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OUP Women Composers Orchestral, Opera, Chamber, Instrumental and Choral Catalogue

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<strong>Women</strong> <strong>Composers</strong><br />

<strong>Orchestral</strong>, <strong>Opera</strong>, <strong>Chamber</strong>,<br />

<strong>Instrumental</strong> <strong>and</strong> <strong>Choral</strong><br />

<strong>Catalogue</strong>


<strong>Women</strong> <strong>Composers</strong> <strong>Catalogue</strong><br />

This catalogue draws together a complete list of works by women composers published<br />

by Oxford University Press. The works encompass a wide variety of styles, subjects <strong>and</strong><br />

instrumentation - including full orchestral <strong>and</strong> choral works, individual choral leaflets/ octavos,<br />

repertoire for small ensemble <strong>and</strong> pieces for solo instruments or voice. You will find works by<br />

living composers including Sarah Quartel, Cecilia McDowall, Libby Larsen, Hilary Tann, Nikki<br />

Iles, Becky McGlade <strong>and</strong> more, as well as historical composers including Rebecca Clarke, Grace<br />

Williams <strong>and</strong> Phyllis Tate.<br />

Each composer section is divided by instrumentation, <strong>and</strong> choral titles are divided into Sacred,<br />

Secular, Advent & Christmas <strong>and</strong> Spirituals.<br />

If you would like to find out more information about any of the composers or pieces featured in<br />

this catalogue, please get in touch.<br />

<strong>Catalogue</strong> Guide:<br />

<strong>Choral</strong> Sacred<br />

<strong>Choral</strong> Secular<br />

<strong>Choral</strong> Advent & Christmas<br />

<strong>Choral</strong> Spirituals<br />

<strong>Orchestral</strong>/ Ensemble<br />

<strong>Opera</strong><br />

Solo <strong>Instrumental</strong><br />

Solo Voice<br />

† - Title made available individually from an anthology in digital format only.<br />

2


Contents<br />

4.........Kerry Andrew<br />

5.........Carol Barnett<br />

5.........Barbara Bell<br />

5.........B. E. Boykin<br />

6.........Valerie Capers<br />

7.........Rebecca Clarke<br />

13.......Valerie Showers Crescenz<br />

14.......Sarah Dacey<br />

15.......Eleanor Daley<br />

17.......Reena Esmail<br />

18.......Jeanette Gallant<br />

19.......Malin Gavelin<br />

19.......Nina Gilbert<br />

20.......Elaine Hagenberg<br />

21.......Laura Hawley<br />

22.......Imogen Holst<br />

24.......Laura Jekabsone<br />

25.......Betty Jackson King<br />

26.......Nikki Iles<br />

28.......Libby Larsen<br />

44.......Jenny Mahler<br />

45.......Cecilia McDowall<br />

62.......Becky McGlade<br />

65.......Jenny McLeod<br />

65.......Selga Mence<br />

66.......Tawnie Olson<br />

66.......Dorothy Papadakos<br />

67.......Nina Perry<br />

67.......Kim Porter<br />

68.......Elizabeth Poston<br />

69.......Rosephanye Powell<br />

70.......Sarah Quartel<br />

80......Andrea Ramsey<br />

80.......Val Regan<br />

81......Earlene Rentz<br />

82.......Zanaida Steward Robles<br />

82......Annabel Rooney<br />

83......Debra Scroggins<br />

84......Martha Shaffer<br />

85......Joan Szymko<br />

86......Hilary Tann<br />

94......Phyllis Tate<br />

106...Ellen Gilson Voth<br />

106...Judith Watson<br />

107...Nancy Wertsch<br />

108...Grace Williams


Kerry Andrew<br />

Charm<br />

SSAA unaccompanied<br />

Vocal score 9780193527560<br />

Digital 9780193544741<br />

Setting the modernized words of an Anglo-Saxon metrical<br />

charm, this thrilling piece is unusual, dramatic, <strong>and</strong><br />

beguiling. Featuring a whispered list of potion ingredients<br />

for the intro <strong>and</strong> outro, it also includes whistling, modal<br />

touches, <strong>and</strong> some very funky riffs—to be performed with<br />

freedom, energy, <strong>and</strong> imagination!<br />

2.5 minutes<br />

The Contest of the Ivy <strong>and</strong> the<br />

Holly<br />

SATB unaccompanied<br />

Digital † 9780193544734<br />

Originally published in The Ivy <strong>and</strong> the Holly, Andrew’s<br />

polymetric setting of this traditional text is evocative<br />

<strong>and</strong> energetic, with sustained vocalizations <strong>and</strong> creative<br />

melodies that bounce around the voices.<br />

4 minutes<br />

- Kerry Andrew -<br />

b. 1978<br />

Kerry Andrew is a composer, performer <strong>and</strong> author<br />

<strong>and</strong> the winner of four British Composer Awards.<br />

With a PhD in composition from the University of<br />

York, Kerry specialises in experimental vocal <strong>and</strong><br />

choral music, music-theatre <strong>and</strong> community music,<br />

<strong>and</strong> as a performer, sings with the award-winning<br />

Juice Vocal Ensemble <strong>and</strong> with her alt-folk b<strong>and</strong> You<br />

Are Wolf.<br />

<strong>Choral</strong> Secular<br />

The earth hath voice<br />

SATB (with soprano semi-chorus), piano, &<br />

optional percussion (bass drum, tam-tam/gong, &<br />

3 tom-toms)<br />

Vocal score 9780193379633<br />

This is a colourful <strong>and</strong> dramatic celebration of nature<br />

<strong>and</strong> its powerful <strong>and</strong> hypnotizing sounds. The listener is<br />

taken on a captivating journey through the natural world,<br />

via ‘tongues of thunders’, the ‘singing sea’, <strong>and</strong> ‘trumpetthroated<br />

winds’. Clustered harmonies, cross-rhythms,<br />

<strong>and</strong> vocal effects are combined with bell-like passages<br />

<strong>and</strong> rippling figurations in the piano, <strong>and</strong> the optional<br />

percussion part adds further rhythmic <strong>and</strong> dynamic<br />

interest. The semi-chorus part can be sung by one or more<br />

sopranos or a children’s choir.<br />

5 minutes<br />

Hevene Quene<br />

SATB unaccompanied<br />

Vocal score 9780193355606<br />

Digital 9780193550506<br />

The composer has combined a single line of Latin, ‘O virgo<br />

splendens’, with an earthy, late 13th-century Marian text<br />

in Middle English to create a work which reflects both<br />

the divine <strong>and</strong> the human qualities of the Virgin Mary.<br />

Beginning <strong>and</strong> ending with plainchant-style passages,<br />

Hevene Quene is by turns restrained, sparkling, pensive, <strong>and</strong><br />

pleading. Suitable for the Feast of the Blessed Virgin Mary<br />

<strong>and</strong> for concert use, this is an approachable <strong>and</strong> rewarding<br />

anthem.<br />

5 minutes<br />

O lux beata Trinitas<br />

SATB unaccompanied<br />

Vocal score 9780193359055<br />

This luminescent setting of ‘O lux beata Trinitas’ (ascribed to<br />

St Ambrose) uses a variety of textures <strong>and</strong> vocal techniques<br />

to reflect the joy expressed in the text - from simple<br />

homophony to improvisatory techniques <strong>and</strong> free metre.<br />

5 minutes<br />

<strong>Choral</strong> Leaflets Sacred<br />

4


Adam <strong>and</strong> the Mother<br />

SSATB (optional Soprano solo) unaccompanied<br />

Vocal score 9780193365674<br />

Combining a number of early lullaby texts in one setting,<br />

Adam <strong>and</strong> the Mother is a haunting carol recalling the fall<br />

of Adam. It combines irregular melodic lines with lilting<br />

ostinato passages <strong>and</strong> will appeal to experienced choirs<br />

looking for a unique addition to the Christmas repertory.<br />

4 minutes<br />

- Carol Barnett -<br />

Angelus ad virginem<br />

SATB unaccompanied <strong>and</strong> opt. tambourine<br />

Vocal score 9780193393073<br />

This is a spirited arrangement of the popular fourteenthcentury<br />

carol for mixed voices, with an optional part for<br />

tambourine in the final verse. The familiar melody weaves<br />

between the vocal parts, <strong>and</strong> the piece is characterized<br />

by medieval harmonies <strong>and</strong> a rocking thirds motif. An<br />

English singing translation is presented alongside the<br />

original Latin, allowing choirs to perform the carol in either<br />

language.<br />

3 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

<strong>Choral</strong> Advent & Christmas<br />

La Berceuse (French Lullaby)<br />

arr. Rutter<br />

SATB <strong>and</strong> piano or chamber orchestra<br />

Vocal score 9780193413870<br />

Digital 9780193536357<br />

Hire conductor’s score <strong>and</strong> parts 9780193512047<br />

This charming carol, composed in 1975 by Barbara Bell,<br />

was discovered by John Rutter, who enlisted the help of<br />

John Suchet <strong>and</strong> Classic FM to track down the composer.<br />

Haunting in character, but with a delightful French waltz<br />

feel <strong>and</strong> a sweeping piano part, La Berceuse has been<br />

recorded by Voces8 on the Decca label.<br />

4 minutes<br />

- Barbara Bell -<br />

<strong>Choral</strong> Advent & Christmas<br />

Music of Life<br />

SSA or SABar & piano<br />

SSA vocal score 9780193561670<br />

SSA Digital 9780193561687<br />

SABar vocal score 9780193561700<br />

SABar Digital 9780193561717<br />

Music of Life is a vibrant setting of a poem by George<br />

Parsons Lathrop that describes how music underpins all<br />

earthly life. An active piano part provides an energetic<br />

undercurrent to compelling vocal lines, with the voices<br />

beginning in unison before opening out into two <strong>and</strong> then<br />

three parts.<br />

3 minutes<br />

- B. E. Boykin -<br />

<strong>Choral</strong> Secular<br />

Andrew - Barnett<br />

5


Valerie Capers<br />

- Valerie Capers -<br />

b. 1935<br />

Dr. Valerie Capers was born in the Bronx <strong>and</strong><br />

received her early schooling at the New York<br />

Institute for the Education of the Blind. She earned<br />

her bachelor’s <strong>and</strong> master’s degrees from The<br />

Juilliard School of Music, the first blind person to do<br />

so. For several years she served on the faculty of the<br />

Manhattan School of Music. She was also a member<br />

of the faculty in the Department of Music <strong>and</strong> Art at<br />

Bronx Community College of the City University of<br />

New York (CUNY) where she introduced several jazz<br />

courses to the music curriculum.<br />

<strong>Choral</strong> Advent & Christmas<br />

It Came upon the Midnight<br />

Clear<br />

Tenor Solo <strong>and</strong> SATB unaccompanied<br />

Vocal score 9780193864573<br />

Available from Banks Music Publishing<br />

Solo <strong>Instrumental</strong><br />

Portraits in Jazz<br />

Piano solo<br />

Score 9780193385627<br />

This selection of twelve pieces draws on a variety of jazz<br />

styles associated with famous artists including Duke<br />

Ellington, Billie Holiday, <strong>and</strong> Ella Fitzgerald. The pieces are<br />

simple yet delightful, <strong>and</strong> this volume presents a refreshing<br />

approach to exploring jazz while improving your piano<br />

technique. This volume is perfect for intermediate st<strong>and</strong>ard<br />

players (approximately Grades 4-5) of any age, <strong>and</strong> includes<br />

a CD with performances by the composer.<br />

6


Rebecca Clarke<br />

- Rebecca Clarke -<br />

1886 - 1979<br />

The self-styled ‘viola player <strong>and</strong> composer’ Rebecca<br />

Clarke (b. Harrow, Engl<strong>and</strong>, 1886; d. New York City,<br />

1979) played violin until her composition teacher, Sir<br />

Charles Stanford, urged her to shift over to the viola<br />

because then she would be ‘right in the middle of the<br />

sound, <strong>and</strong> can tell how it’s all done.’<br />

The viola became the basis of Clarke’s world-wide<br />

career as a soloist <strong>and</strong> as a partner in chamber music<br />

with many of the greatest artists of the early twentieth<br />

century, including Schnabel, Casals, Thibaud,<br />

Rubinstein, Grainger, Hess, Monteux, <strong>and</strong> Szell.<br />

Her mature songs – perhaps her finest body of work,<br />

running the gamut from Blakean simplicity to brutal<br />

tragedy to outright farce — are also widely performed<br />

<strong>and</strong> recorded. Her choral <strong>and</strong> vocal-ensemble music<br />

was virtually unknown until publication of her Ave<br />

Maria <strong>and</strong> Chorus from Shelley’s ‘Hellas’ , but has since<br />

been performed <strong>and</strong> recorded. Several of her shorter<br />

instrumental chamber pieces, especially Morpheus,<br />

Two Pieces for Viola (or Violin) <strong>and</strong> Cello, <strong>and</strong> Prelude,<br />

Allegro, <strong>and</strong> Pastorale, have been performed,<br />

recorded, <strong>and</strong> broadcast worldwide.<br />

Clarke’s compositional output was extensive (about<br />

100 works, including juvenilia). Her Viola Sonata <strong>and</strong><br />

Piano Trio are often played <strong>and</strong> recorded, <strong>and</strong> are now<br />

generally regarded as masterpieces.<br />

7


Rebecca Clarke<br />

8<br />

<strong>Choral</strong> Secular<br />

Chorus from Shelley's 'Hellas'<br />

SSSAA unaccompanied<br />

Vocal Score 9780193861909<br />

Digital 9780193560109<br />

Although quite short, this is one of Clarke's boldest <strong>and</strong>,<br />

in some respects, most ambitious compositions. It sets<br />

Shelley's magnificent ode to the Evening Star.<br />

5.5 minutes<br />

Come, oh come, my life's delight<br />

SATB unaccompanied<br />

Vocal Score 9780193866607<br />

Digital 9780193560147<br />

This is a lilting take on the Elizabethan lute-song full of<br />

smooth Stanford-like nineteenth-century harmonies,<br />

exquisitely tempered with modal effects.<br />

2 minutes<br />

A Lover's Dirge<br />

SATB unaccompanied<br />

Vocal Score 9780193866652<br />

Digital 9780193560086<br />

Taken at a slow processional tempo this work has a<br />

predominantly canonic texture. The syncopated passages<br />

are at once sombre <strong>and</strong> sensual, <strong>and</strong> the balancing<br />

homophonic phrases achieve real power. A short, fairly<br />

easy piece that establishes a compelling mood, it is<br />

suitable for school <strong>and</strong> adult choirs.<br />

2.5 minutes<br />

Music, when soft voices die<br />

SATB unaccompanied<br />

Vocal Score 9780193866669<br />

Digital 9780193560185<br />

Music, when soft voices die combines aspects of nineteenthcentury<br />

English pastoral style with some of the tonal<br />

adventurousness of Vaughan Williams's Shakespeare<br />

settings. This is an exceptionally beautiful setting of this<br />

familiar text.<br />

3.5 minutes<br />

My spirit like a charmed bark doth<br />

float<br />

SATB unaccompanied<br />

Vocal Score 9780193866676<br />

Digital 9780193560130<br />

This is one of Clarke's many pieces on love, <strong>and</strong> one of the<br />

best. It combines the English modality of earlier times with<br />

foretastes of the adventurous chromaticism of her later<br />

work. It is a lovely piece, enjoyable to sing, <strong>and</strong> creates a<br />

compelling mood.<br />

2.5 minutes<br />

Now fie on love<br />

TTBarB unaccompanied<br />

Vocal Score 9780193866621<br />

Digital 9780193560093<br />

Now fie on love is a rollicking glee with all the usual<br />

imitative points <strong>and</strong> a somewhat unusual allotment of<br />

brawny sarcasm. It makes an effective encore.<br />

1.5 minutes<br />

Philomela<br />

SATB unaccompanied<br />

Vocal Score 9780193866638<br />

Digital 9780193560161<br />

This is an appropriately aching setting of Sir Philip Sidney's<br />

poem of unending desire <strong>and</strong> longing. There are gorgeous<br />

chromatics <strong>and</strong> enharmonics <strong>and</strong> a masterful use of a<br />

triplet pattern which becomes the restless hunger driving<br />

the poem.<br />

5.5 minutes<br />

Weep you no more, sad fountains<br />

SATB unaccompanied<br />

Vocal Score 9780193866683<br />

Digital 9780193560178<br />

Weep you no more, sad fountains is a modern take on<br />

the Elizabethan lute-song, integrating the characteristic<br />

alternations of minor <strong>and</strong> major, fondness for crossrelations,<br />

<strong>and</strong> vivid word-painting. The synthesis is<br />

remarkably compelling.<br />

2.5 minutes<br />

When cats run home <strong>and</strong> light is<br />

come<br />

SATB unaccompanied<br />

Vocal Score 9780193866690<br />

Digital 9780193560123<br />

This work sets text by Tennyson <strong>and</strong> seems suitable to<br />

the type of picturesque Victorian part-song that Clarke<br />

emulated.<br />

2 minutes


Ave Maria<br />

SSA unaccompanied<br />

Vocal Score 9780193860803<br />

Digital 9780193560116<br />

This exquisite setting for SSA unaccompanied voices of a<br />

well-known Marian motet (in Latin) was the first of Rebecca<br />

Clarke's choral works ever to be published.<br />

2 minutes<br />

He That Dwelleth in the Secret<br />

Place of the Most High<br />

SSAATTBB unaccompanied, SAATB soloists<br />

Vocal Score 9780193866614<br />

Digital 9780193560079<br />

He That Dwelleth evokes Holst <strong>and</strong> Vaughan Williams in<br />

their more visionary modes. This is especially true of the<br />

opening <strong>and</strong> closing passages with their gently bi tonal<br />

effect that surrounds the highly varied <strong>and</strong> often quite<br />

passionate inner verses. The harmonies are bracing <strong>and</strong> the<br />

work is technically dem<strong>and</strong>ing.<br />

7 minutes<br />

<strong>Choral</strong> Sacred<br />

Rebecca Clarke<br />

<strong>Choral</strong> Advent & Christmas<br />

There is no rose<br />

Solo baritone & ATBarB unaccompanied<br />

Vocal Score 9780193866645<br />

Digital 9780193560154<br />

The setting is full of gentle hemiola <strong>and</strong> canonic effects,<br />

<strong>and</strong> makes much use of parallel sixths <strong>and</strong> thirds.<br />

3 minutes<br />

9


Rebecca Clarke<br />

Songs with piano<br />

Voice <strong>and</strong> piano<br />

Solo Voice<br />

Vocal score 9780193864207<br />

This collection includes all Clarke's songs with piano<br />

published by <strong>OUP</strong> during the 1920s <strong>and</strong> 30s, plus eight<br />

songs never before published. The songs are extremely<br />

varied, <strong>and</strong> the piano partners the voice to a rare degree.<br />

Contents:<br />

The Aspidistra<br />

Binnorie: a ballad<br />

The cherry-blossom w<strong>and</strong><br />

Come, oh come, my life's delight<br />

Cradle Song<br />

The Donkey<br />

God made a tree<br />

Lethe<br />

A Psalm of David, when he was in the wilderness of Judah<br />

Tiger, tiger<br />

Weep you no more, sad fountains<br />

Songs with violin<br />

Voice <strong>and</strong> violin<br />

Vocal score 9780193863705<br />

By turns charming, tender, <strong>and</strong> ironic, these songs make an<br />

excellent concert suite <strong>and</strong> wonderful encores.<br />

Contents:<br />

I know my love<br />

I know where I'm goin'<br />

As I was going' to Ballynure<br />

Down by the Salley Gardens<br />

10


Morpheus<br />

Viola <strong>and</strong> piano<br />

Solo <strong>Instrumental</strong><br />

Score 9780193864368<br />

This piece is one of the finest compositions for viola by<br />

one of the instrument's greatest players. It is luxuriant<br />

in melodic inventions <strong>and</strong> startlingly beautiful in its<br />

instrumental colours. The piano is a full partner to the<br />

viola, contributing an equal share of melodic interest <strong>and</strong><br />

colouristic effects.<br />

6 minutes<br />

Shorter pieces for Cello <strong>and</strong> Piano<br />

Cello <strong>and</strong> piano<br />

Score 9780193866553<br />

This collection contains all the extant shorter pieces<br />

by Rebecca Clarke for cello <strong>and</strong> piano, both original<br />

compositions <strong>and</strong> arrangements. Clarke's transcriptions<br />

make up around half of her works for cello. They are always<br />

carefully crafted, <strong>and</strong> are therefore often significantly<br />

different from the originals.<br />

Contents:<br />

Epilogue<br />

Passacaglia on an old English tune<br />

I'll bid my heart be still<br />

Shorter Pieces for Violin <strong>and</strong> Piano<br />

Violin <strong>and</strong> piano<br />

Score 9780193868625<br />

All Clarke's shorter pieces for violin <strong>and</strong> piano, comprising<br />

new editions of 'Chinese Puzzle' <strong>and</strong> 'Midsummer Moon'<br />

<strong>and</strong> the first publication of 'Lullaby', all edited from<br />

materials from Clarke's personal library.<br />

Contents:<br />

Lullaby<br />

Chinese Puzzle<br />

Midsummer Moon<br />

Shorter Pieces for Viola <strong>and</strong> Piano<br />

Viola <strong>and</strong> piano<br />

Score 9780193865990<br />

A collection of six pieces for the viola - the instrument<br />

which made Rebecca Clarke a well-known name. The<br />

pieces aren't too difficult (most being suitable for around<br />

Grades 6-7) <strong>and</strong> several would make fine recital pieces.<br />

Contents:<br />

Lullaby<br />

Lullaby<br />

Untitled<br />

Chinese Puzzle<br />

Passacaglia on an Old English Tune<br />

I'll bid my heart be still<br />

Rebecca Clarke<br />

11


Rebecca Clarke<br />

Small Ensemble<br />

Prelude, Allegro, <strong>and</strong> Pastorale<br />

B flat clarinet <strong>and</strong> viola<br />

Score 9780193862388<br />

Composed in 1941, this is the first publication of this work.<br />

14 minutes<br />

Dumka<br />

Violin, viola, piano<br />

Score 9780193867482<br />

This work was written around 1940, placing it near the<br />

beginning of a series of Clarke's late compositions. It<br />

both looks forward to her lean, linear, avowedly modern<br />

conceptions <strong>and</strong> backwards to works which are explicit<br />

homages to ancient styles, forms, <strong>and</strong> composers. A strain<br />

from the gypsy-rondo of Brahms's Piano Quartet Op. 25<br />

echoes throughout the opening pages <strong>and</strong> is heard again<br />

in the piece's remarkable conclusion.<br />

11 minutes<br />

Two movements for string quartet<br />

String quartet<br />

Score <strong>and</strong> parts 9780193867499<br />

Rebecca Clarke worked in the string quartet medium over<br />

virtually the whole of her long life, either as a performer,<br />

a composer, or a teacher. The two movements published<br />

here are Clarke's only known 'pure' music (music that<br />

'means only itself', as she put it) for string quartet.<br />

Two Pieces for viola (or violin) <strong>and</strong><br />

cello<br />

Viola (or violin) <strong>and</strong> cello<br />

Score <strong>and</strong> parts 9780193864771<br />

Clarke's duo is in two contrasted movements, 'Lullaby' <strong>and</strong><br />

'Grotesque', <strong>and</strong> was originally written as a concert piece<br />

for the composer to play with the English cellist May Mukle.<br />

5 minutes<br />

12


- Valerie Showers Crescenz -<br />

Just as he said<br />

SATB<br />

Crossing the Bar w<br />

SATB<br />

Vocal score 9780193868670<br />

Available from Banks Music Publications<br />

Loveliest of trees<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193869936<br />

A. E. Housman’s secular text ‘Loveliest of trees’ is a reflection<br />

of the beauty of nature from the perspective of a young<br />

person. The charming setting in 3/4 features gentle <strong>and</strong><br />

sturdy arpeggios in the left h<strong>and</strong> of the piano balanced<br />

with accessible choral lines, which rock back <strong>and</strong> forth<br />

through modal <strong>and</strong> nostalgic harmonies.<br />

1.5 minutes<br />

Where Go the Boats?<br />

SA <strong>and</strong> piano<br />

Vocal score 9780193869943<br />

This wonderful poem by Robert Louis Stevenson explores<br />

the tender <strong>and</strong> inquisitive nature of the youthful mind.<br />

As a child casts his own miniature boat along the river, he<br />

wonders where it will end up, <strong>and</strong> where other children’s<br />

boats go. The melody rings of a children’s lullaby <strong>and</strong> the<br />

watery accompaniment flows along, just like the river<br />

depicted in the poem, which “flows along forever with<br />

trees on either h<strong>and</strong>.”<br />

2.5 minutes<br />

<strong>Choral</strong> Sacred<br />

Vocal score 9780193858640<br />

Available from Banks Music Publications<br />

<strong>Choral</strong> Secular<br />

<strong>Choral</strong> Advent & Christmas<br />

Christmas in Saint Petersburg<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193868724<br />

2.5 minutes<br />

Night of Dreams<br />

SATB<br />

Vocal score 9780193856653<br />

Available from Banks Music Publications<br />

Valerie Showers Crescenz<br />

13


Sarah Dacey<br />

- Sarah Dacey -<br />

b. 1979<br />

Sarah Dacey is a British singer, composer <strong>and</strong><br />

teacher based in London. A graduate of the<br />

University of York <strong>and</strong> the Royal Academy of Music,<br />

she is studying for a PhD in Composition at the<br />

University of Westminster, supervised by Shirley<br />

Thompson. Her music has been broadcast on Radio<br />

3 <strong>and</strong> performed in the Wigmore Hall, the Tate<br />

Modern, the Three Choirs Festival, the National<br />

Theatre <strong>and</strong> the Tête à Tête <strong>Opera</strong> Festival. Recent<br />

commissions include a chamber opera (‘Liquid<br />

History’) for Gestalt Arts <strong>and</strong> an arrangement of<br />

the folk ballad, ‘Cruel Mother’ for the Viol Consort,<br />

Fretwork.<br />

Love Letter<br />

SATB unaccompanied<br />

Vocal score 9780193543881<br />

Digital 9780193543898<br />

Settings words from part of a letter by Edna St Vincent<br />

Millay to her lover Arthur Davison Ficke, this is a gentle,<br />

charming piece that celebrates our freedom to love. Also<br />

published in Breath of Song.<br />

3 minutes<br />

<strong>Choral</strong> Secular<br />

14


- Eleanor Daley -<br />

b. 1955<br />

Born <strong>and</strong> raised in Parry Sound, Ontario, Canada,<br />

Eleanor Daley received her Bachelor of Music Degree<br />

in Organ Performance from Queen’s University in<br />

Kingston, Ontario, <strong>and</strong> holds diplomas in piano<br />

<strong>and</strong> organ from the Royal Conservatory of Music,<br />

Toronto <strong>and</strong> Trinity College, Engl<strong>and</strong>. She has been<br />

the Director of Music at Fairlawn Avenue United<br />

Church in Toronto, Ontario since 1982.<br />

A prolific composer, Eleanor has a remarkable gift<br />

for melody. Her works are most notable for their<br />

sensitive interweaving of text <strong>and</strong> music.<br />

<strong>Choral</strong> Sacred<br />

Christ hath a garden<br />

SATB unaccompanied<br />

Vocal score 9780193505209<br />

Set to an allegorical <strong>and</strong> evocative text by Robert<br />

Bridges, this gentle anthem is characterised by a simple,<br />

fluid melody which imparts a quiet sense of wonder.<br />

An instantly accessible <strong>and</strong> memorable setting, it is<br />

appropriate for many occasions.<br />

3 minutes<br />

Christ the Lord is ris’n today<br />

SATB <strong>and</strong> organ or brass quartet <strong>and</strong> timpani<br />

Vocal score 9780193804753<br />

Hire score & parts 9780193371194<br />

This Wesley text is set in a majestic <strong>and</strong> declamatory, just<br />

as one would expect from an Easter fanfare, with a hint<br />

of modal harmony, resulting in a strong <strong>and</strong> accessible<br />

Eastertide anthem.<br />

2.5 minutes<br />

Direct us, Lord through<br />

darkness<br />

SATB with divisions <strong>and</strong> organ<br />

Vocal score 9780193869639<br />

With text by American hymn-writer Thomas Troeger, this<br />

canticle includes an a cappella verse for textural contrast<br />

<strong>and</strong> a soprano descant brings the work to a powerful finish.<br />

2.5 minutes<br />

Eleanor Daley<br />

Angels visit when we sing<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869646<br />

This beautiful canticle sets a text by the distinguished<br />

American hymn-writer Thomas Troeger. Suitable for Easter<br />

<strong>and</strong> throughout the year.<br />

3 minutes<br />

Ave maris stella<br />

SATB unaccompanied<br />

Vocal score 9780193869585<br />

Suitable for the seasons of Advent <strong>and</strong> Christmas or for<br />

any Marian feast, this anthem takes as its starting point<br />

a reflective <strong>and</strong> compelling tune from Piae Cantiones, a<br />

sacred collection from 1582. Daley successfully creates<br />

a fresh new sound, however, by using contemporary<br />

harmonies.<br />

3.5 minutes<br />

The hidden stream that feeds<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869554<br />

This canticle sets a text by the distinguished American<br />

hymn-writer Thomas Troeger. It is an accessible work<br />

whose opening bars suggest the gentle undulation of a<br />

stream. The exquisite tune receives varied treatment in<br />

each verse.<br />

3 minutes<br />

Hymn to God<br />

SATB unaccompanied<br />

Vocal score 9780193869547<br />

This lush setting of a text by John Donne is particularly<br />

appropriate during Lent but is also suitable for general use.<br />

4 minutes<br />

15


Eleanor Daley<br />

Let all the world in ev’ry corner<br />

sing<br />

SATB <strong>and</strong> piano or organ<br />

Vocal score 9780193804739<br />

Eleanor Daley sets well-loved texts by George Herbert<br />

in this suite of three pieces. They may be performed<br />

separately as part of a church service, or together for an<br />

impressive concert piece. This suite is particularly suitable<br />

for Easter <strong>and</strong> Trinity Sunday.<br />

1.5 minutes<br />

Love Never Ends<br />

SATB unaccompanied <strong>and</strong> Solo or semi-chorus<br />

Vocal score 9780193805071<br />

The text from Corinthians, ‘Love is patient, Love is kind’<br />

set as a descant above a repeated, polyphonic, <strong>and</strong><br />

homophonic SATB chant of the Latin text Ubi caritas et<br />

amor Deus ibi est.<br />

3 minutes<br />

Make our church one joyful choir<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193869653<br />

This canticle sets a text by the distinguished American<br />

hymn-writer Thomas Troeger. It enlivens Troeger’s already<br />

joyful text with an exciting 7/8 rhythm <strong>and</strong> a thrilling<br />

soprano descant.<br />

2 minutes<br />

My soul is exceeding sorrowful<br />

SATB unaccompanied<br />

Vocal score 9780193505216<br />

This highly effective setting of the Tenebrae Responsories<br />

powerfully captures the sense of anguish <strong>and</strong> tension<br />

inherent in the text. Emotive chromatic harmonies <strong>and</strong><br />

brief passages of strong unison writing combine to create a<br />

poignantly expressive Lenten anthem.<br />

3 minutes<br />

O come, let us sing unto the Lord<br />

SATB & organ<br />

Vocal score 9780193869578<br />

This is an exuberant setting of Psalm 95. A memorable<br />

rhythmic pattern is established by the organ toccata<br />

as it alternates between 4/4 <strong>and</strong> 7/8 for the outer<br />

sections of the anthem. The inner section offers a more<br />

straightforward setting of the text ending in D major, softer<br />

<strong>and</strong> a cappella.<br />

3.5 minutes<br />

Upon Your Heart<br />

SATB unaccompanied <strong>and</strong> soli or semi-chorus<br />

Vocal score 9780193426511<br />

Digital 9780193537392<br />

This is a straightforward <strong>and</strong> effective anthem set to a<br />

well-known text from the Song of Solomon, reinforcing the<br />

message of love’s power to bind people together.<br />

3 minutes<br />

Veni Creator Spiritus<br />

SATB unaccompanied<br />

Vocal score 9780193869561<br />

This gentle, calm anthem fills a need in the repertoire for<br />

Pentecost. It begins with a statement of the traditional<br />

chant tune accompanied by a homophonic ostinato in the<br />

upper voices. The original hymn then sounds in the inner<br />

voices, <strong>and</strong> the work concludes with a restatement of the<br />

opening motifs.<br />

2 minutes<br />

The Lake Isle of Innisfree<br />

SSA or SABar or TTB & piano<br />

SSA vocal score 9780193426528<br />

SABar vocal score 9780193561793<br />

SABar Digital 9780193561809<br />

TTB vocal score 9780193560840<br />

Suitable for concert use, this simple, delightful setting of a<br />

Yeats poem embraces nature’s beauty <strong>and</strong> the secret joy of<br />

solitude. Soaring melodies, rich harmonic language, <strong>and</strong><br />

a piano part that is both driving <strong>and</strong> supportive create a<br />

piece that is evocative <strong>and</strong> poignant.<br />

3 minutes<br />

O ye who taste that Love is sweet<br />

SATB unaccompanied<br />

Vocal score 9780193541030<br />

Digital 9780193543614<br />

This is a warm <strong>and</strong> tender piece setting the last three<br />

verses of Christina Rossetti’s ‘What good shall my life do<br />

me?’, which encourages leading a life of love as an example<br />

for others.<br />

3 minutes<br />

<strong>Choral</strong> Secular<br />

16


Listen<br />

SA & piano<br />

Vocal score 9780193563759<br />

Digital 9780193564114<br />

In this beautiful setting of words by the composer, based<br />

on a quote by Brian Palmer, singers are encouraged to<br />

listen to the sounds <strong>and</strong> people around them in order to<br />

learn <strong>and</strong> grow: ‘one act of love, I know, for sure, is to listen.’<br />

3.5 minutes<br />

- Reena Esmail -<br />

b. 1983<br />

Indian-American composer Reena Esmail works<br />

between the worlds of Indian <strong>and</strong> Western classical<br />

music, <strong>and</strong> brings communities together through<br />

the creation of equitable musical spaces.<br />

Esmail is the Los Angeles Master <strong>Choral</strong>e’s 2020-<br />

2023 Swan Family Artist in Residence, <strong>and</strong> Seattle<br />

Symphony’s 2020-21 Composer-in-Residence.<br />

Previously, she was named a 2019 United States<br />

Artist Fellow in Music, <strong>and</strong> the 2019 Gr<strong>and</strong> Prize<br />

