Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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Pausanias: Travel Writing in Ancient Greece describe, and the historical or mythical accounts that would need to be included in a particular passage. Pausanias’ systematic adherence to his plan is remarkable, considering that the composition of the Periegesis took fifteen to twenty years, and perhaps more, from the early 160s at the very latest to about AD 180. 25 Book X ends abruptly, and, although a case can be made that Pausanias may have intended it that way, 26 it is possible that the last book is not finished, or that a few chapters at its end were lost. The whole pace of Book X, however, is not as we have come to expect from Pausanias. Compared with the exhaustive treatment of Olympia which fills about one and a half books, the twenty-seven chapters dealing with Delphi seem short. 27 The description of the sanctuary starts with a statement about the victor statues: I will note those monuments that seemed to me most worth writing about. The athletes and participants in musical competitions which are neglected by most people I do not consider worth the effort, and those athletes who have left some fame behind I have presented in my description of Elis (en logôi tôi … es Êleious). 28 (Paus. 10.9.1-2) This is a surprising statement, coming from a man who meticulously fills eighteen chapters with the description of almost two hundred victor statues at Olympia, and who carefully reads inscriptions even on empty statue bases to record more monuments in his work. The description of Phokis is generally less detailed than we might expect on Pausanias’ past record. 29 Finally, the treatment of Lokris is definitely unusual: Ozolian Lokris, the area west of Phokis, is quickly dealt with in one long chapter (10.38), while Opountian Lokris, a region northeast of Boiotia, is not included at all. It seems that while writing Book IX Pausanias still had a more lengthy treatment of Lokris in mind, because he promises to discuss a particular mythical genealogy in his Lokrian logos, a subject which is not raised in the one extant chapter dealing with this region. 30 This is the only cross-reference that does not match up with an appropriate passage. It seems possible, therefore, that Book X was rushed for some reason, with less time for the full consideration of even small towns and less famous monuments that we see elsewhere in his work. The routes described in the Periegesis are a complex literary construct which gives the text a well-defined structure. They do not represent an account of an actual journey, although it is clear that the author has personally seen most of the places he describes. 31 The regions covered in the ten books are further divided into territories of individual cities, and, after some experimentation with the format of city descriptions in Book I, Pausanias follows a set pattern as he moves from one polis to the next. He usually approaches on a main route, and after crossing the boundaries he proceeds to the urban centre. At some point, usually when the town has been reached, there is a summary of the highlights of local history, 8

1. Approaching Pausanias’ Periegesis including the mythical past, and then the reader is presented with the interesting monuments in the city. Pausanias deals with sites in the countryside by following major routes as far as the polis boundaries, discussing everything along the route he finds worth seeing. The route to the next city on his imaginary tour is tackled last, leading across another border, where Pausanias starts his description of the next city which will be organised in a similar way. This system is used throughout the Periegesis, but not without allowing for some variation. 32 After all, some flexibility was essential because of the great diversity of material that could be found in Greek cities, for example differences in size, the amount of interesting material to report and variations in the relative importance of local history and preserved remains. At times the structure of the text is also used to convey a particular interpretation of the historical landscape, for example when Pausanias describes most of Boiotia on routes leading out through the gates of Thebes, treating the whole region as if it were part of the Theban countryside. 33 Pausanias was aware that he could offer only a subjective selection of the information he collected on a site. Indeed, he seems rather proud of his selective approach. To avoid misconceptions, I said in my account of Attica that I had not presented everything, but only a selection of what was most worth remembering. I will repeat this before my description of Sparta: from the beginning my account was intended to select the most noteworthy from the many traditions current everywhere that are not worth recording. This was a well-considered plan, and I shall not deviate from it. 34 (Paus. 3.11.1) There are many instances where Pausanias stresses that he wants to focus on those things most worth recording, worth remembering or worth seeing, 35 but what exactly does this mean? The question of selectivity in the Periegesis has led to a lot of scholarly discussion, especially when conspicuous features of the archaeological record are absent from the description of a site. 36 For example, Pausanias ignores conspicuous Roman buildings, but he does not exclude all Roman structures; in fact, at times he discusses recent monuments in some detail, and some are labelled as Roman while others are mentioned without any indication of their age. 37 The site descriptions focus on places with some cultural significance, such as buildings and monuments with links to local history or myths. There is a clear preference for ancient monuments and sacred places, as well as features in the landscape that could be connected to common Greek traditions, but Pausanias takes into account later periods, particularly where this allows him to discover and present information that was not widely known. 38 It seems impossible to establish consistent criteria, and it is never made explicit what makes a story or monument ‘worth recording’. Local circumstances and personal interest were probably important, but 9

