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Summer 2018 MMoCA newsletter

Newsletter of the Madison Museum of Contemporary Art, with articles about exhibitions (Far Out: Art from the 1960s, Art/Word/Image, Irene Grau: construction season, and The House of Sparkling Glasses: A Celluloid Experience by M.J. Paggie), events, education, and supporting the arts.

Newsletter of the Madison Museum of Contemporary Art, with articles about exhibitions (Far Out: Art from the 1960s, Art/Word/Image, Irene Grau: construction season, and The House of Sparkling Glasses: A Celluloid Experience by M.J. Paggie), events, education, and supporting the arts.

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SUMMER <strong>2018</strong>


EXHIBITIONS<br />

FAR OUT: ART FROM THE 1960s<br />

Main galleries • On view through Sep 2, <strong>2018</strong><br />

<strong>MMoCA</strong> Opening Friday, June 1 • 6–9 PM<br />

The Sixties was a decade of radical experimentation that witnessed an incredible cultural and artistic revolution. The<br />

consumer-fueled optimism of the beginning of the decade was quickly dissolved by the Vietnam War, world-wide<br />

protests, and nightmarish assassinations—all televised into living rooms across the globe. The world was watching<br />

and it wasn’t long before a counterculture formed that rejected the conservativism of the previous generation. Far<br />

Out explores works from <strong>MMoCA</strong>’s permanent collection—by artists such as Roy Lichtenstein, Miriam Schapiro,<br />

Andy Warhol, Victor Vasarely, and the Chicago Imagists—created during the decade that popularized such art<br />

historical movements as Pop, Op, Minimalism, Fluxus, and Conceptual Art.<br />

While the turmoil of the decade influenced artists to create politicized works, they were also rejecting art historical<br />

precedents and developing a counterculture of their own. Seeking to expunge the emotive and gestural brushstrokes<br />

that dominated the “artist as hero” mentality of Abstract Expressionism, artists were choosing to forgo an<br />

autobiographical narrative in favor of more formal and conceptual explorations.<br />

Building upon the readymade object introduced by Marcel Duchamp—the idea that the artist defines what is art,<br />

and even a urinal could be submitted for exhibition—British artists like Allen Jones began incorporating commercial<br />

imagery from American advertising. Jones used images from the seedy backpages of mail order catalogs to blur<br />

the line between fine art and commercial art. Not long after, American artists like Andy Warhol were screenprinting<br />

replicas of Brillo boxes. Warhol noted, “Pop artists did images that anybody walking down Broadway could<br />

recognize in a split second…all the great modern things that the Abstract Expressionists tried so hard not to notice.”<br />

Optical art also gained popularity in the Sixties. Op artist Victor Vasarely wanted his geometric abstractions to<br />

be seen as democratized imgaes for the unbiased filter of the human eye—everyone had the potential to see the<br />

illusion regardless of their social standing. Soon Op art began to appear on everything from furniture to clothing<br />

and was quickly associated with the new mod style of the Sixties.<br />

The prodigious artistic production of the ‘60s, with its varied but often complementary ideologies, challenges<br />

any generalization that can be made about the decade as a whole. What remains, however, is the extraordinary<br />

innovation and social awareness imbued in these works of art that paved the way for contemporary artists of today.<br />

Far Out features a 1960s living room furnished by Rewind Decor of Madison and is part of the larger celebration<br />

of the Sixties organized by The Madison Reunion taking place in June <strong>2018</strong>; find out more at madisonreunion.com.<br />

2<br />

Generous funding for Far Out has been provided by MillerCoors; The DeAtley Family Foundation; National<br />

Guardian Life Insurance Company; Gina and Michael Carter; The Terry Family Foundation; Chuck Bauer and<br />

Chuck Beckwith; the Frank family - Larry, Marla, Fred and Holly; Diane Seder and Bruce Rosen; Deirdre Garton;<br />

Rewind Decor; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.


IRENE GRAU: construction season<br />

State Street Gallery • May 5–Aug 5, <strong>2018</strong><br />

Irene Grau is a Spanish conceptual artist who searches her surrounding environment for moments when the power<br />

of color alters how we see and engage with the world. For her exhibition at <strong>MMoCA</strong>, Grau created a new body of<br />

work based on Madison’s notorious summer construction season. In a series of photographs, painted objects, and<br />

laser-cut metal sculptures, she reinterprets our city’s seasonally deconstructed landscape as a space of aesthetic<br />

potential.<br />

Grau, who is accustomed to the preserved historic sites of her hometown of Santiago de Compostela, Spain, was<br />

struck by the ostensibly relentless demolition of Madison’s streets and sidewalks, and by the accompanying jobsite<br />

markings splattered across the pavement. Made by utility workers in preparation for construction projects,<br />

these colorful spray-painted markings indicate underground locations of the cables, pipes, and wires that comprise<br />

our city’s otherwise invisible subterranean infrastructure. For most people, the cryptic scribblings are simply an<br />

accepted blemish of urban life. In Grau’s eyes, however, they are minimalist abstract paintings. In construction<br />

season, she transforms this utilitarian system of painting into dynamic and conceptually inventive works of art.<br />

After diligently hand-tracing countless instances of utility graffiti, the artist created over 250 iron sculptures<br />

shaped and painted the very same Day-Glo colors as the original street markings. Much like the painted marks on<br />

the concrete constantly change throughout the summer (washed away by rain or eroded by traffic), Grau cleverly<br />

designed her sculptural installation to shift and evolve over the course of her exhibition. Eschewing traditional<br />

museum protocol, she invites visitors to pick up the painted objects and use them in imaginative ways—from<br />

recreating the spray-painted notations seen in the streets, to arranging the colorful forms into expressive compositions<br />

on the gallery floor.<br />

In addition to calling attention to the overlooked details within our everyday lives, Grau also humorously references<br />

the history of painting. Like painters before her who worked en plein air, Grau similarly began this project<br />

on foot, traversing Madison for worthy compositions. Rather than creating paintings of landscape, she identified<br />

existing instances of paintings within the landscape. Her resulting exhibition offers each of us an opportunity to<br />

think about and physically engage with the most basic principles of artistic creation: line, color, and form.<br />

Generous funding for Irene Grau: construction season has been provided by the David and Paula Kraemer Fund;<br />

the Elizabeth Firestone Graham Foundation; Darcy Kind and Marc Vitale; Dan and Natalie Erdman; Katie Howarth<br />

