IFFI 2017 International Cinema Catalogue

17.11.2017 Views

MASTER CLASS Virtual Reality and Augmented Reality vkuan xka/kh vkuan xka/kh ,d fQYe fuekZrk vkSj m|eh gSa] tks n'kZu] fodkloknh euksfoKku] uokpkj vkSj Hkfo"; esa xgjh #fp j[krs gSaA mudh igyh Qhpj f”ki vkWQ+ Fkhfl;l VksjaVks varjkZ"Vªh; fQYe egksRlo esa çhfe;j gqbZ vkSj mls vkykspdksa vkSj n'kZdksa }kjk Hkkjr dh lokZf/kd egRoiw.kZ fQYe ds :i esa ekU;rk çkIr gqbZA bls loZJs’B fQ+Ye dk jk"Vªh; iqjLdkj vkSj varjkZ"Vªh; fQ+Ye lekjksgksa esa vusd iqjLdkj ÁkIr gq,A 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk dh tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA Hkkjr esa nSfud lksi vksisjk 'kSyh ds mn~Hko ds lkFk xka/kh dk ys[ku dSfj;j 2000 esa 'kq: gqvk FkkA mUgksaus D;wadh lkl Hkh dHkh cgw Fkh uked yksdfç; /kkjkokfgd ds 82 ,filksM ds laokn fy[ks vkSj dgkuh ?kj ?kj dh /kkjkokfgd dh iVdFkk fy[khA vkuan xka/kh us lqxa/kh] çR;apk] {k.kksRlo] uk vkSj tu'k=q ,dkadh ukVd fy[ksA mUgksaus xqtjkrh esa py fjolZ esa tk,a fy[kk ftls 2005 ds fy, VªkalfefM;k csLV Iys iqjLdkj feykA funsZ'kd ds :i esa mudh igyh fQ+Ye jkbV gs;j] jkbV ukvks vkSj nwljh fQYe dafVuqe [kq'kcq jadk ds lkFk lg&funsZf'kr FkhA Anand Gandhi Anand Gandhi is a filmmaker and entrepreneur deeply interested in philosophy, evolutionary psychology, innovation and the future. Ship of Theseus, his first feature, premiered at the Toronto International Film Festival in 2012 and has since been recognized as “the most significant film to come out of India in decades” by critics and audiences alike. It has won prizes at the international film festivals of London, Dubai, Mumbai, Transilvannia, Tokyo, and Hong Kong, and played at Rotterdam, Munich and Sydney, among others. It was presented the National Award in 2014. In November 2015, Anand founded Memesys Culture Lab. It is a cinema and new media studio at the intersection of science, philosophy and culture, and home to ElseVR, the first Virtual Reality studio in India. Gandhi’s writing career began in 2000. He wrote the dialogue for the first 82 episodes of a popular show called Kyunki Saas Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Kii, for which he wrote the screenplay, are the longest running TV shows in the history of Indian television. He moved away from his television career to write and direct critically acclaimed plays like Sugandhi, Pratyancha, Kshanotsav, Na and Janashtaru. Almost all his work has been produced for the alternative one-act theatre. He has written only one mainstream play, Chal Reverse Ma Jaiye, in Gujarati. It achieved moderate commercial success and won the Transmedia Best Play award for 2005. His film directorial debut, Right Here, Right Now (2003), a 30-minute film that deals with the idea of cyclic causality, achieved substantial critical acclaim. His second film Continuum (2006) was co-directed with Khushboo Ranka.

MASTER CLASS Filmmaker on Making Drama ,sVe Ãx¨,u ,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½ esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25 dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+ fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT; esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku] MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+ dukMkß ls lEekfur fd;k x;k gSA Atom Egoyan Atom Egoyan is one of Canada’s most celebrated arthouse directors. Exotica which won the FIPRESCI Prize at Cannes’94, was his international breakthrough film. The Sweet Hereafter, his most critically acclaimed film, received two Academy Award nominations. Ararat, about the Armenian genocide in the Turkish Ottoman Empire, centred on child survivor Arshile Gorky, went on to become the pioneer of American abstract expressionism. Where the Truth Lies, Adoration and The Captive, have all competed for the Palme d’Or in Cannes. Egoyan has also directed theatre and opera, including an adaptation of Samuel Beckett’s Eh Joe, winner of The Irish Times/ESB Award for Best Direction. He has directed awardwinning opera productions for the Canadian Opera Company and the Lincoln Center Festival, New York. Egoyan’s art installations have been presented at the Venice Biennale, his work, Steenbeckett, commissioned by the UK’s Artangel, is part of the permanent collection of the Tate. His films have been presented in several retrospectives across the globe, with complete career overviews in Paris, Madrid, New York and Brussels. Egoyan was knighted by the French government and is a Companion of the Order of Canada, the country’s highest honour.

MASTER CLASS<br />

Filmmaker on Making Drama<br />

,sVe Ãx¨,u<br />

,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />

bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />

lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />

esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />

dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />

fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />

gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />

leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />

esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />

ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />

bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />

MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />

fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />

iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />

vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />

çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />

dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />

vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />

VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />

x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />

dukMkß ls lEekfur fd;k x;k gSA<br />

Atom Egoyan<br />

Atom Egoyan is one of Canada’s most celebrated arthouse<br />

directors. Exotica which won the FIPRESCI Prize at Cannes’94,<br />

was his international breakthrough film. The Sweet Hereafter,<br />

his most critically acclaimed film, received two Academy<br />

Award nominations. Ararat, about the Armenian genocide in<br />

the Turkish Ottoman Empire, centred on child survivor Arshile<br />

Gorky, went on to become the pioneer of American abstract<br />

expressionism. Where the Truth Lies, Adoration and The<br />

Captive, have all competed for the Palme d’Or in Cannes.<br />

Egoyan has also directed theatre and opera, including an<br />

adaptation of Samuel Beckett’s Eh Joe, winner of The Irish<br />

Times/ESB Award for Best Direction. He has directed awardwinning<br />

opera productions for the Canadian Opera Company<br />

and the Lincoln Center Festival, New York. Egoyan’s art<br />

installations have been presented at the Venice Biennale,<br />

his work, Steenbeckett, commissioned by the UK’s Artangel,<br />

is part of the permanent collection of the Tate. His films have<br />

been presented in several retrospectives across the globe,<br />

with complete career overviews in Paris, Madrid, New York and<br />

Brussels. Egoyan was knighted by the French government and<br />

is a Companion of the Order of Canada, the country’s highest<br />

honour.

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