MSU Latinx Film Festival Event Program

M S U L ATI N X
FILM FESTIVAL

1ST MSU LATINX FILM FESTIVAL
FEBRUARY 1-4, 2018
WELCOME!
The mission of the MSU Latinx Film Festival is to create a space for the celebration
and promotion of independent latinx cinema, which we conceive of inclusively as
Spanish, English and Portuguese language films from Latin America, the United
States and the Iberian Peninsula. We promote films that are not readily available in
the U.S. that challenge audiences to see the world differently. We seek to serve as a
venue for public debates about the social, cultural and political questions raised by
latinx cinema. We love latinx cinema and want to share it with the MSU, greater
Lansing and mid-Michigan communities.
This inaugural edition of the festival includes films from Bolivia, Brazil, Mexico, Peru,
Spain, Venezuela and the United States (Texas & Michigan) screened over four days
in five locations in three languages! All films are free and open to the public and will
be followed by Q&A sessions with the directors or discussions led by MSU faculty,
graduate students, local filmmakers and community leaders. Please join us at one of
the special events where you can enjoy free food and drinks as well as the chance to
meet the invited directors and the LxFF organizing committee.
¡BIENVENIDOS! / BEM-VINDOS!
La misión del Festival de cine latinx de MSU es crear un espacio para la celebración y
promoción del cine independiente latinx, que creemos que incluye películas en
español, inglés y portugués de América Latina, Estados Unidos y la Península
Ibérica. Promovemos películas que todavía no están disponibles en Estados Unidos
y que retan al público a ver el mundo una manera diferente. Buscamos ser un lugar
donde debatir los asuntos culturales, sociales y políticos que muestran las películas
latinx. Nos encanta el cine latinx y queremos compartirlo con Michigan State y las
comunidades de Lansing y Michigan.
Esta edición inaugural del festival incluye películas de Bolivia, Brazil, México, Perú,
España, Estados Unidos (Texas y Michigan) y Venezuela que se proyectarán ¡durante
cuatro días, cinco lugares y en tres idiomas! Todas las películas son gratis y abiertas
al público, y estarán seguidas preguntas y respuestas a los directores, discusiones
guidas por profesores y estudiantes de graduados de MSU, directores de cine y
líderes locales. Por favor únete a nosotros durante los eventos especiales y disfruta
comida y bebida gratis, y la oportunidad de conocer a los directores invitados y a los
miembros del comité organizador del LxFF.
msulatinxfilmfestival.com
www.facebook.com/MSULatinxFilmFestival/
twitter.com/MSULxFF

SCHEDULE / CALENDARIO
FILMS / PELÍCULAS
Thursday, February 1 / Jueves 1 de febrero
4:00 pm - The Second Mother / Que horas ela volta? / Brazil
MSU Main Library - Green Room (4 West)
7:00 pm - Sealed Cargo, Carga sellada / Bolivia
MSU Wells Hall B122
Friday, February 2 / Viernes 2 de febrero
4:00 pm - NN / Perú
MSU RCAH Theater (Snyder-Phillips Hall)
7:00 pm - Bad Hair, Pelo malo / Venezuela
MSU RCAH Theater (Snyder-Phillips Hall)
Saturday, February 3 / Sábado 3 de febrero
4:00 pm - Tempest, Tempestad / México
The Robin Theatre, REO Town
7:00 pm - As I Walk Through The Valley / United States
The Robin Theatre, REO Town
Sunday, February 4 / Domingo 4 de febrero
2:30 pm - The Cliff, Acantilado / Spain
Studio C! Meridian Mall
SPECIAL EVENTS/ EVENTOS ESPECIALES
Friday, February 2 / Viernes 2 de febrero
6:00 - 7:00 pm Opening Reception /Recepción de bienvenida
MSU LookOut! Gallery (Snyder-Phillips Hall)
Saturday, February 3 / Sábado 3 de febrero
2:00 - 3:30 pm Meet & Greet With Invited Directors / Conoce y habla con los
directores invitados
Casa de Rosado, REO Town
Sunday, February 4 / Domingo 4 de febrero
4:30 - 5:00 pm Closing Reception / Recepción de despedida
Studio C! Meridian Mall
01 MSU Latinx Film Festival February 1-4, 2018