Ryan; Oak Bank; a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.<br />

3


EXHIBITIONS<br />

WILLIAM J. O’BRIEN: RELIQUARY<br />

State Street Gallery • Aug 18–Nov 11, <strong>2018</strong><br />

<strong>MMoCA</strong> Opening Friday, Aug 17 • 6–9 PM<br />

Chicago-based artist William J. O’Brien’s idiosyncratic<br />

and exuberant forms are born out of an improvised<br />

and intuitive studio practice. Inspired by Modernism,<br />

as well as the history of material experimentation characteristic<br />

of Outsider Art, O’Brien’s multidisciplinary<br />

practice includes drawing, painting, sculpture, and<br />

ceramics. His beautifully gnarled ceramic objects—part<br />

vessel, part body, and part abstract form—are arranged<br />

in tabletop installations, and his elaborately patterned<br />

felt works and colored pencil drawings combine intuitive<br />

gestural marks with repetition and gridded compositions.<br />

Vibrant triangles, circles, aggressive loops<br />

and marks create a palpable tension between order<br />

and chaos.<br />

Reliquary is an immersive installation that showcases<br />

O’Brien’s wide range of material experimentation and<br />

reflects his continued interest in interrogating the traditional<br />

boundaries separating fine art from functional<br />

craft. The centerpiece of the exhibition is a tent made<br />

from muslin and covered with O’Brien’s expressive,<br />

ink-wash drawings. As suggested by the exhibition’s<br />

title, this structure is the artist’s contemporary version<br />

of a reliquary, complete with two life-size ceramic<br />

totems that guard the tent’s main entrance. Inside, a<br />

pedestal displays heavily textured bronze vessels<br />

and glazed ceramic sculptures, or relics. As a whole,<br />

Reliquary translates notions of the spiritual and the<br />

secular into a contemporary art context by questioning<br />

the preciousness—or sacredness—of the art object.<br />

Generous funding, to date, for William J. O’Brien:<br />

Reliquary has been provided by Gina and Michael<br />

Carter; a grant from the Wisconsin Arts Board with<br />

funds from the State of Wisconsin and National<br />

Endowment for the Arts; and <strong>MMoCA</strong> Volunteers.<br />

ART/WORD/IMAGE<br />

Henry Street Gallery • On view through July 29<br />

the Dadaists to the speech balloons of mid-century Pop<br />

art, artists have frequently used language, often ironic<br />

or enigmatic, to enhance the resonance of their work.<br />

In 1912, when Picasso and Braque glued newspaper<br />

clippings onto their cubist still-lifes they unwittingly<br />

ushered a new era of wordplay into the history of<br />

modern art. The written word was abstracted from<br />

the structure of language and introduced as a graphic,<br />

artistic element. From the fragmented “word salads” of<br />

In his screenprint Sin (1970), Ed Ruscha transforms<br />

the word into a mountainous object that looms over<br />

a trompe l’oeil rendering of an olive. According to<br />

Ruscha, “words are pattern-like, and in their horizontality<br />

they answer my investigation into landscape.<br />

They’re almost not words—they are objects that<br />

become words.” Art/Word/Image examines the use<br />

of language in art through selections from the permanent<br />

collection including works by Robert Cottingham,<br />

Bruce Nauman, Fred Stonehouse, and John Wilde.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established by<br />

the Pleasant T. Rowland Foundation.<br />

4


EXHIBITIONS & NEWS<br />

THE HOUSE OF SPARKLING<br />

GLASSES: A CELLULOID<br />

EXPERIENCE BY M.J. PAGGIE<br />

Imprint Gallery • Opens June 2, <strong>2018</strong><br />

<strong>MMoCA</strong> Opening Friday, June 1 • 6–9 PM<br />

The independent cinema of M.J. Paggie takes center<br />

stage in The House of Sparkling Glasses, an exhibition<br />

of twelve short films from the late 1960s to the early<br />

1970s that are intimately linked both to the history of<br />

Madison and to <strong>MMoCA</strong>. In 1970, the museum’s then<br />

director Cham Hendon hired Paggie to start a new film<br />

program, which evolved into a robust series of instructional<br />

filmmaking courses using the Super 8mm format,<br />

in addition to avant-garde screenings of landmark developments<br />

in underground film.<br />

The works included in The House of Sparkling Glasses<br />

were either created by Paggie in conjunction with the<br />

Film Study Program at the museum, or produced independently as an expression of his interest in cinematic experimentation.<br />

In both instances, Paggie’s films embody the spirit of independent filmmaking—a creative approach that<br />

employs film as “a medium of and for the individual, as explorer and as artist.” Produced and based in Madison,<br />

these films also capture the city’s inhabitants and cultural happenings during an era defined by political radicalism<br />

and artistic experimentation. Paying homage to this much-reminisced era, the exhibition title references Madison’s<br />

former 602 Club, a tavern known to attract the loyal patronage of intellectuals, lefties, artists, and other creatives.<br />

Generous funding for Imprint Gallery programs has been provided by Willy Haeberli in memory<br />

of Gabriele Haberland.<br />

NEW ACQUISITION: Robert Lostutter<br />

In Midnight Garden, a man’s body unfurls—<br />

shoulders expanding outward, his long neck<br />

slowly straightening—like a flower emerging<br />

through the soil in the beginning of spring. The<br />

hybrid creature—half man, half plant—eyes his<br />

onlooker with the ethereal awareness of his<br />

transformation. In this large graphite drawing,<br />

Robert Lostutter continues his artistic exploration<br />

of the inherent lack of boundaries between<br />

the human body and the natural world.<br />

The purchase of Midnight Garden was funded<br />

by the generosity of Mark and Judy Bednar of<br />

Chicago. In addition to funding acquisitions like<br />

the Lostutter drawing, the Bednars have chosen<br />

to gift their esteemed collection of Chicago Imagism, and related works, to the museum’s permanent collection—<br />

gifting nearly 100 works of art over the next several years (over 30 pieces have already been added to the collection<br />

here in Madison). To support the continued research and accessibility of these works, the Bednars, along with the<br />

