IFFI 2017 International Cinema Catalogue
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OFFICIAL CATALOGUE<br />
INTERNATIONAL<br />
CINEMA<br />
<strong>IFFI</strong> <strong>2017</strong><br />
Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />
48th <strong>International</strong> Film Festival of India, Goa<br />
uoEcj 20&28] <strong>2017</strong><br />
November 20―28, <strong>2017</strong><br />
lwpUkk v©j Álkj.k Eka«kkYk;] Òkjr ljdkj<br />
Ministry of Information and Broadcasting, Government of India
Festival Director Sunit Tandon<br />
Senior Programmer Deepika Suseelan<br />
Consulting Programmer and Festival Manager Sanjay Ram<br />
Film Programmer Anshuman Shekhar<br />
Festival Scheduler Prasad Khatu<br />
Programmer and EA to the Festival Director Prateek Rawat<br />
Assistant Film Programmer Chandrima Chatterjee<br />
Festival Coordinators Rajat Aggarwal, Jeevika Kalra<br />
Editor (English) Saibal Chatterjee<br />
Editor (Hindi) Manju Khanna, Dr. Usha Kataria<br />
Editorial Coordinator Chandrima Chatterjee<br />
Cover Design Jaspreet Matharu<br />
Creative Team<br />
Leena Khobragade<br />
Pooja Mohite<br />
Mayur Patel<br />
Ballori Roy Chowdhury<br />
Published by<br />
<strong>IFFI</strong> Secretariat<br />
Ministry of Information & Broadcasting<br />
Government of India<br />
Produced by Directorate of Advertising and Visual Publicity<br />
Printed at Paras Offset, New Delhi<br />
We are grateful to various film and festival publications/websites, the extracts from which have helped enrich this<br />
book. All views expressed in this publication are not necessarily those of the Editor or of the <strong>IFFI</strong> Secretariat.<br />
You can visit us at www.iffigoa.org
Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />
48th <strong>International</strong> Film Festival of India, Goa<br />
uoEcj 20&28] <strong>2017</strong><br />
November 20―28, <strong>2017</strong>
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PRESIDENT<br />
REPUBLIC OF INDIA<br />
MESSAGE<br />
I am happy to learn that the 48th edition of <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being<br />
organised from November 20-28, <strong>2017</strong> at Goa. <strong>IFFI</strong> promotes friendship and cooperation among<br />
countries by serving as a platform for filmmakers, academicians, actors, students and film enthusiasts<br />
from around the globe to connect, collaborate, exchange ideas and gain memorable experiences.<br />
Owing to the universal appeal of cinema, it can be used as one of the most powerful mediums to<br />
transcend boundaries, promote cultural exchange and encourage friendly ties among different nations<br />
by showcasing films that portray their social and cultural ethos. I extend my greetings and felicitations<br />
to all those associated with the 48th <strong>IFFI</strong>, <strong>2017</strong> and wish their endeavours every success.<br />
(Ram Nath Kovind)<br />
New Delhi<br />
November 7, <strong>2017</strong>
Hkkjr ds mi&jk"Vªifr<br />
Hkkjr x.kra=<br />
VICE PRESIDENT OF INDIA<br />
MESSAGE<br />
I am very glad that the 48 th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being organized from 20th<br />
- 28th of November, <strong>2017</strong>, in the beautiful beach state Goa.<br />
Being one of the strongest mediums of mass communication, cinema can have tremendous impact on<br />
society. It reflects on the ideological, cultural, socio-political and economic structures of a society, while<br />
enthralling audiences with their individual narratives.<br />
For the past four decades of its existence, <strong>IFFI</strong> has relentlessly been trying to treat its participants by<br />
showcasing films from around the world that shed light on the socio-cultural structures and dynamics<br />
of different societies.<br />
I take immense pleasure in welcoming all of you to this grand event and I extend my heartiest<br />
congratulations to the organizers of the festival.<br />
(Venkaiah Naidu)
Á/kkuea«kh<br />
PRIME MINISTER<br />
MESSAGE<br />
I am delighted to learn that the 48th Edition of the <strong>International</strong> Film Festival of India is being organized<br />
by the Ministry of Information and Broadcasting from 20th to 28th November, <strong>2017</strong> in Goa.<br />
Over the years, <strong>IFFI</strong> has become a prestigious event, drawing attention from all over the world. The<br />
beautiful state of Goa has become a perfect host for the film festival since the last many editions.<br />
India is home to a vibrant film industry. Films in several languages are gaining immense popularity across<br />
the nation and in many parts of the world. Several actors from India have distinguished themselves<br />
internationally through their work.<br />
