21.12.2017 Views

Univ Record 2017

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

John Clements (1966) John Clements, E. Zarkowska: Behavioural concerns and<br />

autistic spectrum disorders (Jessica Kingsley, 2000)<br />

John Clements (1966) John Clements, E. Zarkowska: Care staff management<br />

(John Wiley, 1994)<br />

John Clements (1966) John Clements, E. Zarkowska: Problem behaviour and<br />

people with severe learning disabilities (Chapman & Hall,<br />

1994)<br />

John Clements (1966) Severe learning disability and psychological handicap (John<br />

Wiley, 1987)<br />

Jane Graham Reed Alastair E.H. Salveson: Slekten Salveson 1550-1995<br />

(Scottish Families Researched, 1995) [grand-daughter of<br />

OM Noel Graham Salveson (1911)]<br />

Julian Ashby<br />

Frederic William Maitland: Domesday book and beyond<br />

(CUP, 1907) [in honour of his godfather, OM Professor<br />

Edward Lyttel]<br />

Colin Shrimpton (1954, History) gave us a 1st edition (3rd impression) of Virginia<br />

Woolf ’s Between the Acts (Hogarth Press, 1941).<br />

38<br />

From the Director of Music<br />

The last academic year has been as busy as usual for the<br />

musicians in <strong>Univ</strong>. The College has seen a large number<br />

of musical events of all sorts, both student-led and<br />

professional. The Chapel Choir has released its first CD<br />

for a number of years and has been on tour to Florence.<br />

The Martlet Ensemble has given a number of concerts<br />

and the newest venture, Martlet Voices, has made its<br />

debut.<br />

The Martlet Ensemble met again in the Michaelmas<br />

term to perform with the Chapel Choir, singing Bach<br />

Cantatas. The orchestra assembled was the largest yet,<br />

as was the audience, with extra seats having to be found<br />

at the last moment to accommodate many more people<br />

than were expected. We were lucky to have the same team of soloists as the previous year;<br />

Augusta Hebbert, Guy Cutting and Johnny Herford provided a wonderful example of<br />

stylish and idiomatic singing of Bach which was an inspiration to the students involved.<br />

As last year, the organ scholars Alice Habisreutinger and Stella Kremer were given the<br />

opportunity to play with the professional players in the orchestra.<br />

The Chapel Choir’s new CD, Dayspring Bright was released just in time for the<br />

Advent Carol service at the end of the term. This CD marks the beginning of the next<br />

step for the Choir and all their hard work incongruously recording carols in June paid off!<br />

Copies are still available from the lodge and can be ordered via the Development Office.<br />

Hilary term began with The Mendl-Schrama Music Prize Recital which took place<br />

in January with Isobel Rose giving a wonderful performance of music by Schubert,<br />

Handel, Chausson and Libby Larsen, amongst others. This was a long version of her<br />

Final Recital which took place in June and gave her the perfect springboard to get the<br />

excellent mark she finally achieved. It was also the first time a public music event was<br />

held in the new lecture space in 10 Merton Street, which has turned out to be a lovely<br />

venue for small-scale musical performances. Once again, the College would like to thank<br />

Mrs Heleen Mendl-Schrama for her generosity in providing this prize. The new winner<br />

was announced as Oscar Hansen, baritone, who will give his recital in January 2018. The<br />

College is grateful for the help of distinguished musicians, Teresa Cahill (soprano) and<br />

Anahit Chaushyan (piano) who gave their time to sit on the audition panel.<br />

The term continued with a memorable performance of Brahms’ Sextet in B flat. The<br />

Martlet Ensemble for this event consisted of three professional players and three students<br />

and the result of all their hard work was obvious to all present. Once again, the Chapel<br />

proved to be an ideal chamber music venue.<br />

Martlet Voices gave its first concert in the Merton Passiontide festival in April, which<br />

was quickly followed by a repeat performance in <strong>Univ</strong> at the end of that month. As<br />

with the instrumental ensemble, Martlet Voices has been devised to enable individual<br />

singers to be alongside professionals. Six students were given the opportunity to sing<br />

in a programme of twentieth century music (including Britten, Stravinsky, Barber and<br />

Philip Moore), all written for solo voices. Thus, throughout the concert, one of the<br />

professionals was replaced by a student, giving each singer the chance to get to grips with<br />

39

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!