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WINE with John Rozentals<br />

Clive Jones.<br />

His Paper<br />

Nautilus<br />

is the real<br />

deal.<br />

A SCRUMMY NEW RED<br />

No other wine seems to ride such a precarious bow<br />

wave of success on the Australian market as does<br />

sauvignon blanc from the Marlborough region, at the<br />

north-eastern end of the South Island.<br />

It’s fairly easy to see why it overtook chardonnay as<br />

Australia’s single-biggest wine three or four years ago.<br />

Drinkers are confident with it. They stick their nose<br />

into a glass and know straight away what they’ve got,<br />

just from the unmistakable herbaceous, tropical-fruit<br />

aroma, which some have rather ungraciously likened<br />

to cats’ pee.<br />

Much of the wine seems to come from overcropped<br />

vineyards and lacks the palate structure to satisfy the<br />

second-glass test for many drinkers, including this one.<br />

Let alone a third-glass test!<br />

A few vintages ago, Nautilus Estate winemaker, Clive<br />

Jones, determined to do something about the situation,<br />

making a 2015 The Paper Nautilus Sauvignon Blanc, a<br />

wine styled more like a chardonnay and very dependent<br />

on barrel-fermentation and maturation on yeast lees.<br />

Personally, I applauded the attempt, but thought that<br />

Jones had gotten off at Redfern. He just hadn’t quite<br />

gone through with the job and left me wondering what<br />

might have been.<br />

With the 2016 vintage he repeated the exercise, this<br />

time, I think, doing it properly. His 2016 The Paper<br />

Nautilus is the real deal (see tasting notes below) and<br />

I reckon joins the ranks of Cloudy Bay’s Te Koko in<br />

having broken the mould of Marlborough sauvignon<br />

and presenting a much needed new face to the variety<br />

—one which will see it beyond the cult, but possibly<br />

ephemeral, following it now has.<br />

The name, incidentally, comes from an octopus-like<br />

cephalopod also known as an argonaut, which isn’t<br />

really a nautilus at all. The female builds a papery<br />

nautilus-like shell to live in while her eggs hatch.<br />

TOP SHELF with John Rozentals<br />

THE PAPER NAUTILUS 2016<br />

Marlborough Sauvignon<br />

Blanc ($35)<br />

NAUTILUS 2017<br />

Marlborough Sauvignon<br />

Blanc ($28)<br />

TWIN ISLANDS 2017<br />

Marlborough Sauvignon<br />

Blanc ($18)<br />

<strong>QHA</strong> REVIEW | 60<br />

A gloriously complex dry white,<br />

showing an unmistakable<br />

sauvignon blanc edge to<br />

the aroma but having so<br />

much more as well — and<br />

particularly pleasing depth on<br />

the palate. I like the nuttiness<br />

on the aroma, which I presume<br />

comes from maturation on<br />

yeast lees. Jones suggests<br />

matching with oysters dressed<br />

with chilli and lime. I’m not<br />

disagreeing. Yum!<br />

Loads of passionfruit<br />

here and good palate<br />

weight from use of fully<br />

ripe, judiciously cropped<br />

grapes. Just a tad (about<br />

2 per cent) of the fruit<br />

was given the Paper<br />

Nautilus treatment and<br />

fermented on barrel. If<br />

you’re going to drink<br />

Marlborough savvy,<br />

I’d certainly<br />

recommend this.<br />

Much more in<br />

the conventional<br />

Marlborough savvy style<br />

— and more towards its<br />

usual price-point — but<br />

at least it seems to be<br />

made from genuinely<br />

ripe fruit. No real<br />

complexity, but citrusy<br />

and pungent, with a<br />

racy finish.

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