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Volume 23 Issue 4 - December 2017 / January 2018

In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.

In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.

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Q & A<br />

FINDING<br />

THE BALANCE<br />

PIANIST<br />

GEORGE LI<br />

PAUL ENNIS<br />

The 2015 International Tchaikovsky Competition<br />

produced a motherlode of talent, sparking concert<br />

careers by each of its top four prizewinners. This past<br />

March, Show One Productions brought gold medallist<br />

Dmitry Masleev to Koerner Hall; on February 4 they will<br />

complete the Koerner circle with George Li’s recital there.<br />

Boston-born Li – the son of Chinese immigrants – shared<br />

second place with Lithuanian-Russian pianist Lukas<br />

Geniušas, whom Show One presented in a memorable<br />

2016 Koerner Hall concert with fourth-place winner<br />

Lucas Debargue of France.<br />

A student of English Literature at Harvard now in his fourth year,<br />

Li explained in an email exchange with me in mid-November that<br />

his non-musical studies have affected his approach and led to a<br />

deeper understanding of the music he plays, echoing what he told the<br />

Harvard Gazette in September 2016: “With music, there’s a balancing<br />

of different qualities and you have to have control and finesse and<br />

technique. There’s always a fine line between too much control and<br />

technique with being overly emotional, overindulgent. With literature,<br />

it’s not always an outpouring of emotion. It never goes overboard. It’s<br />

on the cusp of going overboard, but it never does.”<br />

Elsewhere in this issue in his Editor’s Corner, DISCoveries editor<br />

David Olds calls Li a “fabulous young performer” in his review of Li’s<br />

debut CD, Live at the Mariinsky.<br />

WN: How important a role did music play in your home<br />

growing up?<br />

GL: It was definitely a big part of my life ever since I was little. I was<br />

always surrounded by music, whether it be listening to the classical<br />

CANZONA<br />

THE MUSIC SPEAKS<br />

SUN DEC 3 - ISLAND |<br />

MON DEC 4 - CITY<br />

A collaboration of musicians<br />

from the Toronto Symphony<br />

Orchestra and the National<br />

Arts Centre Orchestra.<br />

Mendelssohn’s miraculous<br />

String Octet in E Flat Major<br />

Opus 20 and Brahms’s first<br />

string sextet, Opus 18.<br />

SAT JAN 27 - CITY |<br />

SUN JAN 28 - ISLAND<br />

TRIO INK<br />

Yosuke Kawasaki, violin;<br />

Wolfram Koessel, cello; and<br />

Vadim Serebryany, piano;<br />

play works by Schumann,<br />

Brahms, and Shostakovich.<br />

<strong>2017</strong>-18<br />

CHAMBER MUSIC<br />

SERIES<br />

ON TORONTO<br />

ISLAND at St Andrew<br />

by the Lake Church:<br />

2pm, brunch at 12:30,<br />

by reservation.<br />

IN THE CITY<br />

at St. George the Martyr<br />

Anglican Church,<br />

197 John St., Toronto.<br />

7:30pm<br />

UPCOMING CONCERTS:<br />

FEB 25/26, MAR 18/19, APR 15/16, MAY 27/28<br />

SINGLE CONCERT TICKETS $25<br />

SEASON TICKETS $150<br />

With brunch (Island concerts only):<br />

$45 (single concert) $270 (season)<br />

reservations@canzona.org 416-822-0613<br />

SIMON FOWLER<br />

16 | <strong>December</strong> <strong>2017</strong> / <strong>January</strong> 18 thewholenote.com

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