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2015 Cambridge Film Festival Brochure

The full Festival brochure for the 35th Cambridge Film Festival.

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<strong>Cambridge</strong><br />

FILMFESTIVAL<strong>2015</strong><br />

3rd – 13th September<br />

UK Premieres 3-D Special Event Camera Catalonia Lech Majewski<br />

Contemporary German Cinema Victor Sjöström Dark Pictures<br />

Lates @ The Light ShortFusion Family <strong>Film</strong> <strong>Festival</strong>


Contents<br />

4<br />

Movies on<br />

the Meadows<br />

6<br />

Opening Night<br />

3-D Special Event<br />

Closing Day Event<br />

7<br />

Main<br />

Features<br />

18 <strong>Festival</strong><br />

Diary<br />

Face to Face page 9<br />

20 Contemporary<br />

German Cinema<br />

22<br />

23 Lech<br />

Majewski<br />

24 Victor<br />

Sjöström<br />

Camera Catalonia<br />

<strong>Film</strong> Hub Central<br />

East Presents…<br />

54: The<br />

Director’s Cut<br />

page 26<br />

25<br />

Dark Pictures<br />

Microcinema<br />

26 Lates<br />

@ The Light<br />

28 Driving<br />

Visions<br />

29 ShortReel<br />

Into <strong>Film</strong><br />

Hitchcock Trilogy<br />

Artist Cinema<br />

30<br />

The Sky Above Us page 14<br />

Family <strong>Film</strong><br />

<strong>Festival</strong><br />

32 ShortFusion<br />

34 A-Z<br />

of <strong>Film</strong>s<br />

36 Venues<br />

and Map<br />

Tell Spring Not to Come This Year page 14<br />

CFF STAFF<br />

<strong>Festival</strong> Director<br />

Tony Jones<br />

<strong>Festival</strong> Manager & <strong>Brochure</strong> Editor<br />

Iris Ordonez<br />

Operations Manager<br />

Alex Thompson<br />

Technical Manager<br />

Joe Delaney<br />

Marketing & Communications Manager<br />

Owen Baker<br />

International Programmers Bill Lawrence & Iris Ordonez<br />

Contemporary German<br />

Cinema Programmer<br />

Verena von Stackelberg<br />

Camera Catalonia & 3-D Programmer Ramon Lamarca<br />

Dark Pictures & Microcinema<br />

Programmers<br />

James Mackay & Will Fowler<br />

Driving Visions Programmer<br />

Jason Wood<br />

Family <strong>Film</strong> <strong>Festival</strong> Programmer<br />

Becky Innes<br />

Lech Majewski Retrospective Programmer Bill Lawrence<br />

Short Fusion & Submissions Coordinator Sarah McIntosh<br />

Victor Sjöström Retrospective Programmer Margaret Deriaz<br />

Programme Consultant<br />

Nicola Beaumont<br />

Projectionists Jesse Wood, Roger Smith & Jonathan Carpenter<br />

Events Assistants<br />

Emma Fairhurst, Sam Lucas<br />

Marketing Assistant<br />

Kayleigh Barnes<br />

<strong>Brochure</strong> Design<br />

Dan Taylor<br />

<strong>Festival</strong> PR<br />

Margaret PR - Sarah Bemand<br />

<strong>Cambridge</strong> 105<br />

Toby Miller<br />

<strong>Festival</strong> Interns<br />

Lily Bruce, Joanna Buttercase,<br />

Rosie Cavanagh, Bex Church, Morwenna Kotz,<br />

Sam Gallagher, Poppy Goldman, Nicola Gutteridge, Olivia<br />

Norris, Polly Louise Rayns, Ben Rimmington & Cristina Roures<br />

Plus all the amazing volunteers<br />

and all the hard-working film submission reviewers<br />

TAKE ONE FESTIVAL MAGAZINE<br />

Editor In Chief<br />

Rosy Hunt<br />

Managing Editor<br />

Jim Ross<br />

Deputy Editor<br />

Edd Elliott<br />

Sub-Editors Mark Liversidge, Stephen Watson & Ben Dalton<br />

CAMBRIDGE FILM TRUST<br />

Becky Innes, Nicolas Joicey, Tony Jones,<br />

Jean Khalfa, Isabelle McNeill & Lord Richard Wilson<br />

AT THE ARTS PICTUREHOUSE<br />

General Manager<br />

Keith Gehlert<br />

Marketing Manager<br />

Jack Toye<br />

Technical Manager<br />

Clare Mackenzie<br />

Duty Managers<br />

Patrick Bradbury, Jenifer Randell<br />

& Catherine Smith<br />

Projectionists<br />

Laurence Anderson, Rydian Cook<br />

& Hitomi Shinozaki<br />

AT THE LIGHT<br />

Head of UK Operations<br />

Phil Dove<br />

Education, Events & Marketing Manager Jane Woodason<br />

General Manager<br />

John Farrugia<br />

Assistant Manager<br />

Hayley Croot<br />

Supervisors<br />

Peter Bruce & Josh Jansen-Bowen


Something for everyone<br />

- and savings galore! -<br />

at the 35th <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong><br />

Whether you’re an out-and-out film fanatic looking for<br />

your annual <strong>Festival</strong> fix, or you only manage to get out<br />

to the pictures once in a blue moon, we’ve got it covered.<br />

This year’s <strong>Festival</strong> features specially selected screenings<br />

for everyone from parents with babies to retirees, all<br />

scheduled at convenient times and locations - and with<br />

many options for massive ticket discounts too!<br />

Here’s a quick guide to help you navigate through our film<br />

and events programme and make the most out of our<br />

magnificent movie line-up.<br />

Silver<br />

Screen<br />

Silver Screen at the<br />

Arts Picturehouse<br />

This year we’re introducing a fantastic new offer for<br />

all over 60s, who’ll be able to purchase tickets for ALL<br />

weekday screenings that start before 5pm at the Arts<br />

Picturehouse for only £5 - saving a whopping £4 on the<br />

usual weekday adult ticket price. If you show your ticket<br />

at the Arts Picturehouse café-bar before your screening<br />

starts you can also enjoy a complimentary cup of tea<br />

or filter coffee - and free biscuits! Look out for the Silver<br />

Screen logo in our listings for eligible screenings.<br />

Eisenstein in Guanajuato page 9<br />

BIG<br />

SCREAM<br />

Big Scream at the<br />

Arts Picturehouse<br />

Welcome<br />

to the<br />

35th<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

35 years……<br />

There are film festivals that seek to only present an annual round up of new titles, there are those<br />

that are more specialised presenting a wider range of programmes than regularly available -<br />

possibly with a retrospective, and there are <strong>Festival</strong>s of Artists Moving Image work dotted around<br />

UK and then those uncompromising events celebrating world film, cinema mavericks, with<br />

retrospectives and seasons and with far too many titles to absorb, making decisions difficult as<br />

ever for the <strong>Cambridge</strong> celebratory programme.<br />

From the great silent masterpieces of Victor Sjöström, to<br />

the fertile imagination of award-winning Polish artist Lech<br />

Majewski, this year’s edition, and our largest programme to<br />

date, offers a range of eclectic cinema from across the world,<br />

including high profile UK premieres, many special guests and<br />

insightful retrospectives, and including our regular Camera<br />

Catalonia and Contemporary German cinema seasons.<br />

We are particularly pleased to present two very special<br />

programmes created for <strong>Cambridge</strong>. We celebrate 40<br />

years of Arena – the highly influential and respected arts<br />

programme. This is uniquely celebrated as a 24 hour<br />

continuous programme – created for this <strong>Cambridge</strong><br />

screening. Tickets will be £20 for a pass to cover admission<br />

at any time. Book your time, Sun 13th 12.00noon through<br />

to Mon 14th 12.00noon! Check the website for information<br />

updates and how to be sure not to miss your chosen artists!<br />

Our thanks to Anthony Wall and his team for this celebratory<br />

event specifically designed for <strong>Cambridge</strong>.<br />

Also, festival regular, Mark Cousins has chosen highlights<br />

of the much lamented Scene by Scene series of interviews<br />

conducted by Mark to be presented in two complementary<br />

programmes.<br />

Of course this festival is for you. We know you won’t be able<br />

to see all the titles - but please, do use all social media<br />

for recommendations. Blog, tweet, post and publish your<br />

feedback and support the film makers by spreading the<br />

word. Tell us the films that have taken you by surprise,<br />

caught you off guard, changed an opinion, or even assured<br />

you the world’s a better place. We ask you to support the film<br />

makers - it seems only fair to them.<br />

Please, as usual, vote for the feature, documentary or short<br />

film that has inspired you the most.<br />

We are celebrating the 35th <strong>Festival</strong> with the festival debut<br />

of Addictive TV (the UK’s leading AV-DJs) who are bringing<br />

a special programme of their unique work immediately after<br />

the Sunday screening of Back to The Future at Grantchester.<br />

Time-Lapse specialists, Brian and Gavin McClave, will be<br />

documenting the weekend of the Grantchester Screenings<br />

with an exhibition of these time lapsed images at the<br />

Picturehouse during the <strong>Festival</strong>.<br />

Davy and Kirstin McGuire will bring their acclaimed Homage<br />

to Hitchcock installation to <strong>Cambridge</strong> recreating iconic<br />

scenes from Rear Window, Pyscho and The Birds through<br />

paper and light to animate in intricate miniature.<br />

All this is produced by the usual team of programmers, part<br />

timers, interns, and year round supporters of the <strong>Film</strong> Trust.<br />

We thank you all -<br />

To our audience, please help us celebrate 35 years - and<br />

support us by buying your Arena Pass for £20!<br />

Tony Jones<br />

Members of the Arts Picturehouse Big Scream club can<br />

introduce their baby to the joys of a <strong>Film</strong> <strong>Festival</strong> and<br />

enjoy a movie without having to worry about causing<br />

a disturbance, with exclusive screenings for adults with<br />

babies under one year old taking place on the morning of<br />

Weds 9th Sept.<br />

Family <strong>Film</strong><br />

<strong>Festival</strong><br />

All the family can join in the <strong>Festival</strong> fun at the Family<br />

<strong>Film</strong> <strong>Festival</strong>. Enjoy rare big screen outings for classic<br />

film and TV treats all together and create some precious<br />

family movie-going memories - all for the pocket<br />

money price of just £4 each at the Arts Picturehouse<br />

and only £3 each at The Light! See page 30 for our great<br />

family‐friendly line-up.<br />

<strong>Festival</strong><br />

Pass<br />

Make massive savings on your <strong>Festival</strong> tickets by buying<br />

one of our <strong>Festival</strong> Passes:<br />

One costs £30 and buys you £40 worth of tickets -<br />

a significant 25% saving.<br />

The other costs £60 and buys you £100 worth of<br />

tickets - a huge 40% saving!<br />

Please note that <strong>Festival</strong> Passes can ONLY be used to purchase<br />

tickets from the Arts Picturehouse – from where you can use<br />

your Pass to purchase tickets for ALL other <strong>Festival</strong> venues.<br />

<strong>Festival</strong> Passes can’t be used online or at any other venues.<br />

Membership<br />

Discounts<br />

An Arts Picturehouse membership discount (£2 per ticket)<br />

or a specially arranged discount for members of The Light<br />

Infinity Scheme (£2 per ticket) is available for most* tickets.<br />

These discounts are available at ALL venues if you show your<br />

Infinity or Picturehouse membership card and can work in<br />

conjunction with the <strong>Festival</strong> Pass at Arts Picturehouse.<br />

*Please note Movies on the Meadows tickets, the Family<br />

<strong>Film</strong> <strong>Festival</strong> tickets and the over 60s daytime ticket at Arts<br />

Picturehouse and all clubs, (Silver Screen, Big Scream) cannot<br />

have further discounts applied to them.<br />

Audience<br />

Awards<br />

Every year the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> crowns three<br />

audience award-winning films. The Golden, Silver and<br />

Crystal Punts go to the best feature, best documentary<br />

and best short film, as voted for by you, the <strong>Cambridge</strong><br />

<strong>Film</strong> Festial audience. With these awards we aim to<br />

highlight the outstanding work of filmmakers from around<br />

the globe and we hope that you will assist us with voting in<br />

large numbers. Voting connects you with the filmmakers,<br />

who eagerly anticipate the outcome for their film. Before<br />

you go into a screening of any “”in competition”” film, you<br />

will be handed a voting cards. Please rate the film and<br />

hand the card back to festival team members after the<br />

screening. You never know, but your favourite <strong>Festival</strong> film<br />

might be amongst the three winners this year!<br />

Box office: 0871 902 5720 Welcome | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 3


Grantchester<br />

Monday 31st August<br />

7:45 and 8:15<br />

The Riverside Romance Screenings consist of three screens<br />

set along the picturesque banks of the River Cam with the<br />

audience floating gently on a moonlit voyage along the<br />

river and through cinema, all this whilst enjoying a hamper<br />

of fine food and wine provided by event supporters<br />

Fine & Country.<br />

Those taking up this opportunity will be met by <strong>Festival</strong><br />

staff and escorted to their punt, before being guided by<br />

an experienced punt chauffeur along the river, pausing at<br />

one idyllic spot after another to watch some of the finest<br />

moments in film in a setting truly unlike any other!<br />

The Riverside Romance feature will be Jean Renoir’s<br />

masterpiece Partie De Campagne (Fr 1946, 40mins.)<br />

All tickets £30 to include food and drink, blankets,<br />

hot water bottles and ponchos.<br />

PARTIE DE CAMPAGNE | PG<br />

France 1936. 40 mins. French with English subtitles.<br />

Based on a short story by fellow French-man, Guy de<br />

Maupassant, this featurette directed by Jean Renoir was<br />

completed in 1936. However, Renoir was initially reluctant<br />

to release the film and it didn’t receive wide distribution<br />

until after World War II. Both the film and the story tell the<br />

tale of Monsieur Dufour from Paris, who takes his family<br />

for an idyllic jaunt in the French countryside. Whilst there,<br />

they meet two young athletic rowers who take a shine to<br />

Monsieur Dufour’s wife and daughter.<br />

Director Jean Renoir<br />

Starring Sylvia Bataille, Jane Marken, Georges D’Arnoux<br />

PRINT SOURCE BFI<br />

ADDICTIVE TV<br />

Addictive TV are a cut above<br />

the rest. One of the most<br />

influential audio-visual acts in<br />

the world. METRO<br />

As the credits roll on Back to the<br />

Future Addictive TV take over<br />

the screen and your ears with<br />

their unique audio/video DJing<br />

madness. As big film fans themselves, the London based<br />

AV artists are continually sampling and remixing movies<br />

- from Antonioni’s 1960s classic ‘Blow Up’, Guillermo del<br />

Toro’s cinematic cult Pan’s Labyrinth to classic Star Trek.<br />

It’s remixing Jim, but not as we know it!<br />

Sunday night, after Back to the Future<br />

For the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> they’ll<br />

perform a special live cinema remix set of<br />

their supercuts in which the ape from the<br />

dawn of man in 2001: A Space Odyssey<br />

discovers drumming, all the classic<br />

superheroes from Batman to Iron Man<br />

become a blended tag-team, The Walking<br />

Dead becomes a rhythmic zombie fest and<br />

Transformers are, well, transformed into a<br />

Daft Punk vs Kraftwerk robot mash-up. Even Hellboy and<br />

Thunderbirds might make an appearance.<br />

Addictive TV completely blew my mind! …a compelling<br />

popcultureaudio/visual avalanche! PASTE MAGAZINE<br />

MOVIES ON THE MEADOWS TICKET PRICES<br />

Adult ......................................................... £15.00 per night<br />

Concessions* ........................................ £12.00 per night<br />

NEW WEEKEND PASS<br />

All 3 nights - simply purchase tickets for 2 of the nights<br />

and bring BOTH tickets to all 3 nights<br />

Adults ..........................................................................£30.00<br />

Concessions* ........................................................... £24.00<br />

FAMILY TICKET<br />

Up to four children can attend on one £12 child’s ticket<br />

when accompanied by a paying adult.<br />

*Concessions at Grantchester includes APH members,<br />

children, students and over 60s.<br />

Note: Weekend Tickets can ONLY be purchased in<br />

advance.<br />

All other tickets can be purchased in advance AND on<br />

the night.<br />

Please also note we can ONLY accept cash on the night.<br />

We have no facility for credit card payments on the night<br />

at Grantchester Meadows.<br />

Please bring a £5 deposit for your radio and<br />

your own headphones to Grantchester if you<br />

have them!<br />

SCREENING FROM EARLY EVENING<br />

EVERY NIGHT IN THE MARQUEE<br />

PUNT WARS | CFF PG<br />

UK <strong>2015</strong>. 60 mins.<br />

Punts and punting are synonymous with <strong>Cambridge</strong>, but<br />

how much do you really know about what goes on on<br />

the banks of the river? In contrast to the tranquil waters<br />

and solemn college buildings that line the River Cam, this<br />

documentary gives us the inside story about the power<br />

struggles at play amongst the punt chauffeur companies<br />

vying for the business of thousands of tourists.<br />

Director James Bayliss-Smith<br />

PRINT SOURCE James Bayliss-Smith<br />

THE RED<br />

BALLOON | U<br />

France 1956. 35 mins.<br />

The Red Balloon follows<br />

the adventures of a<br />

young boy named<br />

Pascal who one day<br />

finds a sentient, mute, red<br />

balloon. As Pascal plays with his new<br />

found toy, he realizes<br />

t has a mind and will of its own. It<br />

begins to follow him wherever he<br />

goes, and not rise, at times floating<br />

outside his bedroom window, as his mother will not<br />

allow it in their apartment.<br />

Director Albert Lamorrisse<br />

PRINT SOURCE BFI<br />

SAT<br />

29<br />

2001: A SPACE ODYSSEY | U<br />

UK 1968. 141 mins.<br />

From primordial apes discovering tools to beyond the limits<br />

of the known universe, Kubrick’s film was an intellectual (and<br />

psychedelic) event in the late 1960s.<br />

It’s an overpowering experience, awe-inspiringly<br />

photographed by Geoffrey Unsworth, groundbreakingly<br />

enhanced by Douglas Trumbull. The symbolism and spectacle<br />

of his 1968 masterpiece remain a thrill today THE GUARDIAN<br />

Director Stanley Kubrick<br />

Starring Keir Dullea, Gary Lockwood, William Sylvester<br />

PRINT SOURCE BFI<br />

PADDINGTON | PG<br />

UK 2014. 95 mins.<br />

Adapted from Michael Bond’s beloved books, Paddington is<br />

the magical adventure of a polite young Peruvian bear, who<br />

travels to London in search of a home. Finding himself lost<br />

and alone at Paddington Station, it seems that city life is not<br />

all he imagined – until he meets the Brown family, who kindly<br />

offer him a place to stay – and they soon discover that their<br />

lives will never be the same again.<br />

Director Paul King<br />

Starring Ben Whishaw, Sally Hawkins, Hugh Bonneville<br />

PRINT SOURCE STUDIOCANAL<br />

THE THEORY<br />

OF EVERYTHING | 12<br />

UK 2014. 120 mins.<br />

The story of one of the world’s greatest living minds, the<br />

renowned astrophysicist Stephen Hawking, who falls deeply in<br />

love with fellow <strong>Cambridge</strong> student Jane Wilde. Once a healthy,<br />

active young man, Hawking received an earth-shattering<br />

diagnosis at 21 years of age. Together, they defy impossible<br />

odds, breaking new ground in medicine and science, and<br />

achieving more than they could ever have dreamed.<br />

Director James Marsh<br />

Starring Eddie Redmayne, Felicity Jones, Charlie Cox<br />

PRINT SOURCE Universal<br />

4 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Movies on the Meadows www.cambridgefilmfestival.org.uk


SUN<br />

30<br />

BACK TO THE FUTURE | PG<br />

USA 1985.<br />

When teenager Marty McFly (Michael J. Fox) is blasted to 1955<br />

in the DeLorean time machine created by the eccentric Doc<br />

Brown (Christopher Lloyd), he finds himself mixed up in a timeshattering<br />

chain reaction that could vaporize his future - and<br />

leave him trapped in the past. Powered by innovative special<br />

effects, unforgettable songs and non-stop action, Back to the<br />

Future is an unrivaled adventure that stands the test of time.<br />

Director Robert Zemeckis<br />

Starring Michael J Fox, Christopher Lloyd<br />

PRINT SOURCE Universal<br />

BRIEF ENCOUNTER | U<br />

UK 1945. 82 mins.<br />

One of the best romantic films of all time, Brief Encounter<br />

stars Laura Jesson (Celia Johnson) who accidentally meets<br />

Dr Alex Harvey (Trevor Howard) at a railway station. As their<br />

acquaintance grows, so does their attraction to each other,<br />

despite both being married. On the brink of an affair and<br />

desperately in love, the two must make a choice that may<br />

part them forever.<br />

Director David Lean<br />

Starring Celia Johnson, Trevor Howard<br />

PRINT SOURCE Park Circus<br />

THE RAILWAY CHILDREN | U<br />

UK 1970. 108 mins.<br />

After the enforced absence of their father, three children move<br />

with their mother to Yorkshire, where during their adventures<br />

they attempt to discover the reason for his disappearance.<br />

Director Lionel Jeffries<br />

Starring Jenny Agutter, Sally Thomsett, Bernard Cribbins<br />

PRINT SOURCE Park Circus<br />

MON<br />

31<br />

FAR FROM THE MADDING<br />

CROWD | 12A<br />

UK/USA <strong>2015</strong>. 119 mins.<br />

The story of independent, beautiful and headstrong Bathsheba<br />

Everdene (Mulligan), who attracts three very different suitors.<br />

Ravishingly shot by Charlotte Bruus Christensen and<br />

featuring a standout performance from Mulligan, Vinterberg’s<br />

adaptation stands up well in comparison to Schlesinger’s<br />

1967 version, with Vinterberg perhaps more fully capturing the<br />

novel’s sexual frisson and eroticism.<br />

Director Thomas Vinterberg<br />

Starring Carey Mulligan, Michael Sheen<br />

PRINT SOURCE 20th Century Fox<br />

ALL THAT HEAVEN ALLOWS | U<br />

USA 1955. 87 mins.<br />

When well-heeled widow, Cary Scott, falls for her much<br />

younger gardener, Ron, neighbourhood tongues begin to<br />

wag and she finds herself facing ostracism from friends and<br />

family. Adored by the likes of Truffaut and Godard, Douglas<br />

Sirk is a director who glories in technicolour. All That Heaven<br />

Allows directly influenced Rainer Werner Fassbinder and Todd<br />

Haynes as well as perhaps indirectly, through its restrained<br />

melodramatic unease, David Lynch and Blue Velvet.<br />

Director Douglas Sirk<br />

Starring Jane Wyman, Rock Hudson<br />

PRINT SOURCE <strong>Film</strong>bank<br />

LETTER FROM AN UNKNOWN<br />

WOMAN | U<br />

USA 1948. 83 mins.<br />

Max Ophüls’s Letter from an Unknown Woman is a hauntingly<br />

beautiful film from one of cinema’s greatest Romantics and<br />

is widely considered to be his masterpiece. Set in fin-de-siècle<br />

Vienna, this tale of unrequited love and longing unfolds before<br />

us in flashback, told through a letter in which Lisa Berndle (Joan<br />

Fontaine) addresses the love of her life, concert pianist Stefan<br />

Brand (Louis Jourdan), who can no longer remember her…<br />

Director Max Ophüls<br />

Starring Joan Fontaine, Louis Jourdan, Mady Christians<br />

PRINT SOURCE BFI


Opening<br />

night<br />

DOC<br />

3-D<br />

special event<br />

WITH BRIAN MAY<br />

We are delighted to welcome Dr Brian May to our <strong>Festival</strong> for a very special<br />

3-D evening. Whilst he is well known as Queen’s guitarist and many people<br />

also know of his interest in the field of astronomy, fewer people are aware<br />

of his keen passion for stereoscopic photography. He is one of the world’s<br />

most important collectors of stereoscopic photography and has taken<br />

thousands of 3-D pictures himself. Dr May has written about the subject<br />

and published books with Mr Denis Pellerin and both of them will attend the<br />

evening to sign their books, talk about their passion for all things 3-D and<br />

present the two films included in this programme.<br />

LIGHT Fri 4 | 6.30<br />

ARTS PICTUREHOUSE Thursday 3 | 6.30 THE LIGHT Friday 4 | 4.00<br />

STAR*MEN | CFF PG<br />

Canada <strong>2015</strong>. 85 mins.<br />

Director Alison Rose<br />

With Donald Lynden-Bell,CBE,FRS. Emeritus Professor of<br />

Astrophysics, University of <strong>Cambridge</strong><br />

Wallace L. W. Sargent,FRS. Ira S. Bowen Professor of<br />

Astrophysics, California Institue of Technology ( Caltech)<br />

Roger F. Griffin, Emeritus Professor of Observational<br />

Astronomy University of <strong>Cambridge</strong>.<br />

Nick F. Woolf, Emeritus Professor of Astronomy University<br />

of Arizona.<br />

PRINT SOURCE Inigo <strong>Film</strong>s<br />

Closing event<br />

BBC ARENA<br />

AT 40:<br />

NIGHT AND<br />

DAY 24 HOURS<br />

UK <strong>2015</strong>. 24 hours.<br />

Director<br />

Special<br />

Arena<br />

Pass<br />

£20<br />

Anthony Wall<br />

ARTS PICTUREHOUSE<br />

Sunday 13 | 12.00 noon to<br />

Monday 14 I 12.00 noon<br />

(continuous screening)<br />

Welcome to Night and Day, Arena’s most ambitious project to date -<br />

a 24 hour film marking the passage of day to night to day, exactly in sync<br />

with British summer time from 12 noon on 13 to 12 noon on 14 September,<br />

made entirely from material from the Arena archive.<br />

<strong>2015</strong> marks 40 years of the iconic, multi-award winning arts strand. Founded<br />

in 1975, Arena has won 9 BAFTA Awards and numerous other honours<br />

from all over the world. The series was voted by TV executives in Broadcast<br />

Magazine one of the top 50 most influential programmes of all time.<br />

Directed by Series Editor Anthony Wall and film editor Emma Matthews,<br />

Night and Day is a portrait of the whole planet and its history since the dawn<br />

of film, featuring the most significant figures of our time in art and culture<br />

high and low, Nelson Mandela, Bob Dylan, The Beatles, Harold Pinter, Luis<br />

Buñuel and Andy Warhol to name but a few.<br />

Arena has always been dedicated to the highest standards of filmmaking<br />

and its 600 episodes have included directors such as Jana Bokova,<br />

Nigel Finch, Mary Harron, Vikram Jayanti, Adam Low, James Marsh,<br />

Leslie Megahey, Volker Schlondorff, Martin Scorsese, Julien Temple, Leslie<br />

Woodhead, Alan Yentob, Mary Dickinson, Francis Hanly, Nicola Roberts, Paul<br />

Tickell, Nigel Williams. and Anthony Wall who has been with Arena since 1978,<br />

first as a Director and now celebrating his 30th anniversary as Series Editor.<br />

The festival will also separately screen Arena’s portraits of the Don’t Look<br />

Now director, Nicolas Roeg: It’s About Time (dir David Thompson) and the<br />

legendary Chelsea Hotel (directed by the late Nigel Finch). First transmitted in<br />

1981, Chelsea Hotel looks at the staff and inhabitants of New York’s infamous<br />

Chelsea Hotel; a haven for some of the 20th Century’s greatest talents, from<br />

Mark Twain to Dylan Thomas.<br />

Special Arena Pass, £20, which allows you to view<br />

the 24‐hour marathon at your leisure, joining, leaving and<br />

re-joining the screening as your time allows.<br />

Please look out for our special App.<br />

The <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> is delighted to screen STAR*MEN as our Opening Night <strong>Film</strong><br />

and to welcome, amongst others, <strong>Cambridge</strong> based Professor Donald Lynden-Bell and<br />

Professor Roger F. Griffin.<br />

Four exceptional astronomers celebrate 50 years of work and friendship on a return road trip in<br />

the southwestern United States, recapturing youthful adventures and recounting each other’s<br />

influences on the most exciting period in astronomy’s history. Roger the instrument-maker,<br />

Donald the theoretician, Nick the visionary, and Wal the observer. Together they represent<br />

the most productive period astronomy has ever had. They helped build the world’s biggest<br />

observatories and made revolutionary discoveries about the evolving universe, discoveries that<br />

have the power to change the way humanity sees itself. Alison Rose’s film is a funny, insightful,<br />

humbling and intimate portrait of friendship, as the men reflect on how their profound work on<br />

the universe has reflected back on the individual, affecting their sense of religious faith, how life<br />

may have purpose, and what is knowable and unknowable.<br />

ARENA: CHELSEA HOTEL | CFF 15<br />

UK 1981. 55 mins.<br />

In 1981 Arena made its way<br />

to New York to investigate the<br />

history and then-current state of<br />

veritable counterculture incubator,<br />

The Chelsea Hotel. The film<br />

spends time with then current<br />

Chelsea residents, former Chelsea<br />

residents, and Chelsea habitués<br />

notable, creative, and otherwise:<br />

Andy Warhol, William Burroughs,<br />

and Quentin Crisp all make appearances. The film also talks to the hotel’s staff and<br />

follows a tour guide as he leads a curious group through its storied corridors. “With all<br />

my misgivings about the Chelsea,” Arthur Miller reflects, “I can never enter it without<br />

a certain quickening of my heartbeat. There is an indescribably homelike atmosphere<br />

which at the same time lacks a certain credibility. It is some kind of fictional place, I<br />

used to think. As in dreams things are out front that are concealed in other hotels.”<br />

Director Nigel Finch<br />

With Andy Warhol, William Burroughs, Victor Bockris, Barry Miles, Quentin Crisp<br />

ARENA: NICOLAS ROEG:<br />

IT’S ABOUT TIME | CFF 15<br />

UK <strong>2015</strong>. 59 mins.<br />

The first major profile of the<br />

acclaimed British director<br />

Nicolas Roeg, It’s About Time<br />

is a beautiful and engrossing<br />

homage to one of the medium’s<br />

true visionaries. Roeg has been<br />

hugely influential in pushing<br />

conventional genres into new<br />

realms and exploring the darker<br />

areas of human behaviour. The<br />

Arena team, led by director David Thompson, meet the director in his London home as<br />

he reflects on what cinema has meant to him throughout his career. The film features<br />

contributions from Theresa Russell, Julie Christie, Donald Sutherland, Jenny Agutter<br />

and Roeg’s son Luc, who appeared in Walkabout as a young boy. There is also a<br />

fantastic array of clips from Roeg’s work both as a cinematographer (he worked with<br />

Corman, Lean and Truffaut) and his classic films, including Performance, Don’t Look<br />

Now, The Man Who Fell to Earth and Eureka.<br />

We are delighted to welcome director David Thompson to the screening.<br />

Director<br />

With<br />

APH<br />

Fri 4<br />

11.00<br />

APH<br />

Thu 10<br />

5.30<br />

David Thompson<br />

Nicolas Roeg with contributions from Donald Sutherland, Julie Christie,<br />

Jenny Agutter, Luc Roeg, Ben Wheatley, Danny Boyle, Mike Figgis,<br />

Bernard Rose, Theresa Russell, Allan Scott, Jeremy Thomas, Tony Lawson<br />

ONE NIGHT IN HELL | U<br />

UK 2014. 7 mins.<br />

From visionary rock musician Brian May and<br />

internationally award-winning animation studio and<br />

production company Unanico Group, a 3-D phenomenon<br />

of 1860s Paris is unleashed on the 21st century. One Night<br />

in Hell is a devilish and spectacular animation short that<br />

tells the story of one skeleton’s journey into a<br />

stereoscopic Hell, where he plays a demonic rendition of We<br />

Will Rock You combined with Tchaikovsky’s 1812 Overture! The<br />

film features exclusive new music from Brian May & the<br />

Czech National Symphony Orchestra and it is inspired<br />

by the book Diableries: Stereoscopic Adventures in Hell by<br />

Brian May, Denis Pellerin and Paula Fleming.<br />

Directors Jason Jameson & James Hall<br />

Starring Brian May (guitar)<br />

PRINT SOURCE Unanico Group<br />

3-D RARITIES | U<br />

LIGHT Fri 4 | 6.30<br />

APH Mon 7 | 11.30am APH Mon 7 | 11.00<br />

USA <strong>2015</strong>. 94 mins.<br />

LIGHT Fri 4 | 6.30<br />

UK<br />

PREMIERE<br />

After sold out screenings at the MOMA in New York this summer, we premiere<br />

this amazing restoration in the UK. It has taken over 30 years for the 3-D<br />

<strong>Film</strong> Archive to assemble and restore the material in 3-D Rarities, an eyepopping<br />

collection of ultra-rare and long-lost movies. This compilation<br />

includes: Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration<br />

film from 1922 with incredible footage of Washington and New York City;<br />

New Dimensions (aka Motor Rhythm) the first domestic full color 3-D film<br />

originally shown at the New York World’s Fair in May 1940; Boo Moon, an<br />

excellent example of color stereoscopic animation from 1953; Doom Town,<br />

a controversial anti-atomic testing film which was mysteriously pulled<br />

from theatrical release after a few play-dates in July 1953; I’ll Sell My Shirt,<br />

a burlesque comedy unseen in 3-D for over 60 years; The Maze coming<br />

attraction trailer with fantastic 3-D production design by the legendary William<br />

