participles 13; see also -en/ed; -ing<br />

particle (p) 18–19, 22, 341<br />

let’s 194<br />

in phrasal verbs 60–2, 336–41<br />

partitive [determiner] 428–9<br />

Passage 549<br />

passive voice 7–8, 252–7<br />

active/passive 10, 38, 64, 93, 98, 111–12,<br />

252–7<br />

with Affected subject 43, 129, 252–5<br />

bare infinitive 111–12<br />

in complex transitives 97–8<br />

discourse motivation 253, 255–6<br />

and end-focus 246, 252–3<br />

get 136, 138, 256–7<br />

and prepositional object/verb 95–6<br />

raised object 38, 50, 110–11, 252–4<br />

rare with Beneficiary 55<br />

with Recipient subject 43, 55, 253–5<br />

with two objects 93<br />

in VG structures 325–9<br />

without Agent 254–5<br />

passivisation see passive voice, active/passive<br />

past participle see -en/ed<br />

past tense 353–4, 358–60, 372<br />

www.IELTS4U.blogfa.com<br />

INDEX 605


distancing 359, 381<br />

and Present Perfect 361–3<br />

see also Perfect; Progressive; tense<br />

Path or Direction [circumstance] 72, 155, 549<br />

Passage 549<br />

phrasal verbs 337–41<br />

Patient see Affected<br />

pauses, symbols xxii<br />

perception [process] 111–12, 139–40, 142<br />

the senses 146<br />

see also cognition<br />

Perfect [aspect/form] 361<br />

non-finite 368<br />

Past Perfect 361, 366–7, 372<br />

progressive 372, 377<br />

Present Perfect 361–6, 372<br />

progressive 372, 376–7<br />

time–frame 361–4<br />

continuous 365, 376–7<br />

first time 365<br />

vs past tense 362–3<br />

perfective/imperfective 369, 370<br />

performatives [verbs] 197–9<br />

explicit 197–9<br />

hedged (indirect) 198<br />

permission 385–92, 393<br />

personal pronouns see pronouns<br />

perspective 96–7, 162–3, 421, 547–8<br />

persuade-type verbs 110<br />

phase 112, 331–5, 378<br />

Phenomenon [participant] 139–43<br />

phrasal quantifiers 429, 433<br />

phrasal verbs 60–3, 336–43<br />

idiomatic 86, 342–3<br />

semi-idiomatic 341–2<br />

non-idiomatic 337–40<br />

phrasal-prepositional 62<br />

syntactic features 60–1<br />

vs prepositional verbs 61–2, 338<br />

see also Figure and Ground;<br />

manner-of-motion verbs; Motion<br />

Events; Path<br />

pitch (intonation) 228, 239, 489<br />

place-frame 155, 228–9<br />

place-holders see dummy it; there unstressed<br />

as Subject<br />

plural forms of nouns 405–10<br />

point of departure in message 224, 226<br />

point of reference in time 352–3<br />

polarity (positive/negative) 182, 242, 325<br />

see also question tags; yes/no interrogatives<br />

politeness and polite forms 203–4, 211–12,<br />

359, 489<br />

directives 206, 207–8<br />

position 38, 145, 223–37, 252–3<br />

positive/negative see polarity<br />

possession 144, 146–8<br />

possessive forms 425–6, 535<br />

Possessor/ed [participants] 147<br />

possibility 157, 209, 381–5, 390–2<br />

post-determinative 404<br />

post-head elements 402–4, 447<br />

post-modifier (m) 403–4, 446–56<br />

realisations 446–8<br />

embedded or integrated (restrictive)<br />

446–50<br />

mixed or other 452–6<br />

supplementives (non–restrictive) 404,<br />

446, 448, 451<br />

vs complement 404, 476<br />

postponement 262<br />