Winner of the S & R Foundation’s Washington Award.<br />

<strong>Choral</strong> Secular<br />

TaReKiTa<br />

SATB or SSAA or TTBB unaccompanied<br />

SATB vocal score 9780193540750<br />

SATB Digital 9780193540774<br />

SSAA vocal score 9780193552173<br />

SSAA Digital 9780193552180<br />

TTBB vocal score 9780193560833<br />

TTBB Digital 9780193560956<br />

TaReKiTa is a refreshing concert piece that effortlessly<br />

blends the Indian <strong>and</strong> Western classical styles. The<br />

composer’s scats are combined with a fast triple metre,<br />

vocal slides, <strong>and</strong> captivating melodies built on the Jog<br />

raga. Also published in Breath of Song.<br />

2 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

A Winter Breviary<br />

SATB unaccompanied<br />

Vocal score 9780193561908<br />

The three movements of A Winter Breviary are entitled: ‘We<br />

look for you’, ‘The year’s midnight’, <strong>and</strong> ‘The unexpected<br />

early hour’. The movements are each based on an Indian<br />

classical Raag <strong>and</strong> reflect upon the Christmas story from<br />

the perspective of evening, midnight, <strong>and</strong> daybreak.<br />

8.5 minutes<br />

Reena Esmail<br />

17


Jeanette Gallant<br />

- Jeanette Gallant -<br />

Dr. Jeanette Gallant is a Canadian musician with<br />

over 25 years of diverse experience as a voice<br />

teacher, music lecturer, composer, conductor,<br />

performer, <strong>and</strong> administrator in Canada, S.E. Asia,<br />

<strong>and</strong> the United Kingdom. Jeanette has a doctorate<br />

from the University of Oxford, <strong>and</strong> she has held<br />

positions at the University of Reading (UK), Hong<br />

Kong Academy for the Performing Arts (HKAPA), Red<br />

Deer College (AB, Canada), Havergal College (ON,<br />

Canada), the University of Windsor (ON, Canada),<br />

<strong>and</strong> various Oxford Colleges (UK). An accomplished<br />

ethnomusicologist, her speciality is folksong <strong>and</strong><br />

her most recent publication can be found in the Yale<br />

Journal of Music <strong>and</strong> Religion. Jeanette has created<br />

various research-based cross-cultural community<br />

engagement choral projects which have garnered<br />

her invitations to talk at various universities<br />

<strong>and</strong> cultural institutions. As a vocal pedagogue,<br />

she focuses on vocal technique for choirs, vocal<br />

physiology, teacher-training, <strong>and</strong> the rehabilitation<br />

of damaged voices using vocal massage <strong>and</strong> other<br />

embodied vocal techniques.<br />

Marie Madeleine<br />

<strong>Choral</strong> Secular<br />

SATB or SSAA body percussion, & spoons<br />

SATB vocal score 9780193543775<br />

SATB Digital 9780193543782<br />

SSAA vocal score 9780193543751<br />

SSAA Digital 9780193543768<br />

Gallant’s take on this Acadian folksong is lively <strong>and</strong><br />

engaging, featuring the quintessential elements of the<br />

tradition: podorythmie (seated foot-tapping), diddlage<br />

(mouth music), <strong>and</strong> the spoons. With playful vocal slides<br />

<strong>and</strong> energetic rhythmic motifs, this arrangement offers a<br />

modern twist on this well-loved melody from the French-<br />

Canadian oral tradition.<br />

3.5 minutes<br />

18


Håll mig kvar/Hold me fast<br />

arr. Nilson<br />

SAATBB unaccompanied<br />

Vocal score 9780193394278<br />

Digital 9780193536159<br />

The signature tune for the award-winning Swedish<br />

a cappella group Vocado, this poignant love song is<br />

characterized by mixed messages: the lover wants to leave,<br />

but can’t quite bring himself to walk out the door.<br />

4.5 minutes<br />

- Malin Gavelin - - Nina Gilbert -<br />

<strong>Choral</strong> Secular<br />

P<strong>and</strong>angguhan (Dancing the<br />

P<strong>and</strong>anggo)<br />

TTBB unaccompanied<br />

Vocal score 9780193867369<br />

Tagalog is the major language of the Philippines, related to<br />

the Indonesian language.<br />

3.5 minutes<br />

Irish Carol<br />

SATB<br />

<strong>Choral</strong> Secular<br />

<strong>Choral</strong> Advent & Christmas<br />

Vocal score 9780193858732<br />

Available from Banks Music Publications<br />

3 minutes<br />

Gavelin - Gilbert<br />

I got a robe<br />

SATB unaccompanied<br />

Spirituals<br />

Vocal score 9780193860940<br />

Available from Banks Music Publications<br />

2 minutes<br />

19


Elaine Hagenberg<br />

- Elaine Hagenberg -<br />

Elaine Hagenberg’s music “soars with eloquence<br />

<strong>and</strong> ingenuity” (ACDA <strong>Choral</strong> Journal). Her awardwinning<br />

compositions are performed worldwide<br />

<strong>and</strong> frequently featured at American <strong>Choral</strong><br />

Directors Association conferences, All-State festivals,<br />

Carnegie Hall, <strong>and</strong> other distinguished international<br />

concert halls from Australia to South America <strong>and</strong><br />

throughout Europe.<br />

In addition to composing full-time, Elaine actively<br />

engages in bringing her music to life as the guest<br />

artist <strong>and</strong> featured clinician for professional<br />

conferences <strong>and</strong> festivals both in the U.S. <strong>and</strong><br />

abroad as a composer, conductor, <strong>and</strong> accompanist<br />

of her work.<br />

The Music of Stillness<br />

SATB (with divisions) <strong>and</strong> piano<br />

Vocal score 9780193517929<br />

Digital 9780193537422<br />

The Music of Stillness is a beautiful <strong>and</strong> emotive setting of<br />

Sara Teasdale’s poem ‘There Will Be Rest’. Sonorously scored<br />

choral phrases conjure up images of ‘stars shining, rooftops<br />

covered with snow, crystal peace...finding the music of<br />

stillness’.<br />

3.5 minutes<br />

My Companion<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193527515<br />

Digital 9780193531512<br />

This is a tender setting of a text by American poet Edith<br />

Franklin Wyatt that speaks of companionship <strong>and</strong> the joys<br />

of sharing it as we travel along the road of life. Hagenberg<br />

employs her characteristically rich harmonic language to<br />

create a piece with great depth <strong>and</strong> immediacy.<br />

5 minutes<br />

<strong>Choral</strong> Secular<br />

A Farewell<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193522664<br />

Digital 9780193537897<br />

Based on Frances Anne Kemble’s poem ‘An Entreaty’, this<br />

enchanting piece describes the experience of leaving a<br />

beloved time <strong>and</strong> place. Lush, expressive harmonies <strong>and</strong><br />

lyrical melodies create a touching musical manifestation of<br />

Kemble’s poignant words.<br />

4 minutes<br />

20


- Laura Hawley -<br />

b. 1982<br />

Laura Hawley has been steeped in choral art<br />

since childhood, <strong>and</strong> her stylistic versatility is<br />

demonstrated through her output for a variety<br />

of artists, from the developing chorister to the<br />

professional choral ensemble. Her works have<br />

been commissioned, performed, <strong>and</strong> recorded<br />

by esteemed choirs including Canadian <strong>Chamber</strong><br />

Choir, Pro Coro Canada, <strong>and</strong> Toronto Children’s<br />

Chorus. Often influenced by creative community<br />

connections <strong>and</strong> exchanges, Hawley’s music has<br />

been described as conjuring ‘the forces of nature<br />

<strong>and</strong> its effect on the human spirit’. Her piece<br />

Alhamdoulilah became internationally famous<br />

overnight when a video recording entitled ‘Welcome<br />

to Canada Syrian Refugees’ went viral on YouTube<br />

in December 2014. Hawley is also a highly regarded<br />

conductor <strong>and</strong> educator, <strong>and</strong> directs various treble<br />

<strong>and</strong> mixed choirs as well as teaching theory <strong>and</strong><br />

composition at university level.<br />

Laura Hawley<br />

The Arrow <strong>and</strong> the Song<br />

Alto solo & SSATB or SSSAAA unaccompanied<br />

SATB Vocal score 9780193546769<br />

SATB Digital 9780193546776<br />

SSSAAA vocal score 9780193550889<br />

SSSAAA Digital 9780193550896<br />

This imaginative setting of Henry Wadsworth Longfellow’s<br />

poem encourages the use of evocative bird <strong>and</strong> wind<br />

noises to capture the text’s natural imagery. In a fresh, a<br />

cappella style, Hawley’s charismatic melodies soar through<br />

the vibrant texture, <strong>and</strong> offer plenty of opportunities for<br />

soloists. Also published in Breath of Song.<br />

4 minutes<br />

<strong>Choral</strong> Secular<br />

21


Imogen Holst<br />

In heaven it is always Autumn<br />

SSSAA unaccompanied<br />

- Imogen Holst -<br />

1907 - 1984<br />

Imogen Holst was a British composer <strong>and</strong> conductor,<br />

<strong>and</strong> the only child of composer Gustav Holst. She<br />

entered the Royal College of Music in 1926 to study<br />

composition with George Dyson <strong>and</strong> Gordon Jacob,<br />

harmony <strong>and</strong> counterpoint with Ralph Vaughan<br />

Williams, <strong>and</strong> conducting with William H. Reed. She<br />

won several prizes for composition including the<br />

Cobbett prize for a string quartet (1928). She was<br />

appointed a fellow of the Royal College of Music in<br />

1966, an honorary member of the Royal Academy of<br />

Music in 1970 <strong>and</strong> to the CBE in 1975.<br />

<strong>Choral</strong> Leaflets Sacred<br />

Vocal score 9780193413528<br />

Available from Banks Music Publications<br />

<strong>Choral</strong> Leaflets Secular<br />

All under the leaves<br />

(The Seven Virgins)<br />

SSA unaccompanied<br />

Vocal score 9780193403727<br />

Available from Banks Music Publications<br />

Cheerfull Ayres or Ballads<br />

SSA unaccompanied<br />

Vocal score 9780193511767<br />

Available from Banks Music Publications<br />

Greensleeves<br />

SSA unaccompanied<br />

Vocal score 9780193403925<br />

Available from Banks Music Publications<br />

I must live all alone<br />

SSA unaccompanied<br />

Vocal score 9780193394858<br />

Available from Banks Music Publications<br />

<strong>Choral</strong> Works Secular<br />

The Sun’s Journey<br />

Cantata for women’s voices <strong>and</strong> chamber orchestra<br />

or piano<br />

Hire conductor’s, vocal scores & parts 9780193369238<br />

25 minutes<br />

Welcome Joy <strong>and</strong> Welcome<br />

Sorrow<br />

SSA <strong>and</strong> harp or piano<br />

Hire vocal, conductor’s scores <strong>and</strong> parts 9780193369054<br />

Six songs for SSA chorus, <strong>and</strong> harp or piano to words by<br />

John Keats.<br />

12 minutes<br />

The Twelve Kindly Months<br />

SSA unaccompanied<br />

Vocal score 9780193511743<br />

Available from Banks Music Publications<br />

22


Cherry, holly, <strong>and</strong> ivy<br />

SATB unaccompanied<br />

Vocal score 9780193511750<br />

Vocal score available from Banks Music Publications<br />

Six Traditional Carols (First Set)<br />

SSA unaccompanied<br />

Vocal score 9780193532038<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, <strong>and</strong> each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

Six Traditional Carols (Second Set)<br />

SSA unaccompanied<br />

Vocal score 9780195366419<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, <strong>and</strong> each setting is short enough<br />

for choirs to learn by heart.<br />

Contents:<br />

<strong>Choral</strong> Advent & Christmas<br />

O little town<br />

In dulci jubilo<br />

God rest you merry<br />

This Endris night<br />

Lord Jesus hath a garden<br />

Joseph dearest<br />

Six Traditional Carols (Third Set)<br />

SSA or SSAA unaccompanied<br />

Vocal score 9780193532052<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, <strong>and</strong> each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

Six Traditional Carols (Fourth Set)<br />

SSA or SSSA unaccompanied<br />

Vocal score 9780193532069<br />

These short, simple settings are suitable for choirs<br />

beginning to sing in parts. Each part is easy enough to be<br />

learnt by rote if necessary, <strong>and</strong> each setting is short enough<br />

for choirs to learn by heart.<br />

Available from Banks Music Publications<br />

Solo <strong>Instrumental</strong><br />

Fall of the leaf<br />

Solo cello<br />

Score 9780193572522<br />

Available from archive<br />

In heaven it is always Autumn<br />

Solo piano<br />

Score 9780193413528<br />

Available from Banks Music Publications<br />

Six Pictures from Finl<strong>and</strong><br />

Solo piano<br />

Score 9780193539679<br />

Available from Banks Music Publications<br />

Six Canons For Violin Classes<br />

Solo violin<br />

Score 9780193572508<br />

Available from archive<br />

Imogen Holst<br />

23


Laura Jekabsone<br />

As Joseph was a-walking<br />

SATB (with div) & 2 soloists unaccompanied<br />

Vocal score 9780193562530<br />

Digital 9780193562547<br />

In this beautiful setting, Latvian composer Laura Jekabsone<br />

presents a modern, popular take on Henry John Gauntlett’s<br />

familiar carol text. The piece is led by two soloists (one<br />

upper voice, one lower voice), who the choir underpin with<br />

a rich harmonic cushion of a cappella-style scats.<br />

3.5 minutes<br />

- Laura Jekabsone -<br />

<strong>Choral</strong> Advent & Christmas<br />

24


Psalm 57<br />

<strong>Choral</strong> Leaflets Sacred<br />

SATB (with divisions)<br />

Vocal score 9780193565326<br />

A powerfully emotive setting that contrasts moments<br />

of reflection with declamatory exultation, Psalm 57 uses<br />

passages from the eponymous psalm in the King James<br />

translation. Written in 1972, it is dedicated to the Brazeal<br />

Dennard <strong>Choral</strong>e, an ensemble known for championing<br />

the music of Black composers.<br />

6.5 minutes<br />

- Betty Jackson King -<br />

Betty Jackson King<br />

25


Nikki Iles<br />

- Nikki Iles -<br />

b. 1963<br />

Multi award-winning jazz pianist <strong>and</strong> composer,<br />

Nikki Iles, was a founder member of the innovative<br />

Creative Jazz Orchestra. She has a busy freelance<br />

career, with over 25 CDs recorded over 3 decades,<br />

<strong>and</strong> has been described as the Heroine of British<br />

Jazz. Composition remains a major part of her<br />

musical life with commissions from The London<br />

Sinfonietta, the International Society of Jazz<br />

<strong>Composers</strong> <strong>and</strong> Arrangers, <strong>and</strong> The National Youth<br />

Jazz Orchestra. With a parallel career as a much<br />

loved <strong>and</strong> respected teacher, Nikki is also Professor<br />

of Jazz Piano at the Royal Academy of Music <strong>and</strong> The<br />

Guildhall Music <strong>and</strong> Drama.<br />

Solo <strong>Instrumental</strong><br />

Jazz in Springtime<br />

Solo piano<br />

Score 9780193391550<br />

This piano album takes players on a musical tour of<br />

springtime, presenting well-loved jazz st<strong>and</strong>ards such<br />

as ‘April in Paris’ <strong>and</strong> ‘Honeysuckle Rose’ alongside cool<br />

original compositions by celebrated jazz pianist Nikki Iles.<br />

The nine pieces present a variety of jazz styles, including<br />

swing, folk, samba, <strong>and</strong> contemporary, drawing inspiration<br />

from the likes of Keith Jarrett, Oscar Peterson, Count Basie,<br />

<strong>and</strong> Chick Corea.<br />

CD included<br />

Jazz on a Summer’s Day<br />

Solo piano<br />

Score 9780193379794<br />

Jazz on a Summer’s Day is a unique collection of stylish jazz<br />

arrangements <strong>and</strong> original compositions for solo piano. It<br />

conveys the many sides of summer through swing, blues,<br />

samba, calypso, <strong>and</strong> folk, <strong>and</strong> draws inspiration from<br />

jazz artists including Oscar Peterson, Bill Evans, Grover<br />

Washington Jr, <strong>and</strong> Sonny Rollins.<br />

CD included<br />

Grooves for Two<br />

Piano duets (4 h<strong>and</strong>s)<br />

Score 9780193400511<br />

Grooves for Two is a collection of seven groovy pieces for<br />

piano four-h<strong>and</strong>s, written by leading pianist-composers<br />

working in jazz <strong>and</strong> other popular styles. Designed for<br />

teacher-pupil duos, the pieces provide foot-tapping fun<br />

while exploring rhythmic styles often reserved for b<strong>and</strong>s,<br />

encouraging good ensemble playing <strong>and</strong> a strong sense of<br />

CD included<br />

Jazz in Autumn<br />

Solo piano<br />

Score 9780193394650<br />

This stylish piano album takes players on a musical tour of<br />

autumn, presenting well-loved songs such as ‘September in<br />

the Rain’, ‘Witchcraft’, <strong>and</strong> ‘(Somewhere) Over the Rainbow’<br />

<strong>and</strong> original compositions on other seasonal themes. The<br />

nine pieces reflect a wide variety of jazz styles, including<br />

swing, waltz, calypso, <strong>and</strong> shuffle, <strong>and</strong> draw on artists such<br />

as Billie Holiday, Keith Jarrett, Stan Getz, <strong>and</strong> Frank Sinatra.<br />

CD included<br />

Jazz on a Winter’s Night<br />

Solo piano<br />

Score 9780193365902<br />

Jazz on a Winter’s Night is a Christmas piano album of<br />

stylish, swinging arrangements. Favourite Christmas carols<br />

<strong>and</strong> songs receive the complete jazz treatment, with<br />

rhythm, harmony, grooves, <strong>and</strong> solos all carefully notated.<br />

The expertise of the arranger, a celebrated jazz pianist<br />

<strong>and</strong> composer, guarantees an authentic jazz sound, <strong>and</strong> a<br />

range of styles from Nat King Cole to John Coltrane. While<br />

paying homage to American Christmas jazz, the collection<br />

also reflects a European tradition, in such time-honoured<br />

classics as ‘In the bleak mid-winter’.<br />

CD included<br />

26


Jazz on a Winter’s Night 2<br />

Solo piano<br />

Score 9780193517691<br />

Following the success of the first volume in Nikki Iles’s<br />

acclaimed jazz series, this collection features sophisticated<br />

new jazz arrangements of Christmas classics, including<br />

‘Let it snow!’, ‘Rudolph, the red-nosed reindeer’, ‘Away in<br />

a manger’, <strong>and</strong> ‘Past three o’clock’. A wide variety of styles<br />

are represented, from swing <strong>and</strong> stride to boogaloo <strong>and</strong><br />

calypso.<br />

CD included<br />

Nikki Iles<br />

Violin Jazz in Autumn<br />

Violin <strong>and</strong> piano<br />

Score 9780193407671<br />

This stylish album for violin <strong>and</strong> piano takes players on a<br />

musical tour of autumn, presenting well-loved songs such<br />

as ‘September in the Rain’, ‘Autumn Leaves’, ‘Danny Boy’, <strong>and</strong><br />

‘(Somewhere) Over the Rainbow’ <strong>and</strong> original compositions<br />

on other seasonal themes. The nine pieces reflect a wide<br />

variety of jazz styles, including swing, blues, calypso, <strong>and</strong><br />

bossa nova, <strong>and</strong> draw on artists such as Yehudi Menuhin,<br />

Stéphane Grappelli, Didier Lockwood, <strong>and</strong> Regina Carter.<br />

CD included<br />

Violin Jazz on a Winter’s Night<br />

Violin <strong>and</strong> piano<br />

Score 9780193393448<br />

Violin Jazz on a Winter’s Night is a Christmas album of<br />

stylish, swinging arrangements for violin <strong>and</strong> piano.<br />

Favourite Christmas carols <strong>and</strong> songs are given the<br />

complete jazz treatment, with rhythm, embellishment,<br />

grooves, <strong>and</strong> solos all carefully notated. The expertise of<br />

the arranger, a celebrated jazz musician <strong>and</strong> composer,<br />

guarantees an authentic jazz sound, <strong>and</strong> a range of styles<br />

from Nat King Cole to John Coltrane. While paying homage<br />

to American Christmas jazz, the collection also reflects a<br />

European tradition, in such time-honoured classics as ‘In<br />

the bleak mid-winter’.<br />

CD included<br />

27


Libby Larsen<br />

Photo: Ann Marsden<br />

- Libby Larsen -<br />

b. 1950<br />

Libby Larsen is one of America’s most prolific <strong>and</strong><br />

most performed living composers. She has created a<br />

catalogue of over 200 works spanning virtually every<br />

genre from intimate vocal <strong>and</strong> chamber music to<br />

massive orchestral <strong>and</strong> choral scores. Her music has<br />

been praised for its dynamic, deeply inspired, <strong>and</strong><br />

vigorous contemporary American spirit. Constantly<br />

sought after for commissions <strong>and</strong> premières by major<br />

artists, ensembles, <strong>and</strong> orchestras around the world,<br />

Libby Larsen has established a permanent place for<br />

her works in the concert repertory.<br />

In April 2003, the Library of Congress announced<br />

Libby Larsen’s appointment as the first holder of<br />

the Harissios Papamarkou Chair in Education <strong>and</strong><br />

Technology in the John W. Kluge Center. She has<br />

received numerous awards <strong>and</strong> accolades, including<br />

a 1994 Grammy, <strong>and</strong> has held residencies with the<br />

California Institute of the Arts, the Arnold Schoenberg<br />

Institute, the Charlotte Symphony, <strong>and</strong> the Colorado<br />

Symphony. Larsen’s many commissions <strong>and</strong> recordings<br />

are a testament to her fruitful collaborations with<br />

a long list of world-renowned artists, including The<br />

King’s Singers, Benita Valente, <strong>and</strong> Frederica von Stade,<br />

among others. Her works are widely recorded on<br />

such labels as Angel/EMI, Nonesuch, Decca, <strong>and</strong> Koch<br />

International.<br />

Libby Larsen is a vigorous, articulate champion of<br />

the music <strong>and</strong> musicians of our time. In 1973, she<br />

co-founded (with Stephen Paulus) the Minnesota<br />

<strong>Composers</strong> Forum, now the American <strong>Composers</strong><br />

Forum, which has been an invaluable advocate for<br />

composers in a difficult, transitional time for American<br />

arts. Larsen’s commitment to the wider issue of music<br />

in society has led her to activity on a national level.<br />

She has also been Vice-President of the American<br />

Music Center <strong>and</strong> a director of the College Music<br />

Society.<br />

Recognized as a leader in the generation of<br />

millennium thinkers, Libby Larsen’s music <strong>and</strong> ideas<br />

have refreshed the concert music tradition <strong>and</strong> the<br />

composer’s role in it.<br />

28


<strong>Choral</strong> Works Sacred<br />

The Nothing That Is<br />

Baritone solo, SATB choir, 3 speakers, <strong>and</strong> chamber<br />

ensemble<br />

Hire conductor’s, vocal score <strong>and</strong> parts 9780193370128<br />

A contemplation of faith in supreme being through faith<br />

in numbers, in particular the mystical number zero. With<br />

excerpts from Apollo 13 flight transcript, Psalms 90, 13,<br />

<strong>and</strong> 131, Ptolemy, John Donne, Charles Pierce, <strong>and</strong> John F.<br />

Kennedy, adapted by Larsen.<br />

36 minutes<br />

<strong>Choral</strong> Leaflets/ Octavos Sacred<br />

Eternal Ruler of the ceaseless<br />

round<br />

SATB, organ, <strong>and</strong> opt. congregation<br />

Vocal score 9780193404809<br />

Commissioned for the American Guild of Organists 2014<br />

National Convention in Boston, Eternal Ruler of the ceaseless<br />

round is a joyful <strong>and</strong> exuberant setting of the well-known<br />

hymn by John Chadwick.<br />

4.5 minutes<br />

Fanfare <strong>and</strong> Alleluia<br />

SATB, 2 trumpets, 2 trombones, h<strong>and</strong>bells, chimes,<br />

organ<br />

Vocal score 9780193860414<br />

Available from Banks Music Publications<br />

2 minutes<br />

Flee we to our Lord<br />

SATB unaccompanied<br />

Vocal score 9780193869349<br />

This is a lovely, hushed <strong>and</strong> meditative hymn that is simple<br />

<strong>and</strong> eloquent. The brevity <strong>and</strong> expressive beauty of this<br />

piece can be equally used in both sacred <strong>and</strong> secular<br />

settings.<br />

4 minutes<br />

God so loved the world<br />

SATB unaccompanied<br />

Vocal score 9780193856646<br />

This is a moving arrangement of the familiar passage from<br />

the Book of John. Larsen takes an original melody <strong>and</strong><br />

arranges beautiful harmonies underneath with delicate<br />

suspensions.<br />

3 minutes<br />

i am a little church<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193868885<br />

This ravishing setting of a heartfelt <strong>and</strong> emotional poem by<br />

e. e. cummings captures a sense of the ineffable place of<br />

faith in existence that transcends mere worship, doctrine,<br />

even humankind itself. The musical setting is mostly<br />

consonant, bittersweet, <strong>and</strong> well-attuned to the emotional<br />

content of the words.<br />

4 minutes<br />

Libby Larsen<br />

29


Libby Larsen<br />

I will sing <strong>and</strong> raise a psalm<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193860438<br />

I will sing <strong>and</strong> raise a psalm has a text from St Francis of<br />

Assisi <strong>and</strong> works well as a concert piece or as an anthem.<br />

The music is rewarding for organist <strong>and</strong> choir alike. The<br />

conclusion, with its evocative radiance, is especially<br />

attractive.<br />

4 minutes<br />

Is God, our endless day<br />

SATB unaccompanied<br />

Vocal score 9780193864092<br />

This is an affirmation of faith through music, which Larsen<br />

describes as ‘perhaps the strongest means we have to<br />

recall the moment of God’s touch’.<br />

3 minutes<br />

Lord, before this fleeting season<br />

SATB unaccompanied<br />

Vocal score 9780193864085<br />

3 minutes<br />

Natus est Emmanuel<br />

SSAA unaccompanied<br />

Vocal score 9780193865730<br />

This works sets an anonymous text from Piae Cantiones<br />

(1562), with a poetic translation by Philip Freeman.<br />

3.5 minutes<br />

Psalm 121<br />

SSSAAA unaccompanied<br />

Vocal score 9780193863644<br />

A setting of the familiar psalm text with interpolations from<br />

nature writings by the American naturalist John Muir <strong>and</strong><br />

by Patricia Hennings.<br />

9 minutes<br />

So Blessedly it Sprung<br />

SATB <strong>and</strong> piano or oboe, viola, <strong>and</strong> harp<br />

Vocal score 9780193861299<br />

Score <strong>and</strong> parts 9780193861954<br />

This is a setting of two twelfth-century poems where the<br />

choral parts flow in a chant-like way, interrupted by ecstatic<br />

bursts, sometimes of purely instrumental colour. Both the<br />

singer <strong>and</strong> the audience will be swept up in the ecstasy of<br />

the birth <strong>and</strong> the peacefulness of renewal.<br />

8 minutes<br />

30


<strong>Choral</strong> Works Secular<br />

The Ballerina <strong>and</strong> the Clown<br />

SAA <strong>and</strong> harp<br />

Vocal score 9780193866737<br />

Seven songs for children’s chorus (SAA) <strong>and</strong> harp to texts<br />

by Sally M. Gall. The Ballerina <strong>and</strong> the Clown develops a<br />

completely new story inspired by some of Hans Christian<br />

Andersen’s charming papercuts.<br />

17 minutes<br />

Eleanor Roosevelt<br />

Speaker, mezzo-soprano solo, SATB Chorus<br />

(playing percussion), <strong>and</strong> ensemble<br />

Hire conductor’s score <strong>and</strong> parts 9780193860384<br />

Hire vocal scores 9780193371231<br />

A dramatic cantata, based on the life of Eleanor Roosevelt,<br />

which is vibrant, varied, <strong>and</strong> in the end deeply moving. This<br />

is a striking programming choice for a dedicated chorus <strong>and</strong><br />

an accomplished speaker. Text by Sally M. Gall.<br />

Vocal score available on sale from Banks Music Publications<br />

35 minutes<br />

I It Am: The Shewings of Julian of<br />

Norwich<br />

Soprano, countertenor, baritone soli, SSAATTBB<br />

chorus, <strong>and</strong> orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193866768<br />

Hire vocal scores 9780193866775<br />

A cantata, in five movements, is an exposition of human<br />

experience revealed to us through the writings of Julian of<br />

Norwich <strong>and</strong> her European contemporaries. Focussing on<br />

a theme of unity (one is all = all is one), Larsen researched<br />

periods of history where cultures coexisted in a civilisation<br />

of respect <strong>and</strong> admiration leading her to the Andulusian<br />

<strong>and</strong> European culture of the period around 750- 1492, <strong>and</strong><br />

the teaching that within each person is dark <strong>and</strong> light, <strong>and</strong><br />

through experiences, as humans we ultimately love.<br />

17 minutes<br />

Love Songs<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193861336<br />

Five songs for SATB chorus <strong>and</strong> piano on texts by<br />

twentieth-century women poets. Each has a unique<br />

perspective on love, ranging from reflections on loss, to the<br />

delights of everyday familiarity, <strong>and</strong> the thrill of spring <strong>and</strong><br />

new passions.<br />

Contents:<br />

Looking at each other (Muriel Rukeyser)<br />

Clinging (Jeanne Shepard)<br />

Dirty No Gooder Blues (Bessie Smith)<br />

Dear Love (Willa Cather)<br />

At April (Angelina Weld Grimke)<br />

18 minutes<br />

Seven Ghosts<br />

Soprano solo, SATB chorus, <strong>and</strong> brass ensemble<br />

Vocal score 9780193860087<br />

Hire conductor’s score <strong>and</strong> parts 9780193860094<br />

A brilliant choral celebration of seven American legends<br />

(Phillis Wheatley, George Washington, Jenny Lind, Harriet<br />

Beecher Stowe, Clyde William Thornbaugh, Charles<br />

Lindbergh, Louis Armstrong). Energetic <strong>and</strong> appealing,<br />

the music culminates in a wordless finale which celebrates<br />

Louis Armstrong <strong>and</strong> the jazz clubs of the 1930s by mixing<br />

up six familiar classics.<br />

25 minutes<br />

Song - Dances to the Light<br />

Narrator, children’s chorus, full orchestra, <strong>and</strong> Orff<br />

instruments<br />

Chorus part (including speaker) 9780193859951<br />

Hire conductor’s score <strong>and</strong> parts 9780193859975<br />

Hire Orff instrumental parts 9780193859968<br />

Hire vocal scores 9780193859944<br />

A setting of specially-written texts by children, the subject<br />

matter is the sun, the moon, <strong>and</strong> the stars. The songs are<br />

linked by spoken narration, resulting in a rich <strong>and</strong> vivid<br />

tapestry.<br />

19 minutes<br />

Libby Larsen<br />

Sweet <strong>and</strong> Sour Nursery Rhymes<br />

SATB <strong>and</strong> french horn<br />

Vocal score 9780193862760<br />

French horn part 9780193862777<br />

Using as its basis two traditional nursery rhymes <strong>and</strong> an<br />

achingly nostalgic poem by Eugene Field, Larsen deftly<br />

captures the essence of childhood in her clever setting<br />

of the three texts whilst offering her own, more adult,<br />

interpretations to the moral of each.<br />

9 minutes<br />

31


Libby Larsen<br />

<strong>Choral</strong> Leaflets/ Octavos Secular<br />

At April<br />

SATB <strong>and</strong> piano<br />

Digital † 9780193546677<br />

From the collection Love Songs, ‘At April’ sets a text by<br />

American activist Angelina Weld Grimké. Scored for SATB<br />

<strong>and</strong> piano, <strong>and</strong> featuring a driving accompaniment, this<br />

piece is a wild dance of spring, youth, <strong>and</strong> freedom.<br />

2.5 minutes<br />

Clinging<br />

SATB & piano<br />

Digital † 9780193546684<br />

From the collection Love Songs, ‘Clinging’ explores a<br />

woman’s experiences of losing love, both past <strong>and</strong> present.<br />