Cameron Menzies, and much more. Most of these shorts have not been<br />

available for many years and they have been lovingly restored showing the full<br />

potential of stereoscopic photography with many things coming at you!<br />

Directors Various<br />

Featuring Richard Carlson, Nat “King” Cole, Joanne Dru, Jose Ferrer,<br />

Stan Freberg, Rocky Marciano, Lloyd Nolan, Michael Pate, and<br />

many more!<br />

PRINT SOURCE Flicker Alley<br />

6 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Opening Night. Closing Event, 3-D Special Event www.cambridgefilmfestival.org.uk


Features<br />

Main<br />

As always we are hoping to secure some more gems for you which have not made the brochure deadline. So please look<br />

out for updates on more films and more visiting filmmakers on the <strong>Festival</strong> website www.cambridgefilmfestival.org.uk,<br />

on Twitter @camfilmfest as well as information on display at the cinemas.<br />

SURPRISE FILM APH SAT 12 | 6.30<br />

Without doubt the Surprise <strong>Film</strong> is the hottest ticket in the <strong>Festival</strong>. We are not giving anything away - no clue<br />

to title, director, stars or genre. Why not let us surprise you and buy a ticket to this year’s Surprise <strong>Film</strong>?<br />

DOC<br />

UK<br />

PREMIERE<br />

DOC<br />

DOC<br />

Silver<br />

Screen<br />

10 BILLION - WHAT’S ON<br />

YOUR PLATE? | CFF PG<br />

10 Milliarden - Wie werden wir<br />

alle satt?<br />

Germany <strong>2015</strong>. 102 mins. English/German.<br />

APH Mon 7 | 3.00<br />

By 2050, the world population will grow to ten billion people.<br />

With a sixth of the world already undernourished, where will the<br />

food come from that everyone needs daily in order to survive?<br />

How can we prevent mankind from destroying the basis of its<br />

food supply through nothing but an increasing population? In<br />

the middle of the heated debate about food security, comes this<br />

broad and analytic look into the enormous spectrum of global<br />

food production and distribution - from artificial meat, insects,<br />

and industrial farming to trendy self-cultivation. Director, bestselling<br />

author and Food Fighter Valentin Thurn (box office hit<br />

Taste The Waste) seeks for solutions worldwide and gives place<br />

for innovation and visions for our future.<br />

Director Valentin Thurn<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

Silver<br />

Screen<br />

THE AMINA<br />

PROFILE | CFF 18<br />

Le profil Amina<br />

Canada 2014. 84 mins. English/French/<br />

Arabic with English subtitles.<br />

Director Sophie Deraspe<br />

PRINT SOURCE National <strong>Film</strong> Board<br />

of Canada<br />

EMMA Sun 6 | 8.30 APH Mon 7 | 3.30<br />

Premiered at the <strong>2015</strong> Sundance <strong>Film</strong> <strong>Festival</strong>, The Amina Profile is an<br />

extraordinary documentary told like a thriller about the world we create through<br />

social media. Amina Arraf, an attractive Syrian-American revolutionary, who<br />

was having an online affair with Sandra Bagaria, a young Montreal professional<br />

when she launched her provocatively named blog, A Gay Girl in Damascus. As<br />

the uprising gains momentum, it acquires a huge following. But it’s Amina’s<br />

subsequent abduction and worries of her torture, rape or even death that takes<br />

things to another level drawing in American intelligence agencies, top-tier global<br />

media (The Guardian, the BBC) and a host of activists and sympathisers in<br />

digging deep to find the truth. An almost unbelievable story.<br />

Silver<br />

Screen<br />

APH Sat 5 | 8.30<br />

APH Tue 8 | 11.00am<br />

16 YEARS TILL SUMMER | CFF 15<br />

UK/Iceland <strong>2015</strong>. 82 mins.<br />

Convicted criminal Uisdean is leaving prison after serving 16<br />

years for killing a friend, something he insists was an accident<br />

which still haunts him. He is being released back into the<br />

remote, church-going village in the Scottish Highlands to<br />

nurse his dying father, bringing him with him a dangerous mix<br />

of troubled past and big ambitions into the lives of those that<br />

love him. The film follows the redeeming relationships Uisdean<br />

builds with his father and lover, both of whom are drawn to<br />

the ‘new start’ he promises to bring. Lou Mcloughlan’s quiet<br />

documentary was shot over a period of four years, a simple<br />

beautifully observed and powerful film.<br />

Director Lou Mcloughlan<br />

PRINT SOURCE Taskovski <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

DOC<br />

UK<br />

PREMIERE<br />

DOC<br />

Silver<br />

Screen<br />

99 HOMES | CFF 15<br />

USA <strong>2015</strong>. 112 mins.<br />

LIGHT Sun 6 | 6.45 APH Tue 8 | 1.00<br />

With employment opportunities drying up as a result of the<br />

US economy’s implosion, construction worker Dennis Nash<br />

(Garfield) has fallen behind in his mortgage payments. Evicted<br />

by hard-nosed local realtor Rick Carver (Shannon), Dennis<br />

desperately scrambles to keep a roof over his family’s heads.<br />

Soon Dennis finds Carver on his doorstep once again — this<br />

time with an offer of a job, and a promise to help Dennis reclaim<br />

his family home. Unable to resist, this honest, hard-working<br />

man enters a world of shady transactions and charged moral<br />

ambiguity. 99 Homes, is American director Ramin Bahrani’s<br />

most compelling and prescient work to date. A portrait of a<br />

climate where the losses of the many are offset by the gain<br />

of a few, it’s an intimate and moving chronicle of desperation<br />

powered by two compelling lead performances.<br />

Director Ramin Bahrani<br />

Starring Andrew Garfield, Michael Shannon, Laura Dern<br />

PRINT SOURCE STUDIOCANAL<br />

Silver<br />

Screen<br />

APH Fri 4 | 3.30 APH Fri 11 | 1.00<br />

ATOMIC: LIVING IN DREAD<br />

AND PROMISE | CFF 15<br />

UK <strong>2015</strong>. 72 mins.<br />

70 years ago, the bombing of Hiroshima showed the appalling<br />

destructive power of the atomic bomb. This bold new<br />

documentary looks at death in the atomic age, but life too.<br />

Using only archive film and a great new musical score by the<br />

band Mogwai, Atomic shows us a kaleidoscope of our nuclear<br />

times: protest marches, Cold War sabre rattling, Chernobyl<br />

and Fukishima, but also the sublime beauty of the atomic<br />

world, and how X Rays and MRI scans have improved human<br />

lives. The nuclear age has been a nightmare, but dreamlike<br />

too. Director Mark Cousins’ impressionistic film captures this.<br />

Director Mark Cousins<br />

PRINT SOURCE Hopscotch <strong>Film</strong>s<br />

APH Tue 8 | 6.30 ST PHILIP’S Fri 11 | 9.00 APH Thu 10 | 6.30 LIGHT Sat 12 | 7.00<br />

AURORA | CFF 15<br />

Chile 2014. 86 mins. Spanish with English subtitles.<br />

Sofía, a school teacher, has been trying to adopt a child for<br />

many years. There are long waiting lists and somehow she<br />

is always rejected. When she reads in a local newspaper<br />

that a baby has been found dead in a landfill, she becomes<br />

obsessed with the fate of the dead child, who according to the<br />

law has no rights; the baby may neither be named nor buried.<br />

Thus Sofía begins a legal battle to bury the child she calls<br />

‘Aurora’. Rodrigo Sepulveda’s film makes you cry but also<br />

makes you believe in humanity. Based on a real story, this is a<br />

moving and unique film.<br />

Director Rodrigo Sepulveda<br />

Starring Amparo Noguera, Luis Gnecco, Jaime Vadell<br />

PRINT SOURCE: <strong>Film</strong>s Boutique<br />

BIG GOLD DREAM: SCOTTISH<br />

POST-PUNK AND INFILTRATING<br />

THE MAINSTREAM | CFF 15<br />

UK <strong>2015</strong>. 94 mins.<br />

Ten years in the making, Grant McPhee’s exhaustive documentary<br />

on Edinburgh’s Post-Punk scene finally sees the light of day.<br />

A tale never before told, the film’s focus is on trail-blazing<br />

Independent record label Fast Product, and its subsidiaries Pop<br />

Aural and Earcom. Featuring candid interviews with those behind<br />

the scenes, those in the periphery and the main-players, Rezillos,<br />

Scars, Fire Engines, Division and The Human League, Edinburgh<br />

in the late 1970’s is painted in all it’s dark, gritty realism.<br />

We talk a lot these days of ‘creative industries’. This<br />

inspiring film shows what that bland phrase can really<br />

mean. Big Gold Dream brilliantly captures the sound and fury<br />

of the Scottish music scene, but it’s universal, too. Anyone who<br />

is creative, or passionate, or destructive or young, or less so,<br />

will have their eyes and ears opened by Big Gold Dream. I wish<br />

I’d seen it years ago. MARK COUSINS<br />

Director Grant McPhee<br />

PRINT SOURCE Grant McPhee<br />

Box office: 0871 902 5720 Main Features | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 7


UK<br />

PREMIERE<br />

DOC<br />

BIG<br />

SCREAM<br />

Silver<br />

Screen<br />

BILL | PG<br />

UK <strong>2015</strong>. 94 mins.<br />

Director Richard Bracewell<br />

Starring Mathew Baynton, Simon<br />

Farnaby, Helen McCrory,<br />

Martha Howe-Douglas,<br />

Damian Lewis<br />

PRINT SOURCE Vertigo <strong>Film</strong>s<br />

ShortReel <strong>Cambridge</strong> Student <strong>Film</strong> Award<br />

<strong>2015</strong>’s winning film will have its Premiere<br />

at the Sun 6 screening – see page 29.<br />

APH Sun 6 | 4.00 APH Tues 8 | 3.30 APH Wed 9 | 11.00am<br />

“What really happened during Shakespeare’s ‘Lost Years’? Could it be that after<br />

over 400 years the team behind the hit CBBC show Horrible Histories have the<br />

answer? A story of murderous kings, spies, lost loves, and a plot to blow up Queen<br />

Elizabeth I was apparently keeping Bill Shakespeare busy in the years before he<br />

became Britain’s best known playwright. Family drama of the best kind - one that<br />

can genuinely be enjoyed by all the family.<br />

The films I loved as a child - The Three Musketeers, The Princess Bride, Monty<br />

Python and the Holy Grail - the joy was in seeing adults being silly. They just<br />

didn’t care…One thing was for sure about Bill: it needed to be authentic. The fun<br />

had to be funny, the mud had to be muddy…We’re not pretending it’s all true. We’re<br />

not saying Shakespeare didn’t dress up as a giant tomato. But he might have done.<br />

Or not. That’s for you to work out. Bill is a film for clever children. And since I’ve<br />

never met a child who isn’t, that means everyone. RICHARD BRACEWELL<br />

We are delighted that director Richard Bracewell and cast members will attend the<br />

Sunday screening.<br />

UK<br />

PREMIERE<br />

REVIVAL<br />

Silver<br />

Screen<br />

APH Mon 7 | 4.00<br />

THE BLACK PANTHERS:<br />

VANGUARD OF THE<br />

REVOLUTION | CFF 18<br />

USA <strong>2015</strong>. 113 mins.<br />

The Black Panthers: Vanguard of the Revolution is the first<br />

feature length documentary to explore the Black Panther Party,<br />

its significance to the broader American culture, its cultural and<br />

political awakening for black people, and the painful lessons<br />

wrought when a movement derails. Master documentarian Stanley<br />

Nelson goes straight to the source, weaving a treasure trove<br />

of rare archival footage with the voices of the people who were<br />

there: police, FBI informants, journalists, white supporters and<br />

detractors, and Black Panthers who remained loyal to the party<br />

and those who left it. Concerns over race and policing raised in<br />

this documentary are still very much alive in the USA today with<br />

widespread public protests over police mistreatment of African<br />

Americans, triggered by recent killings of unarmed black men.<br />

Director Stanley Nelson<br />

PRINT SOURCE PBS Distribution<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

BY OUR SELVES | CFF 15<br />

UK <strong>2015</strong>. 83 mins.<br />

APH Sat 5 | 4.30<br />

Andrew Kötting’s film By Our Selves retraces John<br />

Clare’s journey from Epping Forest to Northamptonshire<br />

accompanied by a straw bear. John Clare’s escape from<br />

Epping Forest, for a four day march through hunger and<br />

madness, is an English journey to set beside ‘A Pilgrim’s<br />

Progress’. Andrew Kötting, hyperkinetic camper-van captain<br />

of Gallivant, sets out in hot pursuit, dressed as a Straw Bear.<br />

Father and son, Toby and Freddie Jones, are possessed<br />

by the spirit of Clare, and locked in Beckettian embrace:<br />

one mute, one all voice. The writer Iain Sinclair, watches<br />

from the shadows. Alan Moore waits, like a bearded figure<br />

of fate, in Northampton. Captured in lustrous black and<br />

white photography, they discover the only truth of the road.<br />

Whatever our hopes and delusions, we are all By Our Selves.<br />

Director Andrew Kötting<br />

Starring Toby Jones, Iain Sinclair, Alan Moore, Freddie Jones<br />

PRINT SOURCE Soda Pictures<br />

WORLD<br />

PREMIERE<br />

DOC<br />

Silver<br />

Screen<br />

APH Thu 3 | 6.00 LIGHT Sun 6 | 6.30 APH Wed 9 | 3.30 LIGHT Thu 3 | 6.30 APH Sat 5 | 1.30<br />

APH Sat 12 | 4.00<br />

THE CLEARSTREAM AFFAIR | CFF 15<br />

L’enquête<br />

France 2014. 110 mins. French with English subtitles.<br />

2001. The journalist Denis Robert sets the world of finance ablaze<br />

when he exposes Clearstream Banking’s opaque operations. In<br />

his search for the truth and his attempt to reveal the ‘affair of<br />

all affairs’, he ends up crossing paths with Judge Renaud Van<br />

Ruymbeke: their parallel enquiries will lead them to the heart of<br />

a dark political financial machine called the Clearstream system,<br />

severely shaking up the French governing class.<br />

This perfectly-timed, glossily-photographed widescreen<br />

procedural thriller globetrots breathlessly amongst the<br />

perpetrators, victims, and white knights of the saga. Director<br />

Vincent Garenq’s The Clearstream Affair is Three Days of the<br />

Condor meets The Insider, with a Gallic tang and very real<br />

lives in the balance. EDDIE COCKRELL, FILMFEST DC<br />

Director Vincent Garenq<br />

Starring Gilles Lellouche, Charles Berling, Laurent Capelluto<br />

PRINT SOURCE <strong>Film</strong>s Distribution<br />

CLOSELY OBSERVED TRAINS | 15<br />

OSTRE SLEDOVANE VLAKY<br />

Czech Republic 1966. 93 mins. Czech with English subtitles.<br />

At a village railway station in occupied Czechoslovakia, a<br />

bumbling dispatcher’s apprentice longs to liberate himself<br />

from his virginity. Oblivious to the war and the resistance<br />

that surrounds him, this young man embarks on a journey<br />

of sexual awakening and self-discovery, encountering a<br />

universe of frustration, eroticism, and adventure within his<br />

sleepy backwater depot. Wry and tender, the Academy Award<br />

winning Closely Observed Trains (the film was a huge success<br />

in the United States) is a masterpiece of human observation<br />

and one of the best-loved films of the Czech New Wave.<br />

Director Jiri Menzel<br />

Starring Václav Neckár, Josef Somr, Vlastimil Brodský<br />

PRINT SOURCE Arrow <strong>Film</strong>s - new DCP print<br />

THE COMPANY YOU KEEP | 15<br />

USA 2012. 125 mins.<br />

Decades after an ill-fated robbery in which a security guard<br />

is murdered, a former member (Susan Sarandon) of the Anti-<br />

Vietnam War militant group behind the crime turns herself in.<br />

While covering the story, reporter Ben Shepard (Shia LaBeouf)<br />

discovers that recently widowed lawyer Jim Grant (Robert<br />

Redford) was also a member of the same group. Grant slips<br />

by the FBI agents tracking him and goes on the run, hoping to<br />

track down his former lover, Mimi (Julie Christie). The Company<br />

You Keep is tense and intelligent political thriller that takes the<br />

idealism of 1960s youth and assesses how it all turned out, as<br />

one man tries to escape his radical past.<br />

Director Robert Redford<br />

Starring Robert Redford, Shia LaBeouf, Julie Christie,<br />

Sam Elliott, Brendan Gleeson, Nick Nolte, Chris<br />

Cooper, Susan Sarandon<br />

PRINT SOURCE Studiocanal<br />

DANCE, IRANIAN STYLE | CFF 15<br />

Netherlands <strong>2015</strong>. 82 mins. Farsi/English/Dutch with<br />

English subtitles.<br />

After her refugee claim was denied by the Dutch immigration<br />

service, Roya, a young Iranian girl decides to enter an illegal<br />

life on the streets of Amsterdam. Attempting to capture<br />

the experiences of an illegal immigrant the crew of this<br />

documentary follow Roya at a distance. However, it becomes<br />

difficult for the crew not to intervene and slowly over the course<br />

of the film her story is shaped by the act of being filmed. Fiction<br />

begins to blend with her everyday and a narrative emerges.<br />

Taking inspiration from Iranian film-makers and films such as<br />

Close Up (Abbas Kiarostami) and The Mirror (Jafar Panahi),<br />

Dance, Iranian Style weaves the story of one girl’s experience as<br />

she strives to build a new life with dignity.<br />

Director Farshad Aria<br />

Starring Sarah Montazeri, Edon Rizvanolli,<br />

Sahand Sahebdivani<br />

PRINT SOURCE 1001 production house<br />

UK<br />

UK<br />

PREMIERE<br />

DOC<br />

PREMIERE<br />

ST PHILIP’S Fri 11 | 6.30<br />

LIGHT Thu 3 | 6.45<br />

APH Sat 12 | 8.30<br />

THE DARK GENE | CFF 15<br />

Das dunkle Gen<br />

Germany <strong>2015</strong>. 89 mins. English/German with<br />

English subtitles.<br />

A sick physician, an explosive code, a daring look in the<br />

mirror: the search for the origin of his depression presents<br />

Frank Schauder with existential questions, confronts him with<br />

radical visions of the future, and leads him into a breathtaking<br />

world of pictures and sound. Frank Schauder is both doctor<br />

and patient. As a patient, he has struggled with recurring<br />

depression for years, and as a doctor he wants to find out<br />

why. The search for the origins of his illness leads him into the<br />

realm of his own genes and casts light on the fundamental<br />

changes facing society as a result of the tremendous progress<br />

being made in the field of genetic sequencing.<br />

Directors Miriam Jacobs & Gerhard Schick<br />

PRINT SOURCE <strong>Film</strong>tank GmbH<br />

DOPE | 15<br />

USA <strong>2015</strong>. 103 mins.<br />

After causing a bit of a frenzy at this year’s Sundance <strong>Film</strong><br />

<strong>Festival</strong> where half a dozen film companies bid to take the<br />

movie on, Dope was selected to close the Director’s Fortnight<br />

selection in Cannes. A coming of age comedy/drama for the<br />

post hip hop generation. Malcolm (Shameik Moore) is surviving<br />

life in a tough neighborhood in Los Angeles while juggling<br />

college applications and academic interviews. His dream is<br />

to go to Harvard but a chance invitation to an underground<br />

party leads him into a gritty adventure that could allow him<br />

to go from being a geek, to being ‘dope’.<br />

Director Rick Famuyiwa<br />

Starring Shameik Moore, Tony Revolori, Kiersey Clemons<br />

PRINT SOURCE Sony Pictures Releasing (UK)<br />

DRIFTER | CFF 15<br />

SHOWING WITH<br />

Hungary 2014. 72 mins . Hungarian with English subtitles.<br />

Drifter was shot over a period of five years and is a portrait of a unique young man<br />

who takes life in his own hands. Living in the quiet Hungarian countryside, the<br />

rebellious Ricsi lives his life on the edge. He is unruly and restless, scaring up problem<br />

after problem. Driving cars without a license, theft and escaping from the police are<br />

all just a part of his daily routine, much to his parents’ despair. But for Ricsi it is all<br />

about his life’s dream - to be a world-renowned rally car driver. Hard to do when you<br />

are a poverty stricken teen in a rural area. Will Ricsi reach his dream or will life have<br />

other plans?<br />

A beautifully executed, riveting portrait of a young teenager who cannot seem to<br />

reconcile his passionate ambition with his inability to get his personal life in first<br />

gear. The film is compassionately observed, beautifully photographed, delicately<br />

edited with a flawless sound design and never seems to take a wrong turn. IDFA<br />

Director Gábor Hörcher<br />

PRINT SOURCE Kraats<strong>Film</strong> Production<br />

GROUP B | CFF 15<br />

UK <strong>2015</strong>. 25 mins.<br />

1986 and rally driver Shane Hunter<br />

is facing his comeback to Group B<br />

competition after a long and troubled<br />

absence.<br />

Director Nick Rowland<br />

Starring Richard Madden, Michael<br />

Smiley<br />

PRINT SOURCE National <strong>Film</strong><br />

and Television School<br />

8 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Main Features www.cambridgefilmfestival.org.uk


UK<br />

PREMIERE<br />

APH Sun 6 | 5.30<br />

ST PHILIP’S Thu 10 | 9.00 APH Sat 12 | 3.30<br />

EADWEARD | CFF 15<br />

Canada <strong>2015</strong>. 106 mins.<br />

Eadweard Muybridge is often considered the godfather of<br />

the cinematic moving image. His photographic studies of<br />

motion in the human body and in animals were a pre-cursor<br />

to cinema’s 24 frames per second. This psychological drama<br />

looks at the man behind the myth with his obsession for<br />

his work alongside his relationship with his wife. As well as<br />

being the world-famous turn-of-the-century photographer,<br />

Muybridge had notoriety for being the last American to receive<br />

a justifiable homicide verdict after murdering his wife’s lover.<br />

Director Kyle Rideout<br />

Starring Michael Eklund, Sara Canning, Charlie Carrick<br />

PRINT SOURCE Motion 58 Entertainment Inc.<br />

EISENSTEIN IN<br />

GUANAJUATO | CFF 18<br />

Netherlands/Mexcio <strong>2015</strong>. 105 mins.<br />

Dutch with English subtitles.<br />

Director Peter Greenaway<br />

Starring Elmer Bäck, Luis Alberti<br />

PRINT SOURCE <strong>Film</strong>s Boutique<br />

WORLD<br />

PREMIERE<br />

EURO<br />

PREMIERE<br />

APH Sun 13 | 4.00<br />

In 1931 the Soviet director Sergei Eisenstein travels to Guanajuato to direct his film Que<br />

viva México. There he encounters a new culture and its dealings with death; he also<br />

discovers another revolution – and his own body. Peter Greenaway depicts Eisenstein as<br />

an eccentric artist who travels to Mexico filled with the hubris of being an internationally<br />

celebrated star director. Once there, he undergoes the transition from a conceptual<br />

filmmaker into an artist fascinated by the human condition. Making use of extreme<br />

close-ups, split-screens and a dramatic montage – all to enact the transformation<br />

of a hero who presents himself as a tragic clown – Greenaway deliberately quotes<br />

and modifies Eisenstein’s own cinematic tools. Scene by scene the film gets closer to<br />

Eisenstein the man, who finds himself surprised by an unexpected desire.<br />

THE FENCER | CFF 15<br />

Miekkailija<br />

Finland/Estonia/Germany <strong>2015</strong>. 99 mins. Estonian/Russian<br />

with English subtitles.<br />

A postwar Soviet era drama loosely based on the story<br />

of Estonian fencing master Endel Nelis. Fleeing from the<br />

Russian secret police the young Nelis is forced to return to his<br />

homeland, where, lying low, he becomes a PE teacher in a run<br />

down local school. Determined to give his students a good<br />

education he starts an after school fencing club. The school<br />

headmaster does not approve, and attempts to ban the club<br />

on the grounds that fencing is an antiquated sport of the presoviet<br />

era. When the ban fails because of the overwhelming<br />

community support for the club the head decides to dig up<br />

the dirt and expose Nelis’ fugitive past. The Fencer is a finely<br />

crafted suspense drama set against the backdrop of Soviet<br />

fear and paranoia.<br />

Director Klaus Härö<br />

Starring Märt Avandi, Ursula Ratasepp, Hendrik Toompere<br />

PRINT SOURCE The Little <strong>Film</strong> Company<br />

DOC<br />

Silver<br />

Screen<br />

APH Tue 8 | 3.00<br />

FACE TO FACE | CFF 15 SHOWING WITH<br />

Taiwan 2014. 60 mins. Chinese with English subtitles.<br />

Forget WWE...this is wrestling Taiwan style! Challenging social acceptance and self<br />

belief, this documentary targets a small group of people who inhabit the interior of<br />

Taiwanese wrestling. By day they are relatively average folk - an engineer, an angry<br />

army man, an ex-Olympian, and a truck driver - but they all share a lack of self<br />

confidence and a wish for approval and fame. This concise documentary is Chuan<br />

Chung’s second foray into sports documentaries and is an intriguing and riveting<br />

insight into a rarely seen world.<br />

Director Chuan Chung<br />

PRINT SOURCE Cloud 9 Media Studio<br />

SKATEBOARDING’S<br />

FIRST WAVE | CFF 15<br />

USA <strong>2015</strong>. 20 mins.<br />

A look at the early days of<br />

skateboarding culture in Southern<br />

California, and the group of kids that<br />

would shape its role in the media and<br />

in society.<br />

Director Don Burgess<br />

PRINT SOURCE Genevieve Farrell<br />

Silver<br />

Screen<br />

THE FIRE | CFF 15<br />

El Incendio<br />

Argentina <strong>2015</strong>. 95 mins. Spanish with<br />

English subtitles.<br />

Director Juan Schnitman<br />

Starring Pilar Gamboa, Juan Barberini,<br />

Luciano Suardi, Marcelo D’<br />

Andrea<br />

PRINT SOURCE Figa <strong>Film</strong>s<br />

APH Fri 4 | 3.00 APH Fri 11 | 9.00<br />

On the way to closing the contract on their first home, Lucía and Marcelo<br />

withdraw a hundred thousand dollars in cash from their bank. The seller can’t<br />

make it to the signing and all is postponed to the next day. Frustrated, they<br />

head back to their old place and put the money away. The crushing tension<br />

building over the next 24 hours will unveil the true nature of their love, the crisis<br />

they are in, and the violence within themselves, as we follow the evenhanded<br />

power struggles, keeping the audiences guessing at every turn.<br />

A scorching debut feature from Juan Schnitman this powerful two-hander,<br />

sends out sparks that singe the atmosphere all around. VARIETY<br />

UK<br />

PREMIERE<br />

DOC<br />

DOC<br />

UK<br />

PREMIERE<br />

DOC<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

APH Tue 8 | 9.00 LIGHT Thu 10 | 4.00<br />

THE FORECASTER | CFF 15<br />

Germany 2014. 94 mins.<br />

If this documentary is to be believed we should be very<br />

worried. Martin Armstrong was always interested in money,<br />

trading rare coins in his teens led to a study of history where<br />

he started to recognise cycles in business. He was able to<br />

provide accurate advice on the commodity markets. He<br />

designed a computer model that can predict the future market<br />

movements, calculating developments in the world economy<br />

with eerie accuracy and even the outbreak of wars. Of major<br />

interest to the US government and the FBI demanded access<br />

to his model. He refused to hand it over and was sent to<br />

prison on contempt charges. Now, he shares his views on the<br />

financial crisis and offers his solutions to governments.<br />

Director Marcus Vetter<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

ST PHILIP’S Wed 9 | 6.30 LIGHT Fri 11 | 4.00<br />

THE FOREST | CFF 15<br />

Padurea<br />

Romania 2014. 73 mins. Romanian with English subtitles.<br />

A fascinating documentary that is part detective story, part<br />

spy thriller, and yet provides a brief history of Romania<br />

from 1947. In 1947, Yugoslav President Josip Broz Tito visited<br />

Romania for the first time. Its communist regime gave him,<br />

as a present, a painting from a great Romanian artist Ion<br />

Andeescu, ‘The Leafless Forest’. In the 1960s, a young art<br />

critic, Radu Bogdan, went in search of the painting. When he<br />

eventually found it he made a remarkable discovery. It may<br />

sound a rarified topic but the compilation of archive footage<br />

and extraordinary story is compelling. Director Dragin has<br />

marshalled his material succinctly to give an insight into an<br />

almost forgotten and yet critical part of 20th century history.<br />

We are delighted to welcome director Siniša Dragin to<br />

the screenings.<br />

Director Siniša Dragin<br />

PRINT SOURCE Mrakonia<br />

APH Sun 6 | 8.30 LIGHT Tue 8 | 6.30<br />

FROM CALIGARI<br />

TO HITLER | CFF 15<br />

Von Caligari Zu Hitler<br />

Germany 2014. 118 mins. German with English subtitles.<br />

The Weimar Republic (1918-1933) was the free-est state on<br />

Germain soil, a wild era characterised by disruption, crisis and<br />

cultural brilliance. It was also the most important period of<br />

German cinema, a time full of wonder and invention. Rüdiger<br />

Suchsland’s exceptional documentary investigates this era,<br />

tracing the diversity and beauty of its filmmaking. Featuring<br />

footage of great works by the likes of G. W. Pabst, F. W.<br />

Murnau, Fritz Lang and Ernst Lubitsch, and interviews with<br />

figures including Thomas Elsaesser, Volker Schlondorff and<br />

Fatih Akin, the film offers an entertaining and educational trip<br />

into the aesthetic foundations of the so-called ’Seventh Art’.<br />

Director Rüdiger Suchsland<br />

With Fatih Akin, Prof. Elisabeth Bronfen,<br />

Prof. Thomas Elsaesser<br />

PRINT SOURCE Eureka Entertainment<br />

APH Sun 13 | 6.00<br />

GENTLE | CFF 15<br />

Diu Dàng<br />

Vietnam 2014. 98 mins. Vietnamese with English subtitles.<br />

Based on ‘The Gentle Creature’, a short story by Fyodor<br />

Dostoevsky, director Kiet Le-Van has transposed it to modern<br />

day Vietnam. Linh lives with her aunt, but is badly treated as<br />

a servant. While Linh lives with this without complaint, she is<br />

noticed by the pawnbroker Thien. Thien courts her, offering her a<br />

way out and so she reluctantly agrees to marry. Le-Van delivers<br />

a delicate and moving film that slowly peels back layer after<br />

layer of emotion, sadness and loss. Beautifully shot, with acute<br />

contrasts between the natural and destructive and the clinical<br />

world of money and business, and with performances where<br />

every little gesture and movement counts.<br />

Director Le-Van Kiet<br />

Starring Nguyen Dustin, Nguyen Thanh Tu<br />

PRINT SOURCE Oration <strong>Film</strong>s<br />

Box office: 0871 902 5720 Main Features | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 9


UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

EMMA Sat 5 | 6.00 APH Wed 9 | 3.30<br />

H. | CFF 15<br />

USA/Argentina <strong>2015</strong>. 97 mins.<br />

Two women named Helen live in Troy, New York. One is<br />

around sixty, married to Roy and looks after an uncannily<br />

lifelike baby doll as if it were a real child. The other Helen,<br />

who is pregnant, makes up one half of successful artist duo<br />

with her boyfriend Alex. Over four chapters we’re introduced<br />

to their lives; changed forever by a series of disconcerting<br />

omens. People disappear and eerie things begin to happen.<br />

Not only do the names of the protagonists and the location<br />

allude to Greek mythology; H. makes complex references to<br />

Greek legends and plays with the sense of the superhuman<br />

and inexplicable found in the tales of gods. The film’s subtle<br />

but disturbing atmosphere draws on fantasy and a disaster<br />

film conventions creating a modern revival of myth as a<br />

narrative form.<br />

Directors Rania Attieh & Daniel Garcia<br />

Starring Robin Bartlett, Rebecca Dayan, Will Janowitz<br />

APH Sat 5 | 11.00<br />

LIGHT Tues 8 | 9.15 APH Sat 12 | 11.00<br />

THE HARDER THEY COME | 15<br />

Jamaica 1972. 103 mins. English/Creole with<br />

English subtitles. New digital restoration.<br />

Without doubt, the greatest reggae film of all-time, directed<br />

by Perry Henzell. The Harder They Come is the essential<br />

rebel-reggae story of a young, gifted and black Kingston<br />

musician whose attempt to lift himself out of poverty leads<br />

to meddling with drug-dealing and murder. Reggae legend<br />

Jimmy Cliff plays the young outlaw who fights back against<br />

a corrupt system, and becomes a man who finally achieves<br />

fame, fortune and hit records, but ultimately spends his<br />

days on the run from gangstas. A cult hit that inspired a<br />

worldwide album soundtrack hit that featured Cliff singing<br />

The Harder They Come, You Can Get It if You Really Want and<br />

Many Rivers to Cross.<br />

Director Perry Henzell<br />

Starring Jimmy Cliff, Janet Bartley, Carl Bradshaw,<br />

Prince Buster<br />

PRINT SOURCE A2B Media<br />

Silver<br />

Screen<br />

APH Mon 7 | 8.00 APH Wed 9 | 1.30 APH Sun 13 | 4.00<br />

HORSE MONEY | 15<br />

Cavalo Dinheiro<br />

Portugal 2014. 103 mins.<br />

Portuguese auteur Pedro Costa returns with the eagerly awaited<br />

follow-up to his landmark Fontainhas trilogy which poetically<br />

captured the lives of those residing in the eponymous Lisbon<br />

slum. In Horse Money, Ventura — the sad-eyed Cape Verdean<br />

lead of Colossal Youth — is lost in startlingly abstracted and<br />

stunningly rendered indeterminacy as revolution takes place<br />

in the streets. A product of the failed promises of Portugal’s<br />

Carnation Revolution in the 1970s, Ventura is increasingly<br />

held captive by his madness and the “nervous disease”, a<br />

result of a lifetime’s worth of back-breaking manual labour<br />

and extreme poverty. Invoking the photography of Jacob Riis<br />

(1849–1914), the famous American photographer, journalist,<br />

and advocate for poverty reform, Costa’s new film is a<br />

powerful indictment of social and racial injustice.<br />

Director Pedro Costa<br />

Starring Ventura, Vitalina Varela, Tito Furtado<br />

PRINT SOURCE Second Run<br />

I AM A SPY<br />

& ASSOCIATED PROGRAMME | CFF PG<br />

UK <strong>2015</strong> + archive. 70 mins.<br />

It was only in the twentieth century we needed papers to<br />

have an identity. Kafka’s Joseph K scrabbled in his pocket<br />

for something better than a bicycle license to prove who<br />

he was in the brave new world where official documents<br />

separate those who belong from those who are not allowed<br />

to belong. The borders of the new nation state offered<br />

frames for subterfuge. What happened on one side of the<br />

border had to be understood on the other. In the century<br />

when we invented aviation, when we invented cinema, in<br />

an age when we can move more and see more than any<br />

other point in history why have we become so watchful and<br />

so performative? I Am A Spy is a film that observes this<br />

watchfulness.<br />

Director Sarah Wood<br />

PRINT SOURCE Sarah Wood<br />

UK<br />

PREMIERE<br />

I AM A<br />

SOLDIER | CFF 15<br />

Je Suis un Soldat<br />

France <strong>2015</strong>. 96 mins. French with<br />

English subtitles.<br />

Director Laurent Larivière<br />

Starring Louise Bourgoin,<br />

Jean-Hugues<br />

Anglade, Anne Benoit,<br />

Laurent Capelluto<br />

PRINT SOURCE Le Pacte<br />

APH Sat 5 | 6.00 LIGHT Sun 6 | 9.15<br />

Premiered in Un Certain Regard at this year’s Cannes <strong>Film</strong> <strong>Festival</strong>, this feature-length<br />

debut by directing newcomer Laurent Lariviere deals with a very contemporary issue:<br />

the extraordinary subject of dog trafficking in Europe. Sandrine is 30, unemployed<br />

and is forced to return home in Roubaix to live with her mother.<br />

With no money and not many options, she takes a job at her<br />

uncle’s kennels, but soon finds out that they are just a front for<br />

his real business - dog trafficking from Eastern Europe. Even so,<br />

Sandrine stays on and soon gains authority and respect in a world<br />

dominated by men, earning the money that could provide her with<br />

her freedom. But sometimes, even good soldiers stop taking orders.<br />

We are delighted to welcome director Laurent Lariviere to the screenings.<br />

Wired is financially supported by Anglia Ruskin University’s Arts Council.<br />

www.cambridgefilmfestival.org.uk


UK<br />

PREMIERE<br />

DOC<br />

UK<br />

PREMIERE<br />

APH Mon 7 | 6.30 LIGHT Wed 9 | 4.00<br />

Silver<br />

Screen<br />

APH Fri 11 | 3.30<br />

INFINITELY POLAR BEAR | CFF 15<br />

USA 2014. 90 mins.<br />

A semi-autobiographical directorial debut by screen writer<br />

Maya Forbes (Monsters Vs Aliens and Diary Of A Wimpy Kid).<br />

Mark Ruffalo stars as Cameron, a man who suffers from bipolar<br />

disorder. When his wife Maggie (Zoe Saldanan) decides to go to<br />

business school in New York to secure the qualifications needed<br />

to be the main breadwinner, Cam is left to manage the kids on<br />

his own. Due to his mercurial nature, this leads to a series of<br />

quirky, funny, and sometimes frightening episodes.<br />

Mark Ruffalo is one of the best actors on the planet. He proves<br />

it again in Infinitely Polar Bear, a hilarious and heartbreaking<br />

tale of a family on the ropes. Refusing to soften the edges when<br />

Cam is off his meds, Ruffalo is a powerhouse. He and Forbes<br />

craft an indelibly intimate portrait of what makes a family when<br />

the roles of parent and child are reversed. ROLLING STONE<br />

Director Maya Forbes<br />

Starring Mark Ruffalo, Zoe Saldanan, Imogene<br />

Wolodarsky, Ashley Aufderheide<br />

PRINT SOURCE Sony Pictures Releasing (UK)<br />

INVISIBLE HEROES | CFF PG<br />

Spain/USA 2014. 74 mins. Spanish/English with<br />

English subtitles.<br />

Two thousand eight hundred North Americans volunteered<br />

to defend the Republic of Spain during the Spanish civil<br />

war, but few people know that many of the volunteers were<br />

African Americans. This fascinating documentary tells their<br />

story, about their fight for democracy and for the civil rights<br />

that were denied to them in their own country. Including<br />

interviews with volunteers, archival footage and pictures<br />

from the era, this documentary thoroughly researches a little<br />

known episode of 20th century history and has been codirected<br />

by Jordi Torrent, who<br />

visited the festival not long<br />

ago to present his film The<br />

Redemption of the Fish.<br />

We are delighted to welcome director Jordi Torrent and<br />

Professor Paul Preston to the screenings.<br />

Directors Alfonso Domingo & Jordi Torrent<br />

PRINT SOURCE Duende Pictures/Argonauta<br />

Silver<br />

Screen<br />

IRRATIONAL<br />

MAN | CFF 15<br />

USA <strong>2015</strong>. 96 mins.<br />

Director Woody Allen<br />

Starring Jamie Blackley, Joaquin Phoenix,<br />

Parker Posey, Emma Stone<br />

PRINT SOURCE Warner Bros Pictures<br />

Woody Allen’s Irrational Man is about a tormented philosophy professor who<br />

finds a will to live when he commits an existential act. Philosophy professor<br />

Abe Lucas (Joaquin Phoenix) is at rock bottom emotionally, unable to find any<br />

meaning or joy in life. Abe feels that everything he’s tried to do, from political<br />

activism to teaching, hasn’t made any difference. Abe gets involved with two<br />

women: Rita Richards (Parker Posey), a lonely professor who wants him to<br />

rescue her from her unhappy marriage; and Jill Pollard (Emma Stone), his best<br />

student, who becomes his closest friend. Pure chance changes everything when<br />

Abe and Jill overhear a stranger’s conversation and become drawn in. Once Abe<br />

makes a profound choice, he is able to embrace life to the fullest again. But his<br />

decision sets off a chain of events that will affect him, Jill and Rita forever.<br />

UK<br />

LIGHT Thu 3 | 9.00 APH Fri 4 | 4.00<br />

PREMIERE<br />

DOC<br />

DOC<br />

Silver<br />

Screen<br />

LIGHT Mon 7 | 6.30 APH Tues 8 | 4.00<br />

Silver<br />

Screen<br />

APH Fri 4 | 8.00<br />

APH Mon 7 | 11.00am<br />

LA FAMILLE BÉLIER | 12A<br />

France, Belgium 2014. 106 mins.<br />

Young actress Louane Emera won a French Cesar award for her<br />

portrayal of Paula, the only hearing member of a deaf family. The<br />

Béliers lead a fairly mundane existence, they run their farm for a<br />

living and are unremarkable apart from three of the family being<br />

deaf. Paula, as the only hearing member often acts as interpreter<br />

and is sometimes relied upon, but the family is close knit, warm,<br />

and happy. When Paula auditions for the school choir (largely<br />

because the school heart-throb is a member) an extraordinary<br />

talent for singing is discovered. Her teacher offers her the<br />

opportunity to sit for the entrance exam of the Maîtrise de Radio<br />

France, a vocal elite choir in Paris. Her parents, unable to share her<br />

talent, take the news badly. Paula hates the idea of betraying her<br />

parents and has to face a stay-or-go dilemma, and a battle to<br />

communicate her ability to her hearing impaired family.<br />

Director Eric Lartigau<br />

Starring Louane Emera, Karin Viard, Francois Damiens,<br />

Eric Elmosnino<br />

PRINT SOURCE Entertainment One<br />

LAND<br />

GRABBING | CFF PG<br />

Landraub<br />

Austria <strong>2015</strong>. 94 mins. German/English/<br />

Romanian with English subtitles.<br />

Director Kurt Langbein<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

APH Sat 5 | 1.30 APH Mon 7 | 5.30<br />

“Buy land, they’re not making it anymore.” - Mark Twain’s quote has new<br />

urgency. After the financial meltdown in 2008 the global financial capital<br />

discovered the business segment of global farmland and demand for land has<br />

soared as investors look for places to grow food for export, grow crops for biofuels<br />

or simply buy up land for profit. Land Grabbing gives an inside look into the<br />

world of investors in the international agro-business and how the politics of the<br />

European Union is involved. It portrays both investors and their victims. Their<br />

self-image could not be more different. They speak of healthy economics, of<br />

safeguarding food supply and of prosperity for all. The others tell about eviction,<br />

enslavement and the loss of their economic base.<br />

LANDFILL HARMONIC | CFF PG<br />

Norway/United States/Brazil/Paraguay <strong>2015</strong>. 84 mins.<br />

Spanish with English subtitles.<br />

Landfill Harmonic follows the Recycled Orchestra of Cateura,<br />

a Paraguayan musical group that plays instruments made<br />

entirely out of garbage. <strong>Film</strong>ed over five years we follow<br />

the children of Cateura, being enlisted from local families,<br />

learning to play instruments, to their first public performance.<br />

When their story goes viral, the orchestra is catapulted into<br />

the global spotlight. Under the guidance of idealistic music<br />

director Favio Chavez, the orchestra must navigate a strange<br />

new world of arenas and sold-out concerts. When a natural<br />

disaster strikes Paraguay, Favio must find a way to keep the<br />

orchestra intact and provide a source of hope for their town.<br />

The film is a testament to the transformative power of music<br />

and the resilience of the human spirit.<br />

Directors Brad Allgood & Graham Townsley<br />

PRINT SOURCE The <strong>Film</strong> Collaborative<br />

LIGHT Fri 11 | 6.45 APH Sat 12 | 12.30<br />

Silver<br />

Screen<br />

APH Tue 8 | 12.30 LIGHT Thurs 10 | 6.45<br />

THE LAST EXECUTIONER | CFF 18<br />

Petchakat<br />

Thailand 2014. 95 mins.<br />

Inspired by real events, The Last Executioner is the true story<br />

of Chavoret Jaruboon, the last person in Thailand whose job<br />

it was to execute by gun. Vithaya Pansringham (Only God<br />

Forgives) takes the role of Chavoret - a once wild rock and<br />

roll star who took a ‘respectable’ job to support the family he<br />

loved devotedly. The Last Executioner is a fascinating portrait<br />

of the toll the gruesome occupation takes on the man’s sense<br />

of humanity. The story of a fundamentally good man in an<br />

ugly world this stylishly made film, directed by Thai born<br />

director/producer Tom Waller, is at times darkly surreal.<br />

We hope to welcome director Tom Waller to the screenings.<br />

Director Tom Waller<br />

Starring Vithaya Pansringham, David Asavanond,<br />

Penpak Sirikul<br />

PRINT SOURCE De Warrenne Pictures<br />

LEGEND | 18<br />

UK <strong>2015</strong>. 131 mins.<br />

Director Brian Helgeland<br />

Starring Tom Hardy, Emily Browning,<br />

Taron Egerton, Paul Bettany<br />

PRINT SOURCE STUDIOCANAL<br />

APH Sat 5 | 7.00 LIGHT Sat 5 | 8.00<br />

Tom Hardy turns in an amazing double performance as both Reggie and<br />

Ronnie Kray, the notorious East End 60s gangsters in this bio-pic based on<br />

the book The Profession of Violence: The Rise and Fall of the Kray Twins. Reggie<br />

is the smooth and ambitious operator and Ronnie the menacing violent one,<br />

together they rise to the top of the secret London underworld where their<br />

infamy and legendary status is secured.<br />

We hope to welcome director Brian Helgeland to the 7.00 screening.<br />

THE LESSON | CFF 15<br />

Urok<br />

Bulgaria/Greece 2014. 105 mins. Bulgarian with<br />

English subtitles.<br />

The Lesson takes on greater significance as the economic<br />

austerity in Greece and throughout Europe takes hold.<br />

But this is no dry documentary but a finely tuned drama<br />

that focuses tragedy of a school teacher and he family.<br />

Nada is a successful teacher who works hard for her family.<br />

Unfortunately, she has trusted her feckless husband to pay<br />

the monthly mortgage. She is made brutally aware of this<br />

when the debt collectors arrive to collect goods in lieu of<br />

payment. With a short stay of repossession she has to juggle<br />

teaching with finding the money. A well delivered metaphor<br />

for the deals you have to make to solve a debt crisis, delivered<br />

with empathy for the individual.<br />

Directors Kristina Grozeva & Petar Valchanov<br />

Starring Margita Gosheva, Ivan Barnev, Ivanka Bratoeva<br />

PRINT SOURCE New Wave<br />

Box office: 0871 902 5720 Main Features | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 11


UK<br />

PREMIERE<br />

THE MAGICAL<br />

GIRL | CFF 15<br />

Spain 2014. 127 mins. Spanish with<br />

English subtitles.<br />

Director Carlos Vermut<br />

Starring José Sacristán, Marina<br />

Andruix,<br />

Raimundo de los Reyes<br />

PRINT SOURCE <strong>Film</strong>s Distribution<br />

APH Sun 6 | 3.30 ST. PHILIPS Thu 10 | 6.15<br />

Winner of the top prize of the San Sebastian <strong>Film</strong> <strong>Festival</strong>, The Magical Girl<br />

cleverly mixes comedy, drama and tragedy in this very unusual thriller.<br />

Director Carlos Vermut, in only his second feature, cleverly draws together<br />

different strands in a film that is both complex and, at times, charmingly<br />

simple. At the heart of the story is the wish of a father to provide the perfect<br />

present for his dying 12-year-old daughter. Struggling for funds to make<br />

it work, he looks to different money-making schemes. By accident he<br />

meets Barbara, and a blackmail plot becomes his obvious solution. With a<br />

fractured narrative, and bizarre detours, The Magical Girl is an entertaining<br />

portrait of life in modern Spain.<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

APH Thu 10 | 1.30 LIGHT Fri 11 | 2.00<br />

LIFE IN A FISHBOWL | CFF 18<br />

Iceland 2014. 130 mins. Icelandic/English with<br />

English subtitles.<br />

Reykjavik. After a tragedy, writer Móri drinks himself into<br />

oblivion on a twenty-year binge. Eik, a young single mother<br />

moonlights as a prostitute to make ends meet. And young<br />

father and good husband Sölvi is recruited into the snake<br />

pit of Icelandic international banking. It is the eve of the<br />

country’s 2008 economic meltdown and soon fate will find<br />

them cross their paths.<br />

The lives of three characters intertwine in Life in a<br />

Fishbowl, a strongly acted, sensitively directed drama<br />

that represents a big step forward for Icelandic director<br />

Baldvin Zophoniasson. VARIETY<br />

Director Baldvin Z<br />

Starring Hera Hilmarsdottir, Thorsteinn Bachmann, Thor<br />

Kristjansson, Kristin Lea Sigridardottir<br />

PRINT SOURCE <strong>Film</strong>s Boutique<br />

Silver<br />

Screen<br />

APH Wed 9 | 4.00 APH Sun 13 | 1.45<br />

MAY ALLAH<br />

BLESS FRANCE! | CFF 15<br />

Qu’Allah Benisse la France!<br />

France 2014. 96 mins. French/Arabic/Lingala with<br />

English subtitles.<br />

This autobiographical directing debut of Parisian rapper Abd<br />

al Malik, is the true story of a French teenager rising out from<br />

the underprivileged suburbs through love, education and<br />

rap music. Regis is a culturally gifted boy who dreams of<br />

success for his rap band through hard work and loyalty, but<br />

he must accept the drug money for the sake of his project.<br />

Discovering Islam and love, he endures the harsh loss and<br />

paybacks of delinquency, until he finds the strength to<br />

express himself through rap music and Islam-poetry – and<br />

eventually becomes a major artist of the French music scene.<br />

Director Abd Al Malik<br />

Starring Marc Zinga, Sabrina Ouazani, Larouci Didi,<br />

Mickaël Nagenraft, Stéphane Fayette-Mikano<br />

PRINT SOURCE <strong>Film</strong>s Distribution<br />

ME AND EARL AND THE<br />

DYING GIRL | 12A<br />

USA <strong>2015</strong>. 105 mins.<br />

Director Alfonso Gomez-Rejon<br />

Starring Thomas Mann, RJ Cyler, Olivia Cooke<br />

PRINT SOURCE Twentieth Century Fox<br />

<strong>Film</strong> Co.<br />

LIGHT Thu 3 | 4.15 APH Thu 3 | 9.00<br />

Winner of the Grand Jury Prize and the Audience Award at the <strong>2015</strong><br />

Sundance <strong>Film</strong> <strong>Festival</strong>, Me and Earl and the Dying Girl is the uniquely<br />

funny, moving story of Greg (Thomas Mann), an awkward teenager<br />

who goes out of his way to avoid meaningful relationships whilst<br />

trying to blend in anonymously into the background of his high school.<br />

But when Greg’s mum insists he spend time with Rachel (Olivia Cooke)<br />

– a girl in his class who has just been diagnosed with cancer - he<br />

slowly discovers how worthwhile the true bonds of friendship can be.<br />

www.cambridgefilmfestival.org.uk


DOC<br />

LIGHT Fri 11 | 9.00 APH Sat 12 | 9.00<br />

APH Thu 3 | 5.30 LIGHT Sat 5 | 5.30<br />

BIG<br />

SCREAM<br />

MIA MADRE | 15<br />

Italy <strong>2015</strong>. 106 mins. Italian with<br />

English subtitles.<br />

Director Nanni Moretti<br />

Starring John Turturro, Margherita Buy,<br />

Giulia Lazzarini<br />

PRINT SOURCE Artificial Eye<br />

APH Sun 6 | 9.00 LIGHT Tue 8 | 4.15 APH Wed 9 | 10.30am<br />

A revisiting of the themes of life, cinema, family ties and guilt, Nanni Moretti’s<br />

Mia Madre is a major return to form for the Italian director. Margherita<br />

(Margherita Buy) is a director shooting a film with the famous American actor,<br />

Barry Huggins (John Turturro), who is quite a headache on set and whose Italian<br />

is nowhere near up to par for the demands of his role. Away from the shoot,<br />

Margherita tries to hold her life together, despite her mother’s illness and her<br />

daughter’s adolescence. Screened to great acclaim in Cannes, Nanni Moretti’s<br />

latest work is a seductive and witty biographical blend of comedy and pathos<br />

that gets the most from its small ensemble cast. There’s a great anecdote<br />

involving working with Kubrick and as a whole the film plays as an affectionate,<br />

and sometimes not so affectionate metaphor for choosing a life in cinema.<br />

UK<br />

PREMIERE<br />

MISSISSIPPI GRIND | CFF 15<br />

USA <strong>2015</strong>. 109 mins.<br />

Gerry (Ben Mendelsohn) is a talented poker player, but his<br />

gambling habit is getting the best of him. One day, he meets<br />

a charismatic young traveler named Curtis (Ryan Reynolds).<br />

Deeming Curtis his lucky charm, Gerry convinces him that they<br />

should hit the road together. As they gamble their way down<br />

South toward a legendary high-stakes poker game in New<br />

Orleans, the trip’s highs and lows unveil the duo’s true character<br />

and motivation, and an undeniable bond forms between them.<br />

Ben Mendelsohn and Ryan Reynolds give terrific<br />

performances as gambling buddies in this bittersweet,<br />

beautifully textured road movie… a bittersweet, beautifully<br />

textured road movie that plays like a conscious throwback<br />

to the lost souls and open highways of 1970s American<br />

cinema. VARIETY<br />

Directors Anna Boden & Ryan Fleck<br />

Starring Ben Mendelsohn, Ryan Reynolds, Sienna Miller<br />

PRINT SOURCE Entertainment One<br />

THE NEW RIJKSMUSEUM | CFF PG<br />

Het Nieuwe Rijksmuseum<br />

Netherlands 2014. 90 mins. Dutch with English subtitles.<br />

Oeke Hoogendijk’s eye-opening documentary is a fly-onthe-wall<br />

account of the fascinating and complicated process<br />

of the rebuilding of Holland’s most famous museum, The<br />

Rijksmuseum in Amsterdam. Closed for nearly a decade, we<br />

follow the ups and downs of the comprehensive, expensive<br />

and at times controversial renovation work. The film shows the<br />

people behind the scenes - the museum’s director, curators,<br />

politicians, designers - during the years of demolition and<br />

restoration, overcoming bureaucratic hurdles, political and<br />

financial debate. We witness their efforts, joys and struggles<br />

with one common goal: their love of art.<br />

Director Oeke Hoogendijk<br />

PRINT SOURCE Autlook <strong>Film</strong>sales<br />

DOC<br />

UK<br />

PREMIERE<br />

APH Fri 4 | 9.00 LIGHT Sat 5 | 3.00<br />

APH Fri 4 | 8.15 LIGHT Sat 5 | 4.00<br />

PALIO | 12A<br />

UK <strong>2015</strong>. 92 mins. Italian with<br />

English subtitles.<br />

Director Cosima Spender<br />

PRINT SOURCE Altitude <strong>Film</strong><br />

Entertainment Ltd<br />

Twice a year the Italian city of Siena goes crazy for the oldest horse race in the<br />

world: the Palio. Not your average race: strategy, bribery and corruption play<br />

as much a part as the skill of the riders. Horses are allocated by lot four days<br />

prior to the race. This is when the madness truly begins. In the eye of the storm<br />

stand the jockeys. Loved and loathed by the districts they represent, they forge<br />

alliances and make deals promising large cash sums to try and get the best<br />

start. Palio is the thrilling story of a young ‘outsider’ keen to break in to the<br />

dangerous but lucrative race and the corrupt ‘insider’ who has manipulated the<br />

city of Siena for a decade. Their passionate and dramatic battle is an epic and<br />

cinematic tale of Italian life in microcosm.<br />

EURO<br />

PREMIERE<br />

LIGHT Sun 13 | 5.00 APH Sun 13 | 9.00<br />

PASOLINI | CFF 18<br />

Italy 2014. 85 mins.<br />

One day, one life. Rome, the night of November 2, 1975.<br />

the great Italian poet and filmmaker Pier Paolo Pasolini is<br />

murdered. Pasolini is the symbol of an art that’s fighting<br />

against power. His writings are scandalous, his films are<br />

persecuted by the censors, many people love him and many<br />

hate him. The day of his death, Pasolini spends his last<br />

hours with his beloved mother and later on, with his dearest<br />

friends, before finally going out into the night in his Alfa<br />

Romeo in search of adventure in the Eternal City. At dawn,<br />

Pasolini is found dead on a beach in Ostia on the outskirts of<br />

the city. In a film dreamlike and visionary, a blend of reality<br />

and imagination, Abel Ferrara reconstructs in kaleidoscopic<br />

fashion the last day in the life of this great poet with frequent<br />

collaborator Willem Dafoe in astonishing form as Pasolini.<br />

Director Abel Ferrara<br />

Starring Willem Dafoe, Riccardo Scamarcio, Ninetto Davoli<br />

PRINT SOURCE BFI<br />

PORTRAIT OF THE ARTIST | CFF 15<br />

Le Dos Rouge<br />

France 2014. 127 mins. French with English subtitles.<br />

A film about art, museums and a strange red rash. Bertrand is a<br />

director working towards his next film. Struggling to understand<br />

his ideas of the monstrous as he looks at art in galleries he hires<br />

art historian Célia Bhy to guide him through galleries and works<br />

that intrigue from Chasseriau, Miró and Bacon. Relationships<br />

come and go, incidents, parties and discussions as Bertrand<br />

continues his journey of discovery. The Joycean title presages<br />

a film of allusions, detail and intellectual pleasures all delivered<br />

against beautifully shot and stunning artworks.<br />

More often than not, the film feels like a thriller version of<br />

Frederick Wiseman’s National Gallery.<br />

NICHOLAS BELL, IONCINEMA<br />

We are delighted to welcome director Antoine Barraud to<br />

the screening.<br />

Director Antoine Barraud<br />

Starring Bertrand Bonello, Jeanne Balibar<br />

PRINT SOURCE Reel Suspects<br />

WORLD<br />

PREMIERE<br />

APH Thu 3 | 10.30 LIGHT Sun 6 | 4.00<br />

PRETEND WE’RE KISSING | CFF 15<br />

Canada 2014. 81 mins.<br />

APH Sat 5 | 3.30 ST PHILIP’S Wed 9 | 9.00<br />

RADIATOR | CFF 12<br />

Uk 2014. 93 mins.<br />

Radiator marks the debut feature from UK director, Tom Browne<br />

and stars the late veteran actor Richard Johnson alongside<br />

Gemma Jones who recently starred with Toby Jones in the<br />

BAFTA winning, Marvellous. Daniel receives a call from his<br />

elderly mother; his father Leonard, has got stuck on the sofa.<br />

He travels to their remote farm to discover that they have<br />

fallen over the edge of eccentricity into outright squalor. With<br />

a only few days free from work Daniel tries to help but his<br />

parents are unable to adapt to their new circumstances. Maria<br />

continues with her gloriously impractical style. Leonard uses his<br />

professional skills as psychiatrist to thwart Daniel. Maria dies<br />

suddenly. Leonard is forced to leave the family home. Daniel<br />

returns to London with a freedom that his parents had lost.<br />

A touching film, thoughtful, and often poetic, which<br />

All Benny wants to do is be more confident, stop thinking<br />

FREE<br />

so much, and fall in love. When he has a chance encounter<br />

EVENT<br />

Prog. 1 APH Fri 4 | 10.00am APH Mon 7 | 10.00am APH Thu 10 | 11.00am<br />

with Jordan, a woman obsessed with the notion of fate and<br />

Prog. 2 APH Fri 4 | 12.30 APH Tue 8 | 10.00am APH Fri 11 | 10.00am<br />

a magical kind of love, he may finally have the opportunity.<br />

That is, if he can get out of his own way and out of his head.<br />

SCENE BY SCENE: A decade before The Story of <strong>Film</strong>: An Odyssey, I had a TV show on the BBC in which<br />

I interviewed movie directors and actors about their craft. Scene by Scene ran for 24<br />

Pretend We’re Kissing is a film for all of those who don’t think<br />

A MASH UP FOR<br />

episodes. I talked to people as varied as Roman Polanski. Jane Russell, Sean Connery,<br />

their love life resembles a romantic comedy.<br />

THE LOVE OF<br />

Bernardo Bertolucci, Janet Leigh, Rod Steiger, David Lynch, Brian de Palma, Jeff<br />

Somewhere between the neurotic humour of Manhattan<br />

FILM<br />

and the loquacious earnestness of Before Sunrise, Pretend<br />

| CFF PG<br />

Bridges, Martin Scorsese, Woody Allen, Jeanne Moreau and John Sayles. In each case<br />

we watched film clips of their work, which I paused, rewound or slo-mo’d as we talked. I<br />

We’re Kissing flies in the face of rom-com conventions.<br />

learnt about American cinema in those encounters, and life, too. My guests were talented<br />

TORONTO STAR<br />

people, but many had been troubled. Scene by Scene was about movies and life. For<br />

Director Matt Sadowski<br />

copyright reasons, the series hasn’t been broadcast for a decade. Now, the great editor<br />

Starring Dov Tiefenbach, Tommie-Amber Pirire,<br />

Timo Lager has compiled two ninety minute mash ups of it. We’ve done this without<br />

Zoe Kravitz<br />

permission and for the love of film. Please don’t sue us. Thanks to our all producers, DPs,<br />

deserves to be seen. VARIETY<br />

PRINT SOURCE Juice Productions, Inc<br />

editors, researchers and guests. They were golden years. We offer the world premiere<br />

Director Tom Browne<br />

of this mash-up to the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> to thank Tony Jones for his inspiring<br />

Starring Richard Johnson, Gemma Jones, Daniel Cerqueira<br />

cinephilia, and to share the love. MARK COUSINS<br />

PRINT SOURCE Picturehouse/Turnchapel <strong>Film</strong>s<br />

Box office: 0871 902 5720 Main Features | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 13


