IFFI 2017 International Cinema Catalogue
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Beauty of the Day<br />
Belle de Jour<br />
France, Italy | 1967 | French, Spanish, Mongolian | 100 min | Colour<br />
Director Luis Buñuel<br />
Producer Raymond Hakim,Robert<br />
Hakim<br />
Screenplay Joseph Kessel, Luis<br />
Buñuel, Jean-Claude Carrière<br />
<strong>Cinema</strong>tographer Sacha Vierny<br />
Editor Louisette, Hautecoeur<br />
Sound Design Pierre Davoust, René<br />
Longuet<br />
Production Designer Robert Clavel<br />
Cast Catherine Deneuve, Jean Sorel,<br />
Michel Piccoli<br />
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ds fy, [kqn dks rS;kj ugha dj ikrhA ysfdu bldh<br />
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dke djus yxrh gS ysfdu viuh 'kknh dh ifo=rk<br />
dks cuk;s j[krh gSA<br />
Severine is a beautiful young woman<br />
married to a doctor. She loves her<br />
husband dearly, but cannot bring herself<br />
to be physically intimate with him. She<br />
indulges instead in vivid, kinky, erotic<br />
fantasies to whet her sexual desires.<br />
Eventually she becomes a prostitute,<br />
working in a brothel in the afternoons<br />
while remaining chaste in her marriage.<br />
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186 RESTORED CLASSICS<br />
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Luis Buñuel<br />
Luis Buñuel is a pioneer of surrealist cinema. His films<br />
Un Chien Andalou to That Obscure Object of Desire,<br />
explore the torment and complexity of sexual needs<br />
through uncompromising imagery. His work was derided<br />
with equal vehemence by the Catholic Church, Fascist<br />
Spain, and the Mexican Communist Party.