potentiality 113, 359–60, 379<br />

power (factor) 177, 199<br />

pragmatic inference 86–7, 180, 294–6<br />

pre-determinative 404<br />

predicate 35, 101, 421<br />

predicatives 482<br />

detached 71, 231, 231–2, 482<br />

Predicator (P) 35, 42, 48–9, 101, 182<br />

predicted/required elements 37–8<br />

prediction 359, 380–1, 382, 385<br />

pre-head 402–4, 476, 509<br />

pre-modifier in NG (m) 403–4, 435–45, 444<br />

multiple items 443–5<br />

Prepositional Object (Op) 56–60<br />

fronted 58<br />

with passive 59–60<br />

with phrasal-/prepositional verbs 62, 91–2,<br />

95–6<br />

in wh-questions 58<br />

Prepositional Phrase (PP) 19, 531–4, 532,<br />

535–55<br />

as Adjunct or Complement 62, 68, 460,<br />

497–9, 533, 541–2<br />

complement element 531–2, 536–7<br />

embedded 533, 541<br />

as post-modifiers 452–3<br />

as Subject 45<br />

see also discontinuity<br />

prepositional verbs 56–9, 92, 95<br />

phrasal-prepositional verbs 62<br />

vs phrasal verbs 61–2, 338<br />

prepositions 16, 296, 504–5, 531–2, 534–5,<br />

540–1<br />

free vs bound 534, 547<br />

bound (grammaticised) 554–5<br />

free (lexical) 547–53<br />

modifiers 538–9<br />

stranded 59, 534, 556–8<br />

and that-clauses 104<br />

www.IELTS4U.blogfa.com<br />

606 INDEX


verbs that take 92, 95<br />

vs adverb particles 338, 504, 544<br />

vs homographs 543–5<br />

present participle see -ing<br />

present tense 354–7, 372<br />

habitual 356, 374–5, 377–8<br />

past events 356–7<br />

stative 355–6<br />

see also Perfect; Progressive; tense<br />

presupposition 242–3, 249, 358<br />

primary verbs 21, 318<br />

see also operator<br />

probability 157, 209, 381–5, 390–2<br />

processes (lexical aspect) 370–2<br />

processes (semantic types) 4–5, 49, 122–7,<br />

163, 166<br />

dynamic/stative 1, 123, 141, 354–5<br />

see also behavioural; existential; material;<br />

mental; relational; verbal<br />

programmed events 359–60<br />

progression see thematic progression<br />

Progressive [aspect/form] 123, 142, 325,<br />

369, 372–5<br />

discourse functions 294–5, 375–6<br />

durative un/bounded verbs 371–2, 374–5<br />

future events 360<br />

iterativity 377, 378<br />

non-progressive 325, 355, 369, 372–3, 376<br />

passive 327–8<br />

Perfect aspect 326–8, 376–7<br />

and tense 372<br />

prominence (tonic) 239<br />

pronouns/pronominal forms 16, 104,<br />

411–16<br />

backshift 303–5<br />

demonstrative 414–15, 424–5<br />

personal 43–4, 50, 64–5, 255, 411–13<br />

gender-neutral 412–13<br />

indefinite 413–14<br />

one/ones 403, 416<br />

reflexive 192, 413<br />

wh-type 185–6, 413<br />

propensity 390–2<br />

proper names/nouns 227, 410<br />

(proto)typical forms 40–1, 44–8, 52–4, 88, 226<br />

correspondence 178<br />

pseudo-cleft clause see clefting<br />

pseudo-intransitive 132, 135–6, 138<br />

pseudo-participials [adjectives] 436, 478<br />

punctuation 274–5, 281, 283, 441, 447<br />

Purpose [circumstance] 156, 235–7, 297, 548,<br />

558<br />

put and location 124<br />

qualifier see modifier; post-modifier<br />

quantifier 403–4, 427–9, 491, 538<br />

non-count nouns 408–10<br />

queclaratives 201, 203–4<br />

question tags 43, 181, 187–9, 207<br />