DOC<br />

APH Thu 3 | 8.30<br />

Silver<br />

Screen<br />

APH Thu 10 | 9.00 APH Fri 11 | 4.00<br />

THE SECOND MOTHER | 15<br />

Brazil <strong>2015</strong>. 114 mins. Portugese with English subtitles.<br />

Val is the kind of live-in housekeeper who takes her work seriously.<br />

She wears a crisp maid’s uniform while serving perfect canapés;<br />

she serves her wealthy São Paulo employers day in and day out<br />

while lovingly nannying their teenage son whom she’s raised since<br />

toddlerhood. Everyone and everything in the elegant house has its<br />

place until one day, Val’s ambitious, clever daughter Jessica arrives<br />

from Val’s hometown. Jessica’s confident, youthful presence<br />

upsets the unspoken yet strict balance of power in the household;<br />

Val must decide where her allegiances lie and what she’s willing<br />

to sacrifice. With subtly dark, giddy humour and keenly drawn<br />

characters, director Anna Muylaert mines the incendiary drama<br />

when old ideas and new worlds collide. Muylaert has given us a<br />

fresh, contemporary spin on class in Brazil, wrapped in a deeply<br />

moving story of what belonging and family mean.<br />

Director Anna Muylaert<br />

Starring Regina Casé, Antonio Abujamra, Helena Albergaria<br />

PRINT SOURCE Soda Pictures<br />

Silver<br />

Screen<br />

THE SHOW OF<br />

SHOWS: 100 YEARS OF<br />

VAUDEVILLE, CIRCUSES<br />

AND CARNIVALS | CFF15<br />

Iceland/UK <strong>2015</strong>. 72 mins.<br />

Director Benedikt Erlingsson<br />

PRINT SOURCE Dogwoof<br />

“Roll Up, Roll Up for an unforgettable experience! This film tells the story<br />

of itinerant circus performers, cabaret acts and fairground attractions,<br />

showing rarities and never-before seen footage of fairgrounds, circus<br />

entertainment, freak shows, variety performances, music hall and seaside<br />

entertainment, chronicled from the 19th and 20th century. We will see early<br />

shows that wowed the world and home movies of some of the greatest<br />

circus families. Director Benedikt Erlingsson takes us back to the days<br />

when the most outlandish, skillful and breathtaking acts traveled the<br />

world. This rich visual archive has been created with exclusive access to The<br />

University of Sheffield’s National Fairground Archive and is accompanied<br />

by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in<br />

collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.<br />

UK<br />

PREMIERE<br />

APH Fri 11 | 3.00 ST PHILIP’S Sat 12 | 6.30<br />

THE SKY ABOVE US | CFF 15<br />

Netherlands/Serbia <strong>2015</strong>. 97 mins. Serbian with<br />

English subtitles.<br />

The Sky Above Us is an authentic, contemporary drama about<br />

the bombing of Belgrade in 1999. Every day Ana, Bojan and<br />

Sloba put their lives at great risk just by going to work. Their jobs<br />

are in, or next to, the national television building in Belgrade,<br />

which has become a strategic target for NATO and their<br />

attacks. Three different people, three different ways of hanging<br />

onto normal life in the most difficult of situations. Every night<br />

Belgrade transforms from a vibrant city into a military target as<br />

NATO bombings get under way. While the bombs fall from the<br />

sky above, people struggle with the question: How can I survive,<br />

while staying sane in an insane world? Unfortunately still today<br />

similar wars continue to shake and divide.<br />

Director Marinus Groothof<br />

Starring Nada Šargin, Boris Isaković, Nikola Rakoˇcević,<br />

Nevena Ristić, Mladen Sovilj<br />

PRINT SOURCE Heretic<br />

UK<br />

PREMIERE<br />

DOC<br />

THE<br />

SPIDERWEBHOUSE | CFF15<br />

Im Spinnwebhaus<br />

Germany <strong>2015</strong>. 89 mins. German with<br />

English subtitles.<br />

Director Mara Eibl-Eibesfeldt<br />

Starring Ben Litwinschuh, Helena Pieske,<br />

Ludwig Trepte, Lutz Simon Eilert<br />

PRINT SOURCE Tellux <strong>Film</strong> GmbH<br />

Aged only 12 years, young Jonas has assumed the position of head of the<br />

family, taking care of his younger siblings and his mother Sabine. When<br />

Sabine can no longer cope with her anxieties, her ‘demons’, she leaves the<br />

children home alone to spend time in a special place called Sonnenthal.<br />

Jonas promises not to tell anyone, but to conceal his mother’s absence<br />

overwhelms him. As the children try to cope with normal life, they become<br />

more and more isolated and the house turns more and more chaotic.<br />

Slowly they slip into a fantasy world, a magic place: a Spiderwebhouse.<br />

Based on the real case of three children who were abandoned by their single<br />

mother, Spiderwebhouse is a moody blend of social realism and fantasy<br />

with three wonderfully naturalistic young leads. If you thought the children<br />

in Outnumbered were good, you have seen nothing yet!<br />

We hope to welcome director Mara Eibl-Eibesfeldt to this screening.<br />

UK<br />

PREMIERE<br />

LIGHT Fri 11 | 6.30 APH Sat 12 | 1.30<br />

STREET KIDS<br />

UNITED 2 - THE GIRLS<br />

FROM RIO | CFF PG<br />

UK/The Netherlands/Brazil <strong>2015</strong>. 78 mins.<br />

English/Portuguese with English subtitles.<br />

Director Maria Clara<br />

PRINT SOURCE JaJa <strong>Film</strong> Productions<br />

and F&ME<br />

APH Fri 4 | 6.00 LIGHT Sat 5 | 6.30<br />

The Street Child World Cup unites teams of street children, girls and boys,<br />

from up to 19 countries, drawing from a network of outstanding projects, all<br />

campaigning for the rights of street children. Streetkids United II - The Girls<br />

From Rio is a documentary film about a life-changing experience for a group<br />

of girls from the favelas in Rio de Janeiro, the Favela Street Girls, who are<br />

chosen to represent Brazil during the Street Child World Cup 2014. The girls,<br />

who have faced crime, violence and social problems during their lives, and their<br />

coaches, work hard to become a winning team. In the midst of police and drug<br />

gangs confrontations they strive to keep their dreams alive. Their journey to<br />

the unknown finally rewards them with much more.<br />

We are delighted to welcome, from Rio, Street Child World Cup Champions,<br />

Dryka and Jessica at both screenings.<br />

DOC<br />

DOC<br />

APH Fri 11 | 10.30 LIGHT Sat 12 | 9.00<br />

SWEETHEARTS OF THE<br />

GRIDIRON | CFF 15<br />

USA 2014. 89 mins.<br />

On September 12, 1940, the Kilgore College Rangerettes took<br />

the field for the first time and made history. Conceived as a<br />

way to keep football spectators in the stands during halftime<br />

rather than drinking and brawling under them, the Rangerettes<br />

changed footballs halftime entertainment forever. Ever since<br />

they have thrilled crowds with their precision dance routines.<br />

Current directors Dana Blair and Shelley Wayne have the<br />

organization at its’ peak as they embark on the organization’s<br />

75th anniversary. <strong>Film</strong>maker Chip Hale followed the Rangerettes<br />

for a year, and his documentary examines the dynamics<br />

of the relationships between Blair and Wayne (both former<br />

Rangerettes), the returning Rangerettes, and the tryout process<br />

for the 95 Hopefuls aspiring to wear the red, white and blue.<br />

Director Chip Hale<br />

PRINT SOURCE Overton <strong>Film</strong>s<br />

Silver<br />

Screen<br />

APH Sun 6 | 6.00 APH Mon 7 | 12.30<br />

A SYRIAN LOVE STORY | CFF15<br />

UK <strong>2015</strong>. 80 mins.<br />

A Syrian Love Story charts an incredible odyssey to political<br />

freedom in the West. For Raghda and Amer, it is a journey of<br />

hope, dreams and despair: for the revolution, their homeland<br />

and each other. The story starts in 2009 when filmmaker Sean<br />

McAllister meets Amer and his children as they are again waiting<br />

for his wife to be released from prison. When McAllister himself<br />

is arrested and footage of the family is confiscated, the family<br />

has no option but to flee to Lebanon overnight. McAllister follows<br />

their story over the next 5 turbulent years as they try to come<br />

to terms with their status of refugees. Their relationship suffers<br />

under the strain; especially Raghda can’t bear to be away from<br />

Syria. This intimate family portrait helps us to understand why<br />

people are literally dying for change in the Arab world.<br />

We hope to welcome director Sean McAllister to the<br />

evening screening.<br />

Director Sean McAllister<br />

PRINT SOURCE 10ft <strong>Film</strong>s<br />

TELL SPRING NOT<br />

TO COME THIS<br />

YEAR | CFF 15<br />

UK <strong>2015</strong>. 82 mins. Dari/Pashto with<br />

English subtitles.<br />

Director Saeed Taji Farouky &<br />

Michael McEvoy<br />

PRINT SOURCE Breakthrough<br />

Media, London<br />

APH Sun 6 | 7.30 LIGHT Mon 7 | 4.15<br />

In Helmand’s Gereshk River Valley, where fertile farmland meets the harsh desert,<br />

lives Heavy Weapons Company, 3rd Brigade, 215 Corps of the Afghan National Army<br />

(ANA). This is one of Afghanistan’s most dangerous regions, nicknamed ‘bomb alley’<br />

by NATO troops. In this remote outpost we find the experienced Captain Jalaluddin<br />

and the new recruit, Private Sunnatullah. As we follow the soldiers over the course of<br />

their first year fighting without NATO support, they tell the story of the war through<br />

Afghan eyes. This is an intimate film about the human side of combat, told from<br />

a previously unseen perspective, that represents the deep personal motivations,<br />

desires and struggles of a band of fighting men on the frontline of the ‘War on Terror’.<br />

Immersive and at times upsetting, yet vital to anyone interested in the aftermath<br />

of a conflict that began back in 2001. HOLLYWOOD REPORTER<br />

We are delighted to welcome director Michael McEvoy to the APH screening.<br />

14 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Main Features<br />

www.cambridgefilmfestival.org.uk


UK<br />

PREMIERE<br />

DOC<br />

DOC<br />

TEN BILLION | CFF PG<br />

UK <strong>2015</strong>. 82 mins.<br />

Director Peter Webber<br />

Featuring Professor Stephen Emmottt<br />

PRINT SOURCE HanWay <strong>Film</strong>s<br />

APH Sun 6 | 1.00<br />

If we knew a meteor was destined to strike the Earth by 2050, wouldn’t we<br />

try to stop it? By the end of this century, the human population is likely to<br />

be over ten billion. Just 25 years ago, it was less than five billion. How are<br />

the choices we’re making as a species impacting upon our environment?<br />

How will the sheer force of numbers affect the way we live in the future?<br />

Esteemed director Peter Webber (Girl With A Pearl Earring) and renowned<br />

Scientist Stephen Emmott (Professor and Head of Computational Science<br />

at Microsoft Research in <strong>Cambridge</strong>) deliver a timely and urgent message,<br />

highlighting key issues in the most important discussion of our environment<br />

today. What happens next, is up to us…<br />

UNTIL I LOSE<br />

MY BREATH | CFF 15<br />

Nefesim Kesilene Kadar<br />

Turkey/Germany <strong>2015</strong>. 94 mins. Turkish with<br />

English subtitles.<br />

LIGHT Sat 12 | 6.30<br />

Emine Emel Balci makes a stunning debut with this<br />

fascinating focus on the life of young woman in Istanbul.<br />

Told with a Dardennes aesthetic, the film is dominated by<br />

the performance of Esme Madra at its core. Serap works as a<br />

runner in a sweat shop and lives in a spare room at her sister’s<br />

house, but is bullied by her brother-in-law. She dreams of<br />

earning sufficient to rent her own place and share it with her<br />

father, a long-distance lorry driver. Madra is utterly compelling<br />

in a complex role, constantly driving the film forward with<br />

extraordinary nervous energy.<br />

Director Emine Emel Balci<br />

Starring Esme Madra, Riza Akin, Ece Yüksel<br />

PRINT SOURCE Unafilm<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

LIGHT Mon 7 | 6.45 APH Thu 10 | 3.30<br />

THE VISIT | CFF PG<br />

Austria/Denmark/Finland/Norway/Ireland 2014. 85 mins.<br />

Ever since the invention of radio and television, humans<br />

have been sending signals into outer space, announcing<br />

their existence to other civilizations. The Visit documents an<br />

event that has never taken place: humans’ first encounter<br />

with intelligent life from another world. Through tantalizing<br />

interviews with experts from NASA, United Nations, and the<br />

SETI (Search for Extra-terrestrial Intelligence) Institute, among<br />

many others, acclaimed Danish filmmaker Michael Madsen<br />

constructs a chillingly believable scenario of first contact.<br />

The implications unfold within a mind-bending landscape of<br />

everyday sights and sounds that Madsen succeeds in turning<br />

bizarre and extraordinary. The Visit takes viewers on a journey<br />

beyond their terrestrial perspective, revealing the fears, hopes,<br />

and rituals of a species forced to confront alien life forms that<br />

may or may not view us as a threat.<br />

Director Michael Madsen<br />

PRINT SOURCE Metrodome<br />

DOC<br />

DOC<br />

APH Sun 13 | 6.30 LIGHT Sun 13 | 8.00<br />

A WALK IN THE WOODS | 15<br />

USA <strong>2015</strong>. 95 mins.<br />

Robert Redford takes on the Bill Bryson role in this adaptation<br />

of Bryson’s 1998 travel memoir. On his return to America after<br />

years of absence living in the UK, Bill decides to reacquaint<br />

himself with the country by undertaking a gruelling hike<br />

across the 2200 mile Appalachian Trial. He is joined by an<br />

old friend Stephen Katz (Nick Nolte), who he’s not seen for<br />

decades, not since falling out on a trip to Europe in their<br />

youth. The scene is set for a grumpy-old-men style comedy<br />

adventure as the duo encounter bears, backpackers, and the<br />

limitations of age. A strong supporting cast includes Emma<br />

Thompson as Bill’s English wife Cathy, who thinks the whole<br />

idea is foolish, she could be right.<br />

Director Ken Kwapis<br />

Starring Robert Redford, Nick Nolte, Mary Steenburgen,<br />

Kristen Schaal, Emma Thompson, Nick Offerman<br />

PRINT SOURCE Entertainment One<br />

APH Wed 9 | 6.00<br />

WAR WORK: 8 SONGS WITH<br />

FILM | CFF 15<br />

UK 2014. 63 mins.<br />

Michael Nyman, prolific composer and arranger for instrumental<br />

pieces, and best known for his scores and compositions for films<br />

such as The Piano and The Draughtsman’s Contract, returns<br />

with a musical and visual fresco, the audiovisual War Work,<br />

edited by Max Pugh, and featuring the Michael Nyman Band<br />

and contralto Hilary Summers. The ‘Eight Songs’ are a song<br />

cycle with texts written by World War I poets all of whom, apart<br />

from the English painter-poet David Bomberg, lost their lives<br />

during the war, combining chansons vieilles from European<br />

poets, archival visual excerpts, and fragments of World World<br />

I-era musical motifs, in which Michael Nyman evokes everything<br />

erased from our memory: the unknown soldiers - those who have<br />

never been found or have lost their lives. SHEFFIELD DOC/FEST<br />

War Work: Eight Songs with <strong>Film</strong> will be presented at the Barbican<br />

Hall London on 10th December live with the Michael Nyman Band<br />

Director Michael Nyman<br />

PRINT SOURCE Myriam Blundell Projects<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

APH Thu 10 | 10.30 APH Fri 11 | 12.30 LIGHT Thu 10 | 6.30 LIGHT Sat 12 | 4.50<br />

WASTE LAND | CFF 15<br />

Belgium 2014. 97 mins. Flemish/French with English subtitles.<br />

WELCOME TO LEITH | CFF 15<br />

USA <strong>2015</strong>. 85 mins.<br />

The final part of a loosely connected trilogy of thematically<br />

connected Belgian films Anatomy of Love and Pain. Waste<br />

Land, is a dark journey into the heart of crime that takes over<br />

Detective Leo Woeste’s life. His wife is pregnant and she has<br />

doubts about bringing up a child given Leo’s dangerous life.<br />

When a body is discovered floating in the river, Leo becomes<br />

obsessed with a crime that takes deep into a mystical world of<br />

the Congolese immigrant community. An excellent thriller, Van<br />

Hees cleverly draws in themes around Belgium’s colonial past<br />

and its legacy, immigration and the complexities of modern<br />

identity. And all in the context of T S Elliot’s epic poem.<br />

Director Pieter Van Hees<br />

Starring Jérémie Renier, Natali Broods, Babetida Sadjo<br />

PRINT SOURCE Be For <strong>Film</strong>s<br />

In September 2012, the tiny prairie town of Leith, North Dakota,<br />

saw its population of 24 grow by one. Trouble had come to town.<br />

The newcomer was Craig Cobb, a notorious white supremacist.<br />

Quietly snapping up plots of land, he planned to take over the<br />

town government and establish Cobbsville, a haven for white<br />

separatists. In organizing a rally of supremacists and neo-Nazis<br />

and courting them to take up residence, Cobb does not endear<br />

himself to Leith. As his behaviour becomes more threatening,<br />

tensions soar, and the residents desperately look for ways to expel<br />

their unwanted neighbour. This chronicle of a rural community’s<br />

struggle for sovereignty amidst extremism cleverly manoeuvres<br />

us into an uncomfortable confrontation with our own values. The<br />

unsettling underpinning of Welcome to Leith is how we wrestle with<br />

our democratic principles when they’re pushed to the limit.<br />

Director Michael Beach Nichols<br />

PRINT SOURCE Metrodome<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

APH Thur 10 | 11.00am APH Fri 11 | 6.00<br />

WHY ME? | CFF 15<br />

De Ce Eu?<br />

Romania/Bulgaria/Hungary <strong>2015</strong>. 130 mins. Romanian with<br />

English subtitles.<br />

Why Me? is a legal thriller is based on a real-life case of<br />

prosecutor Cristian Panait and political corruption in Romania.<br />

In this fictionalised account, young rising star prosecutor<br />

Cristian Panduru tries to crack a case against a senior<br />

colleague accused of corruption. As he delves deeper into the<br />

case he realizes that is being used as a pawn in a power game<br />

orchestrated by the security services and bent government<br />

insiders. The dilemma of choosing between his career and the<br />

truth weighs heavily on his shoulders. Looking further to solve<br />

the case, he enters a danger zone paved with unexpected and<br />

painful revelations.<br />

Director Tudor Giurgiu<br />

Starring Emilian Oprea, Mihai Constantin, Andreea Vasile,<br />

Dan Condurache<br />

PRINT SOURCE Heretic<br />

WILDLIKE | CFF 15<br />

USA 2014. 98 mins.<br />

EMMA Fri 4 | 9.00 APH Fri 11 | 11.00<br />

Mackenzie, a troubled but daring teenager, is sent to live with<br />

her uncle in Juneau, Alaska. She longs for her struggling, absent<br />

mother, but as her mum’s phone calls become less frequent and<br />

her uncle’s care is not what it seems, she is forced to run. Her only<br />

thoughts are to escape her uncle’s grasp and contact her mother<br />

somehow, but as she plunges deeper into the Alaskan interior she<br />

is suddenly helplessly alone. Lost and with no one else to turn to,<br />

she shadows a loner backpacker, Bartlett, an unlikely father figure<br />

with scars of his own. He proves to be her only lifeline as they<br />

cross the wilderness and discover sanctuary in the last frontier.<br />

A genre-defying film with an unmistakable indie spirit,<br />

Wildlike, is a wonderful viewing experience that is both<br />

breathtaking to look at and refreshingly optimistic.<br />

AMERICAN LITERARY MAGAZINE<br />

Director Frank Hall Green<br />

Starring Ella Purnell, Bruce Greenwood, Brian Geraghty<br />

PRINT SOURCE Alaska <strong>Film</strong>, LLC<br />

ZURICH | CFF 15<br />

Netherlands/Belgium/Germany 2014. 89 mins.<br />

Dutch/German with English subtitles.<br />

Director Sacha Polak<br />

Starring Wende Snijders, Sascha Alexander<br />

Gersak, Barry Atsma, Martijn<br />

Lakemeier, Aäron Roggeman<br />

PRINT SOURCE Beta Cinema<br />

APH Sat 12 | 6.00<br />

In a desperate attempt to leave the past behind, Nina is wandering along<br />

Europe’s motorways. She meets a German lorry driver, Matthias, and joins<br />

him on his journeys. Nina doesn’t reveal much about who she is, though.<br />

Slowly it becomes clear that Nina’s drive to hang around in the truckers’<br />

scene is a result of the pain caused by the ultimate betrayal that has<br />

befallen her.<br />

Confirming the promise of her remarkable 2012 debut, Hemel, this<br />

bisected study of a young woman cast adrift — physically and<br />

psychologically — by personal tragedy unfurls its tale of woe in furtively<br />

nonlinear fashion… VARIETY<br />

We are delighted to welcome director Sacha Polak to the screening.<br />

Box office: 0871 902 5720 Main Features | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 15


35th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

Touring Programme<br />

4-10 September | www.abbeygatecinema.co.uk<br />

We are delighted to announce<br />

that a selection of films from the<br />

35th <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong> will<br />

be touring again to the Abbeygate<br />

Cinema Bury St. Edmunds and the<br />

Bedford <strong>Film</strong> <strong>Festival</strong>.<br />

The touring programme includes<br />

As We Were Dreaming<br />

Big Gold Dream Bill Black Panthers<br />

Closely Observed Trains Cruel Hellions<br />

The Forecaster The Harder They Come<br />

Landfill Harmonic Land Grabbing<br />

The Lesson Mia Madre Mississippi Grind<br />

New Rijksmuseum Poached<br />

Roar Second Mother Star*Men<br />

Street Kids 2 Company You Keep<br />

Traces of Sandalwood TridentFest<br />

Wild Strawberries<br />

BEDFORD<br />

FILM FESTIVAL<br />

11-13 September | bedfordfilmfestival.org<br />

Please check the relevant venue website for full programme details.


Thirty Five<br />

@ Thirty Five<br />

Do you love what we do? Then why not<br />

help us to celebrate our 35th birthday<br />

by supporting our 35@35 campaign,<br />

and help to secure CFF’s future?<br />

We’re asking CFF’s audience members, as well as cinephiles and film festival fans<br />

from all over the UK, to donate anything from £3.50 to £3,500 so that we can keep on<br />

delivering one of the UK’s best-loved film events for another 35 years.<br />

What’s in it for you? A glittering array of exclusive rewards is on offer as our heartfelt<br />

‘Thank You’ for whatever support you can give.<br />

Pledge as much or as little as you can afford - and remember what whilst we<br />

definitely do need your money, you could also help by donating 35 minutes of your<br />

time putting up posters in your community or workplace and taking flyers to your<br />

local shop, pub, or library.<br />

Never seen the hilarious and imaginative films of deadpan comic genius<br />

Buster Keaton on the big screen, with a live musical accompaniment? Then<br />

don’t miss celebrated musician and BBC broadcaster Neil Brand presenting<br />

a brand new restoration of Buster’s classic Steamboat Bill Jnr, a perfect<br />

introduction to the joys of silent film comedy that’s suitable for all ages!<br />

page 30<br />

Full information at<br />

www.cambridgefilmfestival.org.uk/thirty-five-thirty-five<br />

or contact us at marketing@cambridgefilmfestival.org.uk<br />

JOIN US FOR<br />

LUNCH&<br />

DINNER<br />

SAMPLE OUR SUMMER MENU IN OUR BAR&BISTRO SERVING<br />

THE BEST SEASONALLY INSPIRED DISHES WITH A FRENCH<br />

FLAIR WITHIN A CONVIVIAL AND RELAXED SETTING<br />

TO MAKE A RESERVATION PLEASE CALL<br />

0844 736 4253<br />

www.HOTELDUVIN.com<br />

HOTEL DU VIN&BISTRO 15-19 TRUMPINGTON STREET, CAMBRIDGE CB2 1QA


SCHEDULE OF<br />

FILMS<br />

There are no adverts or trailers before<br />

<strong>Festival</strong> screenings, so please be seated by<br />

the advertised time.<br />

You’ll notice a number of To Be Confirmed (TBC)<br />

screening slots in this timetable. This gives us<br />

the flexbililty to drop in last minute additions to<br />

the programme, as well as respond to audience<br />

demand by adding repeat screenings of popular<br />

titles. We will announce the TBC slots on<br />

www.cambridgefilmfestival.org.uk and at the<br />

Arts Picturehouse throughout the <strong>Festival</strong>, so<br />

keep checking for the most recent updates – you<br />

never know what you might miss otherwise!<br />

All tickets must be collected at least 15 minutes<br />

prior to the screening if it’s taking place at<br />

the Arts Picturehouse. If you are attending a<br />

screening at another venue you can collect<br />

pre-booked tickets or buy tickets from the Arts<br />

Picturehouse up to an hour before the film starts.<br />

After that you must collect pre-booked tickets<br />

from the <strong>Festival</strong> desk at the relevant screening<br />

venue, where you will also be able to buy tickets<br />

(subject to availability).<br />

Thu | 3 | Sept<br />

Arts Picturehouse<br />

Screen 1<br />

11.00<br />

1.30<br />

4.00 GER As We Were Dreaming 20<br />

6.30 Star * Men 6<br />

9.00 Me and Earl and the Dying Girl 12<br />

Screen 2<br />

10.30<br />

2.00 FFF Paddington 31<br />

4.00 FFF Charlie and Lola 30<br />

6.00 The Clearstream Affair 8<br />

8.30 The Second Mother 14<br />

11.00<br />

Screen 3<br />

1.45 FFF Mr Bean 31<br />

3.30 CAT The Long Way Home 22<br />

5.30 The New Rijksmuseum 13<br />

8.00 ShortFusion Childhood 32<br />

10.30 Pretend We’re Kissing 13<br />

The Light<br />

Screen A<br />

4.00<br />

6.30 The Company You Keep 8<br />

9.00 Irrational Man 11<br />

Screen B<br />

4.15 Me and Earl and the Dying Girl 12<br />

6.45 Dope 8<br />

9.15 Lates Hellions 26<br />

Fri | 4 | Sept<br />

Arts Picturehouse<br />

Screen 1<br />

11.00<br />

1.30<br />

4.00 Irrational Man 11<br />

6.30 GER Schmitke 20<br />

9.00 Pasolini 13<br />

Screen 2<br />

10.30<br />

1.00<br />

3.30 Atomic 7<br />

6.00 Street Kids United 2 14<br />

8.15 Portrait of the Artist 13<br />

11.00 Arena The Chelsea Hotel 6<br />

Screen 3<br />

10.00 Scene by Scene Prog. 1 FREE 13<br />

12.30 Scene by Scene Prog. 2 FREE 13<br />

3.00 The Fire 9<br />

5.30 ShortFusion Love and Death 33<br />

8.00 Landfill Harmonic 11<br />

10.30 Dark Pictures Special Event:<br />

Jarman Super 8, Begotten and<br />

live accompaniment 25<br />

The Light<br />

Screen A<br />

4.00 Star * Men 6<br />

6.30 3-D Brian May 3-D Rarities 6<br />

9.00 Lates 54 - Director’s Cut 26<br />

Screen B<br />

4.15<br />

6.45 As We Were Dreaming 20<br />

9.15 Lates Cruel 26<br />

Emmanuel College<br />

3.00<br />

6.30 Sjöström The Outlaw and his Wife<br />

& John Sweeney 24<br />

9.00 Wildlike 15<br />

Tue | 8 | Sept Wed | 9 | Sept Thu | 10 | Sept<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 16 Years Till Summer 7<br />

1.30 GER Shorts 21<br />

4.00 La Famille Belier 11<br />

6.30 Aurora 7<br />

9.00 The Forecaster 9<br />

Screen 2<br />

10.30<br />

1.00 99 Homes 7<br />

3.30 Bill 8<br />

6.00 The Reflecting Skin 28<br />

8.30 Majewski The Mill and the Cross 23<br />

11.00<br />

Screen 3<br />

10.00 Scene by Scene Prog. 2 FREE<br />

12.30 The Lesson 11<br />

3.00 Face to Face 9<br />

5.30 Sjöström Under The Red Robe 24<br />

8.00 CAT All the Ways of God 22<br />

10.30<br />

The Light<br />

Screen A<br />

4.00 The Days Run Away Like<br />

Wild Horses Over the Hills 20<br />

6.30 From Caligari to Hitler 9<br />

9.00 Lates Face of the Devil 26<br />

Screen B<br />

4.15 Mia Madre 13<br />

6.45 Poached 25<br />

9.15 The Harder They Come 10<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 Big Scream Bill 8<br />

1.30 Horse Money 10<br />

4.00 May Allah Bless France! 12<br />

6.30 Majewski Onirica: Field of Dogs 23<br />

9.00 GER Wanja 20<br />

Screen 2<br />

10.15 FFF The Gruffalo Double Bill 30<br />

11.45 FFF Mr Men 31<br />

3.30 H. 10<br />

6.00 War Work: 8 Songs with <strong>Film</strong> 15<br />

8.30 Sjöström Wild Strawberries 24<br />

11.00<br />

Screen 3<br />

10.30 Big Scream Mia Madre 13<br />

1.00 FHCE Shorts Programme 1 22<br />

3.00 Closely Observed Trains 8<br />

5.30 Radio On 28<br />

8.00 Dark Pictures Art, Politics<br />

and Squatting 25<br />

10.30 FHCE Shorts Programme 2 23<br />

The Light<br />

Screen A<br />

4.00 Infinitely Polar Bear 11<br />

6.30 GER The Chambermaid Lynn 20<br />

9.00 Lates Darkness on the<br />

Edge of Town (tbc) 26<br />

Screen B<br />

4.15 Lates 54: Director’s Cut 26<br />

6.45 CAT Traces of Sandalwood 22<br />

9.15 Lates Tokyo Tribe 27<br />

St Philip’s Church<br />

6.30 The Forest 9<br />

9.00 Radiator 13<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 Why Me? 15<br />

1.30 Life in a Fishbowl 12<br />

4.00 GER After Work 20<br />

6.30 Big Gold Dream 7<br />

9.00 The Sky Above Us 14<br />

Screen 2<br />

10.30<br />

1.00 CAT Traces of Sandalwood 22<br />

3.30 The Visit 15<br />

6.00 CAT The Long Way Home 22<br />

8.30 Dark Pictures Industrial Sounds<br />

and Visions 25<br />

11.00 Dark Pictures<br />

Through a Glass, Darkly 25<br />

Screen 3<br />

10.00 Scene by Scene Prog. 1 FREE<br />

12.30<br />

3.00 Majewski The Roe’s Room 23<br />

5.30 Arena Nicolas Roeg: It’s About Time 6<br />

8.00 Majewski Wojaczek<br />

& Lech Majewski Q & A 23<br />

10.30 Waste Land 15<br />

The Light<br />

Screen A<br />

4.00 The Forecaster 9<br />

6.30 Welcome to Leith 15<br />

9.00 Lates The Hallow 26<br />

Screen B<br />

4.15<br />

6.45 The Lesson 11<br />

9.15 Lates The Entity 26<br />

St Philip’s Church<br />

6.15 The Magical Girl 12<br />

9.00 The Fencer 9<br />

18 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | <strong>Festival</strong> Diary www.cambridgefilmfestival.org.uk


Sat | 5 | Sept Sun | 6 | Sept<br />

Mon | 7 | Sept<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 FFF BAFTA-Behind the Scenes 31<br />

1.30 The Company You Keep 8<br />

4.30 FFF Neil Brand’s Keaton for Kids:<br />

Steamboat Bill Jnr 30<br />

7.00 Legend & Brian Helgeland 11<br />

10.00 TridentFest 27<br />

Screen 2<br />

10.15 FFF Room on the Broom 31<br />

1.30 Land Grabbing 11<br />

3.30 Radiator 13<br />

6.00 I Am a Soldier 10<br />

8.30 GER Hedi Schneider is Stuck 20<br />

11.00 The Harder They Come 10<br />

Screen 3<br />

10.00<br />

12.30<br />

2.30 FFF BAFTA - TV Presenting Workshop 31<br />

4.30 By Our Selves 8<br />

6.30 ShortFusion Secrets 32<br />

8.30 16 Years Till Summer 7<br />

10.30 ShortFusion Space & Oddity 32<br />

The Light<br />

Screen A<br />

4.00 Portrait of the Artist 13<br />

6.30 Street Kids United 2 14<br />

9.00 Lates The Hallow 26<br />

Screen B<br />

3.00 Pasolini 13<br />

5.30 The New Rijksmuseum 13<br />

8.00 Legend 11<br />

10.30<br />

Emmanuel College<br />

4.00<br />

6.00 H. 10<br />

9.00 Sjöström He Who Gets Slapped<br />

& Neil Brand 24<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 FFF Harry Potter and the Deathly<br />