Madison Community Foundation, have also funded a new collection database and a website redesign that will be<br />

launched this fall. These transformative gifts strengthen the museum’s existing collection of Chicago Imagism and<br />

enhance its core mission of education and inspiration through the arts.<br />

IMAGE CREDITS • COVER: Marko Spalatin, 6. Lem, 1969. Color screenprint on paper, 17 1/16 x 13 5/16 inches. Madison Museum<br />

of Contemporary Art. Gift of Mr. and Mrs. Robert Birkhauser. PAGE 2: Roy Lichtenstein, Haystack #3, 1969. Color lithograph and<br />

screenprint on paper, 13 1/2 x 23 1/2 inches. Collection of the Madison Museum of Contemporary Art. Purchase, through a National<br />

Endowment for the Arts grant with matching funds from Mr. and Mrs. John Bolz. © Estate of Roy Lichtenstein. PAGE 3: Image<br />

© Irene Grau. PAGE 4: William J. O’Brien: Reliquary, 2017. Installation view, Shane Campbell Gallery (Dec. 17, 2017 - Feb. 4, <strong>2018</strong>).<br />

Courtesy of the Artist and Shane Campbell Gallery. Photo: Evan Jenkins. • Ed Ruscha, Sin, 1970. Screenprint, 19 1/8 x 26 1/2 inches.<br />

Madison Museum of Contemporary Art. Purchase, through a gift of Norman Bassett. © Ed Ruscha 1970. PAGE 5: Photo by Greg<br />

Conniff • Robert Lostutter, Midnight Garden, 2015. Graphite on paper, 20 1/2 x 30 1/2 inches. Collection of the Madison Museum of<br />

Contemporary Art. Gift of Mark and Judy Bednar in Honor of William Heaton.<br />

5


MUSEUM EVENTS<br />

ART TALKS<br />

FRIDAY, JUNE 1, 6:30–7:15 PM<br />

FAR OUT! REBELLION AND<br />

REVOLUTION IN ART FROM<br />

THE 1960S<br />

Artistically, socially, culturally, and politically, the<br />

1960s was a decade of extraordinatry change. Using<br />

works of art in Far Out as a foundation, Melanie<br />

Herzog will discuss how artists of the 1960s challenged<br />

the authority of established art traditions<br />

and the structures and conventions of the art world<br />

as never before.<br />

Melanie Herzog is professor at Edgewood College<br />

where she teaches a range of art history courses<br />

that reflect her interests in gender, race and ethnicity,<br />

and socially engaged art and artists, among<br />

other subjects. <strong>MMoCA</strong> Openings are free for members/$10<br />

for non-members.<br />

THURSDAY, JUNE 7, 1–1:30 PM<br />

CURATOR’S TALK ON IRENE<br />

GRAU: CONSTRUCTION SEASON<br />

<strong>MMoCA</strong> curator Leah Kolb will offer an overview of<br />

Irene Grau’s installation that incorporates the artist’s<br />

fascination with monochrome painting with the<br />

symbolic notations used in the construction industry.<br />

THURSDAY, JUNE 14, 1–1:30 PM<br />

MYTHS AND REALITIES OF THE<br />

CIVIL RIGHTS ERA<br />

How do we remember the Civil Rights era? Using<br />

Andy Warhol’s Birmingham Race Riot and Calvin<br />

Burnett’s Freedom Fighter for Operation Exodus,<br />

professor Pamela Oliver will discuss the different<br />

stories we tell about the racial struggles of the past,<br />

the disconnects between popular myths about the<br />

era and the realities, and how these different stories<br />

shape our perceptions of Black movements and racial<br />

issues today.<br />

Pamela Oliver is a professor of sociology at<br />

UW-Madison. Her research is on Black protest movements,<br />

the racial dynamics of social movements, and<br />

racial disparities in criminal justice.<br />

FRIDAY, AUG 17, 6:30–7:15 PM<br />

WILLIAM J. O’BRIEN<br />

William J. O’Brien employs an extraordinarily versatile<br />

approach to image-making. The artist will<br />

discuss his exuberant work and wide-ranging exploration<br />

of materials. <strong>MMoCA</strong> Openings are free for<br />

members/$10 for non-members. Lecture hall seating<br />

is limited.<br />

Generous funding for <strong>MMoCA</strong> gallery talks is provided<br />

by Bell Laboratories.<br />

DOCENT<br />

TRAINING<br />

COURSE<br />

SEP 25–DEC 18, EXCEPT NOV 20<br />

TUESDAYS, 1–3:30 PM<br />

Enthusiastic about art and people? Organized? Openminded<br />

and curious? Love to learn? Become an <strong>MMoCA</strong><br />

docent and join a dynamic group of museum volunteers.<br />

Background in art and art history is not required. To apply,<br />

contact sheri@mmoca.org or visit mmoca.org and click on<br />

support/docent-program.<br />

ABOVE: Fred Stonehouse gives a gallery talk for Art/Word/<br />

Image. OPPOSITE: Still from INAATE/SE/ [it shines a certain way.<br />

to a certain place./it flies. falls./ (2016).<br />

6


ROOFTOP CINEMA • JUNE 1–29<br />

Rooftop Cinema returns to the museum’s rooftop sculpture garden each Friday this June for its thirteenth season.<br />

This year Rooftop Cinema contemplates what a long, strange trip it has been in the fifty years since 1968, and<br />

also showcases recent experimental works and hybrid documentaries.<br />

Films begin at sundown, approximately 9:30 pm. Rooftop Cinema is free for <strong>MMoCA</strong> members/$7 for nonmembers;<br />

admission begins at the lobby reception desk one hour before screen time. Screenings relocate to the<br />

lecture hall if rain is predicted. Visit mmoca.org/cinema for the full schedule and film descriptions.<br />

