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Beginner's - ArtTrader Magazine

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Art TRADER<br />

m a g a z i n e<br />

week! Who know what I will be experimenting with tomorrow? One<br />

thing is for sure in my method to create, is that time is not ever taken<br />

into consideration to achieve a piece. I take time to make things nice<br />

and detailed. No matter how many days it takes. I like the watcher<br />

to come very very close to my work to discover how many details he<br />

can find, and stay a long, long time to enjoy all the tangled elements.<br />

I make it impossible to see everything in one glance!<br />

As for the Shisha, this is an Indian traditional embroidery. A little bit of<br />

history first: Most of the Banjaras tribes living in Gujarat, Rajasthan and<br />

Andhra Pardesh provinces (North of India) were using mica or glass cut<br />

into different shapes in their embroideries. The slightly convex silver<br />

glass used in the past for this process was thought to frighten away<br />

evil spirits who were terrified by the sight of their own image! Today<br />

again, the Shisha embroidery with small mirrors is very popular, and it<br />

is still in use to embellish the garments of the Indian ladies. However,<br />

in the more commercial items such as cushion covers, wall hangings<br />

or purses, the ladies now use a big silver plastic sequin instead of<br />

the mirror, and the effect is quite amazing too! I give a contemporary<br />

interpretation of the Shisha embroidery in my Shisha pieces. I mix silk<br />

fibers, which I spread on a raw silk background, free machine stitch<br />

over it, and then embellish with lots of beads, Shisha mirror embroidery<br />

and traditional stitches.<br />

Please tell us a little about your materials: What is your favorite<br />

thing to work with? What types of fabrics, beads and threads do<br />

you use?<br />

Karen: Natural Fibers! No synthetics! My favorite fabric is raw silk. I<br />

have tons of it! I especially like its fantastic sheen, and double color<br />

thread is the best of all, because as you pass by in front of it, it changes<br />

of color! Once again, it adds some alive feeling to the material and<br />

interaction with the viewer! I have one stunning pieceof raw silk, that<br />

shifts from violet to orange, and another exquisite one that changes<br />

from sunflower yellow to shocking pink! Really amazing material. And I<br />

also like the unevenness of the fabric, with sometimes big extras from<br />

the cocoon that makes you remember it comes from a worm! I also like<br />

t batiks, and I try to avoid any synthetic fibers as much as I can. Same<br />

thought process for the beads: I prefer glass beads, clay beads or<br />

terracotta beads instead of plastic beads. I guess this is a side effect<br />

of the deep respect I pay to our planet, and it can show in my choice<br />

of material, preferring natural non-pollutant materials instead of an “all<br />

plastic way of life!”<br />

-22- -26

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