questions 201–4<br />

echo 180, 183–4, 190<br />

see also interrogative<br />

quotation see direct (quoted) speech<br />

quotative verbs 302–3, 356–7<br />

raised elements 109, 111, 261, 321, 496<br />

Range [participant] 51, 94, 152, 158–9<br />

rank-scale 11<br />

real, appearing [phase] 334<br />

realisations 19–20, 39, 40–1, 160–6<br />

Adjuncts 71, 74–5<br />

Complements 66, 68<br />

modal meanings 380–1<br />

Objects 56, 59–60<br />

prepositional complements 536–9<br />

Subjects 44–8<br />

verb complementation 114–15<br />

VGs 318–19, 326<br />

Reason [circumstance] 156<br />

Recipient [participant] 5, 7–8, 55–6, 137–8,<br />

151<br />

recursive links 108, 455<br />

reduced clauses see clauses, classes of,<br />

reduced<br />

reference and referent 95, 111, 417–22<br />

anaphoric (backwards) 227, 414, 419<br />

cataphoric (forwards) 414, 419<br />

chains and coherence 226–7, 243, 259,<br />

415<br />

exophoric 414<br />

generic 421–2<br />

partitive 428–9<br />

reflexive/emphatic pronouns 192, 413<br />

relational processes 122, 125, 144–50<br />

Attributive 144–5<br />

attributive 145–6<br />

circumstantial 146<br />

possessive 146–8<br />

Identifying 144, 148–50<br />

see also Token/Value<br />

relative [circumstances] 155<br />

relative clauses 449–52<br />

adverbial 454<br />

non-restrictive (supplementive) 283–4, 404,<br />

448, 451<br />

restrictive (defining) 404, 447–8, 450<br />

relativisers 449–50<br />

relevance in Present Perfect 365–6<br />

relevance time (R) 361–2<br />

reporting speech/thought 299–309<br />

www.IELTS4U.blogfa.com<br />

INDEX 607


epresentation see clauses, functions,<br />

interpreted<br />

respect (as + NG) 98<br />

restating to clarify 282<br />

restrictive/non-restrictive 447–8<br />

Result 294, 366, 553<br />

retrospection, verbs of 112–13<br />

reversibility 145–6, 148–50, 251, 278–9<br />

Rheme 223–4, 246–9<br />

rhetorical questions 201<br />

right-dislocations 232–3<br />

Role [circumstance] 157<br />

’s possessive 425–6, 535<br />

salience (cognitive) 226<br />

say [verb] 103<br />

and tell 105, 152, 301–2, 305<br />

Sayer/Said [participants] 151–2<br />

saying, communicating [process] 151–2<br />

scope see Range<br />

selective quantifier 427<br />

semantic functions xxi, 4–5<br />

vs syntactic 114–15, 125, 160–2<br />

see also Affected; Agent; Attribute;<br />

Beneficiary; Carrier; Experiencer;<br />

Force; Locative; Phenomenon; Range;<br />

Recipient; Sayer/Said<br />

semantic valency 83–4<br />

semantic–syntactic transfer see grammatical<br />

metaphor<br />

semi-determinatives 423, 431–3<br />

semi-modal verbs 21–2, 318, 380<br />

semi-negatives 24<br />

semi-auxiliaries see lexical auxiliaries<br />

Senser see Experiencer<br />

sensing see perception<br />

sentences 272–5, 277–9, 298<br />

sentential relative clauses 283–4<br />

sequencing events 331–3<br />

shall/shan’t 21, 182, 386–7, 388, 393<br />

should/shouldn’t 21, 383, 385, 390, 393<br />

situation types 122, 287, 369, 371–2, 371<br />

see also Attributes; circumstance; participants;<br />

processes<br />

situational ellipsis 244<br />

so [conjunction] 295<br />

