Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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Pausanias: Travel Writing in Ancient Greece presentation of every site, particularly once it is restored and opened to visitors, is a matter of interpretation and selection. In Greece these decisions were often guided by Pausanias’ description and therefore also influenced by his preferences. 34 The Periegesis also had a profound impact on how travellers wrote about the Greek landscape. A learned travel account would include references to relevant ancient sources as a matter of course, and all the major descriptions of Greece combine paraphrases of notes made en route with carefully selected information from ancient texts and earlier modern travel books. Just like Pausanias, many later travel writers chose to provide a historical overview before they embarked on the description of a site, and the Periegesis often supplies the main details for these introductions. Moreover, Pausanias creates an imaginary Greece which combines the visible landscape with monuments and memories that were lost, and his travelling readers in modern times would have found this approach very familiar. Their descriptions of the Greek landscape often contain much more than a traveller could actually still see on the surface: most writers combine their own observations with Pausanias’ description, and it is not always made clear when we move from the present landscape into the past. The following passage is Dodwell’s description of the way from Mantinea to Orchomenos, a route we have already encountered in Chapter 5. On quitting Mantineia on the 9th [March 1806] for the ruins of Orchomenos, we traversed the middle of the ancient city, and were thirteen minutes in going from the western wall. We here crossed the ditch formed by the Ophis, and, proceeding in a northern direction through the middle of the plain, in an hour and four minutes from the walls of Mantineia, came to the foundations of a building composed of large stones. Pausanias [8.12] mentions two roads from Mantineia to Orchomenos, on one of which were the stadium of Ladas, a temple of Diana, and a lofty tumulus of earth, which some believed to be the tomb of Penelope. In this vicinity a mountain was covered with the ruins of the ancient Mantinea, near which rose the fountain Alalkomenia. Thirty stadia from the town were the ruins of the village Maira. On the other road the topographer mentions the monument or tomb of Anchises, and a temple of Venus at the mountain called Anchisia, which separated the Orchomenian and Mantinean territories. (Dodwell (1819) 424) This is clearly presented as the record of an actual journey made in March 1806, but in fact, most of what Dodwell describes was not actually visible and is directly taken from Pausanias’ text. Ancient place names are used matter-of-factly throughout, and, apart from the wall of Mantinea and the foundation of an ancient building, this description ‘borrows’ Pausanias’ ancient landscape instead of describing that of the early nineteenth century. Not all travellers’ accounts of this period achieved such a seamless transition between ancient and modern Greece, but most did at times lapse into descriptions that give distances in stadia or note art works that 140

10. Discovering Greece with Pausanias they clearly did not find on an abandoned site. Leake explains his reasoning behind presenting so much that was ancient and no longer visible: Although the description of the ancient cities of Peloponnesus, which I have extracted in an abridged form from Pausanias, relate in some instances to places, of which not a vestige now remains to illustrate the Greek topographer, I have nevertheless introduced them all, because, by the addition of a few pages, the present work is thus rendered more complete, and because the reader is thus enabled to compare every part of Peloponnesus as Pausanias found it, with the view which it presented to the follower of his steps, after an interval of sixteen centuries. I am, moreover, much inclined to believe, that the descriptions which the ancient traveller has given of the cities of Greece – of their distribution, mode of decoration, monuments, and productions of art, would, if better known, be useful to the cultivators of the fine arts in general; that they might have a tendency to assist the public discrimination on these subjects. (Leake (1830) viii-ix) For Leake, Greece is not complete without Pausanias’ ancient landscape, and he clearly estimates the didactic value of ancient cities as much higher than that of the landscape he saw in the last years of Ottoman rule. For visitors with antiquarian interests, Pausanias’ description was an integral part of the landscape, and in their imagination his sites and monuments were as present as what they actually saw. During centuries of travel writing about Greece, Pausanias has had a formative influence on general ‘habits’ that are shared by most texts that attempt to present a systematic account of Greek sites or landscapes. As Sutton has shown in her study of modern descriptions of Nemea, Pausanias can subtly dictate the agenda for a site, and his main themes and preferences echo even in recent travel guides which do not share the antiquarian outlook of earlier travellers. 35 More generally, the Periegesis had a strong influence on how Greece was presented in guidebooks. All early guides to Greece draw heavily on Pausanias. One of the earliest, the Baedeker guide of 1883, was edited from extensive notes compiled by H.G. Lolling on research trips in Greece between 1876-81. 36 Lolling’s text and the Baedeker guide follow the tradition of integrating Pausanias’ description with the contemporary landscape. Once an increasing number of excavations were under way, the combination of archaeological finds and Pausanias’ detailed description also presented a niche for a new kind of guidebook, the ‘cultural guide’ which, like Pausanias, ignores practicalities of travel in order to focus on history and monuments. The earliest guide of this kind, Mythology and Monuments of Ancient Athens (1890) by Harrison and Verrall, was in fact intended as an archaeological commentary on Pausanias, but soon attracted many buyers who took it to Greece to enhance their visit to the ancient monuments. 37 The Periegesis continues to have a strong influence on modern guidebooks to Greece, as a source both for explanations of ancient sites and for mythical stories or details 141