THE SECOND MOTHER
QUE HORAS ELA VOLTA?
Anna Muylaert /112 min/Brazil/2015
In Portuguese with English subtitles
Em português com legendas em inglês
The film centers around Val, a hard-working live-in housekeeper in modern day Sao
Paulo. Val seems to be perfectly content to take care of every one of her wealthy
employers’ needs, from cooking and cleaning to being a surrogate mother to their
teenage son, who she has raised since he was a toddler. But when Val’s estranged
daughter Jessica suddenly shows up, the unspoken but intrinsic class barriers that
exist within the home are thrown into disarray. Jessica is smart, confident, and
ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships
and loyalties and forcing everyone to reconsider what family really means.
A pernambucana Val se muda para São Paulo a fim de dar melhores condições de
vida para sua filha Jéssica. Com muito receio, ela deixa a menina no interior de
Pernambuco para ser babá de Fabinho, morando integralmente na casa de seus
empregadores num bairro rico de São Paulo. Treze anos depois, quando o menino
vai prestar vestibular, Jéssica lhe telefona, pedindo ajuda para ir à São Paulo, no
intuito de prestar a mesma prova. Os empregadores de Val recebem a menina de
braços abertos, só que quando ela deixa de seguir a hierarquia social estabelecida a
situação se complica.
About the director/Sobre a diretora
Born in São Paulo in 1964, Anna Muylaert studied cinema at ECA/USP where she
directed many shorts, among them the awarded The Origin of Babies (winner best
film São Paulo Film Festival). The Second Mother was sold to over 30 countries and
received prizes at Sundance and the Berlin Film Festival. Don’t Call Me Son is her
newest film.
Nascida em São Paulo em 1964, Anna Muylaert estudou cinema na ECA / USP, onde
dirigiu muitos curtas, entre eles o premiado A origem dos bebês segundo Kiki
Cavalcanti (vencedor do melhor filme de São Paulo Film Festival). Que Horas Ela
Volta? foi vendido para mais de 30 países e premiado em Sundance e no Festival de
Cinema de Berlim . Mãe Só Há Uma é o seu mais novo filme.
A 30 minute discussion of the film will follow the screening hosted by Scott Boehm with Leonora Souza
Paula (Residential College in the Arts and Humanities), Saulo Gouveia (Romance and Classical Studies),
and Peter Beattie (History).
msulatinxfilmfestival.com 02

SEALED CARGO
CARGA SELLADA
Julia Vargas /107 min/Bolivia/2015
In Spanish with English subtitles
En español con subtítulos en inglés
With a promotion in the offing and his beautiful wife Nena at his side, things
couldn’t be better for ambitious policeman Hector Mariscal. Before he can enjoy the
good life, though, a final top-secret assignment must be carried out: to transport-by
rail-a highly toxic cargo across Bolivia’s high desert backcountry and “dispose” of it in
a remote indigenous village. With kindly engineer Klinger guiding his beloved
steam locomotive Federica, and presented with a crew of hapless cops and an
unexpected young stowaway, Mariscal finds that there’s much more on the line than
he imagined in this sharp, energetic satire.
Una carga misteriosa de supuestos minerales tóxicos aparece en la planicie andina
alertando a la población. El gobierno encarga a un ambicioso capitán de policía la
misión secreta de deshacerse de ellos, desentendiéndose luego de su destino. A
cargo de un grupo de policías y un maquinista anarquista, el recorrido de rutina se
convierte en un viaje errante y trágico.
About the director/ Sobre la directora
Julia Vargas is a photographer and screenwriter, with international awards and a Life
Achievement Award (2005). As the first woman photographer in Bolivia, Vargas has
photographed everyday life and personalities for 50 years. She has shown her work
in 30 exhibits in Europe, USA, and South America. She created and directed an
educational/communicational NGO that benefits working children. She started
working as a filmmaker in 1991.
Julia Vargas es una fotógrafa y guionista con premios internacionales y el Life
Achievement Award (2005). Como primera mujer fotógrafa, Vargas ha fotografiado
la vida y personalidades bolivianas por 50 años. Ha mostrado su trabajo en 30
exposiciones en Europa, USA y Sudamérica. Creó y dirigió una ONG educacional y
comunicativa que beneficia a niños trabajadores. Comenzó a trabajar como directora
en 1991.
A 30 minute discussion of the film will follow the screening hosted by Osvaldo Sandoval with Laurie
Medina (Anthropology) and Stephen Gasteyer (Sociology).
03 MSU Latinx Film Festival February 1-4, 2018

