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The Haunted Traveler Vol. 1 Issue 1

Welcome to the first issue of The Haunted Traveler; a roaming anthology seeking to collect the strange and the wild stories that we all carry. Those words hidden in the deep dark that linger around. Weasel Press is proud to have released this first collection of material and is excited to do more anthologies in the future. The Haunted Traveler is a non-profit, Horror and Science Fiction anthology that accepts a wide variety of art media such as photography, short fiction, creative non-fiction, digital artwork and more. Our anthology publishes twice a year. To find out more information about our submission process, please review our submission guidelines. Our first issue was released on March 28, 2014 and we couldn’t be more excited to feature the explosive talent that has been submitted to us. Our idea is to have an anthology roaming around parts of the world with a collection of frightening and strange stories; a mysterious anthology with a collection of ghosts.

Welcome to the first issue of The Haunted Traveler; a roaming anthology seeking to collect the strange and the wild stories that we all carry. Those words hidden in the deep dark that linger around. Weasel Press is proud to have released this first collection of material and is excited to do more anthologies in the future. The Haunted Traveler is a non-profit, Horror and Science Fiction anthology that accepts a wide variety of art media such as photography, short fiction, creative non-fiction, digital artwork and more. Our anthology publishes twice a year. To find out more information about our submission process, please review our submission guidelines. Our first issue was released on March 28, 2014 and we couldn’t be more excited to feature the explosive talent that has been submitted to us. Our idea is to have an anthology roaming around parts of the world with a collection of frightening and strange stories; a mysterious anthology with a collection of ghosts.

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about the pyramids – those heaps of stone that have<br />

endured for centuries after the names of the people for<br />

whom they were built have been forgotten. <strong>The</strong> Holocaust<br />

is its own homage to itself, a self-sustaining<br />

business monument, for which the Jew is infamous,<br />

that insures the immortality of my participation<br />

though my name be forgotten.<br />

11<br />

Bronislaw did not hate the individuals he helped massacre,<br />

no more than the pharaohs hated the stones that formed<br />

their tombs. How many Hebrews died layering the stones<br />

into place was of no consequence; they were the mechanism<br />

to get the job done. Bronislaw wrote of the capos:<br />

I watched them handle the carcasses like cut wood<br />

or stone fencing. Only the destination of these human<br />

building materials was not ascension toward heaven,<br />

but a descent into a deep pit.<br />

Men like Bronislaw come along once in a century, a halfman,<br />

half- animal who survive through force of will. I wondered<br />

how he escaped the Nuremburg witch-hunts, how he<br />

came to America, and how he remained free despite extradition<br />

and the Mossad. Perhaps he had proof of the Communist<br />

atrocities before the war. Every day I expected to see his<br />

name in the headlines, but he remains invisible.<br />

Shinholter’s name made headlines. Three young men, with<br />

shaved heads, strong hands and black boots kidnapped him,<br />

and took him to an unknown location where somebody surgically<br />

removed the muscles from his right leg, foot, and arm<br />

before dumping him at a hospital emergency room. <strong>The</strong> surgery<br />

had been performed with little anesthesia. Blindfolded<br />

and begging for mercy was the way the hospital staff described<br />

his initial arrival. Crippled for life was the way they<br />

described his prognosis. Dr. Brownislaw Sobieski had done<br />

well.

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