<strong>Pausanias</strong>: <strong>Travel</strong> <strong>Writ<strong>in</strong>g</strong> <strong>in</strong> <strong>Ancient</strong> <strong>Greece</strong><br />

presentation of every site, particularly once it is restored and opened to<br />

visitors, is a matter of <strong>in</strong>terpretation and selection. In <strong>Greece</strong> these<br />

decisions were often guided by <strong>Pausanias</strong>’ description and therefore also<br />

<strong>in</strong>fluenced by his preferences. 34<br />

The Periegesis also had a profound impact on how travellers wrote about<br />

the Greek landscape. A learned travel account would <strong>in</strong>clude references to<br />

relevant ancient sources as a matter of course, and all the major descriptions<br />

of <strong>Greece</strong> comb<strong>in</strong>e paraphrases of notes made en route with carefully<br />

selected <strong>in</strong>formation from ancient texts and earlier modern travel books.<br />

Just like <strong>Pausanias</strong>, many later travel writers chose to provide a historical<br />

overview before they embarked on the description of a site, and the<br />

Periegesis often supplies the ma<strong>in</strong> details for these <strong>in</strong>troductions. Moreover,<br />

<strong>Pausanias</strong> creates an imag<strong>in</strong>ary <strong>Greece</strong> which comb<strong>in</strong>es the visible<br />

landscape with monuments and memories that were lost, and his travell<strong>in</strong>g<br />

readers <strong>in</strong> modern times would have found this approach very<br />

familiar. Their descriptions of the Greek landscape often conta<strong>in</strong> much<br />

more than a traveller could actually still see on the surface: most<br />

writers comb<strong>in</strong>e their own observations with <strong>Pausanias</strong>’ description,<br />

and it is not always made clear when we move from the present<br />

landscape <strong>in</strong>to the past. The follow<strong>in</strong>g passage is Dodwell’s description<br />

of the way from Mant<strong>in</strong>ea to Orchomenos, a route we have already<br />

encountered <strong>in</strong> Chapter 5.<br />

On quitt<strong>in</strong>g Mant<strong>in</strong>eia on the 9th [March 1806] for the ru<strong>in</strong>s of Orchomenos,<br />

we traversed the middle of the ancient city, and were thirteen m<strong>in</strong>utes <strong>in</strong><br />

go<strong>in</strong>g from the western wall. We here crossed the ditch formed by the Ophis,<br />

and, proceed<strong>in</strong>g <strong>in</strong> a northern direction through the middle of the pla<strong>in</strong>, <strong>in</strong><br />

an hour and four m<strong>in</strong>utes from the walls of Mant<strong>in</strong>eia, came to the foundations<br />

of a build<strong>in</strong>g composed of large stones. <strong>Pausanias</strong> [8.12] mentions two<br />

roads from Mant<strong>in</strong>eia to Orchomenos, on one of which were the stadium of<br />

Ladas, a temple of Diana, and a lofty tumulus of earth, which some believed<br />

to be the tomb of Penelope. In this vic<strong>in</strong>ity a mounta<strong>in</strong> was covered with the<br />

ru<strong>in</strong>s of the ancient Mant<strong>in</strong>ea, near which rose the founta<strong>in</strong> Alalkomenia.<br />

Thirty stadia from the town were the ru<strong>in</strong>s of the village Maira. On the other<br />

road the topographer mentions the monument or tomb of Anchises, and a<br />

temple of Venus at the mounta<strong>in</strong> called Anchisia, which separated the<br />

Orchomenian and Mant<strong>in</strong>ean territories. (Dodwell (1819) 424)<br />

This is clearly presented as the record of an actual journey made <strong>in</strong> March<br />

1806, but <strong>in</strong> fact, most of what Dodwell describes was not actually visible<br />

and is directly taken from <strong>Pausanias</strong>’ text. <strong>Ancient</strong> place names are used<br />

matter-of-factly throughout, and, apart from the wall of Mant<strong>in</strong>ea and the<br />

foundation of an ancient build<strong>in</strong>g, this description ‘borrows’ <strong>Pausanias</strong>’<br />

ancient landscape <strong>in</strong>stead of describ<strong>in</strong>g that of the early n<strong>in</strong>eteenth century.<br />

Not all travellers’ accounts of this period achieved such a seamless<br />

transition between ancient and modern <strong>Greece</strong>, but most did at times<br />

lapse <strong>in</strong>to descriptions that give distances <strong>in</strong> stadia or note art works that<br />

140

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