1. Approach<strong>in</strong>g <strong>Pausanias</strong>’ Periegesis<br />

<strong>in</strong>clud<strong>in</strong>g the mythical past, and then the reader is presented with the<br />

<strong>in</strong>terest<strong>in</strong>g monuments <strong>in</strong> the city. <strong>Pausanias</strong> deals with sites <strong>in</strong> the<br />

countryside by follow<strong>in</strong>g major routes as far as the polis boundaries,<br />

discuss<strong>in</strong>g everyth<strong>in</strong>g along the route he f<strong>in</strong>ds worth see<strong>in</strong>g. The route to<br />

the next city on his imag<strong>in</strong>ary tour is tackled last, lead<strong>in</strong>g across another<br />

border, where <strong>Pausanias</strong> starts his description of the next city which will<br />

be organised <strong>in</strong> a similar way. This system is used throughout the Periegesis,<br />

but not without allow<strong>in</strong>g for some variation. 32<br />

After all, some<br />

flexibility was essential because of the great diversity of material that<br />

could be found <strong>in</strong> Greek cities, for example differences <strong>in</strong> size, the amount<br />

of <strong>in</strong>terest<strong>in</strong>g material to report and variations <strong>in</strong> the relative importance<br />

of local history and preserved rema<strong>in</strong>s. At times the structure of the text<br />

is also used to convey a particular <strong>in</strong>terpretation of the historical landscape,<br />

for example when <strong>Pausanias</strong> describes most of Boiotia on routes<br />

lead<strong>in</strong>g out through the gates of Thebes, treat<strong>in</strong>g the whole region as if it<br />

were part of the Theban countryside. 33<br />

<strong>Pausanias</strong> was aware that he could offer only a subjective selection of<br />

the <strong>in</strong>formation he collected on a site. Indeed, he seems rather proud of his<br />

selective approach.<br />

To avoid misconceptions, I said <strong>in</strong> my account of Attica that I had not<br />

presented everyth<strong>in</strong>g, but only a selection of what was most worth remember<strong>in</strong>g.<br />

I will repeat this before my description of Sparta: from the beg<strong>in</strong>n<strong>in</strong>g<br />

my account was <strong>in</strong>tended to select the most noteworthy from the many<br />

traditions current everywhere that are not worth record<strong>in</strong>g. This was a<br />

well-considered plan, and I shall not deviate from it. 34 (Paus. 3.11.1)<br />

There are many <strong>in</strong>stances where <strong>Pausanias</strong> stresses that he wants to focus<br />

on those th<strong>in</strong>gs most worth record<strong>in</strong>g, worth remember<strong>in</strong>g or worth see<strong>in</strong>g,<br />

35 but what exactly does this mean? The question of selectivity <strong>in</strong> the<br />

Periegesis has led to a lot of scholarly discussion, especially when conspicuous<br />

features of the archaeological record are absent from the description<br />

of a site. 36 For example, <strong>Pausanias</strong> ignores conspicuous Roman build<strong>in</strong>gs,<br />

but he does not exclude all Roman structures; <strong>in</strong> fact, at times he discusses<br />

recent monuments <strong>in</strong> some detail, and some are labelled as Roman while<br />

others are mentioned without any <strong>in</strong>dication of their age. 37<br />

The site<br />

descriptions focus on places with some cultural significance, such as<br />

build<strong>in</strong>gs and monuments with l<strong>in</strong>ks to local history or myths. There is a<br />

clear preference for ancient monuments and sacred places, as well as<br />

features <strong>in</strong> the landscape that could be connected to common Greek<br />

traditions, but <strong>Pausanias</strong> takes <strong>in</strong>to account later periods, particularly<br />

where this allows him to discover and present <strong>in</strong>formation that was not<br />

widely known. 38 It seems impossible to establish consistent criteria, and it<br />

is never made explicit what makes a story or monument ‘worth record<strong>in</strong>g’.<br />

Local circumstances and personal <strong>in</strong>terest were probably important, but<br />

9

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