I am certain that this edition of <strong>IFFI</strong> will also be an occasion to appreciate the rich cinematic culture of<br />
India. Best wishes to all the film lovers and organizers for the success of <strong>IFFI</strong>.<br />
(Narendra Modi)
MINISTER OF INFORMATION &<br />
BROADCASTING AND TEXTILES<br />
GOVERNMENT OF INDIA<br />
MESSAGE<br />
It is my esteemed privilege to welcome you all to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) to<br />
celebrate the creativity, vibrancy and influence of cinema in our lives.<br />
<strong>IFFI</strong>, since 1952, has provided the opportunity and platform to showcase brilliance and innovation in<br />
all aspects of film making. It has given India the necessary push to position itself globally as a creative<br />
soft power.<br />
Over the years, <strong>IFFI</strong> has captured the emerging contemporary trends of cinema from a global and<br />
Indian perspective. As a platform, it has always encouraged the participation of young film makers<br />
and creative geniuses. The 48th Edition of <strong>IFFI</strong> will be a new experience for all cinema lovers. The<br />
festival will attempt to weave the audiences and film makers through a narrative that combines culture,<br />
languages and the heritage of different nations.<br />
I am confident it will be an exhilarating experience to all.<br />
(Smriti Zubin Irani)
CHIEF MINISTER<br />
GOA<br />
MESSAGE<br />
I am delighted that the 48th <strong>International</strong> Film Festival is going to commence in our strikingly beautiful<br />
and picturesque state of Goa, on 20th November, <strong>2017</strong> and will continue till 28th November, <strong>2017</strong>.<br />
For the past 13 years, my state has been hosting the Festival. Our state has always been a favorite<br />
film location for Indian and international filmmakers. Since 2004, when <strong>IFFI</strong> was permanently moved to<br />
Goa, the Konkani / Goan film industry has seen remarkable growth in the quality and quantity of films<br />
produced, as <strong>IFFI</strong> has successfully implanted a taste for good cinema among our people. For them,<br />
cinema is no longer just a means of entertainment, but also a source to enhance their awareness and<br />
perspectives.<br />
Not only does <strong>IFFI</strong> provide lovers of cinema an opportunity to indulge into a cinematic fiesta for 9<br />
eventful days, it also provides them the opportunity to explore the rich culture, food, art and architecture<br />
of Goa. The special events organized by the Entertainment Society of Goa during the festival add<br />
colour to the festival.<br />
I take this opportunity to welcome all cinema lovers from around the country and the world to join us in<br />
celebrating one of the largest carnivals of cinema. I wish the Festival all the success.<br />
(Manohar Parrikar)
MINISTER OF STATE (I /C) YOUTH AFFAIRS<br />
& SPORTS AND MINISTER OF STATE<br />
INFORMATION & BROADCASTING<br />
GOVERNMENT OF INDIA<br />
MESSAGE<br />
I take this opportunity to welcome all film enthusiasts to the 48th <strong>International</strong> Film Festival of India,<br />
<strong>2017</strong>.<br />
The 9 day long Festival provides the largest platform in the country for filmmakers, technicians,<br />
students and film enthusiasts to showcase their talent and to exchange ideas of film making in context<br />
of different cultures.<br />
Every year we try to programme the best of cinema from across the country and the world. These<br />
include many insightful films that address issues of social and cultural concern and helps in developing<br />
understanding and empathy among societies and nations.<br />
The films screened during the festival enable conversations and debate and they also challenge and<br />
encourage us to image new possibilities in our engagement with the world around us.<br />
I am delighted to extend my warm greetings to all the participants and organisers of the Festival.<br />
(Col Rajyavardhan Rathore)
SECRETARY,<br />
MINISTRY OF INFORMATION & BROADCASTING<br />
GOVERNMENT OF INDIA<br />
MESSAGE<br />
I am extremely happy to welcome all of you to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) being<br />
held in Goa from 20th – 28th of November, <strong>2017</strong>.<br />
Over the years, <strong>IFFI</strong> has gained the reputation of being one of the most awaited events amongst<br />
cinema lovers from around the globe. Every year we try to enhance the quality of the Festival by taking<br />
new initiatives, showcasing the best of films and by conducting Master Classes, Panel Discussions,<br />
Seminars, Workshops and other special events that would help the participants to interact with the<br />
connoisseurs of cinema and to develop an insight into the art, craft and the technique of filmmaking.<br />
