IFFI 2017 International Cinema Catalogue
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MASTER CLASS<br />
With Dangal Team<br />
furs'k frokjh<br />
furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996<br />
esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy ds lkFk&lkFk<br />
ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa<br />
mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds lkFk dqN le; ds fy, dke<br />
fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17<br />
o’kksZa rd viuh çfrHkk ls foKkiu txr esa igpku cuk ;hA bl nkSjku mUgksaus<br />
viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />
vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk<br />
c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ dks rhu jk"Vªh; iqjLdkj<br />
çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA<br />
mUgksaus naxy dk lg&ys[ku vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre<br />
fQ+Yeksa esa ls ,d jghA<br />
ih;w"k xqIrk<br />
ih;w"k xqIrk ,d iVdFkk ys[kd gSaA mUgksaus naxy] HkwrukFk fjVUlZ vkSj ,lds,Q<br />
ds fy, ,d fQ+Ye ¼vHkh “kh’kZd ugha½ dh iVdFkk fy[kh gSA mUgsa foKkiu ds<br />
{ks= esa nl o’kksZ dk vuqHko gSA og vius dke esa ekuo var–Zf"V dks lekfgr<br />
djus esa fo'okl djrs gaSA mudk ekuuk gS fd ukVd thou dk fgLlk gS] dsoy<br />
bls [kkstus dh vko';drk gSA dqN iVdFkk ys[kd tSls _f"kds'k eq[kthZ vkSj<br />
ekftn ethnh ls mUgsa çsj.kk feyrhs gSaA<br />
fuf[ky esgjks=k<br />
vius thou dk vf/kdka'k le; eqacbZ vkSj fcgkj esa jgus ds ckn fuf[ky viuk<br />
le; yksxksa dks] muds O;ogkj vkSj fofp= vkdfLed ?kVukvksa dks ns[kus esa<br />
fcrkrs gSaA yksx dSls ckrphr djrs gSa] dSls ,d nwljs ds dke esas fnypLih ysrs<br />
gSa & ,sls gh dqN vuqHkoksa dks vius dke ds ek/;e ls fn[kkrs gaSA ,d n'kd<br />
rd fuf[ky us foKkiuksa dks fy[kus ds fy, ekuo var–Zf"V dks ,d midj.k ds<br />
:i esa mi;ksx fd;k gS vkSj vc Qhpj fQYeksa dks fy[kus ds fy, dj jgs gaSA<br />
fuf[ky us naxy] HkwrukFk fjVUlZ] fdy fny vkSj bÙksQ+kd dh iVdFkk fy[kh gSA<br />
Nitesh Tiwari<br />
Nitesh Tiwari spent his childhood in various towns of Madhya<br />
Pradesh. While pursuing B-Tech in IIT Bombay, he represented<br />
the team in cricket and his contribution to dramatics in the<br />
institute got him the Dramatics Roll Of Honour. He spent 17<br />
years in advertising and he was the Chief Creative Officer of<br />
Leo Burnett India before becoming a full time director. During<br />
these years he and his team did many memorable campaigns<br />
and won numerous advertising awards, domestic as well as<br />
international. Tiwari started his journey in Bollywood with Chillar<br />
Party which went on to win three National Awards. His other<br />
films oinclude Dangal and Bhootnath Returns.<br />
Piyush Gupta<br />
Piyush Gupta is a screenwriter. The films he has written include<br />
Dangal, Bhoothnath Returns and an untitled film for SKF. With<br />
over ten years’ experience in advertising, he believes in adding<br />
human insights and observations to his work. He believes<br />
that drama is part of life, one only needs to find it. Hrishikesh<br />
Mukherjee and Majid Majidi are some of the screenwriters who<br />
inspire him.<br />
Nikhil Mehrotra<br />
Having lived most of his life in Mumbai and Bihar, Nikhil spends<br />
his time observing people, their behaviour, and quirks. He<br />
imitates how an uncle talks, what a neighbour is interested in.<br />
What looks like a way of having fun is also the greatest tool to<br />
his craft.The tool of human insights. For a decade, Nikhil has<br />
used insights to write advertising campaigns. And now he is<br />
using them to write feature films. Some of the films Nikhil has<br />
penned include Dangal, Bhootnath Returns, Kill Dil and Ittefaq.