Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine
Beginner's - ArtTrader Magazine
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Art TRADER<br />
m a g a z i n e<br />
fine control you can get with<br />
them, your designs can become<br />
very, very intricate!<br />
Layering of Paint and Other<br />
Media<br />
One of the neatest things<br />
about watercolor pencils is that<br />
since you can use so many<br />
techniques with them, they<br />
take well to layering of those<br />
techniques. So start with a<br />
wash, for example, and then<br />
use a wet pencil for bold lines!<br />
The techniques will complement<br />
each other.<br />
I also encourage you to use<br />
these pencils with other media.<br />
I’m very fond of using watercolor<br />
pencils with ink to create more<br />
contrast. You can also use both<br />
regular pencil and watercolor<br />
pencil in a design—the<br />
watercolor pencil will turn into<br />
paint but the regular pencils will<br />
stay put! Crayons or wax resist<br />
also produce very interesting<br />
combinations. Experiment and<br />
have fun!<br />
end up much brighter or deeper than you intended. If you want<br />
muted tones, only use the smallest amount of pencil—what it<br />
looks like before and after you have added the water can be<br />
strikingly different indeed!<br />
One of the techniques I like to use is to make your edges darker<br />
and your interior lighter. This is something that is more difficult<br />
to achieve with regular watercolors, but is relatively easy with<br />
watercolor pencils. You’ll see it on my finished piece on page<br />
21 — simply add double the pigment around the edges and be<br />
mindful when you are applying your water to the page.<br />
You should pay attention to your brush strokes when applying<br />
the color—different patterns can end in different designs. I apply<br />
color to one section of color at a time, always rinsing my brush<br />
with water before moving to a new colored section.<br />
You have to work very quickly—if you let the paper dry on one<br />
section, you will get a cloudy line or splotch where the wet and<br />
dry sections meet. Its better to keep a section slightly wet as<br />
you go along, or to work your way along a complete section.<br />
This is more of a problem with larger sections of color than with<br />
smaller sections of color.<br />
When you are filling in your color with your brush, you may<br />
also find that the brush has too much paint and the colors are<br />
getting too saturated. Simply dunk your paint brush back into<br />
your water and swish it around and then you will have a clean<br />
brush to work with. If you want consistent color in places, this is<br />
a very important technique. I often dip my brush back into my<br />
paint after every two or three strokes or so to maintain my color<br />
consistency.<br />
Wet Paper Technique<br />
Another technique you can use is the wet paper technique. With<br />
this technique, you begin by wetting a blank piece of watercolor<br />
paper. After wetting the paper, begin drawing with your pencils.<br />
How much water you use will impact how far the watercolor<br />
pencils will spread. This will give you soft lines but still fairly<br />
bright colors.<br />
This technique can be used with the wet brush technique,<br />
but only very carefully and AFTER you have done your wet<br />
brush work. Once you do the “painting” part of the wet brush<br />
technique, your paint is adhered to the paper quite well and<br />
could take on a bit more water. You might get some muddy<br />
results depending on how much pencil you used, however.<br />
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