I am sure this year too <strong>IFFI</strong> will deliver an extremely diverse array of <strong>International</strong> and Indian Sections<br />
such as the <strong>International</strong> Competition, <strong>Cinema</strong> of the World, Retrospectives, BRICS Award-Winning<br />
films, Focus on Canada, Restored Classics, Homages, <strong>International</strong> Competition, and an Indian<br />
Panorama Section featuring the best of Indian <strong>Cinema</strong> produced in the past year.<br />
My special thanks to all the participants and the <strong>IFFI</strong> team for their contributions to making the Festival<br />
successful.<br />
(N K Sinha)
FESTIVAL DIRECTOR<br />
48 TH INTERNATIONAL FILM FESTIVAL OF INDIA<br />
MESSAGE<br />
Over the years, the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) has created a firm place for itself in the<br />
global Film Festival calendar. Organised under the aegis of the Ministry of Information & Broadcasting,<br />
Government of India, <strong>IFFI</strong> has become one of the most important Film Festivals in the Asian region.<br />
In this 48th edition of the Festival, we are delighted to be presenting a strong <strong>International</strong> and Indian<br />
film programme.<br />
This year, <strong>IFFI</strong> <strong>2017</strong> is proud to present the Lifetime Achievement Award to the prolific filmmaker, writer<br />
and director, Mr. Atom Egoyan, whose works have been viewed and loved the world over. <strong>IFFI</strong> is also<br />
elated to honour the legendary actor, Shri Amitabh Bachchan with the Indian Film Personality of the<br />
Year Award for his tremendous contribution to Indian and global cinema.<br />
The Festival is also delighted to open this year’s edition with renowned filmmaker Majid Majidi’s ‘Beyond<br />
The Clouds’ and close with the well-regarded filmmaker, Pablo César’s ‘Thinking of Him’. An Iranian<br />
Master makes his first film outside his own country and chooses to do so in India. An Argentinian<br />
director chooses to link his country with India through a bond between major literary figures of the two<br />
countries. Both the films reflect true Indo-international collaborations and the Make in India outlook:<br />
filmmakers from opposite ends of the earth coming to India, not only as an extraordinary location but<br />
also as an inspiring subject. What better way could there be of book-ending this truly <strong>International</strong> Film<br />
Festival, that is also truly Indian at heart?<br />
The Country Focus on Canada has been taken forward in association with Telefilm Canada and with<br />
collaboration from the Toronto <strong>International</strong> Film Festival. We also have a selection of films from the<br />
“Biennale College” of the Venice <strong>International</strong> Film Festival.<br />
We are confident that all of you will enjoy the carefully curated programme of the best of international<br />
and Indian films, many of which are being presented in the country for the first time, including some<br />
cinematic landmarks in the Restored Classics.<br />
Additionally, the Panel Discussions and Master Classes with industry and thought leaders form one of<br />
the core pillars of this year’s Festival.<br />
We also urge all of you to experience the Mixed Reality Sidebar which includes a special VR package<br />
put together for you, in addition to the various other new initiatives in this edition, aimed at “Celebrating<br />
the Future of <strong>Cinema</strong>”.<br />
On behalf of the entire team of <strong>IFFI</strong> <strong>2017</strong>, I wish you all a great Festival experience.<br />
(Sunit Tandon)
Contents
Contents<br />
<strong>IFFI</strong> Awards 17<br />
Lifetime Achievements Award 19<br />
Atom Egoyan Retrosprective 23<br />
Exotica 24<br />
The Sweet Hereafter 25<br />
Remember 26<br />
Indian Film Personality Of The Year 29<br />
<strong>International</strong> Competition Jury 31<br />
Muzaffar Ali (Jury Chairman) 31<br />
Maxine Williamson 32<br />
Roger Christian 32<br />
Tzahi Grad 33<br />
Vladislav Opelyants 33<br />
ICFT-UNESCO Gandhi Medal 34<br />
Opening Film 37<br />
Beyond The Clouds 38<br />
Closing Film 41<br />
Thinking Of Him 42<br />
<strong>International</strong> Competition 45<br />
Ana, Mon Amour 46<br />
Angels Wear White 47<br />
Beats Per Minute 48<br />
Blank 13 49<br />
Dark Skull 50<br />
Freedom 51<br />
The Great Buddha+ 52<br />
Kachcha Limbu 53<br />
A Man of Integrity 54<br />
Marionette 55<br />
Racer and the Jailbird 56<br />
Shuttle Life 57<br />
Still Night, Still Light 58<br />
Take Off 59<br />
Village Rockstars 60<br />
ICFT-UNESCO Gandhi Medal Films 61<br />
Amok 62<br />
Khibula 63<br />
Kshitij – A Horizon 64<br />
Manusangada 66<br />
Poorna 67<br />
Railway Children 68<br />
<strong>Cinema</strong> of the World 71<br />
3/4 (Three Quarters) 72<br />
9 Fingers 73<br />