Hallows 2 30<br />

1.30<br />

4.00 Bill & ShortReel Award Presentation 8<br />

6.45 GER The Days Run Away Like<br />

Wild Horses Over the Hills 20<br />

9.00 Mia Madre 13<br />

Screen 2<br />

10.30 FFF Mr Men 31<br />

1.00 FFF The Gruffalo Double Bill 30<br />

3.30 The Magical Girl 12<br />

6.00 A Syrian Love Story 14<br />

8.30 From Caligari to Hitler 9<br />

Screen 3<br />

11.30 FFF Looney Tunes 30<br />

1.00 Ten Billion 15<br />

3.00 Gallivant 28<br />

5.30 Eadweard 9<br />

7.30 Tell Spring Not to Come This Year 14<br />

9.30 CAT Born 22<br />

The Light<br />

Screen A<br />

4.00 Pretend We’re Kissing 13<br />

6.30 The Clearstream Affair 8<br />

9.00 Lates Roar<br />

Screen B<br />

4.15 GER Hedi Schneider is Stuck 20<br />

6.45 99 Homes 7<br />

9.15 I Am a Soldier 10<br />

Emmanuel College<br />

3.00 GER Shorts 21<br />

6.00 Sjöström The Wind 24<br />

8.30 The Amina Profile 7<br />

Arts Picturehouse<br />

Screen 1<br />

11.00 Landfill Harmonic 11<br />

1.30 GER Schmitke 20<br />

4.00 The Black Panthers: Vanguard of<br />

the Revolution 8<br />

6.30 Infinitely Polar Bear<br />

9.00 MICRO Poached 25<br />

Screen 2<br />

11.30 3-D Rarities 6<br />

1.00 CAT Born 22<br />

3.30 The Amina Profile 7<br />

6.00 GER The Chambermaid Lynn 20<br />

8.30 Majewski Garden of Earthy Delights 23<br />

11.00 3-D Rarities 6<br />

Screen 3<br />

10.00 Scene by Scene Prog. 1 FREE 13<br />

12.30 A Syrian Love Story 14<br />

3.00 10 Billion – What’s on your Plate? 7<br />

5.30 Land Grabbing 11<br />

8.00 Horse Money 10<br />

10.30 ShortFusion Québec En Bref 33<br />

The Light<br />

Screen A<br />

4.00<br />

6.30 La Famille Belier 11<br />

9.00 Lates Cruel 26<br />

Screen B<br />

4.15 Tell Spring Not to Come This Year 14<br />

6.45 The Visit 15<br />

9.15 Lates Children of the Night 26<br />

Emmanuel College<br />

3.00<br />

6.30 Sjöström The Phantom Carriage<br />

& John Sweeney 24<br />

9.00 ShortFusion Motion 33<br />

Fri | 11 | Sept Sat | 12 | Sept Sun | 13 | Sept<br />

Arts Picturehouse<br />

Screen 1<br />

11.00<br />

1.30 Majewski The Mill and The Cross 23<br />

4.00 The Sky Above Us 14<br />

6.30 GER Fassbinder - Love<br />

Without Demands 20<br />

9.00 The Fire 9<br />

Screen 2<br />

10.30<br />

1.00 Atomic 7<br />

3.30 Invisible Heroes 11<br />

6.00 Why Me? 15<br />

8.30 Dark Pictures<br />

Image and Performance 25<br />

11.00 Wildlike 15<br />

Screen 3<br />

10.00 Scene by Scene Prog 2 FREE 13<br />

12.30 Waste Land 15<br />

3.00 Show of Shows 14<br />

5.30 MICRO Splendor Solis 25<br />

8.00 CAT The Marina Café 22<br />

10.30 Sweethearts of the Gridiron 14<br />

The Light<br />

Screen A<br />

4.00 The Forest 9<br />

6.30 The Spiderwebhouse 14<br />

9.00 Mississippi Grind 13<br />

Screen B<br />

2.00 Life in a Fishbowl 12<br />

4.30 Lates Darkness on the<br />

Edge of Town (tbc) 26<br />

6.45 The Last Executioner 11<br />

9.15 Lates Tridentfest 27<br />

St Philip’s Church<br />

6.30 The Dark Gene 8<br />

9.00 Aurora 7<br />

Arts Picturehouse<br />

Bar<br />

11.30am-1.30 Reel-y Crafty Kids 31<br />

Screen 1<br />

10.45 FFF Jungle Book & Shepreth<br />

Creatures of the Jungle!<br />

30<br />

1.30 The Spiderwebhouse 14<br />

4.00 Dance, Iranian Style 8<br />

6.30 SURPRISE FILM<br />

9.00 Mississippi Grind 13<br />

Screen 2<br />

11.00 FFF Mr Bean 31<br />

12.30 FFF The Big Knights 30<br />

3.30 The Fencer 9<br />

6.00 Zurich 15<br />

8.30 Drifter 8<br />

11.00 The Harder They Come 10<br />

Screen 3<br />

10.30 FFF Room on the Broom 31<br />

12.30 The Last Executioner 11<br />

3.00 Dark Pictures<br />

Through a Glass, Darkly 25<br />

5.30 FHCE Shorts Programme 1 22<br />

8.00 Dark Pictures Post Industrial<br />

Sound and Image Landscape 25<br />

10.30 Lates Roar 27<br />

The Light<br />

Screen A<br />

2.00 FFF The Princess Diaries 31<br />

4.15 CAT The Marina Café 22<br />

6.30 Until I Lose My Breath 15<br />

9.00 Sweethearts of the Gridiron 14<br />

Screen B<br />

2.30 FFF E.T. The Extra Terrestrial 31<br />

4.50 Welcome to Leith 15<br />

7.00 Big Gold Dream 7<br />

9.15 Lates The Strange Case of<br />

Dr Jekyll and Miss Osbourne 27<br />

St Philip’s Church<br />

6.30 The Show of Shows<br />

9.00 FHCE Shorts Programme 2 23<br />

Arts Picturehouse<br />

Bar<br />

11.30am-1.30 Reel-y Crafty Kids 31<br />

Screen 1<br />

10.30 FFF Paddington 31<br />

12.00 FFF Charlie and Lola 30<br />

1.45 May Allah Bless France! 12<br />

4.00 Eisenstein in Guanajuato 9<br />

6.30 A Walk in the Woods 15<br />

9.00 Palio 13<br />

Screen 2<br />

12.00 ARENA BBC Arena At 40:<br />

Night and Day - The Arena Time<br />

Machine - 24-hour continuous<br />

programme 6<br />

Screen 3<br />

10.15 FFF Looney Tunes 30<br />

11.30 FFF James and the Giant Peach 30<br />

1.30<br />

4.00 I Am a Spy 10<br />

6.00 Gentle 9<br />

8.30<br />

The Light<br />

Screen A<br />

2.00 FFF Raiders of the Lost Ark 31<br />

5.30 GER Fassbinder - Love<br />

Without Demands 20<br />

8.00 A Walk in the Woods 15<br />

Screen B<br />

2.30 FFF Fantastic Mr Fox 31<br />

5.00 Palio 13<br />

8.00<br />

FESTIVAL PASS<br />

Two different <strong>Festival</strong> Pass options are available.<br />

One costs £30 and buys you £40 worth of tickets - a<br />

significant 25% saving.<br />

The other costs £60 and buys you £100 worth of tickets - a<br />

huge 40% saving!<br />

Please note that <strong>Festival</strong> Passes can ONLY be used to<br />

purchase tickets from the Arts Picturehouse – from where<br />

you can use your Pass to purchase tickets for ALL other<br />

<strong>Festival</strong> venues. <strong>Festival</strong> Passes can’t be used online or at any<br />

other venues.<br />

MEMBERSHIP DISCOUNTS<br />

An Arts Picturehouse membership discount (£2 per ticket) or a<br />

specially arranged discount for members of The Light Infinity<br />

Scheme (£2 per ticket) is available for most* tickets. These<br />

discounts are available at ALL venues if you show your Infinity<br />

or Picturehouse membership card and can work in conjunction<br />

with the <strong>Festival</strong> Pass at Arts Picturehouse.<br />

*Please note Grantchester tickets, the Family <strong>Film</strong> <strong>Festival</strong> tickets<br />

and the over 60s daytime ticket at Arts Picturehouse and all clubs,<br />

(Silver Screen, Big Scream) cannot have further discounts applied to<br />

them. Please see details below.<br />

TICKET PRICES FOR<br />

SCREENINGS AT ARTS<br />

PICTUREHOUSE<br />

Weekends, Friday evenings (from 5.00)<br />

Adult ........................................................................................... £11.00<br />

Picturehouse Member or Infinity Card Holder Adult ..... £9.00<br />

Retired/Student ...................................................................... £10.00<br />

Child ............................................................................................ £6.00<br />

Family of four (two adults, two children) ........................... £30.00<br />

Weekday evenings (Mondays to Thursdays from 5.00)<br />

Adult ........................................................................................... £10.00<br />

Picturehouse Member or Infinity Card Holder Adult ...... £8.00<br />

Retired/Student ...................................................................... £9.00<br />

Child ............................................................................................ £6.00<br />

Family of four (two adults, two children) ........................... £28.00<br />

Weekday matinees (Mondays to Fridays before 5.00),<br />

Adult ........................................................................................... £9.00<br />

Picturehouse Member or Infinity Card Holder Adult ...... £7.00<br />

Student ...................................................................................... £8.00<br />

Retired/Silver Screen Member ............................................. £5.00<br />

Child ............................................................................................ £6.00<br />

Family of four (two adults, two children) ........................... £26.00<br />

All Family <strong>Film</strong> <strong>Festival</strong> at the Arts Picturehouse<br />

Adults and children ................................................................. £4.00<br />

3D screenings at Arts Picturehouse<br />

£2.00 extra per person including 3D glasses. If you bring your<br />

own glasses please request a 70p refund at the cinema.<br />

Silver Screen Club at Arts Picturehouse<br />

£5.00 for over 60s for ALL weekday screenings before 5pm –<br />

plus a free hot drink and biscuits. Please note you don’t need to<br />

be a Silver Screen Member for this discount during the <strong>Festival</strong>.<br />

Big Scream Club at Arts Picturehouse<br />

£7.00 for parents/guardians with babies under one year old.<br />

TICKET PRICES AT THE LIGHT,<br />

EMMANUEL COLLEGE AND<br />

ST PHILIPS CHURCH<br />

Off Peak before 5pm<br />

Adult ........................................................................................... £8.70<br />

Picturehouse Member or Infinity Card Holder Adult ...... £6.70<br />

Child ............................................................................................ £5.90<br />

Retired/Student ...................................................................... £6.60<br />

Family of four ........................................................................... £26.00<br />

Peak - After 5pm<br />

Adult ........................................................................................... £9.90<br />

Picturehouse Member or Infinity Card Holder .................. £7.90<br />

Child ............................................................................................ £7.10<br />

Retired/Student ...................................................................... £7.60<br />

Family ........................................................................................ £30.40<br />

All Family <strong>Film</strong> <strong>Festival</strong> at the Light<br />

Adults and children ................................................................. £3.00<br />

3D screenings<br />

No additional charge for 3D screenings at The Light but 3D<br />

glasses cost £1.50 or you’re welcome to bring your existing<br />

glasses.<br />

PAYMENT<br />

Arts Picturehouse and The Light have the facility to take credit<br />

card payments and cash.<br />

Please note we can ONLY take cash payments at St Philips<br />

Church and Emmanuel College. We have no facility for<br />

credit card payments at either of these venues, but you can<br />

purchase your tickets for these venues in advance using a<br />

credit card at the Arts Picturehouse.<br />

Box office: 0871 902 5720 <strong>Festival</strong> Diary | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 19


German<br />

CONTEMPORARY<br />

Cinema<br />

CONTEMPORARY GERMAN CINEMA offers a small glimpse<br />

into the artistic diversity from current German cinema. This year we took<br />

the liberty to include Danish director Christian Braad Thomsen with his<br />

documentary Fassbinder - To Love Without Demands, who decided to<br />

publish never before seen interviews he made with his lucid friend Rainer<br />

Werner Fassbinder, incorporating them into a fascinating portrait about<br />

the famous auteur. Fassbinder would have turned 70 this year. Andreas<br />

Dresen is becoming a household name abroad too, and we are pleased<br />

to present the UK premiere of As We Were Dreaming - a film that shows<br />

the powerful, wild and rebellious years of young people growing up in<br />

90s Leipzig, this coming-of-age story is pulsating to the beats of Techno<br />

ikons from the era. The next generation of filmmakers is as wildly diverse<br />

as ever - while Janina Herrhofer’s documentary After Work is a curious<br />

investigation into people’s leisure activities, director Marcin Malaszczak<br />

returns with a thoughtful, semi-fictional narrative with The Days Run Away<br />

Like Wild Horses Over the Hills. Sonja Heiss offers a wonderfully quirky<br />

dramedy with Hedi Schneider Is Stuck, Štˇepán Altrichter’s main character<br />

gets into trouble when repairing a wind turbine in Schmitke, and directors<br />

Carolina Hellsgård and Ingo Haeb both show their main protagonists<br />

going through a life-changing phase in their unusual lives with Wanja and<br />

The Chambermaid Lynn respectively. Many of the directors will attend and<br />

we can’t wait for you to meet them in person.<br />

UK<br />

PREMIERE<br />

DOC<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

Silver<br />

Screen<br />

APH Thu 10 | 4.00<br />

AFTER WORK | CFF 15<br />

Freie Zeiten<br />

Germany <strong>2015</strong>. 71 mins. German with English subtitles.<br />

Janina Herrhofer’s documentary focuses on group leisure<br />

activities, an every growing phenomenon that seems<br />

to offer boundless options to forget about the stressful<br />

working days. Without judgement but with the curiosity of a<br />

nature-documentary filmmaker, the director extracts curious<br />

observations about the surreal activities we humans come<br />

up with. From yoga-classes upside down, learning to find our<br />

inner scream to falling into music through intense meditation.<br />

One would never have thought that research into leisure<br />

could be so visually rich. BIRGIT KOHLER, BERLINALE<br />

Director Janina Herhoffer<br />

PRINT SOURCE Janina Herhoffer<br />

UK<br />

PREMIERE<br />

DOC<br />

Silver<br />

Screen<br />

APH Thu 3 | 4.00 LIGHT Fri 4 | 6.45<br />

AS WE WERE DREAMING | CFF 15<br />

Als Wir Träumten<br />

France/Germany <strong>2015</strong>. 117 mins. German with English subtitles.<br />

This story about the wild times of teenagers in post-wall<br />

Leipzig is based on Clemens Meyer’s best selling novel and<br />

adapted by one of Germany’s most eminent screenwriters,<br />

Wolfgang Kohlhaase and directed by director Andreas Dresen<br />

(Cloud Nine, Stopped on Track). As We Were Dreaming portraits<br />

the first years of reunified Germany in the early 90s – when<br />

everything was colliding, when everything seemed possible.<br />

From boyhood to rough-and-tumble teenagers, the Leipzig<br />

suburbs were the whole world to this group of friends. Daniel<br />

was in love, Rico was the greatest boxer. And Starlet was the<br />

prettiest girl they had ever known. They party, they riot, they<br />

run a techno club, run from neo-Nazis, their parents and the<br />

future. They are coming of age in a time of anarchy.<br />

Director Andreas Dresen<br />

Starring Merlin Rose, Joel Basman, Ruby O. Fee, Julius<br />

Nitschkoff, Frederic Haselon, Marcel Heuperman<br />

PRINT SOURCE The Match Factory<br />

UK<br />

PREMIERE<br />

APH Mon 7 | 6.00 LIGHT Wed 9 | 6.30<br />

THE CHAMBERMAID<br />

LYNN | CFF 15<br />

Das Zimmermädchen Lynn<br />

Germany 2014. 90 mins. German with English subtitles.<br />

No chambermaid is as thorough as Lynn Zapatek: her whole<br />

world revolves entirely around the task of cleaning. In order to<br />

understand what drives other people, she rummages through<br />

the possessions of the hotel guests and hides under their beds<br />

at night, hoping to find the secrets behind their lives. When<br />

she comes across the call girl Chiara, who offers her services in<br />

the hotel, she dares to venture out of her cocoon...<br />

Director Ingo Haeb<br />

Starring Vicky Krieps, Lena Lauzemis, Steffen Münster,<br />

Christian Aumer, Christine Schorn<br />

PRINT SOURCE Patra Spanou <strong>Film</strong><br />

Marketing & Consulting<br />

UK<br />

PREMIERE<br />

APH Sun 6 | 6.45 LIGHT Tue 8 | 4.00<br />

THE DAYS RUN AWAY<br />

LIKE WILD HORSES OVER<br />

THE HILLS | CFF 15<br />

Poland/USA/Germany <strong>2015</strong>. 73 mins. English, German and<br />

Polish with English subtitles<br />

Marcin Malaszczak presented his debut film Sieniawka at<br />

CFF13, predominantly featuring lost, old men in dystopian<br />

surroundings. The Days is in many ways a mirror image. While<br />

Sieniawka had echoes of the afterlife, here he begins with<br />

innocence, tenderly focusing on women with carefully composed<br />

frames that shine in black and white as well as colour. Set in<br />

Berlin and in a small town in Poland, it moves between the<br />

closed spaces of private homes and the oddly contained worlds<br />

of public spaces, slipping between documentary and dreamlike<br />

narrative. The Days glances at life in all its facets – playful,<br />

wild, philosophical and nostalgic, shot with a MiniDV camera, its<br />

rough grain a reminder of the evanescence of the image itself.<br />

We hope to welcome diretor Marcin Malaszczak to the screenings.<br />

Director Marcin Malaszczak<br />

Starring Natalie Warlow, Maria Brehmer, Stefania Malec<br />

PRINT SOURCE Mengamuk <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

APH Fri 11 | 6.30 LIGHT Sun 13 | 5.30<br />

FASSBINDER - TO LOVE<br />

WITHOUT DEMANDS | CFF 15<br />

Denmark <strong>2015</strong>. 109 mins. German with English subtitles<br />

APH Sat 5 | 8.30 LIGHT Sun 6 | 4.15<br />

HEDI SCHNEIDER IS STUCK | CFF 15<br />

Hedi Schneider steckt fest<br />

Norway/Germany <strong>2015</strong>. 92 mins. German with English subtitles.<br />

APH Fri 4 | 6.30 APH Mon 7 | 1.30<br />

SCHMITKE | CFF 15<br />

Germany 2014. 90 mins. German with English subtitles.<br />

APH Wed 9 | 9.00<br />

WANJA | CFF 15<br />

Germany <strong>2015</strong>. 87 mins. German with English subtitles.<br />

Schmitke is based on a short story by writer and screenwriter The former bank robber Wanja is released after a long period<br />

Rainer Werner Fassbinder (1945-82) was among the most Hedi, Uli and their son, Finn, have life sorted out, taking each day Tomáš Konˇcinský called Julius Schmitke slipped through<br />

in prison. Determined not to fall back into her old life, she<br />

productive auteurs in film history. In 14 years he wrote and as it comes, while dreaming of the future. Then, suddenly: Hedi death’s fingers like an awkward seal. It’s a story set somewhere moves into social housing and regularly meets her parole<br />

directed 60 films for cinema and television, eventually<br />

gets stuck. The lift she’s travelling in breaks down – and then between comedy and mystery, somewhere in the fog of the Ore officer. As her feelings of loneliness escalate, Wanja sets out<br />

reaching a large audience all over the world without ever<br />

her head does, too. Nothing is the same. Hedi and Uli try to hold Mountains, full of the atmosphere of this mysterious stretch of to find work and hereby a new identity. Against all odds she<br />

compromising. Christian Braad Thomsen’s documentary is onto each other, but their world spins out of control. In a lastditch<br />

attempt to rescue their love, they take a trip to Norway. the inner world of an ageing, clumsy German man who is sent meets the troubled teenager Emma. Wanja is immediately<br />

land, its history and its people. But most of all it’s the story of lands an internship at a horse race track. In the stables she<br />

based on candid, provokative, thoughtful, and previously<br />

unpublished interviews he filmed with Fassbinder in the 1970s. The aim: to be happy again – for 24 hours, at least. With a light to a small Czech village to fix a squeaking wind turbine. Director drawn to the girl, who reminds her of herself and a tentative<br />

Equally prominent here are the actors with whom Fassbinder touch and tender humour, Hedi Schneider Is Stuck shows that, and recent graduate Štˇepán Altrichter has a fine sensibility friendship develops between the two women. When Emma<br />

worked and had scandalously torrid affairs with - including for the 30-something generation, love is as has always been, when blending humour with fear, surreal moments with<br />

slips deeper into drug abuse and is in trouble, Wanja decides<br />

Hanna Schygulla, Gunther Kaufmann, Ingrid Caven, Kurt a very fragile thing. Director Sonja Heiss again demonstrates the delights of the banal and refreshingly<br />

to take control and rescue her.<br />

Raab, Gottfried John, Irm Hermann, and Harry Baer—some her exceptional skill in treading the thin line between tragedy and unafraid to follow his own filmmaker’s voice.<br />

We are delighted to welcome director Carolina Hellsgård to<br />

of whom appear in present-day interviews. Thomsen casts a comedy, exploring what happens when ‘normal life’ suddenly ends.<br />

We are delighted to welcome director<br />

the screening.<br />

bright and beautiful light on this masterfully talented enfant We are delighted to welcome director Sonja Heiss to<br />

Štˇepán Altrichter to the evening screening.<br />

Director Carolina Hellsgård<br />

terrible of German cinema.<br />

the screenings.<br />

Director Štˇepán Altrichter<br />

Wired is financially Starring Anne Ratte-Polle, Nele Trebs, Viktor Minich,<br />

Director Christian Braad Thomsen<br />

Director Sonja Heiss<br />

supported by<br />

Starring Peter Kurth, Johann Jürgens,<br />

Marko Dyrlich, Michael Baderschneider<br />

Starring Laura Tonke, Hans Löw, Leander Nitsche<br />

Anglia Ruskin<br />

PRINT SOURCE Kollektiv <strong>Film</strong>s<br />

Petr Vrsek<br />

University’s PRINT SOURCE Flickfilm GbR<br />

PRINT SOURCE The Match Factory<br />

PRINT SOURCE HFF Konrad Wolf Arts Council.<br />

20 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Contemporary German www.cambridgefilmfestival.org.uk


GERMAN SHORTS CFF 15<br />

EMMA SUN 6, 3.00 APH TUES 8, 1.30<br />

Silver<br />

Screen<br />

WORLD<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

WORLD<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

Like a Butterfly World premiere<br />

Germany <strong>2015</strong>. 15 mins. German with English subtitles.<br />

A five-year old girl tries to understand the meaning of death. When a bird flies against<br />

a window and dies, the girl starts to deal with the terminal illness of her mother. ‘Like a<br />

Butterfly’ shows the handling of death from a child´s point of view.<br />

Director Sabrina Maria Roessel<br />

Starring Ruby Kaysa Meschke, Sandra Borgmann, Judith Sehrbrock<br />

PRINT SOURCE Brave New Work <strong>Film</strong> Productions<br />

Lure UK premiere<br />

Germany 2014. 4 mins.<br />

Lure is a stop-motion animated short film about a casual encounter of a small fat boy<br />

and a wheelchair-bound old woman, both isolated in their own way.<br />

Director Linda Luitz & Wunna Winter<br />

PRINT SOURCE Linda Luitz and Wunna Winter<br />

The Old Man and the Cat World premiere<br />

Germany <strong>2015</strong>. 10 mins. German with English subtitles.<br />

Out of a profound longing for company and social contacts, an old, lonely man fantasises<br />

about a perfect world. Together with his imaginary cat he celebrates his 80th birthday.<br />

Suddenly the doorbell rings. His young, pretty neighbour is standing at the door.<br />

Director Damian Schipporeit<br />

Starring Hannes Stelzer, Annekathrin Bach, Christoph Müller<br />

PRINT SOURCE Aug&Ohr<br />

Alles Wird Gut<br />

Germany <strong>2015</strong>. 30 mins. German with English subtitles.<br />

A divorced father picks up his eight-year-old daughter Lea.It seems pretty much like<br />

every second weekend, but after a while Lea can‘t help feeling that something isn’t<br />

right. So begins a fateful journey.<br />

Director Patrick Vollrath<br />

Starring Simon Schwarz, Julia Pointner<br />

PRINT SOURCE Aug&Ohr<br />

Herman the German<br />

Germany <strong>2015</strong>. 15 mins. German with English subtitles.<br />

Herman is one of the most experienced bomb defusers in Germany. After a medical<br />

examination Herman learns that he suffers from the very rare Kahnawake syndrome<br />

and can no longer feel fear. To become normal again, he is forced to try out all phobias.<br />

Director Michael Binz<br />

Starring Gustav Peter Wöhler, Anke Engelke, Hans-Martin<br />

PRINT SOURCE Academy of Media Arts Cologne


CAMERA<br />

Catalonia<br />

Now in its fourth year, Camera Catalonia continues to showcase the new cinema<br />

from Catalonia. Our selection this year ranges from audience favourite Sandalwood<br />

Traces, the French influence that can be seen in The Marina Café, the beautifully filmed<br />

Born and two new and daring proposals from the newest generation of filmmakers. We<br />

are hoping to welcome directors and actors from all the films included this year and we<br />

may repeat the Catalan cuisine experience from last year (which run out very quickly!).<br />

presents…<br />

DOCS<br />

CFF 15<br />

APH Wed 9 | 1.00 APH Sat 12 | 5.30<br />

<strong>Film</strong> Hub Central East is led by <strong>Cambridge</strong> <strong>Film</strong><br />

Trust and Broadway Cinema Nottingham as<br />

part of the BFI <strong>Film</strong> Audience Network, a ground<br />

breaking initiative developed by the BFI to enable<br />

organisations and film experts in the independent<br />

cultural exhibition sector to work in partnership to<br />

boost film audiences across the UK, particularly in<br />

the areas of specialised and independent British<br />

film. To find out more about the <strong>Film</strong> Hub Central<br />

East please visit filmhub.broadway.org.uk<br />

RIPCOR : RIDING WITH<br />

MAMILS<br />

UK 2014. 53 mins.<br />

UK<br />

PREMIERE<br />

APH Tue 8 | 8.00<br />

ALL THE WAYS OF GOD | CFF 18<br />

Tots els Camins de Déu<br />

Catalonia 2014. 70 mins. Catalan with English subtitles.<br />

All the Ways of God tells the story of the last three days in<br />

the life of a contemporary Judas, a man who flees from his<br />

own guilt after betraying his best friend. Drowned by his<br />

culpability, he enters the forest where he’ll meet a mysterious<br />

young man, who will accompany him in his penitence, helping<br />

him deal with his feelings, understanding his guilt and how to<br />

finally confront it. With interpretations full of nuances, this is<br />

a very emotional and intense trip towards the hidden corners<br />

of the human soul.<br />

We hope to welcome director Gemma Ferraté to the screening.<br />

Director Gemma Ferraté<br />

Starring Oriol Pla, Marc Garcia Coté, Jan Cornet<br />

PRINT SOURCE Niu d’indi<br />

Silver<br />

Screen<br />

Silver<br />

Screen<br />

APH Sun 6 | 9.30 APH Mon 7 | 1.00 APH Thu 3 | 3.30 APH Thu 10 | 6.00<br />

BORN | CFF 18<br />

Catalonia 2014. 102 mins. Catalan with English subtitles.<br />

Based on real facts, this is an accurate depiction of life in<br />

Barcelona in the 18th century. It was a time of huge changes in<br />

Catalan life and the film finds the truth in the small details of<br />

daily life and prioritises them over the stereotypes often found<br />

in historical films. The main actress, Vicky Luengo, won the best<br />

actress award at the New York City International <strong>Film</strong> <strong>Festival</strong><br />

and the film has also won the best costume design award at<br />

the Milano international film festival. With a style that has been<br />

compared to late Rossellini and a precious photography by<br />

Jimmy Gimferrer (known for his work for Albert Serra), this is a<br />

serene, realist and beautiful look at Catalan history.<br />

We are delighted to welcome director Claudio Zulián to<br />

the screenings.<br />

Director Claudio Zulián<br />

Starring Josep Julien, Vicky Luengo, Marc Martínez,<br />

Mercè Arànega<br />

PRINT SOURCE Acteon<br />

THE LONG WAY HOME | CFF 18<br />

El Camí Més Llarg per Tornar a Casa<br />

Catalonia 2014. 85 mins. Catalan/Spanish with<br />

English subtitles.<br />

One morning Joel finds his wife’s dog Elvis half dead. This<br />

forces him out of home. After forgetting his keys inside, he’ll<br />

spend the day desperately trying to get back into his flat, his<br />

shelter. A film described as oppressive, devastating, tense,<br />

hostile, radical and vibrant, it succeeds in describing the pain<br />

of grief, aided by the stunning and brilliant performance from<br />

the lead, Borja Espinosa.<br />

We hope to welcome director Sergi Pérez to the screening on<br />

Thursday 10 September.<br />

Director Sergi Pérez<br />

Starring Borja Espinosa, Miki Esparbé, Maria Ribera,<br />

Pol López, Sara Espígul<br />

PRINT SOURCE Niu d’indi<br />

UK<br />

PREMIERE<br />

Ripcor: Riding with Mamils follows a unique cycle team on<br />

their journey tackling some of the toughest climbs in the<br />

French Alps. The film explores the motivations behind the<br />

Ripcor Cycling Club, the characters, the camaraderie and<br />

provides an insight into the culture of cycling.<br />

Director John Scrivener<br />

PRINT SOURCE Let’s Talk <strong>Film</strong>s<br />

THE AZONTO: LONDON<br />

TO ACCRA<br />

UK 2014. 27 mins. Twi/English with English subtitles.<br />

The Azonto and Afrobeats culture has burst onto the<br />

London scene. Having its roots in the tribal dances of the<br />

fishermen and rural people of Ghana, the Azonto dance<br />

has evolved and is now part of a larger movement of<br />

African culture becoming popular here in the UK.<br />

Director Miguel Caycedo<br />

PRINT SOURCE MajorPlay LDN<br />

WORLD<br />

PREMIERE<br />

WOODEN HOUSE<br />

UK 2014. 12 mins.<br />

APH Fri 11 | 8.00 LIGHT Sat 12 | 4.15<br />

THE MARINA CAFE | CFF 15<br />

El Café de la Marina<br />

Catalonia 2014. 80 mins. Catalan with English subtitles.<br />

This film is based on a very popular Catalan play from the<br />

beginning of the XX century and reminiscent of the work of<br />

Marcel Pagnol. It was after translating Pagnol’s Marius that<br />

Josep Maria de Sagarra decided to write The Marina Café.<br />

Sílvia Munt, one of Catalonia’s most important actresses has<br />

been mostly behind the camera of late. She opens up the<br />

play for the cinema medium and manages to orchestrate the<br />

cast in this ensemble effort. Love, jealousy, honour, family<br />

obligations, poverty and status are all present in the film. If<br />

you like classical theatre this is your film.<br />

We are delighted to welcome actress Marina Salas to<br />

the screenings.<br />

Director Sílvia Munt<br />

Starring Marina Salas, Pablo Derqui, Miquel Gelabert,<br />

Marina Comas, Fermí Reixach<br />

PRINT SOURCE Oberon<br />

Silver<br />

Screen<br />

TRACES OF<br />

SANDALWOOD | CFF 15<br />

Rastres de Sàndal<br />

Catalonia 2014. 95 mins. Catalan/English with<br />

English subtitles.<br />

Director Maria Ripoll<br />

Starring Nandita Das, Aina Clotet, Subodh<br />

Maskara, Naby Dakhli, Rosa Novell<br />

PRINT SOURCE Imagina<br />

LIGHT Wed 9 | 6.45 APH Thu 10 | 1.00<br />

Indian and Catalan cultures fuse beautifully in this story of hope and<br />

love across Mumbai and Barcelona; from India to the Mediterranean<br />

and all the way back. Mina, a successful Indian actress in Mumbai was<br />

separated from her little sister Sita after their mother’s death and 30<br />

years later she is finally close to find her again. This is a story about love,<br />

identity and the common human aspects that tie us together. A film<br />

about women produced by a team composed almost exclusively by<br />

women. The spices of India mix very well with the Mediterranean charm<br />

in this gorgeous film.<br />

We hope to welcome director Maria Ripoll to the screenings.<br />

Wesley West is a sculptor and model maker based in<br />

<strong>Cambridge</strong>. This short film, through his creations and<br />

objects around his home, gives an insight into the artist<br />

and his process.<br />

Director Hannah Gautrey<br />

PRINT SOURCE Hannah Gautrey<br />

22 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Camera Catalonia www.cambridgefilmfestival.org.uk


presents…<br />

SHORTS<br />

CFF 15<br />

APH Wed 9 | 10.30 ST PHILIP’S Sat 12 | 9.00<br />

The Swallow | UK 2014. 16 mins.<br />

Short thriller set in 1960s Soho. A young woman at<br />

the centre of a honeytrap fights to retain her freedom<br />

and integrity.<br />

Director Harry Baker<br />

Starring Jasmine Blackborow, Liviu Romanescu,<br />

Albert Welling<br />

PRINT SOURCE London <strong>Film</strong> School<br />

Transhumance<br />

Lech<br />

Majewski<br />

R E T R O S P E C T I V E<br />

We are delighted to welcome Lech<br />

Majewski to the <strong>Festival</strong> for a<br />

retrospective of his work. Lech first came<br />

to the <strong>Festival</strong> with his debut feature,<br />

The Knight, in 1981 and pursued a path<br />

as an extraordinary and visionary<br />

filmmaker. His latest film Onirica<br />

completes a trilogy that draws on the<br />

work of the artists, Bosch, Breughel and<br />

Dante. There will be much to discuss<br />

after watching any one of his films.<br />

UK <strong>2015</strong>. 10 mins. Spanish with English subtitles.<br />

A short documentary about an 80 year old lifelong<br />

shepherd in the Spanish fields.<br />

Director Alejandro Ahedo-Perez<br />

PRINT SOURCE <strong>Cambridge</strong> School of Art<br />

I am Guatemalan<br />

UK <strong>2015</strong>. 12 mins. Spanish with English subtitles.<br />

An amicable taxi driver takes a journey through the<br />

diversities and divisions of Guatemalan society.<br />

Director Sam Holmár<br />

PRINT SOURCE <strong>Cambridge</strong> School of Art<br />

Fulfilament | UK <strong>2015</strong>. 8 mins.<br />

Travel around the brain with a little, lost thought and<br />

discover what it takes to make a great idea.<br />

Director Rhiannon Evans<br />

PRINT SOURCE National <strong>Film</strong> & Television School<br />

Stockholm | UK 2014. 9 mins.<br />

A home invasion burglary goes hilariously awry when the<br />

victim’s best friend arrives and misreads the situation. A<br />

silent comedy for a modern age in a classic style.<br />

Director Aaron Weight<br />

Starring Michael Gavas, Kiera Long, Basil Marples<br />

PRINT SOURCE Xtreme Productions<br />

THE GARDEN<br />

OF EARTHLY<br />

DELIGHTS | 18<br />

UK/Italy/Poland 2004. 103 mins.<br />

Director Lech Majewski<br />

Starring Claudine Spiteri,<br />

Chris Nightingale<br />

PRINT SOURCE Lech Majewski<br />

APH Mon 7 | 8.30<br />

The first of the trilogy based on the artists, Bosch, Bruegel and Dante, is based on<br />

