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28 <strong>Style</strong> | interiors<br />

FaBrIC<br />

Love<br />

Interior designer Jessica Close provides advice on<br />

how to effectively design window furnishings.<br />

I was taught very early on to start<br />

design with colour and curtains,<br />

and once you had that right<br />

everything else flows on from<br />

there. Curtains frame a room,<br />

and done correctly, are worth<br />

every penny.<br />

I am so over walking into homes<br />

with white walls and every shade<br />

of beige. or worse, white roller<br />

blinds. Window furnishings are an<br />

opportunity to develop a point<br />

of view, and a cohesive story. I<br />

love using pattern on pattern; the<br />

more layering you do the calmer a<br />

room becomes.<br />

With this in mind, I currently<br />

favour large prints and am<br />

unashamedly obsessed with<br />

Bennison Fabrics. The collection of<br />

prints and colours is extraordinary<br />

and feature heavily in one of my<br />

upcoming interior projects. I tend<br />

to pull entire schemes together<br />

by picking out tones and colours<br />

from the curtain fabric.<br />

If you aren’t quite ready to<br />

tackle pattern, plain linens, felts or<br />

wools can look incredibly smart<br />

unlined and with a trimming along<br />

the leading edge.<br />

There is nothing quite like<br />

a trimming to finish a curtain,<br />

Claremont is the best. Its library<br />

of fringe, cord, pom-poms, braids<br />

and ropes is second to none.<br />

George Spencer Design also stocks<br />

heavenly options. For a more<br />

affordable alternative, see Zoffany.<br />

You can have almost as much<br />

fun selecting a heading as you<br />

do fabric. My default heading is<br />

a classic French pleat, probably<br />

because I habitually use curtain<br />

poles and rings and I think this<br />

looks best. If you can afford to<br />

spend the money, and your room<br />

can take it, a pelmet can look<br />

quite wonderful and adds so much<br />

to the complete look.<br />

each room in your home will<br />

demand curtain length consideration<br />

for various reasons. Unless you<br />

have a frightfully grand home I<br />

don’t let curtains pool, but rather<br />

break on the floor. A short curtain<br />

is very tricky to pull off, they<br />

mostly just look sad dangling in<br />

midair.<br />

once installed, resist the<br />

temptation to open up your<br />

curtains for a week or so, rather<br />

leave them wrapped so that the<br />

pleats keep as the fabric settles.<br />

Bennison Fabrics, Crewelwork,<br />

100% Linen, col. Original on Oyster.<br />

Made in England.<br />

Lewis & Wood Fabrics,<br />

Adam’s Eden, col. Taupe,<br />

100% Linen. Made in England.<br />

I like rooms to be charming<br />

and traditional but always with<br />

a sense of the unexpected.<br />

For established country homes<br />

I often look to Lewis & Wood<br />

or Colefax and Fowler for<br />

fabrics. Both fabric houses<br />

produce traditional classics as<br />

well as modern alternatives.<br />

Peter Dunham Textiles,<br />

Samarkand, col. Blue/<br />

Green on White.<br />

Made in USA.<br />

I adore Peter Dunham<br />

Textiles. His California<br />

cool prints are terribly<br />

good for interiors and<br />

exteriors and very in<br />

vogue (literally).<br />

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