Barrage 74<br />
Birds Without Names 75<br />
Black Level 76<br />
Bloody Milk 77<br />
The Boy with the Topknot 78<br />
The Breadwinner 79<br />
Breath 80<br />
The Cakemaker 81<br />
Candelaria 82<br />
Children Of The Night 83<br />
A Ciambra 84<br />
Close-Knit 85<br />
Closeness 86<br />
Daybreak 87<br />
Disappearance 88<br />
El Inca 89<br />
Elon Doesn’t Believe In Death 90<br />
Euthanizer 91<br />
A Fantastic Woman 92<br />
Father And Son 93<br />
Félicité 94<br />
Final Portrait 95<br />
Frost 96<br />
A Gentle Creature 97<br />
Her Love Boils Bathwater 98<br />
High Noon Story 99<br />
Hostages 100<br />
The House by the Sea 101<br />
I Dream in Another Language 102<br />
In Blue 103<br />
Insyriated 104<br />
The Journey 105<br />
Let the Sunshine In 106<br />
Life Beyond Me 107<br />
Light Up! 108<br />
Love Me Not 109<br />
Loveless 110<br />
M 111
Mrs. Hyde 112<br />
Marlina the Murderer in Four Acts 113<br />
Men Don’t Cry 114<br />
The Midwife 115<br />
Montparnasse Bienvenue 116<br />
Mother! 117<br />
Murder on the Orient Express 118<br />
The Nile Hilton Incident 119<br />
No Bed of Roses 120<br />
No Date No Sign 121<br />
On Body And Soul 122<br />
Once Upon A Time 123<br />
The Other Side of Hope 124<br />
Park 125<br />
The Party 126<br />
Pomegranate Orchard 127<br />
Pop Aye 128<br />
Radiance 129<br />
Razzia 130<br />
The Reconciliation 131<br />
Redoubtable 132<br />
Requiem For Mrs. J 133<br />
Scaffolding 134<br />
Scary Mother 135<br />
The Secret Ingredient 136<br />
Shelter 137<br />
A Sort of Family 138<br />
Spoor 139<br />
The Square 140<br />
The Strange Ones 141<br />
Summer 1993 142<br />
Sweet Country 143<br />
Uma 144<br />
Union Leader 145<br />
Until the Birds Return 146<br />
Unwanted 147<br />
Wajib 148<br />
Western 149<br />
Wonderstruck 150<br />
The Wound 151<br />
The Young Karl Marx 152<br />
Zer 153<br />
Country Focus - Canada 155<br />
Allure 156<br />
Closet Monster 157<br />
Don’t Talk to Irene 158<br />
Eye on Juliet 159<br />
Meditation Park 160<br />
Old Stone 161<br />
Ravenous 162<br />
The Stairs 163<br />
BRICS Film Festival Award Winners 165<br />
Ayanda 166<br />
Nise: The Heart of Madness 167<br />
Panfilov’s 28 168<br />
The Second Mother 169<br />
Soulmate 170<br />
Turtle 171<br />
Where Has Time Gone? 172<br />
James Bond Retrospective 175<br />
Dr. No 176<br />
Golden Eye 177<br />
Goldfinger 178<br />
Licence to Kill 179<br />
Octopussy 180<br />
On her Majesty’s Secret Service 181<br />
Skyfall 182<br />
The Spy who Loved Me 183<br />
The World is not Enough 184<br />
Restored Classics 185<br />
Beauty of the Day 186<br />
Flavour of Green Tea over Rice 187<br />
The Ruins 188<br />
The Lodger 189<br />
Metropolis 190<br />
The Old Dark House 191<br />
The Sacrifice 192<br />
Two or Three Things I Know about Her 193<br />
New Initiative 195<br />
Ears 202<br />
Hotel Salvation 203<br />
The Solitude 204<br />
One Sister 205<br />
Master Class and Panel Discussion 207<br />
Acknowledgements 230
48th <strong>IFFI</strong> Awards<br />
Best Film<br />
The award carries a cash prize of `40,00,000/- to be shared equally<br />
between the Director and the Producer. The Director is to be given<br />
the Golden Peacock Award and a Certificate in addition to the cash component.<br />
The Producer is to be given a Certificate in addition to the cash component.<br />
Best Director<br />
The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/-<br />
Best Actor (Male)<br />
The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />
Best Actor (Female)<br />
The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />
Special Jury Award<br />
The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/- given to a film<br />
(for any aspect of the film which the jury wishes to award/acknowledge) or an individual (for his/her<br />
artistic contribution to a film). The award, if given, will be given to the Director.<br />
Lifetime Achievement Award<br />
The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and a scroll is conferred<br />
upon a master filmmaker for his/her outstanding contribution to cinema.<br />
Indian Film Personality of the Year Award<br />
The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and Medal (Silver Peacock) is<br />
conferred upon an Indian Film Personality for his/her outstanding contribution to Indian cinema.<br />
Award for the Best Debut Feature Film of a Director<br />
Silver Peacock, a Certificate and a cash prize of `10,00,000/-, (To be given to a director for his/her feature film<br />
to recognize and encourage the most promising new directorial talent in world cinema.)
Atom Egoyan<br />
Lifetime Achievement Award<br />
ATOM EGOYAN RETROSPECTIVE
flusek esa vkthou ;ksxnku ds fy, iqjLdkj<br />
Lifetime Achievement Award<br />
,sVe Ãx¨,u<br />
Atom Egoyan<br />