Majewski’s own novel Metaphysics. Claudine is an art historian preparing a lecture<br />

on the the eponymous triptych by Hieronymous Bosch. She meets an engineer Chris<br />

and together they head for Venice. It is love and lust at first sight. Shot on video,<br />

Majewski is playful with both leads using a video camera to record each other’s<br />

reactions as their relationship develops and there lives mirror the elements of Bosch’s<br />

painting. Rich delight!.. Each of Majewski’s frames is a treasury of visual delight.<br />

This is truly a Venice film for the connoisseur: elegant, erotic, and steeped in the<br />

mysterious beauty of the city. BARBARA SCHARRES, CHICAGO ART INSTITUTE<br />

Silver<br />

Screen<br />

APH Tue 8 | 8.30 APH Fri 11 | 1.30<br />

THE MILL AND THE CROSS | 15<br />

Poland 2011. 91 mins.<br />

In the second part of the trilogy Majewski, forsakes allegory<br />

and literally enters the painting. The Procession to Calvary is<br />

an immense and complex portrayal of the journey of Christ<br />

to crucifixion. While the central character, Christ carrying the<br />

cross, is almost lost to the onlooker, the stories of the minor<br />

characters dominate the painting. With Rutger Hauer as<br />

Bruegel the Elder, Majewski creates the back stories within<br />

the painting, recreating 16th Century life in Flanders. Using<br />

green screen to recreate life within the painting, this is not just<br />

a technical exercise but history brought to life, a dissection of<br />

the work of an artist and a deeply moral analysis of man’s<br />

inhumanity to man.<br />

Director Lech Majewski<br />

Starring Rutger Hauer, Michael York, Charlotte Rampling<br />

PRINT SOURCE Lech Majewski<br />

Wooden House<br />

See listing under Docs left.<br />

Cracks in the Pavement<br />

UK 2014. 1 min.<br />

A rotorscoped animation based on observations in a<br />

<strong>Cambridge</strong> park.<br />

Director Kayleigh Barnes<br />

PRINT SOURCE Kayleigh Barnes<br />

SexLife | UK 2014. 15 mins.<br />

Dan and Mia haven’t had sex since before the birth of their<br />

son. Three months on, Dan decides to take action and<br />

dresses as Dr. Frank-N-Furter from Rocky Horror to get Mia<br />

back in the mood.<br />

Director Stefan Georgiou<br />

Starring Jemima Rooper, Dylan Edwards<br />

PRINT SOURCE Chasing The Bear <strong>Film</strong>s<br />

If The Cuckoo Don’t Crow<br />

UK <strong>2015</strong>. 2 mins.<br />

“If the cuckoo don’t crow, then you know there’s wind<br />

coming…” Brian from Melton recounts how his mother, Doris,<br />

was the woman who predicted the October 1987 hurricane and<br />

famously phoned the BBC, but was told not to be so daft.<br />

Director Steve Kirby<br />

PRINT SOURCE Steve Kirby<br />

APH Wed 9 | 6.30<br />

ONIRICA - FIELD OF DOGS | 18<br />

Psie Pole<br />

Poland 2014. 101 mins. Polish with English subtitles.<br />

Majewski completes his extraordinary trilogy with a film<br />

that centres on loss and grief drawing on Dante’s The Divine<br />

Comedy. Set against the events of 2010, the plane crash that<br />

killed many Polish leaders, the volcanic explosion that ground<br />

most of the world’s airlines, Onirica - Field of Dogs focuses<br />

on a young man, Adam, who survives a car crash while his<br />

girlfriend dies. As he tries to come to terms with his grief<br />

he leaves his job as a professor of literature and decides to<br />

work in a supermarket. With exceptional visual creativity and<br />

invention, Majewski takes us on a remarkable journey through<br />

grief and anger attacking religion and capitalism in a world<br />

seemingly on the edge of hell.<br />

Director Lech Majewski<br />

Starring Elzbieta Okupska, Karolina Korta,<br />

Michael Tatarek<br />

PRINT SOURCE Lech Majewski<br />

Silver<br />

Screen<br />

THE ROE’S ROOM | 15<br />

Pokój saren<br />

Poland 1997. 90 mins. Polish with English subtitles.<br />

In this auto-biographical opera, made for Polish Television,<br />

Majewski show is skill as director and musician. With a score<br />

that is influenced by Górecki, he has created a beautiful<br />

modern opera. Set in an apartment in an old building the<br />

character of a young man, his middle-aged Mother and<br />

Father, the story presents their daily routines in the stretch of<br />

a year. Within this simple premise, Majewski brings in magical<br />

images, a camera that caresses the characters and an<br />

emotional core that connects with the everyday.<br />

[In] this often limpidly beautiful ‘cycle of life’ parable,<br />

he conjures some remarkable images out of an<br />

extremely contained spatial and thematic environment…<br />

One of a kind GARETH EVANS, TIME OUT<br />

Director Lech Majewski<br />

Starring Rafal Olbrychski, Elzbieta Mazur, Mieczyslaw<br />

Czepulonis<br />

PRINT SOURCE Lech Majewski<br />

APH Thu 10 | 3.00 APH Thu 10 | 8.00<br />

WOJACZEK | 18<br />

Poland 1999. 90 mins. Polish with English subtitles.<br />

Having written the screenplay for Basquiat, (which he planned<br />

to direct) Majewski wrote and directed this film about rebellious<br />

poet Rafał Wojaczek who died at the age of 25. Like Jean-Michel<br />

Basquiat and Jim Morrison he became an icon for a generation.<br />

Fuelled by his self-destructive life, his poetry made a lasting<br />

impression on generations of Poles. He drank and fought and<br />

walked through windows. Confronting death on a daily basis, he<br />

tried to tame it. Loved by women, he cared for no one, not even<br />

himself, living desperado-style only for poetry.<br />

Superb and surprisingly witty. Wojaczek operates on a<br />

deadpan comic tone established by its achingly beautiful<br />

sense of visual composure. Excellent! MICHAEL PHILLIPS,<br />

CHICAGO TRIBUNE<br />

Director Lech Majewski<br />

Starring Krzysztof Siwczyk, Dominika Ostalowska<br />

PRINT SOURCE Lech Majewski<br />

Box office: 0871 902 5720 Lech Majewski Retrospective | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 23


Victor<br />

Sjöström<br />

R E T R O S P E C T I V E<br />

Victor Sjöström<br />

This year the <strong>Festival</strong> spotlight falls on Victor Sjöström (1879-1960),<br />

widely considered the most important Swedish film director before Bergman<br />

(who was hugely influenced by him) and one of the towering greats of<br />

silent cinema. Starting out as an actor, Sjöström soon turned his hand to<br />

film directing, achieving a success which helped Swedish cinema to achieve<br />

international pre-eminence, even – for a while – challenging American<br />

supremacy. Sjöström’s early films were remarkable for their dramatic power,<br />

visual beauty and psychological depth. His lyrical portrayal of nature, both<br />

as a reflection of his characters’ inner states and as a force in itself, was<br />

especially striking. Unsurprisingly, his extraordinary talent was much in<br />

demand, and in 1923 he headed off to Hollywood (changing his name to<br />

Seastrom) where he made nine films, only three of which survive complete,<br />

but these show him at the height of his powers. Returning to Europe with the<br />

advent of sound, he made a last, somewhat untypical film in the UK before<br />

giving up directing altogether in order to concentrate on acting.<br />

Today Sjöström is best remembered for his magisterial performance in<br />

Bergman’s Wild Strawberries, but here is a very rare opportunity to sample<br />

a range of his work as director, including a handful of silent masterpieces<br />

in beautiful restorations specially imported from Sweden and not normally<br />

available here. If you truly care about cinema, a revelation is in store, and you<br />

should move heaven and earth not to miss it.<br />

With special thanks to the Swedish <strong>Film</strong> Institute.<br />

EMMA Fri 4 | 6.30 EMMA Sat 5 | 9.00<br />

THE OUTLAW AND HIS WIFE | PG<br />

Berg-Ejvind och Hans Hustru<br />

Sweden 1918. 110 mins. Silent with Swedish intertitles and<br />

English subtitles<br />

This powerful drama, set in an 18th-century Icelandic farming<br />

community, shows Sjöström’s profound feeling for nature<br />

and his striking use of real locations. Sjöström plays a farmer<br />

outlawed for sheep-stealing who flees to the mountains with<br />

his lover, a wealthy widow who abandons her estate. They live<br />

out their frenzied passion among the glaciers – a monumental<br />

landscape where criminals before them have sought refuge,<br />

but it’s not long before their idyllic existence is disrupted by<br />

intruders … Writing in 1921, French critic and filmmaker Louis<br />

Delluc called this ‘the most beautiful film in the world … the<br />

first love duet heard in the cinema’.<br />

We are delighted that the screening on 4 September will have<br />

live piano accompaniment by John Sweeney.<br />

Director Victor Sjöström<br />

Starring Victor Sjöström, Edith Erastoff<br />

PRINT SOURCE Swedish <strong>Film</strong> Institute<br />

THE PHANTOM<br />

CARRIAGE | U<br />

Körkarlen<br />

Sweden 1921. 106 mins. Silent with<br />

Swedish intertitles and English subtitles<br />

Director Victor Sjöström<br />

Starring Victor Sjöström, Hilda<br />

Borgström<br />

PRINT SOURCE Swedish <strong>Film</strong><br />

Institute<br />

EMMA Mon 7 | 6.30<br />

According to a spooky legend, brilliantly recounted in this highly influential film,<br />

the last person to die on New Year’s Eve must become Death’s coach driver for the<br />

following year. A dying drunkard (played by Sjöström himself) confronts his worst<br />

fears – and is forced to look back on his life - when Death’s carriage clatters across<br />

the cobbled streets to claim him. Ingeniously crafted, using complex flashbacks<br />

and magical special effects, this was a huge international success for Swedish silent<br />

cinema. Ingmar Bergman called it ‘the film of all films’, and Sjöström’s charismatic<br />

performance makes for fascinating comparison with his starring role, more than<br />

three decades later, in Wild Strawberries. This tinted restoration from the Swedish<br />

<strong>Film</strong> Institute does full justice to the film’s richly atmospheric beauty.<br />

We are delighted that the screening on 7 September will have live piano<br />

accompaniment by John Sweeney.<br />

HE WHO GETS SLAPPED | PG<br />

USA 1924. 83 mins. Silent with English intertitles<br />

Lon Chaney, ‘the man of a thousand faces’, surpasses<br />

himself in this bizarre tale of a struggling scientist who finally<br />

achieves a breakthrough, only to find that both his precious<br />

research and his beloved wife have been stolen from him<br />

by his aristocratic patron. Crushed by this double betrayal,<br />

he becomes a circus clown whose star turn is an exercise in<br />

ritual humiliation: to the utter delight of the roaring crowd,<br />

he subjects himself to being publicly slapped by all the other<br />

clowns. Sjöström’s adaptation of a Russian play of 1914 is<br />

startlingly inventive, its visual language boldly expressionistic.<br />

The final explosion of the clown’s repressed pain and rage is<br />

an extraordinary, mind-blowing spectacle.<br />

We are delighted that the screening on 5 September will have<br />

live piano accompaniment by Neil Brand.<br />

Director Victor Sjöström<br />

Starring Lon Chaney, Norma Shearer, John Gilbert<br />

PRINT SOURCE Gael Mevel<br />

EMMA Sun 6 | 6.00<br />

APH Wed 9 | 8.30<br />

THE WIND | PG<br />

USA 1928. 78 mins. Silent with English intertitles<br />

One of the greatest of all silent films, Sjöström’s American<br />

masterpiece stars Lillian Gish as a delicate Southern Belle<br />

who travels West to set up home at her cousin’s Texas ranch.<br />

She is unprepared, however, for the hostility and sexual<br />

jealousy of her cousin’s wife and for the crazy, howling wind<br />

that continually blows thick clouds of dust and sand, driving<br />

people out of their minds. Shot on location in the Mojave<br />

Desert, this is a gripping psychological Western packed<br />

with unforgettable images and scenes: an illuminated train<br />

travelling at night through the vast, dusty landscape; a<br />

cyclone so powerful that it causes hallucinations; the radiant,<br />

flirtatious beauty and enormous terrified eyes of Lillian Gish …<br />

We are delighted that the screening on 6 September will have<br />

live piano accompaniment by Stephen Horne.<br />

Director Victor Sjöström<br />

Starring Lillian Gish, Lars Hanson<br />

PRINT SOURCE Photoplay<br />

UNDER THE RED<br />

ROBE | U<br />

UK 1937. 82 mins.<br />

Director Victor Sjöström<br />

Starring Conrad Veidt, Annabella,<br />

Raymond Massey<br />

PRINT SOURCE BFI<br />

APH Tue 8 | 5.30<br />

Lured out of retirement by an invitation from Alexander Korda, Sjöström came to<br />

Britain where he ended up directing this enjoyable costume drama, set in the France<br />

of Louis XIII. Conrad Veidt, austere and melancholy, plays a soldier of fortune who is<br />

sentenced to death by Cardinal Richelieu (Raymond Massey) but reprieved and sent<br />

on a dangerous mission to capture the leader of the rebellious Huguenots. Falling<br />

in love with the Huguenot leader’s sister adds a fatal complication. Sjöström’s last<br />

film as director is exquisitely designed and photographed (Georges Périnal, James<br />

Wong Howe), creating an impression of Dutch painting. While Sjöström described it<br />

as ‘elegant trash’, contemporary critics were impressed by Conrad Veidt’s ‘agreeably<br />

aggressive histrionics’.<br />

WILD STRAWBERRIES | 15<br />

Smultronstället<br />

Sweden 1957. 93 mins. Swedish with English subtitles<br />

Bergman cast his mentor, the 78-year-old Victor Sjöström, as<br />

an elderly professor who embarks on a long car journey with<br />

his daughter-in-law to receive an academic honour. Regarded<br />

by his family as a ruthless egotist, the lonely old man has<br />

sacrificed personal relationships for professional success and<br />

is plagued by fear and anxiety. While travelling through the<br />

ravishing Swedish coastal landscape, memories and dreams<br />

provoke self-examination, as do present-day encounters with<br />

lively student hitchhikers, a dysfunctional middle-aged couple,<br />

and the professor’s 96-year-old mother. Warm, humorous and<br />

unutterably poignant, Wild Strawberries is graced by a truly<br />

sublime performance from Sjöström, who (according to Bergman)<br />

invested the role with his own experiences. The dream sequences<br />

are among the most memorably eerie in all of cinema.<br />

Director Ingmar Bergman<br />

Starring Victor Sjöström, Ingrid Thulin, Bibi Andersson<br />

PRINT SOURCE Swedish <strong>Film</strong> Institute<br />

24 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Victor Sjöström Retrospective www.cambridgefilmfestival.org.uk


This year’s microcinema event looks at the history of Industrial music and its dynamic manifestation in experimental film.<br />

We present rare works by Throbbing Gristle, Derek Jarman, Diamanda Galas and Jill Westwood (FistFuck) and consider the roots<br />

of Industrial culture in the squatting movement and 1970s art scene which raised bold, confrontational questions about materials,<br />

politics and the audience/artist relationship. The long unavailable After Cease to Exist is presented for the first time in decades and<br />

we look forward to welcoming Cosey Fanni-Tutti, Chris Carter, Steve Thrower and Ossian Brown (Cyclobe), Davide Pepe, Jill Westwood<br />

plus members of the South London based industrial outfit, Test Department. More announcements to follow.<br />

Microcinema<br />

1<br />

ART, POLITICS<br />

AND SQUATTING<br />

CFF 18<br />

Cinema Action were a hard-line, left-wing film<br />

collective whose stark black and white film Squatters<br />

challenged the Greater London Council regarding their<br />

lack of investment in housing and provided important – if<br />

controversial – information about the use of bailiffs in illegal eviction.<br />

William Raban’s film chronicles the radical ACME housing project and also<br />

the Covent Garden gallery space of the same name which held many important<br />

events and exhibitions. Raban’s film Includes rare footage of Steve Cripps ‘s pyrotechnic<br />

based music performances and auto-destructive sculptures that literally explode and<br />

attack the immediate environment as well as an abrasive Anne Bean music<br />

performance, Stuart Brisley’s politically charged action ‘Ten Days’ and<br />

an interview with Cosey Fanni Tutti.<br />

SQUATTERS | Cinema Action | 1970. 17 mins.<br />

72–82 | William Raban | 2014. 60 mins.<br />

APH<br />

WEDNESDAY 9, 8.00<br />

INT’L<br />

PREMIERE<br />

DOC<br />

POACHED | CFF PG<br />

UK 2014. 91 mins.<br />

INDUSTRIAL<br />

SOUNDS AND<br />

VISIONS<br />

CFF 18<br />

Structural Materialist concerns figured strongly<br />

in the experimental film of the late 60s and early 70s<br />

abandoning the lyricism of what went before and instead<br />

presenting the process and material as the work, Gidal’s Clouds is<br />

a prime example. Performance art was also a growing phenomenon. The<br />

Kubelka / Rainer collaboration uses stress gauges fixed to Rainer’s body to produce<br />

the film’s soundtrack. COUM Transmissions were an important part of performance art<br />

and their notorious film After Cease to Exist was produced at the key moment when they were<br />

transforming themselves into Throbbing Gristle and creating Industrial Records. Later, 1980, Jarman<br />

filmed TG (as they became known) at Heaven nightclub adding music from their album 2nd Annual Report.<br />

We look forward to welcoming Cosey Fanni Tutti and Chris Carter for a Q&A as part of the screening.<br />

4<br />

Poached exposes an obsession that can wipe out a species<br />

of birds: illegal egg collecting. Egg thieves rob the nests of<br />

rare birds while a United Kingdom national police initiative<br />

named “Operation Easter” tries to stop them. The thieves are<br />

motivated not by money but by desire for the beauty of the<br />

egg and the thrill of the chase. Thousands of eggs confiscated<br />

in police raids have been found strapped under beds, beneath<br />

floorboards, and in secret rooms. With unprecedented access<br />

to the most notorious and inconspicuous perpetrators,<br />

Poached delves into the psychology of the egg collectors as<br />

AFTER CEASE TO EXIST | COUM Transmissions | 1977. 21 mins.<br />

CLOUDS | Peter Gidal | 1969. 10 mins.<br />

PAUSE! | Peter Kubelka & Arnulf Rainer | 1977. 12 mins.<br />

TG PSYCHIC RALLY IN HEAVEN<br />

Derek Jarman | 1981. 8 mins.<br />

IMAGE AND<br />

PERFORMANCE<br />

CFF 18<br />

Jarman’s silent rendition of a rehearsal<br />

for Beckett’s play utilizes the surface noise and<br />

image distortion generated by filming off a video<br />

monitor in much the same way that industrial musicians used<br />

re-recording and spurious noise as materials to create their works.<br />

Diamanda Galás and Davide Pepe’s sublime collaboration is based upon<br />

Galás’ radio and performance works Schrei 27 and Schrei X. Schrei 27 consists of<br />

several short performances over the space of twenty-seven minutes alternating extreme<br />

high-energy vocal work with absolute silence. These performances reflect the state of a patient<br />

subjected to torture through chemical or mechanical manipulation of the brain, kept in a confined<br />

APH<br />

THURSDAY 10, 8.30<br />

space with periodically or randomly triggered bright light, heat, beatings or electric shocks. There is a high<br />

density of speech-sound over time which is often machine-like in its velocity. The original audio work<br />

was commissioned by New American Radio (Staten Island) and created with co-commissioning<br />

funds from the Walker Art Center (Minneapolis), and The Wexner (Columbus) .This film<br />

was produced by Diamanda Galas and Davide Pepe in collaboration with the<br />

SPILL <strong>Festival</strong> (2011) and screened againat the Meltdown <strong>Festival</strong>(2012).<br />

SCHREI 27 | Davide Pepe/Diamanda Galás<br />

2011. 27 mins x 2.<br />

WAITING FOR WAITING FOR<br />

GODOT | Derek Jarman | 1983. 16 mins.<br />

APH<br />

FRIDAY 11, 8.30<br />

APH Mon 7 | 9.00 LIGHT Tue 8 | 6.45 they confront their obsession.<br />

APH Fri 11 | 5.30<br />

Director Timothy Wheeler<br />

PRINT SOURCE Ignite Channel<br />

POST–<br />

INDUSTRIAL<br />

SOUND AND IMAGE<br />

LANDSCAPE<br />

CFF 18<br />

Test Dept formed in the decaying docklands of South<br />

London in 1981. The group made raw, visceral music out of repurposed<br />

scrap metal and machinery from industrial waste ground and<br />

derelict factories; a percussive sound with a political edge performed live against<br />

monumental slide and film projections in recently abandoned industrial spaces.<br />

Inspired by the revolutionary Russian filmmaker Dziga Vertov, the group’s ironic rendering of<br />

the unemployed artist into the Stakhanovite myth of the heroic Soviet worker, was caught first on<br />

film and then on the new celluloid of video. Test Dept made a unique contribution to underground culture<br />

of the 1980s and 1990s, operating at the front line of struggles that are still playing out in the present day.<br />

With their new film DS30, founding members of Test Dept re-emerged in 2014 to engage with the current<br />

cultural and political climate, exploring new ways of expression and digitally reanimating their archive.<br />

This special screening includes a Q&A session with founding members of Test Dept, Graham<br />

Cunnington and Paul Jamrozy.<br />

Box office: 0871 902 5720 Late Night Horror | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 25<br />

2<br />

6<br />

DARK<br />

PICTURES<br />

SPECIAL EVENT<br />

CFF 18<br />

Two rarely seen films by Derek Jarman filmed in and<br />

around Butler’s Wharf with new soundtracks by Cyclobe,<br />

originally performed at Meltdown 2012, as well as film cultist’s<br />

delight, the breathtakingly stark Begotten. Presenting birth, life and<br />

death as an endless procession of the damned, crawling through filth to a<br />

new aeon, accompanied by a soundtrack of cricket stridulations, Begotten has been<br />

described by Susan Sontag as “one of the 10 most important films of modern times”.<br />

Tonight’s 16mm film screening will be accompanied by The Begotten’s live,<br />

improvised soundtrack for guitar and electronics.<br />

TAROT | Derek Jarman | 1973. 7 mins.<br />

SULPHUR | Derek Jarman | 1973. 15 mins.<br />

BEGOTTEN | Elias Merhige | 1990. 72 mins.<br />

APH<br />

FRIDAY 4, 10.30<br />

THROUGH A<br />

GLASS, DARKLY<br />

CFF 18<br />

The limits of the body and its relationship<br />

to media and meaning are explored in these wideranging,<br />

frequently confrontational works. The Wound by<br />

Jill Westwood, a performance artist and filmmaker from the<br />

industrial scene, evokes Cocteau’s Orphée within an extreme,<br />

transgressive context while Liquid Video and Passion Tryptych use<br />

re-recorded found footage to highlight the fragility of the self and our<br />

self-identity.<br />

From the LUX touring programme This Is Now: <strong>Film</strong> and Video After Punk.<br />

