Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine
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Art TRADER<br />
m a g a z i n e<br />
D<br />
The next card (above) is by Catherine Drazkowski. In this vintage mixed media work, Catherine has a<br />
great color scheme and her composition is good. Pumping up the contrast a little could enhance this<br />
card; she has excellent lights, but the card needs some more darks and/or shadows. We all know how<br />
scanners and the computer can wash out a card, but using all the values in a value scale, from light<br />
to dark in your work can help a scanner read more value and scan a greater contrast! In this case,<br />
Catherine could add some shadows around the girl, the chair, and under the table (in a warm burnt<br />
orange, blue or purple color.) Outlining the “Tea Time” text with either purple or blue watercolor would<br />
also help bring the text forward.<br />
In closing, both artists have demonstrated talent by creating appealing cards. You can take your work<br />
to a further level if you like by keeping the three principles of composition in mind: color, placement and<br />
value. Color choices are crucial, and both artists used color well. Placement of elements in your work<br />
is very important, especially when creating a sense of depth and space. Value creates greater visual<br />
interest in your art work: Try creating a value scale on your own to keep with you while you work. Image<br />
Google “value scale” for more information.<br />
Thanks for submitting your work for critique; keep it coming! If you have any specific questions on how<br />
to create more visually dynamic work, feel free to ask us about them as well!<br />
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