Scored for SATB <strong>and</strong> piano, its use of discords creates a<br />

sense of poignancy while the overall slow tempo conveys<br />

an atmosphere which is regretful yet resolved.<br />

4 minutes<br />

Day Song<br />

SSA unaccompanied<br />

Vocal score 9780193862418<br />

An exuberant song of rejoicing at the dawn, with a catchy,<br />

toe-tapping refrain of ‘Cry jubilee’.<br />

3 minutes<br />

Dear Love<br />

SATB unaccompanied<br />

Digital † 9780193546707<br />

From the collection Love Songs, ‘Dear Love’ sets a<br />

text by American writer Willa Cather. Scored for SATB<br />

unaccompanied, this meditation on the universality of love<br />

features rich, lucid harmonies <strong>and</strong> creates a hauntingly<br />

wistful atmosphere.<br />

3.5 minutes<br />

Eine kleine Snailmusik<br />

Treble voices or SSA <strong>and</strong> double bass<br />

Vocal score 9780193864351<br />

Larsen’s fun setting of a sweetly humorous text by May<br />

Sarton will provide enjoyable <strong>and</strong> rewarding learning for<br />

school or amateur choirs. The contrabass part would also<br />

be suitable for the younger pupil.<br />

3 minutes<br />

I find my feet have further goals<br />

SATB unaccompanied<br />

Vocal score 9780193861527<br />

The music, superficially simple with a gently rocking<br />

rhythm framing a declamation of the text, allows the words<br />

to speak for themselves whilst simultaneously enhancing<br />

their expressive power.<br />

3 minutes<br />

I just lightning<br />

SSAA <strong>and</strong> percussion<br />

Vocal score 9780193860445<br />

Percussion part* 9780193860452<br />

A riveting setting for women’s voices <strong>and</strong> percussion of<br />

a Mexican Indian chant evoking the Divine Spirit <strong>and</strong><br />

praying for healing <strong>and</strong> spiritual strength. Full of Larsen’s<br />

characteristic atmospheric effects <strong>and</strong> vivid word-painting,<br />

the text <strong>and</strong> music celebrate the significance of women in<br />

the quest for spiritual enlightenment.<br />

*Percussion part available from Banks Music Publications<br />

7 minutes<br />

Dirty No Gooder Blues<br />

SATB <strong>and</strong> piano<br />

Digital † 9780193546745<br />

From the collection Love Songs, ‘Dirty No Gooder Blues’<br />

is a raucous composition which pays homage to worldrenowned<br />

blues singer <strong>and</strong> lyricist Bessie Smith. Scored for<br />

SATB <strong>and</strong> piano, it features Smith’s lyrics alongside bluesinfluenced<br />

rhythms <strong>and</strong> harmonies.<br />

4 minutes<br />

32


If I Could Stop One Heart<br />

From Breaking<br />

SSA chorus <strong>and</strong> chamber orchestra<br />

Conductor’s score <strong>and</strong> parts on hire 9780193865907<br />

Originally the last movement of Today, this spring, the<br />

work reflects the infinite joyous spirit of two women who<br />

succumbed to breast cancer <strong>and</strong> their courageous example<br />

of peacefulness in the face of adversity. Also published in<br />

Flexible <strong>Choral</strong> Songs.<br />

3 minutes<br />

Invitation to Music<br />

SATB <strong>and</strong> piano/string quartet/orchestra<br />

Vocal score 9780193860704<br />

Conductor’s score <strong>and</strong> parts on hire 9780193860711<br />

A haunting depiction of the “magic made by melody . . .<br />

Held in the arms of rhythm <strong>and</strong> of sleep”, from a poem by<br />

Elizabeth Bishop.<br />

5 minutes<br />

Jack’s Valentine<br />

SSAA unaccompanied<br />

Vocal score 9780193865952<br />

This piece is the brash inside echo of what so many of us<br />

stumble to put into words in the outside world. Aldeen<br />

Humphreys’ poem is a tribute to Jack Kerouac <strong>and</strong> is a little<br />

packet of courage for shy lovers.<br />

1.5 minutes<br />

Looking at each other<br />

SATB & piano<br />

Digital † 9780193546691<br />

From the collection Love Songs, ‘Looking at each other’ sets<br />

a text by renowned poet Muriel Rukeyser. Scored for SATB<br />

<strong>and</strong> piano, this piece uses paired voices <strong>and</strong> parallel thirds<br />

to explore the image of two people long acquainted <strong>and</strong><br />

attracted to each other. Recurring motifs <strong>and</strong> clipped piano<br />

phrases enhance the atmosphere of tension.<br />

3 minutes<br />

May Sky<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193866225<br />

Commissioned for the 2002 World <strong>Choral</strong> Symposium, ‘May<br />

Sky’ is based on haiku written by Japanese <strong>and</strong> Japanese-<br />

American detainees in camps in the American West.<br />

6 minutes<br />

Reasons for Loving the<br />

Harmonica<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193866218<br />

This short, light-hearted setting of a Julie Kane text is<br />

suitable for school or youth choirs, its homophonic texture<br />

<strong>and</strong> fun words making it easy to learn.<br />

4 minutes<br />

A Salute to Louis Armstrong<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193862289<br />

Digital 9780193541016<br />

This salute to the spirit of Louis Armstrong breathtakingly<br />

incorporates ‘Basin Street Blues’, ‘Lady be good’, ‘Tiger Rag’,<br />

‘When the saints go marching in’, <strong>and</strong> more surprisingly<br />

excerpts from ‘Clair de Lune’ <strong>and</strong> from Brahms’ A flat major<br />

Piano Serenade. It is in one movement, which may be<br />

performed on its own, taken from the choral suite Seven<br />

Ghosts.<br />

3 minutes<br />

Libby Larsen<br />

33


Libby Larsen<br />

Today, this spring<br />

SSAA <strong>and</strong> piano<br />

Vocal score 9780193860407<br />

This set of three pieces for treble voices <strong>and</strong> piano was<br />

commissioned by David L. Cooper <strong>and</strong> Thomas Scott in<br />

remembrance of David’s wife <strong>and</strong> Tom’s sister, both of<br />

whom succumbed to breast cancer.<br />

8 minutes<br />

Western Songs 1: Buffalo Gals<br />

SATB unaccompanied<br />

Vocal score 9780193869387<br />

The arrangements by turn spin contrapuntal <strong>and</strong><br />

antiphonal textures then relax into meltingly beautiful<br />

chords, while gliss<strong>and</strong>i <strong>and</strong> yipping vocal slides evoke the<br />

sounds of the barn dance <strong>and</strong> the cattle drive.<br />

3 minutes<br />

A Young Nun, Singing<br />

SSA unaccompanied<br />

Vocal score 9780193868557<br />

A Young Nun, Singing, is a collection of four poems<br />

arranged to tell the story of a young woman, chafing at her<br />

parents’ plans for her, faced with the prospects of marriage<br />

or a life of seclusion.<br />

7 minutes<br />

Western Songs 2: Green grow the<br />

lilacs<br />

SATB unaccompanied<br />

Vocal score 9780193869400<br />

3.5 minutes<br />

Western Songs 3: The Ol’ Chisholm<br />

Trail<br />

SATB unaccompanied<br />

Vocal score 9780193869424<br />

9 minutes<br />

The Witches Trio<br />

SSAA unaccompanied<br />

Vocal score 9780193863958<br />

Larsen’s take on the famous witches’ incantation, ‘Double,<br />

double, toil <strong>and</strong> trouble,’ from Shakespeare’s Macbeth is<br />

filled with lurid word-painting <strong>and</strong> rhythmic tricks.<br />

4.5 minutes<br />

The Womanly Song of God<br />

SSSSAAAA unaccompanied<br />

Vocal score 9780193867550<br />

The choir acts both as a singing group <strong>and</strong> as a drumming<br />

group, spinning sung rhythmic patterns into a buoyant<br />

accompaniment to the sung text. As the piece progresses,<br />

foot-stomping <strong>and</strong> h<strong>and</strong>-clapping is added to make a<br />

vibrant song-dance.<br />

7 minutes<br />

34


<strong>Choral</strong> Works Christmas<br />

Canticle of Mary<br />

SSA <strong>and</strong> piano duet or chamber orchestra<br />

Vocal score 9780193859852<br />

Hire conductor’s score <strong>and</strong> parts 9780193859869<br />

An unusually joyous setting in which straightforward vocal<br />

lines portray Mary’s humility, <strong>and</strong> the accompaniment<br />

expresses exuberance <strong>and</strong> freedom of spirit. This is a<br />

strikingly original setting of the Canticle for concert rather<br />

than liturgical use.<br />

9 minutes<br />

<strong>Choral</strong> Octavos Christmas<br />

A Simple Gloria<br />

SATB unaccompanied<br />

Vocal score 9780193396296<br />

Digital 9780193531192<br />

Originally published in the anthology, An American<br />

Christmas, this is a serene setting of a macaronic text by<br />

M. K. Dean describing the song the angels sang for the<br />

birth of the Christ-child.<br />

4 minutes<br />

Libby Larsen<br />

35


Libby Larsen<br />

Beloved, Thou Hast Brought Me<br />

Many Flowers<br />

Mezzo-soprano <strong>and</strong> piano<br />

Vocal score 9780193863453<br />

This group of six songs for mezzo-soprano, piano, <strong>and</strong> cello<br />

began with Rainer Maria Rilke’s poem “Liebeslied” <strong>and</strong> grew<br />

into a cycle of songs about mature love, music, nature,<br />

<strong>and</strong> flowers. The piece was commissioned by Hella Mears<br />

Hueg <strong>and</strong> presented to her husb<strong>and</strong> Bill Hueg for his 70th<br />

birthday in 1994.<br />

Available from Banks Music Publications<br />

21 minutes<br />

Love after 1950<br />

Mezzo-soprano <strong>and</strong> piano<br />

Vocal score 9780193863453<br />

This song cycle uses texts by women poets <strong>and</strong> focuses<br />

on women’s experience with great humour <strong>and</strong> irony. The<br />

cycle will appeal to singers with real interpretative flair <strong>and</strong><br />

is accessible to advanced students.<br />

15 minutes<br />

Margaret Songs<br />

Soprano <strong>and</strong> piano<br />

Vocal score 9780193861718<br />

Margaret Songs are a collection of three songs of Margaret<br />

Elliot, a character in Libby Larsen’s opera Eric Hermannson’s<br />

Soul, based on a short story of Willa Cather. It charts one<br />

woman’s emotional journey through a love affair.<br />

10 minutes<br />

Mary Cassatt (1844-1926)<br />

Mezzo-soprano, trombone, <strong>and</strong> orchestra<br />

Hire scores <strong>and</strong> parts 9780193863316<br />

Seven songs for mezzo-soprano, trombone, <strong>and</strong> orchestra<br />

with a set of fifteen colour slides of Cassatt’s paintings.<br />

29 minutes<br />

Solo Voice<br />

My Ántonia<br />

Soprano <strong>and</strong> piano<br />

Vocal score 9780193867215<br />

Larsen’s song cycle is based on the novel by the American<br />

writer, Willa Cather, <strong>and</strong> the songs recount Jim Burden’s<br />

memories of Ántonia Shimerda during their shared<br />

experiences of the pioneering period of European<br />

settlement in the American Midwest.<br />

16 minutes<br />

Notes Slipped Under the Door<br />

Soprano, piano or flute, <strong>and</strong> chamber orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193866942<br />

Hire vocal score 9780193866935<br />

A piece that explores the delicate balance of parent-child<br />

love, with text by Eugenia Zukerman. Five notes slipped<br />

under a mother’s closed door are represented by five<br />

movements.<br />

15 minutes<br />

Songs from Letters<br />

Soprano <strong>and</strong> piano or chamber orchestra<br />

Soprano <strong>and</strong> piano score 9780193859760<br />

Hire conductor’s score <strong>and</strong> parts 9780193866867<br />

The texts are selected from the letters of Calamity Jane<br />

to her daughter Janey, from 1880-1902. The five songs<br />

present a stirring picture of an independent woman’s<br />

struggle to earn a living to support her child.<br />

13 minutes<br />

Sonnets from the Portuguese<br />

Soprano <strong>and</strong> piano or chamber ensemble<br />

Vocal score 9780193859814<br />

Hire conductor’s score <strong>and</strong> parts 9780193859821<br />

Based on poetry by Elizabeth Barrett Browning, Sonnets<br />

from the Portuguese explores the finding of a mature love<br />

by a woman who wonders what part of her she must<br />

sacrifice to the lover <strong>and</strong> to the world. Larsen transforms<br />

the dialogue into a musical metaphor of resolved <strong>and</strong><br />

unresolved harmonies.<br />

20 minutes<br />

Me (Brenda Uel<strong>and</strong>)<br />

Soprano <strong>and</strong> piano<br />

Vocal score 9780193861558<br />

A song cycle for soprano <strong>and</strong> piano drawn from Brenda<br />

Uel<strong>and</strong>’s 1938 autobiography. Although Uel<strong>and</strong>’s life was<br />

nothing out of the ordinary, the philosophy of her writing<br />

is to find the joy in everyday events <strong>and</strong> provides the<br />

motto: “Remember to live”.<br />

37 minutes<br />

Try Me, Good King<br />

Soprano <strong>and</strong> piano<br />

Vocal score 9780193864184<br />

Digital 9780193544468<br />

Try Me, Good King is a group of five songs drawn from<br />

the final letters <strong>and</strong> gallows speeches of the six wives<br />

of King Henry VIII. The cycle is a psychologically intense<br />

monodrama that presents technical challenges to both<br />

performers.<br />

15 minutes<br />

36


Barnum’s Bird<br />

SATB soli, SSAATTBB ensemble, mixed chorus, <strong>and</strong><br />

chamber ensemble<br />

Hire conductor’s score <strong>and</strong> parts 9780193866065<br />

Hire vocal scores 9780193371224<br />

Vocal score* 9780193866058<br />

Barnum’s Bird is a chamber opera in two acts with libretto<br />

by Bridget Carpenter <strong>and</strong> Libby Larsen. The opera explores<br />

the idea that art is on the one h<strong>and</strong> in service of humanity<br />

<strong>and</strong> in the other in service of commerce. The story<br />

focuses on Jenny Lind’s tour of America in 1850-51, which<br />

P.T. Barnum persuaded her to do <strong>and</strong> in turn created a<br />

merch<strong>and</strong>ising phenomenon.<br />

Available from Banks Music Publications<br />

90 minutes<br />

<strong>Opera</strong><br />

Libby Larsen<br />

Dreaming Blue<br />

SSATB soloists, SATB, SSA children, rhythm chorus,<br />

drumming group, <strong>and</strong> chamber orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193866089<br />

Hire vocal scores 9780193371200<br />

Vocal score* 9780193866072<br />

This is an opera in one act. The libretto is by Libby<br />

Larsen with text contributed by students of Mountain<br />

View Elementary School, Salt Lake City, Utah, USA; ‘Red<br />

Soliloquy’ by John Ziegenhagen; <strong>and</strong> poetry by James A.<br />

Emanuel, Mary O’Neill, Hiawyn Oram. Dreaming Blue is the<br />

story of how a person (child) who feels lost <strong>and</strong> floating<br />

responds creatively to life in all its agony <strong>and</strong> splendour.<br />

Available from Banks Music Publications<br />

60 minutes<br />

Eric’s Hermannson’s Soul<br />

8 soloists, SATB quartet, chorus, dancer, <strong>and</strong><br />

chamber orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193863910<br />

Hire chorus scores 9780193863927<br />

Hire SATB quartet vocal scores 9780193863934<br />

Hire vocal scores 9780193863941<br />

This is an opera in two acts with a libretto by Chas<br />

Rader-Schieber after Willa Cather. It tells the story of a<br />

young Norwegian farmer who, after converting to Free<br />

Gospellism, destroys his violin <strong>and</strong> vows to never again<br />

dance. After falling in love, his new values are challenged.<br />

The struggle to find a sense of self <strong>and</strong> importance of<br />

selfless love are central themes.<br />

105 minutes<br />

37


Libby Larsen<br />

The Atmosphere of a Fluid<br />

System<br />

Flute <strong>and</strong> chamber orchestra or full orchestra<br />

Full Orchestra: flute solo, fl, ob, cl, bn, hn, timp, 3 perc<br />

(vib, wood block, sleighbells, orchestra bells, mba,<br />

bongos, low tom, large tam, tbells, sus cym (sticks,<br />

wire brushes), temple blocks, SD) pn, str<br />

<strong>Chamber</strong> Orchestra: flute solo, 3 perc, str<br />

Hire score <strong>and</strong> parts - full orchestra 9780193860193<br />

Hire score <strong>and</strong> parts - chamber orch 9780193370104<br />

The Atmosphere of a Fluid System suggests music which,<br />

while intricately interconnected, forms a gesture of fluid<br />

upward motion. There is no prescribed traditional musical<br />

form in which the music develops.<br />

12 minutes<br />

Blue Fiddler<br />

Full orchestra<br />

3 fl (I+picc), 2 ob, 3 cl (III+bcl), 2 bn, 4 hn, 3 tpt, 3 tbn,<br />

tba, timp, 3 perc, pn, str<br />

Hire conductor’s score <strong>and</strong> parts 9780193860339<br />

Blue Fiddler, in three uninterrupted sections, is an essay<br />

which explores the relationship between American blues<br />

<strong>and</strong> country fiddling <strong>and</strong> the symphonic tradition.<br />

12 minutes<br />

Fanfare: Sizzle<br />

Full orchestra<br />

picc, 2 fl, 2 ob, 2 cl, bcl, 2 bn, 4 hn, 4 tpt, 4 tbn, tba,<br />

timp, 3 perc, pn, str Percussion: xylo, maracas, tamb,<br />

pod tattle, wood block (small), sus sym (small), high<br />

hat, chimes, slap stick, pod rattle, sizzle sym, mba<br />

Hire conductor’s score <strong>and</strong> parts 9780193867567<br />

‘The architectural structure of a fanfare challenges a<br />

composer to make a single statement that is concise <strong>and</strong><br />

to the point without the need for the usual techniques one<br />

uses to spin out motivic <strong>and</strong> harmonic progression, texture,<br />

<strong>and</strong> tempo in order to construct a lengthy orchestral work.’<br />

—Libby Larsen.<br />

7 minutes<br />

<strong>Orchestral</strong> Works<br />

Overture for the End of a Century<br />

Full orchestra<br />

2 fl, picc, 2 ob, 2 cl, 2 bn, 4 hn, 3 tpt, 3 tbn, tba, timp, 3<br />

perc [1-tamb, sn drum, susp cymb, woodblock. 2-xylo,<br />

tri, orchestra bells, bongos. 3-marimba, tom-toms<br />

(medium, low)]. pno, str<br />

Hire conductor’s score <strong>and</strong> parts 9780193371217<br />

The Overture for the End of a Century takes its melody,<br />

harmony <strong>and</strong> colour from the tradition which has defined<br />

the orchestra in our century while at the same time<br />

exploring some ‘new’ approaches to sound which have<br />

become part of our musical world in the last part of this<br />

century, such as the mixing board, the computer screen,<br />

<strong>and</strong> the synthesizer.<br />

6 minutes<br />

Ring of Fire<br />

Full orchestra<br />

picc, 2 fl, 2 ob, 2 cl, bcl, 2 bn, 4 hn, 2 tpt, 3 tbn, tba,<br />

timp, 2 perc, hp, str<br />

Hire conductor’s score <strong>and</strong> parts 9780193860223<br />

A tone poem expressing a line from section IV of T.S. Eliot’s<br />

poem, ‘Little Gidding’. Larsen uses the orchestral textures<br />

<strong>and</strong> solo instruments to create images of fire <strong>and</strong> passion,<br />

with flames created by short woodwind arpeggios, <strong>and</strong><br />

rhythmic motifs in the brass.<br />

12 minutes<br />

Roll Out the Thunder<br />

Full orchestra<br />

picc, 2 fl, 2 ob, 2 cl, bcl, 2 bn, 4 hn, 2 tpt, 3 tbn, tba,<br />

timp, 2 perc, 2 hp, cel, str<br />

Hire conductor’s score <strong>and</strong> parts 9780193370111<br />

Written to celebrate the 60th anniversary of the Des<br />

Moines Symphony Orchestra, Larsen uses tolling bell<br />

patterns from churches in <strong>and</strong> around Moscow to create a<br />

jubilant atmosphere.<br />

6 minutes<br />

38


Solo Symphony<br />

(Symphony No. 5)<br />

Full orchestra<br />

picc, 2 fl, 2 ob, 2 cl, bcl, 2 bn, 4 hn, 3 tpt, 3 tbn, tba,<br />

timp, 3 perc, pn, str (inc. elec bass)<br />

Hire conductor’s score <strong>and</strong> parts 9780193864405<br />

A symphony for orchestra in four movements. Larsen<br />

says in her note for this piece: ‘A solo is a group. The effort<br />

of many becomes the effort of one to produce a unified<br />

sound, a unified music. This symphony is about the one<br />

<strong>and</strong> the many... This is a listener’s symphony, as well as a<br />

solo display. In fact, the listener is the true soloist.’<br />

27 minutes<br />

Still Life with Violin<br />

Violin <strong>and</strong> full orchestra<br />

violin solo, 3 fl (+picc), 2 ob, 2 cl, 2 bn, 2 hn, 4 tpt, 3<br />

tbn, tba, timp, 2 perc, str<br />

Score <strong>and</strong> parts on hire 9780193867222<br />

Larsen’s purpose when writing this piece was to ‘invite the<br />

listener to listen closely to the beauty of the violin as an<br />

instrument within the orchestral palette <strong>and</strong> at the same<br />

time to breathe in <strong>and</strong> deeply feel the power of the violin’.<br />

13 minutes<br />

Libby Larsen<br />

39


Libby Larsen<br />

Concert <strong>and</strong> Wind B<strong>and</strong><br />

Concert Dances<br />

Wind b<strong>and</strong><br />

picc, 2 fl, 2 ob, 2 cl, cl in A, bcl, 2 asx, 2 tsx, barisx, bn,<br />

3 hn, 3 tpt, 3 tbn, euph, tba, timp, 2 perc, mallets,<br />

pn<br />

Hire conductor’s score <strong>and</strong> parts 9780193860353<br />

In Concert Dances, Larsen applies the sensibilities of<br />

orchestral composition to concert winds, focussing on<br />

aspects such as solo lines, orchestral colour <strong>and</strong> texture,<br />

<strong>and</strong> lyrical melodies, as well as using wind instruments one<br />

normally would use the string section in a full orchestra.<br />

16 minutes<br />

Fanfare: Strum<br />

Wind b<strong>and</strong> or orchestra without strings<br />

picc, 2 fl, 2 ob, 3 cl (I+Ebcl, II&III+cl in A), bn, cbn, 4 hn,<br />

3 tpt, 3 tbn, tba, timp, perc (high hat cym), db<br />

Hire conductor’s score <strong>and</strong> parts 9780193860377<br />

Commissioned by the National Symphony Orchestra (USA)<br />

<strong>and</strong> premiered at the Kennedy Center for the Performing<br />

Arts, Washington D.C. in 1996.<br />

4 minutes<br />

An Introduction to the Moon<br />

Symphonic winds, tuned water glasses, <strong>and</strong><br />

amplified voice<br />

picc, 2 fl, 2 ob, 3 cl, bcl, contra bcl, 2 bn, 5 sax, 4 hn, 3<br />

tpt, 3 tbn, tba, euph, db, timp, 3 perc<br />

Score 9780193868960<br />

Set of parts 9780193868977<br />

Hire conductor’s score 9780193371248<br />

The piece consists of nine fully notated sections which<br />

surround eight sections of improvised music. Each of the<br />

improvised sections includes the reading of a poem which<br />

refers to the moon.<br />

13 minutes<br />

Short Symphony<br />

Wind b<strong>and</strong><br />

picc, 2 fl, 2 ob, ca, 2 cl, bcl, 3 sax, 2 bn, 3 hn, 4 tpt, 3<br />

tbn, euph, 2 tba, timp, 3 perc, pn<br />

Hire conductor’s score <strong>and</strong> parts 9780193860346<br />

Short Symphony takes the listener on a journey through<br />

four movements: Allegro - Adagio in One Phrase - Scherzo-<br />

Rag - Vivace. This piece was commissioned by the United<br />

States Air Force B<strong>and</strong>.<br />

13 minutes<br />

Strut<br />

Concert b<strong>and</strong><br />

picc, 2 fl, 2 ob, bn, 3 cl, bcl, cbcl (opt.), 2 asx, tsx, 3 tpt,<br />

4 hn, 2 tbn, btbn, euph, tba, db, perc.<br />

Hire conductor’s score <strong>and</strong> parts 9780193371286<br />

Commissioned to celebrate the centenary of the Music<br />

Department, St Olaf’s College, Northfield, MN, Strut draws<br />

on all meanings of the word so the b<strong>and</strong> can really ‘strut its<br />

stuff’.<br />

8 minutes<br />

String Orchestra<br />

String Symphony<br />

(Symphony No. 4)<br />

String orchestra<br />

Study score 9780193860834<br />

Hire conductor’s score <strong>and</strong> parts 9780193864344<br />

A celebration of orchestral strings in three strongly<br />

contrasting movements which showcase the lyrical,<br />

emotional, <strong>and</strong> diverse abilities of this core section of the<br />

orchestra.<br />

25 minutes<br />

40


Barn Dances<br />

Flute, clarinet, <strong>and</strong> piano<br />

Small Ensemble<br />

Score 9780193865785<br />

Barn Dances is a set of four abstract pieces drawing<br />

their titles from a particular dance step used in cowboy<br />

dances. Larsen’s idea was to take a flight of fancy in<br />

each movement <strong>and</strong> create the musical equivalent of a<br />

character drawing. This lively set encompasses various<br />

styles including hoedown jig, swing, <strong>and</strong> waltz.<br />

13 minutes<br />

Bid Call<br />

Alto saxophone <strong>and</strong> cello<br />

Score 9780193868427<br />

This is a piece about how auctioneers’ styles, pitches,<br />

timing, <strong>and</strong> complex rhythms merge to become what is<br />

their own ‘bid call’.<br />

9 minutes<br />

Black Birds, Red Hills<br />

B flat clarinet, viola, <strong>and</strong> piano<br />

Score <strong>and</strong> parts 9780193868311<br />

Black Birds, Red Hills is inspired by six Georgia O’Keeffe<br />

paintings, each exploring the flow of time <strong>and</strong> colour<br />

on her beloved red hills of New Mexico. This reflective<br />

portrayal is set in four movements, each focussing on a<br />

different aspect of perspective, beauty <strong>and</strong> meaning.<br />

9 minutes<br />

Blue Third Pieces<br />

Flute or B flat clarinet <strong>and</strong> guitar<br />

Score 9780193863002<br />

Blue Third Pieces is a homage to the interval of the third<br />

<strong>and</strong> its place in the blues. Including references to Ray<br />

Charles <strong>and</strong> using samples from Dizzy Gillespie <strong>and</strong> Kenny<br />

Clark’s 1945 jazz piece ‘Salt Peanuts’, a slow improvisatory<br />

movement is paired with a lively syncopated one. A stylish<br />

work for an interesting duo.<br />

6 minutes<br />

Brass Flight<br />

Brass choir - 2 trumpets, 4 horns, 3 trombones, <strong>and</strong><br />

2 tubas<br />

Score <strong>and</strong> parts on hire 9780193861268<br />

In this three movement work, Larsen imagined a large,<br />

graceful, brass butterfly. The movements ‘Glint’, ‘Glow’, <strong>and</strong><br />

‘Glide’ evoke particular aspects of this fantastical creature.<br />

The piece was commissioned for the inaugural concert of<br />

Monarch Brass.<br />

11 minutes<br />

Firebr<strong>and</strong><br />

Piccolo or flute, violin, cello, <strong>and</strong> piano<br />

Score <strong>and</strong> parts 9780193868465<br />

Larsen states that she chose the instruments for Firebr<strong>and</strong><br />

for their colour, combination, <strong>and</strong> agility. However, rather<br />

than a nonstop, wildly virtuosic affair that might be<br />

suggested from the title, it is in fact quite the opposite: the<br />

piece centres on the image of a flame moving outwards<br />

towards its turbulent <strong>and</strong> flickering edges. A refrain from<br />

June Carter Cash’s song ‘Ring of Fire’ is also interwoven<br />

throughout the piece, in homage to the famous songwriter<br />

who died whilst Larsen was composing the piece.<br />

4 minutes<br />

Four on the floor<br />

Violin, cello, double bass, <strong>and</strong> piano<br />

Full score <strong>and</strong> set of parts 9780193861305<br />

Hire score <strong>and</strong> parts on hire 9780193405103<br />

In the 1940s <strong>and</strong> 50s, ‘four on the floor’ referred to a high<br />

performance car with a four-speed gearbox <strong>and</strong> a gear<br />

change mounted on the floor. And that is the characteristic<br />

of this piece - fast, loud, wild, <strong>and</strong> attention-grabbing.<br />

5 minutes<br />

Slang<br />

B flat clarinet, violin, <strong>and</strong> piano<br />

Score <strong>and</strong> parts 9780193860360<br />

A one‐movement work in three sections for clarinet,<br />

violin, <strong>and</strong> piano. The title refers to the use of both jazz<br />

<strong>and</strong> boogie slang <strong>and</strong> twentieth-century ‘new music’ slang<br />

throughout the composition.<br />

13 minutes<br />

Libby Larsen<br />

41


Libby Larsen<br />

String Quartet: Schoenberg,<br />

Schenker, <strong>and</strong> Schillinger<br />

String quartet<br />

<strong>Instrumental</strong> parts on hire 9780193860292<br />

The work is based around the three theorists named above,<br />

who have dominated the thinking of aspiring composers.<br />

Each movement reflects Larsen’s belief in a shift from<br />

melody-dominated to rhythmically-defined texture over<br />

the course of the 20th century.<br />

20 minutes<br />

Trio<br />

Violin, cello, <strong>and</strong> piano<br />

Score <strong>and</strong> parts 9780193866959<br />

The piece is a fairly athletic work in three movements.<br />

The first <strong>and</strong> third are very rhythmic, fast, <strong>and</strong> hauntingly<br />

jazz-like in a style reminiscient of Miles Davis. The second<br />

movement is quite placid, free flowing, <strong>and</strong> very quiet.<br />

19 minutes<br />

Xibalba<br />

Bassoon <strong>and</strong> 2 percussion<br />

Hire score <strong>and</strong> parts 9780193859937<br />

Xibalba is a rhythm piece for bassoon <strong>and</strong> percussion<br />

named for the ancient city, the ruins of which are in the<br />

subterranean caves of the Yucatan Peninsula, Mexico.<br />

12 minutes<br />

Yellow Jersey<br />

Two clarinets or two alto saxophones<br />

Clarinet score 9780193868410<br />

Saxophone score 9780193397606<br />

Composed during the year between Lance Armstrong’s<br />

fifth <strong>and</strong> sixth victories in the Tour de France, Yellow<br />

Jersey is a short wind sprint, originally composed for two<br />

clarinets. The form of the piece follows how the sprint<br />

would go as the cyclist moves through the stages of the<br />

race.<br />

8 minutes<br />

42


Blessed be the tie that binds<br />

Organ<br />

Score 9780193864078<br />

Larsen’s fantasia on the familiar hymn-tune boasts richly<br />

atmospheric organ writing <strong>and</strong> is well-suited to weddings<br />

or services focussing on fellowship or reconciliation.<br />

3 minutes<br />

Concert piece for tuba <strong>and</strong><br />

piano<br />

Tuba <strong>and</strong> piano<br />

Score 9780193862913<br />

This excellent addition to the tuba repertoire allows this<br />

oft-neglected instrument to demonstrate its more versatile<br />

side. This piece explores a 3-octave range, allowing the<br />

tuba to combine fast-paced passages (even including<br />

fierce gliss<strong>and</strong>i) with lyrical contemplative melodies before<br />

returning to the exuberant tone of the opening.<br />

6 minutes<br />

Dancing Solo<br />

Clarinet<br />

Score 9780193859685<br />

Dancing Solo gives clarinettists an excellent chance to<br />

display their technical prowess in a widely varied, dramatic,<br />

<strong>and</strong> colourful context.<br />

25 minutes<br />

Fanfare for the <strong>Women</strong><br />

Trumpet in C<br />

Score 9780193860070<br />

The music is composed to create layers of tonality which<br />

overlap in space, especially in a vast space with a long<br />

acoustic decay.<br />

2.5 minutes<br />

Holy Roller<br />

Alto saxophone solo <strong>and</strong> piano or wind b<strong>and</strong><br />

Alto saxophone <strong>and</strong> piano 9780193861275<br />

Hire score <strong>and</strong> parts - wind b<strong>and</strong> 9780193863552<br />