NN
Héctor Gálvez/89 min/Perú/2014
In Spanish with English subtitles
En español con subtítulos en inglés
A group of forensic anthropologists digs up the corpses of eight people who
disappeared without a trace 20 years ago during a violent political period in Peru.
Among them, they find a ninth unidentified corpse. The only thing that can lead to
the identity of the man is the vague photo of a smiling girl found in his shirt’s
pocket.
Un grupo de antropólogos forenses desenterró los cadáveres de ocho personas que
desaparecieron sin dejar rastro hace 20 años durante un período político violento
en Perú. Entre ellos, encuentran un noveno cadáver no identificado. Lo único que
puede conducir a la identidad del hombre es la foto de una joven sonriente que se
encontraba en el bolsillo de su camisa.
About the director/ Sobre el director
NN (Non Nomine) is Héctor Gálvez’s second feature film. It obtained funding from
the Hubert Bals Development Fund, the Cinémas du Monde Fund, the World
Cinema Fund and the Ibermedia Fund. It won the Best Unproduced Script at the
2011 Havana Film Festival.
NN (Non Nomine) es el segundo largometraje de Héctor Gálvez. Obtuvo fondos del
Hubert Bals Development Fund, Cinémas du Monde Fund, World Cinema Fund y
Ibermedia Fund. Ganó el premio al mejor Unproduced Script en el festival de cine
de La Habana en 2011.
A 30 minute discussion of the film will follow the screening hosted by Claudia Berrios-Campos with Rocío
Quispe-Agnoli (Romance and Classical Studies), Elizabeth Drexler (Anthropology), and Rael Mora
(Wayka.pe).
msulatinxfilmfestival.com 04

BAD HAIR
PELO MALO
Mariana Rondón/93 min/Venezuela/2013
In Spanish with English subtitles
En español con subtítulos en inglés
Junior, a young nine year old boy, lives in Caracas in a shoddy apartment complex
with his mother and baby brother. He has "pelo malo," a hispanic term for curly,
unruly hair, which he constantly attempts to straighten.
This obsession with straightening his hair elicits a tidal wave of homophobic panic
in his hard-working mother.
Junior tiene nueve años y vive en Caracas en un complejo de apartamentos de
aspecto lamentable junto a su madre y su hermano pequeño. Tiene el "pelo malo",
un término hispánico para denominar al cabello rizado y rebelde. Junior expresa su
deseo de alisar su cabello, especialmente cuando tiene que tomarse una foto para la
escuela. Esto provoca un gran pánico homofóbico en su madre.
About the director/ Sobre la directora
Mariana Rondón is a Venezuelan cinema director, screenwriter, producer and visual
artist. She studied at Escuela Internacional de Cine y Televisión (San Antonio de los
Baños International School), in Cuba, and later animation in France. In 1990 she
created the Andean Multinational Company “Sudaca Films” together with other
Latin American film makers.
Mariana Rondón es una directora de cine, guionista, productora y artista visual
venezolana. Estudió en la Escuela Internacional de Cine y Televisión (Escuela
Internacional de San Antonio de los Baños), en Cuba, y más tarde animación en
Francia. En 1990 creó la Compañía Multinacional Andina "Sudaca Films" junto con
otros cineastas latinoamericanos.
A 30 minute discussion of the film will follow the screening hosted by Yomaira Figueroa with Danny
Méndez (Romance and Classical Studies), Jeff Wray (Film Studies), and Tama Hamilton-Wray (Residential
College in the Arts and Humanities).
05 MSU Latinx Film Festival February 1-4, 2018