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bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />
lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />
esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />
dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />
fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />
gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />
leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />
esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />
ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />
bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />
MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />
fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />
iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />
vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />
çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />
dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />
vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />
VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />
x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />
dukMkß ls lEekfur fd;k x;k gSA<br />
Atom Egoyan is one of Canada’s most celebrated arthouse<br />
directors. Exotica, which won the FIPRESCI Prize at<br />
Cannes’94, was his international breakthrough film. The<br />
Sweet Hereafter, his most critically acclaimed film, received<br />
two Academy Award nominations. Ararat, about the Armenian<br />
genocide in the Turkish Ottoman Empire, centred on child<br />
survivor Arshile Gorky, who went on to become the pioneer<br />
of American abstract expressionism. Where the Truth Lies,<br />
Adoration and The Captive have all competed for the Palme<br />
d’Or in Cannes. Egoyan has also directed theatre and opera,<br />
including an adaptation of Samuel Beckett’s Eh Joe, winner of<br />
The Irish Times/ESB Award for Best Direction. He has directed<br />
award-winning opera productions for the Canadian Opera<br />
Company and the Lincoln Center Festival, New York. Egoyan’s<br />
art installations have been presented at the Venice Biennale.<br />
His work, Steenbeckett, commissioned by the UK’s Artangel,<br />
is part of the permanent collection of the Tate. His films have<br />
been presented in several retrospectives across the globe, with<br />
complete career overviews in Paris, Madrid, New York and<br />
Brussels. Egoyan was knighted by the French government and<br />
is a Companion of the Order of Canada, the country’s highest<br />
honour.<br />
LIFETIME ACHIEVEMENT AWARD<br />
21
Atom Egoyan<br />
Retrospective<br />
A presentation of some of<br />
Atom Egoyan’s<br />
most iconic works<br />
ATOM EGOYAN RETROSPECTIVE<br />
23
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Exotica<br />
1994 | Canada | English | Colour | 103 minutes<br />
Director Atom Egoyan<br />
Producer Atom Egoyan,<br />
Camelia Frieberg<br />
Screenplay Atom Egoyan<br />
<strong>Cinema</strong>tographer Paul Sarossy<br />
Editor Susan Shipton<br />
Production Designer Linda Del<br />
Rosario, Richard Paris<br />
Sound Designer Steve Munro<br />
Cast Bruce Greenwood, Mia Kirshner,<br />
Don McKellar, Arsinée Khanjian,<br />
Elias Koteas<br />
,Dt+ksfVdk Dyc esa fØfLVuk ¼fe;k fdj”usj½<br />
lokZf/kd yksdfç; urZdh gSA<br />
gj jkr mlds ikl ,d mnklhu tquwuh ys[kk<br />
ijh{kd Ý+kafll ¼czwl xzhuoqM½ vkrk gSA<br />
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,fjd ¼,fy;kl dksfj;kl½ vHkh Hkh mldss fy,<br />
ykykf;r gS ij bZ’;kZ djrk gSSA Dyc dh ekyfdu<br />
t+ks ¼vjfluh [kkfUt;u½ ds lkFk ,fjd dk fj”rk<br />
,d vyx leL;k gS] tks mldss cPps dh eka cuus<br />
okyh gSA<br />
In the upscale Canadian strip club<br />
Exotica, Christina (Mia Kirshner) is the<br />
most popular dancer, and she’s visited<br />
nightly by the obsessive Francis (Bruce<br />
Greenwood), a depressed tax auditor.<br />
Meanwhile, her ex-boyfriend, the club’s<br />
MC, Eric (Elias Koreas), still jealously<br />
pines for her, even as he introduces<br />
her onstage. Eric is having his own<br />
relationship problems with the club’s<br />
owner, Zoe (Arsinée Khanjian), who is<br />
intent on becoming pregnant with his<br />
child.<br />
Sales agent Ego Film Arts<br />
• info@egofilmarts.com.<br />
24 ATOM EGOYAN RETROSPECTIVE
n LohV gsvjvk+Vj<br />
The Sweet Hereafter<br />
1997 | Canada | English | Colour | 112 minutes<br />
Director Atom Egoyan<br />
Producer Atom Egoyan,<br />
Camelia Frieberg<br />
Screenplay Atom Egoyan<br />
<strong>Cinema</strong>tographer Paul Sarossy<br />
Editor Susan Shipton<br />
Production Designer Phillip Barker<br />
Cast Maury Chaykin, Peter Donaldson,<br />
Bruce Greenwood, David Hemblem,<br />
Brooke Johnson, Arsinée Khanjian,<br />
Sarah Polley, Gabrielle Rose,<br />
Alberta Watson<br />
;g ,d NksVs “kgj ds fuokfl;ksa dk =klnh ds ckn<br />
