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Pausanias_Travel_Writing_in_Ancient Greece [Maria_Pretzler]

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine) ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

MACEDONIA is Greek and will always be Greek- (if they are desperate to steal a name Monkeydonkeys suits them just fine)
ΦΕΚ, ΚΚΕ,ΚΟΜΜΟΥΝΙΣΜΟΣ, ΣΥΡΙΖΑ, ΠΑΣΟΚ, ΝΕΑ ΔΗΜΟΚΡΑΤΙΑ, ΕΓΚΛΗΜΑΤΑ, MACEDONIA,ΣΥΜΜΟΡΙΤΟΠΟΛΕΜΟΣ, ΑΝΘΕΛΛΗΝΙΣΜΟΣ, ΥΠΟΥΡΓΕΙΟ,ΕΝΟΠΛΕΣ ΔΥΝΑΜΕΙΣ, ΣΤΡΑΤΟΣ, ΑΕΡΟΠΟΡΙΑ, ΑΣΤΥΝΟΜΙΑ, ΔΗΜΑΡΧΕΙΟ, ΝΟΜΑΡΧΙΑ, ΠΑΝΕΠΙΣΤΗΜΙΟ, ΛΟΓΟΤΕΧΝΙΑ, ΔΗΜΟΣ, LIFO, ΠΕΡΙΦΕΡΕΙΑ,ΕΚΚΛΗΣΙΑ, ΜΟΝΗ, ΠΑΤΡΙΑΡΧΕΙΟ,ΜΕΣΗ ΕΚΠΑΙΔΕΥΣΗ, ΙΑΤΡΙΚΗ, ΟΛΜΕ, ΦΙΛΟΛΟΓΙΚΑ, ΝΟΜΟΘΕΣΙΑ, ΔΙΚΗΓΟΡΙΚΟΣ, ΣΥΜΒΟΛΑΙΟΓΡΑΦΙΚΟΣ, ΕΛΛΗΝΙΚΑ, ΜΑΘΗΜΑΤΙΚΑ,ΝΕΟΛΑΙΑ, ΟΙΚΟΝΟΜΙΚΑ,ΙΣΤΟΡΙΑ,ΙΣΤΟΡΙΚΑ, ΑΥΓΗ, ΤΑ ΝΕΑ, ΕΘΝΟΣ, ΣΟΣΙΑΛΙΣΜΟΣ, LEFT, ΚΟΚΚΙΝΟ,ATHENS VOICE, ΡΑΤΣΙΣΜΟΣ,ΠΡΟΣΦΥΓΕΣ,GREECE,ΚΟΣΜΟΣ, ΜΑΓΕΙΡΙΚΗ, ΣΥΝΤΑΓΕΣ,ΕΛΛΗΝΙΣΜΟΣ, ΕΛΛΑΔΑ, ΕΜΦΥΛΙΟΣ, ΤΗΛΕΟΡΑΣΗ, ΕΓΚΥΚΛΙΟΣ, ΡΑΔΙΟΦΩΝΟ, ΓΥΜΝΑΣΤΙΚΗ,ΠΟΛΙΤΙΚΑΝΤΗΔΕΣ, ΠΑΤΡΙΔΑ, ΒΙΒΛΙΟ, ΕΡΕΥΝΑ, ΠΟΛΙΤΙΚΗ, ΚΥΝΗΓΕΤΙΚΑ, ΚΥΝΗΓΙ, ΘΡΙΛΕΡ, ΠΕΡΙΟΔΙΚΟ, ΤΕΥΧΟΣ, ΜΥΘΙΣΤΟΡΗΜΑ, ΑΔΩΝΙΣ ΓΕΩΡΓΙΑΔΗΣ, ADONIS GEORGIADIS, ΦΑΝΤΑΣΤΙΚΕΣ ΙΣΤΟΡΙΕΣ, ΑΣΤΥΝΟΜΙΚΑ,ΦΙΛΟΣΟΦΙΚΗ, ΦΙΛΟΣΟΦΙΚΑ,ΙΚΕΑ, ΜΑΚΕΔΟΝΙΑ, ΑΤΤΙΚΗ, ΘΡΑΚΗ,ΘΕΣΣΑΛΟΝΙΚΗ, ΙΟΝΙΟ, ΧΡΗΜΑ, ΚΩΣ, ΡΟΔΟΣ, ΚΑΒΑΛΑ, ΜΟΔΑ, ΔΡΑΜΑ, ΣΕΡΡΕΣ, ΕΥΡΥΤΑΝΙΑ, ΠΑΡΓΑ, ΚΕΦΑΛΟΝΙΑ, ΠΑΞΟΙ, ΙΩΑΝΝΙΝΑ, ΛΕΥΚΑΔΑ, ΠΑΤΡΑ, ΣΠΑΡΤΗ, ΧΙΟΣ, ΜΥΤΙΛΗΝΗ

