14.12.2012 Views

Beginner's - ArtTrader Magazine

Beginner's - ArtTrader Magazine

Beginner's - ArtTrader Magazine

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Art TRADER<br />

m a g a z i n e<br />

fine control you can get with<br />

them, your designs can become<br />

very, very intricate!<br />

Layering of Paint and Other<br />

Media<br />

One of the neatest things<br />

about watercolor pencils is that<br />

since you can use so many<br />

techniques with them, they<br />

take well to layering of those<br />

techniques. So start with a<br />

wash, for example, and then<br />

use a wet pencil for bold lines!<br />

The techniques will complement<br />

each other.<br />

I also encourage you to use<br />

these pencils with other media.<br />

I’m very fond of using watercolor<br />

pencils with ink to create more<br />

contrast. You can also use both<br />

regular pencil and watercolor<br />

pencil in a design—the<br />

watercolor pencil will turn into<br />

paint but the regular pencils will<br />

stay put! Crayons or wax resist<br />

also produce very interesting<br />

combinations. Experiment and<br />

have fun!<br />

end up much brighter or deeper than you intended. If you want<br />

muted tones, only use the smallest amount of pencil—what it<br />

looks like before and after you have added the water can be<br />

strikingly different indeed!<br />

One of the techniques I like to use is to make your edges darker<br />

and your interior lighter. This is something that is more difficult<br />

to achieve with regular watercolors, but is relatively easy with<br />

watercolor pencils. You’ll see it on my finished piece on page<br />

21 — simply add double the pigment around the edges and be<br />

mindful when you are applying your water to the page.<br />

You should pay attention to your brush strokes when applying<br />

the color—different patterns can end in different designs. I apply<br />

color to one section of color at a time, always rinsing my brush<br />

with water before moving to a new colored section.<br />

You have to work very quickly—if you let the paper dry on one<br />

section, you will get a cloudy line or splotch where the wet and<br />

dry sections meet. Its better to keep a section slightly wet as<br />

you go along, or to work your way along a complete section.<br />

This is more of a problem with larger sections of color than with<br />

smaller sections of color.<br />

When you are filling in your color with your brush, you may<br />

also find that the brush has too much paint and the colors are<br />

getting too saturated. Simply dunk your paint brush back into<br />

your water and swish it around and then you will have a clean<br />

brush to work with. If you want consistent color in places, this is<br />

a very important technique. I often dip my brush back into my<br />

paint after every two or three strokes or so to maintain my color<br />

consistency.<br />

Wet Paper Technique<br />

Another technique you can use is the wet paper technique. With<br />

this technique, you begin by wetting a blank piece of watercolor<br />

paper. After wetting the paper, begin drawing with your pencils.<br />

How much water you use will impact how far the watercolor<br />

pencils will spread. This will give you soft lines but still fairly<br />

bright colors.<br />

This technique can be used with the wet brush technique,<br />

but only very carefully and AFTER you have done your wet<br />

brush work. Once you do the “painting” part of the wet brush<br />

technique, your paint is adhered to the paper quite well and<br />

could take on a bit more water. You might get some muddy<br />

results depending on how much pencil you used, however.<br />

-20-

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!