,dtqV gks tkus dh dgkuh gSA ysfdu ,d cM+s<br />
“kgj dk odhy vius cqjs bjknksa vkSj fopkjksa ls<br />
uxjokflvksa esa QwV Mkydj muds xqLls dks c
fjesEcj<br />
Remember<br />
2015 | Canada | English, German | Colour | 94 minutes<br />
Director Atom Egoyan<br />
Producer Robert Lantos, Ari Lantos<br />
Screenplay Benjamin August<br />
<strong>Cinema</strong>tographer Paul Sarossy<br />
Editor Christopher Donaldson<br />
Cast Christopher Plummer, Bruno<br />
Ganz, Jürgen Prochnow, Heinz Lieven,<br />
Henry Czerny, Dean Norris,<br />
Martin Landau<br />
Sales agent IM Global<br />
• info@imglobalfilm.com.<br />
fjesEcj t+so dh ledkyhu dgkuh gSA t+so dks irk<br />
yxrk gS fd 70 lky igys mlds ifjokj dh gR;k<br />
djus okyk ukth xkMZ igpku cny dj vesfjdk esa<br />
jgrk gSA LokHkkfod pqukSfr;ksa ds ckotwn t+so nks’kh<br />
O;fä dks
Amitabh Bachchan<br />
Indian Film Personality<br />
of the Year Award
Indian Film Personality Of The Year<br />
vferkÒ cPpu<br />
Amitabh Bachchan<br />
vferkHk cPpu Hkkjr ds lokZf/kd ÁfrHkk”kkyh vfHkusrkvksa esa ls ,d gSaA ikaposa<br />
n”kd ls Hkkjrh; flusek esa vius ;ksxnku ls ,d lnkcgkj vfHkusrk ds :i esa<br />
mUgksaus dbZ ehy ds iRFkj gkfly fd, gSaA fganh fQYeksa esa “kq#vkrh Hkwfedkvksa<br />
esas mudh Nfo ,d ß,axzh ;axeSuß dh cu xbZ FkhA 1970 vkSj 1980 ds n”kd<br />
dh vf/kdka”k fQ+Yesa vferkHk ij dsafær jghaA mUgksaus 1969 esa lkr fganqLrkuh<br />
ds lkFk flusek ds {ks= esa dne j[kk vkSj mudh vkuan] ued gjke] tathj]<br />
f=’kwy] M‚u] uVojyky] lqgkx] n xzsV xsEcyj] dkfy;k] flyflyk vkSj “kfä<br />
vius le; dh lQyre fQ+Yesa jghaA 1984 esa og jktuhfr esa lfØ; gq, vkSj<br />
bykgkckn ls lkaln pqus x, fdarq viuk dk;Zdky iwjk gksus ls igys gh mUgksaus<br />
R;kxi= ns fn;kA vferkHk cPpu dks vfXuiFk] CySd] ik vkSj ihdw esas mRd`’V<br />
vfHku; ds fy, pkj ckj jk’Vªh; iqjLdkj ls lEekfur fd;k tk pqdk gSA mUgsa<br />
2001 esa in~e Hkw’k.k vkSj 2015 esa in~e foHkw’k.k ls lEekfur fd;k x;kA ç”uksÙkjh<br />
dk;ZØe dkSu cusxk djksM+ifr dh estckuh ls mudh yksdfç;rk vkSj c
<strong>International</strong> Competition Jury<br />
eqt++Q+j vyh<br />
MUZAFFAR ALI (JURY CHAIRMAN)<br />
Hkkjrh; fQ+Yedkj<br />
eqt++Q+j vyh ,d lQy Hkkjrh; fQYe fuekZrk] Q+S”ku fMt+kbuj] dfo]<br />
dykdkj] laxhr çseh vkSj lkekftd dk;ZdrkZ gSaA os dksVokM+k ds “kkgh ifjokj<br />
ls gaSA xeu mudh igyh fQ+Ye FkhA mejko tku] mudh lQyre fQ+Ye jgh<br />
ftlds fy, vfHku=h js[kk dks loZJs’B vfHkus=h dk jk’Vªh; iqjLdkj Hkh çkIr<br />
gqvkA vkxeu vkSj tkafulkj budh vU; fQ+Yesa gSa] ftlesa mUgksaus vfHku; Hkh<br />
fd;k gSA eqt++Q+j vyh us 1990 esa viuh okLrqdkj iRuh ehjk vyh ds lkFk<br />
vo/k {ks= ds ijaijkxr f”kYi dks iquthZfor djus ds fy, varjkZ’Vªh; oL=<br />
czkaM ßdksVokM+kß dks LFkkfir fd;k vkSj mldk usr`Ro fd;kA eqt++Q+j vyh<br />
Áfro’kZ varjkZ’Vªh; lwQ+h lekjksg dk vk;kstu djrs gSaA bUgsa 2005 esa in~~eJh<br />
rFkk 2014 esa jktho xka/kh jk’Vªh; ln~Hkkouk iqjLdkj ls lEekfur fd;k x;kA<br />
Filmmaker, India<br />
Muzaffar Ali is an Indian filmmaker, fashion designer, poet,<br />
artist, music lover and social worker. He belongs to the royal<br />
house of Kotwara in India. He has had a successful career<br />
as a film producer and director. He made his debut in 1978<br />
with Gaman. It was followed by his most successful film to<br />
date, Umrao Jaan, which fetched Rekha the National Award<br />
for best actress. Ali’s other directorial credits are Aagaman<br />
and Jaanisaar, in which he also acted. Ali spearheads the<br />
international couture brand Kotwara, which he set up with his<br />
architect wife Meera Ali in 1990 to revive the traditional craft of<br />
the region of Awadh.
eSDlhu<br />
fofy;elu<br />
MAXINE<br />
WILLIAMSON<br />
egksRlo funsZ”kd] v‚LVªsfy;k<br />
eSDlhu fofy;elu fczlcsu baVjus”kuy fQ+Ye Q+sfLVoy<br />
dh funsZ”kd vkSj ,f”k;k ç”kkar flusek dhs ,d fo”ks’kK<br />
gaSA eSDlhu us dykRed fo”o flusek ds 10 o’kksZa rd<br />
lQ+y çn”kZu ,oa forj.k ds ckn 2007 esa ,f”k;k isflfQ+d<br />
LØhu iqjLdkj ¼,ih,l,½ czkaM dh LFkkiuk dhA pkj o’kksZa<br />
rd ,ih,l, ds vk;kstu ds ckn] og 2011 esa dykRed<br />
funsZ”kd vkSj 2013&2016 ls fQ+Ye funsZ”kd cu x;haA<br />
eSDlhu us vius ,ih,l, ds dk;Zdky es lHkh fu.kkZ;d<br />
eaMyksa dk xBu fd;k vkSj ykWMZ MsfoM iqêue] vlxj<br />
Q+jgnh] “;ke csusxy] fde Mksax&gks] “kckuk vkt+eh vkSj<br />
ukUlqu “kh vkfn tSls fnXxtksa ds lkFk dke fd;kA mUgksaus<br />
2007&2009 esa lh,u,u baVjus”kuy vkSj 2010&2011 esa<br />
,chlh usVodZ ij çlkfjr o`Ùkfp= J`a[kyk lhu ck; lhu<br />
dh fØ,fVo dkWaUVsaV ÁksM~;wlj jghaA<br />
eSDlhu 2013&2016 ls fczLcsu ,f”k;k ç”kkar fQYe lekjksg<br />
dh funsZ”kd jghaA eSDlhu pkj o”kZ ls ,arkY; fQ+Ye Q+ksje]<br />
rqdhZ ds fy, ,f”k;k isflfQ+d dh dUlYVsaV gSaA eSDlhu<br />
usViSd ¼usVodZ Q+kWj n Áeks”ku vkWQ+ ,f”k;u flusek½ vkSj<br />
,ih,u ¼,f”k;k çksMîwllZ usVodZ½ dh lnL; Hkh gSA<br />
esDlhu us DohalySaM ;wfuoflZVh v‚Q+ VsDuksy‚th ls fQ+Ye<br />
