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The Haunted Traveler Vol. 1 Issue 1

Welcome to the first issue of The Haunted Traveler; a roaming anthology seeking to collect the strange and the wild stories that we all carry. Those words hidden in the deep dark that linger around. Weasel Press is proud to have released this first collection of material and is excited to do more anthologies in the future. The Haunted Traveler is a non-profit, Horror and Science Fiction anthology that accepts a wide variety of art media such as photography, short fiction, creative non-fiction, digital artwork and more. Our anthology publishes twice a year. To find out more information about our submission process, please review our submission guidelines. Our first issue was released on March 28, 2014 and we couldn’t be more excited to feature the explosive talent that has been submitted to us. Our idea is to have an anthology roaming around parts of the world with a collection of frightening and strange stories; a mysterious anthology with a collection of ghosts.

Welcome to the first issue of The Haunted Traveler; a roaming anthology seeking to collect the strange and the wild stories that we all carry. Those words hidden in the deep dark that linger around. Weasel Press is proud to have released this first collection of material and is excited to do more anthologies in the future. The Haunted Traveler is a non-profit, Horror and Science Fiction anthology that accepts a wide variety of art media such as photography, short fiction, creative non-fiction, digital artwork and more. Our anthology publishes twice a year. To find out more information about our submission process, please review our submission guidelines. Our first issue was released on March 28, 2014 and we couldn’t be more excited to feature the explosive talent that has been submitted to us. Our idea is to have an anthology roaming around parts of the world with a collection of frightening and strange stories; a mysterious anthology with a collection of ghosts.

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78<br />

It was also nearly complete. She’d had days to capture the<br />

view while she waited, ravenous. Familiar with desperation,<br />

Yocelin had always managed to find the bane she needed to<br />

keep herself in the world—to remain one with its color—so<br />

she refused to panic. Just a matter of constant movement and<br />

canny scheduling. She knew every wrinkle of Jersey Island,<br />

Port Louis, Lafayette, Grande-Anse, and Lennoxville. She’d<br />

tasted every crevasse, licking at whatever dregs of bane she<br />

could find.<br />

She might never again have all of England and France<br />

to feast on, but the bane lingered in certain corners, yes. It<br />

waxed and waned with the times and it rolled between continents,<br />

but Yocelin at her hungriest could always feed in the<br />

Outaouais. She always circled back to this fruitful furrow of<br />

southwestern Quebec.<br />

And now the payoff. She focused on her canvas, pretending<br />

preoccupation, as the couple crested the hill. <strong>The</strong>y saw<br />

her at once. She couldn't be missed, nor could her toplessness.<br />

<strong>The</strong>y paused, hand in hand, but rallied quickly and continued<br />

towards the hilltop graveyard. It was a liberal village,<br />

and the visitors seemed determined to prove that they belonged.<br />

<strong>The</strong>y were fetching creatures, their clothes tight, bias-cut,<br />

vintage. <strong>The</strong> man and woman had been rinsed out by wine<br />

and massage at the nearby hotel and spa—their shoulders<br />

were low and their eyes soft. Now they came to inspect the<br />

best view to be found in Wakefield, directed to the cemetery,<br />

no doubt, by hotel staff.<br />

Yocelin’s wait was rewarded. <strong>The</strong> colors had finally drawn<br />

people to her aerie. Not the fading color of her naked torso,<br />

which was unremarkable in this part of the world. She<br />

wasn't porcelain or gold or amber or mahogany or obsidian,<br />

but a middling tawny-pink, sporadically freckled. Her hair<br />

was a standard brown and so were her eyes. She'd rolled her<br />

locks into a bun, not to expose an interesting neck but to<br />

capitalize on her bare breasts. If her nipples were pale and

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