Holy Roller is inspired by classical revival preaching <strong>and</strong><br />

the music seeks to represent the language: cajoling<br />

<strong>and</strong> incanting, with the intention of magnetizing <strong>and</strong><br />

mesmerizing the listener through the use of what Larsen<br />

describes as “musical masterpieces of rhythm, tempo <strong>and</strong><br />

extraordinary tension <strong>and</strong> release.’<br />

6 minutes<br />

Solo <strong>Instrumental</strong><br />

Mephisto Rag<br />

Piano<br />

Score 9780193865891<br />

Larsen derives a Joplinesque ragtime theme from one of<br />

the most familiar passages from Liszt’s Mephisto pieces<br />

<strong>and</strong> builds it into a gr<strong>and</strong> showpiece on the Romantic<br />

model for advanced pianists. It builds to a satisfyingly<br />

tempestuous climax.<br />

8 minutes<br />

On a day of bells<br />

Organ<br />

Score 9780193867864<br />

The piece is a fantasy memorializing the peals of the bells<br />

of Moscow square. Larsen writes, ‘I have loosely transcribed<br />

bell patterns from a field recording of Russian bells . . . the<br />

Communist persecution of the Russian Orthodox Church<br />

included the removal <strong>and</strong> destruction of Russian bells,<br />

many of which were melted down into ammunition.’<br />

8 minutes<br />

Penta Metrics: Five pieces for<br />

solo piano<br />

Piano<br />

Score 9780193869318<br />

Penta Metrics is a set of five short pieces for intermediatelevel<br />

pianists. The set is composed so that it can be<br />

played as a group of five works, or with pieces performed<br />

individually. Each piece is composed to highlight certain<br />

aspects of music <strong>and</strong> certain scales.<br />

8 minutes<br />

Prelude on ‘Veni creator spiritus’<br />

Organ<br />

Score 9780193864603<br />

Larsen’s flowing meditation on the ‘Veni creator’ tune<br />

was written as the Pentecost entry for a multi-composer<br />

anthology based on the liturgical year. It was given one<br />

of the highest rankings in a survey of pieces that most<br />

strongly moved listeners to prayer.<br />

2 minutes<br />

Viola Sonata<br />

Viola <strong>and</strong> piano<br />

Score 9780193865983<br />

Larsen’s beautiful piece is absolute music in a st<strong>and</strong>ard<br />

classical layout with an emphasis on long lyrical lines. A<br />

good piece for conservatory <strong>and</strong> university students.<br />

19 minutes<br />

Libby Larsen<br />

43


Jenny Mahler<br />

Come Alive<br />

SSA & piano, with optional melody instrument<br />

Vocal score 9780193561342<br />

Digital 9780193561397<br />

With lyrics by the composer, Come Alive explores the<br />

scientific notion that energy never dies, but instead<br />

transforms into or transfers to something new. The optional<br />

instrumental part may be played by any suitable melody<br />

instrument in C, including glockenspiel, xylophone, flute,<br />

<strong>and</strong> violin.<br />

4 minutes<br />

The Compass<br />

SA & piano<br />

Vocal score 9780193561359<br />

Digital 9780193561403<br />

The Compass uses evocative imagery to describe how<br />

feelings of being lost <strong>and</strong> adrift can be assuaged by<br />

journeying towards self-acceptance <strong>and</strong> positive change.<br />

A characterful four-note motif punctuates the piano<br />

part, which provides a steady rhythmic cushion for the<br />

stylistically syncopated <strong>and</strong> catchy melodic lines.<br />

4 minutes<br />

Snow is Silent<br />

SATB, body percussion & congas<br />

Vocal score 9780193544062<br />

Digital 9780193544079<br />

An energetic piece setting a text full of natural imagery.<br />

Mahler’s catchy melodies are combined with speech,<br />

body percussion, <strong>and</strong> congas to imitate the contrasting<br />

characteristics of rain. Dramatic <strong>and</strong> expressive - this is<br />

the perfect performance piece to get stuck into! Also<br />

published in Breath of Song.<br />

2.5 minutes<br />

- Jenny Mahler -<br />

<strong>Choral</strong> Secular<br />

The Tide<br />

SSA & piano<br />

Vocal score 9780193561366<br />

Digital 9780193561410<br />

In this captivating piece Mahler explores feelings of doubt<br />

<strong>and</strong> insecurity, employing the compelling metaphor of<br />

the tide <strong>and</strong> asking searching questions in a quest for<br />

existential meaning. Bewitching piano cascades <strong>and</strong> rolling<br />

broken chords accompany addictive melodies, with strong<br />

three-part harmonies in the chorus providing a supportive<br />

anchor to the more soloistic verses.<br />

2.5 minutes<br />

44


- Cecilia McDowall -<br />

b. 1951<br />

Cecilia McDowall<br />

Born in London, Cecilia McDowall has won many<br />

awards <strong>and</strong> been short-listed eight times for the<br />

British Composer Awards. In 2014, she won the <strong>Choral</strong><br />

category of the British Composer Awards for her<br />

haunting work, Night Flight (for SSATB <strong>and</strong> cello solo),<br />

which celebrates the pioneering flight of the American<br />

aviatrix, Harriet Quimby, across the English Channel.<br />

Cecilia is a signed composer with Oxford University<br />

Press <strong>and</strong> is currently Composer-in-Residence at<br />

Dulwich College, London. In 2013, she received an<br />

Honorary Doctorate in Music from the University of<br />

Portsmouth.<br />

Cecilia McDowall has a distinctive style which speaks<br />

directly to instrumentalists <strong>and</strong> singers as well as to<br />

listeners. Her most characteristic works fuse fluent<br />

melodic lines with occasional dissonant harmonies<br />

<strong>and</strong> rhythmic exuberance. Her music has been<br />

commissioned <strong>and</strong> performed by leading choirs,<br />

including the BBC Singers, Kansas City <strong>Choral</strong>e,<br />

the Choir of King’s College, Cambridge, <strong>and</strong> many<br />

instrumental <strong>and</strong> orchestral ensembles. Her music is<br />

performed, recorded, <strong>and</strong> broadcast worldwide.<br />

McDowall’s works are regularly broadcast on BBC<br />

Radio <strong>and</strong> readily available on CD <strong>and</strong> streaming<br />

platforms. Recent releases that feature her work<br />

include The Sixteen’s Song of the Nativity (Coro),<br />

Christmas with St John’s (Hyperion) by St John’s<br />

College Choir, Cambridge <strong>and</strong> Trinity College Choir<br />

Cambridge’s ‘Cecilia McDowall: Sacred <strong>Choral</strong> Music<br />

(Hyperion). Three Latin Motets were recorded by the<br />

renowned American choir, Phoenix <strong>Choral</strong>e; this<br />

Ch<strong>and</strong>os recording, Spotless Rose, won a Grammy<br />

award <strong>and</strong> was nominated for Best Classical Album.<br />

Recent significant commissions include Da Vinci<br />

Requiem (2019) for Wimbledon <strong>Choral</strong> Society, written<br />

to mark the 500th anniversary of Leonardo da Vinci’s<br />

death, <strong>and</strong> Everyday Wonders: The Girl from Aleppo<br />

(2018), commissioned by the National Children’s Choir<br />

of Great Britain. Everyday Wonders: The Girl from Aleppo<br />

tells the story of Kurdish teenager, Nujeen Mustafa’s<br />

incredible journey across Europe from war-torn Syria<br />

in a wheelchair, never giving into despair but affecting<br />

those around her with her never-ceasing spirit of<br />

optimism <strong>and</strong> wonder.<br />

In December 2020, McDowall was presented with the<br />

prestigious Ivor Novello Award for Outst<strong>and</strong>ing Works<br />

Collection.<br />

45


Cecilia McDowall<br />

Ave maris stella<br />

SATB <strong>and</strong> string orchestra or keyboard<br />

Vocal score 9780193359499<br />

Conductor’s score <strong>and</strong> parts on hire 9780193362277<br />

Vocal score on hire 9780193376748<br />

This beautiful <strong>and</strong> moving piece in seven sections<br />

combines text from the Ave maris stella antiphon <strong>and</strong><br />

Psalms 26 <strong>and</strong> 106. Starting <strong>and</strong> finishing in a mood of<br />

peace <strong>and</strong> certainty, the work is structured around a<br />

turbulent middle section anticipating the gathering storm.<br />

12 minutes<br />

Da Vinci Requiem<br />

Soprano solo, baritone solo, SATB, <strong>and</strong> orchestra<br />

Vocal score 9780193519022<br />

Conductor’s score <strong>and</strong> parts on hire 9780193528697<br />

Vocal score on hire 9780193530195<br />

This significant seven-movement work from Cecilia<br />

McDowall presents an imaginative pairing of extracts<br />

from The Notebooks of Leonardo da Vinci with texts from<br />

the Latin Missa pro defunctis. Da Vinci’s reflective <strong>and</strong><br />

penetrating insights into the nature of mortality <strong>and</strong> all<br />

that it encompasses cast new light on the familiar Requiem<br />

texts, <strong>and</strong> McDowall employs her orchestral forces to create<br />

a rich, atmospheric backdrop to the profound narrative<br />

presented by the chorus <strong>and</strong> soprano <strong>and</strong> baritone soloists.<br />

Dark, sonorous writing precedes an energetic ‘Sanctus’,<br />

<strong>and</strong> the closing bars of the luminous ‘Lux aeterna’ create a<br />

powerful allusion to da Vinci’s concept of ‘The Perspective<br />

of Disappearance’.<br />

35 minutes<br />

Magnificat<br />

SATB, soprano solo, mezzo-soprano solo, <strong>and</strong><br />

chamber orchestra or piano<br />

2 ob (I+ca), bn, str<br />

Vocal score 9780193359482<br />

Conductor’s score <strong>and</strong> parts on hire 9780193364820<br />

Vocal score on hire 9780193376786<br />

McDowall has skilfully united luscious harmonies with<br />

fresh melodies <strong>and</strong> crisp rhythms in this vibrant work.<br />

Divided into six movements, Magnificat is ideal for SATB<br />

choirs seeking fresh <strong>and</strong> inspiring new sacred repertoire<br />

suitable for concert use.<br />

28 minutes<br />

<strong>Choral</strong> Works Sacred<br />

Missa Mariae<br />

SSA <strong>and</strong> organ<br />

Vocal score 9780193417540<br />

Digital 9780193537200<br />

This concise Latin mass setting is entirely suitable for<br />

liturgical use, but the sharply delineated characters of the<br />

different movements make it also an appealing concert<br />

work. The organ part is supportive, but full of interest <strong>and</strong><br />

not merely accompanimental. Particularly memorable are<br />

the Gloria, with its constantly shifting time-signatures, <strong>and</strong><br />

the haunting Agnus Dei.<br />

11 minutes<br />

Some corner of a foreign field<br />

Tenor solo, SATB (with divisions), strings, <strong>and</strong><br />

harp<br />

Vocal score 9780193404540<br />

Conductor’s score <strong>and</strong> parts on hire 9780193404526<br />

Vocal material on hire 9780193411517<br />

Written as part of McDowall’s tenure as composer in<br />

residence at Dulwich College, Some corner of a foreign field<br />

was commissioned to mark the centenary of the First World<br />

War. A profoundly moving cantata, it draws on biblical texts<br />

associated with the acclaimed pupil of Dulwich College,<br />

Sir Ernest Shackleton, his 1916 Antarctic Expedition,<br />

<strong>and</strong> Rupert Brooke. This beautiful work, with its lustrous<br />

harmonies <strong>and</strong> its poignant tenor solo, offers choirs an<br />

immensely rewarding experience.<br />

18 minutes<br />

Stabat Mater<br />

Baritone solo, SATB, children’s choir or semi-chorus,<br />

<strong>and</strong> small orchestra or keyboard<br />

fl, cl, bn, 2 hn, hp, str<br />

Vocal score 9780193400498<br />

Conductor’s score <strong>and</strong> parts on hire 9780193401501<br />

Vocal score on hire 9780193401518<br />

McDowall’s setting of the Stabat Mater comprises seven<br />

movements in a symmetrical structure. A plaintive<br />

meditation on the sorrows of the Virgin Mary as she st<strong>and</strong>s<br />

by the Cross, McDowall’s Stabat Mater is a sophisticated<br />

modern alternative to more well-known settings.<br />

30 minutes<br />

46


<strong>Choral</strong> Leaflets/Octavos Sacred<br />

Adoro te devote<br />

SSATB unaccompanied<br />

Vocal score 9780193408272<br />

Setting part of a Eucharistic hymn text by Thomas<br />

Aquinas, this piece is flowing <strong>and</strong> expressive. It features<br />

homophonic sections, melismatic lines, <strong>and</strong> optional<br />

soaring soprano solos. Adoro te devote is dedicated to the<br />

memory of the victims of the Nepalese Earthquake in 2015.<br />

4 minutes<br />

Alma Redemptoris Mater<br />

SSATBB unaccompanied<br />

Vocal score 9780193378339<br />

This is a beautiful six-part unaccompanied Marian motet<br />

written for the Marian Consort. The work combines<br />

reminiscences of Renaissance settings of this text with<br />

McDowall’s distinctive contemporary voice.<br />

4.5 minutes<br />

Aurea luce<br />

SATB (with divisions) <strong>and</strong> organ<br />

Vocal score 9780193378063<br />

Commissioned <strong>and</strong> first performed by the choir of<br />

Liverpool Cathedral, this anthem is ideal for use during<br />

the Feast of Saints Peter <strong>and</strong> Paul. The choral lines move<br />

between sonorous homophonic writing <strong>and</strong> vibrant<br />

imitative passages, <strong>and</strong> are underpinned by a repeated<br />

quaver motif in the organ, combining a sense of joy with<br />

moments of reflection.<br />

4.5 minutes<br />

Ave Maria<br />

SSA unaccompanied<br />

Vocal score 9780193355569<br />

Digital 9780193535770<br />

This is the second <strong>and</strong> most intimate of the composer’s<br />

Three Latin Motets. Scored for upper voices, this gentle<br />

supplication to the Virgin is built on a plainchant opening,<br />

<strong>and</strong> contains expressive dissonances <strong>and</strong> suspensions in a<br />

setting of great purity <strong>and</strong> directness.<br />

2 minutes<br />

Cecilia McDowall<br />

Ash Wednesday<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193524200<br />

Digital 9780193538528<br />

Ash Wednesday sets typically fervent verses by Christina<br />

Rossetti. The vocal lines are mostly simple <strong>and</strong> affecting,<br />

with some highly individual harmonies, while the organ<br />

part is by turns expressive <strong>and</strong> showy.<br />

5 minutes<br />

Ave Regina<br />

SSATB unaccompanied<br />

Vocal score 9780193355576<br />

The first of Three Latin Motets, ‘Ave Regina’ is a gentle <strong>and</strong><br />

lyrical setting of the text ‘Hail, Queen of the Heavens’.<br />

The calm <strong>and</strong> memorable opening phrase is hinted at in<br />

passages of more intensity, <strong>and</strong> its partial statement at the<br />

end leaves it lingering after the voices have faded away.<br />

2 minutes<br />

Bless to me this day<br />

SSA or SATB <strong>and</strong> piano or organ<br />

SSA Vocal score 9780193386211<br />

SSA Digital 9780193535879<br />

SATB Digital † 9780193545434<br />

Bless to me this day is a tranquil setting of ‘The Journey<br />

Prayer’ from the Celtic compendium Carmina Gadelica.<br />

The sense of prescient optimism is captured in the flowing<br />

piano part, while the simplicity of the vocal lines enables<br />

the text to be imparted with warmth <strong>and</strong> sincerity.<br />

4 minutes<br />

47


Cecilia McDowall<br />

C<strong>and</strong>lemas<br />

SSATB <strong>and</strong> organ<br />

Vocal score 9780193396982<br />

McDowall’s C<strong>and</strong>lemas is a celebratory <strong>and</strong> powerful piece.<br />

Making use of choral divisions <strong>and</strong> suspensions, <strong>and</strong> a<br />

dynamic organ part, this setting of Denise Levertov’s text is<br />

reverent, yet joyous, <strong>and</strong> is ideal for a liturgical setting.<br />

5 minutes<br />

Cecilia, Busy Like a Bee<br />

Soprano solo <strong>and</strong> SSATB unaccompanied<br />

Vocal score 9780193413757<br />

Cecilia, Busy Like a Bee is a reflective <strong>and</strong> reverential setting<br />

of a text adapted from the Divine Office for St Cecilia’s Day.<br />

The influence of plainchant is particularly apparent in the<br />

soprano solo, <strong>and</strong> McDowall intersperses effective imitative<br />

passages amidst homophonic writing with rich harmonies.<br />

5.5 minutes<br />

Celestial Fire<br />

SSATB <strong>and</strong> organ<br />

Vocal score 9780193396999<br />

The hymn ‘Come, Holy Ghost’ lies at the heart of Celestial<br />

Fire. Here, McDowall has woven the exquisite poetry of<br />

Denise Levertov into this expressive <strong>and</strong> uplifting piece.<br />

At times quietly meditative, Celestial Fire unfolds to a most<br />

joyous, affirmative conclusion.<br />

4 minutes<br />

De Profundis (Night Raid)<br />

SSATB <strong>and</strong> organ<br />

Vocal score 9780193522954<br />

Digital 9780193538375<br />

This atmospheric anthem commemorates the First World<br />

War. It sets a stark English text by Dr Joseph Spence<br />

alongside Latin text from Psalm 130, with the words ‘In<br />

memoriam’ added. The lower parts sing Spence’s English<br />

text, conveying the relentless hardship of life in the<br />

trenches with declamatory <strong>and</strong> constantly developing<br />

vocal lines. The sopranos, meanwhile, repeat the Latin<br />

words from Psalm 130, providing a striking contrast in their<br />

constancy <strong>and</strong> otherworldliness.<br />

5.5 minutes<br />

Deus, portus pacis<br />

SSATB unaccompanied<br />

Vocal score 9780193368347<br />

This anthem sets a medieval English poem to<br />

contemplative music with all the hallmarks of McDowall’s<br />

style: expressive melismas, well-placed astringent<br />

harmonies, <strong>and</strong> a strong modal feel.<br />

5.5 minutes<br />

Easter Light<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193415713<br />

Digital 9780193537095<br />

With a newly written text by Angier Brock, this compelling<br />

anthem is a welcome addition to the traditional Easter<br />

repertoire. Easter Light explores a variety of styles <strong>and</strong><br />

colours, from organ solos suggestive of the song of the<br />

Eastern meadowlark to a meditative section in the manner<br />

of plainchant.<br />

4.5 minutes<br />

A Gaelic Blessing<br />

SSATB unaccompanied<br />

Vocal score 9780193564831<br />

This meditative, folk-style anthem is given a Scottish lilt<br />

through the use of Scotch snap rhythms <strong>and</strong> held dronelike<br />

vocal lines. McDowall chose to set this traditional<br />

Scottish Gaelic Blessing for the ‘warmth <strong>and</strong> simplicity’ of<br />

the words that seem to ‘resonate with the times in which<br />

we live’.<br />

3 minutes<br />

God be with us<br />

SATB unaccompanied<br />

Vocal score 9780193543904<br />

Digital 9780193543928<br />

This uplifting anthem sets the Invocation text from<br />

Carmina Gadelica. McDowall’s beautiful melodies flow <strong>and</strong><br />

intertwine, decorated by scotch snaps that reflect the text’s<br />

origin. Suitable for services or concerts. Also published in<br />

Breath of Song.<br />

2.5 minutes<br />

48


God is Light<br />

SSATB unaccompanied<br />

Vocal score 9780193415652<br />

God is Light sets lines from Psalm 139, 1 Thessalonians,<br />

<strong>and</strong> 1 John. It moves from an unsettled tonality at the<br />

beginning, through anguished false relations <strong>and</strong> wistful<br />

expressivity, to find triumphant resolution in a blazing A<br />

major at the end. Like all of McDowall’s music, it is well<br />

crafted <strong>and</strong> singable.<br />

5 minutes<br />

I know that my redeemer liveth<br />

SSA(A)TB unaccompanied<br />

Vocal score 9780193417557<br />

Digital 9780193537217<br />

This attractive motet was written for performance<br />

alongside Brahms’s Requiem, following the precedent of<br />

H<strong>and</strong>el’s famous setting of the same text being sung at the<br />

premiere of the Requiem in 1868. The gracefully sculpted<br />

music clothes the text with touching melodies, expressive<br />

harmonies, <strong>and</strong> varied sonorities.<br />

4.5 minutes<br />

I obey thee, O Lord (Lacrimosa)<br />

SATB (with divisions) <strong>and</strong> piano or organ<br />

Vocal score 9780193529052<br />

Digital 9780193531673<br />

The third movement of McDowall’s powerful Da Vinci<br />

Requiem, ‘I obey thee, O Lord’ is a compelling pairing of the<br />

‘Lacrimosa’ text from the Latin Missa pro defunctis with<br />

extracts from The Notebooks of Leonardo da Vinci, <strong>and</strong> has<br />

a poignant, tender simplicity. The composer has reworked<br />

the keyboard part from the parent work to facilitate<br />

performance by piano or organ.<br />

4.5 minutes<br />

Jesu, the very thought of thee<br />

SSAATTBB <strong>and</strong> organ<br />

Vocal score 9780193378346<br />

This poignant anthem was originally composed to be sung<br />

at a funeral. It is a beautifully composed work, sufficiently<br />

sombre for such an occasion, but with a celebratory<br />

element that is uplifting <strong>and</strong> comforting.<br />

8.5 minutes<br />

Light Eternal<br />

SSATB, organ, <strong>and</strong> opt. tubular bell or h<strong>and</strong>bell<br />

Vocal score 9780193394698<br />

Light Eternal brings together the liturgical text for<br />

Remembrance, Lux Aeterna, <strong>and</strong> the evocative poetry<br />

of Denise Levertov. Commissioned as part of a trilogy,<br />

Light Eternal has a haunting <strong>and</strong> exotic quality, the music<br />

beautifully illustrating the sense of the texts. Suitable<br />

for Remembrance <strong>and</strong> other occasions of solemn<br />

commemoration.<br />

4 minutes<br />

The Lord is Good<br />

Two soprano soloists <strong>and</strong> SATB (with divisions)<br />

unaccompanied<br />

Vocal score 9780193382657<br />

This engagingly written piece sets the Lamentations of<br />

Jeremiah. The overlapping passages of music passed<br />

between the soloists <strong>and</strong> the choir create a dramatic effect,<br />

whilst the harmonic language gives the music a sense of<br />

regret.<br />

5 minutes<br />

Love Incorruptible<br />

SSATB unaccompanied<br />

Vocal score 9780193524194<br />

Digital 9780193538511<br />

Love Incorruptible sets words from Ephesians that explore<br />

the themes of love <strong>and</strong> kindness. The anthem begins with<br />

the directive ‘Let all bitterness <strong>and</strong> wrath <strong>and</strong> anger be<br />

put away, awake!’, set in a way that engenders a mood of<br />

reflection <strong>and</strong> hopefulness. The tender central section is<br />

built around the words ‘Be kind, tender-hearted, one to<br />

another’, while the closing section presents a compelling<br />

contrast of emphatic ‘awake!’ declarations in the upper<br />

voices <strong>and</strong> punchily rhythmic repetitions of the titular<br />

words in the lower voices.<br />

4 minutes<br />

Cecilia McDowall<br />

49


Cecilia McDowall<br />

The Loving Memory<br />

SATB (with divisions) <strong>and</strong> organ<br />

Vocal score 9780193514461<br />

This joyous, upbeat anthem sets a compelling poem by<br />

contemporary poet Seán Street in response to a text by<br />

sixteenth-century Bishop of Norwich John Parkhurst<br />

on the subject of ‘alma mater’. The text encourages us<br />

to appreciate the past, our education, <strong>and</strong> where it can<br />

lead, reflecting on the profound ties we can form to a<br />

time or a place. The bright, driving organ part, with solo<br />

interjections, is juxtaposed with sustained vocal writing<br />

<strong>and</strong> its rich, lush harmonies.<br />

4 minutes<br />

O sing unto the Lord<br />

SATB (with divisions) <strong>and</strong> organ<br />

Vocal score 9780193410794<br />

Digital 9780193536753<br />

This joyful setting of Psalm 98 is a bright <strong>and</strong> celebratory<br />

anthem of praise. The intricate organ writing offsets<br />

emphatic statements from the choir full of melodic<br />

<strong>and</strong> harmonic interest while grounded in assertive<br />

homorhythm.<br />

4 minutes<br />

A Prayer of St Columba<br />

SATB or SABar <strong>and</strong> organ or piano<br />

SATB Vocal score 9780193533844<br />

SATB Digital 9780193533851<br />

SABar Vocal score 9780193519053<br />

SABar Digital 9780193531222<br />

A Prayer of St Columba is an expressive <strong>and</strong> emotive<br />

anthem with appealing, arching melodies underpinned by<br />

a sparkling organ part.<br />

3.5 minutes<br />

A Prayer to St John the Baptist<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193527836<br />

Digital 9780193531529<br />

A Prayer to St John the Baptist sets an artfully crafted text<br />

that combines Guido d’Arezzo’s Ut queant laxis (itself a<br />

Hymn to John the Baptist, as well as a medieval musicteaching<br />

mnemonic) with Thomas Merton’s poem on<br />

the same subject. The organ’s flowing quavers represent<br />

Merton’s baptismal ‘rivers of water’, while the largely<br />

octatonic melodies conjure a tellingly mysterious<br />

atmosphere.<br />

4 minutes<br />

Preces <strong>and</strong> Responses<br />

SATB unaccompanied<br />

Vocal score 9780193381483<br />

This set of Preces <strong>and</strong> Responses was commissioned by the<br />

London Festival of Contemporary Church Music for their<br />

2010 festival. The work is uplifting, beautifully crafted, <strong>and</strong><br />

perfect for those seeking new material for the liturgy.<br />

6 minutes<br />

Psalm 65<br />

Soprano solo, SATB, organ or keyboard, <strong>and</strong> opt.<br />

trumpet<br />

Vocal score 9780193400948<br />

Trumpet part 9780193412538<br />

This joyful <strong>and</strong> richly expressive choral cantata is a setting<br />

of what is often thought of as a Thanksgiving psalm or<br />

a psalm in praise of Harvest time. From its atmospheric<br />

opening through to its upbeat ending, the work contrasts<br />

driving rhythms with quietly reflective passages for<br />

soprano solo. Performable with or without trumpet, Psalm<br />

65 is a vibrant concert work <strong>and</strong> a great joy to sing.<br />

12 minutes<br />

Regina Caeli<br />

SSAA or SATB unaccompanied<br />

SSAA vocal score 9780193400955<br />

SATB vocal score 9780193439221<br />

SATB Digital 9780193537941<br />

This hymn to the ‘Queen of the Heavens’ is a glorious work,<br />

replete with dramatic changes of mood <strong>and</strong> texture. The<br />

majestic chords of the opening bars quickly give way to<br />

a spirited exchange between the voices. This pattern of<br />

contrasts is repeated throughout the piece before the<br />

final jubilant chords fade away to pianissimo. This is an<br />

approachable <strong>and</strong> rewarding motet, appropriate for any<br />

time of the year <strong>and</strong>, in particular, the Feast of the Blessed<br />

Virgin Mary <strong>and</strong> Eastertide.<br />

3 minutes<br />

Rise heart; thy Lord is risen<br />

SSATB unaccompanied<br />

Vocal score 9780193532694<br />

Digital 9780193532700<br />

This expressive, proclamatory setting of verses from<br />

George Herbert’s ‘Easter’ features eminently singable vocal<br />

lines, antiphonal writing, <strong>and</strong> imaginative word-painting.<br />

4 minutes<br />

50


St<strong>and</strong>ing as I do before God<br />

Soprano solo <strong>and</strong> SATB unaccompanied<br />

Vocal score 9780193407626<br />

Setting a text spoken by Nurse Edith Cavell on the eve of<br />

her execution in 1915 <strong>and</strong> re-fashioned by the poet Seán<br />

Street, McDowall has created a work of haunting beauty<br />

full of gently lamenting harmonies. The sombre subject<br />

matter makes the piece equally suitable for funerals <strong>and</strong><br />

Remembrance Day celebrations.<br />

7 minutes<br />

Vita Mundo<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193402850<br />

A setting of Psalm 127 (Unless the Lord builds the house),<br />

this compelling anthem possesses a luminescent quality<br />

supported by radiant harmonic textures. It is framed by<br />

Latin text taken from the Saxon stone cross at St Paul’s,<br />

Jarrow, associated with St Bede, <strong>and</strong> set in quasi-plainchant<br />

fashion. Psalm 127 is one of the Psalms of Ascent, often<br />

occurring throughout the liturgical calendar. With an<br />

elegant simplicity, Vita Mundo is uplifting <strong>and</strong> rewarding to<br />

sing.<br />

5 minutes<br />

Cecilia McDowall<br />

51


Cecilia McDowall<br />

Everyday Wonders: The Girl from<br />

Aleppo<br />

SSAA or upper voices <strong>and</strong> SATB, solo violin, <strong>and</strong><br />

piano<br />

Upper voices <strong>and</strong> SATB vocal score 9780193522589<br />

SSAA vocal score 9780193533868<br />

Violin part 9780193524842<br />

Everyday Wonders: The Girl from Aleppo tells the<br />

extraordinary story of Nujeen Mustafa, a Kurdish teenager<br />

with cerebral palsy forced by war to flee her home <strong>and</strong><br />

embark on an arduous journey to Europe with her sister.<br />

In this five-movement cantata Nujeen’s story—recounted<br />

in her biography ‘The Girl from Aleppo’ (co-authored by<br />

Christina Lamb)—is retold by Kevin Crossley-Holl<strong>and</strong> <strong>and</strong><br />

richly scored by Cecilia McDowall. A wealth of musical<br />

effects are employed to capture the narrative, including<br />

chorales, rhythmic spoken sections, body percussion, <strong>and</strong><br />

a solo violin part infused with Middle Eastern flavours. The<br />

prevailing mood of Nujeen’s story is embodied by the final<br />

line of a chorale that bookends this unique concert work:<br />

‘singing the song of life itself.’<br />

18 minutes<br />

A Fancy of Folksongs<br />

SATB <strong>and</strong> harp or piano<br />

Vocal score 9780193368767<br />

Harp part 9780193368750<br />

Hire vocal scores 9780193376779<br />

Harp part on hire 9780193376762<br />

This delightful work brings together arrangements of four<br />

well-loved folksongs: ‘Green Bushes’, ‘The Rambling Sailor’,<br />

‘The Crystal Spring’, <strong>and</strong> ‘O, No John!’. A joyful celebration<br />

of youthful love <strong>and</strong> courtship, it bears all the hallmarks of<br />

McDowall’s appealing <strong>and</strong> popular style: rhythmic vitality,<br />

occasional astringent harmonies, <strong>and</strong> strong melodies,<br />

creating a distinctive <strong>and</strong> fresh sound.<br />

11 minutes<br />

Night Flight<br />

SSATB <strong>and</strong> cello<br />

Vocal score 9780193408227<br />

Cello part 9780193408210<br />

Night Flight was written to mark the centenary of Harriet<br />

Quimby’s pioneering flight across the English channel.<br />

Setting texts by Sheila Bryer on the powers of the sea,<br />

earth, <strong>and</strong> air, McDowall uses vocal clusters <strong>and</strong> haunting<br />

solo cello lines to highlight the sense of fear, awe, <strong>and</strong><br />

majesty experienced by an individual pitted against the<br />

elements.<br />

13 minutes<br />

<strong>Choral</strong> Works Secular<br />

Shipping Forecast<br />

SSATB <strong>and</strong> piano or string orchestra<br />

Vocal score 9780193379725<br />

Hire conductor’s score <strong>and</strong> parts 9780193386877<br />

Shipping Forecast is in three movements: ‘Donegal’, ‘They<br />

that go down to the sea in ships’, <strong>and</strong> ‘Naming’. The first<br />

<strong>and</strong> last movements are settings of poems by the poet,<br />

broadcaster, <strong>and</strong> academic, Seán Street. In ‘Donegal’,<br />

snatches of the shipping forecast are woven into the<br />

atmospheric texture of the poem. The second movement<br />

is a setting of the Psalm 107: 23-26 | 28-29. Energetic, in<br />

perpetual motion, <strong>and</strong> rhythmic, ‘Naming’ drives the whole<br />

work to an upbeat finish.<br />

13 minutes<br />

A Time for all Seasons<br />

Soprano solo, upper voices, SSATB, piano,<br />

<strong>and</strong> opt. percussion<br />

Vocal score 9780193411487<br />

An evocative cantata that explores the complexities of the<br />

human condition. The well-known ‘To every thing there is a<br />

season’ text from Ecclesiastes is interwoven with a modernday<br />

reworking of verses by poet Kevin Crossley-Holl<strong>and</strong>.<br />

McDowall’s impressive range of musical styles, effective<br />

antiphonal writing, <strong>and</strong> juxtaposition of textures create a<br />

meaningful experience for the listener. The part for upper<br />

voices may also be sung by a children’s choir.<br />

18 minutes<br />

When time is broke<br />

Three Shakespeare Songs<br />

SSAA or SSATB unaccompanied<br />

SSAA vocal score 9780193413740<br />

SSATB vocal score 9780193408241<br />

Cecilia McDowall’s fresh <strong>and</strong> appealing style is amply<br />

displayed in this cycle, subtitled ‘Three Shakespeare Songs’.<br />

In total, six Shakespeare texts are used, <strong>and</strong> McDowall’s<br />

response encompasses a fleet-footed impression of<br />

Scottish fiddle music, a gorgeously plangent slow<br />

movement, <strong>and</strong> a helter-skelter finale that broadens to a<br />

mysteriously pitchless ending.<br />

11 minutes<br />

52


<strong>Choral</strong> Leaflets/Octavos Secular<br />

As Each Leaf Dances<br />

Soprano solo, SSATB, <strong>and</strong> organ<br />

Vocal score 9780193517868<br />

As Each Leaf Dances is a setting of a powerful text by Kevin<br />

Crossley-Holl<strong>and</strong> about the cruelty of child abuse being<br />

overcome by love <strong>and</strong> kindness. Reflecting this, the first<br />

section features a relentless organ part, jagged vocal lines,<br />

<strong>and</strong> dissonant harmonies, before giving way to a jaunty,<br />

dancing, <strong>and</strong> uplifting second section.<br />

6 minutes<br />

Be not afeard<br />

SSATB unaccompanied<br />

Vocal score 9780193525627<br />

Digital 9780193538665<br />

An atmospheric <strong>and</strong> expressive setting of Caliban’s dream<br />

from Shakespeare’s The Tempest, this piece transports<br />

the listener to a mysterious, dream-like place. McDowall<br />

effectively employs melismas <strong>and</strong> ornaments to create<br />

a sense of the other-worldly, <strong>and</strong> her rich, immersive<br />

harmonies perfectly characterize the reverie Shakespeare’s<br />

protagonist describes.<br />

3 minutes<br />

Come Home, Little Sister<br />

SSAA <strong>and</strong> piano<br />

Vocal score 9780193518216<br />

Digital 9780193537453<br />

This delicate, spring-like poem, by poet Kevin Crossley-<br />

Holl<strong>and</strong>, is an affectionate salutation to a newborn<br />

babe. The poet tells that the parents couldn’t decide on<br />

a name for their baby, <strong>and</strong> that instead of imposing an<br />

inappropriate name on her, they will welcome her into the<br />

garden of the world <strong>and</strong> wait for her to ‘declare’ herself.<br />

After a hushed introduction of whispered welcomes, the<br />

voices burst into a dance-like song in celebration of the<br />

new arrival’s homecoming.<br />

5.5 minutes<br />

Drink the Sky<br />

SA, piano, <strong>and</strong> percussion<br />

Vocal score 9780193393516<br />

Digital 9780193536135<br />

This is an uplifting <strong>and</strong> expressive setting of a fun,<br />

descriptive text by Christie Dickason that characterizes<br />

the sky in an imaginative way. The compelling melodies<br />

are underpinned by a dynamic piano part, often featuring<br />

rippling quavers, <strong>and</strong> characterful interjections from the<br />

glockenspiel <strong>and</strong> suspended cymbal complement the<br />

narrative.<br />

4.5 minutes<br />

Joy <strong>and</strong> Woe are woven fine<br />

SSATB unaccompanied<br />

Vocal score 9780193385504<br />

This poignant anthem, with text by William Blake, was<br />

originally composed to be sung at a funeral. It is a<br />

beautifully composed work, sufficiently sombre for such an<br />

occasion, but with a celebratory element which is uplifting<br />

<strong>and</strong> comforting.<br />

2.5 minutes<br />

Love’s Philosophy<br />

SSATB unaccompanied<br />

Vocal score 9780193407855<br />

Setting a well-known poem by Percy Shelley, Love’s<br />

Philosophy is a sweet <strong>and</strong> tender choral song reflecting<br />

on the idea of love with reference to nature <strong>and</strong> the<br />

interdependent relationships evident in the world around<br />

us. Mellifluous choral writing <strong>and</strong> sighing ‘ah’ interjections<br />

convey the sometimes wistful feel of Shelley’s words, <strong>and</strong><br />

numerous repetitions of ‘thou’ at the end of the piece<br />

emphasize the theme of unrequited or lost love.<br />

Cecilia McDowall<br />

53


Cecilia McDowall<br />

Now is the Time<br />

SATB or SSA <strong>and</strong> piano<br />

SATB Vocal score 9780193512603<br />

SATB Digital 9780193544581<br />

SSA Digital † 9780193545441<br />

Written for the 2016 ‘Requiem to Cancer’ event at St Paul’s<br />

Church, Covent Garden, Now is the Time sets hopeful <strong>and</strong><br />

inspirational words by Marie Curie. McDowall’s setting is<br />

optimistic <strong>and</strong> appealing, with charming interplay between<br />

the voices <strong>and</strong> piano.<br />

3.5 minutes<br />

On the Air (Dear Vaccine)<br />

SSATB unaccompanied<br />

Vocal score 9780193563278<br />

On the Air (Dear Vaccine) discusses the optimism for a<br />

post-COVID world <strong>and</strong>, particularly, the desire to sing<br />

together again.<br />

6 minutes<br />

Photo 51<br />

SSATB unaccompanied<br />

Vocal score 9780193543621<br />

Digital 9780193549067<br />

Composed for International <strong>Women</strong>’s Day, this<br />

mesmerising piece celebrates the centennary of Rosalind<br />

Franklin <strong>and</strong> sets her own words with additional text<br />

by the poet Seán Street. McDowall’s tribute to this<br />

underappreciated chemist <strong>and</strong> crystallographer combines<br />

intricate, intertwining melodies with ethereal harmonies<br />

beautifully capturing Franklin’s part in the discovery of the<br />

double helix structure.<br />

4 minutes<br />

A red, red rose<br />

Soprano solo <strong>and</strong> SSATB<br />

Vocal score 9780193400917<br />

Written for the wedding of the composer’s niece in 2012,<br />

this piece affectionately sets a poem of the same title<br />

by Robert Burns. It was first performed by Chantage in<br />

London’s Church of Scotl<strong>and</strong>, St Columba’s, conducted by<br />

James Davey. With something intrinsically Scottish about<br />

it, this setting of the well-loved poem, although written<br />

specifically for a wedding, would suit almost any occasion.<br />

5 minutes<br />

Sigh no more, ladies<br />

SATB <strong>and</strong> piano<br />

Digital † 9780193545427<br />

To mark the four hundredth anniversary of the death of<br />

William Shakespeare, the anthology Shall I compare thee?<br />

features ten Shakespeare settings by Oxford composers.<br />

This piece by Cecilia McDowall sets the famous text from<br />

Much Ado About Nothing <strong>and</strong> is available separately in<br />

digital format only.<br />

3 minutes<br />

Would Like To Meet<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193402607<br />