This popular series is curated by James Kreul. A program of the museum’s education department, Rooftop Cinema<br />

is generously funded by maiahaus and Venture Investors, LLC.<br />

<strong>MMoCA</strong><br />

OPENINGS<br />

FRIDAY, JUNE 1 • 6–9 PM<br />

Far Out: Art from the 1960s opens on June 1. At<br />

6:30, Melanie Herzog will give a talk about the exhibition.<br />

Enjoy hors d’oeuvres from Fresco, a cash<br />

bar, and live music on the rooftop from Get Back<br />

Wisconsin, performing re-creations of the Beatles<br />

catalog. Free for <strong>MMoCA</strong> members / $10 for nonmembers.<br />

Admission is buy one, get one free when<br />

you come dressed in 1960s attire.<br />

FRIDAY, AUG 17 • 6–9 PM<br />

On August 17 celebrate the opening of William J.<br />

O’Brien: Reliquary. At 6:30 pm, the artist will give<br />

a lecture addressing recent works and the exhibition.<br />

Guests will be treated to music, hors d’oeuvres from<br />

Fresco, and a cash bar. Free for <strong>MMoCA</strong> members /<br />

$10 for non-members. Seating capacity in the lecture<br />

hall is limited.<br />

<strong>MMoCA</strong> Openings are sponsored by Newcomb<br />

Construction Company and The Alexander Company<br />

with additional support from Fresco, and media support<br />

from Isthmus.<br />

<strong>MMoCA</strong> ART<br />

ON TOUR<br />

OPENING<br />

CELEBRATION<br />

FRIDAY, JUNE 1 • 6–7:30 PM<br />

<strong>MMoCA</strong> Art on Tour brings works of art from the<br />

museum’s permanent collection to ten public elementary<br />

and middle schools over a three-year partnership.<br />

The program supports learning through<br />

visual art and provides students with unique opportunities<br />

to experience original, museum-quality art<br />

in their schools.<br />

An exhibition of student work created in response<br />

to the program is installed in <strong>MMoCA</strong>’s Works on<br />

Paper Study Center; viewing hours are 12–4 pm,<br />

June 2–16, excluding Mondays. An opening reception<br />

on Friday, June 1 celebrates the students’<br />

achievements and acknowledges the dedicated work<br />

and expertise of participating art teachers.<br />

Generous support for Art on Tour is provided by<br />

BMO Harris Bank and an anonymous donor.<br />

7


MUSEUM EVENTS<br />

ART FAIR ON THE SQUARE<br />

CELEBRATES 60 YEARS<br />

The Madison Museum of Contemporary Art will celebrate the 60th anniversary of Art Fair on the Square, July<br />

14 and 15.<br />

Art Fair on the Square began in 1959 as the “Sidewalk Art Show” with 43 artists in the parking lot of the<br />

Brookwood Shopping Center at the corner of Midvale Boulevard and the Beltline. The Fair moved to the downtown<br />

sidewalks in 1964, and changed its name to Art Fair on the Square in 1977 when the event moved out onto<br />

the streets surrounding the Capitol.<br />

For hundreds of thousands of city residents, the fair—which today occupies the eight blocks around Madison’s<br />

Capitol Square and attracts nearly 500 artists and 200,000 visitors—has become central to summers in Madison.<br />

<strong>MMoCA</strong> is proud to present this premier summer event, which also helps keep Madison’s cultural life vibrant<br />

—and <strong>MMoCA</strong> free to all visitors—throughout the year.<br />

Now, after sixty years without fail, the fair will be held on the Capitol Square with 485 booths offering visitors<br />

numerous opportunities to shop for art while enjoying fresh air, delicious food, and live entertainment. The<br />

EMERGE block—dedicated to up-and-coming artists—returns in <strong>2018</strong>, as well as 13 artists who were awarded<br />

Best of Show in 2017 and more than 50 Invitational Award winners. Visitors will also have the opportunity to<br />

purchase works from this year’s featured artist, printmaker Justin Marable. Each artist’s work can be previewed<br />

on mmoca.org beginning in mid-June.<br />

Art Fair on the Square is <strong>MMoCA</strong>’s largest annual fundraiser, providing crucial support for exhibitions, education<br />

programs, and the permanent collection. To date, generous support for Art Fair on the Square has been<br />

provided by Old National Bank, American Transmission<br />

Company, Habush Habush & Rottier S.C., Wildwood<br />

Productions, Artful Home, Ho-Chunk Gaming Madison,<br />

Pepsi Cola of Madison, Wisconsin Lottery, Dane County<br />

Regional Airport, DoubleTree by Hilton Madison, Madison<br />

Magazine, Isthmus Publishing, WKOW TV, Magic 98,<br />

Wisconsin Public Radio, Wisconsin State Journal, Whole<br />

Foods Market, and the Greater Madison Convention &<br />

Visitors Bureau.<br />

If you would like information about event sponsorship,<br />

contact Annik Dupaty at annik@mmoca.org.<br />

8


FREE FAMILY RESOURCES<br />

<strong>MMoCA</strong>kids<br />

ARTPACK<br />

Stop by the museum’s lobby welcome desk and ask<br />

for the <strong>MMoCA</strong>kids ArtPack, the museum’s handson<br />

discovery kit for exploring art. Find the elements<br />

of art (line, shape, color), make a drawing, design a<br />

composition, step into an artwork, and identify how a<br />

work makes you feel. For further exploration, use the<br />

take-home activities for Far Out: Art from the 1960s<br />

and Art/Word/Image. Most of all, have fun!<br />

<strong>MMoCA</strong>teens<br />

and <strong>MMoCA</strong>kids<br />

ART GUIDES<br />

Designed for use anywhere in the museum, the<br />

<strong>MMoCA</strong>teens and <strong>MMoCA</strong>kids art guides provide<br />