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<strong>Pausanias</strong>: <strong>Travel</strong> <strong>Writ<strong>in</strong>g</strong> <strong>in</strong> <strong>Ancient</strong> <strong>Greece</strong><br />

tion <strong>in</strong> connection with excavations and topographical research <strong>in</strong> <strong>Greece</strong>.<br />

Back <strong>in</strong> the ivory towers of western Europe, far from the physical evidence,<br />

<strong>Pausanias</strong> allowed scholars to deal with the material rema<strong>in</strong>s of ancient<br />

<strong>Greece</strong> without hav<strong>in</strong>g to contemplate new approaches that could challenge<br />

the role of the literary tradition as ma<strong>in</strong> source for ancient culture:<br />

the idea that ancient texts can be an obstacle to the <strong>in</strong>terpretation of the<br />

material evidence was to become a matter of debate <strong>in</strong> Greek archaeology<br />

only several decades later. 59 In Brita<strong>in</strong> the earliest archaeology lectures<br />

did, <strong>in</strong> fact, focus on choice passages <strong>in</strong> <strong>Pausanias</strong>, which could then lead<br />

to discussions of new material evidence. 60 At the same time, however, all<br />

but the most determ<strong>in</strong>ed armchair scholars had begun to see a visit to<br />

<strong>Greece</strong> as essential to their studies. Frazer spent a good part of the eight<br />

years between the publication of the Golden Bough and the completion of<br />

his six-volume commentary collect<strong>in</strong>g archaeological evidence, and he<br />

eventually realised that he needed to go to <strong>Greece</strong> to make sure that his<br />

<strong>in</strong>formation was up to date and correct. 61 His two visits became much more<br />

than mere fact-f<strong>in</strong>d<strong>in</strong>g missions. Frazer discovered the landscape of<br />

<strong>Greece</strong> which so rarely gets a mention <strong>in</strong> the Periegesis, and his commentary<br />

turned <strong>in</strong>to a hybrid between notes on the text and a report of his own<br />

travels <strong>in</strong> the footsteps of <strong>Pausanias</strong>, often fill<strong>in</strong>g perceived gaps <strong>in</strong> the<br />

ancient description. In the footsteps of his ancient guide, Frazer followed<br />

ancient roads, looked for ancient sites and <strong>in</strong>vestigated monuments, and<br />

<strong>in</strong> the process he also developed an image of <strong>Pausanias</strong> which was <strong>in</strong> many<br />

ways similar to his own travell<strong>in</strong>g, research<strong>in</strong>g self. 62 Frazer’s <strong>Pausanias</strong><br />

broke with the tradition of classical scholarship because it did not <strong>in</strong>clude<br />

the orig<strong>in</strong>al text, let alone a new critical edition based on the manuscripts,<br />

63<br />

but it firmly established the idea that <strong>Pausanias</strong> needed to be<br />

read with the Greek landscape <strong>in</strong> m<strong>in</strong>d.<br />

The boundaries between classics and archaeology have never been fully<br />

broken down, and attitudes to <strong>Pausanias</strong> dur<strong>in</strong>g much of the twentieth<br />

century reflect this cont<strong>in</strong>u<strong>in</strong>g divide. By 1900 <strong>Pausanias</strong> was firmly<br />

established as the crucial text for the study of Greek religion as well as for<br />

archaeological work <strong>in</strong> ma<strong>in</strong>land <strong>Greece</strong>. Beyond these specialised fields<br />

the Periegesis rema<strong>in</strong>ed peripheral to classicists’ <strong>in</strong>terests: a text of <strong>in</strong>ferior<br />

quality which would at times be useful as a source for out-of-the way<br />

<strong>in</strong>formation about <strong>Greece</strong> and its culture. The renewed <strong>in</strong>terest <strong>in</strong><br />

<strong>Pausanias</strong> s<strong>in</strong>ce the 1980s is closely connected to a radical reassessment<br />

of Greek literature under the Roman empire: it seems that yet aga<strong>in</strong> the<br />

Periegesis has become a useful resource for a new l<strong>in</strong>e of enquiry. As we<br />

have seen, dur<strong>in</strong>g the six hundred years s<strong>in</strong>ce <strong>Pausanias</strong> was re-<strong>in</strong>troduced<br />

to western Europe, his work, though always at the edges of the<br />

canon of ‘respectable’ ancient texts, has proved a versatile resource <strong>in</strong> the<br />

chang<strong>in</strong>g trends of scholarly <strong>in</strong>terests. Most of the scholars discussed <strong>in</strong><br />

this chapter had access to a wide range of ancient texts, but often it is clear<br />

that <strong>Pausanias</strong> played a central role <strong>in</strong> their enquiries and served as more<br />

128

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