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IFFI 2017 International Cinema Catalogue

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MASTER CLASS<br />

With Dangal Team<br />

furs'k frokjh<br />

furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996<br />

esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy ds lkFk&lkFk<br />

ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa<br />

mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds lkFk dqN le; ds fy, dke<br />

fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17<br />

o’kksZa rd viuh çfrHkk ls foKkiu txr esa igpku cuk ;hA bl nkSjku mUgksaus<br />

viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />

vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk<br />

c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ dks rhu jk"Vªh; iqjLdkj<br />

çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA<br />

mUgksaus naxy dk lg&ys[ku vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre<br />

fQ+Yeksa esa ls ,d jghA<br />

ih;w"k xqIrk<br />

ih;w"k xqIrk ,d iVdFkk ys[kd gSaA mUgksaus naxy] HkwrukFk fjVUlZ vkSj ,lds,Q<br />

ds fy, ,d fQ+Ye ¼vHkh “kh’kZd ugha½ dh iVdFkk fy[kh gSA mUgsa foKkiu ds<br />

{ks= esa nl o’kksZ dk vuqHko gSA og vius dke esa ekuo var–Zf"V dks lekfgr<br />

djus esa fo'okl djrs gaSA mudk ekuuk gS fd ukVd thou dk fgLlk gS] dsoy<br />

bls [kkstus dh vko';drk gSA dqN iVdFkk ys[kd tSls _f"kds'k eq[kthZ vkSj<br />

ekftn ethnh ls mUgsa çsj.kk feyrhs gSaA<br />

fuf[ky esgjks=k<br />

vius thou dk vf/kdka'k le; eqacbZ vkSj fcgkj esa jgus ds ckn fuf[ky viuk<br />

le; yksxksa dks] muds O;ogkj vkSj fofp= vkdfLed ?kVukvksa dks ns[kus esa<br />

fcrkrs gSaA yksx dSls ckrphr djrs gSa] dSls ,d nwljs ds dke esas fnypLih ysrs<br />

gSa & ,sls gh dqN vuqHkoksa dks vius dke ds ek/;e ls fn[kkrs gaSA ,d n'kd<br />

rd fuf[ky us foKkiuksa dks fy[kus ds fy, ekuo var–Zf"V dks ,d midj.k ds<br />

:i esa mi;ksx fd;k gS vkSj vc Qhpj fQYeksa dks fy[kus ds fy, dj jgs gaSA<br />

fuf[ky us naxy] HkwrukFk fjVUlZ] fdy fny vkSj bÙksQ+kd dh iVdFkk fy[kh gSA<br />

Nitesh Tiwari<br />

Nitesh Tiwari spent his childhood in various towns of Madhya<br />

Pradesh. While pursuing B-Tech in IIT Bombay, he represented<br />

the team in cricket and his contribution to dramatics in the<br />

institute got him the Dramatics Roll Of Honour. He spent 17<br />

years in advertising and he was the Chief Creative Officer of<br />

Leo Burnett India before becoming a full time director. During<br />

these years he and his team did many memorable campaigns<br />

and won numerous advertising awards, domestic as well as<br />

international. Tiwari started his journey in Bollywood with Chillar<br />

Party which went on to win three National Awards. His other<br />

films oinclude Dangal and Bhootnath Returns.<br />

Piyush Gupta<br />

Piyush Gupta is a screenwriter. The films he has written include<br />

Dangal, Bhoothnath Returns and an untitled film for SKF. With<br />

over ten years’ experience in advertising, he believes in adding<br />

human insights and observations to his work. He believes<br />

that drama is part of life, one only needs to find it. Hrishikesh<br />

Mukherjee and Majid Majidi are some of the screenwriters who<br />

inspire him.<br />

Nikhil Mehrotra<br />

Having lived most of his life in Mumbai and Bihar, Nikhil spends<br />

his time observing people, their behaviour, and quirks. He<br />

imitates how an uncle talks, what a neighbour is interested in.<br />

What looks like a way of having fun is also the greatest tool to<br />

his craft.The tool of human insights. For a decade, Nikhil has<br />

used insights to write advertising campaigns. And now he is<br />

using them to write feature films. Some of the films Nikhil has<br />

penned include Dangal, Bhootnath Returns, Kill Dil and Ittefaq.

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