young visitors with multiple ways to investigate contemporary<br />

art. Find them in exhibition learning centers<br />

and at the entrance to the State Street Gallery.<br />

LEARNING<br />

CENTERS<br />

<strong>MMoCA</strong>’s Learning Centers offer families a variety of<br />

fun and engaging resources for exploring <strong>MMoCA</strong>’s<br />

exhibitions. A range of kid-friendly activities promote<br />

imaginative play inspired by works of art. Learning<br />

Centers are available for Far Out: Art from the 1960s<br />

and Art/Word/Image.<br />

<strong>MMoCA</strong>’s free family resources are generously funded<br />

by the Nimick Forbesway Foundation.<br />

ART CART and<br />

ART CART EXTRA!<br />

Art Cart<br />

Weekdays, June 14–August 9<br />

Art Cart EXTRA!<br />

Saturdays, June 16, 23, and 30; July 7, 14, and 21<br />

The museum’s free outdoor art programs are on the<br />

road again! Art Cart and Art Cart EXTRA! will travel to<br />

parks, playgrounds, and beaches across Dane County<br />

this summer. As always, the programs will bring<br />

expert instruction and a relaxed attitude to portable<br />

art projects.<br />

Art Cart begins its Madison rounds on Thursday, June<br />

14. Art Cart EXTRA! will travel to the area communities<br />

of Cottage Grove, DeForest, Fitchburg, McFarland,<br />

Monona, Mount Horeb, Oregon, Stoughton, Sun<br />

Prairie, Verona, Waunakee, and Windsor beginning<br />

Saturday, June 16. Both programs offer projects for<br />

children ages three and above. All children should be<br />

accompanied by an adult. Families are invited to drop<br />

in with no pre-registration necessary; organized summer<br />

camps and other childcare programs must preregister<br />

for Madison Art Cart sites at 608-204-3021.<br />

Download the full schedule at mmoca.org/artcart.<br />

Art Cart is a partnership of <strong>MMoCA</strong> and Madison<br />

School & Community Recreation. Art Cart EXTRA! is a<br />

program of <strong>MMoCA</strong>. Art Cart and Art Cart EXTRA! are<br />

generously funded by the Great Dane Pub & Brewing<br />

Company, MGE, The Cummings Christensen Family<br />

Foundation, TDS Telecom, Associated Bank, Veridian<br />

Homes Foundation, TASC, and Professor Emeritus<br />

Josh Chover.<br />

9


CALENDAR OF EVENTS<br />

JUNE<br />

1 6–9 PM <strong>MMoCA</strong> Opening: Far Out: Art from the 1960s<br />

6–7:30 PM Art on Tour opening celebration<br />

6:30–7:15 PM Gallery talk: Melanie Herzog on Far Out: Art from the 1960s<br />

9:30 PM Rooftop Cinema: No Maps on My Taps<br />

7 1–1:30 PM Curator’s talk: Leah Kolb on Irene Grau: construction season<br />

9:30 PM Rooftop Cinema: She Collage and other shorts<br />

14 1–1:30 PM Gallery talk: Pamela Oliver on Myths and Realities<br />

of the Civil Rights Era<br />

Art Cart begins<br />

15 9:30 PM Rooftop Cinema: Yippie!/Symbiopsychotaxiplasm: Take One<br />

16 Art Cart EXTRA! begins<br />

22 9:30 PM Rooftop Cinema: Canyon Cinema 50 Tour<br />

25 5–7 PM <strong>MMoCA</strong> volunteer annual meeting and appreciation cookout<br />

(RSVP required)<br />

29 9:30 PM Rooftop Cinema: INAATE/SE/ (it shines a certain way. to a<br />

certain place./it flies. falls./)<br />

JULY<br />

14 9 AM–6 PM Art Fair on the Square<br />

15 10 AM–5 PM Art Fair on the Square<br />

AUGUST<br />

17 6–9 PM <strong>MMoCA</strong> Opening: William J. O’Brien: Reliquary<br />

6:30–7:15 PM Artist talk: William J. O’Brien<br />

10


MEMBERSHIP & GIVING<br />

<strong>MMoCA</strong>’S BUSINESS COUNCIL<br />

Through the <strong>MMoCA</strong> Business Council, businesses can support a vibrant community by contributing to museum exhibitions,<br />

education programs, and ongoing operations. Thanks to these important contributions, <strong>MMoCA</strong> can offer compelling,<br />

thought-provoking programming. Through their gifts, Business Council members become known as generous and engaged<br />

community leaders. For information on corporate membership and its many benefits, contact Kaitlin Kropp at kaitlin@<br />

mmoca.org or 608.257.0158 x224. <strong>MMoCA</strong> thanks the following businesses and organizations for their support:<br />

BENEFACTORS ($10,000+)<br />

Ajenda Interactive Media<br />

The Alexander Company<br />

Art & Sons<br />

Bell Laboratories, Inc.<br />

BMO Private Bank<br />

Eugenie Mayer Bolz<br />

Family Foundation<br />

The DeAtley Family Foundation<br />

Future Foam<br />

J.H. Findorff & Son, Inc.<br />

Hiebing<br />

W. Jerome Frautschi Foundation<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

<strong>MMoCA</strong> Volunteers<br />

National Guardian Life<br />

Insurance Company<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Steinhauer Charitable Trust<br />

Wisconsin Arts Board<br />

Wisconsin Public Radio<br />

Zendesk<br />

SPONSORS ($5,000-9,999)<br />

American Family Insurance<br />

American Transmission Company<br />

Brava Magazine<br />

The Century House<br />

Custer Plumb Financial Services<br />

Dane Arts<br />

Evjue Foundation Inc., The charitable<br />

arm of the Capital Times<br />

Frank Liquor Co. Group<br />

John J. Frautschi Family Foundation<br />

Great Dane Pub & Brewing Co.<br />

Habush Habush and Rottier S.C.<br />

Ho-Chunk Gaming Madison<br />

Hooper Corporation/General Heating<br />

& Air Conditioning<br />

Images Plus<br />

Isthmus<br />

maiahaus<br />

Madison Gas & Electric<br />

Mid-West Family Broadcasting<br />

MINI of Madison<br />

Newcomb Construction Company<br />

Octopi Brewing Co.<br />

Pepsi of Madison<br />

Rewind Decor<br />

Supranet Communications Inc.<br />

The Terry Family Foundation<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

