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T h e O l d S t a t i o n e r - N o 7 8<br />

A TuRNiNG PoiNT<br />

City New Year Service -St Michae1, Cornhill<br />

Friday 10 January 2014<br />

On this very day, in the year 1645, Archbishop William Laud,<br />

then Archbishop of Canterbury fell victim to the executioner.<br />

Laud was a complex and intelligent man but no politician, and<br />

only four years later -not quite to the day -his Sovereign, King<br />

Charles I would lose his head to the axe man, on a scaffold<br />

outside the royal palace in Whitehall. It was the culmination of<br />

seven years of bloody war between King and Parliament,<br />

between Cavalier and Roundhead, between Charles and<br />

Cromwell. Laud's death on this day in 1645 was a turning point.<br />

This New Year will be but the beginning of five years of<br />

commemorations of an even more ugly and brutal war. But I<br />

would like to take to you back to a slightly less distant war<br />

recalling an event which again came right at the year's end. On<br />

the night of December 29th 1940, Tom Deakin, Edith Cooper<br />

and her son George, emerged from a blazing building. It was the<br />

headquarters of the Cellular Clothing Company which used to<br />

make Aertex shirts, sportswear, blankets and all the rest. These<br />

three had been on fire watch at the Aertex building on the corner<br />

of Fore Street and Moor Lane, in what we now call the Barbican.<br />

Tom said to Edith, his sister-in-law, "Come -let's go down<br />

here," pointing to the right. Edith, as if by instinct, said, "No<br />

we'll go left." Seconds after they moved away, immediately<br />

behind them, a blazing building fell into the street. It was a<br />

miraculous escape, and it was a turning point.<br />

Edith was my grandmother, Tom my great-uncle and George<br />

my father. Well into my childhood, looking out from a pockmarked<br />

Moorgate Station towards St Paul's Cathedral, all that<br />

could be seen were ruined basements with weeds and scrub<br />

growing amongst them. Recalling my father telling that tale<br />

always makes the City of London somehow assume an even<br />

greater significance for me than it would have anyway. In so<br />

many ways that story, that place and that event (in the midst of<br />

what is often described as the second Great Fire of London)<br />

seems to have been a true turning point. Indeed without my<br />

grandmother's instinct I should not be here at all! There were, of<br />

course, many turning points in Hitler's war. Churchill famously<br />

remarked after the Battle of Britain had been won: 'This is not<br />

the end, it is not even the beginning of the end, but it is the end<br />

of the beginning.'<br />

Today's second reading from John's Gospel touches on just such<br />

a turning point. Yet, despite this, the story of Jesus turning the<br />

water into wine has almost become a cliche. You can imagine as<br />

a clergyman I've often been<br />

told: 'We need you to talk to<br />

your boss and stretch your<br />

hands over some water -this<br />

wine tastes like gnat's pee.'<br />

Clergy can themselves find<br />

the tale an embarrassment.<br />

One of my predecessors as<br />

curate tried to explain the<br />

miracle -or indeed explain it<br />

away. 'It was not,' he said,<br />

'that the water had been<br />

changed into wine but<br />

rather that the guests were<br />

so drunk that they couldn't<br />

tell water from wine.<br />

As you can imagine this<br />

caused uproar. The vicar<br />

sacked the curate and was<br />

then called in by the bishop<br />

to say he couldn't do that<br />

-he didn't employ him<br />

anyway! The director of<br />

training was brought in to<br />

explain modern biblical<br />

scholarship and biblical<br />

criticism -and so it went on.<br />

What was the curate's<br />

mistake? His mistake was to<br />

misunderstand the significance,<br />

the point of the<br />

story.<br />

What is the story about<br />

-why is it there? There are<br />

two tell-tale sentences (in<br />

what we heard) that give<br />

clues to what the miracle is<br />

about. They come at the<br />

29

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