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Viva Lewes Issue #138 March 2018

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ON THIS MONTH: CLASSICAL MUSIC<br />

Photo by Ash Mills<br />

Haydn’s Creation<br />

A special anniversary concert<br />

The Esterházy Chamber Choir, named after<br />

Austrian composer Joseph Haydn’s patron Prince<br />

Nikolaus Esterházy, was formed in <strong>Lewes</strong> a<br />

quarter of a century ago. It’s highly fitting, then,<br />

that the choir have chosen Haydn’s Creation to<br />

perform, at <strong>Lewes</strong> Town Hall, to celebrate their<br />

own beginnings.<br />

Amateur choirs need to raise money to put on<br />

concerts, in order to pay for the orchestra, any<br />

solo singers that are needed, and the venue hire.<br />

Putting on Haydn’s 1798 masterpiece isn’t a venture<br />

that allows for the cutting of many corners.<br />

The oratorio is a depiction of the creation of the<br />

world as described in the Book of Genesis, including<br />

a musical representation of a lion, a tiger, insects<br />

and a serpent. The choir, 30-40-members strong,<br />

will be joined by a similar-sized orchestra: it<br />

promises to be quite a spectacle.<br />

“We needed to hire three professional soloists, and<br />

we wanted a high quality orchestra, so we hired<br />

the world-renowned London Mozart Players,”<br />

says Matthew Spencer, a first bass who has been<br />

singing with the choir for twenty years. None<br />

of this came cheap, of course. “So we devised a<br />

novel way of raising money, which we dubbed the<br />

Carol-athon.”<br />

There exists a tome affectionately called ‘The<br />

Green Book’ which contains many traditional carols<br />

– over 50 of them – “half of which you rarely<br />

hear sung any more”. The choir raised over £1,700<br />

by singing every note of every carol – in one marathon<br />

session of three hours – in December. “It was<br />

hugely enjoyable,” he says, “but I don’t think we’ll<br />

do it every year.”<br />

The choir has had an injection of fresh blood:<br />

there are three recently joined members who<br />

weren’t yet born when it started up… and its recently<br />

appointed musical director, Richard Dawson<br />

(above, bottom row), is at the beginning of what<br />

looks like a stellar career. Richard, just 26, is the<br />

Deputy Director of Music at Brighton College and<br />

Director of Music at St Paul’s Church, Brighton.<br />

The choir has delighted audiences with many<br />

memorable concerts over the years, under a number<br />

of different directors. When pressed to mention<br />

one concert in particular, Matthew recalls the<br />

choir’s 15th anniversary celebration, at St John sub<br />

Castro, a performance of Bach’s St John Passion,<br />

conducted by guest director Nigel Perrin, a big<br />

star in the choral music scene and formerly of The<br />

King’s Singers. “A member of the choir generously<br />

sponsored that concert instead of throwing a party<br />

for a significant birthday of their own that year,”<br />

he says.<br />

The future sounds healthy, and we can expect<br />

much more from the choir, which performs four<br />

concerts every year: an a capella performance,<br />

a couple of concerts generally accompanied by<br />

piano or organ, and a “flagship” show with a hired<br />

orchestra. This is a flagship performance deluxe,<br />

an apt way of celebrating the choir’s birthday. “A<br />

party’s just a party,” concludes Matthew. “But a<br />

great concert will be remembered for ever.”<br />

Alex Leith<br />

Haydn The Creation, 7pm, 25th <strong>March</strong>, Town Hall.<br />

esterhazychoir.org<br />

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