WORLD<br />

PREMIERE<br />

THE WOUND | Jill Westwood | 1970. 17 mins.<br />

SKINHEADS AND ROSES | Jill Westwood | 1984. 8 mins.<br />

THE BRANKS | Akiko Hada | 1982. 7 mins.<br />

PSYCHIC TV: UNCLEAN | Cerith Wyn Evans | 1984. 9 mins.<br />

23 SKIDOO: F.U.G.I. | Richard Heslop | 1983. 5 mins.<br />

LIQUID VIDEO | Michael Kostiff | 1983. 10 mins.<br />

PASSION TRYPTYCH | Cordelia Swann<br />

1982. 3 mins.<br />

5<br />

TESTED | Brett Turnbull | 1985. 2 mins.<br />

COLD WITNESS | Brett Turnbull | 1984. 10 mins.<br />

THE SECOND COMING | Craig McCall | 1990. 11 mins.<br />

FUEL TO FIGHT | Brett Turnbull & Paul<br />

Jamrozy | 1984/2014. 13 mins.<br />

DS30 | Test Dept | 2014. 31 mins.<br />

APH<br />

SATURDAY 12,<br />

8.00<br />

3<br />

APH<br />

THURSDAY 10, 11.00<br />

SATURDAY 12,<br />

3.00<br />

SPLENDOR SOLIS | CFF PG<br />

UK <strong>2015</strong>. 57 mins.<br />

Daniel Fawcett’s Splendor Solis is a loosely chronological<br />

cine-poem compiled from footage filmed over a period of<br />

17 years. A visually striking and expressionist love song to<br />

life with all it’s highs and lows and everything in between. A<br />

celebration of the passing of time, friendship, creativity and all<br />

the splendours under the sun.<br />

Director Daniel Fawcett<br />

PRINT SOURCE The underground film studio


Lates @<br />

The Light<br />

UK<br />

PREMIERE<br />

UK<br />

PREMIERE<br />

54: THE DIRECTOR’S CUT | 15<br />

USA <strong>2015</strong>. 106 mins.<br />

‘We’ve revolutionised going out‘, pronounces club Steve Rubell,<br />

owner of the legendary Studio 54. In 1998, director Mark<br />

Christopher created a cinematic monument to this ostentatious<br />

mixture of Art Deco and plush, frivolous 1970s hedonism and<br />

drug-induced 24-hour party people. At the producers’ behest,<br />

his film about this upmarket disco in New York was changed<br />

considerably prior to its theatrical release and an extra 25 minutes<br />

of new material was added – including an ending that differed<br />

from the one in the original screenplay. Now, seventeen years<br />

after the premiere of the producers’ version, the Panorama is<br />

presenting for the first time the painstakingly reconstructed<br />

original – weightier, darker, more drug-addled and above all<br />

queerer than the version that received the nod at the time.<br />

Director Mark Christopher<br />

Starring Ryan Phillippe, Salma Hayek, Neve Campbell,<br />

Mike Myers<br />

PRINT SOURCE Park Circus<br />

Fri 4 | 9.00 Wed 9 | 4.15 Mon 7 | 9.15<br />

Fri 4 | 9.15 Mon 7 | 9.00<br />

CHILDREN OF<br />

THE NIGHT | CFF 18<br />

Argentina <strong>2015</strong>. 96 mins. Spanish with English subtitles.<br />

This opulent gothic fantasy centres on journalist Alicia’s reunion<br />

with her childhood sweetheart, whom she meets at a retreat<br />

for baby vampires - still trapped in his child body. Alicia learns<br />

that he and other lost souls are sheltering under the wing of a<br />

puritanical ex-nurse who is preparing them for their destiny as<br />

a master race, led by the grandson of Count Dracula himself.<br />

However, their new dawn is confounded when they realise that<br />

they may not be the only vampire colony in town... Director<br />

Ivan Noel’s surreal Oedipal fairytale is visually intoxicating and<br />

introspective, inviting contemplation as well as exploration –<br />

and it’s laced with the black humour and baroque elegance<br />

we’ve come to expect from Spanish/Latin American horror.<br />

Director Ivan Noel<br />

Starring Ana Maria Giunta, Toto Munoz, Lauro Veron<br />

PRINT SOURCE Jinga <strong>Film</strong>s<br />

UK<br />

PREMIERE<br />

CRUEL | CFF 18<br />

France 2014. 108 mins. French with English subtitles.<br />

Lugubrious temp worker Pierre lives in Toulouse with his<br />

beloved father, who has Alzheimer’s. Pierre’s drab days at the<br />

factory are illuminated only by hazy childhood memories of<br />

a sunlit beach, and his laughing mother. His frustration at the<br />

monotony of his life is tempered by earnest curiosity towards<br />

the value and meaning of life. He explores this existential<br />

fascination by abducting random Toulousians, conversing with<br />

and then brutally killing them. By the time he stumbles across a<br />

potential romance with Laure, it’s too late. Love isn’t always the<br />

answer, and Pierre is sick of being invisible. Writer/director Eric<br />

Cherriere brings together the noir of John Fowles’ The Collector<br />

with the raw authenticity of Henry: Portrait of a Serial Killer.<br />

Director Eric Cherriere<br />

Starring Jean-Jacques Lelte, Magali Moreau, Maurice Poli,<br />

Hans Meyer<br />

PRINT SOURCE Wide<br />

Wed 9 | 9.00 (tbc)<br />

DARKNESS ON THE EDGE<br />

OF TOWN | CFF 15<br />

Ireland 2014. 87 mins.<br />

Fri 11 | 4.30 (tbc)<br />

Newcomer Patrick Ryan introduces a touch of Sergio Leone<br />

to Irish cinema with this rugged and bold revenge noir, shot in<br />

County Kerry. Gunslinger Cleo wants to avenge the death of her<br />

sister – and the twist is that we find out early on who killed her.<br />

Cleo’s still clueless, though, and egged on by her psychopathic<br />

bestie Robin, she soon has strong-willed redhead Virgil<br />

(BrÌan Gleeson) in her sights. Wide lenses capture the glorious<br />

emerald sprawl of Kerry, with long tracking shots and careful<br />

characterisation allowing the dark chemistry of the two leads<br />

to develop. On a tiny crowdfunded budget of €18,000, Ryan<br />

elevates Darkness beyond a plain murder mystery, embracing<br />

Shakespearian levels of dramatic tension and gory tragedy.<br />

Director Patrick Ryan<br />

Starring Emma Eliza Regan, Emma Willis, Brian Gleeson<br />

PRINT SOURCE Cinema Vault<br />

Thu 10 | 9.15<br />

Tue 8 | 9.00<br />

Sat 5 | 9.00 Thu 10 | 9.00<br />

Thu 3 | 9.15<br />

THE ENTITY | CFF 18<br />

Peru <strong>2015</strong>. 80 mins. Spanish with English subtitles.<br />

Student filmmaker Carla and her friends investigate a series<br />

of deaths linked to online ‘reaction videos’. Their journey takes<br />

them into the bowels of the Dark Web, where they encounter<br />

a malevolent entity: an avatar of the bloody civil war which<br />

ravaged the Inca Empire in the 16th century. This supernatural<br />

force has the power to destroy anyone who witnesses the<br />

cursed footage. Peruvian horror is still in its infancy, but itís<br />

flexing its muscles with The Entity, which is not so much a<br />

Ringu rehash as an energetic, witty homage to The Evil Dead<br />

and The Blair Witch Project. Director Schuldt’s flair for the<br />

uncanny and for the bloody will rejuvenate the genre even for<br />

the most jaded gorehound.<br />

Director Eduardo Schuldt<br />

Starring Daniela Mendoza, Rodrigo Falla, Carlos Casella,<br />

Mario Gaviria<br />

PRINT SOURCE Jinga <strong>Film</strong>s<br />

FACE OF THE DEVIL | CFF 18<br />

Peru 2014. 87 mins. Spanish with English subtitles.<br />

Seven lively backpackers travel to the Peruvian Amazon,<br />

where they learn about the Tunche – a primeval spirit whose<br />

shrill whistle is an omen of impending death. The lush, exotic<br />

idyll becomes oppressive after sundown, and the doomed<br />

delinquents begin to wonder whether the Tunche is more than<br />

a creepy campfire yarn. Is there something nasty in the jungle<br />

– and if so, did sweet-natured Lucero and her rowdy friends<br />

bring it with them? Screenwriter Vanessa Saba cameos as<br />

Lucero’s tragic mother, whose own story unfolds as the film<br />

descends further into a Mario Bava style bloodbath. Director<br />

Frank Pérez-Garland brings something new to the teens-inperil<br />

genre, nodding to the classics while keeping us wondering<br />

whether the evil has come from within.<br />

Director Frank Pérez-Garland<br />

Starring Vania Accinelli, Sergio Gjurinovic, Vanessa Saba<br />

PRINT SOURCE Jinga <strong>Film</strong>s<br />

THE HALLOW | 15<br />

Ireland 2014. 97 mins.<br />

Corin Hardy’s eldritch fairytale draws on real-life controversy:<br />

the Irish government’s recent proposal to lower national<br />

debt by selling harvesting rights of public forests. In The<br />

Hallow, logger Adam is sent to work on an ancient piece of<br />

woodland, where he’ll live in a mill house with his wife Clare<br />

and their baby. It’s hard to say who’s more upset to see<br />

them – the locals, whose ancestral territory will be violated, or<br />

the malevolent sprites who live in the trees. Soon Adam and<br />

Clare are under siege, and Hardy pulls out all the stops with<br />

a gamut of ghoulish threats, jump scares and a cameo from<br />

Michael Smiley. The Hallow will have connoisseurs of creature<br />

effects itching for a sequel.<br />

Director Corin Hardy<br />

Starring Joseph Mawle, Bojana Novakovic, Michael<br />

McElhatton<br />

PRINT SOURCE Entertainment One<br />

HELLIONS | CFF 18<br />

Canada <strong>2015</strong>. 82 mins.<br />

Screwball slasher Hellions is a surreal pro-choice parable,<br />

centring on a teen pregnancy with a Polanski-style twist.<br />

Director Bruce McDonald, known for his great leftfield zom-com<br />

Pontypool, side-steps the usual trappings of the popcorn<br />

creepshow, paying homage to Trick R Treat while experimenting<br />

with new ways of portraying the supernatural Other Side. The<br />

charismatic Chloe Rose brings a furious energy and poignant<br />

depth to lead character Dora, the babysitter in the eye of the<br />

storm, and sheís well supported by Robert ‘Terminator’ Patrick,<br />

an unhinged cop who tries to take control of the situation. With<br />

relentless energy and a great soundtrack by Todor Kobakov<br />

and St Michael’s choir, Hellions is a fun, inventive throwback to<br />

Halloween and the Freddy fanchise.<br />

Director Bruce McDonald<br />

Starring Chloe Rose, Rossif Sutherland, Rachel Wilson<br />

PRINT SOURCE STUDIOCANAL<br />

26 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Lates @ The Light www.cambridgefilmfestival.org.uk


ROAR | PG<br />

USA 1981. 102 mins.<br />

Sun 6 | 9.00 APH Sat 12 | 10.30 Sat 12 | 9.15<br />

Wed 9 | 9.15<br />

Produced over the course of ten years, Roar is an audacious<br />

cinematic experiment: a thriller showcasing the majesty and<br />

ferocity of African lions, filmed on location amidst dozens of<br />

actual untrained cats. Photographed by Jan De Bont (d.p. of<br />

Die Hard and director of Speed), the result is a spectacular<br />

achievement—though often terrifying to watch—as actors<br />

(not stunt men) flee, wrestle, and come face-to-face with the<br />

massive hunters. Writer/director Noel Marshall stars as Hank,<br />

a doctor and outspoken naturalist in Africa who allows lions,<br />

tigers, cheetahs, and other big cats to roam freely around<br />

his remote estate. While away protecting animals from<br />

poachers, Hank’s family—including Marshall’s real-life wife<br />

and daughter, Tippi Hedren (The Birds) and Melanie Griffith<br />

(Working Girl)—arrive at his home and are stalked by the<br />

massive lions that have overrun the house. Not surprisingly,<br />

many members of the cast and crew suffered injuries during<br />

the making of the film though care was taken to ensure that<br />

no animals were harmed. Since filming Roar, Hedren has<br />

become an advocate for the protection of big cats, founding<br />

the Roar Foundation and the Shambala Preserve.”<br />

Director Noel Marshall<br />

Starring Tippi Hedren, Melanie Griffith<br />

PRINT SOURCE Scalarama<br />

THE STRANGE CASE OF DR<br />

JEKYLL AND MISS OSBOURNE<br />

(New Restoration) | 18<br />

France/Germany 1981. 91 mins.<br />

It’s the engagement party for brilliant young Dr Henry Jekyll<br />

(Udo Kier) and his fiancée, the beautiful Fanny Osbourne<br />

(Marina Pierro). But when people are found raped and<br />

murdered outside and ultimately inside the house, it becomes<br />

clear that a madman has broken in to disrupt the festivities<br />

– but who is he? And why does Dr Jekyll keep sneaking<br />

off to his laboratory? We know the answer, of course, but<br />

Walerian Borowczyk’s visually stunning adaptation of Robert<br />

Louis Stevenson’s much-filmed tale is crammed with wildly<br />

imaginative and outrageously perverse touches, not least the<br />

explicitly sexualised nature of Mr Hyde’s primal urges.<br />

Director Walerian Borowczyk<br />

Starring Udo Kier, Marina Pierro, Patrick Magee<br />

PRINT SOURCE Arrow <strong>Film</strong>s<br />

TOKYO TRIBE | 18<br />

Japan 2014. 116 mins. Japanese with English subtitles.<br />

Just when you thought Sion Sono’s (Why Don’t You Play<br />

In Hell?, Guilty of Romance) unique brand of subversive<br />

cinema couldn’t get any more out there, he’s back to explode<br />

expectations once again as he ventures even further into<br />

uncharted cinematic territory with an ingenious hybrid of<br />

Yakuza gang action and hip-hop musical. In a futuristic,<br />

alternate-world Tokyo, the city is made up of ghetto slums<br />

and nightclub playgrounds where gangs of wayward youth<br />

rule the streets. The city is carved up into ‘hoods, and the<br />

crossing of territorial lines quickly leads to riots and rumbles.<br />

On the turf ruled by the savage yakuza Big Buppa, the<br />

simmering tension is about to boil over into all-out war.<br />

Who will emerge victorious? Territory, friendship, pride, love...<br />

Everything is put on the line in a desperate struggle for<br />

supremacy!<br />

Director Sion Sono<br />

Starring Ryohei Suzuki, Young Dais, Nana Seino<br />

PRINT SOURCE Eureka<br />

lates @<br />

APH Sat 5 | 10.00 LIGHT Fri 11 | 9.15<br />

TRIDENTFEST | CFF 15<br />

UK <strong>2015</strong>. 90 mins.<br />

Local filmmakers PROJECT TRIDENT return to their<br />

hometown for another explosive screening of their recent<br />

works. Pushing the boundaries of what can be made with no<br />

money and not enough time, this year’s crop of short films<br />

promise to shock, amuse, repulse and inform. Always electric,<br />

forever unforgettable, TridentFest is a guaranteed late-night<br />

low-budget thrill-ride.<br />

Directors Various<br />

PRINT SOURCE Ryd Cook


British cinema has frequently thrown up visionary<br />

voices. Sadly, the British <strong>Film</strong> Industry can be quite<br />

hostile and suspicious of anything that doesn¹t involve<br />

social realism or period drama. Beginning with Chris<br />

Petit’s Radio On – my favourite film of all time – I have<br />

selected 3 films, all debut features, that emerged to<br />

suggest interesting new options and new paths to take.<br />

Taken collectively, the films – Radio On, The Reflecting<br />

Skin and Gallivant – are all indicative of the breadth<br />

and diversity cinema from these shores is capable of.<br />

They also chime with a new moment in British cinema,<br />

a moment in which risk taking and artistic provocation<br />

seem increasingly prevalent.<br />

Jason Wood<br />

Jason Wood is the co-author (with Ian<br />

Haydn Smith) of New British Cinema,<br />

published by Faber. We are delighted<br />

to announce that Jason Wood will be in<br />

conversation with the filmmakers after<br />

the screenings of Gallivant, Radio On and<br />

The Reflecting Skin.<br />

Silver<br />

Screen<br />

GALLIVANT | 15<br />

UK 1996. 100 mins.<br />

Gallivant is a travelogue like no other and a valuable addition<br />

to the British road movie tradition. The director embarks on a<br />

coastal trip around Britain with his grandmother and his young<br />

daughter Eden, who suffers from Joubert’s Syndrome, a condition<br />

that restricts communication. This freeform journey, which<br />

involves various encounters with the flotsam and jetsam of the<br />

British public, is at once larky and epic, part skewed homage to<br />

national eccentricity and identity, and part emotional voyage<br />

around the ties that bind Kötting’s family. The film evokes a<br />

strong sense of what differentiates and unifies three generations,<br />

while offering us a curiously effective travelogue of Britain’s<br />

coastline, at times seemingly caught somewhere in the 1950s.<br />

Strangely uplifting, surprisingly touching and a uniquely personal<br />

work of both humour and heart, Gallivant proves that innovation<br />

and entertainment in film needn¹t be strangers.<br />

We are delighted to welcome director Andrew Kötting to<br />

the screening.<br />

Director Andrew Kötting<br />

With Gladys Morris, Eden Kötting, Andrew Kötting<br />

PRINT SOURCE BFI<br />

APH Sun 6 | 3.00 APH Wed 9 | 5.30<br />

APH Tue 8 | 6.00<br />

RADIO ON | 18<br />

UK 1979. 104 mins.<br />

Chris Petit’s cult classic Radio On is one of the most striking<br />

feature debuts in British cinema – a haunting blend of edgy<br />

mystery story and existential road movie, crammed with eerie<br />

evocations of English landscape and weather. Stunningly<br />

photographed in monochrome by Wim Wenders’ assistant<br />

cameraman Martin Schäfer, Radio On is driven by a startling<br />

new wave soundtrack featuring David Bowie, Kraftwerk,<br />

Lene Lovich, Ian Dury, Wreckless Eric, Robert Fripp and Devo.<br />

Following a young London DJ (David Beames) on the road<br />

to Bristol to investigate the mysterious death of his brother,<br />

Radio On offers a unique, compelling and even mythic vision<br />

of a late 1970s England, stalled between failed hopes of<br />

cultural and social change and the imminent upheavals of<br />

Thatcherism.<br />

We are delighted to welcome director Christopher Petit<br />

to the screening.<br />

Director Christopher Petit.<br />

Starring David Beames, Lisa Kreuzer, Sandy Ratcliff<br />

PRINT SOURCE BFI<br />

THE REFLECTING SKIN | 15<br />

UK 1990. 96 mins.<br />

The feature debut of The Krays screenwriter Philip Ridley, The<br />

Reflecting Skin announced the talent of a singular new voice in<br />

British cinema. Set in the Idaho farmlands of the 1950s, the film<br />

follows eight year-old Seth through a summer where reality is<br />

heightened to the level of a hallucinogenic quasi-fantasy. As<br />

mysterious deaths plague the rural community, Seth comes to<br />

believe that the pale, reclusive widow living next door (Lindsay<br />

Duncan) is a vampire. Seth’s worst nightmare comes true when<br />

his ailing older brother Cameron (Viggo Mortensen) returns<br />

home from abroad and falls in love with the widow. Screened<br />

to acclaim at Cannes, the film has an otherworldly sensibility<br />

and felt quite unlike any of its contemporaries. A genre-defying<br />

work that resists simplistic categorization, this new restoration<br />

reminds of the film’s timeless, visual beauty and unsettling<br />

mesh of fairytale and reality.<br />

We are delighted to welcome director Philip Ridley<br />

to the screening.<br />

Director Philip Ridley<br />

Starring Viggo Mortensen, Lindsay Duncan, Jeremy Cooper<br />

PRINT SOURCE The Works International Sales Ltd


ShortReel is the competition for student filmmakers in eastern and central England, run by the Arts<br />

<strong>Film</strong> Club in association with the <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>. Students of all ages are invited to submit<br />

a short film in any genre or style. The winning film will be announced and premiered at the <strong>Festival</strong> on<br />

Sun 6 September, screening alongside festival main feature Bill at 4.00. The winning filmmaker will also<br />

receive a £200 cash prize to assist them in their filmmaking.<br />

The shortlisted films for <strong>2015</strong> are:<br />

Game<br />

directed by Joe<br />

Bristow of Sancton<br />

Wood School,<br />

<strong>Cambridge</strong><br />

Olive<br />

directed by Bex<br />

Church of Anglia<br />

Ruskin University<br />

Purgatory<br />

directed by Byron Dean<br />

of the Friends’ School,<br />

Saffron Walden<br />

Ghetto Kids<br />

directed by Tom Hitchen<br />

of Dawn House School,<br />

Rainworth, Notts.<br />

The winning film is selected by a jury chaired by local filmmaker Stefan Georgiou, director of the 2013 <strong>Cambridge</strong> <strong>Film</strong><br />

<strong>Festival</strong> favourite, Dead Cat, and of SexLife, a short film being screened at this year’s <strong>Festival</strong>.<br />

The Arts <strong>Film</strong> Club was formed in 2010 by a group of <strong>Cambridge</strong> film enthusiasts, to<br />

encourage an informal, friendly community of film lovers who socialise regularly while<br />

exploring some of the cinematic gems on offer at the Arts Picturehouse.<br />

www.facebook.com/artsfilmclub<br />

www.facebook.com/shortreelfilmaward<br />

SKILLS FUSION<br />

WHERE CREATIVITY AND<br />

SCIENCE MERGE<br />

A VFX CAREERS TALK<br />

8th September <strong>2015</strong> (10.00-11.30)<br />

Emmanuel College, St Andrew’s<br />

Street, <strong>Cambridge</strong> CB2 3AP<br />

Ever wondered how the visual<br />

effects (VFX) you see at the<br />

cinema are created? Did you<br />

know that amazing scenes from<br />

Gravity, Interstellar, Harry Potter<br />

and Paddington were all created<br />

here in the UK? Or that the UK is<br />

the largest games development<br />

market in Europe and home to<br />

23 of the world’s top 100 games<br />

development studios?<br />

Come along to this special talk<br />

to learn about these exciting<br />

industries, which are actively<br />

seeking new entrants with<br />

strong backgrounds in STEM<br />

and computing science. Find out<br />

about the best subjects to study<br />

and the types of jobs available.<br />

Hitchcock<br />

The<br />

Trilogy<br />

The Hitchcock Trilogy is a variation on 3 iconic<br />

Hitchcock films sets made from paper and<br />

animated through light and shadow animation.<br />

The series features 3 intricate paper models<br />

inspired by Rear Window and The Birds, and<br />

the McGuire’s award winning animated paper<br />

installation Psycho - Homage to Hitchcock. The<br />

exquisite paper models lure its audience to take<br />

a voyeuristic look into Hitchcock’s iconic world<br />

of anticipation and terror. These outstanding<br />

installations will be available for viewing at<br />

various locations throughout the <strong>Festival</strong>.<br />

We’ve become a race of Peeping<br />

Toms. What people ought to do is get<br />

outside their own house and look in for<br />

a change. STELLA IN REAR WINDOW<br />

The Hitchcock Trilogy has been part of the<br />

National Centre for Craft and Design’s touring<br />

exhibition Creating a Scene in 2013 and will be<br />

on display at Opera Gallery in Mayfair during<br />

Christmas <strong>2015</strong>.<br />

Davy and Kristin McGuire are British/German<br />

multidisciplinary artists, famous for their<br />

idiosyncratic experiments in digital projection and<br />

storytelling. Working with fragile materials, they<br />

create delicate and exquisitely crafted worlds full<br />

of visual wonders.<br />

Artist<br />

CINEMA<br />

They are interested in developing or modifying<br />

technology to perform new and engaging<br />

visual functions within both an industrial<br />

and fine art context. Their photographic work<br />

captures reality in a slow scanning motion<br />

across a scene. A new twist on the traditional<br />

photographic long exposure, whereby moments<br />

of time do not merge together on top of each<br />

other but rather line up in sequence, they offer<br />

The husband-and-wife team have<br />

built a reputation for innovative,<br />

indelible works – blending animation,<br />

projection mapping, theatre, film, dance<br />

and papercraft. COMPUTER ARTS MAGAZINE<br />

Moving image artists Brian and Gareth McClave<br />

have collaborated on many innovative projects over<br />

the years, including developments in stereoscopic<br />

time-lapse and long term time-lapse filming systems.<br />

Together they run the UK’s largest industrial timelapse<br />

filming company called Site-Eye.<br />

viewers a narrative of a scene in the same<br />

way as a line of words in a sentence, gaining<br />

meaning and insight when read from left to<br />

right. On an aesthethic level the images invoke<br />

modernist paintings, creating an overall effect<br />

that distances the viewer from the subject<br />

by revealing it in a different light, creating<br />

strange but familiar, cryptic, abstract journeys<br />

through time.<br />

FREE<br />

EVENT<br />

Hear from game designer, Mark Backler (Best Game winner of <strong>2015</strong> King Game<br />

Jam and a juror for <strong>2015</strong> BAFTA Games Awards), about working on the games such<br />

as Harry Potter and the Order of the Phoenix, Hasbro Arcade and Scrabble; and get<br />

careers advice from Into <strong>Film</strong>’s Talent Development Manager, Yen Yau who has<br />

worked with organisations and companies such as the BBC, The British <strong>Film</strong> Institute,<br />

Channel 4, Creative Skillset, Pinewood Studios, STEMNET and UK Engineering.<br />

Movies<br />

on the<br />

Meadows<br />

In a special commission for the <strong>Festival</strong>, Brian and Gareth will create a<br />

series of experimental images taken across <strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong>’s<br />

Movies on the Meadows weekend at Grantchester Meadows, which<br />

will then be exhibited at the Arts Picturehouse during the <strong>Film</strong> <strong>Festival</strong><br />

itself, from 3 to 13 September.


Family <strong>Film</strong><br />

Banish those back to school blues with this year’s Family <strong>Film</strong><br />

<strong>Festival</strong>, a fantastic selection of family-friendly film and TV treats!<br />

All our events have been designed with the needs of children at the<br />

forefront of our mind, so there’ll be free drawing or craft activities as<br />

well as a dedicated ‘Chill Out Zone’ and buggy park available in the<br />

venue from at least 30 minutes before each screening at the Arts Picturehouse.<br />

No child under 12 can be left alone in any of our screenings - we want you to<br />

enjoy our fab films all together, as a family! And as we know that nostalgic<br />

‘big kids’ sometimes want to enjoy our screenings too, grown-ups who aren’t<br />

accompanied by a child are always welcome at Family <strong>Film</strong> <strong>Festival</strong> events - so<br />

long as you’re aware that the rest of the audience may well be a little noisier<br />

and more wriggly than you’d usually expect at the cinema!<br />

Our friends at John Lewis and Heffers will also be joining in the <strong>Festival</strong> fun, with book readings and<br />

screenings during the <strong>Festival</strong> - check out www.cambridgefilmfestival.org.uk/family for full info.<br />

THE BIG KNIGHTS | U<br />

UK 1999. 70 mins.<br />

APH Sat 12 | 12.30<br />

In the far off land of Borovia - where dragons are fierce,<br />

witches are wicked, scientists are insane, and television<br />

is in black & white - stands Castle Big, home of The Big<br />

Knights. Brothers Sir Boris (the finest swordsman in the<br />

world), Sir Morris (the most enthusiastic) and their noble pets<br />

(Sir Horace the Dog and Sir Doris the Hamster) right wrongs<br />

and rescue princesses - and woe betide anything that gets<br />

in their way! Originally a BBC TV series of 13 short films<br />

by the award-winning animators who are now best known<br />

for Peppa Pig, this feature-length programme is a treat for<br />

all ages that shares Peppa Pig’s distinctive visual flair and<br />

laugh‐out‐loud wit.<br />

Directors Mark Astley & Neville Baker<br />

Starring Brian Blessed, Alexander Armstrong, Timothy<br />

West, Prunella Scales<br />

APH Thu 3 | 4.00 APH Sun 13 | 12.00<br />

CHARLIE AND LOLA | U<br />

UK 2005-08. 60 mins.<br />

Lola is not sleepy and she will not go to bed. It falls to Charlie,<br />

her older brother, to persuade her. Lola is also convinced that<br />

she is absolutely far too small to go to school. “Humph”,<br />

thinks Charlie, “this is going to be a little trickier”. And when<br />

Lola declares that she is terribly, terribly ill and may never<br />

smile again Charlie has to put his serious thinking hat on!<br />

Charlie and Lola is a fun-filled and imaginative animated<br />

series for young children focusing on the relationship between<br />

Charlie and his little sister Lola, and how they handle the little<br />

issues that they encounter every day. <strong>2015</strong> marks the 10th<br />

anniversary of the Charlie and Lola TV series and is 15 years<br />

since the publication of Lauren Child’s first Charlie and Lola<br />

book, so why not celebrate with this special programme of five<br />

of their very best adventures?<br />

Charlie and Lola and ©Lauren Child 2005. Charlie and Lola is<br />

produced by Tiger Aspect Productions Ltd. All rights reserved.<br />

APH Sun 6 | 1.00<br />

APH Wed 9 | 10.15am<br />

THE GRUFFALO and<br />

THE GRUFFALO’S CHILD -<br />

DOUBLE BILL | U<br />

UK 2009 & 2011. 55 mins.<br />

It’s become a tradition for us to screen a double-bill of these<br />

all-star adaptations of Julia Donaldson and Axel Scheffler’s<br />

best-selling picture books at the <strong>Film</strong> <strong>Festival</strong>, and every<br />

year brand new audiences join us to take a walk in a deep,<br />

dark wood for the very first time... Enjoy the magical tale of a<br />

plucky mouse in search of a nut, followed by the adventure of<br />

the Gruffalo’s Child, who bravely tiptoes out into the snow in<br />

search of the fabled ‘big, bad mouse.’<br />

Directors Jakob Schuh & Max Lang | Johannes Weiland &<br />

Uwe Heidschötter<br />

Starring Helena Bonham Carter, Rob Brydon, Robbie<br />

Coltrane, James Corden<br />

THE GRUFFALO: © Orange Eyes Limited 2009. GRUFFALO’S CHILD:<br />

© Orange Eyes Limited 2011.<br />

APH Sun 6 | 11.00am<br />

HARRY POTTER AND THE<br />

DEATHLY HALLOWS: PART<br />

TWO | 12<br />

UK 2011. 130 mins.<br />

Harry, Ron and Hermione search for Voldemort’s remaining<br />

Horcruxes in their effort to destroy the Dark Lord, as the final<br />

battle rages on at Hogwarts. The stakes have never been<br />

higher - and no-one is safe... This emotionally-wrenching<br />

and explosive adventure makes a scary and satisfying finale<br />

to the epic series. Come with your wand aloft and dressed<br />

as your favourite Hogwarts wizarding hero, or practice the<br />

dark arts as a dastardly Death Eater, and you might win a<br />

Potter‐tastic prize!<br />

Director David Yates<br />

Starring Daniel Radcliffe, Emma Watson, Rupert Grint<br />

JAMES AND THE GIANT<br />

PEACH | PG<br />

UK/USA 1996. 79 mins.<br />

APH Sun 13 | 11.30am<br />

Join us to celebrate Roald Dahl Day at a splendiferous<br />

screening of this beautifully-crafted version of one of the<br />

author’s best-loved tales. Dahl fanatic Tim Burton produced<br />

this big screen musical fantasy for Disney, and his playful and<br />

surreal spirit shines through this imaginative combination of<br />

live action and stop-motion animation that tells the classic<br />

tale of atrocious aunts, friendly insects, and a giant flying<br />

peach that’s heading for New York City...<br />

Director Henry Selick<br />

Starring Simon Callow, Richard Dreyfuss, Miriam<br />

Margoyles<br />

THE JUNGLE BOOK | U<br />

USA 1967. 78 mins.<br />

APH Sat 12 | 10.45am<br />

Disney’s timeless animation - the last to be produced by Walt<br />

Disney himself before his death - is a joyful riff on Rudyard<br />

Kipling’s classic novel that’s jam-packed with toe-tapping<br />

tunes. Follow orphan man-child Mowgli as he journeys deep<br />

into the jungle and learns ‘the bare necessities’ of life from<br />

happy-go-lucky Baloo the Bear and a motley crew of other<br />

animal friends - and beastly foes... Experience some animal<br />

adventures of your own with Shepreth Wildlife Park, who’ll be<br />

showcasing some of their amazing animals in the auditorium<br />

before the film starts. Some limited animal handling will take<br />

place - but sadly we can’t guarantee that everyone in the<br />

audience will get this opportunity.<br />

Director Wolfgang Reitherman<br />

Starring Phil Harris, Louis Prima,<br />

George Sanders<br />

With Shepreth Wildlife Park visit<br />

prior to film.<br />

APH Sat 5 | 4.30<br />

KEATON FOR KIDS -<br />

NEIL BRAND PRESENTS<br />

STEAMBOAT BILL JUNIOR | U<br />

120 mins.<br />

Acclaimed musician, broadcaster (BBC4’s The Sound of<br />

Cinema and The Sound Of Song, and BBC Radio 4’s The <strong>Film</strong><br />

Programme), and Family <strong>Film</strong> <strong>Festival</strong> favourite Neil Brand<br />

returns with a special show celebrating the magic of deadpan<br />

comic genius Buster Keaton, including a live accompaniment<br />

to the brand new restoration of his magnificent feature<br />

Steamboat Bill Junior. This 1928 silent comedy includes many<br />

of Buster’s greatest gags and most death-defying stunts,<br />

and some of the most astonishing and inventive moments<br />

from cinema history. Suitable for all - whether you’re<br />

accompanying a child or not - and if you’ve never seen Buster<br />

live before then this is the perfect way to do it!<br />

APH Sun 6 | 11.30am<br />

LOONEY TUNES | U<br />

USA 1940 onwards. 60 mins.<br />

APH Sun 13 | 10.15am<br />

This brand new selection of Warner Bros. Looney Tunes<br />

cartoons showcases the slapstick shenanigans of legendary<br />

cartoon characters such as Bugs Bunny, Daffy Duck, Porky<br />

Pig, Road Runner and Wile E. Coyote. Originally created<br />

during the first classic era of American animation in the 1940s<br />

and 1950s, these hugely innovative slapstick shorts are still<br />

laugh-out-loud funny today - don’t miss the rare chance to<br />

see them back in all their glory on the big screen!<br />

30 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | Family <strong>Film</strong> <strong>Festival</strong> www.cambridgefilmfestival.org.uk


APH Thu 3 | 1.45<br />

APH Sat 12 | 11.00am<br />

MR BEAN: THE ANIMATED<br />

SERIES | U<br />

UK 2003-13. 65 mins.<br />

Mr Bean is a quirky character with a big heart (at least when<br />

it comes to his best friend Teddy), some truly brilliant ideas<br />

(or so he likes to think!) and an incredible ability to get into<br />

trouble… He’s the sort of character you’d really love to help<br />

out of his sticky situations but would never invite for tea -<br />

quite simply, a disaster waiting to happen! We’re celebrating<br />

the 25th anniversary of the much-loved Mr Bean brand<br />

with this special screening featuring five hilarious episodes<br />

from this animated adaption of the classic ITV series, with a<br />

voiceover by the original Mr Bean (Rowan Atkinson) himself.<br />

MR MEN | U<br />

UK 1975. 45 mins.<br />

The original - and best - screen incarnation of Roger<br />

Hargreaves’ ageless creations, who are delightfully depicted<br />

in these simple and hilarious short cartoons. Enjoy the<br />

adventures of many of the best-loved Mr Men, including Mr<br />

Strong, Mr Jelly, Mr Noisy and Mr Funny, perfectly narrated by<br />

Dad’s Army’s very own Captain Mainwaring, Arthur Lowe, and<br />

with a catchy theme tune that will stick in your head for days!<br />

© <strong>2015</strong> THOIP<br />

APH Sun 6 | 10.30am<br />

APH Wed 9 | 11.45am<br />

APH Thu 3 | 2.00<br />

PADDINGTON | U<br />

UK 1975-80. 50 mins.<br />

APH Sun 13 | 10.30am<br />

Anyone who fell in love with Paddington Bear in his recent big<br />

screen smash hit will enjoy these enchanting episodes from<br />

the original BBC TV series, with its distinctive visual style that<br />

skillfully combines 2D artwork with 3D stop motion animation<br />

and a pitch perfect narration from celebrated actor Michael<br />

Hordern. Including ‘Please Look After This Bear’, Paddington’s<br />

very first adventure where he meets Mr and Mrs Brown at<br />

a railway station and acquires his name; and ‘Paddington<br />

Goes To The Movies’, where the inimitable bear’s first visit<br />

to a cinema results in bear silhouettes on the screen and<br />

marmalade sandwiches in the projector!<br />

APH Sat 5 | 10.15am<br />

ROOM ON THE BROOM | U<br />

UK 2013. 26 mins.<br />

A charming animated version of Julia Donaldson and Axel<br />

Sheffler’s magical tale of a kind witch who invites a surprising<br />

collection of animals to join her on her broom - much to the<br />

frustration of her loyal cat...<br />

Directors Jan Lachauer & Max Lang<br />

Starring Simon Pegg, Gillian Anderson, Timothy Spall<br />

ROOM ON THE BROOM:<br />

© Orange Eyes Limited 2012<br />

APH Sat 12 | 10.30am<br />

Mr Bean is produced by Tiger Aspect Productions Ltd ©2002 & <strong>2015</strong>.<br />