Venture Investors, LLC<br />

Webcrafters-Frautschi<br />

Foundation, Inc.<br />

Wildwood Productions<br />

WKOW-TV Channel 27<br />

LEADERS ($2,500-4,999)<br />

Access Information Management<br />

Adams Outdoor Advertising<br />

Artful Home<br />

Associated Bank<br />

Capital Newspapers<br />

Celebrations Entertainment<br />

The Cummings Christensen Family<br />

Foundation<br />

Dane County Regional Airport<br />

Design Concepts<br />

DoubleTree by Hilton Madison<br />

Food Fight Restaurant Group<br />

Ganser Company<br />

Irwin A. and Robert D. Goodman<br />

Foundation, Inc.<br />

Johnson Bank<br />

Milwaukee Valve Company<br />

Perkins Coie LLP<br />

RSM<br />

Total Administrative Services<br />

Corporation<br />

TDS Telecom<br />

Think Ink and Design<br />

University Research Park<br />

US Bank Private Wealth Management<br />

Waunakee Remodeling<br />

Wisconsin Lottery<br />

Woodman’s Market<br />

Yelp Madison<br />

PARTNERS ($1,000-2,499)<br />

Artist & Craftsman Supply<br />

Atmosphere Commercial Interiors<br />

Axley Brynelson, LLP<br />

Best Western Premiere - Park Hotel<br />

Bicycle Federation of Wisconsin<br />

The Capital Times Kids Fund<br />

CMI Management<br />

Colony Brands, Inc.<br />

Erdman<br />

Exact Sciences<br />

First Business Bank of Madison<br />

First Supply<br />

Full Compass Systems, Ltd.<br />

Godfrey & Kahn, S.C.<br />

Greater Madison Convention and<br />

Visitors Bureau<br />

Group Health of South Central<br />

Wisconsin<br />

Hausmann-Johnson Bauch Financial<br />

Hausmann-Johnson Insurance<br />

Hovde Properties<br />

J.F. Ahern Company<br />

Knothe & Bruce Architects, LLC<br />

Knox Family Foundation<br />

Lycon Inc.<br />

M3 Insurance Solutions<br />

Madison Arts Commission<br />

Oakbrook Corporation<br />

Potter Lawson<br />

Qual Line Fence Corp.<br />

RBC Wealth Management<br />

Roman Candle Pizzeria<br />

Sketchworks Architecture<br />

Smith & Gesteland LLP<br />

SSM Health St. Mary’s Hospital<br />

Strang Inc.<br />

Veridian Homes Foundation<br />

Widen Enterprises<br />

WIPFLi CPAs and Consultants<br />

Wisconsin Chamber Orchestra<br />

DONORS ($500-999)<br />

A-1 Movers<br />

Madison Veterinary Specialists<br />

Naviant Inc<br />

Stoddard’s Meat Market & Catering<br />

Yahara Bay Distillers<br />

SUPPORTERS ($250-499)<br />

Bag Makers Inc<br />

Dines, Inc.<br />

Greater Madison Chamber of<br />

Commerce<br />

Hampton Inn & Suites<br />

Murphy Desmond SC<br />

Nissenbaum and Schleusner Pro<br />

Physical Therapy<br />

Orange Shoe Personal Fitness<br />

Plantes Company<br />

Saints Madison Juice Co<br />

Underground Food Collective<br />

Vierbicher<br />

IMAGE CREDITS • PAGE 8: Art Fair on the Square. 1959 image © <strong>MMoCA</strong>. 2016 image, photography by Shanna Wolf. PAGE 9: Art Cart.<br />

Photography by Nicholas Sadowski. PAGE 10: Image © Irene Grau. PAGE 11: <strong>MMoCA</strong> Opening of Rashaad Newsome: ICON. Photography<br />

by Linda Keegan.<br />

11


MEMBERSHIP & GIVING<br />

12<br />

<strong>MMoCA</strong> BOARD<br />

OF TRUSTEES<br />

OFFICERS<br />

Marc Vitale, President<br />

Vikki Enright, Vice-President<br />

Bret Newcomb, Vice-President<br />

Leslie Smith III, Vice-President<br />

Charlotte Cummins, Secretary<br />

Dynee Sheafor, Treasurer<br />

OTHER TRUSTEES<br />

Joe Alexander<br />

Marian Bolz, Life Trustee<br />

Bryan Chan<br />

Karen Christianson<br />

Jennifer DeMain<br />

Jim Escalante<br />

Dave Franchino<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Chair, The Langer Society<br />

Jason Knutson<br />

Oscar Mireles<br />

Dave Orr<br />

Amy Paulios<br />

<strong>MMoCA</strong> Volunteer President<br />

Rick Phelps<br />

Jennifer Ridley-Hanson<br />

John Ronzia<br />

John Sims<br />

John Sylla<br />

QuHarrison Terry<br />

Sylvia Vaccaro<br />

SPECIAL ANNUAL<br />

FUND GIFTS<br />

Eric Wiesman in honor of<br />

Ray and Patty Schultz<br />

In memory of Garret Trinrud:<br />

Stephen Fleischman and<br />

Barbara Katz<br />

Andreas and Valerie Kazamias<br />

Elizabeth and Richard Prestine<br />

Paul Polster<br />

Marilyn Rhodes<br />

NEW LANGER<br />

SOCIETY MEMBERS:<br />

THROUGH APR 30<br />

Liz Frautschi<br />

Amy Gilman and Doug Patterson<br />

Katelyn and Garrett Hudson<br />

Renee Knight<br />

Rebeca Kohl<br />

Kira Luoma and Kyle December<br />

Jin Xue and Joy Zhou<br />

IMAGE CREDITS, OPPOSITE • TOP:<br />

Private event in Rooftop Sculpture<br />

Garden. Photography by Shanna<br />

Wolf. BOTTOM: Volunteers at<br />

the 2017 Art Fair on the Square.<br />

Photography by Maria Gomer.<br />

ANNUAL FUND CONTRIBUTORS<br />

MARCH 7, 2017-MARCH 7, <strong>2018</strong><br />

Anne and Katie Arnesen, Chuck Bauer and Chuck Beckwith, Robert Baum and<br />

MaryBeth Kretz, Ghita Bessman, Corlie and Sol Blumenfeld, Anne and Stephanie Bolz,<br />

Jim and Cathie Burgess, Shawn and Nancy Carney, Lynda and Charles Clark, Donna<br />

Rae and Robert Clasen, Ralph Colburn, Warrington Colescott, Jack Connelly and<br />

Terri Connelly Cronk, Ted and Barbara Crabb, Joan Creitz, Jack Damer, Kim and Bill<br />

Donovan, Carol Emmons, Vicky and Dave Franchino, John Frautschi, Scott Gehrke<br />

and Anthony Santini, Michael Goldsberry, Linda and Tony Granato, Dianne Greenley<br />

and Carol Ziesemer, Duane and Leif Hendrickson, Gil Hillman, Carol Holtsapple<br />

and J Borkowski, Ann Hoyt, Ralph and Marie Jackson, Ronald and Bett Jacquart,<br />

C Greer Jordan, Valerie and Andreas Kazamias, Katie Kazan and Dan Slick, Ameer<br />

Khalek and Timothy Meisel, Herbert Kohl, Claire and Richard Kotenbeutel, Doris<br />

Kox and Mary Tinberg, Sara Krebsbach and Glenn Reinl, Anne Lambert and Peter<br />

Barton, Reneta Laxova, Robert and Frances Leff, Elsa Leverington and Margi Jones,<br />

Annie Levihn, William Karls and Max Levihn, Patrick Litscher, Barbara Lockwood and<br />