Digital 9780193535947<br />

Would Like To Meet is taken from a suite of three pieces<br />

by Cecilia McDowall called Lonely Hearts, composed in<br />

2005. The whimsical text by Christie Dickason is a lonely<br />

hearts column written from the perspective of various<br />

animals <strong>and</strong> plants, <strong>and</strong> this imaginative theme is perfectly<br />

complemented by McDowall’s spirited <strong>and</strong> fun setting. The<br />

mood is light <strong>and</strong> energetic, the piano part characterful,<br />

<strong>and</strong> the accessible <strong>and</strong> appealing vocal lines feature<br />

interspersions of scat writing.<br />

2.5 minutes<br />

54


Advent & Christmas Works<br />

Christus Natus Est<br />

Soprano solo, SATB, children’s choir, <strong>and</strong> piano/<br />

organ/chamber orchestra/brass<br />

Vocal score 9780193358935<br />

Hire score <strong>and</strong> parts - brass quintet 9780193359178<br />

Hire score <strong>and</strong> parts - chamber version 9780193359185<br />

Hire vocal scores 9780193376755<br />

This Christmas cantata presents a sequence of five carols.<br />

McDowall gives the familiar melodies a colourful, new<br />

harmonic treatment, <strong>and</strong> the arrangements range in<br />

atmosphere from tenderness to joyful exaltation.<br />

Personent Hodie • Entre le boeuf • Gaudete • Infant holy,<br />

infant lowly • Angelus ad virginem<br />

15 minutes<br />

A Winter’s Night<br />

SATB, brass quintet, organ, <strong>and</strong> percussion<br />

Vocal score 9780193403680<br />

Hire conductor’s score <strong>and</strong> parts 9780193403697<br />

Hire vocal scores 9780193411647<br />

This engaging fifteen-minute cantata combines several<br />

popular carols to create a performance full of Christmas<br />

spirit. Through creative re-harmonization, rhythmic<br />

variation, <strong>and</strong> imaginative linking passages, McDowall<br />

creates a joyful atmosphere, with both familiar <strong>and</strong><br />

surprising material.<br />

15 minutes<br />

Cecilia McDowall<br />

55


Cecilia McDowall<br />

Advent Moon<br />

SATB, organ, <strong>and</strong> opt. h<strong>and</strong>bells<br />

Vocal score 9780193403406<br />

Through luminous choral harmonies, images of a winter<br />

night, <strong>and</strong> echoes of scripture, Advent Moon evokes deep<br />

human longing as well as the promise of the coming of<br />

light. The delicate organ accompaniment <strong>and</strong> optional<br />

h<strong>and</strong>bells underscore both the haunting opening <strong>and</strong> the<br />

radiant conclusion of this piece.<br />

4 minutes<br />

Annunciation<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193519770<br />

Digital 9780193537866<br />

Annunciation is an expressive <strong>and</strong> expansive Advent<br />

carol based on words from John Donne’s Holy Sonnets.<br />

McDowall creates a captivating atmosphere as the voices<br />

explore a soundworld that is mystical, reflective, <strong>and</strong><br />

bright. The sensitive part-writing <strong>and</strong> accessible vocal lines<br />

will enable choirs of all types to profess the carol’s message<br />

of ‘salvation to all’.<br />

4 minutes<br />

Before the paling of the stars<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193396951<br />

This tender carol sets an affecting text by Christina Rossetti<br />

that tells the story of Jesus’s birth. In classic McDowall<br />

style, the setting explores a variety of choral textures <strong>and</strong><br />

is interspersed with unexpected harmonies, creating a<br />

range of musical colours. The organ part provides a gentle,<br />

supportive accompaniment.<br />

4 minutes<br />

Advent & Christmas<br />

Leaflets/Octavos<br />

Brightest Star<br />

SSATB unaccompanied<br />

Vocal score 9780193532113<br />

Digital 9780193539617<br />

Written to commemorate the centenary of the foundation<br />

of the International Federation of the Red Cross <strong>and</strong> Red<br />

Crescent Societies, Brightest Star sets a powerful text by<br />

Seán Street. The poem describes the call for assistance<br />

made by the occupied Channel Isl<strong>and</strong>s in 1944 <strong>and</strong> the<br />

response of the Red Cross ship, the Vega, which came to<br />

their aid, drawing parallels between this story <strong>and</strong> the<br />

light <strong>and</strong> hope of the seasons of Christmas <strong>and</strong> Epiphany.<br />

The bleak wartime conditions are portrayed by dissonant<br />

harmony <strong>and</strong> downward sliding phrases, <strong>and</strong> extracts<br />

from the Bailiff of Jersey’s letter of appeal, sung by the<br />

lower voices, draw attention to the gravity of the situation.<br />

In contrast, the upper voices bring an ethereal quality to<br />

the texture, with closing phrases that are suggestive of<br />

the traditional French carol Les anges dans nos campagnes<br />

(‘Angels, from the realms of glory’).<br />

4 minutes<br />

Christ is the morning star<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193408289<br />

This lively setting of the Venerable Bede’s Christ is the<br />

morning star features all the hallmarks of McDowall’s<br />

original <strong>and</strong> vibrant style. With rich harmonies, compelling<br />

modulations, <strong>and</strong> a flowing organ accompaniment, this<br />

piece is perfect for services <strong>and</strong> concerts throughout<br />

Advent.<br />

3.5 minutes<br />

A Christmas Carol<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193551619<br />

Digital 9780193551626<br />

This setting of the evocative poem by Chesterton is<br />

atmospheric <strong>and</strong> powerful. Showcasing McDowall’s<br />

distinctive style, its minor tonality, subtle chromaticisms,<br />

<strong>and</strong> whole-tone scales portray the contrasting voices in the<br />

text to breathtaking effect.<br />

3 minutes<br />

56


Cradle Song<br />

SA <strong>and</strong> piano<br />

Digital † 9780193545762<br />

This exquisite lullaby setting of a William Blake text is taken<br />

from the collection For Him all Stars.<br />

2 minutes<br />

Gaude et laetare<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193401495<br />

Digital 9780193535893<br />

For this joyous piece, McDowall sets a text from the<br />

Ambrosian Rite celebrating the Virgin Mary’s recent<br />

motherhood. The lively organ accompaniment <strong>and</strong> strong<br />

rhythmic drive create an instantly celebratory mood.<br />

3.5 minutes<br />

Lo! He slumbers in his manger<br />

SATB unaccompanied<br />

Vocal score 9780193535671<br />

Digital 9780193539624<br />

McDowall’s setting of Isaac Watts’ Cradle Hymn is beautifully<br />

tender, coloured by its rich harmonies, suspensions, <strong>and</strong><br />

chromatic notes. The melodies are complemented by<br />

sustained ‘oo’s <strong>and</strong> ‘ah’s <strong>and</strong> rock gently with the changing<br />

time signatures, before ending unexpectedly in the tonic<br />

major.<br />

2.5 minutes<br />

Now may we singen<br />

SATB unaccompanied<br />

Vocal score 9780193396968<br />

Digital 9780193525030<br />

Setting a fifteenth-century English text containing some<br />

short Latin passages, this is a joyful, dance-like carol with<br />

a medieval feel. The spirited, lilting melody begins in the<br />

sopranos <strong>and</strong> altos but is passed round the choir, while the<br />

other voices add stirring harmonies <strong>and</strong> bell-like drones to<br />

the texture. ‘Now may we singen’ was originally published<br />

in the New Horizons collection The Ivy <strong>and</strong> the Holly.<br />

4 minutes<br />

O magnum mysterium<br />

SATB (with divs) unaccompanied<br />

Vocal score 9780193562554<br />

Characteristically sung on Christmas Day, this Catholic<br />

chant depicts mystery <strong>and</strong> wonder at the birth of Jesus, as<br />

witnessed by the animals. Deep, sonorous chords open <strong>and</strong><br />

close the piece, which has a sustained tempo that gives<br />

space for the melismatic vocal lines <strong>and</strong> rich harmonies to<br />

take full effect.<br />

3 minutes<br />

O nata lux<br />

SATB unaccompanied<br />

Vocal score 9780193562578<br />

The O nata lux text is taken from a 10th-century<br />

anonymous hymn that uses the concept of light to<br />

symbolise hope, a particularly pertinent theme for Advent.<br />

Throughout this setting the sopranos intertwine their high,<br />

melodic lines above interjections from the lower voices,<br />

creating an atmosphere of ethereal luminosity.<br />

3.5 minutes<br />

O nata lux<br />

SATB unaccompanied<br />

Vocal score 9780193562592<br />

Traditionally sung on Christmas Eve, ‘O Virgo virginum’ is<br />

often described as the eighth ‘O’ Antiphon <strong>and</strong> praises<br />

Mary, ‘O virgin of (amongst) virgins.’ McDowall’s setting<br />

is vigorous <strong>and</strong> joyful, with intimations of medieval<br />

plainchant.<br />

2.5 minutes<br />

O Oriens<br />

SSATB (with divisions) unaccompanied<br />

Vocal score 9780193388369<br />

Digital 9780193524996<br />

A setting of one of the seven Advent ‘O’ Antiphons, O<br />

Oriens makes use of luxurious <strong>and</strong> exotic harmonies,<br />

creating a shimmering texture reminiscent of the biblical<br />

Morning Star referenced in the title. The focus on human<br />

enlightenment in winter’s darkness means the piece is<br />

equally suitable for secular celebrations of Christmas.<br />

3.5 minutes<br />

The Presence<br />

SATB double choir unaccompanied<br />

Vocal score 9780193511989<br />

Digital 9780193537798<br />

This joyous, upbeat anthem sets a compelling poem by<br />

contemporary poet Seán Street in response to a text by<br />

sixteenth-century Bishop of Norwich John Parkhurst on<br />

the subject of ‘alma mater’. The text encourages us to<br />

appreciate the past, <strong>and</strong> our education, <strong>and</strong> where it can<br />

lead, reflecting on the profound ties we can form to a<br />

time or a place. The bright, driving organ part, with solo<br />

interjections, is juxtaposed with sustained vocal writing<br />

with rich, lush harmonies.<br />

5 minutes<br />

Cecilia McDowall<br />

57


Cecilia McDowall<br />

Are we on the same page?<br />

String quartet<br />

Score <strong>and</strong> parts 9780193373679<br />

Written as the test piece for the CAVATINA Intercollegiate<br />

String Quartet Competition, this short piece gives<br />

ensembles an opportunity to display creativity by allowing<br />

experimentation with texture, dynamics, <strong>and</strong> articulation.<br />

3 minutes<br />

The Blackbird<br />

Wind quintet <strong>and</strong> opt. voice<br />

Score <strong>and</strong> parts 9780193378322<br />

The Blackbird is a beautiful arrangement of a Welsh<br />

folksong. English translation by Margery Hargest Jones.<br />

5 minutes<br />

Rousseau’s Execution<br />

Two violins <strong>and</strong> viola<br />

Score <strong>and</strong> parts 9780193390775<br />

This work for string trio is inspired by Jean-Jacques<br />

Rousseau’s Dictionnaire de Musique, with each of the three<br />

movements initiated by one of Rousseau’s musical entries.<br />

9 minutes<br />

Small Ensemble<br />

Subject to the weather<br />

Wind quintet<br />

Score <strong>and</strong> parts 9780193378292<br />

Subject to the Weather draws inspiration from the Welsh<br />

folk song The Blackbird <strong>and</strong> references Wesley’s hymn tune<br />

Aurelia: The Church’s one Foundation. The music evokes<br />

country life <strong>and</strong> birdsong in a charming, engaging style.<br />

5 minutes<br />

58


<strong>Orchestral</strong>/Larger Works<br />

Crossing the Bridge<br />

String orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193386860<br />

The title of this work comes from a haiku by the poet Alan<br />

Spence: ‘crossing the bridge - the other side is lost in mist’.<br />

The opening movement, ‘Mostar’, refers to the single arch<br />

stone bridge in Mostar, Bosnia <strong>and</strong> Herzegovina, which<br />

became a symbol of peace <strong>and</strong> hope in the late 1990’s. The<br />

middle movement, ‘London Bridge’, takes the last phrase of<br />

‘Mostar’ as its opening, exploring the darker tones of the<br />

lower instruments, <strong>and</strong> the first bar of ‘Brooklyn Bridge’ as<br />

its close. The third movement opens with a bright, staccato<br />

texture, <strong>and</strong> is in the shape of a palindrome or arch.<br />

11 minutes<br />

Great Hills<br />

Violin solo, two solo flutes, <strong>and</strong> string orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193366435<br />

A pastiche on baroque techniques, this varied work is<br />

ideal for amateur orchestras. It is a concertante written as<br />

a companion piece to Bach’s Br<strong>and</strong>enburg Concerto No. 4.<br />

Taking its title from the poem The South Country by Hilaire<br />

Belloc, Great Hills is inspired by the locality of Shipley, the<br />

connections are pastoral, historic, literary, <strong>and</strong> musical.<br />

12 minutes<br />

Rain, Steam, <strong>and</strong> Speed<br />

<strong>Chamber</strong> orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193407787<br />

The composer’s inspiration for this work was the Turner<br />

painting of the same name that depicts a broad gauge<br />

engine steaming across Maidenhead Viaduct. Cecilia<br />

McDowall conveys a feeling of wide open spaces <strong>and</strong><br />

pastoral repose in the opening section. From out of the<br />

calm, a clear rhythmic motif, pianissimo at first, rattles to a<br />

full orchestral crescendo, then gradually fades from view.<br />

10 minutes<br />

Seventy degrees below zero<br />

Tenor solo <strong>and</strong> orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193387256<br />

Commissioned by the Scott Polar Research Institute <strong>and</strong><br />

City of London Sinfonia as part of the Scott 100 Festival<br />

of Events, 2012. Seán Street was specially commissioned<br />

by the composer to write two poems for Seventy degrees<br />

below zero to sit alongside extracts from Robert Falcon<br />

Scott’s Journals <strong>and</strong> Scott’s letter addressed, ‘To my widow.’<br />

Set in three movements—‘We Measure’, ‘The Ice Tree’, <strong>and</strong><br />

‘To My Widow’ —McDowall’s music creates a soundscape<br />

set in the icy plains of the Antarctic, with a poignant finale<br />

as Scott writes to his wife for the last time.<br />

15 minutes<br />

Theatre of Tango<br />

Baritone, solo violin, <strong>and</strong> chamber orchestra<br />

Hire conductor’s score <strong>and</strong> parts 9780193378872<br />

Theatre of Tango begins with ‘The Dance’, which is full of<br />

rhythmic intensity <strong>and</strong> passion. This is contrasted by the<br />

haunting, spectral-like second movement,’ Ghost Light’, in<br />

which tubular bells <strong>and</strong> plucked strings contrast with high<br />

strings <strong>and</strong> lyrical voice line. The third movement, ‘A Tango<br />

of Time’, is perhaps the most clearly underpinned by the<br />

Argentine tango. With shades of menace <strong>and</strong> ruthlessness<br />

in this movement, Time steers its course towards an<br />

inevitable end. Texts by Seán Street.<br />

17 minutes<br />

Cecilia McDowall<br />

59


Cecilia McDowall<br />

Before the paling of the stars<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193558687<br />

Low voice Digital 9780193558694<br />

This tender carol sets an affecting text by Christina Rossetti<br />

that tells the story of Jesus’s birth. In classic McDowall<br />

style, the setting explores a variety of choral textures <strong>and</strong> is<br />

interspersed with unexpected harmonies, creating a range<br />

of musical colours. Also published in Oxford Solo Songs:<br />

Christmas<br />

3 minutes<br />

Four Shakespeare Songs<br />

Soprano <strong>and</strong> piano or string orchestra<br />

Vocal score 9780193396944<br />

Conductor’s score <strong>and</strong> parts on hire 9780193392823<br />

Four Shakespeare Songs sets texts exploring different<br />

aspects of love. Using passages from various Shakespeare<br />

plays, McDowall’s writing is beautiful <strong>and</strong> clever in the<br />

way it reflects the moods <strong>and</strong> emotions of the various<br />

characters.<br />

10 minutes<br />

If I touched the Earth<br />

Baritone <strong>and</strong> piano<br />

Vocal score 9780193404021<br />

This work, commissioned by Jeremy Williams in association<br />

with the Vaughan Williams Trust, sets three poems by Dylan<br />

Thomas. The first is melancholic; the second contrasts the<br />

fearlessness of childhood with the caution of adulthood;<br />

<strong>and</strong> the third is a joyful setting that moves through the<br />

seasons.<br />

8 minutes<br />

Solo Voice<br />

Three Songs after Schubert<br />

Baritone <strong>and</strong> piano<br />

Vocal score 9780193531857<br />

Digital 9780193544475<br />

This characterful trilogy of songs sets poems by John<br />

Greening that present a vibrant, modern take on each<br />

of Schubert’s song cycles. The first draws on ‘Gute nacht’<br />

from Der Winterreise, taking inspiration from Captain<br />

Scott’s perilous expedition to the Antarctic in 1911–12.<br />

The second, ‘after Ständchen’, has an air of darkness <strong>and</strong><br />

mystery. The text of the third song alludes to Schubert’s<br />

‘Mein’ from Die Schöne Müllerin, <strong>and</strong> the musical setting is<br />

characterized by rapid semiquaver figuration in the piano<br />

<strong>and</strong> a vocal line full of dramatic expression.<br />

10 minutes<br />

60


Falling Angels<br />

Solo cello <strong>and</strong> piano<br />

Score <strong>and</strong> parts 9780193371668<br />

This piece draws inspiration from the book City of Falling<br />

Angels, which gives a rich portrayal of Venice. The use of<br />

extended melodies contrasted with fragmented phrases<br />

portray the beauty of this city.<br />

8 minutes<br />

Celebration<br />

Organ<br />

Score 9780193406131<br />

Composed for the University of Portsmouth’s degree<br />

ceremonies, this work captures the joy <strong>and</strong> excitement of<br />

such occasions, partly through the incorporation of text<br />

from Thomas Ravenscroft’s round ‘To Portsmouth’.<br />

6.5 minutes<br />

Church bells beyond the stars<br />

Organ<br />

Score 9780193393363<br />

This is the third in a trilogy of works inspired by the<br />

metaphysical poet, George Herbert. This piece, <strong>and</strong> the first<br />

in the trilogy, ‘Sounding Heaven <strong>and</strong> Earth’, draw their titles<br />

from George Herbert’s ‘Prayer (I)’.<br />

5 minutes<br />

First Flight<br />

Organ<br />

Score 9780193551497<br />

Digital 9780193551503<br />

This inventive work, composed in 2019, owes its title to<br />

that year’s two great anniversaries connected to manned<br />

flight: the 50th anniversary of the first moon l<strong>and</strong>ing <strong>and</strong><br />

the 500th anniversary of the death of Leonardo da Vinci.<br />

A wide range of highly effective textures <strong>and</strong> atmospheric<br />

harmonies draws the player <strong>and</strong> the listener through a<br />

journey that eventually reaches D major for the gloriously<br />

affirmative ending.<br />

5.5 minutes<br />

Solo <strong>Instrumental</strong><br />

O Antiphon Sequence<br />

Organ<br />

Score 9780193522947<br />

Digital 9780193544499<br />

In this piece, commissioned by the American Guild of<br />

Organists, each movement responds to liturgical text taken<br />

from the O Antiphons. The movements vary from lively <strong>and</strong><br />

capricious to thoughtful <strong>and</strong> meditative.<br />

15 minutes<br />

Sacred <strong>and</strong> hallowed fire<br />

Organ<br />

Score 9780193394018<br />

Sacred <strong>and</strong> hallowed fire was commissioned by Harrison<br />

& Harrison as part of their 150 years celebration of organ<br />

building. It is one of a trilogy of works for organ by<br />

McDowall which draws from the poetry of George Herbert.<br />

6.5 minutes<br />

Sounding Heaven <strong>and</strong> Earth<br />

Organ<br />

Score 9780193378865<br />

Sounding heaven <strong>and</strong> earth is the first piece in a trilogy of<br />

works inspired by ‘Prayer (I)’, a sonnet by George Herbert.<br />

6 minutes<br />

Wo Gott de Herr nicht bei uns hält<br />

Organ<br />

Score 9780193386624<br />

The Orgelbüchlein Project is a long running project to<br />

complete Bach’s unfinished collection of organ music.<br />

McDowall has composed music for ‘ghost’ <strong>Choral</strong>e 119<br />

(336) BWV 258 as her contribution to completing the set.<br />

3 minutes<br />

Cecilia McDowall<br />

61


Becky McGlade<br />

- Becky McGlade -<br />

b. 1974<br />

Cornish composer Becky McGlade studied music at<br />

Royal Holloway, University of London, <strong>and</strong> now leads a<br />

busy musical life as a composer, cellist, <strong>and</strong> teacher.<br />

McGlade’s unique compositional style, described as<br />

‘beautiful’ by Gramophone magazine, is engaging<br />

<strong>and</strong> dynamic, with fluid vocal lines <strong>and</strong> unexpected<br />

harmonic twists within an immediately accessible<br />

sound-world. The majority of her compositions are<br />

choral pieces, many of which draw inspiration from<br />

her Christian faith. Her works include psalm settings,<br />

carols, <strong>and</strong> settings of other biblical <strong>and</strong> secular texts,<br />

as well as solo songs. Recent commissions include<br />

a carol for York Minster’s Service of Nine Lessons<br />

<strong>and</strong> Carols, <strong>and</strong> a secular work for the Eden Project,<br />

Cornwall.<br />

McGlade’s music has been performed throughout<br />

the UK, including by the Choir of St John’s College,<br />

Cambridge, the London Oriana Choir, the Choir of<br />

Ely Cathedral, <strong>and</strong> the BBC Symphony Chorus, <strong>and</strong> is<br />

recorded by Sonoro <strong>and</strong> the Choir of Truro Cathedral.<br />

In 2021 she signed a long-term agreement with<br />

Oxford University Press.<br />

62


As the hart<br />

SATB (with divisions) unaccompanied<br />

Vocal Score 9780193555518<br />

Digital 9780193555525<br />

One of McGlade’s longer settings, As the hart begins simply,<br />

before exp<strong>and</strong>ing into a more complex central section with<br />

fluctuating time signatures <strong>and</strong> shifting tonalities. Ideal for<br />

advanced mixed-voice choirs in a sacred or concert setting,<br />

it is a fitting alternative to Herbert Howells’s famous setting<br />

of Psalm 42.<br />

6 minutes<br />

Come, my Way, my Truth, my Life<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193540538<br />

Digital 9780193540545<br />

McGlade’s setting of ‘The Call’ by George Herbert is simple<br />

but effective, reflecting the directness of the original<br />

poem. The three-bar phrases create a feeling of expectancy<br />

throughout the verses, <strong>and</strong> are beautifully intensified<br />

by harmonic shifts in one verse <strong>and</strong> a soaring descant in<br />

another.<br />

3 minutes<br />

I saw a new heaven<br />

SATB (with divisions) unaccompanied<br />

Vocal Score 9780193555532<br />

Digital 9780193555549<br />

Setting Revelation 21: 1–5, this short anthem is in<br />

McGlade’s typically fluid style, with harmonic twists,<br />

changing metres, <strong>and</strong> tempo fluctuations. With some divisi<br />

in the upper parts, it will be particularly welcomed by<br />

experienced church <strong>and</strong> cathedral singers as a new take on<br />

these well-known words.<br />

3.5 minutes<br />

My beloved spake<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193540590<br />

Digital 9780193540736<br />

This is a beautiful <strong>and</strong> dynamic setting of well-known<br />

words from the Song of Songs (or Song of Solomon). With<br />

a soaring soprano melody, McGlade’s fluid vocal lines drive<br />

harmonic twists within an immediately accessible soundworld.<br />

Perfect for concert performance.<br />

3.5 minutes<br />

<strong>Choral</strong> Leaflets Sacred<br />

My song is love unknown<br />

SSATB unaccompanied<br />

Vocal Score 9780193544642<br />

Digital 9780193544659<br />

My song is love unknown is an expressive <strong>and</strong> fluid setting<br />

of the well-known Lenten text by Samuel Crossman,<br />

particularly suitable for performance on Good Friday.<br />

McGlade highlights the phrase ‘take frail flesh <strong>and</strong> die’<br />

with a sighing musical motif, before the work closes with<br />

the affirmation ‘heaven was his home, but mine the tomb<br />

where he lay’.<br />

3 minutes<br />

O Sing unto the Lord<br />

ATB unaccompanied<br />

Vocal Score 9780193551060<br />

Digital 9780193551107<br />

Scored especially for ATB to meet social distancing<br />

requirements, this piece has both special resonance <strong>and</strong><br />

practical application in these uncertain times. McGlade's<br />

characteristic unaccompanied style offers flowing<br />

contrapuntal lines while the shifting tonalities throughout<br />

effectively capture both poignancy <strong>and</strong> joy.<br />

2.5 minutes<br />

Becky McGlade<br />

63


Becky McGlade<br />

<strong>Choral</strong> Leaflet Secular<br />

Change upon change<br />

SA <strong>and</strong> piano<br />

Vocal score 9780193555372<br />

Digital 9780193555389<br />

Setting a text by Elizabeth Barratt Browning, this<br />

thoughtful <strong>and</strong> evocative piece compares a dying<br />

relationship with the changing of the seasons from<br />

summer to winter, which McGlade skilfully reflects in<br />

her use of minor tonality, falling melodic phrases, <strong>and</strong><br />

shifting chromaticism. Reminiscent of the English art song,<br />

this setting for upper voices <strong>and</strong> piano demonstrates<br />

McGlade's compositional versatility.<br />

3.5 minutes<br />

The Oak<br />

SATB <strong>and</strong> cello<br />

Vocal score 9780193555556<br />

Digital 9780193555563<br />

This simple setting of words by Tennyson reflects a<br />

different side to McGlade’s compositional style, without<br />

sacrificing any of her trademark characteristics. The largely<br />

homophonic vocal lines move as one, with clarity <strong>and</strong><br />

poise in abundance, creating a bed of sound over which<br />

the cello gently glides.<br />

2.5 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

A spotless Rose<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193535695<br />

Digital 9780193539631<br />

This setting of A spotless Rose reflects the wintry starkness<br />

of the fifteenth-century text through its minor key <strong>and</strong><br />

bare upper-voice opening, while the warmth of the full<br />

voicing on the words ‘light’ <strong>and</strong> ‘might’ represents the<br />

coming of the Christ-Child.<br />

2.5 minutes<br />

O little town of Bethlehem<br />

SATB unaccompanied<br />

Vocal score 9780193562370<br />

Digital 9780193562387<br />

This imaginative setting of the well-loved text O little<br />

town of Bethleham, by Phillips Brooks, displays McGlade’s<br />

characteristic rich <strong>and</strong> expressive harmonies, with their<br />

jazz inflections. It would be a superb choice for Christmas<br />

services <strong>and</strong> concerts.<br />

4 minutes<br />

See amid the winter’s snow<br />

SATB unaccompanied<br />

Vocal score 9780193551220<br />

Digital 9780193551237<br />

This setting of Edward Caswall’s well-known text shows<br />

all the hallmarks of McGlade's characteristic style, with<br />

changing time signatures, beguiling chromaticisms, <strong>and</strong><br />

a beautiful, fluid melody. Changing metres give a sense<br />

of fluidity, while a scintillating climax on 'Peace on earth'<br />

forms the centre of the work.<br />

4.5 minutes<br />

64


Indigo I<br />

SSA <strong>and</strong> piano<br />

Digital † 9780193548350<br />

Inspired by the medieval carol Angelus ad Virginem,<br />

Indigo I suggests a distant time, European roots, <strong>and</strong><br />

the tranquil peace of that starry night when Wisdom<br />

descended.<br />

Originally published in World Carols for Choirs.<br />

Vulcan<br />

SSA <strong>and</strong> piano<br />

Digital † 9780193545779<br />

From the collection For Him all Stars, ‘Vulcan’ is an energetic<br />

carol, scored for SSA <strong>and</strong> piano. The text, written by the<br />

composer, hails Christ as a new star emerging from the<br />

night. Featuring canonical voice parts <strong>and</strong> a rhythmic<br />

accompaniment, this piece is a rhapsodic welcome to the<br />

son of God.<br />

2 minutes<br />

- Jenny McLeod -<br />

<strong>Choral</strong> Advent & Christmas<br />

- Selga Mence -<br />

Dedziet skalu, putiet guni (Bring us<br />

fire, bring us light)<br />

SATB unaccompanied<br />

Digital † 9780193549005<br />

Selga Mence’s arrangement of this Latvian folksong<br />

presents the two phrases of the original song in a variety<br />

of textures, beginning <strong>and</strong> ending with imitations of the<br />

sound of bells. An English text by Bob Chilcott is presented<br />

alongside the original Latvian. Originally published in<br />

World Carols for Choirs.<br />

4.5 minutes<br />

Sudrabina lietins lija (See the silver<br />

rain is falling)<br />

SSA unaccompanied<br />

Digital † 9780193547384<br />

The melody <strong>and</strong> text of this traditional carol were first<br />

collected in 1968 by the composer Peteris Plakidis, in<br />

Katlakalns (a district of Riga). It is here arranged for<br />

unaccompanied SSA voices by Selga Mence, <strong>and</strong> presented<br />

with an English text alongside the original Latvian.<br />

Originally published in World Carols for Choirs.<br />

2 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

McLeod - Mence<br />

65


Olson - Papadakos<br />

Magnificat<br />

- Tawnie Olson -<br />

SSAA & SATB (div) unaccompanied<br />

Vocal score 9780193560987<br />

This innovative setting of the Magnificat celebrates the<br />

strength of teenage girls <strong>and</strong> is suitable for both liturgical<br />

<strong>and</strong> concert performance. The upper-voices sing in the<br />

style of Bulgarian choral folk music, using a visceral sound<br />

that contrasts with the SATB choir.<br />

8.5 minutes<br />

<strong>Choral</strong> Sacred<br />

- Dorothy J. Papadakos -<br />

Herm<strong>and</strong>ad (Brotherhood)<br />

SATB, piano, trumpet, & percussion<br />

Vocal score 9780193869998<br />

This mariachi anthem, based on an Octavio Paz text in<br />

Spanish, is sure to liven any concert or school choir. The<br />

choral lines are presented in many textural varieties,<br />

including four bars of clapping ‘sombrero’ style, <strong>and</strong> the<br />

trumpet <strong>and</strong> piano parts are highly rhythmic, fun, <strong>and</strong><br />

energetic. An English singing translation is provided.<br />

4 minutes<br />

Live in love<br />

SATB <strong>and</strong> percussion<br />

<strong>Choral</strong> Sacred<br />

Vocal score 9780193865693<br />

A stirring macaronic setting of Ephesians 5:12 in Zulu,<br />

Xhosa, <strong>and</strong> English with African improvised drumming. The<br />

choral parts require many divisi, but are otherwise quite<br />

simple.<br />

Available from Banks Music Publications<br />

66


- Nina Perry -<br />

<strong>Choral</strong> Secular<br />

The Frog<br />

Unison <strong>and</strong> piano<br />

Vocal Score 9780193419650<br />

A simple unison song with piano accompaniment.<br />

2 minutes<br />

- Kim Porter -<br />

Pulchra es et decora<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193563131<br />