All rights reserved.<br />

And for families with older children: look out for Bill, an anarchic and hilarious comedy adventure of murderous kings, famous<br />

playwrights, and a plot to blow up Queen Elizabeth, from the team behind CBBC’s Horrible Histories.<br />

page 8<br />

REEL-Y CRAFTY KIDS<br />

Sat 12th and Sun 13th, 11.30am – 1.30pm<br />

Arts Picturehouse<br />

Learn all about the magic behind the movies at these<br />

hands-on, drop-in crafting sessions that celebrate the<br />

disappearing art of big screen cinema projection using<br />

celluloid film. Make your own bookmark, badge, or<br />

other keepsake using 16mm or 35mm film, and have a<br />

go at threading a reel of film through an old projector.<br />

Free and open to all, whether you have a ticket to a<br />

Family <strong>Film</strong> <strong>Festival</strong> screening or not!<br />

Presented with the support of East Anglian <strong>Film</strong> Archive<br />

www.eafa.org.uk<br />

FAMILY MATINEES AT THE LIGHT – ALL TICKETS ONLY £3.00!<br />

E.T. THE EXTRA-TERRESTRIAL | U<br />

US 1982. 115 mins.<br />

Sat 12 | 2.30 THE PRINCESS DIARIES | U<br />

US 2001. 115 mins.<br />

Sat 12 | 2.00<br />

A little lost alien, three million light years away<br />

from home. A lonely ten-year old boy willing<br />

to take him home. Perhaps the best-loved<br />

family film of all time, Steven Spielberg’s<br />

hugely influential 1982 tale of a stranded alien<br />

still strikes a chord with audiences everywhere,<br />

and is both an exciting sci-fi adventure and a<br />

remarkable and moving portrait of childhood.<br />

Klutzy San Francisco teenager Mia (Anne<br />

Hathaway) sees her whole world go into a spin<br />

when she learns that she’s actually the heir<br />

apparent to the crown of the European kingdom<br />

of Genovia. This charming, modern and hilariously<br />

funny take on the Cinderella fantasy delights in<br />

transforming a shy geek into a confident princess,<br />

gently teaching a few life lessons on the way.<br />

Director Steven Spielberg<br />

Director Garry Marshall<br />

Starring Henry Thomas, Drew Barrymore<br />

Starring Anne Hathaway, Julie Andrews<br />

FANTASTIC MR FOX | PG<br />

US 2009. 87 mins.<br />

Celebrate Roald Dahl Day with Wes Anderson’s<br />

gloriously bonkers and beautifully crafted stopmotion<br />

version of the riotous tale of the wily Mr<br />

Fox and his mortal enemies, those fearsome<br />

farmers Boggis, Bunce and Bean.<br />

Director<br />

Starring<br />

Sun 13 | 2.30<br />

Wes Anderson<br />

George Clooney, Bill Murray,<br />

Meryl Streep<br />

RAIDERS OF THE LOST ARK | PG<br />

Sun 13 | 2.00<br />

US 1981. 115 mins.<br />

The dream team of Steven Spielberg and<br />

George Lucas collaborated on this rip-roaring<br />

action-packed homage to the cliffhanger movie<br />

serials of the 1930s. Thrill at some of the best<br />

action set pieces ever filmed and swoon at<br />

Harrison Ford’s droll, smart and brave Indy -<br />

one of cinema’s all time greatest heroes.<br />

Director Steven Spielberg<br />

Starring Harrison Ford, Karen Allen<br />

BAFTA KIDS<br />

BEHIND THE SCENES 90mins<br />

APH<br />

Sat 5<br />

11.00am<br />

A fascinating showcase of the films, television, games and websites nominated for the 2014<br />

BAFTA Children’s Awards. Ben Shires (Officially Amazing!) and Katie Thistleton (CBBC) host<br />

a lively mix of demonstrations, behind-the-scenes films and interviews with top talent, from<br />

animators to writers, directors to designers. Nominees included How To Train Your Dragon 2,<br />

Room On the Broom, Teenage Mutant Ninja Turtles and Wolfblood so there’s something for<br />

everyone, plus prizes to be won! This event is suitable for children aged 7 to 12.<br />

APH<br />

Sat 5<br />

2.30<br />

BAFTA KIDS<br />

TV PRESENTING WORKSHOP 90mins<br />

Join stars from CBBC for a BAFTA Workshop - a unique and practical insight into the world<br />

of television presenting. How do you learn your lines? Is it harder broadcasting live? What are<br />

the best interviewing techniques? How do you convey your own personality on screen? And<br />

how can you stop yourself laughing in front of the camera? Ben Shires (Officially Amazing!)<br />

and Katie Thistleton (CBBC) share their secrets in a fun workshop for children aged 7 to 12.<br />

Box office: 0871 902 5720 Family <strong>Film</strong> <strong>Festival</strong> | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 31


SHORT<br />

FUSION<br />

Short filmaking is an art<br />

form often relegated to<br />

the shadows of its more<br />

temporally demanding<br />

cousin. However, creating<br />

a good short film takes<br />

incredible skill. A wellmade<br />

short film is able<br />

to create the connection,<br />

the emotion and suture<br />

of a feature in a more<br />

concentrated amount of<br />

time. Our five short film<br />

strands contain films from<br />

the UK, Ireland, Canada,<br />

Belgium, Denmark, South<br />

Korea, Japan, Israel and<br />

the USA and have been<br />

selected from over 600<br />

submission entries.<br />

SECRETS<br />

SAT 5 SEPT, 6.30<br />

Love is Blind<br />

UK <strong>2015</strong>. 7 mins.<br />

When her husband James returns home early to try and<br />

make amends for his recent infidelity and inattention<br />

for their marriage, Alice finds herself in the midst of an<br />

emotional minefield.<br />

Director Dan Hodgson<br />

Starring Will Best, Sophie Allen, Ace Mahbaz<br />

PRINT SOURCE Bird Flight <strong>Film</strong>s<br />

A Confession<br />

UK <strong>2015</strong>. 9 mins.<br />

A mysterious and damaged young man must confess a<br />

terrible sin. What he reveals to the warm hearted priest<br />

resonates way beyond the confines of the Church.<br />

Director Petros Silvestros<br />

Starring Thomas Finnegan, Del Henney<br />

PRINT SOURCE Petros Silvestros<br />

Samuel-613<br />

UK <strong>2015</strong>. 15 mins. Yiddish/English with English<br />

subtitles.<br />

The story of Shmilu, a Hasidic Jew in crisis, torn<br />

between his community and the romantic possibilities<br />

of trendy East London. This is the first fictional film<br />

made with the UK’s Hasidic population, including nonprofessional<br />

actors and Yiddish dialogue.<br />

Director Billy Lumby<br />

Starring Theo Barklem-Biggs, Samuel Leibowitz,<br />

Letty Butler<br />

PRINT SOURCE Billy Lumby<br />

Mingmong<br />

UK 2014. 13 mins.<br />

Judy and Annalise are 16 and best friends. However, on<br />

a night out autograph-hunting they realise that falling<br />

in love can sometimes tear friendships apart.<br />

Director Richard Turley<br />

Starring Saffron Coomber, Jessica Revell<br />

PRINT SOURCE Richard Turley<br />

The Last Girl<br />

Denmark <strong>2015</strong>. 13 mins. Danish with English subtitles.<br />

Life is not the same after a holiday with Jesper and<br />

there is no avoiding the truth now.<br />

Director Bjarke de Koning<br />

Starring Christian Vincent, Mette Alvang, Lars<br />

Hjøllund<br />

PRINT SOURCE Dekoning<br />

Tracks<br />

USA <strong>2015</strong>. 18 mins.<br />

An amateur skateboarder is left to care for his<br />

girlfriend’s young daughter on the day of a<br />

championship tournament.<br />

Director Logan Sandler<br />

Starring Keith Stanfield<br />

PRINT SOURCE Periplus <strong>Film</strong> Company<br />

Bread and Butter<br />

UK 2014. 5 mins.<br />

Bread and Butter is an experimental musical that gives<br />

voice to the unspoken dreams and desires we have to<br />

keep the lid on in the workplace...<br />

Director Freya Billington<br />

Starring Jennifer Bell, Blythe Pepino, Andy Marshall<br />

PRINT SOURCE Boyandbearfilms<br />

SPACE & ODDITY<br />

SAT 5 SEPT, 10.30<br />

Test<br />

USA 2014. 10 mins.<br />

A seemingly unremarkable man spends a day taking a<br />

bizarre test at a mysterious facility.<br />

Director Jay Lifton<br />

Starring Ryan McCarthy, Mickey O’Hagan, Dave<br />

Shelley<br />

PRINT SOURCE Deluxe NY<br />

Helio<br />

USA 2014. 20 mins.<br />

On the eve of a rebel uprising in a dystopian<br />

underground society, one miner finds the key to<br />

freedom and attempts to escape before the hostile<br />

government kills him first.<br />

Director Teddy Cecil<br />

Starring Barrett James, Dennis Keiffer, Derek<br />

Chariton<br />

PRINT SOURCE Shadow Council Productions<br />

Strange Weather<br />

UK 2014. 18 mins.<br />

Two strangers witness a natural phenomenon that<br />

reawakens their senses and draws their empty lives<br />

together.<br />

Director Tom Shrapnel<br />

Starring Maxine Peake, Lex Shrapnel<br />

PRINT SOURCE Loose Change <strong>Film</strong>s<br />

The Split<br />

UK <strong>2015</strong>. 15 mins.<br />

Fate? Parallel universes? Quantum mechanics?<br />

Mick doesn’t believe in all that. Then a foul weather<br />

encounter with an esteemed professor is about to set<br />

him on a path which will make him wish he did.<br />

Director Ed Rigg<br />

Starring Edward Hogg, Scarlett Marshall, Ian Black<br />

PRINT SOURCE Final Take <strong>Film</strong>s<br />

Rest Stop<br />

UK 2014. 11 mins.<br />

One night, Meredith, a young backpacker desperate to<br />

find meaning in her life, meets a mysterious stranger in<br />

a dingy British service station... claiming to know her.<br />

Director Kate Herron<br />

Starring Cari Leslie, Ben Willbond<br />

PRINT SOURCE Kate Herron<br />

Satan Has a Bushy Tail<br />

UK 2014. 15 mins.<br />

A charming buddy comedy about grandparents,<br />

bereavement and a demonic squirrel.<br />

Director Louis Paxton<br />

Starring Tom Bennet, Richard Durden<br />

PRINT SOURCE Rubber Stamp <strong>Film</strong>s<br />

CHILDHOOD<br />

THU 3 SEPT, 8.00<br />

Theodora<br />

USA 2014. 6 mins.<br />

Theodora, a young girl left to her own devices, gathers<br />

ingredients for an unusual feast.<br />

Directors Henry Chaisson & Travis Bogosian<br />

Starring Mackenzie Brooke Smith<br />

PRINT SOURCE Slater Hall Productions<br />

Three Brothers<br />

UK 2014. 17 mins.<br />

Hamid struggles to care for his younger brothers when<br />

their father abandons them for Pakistan. A story<br />

inspired by true events.<br />

Director Aleem Khan<br />

Starring Zain Muhammad Zafar, Yousuf Hussain,<br />

Muhammad Mujahi-Ali Shahzad<br />

PRINT SOURCE Matthieu De Braconier &<br />

Stephanie Paeplow<br />

Ella and the Blind Witch<br />

UK <strong>2015</strong>. 6 mins.<br />

Grandma tells her grandchildren, Tom and Alice, a scary<br />

bedtime story. Later that night, the story comes alive,<br />

tormenting the children, but the truth behind the story<br />

is far more shocking.<br />

Director Michael A. Cimpher<br />

Starring Phyllis McMahon, Megan Mary Hart,<br />

Joseph Preedy<br />

PRINT SOURCE Fazed Pictures<br />

Dissonant<br />

Belgium. 17 mins.<br />

Marino resides with his father Tony on an old shipping<br />

yard. While Tony is hard at work towing hefty ship engines,<br />

Marino searches for sounds on his cassette recorder.<br />

Director Jurgen Willocx<br />

Starring Matthis Perreaux, Victor Peeters<br />

PRINT SOURCE Earlybirds <strong>Film</strong>s<br />

Strings<br />

UK 2014. 13 mins.<br />

Convinced his dad is a spy, Luke embarks on a journey<br />

that leads him to discover the awkward truth. From<br />

BAFTA nominated Director Richard Turley.<br />

Director Richard Turley<br />

Starring Badger Skelton, Frankie Fitzgerald<br />

PRINT SOURCE Vitamin <strong>Film</strong>s Ltd<br />

Patriot<br />

UK <strong>2015</strong>. 15 mins.<br />

Against the backdrop of simmering racial tensions within<br />

her rural English town, the life of eleven year old Hannah<br />

changes forever when she meets a boy from a mysterious<br />

and forbidden world. Shortlisted for Palme D’Or.<br />

Director Eva Riley<br />

Starring Halle Kidd, Michael Elkin, Rafael Constantin<br />

PRINT SOURCE National <strong>Film</strong> and Televison<br />

School<br />

Burglar<br />

South Korea <strong>2015</strong>. 3 mins.<br />

One for budding sound engineers. Three burglars<br />

wearing masks try to steal a safe.<br />

Director Hojin Kim<br />

Starring Seunghun Jee, Seohu Jee, Youngduck Seo<br />

PRINT SOURCE Hojin Kim<br />

Abigaëlle<br />

Canada 2014. 15 mins. French with English subtitles.<br />

Nassim dreams of his beautiful classmate Abigaëlle but<br />

is all too familiar with the fine line between imagination<br />

and reality.<br />

Director Jean Malek<br />

Starring Karim Arif Gamez, Robin Garland<br />

PRINT SOURCE Maria Gracia Turgeon<br />

32 | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | ShortFusion www.cambridgefilmfestival.org.uk


LOVE & DEATH<br />

FRI 4 SEPT, 5.30<br />

96 Ways to Say I Love You<br />

UK 2014. 11 mins.<br />

As Olive and Al get ready to say I love you for the<br />

first time, we watch other characters discuss this<br />

momentous event in their own lives.<br />

Director Daisy Aitkens<br />

Starring Georgia Moffett, Joel Fry, David Tennant<br />

PRINT SOURCE Georgia Tennant<br />

North<br />

UK 2014. 20 mins.<br />

Isolated on a farm and fighting against his family’s<br />

decision, Aaron struggles to be heard as he watches<br />

his mother willingly die.<br />

Director Phil Sheerin<br />

Starring Barry Keoghan, Emer McCourt, Des<br />

McAleer<br />

PRINT SOURCE National <strong>Film</strong> and Television<br />

School<br />

Bye Bye Dandelion<br />

UK 2014. 3 mins.<br />

The fleeting friendship between a small imaginary<br />

creature called Mu and a dandelion.<br />

Director Isabel Garrett<br />

PRINT SOURCE Isabel Garrett<br />

Paris on the Water<br />

Israel 2014. 29 mins. Hebrew with English subtitles.<br />

Former movie star, Bathya, feels her life is finally<br />

about to change. After years of frustration she is<br />

offered a part in a movie, but something happens on<br />

the morning of the audition.<br />

Director Hadas Ayalon<br />

Starring Miriam Zohar, Ilan Dar<br />

PRINT SOURCE Hadas Ayalon<br />

H Positive<br />

UK <strong>2015</strong>. 8 mins.<br />

If you had a prolonged terminal illness and money<br />

was no object, would you manipulate euthanasia so<br />

that you could die on your own terms?<br />

Director Glenn Paton<br />

Starring Roger Barclay<br />

PRINT SOURCE Glenn Paton<br />

SexLife<br />

UK 2014. 15 mins.<br />

Dan and Mia haven’t had sex since the birth of their<br />

son. Three months on, Dan decides to take action and<br />

dresses as Dr. Frank-N-Furter from Rocky Horror to<br />

get Mia back in the mood.<br />

Director Stefan Georgiou<br />

Starring Jemima Rooper, Dylan Edwards<br />

PRINT SOURCE Chasing The Bear <strong>Film</strong>s<br />

Absence<br />

UK <strong>2015</strong>. 3 mins.<br />

A short film about the grieving process starring Paul<br />

McGann<br />

Director Rob Savage<br />

Starring Paul McGann, Carolina Giammetta<br />

PRINT SOURCE Douglas Cox<br />

MOTION<br />

MON 7 SEPT, 9.00<br />

(EMMANUEL)<br />

Timekeeper<br />

Canada 2014. 15 mins.<br />

A watchmaker sells time to anyone willing to accept<br />

the cost.<br />

Director Scott Weber<br />

Starring Tom McBeath, Darla Taylor, Nathan<br />

Dashwood<br />

PRINT SOURCE Piece of Mind Productions<br />

Group B<br />

UK <strong>2015</strong>. 25 mins.<br />

1986 and rally driver Shane Hunter is facing his<br />

comeback to Group B competition after a long and<br />

troubled absence.<br />

Director Nick Rowland<br />

Starring Richard Madden, Michael Smiley<br />

PRINT SOURCE National <strong>Film</strong> and Television<br />

School<br />

Meatball Boom<br />

Japan <strong>2015</strong>. 4 mins.<br />

This beautifully painted 16mm artist film acts as a<br />

metaphor for Japan<br />

Director Akihiro Tanioka<br />

PRINT SOURCE Akihiro Tanioka<br />

Skateboarding’s First Wave<br />

USA <strong>2015</strong>. 20 mins.<br />

A look at the early days of skateboarding culture in<br />

Southern California, and the group of kids that would<br />

shape its role in the media and in society.<br />

Director Don Burgess<br />

PRINT SOURCE Genevieve Farrell<br />

Mama Agatha<br />

Netherlands <strong>2015</strong>. 16 mins. English/Dutch/Twi with<br />

English subtitles.<br />

Once a week, a group of migrant women in<br />

Amsterdam learn how to ride a bicycle.<br />

Director Fadi Hindash<br />

PRINT SOURCE The Sound of Applause<br />

QUÉBEC EN BREF<br />

MON 7 SEPT, 10.30<br />

You’ve seen the work of Jean-Marc Vallée (Dallas Buyers Club, Wild), you may have even<br />

watched films from Denis Villeneuve (Incendies, Enemy), now see some of the up and<br />

coming Québécois talent in this programme of French Canadian short films.<br />

Pas<br />

Canada 2014. 15 mins. French with English subtitles.<br />

Through her entire life, Rose has follwed her passion for dance by using it as a singular<br />

method of communication essential to connect with her surroundings.<br />

Director Frédérique Cournoyer Lessard<br />

Starring Sienna Mazzone, Claudia Bouvette, Stéphanie Thellen<br />

PRINT SOURCE Travelling, les films qui voyagent<br />

Bec de Lièvre<br />

Canada 2014. 24 mins. French with English subtitles.<br />

On a Halloween night, Alice and Philip meet by chance and fall in love. Laughter,<br />

seduction, until new discoveries lead to something unexpected…<br />

Director Louis Bélanger<br />

Starring Hélène Florent, Danny Gilmore<br />

PRINT SOURCE La Distributrice<br />

Mynarski Chute Mortelle<br />

Canada 2014. 8 mins. French with English subtitles.<br />

A completely hand-made historical micro-epic about the final minutes in the life of<br />

Winnipeg’s doomed Second World War hero, Andrew Mynarski (1916-1944).<br />

Director Matthew Rankin<br />

Starring Alek Rzeszowski, Robert Vilar, Annie St-Pierre<br />

PRINT SOURCE La Distributrice<br />

Once Upon a Kingdom<br />

Canada 2014. 19 mins. French with English subtitles.<br />

Settled on the edge of the St. Lawrence river in Quebec City, a century old building<br />

protects the fragile existence of 82 Catholic nuns.<br />

Directors Terence Chotard & Raphaël Dostie<br />

PRINT SOURCE La Distributrice<br />

Maisons Modèles<br />

Canada 2014. 19 mins. French with English subtitles.<br />

Faced with a client devastated by the breakup of his family, Alex finally finds the<br />

courage to open up to his father.<br />

Director Mathieu Arsenault<br />

Starring Charles Sirard-Blouin, Louis-David Leblanc, Patrick Goyette<br />

PRINT SOURCE Travelling, les films qui voyagent<br />

The Dotty McLeod Breakfast Show<br />

Wake up with a smile<br />

Box office: 0871 902 5720 ShortFusion | <strong>Cambridge</strong><strong>Film</strong><strong>Festival</strong><strong>2015</strong> | 33


Movies On the Meadows<br />

2001: A Space Odyssey 4<br />

Addictive TV 4<br />

All That Heaven Allows 5<br />

Back to The Future 5<br />

Brief Encounter 5<br />

Far From the Madding Crowd 5<br />

Letter From an Unknown Woman 5<br />

Paddington 4<br />

Partie De Campagne 4<br />

Punt Wars 4<br />

The Railway Children 5<br />

The Red Balloon 4<br />

The Theory of Everything 4<br />

<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

3-D Rarities 6<br />

10 Billion: What’s on your Plate? 7<br />

16 Years Till Summer 7<br />

35 @ 35 Campaign 17<br />

54 Director’s Cut 26<br />

99 Homes 7<br />

After Work 20<br />

All the Ways of God 22<br />

The Amina Profile 7<br />

Arena: Night and Day 24 Hours 6<br />

Arena: Chelsea Hotel 6<br />

Arena: Nic Roeg It’s About Time 6<br />

Art,Politics and Squatting (Dark Pictures 1) 25<br />

Artist Cinema - exhibition 29<br />

As We Were Dreaming 20<br />

Atomic: Living in Dread and Promise 7<br />

Aurora 7<br />

Behind the Scenes (BAFTA Kids) 31<br />

Big Gold Dream: Scottish Post Punk<br />

and Infiltrating the Mainstream 7<br />

The Big Knights 30<br />

Bill 8<br />

The Black Panthers:<br />

Vanguards of the Revolution 8<br />

Born 22<br />

Brian May: 3-D Rarities & One Night In Hell 6<br />

By Our Selves 8<br />

The Chambermaid Lynn 20<br />

Charlie and Lola 30<br />

Children of the Night 26<br />

The Clearstream Affair 8<br />

Closely Observed Trains (Revival) 8<br />

The Company You Keep 8<br />

Cruel 26<br />

Dance, Iranian Style 8<br />

The Dark Gene 8<br />

Dark Pictures Special Event:<br />

Derek Jarman Super 8 & Begotten<br />

with live soundtrack by the Begotten 25<br />

Darkness on the Edge of Town 26<br />

The Days Run Away Like Wild Horses<br />

Over the Hills 20<br />

Dope 8<br />

Drifter 8<br />

E.T. The Extra-Terrestrial 31<br />

Eadweard 9<br />

Eisenstein in Guanajuato 9<br />

The Entity 26<br />

Face of the Devil 26<br />

Face to Face 9<br />

Fantastic Mr Fox 31<br />

Fassbinder: Love without Demands 20<br />

The Fencer 9<br />

The Fire 9<br />

The Forecaster 9<br />

The Forest 9<br />

From Caligari to Hitler 9<br />

Gallivant 28<br />

Garden of Earthly Delights 23<br />

Gentle 9<br />

Group B 8<br />

Gruffalo & The Gruffalo’s Child 30<br />

H. 10<br />

The Hallow 26<br />

The Harder They Come 10<br />

Harry Potter and the Deathly Hallows part 2 30<br />

He Who Gets Slapped 24<br />

Hedi Schneider Is Stuck 20<br />

Hellions 26<br />

The Hitchcock Trilogy - mini installation 29<br />

Horse Money 10<br />

I am a Soldier 10<br />

I am a Spy 10<br />

Infinitely Polar Bear 11<br />

Image and Performance (Dark Pictures 4) 25<br />

Industrial Sounds and Visions<br />

(Dark Pictures 2) 25<br />

Into <strong>Film</strong> - A VFX Careers Talk 29<br />

Invisible Heroes 11<br />

Irrational Man 11<br />

James and the Giant Peach 30<br />

The Jungle Book 30<br />

La Famille Belier 11<br />

Land Grabbing 11<br />

Landfill Harmonic 11<br />

The Last Executioner 11<br />

Legend 11<br />

The Lesson 11<br />

Life in a Fishbowl 12<br />

The Long Way Home 22<br />

Looney Tunes 30<br />

The Magical Girl 12<br />

The Marina Café 22<br />

May Allah Bless France! 12<br />

Me and Earl and the Dying Girl 12<br />

Mia Madre 13<br />

Mill and the Cross 23<br />

Mississippi Grind 13<br />

Mr Bean 31<br />

Mr Men 31<br />

The New Rijksmuseum 13<br />

Onirica: Field of Dogs 23<br />

The Outlaw and his Wife 24<br />

Paddington 31<br />

Palio 13<br />

Pasolini 13<br />

The Phantom Carriage 24<br />

Poached 25<br />

Portrait of the Artist 13<br />

Post-Industrial Sound and Image<br />

Landscape (Dark Pictures 5) 25<br />

Pretend We’re Kissing 13<br />

The Princess Diaries 31<br />

Radiator 13<br />

Radio On 28<br />

Raiders of the Lost Ark 31<br />

The Reflecting Skin 28<br />

Reel-y Crafty Kids 31<br />

Roar 27<br />

The Roe’s Room 23<br />

Room on the Broom 31<br />

Scene by Scene 13<br />

Schmitke 20<br />

The Second Mother 14<br />

Short Programmes<br />

<strong>Film</strong> Hub Central East Shorts 1 22<br />

<strong>Film</strong> Hub Central East Shorts 2 23<br />

German Shorts 21<br />

Québec En Bref 33<br />

ShortFusion: Childhood 32<br />

ShortFusion: Love and Death 33<br />

ShortFusion: Motion 33<br />

ShortFusion: Secrets 32<br />

ShortFusion: Space & Oddity 32<br />

ShortReel <strong>Cambridge</strong> Student <strong>Film</strong> Award 29<br />

The Show of Shows 14<br />

Skateboarding’s First Wave 9<br />

The Sky Above Us 14<br />

The Spiderwebhouse 14<br />

Splendor Solis 25<br />

Star*Men 6<br />

Steamboat Bill Jnr 30<br />

The Strange Case of Dr Jekyll<br />

and Miss Osbourne 27<br />

Street Kids United 2 14<br />

Sweethearts of the Gridiron 14<br />

A Syrian Love Story 14<br />

Tell Spring Not to Come This Year 14<br />

Ten Billion 15<br />

Through A Glass, Darkly (Dark Pictures 3) 25<br />

Tokyo Tribe 27<br />

Traces of Sandalwood 22<br />

Tridentfest 27<br />

TV Presenting Workshop (BAFTA Kids) 31<br />

Under the Red Robe 24<br />

Until I Lose my Breath 15<br />

The Visit 15<br />

A Walk in the Woods 15<br />

Wanja 20<br />

War Work: 8 Songs with <strong>Film</strong> 15<br />

Waste Land 15<br />

Welcome to Leith 15<br />

Why Me? 15<br />

Wild Strawberries 24<br />

Wildlike 15<br />

The Wind 24<br />

Wojaczek 23<br />

Zurich 15


FUNDER<br />

Possible versions to use<br />

PRINCIPAL SPONSOR MAJOR SPONSOR OFFICIAL TRANSPORT PARTNER OFFICIAL RESTAURANT & HOTEL SENIOR MEDIA PARTNER<br />

EVENT FUNDERS AND SPONSORS<br />

where the web works<br />

FILM SPONSORS<br />

MEDIA PARTNERS<br />

IN-KIND SUPPORTERS<br />

VENUE PARTNERS<br />

GRANTCHESTER MEADOWS VENUE PARTNER


<strong>Cambridge</strong> <strong>Film</strong> <strong>Festival</strong><br />

3rd – 13th September <strong>2015</strong><br />

BOOKING TICKETS<br />

Advance tickets can be purchased for all venues from any of the following:<br />

ONLINE www.cambridgefilmfestival.org.uk<br />

IN PERSON at any till at the Arts Picturehouse<br />

BY TELEPHONE 0871 902 5720<br />

(9:30am – 8:30pm | 10p a minute from a landline)<br />

A1303<br />

A603<br />

A1134<br />

QUEEN’S RD<br />

CASTLE ST<br />

A1134<br />

NEWNHAM RD<br />

Grantchester<br />

SILVER ST<br />

NORTHAMPTON ST<br />

MAGDALENE ST BRIDGE ST<br />

THE FEN CAUSEWAY<br />

SIDNEY ST<br />

CORN EXCHANGE ST<br />

P<br />

Arts<br />

Picturehouse<br />

TRUMPINGTON ST<br />

CHESTERTON RD<br />

DOWNING ST<br />

TENNIS COURT RD<br />

TRUMPINGTON RD<br />

JESUS<br />

GREEN<br />

BUS<br />

STATION<br />

DRUMMER ST<br />

ST ANDREW’S ST<br />

CHRIST’S<br />

PIECES<br />

REGENT ST<br />

LENSFIELD RD<br />

PARKER’S<br />

PIECE<br />

HILLS RD<br />

MIDSUMMER<br />

COMMON<br />

MAIDS CAUSEWAY<br />

Emmanuel<br />

College<br />

PARKSIDE MILL RD<br />

P<br />

NEWMARKET RD<br />

GONVILLE PLACE EAST RD<br />

A1307<br />

STATION RD<br />

P<br />

STATION<br />

A603<br />

A1134<br />

St Philip’s<br />

Church Centre<br />

The Light<br />

THE ARTS PICTUREHOUSE<br />

EMMANUEL COLLEGE<br />

ST PHILIP’S CHURCH CENTRE<br />

THE LIGHT<br />

ABBEYGATE<br />

38-39 St Andrew’s Street, <strong>Cambridge</strong>, CB2 3AR<br />

www.picturehouses.co.uk<br />

Book tickets in advance for ALL venues through<br />

the Arts Picturehouse.<br />

The Arts Picturehouse screens a year-round<br />

programme of the best in new and classic<br />

cinema over three screens (including one THXcertificated<br />

for best quality sound and another<br />

RealD 3D enabled). All screens are licensed, so<br />

you can take your drink from the café-bar in with<br />

you. You do not have to be a member to view<br />

films at the Arts Picturehouse, but if you are<br />

you’ll receive discounts on tickets, free preview<br />

screenings and priority booking for the <strong>Festival</strong>.<br />

Emmanuel College, <strong>Cambridge</strong> CB2 3AP<br />

www.emma.cam.ac.uk<br />

Founded in 1584, Emanuel College is one of<br />

the larger colleges in <strong>Cambridge</strong> and boasts<br />

beautiful gardens and building ranging from<br />

the medieval to the very modern. Perfectly<br />

located on St Andrew’s Street opposite the Arts<br />

Picturehouse, screenings and events take place<br />

in the Queen’s Building auditorium, which was<br />

voted ‘Building of the Year’ when it opened in<br />

1995.<br />

185 Mill Road, <strong>Cambridge</strong> CB1 3AN<br />

www.stphilipschurch.org.uk<br />

Situated in the heart of Romsey Town on Mill<br />

Road, St Philip’s Church has recently undergone<br />

an extensive refurbishment and opened its<br />

doors to other activities. The large ground-floor<br />

auditorium of this early 20th-century brick<br />

and timber church combines lovely classic<br />

features with top of the range technology and<br />

accessibility. There is also a café serving hot food<br />

and drinks.<br />

The Light <strong>Cambridge</strong>, <strong>Cambridge</strong> Leisure Park,<br />

Clifton Way, <strong>Cambridge</strong> CB1 7DY<br />

cambridge.lightcinemas.co.uk<br />

The Light Cinema provides a unique entertainment<br />

experience, a friendly relaxed environment offering<br />

excellent customer service and value for money.<br />

The 9-screen cinema delivers incredible 2D and<br />

3D visuals with state of the art digital pictures<br />

and sound. Featuring the latest in blockbusters,<br />

independent and international films, plus the best<br />

live opera, ballet, theatre and concerts from around<br />

the globe. Customer service is at the forefront<br />

of the Light experience, and the great staff keep<br />

customers coming back time and time again.<br />

4 Hatter Street, Bury St Edmunds, IP33 1LZ<br />

www.abbeygatecinema.co.uk<br />

Combining a wonderful cinema-going experience<br />

with top quality food is what Abbeygate Cinema<br />

has been doing for years. Set in the heart of Bury<br />

St Edmunds, this cinema offers the <strong>Cambridge</strong><br />

<strong>Film</strong> <strong>Festival</strong> an exciting opportunity to broaden<br />

our horizons.<br />

TTP Group plc<br />

DEVELOPING<br />

disruptive technologies<br />

www.ttpgroup.com

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