so [substitutive] 230, 244<br />

some and derived forms 202–3, 427–9<br />

Source [circumstance] 72, 155, 549<br />

space, spatial see Location; Locative<br />

specific vs definite 418–19<br />

speech acts 176–9, 206, 207<br />

verbs 92, 109–10<br />

see also direct (quoted); indirect (reported)<br />

speech time 352–5, 353<br />

spoken <strong>English</strong> 104, 162, 195–6, 256, 283,<br />

488–90, 513–14<br />

concord 45, 257<br />

conversation 179, 195–6, 293–4, 301–3,<br />

335<br />

examples 3–4, 240, 260, 520–1<br />

dialogue 301–3<br />

novels 26, 209–10, 307–8, 393–4<br />

plays 75–6, 184, 415<br />

ellipsis 183, 204<br />

interview 48<br />

prepositional phrases 533, 537<br />

question tags 187–9<br />

see also idiomatic usage<br />

stance see Adjunct, Stance<br />

stance adverbs 506<br />

statement 177–9, 181–2<br />

states of affairs 259–60<br />

stative process/use/verb 123, 140, 141,<br />

354–5<br />

vs dynamic 370–2<br />

still vs already/yet 513<br />

stranded prepositions 59, 534, 556–8<br />

stressed/unstressed 228, 238–42, 488–9<br />

question tag 187–8<br />

there 45, 153–4, 228, 257–60<br />

see also any; some<br />

structure xxi, 20<br />

AdjG 475, 476, 492<br />

AdvG 475, 502–3, 508–9<br />

clause 17–18, 34–41, 101, 277–9<br />

NG 18, 403, 403–5, 416, 435<br />

PP 531–2, 532<br />

VG 18–19, 317–18, 321–2, 324–9, 335<br />

style adjuncts 73–4<br />

Subject (S) 35, 42–8, 181, 225–7<br />

Affected 129, 135–6<br />

embedded clause 46–7<br />

implicit 109, 191–2<br />

see also extraposition<br />

Subject Complement (Cs) 17, 36, 64–7, 88<br />

Identifying 66, 230<br />

subject–operator inversion see inversion<br />

subjective/objective [case] 437–8<br />

subjunctive mood/form 103, 196, 358–9,<br />

393, 495<br />

subordination 26, 27–8, 279<br />

subordinate clauses 292<br />

see also dependency<br />

subordinators see complementisers; conjunctions<br />

substitution 238, 244–5<br />

such 431–2<br />

sufficiency, degrees of 500<br />

suggestions, reported 305–7<br />

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608 INDEX


superordinate clauses 14, 100<br />

supplementives 14–15, 71<br />

detached predicative 71, 231–2, 482<br />

non-finite clause 284, 288–9<br />

non-restrictive 283–4, 446, 448, 451<br />

parenthetical 404<br />

verbless clauses 15, 190, 195, 453, 482<br />

suppletive [adjectival form] 485<br />

swear words 518<br />

symbols xxi–xxii<br />

syntactic functions xxi, 7, 17–19, 39–40<br />

vs semantic 114–15, 125, 160–2<br />

tag see question tags<br />

take, use for Range 94, 158–9<br />

Target [participant] 152<br />

tell [verb] 105–6<br />

tense 325, 352–4<br />

deictic function 353<br />

marked/unmarked 354<br />

past 357–60, 374–8<br />

habitual 374–5, 377–8<br />

for hypothetical 358–9<br />

for present 358–9<br />

see also backshift<br />

present 354–7<br />

for future 358–60<br />

see also be going to<br />

habitual 356, 374–5, 377–8<br />

for past 356–7<br />

state 355–6<br />

tensed forms 12, 181–2, 352<br />

termination [phase] 334<br />

tests for constituents 9–10, 58, 129, 133, 138<br />

textual component/meaning 223, 234<br />

textual ellipsis 243–4<br />