Digital 9780193563148<br />

A reflection on the plainchant antiphon ‘Pulchra es et<br />

decora’, this hauntingly beautiful piece was commissioned<br />

by ORA100 for Suzi Digby <strong>and</strong> ORA Singers. The original<br />

antiphon has been transcribed <strong>and</strong> included at the<br />

beginning, <strong>and</strong> may be used as an introduction.<br />

3.5 minutes<br />

<strong>Choral</strong> Sacred<br />

Papadakos - Perry<br />

67


Elizabeth Poston<br />

- Elizabeth Poston -<br />

Happy are thy men<br />

SATB unaccompanied<br />

Vocal score 9780193411722<br />

Available from Banks Music Publications<br />

Sing unto the Lord<br />

SATB unaccompanied<br />

Vocal score 9780193389625<br />

Available from Banks Music Publications<br />

The Princesses’ Carol<br />

Unison or two part voices (with optional<br />

instrumental descant<br />

Vocal score 9780193388420<br />

Available from Banks Music Publications<br />

I saw a fair maiden<br />

Unison voices<br />

<strong>Choral</strong> Sacred<br />

<strong>Choral</strong> Secular<br />

Vocal score 9780193395572<br />

Available from Banks Music Publications<br />

The Boar’s Head Carol<br />

SATB unaccompanied<br />

Vocal score 9780193411715<br />

Available from Banks Music Publications<br />

Nativity<br />

Soloists, SATB & string orchestra<br />

Hire vocal score 9780193378407<br />

Hire conductor’s score <strong>and</strong> parts 9780193378414<br />

Soprano <strong>and</strong> alto (or counter-tenor) soloists with optional<br />

mezzo-soprano, tenor, <strong>and</strong> bass soloists, SATB choir, <strong>and</strong><br />

strings (or organ or piano)<br />

Words from traditional Christmas folk-songs <strong>and</strong> ballads,<br />

compiled <strong>and</strong> edited by Terence Tiller.<br />

15 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

Bonny at Morn<br />

Solo voice <strong>and</strong> piano<br />

Solo Voice<br />

Vocal score 9780193379534<br />

Available from Banks Music Publications<br />

The Queen of Sheba’s song<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193514430<br />

Available from Banks Music Publications<br />

The Stockdoves<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193404922<br />

Available from Banks Music Publications<br />

68


- Rosephanye Powell -<br />

Somebody’s knockin’ at yo’ do’<br />

SA & piano<br />

Vocal score 9780193387836<br />

This thoughtful arrangement of the well-known spiritual<br />

‘Somebody’s knockin’ at yo’ do’’ was originally published as<br />

part of the collection Spirituals for Upper Voices. The two<br />

vocal lines are eminently singable, with melodic interest<br />

in both parts, making the arrangement ideal for both<br />

children’s <strong>and</strong> women’s choirs of all levels of experience.<br />

Containing a recognisable knocking motif, the piano part is<br />

expressive, harmonically interesting, <strong>and</strong> supportive.<br />

2.5 minutes<br />

Spirituals<br />

Rosephanye Powell<br />

69


Sarah Quartel<br />

- Sarah Quartel -<br />

b. 1982<br />

Sarah Quartel is a Canadian composer, conductor, <strong>and</strong><br />

educator known for her fresh <strong>and</strong> exciting approach<br />

to choral music. Having received her first composition<br />

award at the age of 8, she celebrates the musical<br />

potential of all learners by providing singers access to<br />

high quality repertoire <strong>and</strong> engaging music education.<br />

Quartel’s choral works are performed by children,<br />

youth, <strong>and</strong> adults throughout North America <strong>and</strong><br />

beyond, <strong>and</strong> her curriculum texts are used to connect<br />

the excitement of choral festivals with meaningful<br />

classroom learning.<br />

ensemble Project Sing!; works recorded on multiple<br />

commercial releases; <strong>and</strong> a host of choral commissions<br />

<strong>and</strong> performances including those by award-winning<br />

Canadian conductors Zimfira Poloz <strong>and</strong> Brainerd<br />

Blyden-Taylor.<br />

Sarah became a conductor with Viva Children’s<br />

Choirs in 2011, <strong>and</strong> continues to work as a guest<br />

clinician at various music education <strong>and</strong> choral events<br />

throughout Canada.<br />

Her compositions have been featured widely by<br />

groups such as the National Youth Choir of Canada,<br />

The Nathaniel Dett <strong>Choral</strong>e, <strong>and</strong> the a cappella group<br />

Rajaton. Other credits include: funding from the<br />

Ontario Arts Council <strong>and</strong> the National Film Board of<br />

Canada; Composer-in-Residence for the women’s vocal<br />

70


ed. Sarah Quartel<br />

<strong>Choral</strong> Collections<br />

Breath of Song<br />

SATB unaccompanied<br />

Vocal score 9780193532021<br />

Breath of Song brings together ten exquisite works by<br />

contemporary women composers. Compiled <strong>and</strong> edited<br />

by Sarah Quartel, the collection features an eclectic mix<br />

of styles <strong>and</strong> colours, specially selected with modern<br />

concert programming in mind — from settings of hymnlike<br />

simplicity <strong>and</strong> a rich choral sound to works featuring<br />

theatrical body percussion <strong>and</strong> a fresh close-harmony style.<br />

Secular <strong>and</strong> sacred texts from across the centuries are given<br />

fresh life, <strong>and</strong> new words <strong>and</strong> sounds are introduced.<br />

(Collection includes SATB arrangement of Quartel’s The<br />

Birds’ Lullaby)<br />

Sarah Quartel Songbook<br />

Upper voices in 2-4 parts, with piano or<br />

unaccompanied<br />

Vocal score 9780193551053<br />

The Sarah Quartel Songbook brings together a selection<br />

of the composer’s best-loved pieces for upper voices,<br />

including favourites such as ‘The Birds’ Lullaby’ <strong>and</strong> ‘I<br />

remember’, as well as a new setting of Sara Teasdale’s lifeaffirming<br />

poem ‘Refuge’. This is an invaluable resource both<br />

for choirs looking to explore the work of this fine choral<br />

composer for the first time <strong>and</strong> for admirers of Quartel’s<br />

style hoping to find staple repertoire conveniently<br />

gathered together in one volume.<br />

Sarah Quartel Songbook<br />

SATB, with piano or unaccompanied<br />

Vocal score 9780193551046<br />

The Sarah Quartel Songbook brings together a selection<br />

of the composer’s best-loved pieces for mixed voices,<br />

including favourites such as ‘Sing, my Child’, ‘Voice on the<br />

Wind’, <strong>and</strong> ‘Swept Away’. This is an invaluable resource both<br />

for choirs looking to explore the work of this fine choral<br />

composer for the first time <strong>and</strong> for admirers of Quartel’s<br />

style hoping to find staple repertoire conveniently<br />

gathered together in one volume.<br />

<strong>Choral</strong> Leaflets/Octavos Sacred<br />

Amabile Alleluia<br />

SATB <strong>and</strong> children’s choir/SSATB<br />

unaccompanied<br />

Vocal score 9780193544086<br />

Digital 9780193544093<br />

Introduced by the children’s choir, Quartel’s simple <strong>and</strong><br />

uplifting melody repeats throughout the piece, beautifully<br />

coloured by the surrounding parts. The voices offer joyful<br />

praise <strong>and</strong> the rich harmonies build up to a warm <strong>and</strong><br />

rousing finish. The children’s part may also be sung by a<br />

congregation or divided soprano part.<br />

2 minutes<br />

Fill your hearts with joy <strong>and</strong><br />

gladness<br />

SABar <strong>and</strong> organ or piano<br />

Digital † 9780193524804<br />

From the collection Anthems for SA <strong>and</strong> Men, ‘Fill your<br />

hearts with joy <strong>and</strong> gladness’ is an uplifting anthem by<br />

Sarah Quartel, scored for SA & men with organ/piano. With<br />

text by Timothy Dudley-Smith, this piece is suitable for<br />

performance throughout the church year.<br />

2.5 minutes<br />

God will give orders/<br />

Sweet Child<br />

SATB or SSAA, solo cello, djembe, <strong>and</strong> piano<br />

SATB Vocal score 9780193514416<br />

SATB Digital 9780193538146<br />

SSAA Vocal score 9780193512023<br />

SSAA Digital 9780193525429<br />

This evocative anthem, from the larger work Snow Angel,<br />

is a piece of two halves. Opening with a haunting cello<br />

line, the first section (‘God Will Give Orders’) is mystical<br />

<strong>and</strong> ethereal, until a vibrant figure from the djembe lifts<br />

the music into the second section (‘Sweet Child’), which is<br />

uplifting <strong>and</strong> bold in character, with a distinctly African feel<br />

<strong>and</strong> an effective a cappella ending.<br />

4 minutes<br />

Sarah Quartel<br />

71


Sarah Quartel<br />

God with me<br />

SATB unaccompanied<br />

Vocal score 9780193543850<br />

Digital 9780193543867<br />

This a beautiful <strong>and</strong> meditative setting of a translated<br />

text from Carmina Gadelica, a collection of Gaelic hymns,<br />

prayers, <strong>and</strong> other texts. With gentle suspensions <strong>and</strong><br />

exquisite harmonies, this anthem by Quartel is warm,<br />

refreshing, <strong>and</strong> uplifting, perfectly demonstrating her<br />

signature style.<br />

3 minutes<br />

How can I keep from singing?<br />

SSAA or SATB or TTBB unaccompanied<br />

SATB Vocal score 9780193524590<br />

SATB Digital 9780193538603<br />

SSAA Vocal score 9780193522084<br />

SSAA Digital 9780193538252<br />

TTBB Vocal score 9780193560727<br />

TTBB Digital 9780193560864<br />

This lively reimagining of the traditional hymn is a thrilling<br />

a cappella arrangement that pairs the soaring legato<br />

melody with a rhythmic vocal accompaniment. These<br />

elements capture both the gentle hope <strong>and</strong> the profound<br />

joy contained in the text. Also including moments of<br />

tenderness <strong>and</strong> reflection, the piece comes to a rousing<br />

close with an energy that engages both singers <strong>and</strong><br />

audience.<br />

4 minutes<br />

Sanctum<br />

SSSAA unaccompanied<br />

Vocal score 9780193413382<br />

Digital 9780193536791<br />

Sanctum is a captivating setting of four movements of<br />

the Requiem text, inspired by the l<strong>and</strong>scape of the west<br />

coast of Canada. Each movement depicts an aspect of<br />

Vancouver Isl<strong>and</strong> (the water, mountains, wind, <strong>and</strong> sky),<br />

exploring l<strong>and</strong>scape as a place of healing <strong>and</strong> sanctuary.<br />

The combined effect is both atmospheric <strong>and</strong> dramatic.<br />

10 minutes<br />

<strong>Choral</strong> Works Secular<br />

A Winter Day<br />

SATB (with divisions), solo cello, <strong>and</strong> piano<br />

Vocal score 9780193514409<br />

Cello part 9780193517806<br />

This five-movement work celebrates the long Canadian<br />

winter, setting texts by the composer, Sara Teasdale, Lucy<br />

Maud Montgomery (of ‘Anne of Green Gables’ fame), <strong>and</strong><br />

Melville Cane. Each movement depicts a different time of<br />

day, beginning with the cold darkness before dawn <strong>and</strong><br />

concluding with the evening turning into dusk <strong>and</strong> then<br />

darkness. The music conjures up vivid images of a cold <strong>and</strong><br />

crisp winter, <strong>and</strong> of swirling, dancing snowflakes.<br />

17 minutes<br />

72


<strong>Choral</strong> Leaflets/Octavos Secular<br />

Alice<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193392236<br />

Digital 9780193536104<br />

Alice is a quirky, light-hearted celebration of the Alice books<br />

by Lewis Carroll. The tale of an encounter with the White<br />

Rabbit, the Cheshire Cat, <strong>and</strong> the Hatter is underpinned<br />

by a lively, characterful piano part. Spirited, fun, <strong>and</strong> with<br />

great potential for dramatic performance.<br />

4 minutes<br />

After the Rain<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193392236<br />

Digital 9780193564152<br />

Setting words by Chief Dan George, this optimistic work<br />

reminds us that there is still beauty to be found in times<br />

of trouble <strong>and</strong> that difficult days will not last forever. The<br />

balanced vocal lines will be enjoyed by youth <strong>and</strong> adult<br />

upper-voice choirs.<br />

3.5 minutes<br />

All shall be well<br />

SSAA, violin & piano<br />

Vocal score 9780193550728<br />

Digital 9780193551756<br />

This uplifting piece sets a text inspired by Julian of<br />

Norwich, with additions by the composer. Quartel’s<br />

intertwining vocal lines are beautifully combined with a<br />

soaring violin part <strong>and</strong> flowing piano accompaniment,<br />

illustrating the joy <strong>and</strong> power of song.<br />

4.5 minutes<br />

All the Way Home<br />

SSA or SATB <strong>and</strong> piano<br />

SSA Vocal score 9780193525900<br />

SSA Digital 9780193538696<br />

SATB Vocal score 9780193543799<br />

SATB Digital 9780193543805<br />

This piece was inspired by members of the Radcliffe Ladies’<br />

Choir <strong>and</strong> their motto ‘friendship through singing’. The<br />

lilting vocal lines are subtly underpinned by a delicate<br />

piano accompaniment, <strong>and</strong> the opening performance<br />

direction, ‘contentedly rocking’, describes the nature of the<br />

piece: peaceful, content, <strong>and</strong> easy-going.<br />

3.5 minutes<br />

As you sing<br />

SSAA <strong>and</strong> h<strong>and</strong> drum<br />

Vocal score 9780193527522<br />

Digital 9780193530508<br />

In this fast <strong>and</strong> energetic piece, Quartel sets her own<br />

text celebrating the joy of singing. The melody weaves<br />

in <strong>and</strong> out of the texture, supported by dynamic vocal<br />

accompaniment <strong>and</strong> rhythmically driven by the drum.<br />

3 minutes<br />

The Beat of a Different Drum<br />

Cambiata Bar or SA, piano, <strong>and</strong> h<strong>and</strong> drum<br />

CBar Vocal score 9780193417670<br />

CBar Digital 9780193537248<br />

SA Vocal score 9780193512719<br />

SA Digital 9780193538085<br />

This composition sets the composer’s own text celebrating<br />

freedom of expression <strong>and</strong> the music within each of us.<br />

Accompanied by h<strong>and</strong> drum <strong>and</strong> piano, the piece is an<br />

exciting <strong>and</strong> engaging sing with legato, two-part passages,<br />

<strong>and</strong> vocal percussion. The CBar vocal score is part of the<br />

Emerging Voices series.<br />

3 minutes<br />

Be like the bird<br />

SA <strong>and</strong> piano<br />

Vocal score 9780193565890<br />

In Be like the bird, Quartel sets an English translation<br />

of a text by Victor Hugo to lyrical melodies <strong>and</strong> rising<br />

sequences that reflect the uplifting message of the words.<br />

A passage from the original French text is set to the same<br />

melody, before being interwoven with the English text.<br />

3.5 minutes<br />

The Bird’s Lullaby<br />

SSAA or SATB unaccompanied<br />

SSAA Vocal score 9780193524668<br />

SSAA Digital 9780193538627<br />

SATB Vocal score 9780193543690<br />

SATB Digital 9780193543713<br />

This a cappella setting of evocative words by E. Pauline<br />

Johnson is immediately appealing, with its playful<br />

syncopations <strong>and</strong> dancing, wordless accompaniment.<br />

3 minutes<br />

Sarah Quartel<br />

73


Sarah Quartel<br />

Blow, blow, thou winter wind<br />

SSA or SATB <strong>and</strong> piano<br />

SSA Vocal score 9780193413009<br />

SSA Digital 9780193536777<br />

SATB Vocal score 9780193550827<br />

SATB Digital 9780193550957<br />

This atmospheric setting of familiar words from<br />

Shakespeare’s As You Like It is sprightly <strong>and</strong> uplifting, with<br />

singers being asked by the composer to perform with ‘a bit<br />

of frost <strong>and</strong> a knowing smile’.<br />

2.5 minutes<br />

Carry the music<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193546752<br />

Digital 9780193551299<br />

This uplifting <strong>and</strong> affirmatory piece sets a text by the<br />

composer inspired by the reflections of the Northwest<br />

Girlchoir on what their choir means to them. A warm<br />

unison first verse <strong>and</strong> chorus is next transposed into 6/8,<br />

taking on a dance-like feel, first in two <strong>and</strong> then three vocal<br />

parts, while the forward motion of the piano’s continuous<br />

quaver movement echoes the text’s encouragement to<br />

‘carry the music on’.<br />

4 minutes<br />

Grow<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193524804<br />

Digital 9780193538634<br />

Grow is a warm, heartfelt setting of words by Quartel<br />

celebrating a human personal growth that mirrors the<br />

season change from winter to spring. A rocking piano<br />

part underpins the eminently singable vocal lines, <strong>and</strong> a<br />

wordless section draws the piece to a reflective close.<br />

4 minutes<br />

Down the Silver Road<br />

SSAA & piano<br />

Vocal score 9780193562875<br />

Digital 9780193563254<br />

Down the Silver Road is a comforting <strong>and</strong> uplifting setting<br />

of the poem To F.W. by Edith Franklin Wyatt, which<br />

describes the joy of growing old with a companion.<br />

3.5 minutes<br />

Here in my Heart<br />

SSAA <strong>and</strong> piano<br />

Vocal score 9780193403673<br />

Digital 9780193535800<br />

Here in my Heart is an uplifting setting of an original text by<br />

the composer that explores the power of the natural world<br />

to fill the heart with song. The evocative melody perfectly<br />

complements the text’s theme <strong>and</strong> uses duplets <strong>and</strong><br />

syncopated rhythms to create a sense of ebb <strong>and</strong> flow.<br />

5 minutes<br />

Here on these Branches<br />

SSAA <strong>and</strong> percussion<br />

Vocal score 9780193392243<br />

Digital 9780193536111<br />

This bewitching setting tells the story of a girl walking in an<br />

enchanted forest, mesmerized by ancient songs sung by a<br />

chorus of birds. An ostinato played on finger cymbals <strong>and</strong><br />

claves accompanies the voices, <strong>and</strong> Quartel sets a strong<br />

melody against the harmonies of the birdsong.<br />

4 minutes<br />

‘Hope’ is the thing with feathers<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193530270<br />

Digital 9780193538955<br />

This is a beautiful setting of an evocative poem by Emily<br />

Dickinson that explores the symbolization of hope as a<br />

bird. Quartel offers soaring melodic lines, rich harmonies,<br />

<strong>and</strong> a fluttering accompaniment to illustrate the<br />

persistence of hope even through hardship.<br />

3.5 minutes<br />

I know a bank where the wild<br />

thyme blows<br />

SATB <strong>and</strong> piano<br />

Digital † 9780193538955<br />

This setting of words from A Midsummer Night’s Dream<br />

features all the hallmarks of Quartel’s signature style, with<br />

uplifting melodies <strong>and</strong> a supportive, accessible piano<br />

accompaniment. Originally published in the collection<br />

Shall I compare thee.<br />

3.5 minutes<br />

74


I remember<br />

SA or SABar or Unison or TB <strong>and</strong> piano<br />

SA Vocal score 9780193392281<br />

SA Digital 9780193536128<br />

SABar Vocal score 9780193534810<br />

SABar Digital 9780193534827<br />

Unison Vocal score 9780193550841<br />

Unison Digital 9780193550858<br />

TB Vocal score 9780193560734<br />

TB Digital 9780193560888<br />

I remember reflects on the wonder of the natural world <strong>and</strong><br />

the people who shape our lives. The stirring melody calls<br />

to mind the folksong tradition, <strong>and</strong> is underpinned by a<br />

gently flowing piano accompaniment.<br />

3.5 minutes<br />

The Isl<strong>and</strong> Itself<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193550988<br />

Digital 9780193563186<br />

The Isl<strong>and</strong> Itself is a setting of the poem Homage to<br />

Omey by Irish poet, Joan McBreen. The imagery of the<br />

sea conveyed in the text is reflected through lilting,<br />

syncopated rhythms. The melody is supported by a bed of<br />

ostinati sung with vocables.<br />

3.5 minutes<br />

I will be with you<br />

SSAA or SATB unaccompanied<br />

SSAA Vocal score 9780193525924<br />

SSAA Digital 9780193538719<br />

SATB Vocal score 9780193525894<br />

SATB Digital 9780193538689<br />

I will be with you sets a reflective text by the composer<br />

with a message of enduring solace. Lush harmonies, with<br />

predominantly homophonic passagework, coupled with<br />

flowing <strong>and</strong> cascading lines in every voice part make for a<br />

tranquil musical experience.<br />

3 minutes<br />

In time of silver rain<br />

SA or SABar or Unison or TB <strong>and</strong> piano<br />

SA Vocal score 9780193525887<br />

SA Digital 9780193531314<br />

SABar Vocal score 9780193540071<br />

SABar Digital 9780193540118<br />

Unison Vocal score 9780193550865<br />

Unison Digital 9780193550872<br />

TB Vocal score 9780193560741<br />

TB Digital 9780193560895<br />

Commissioned by the Treble Makers <strong>Women</strong>’s Choir, this<br />

secular work sensitively sets Langston Hughes’s poem<br />

of the same name. A lilting melodic line, eloquent partwriting,<br />

<strong>and</strong> an effective piano part combine to create a<br />

piece that will appeal to both youth <strong>and</strong> adult choirs.<br />

2.5 minutes<br />

Morning Light<br />

SSAA unaccompanied<br />

Vocal score 9780193404755<br />

Digital 9780193535961<br />

Morning Light sets an optimistic text by the composer<br />

about home <strong>and</strong> finding your way. Inspired by American<br />

folksongs, the captivating melody <strong>and</strong> warm harmonies<br />

perfectly complement the uplifting theme of the text.<br />

4.5 minutes<br />

My soul is awakened<br />

SSAA <strong>and</strong> piano<br />

Vocal score 9780193530294<br />

Digital 9780193540576<br />

This is a beautiful piece setting an evocative text by<br />

Anne Brontë that explores natural imagery on a blustery<br />

day <strong>and</strong> the feelings they inspire. Supported by the<br />

piano acccompaniment, Quartel’s soaring melodies, rich<br />

harmonies, <strong>and</strong> syncopated rhythms illustrate the power<br />

of the wind, while its unpredictable nature is hinted by the<br />

hemiolas <strong>and</strong> cross-rhythms throughout the texture.<br />

4.5 minutes<br />

One of these Days<br />

SSATBarB unaccompanied<br />

Vocal score 9780193554498<br />

Digital 9780193554504<br />

Setting words by the composer, One of these days is<br />

an affirmatory piece with pop-inspired rhythms <strong>and</strong><br />

harmonies. The scat syllables <strong>and</strong> repeating patterns of the<br />

lower parts provide a rich cushion for the lilting melody of<br />

the soprano lines, with lyrics that encourage us to seize the<br />

day!<br />

4 minutes<br />

Sarah Quartel<br />

75


Sarah Quartel<br />

The Parting Glass<br />

TTBB or SATB or SABar unaccompanied<br />

TTBB Vocal score 9780193527461<br />

TTBB Digital 9780193531499<br />

SATB Vocal score 9780193550773<br />

SATB Digital 9780193550780<br />

SABar Vocal score 9780193561830<br />

SABar Digital 9780193561847<br />

The Parting Glass is a traditional Scottish song, often sung<br />

as a farewell at the end of a get-together. Sarah Quartel’s<br />

arrangement features close harmonies, idiomatic Scotch<br />

snap rhythms, <strong>and</strong> effective interjectory moments in<br />

what is a largely homophonic setting. With its valedictory<br />

message, it would make a fitting end to a performance,<br />

perhaps as an encore item.<br />

3 minutes<br />

Peace<br />

SATB (div) & piano<br />

Vocal score 9780193560376<br />

Digital 9780193560772<br />

Marked ‘light <strong>and</strong> flowing’, Quartel’s setting of Sara<br />

Teasdale’s poem ‘Peace’ features slow, sustained vocal<br />

writing over a piano part with continual moving quavers.<br />

The harmonic palette is rich <strong>and</strong> warm, <strong>and</strong> soaring<br />

soprano lines conjure Teasdale’s vivid celestial imagery.<br />

4 minutes<br />

Refuge<br />

SSAA & piano<br />

Vocal score 9780193552272<br />

Digital 9780193552289<br />

Refuge sets a powerful Sara Teasdale poem by the same<br />

name, which perfectly captures the healing power of<br />

singing: ‘For with my singing I can make a refuge for my<br />

spirit’s sake, A house of shining words, to be my fragile<br />

immortality’. Quartel uses musical structure to complement<br />

the poem’s narrative, opening <strong>and</strong> closing with music<br />

marked ‘resilient <strong>and</strong> strong’, with a central section that is<br />

‘warm <strong>and</strong> hopeful’, as expressed by rich harmonies <strong>and</strong><br />

soaring melodic lines.<br />

3.5 minutes<br />

Ripple Effect<br />

SATB (with SAT semi-chorus) & cello<br />

Vocal score 9780193562981<br />

Digital 9780193562998<br />

Quartel has chosen a powerful combination of texts by<br />

Hildegard von Bingen <strong>and</strong> Mother Teresa for this emotive<br />

choral work. The main choir is accompanied by a small<br />

ensemble singing the word ‘love’ with rippling ostinati <strong>and</strong><br />

a solo cello contributing lyrical melodic lines <strong>and</strong> broken<br />

chords.<br />

5.5 minutes<br />

See the Light<br />

SA <strong>and</strong> piano<br />

Vocal score 9780193531123<br />

Digital 9780193531130<br />

See the light sets a text by the composer inspired by<br />

the Hawaiian story ‘The Bowl of Light’. With its uplifting<br />

melodies <strong>and</strong> energetic rhythms, this accessible piece<br />

explores the light in each person <strong>and</strong> creates a sense of<br />

community.<br />

4 minutes<br />

Sing, my Child<br />

SATB or SSAA or TTBB <strong>and</strong> h<strong>and</strong> drum<br />

SATB Vocal score 9780193517912<br />

SATB Digital 9780193537415<br />

SSAA Vocal score 9780193530249<br />

SSAA Digital 9780193538948<br />

TTBB Vocal score 9780193560758<br />

TTBB Digital 9780193560949<br />

Sing, my Child sets a joyful text celebrating the beauty<br />

found all around us. Tight harmonies <strong>and</strong> a dynamic<br />

percussion line drive the opening 7/8 metre. Lush<br />

harmonies colour the hymn-like B section. This piece is<br />

well-suited for combined choir projects or as a rousing <strong>and</strong><br />

meaningful close to a concert.<br />

4.5 minutes<br />

Sister Song<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193392342<br />

Digital 9780193536661<br />

This is a gentle setting of an optimistic text about joy <strong>and</strong><br />

hope <strong>and</strong> the expression of these through song. Sister Song<br />

features delicate piano ostinatos, persuasive melodies,<br />

close harmonies, <strong>and</strong> contrasts between unison <strong>and</strong><br />

imitative writing.<br />

4.5 minutes<br />

76


Songbird<br />

SSA unaccompanied<br />

Vocal score 9780193392304<br />

Digital 9780193525016<br />

Songbird sets an evocative text describing songbirds that<br />

spin tunes of gold. The catchy, colourful melody is first<br />

presented by tutti voices, <strong>and</strong> is then woven through the<br />

vocal parts, often to wordless accompaniment. The setting<br />

ends with an effective passage of close imitation.<br />

2.5 minutes<br />

Swept Away<br />

SSATBarB unaccompanied<br />

Vocal score 9780193531789<br />

Digital 9780193531796<br />

Setting words by the composer, Swept Away is a beautiful<br />

<strong>and</strong> haunting piece with pop-inspired rhythms <strong>and</strong><br />

harmonies. The scat syllables of the insistent lower parts<br />

are combined with a flowing melody in the soprano line<br />

to create a powerful work exploring the journey of the<br />

singers <strong>and</strong> the ability of the wind to carry them to their<br />

destination.<br />

4 minutes<br />

There alway something sings<br />

SATB or Two-part (or unison) <strong>and</strong> piano<br />

SATB Vocal score 9780193543836<br />

SATB Digital 9780193543843<br />

Two-part Vocal score 9780193543812<br />

Two-part Vocal score 9780193543829<br />

This beautiful setting of a text by Ralph Waldo Emerson<br />

celebrates the universal presence of song, which<br />

can be found in places of beauty but also darkness.<br />

With memorable melodies <strong>and</strong> a flowing supportive<br />

accompaniment, this piece will leave a warm feeling in<br />

both the singers <strong>and</strong> listeners alike.<br />

3 minutes<br />

This we know<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193527591<br />

Digital 9780193530522<br />

Setting a moving text inspired by Chief Seattle, Quartel<br />

appeals for better stewardship of the planet through<br />

gentle flowing lines <strong>and</strong> expansive textures. The melodies<br />

are accessible throughout <strong>and</strong> well supported by the piano<br />

accompaniment, while the swells <strong>and</strong> falls in dynamics<br />

offer a sense of organicity.<br />

3 minutes<br />

Voice on the Wind<br />

SSAA or SATB <strong>and</strong> h<strong>and</strong> drum<br />

SSAA Vocal score 9780193410138<br />

SSAA Digital 9780193525146<br />

SATB Vocal score 9780193525870<br />

SATB Digital 9780193538672<br />

Voice on the Wind sets an inspiring text, written by the<br />

composer, about the empowerment of singing. With a<br />

catchy melody, imitative wordless singing, <strong>and</strong> a driving<br />

h<strong>and</strong> drum accompaniment, this piece has all the<br />

hallmarks of Quartel’s innovative style.<br />

4 minutes<br />

Wide Open Spaces<br />

SATB or TTBB or SSAA <strong>and</strong> piano<br />

SATB Vocal score 9780193404830<br />

SATB Digital 9780193525085<br />

TTBB Vocal score 9780193413399<br />

TTBB Digital 9780193536814<br />

SSAA Vocal score 9780193550964<br />

SSAA Digital 9780193550971<br />

Commissioned for the 2015 National Conference of the<br />

American <strong>Choral</strong> Directors Association, Wide Open Spaces<br />

reflects on the journeys <strong>and</strong> adventures to be found in<br />

the wide open spaces within ourselves <strong>and</strong> in the world<br />

around us.<br />

3 minutes<br />

A Winter Day<br />

SSAA, piano, & cello<br />

Vocal score 9780193550735<br />

Digital 9780193550742<br />

Cello Part 9780193517806<br />

This bright, sparkling celebration of nature is inspired<br />

by the snowy <strong>and</strong> icy winters of the composer’s native<br />

Canada. The text, by Lucy Maud Montgomery, is brought to<br />

life through vibrant melodies, a rippling piano part, <strong>and</strong> a<br />

rich, poignant line for solo cello.<br />

This piece was originally published in a version for SATB,<br />

solo cello, <strong>and</strong> piano as part of the five-movement work A<br />

Winter Day.<br />

3 minutes<br />

Sarah Quartel<br />

77


Sarah Quartel<br />

Snow Angel<br />

SATB or SSAA, solo cello, djembe, <strong>and</strong> piano<br />

SATB Vocal score 9780193512290<br />

SSAA Vocal score 9780193512283<br />

Cello part 9780193514515<br />

Snow Angel is an evocative five-movement choral work,<br />

for either SATB or SSAA choir, that explores themes of<br />

love, rebirth, <strong>and</strong> beauty through the eyes of children<br />

<strong>and</strong> the heavenly army of angels that watch over them,<br />

yearning to make a difference to their lives. The work<br />

may be performed with narration, in which three angels<br />

present their perspectives on their earthly charges. Quartel<br />

weaves a haunting <strong>and</strong> poignant cello line throughout the<br />

work, with a vibrant part for djembe in movement four.<br />

The musical language is emotive <strong>and</strong> pictorial, allowing<br />

performers to play an active role in the storytelling.<br />

20 minutes<br />

<strong>Choral</strong> Works Christmas<br />

<strong>Choral</strong> Leaflets/Octavos Christmas<br />

On this Silent Night<br />

SATB & piano<br />

Vocal score 9780193562394<br />

Digital 9780193562400<br />

Sarah Quartel’s On this Silent Night perfectly conveys<br />

the magic <strong>and</strong> excitement of winter, conjuring images of<br />

warmth by the fireside while the weather outside closes<br />

in. It would be a compelling secular contribution to any<br />

winter concert.<br />

3 minutes<br />

Silent Night<br />

Soprano duet <strong>and</strong> SATB (with divisions)<br />

unaccompanied<br />

Vocal score 9780193526433<br />

Digital 9780193538764<br />

In this beautiful, atmospheric arrangement of Franz<br />

Gruber’s ‘Silent night’, Sarah Quartel employs choral divisi<br />

<strong>and</strong> unexpected harmonies to create a lush bed of sound<br />

over which the soprano duet soars.<br />

3 minutes<br />

This endris night<br />

SSAA or SATB or TTBB unaccompanied or with<br />

h<strong>and</strong>bells/percussion/organ<br />

SSAA Vocal score 9780193529144<br />

SSAA Digital 9780193531703<br />

SATB Vocal score 9780193531987<br />

SATB Digital 9780193539648<br />

TTBB Vocal score 9780193560857<br />

TTBB Digital 9780193560970<br />

Sarah Quartel brings a fresh take on a familiar fifteenthcentury<br />

text in this carol for upper voices. The dialogue<br />

between Mary <strong>and</strong> the infant Jesus is woven to a beguiling<br />

folk-like melody, in 6/8 metre, through each of the voice<br />

parts, with each verse ending in the lilting refrain ‘Lully, by<br />

by, lullay’.<br />

3 minutes<br />

78<br />

Wexford Carol<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193551244<br />

Digital 9780193551251<br />

Quartel’s arrangement of this well-known Irish carol is<br />

distinctly refreshing, characterized in part by its charming<br />

<strong>and</strong> sparkling piano part. The middle section offers<br />

an opportunity for both the choir <strong>and</strong> pianist to shine<br />

individually, <strong>and</strong> explores further the beautiful modal<br />

harmonies of the original melody.<br />

4 minutes


Solo Voice<br />

All the Way Home<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193547421<br />

Low voice Digital 9780193547438<br />

This work was inspired by the Radcliffe Ladies’ Choir <strong>and</strong><br />

their motto: “Friendship through singing.” The lilting vocal<br />

lines are underpinned by a delicate piano part, <strong>and</strong> the<br />

opening performance direction “contentedly rocking”<br />

describes the overall nature of the piece: easygoing,<br />

peaceful, <strong>and</strong> content. Popular as an SSA <strong>and</strong> SATB choral<br />

piece, it has now been skillfully adapted as a vocal solo<br />

with piano accompaniment for high or low voice.<br />

3.5 minutes<br />

Blow, blow, thou winter wind<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193547445<br />

Low voice Digital 9780193547452<br />

This atmospheric setting of words from Shakespeare’s As<br />

You Like It is sprightly <strong>and</strong> uplifting, with the singer being<br />

asked to perform with “a bit of frost <strong>and</strong> a knowing smile.”<br />

Musically it includes mixed meters <strong>and</strong> great voice leading.<br />

This unique <strong>and</strong> meaningful winter feature for SSA <strong>and</strong><br />

