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Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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2. <strong>Pausanias</strong>: the Man and his Time<br />

have impressed him most, and he mentions a number of sights <strong>in</strong> Ephesos,<br />

most notably the famous Artemision. 34<br />

A long excursus on Ionia <strong>in</strong> the<br />

Achaian book leaves no doubt that <strong>Pausanias</strong> was proud of his native<br />

western Asia M<strong>in</strong>or. For him Ionia has the best possible climate, unique<br />

sanctuaries and various other noteworthy sights that are second only to<br />

the marvels of ma<strong>in</strong>land <strong>Greece</strong>. 35<br />

The date of the Periegesis is relatively uncontroversial, and there is<br />

enough evidence to determ<strong>in</strong>e <strong>Pausanias</strong>’ approximate lifetime. 36<br />

References<br />

to his own time, as far as they can be dated, seem to refer to a period<br />

between AD 120 and 180, and he may have been born around AD 115. 37 A<br />

number of clues <strong>in</strong> the Periegesis provide dates for specific passages. Book<br />

V beg<strong>in</strong>s with an overview of all the peoples <strong>in</strong> the Peloponnese, from the<br />

autochthonous Arkadians to the most recent additions:<br />

The Cor<strong>in</strong>thians of today are the most recent settlers <strong>in</strong> the Peloponnese, and<br />

from the time when they received their land from the emperor it is two<br />

hundred and seventeen years to my own day. 38 (Paus. 5.1.2)<br />

Assum<strong>in</strong>g that the Periegesis was <strong>in</strong>tended to be more than mere contemporary<br />

reportage, it seems scarcely useful to date a relatively well-known<br />

event, namely the re-foundation of Cor<strong>in</strong>th by Caesar <strong>in</strong> 44 BC, by relat<strong>in</strong>g<br />

it to a po<strong>in</strong>t <strong>in</strong> time that a later reader would f<strong>in</strong>d impossible to determ<strong>in</strong>e<br />

<strong>in</strong>dependently. This <strong>in</strong>formation, however, allows us to encounter<br />

<strong>Pausanias</strong> at a specific po<strong>in</strong>t <strong>in</strong> time, namely <strong>in</strong> AD 174. He must have been<br />

aware that he was allow<strong>in</strong>g the reader to put a firm date to the Periegesis,<br />

or rather to a particular po<strong>in</strong>t <strong>in</strong> the lengthy process of research and<br />

writ<strong>in</strong>g. The reader is almost <strong>in</strong>vited to imag<strong>in</strong>e the author at work,<br />

presumably <strong>in</strong> the process of compos<strong>in</strong>g the beg<strong>in</strong>n<strong>in</strong>g of Book V, and<br />

approach<strong>in</strong>g the halfway po<strong>in</strong>t of the Periegesis. The l<strong>in</strong>k between the<br />

beg<strong>in</strong>n<strong>in</strong>gs of the Roman colony at Cor<strong>in</strong>th and <strong>Pausanias</strong>’ own time<br />

emphasises just how recently these ‘new’ Cor<strong>in</strong>thians had become part of<br />

the ancient Peloponnesian landscape, and, perhaps more significantly, it<br />

firmly turns <strong>Pausanias</strong>’ activities <strong>in</strong>to a chronological reference po<strong>in</strong>t at<br />

the end of the long history of the Peloponnese.<br />

By AD 174 <strong>Pausanias</strong> had already been work<strong>in</strong>g on the Periegesis for<br />

some time; <strong>in</strong> fact, after some years of writ<strong>in</strong>g he found it necessary to<br />

comment on one exceptional monument which had been built while his<br />

work was <strong>in</strong> progress:<br />

The Odeion [of Patrai] is <strong>in</strong> every way the most noteworthy <strong>in</strong> <strong>Greece</strong>, except,<br />

of course, the one at Athens. It is superior <strong>in</strong> size and style, and was built by<br />

Herodes, an Athenian, <strong>in</strong> memory of his dead wife. This Odeion is not<br />

mentioned <strong>in</strong> my account of Attica because my Athenian book was f<strong>in</strong>ished<br />

before Herodes began the build<strong>in</strong>g. 39 (Paus. 7.20.6)<br />

‘Herodes, an Athenian’ seems a strik<strong>in</strong>g understatement for one of the<br />

23

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