textual/pragmatic functions see Given–New;<br />

Theme, and Rheme; Topic<br />

that [complementiser] 102–5<br />

that [demonstrative] 414–15, 424–5<br />

that-clauses 46, 100, 101–5, 196, 449–50,<br />

457–8<br />

extraposed 260–1<br />

relative 449–50, 456<br />

thematic 6–7<br />

equative 251<br />

fronting (thematisation) 145, 223–37,<br />

510–11<br />

progression 246–9<br />

Theme 222–5, 226–37, 261, 542<br />

absolute 232<br />

constant 247–8<br />

continuative 75, 234<br />

derived 248–9<br />

detached 232–4<br />

dislocation 232–3<br />

marked/unmarked 224–5<br />

multiple 235<br />

negative 230–1<br />

non-experiential 234–5<br />

and Rheme 6–7, 223–4, 228, 235, 246–9<br />

and Subject/Topic 225–7<br />

there [existential] 45, 153–4, 228, 257–60<br />

there/then [anaphora] 229<br />

think [verb] 103–4, 141<br />

this/that [demonstratives] 414–15, 424–5<br />

this/that (of quantity) 491<br />

thoughts reported 302–3<br />

three-place [ditransitive] verbs 90, 92–6, 126,<br />

137–8<br />

Time [circumstance] see Location; Locative<br />

time-frame 126, 155, 228–9, 353–4<br />

prepositions 551–2<br />

present/past perfect 362, 367<br />

progressive 375–6<br />

to-infinitive clauses 12–13, 47, 54, 143,<br />

297, 452<br />

as complement/object 53–4, 101–2,<br />

109–11, 332, 459, 496–7, 519–20<br />

extraposed 260–1<br />

with lexical auxiliaries 319–20<br />

of purpose 236–7<br />

vs bare infinitive 112<br />

vs -ing clause 108, 113, 332, 537<br />

togetherness 157<br />

Token/Value 144, 149–50<br />

tone units xxii, 238–40<br />

tonic prominence (syllable) 238–9<br />

Topic and topicality 35, 222, 225–8<br />

cognitive features 42, 226, 272<br />

continuity 227, 255–6<br />

Trajector 546<br />

transfer of verb/process 92–3, 128, 137–8<br />

transferred negation 199<br />

transitivity 5, 90–9, 122<br />

hypothesis (high–low) 160, 165<br />

in/transitive verbs 37–8, 126<br />

types see complex-transitive; copular;<br />

ditransitive; intransitive; monotransitive<br />

see also complementation patterns<br />

translation 339<br />

trivalency see three-place [ditransitive] verbs<br />

two-place [monotransitive] verbs 90–2, 126,<br />

128–36<br />

www.IELTS4U.blogfa.com<br />

unactualised (unexpressed) element 91,<br />

125–7, 141<br />

unbounded see boundedness<br />

units 11–20<br />

INDEX 609


unreal/hypothetical [past] 367<br />

upgrading to clarify 282–3<br />

used to (habituality) 369, 377–8<br />

valency 83–4, 126<br />

reduction 94, 122, 127<br />

Value/Token 144, 149–50<br />

Verbal Group (VG) 16, 18–19, 317–18, 318,<br />

321–9<br />

complementation 18–19, 317–18, 321–2,<br />

324–9, 335<br />

discontinuous 323, 329–30<br />

experiential structure 323–4<br />

phased 54, 112, 331–5, 378<br />

realisations 318–19, 326<br />

verbal process (saying) 151–2<br />

verbless clauses 195–6, 204, 210, 212, 276,<br />

307<br />

supplementive 15, 190, 195, 453, 482<br />

verbs 16, 37–8, 85–91, 193, 297, 318<br />

bounded/unbounded 372<br />

catenative 108–9<br />

dynamic/stative 154–5, 354–5, 371–2<br />

finite/non-finite 12–13<br />

intransitive (one-place) 85–9, 91<br />

copular 37–8, 88–9<br />

