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John Clements (1966) John Clements, E. Zarkowska: Behavioural concerns and<br />
autistic spectrum disorders (Jessica Kingsley, 2000)<br />
John Clements (1966) John Clements, E. Zarkowska: Care staff management<br />
(John Wiley, 1994)<br />
John Clements (1966) John Clements, E. Zarkowska: Problem behaviour and<br />
people with severe learning disabilities (Chapman & Hall,<br />
1994)<br />
John Clements (1966) Severe learning disability and psychological handicap (John<br />
Wiley, 1987)<br />
Jane Graham Reed Alastair E.H. Salveson: Slekten Salveson 1550-1995<br />
(Scottish Families Researched, 1995) [grand-daughter of<br />
OM Noel Graham Salveson (1911)]<br />
Julian Ashby<br />
Frederic William Maitland: Domesday book and beyond<br />
(CUP, 1907) [in honour of his godfather, OM Professor<br />
Edward Lyttel]<br />
Colin Shrimpton (1954, History) gave us a 1st edition (3rd impression) of Virginia<br />
Woolf ’s Between the Acts (Hogarth Press, 1941).<br />
38<br />
From the Director of Music<br />
The last academic year has been as busy as usual for the<br />
musicians in <strong>Univ</strong>. The College has seen a large number<br />
of musical events of all sorts, both student-led and<br />
professional. The Chapel Choir has released its first CD<br />
for a number of years and has been on tour to Florence.<br />
The Martlet Ensemble has given a number of concerts<br />
and the newest venture, Martlet Voices, has made its<br />
debut.<br />
The Martlet Ensemble met again in the Michaelmas<br />
term to perform with the Chapel Choir, singing Bach<br />
Cantatas. The orchestra assembled was the largest yet,<br />
as was the audience, with extra seats having to be found<br />
at the last moment to accommodate many more people<br />
than were expected. We were lucky to have the same team of soloists as the previous year;<br />
Augusta Hebbert, Guy Cutting and Johnny Herford provided a wonderful example of<br />
stylish and idiomatic singing of Bach which was an inspiration to the students involved.<br />
As last year, the organ scholars Alice Habisreutinger and Stella Kremer were given the<br />
opportunity to play with the professional players in the orchestra.<br />
The Chapel Choir’s new CD, Dayspring Bright was released just in time for the<br />
Advent Carol service at the end of the term. This CD marks the beginning of the next<br />
step for the Choir and all their hard work incongruously recording carols in June paid off!<br />
Copies are still available from the lodge and can be ordered via the Development Office.<br />
Hilary term began with The Mendl-Schrama Music Prize Recital which took place<br />
in January with Isobel Rose giving a wonderful performance of music by Schubert,<br />
Handel, Chausson and Libby Larsen, amongst others. This was a long version of her<br />
Final Recital which took place in June and gave her the perfect springboard to get the<br />
excellent mark she finally achieved. It was also the first time a public music event was<br />
held in the new lecture space in 10 Merton Street, which has turned out to be a lovely<br />
venue for small-scale musical performances. Once again, the College would like to thank<br />
Mrs Heleen Mendl-Schrama for her generosity in providing this prize. The new winner<br />
was announced as Oscar Hansen, baritone, who will give his recital in January 2018. The<br />
College is grateful for the help of distinguished musicians, Teresa Cahill (soprano) and<br />
Anahit Chaushyan (piano) who gave their time to sit on the audition panel.<br />
The term continued with a memorable performance of Brahms’ Sextet in B flat. The<br />
Martlet Ensemble for this event consisted of three professional players and three students<br />
and the result of all their hard work was obvious to all present. Once again, the Chapel<br />
proved to be an ideal chamber music venue.<br />
Martlet Voices gave its first concert in the Merton Passiontide festival in April, which<br />
was quickly followed by a repeat performance in <strong>Univ</strong> at the end of that month. As<br />
with the instrumental ensemble, Martlet Voices has been devised to enable individual<br />
singers to be alongside professionals. Six students were given the opportunity to sing<br />
in a programme of twentieth century music (including Britten, Stravinsky, Barber and<br />
Philip Moore), all written for solo voices. Thus, throughout the concert, one of the<br />
professionals was replaced by a student, giving each singer the chance to get to grips with<br />
39