Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine Beginner's - ArtTrader Magazine
Art TRADER m a g a z i n e Before moving on, I use a permanent paint marker in black to edge my cards, and I draw a crude border on the card with a Caran d’Ache watercolor crayon. Again, I don’t worry about matching the colors. I have been on a kick of using pink or lavender crayon lately, but it rarely matches the paper I use. I smudge the crayon with a dampened paintbrush and let it dry. Edging a card, especially a collage, with marker and crayon adds a finished, framed look to it that I really like. While cards dry, I select a few pieces of painted paper towel or vintage book text to add to the cards. I paint paper towels ahead of time, in batches of 6 or so at a time, to that I have them handy when I want to use them in ATCs or chunky book pages. I also cut out a few images and run them through my Xyron. For these cards, I am using anatomical hearts I printed from an anatomy book I own. I center each heart on a small torn square of painted paper towel, then use a zigzag stitch on my sewing machine to edge the heart. Again, this is just to add some textural interest. A note on the images I use—I own a large number of antique and vintage photos, which I try to purchase as inexpensively as possible. Occasionally, I’ll find a handful of photos at a thrift shop, but I’ve bought shoeboxes of photos at flea markets, too. I’m always compiling and making my own collage sheets from these snapshots as well as from copyright-free online images. While Google Image Search is often valuable when I need to find a particular type of image, I try to avoid using photography from the Internet, so that I’m not violating any copyrights. I try to avoid using a lot of purchased images or collage sheets/CDs, just because I feel that I can find weirder or more unique photos and images on my own. Like with my painted and altered papers, when I’m not in the mood to actually make art, I’ll often watch television or a DVD while cutting out a small pile of images from magazines, scans or rubberstamping sessions. At this point in making my cards, I adhere the paper towel square to the card that has been drying. To this, I add a few scraps of vintage text— for these cards, the text bits are taken from a French/English medical dictionary—I’m always pleased when I can use seemingly random text to make a statement, or add an additional meaning, to a card—and it’s a bonus when I get a laugh out of it! I then often add stamped images to my cards—in this case, I added a set of wings to the heart and some typewriter keys around the edges. I often lightly color the images with Prismacolor pencils and gel pens. I love to add brightly-colored stars with gel pens and spiraling swirls with metallic marker in random places on the surface of the card, too. -34-
Art TRADER m a g a z i n e The card is basically done, but I’ll sometimes add a transparency layer. I cut a piece to size, and I staple it to the face of the ATC with colored staples. I like this technique, because while the ATC stays relatively flat, the transparency on top of the paper towel adds a weird “shadowbox” effect to the card— and with 4 or more layers of paper and images underneath, the transparency layer gives the work a little depth as well as an antiqued finish. Occasionally, I’ll use copper foil tape to hold down the transparency instead of staples, but I try to mix it up. In this set of cards, I’ll use machine sewing on two, and copper tape on the other two so that the cards have one technique that’s a little more time-consuming, not both. Despite all of these steps in my card making, I really do love other artists’ distinctive style. Sometimes, the simplest of collage cards appeal to me, and sometimes a watercolor really knocks my socks off! I trade for all sorts of ATCs, but when making my own cards, I like the satisfaction I get from making such a tiny piece of art as layered and detailed as possible. Every once in a while I’ll have a fellow artist tell me that she can recognize my style without turning a card over to find my name—and this is the greatest compliment I could ever receive. I like to think I have my own distinctive style, and that is also what I find most appealing in the cards I collect from other artists. Art is a vital, empowering part of my life. What I love most about mail art is that anyone can find the confidence to embrace their own talents and create their own style, and I enjoy the inclusive nature of online mail art trading communities and art blogs. Now that my studio space affords me the room and natural light I need, I spend more time creating—which relaxes me, challenges me, and entertains me. I host more mail art swaps, I make more ATCs, and I am starting to branch out into creating larger works of altered art. It’s wonderful to have no more spiders in my art supplies or paint flaking off cellar walls onto my projects. Regardless of where my little family ends up in the future, I don’t think I’ll be willing to relegate my art to the cellar ever again. The artist, Miss (on ATCsforAll.com), is hosting the aforementioned medically/anatomically-themed ATC swap at www.atcsforall.com. -35-