SATB choirs has now been skillfully adapted as a vocal solo<br />

with piano accompaniment for high or low voice.<br />

2.5 minutes<br />

I remember<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193549524<br />

Low voice Digital 9780193549531<br />

Here is a lyric beauty with lovely legato lines, a gorgeous<br />

piano part, <strong>and</strong> a picturesque text. “In my song there’s a<br />

race through a wild green meadow, the sunshine so bright<br />

in my eyes...” Popular as an SSA <strong>and</strong> SATB choral piece, it<br />

has now been skillfully adapted as a vocal solo with piano<br />

accompaniment for high or low voice.<br />

3.5 minutes<br />

In Time of Silver Rain<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193549548<br />

Low voice Digital 9780193549555<br />

Quartel’s lyrical setting of a Langston Hughes poem has<br />

a lilting melodic line <strong>and</strong> an effective piano part. Popular<br />

as an SSA <strong>and</strong> SATB choral piece, it has now been skillfully<br />

adapted as a vocal solo with piano accompaniment for<br />

high or low voice.<br />

2.5 minutes<br />

Lux Aeterna<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193547742<br />

Low voice Digital 9780193547759<br />

Taken from Sanctum, a setting of the Requiem text for<br />

upper voices, Lux aeterna features a simple <strong>and</strong> gentle<br />

melody supported by a new piano part in this arrangement<br />

for high or low solo voice with piano accompaniment.<br />

2 minutes<br />

Snow Angel<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193558885<br />

Low voice Digital 9780193558892<br />

With words by the composer, this mesmerising piece<br />

comes from the large-scale work, Snow Angel, <strong>and</strong><br />

celebrates the coming of winter <strong>and</strong> the everlasting nature<br />

of music. Includes an optional cello part. Also published in<br />

Oxford Solo Songs: Christmas.<br />

3 minutes<br />

This endris night<br />

Solo voice <strong>and</strong> piano<br />

High voice Digital 9780193558953<br />

Low voice Digital 9780193558960<br />

Sarah Quartel brings a fresh take on a familiar fifteenthcentury<br />

text in this enchanting carol. Also published in<br />

Oxford Solo Songs: Christmas.<br />

3 minutes<br />

Sarah Quartel<br />

79


Ramsey - Regan<br />

Over hill, over dale<br />

SA <strong>and</strong> piano<br />

Vocal score 9780193413047<br />

Digital 9780193531208<br />

In this charming piece, Ramsey’s characterization of the<br />

fairy’s monologue from Act 2, Scene 1 of A Midsummer<br />

Night’s Dream is both fun <strong>and</strong> imaginative. The rhythmic<br />

fluidity, driving piano part, <strong>and</strong> clever accentuation<br />

perfectly complement Shakespeare’s metre <strong>and</strong> rhyme<br />

scheme <strong>and</strong> bring the text to life. ‘Over hill, over dale’ was<br />

originally published in the collection Hark, hark, the lark.<br />

3 minutes<br />

- Andrea Ramsey -<br />

<strong>Choral</strong> Secular<br />

Ya Basta!<br />

SATB unaccompanied<br />

Vocal score 9780193415485<br />

Digital 9780193563704<br />

‘Ya basta!’ is a Spanish saying that roughly translates to<br />

‘Enough is enough!’. The song has an exuberant, carefree<br />

energy, expressing the freedom to walk wherever you<br />

choose <strong>and</strong> to make your own path. Ya Basta! is easy to<br />

teach <strong>and</strong> learn; the score includes tips on pronunciation<br />

<strong>and</strong> improvisation at the break section.<br />

3 minutes<br />

- Val Regan -<br />

<strong>Choral</strong> Secular<br />

80


- Earlene Rentz -<br />

by William H. Monk arr. Rentz<br />

Abide with me<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193863613<br />

3 minutes<br />

In the Garden<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193863606<br />

A lilting reflection on Mary Magdalene’s encounter with the<br />

risen Christ.<br />

3.5 minutes<br />

Just as I am<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193863613<br />

3 minutes<br />

Sweet hour of prayer<br />

SATB <strong>and</strong> piano<br />

<strong>Choral</strong> Sacred<br />

Vocal score 9780193862890<br />

Available from Banks Music Publications<br />

Dear Companion<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193863897<br />

Available from Banks Music Publications<br />

Simple Gifts<br />

2-part trebles <strong>and</strong> piano<br />

Vocal score 9780193863903<br />

The well-known Shaker tune in an arrangement which<br />

brings out the tune’s original sweetness <strong>and</strong> joy. It is useful<br />

as an easy anthem or as a light concert piece, <strong>and</strong> may be<br />

sung by children or by adults.<br />

2 minutes<br />

The last rose of summer<br />

SSA, flute, <strong>and</strong> piano<br />

Vocal score 9780193867390<br />

Written for the <strong>Women</strong>’s <strong>Choral</strong>e of Colquitt County<br />

High School, Moultrie, Georgia, this Irish air is scored<br />

for upper voices, with a gently flowing flute <strong>and</strong> piano<br />

accompaniment.<br />

3 minutes<br />

Good King Wenceslas<br />

Unison & piano<br />

Vocal score 9780193862883<br />

A lively <strong>and</strong> enjoyable setting of the familiar carol for<br />

unison voices <strong>and</strong> piano. The vocal line is a free adaptation<br />

of the well-known tune, <strong>and</strong> the piano accompaniment is<br />

energetic <strong>and</strong> syncopated.<br />

2 minutes<br />

Lo, how a Rose e’er blooming<br />

SATB or SA <strong>and</strong> piano<br />

SATB vocal score 9780193868915<br />

SA vocal score 9780193868908<br />

3 minutes<br />

<strong>Choral</strong> Secular<br />

<strong>Choral</strong> Advent & Christmas<br />

Earlene Rentz<br />

81


Robles - Rooney<br />

- Zanaida Steward Robles -<br />

<strong>Choral</strong> Sacred<br />

Magnificat <strong>and</strong> Nunc Dimittis<br />

SATB with organ & piano or organ<br />

Piano & organ vocal score 9780193563292<br />

Piano & organ digital 9780193565166<br />

Organ only vocal score 9780193565074<br />

Organ only digital 9780193565081<br />

his is a substantial setting of the canticles of Mary <strong>and</strong><br />

Simeon, suitable for use in both concert <strong>and</strong> liturgical<br />

settings. Notably, the choir is accompanied by piano <strong>and</strong><br />

organ, a combination that reflects the Black American<br />

church in which the composer grew up <strong>and</strong> that creates<br />

a unique timbral effect. he choral writing features fugal<br />

counterpoint <strong>and</strong> a chromatic soundworld rooted around<br />

the octatonic scale. The text is in English throughout, with<br />

occasional Latin interjections in the Magnificat.<br />

10 minutes<br />

- Annabel Rooney -<br />

b. 1973<br />

Annabel McLauchlan Rooney read music at Christ’s<br />

College, Cambridge, holding a university<br />

instrumental award on the cello. She continued<br />

her studies in Cambridge with an MPhil <strong>and</strong> a PhD<br />

on eighteenth-century opera. Rooney started<br />

composing seriously in 2011, predominantly<br />

writing choral music, <strong>and</strong> now combines this with<br />

performance <strong>and</strong> instrumental teaching. Her music<br />

has been performed by renowned ensembles,<br />

including the Choirs of the Chapel Royal, <strong>and</strong><br />

Exeter <strong>and</strong> Ely Cathedrals, <strong>and</strong> broadcast on Radio<br />

3. In 2019, the Choir of Christ’s College, Cambridge<br />

released an album of Rooney’s sacred choral music,<br />

As a seed bursts forth.<br />

<strong>Choral</strong> Sacred<br />

Round me falls the night<br />

SATB unaccompanied<br />

Vocal score 9780193544123<br />

Digital 9780193544130<br />

William Romanis’s hymn text is brought to life in this<br />

enchanting anthem with unexpected harmonic shifts<br />

<strong>and</strong> fluctuating time signatures. Rooney glides gracefully<br />

between tonal centres, creating a beautiful, ethereal<br />

atmosphere. Also published in Breath of Song.<br />

3 minutes<br />

<strong>Choral</strong> Advent & Christmas<br />

Gaudete!<br />

SATB (with divisions) unaccompanied<br />

Vocal score 9780193551732<br />

Digital 9780193551749<br />

This is an upbeat original setting of the well-known<br />

Latin text. Rambunctious, hearty, <strong>and</strong> in a sophisticated<br />

modal style, it is suitable for both church <strong>and</strong> concert<br />

performance by experienced choirs.<br />

2 minutes<br />

82


The Lamb<br />

- Debra Scroggins -<br />

SATB unaccompanied<br />

Vocal score 9780193805217<br />

Debra Scroggins’ setting of a poem by William Blake is both<br />

stunning <strong>and</strong> gentle. The tight harmonies offer a lush <strong>and</strong><br />

flowing soundscape that conveys warmth <strong>and</strong> tenderness<br />

perfectly suited to the text, ‘Little lamb, dost thou know<br />

who made thee?’. The choral lines are accessible yet<br />

sophisticated, <strong>and</strong> the work is suitable for performance in<br />

churches <strong>and</strong> schools.<br />

2.5 minutes<br />

Out of the depths<br />

SATB unaccompanied<br />

Vocal score 9780193805200<br />

Out of the depths is a reflective, homophonic, <strong>and</strong><br />

beautifully written work. The choral parts are very<br />

accessible, yet the resulting sound is rather sophisticated<br />

<strong>and</strong> thoughtful. This setting of Psalm 130 is suitable<br />

throughout the liturgical year, but would be particularly<br />

effective during Lent <strong>and</strong> other reflective occasions.<br />

2.5 minutes<br />

<strong>Choral</strong> Sacred<br />

Debra Scroggins<br />

A Dream Within a Dream<br />

SATB with divisions <strong>and</strong> piano<br />

Vocal score 9780193805224<br />

This secular text, written by Edgar Allen Poe, is fanciful,<br />

calling into question whether reality is a dream, or even a<br />

dream within a dream. The music is lush <strong>and</strong> has a subtle<br />

hint of popular harmonies alongside well-written choral<br />

lines <strong>and</strong> an accessible piano part.<br />

3.5 minutes<br />

<strong>Choral</strong> Secular<br />

83


Martha Shaffer<br />

Come Trav’ler, Haste Away<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193863897<br />

The third piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

How Firm A Foundation<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193865358<br />

The fifth <strong>and</strong> final piece from Five Hymns from ‘The Sacred<br />

Harp’.<br />

Available from Banks Music Publications<br />

I Would See Jesus<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193865341<br />

The fourth piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

King of Peace<br />

SATB unaccompanied<br />

Vocal score 9780193865327<br />

An easy hymn arrangement for SATB unaccompanied choir,<br />

King of Peace is the second of Five Hymns from ‘The Sacred<br />

Harp’<br />

1 minutes<br />

Sweet Canaan<br />

SATB unaccompanied<br />

- Martha Shaffer -<br />

<strong>Choral</strong> Sacred<br />

Vocal score 9780193865310<br />

The first piece from Five Hymns from ‘The Sacred Harp’.<br />

Available from Banks Music Publications<br />

<strong>Choral</strong> Advent & Christmas<br />

If ye would hear the angels sing<br />

SATB unaccompanied<br />

Vocal score 9780193862364<br />

An old Dutch carol for SATB unaccompanied.<br />

2 minutes<br />

84


- Joan Szymko -<br />

b. 1957<br />

Joan Szymko’s music is regularly performed across<br />

North America <strong>and</strong> abroad, including at national<br />

<strong>and</strong> international festivals <strong>and</strong> competitions. She<br />

has been commissioned by all manner of choral<br />

ensemble—professional, community, academic, <strong>and</strong><br />

children’s—<strong>and</strong> has a catalogue of over a hundred<br />

published works. An experienced choral director<br />

<strong>and</strong> clinician, Szymko demonstrates a passion for<br />

the art of singing, a dedication to storytelling, <strong>and</strong><br />

an insistence on quality texts, <strong>and</strong> this is reflected in<br />

diverse, distinctive compositions, with a fresh <strong>and</strong><br />

engaging sound.<br />

Joan Szymko<br />

<strong>Choral</strong> Secular<br />

Wake, Love, Wake!<br />

SATB unaccompanied<br />

Vocal score 9780193540798<br />

Digital 9780193540804<br />

Setting a beautiful text by Rabindranath Tagore, Wake, love,<br />

wake! explores evocative imagery <strong>and</strong> metaphors through<br />

sonorous harmonies <strong>and</strong> freedom in tempo. The resulting<br />

piece is romantic, stirring, <strong>and</strong> atmospheric—perfect for<br />

concert performance. Also published in Breath of Song.<br />

3 minutes<br />

85


Hilary Tann<br />

- Hilary Tann -<br />

1947 - 2023<br />

After growing up in the coal-mining valleys of South<br />

Wales, Hilary Tann (1947-2023) spent much of her<br />

career in the United States, living in the foothills<br />

of the Adirondack Mountains in upstate New York<br />

where she chaired the Music Department <strong>and</strong> was<br />

the John Howard Payne Professor at Union College,<br />

Schenectady.<br />

She held many significant composer residencies<br />

throughout her career, including those at the 2011<br />

Eastman School of Music <strong>Women</strong> in Music Festival,<br />

2013 <strong>Women</strong> <strong>Composers</strong> Festival of Hartford, <strong>and</strong><br />

2015 Welsh Music Centre (Tŷ Cerdd). Numerous<br />

organizations have supported her work, including the<br />

Arts Council of Wales, New York State Council on the<br />

Arts, Howard Hanson Institute for American Music,<br />

Vaughan Williams Trust, Holst Foundation, National<br />

Endowment for the Arts, <strong>and</strong> Meet the Composer /<br />

Arts Endowment Commissioning Music USA.<br />

Praised for its lyricism (‘beautiful, lyrical work’ –<br />

Classical Music Web) <strong>and</strong> formal balance (‘In the formal<br />

balance of this music, there is great beauty …’ – Welsh<br />

Music), her compositional style was influenced by a<br />

strong identification with the natural world. These<br />

two interests combined in her enjoyment of haiku (as<br />

a published haiku poet) <strong>and</strong> in text selections from<br />

Welsh poets. A deep interest in the traditional music of<br />

Japan led her to private study of the shakuhachi <strong>and</strong><br />

guest visits to Japan, Korea, <strong>and</strong> China. Her music has<br />

been widely performed <strong>and</strong> recorded by ensembles<br />

such as the European <strong>Women</strong>’s Orchestra, Tenebrae,<br />

Lontano, Marsyas Trio, Thai Philharmonic Orchestra,<br />

Royal Liverpool Philharmonic, BBC National Orchestra<br />

of Wales, <strong>and</strong> KBS Philharmonic in Seoul, South Korea.<br />

86


Solo <strong>Instrumental</strong><br />

The Cresset Stone<br />

Violin or viola<br />

Solo viola 9780193863545<br />

Solo violin 9780193859548<br />

The work is in one movement <strong>and</strong> is inspired by the<br />

interplay of stone <strong>and</strong> light in the ancient cathedral of<br />

Brecon, Wales <strong>and</strong> begins <strong>and</strong> ends in stillness. The inner<br />

sections contain references to the final Kyrie of an 11thcentury<br />

Gregorian chant.<br />

9 minutes<br />

Doppelgänger<br />

Piano<br />

Score 9780193858473<br />

During the piece a formal, bravura character gradually<br />

dissolves into its more lyrical counterpart. A recording<br />

can by pianist Pola Baytelman can by found on Capstone<br />

Records (CPS 8606 CD).<br />

5.5 minutes<br />

Embertides<br />

Organ<br />

Score 9780193399013<br />

This four-movement suite for organ is based on the<br />

divisions of the church year, <strong>and</strong> references plainsong <strong>and</strong><br />

other hymns relevant to the seasons. Drawing on a wide<br />

range of colours <strong>and</strong> textures, the composer creates an<br />

evocative <strong>and</strong> varied suite of pieces, perfectly suited for<br />

both recital <strong>and</strong> church performance.<br />

15 minutes<br />

First Watch<br />

Carillon<br />

Score 9780193866379<br />

First Watch was composed for a four-octave concert<br />

carillon which consists of forty-nine bells. It takes as its<br />

inspiration the bell tower of the Albany City Hall carillon<br />

which overlooks the Hudson River in New York. It is the<br />

overwhelming sense of Albany as a canal-, river-, <strong>and</strong> sea<br />

port which inspired the composition.<br />

7 minutes<br />

Like lightnings<br />

Oboe<br />

Score 9780193868526<br />

The title is taken from the poem ‘Spring’ by Gerard Manley<br />

Hopkins. Subtitled ‘Pastoral’, the piece moves from<br />

birdsong, to song, <strong>and</strong> back to birdsong.<br />

6 minutes<br />

Hilary Tann<br />

87


Hilary Tann<br />

Look little low heavens<br />

Trumpet<br />

Score 9780193859319<br />

The piece follows the arch-like shape suggested by ‘low<br />

heavens’ as two flanking, meditative sections surround a<br />

central, soaring fanfare.<br />

7 minutes<br />

Pinnae Ventorum<br />

Organ<br />

Score 9780193868533<br />

The inspiration for this joyous organ piece is the Vulgate<br />

phrase “Qui ambulas super pinnas ventorum” translated<br />

as “who walketh upon the wings of the wind” (Psalm<br />

104:3). The “wings of the wind” is a phrase of praise which<br />

suggests other abstract methods of praise which occur in<br />

the piece-bells <strong>and</strong> hymns.<br />

4.5 minutes<br />

Seven Poems of Stillness<br />

Cello <strong>and</strong> optional narrator<br />

Score 9780193408418<br />

This continuous cycle (c.16 minutes without narrator,<br />

c.24 with narrator) intersperses seven poems by R. S.<br />

Thomas with seven movements for solo cello. The music is<br />

evocative, moving, <strong>and</strong> thoughtfully sets the mood for the<br />

poem that it precedes. A recording of this work, performed<br />

by the cellist Guy Johnson, is available from Tŷ Cerrd<br />

(TCR011).<br />

16/24 minutes<br />

Windhover<br />

Soprano saxophone or flute<br />

Score 9780193858701<br />

Windhover is based on the idea of flight from a falcon’s<br />

point of view. Sections of slow soaring, where strength <strong>and</strong><br />

detailed focus predominate, alternate with swifter sections,<br />

where the blurring rush of flight takes over.<br />

8 minutes<br />

Duo<br />

Duos, Trios, <strong>and</strong> Ensemble<br />

Oboe <strong>and</strong> viola<br />

Score 9780193858480<br />

Duo is a forum for a dialogue between the similar timbres<br />

of the viola <strong>and</strong> the oboe. The instrumental lines are not set<br />

in contrast to each other; rather, they intertwine.<br />

10 minutes<br />

From the Song of Amergin<br />

Flute, viola, <strong>and</strong> harp<br />

Score 9780193861077<br />

Three lines from Robert Graves’ restoration of the text from<br />

an ancient Celtic calendar-alphabet, the Song of Amergin,<br />

directly inspired this piece, which is in five sections.<br />

10.5 minutes<br />

The Gardens of Anna Maria Luisa<br />

de Medici<br />

Flute, cello, <strong>and</strong> piano<br />

Score 9780193868564<br />

This trio is inspired by the last of the Medicis, the<br />

remarkable Anna Maria Luisa (1667-1743), who left Italy<br />

for Germany for twenty-six years while married to Johann<br />

Wilhelm of Saxony. Just one facet of her colourful life<br />

influences the composition: each of the three movements<br />

reveals her love of nature under cultivation.<br />

13 minutes<br />

Llef<br />

Flute <strong>and</strong> cello<br />

Score 9780193859586<br />

Llef recalls the rain-swept stone walls of the Welsh<br />

countryside, where echoes of the old hymns may still be<br />

heard.<br />

7 minutes<br />

88


Nothing Forgotten<br />

Violin, cello, <strong>and</strong> piano<br />

Score 9780193861510<br />

This work is made up of three interlinked movements,<br />

played without a break, <strong>and</strong> includes references to two<br />

traditional Adirondack songs.<br />

10 minutes<br />

Of Erthe <strong>and</strong> Air<br />

Flute or piccolo, clarinet or bass clarinet, <strong>and</strong><br />

percussion (frame drums)<br />

OR flute or piccolo, soprano saxophone/alto/<br />

baritone saxophone, <strong>and</strong> percussion (frame drums)<br />

Clarinet version 9780193858848<br />

Saxophone version 9780193404885<br />

Of Erthe <strong>and</strong> Air was composed in response to a phrase<br />

from the poem ‘For this World Fareth as a Fantasye’ by John<br />

Trevisa (d.1402) while the composer was in Japan.<br />

15 minutes<br />

Water’s Edge<br />

Piano duet<br />

Score 9780193859494<br />

This is a piano duet for advanced students. The three<br />

movements may be performed together or separately. The<br />

‘edge’ of the title refers to the upper surface of the water as<br />

it reflects or refracts light.<br />

9 minutes<br />

Winter Sun, Summer Rain<br />

Flute, clarinet, viola, cello, <strong>and</strong> celeste<br />

Hire score <strong>and</strong> parts 9780193858497<br />

Three interlinked descriptive movements.<br />

12 minutes<br />

Hilary Tann<br />

Some of the Silence<br />

Saxophone quartet<br />

Score 9780193376922<br />

A slow movement which explores the beautiful sonorities<br />

of saxophones played softly.<br />

9 minutes<br />

The Walls of Morlais Castle<br />

Oboe, viola, <strong>and</strong> cello<br />

Score 9780193863583<br />

A powerful, dramatic, <strong>and</strong> colourful concert piece, which is<br />

also suitable for more advanced young players.<br />

10 minutes<br />

Water’s Edge<br />

String orchestra<br />

Hire score <strong>and</strong> parts - string orchestra 9780193859784<br />

The ‘edge’ of the title refers to the upper surface of the<br />

water as it reflects or refracts light.<br />

9 minutes<br />

89


Hilary Tann<br />

Adirondack Light<br />

Small Orchestra<br />

Narrator <strong>and</strong> chamber orchestra<br />

Hire score <strong>and</strong> parts 9780193859227<br />

Composed for the commemoration of the centennial of the<br />

Adirondack Park, Adirondack Light contains ‘windows’ into<br />

four Adidonack folksongs, with strong images of water <strong>and</strong><br />

travel. The text is adapted from the poem, ‘A Lesson from<br />

the Hudson River School: Glens Falls, New York, 1848’ by<br />

Jordan Smith.<br />

19 minutes<br />

Anecdote<br />

Cello <strong>and</strong> orchestra<br />

Full Orchestra<br />

Hire score <strong>and</strong> parts 9780193859548<br />

A soliloquy for cello <strong>and</strong> full orchestra, Tann was initially<br />

influenced by the poem Anecdote of the Jar by Wallace<br />

Stevens. The cello is ‘surrounded <strong>and</strong> complemented by the<br />

various orchestral textures (especially those of the central<br />

string quartet).’<br />

as ferns<br />

String orchestra<br />

Hire score <strong>and</strong> parts 9780193858695<br />

Written for the Orchestra of Princeton University, this is an<br />

evocative, slow movement for string orchestra.<br />

9 minutes<br />

Toward Dusk<br />

Piccolo, flute <strong>and</strong> string orchestra<br />

Hire score <strong>and</strong> parts 9780193864498<br />

Toward Dusk is an arrangement of the last movement of<br />

Tann’s Water’s Edge (for piano duet). Echoes of the material<br />

of the other two movements are heard during the piece.<br />

4 minutes<br />

With the heather <strong>and</strong> small<br />

birds<br />

<strong>Chamber</strong> orchestra<br />

Hire score <strong>and</strong> parts 9780193859593<br />

A celebratory overture for chamber orchestra influenced<br />

by the high plateau of central Wales. The piece takes its title<br />

from a translation of a poem by Welsh bard, John Ceiriog<br />

Hughes (1833-1897) ‘efo’r grug a’r adar man’.<br />

10 minutes<br />

14 minutes<br />

Fanfare for a River<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193863866<br />

A fanfare for orchestra, featuring brass played from a<br />

balcony.<br />

4 minutes<br />

From Afar<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193860278<br />

From Afar refers to Tann’s memory of four months spent<br />

studying Japanese music in Kyoto in 1990. Propulsive<br />

rhythms in the percussion juxtapose with a meditative<br />

section.<br />

20 minutes<br />

From the Feather to the<br />

Mountain<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193868854<br />

‘Walking’ passages (with hints of New York folksongs) link<br />

the three main sections: ‘Cloudscape’, ‘L<strong>and</strong>scape’, <strong>and</strong><br />

‘Mountainscape’ in this through-composed piece.<br />

13 minutes<br />

90


The Grey Tide <strong>and</strong> the Green<br />

Full orchestra<br />

Hire score <strong>and</strong> parts<br />

Recalling the lichen-covered, low stone walls in Tann’s<br />

childhood home in Ferndale, Wales, this work is also<br />

influenced by R.S. Thomas’ short poem ‘Boundaries’.<br />

11 minutes<br />

Here, the Cliffs<br />

Violin <strong>and</strong> orchestra<br />

Hire score <strong>and</strong> parts 9780193861220<br />

Hilary Tann was inspired to write Here, The Cliffs by Craig<br />

Cerrig-gleisiad, a striking rock formation near her home in<br />

South Wales. The single movement is in a Vivace-Adagio-<br />

Vivace structure, reflecting sunlight <strong>and</strong> mists.<br />

16 minutes<br />

Sarsen<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193865679<br />

Sarsen, in three movements, was inspired by particular<br />

st<strong>and</strong>ing stones or ‘sarsens’, moving from natural<br />

wilderness, (Adirondack Mountains, New York) to stylized<br />

formality (Rock in the Garden of the Master of the Nets in<br />

Suzhou, China), <strong>and</strong> finally, ceremonial (Avebury, UK). Each<br />

of the movements may also be performed separately.<br />

11 minutes<br />

Through Echoing Timber<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193859074<br />

A celebratory fanfare-overture, the title is taken from<br />

Gerard Manley Hopkins’ poem, ‘Spring’. This short, dramatic<br />

piece features a prominent part for brass.<br />

4 minutes<br />

Hilary Tann<br />

In the First, Spinning Place<br />

Alto saxophone <strong>and</strong> piano/full orchestra/wind<br />

orchestra<br />

Alto saxophone <strong>and</strong> piano 9780193369108<br />

Hire score <strong>and</strong> parts - full orchestra 9780193863057<br />

Hire score <strong>and</strong> parts - wind orchestra 9780193409590<br />

In the First, Spinning Place was inspired by Dylan Thomas’s<br />

exuberant poem ‘Fern Hill’. The first section of the concerto<br />

is a light, dancing movement, the second section contains<br />

echoes of Welsh hymnody, <strong>and</strong> the third section is a fast,<br />

scherz<strong>and</strong>o finale.<br />

12 minutes<br />

The Open Field (In memoriam<br />

Tiananmen Square)<br />

Full orchestra<br />

Hire score <strong>and</strong> parts 9780193858534<br />

A strong feature of this work is the celebratory fanfare, but<br />

while writing this Tann heard of the events of Tiananmen<br />

Square in June 1989 <strong>and</strong> changed the nature of the piece<br />

to something darker <strong>and</strong> more reflective.<br />

11 minutes<br />

91


Hilary Tann<br />

Solo Voice <strong>and</strong> Vocal Duet<br />

Arachne<br />

Soprano <strong>and</strong> percussion<br />

Score 9780193863514<br />

A dramatic song cycle for soprano solo in four movements.<br />

The accompaniment is for crotale (or any other suitable<br />

percussion instrument), <strong>and</strong> the performer can add stage<br />

movement, costume, <strong>and</strong> lighting to create theatrical<br />

effect.<br />

12 minutes<br />

A girl’s song to her mother<br />

Voice <strong>and</strong> oboe (or other melody instrument)<br />

Score 9780193863521<br />

A tender, deeply touching extended song which is within<br />

the scope of students, A girl’s song to her mother is a<br />

companion piece to Wings of the Grasses. Each piece recalls<br />

the open, high moorl<strong>and</strong> of South Wales. In A girl’s song to<br />

her mother the voice is a younger person comforting an<br />

older one. In Wings of the Grasses the voice changes from<br />

that of a child to that of a reflective adult.<br />

6 minutes<br />

The Moor<br />

Soprano <strong>and</strong> mezzo-soprano<br />

Score 9780193861503<br />

This unaccompanied duet for soprano <strong>and</strong> mezzo-soprano<br />

conflates R. S. Thomas’ beautiful poem on the sacred<br />

quality of moorl<strong>and</strong> with passages from three different<br />

Psalms <strong>and</strong> a line from the hymn ‘Rheidol’. This is both a<br />

fine concert piece <strong>and</strong> an imaginative, compelling anthemsubstitute<br />

whose technical dem<strong>and</strong>s are well within reach<br />

of most female soloists.<br />

5 minutes<br />

Mother <strong>and</strong> Son<br />

Soprano, E flat clarinet, violin, viola, <strong>and</strong> cello<br />

Score 9780193860575<br />

This short ensemble piece is a moving setting of a poem by<br />

R.S. Thomas depicting a son begging his mother to let him<br />

go <strong>and</strong> experience life in its fullness. The accompaniment is<br />

suitable either for clarinet with viola <strong>and</strong> cello, or for string<br />

trio.<br />

3 minutes<br />

Songs of the Cotton Grass<br />

Soprano <strong>and</strong> oboe<br />

Score 9780193364547<br />

Four songs set to texts by the Welsh poet Menna Elfyn,<br />

Songs of the Cotton Grass are in turn tender, reflective,<br />

lively, <strong>and</strong> full of the imagery of l<strong>and</strong>scapes ranging from<br />

the open, high moorl<strong>and</strong> of South Wales to the cotton<br />

plantations of the USA’s deep South.<br />

20 minutes<br />

Wings of the Grasses<br />

Voice <strong>and</strong> oboe<br />

Score 9780193867772<br />

Wings of the Grasses was composed as a companion piece<br />

to A girl’s song to her mother. Each piece recalls the open,<br />

high moorl<strong>and</strong> of South Wales. In A girl’s song to her mother<br />

the voice is a younger person comforting an older one. In<br />

Wings of the Grasses the voice changes from that of a child<br />

to that of a reflective adult.<br />

3.5 minutes<br />

92


Psalm 104 (Praise, my soul)<br />

SATB, 2 trumpets, <strong>and</strong> organ or chamber orchestra<br />

Vocal score 9780193862395<br />

Trumpet parts 9780193862401<br />

Hire conductor’s score <strong>and</strong> parts 9780193866133<br />

An anthem whose trumpet fanfare <strong>and</strong> joyful character<br />

contributes to a festive feel. Singing Welsh translations are<br />

also provided in certain sections.<br />

7 minutes<br />

Psalm 136 (Luminaria magna)<br />

SATB <strong>and</strong> organ<br />

Vocal score 9780193866881<br />

An anthem of praise suitable for amateur church choirs.<br />

Tann’s setting features interesting textures, long melodic<br />

vocal lines, <strong>and</strong> an energetic organ part.<br />

8 minutes<br />

<strong>Choral</strong> Sacred<br />

The Moor<br />

Two-part treble chorus<br />

Vocal score 9780193861503<br />

This unaccompanied duet for soprano <strong>and</strong> mezzo conflates<br />

R. S. Thomas’ beautiful poem on the sacred quality of<br />

moorl<strong>and</strong> with passages from three different Psalms <strong>and</strong><br />

a line from the hymn ‘Rheidol’. This is both a fine concert<br />

piece <strong>and</strong> an imaginative, compelling anthem-substitute<br />

whose technical dem<strong>and</strong>s are well within reach of most<br />

female soloists.<br />

5 minutes<br />

Sound Dawn<br />

TTBarBarBB <strong>and</strong> piano<br />

Vocal score 9780193858589<br />

Available from Banks Music Publications<br />

Wales, Our L<strong>and</strong> (Cymru,<br />

ein gwlad)<br />

SATB, flute, & optional piano<br />

Vocal score 9780193867451<br />

This lilting, beautiful choral work sets text by an unknown<br />

WelshAmerican slate quarryman which speaks of the poet’s<br />

love of his country of origin, perhaps, even, his longing<br />

to return. It is this sense of longing for the homel<strong>and</strong> (in<br />

Welsh, hiraeth) which infuses the composition.<br />

4 minutes<br />

<strong>Choral</strong> Secular<br />

Hilary Tann<br />

93


Phyllis Tate<br />

- Phyllis Tate -<br />

1911 - 1987<br />

Phyllis Tate was one of the most prominent <strong>and</strong> highly<br />

respected British composers of the second half of the<br />

twentieth century. Her music was widely performed<br />

during her lifetime <strong>and</strong> received great critical acclaim.<br />

Preferring the more intimate musical forms <strong>and</strong><br />

combinations to larger orchestral media, many of her<br />

most distinguished contributions to modern English<br />

music were for chamber ensemble or for solo voice or<br />

voices with small groups of instruments.<br />

Tate’s interest in musical textures led to the use of<br />

unusual instrumental combinations using instruments<br />

such as the celeste, the harmonica, the lute, the bass<br />

clarinet, the accordion, <strong>and</strong> the saxophone. These<br />

instruments were often used alongside the human<br />

voice.<br />

Tate’s musical output was extensive <strong>and</strong> varied,<br />

ranging from concertos to music for schools <strong>and</strong><br />

from duets to operas. She also collaborated with<br />

several outst<strong>and</strong>ing artists of the time such as Charles<br />

Causley, author Michael Morpurgo, performers Cleo<br />

Laine <strong>and</strong> John Dankworth, cellist William Pleeth, <strong>and</strong><br />

saxophonist John Harle.<br />

94


Duos, Trios, <strong>and</strong> Ensemble<br />

Air <strong>and</strong> Variations<br />

Violin, Clarinet in A <strong>and</strong> Piano<br />

Socre <strong>and</strong> parts* 9780193590014<br />

In this six-movement piece, the Air is followed by five<br />

variations: 1. ‘Aubade’ (a morning song), 2. ‘Tempo di Valse’<br />

(a waltz, clarinet <strong>and</strong> piano), 3. ‘Serenade’ (violin <strong>and</strong> piano),<br />

4.’Tarantella’ (an Italian folk dance, violin <strong>and</strong> clarinet)<br />