lexical (v) 18, 318, 370–2<br />

vs operator 321–2<br />

meanings<br />

behaviour 85–6, 152–3<br />

being/becoming 88, 144–6<br />

causative/ergative 91, 113, 126, 130,<br />

132–6, 138<br />

cognitive/factual 102, 111, 141<br />

doing/happening 126, 128–31, 138<br />

expectation 102<br />

finding/leaving 113<br />

motion 231, 336–9<br />

perception/suggestion 102–4, 114<br />

possession 147<br />

reciprocal/reflexive 91<br />

saying 92, 109–10, 151–2, 301–2, 305<br />

transfer 92–3, 128, 137–8, 138<br />

volitional 113, 142, 152–3<br />

and prepositions 91–2, 543<br />

punctual or momentary 372<br />

quotative 302–3, 356–7<br />

transitive 90–1<br />

three-place (ditransitive) 90, 92–6<br />

two-place (monotransitive) 83, 90–2<br />

see also auxiliary verbs; complementation<br />

patterns; ergative pairs; modal<br />

auxiliaries; performatives; phrasal<br />

verbs; prepositional verbs; primary<br />

verbs; valency<br />

viewpoint 370<br />

vocatives 192, 234<br />

voice (active/passive) 7–8, 129, 252–7<br />

volition 385–90, 393<br />

verbs of 113, 142, 152–3<br />

want-type verbs 98, 108–11, 142–3<br />

see also desideration<br />

weather, verbs of 85, 126<br />

wh-clauses 10–12, 46, 105–7, 195<br />

complement 100–2, 105–7, 191, 536<br />

wh-nominal 100, 101, 106, 260–1,<br />

459–60, 537–8<br />

exclamative 100, 107, 191<br />

interrogative 22–3, 46, 100, 105–6<br />

wh-cleft see clefting<br />

wh-determinatives 190, 193, 403, 426–7, 433<br />

wh-interrogatives 22–3, 100, 105–6, 185–7,<br />

225<br />

wh-words 100, 185, 449–50<br />

+ ever 186<br />

will/won’t/will have 21, 381–2, 386–7, 390–1,<br />

393<br />

willingness 385–90, 392–3<br />

words 11, 16<br />

would 143, 382, 391<br />

would have + -en participle 393<br />

would rather/sooner 318, 320<br />

www.IELTS4U.blogfa.com<br />

Index written by<br />

Angela Downing and Gerard M-F. Hill 2005<br />

yes/no (polar) interrogatives 22, 177, 201–2,<br />

225<br />

yet 24, 290–2<br />

vs still/already 513<br />

zero anaphora 227, 449–50, 454<br />

zero articles 420, 421–2, 450<br />

zero plural 405<br />

610 INDEX


RELATED TITLES FROM ROUTLEDGE<br />

<strong>English</strong> <strong>Grammar</strong><br />

Richard Hudson<br />

Routledge Language Workbooks are practical introductions to<br />

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<strong>English</strong> <strong>Grammar</strong>:<br />

• helps users to understand grammatical concepts<br />

• encourages the reader to practise applying newly discovered<br />

concepts to everyday texts<br />

• teaches students to analyse almost every word in any <strong>English</strong><br />

text<br />

• provides teachers and students with a firm grounding in a<br />

system which they can both understand and apply.<br />

www.IELTS4U.blogfa.com<br />

Pb: 0-415-17410-4<br />

Available at all good bookshops<br />

For further information, please visit<br />

www.routledge.com/linguistics


RELATED TITLES FROM ROUTLEDGE<br />

<strong>Grammar</strong> and Context<br />

An advanced resource book for students<br />

Ann Hewings and Martin Hewings<br />

<strong>Grammar</strong> and Context considers how grammatical choices influence<br />