Dennis Wagner, Anne Lucke, John H. “Jack” Lussier, Mary Maher and Eileen Maher,<br />

Rona Malofsky, La Verne Marcus, John Marek, Jan Marshall Fox, Melvin and M. Carol<br />

McCartney, Stefanie Moritz and Vince Jenkins, Kathie Nichols, Karen Numbers, Andy<br />

Olson and Jennifer Ellestad, Marcia Park, Ryan Parks and Birke Knipping, Patricia<br />

and William Paul, Amy Paulios, Rick Phelps, Cyrena and Lee Pondrom, Kathryn<br />

Ramberg, Kurt Riegel and Jocelyn DeWitt, Barbara and Donald Sanford, Philip<br />

Schoech and Rita Sweeney, John and Mary Schroeder, Judy Schwickerath, Diane<br />

Seder and Bruce Rosen, Joe and Jeanne Silverberg, Pat Smith and Jay Smith, Anita<br />

Sprenger and Michael Cain, Daniel and Sherri Stafford, Fritz Steinhauer, Randy L. and<br />

Mary K. Steinhauer, Patricia Stocking, Joyce Tiedeman, Elizabeth and Ward Tucker,<br />

Sylvia Vaccaro, Lee Weiss, William White, Theodora Zehner, Mary and Robert Ziino<br />

NEW REGULAR MEMBERS: THROUGH APR 30<br />

Doreen Adamany, Daniel Bjerre and Sarah Best, Larry Black and Barbara Roeder,<br />

Jim and Libby Bradley, Richard Brock, Jean Brody and Sarah Akawa, Randall<br />

Brown, Barry Callen, Jessica Cooley, Jim and Jane Corkery, Sonja Darlington and<br />

John Ochsner, Kathy Derene, Katie Drescher, Emili Earhart, Kira Faulkner, Juanita<br />

Fernandez, Melinda Ferraro, Steven and Cyndi Fine, Anwar Floyd-Pruitt, Scott<br />

Gehrke and Anthony Santini, Peter Geipel and Claire Loebel, Sara Beth Hahner,<br />

Lauren and Michael Harlowe, Mark Hayward, Daniel Hein, Jaye Hess, Beth Houlahan,<br />

Hong Huo, Johanna and Dustin Johnson, Patricia Johnson, Jennifer Jones, Ingrid<br />

Jordan-Thaden and Mabel Thaden, Rosie Keller, Patricia and Joseph King, Barb<br />

Kopenski, Jeffrey and Arlene Koziol, Betsy Lambright, William Levin, Meaghan<br />

Liebe, Marsha Lindsay, Beth Lonergan and Michael Criswell, Carol Lorenz, Ken<br />

Loving, Thomas Lynch and Melody Lynch, Thomas Malin, Kathy and Tim McGahan,<br />

Madeline McNeil, Greg Melde, Steve Miller and Lucy Wall, Chandra Miller Fienen,<br />

Amanda Mravec, Andrew Nadig, David Nevala, Rachel Niles, Dennis and Maxine<br />

Palmer, Sharon Palumho, Bruce Peterson, Michelle and Cesar Pinzon, Mark Plane,<br />

Terrance Polich, Amber Porter, Juliana and Kevin Price, Anne and Justin Ramm,<br />

Rabanes Raphaëlle, Jack Roessler, James and Mya Rognstad, Kristen and John<br />

Rutledge, Amorn Salyapongse and LaRynda Thoen, Nicole Sandoval, Phyllis and<br />

Marvin Shipley, Jessica Shrestha, Carmen Skilton, Michael Soens and Laurie Hall,<br />

Kyle Studnicka Pineda, Steven and Jessica Sullivan, William and Jennifer Tishler,<br />

Christine Turner, Taeli Turner and George Reistad, Nancy Vedder-Shults, Nadine<br />

Walsten, Mary Janet and Karl Wellensiek, Henry Wieland and Tannia Northouse,<br />

Barbara Wolfman and Joseph Goss, Hallie Xistris and Fred Svensson, John Young<br />

and Sheila Collopy, Terri Zupanc<br />

<strong>2018</strong> ANNUAL MEETING<br />

The <strong>MMoCA</strong> Board of Trustees held its Annual Meeting on May 7, <strong>2018</strong>. Outgoing<br />

Board President Rick Phelps and <strong>MMoCA</strong> Director Stephen Fleischman reviewed<br />

highlights from 2017-18 and previewed <strong>2018</strong>-19. Rick Phelps thanked retiring board<br />

members Elizabeth Kirchstein, Peggy Pyle, and JoAnne Robbins.<br />

Three new Trustees were elected: Jennifer DeMain, Jennifer Ridley-Hanson, and<br />

QuHarrison Terry. <strong>2018</strong>-19 Board Officers are Marc Vitale, President; Vikki Enright,<br />

Vice-President; Bret Newcomb, Vice-President; Leslie Smith III, Vice-President;<br />

Dynee Sheafor, Treasurer; and Charlotte Cummins, Secretary.<br />

Valerie Kazamias announced new Langer Society Life Fellows Marla Ahlgrimm,<br />

Richard Corey, and Nancy Mladenoff & JJ Murphy.


