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Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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6<br />

A Sense of Time: <strong>Pausanias</strong> as Historian<br />

The island of Sphakteria lies <strong>in</strong> front of the harbour just as Rheneia is off the<br />

anchorage at Delos. It seems that places that were once unknown have<br />

achieved fame through the fortunes of men: Kaphereus <strong>in</strong> Euboia is famous<br />

because of the storm that came over the Greeks with Agamemnon on their<br />

voyage from Troy, and Psyttaleia by Salamis we know from the destruction<br />

of the Persians there. In a similar way the Lakedaimonian defeat made<br />

Sphakteria universally known. 1 (Paus. 4.36.6)<br />

Apart from the Spartan defeat <strong>in</strong> 425 BC there was noth<strong>in</strong>g worth record<strong>in</strong>g<br />

about Sphakteria: the island was un<strong>in</strong>habited and without its association<br />

with a memorable episode <strong>in</strong> Thucydides’ account of the<br />

Peloponnesian War it would probably have rema<strong>in</strong>ed ‘<strong>in</strong>visible’ to readers<br />

of the Periegesis. 2<br />

<strong>Pausanias</strong> almost seeks to justify his reference to<br />

Sphakteria, and he discusses other historical locations where the contrast<br />

between an unimpressive site and the momentous events that took place<br />

there was particularly strik<strong>in</strong>g. There is no doubt that the past has a<br />

strong <strong>in</strong>fluence on how <strong>Pausanias</strong> views the contemporary landscape:<br />

history can make a place worth see<strong>in</strong>g, even if strictly speak<strong>in</strong>g there is<br />

noth<strong>in</strong>g <strong>in</strong>terest<strong>in</strong>g to see. Geography serves as the ma<strong>in</strong> organis<strong>in</strong>g<br />

pr<strong>in</strong>ciple of the Periegesis because it determ<strong>in</strong>es the order <strong>in</strong> which the<br />

<strong>in</strong>formation is presented. History, however, plays an equally important<br />

role as the ma<strong>in</strong> criterion for <strong>Pausanias</strong>’ selective approach to the landscape.<br />

The past (<strong>in</strong> the widest sense, <strong>in</strong>clud<strong>in</strong>g myth) often determ<strong>in</strong>es<br />

what is worth record<strong>in</strong>g, and it def<strong>in</strong>es the identities of cities and regions<br />

that give structure to the work as a whole. It is this comb<strong>in</strong>ation of past,<br />

present and landscape that is so characteristic of <strong>Pausanias</strong>’ <strong>Greece</strong>.<br />

A close connection between history and geography was not new. Herodotos<br />

<strong>in</strong>cludes much <strong>in</strong>formation that we would consider geographical or<br />

ethnographical, and both Polybios and Strabo show that by the Hellenistic<br />

period geography was seen as closely related to history: much depended<br />

on whether scholarly enquiries (historiai) were presented spatially or<br />

chronologically, and which aspects of the material were emphasised, but<br />

both discipl<strong>in</strong>es had an <strong>in</strong>terest <strong>in</strong> similar cultural themes. 3 Compared to<br />

geographical works, however, the Periegesis gives more room to the past,<br />

and <strong>in</strong> several places narrative accounts almost overwhelm the topographical<br />

framework. <strong>Pausanias</strong> not only handles a variety of historical<br />

material from different sources, he also displays some versatility <strong>in</strong> present<strong>in</strong>g<br />

the past <strong>in</strong> different ways, and <strong>in</strong> adapt<strong>in</strong>g his accounts to<br />

73

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