15.03.2018 Views

Aziz art March 2018

History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman

History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman

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Through detailed stacking and<br />

shading, has turned them into<br />

patterns.A sort of optical illusion is<br />

produced by this stacking that<br />

concentrates how they are viewed.<br />

This can clearly be seen in the<br />

works of Victor Vasarely (1906-<br />

1997) and Bridget Riley (b.1931)<br />

whose works stress<br />

the relationship of form and<br />

narrative. In fact Khodadadi<br />

endeavors to portray these<br />

accomplishments of modern<br />

painting on a few level in his<br />

work. The envisioning of either a<br />

waxing or waning process while<br />

looking at the<br />

Perplexity(Bewildered) series<br />

is an example of this <strong>art</strong>ifice. The<br />

relief-type textures Khodadadi<br />

also adhere to the amassing<br />

of one form and its<br />

transformations. By changing<br />

integral aspects<br />

of shapes, patterns and patina he<br />

creates diversity within the<br />

redundant rhythm of shapes. The<br />

painting of Khodadadi′s 'Perplexity'<br />

series focus on the flow of a<br />

landscape and its transformation to<br />

patterns and on how a chaotic<br />

atmosphere and immense and<br />

graduated space can be reproduced<br />

on canvas or vice versa.It is as if<br />

perspective appears and disappears<br />

through the brushing aside of the<br />

fields of straw. Simultaneously<br />

these are simply works of <strong>art</strong> with<br />

visual elements that under their<br />

own layers find connections to<br />

literary subjects.<br />

Exhibitions<br />

Several solo exhibitions in :Golestan<br />

Gallery, Barg Gallery, Haft Samar<br />

Gallery, Mah Art Gallery,Hoor Art<br />

Gallery and Boom <strong>art</strong><br />

Gallery.P<strong>art</strong>icipation in the<br />

collective exhibition of more than<br />

140 domestic and foreign

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