<strong>and</strong> 5. ‘Fugal March’ (finale). The composition explores<br />

combinations of sound <strong>and</strong> texture - in fact three of the<br />

variations omit one instrument to fully exploit possibilities<br />

inherent in a particular pairing.<br />

*Available from archive<br />

14 minutes<br />

Apparitions<br />

Tenor, harmonica, string quartet, <strong>and</strong> piano<br />

Hire score <strong>and</strong> parts 9780193458239<br />

Vocal score* 9780193458222<br />

Apparitions is a ghostly ballad sequence of four traditional<br />

songs, ‘The Wife of Usher’s Well’, ‘The Suffolk Miracle’, ‘The<br />

Unquiet Grave’, ‘Unfortunate Miss Bailey’, book-ended<br />

by the instrumental ‘Evocation’ <strong>and</strong> ‘Envoi’. Tate uses the<br />

unusual combination of instruments to great effect,<br />

especially in the sparsely scored second movement where<br />

the tune passes between the tenor <strong>and</strong> harmonica.<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

20 minutes<br />

The Lady of Shalott<br />

Tenor, viola, percussion (2 or 3 players), 2 pianos,<br />

<strong>and</strong> celesta<br />

Hire score <strong>and</strong> parts 9780193458185<br />

Written to celebrate the tenth anniversary of the BBC’s<br />

Third Programme, this four-movement cantata is based on<br />

Alfred, Lord Tennyson’s poem of the same name.<br />

25 minutes<br />

Nocturne<br />

Soprano, tenor, baritone, <strong>and</strong> bass soloists, string<br />

quartet, double bass, bass clarinet, <strong>and</strong> celesta<br />

Hire scores <strong>and</strong> parts 9780193383753<br />

In Nocturne (1946), Tate imaginatively sets a poem by<br />

Sidney Keyes (1922-43) which he wrote when he was just<br />

17, shortly before the outbreak of the Second World War.<br />

25 minutes<br />

The Rainbow <strong>and</strong> the Cuckoo<br />

Oboe, violin, viola, <strong>and</strong> cello<br />

Hire score <strong>and</strong> parts 9780193590250<br />

The Rainbow <strong>and</strong> the Cuckoo takes its title from a line in a<br />

poem by the Welsh poet W.H. Davies. The oboe is placed<br />

on an equal footing with the string trio, <strong>and</strong> the structure<br />

is of one continuous movement. The piece’s prominent<br />

feature is the repetition of the cuckoo’s call (a minor third)<br />

throughout the piece. Tate elongates these two notes into<br />

a 12-note motif played on all instruments, inverted, <strong>and</strong><br />

reversed, making a complex, characterful piece.<br />

18 minutes<br />

Sonata for Clarinet <strong>and</strong> Cello<br />

Clarinet <strong>and</strong> cello<br />

Cello part 9780193590076<br />

Clarinet in A part 9780193590069<br />

Score* 9780193590052<br />

The first movement is fairly slow <strong>and</strong> mostly cantabile.<br />

A feature is the persistent interruption of the flow by a<br />

curious sotto voce semitonal passage between the two<br />

instruments, played as if in brackets. The second <strong>and</strong> third<br />

movements are fairly straightforward, at least from the<br />

audience’s point of view. The fourth movement is the most<br />

elaborate <strong>and</strong> takes the form of free variations on thematic<br />

material heard in the first movement, but now much<br />

transformed.<br />

*Available from archive<br />

20 minutes<br />

String Quartet in F<br />

String quartet<br />

Hire parts 9780193590090<br />

The first movement displays a contrast between the<br />

‘vigoroso’ opening phrase <strong>and</strong> a second ‘grazioso’<br />

phrase. The second, entitled Cantilena, starts with an<br />

almost‐Alberti bass on the cello, over which the viola sings<br />

a long melodic phrase which is developed by the other<br />

instruments. In the third movement, a graceful waltz-like<br />

theme alternates with more strongly rhythmic passages.<br />

25 minutes<br />

Phyllis Tate<br />

95


Phyllis Tate<br />

Concerto for Alto Saxophone <strong>and</strong><br />

String Orchestra<br />

Alto saxophone <strong>and</strong> string orchestra<br />

Score <strong>and</strong> parts on hire 9780193677319<br />

Saxophone <strong>and</strong> piano reduction 9780193677302<br />

The Saxophone Concerto, commissioned by the BBC in<br />

1944, was Phyllis’s first major success, <strong>and</strong> showed her<br />

talent for <strong>and</strong> interest in exploring the potential of unusual<br />

<strong>and</strong> unfashionable instruments.<br />

22 minutes<br />

<strong>Orchestral</strong><br />

London Fields<br />

Full orchestra<br />

Score <strong>and</strong> parts on hire 9780193677326<br />

A four-movement Suite commissioned by the BBC for the<br />

Light Music Festival of 1958, this is a delightful <strong>and</strong> witty<br />

work for orchestra - light music at its very best.<br />

Contents: Springtime at Kew - Hampton Court: the Maze<br />

- St James’s Park: a Lakeside Reverie - Hampstead Heath:<br />

Rondo for Roundabouts<br />

20 minutes<br />

Panorama for String Orchestra<br />

String orchestra<br />

Score <strong>and</strong> parts on hire 9780193677852<br />

12 minutes<br />

Song Without Words<br />

<strong>Chamber</strong> orchestra<br />

Score <strong>and</strong> parts on hire 9780193677333<br />

7 minutes<br />

96


An Irish Song<br />

Solo violin<br />

Solo <strong>Instrumental</strong><br />

Score 9780193411579<br />

Available from archive<br />

Explorations around a Troubadour<br />

Song<br />

Solo clarinet <strong>and</strong> piano<br />

Score 9780193738096<br />

Available from Banks Music Publications<br />

20 minutes<br />

Fifteen Fingers<br />

Piano Duet<br />

Score 9780193738041<br />

Available from Banks Music Publications<br />

Let’s Play Piano Duets<br />

Piano Duet<br />

Score 9780193738041<br />

Available from Banks Music Publications<br />

Lyric Suite<br />

Piano Duet<br />

Score 9780193738072<br />

Available from Banks Music Publications<br />

18 minutes<br />

Prelude Aria Interlude Finale<br />

Solo clarinet <strong>and</strong> piano<br />

Score 9780193590304<br />

Available from archive<br />

15 minutes<br />

Three Pieces for Solo Clarinet<br />

Solo clarinet<br />

Score 9780193590298<br />

Available from archive<br />

7 minutes<br />

Triptych<br />

Solo violin <strong>and</strong> piano<br />

Score 9780193376342<br />

Available from archive<br />

15 minutes<br />

When I am laid in Earth (Dido’s<br />

Lament)<br />

Solo piano<br />

Score 9780193411654<br />

Available from Banks Music Publications<br />

Phyllis Tate<br />

97


Phyllis Tate<br />

The Lodger<br />

Full orchestra<br />

<strong>Opera</strong><br />

Score <strong>and</strong> parts on hire 9780193383500<br />

The Lodger is based on the novel of the same name by<br />

Marie Belloc Lowndes <strong>and</strong> tells the story of the Jack the<br />

Ripper murders of 1888, with the mysterious murderer’s<br />

l<strong>and</strong>lady being the main character of the opera. We see<br />

‘Jack’ as a psychopath - one moment kind <strong>and</strong> gentle,<br />

the next a maniac. Tate describes the opera as ‘bridging<br />

the opposed worlds of more advanced contemporary<br />

music <strong>and</strong> that of popular entertainment’. The libretto is<br />

by David Franklin, who was also a well-known soloist at<br />

the Royal <strong>Opera</strong> House <strong>and</strong> Glyndebourne. The work was<br />

commissioned by the Royal Academy of Music <strong>and</strong>, as<br />

such, is suitable for the capabilities of student performers.<br />

150 minutes<br />

What D’ye Call It<br />

Ensemble<br />

Hire score <strong>and</strong> parts 9780193383869<br />

What D’ye Call It is a one-act opera based on a tragi-comicpastoral<br />

farce written by John Gay in 1715, with the libretto<br />

for the opera written by V. C. Clinton-Baddeley. Wanting<br />

to write something completely different to The Lodger,<br />

Tate ‘felt that this play-within-a-play had possibilities as an<br />

opera-within-a-play <strong>and</strong> that it offered real scope for a vivid<br />

<strong>and</strong> imaginative production’. Commissioned by the 1966<br />

Cheltenham Festival.<br />

60 minutes<br />

The Lodger by Phyllis Tate.<br />

Photo credit: Heiko S<strong>and</strong>elmann_Stadttheater Bremerhaven<br />

98


A Pride of Lions<br />

Ensemble<br />

Hire score <strong>and</strong> parts 9780193384163<br />

A story for singing <strong>and</strong> staging suitable for 8-11 yearolds<br />

for voices (mostly unison with a little two-part),<br />

narrator, <strong>and</strong> ensemble. The words are by Ian Serraillier.<br />

The action is based on an old Persian tale of a virtuous <strong>and</strong><br />

accomplished, but cowardly, prince. The accompaniment is<br />

for recorders, guitars, <strong>and</strong> tuned <strong>and</strong> untuned percussion<br />

with optional parts for flute (plus picc.), clarinet, horn,<br />

bassoon, guitar, percussion.<br />

25 minutes<br />

Scarecrow<br />

Children’s choir <strong>and</strong> ensemble or piano <strong>and</strong><br />

percussion<br />

Score <strong>and</strong> parts on hire 9780193383548<br />

Vocal score* 9780193383524<br />

Written for junior singers, actors <strong>and</strong> dancers with<br />

instrumental ensemble or piano <strong>and</strong> percussion. The<br />

libretto was written by Michael Morpurgo, a Children’s<br />

Laureate (2003-05) <strong>and</strong> author of novels such as War Horse.<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

25 minutes<br />

Solar<br />

Unison voices <strong>and</strong> chamber orchestra<br />

Hire score <strong>and</strong> parts 9780193383586<br />

This is a school musical for unison voices <strong>and</strong> orchestra,<br />

also written in collaboration with Michael Morpurgo, which<br />

can be performed by small classes or on a larger scale.<br />

35 minutes<br />

Works for Young People<br />

The Story of Lieutenant<br />

Cockatoo<br />

Children’s choir <strong>and</strong> ensemble<br />

Hire score <strong>and</strong> parts 9780193383913<br />

Vocal score* 9780193383906<br />

The Story of Lieutenant Cockatoo is a musical play,<br />

commissioned by the BBC as part of the 1968 ‘Making<br />

Music’ series for children aged 10-11. The excellent<br />

libretto by Ronald Eyre is a potted version of Samuel<br />

Taylor Coleridge’s lengthy poem ‘The Rime of the Ancient<br />

Mariner’. The voices have singable, melodious lines,<br />

accompanied by chime bars <strong>and</strong> the tuned <strong>and</strong> untuned<br />

percussion usually found in a primary school, with<br />

additional optional instrumentation available for a Gala<br />

Performance.<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

25 minutes<br />

Twice in a Blue Moon<br />

Children’s choir <strong>and</strong> ensemble<br />

Hire chorus part 9780193383784<br />

Hire score <strong>and</strong> parts 9780193383791<br />

Vocal score* 9780193383777<br />

An amusing school musical with libretto by Christopher<br />

Hassall, telling the story of John Crome’s painting,<br />

Mousehold Heath. Commissioned to be performed by the<br />

Combined Farnham Boys’ <strong>and</strong> Girls’ Grammar Schools in<br />

1969, Tate masterfully writes for the teenaged boys’ voices,<br />

often using unison for the most sonority.<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

25 minutes<br />

Phyllis Tate<br />

99


Phyllis Tate<br />

Secular <strong>Choral</strong> Works<br />

All the World’s a Stage<br />

SATB <strong>and</strong> full orchestra<br />

Score <strong>and</strong> parts on hire 9780193383456<br />

Vocal score available from Banks Music Publications<br />

16 minutes<br />

<strong>Choral</strong> Scenes from Bacchae<br />

Double choir <strong>and</strong> organ<br />

Vocal scores on hire 9780193383401<br />

17 minutes<br />

Compassion<br />

SA soli, SATB, <strong>and</strong> chamber orchestra<br />

Scores <strong>and</strong> instrumental parts on hire 9780193383487<br />

13 minutes<br />

St Martha <strong>and</strong> the Dragon<br />

Narrator, solo soprano, solo tenor, SA, SATB,<br />

chamber orchestra, <strong>and</strong> tape<br />

Scores <strong>and</strong> instrumental parts on hire 9780193383982<br />

One of Tate’s last choral works, this is a setting of a dramatic<br />

narrative poem by Charles Causley which re-tells in direct<br />

<strong>and</strong> vivid verse the Provençal legend of St Martha saving<br />

the people of Tarascon from a monstrous dragon by<br />

gentle persuasion <strong>and</strong> the power of love. This work was<br />

commissioned by the Barnet <strong>and</strong> District <strong>Choral</strong> Society<br />

<strong>and</strong> funded by the Arts Council. With humourous touch,<br />

the musical notes B, D <strong>and</strong> C feature prominently in the<br />

score.<br />

42 minutes<br />

A Secular Requiem<br />

(The Phoenix <strong>and</strong> the Turtle)<br />

SATB, organ, <strong>and</strong> orchestra<br />

Score <strong>and</strong> parts on hire 9780193384071<br />

Vocal score on hire 9780193384064<br />

Originally written for tenor voice, flute, horn, two cellos,<br />

piano, <strong>and</strong> harpsichord, this second version is scored for<br />

mixed chorus, double winds, trumpet, trombone, four<br />

cellos, <strong>and</strong> organ. Both beginning <strong>and</strong> ending with a<br />

funeral, this is a setting of a bird-themed poem, attributed<br />

to Shakespeare, with many allegorical <strong>and</strong> historical<br />

interpretations.<br />

The story, of how the phoenix (female) <strong>and</strong> turtledove<br />

(male) fall in love <strong>and</strong> then die together in a fire, is rich in<br />

poetic associations. Tate’s composition has been applauded<br />

for its directness of setting <strong>and</strong> the apt <strong>and</strong> imaginative<br />

music, instrumentation, <strong>and</strong> scoring.<br />

15 minutes<br />

Seven Lincolnshire Folk Songs<br />

SATB, piano, <strong>and</strong> percussion<br />

Vocal score* 9780193437395<br />

Hire vocal <strong>and</strong> instrumental scores 9780193448766<br />

Contents:<br />

The Sprig of Thyme<br />

Six Dukes Went A-Fishing<br />

T’owd yowe wi’ one Horn<br />

Early one Spring<br />

Bold William Taylor<br />

Horkstow Grange (John Bowlin’)<br />

Oats <strong>and</strong> Beans <strong>and</strong> Barley Grows<br />

*Vocal score available to purchase from Banks Music<br />

Publications<br />

17 minutes<br />

100


Secular <strong>Choral</strong> Leaflets<br />

All the pretty horses<br />

No. 3 from Six Songs for Children<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411036<br />

Available from Banks Music Publications<br />

Cielito Lindo<br />

Two-part <strong>and</strong> piano<br />

Vocal score 9780193414723<br />

Available from Banks Music Publications<br />

Close to your mother<br />

SA or SB <strong>and</strong> piano<br />

Vocal score 9780193414952<br />

Available from Banks Music Publications<br />

Dry Bones<br />

SATB unaccompanied<br />

Vocal score 9780193428775<br />

Available from Banks Music Publications<br />

Engraved on the collar of a dog<br />

SATB unaccompanied<br />

Vocal score 9780193430693<br />

Available from Banks Music Publications<br />

A farmer went trotting<br />

No. 4 from Six Songs for Children<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411005<br />

Available from Banks Music Publications<br />

The Foolish Boy (Swapping<br />

Song)<br />

Two-part <strong>and</strong> piano<br />

Vocal score 9780193414051<br />

Available from Banks Music Publications<br />

Frere Jacques<br />

SATB, piano, double bass, <strong>and</strong> percussion<br />

Vocal score 9780193397699<br />

Available from Banks Music Publications<br />

The Frog in the Well<br />

SSA unaccompanied<br />

Vocal score 9780193425057<br />

Available from Banks Music Publications<br />

Go to the market daughter fair<br />

SB <strong>and</strong> piano<br />

Vocal score 9780193414921<br />

Available from Banks Music Publications<br />

Hearken Brethren<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193419995<br />

Available from Banks Music Publications<br />

How deep the snow<br />

SSAA <strong>and</strong> piano<br />

Vocal score 9780193425804<br />

Available from Banks Music Publications<br />

Hurry hurry quickly shepherd<br />

boy<br />

SA or SB <strong>and</strong> piano<br />

Vocal score 9780193414969<br />

Available from Banks Music Publications<br />

In Paris there lived a lady<br />

Two-part <strong>and</strong> piano<br />

Vocal score 9780193414983<br />

Available from Banks Music Publications<br />

I’se the b’y that builds the boat<br />

Unison or two-part <strong>and</strong> piano<br />

Vocal score 9780193414822<br />

Available from Banks Music Publications<br />

Phyllis Tate<br />

101


Phyllis Tate<br />

The Lark in the Clear Air<br />

Solo voice or unison voices <strong>and</strong> piano or string<br />

orchestra<br />

Vocal score* 9780193419612<br />

Hire scores <strong>and</strong> parts 9780193446175<br />

*Vocal score available from Banks Music Publications<br />

10 minutes<br />

The Last Rose of Summer<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193376373<br />

Available from Banks Music Publications<br />

Laughing Song<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410664<br />

Available from Banks Music Publications<br />

Little Piggy<br />

No. 6 from Six Songs for Children<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410985<br />

Available from Banks Music Publications<br />

Lullaby<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410718<br />

Available from Banks Music Publications<br />

My heart’s in the highl<strong>and</strong>s<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410671<br />

Available from Banks Music Publications<br />

Old MacDonald had a farm<br />

Two-part <strong>and</strong> piano<br />

Vocal score 9780193414471<br />

Available from Banks Music Publications<br />

Shepherd Boy’s Song<br />

SATB, piano, <strong>and</strong> optional glockenspiel<br />

Vocal score 9780193429734<br />

Available from Banks Music Publications<br />

Soldier won’t you marry me?<br />

SSA unaccompanied<br />

Vocal score 9780193403789<br />

Available from Banks Music Publications<br />

Street Sounds<br />

SATB, piano <strong>and</strong> percussion<br />

Vocal score 9780193414679<br />

Available from Banks Music Publications<br />

Sunday in the country<br />

No. 5 from Six Songs for Children<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410992<br />

Available from Banks Music Publications<br />

The Thirsty Fly<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410657<br />

Available from Banks Music Publications<br />

Though I’m My Father’s Only Child<br />

SATB <strong>and</strong> piano<br />

Vocal score 9780193410695<br />

Available from Banks Music Publications<br />

Three Bohemian Songs<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411586<br />

Available from Banks Music Publications<br />

102


Three Slovak Songs<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411609<br />

Available from Banks Music Publications<br />

Three Old Songs of Quebec<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411593<br />

Available from Banks Music Publications<br />

Weathers<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193410688<br />

Available from Banks Music Publications<br />

Phyllis Tate<br />

What does the little birdie say? &<br />

The brave old Duke of York<br />

No. 1 <strong>and</strong> 2 from Six Songs for Children<br />

Unison <strong>and</strong> piano<br />

Vocal score 9780193411050<br />

Available from Banks Music Publications<br />

When I am a-roaming<br />

Unison or two-part <strong>and</strong> piano<br />

Unison vocal score 9780193419711<br />

Two-part vocal score 9780193414518<br />

Available from Banks Music Publications<br />

103


Phyllis Tate<br />

Christmas <strong>Choral</strong> Works<br />

Serenade to Christmas<br />

Mezzo-soprano solo, SATB, <strong>and</strong> full orchestra<br />

Score <strong>and</strong> parts on hire 9780193384200<br />

Vocal score available from Banks Music Publications<br />

22 minutes<br />

Christmas <strong>Choral</strong> Leaflets<br />

Carol for Christmas Eve<br />

SATB <strong>and</strong> piano or organ<br />

Vocal score 9780193430761<br />

Available from Banks Music Publications<br />

Carol with Lullaby<br />

SATB <strong>and</strong> piano or string orchestra<br />

Vocal score* 9780193410725<br />

Hire conductor’s score <strong>and</strong> parts 9780193446809<br />

*Vocal score available from Banks Music Publications<br />

6 minutes<br />

Glad Christmas Comes<br />

Two-part <strong>and</strong> piano<br />

Vocal score 9780193387485<br />

Available from Banks Music Publications<br />

Peace on earth to men<br />

SATB <strong>and</strong> piano <strong>and</strong> organ<br />

Vocal score 9780193430570<br />

Available from Banks Music Publications<br />

A prince is born<br />

SSA <strong>and</strong> piano<br />

Vocal score 9780193410701<br />

Available from Banks Music Publications<br />

Sailing in<br />

SATB <strong>and</strong> organ/piano<br />

Vocal score 9780193430211<br />

Available from Banks Music Publications<br />

Three Moravian Carols<br />

SATB or unison <strong>and</strong> piano or chamber orchestra<br />

SATB vocal score 9780193865532<br />

Unison vocal score* 9780195366112<br />

Three carols (‘Andrew mine, Jasper mine’, ‘By the wayside’<br />

<strong>and</strong> Long ago in Bethlehem), arranged by Stephen Mager.<br />

*Unison vocal score available from Banks Music<br />

Publications<br />

3.5 minutes<br />

Twelve Days of Christmas<br />

SSA unaccompanied<br />

Vocal score 9780193378261<br />

Available from Banks Music Publications<br />

The Virgin <strong>and</strong> Child<br />

SATB <strong>and</strong> organ or piano<br />

Vocal score 9780193429604<br />

Available from Banks Music Publications<br />

Wassail all over the town!<br />

SATB <strong>and</strong> chamber orchestra<br />

Vocal score* 9780193429901<br />

Hire conductor’s score <strong>and</strong> parts 9780193447707<br />

*Vocal score available from Banks Music Publications<br />

6 minutes<br />

104


Solo Voice<br />

Brother James<br />

Medium voice <strong>and</strong> piano<br />

Vocal score 9780193458116<br />

Available from Banks Music Publications<br />

Cradle Song<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193410749<br />

Available from Banks Music Publications<br />

Epitaph<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193410756<br />

Available from Banks Music Publications<br />

I sing of a maiden<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193385405<br />

Available from Banks Music Publications<br />

The Lark in the Clear Air<br />

High voice <strong>and</strong> piano<br />

Vocal score 9780193458154<br />

Available from Banks Music Publications<br />

My love could walk<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193410732<br />

Available from Banks Music Publications<br />

The quiet mind<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193385412<br />

Available from Banks Music Publications<br />

The Snowy-Breasted Pearl<br />

Medium voice <strong>and</strong> piano<br />

Vocal score 9780193385429<br />

Available from Banks Music Publications<br />

Two Songs<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193411296<br />

Contents: ‘The Cock’ <strong>and</strong> ‘The Falcon’.<br />

Available from Banks Music Publications<br />

Songs of Sundrie Kindes<br />

Tenor <strong>and</strong> lute<br />

Vocal score 9780193458291<br />

Available from Banks Music Publications<br />

The Water of the Tyne<br />

Solo voice <strong>and</strong> piano<br />

Vocal score 9780193458208<br />

Available from Banks Music Publications<br />

Phyllis Tate<br />

105


Voth - Watson<br />

- Ellen Gilson Voth -<br />

The Circle of Time<br />

SSAATTBB & solo voices, unaccompanied<br />

Vocal score 9780193868779<br />

2 minutes<br />

An Advent Carol<br />

SATB or SSA <strong>and</strong> Keyboard<br />

SATB vocal score 9780193868755<br />

SSA vocal score 9780193868762<br />

“This Advent moon shines cold <strong>and</strong> clear” - this piece<br />

sets text by Christina Rossetti <strong>and</strong> includes a flexible<br />

accompaniment for organ or piano.<br />

3.5 minutes<br />

<strong>Choral</strong> Secular<br />

<strong>Choral</strong> Advent & Christmas<br />

A la Cart<br />

- Judith Watson -<br />

4-part upper voices & piano<br />

Vocal score 9780193426467<br />

Digital 9780193537385<br />

A witty <strong>and</strong> amusing encore item for 4 equal upper voices<br />

<strong>and</strong> piano, describing a little-known incident from the<br />

boyhood of Mozart. With Mozartean melodies <strong>and</strong> Alberti<br />

bass, the song includes a simple but effective four-part<br />

canon.<br />

3 minutes<br />

<strong>Choral</strong> Secular<br />

106


Blessed assurance<br />

SSAATTBB unaccompanied<br />

Vocal score 9780193870260<br />

This rhythmic <strong>and</strong> spirited setting of the familiar hymn<br />

starts off with men’s voices split into three- to six-part<br />

harmony in homophony. The women join <strong>and</strong> the texture<br />

thickens <strong>and</strong> varies producing a broad <strong>and</strong> spacious sound,<br />

decorated with syncopation <strong>and</strong> dramatic pauses.<br />

4 minutes<br />

- Nancy Wertsch -<br />

<strong>Choral</strong> Sacred<br />

Spirituals<br />

Nancy Wertsch<br />

Didn’ my Lord deliver Daniel?<br />

SATB unaccompanied<br />

Vocal score 9780193870277<br />

Right from the first bar, this upbeat, refreshing<br />

arrangement of the African-American spiritual will catch<br />

the attention of the performer <strong>and</strong> audience. Culminating<br />

in six-part harmony with dramatic pauses, this memorable<br />

work makes for the perfect encore.<br />

2.5 minutes<br />

Ride on, King Jesus!<br />

SATB unaccompanied<br />

Vocal score 9780193870284<br />

All are bound to get caught up in the energy <strong>and</strong> fervour of<br />

this new setting of the spiritual Ride On, King Jesus!<br />

Wertsch uses the full range of dynamics <strong>and</strong> so adds<br />

intensity <strong>and</strong> variety to the verses. This is a great concert<br />

piece as well as an uplifting hymn for a service.<br />

2 minutes<br />

107


Grace Williams<br />

- Grace Williams -<br />

1906 - 1977<br />

Grace Williams was one of the most prominent <strong>and</strong><br />

celebrated Welsh composers of the twentieth-century,<br />

<strong>and</strong> the influence of the l<strong>and</strong>scapes of <strong>and</strong> culture in<br />

Wales on her works is distinct.<br />

After graduating from University College, Cardiff,<br />

Williams pursued further studies with Ralph Vaughan<br />

Williams <strong>and</strong> Gordon Jacob at the Royal College of<br />

Music in London <strong>and</strong> then, on scholarship, with Egon<br />

Wellesz in Vienna. After her return to London in the<br />

early 1930s, she taught for a number of years at the<br />

Camden School for Girls <strong>and</strong> at Southl<strong>and</strong>s College of<br />

Education, in London.<br />

Her ‘homecoming’ to Barry, Wales in 1947 marked<br />

a new phase of her life. She worked on educational<br />

programmes for the BBC, but her main activity was<br />

as a composer; writing most of her major works in<br />

response to commissions from the BBC, the Royal<br />

National Eisteddfod, <strong>and</strong> festivals at Ll<strong>and</strong>aff <strong>and</strong><br />

Swansea. Williams’ output is mainly for orchestra <strong>and</strong><br />

for voices with orchestra, although she also wrote<br />

several songs <strong>and</strong> pieces for solo instruments. She<br />

was also one of the first women to write music for film<br />

(Blue Scar, 1948).<br />

Williams has had a notable influence on generations of<br />

Welsh composers both while alive <strong>and</strong> after her death,<br />

<strong>and</strong> has a position of great importance in the musical<br />

language of twentieth-century British music.<br />

108


Fantasia on Welsh Nursery Tunes<br />

Full orchestra<br />

2 fl (II+picc), 2 ob, 2 cl, 2 bn, 4 hn, 2 tpt, 2 tbn, btbn,<br />

timp, 2 perc (SD, glock, tri, tamb, clash cym), hp, str<br />

Hire score <strong>and</strong> parts 9780193688490<br />

One of William’s most popular works, Fantasia on Welsh<br />

Nursery Tunes is a light-hearted musical journey through<br />

childhood in eight traditional tunes. The jubilant start<br />

to the work is echoed in the finale with a calmer, but<br />

effectively scored, middle section. Melodies used include:<br />

Jim Cro, Deryn y Bwn o’r Banna, Migildi Magildi, Si Hei Lwli<br />

‘Mabi, Gee ceffyl bach, Cysga di fy mhlentyn tlws, Yr eneth<br />

ffein ddu, <strong>and</strong> Cadi ha!<br />

11 minutes<br />

Penillion<br />

Full orchestra<br />

2 fl, 2 ob, 2 cl, 2 bn, 4 hn (2 opt), 2 tpt, 3 tbn, timp, perc<br />

(cym, SD, glock, cast), hp, str<br />

Hire score <strong>and</strong> parts 9780193688810<br />

In this four-movement suite for orchestra, Williams adapts<br />

characteristics from ‘canu penillion’ or ‘cerdd dant’ (penillion<br />

singing), a Welsh tradition going back centuries. ‘Penillion<br />

is the Welsh word for stanzas. It gives the impression of<br />

being a free improvisation, sung to the accompaniment of<br />

a Welsh air played on the harp. This orchestral suite breaks<br />

with tradition in many respects: it does not include any<br />

Welsh airs, <strong>and</strong> there is not always a contrast between the<br />

Penillion <strong>and</strong> the accompaniment. Nevertheless, it retains<br />

the narrative style, stanza form, <strong>and</strong> many melodic <strong>and</strong><br />

rhythmic characteristics of traditional Penillion.’<br />

—Grace Williams<br />

14 minutes<br />

<strong>Orchestral</strong> Works<br />

Grace Williams<br />

Sea Sketches<br />

String orchestra<br />

Hire score <strong>and</strong> parts 9780193688841<br />

One of Grace Williams’ most popular works, Sea Sketches<br />

is an evocative description of the moods of the sea in five<br />

movements: High Wind - Sailing Song - Channel Sirens -<br />

Breakers - Calm Sea in Summer. The suite is dedicated to<br />

Williams’ parents.<br />

17 minutes<br />

109


Grace Williams<br />

<strong>Choral</strong> Works Secular<br />

The Dancers (1951)<br />

Soprano solo, SSA choir, harp or piano, <strong>and</strong> string<br />

orchestra<br />

Vocal score available from Banks Music Publications<br />

Hire conductor’s score <strong>and</strong> parts 9780193448865<br />

A choral suite in five movements by five writers; H.D.<br />

(Songs of Cyprus) Hilaire Belloc, Thomas Chatterton, May<br />

Sarton, <strong>and</strong> Kathleen Raine. The soprano solo sings the<br />

dream-like first movement ‘Gather For Festival’ then the<br />

upper voice choir sing the more lively Tarantella before<br />

both solo <strong>and</strong> chorus joining for the Roundelay. The<br />

haunting ‘Lose the pain in the snow’ (for choir <strong>and</strong> sparsesounding,<br />

chordal accompaniment) follows, before we are<br />

taken ‘To the Wild Hills’ in a spirited, final movement that<br />

dies away mirroring the lyrics “...the dance will be still...”.<br />

A recording of this, <strong>and</strong> other works by Grace Williams can<br />

be found on the Ch<strong>and</strong>os record label (CD CHAN 9617).<br />

Premiere: 18 November 1954, Joan Sutherl<strong>and</strong> (soprano),<br />

Penarth Ladies’ Choir, BBC Welsh Orchestra, Arwel Hughes.<br />

10 minutes<br />

<strong>Choral</strong> Leaflet Secular<br />

Belinda went to the well<br />

(Margoton va-t-à-l’eau)<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

The Blackbird (Y Fwyalchen)<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

Bonny at Morn<br />

No. 3 from Four Folk Songs<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

The Cavalier on Patrol (Le Chevalier<br />

du Guet)<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

Dalmation Lullaby<br />

No. 2 from Yugoslav Folk Songs<br />

Unison voices <strong>and</strong> piano<br />

Vocal score 9780193512115<br />

Available from Banks Music Publications<br />

The Gentle Dove (Y Deryn Pur)<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

The Jolly Pedlar<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

The Little Princess<br />

S(A) <strong>and</strong> piano or harp<br />

Available from Banks Music Publications<br />

Mary Mary Maiden<br />

No. 1 from Yugoslav Folk songs<br />

Unison voices <strong>and</strong> string orchestra<br />

Vocal score 9780193512139<br />

Hire conductor’s score <strong>and</strong> parts 9780193444362<br />

One of three Yugoslav folk songs arranged by Grace<br />

Williams in the early 1950s, with English text written by the<br />

composer.<br />

Vocal score available from Banks Music Publication<br />

6 minutes<br />

O Rare Turpin<br />

No. 1 from Four Folk Songs<br />

Unison voices <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

The Pearly Adriatic<br />

No. 3 from Yugoslav Folk Songs<br />

Two-part or S(A)chorus, string orchestra, piano,<br />

<strong>and</strong> opt. organ<br />

Vocal score 9780193512146<br />

Hire conductor’s score <strong>and</strong> parts 9780193445680<br />

One of three Yugoslav folk songs arranged by Grace<br />

Williams in the early 1950s, with English text written by the<br />

composer.<br />

Vocal score available from Banks Music Publication<br />

6 minutes<br />

110


The Shepherdess<br />

No. 2 from Four Folk Songs<br />

Unison voices <strong>and</strong> string orchestra<br />

Vocal score available from Banks Music Publications<br />

Hire conductor’s score <strong>and</strong> parts 9780193444225<br />

6 minutes<br />

The Song of the Flax<br />

No. 4 from Four Folk Songs<br />

Unison voices (optional descant) <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

Three Lyrics (from the plays of<br />

Shakespeare)<br />

SSA <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

Vale of Llanberis<br />

S(A) <strong>and</strong> piano or harp<br />

Vocal score 9780193524774<br />

Available from Banks Music Publications<br />

Ave Maris Stella<br />

SATB unaccompanied<br />

<strong>Choral</strong> Sacred<br />

Vocal score 9780193387553<br />

Available from Banks Music Publications<br />

The Loom<br />

Low/ Medium voice <strong>and</strong> piano<br />

Available from Banks Music Publications<br />

Watching the Wheat (Bugeilio’r<br />

Gwenith Gwyn)<br />

High voice <strong>and</strong> piano<br />

Solo Voice<br />

Available from Banks Music Publications<br />

Grace Williams<br />

111


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