Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine Beginner's - ArtTrader Magazine
Art TRADER m a g a z i n e 3. More Pigment: I applied water to the two figures in the center and have now begun to add in the colors for the flowers. With watercolor pencils, it really doesn’t matter if you do your background or foreground first. 5. Water applied! The rest of the pigment has been filled in and the watercolor pencil has been applied. Notice the difference in color from the earlier images to this one. -22- 4. And Yet More Pigment: I’ve filled in the details on the flowers and added the paint. Now I’ve begun to fill out the trees, grass and tree trunk. 6. Adding Finishing Details: Watercolor pencils are wonderful on their own, but I decided to go back in and add some white acrylic for highlights and also some ink on the edges to make them more defined. The final result is on page 21. I hope you’ve enjoyed this issue’s Artistic Journeys column. Watercolor pencils have much to offer the mail artist, so have fun and experiment!
Art TRADER m a g a z i n e Karen Cattoire Interviewed by Andrea Melione Karen Cattoire, a fiber artist, paints with her thread, adds sparkle with beads and uses mirrors to create her magic. So much emotion can be expressed through pure color. Her art can evoke the joy of sunshine on the skin, the mystery of the ocean depths and the exotic scent of spices at a Middle Eastern marketplace. In this issue, Karen shares with us her experiences and inspirations. Tell us a little about yourself. Karen: Well... I am French, 40, and I live on a wonderful, peaceful, paradise-like island in the South Pacific Ocean, in the archipelago of Vanuatu. I settled there last year in November, and before that, for 15 years or so, I was a kind of globetrotter! I have been living in Sri Lanka for 3 years; before that, I was in Malaysia for 7 years, and before that again, I was in Taiwan for 3 Years. I am married to the most adorable husband I could ever dream of, with no children, and happiness all around me! Two years ago, I created a company dedicated to gift wrapping made of fabric (mostly raw silk and organdy), but the political disastrous condition of Sri Lanka led us to leave the country before the company really took off! So, here I am, dedicating all my time to my new passion, creative contemporary fiber art, and I just love it! Have you had any formal training in art? Karen: Not at all! Would you believe me if I told you that I was “stapling” my trousers’ hem 4 years ago? Never touched a needle in my life before creating my company. And I was an absolute beginner in the beading field when I started the challenge called Beading Journal Project inspired by Robin Atkins in June 2007! Everything I learned was from the Internet, even my very first chain stitch! I got it from the “In a Minute Ago” of Sharon B.! Then, after getting into this field of bead and fabric, I attended training in France for one week, and that was that! Surfing on the Web is just a marvelous trip where you find all the answers to your questions. It is just limitless! I am seeking new techniques on the web every day, and I really enjoy experimenting all these new techniques and materials on my own. I think it is the best method for me to learn by myself in a remote place where only coconuts and seashells are available for creating! Anyway, I think I would be a very bad pupil, as I am reluctant to any reproduction of a model, or copying an existing design! It would work for 3 minutes... and then, I slip away and do it my way! Of course, to learn on my own is time consuming, but I guess this way I got less influenced by “the way it should be.” I am not too fond of the standards and traditional ways of doing things, and this is why I feel so at ease with art and mixed media; I can get all the freedom I want! -23-
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Art TRADER<br />
m a g a z i n e<br />
Karen Cattoire<br />
Interviewed by Andrea Melione<br />
Karen Cattoire, a fiber artist, paints with her thread, adds sparkle with beads and uses mirrors to create her<br />
magic. So much emotion can be expressed through pure color. Her art can evoke the joy of sunshine on the<br />
skin, the mystery of the ocean depths and the exotic scent of spices at a Middle Eastern marketplace. In this<br />
issue, Karen shares with us her experiences and inspirations.<br />
Tell us a little about yourself.<br />
Karen: Well... I am French, 40, and I live on a wonderful, peaceful, paradise-like island in the South Pacific<br />
Ocean, in the archipelago of Vanuatu. I settled there last year in November, and before that, for 15 years or<br />
so, I was a kind of globetrotter! I have been living in Sri Lanka for 3 years; before that, I was in Malaysia for 7<br />
years, and before that again, I was in Taiwan for 3 Years. I am married to the most adorable husband I could<br />
ever dream of, with no children, and happiness all around me! Two years ago, I created a company dedicated<br />
to gift wrapping made of fabric (mostly raw silk and organdy), but the political disastrous condition of Sri Lanka<br />
led us to leave the country before the company really took off! So, here I am, dedicating all my time to my new<br />
passion, creative contemporary fiber art, and I just love it!<br />
Have you had any formal training in art?<br />
Karen: Not at all! Would you believe me if I told you that I was “stapling” my trousers’ hem 4 years ago? Never<br />
touched a needle in my life before creating my company. And I was an absolute beginner in the beading field<br />
when I started the challenge called Beading Journal Project inspired by Robin Atkins in June 2007! Everything<br />
I learned was from the Internet, even my very first chain stitch! I got it from the “In a Minute Ago” of Sharon B.!<br />
Then, after getting into this field of bead and fabric, I attended training in France for one week, and that was<br />
that! Surfing on the Web is just a marvelous trip where you find all the answers to your questions. It is just<br />
limitless! I am seeking new techniques on the web every day, and I really enjoy experimenting all these new<br />
techniques and materials on my own. I think it is the best method for me to learn by myself in a remote place<br />
where only coconuts and seashells are available for creating! Anyway, I think I would be a very bad pupil, as I<br />
am reluctant to any reproduction of a model, or copying an existing design! It would work for 3 minutes... and<br />
then, I slip away and do it my way! Of course, to learn on my own is time consuming, but I guess this way I<br />
got less influenced by “the way it should be.” I am not too fond of the standards and traditional ways of doing<br />
things, and this is why I feel so at ease with art and mixed media; I can get all the freedom I want!<br />
-23-