TEMPEST
TEMPESTAD
Tatiana Buezo/105 min/México/2016
In Spanish with English subtitles
En español con subtítulos en inglés
Tempest narrates the parallel journey of two women and it reflects the impact of the
violence and impunity that afflict México. Miriam is arrested on suspicion of human
trafficking. After her detention, she is handed over to a private prison controlled by
the Organized Crime, where she is forced to pay a monthly fee to remain alive. Adela
works as a clown in a traveling circus. Ten years ago, her life was irreversibly transformed;
every night during the show, she evokes her missing daughter.
Tempestad narra el viaje paralelo de dos mujeres y refleja el impacto de la violencia
y la impunidad que afligen a México. Miriam es arrestada bajo sospecha de trata de
personas. Después de su detención, la llevan a una prisión privada controlada por el
Crimen Organizado donde la obligan a pagar una tarifa mensual para permanecer
con vida. Adela trabaja como payaso en un circo ambulante. Hace diez años su vida
se transformó irreversiblemente y todas las noches durante el show, ella evoca a su
hija desaparecida.
About the director/ Sobre la directora
Tatiana Huezo was born in El Salvador and moved to Mexico when she was five.
She’s the recipient of the Gucci/Ambulante award, a grant established in 2007 to
support new and established Mexican documentarians.Tempest has screened at
more than 60 film festivals worldwide, collecting awards in Berlin, Lima, Havana,
Madrid, Cork, and many others.
Tatiana Huezo nació en El Salvador y se mudó a México cuando tenía cinco años.
Recibió el premio Gucci/Ambulante, una subvención establecida en 2007 para
apoyar a nuevos documentalistas mexicanos. Tempestad se ha proyectado en más
de 60 festivales de cine de todo el mundo y ha recogido, entre otros muchos,
premios en Berlín, Lima, La Habana, Madrid, Cork y muchos otros.
A 30 minute discussion of the film will follow the screening hosted by Miguel A. Cabañas with María
Serrato (Capital Area Latina Youth), Erin Graham (History), and Alexandra Hidalgo (Writing, Rhetoric &
American Cultures).
msulatinxfilmfestival.com 06

AS I WALK THROUGH THE VALLEY
Charlie Vela & Ronnie Garza/81 min
Estados Unidos/2017
In English
Directors in attendance
Los directores van a asistir a la proyección
As I Walk Through The Valley documents 40 years of musical history and Mexican-American
culture. It is the first comprehensive look at rock music in the Rio
Grande Valley. The film is an oral history of the popular music of The Valley told by
the musicians, promoters, producers, and scenesters who lived it. The Rio Grande
Valley has been called a flashpoint for the creation of Mexican-American Culture in
the United States. Roughly 230 miles south of San Antonio, the river delta known as
The Valley is a network of cities and roads that sits at the southernmost border
between the United States and Mexico. Combining over 100 hours of interviews as
well as never-before-seen archival footage and photographs, this documentary
tracks the musical evolution of a region that has forged its own unique identity
between two countries.
As I Walk Through The Valley documenta 40 años de historia musical y cultural
mexicano-estadounidense. Es la primera mirada a la música rock en el Valle del Río
Grande. La película es una historia oral de la música popular de The Valley contada
por los músicos, promotores, productores y actores que la vivieron. El Valle del Río
Grande ha sido un punto álgido para la creación de la cultura mexicano-estadounidense
en los Estados Unidos. Aproximadamente a 230 millas al sur de San Antonio,
el delta del río conocido como The Valley es una red de ciudades y carreteras que se
encuentra en la frontera más al sur entre los Estados Unidos y México. Combinando
más de 100 horas de entrevistas, tomas de archivo y fotografías nunca antes vistas,
este documental rastrea la evolución musical de una región que ha forjado su
propia identidad entre dos países.
More information about the directors in page 10.
A 30 minute Q&A with the directors will follow the screening hosted by John Valadez (Film Studies).
07 MSU Latinx Film Festival February 1-4, 2018

THE CLIFF
ACANTILADO
Helena Taberna/99 min/España/2016
In Spanish with English subtitles
En español con subtítulos en inglés
Director in attendance
La directora va a asistir a la proyección
Gabriel is a promising attorney whose life is turned upside down when he receives a
phone call from the police. A sect has committed mass suicide in the Canary Islands
and his sister Cordelia was one of the followers. Her cadaver is yet to be found.
Gabriel hasn’t seen his younger sibling in years but departs immediately for the
islands to find out what’s happening and to help with the investigation. There he
meets Cordelia’s feisty friend Helena, full of raw emotions. They both share their
desire to find Cordelia, alive. Gabriel quickly discovers that Heidi Meyer, a magnetic
woman with dark origins, seduced his sister into “The Community.” Cordelia found
refuge in the sect, where she was able to work through the wounds of the past, only
to become a witness—and an accomplice—to strange events that preceded a tragic
ending.
Gabriel es un prometedor fiscal cuya vida se tambalea cuando recibe una llamada
de la policía. Ha habido un suicidio colectivo de una secta en las islas Canarias y su
hermana pequeña, Corde- lia, era una de las adeptas. Su cadáver no ha aparecido.
Gabriel lleva años sin ver a su hermana, pero inmediatamente viaja a la isla para
conocer los sucesos de primera mano y ayudar en la investigación. Allí conoce a
Helena, amiga de Cordelia, de fuerte personalidad y emociones a or de piel. Ella y
Gabriel conectan inmediatamente, unidos por el deseo de encontrar viva a Cordelia.
Muy pronto Gabriel descubre que su hermana se acercó a “La Comunidad” seducida
por la líder de la secta, una mujer de gran magnetismo y oscuro origen. Cordelia
encontró en aquel grupo un refugio donde sobreponerse de las heridas del pasado,
pero también acabó convirtiéndose en testigo y cómplice de extraños sucesos,
preludio de un trágico desenlace.
More information about the director in page 10.
A 30 minute Q&A with the directors will follow the screening hosted by Joseba Gabilondo
(Romance and Classical Studies).
msulatinxfilmfestival.com 08

