Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine Beginner's - ArtTrader Magazine
Art TRADER m a g a z i n e You have traveled a great deal. Where have you been and how have these places inspired you and your work? Karen: Traveling has been my first passion for more than 25 years! I just love discovering new cultures, new faces, new landscapes, new colors and smells, new habits, new sounds from the languages and dialects. Every single trip gives me a lesson of humility, and enlarges the spirit. I have been traveling in every single country of Asia, from Japan to the Philippines, China to Indonesia, Nepal to Australia and New Zealand, South Korea to Thailand, and I kept from these wonderful trips some feelings, some images that, for sure, inspires my work today! I guess the most obvious influence I got from my traveling around Asia was India. I felt in love with this country, so rich in colors, fragrances, ancestral culture; such a rich heritage! When you see all the colors, the embellishments and embroidery of the saris of the women, the traditional outfit, it brings you into another world of wonders. The 1001 Nights, Ali Baba and the Magic Lamp, the grandeur of the Marahajahs, and the Taj Mahal. All my series of Shisha embroideries have a direct link with my last trip to Rajasthan; it is obvious! This is the most specific influence I got from my intense traveling. Other than that, I keep in mind a much more blurred, diffuse feeling from my trips that also influences my art. I am thinking about the colors in general, the brightness of the landscapes and flowers, the traditional Dances from Bali or Thailand, the terrific sky’s density after a tropical rain. All these visual elements make me want my pieces to appear bright and alive! This is why I make a lot of use of glass beads and sequins that reflect light. As soon as you make a move in front of my work, it changes because the reflection of the light gives a movement to the whole piece. We cannot see it in pictures because they are static, but my fiber art is very much alive when you can approach it. I like this idea of the observer having an interaction with my work, playing with the light together! Color and composition play a really important role in your art. Do you plan these carefully, or do you work with them more intuitively? Karen: As I just said, I like the idea of interaction between the observer and my work. In the same way, I like my work to stimulate the imagination of the watcher. How? I only do abstract art, where, off course, composition andcolors are everything! I like to think that when looking at my work, people will be lead to imagine their own little story, they might slide into sweet memories and dream to something that makes them happy. I am myself very much sensitive to colors, especially warm tones. They make me feel good, they move me or hypnotize me depending of my mood! I am very intuitive in my work, to answer your question! I never know what it will look like at the end. So, let me tell you how I proceed exactly when I start a new piece. -20- -24-
Art TRADER m a g a z i n e First I choose a color, or a two-color combination; very seldom do I start with a theme, an image or an idea. I put on my table everything related with this color, beads, threads, fabric, paper, paint, appliques, and I start playing with it. After a while, I leave the room, do something else, then come back, have a look to my work, arrange the elements differently, add new ones, remove some others, get out of the room, and this process can last for half a day, or more! Then, when I have an idea of the background and the emotion that comes out of it, I start to think about what kind of sense, significance, feeling or direction I want to give to this piece. This time of thinking (giving a significance to thepiece and also finding the title) is stretchable from one piece to another. Sometimes, the elements “talk” to me very clearly, they just lead me and show me the way; sometimes, they just keep quiet! And that can take a very long time to make them talk, sometimes, weeks! I look at them, try to see through the lines, just like when you try to guess somebody’s secret thoughts, I get patient, then lose patience, then get angry sometimes, then start another piece! And come back once in a while to see if the reluctant piece has finally something to say. It happened once that the piece never talked to me! Then guess what! I chopped it into ATCs pieces, embellished them and traded them all! Tell us a little about how you create your work: How many methods of embroidery do you incorporated into one piece? And can you explain what “Shisha” is? Karen: My first pieces of work were the first pages of the Beading Journal Project. I was a real beginner and had not much knowledge on my side to create. So, I was stitching newly learned stitches in front of my computer, pulling my tongue out of my mouth! I made a lot of use of laces at the beginning, which brought me a very nice design that I could embellish quite easily. Then, with the time and my many search results on the web, I got many different techniques I could use to achieve my work. I started to incorporate paper, silk fibers, paint, glitter, seeds and everything that could fit on the piece. I started gluing the beads on the round metallic plates that I use for creating my Bubbles series. That was last -21- -25-
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Art TRADER<br />
m a g a z i n e<br />
First I choose a color, or a two-color<br />
combination; very seldom do I start<br />
with a theme, an image or an idea.<br />
I put on my table everything related<br />
with this color, beads, threads, fabric,<br />
paper, paint, appliques, and I start<br />
playing with it. After a while, I leave<br />
the room, do something else, then<br />
come back, have a look to my work,<br />
arrange the elements differently, add<br />
new ones, remove some others, get<br />
out of the room, and this process can<br />
last for half a day, or more! Then, when<br />
I have an idea of the background and<br />
the emotion that comes out of it, I start<br />
to think about what kind of sense,<br />
significance, feeling or direction I<br />
want to give to this piece. This time<br />
of thinking (giving a significance to<br />
thepiece and also finding the title) is<br />
stretchable from one piece to another.<br />
Sometimes, the elements “talk” to me<br />
very clearly, they just lead me and<br />
show me the way; sometimes, they<br />
just keep quiet! And that can take<br />
a very long time to make them talk,<br />
sometimes, weeks! I look at them, try<br />
to see through the lines, just like when<br />
you try to guess somebody’s secret<br />
thoughts, I get patient, then lose<br />
patience, then get angry sometimes,<br />
then start another piece! And come<br />
back once in a while to see if the<br />
reluctant piece has finally something<br />
to say. It happened once that the<br />
piece never talked to me! Then guess<br />
what! I chopped it into ATCs pieces,<br />
embellished them and traded them all!<br />
Tell us a little about how you create your work: How many methods of embroidery do you<br />
incorporated into one piece? And can you explain what “Shisha” is?<br />
Karen: My first pieces of work were the first pages of the Beading Journal Project. I was a real beginner<br />
and had not much knowledge on my side to create. So, I was stitching newly learned stitches in front<br />
of my computer, pulling my tongue out of my mouth! I made a lot of use of laces at the beginning, which<br />
brought me a very nice design that I could embellish quite easily. Then, with the time and my many<br />
search results on the web, I got many different techniques I could use to achieve my work. I started to<br />
incorporate paper, silk fibers, paint, glitter, seeds and everything that could fit on the piece. I started<br />
gluing the beads on the round metallic plates that I use for creating my Bubbles series. That was last<br />
-21- -25-