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Fall 2017 JPI

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The Times of European Identity<br />

Allie Vlachakis<br />

THE INVENTION OF TIME<br />

Europe: in the past decade, terrorism, economic recession, “exits” and unprecedented<br />

migration flows have stripped the word of any confident meaning. A whole generation used to the<br />

perks of porous borders and safety in peacetime, is now confronted with a sudden reality check that<br />

puts into question the perceived communal identity of Europeans. The nation-state, the cornerstone<br />

of the European status quo for more than a century, is placed under scrutiny.<br />

The attempt to understand “what is happening” in Europe, to explain the changes that are<br />

now taking place, implies that we examine an actuality or a situation. Realizing that going into the details<br />

of these terms is ambitious, a basic understanding of what they signify in the context of international<br />

affairs is nevertheless necessary for this paper as it deals with issues of time and collective identity.<br />

How these notions are perceived in the context of globalization is a central theme of the commentary<br />

in this paper.<br />

The recent attention to “fake news” and “the post-fact world” show that the self-evidence of<br />

facts has become less self-evident; the succession of the same term highlighting the mythical nature<br />

of the fact. Using Barthe's definition of myth, 1 it can be argued that a fact is first a symbol – the<br />

signifier – and it contains the signified – something that happened. The linguistic-mythological<br />

dimension of “fact” is not easy to discern as the etymology of the word itself deals with reality; it refers<br />

to the reality of the event that has happened. It is nevertheless possible that a fact bears no trace of<br />

absolute truth. For example, what may seem a belief to an outsider, may still be a fact for the believer.<br />

What this discussion on facts merely underlines, is that contemporary societies are built upon<br />

a rational consensus, based on a general agreement. Thus, the notions of transparency and objectivity<br />

that are meant to define journalism as well as history are inherently political since they too are<br />

negotiated by way of a simultaneous, general agreement. Untangling rational nationalistic discourse<br />

from state sovereignty is crucial to addressing the logic behind exclusionary policies and in imagining<br />

state power as more socially-oriented.<br />

In Imagined Communities, Benedict Anderson links simultaneity with press-capitalism and the<br />

creation of global time that permitted regulation of international trade. Anderson's explanation focuses<br />

specifically on nationalist narratives. Western imagination, he says, has been fashioned by “the cosmic<br />

clock that has made intelligible our synchronic transoceanic pairings;” 2 but despite this general<br />

agreement, different groups of nations have different genealogical readings of nationalism that engage<br />

“historical traditions of serial continuity.” 3 Thus, according to Anderson, nations employed common<br />

characteristics that implied continuity, especially language, to legitimize their destiny: in Europe, this<br />

took the form of privileging a common tongue over regional dynamics, whereas in America, it was<br />

the linguistic attachment to the metropolis that permitted colonial nations to appropriate their territory<br />

by labeling it “new;” thus erasing indigenous history. In both cases, “forgetting” is central to the<br />

process of constructing the nation and forging its myth. These processes are central to Anderson’s<br />

1 Barthes, Mythologies (New York: Farrar, Strauss &Giroux, 1991), 113.<br />

2Benedict Anderson, Imagined Communities (New York: Verso 2006), 194.<br />

3Anderson, Imagined Communities, 195.<br />

<strong>JPI</strong> <strong>Fall</strong> <strong>2017</strong>, pg. 36

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