WHAT HAPPENS TO A DREAM
DEFERRED
Scott Boehm & Peter Johnston / 10 min
Estados Unidos / 2018
In Spanish and English with Subtitles
En español y inglés con subtítulos
Director in attendance
El director va a asistir a la proyección
Plays Before Sealed Cargo, Bad Hair, As
I Walk Through the Valley and The Cliff
A short film about two DREAMers who are graduate students at Michigan State University (and members
of the LxFF organizing committee), What Happens to a Dream Deferred is an intimate portrait of a day in
the life of José Adrián Badillo Carlos and Osvaldo Sandoval after the Trump administration’s decision to
rescind the Deferred Action for Childhood Arrivals policy.
Corto sobre dos DREAMers estudiantes graduados en Michigan State University (y miembros del comité
organizador del LxFF). What Happens to a Dream Deferred es un íntimo retrato de la vida diaria de José
Adrián Badillo Carlos y Osvaldo Sandoval después de que la administración de Trump decidiera prescindir
de la política Deferred Action for Childhood Arrivals.
ABOUT THE FILMMAKERS / Sobre los cineastas
Scott Boehm (Writer & Director) is Assistant Professor of Spanish & Global Studies and Affiliated Faculty in
the Film Studies Program at Michigan State University as well as the Director of the MSU Latinx Film
Festival. Scott studied screenwriting at La Factoría del Guión in Madrid, Spain and has worked as a script
consultant on several films, including The Cliff (Helena Taberna, 2016) and Growing Hmong at the
Crossroads (Safoi Babana-Hampton, 2017). What Happens to a Dream Deferred is his directorial debut.
Peter Johnston (Cinematographer & Editor) is the Digital Media/Film Production Manager in the Film
Studies Program at Michigan State University and holds a B.F.A. in Photography from Alma College and
an M.A. in Digital Media Technology from MSU. Peter has directed, produced, filmed and/or edited a
variety of short fiction, documentary and experimental films, including Ka-dy Comes Home, Hmong
Memory at the Crossroads, Migrations of Islam, Within, On the Open Road, and Mr. Henderson.
Scott Boehm (guionista y director) es professor asistente de estudios españoles y globales, y profesor
afiliado en el programa de estudios cinematográficos en Michigan State University, así como el director
del festival de cine latinx de MSU. Scott estudió guión en La Factoría del Guión en Madrid, España y ha
trabajado como guionista en varias películas, entre ellas Acantilado (Helena Taberna, 2016) y Growing
Hmong at the Crossroads (Safoi Babana-Hampton, 2017). What Happens to a Dream Deferred es su debut
como director.
Peter Johnston (director de fotografía y editor) es el gerente de producción de medios digitales/cine en el
programa de estudios cinematográficos en Michigan State University. Estudió una licenciatura en
fotografía en Alma College y una maestría en tecnología de medios digitales en Michigan State
University. Peter ha dirigido, producido, filmado y/o editado varios cortos de ficción, documentales y
películas experimentales, incluyendo Ka-dy Comes Home, Hmong Memory at the Crossroads, Migrations
of Islam, Within, On the Open Road, and Mr. Henderson.
09 MSU Latinx Film Festival February 1-4, 2018