vkSj Vhoh çksMD”ku esa cSpyj v‚Q vkVZ~l fd;k gSA<br />
Festival Director, Australia<br />
Maxine has done significant work with APSA-Asia<br />
Pacific Screen Awards, where she established<br />
the rules and regulations, governance of the film<br />
competition and filmmaker network in 2007 and<br />
ran the competition for its 10 editions. Maxine<br />
became Artistic Director in 2011 and then Film<br />
Director after delivering its 10th anniversary<br />
edition in November 2016. During her time at<br />
APSA, Maxine worked with such luminary Jury<br />
Presidents as Lord David Puttnam, Asghar<br />
Fahardi, Shyam Benegal, Kim Dong-ho,<br />
Shabana Azmi and Nansun Shi. She was creative<br />
content producer on the documentary series<br />
Scene by Scene broadcast from 2007-2009 on<br />
CNN <strong>International</strong> and on ABC network during<br />
showcasing films and filmmakers of Asia Pacific<br />
to a global audience. She now consults to the<br />
APSA Academy and is Director of the Brisbane<br />
<strong>International</strong> Film Festival, the city’s premiere<br />
festival, delivering its 23rd edition this year.<br />
Maxine had previously directed the Brisbane<br />
Asia Pacific Film Festival. Maxine is Asia Pacific<br />
Consultant for the Antalya Film Forum, Turkey - a<br />
position she has held for four years. Maxine is<br />
a member of the APSA Academy; NETPAC and<br />
APN. She has served on numerous international<br />
juries including Berlin, Kerala, Asean Film<br />
Awards, Eurasia, Gothenburg, Fajr (Iran) and the<br />
Hanoi <strong>International</strong> Film Festival.<br />
jkstj fØf”p;u<br />
ROGER<br />
CHRISTIAN<br />
ÁksMD”ku fMtkbuj vkSj fQYe funsZ”kd] ;w-dsjkstj<br />
fØf”p;u ÁksMD”ku fMtkbuj vkSj fQ+Ye funsZ”kd<br />
ds :i esa Áfl) gaSA mUgsa LVkj oklZ ds lsV fMt+kbu ds<br />
fy, vdkneh iqjLdkj feykA mUgksauss fQ+Ye fuekZrk t‚tZ<br />
yqdkl ds lkFk fjVuZ vkWQ+ tsnh vkSj LVkj oklZ ,filksM 1<br />
& n QSaVe esul ij dke fd;kA mUgsa yqdkl ds ek/;e ls<br />
viuh igyh y?kq fQ+Ye CySd ,aty ds ys[ku vkSj funsZ”ku<br />
dk volj feykA fØfLV;u us fjMys Ld‚V dh ,fy;u esa<br />
dyk funsZ”ku ds fy, v‚Ldj ukekadu thrkA<br />
fØf”p;u dh nwljh y?kq fQ+Ye n M‚yj c‚Ve dks loZJs’B<br />
ukVdh; y?kq fQ+Ye dk vdkneh iqjLdkj vkSj ck+rk<br />
ukekadu feykA<br />
fØf”p;u us n lsaMj ¼,dsMeh v‚Q+ lkbal fQD”ku<br />
}kjk loZJs’B fQ+Ye ds fy, euksuhr½] Q+SaVslh] uksLVªkMkel]<br />
Q+kbuy dV ¼,pchvks çhfe;j fQ+Ye½] vaMjoYMZ]<br />
ekLVjekbaM~l dk funsZ”ku fd;kA<br />
VkbVu }kjk Ádkf”kr fØf”p;u dh vkRedFkk flusek<br />
vYdsfeLV esa muds ltZukRed ;ksxnku dks crkrh gSA<br />
Director and Production Designer, UK<br />
Roger Christian has had an extensive career as<br />
a production designer and film director. He won<br />
an Academy Award for set decoration on the<br />
original Star Wars, which began a long working<br />
collaboration with filmmaker George Lucas.<br />
Lucas subsequently tapped Christian to direct the<br />
second unit on Return of the Jedi and chose him<br />
to helm alongside him on Star Wars: Episode 1<br />
– The Phantom Menace. It was through Lucas<br />
that Christian got his first opportunity to direct<br />
a short film that he wrote, Black Angel, which<br />
accompanied the release of The Empire Strikes<br />
Back. Christian won an Oscar nomination for art<br />
direction in Ridley Scott’s Alien.<br />
<strong>Cinema</strong> Alchemist, Christian’s autobiography on<br />
his creative involvement making Star Wars, Alien<br />
and Black Angel, has been recently published by<br />
Titan. Christian’s second short film The Dollar<br />
Bottom won an Academy Award for best dramatic<br />
short film and a BAFTA nomination.<br />
His directing credits include The Sender,<br />
nominated for Best Film by the Academy of<br />
Science Fiction, Fantasy, and Horror Films;<br />
Nostradamus starring Julia Ormond, Tcheky<br />
Karyo, F Murray Abraham, Rutger Hauer and<br />
Amanda Plummer; Final Cut, The HBO premier<br />
movie, starring Sam Elliot, Matt Craven and<br />
Anne Ramsey; Underworld, starring Denis<br />
Leary, Joe Montagna, and Anabella Sciorra; and<br />
Masterminds, starring Patrick Stewart, Vincent<br />
Kartheiser and Brenda Fricker.
t+kgh xzkr<br />
TZAHI GRAD<br />
vfHkusrk vkSj funsZ”kd] bt+jkby<br />
,d lqÁfl) vfHkusrk] funsZ”kd vkSj ys[kd t+kgh xzkr dk<br />
tUe ;:”kyse esa gqvkA fulku usfVo ,fDVax LVqfM;ks ds<br />
Lukrd xzkr us 1991 ls dbZ ukVdksa] fQ+Yeksa vkSj Vsyhfotu<br />
J`a[kykvksa esa vfHku; fd;kA<br />
vfHku; ds vfrfjDr mUgksaus rhu Q+hpj fQ+Yeksa dk ys[ku<br />
,oa funsZ”ku Hkh fd;kA bu rhuksa fQ+Yeksa dks bt+jk;yh<br />
vdkneh ls fofHkUu Jsf.k;ksa esa vusd ukekadu çkIr gq,A<br />
xzkr dh igyh fQ+Ye ft+jkQ+ ¼2001½ us ts#lye baVjus'kuy<br />
fQ+Ye QsfLVoy esa iVdFkk ds fy, iqjLdkj thrkA nwljh<br />