and are influenced by the context in which communication takes<br />

place. This is part of a series of comprehensive resource books,<br />

providing students and researchers with theoretical introductions,<br />

a range of readings from key names in the field, and extensive tasks<br />

and research tips.<br />

www.IELTS4U.blogfa.com<br />

Hb: 0-415-31080-6<br />

Pb: 0-415-31081-4<br />

Available at all good bookshops<br />

For further information, please visit<br />

www.routledge.com/linguistics


RELATED TITLES FROM ROUTLEDGE<br />

<strong>Grammar</strong> and Vocabulary<br />

A resource book for students<br />

Howard Jacksonn<br />

This is a comprehensive introduction to the grammar and vocabulary<br />

of contemporary <strong>English</strong> covering core areas and providing<br />

classic readings by key names in the discipline.<br />

<strong>Grammar</strong> and Vocabulary:<br />

• covers the core areas of the subject: words and sentences, word<br />

classes, word structure, slots and fillers, sentence patterns,<br />

clause and phrase, grammar rules and vocabularies<br />

• draws on a wide range of real texts from newspaper articles,<br />

adverts, poems and websites<br />

• provides classic readings by key names in the discipline.<br />

www.IELTS4U.blogfa.com<br />

Hb: 0-415-23170-1<br />

Pb: 0-415-23171-X<br />

Available at all good bookshops<br />

For further information, please visit<br />

www.routledge.com/linguistics


RELATED TITLES FROM ROUTLEDGE<br />

Introducing Language in Use<br />

Aileen Bloomer, Patrick Griffiths<br />

& Andrew John Merrison<br />

An essential introduction for students of <strong>English</strong> language and<br />

linguistics, this book guides the reader through the core areas of<br />

study, drawing on a wide range of texts and examples.<br />

www.IELTS4U.blogfa.com<br />

“This is an exceptionally rich textbook, providing expert but friendly<br />

introductions to a wide range of fields of language study, up-to-date<br />

examples, opportunities to debate and analyse language, a glossary and<br />

extensive further reading.”<br />

Dr Tim Parke, <strong>University</strong> of Hertforshire<br />

Hb: 0-415-29178-X<br />

Pb: 0-415-29179-8<br />

Available at all good bookshops<br />

For further information, please visit<br />

www.routledge.com/linguistics


SERIES FROM ROUTLEDGE<br />

Routledge Applied Linguistics<br />

Series Editors: Chris Candlin & Ronald Carter<br />

Routledge Applied Linguistics is a series of comprehensive<br />

resource books, providing students and researchers with the<br />

support they need for advanced study in the core areas of <strong>English</strong><br />

language and Applied Linguistics.<br />

Each book in the series guides readers through three main sections,<br />

introductions, influential readings and tasks and research exercises.<br />

Throughout the books, topics are revisited, extended, interwoven<br />

and deconstructed, with the reader’s understanding strengthened<br />

by tasks and follow-up questions.<br />

www.IELTS4U.blogfa.com<br />

Titles in the series so far include:<br />

Intercultural Communication by Holliday, Hyde & Kullman<br />

Translation by Hatim & Munday<br />

<strong>Grammar</strong> and Context by Hewings & Hewings<br />

Second Language Acquisition by de Bot, Lowie & Verspoor<br />

Corpus-Based Language Studies by McEnery, Xiao & Tono<br />

For further information, please visit<br />

www.routledge.com/linguistics


SERIES FROM ROUTLEDGE<br />

Routledge <strong>English</strong> Language Introductions<br />

Series Editor: Peter Stockwell<br />

Series Consultant: Ronald Carter<br />

Routledge <strong>English</strong> Language Introductions cover core areas of<br />

language study and are one-stop resources for students. Assuming<br />

no prior knowledge, books in the series offer an accessible overview<br />

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commentaries and key readings.<br />

www.IELTS4U.blogfa.com<br />

Titles in the series so far include:<br />

Sociolinguistics by Peter Stockwell<br />

Pragmatics and Discourse by Joan Cutting<br />

<strong>Grammar</strong> and Vocabulary by Howard Jackson<br />

Psycholinguistics by John Field<br />

World <strong>English</strong>es by Jennifer Jenkins<br />

Practical Phonetics and Phonology by Beverley Collins & Inger Mees<br />

Stylistics by Paul Simpson<br />

Language in Theory by Mark Robson & Peter Stockwell<br />

Child Language by Jean Stilwell Peccei<br />

For further information, please visit<br />

www.routledge.com/linguistics


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