Directors in Attendance
Directores invitados
Helena Taberna
España
Helena Taberna’s films have received critical and popular acclaim and have landed
numerous awards at national and international film festivals. She has directed
well-known films such as Yoyes (2000), Extranjeras (2003) and La buena nueva
(2008); the film that confirmed her as a successful director committed to portraying
subjects of social interest. In 2002, she created her own production company, Lamia
Producciones, and in 2006 she founed the Association of Women Filmmakers (CIMA)
with six other Spanish women directors.
Las películas de Helena Taberna han sido aclamadas por la crítica y la audiencia, y
han obtenido numerosos premios en festivales de cine nacionales e internacionales.
Ha dirigido películas reconocidas como Yoyes (2000), Extranjeras (2003) o La buena
nueva (2008); película que la confirmó como una exitosa directora dedicada a
retratar temas de interés social. En 2002 creó su propia productora, Lamia Producciones.
En 2006 fundó la Asociación de mujeres cineastas y de medios audiovisuales
(CIMA) junto con otras seis directoras del cine español.
Charlie Vela &
Ronnie Garza
Estados Unidos
Directors Charlie Vela & Ronnie Garza are first-time feature filmmakers. They both
grew up in the RGV punk scene of the late-90’s/early-00’s. In 2014, they decided to
take on the challenge of documenting the history of the scene that helped shape
them as artists as it was clear that there was little outside interest in doing so.
Without formal training, a crew, or funding they began production, learning along
the way, and in 2017 As I Walk Through The Valley premiered at SXSW International
Film Festival.
Charlie Vela y Ronnie Garza son directores de cine nóveles. Ambos crecieron en la
escena punk RGV de finales de los 90 y comienzos de los 2000. En 2014, decidieron
asumir el desafío de documentar la historia de la escena que los ayudó a formarse
como artistas, ya que pocos habían mostrado interés en hacerlo. Comenzaron la
producción de As I Walk Through The Valley sin formación formal, un equipo o
financión; pero consiguieron estrenarla en 2017 en el festival de cine internacional
SXSW.
msulatinxfilmfestival.com 10

THANKS
LxFF ORGANIZING COMMITTEE/COMITÉ ORGANIZATIVO DE LxFF
Scott Boehm (LxFF Director), Assistant Professor of Spanish & Global Studies
José Adrián Badillo-Carlos, PhD Candidate in Hispanic Cultural Studies
Claudia Berrios-Campos, PhD Candidate in Hispanic Cultural Studies
Miguel Cabañas, Associate Professor of Spanish
Judit Fuentecuesta, PhD Candidate in Hispanic Cultural Studies
Osvaldo Sandoval, PhD Candidate in Hispanic Cultural Studies
COMMUNITY PARTNERS/SOCIOS COMUNITARIOS
The Robin Theatre, Casa de Rosado, Studio C!, East Lansing Film Festival, Lansing
Public Media Center
VOLUNTEERS/VOLUNTARIOS
Andrew Bentley, John Brown, Viridiana García-Hernández, Mary Ann Lugo, Julio
César Paredes, Connie Rojas
SPECIAL THANKS/AGRADECIMIENTOS ESPECIALES
Ayden Byrnes, Lexis Guarnaccia, Yomaira Figueroa, Ashley Fuente, Paulette
Granberry Russell, Peter Johnston, Jackie Leavitt, Russell Lucas, José Luis Méndez,
Douglas Noverr, Rocío Quispe-Agnoli, Dylan Rogers, Theresa Rosado, Leonora
Souza Paula, Susan Woods, Joshua Yumibe, Justin Ziegler
MSU SPONSORS/PATROCINADORES DE MSU
Office for Inclusion & Intercultural Initiatives
Department of Romance & Classical Studies
Global Studies in the Arts & Humanities Program
Film Studies Program
College of Arts & Letters
College of Communication Arts & Sciences
Chicano/Latino Studies Program
Citizens Scholars Program
Council of Graduate Students
Residential College in the Arts & Humanities
James Madison College
MSU Libraries
Center for Latin American & Caribbean Studies
Center for Gender in Global Context
History Department
Julian Samora Research Institute
Peace and Justice Studies
11 MSU Latinx Film Festival February 1-4, 2018

The Spanish Film Club series was made possible with the support of Pragda, SPAIN
arts & culture and the Secretary of State for Culture of Spain.
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www.facebook.com/MSULatinxFilmFestival/
twitter.com/MSULxFF