SUPPORT MMOCA<br />

PLANNED GIVING<br />

NOW IS THE RIGHT TIME<br />

TO PLAN YOUR LEGACY.<br />

Join the <strong>MMoCA</strong> Circle and leave a legacy for future<br />

audiences. The <strong>MMoCA</strong> Circle recognizes and honors<br />

individuals who have established a planned gift<br />

for the museum. This can be designated to support<br />

a favorite program or add funds to the museum<br />

endowment, providing free admission to <strong>MMoCA</strong><br />

audiences for generations to come.<br />

<strong>MMoCA</strong> Circle members<br />

are welcomed<br />

as special guests at<br />

museum events and<br />

are recognized on the<br />

donor wall outside the<br />

main galleries.<br />

If you’d like more<br />

information about the<br />

<strong>MMoCA</strong> Circle, and<br />

making a legacy gift to the museum, contact Kaitlin<br />

Kropp at kaitlin@mmoca.org or 608.257.0158 x224.<br />

VOLUNTEER AT<br />

ART FAIR ON THE SQUARE<br />

PRIVATE EVENTS<br />

With gorgeous spaces such as the lobby and rooftop<br />

sculpture garden, as well as an elegant and hightech<br />

lecture hall, <strong>MMoCA</strong> is the perfect place to host<br />

your next event. Langer Society members, Business<br />

Council members, and nonprofit groups receive discounted<br />

rates. For information, please contact Bob<br />

Sylvester at bob@mmoca.org or 608.257.0158 x251.<br />

Gather your coworkers, friends, and family members, and sign up<br />

to volunteer together at the 60th annual Art Fair on the Square!<br />

Enjoy a weekend of art and entertainment in beautiful downtown<br />

Madison, while helping the museum with its largest annual fundraiser.<br />

All Art Fair on the Square volunteers receive a free food and<br />

beverage ticket. The first 100 people to sign up for three or more<br />

shifts will get the official Art Fair on the Square t-shirt!<br />

Art Fair on the Square volunteer opportunities include:<br />

• Juror assistants<br />

• Selling brats and beverages<br />

• Providing breaks for artists<br />

• Greeters<br />

• Kids area coordination<br />

• Kids area helpers<br />

• Photographers<br />

• Post-fair clean-up<br />

Review all Art Fair on the Square openings and sign up by visiting: mmoca.ivolunteer.com/afots<br />

<strong>MMoCA</strong> welcomes groups of all sizes to volunteer together. To coordinate a group of volunteers for the same<br />

day, time, and station, please contact Amy Lambright Murphy at amy@mmoca.org.<br />

SPECIAL PROJECT UNDERWRITERS<br />

• A major gift from Pleasant Rowland and W. Jerome Frautschi helps to fund capital improvements at <strong>MMoCA</strong>.<br />

• Brand strategy and design support is contributed by Hiebing.<br />

• A major gift from the Nimick Forbesway Foundation supports the museum’s education programs.<br />

• ArtZone, <strong>MMoCA</strong>’s afterschool workshop program offered in partnership with Madison community centers,<br />

is supported by by Zendesk Neighbor Foundation, U.S. Bank Foundation, the Capital Times Kids Fund, and<br />

the Madison Arts Commission.<br />

• Chroma video design and production was provided by Art & Sons.<br />

• Internet service is provided by Supranet Communications. Design and technical guidance for <strong>MMoCA</strong>’s website<br />

is donated by Ajenda Interactive Media.<br />

13


ABOUT<br />

MEMBERS<br />

MAKE IT<br />

POSSIBLE.<br />

Elegant dining<br />

with a view.<br />

<strong>MMoCA</strong> members<br />

receive a 10%<br />

discount at Fresco<br />

and all Food Fight ​<br />

restaurants.<br />

Join today at<br />

mmoca.org<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

ABOUT THE MUSEUM The Madison Museum of Contemporary Art is<br />

an independent, nonprofit organization presenting exhibitions by local, regional,<br />

national, and international artists. A permanent collection of more than 5,500<br />

works of art is maintained and enlarged through gifts and purchases. The museum’s<br />

education department presents programs to increase public understanding<br />

and appreciation of modern and contemporary art.<br />

HOURS<br />

Support from members of<br />

the Madison Museum of<br />

Contemporary Art ensures<br />

that outstanding exhibitions<br />

and educational programs<br />

remain free for all.<br />

THANK YOU!<br />

Galleries Store Fresco<br />

Monday Closed 12–5 pm Closed<br />

Tue–Thur 12–5 pm 11 am–5 pm 5–9 pm<br />

Friday 12–8 pm 11 am–8 pm 5–10 pm<br />

Saturday 10 am–8 pm 10 am–8 pm 5–10 pm<br />

Sunday 12–5 pm 12–5 pm 5–9 pm<br />

ACCESSIBILITY Exhibitions, lectures, tours, and special events at<br />

<strong>MMoCA</strong> are accessible to people with disabilities. Please contact the museum<br />

at 608.257.0158 regarding accommodations for persons with limited mobility,<br />

sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />

MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to <strong>MMoCA</strong> Openings and films; discounts at the Museum Store, at<br />

Fresco and other Food Fight restaurants; invitations to special member events<br />

and previews; opportunities to meet artists; a subscription to <strong>MMoCA</strong>’s <strong>newsletter</strong>;<br />

and tax deductions for contributions.<br />

VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.ivolunteer.com for current volunteer opportunities.<br />

CHANGE OF ADDRESS Please notify us about address changes<br />

so that your mailings are not interrupted. Contact Kaitlin Kropp at<br />

kaitlin@mmoca.org or 608.257.0158 x224.<br />

JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s weekly email <strong>newsletter</strong>,<br />

will keep you informed about upcoming events, exhibitions, and museum<br />

store specials. Sign up online at mmoca.org.<br />

CONTACT THE MUSEUM<br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise noted. Artworks<br />

may not be reproduced without permission of the copyright holder.<br />

14<br />

IMAGES: ABOVE: <strong>MMoCA</strong> at night. Photography by Nicholas Sadowski.<br />

BELOW: <strong>MMoCA</strong> Opening for Kambui Olujimi: Zulu Time. Photography by Sharon Vanorny.


#CHROMA<br />

On April 27, <strong>MMoCA</strong> presented the first-ever Chroma, an<br />

immersive color experience and fundraiser for the museum.<br />

The event welcomed 1,385 guests, and featured artist and<br />

designer installations, body painting, lively dance performances,<br />

fluid painting demonstrations, and more.<br />

@rainemusic<br />

@artlitlab<br />

@antigonegrace<br />

@brandonjaye<br />

@natemoll @trudozer @pranavsood14<br />

15


227 State Street • Madison, WI 53703<br />

Nonprofit Org.<br />

U.S. Postage<br />

PAID<br />

Madison, Wisconsin<br />

Permit No. 1143<br />

COLORFUL GIFTS FROM<br />

THE MUSEUM STORE<br />

Celebrate special events with a gift from <strong>MMoCA</strong>’s Museum Store.<br />

Handmade scarves, jewelry, boxes, glass, and other gifts are certain<br />

to make anyone’s big day more memorable.<br />

Every purchase supports <strong>MMoCA</strong>’s free exhibition and education<br />

programs. Local and regional artists are always featured in our<br />

award-winning store. Gift wrapping and shipping available upon request.<br />

Glass vessel by Philabaum<br />

ILI leather clutches<br />

Turquoise earrings<br />

by HRS Designs<br />

Secrid wallets<br />

Dreamfarm utensils

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