- Page 1 and 2: ArtTRADER m a g a z i n e PUTTING T
- Page 3 and 4: Art TRADER m a g a z i n e Contribu
- Page 5 and 6: Art TRADER m a g a z i n e Editor
- Page 7 and 8: Art TRADER m a g a z i n e Design 9
- Page 9 and 10: Art TRADER m a g a z i n e Contrast
- Page 11 and 12: Art TRADER m a g a z i n e All scan
- Page 13 and 14: Art TRADER m a g a z i n e Marlene
- Page 15 and 16: Art TRADER m a g a z i n e Fabric A
- Page 17 and 18: Art TRADER m a g a z i n e How to I
- Page 19 and 20: Art TRADER m a g a z i n e Many of
- Page 21 and 22: Art TRADER m a g a z i n e Wet Penc
- Page 23 and 24: Art TRADER m a g a z i n e Karen Ca
- Page 25 and 26: Art TRADER m a g a z i n e First I
- Page 27 and 28: Art TRADER m a g a z i n e Do you f
- Page 29 and 30: Art TRADER m a g a z i n e Geraldin
- Page 31 and 32: Art TRADER m a g a z i n e Part I:
- Page 33: Art TRADER m a g a z i n e My rubbe
- Page 37 and 38: Art TRADER m a g a z i n e What the
- Page 39 and 40: Art TRADER m a g a z i n e What is
- Page 41 and 42: Art TRADER m a g a z i n e Has Mail
- Page 43 and 44: Art TRADER m a g a z i n e kate mor
- Page 45 and 46: Art TRADER m a g a z i n e Techniqu
- Page 47 and 48: Art TRADER m a g a z i n e Critique
- Page 49 and 50: Art TRADER m a g a z i n e Preparin
- Page 51 and 52: Art TRADER m a g a z i n e Traders
- Page 53 and 54: Art TRADER m a g a z i n e Addressi
- Page 55 and 56: Art TRADER m a g a z i n e It’s s
- Page 57 and 58: Art TRADER m a g a z i n e Gwen Kit
- Page 59 and 60: Art TRADER m a g a z i n e How to D
- Page 61 and 62: Art TRADER m a g a z i n e Canines
- Page 63 and 64: Art TRADER m a g a z i n e Orange D
- Page 65 and 66: Art TRADER m a g a z i n e Swap Hos
- Page 67 and 68: Art TRADER m a g a z i n e Writing
- Page 69 and 70: Art TRADER m a g a z i n e Introduc
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- Page 73: Art TRADER m a g a z i n e Call for
Art TRADER<br />
m a g a z i n e<br />
Before moving on, I use a permanent paint marker in black to edge<br />
my cards, and I draw a crude border on the card with a Caran d’Ache<br />
watercolor crayon. Again, I don’t worry about matching the colors.<br />
I have been on a kick of using pink or lavender crayon lately, but it<br />
rarely matches the paper I use. I smudge the crayon with a dampened<br />
paintbrush and let it dry. Edging a card, especially a collage, with marker<br />
and crayon adds a finished, framed look to it that I really like.<br />
While cards dry, I select a few pieces of painted paper towel or vintage<br />
book text to add to the cards. I paint paper towels ahead of time, in<br />
batches of 6 or so at a time, to that I have them handy when I want to<br />
use them in ATCs or chunky book pages.<br />
I also cut out a few images and run them through my Xyron. For these<br />
cards, I am using anatomical hearts I printed from an anatomy book<br />
I own. I center each heart on a small torn square of painted paper<br />
towel, then use a zigzag stitch on my sewing machine to edge the heart.<br />
Again, this is just to add some textural interest.<br />
A note on the images I use—I own a large number of antique and vintage<br />
photos, which I try to purchase as inexpensively as possible. Occasionally,<br />
I’ll find a handful of photos at a thrift shop, but I’ve bought shoeboxes<br />
of photos at flea markets, too. I’m always compiling and making my<br />
own collage sheets from these snapshots as well as from copyright-free<br />
online images. While Google Image Search is often valuable when I<br />
need to find a particular type of image, I try to avoid using photography<br />
from the Internet, so that I’m not violating any copyrights.<br />
I try to avoid using a lot of purchased images or collage sheets/CDs, just<br />
because I feel that I can find weirder or more unique photos and images<br />
on my own. Like with my painted and altered papers, when I’m not in<br />
the mood to actually make art, I’ll often watch television or a DVD while<br />
cutting out a small pile of images from magazines, scans or rubberstamping<br />
sessions.<br />
At this point in making my cards, I adhere the paper towel square to the<br />
card that has been drying. To this, I add a few scraps of vintage text—<br />
for these cards, the text bits are taken from a French/English medical<br />
dictionary—I’m always pleased when I can use seemingly random text<br />
to make a statement, or add an additional meaning, to a card—and it’s<br />
a bonus when I get a laugh out of it!<br />
I then often add stamped images to my cards—in this case, I added a<br />
set of wings to the heart and some typewriter keys around the edges.<br />
I often lightly color the images with Prismacolor pencils and gel pens. I<br />
love to add brightly-colored stars with gel pens and spiraling swirls with<br />
metallic marker in random places on the surface of the card, too.<br />
-34-