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Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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<strong>Pausanias</strong>: <strong>Travel</strong> <strong>Writ<strong>in</strong>g</strong> <strong>in</strong> <strong>Ancient</strong> <strong>Greece</strong><br />

of travel and enquiry. For a man who wanted to display his <strong>in</strong>tellectual<br />

prowess this alone could have been a good reason to <strong>in</strong>vestigate ma<strong>in</strong>land<br />

<strong>Greece</strong>. <strong>Ancient</strong> travellers, however, aimed not only to <strong>in</strong>crease their<br />

knowledge or paideia: they were also look<strong>in</strong>g for the experience of encounter<strong>in</strong>g<br />

landscapes or monuments that had a special cultural significance<br />

for them. This aspect of ancient travel has become the focus of attention<br />

because of an <strong>in</strong>creased <strong>in</strong>terest <strong>in</strong> ancient pilgrimage. 63 The term pilgrimage<br />

<strong>in</strong> the context of Graeco-Roman culture is contentious, but the concept<br />

can be useful to analyse reactions of ancient travellers if one avoids a<br />

narrow, essentially Christian def<strong>in</strong>ition. 64<br />

It is also worth remember<strong>in</strong>g<br />

that ‘pilgrimage’, if one chooses to adopt this term<strong>in</strong>ology, does not need<br />

to have exclusively or even pr<strong>in</strong>cipally religious aims. 65 Although ancient<br />

religions did not, unlike Christianity or Islam, offer a widely recognisable<br />

ideology of pilgrimage, there were many who sought to visit places that<br />

were mean<strong>in</strong>gful to them <strong>in</strong> some way.<br />

When Elsner suggested that <strong>Pausanias</strong>’ Periegesis could be seen as a<br />

pilgrim’s account written for pilgrims he provoked strong criticism, but he<br />

has also opened new avenues of enquiry. 66 <strong>Pausanias</strong> comes closest to a<br />

conventional pilgrim’s account when, with palpable awe, he reports the<br />

complex and <strong>in</strong>tense rituals required for a consultation of the oracle of<br />

Trophonios at Lebadeia. The report ends with the statement that he<br />

himself consulted the oracle, followed by a note that everyone who did so<br />

had to dedicate an <strong>in</strong>scribed tablet. We are therefore led to assume that,<br />

like many pilgrims and tourists everywhere, he left his own trace <strong>in</strong> the<br />

sacred and monumental landscape, almost as a challenge for readers to go<br />

and see for themselves whether his account is true. 67<br />

Uniquely, this<br />

passage clearly reflects a specific religious experience, but even here<br />

<strong>Pausanias</strong> relates the process of consult<strong>in</strong>g the oracle <strong>in</strong> impersonal terms.<br />

In this respect the Periegesis is quite unlike ‘conventional’ pilgrimage texts<br />

which focus more explicitly on the impact that encounters with particular<br />

places have on a specific <strong>in</strong>dividual. As an opaque synthesis of many trips<br />

with vary<strong>in</strong>g characteristics carried out dur<strong>in</strong>g several years or decades,<br />

the Periegesis makes it difficult to chart a ‘pilgrim’s progress’. 68<br />

<strong>Pausanias</strong>’ impersonal account shifts the focus away from the author,<br />

so as to let readers forget that they are experienc<strong>in</strong>g <strong>Greece</strong> through an<br />

<strong>in</strong>termediary. Nevertheless, <strong>Pausanias</strong>’ approach to the landscape shares<br />

some characteristic features with pilgrims’ attitudes and experiences. 69 A<br />

pepaideumenos travell<strong>in</strong>g around <strong>Greece</strong> would encounter a landscape<br />

that was already very familiar from the literary tradition, and would<br />

therefore f<strong>in</strong>d his imag<strong>in</strong>ation confronted with reality. Hutton suggests<br />

that <strong>Pausanias</strong>’ focus on sacred sites and monuments of the archaic and<br />

classical age shows how an imag<strong>in</strong>ed landscape embued with a strong<br />

significance by texts or tradition can <strong>in</strong>fluence a traveller’s perception of<br />

an actual place: <strong>in</strong> some cases he may have been prone to f<strong>in</strong>d<strong>in</strong>g what he<br />

already expected. 70 Moreover, <strong>Pausanias</strong> illustrates what made <strong>Greece</strong> a<br />

42

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