fQYe Q‚my tsLpj ¼2006½ dks gkbQ+k esa lokZsPp lEeku<br />
rFkk fQIjsLdh iqjLdkj vkSj fe;keh baVjus”kuy fQ+Ye<br />
QsfLVoy esa fo”ks’k mYys[k feykA<br />
rhljh fQ+Ye n dft+u ¼<strong>2017</strong>½ dk osful baVjus”kuy fQ+Ye<br />
QsfLVoy esa çhfe;j gqvk vkSj gkbQk baVjus”kuy fQ+Ye<br />
Qs+fLVoy esa loZJs’B vfHkusrk dk iqjLdkj Hkh feykA<br />
vfHku; dks tkjh j[krs gq, xzkr fQ+Ye fuekZ.k ij vf/kd<br />
/;ku dsafær dj jgs gSA orZeku esa ,gkn ,gkn ¼ou ck;<br />
ou@ihl ck; ihl½ ij dke dj jgs gSaA<br />
Actor, Director and Writer, Israel<br />
A well regarded Actor, Director and Writer, Tzahi<br />
Grad was born in Jerusalem.<br />
A graduate from the Nissan Nativ Acting Studio,<br />
he has participated in many plays, films and<br />
television series since 1991, gaining popularity<br />
as a widely popular actor in Israel. In addition<br />
to acting in numerous feature films, he has also<br />
directed a few theatre productions.<br />
Grad’s film The Cousin premiered at the<br />
Venice <strong>International</strong> Film Festival and bagged<br />
nominations from the Israeli Academy, and<br />
also won him the Best actor award at the Haifa<br />
international Film Festival.<br />
His film Foul Gesture also won major nominations<br />
from the Israeli Academy and top honors at the<br />
Haifa <strong>International</strong> Film Festival, in addition to<br />
the FIPRESCI award and special mention at the<br />
Miami <strong>International</strong> Film Festival. His other film<br />
Giraffes also garnered 14 nominations from the<br />
Israeli Academy and won Script Award at the<br />
Jerusalem <strong>International</strong> Film Festival among<br />
others.<br />
Grad continues acting, but is more focused on<br />
filmmaking. He is currently working on Ehad Ehad<br />
(one by one / piece by piece) initiative.<br />
OykfnLyko<br />
vksisy;saRl<br />
VLADISLAV<br />
OPELYANTS<br />
funsZ”kd Q+ksVksxzkQ+h] jf'k;k<br />
tuojh 1968 dks e‚Ldks esa tUes OykfnLyko vksisy;saRl :l<br />
ds lqçfl) Q+ksVksxzkQ+h funsZ”kdksa esa ls ,d gSaA mUgksaus 1992<br />
esa :lh LVsV ;wfuoflZVh v‚Q+ fluseSVksxzkQ+h ds pyfp=<br />
foHkkx ls Lukrd fd;kA OykfnLyko us dksdk&dksyk] isIlh<br />
vkSj usLdsQ+s lfgr 100 ls vf/kd O;kolkf;d ohfM;ks vkSj<br />
Áfl) jf”k;u ikWi ,oa jkWd xk;dksa ds fy, laxhr ohfM;ks<br />
“kwV fd,A Nk;kdkj ds :i esa xkfjd lqdkpso dh feMy<br />
ykbQ+ Økbfll mudh igyh fQ+Ye FkhA mUgksaus fufdrk<br />
fe[kkydkso dh cUVZ ck; n lu&2% ,DlksMl] cUVZ ck; n<br />
lu&2% flVkMsy vkSj luLVªksd ds Q+ksVksxzkQ+h funZs”kd ds<br />
:i esa dke fd;kA gky gh esa] mUgksaus jst+ks ftfXkussf”ofy<br />
dh gksLVtsl dk Nk;kadu fd;k ftldk <strong>2017</strong> cfyZu<br />
fQ+Ye egksRlo esa çhfe;j gqvk rFkk bZQ+h <strong>2017</strong> esa fn[kkbZ<br />
tk jgh gSA vksisy;saRl us fdfjy lsjsczsfudkso dh n LVqMsaV<br />
dk Nk;kadu fd;k tks 2016 esa dku fQ+Ye lekjksg esa<br />
çhfe;j gqbZA<br />
Director of Photography, Russia<br />
Vladislav Opelyants is one of Russia’s most<br />
celebrated Directors of Photography. Born in<br />
January 1968 in Moscow, he graduated from the<br />
Department of <strong>Cinema</strong>tography at the Russian<br />
State University of <strong>Cinema</strong>tography (workshop<br />
of Vladimir Yusov) in 1992. He has shot over<br />
100 commercial videos, with Coca-Cola, Pepsi<br />
and Nescafé, among others, as well as music<br />
videos for top Russian pop and rock singers<br />
like Alla Pugacheva, Zemphira and Mumy Troll.<br />
He made his wide screen debut with Garik<br />
Sukachev’s Middle Life Crisis. He worked as<br />
Director of Photography on the Nikita Mikhalkov<br />
films 2, Burnt by the Sun-2: Exodus, Burnt by<br />
the Sun-2: Citadel and Sunstroke. Most recently,<br />
he shot Rezo Gigieneshvili’s Hostages, which<br />
premiered at the <strong>2017</strong> Berlin Film Festival and is<br />
also being screened in <strong>IFFI</strong> as part of the <strong>Cinema</strong><br />
of the World section. Opelyants also shot Kirill<br />
Serebrennikov’s The Student, which premiered at<br />
the Cannes Film Festival in 2016.
ICFT-UNESCO<br />
Gandhi Medal<br />
The <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) <strong>2017</strong> in collaboration with the <strong>International</strong> Council<br />
for Film, Television and Audiovisual Communication (ICFT), Paris, will present a special ICFT prize<br />
consisting of the UNESCO Gandhi Medal awarded to a film which reflects the ideals promoted by<br />
UNESCO.<br />
Broad guidelines for the selection of the films<br />
• Have a strong ethical component<br />
• High aesthetic value<br />
• Exhibit artistic excellence in screenplay, in film technique and music<br />
• Attract a wide audience, especially among youth, whose view of media is distorted by violent<br />
imagery and showy techniques which are devoid of intelligent and critical discernment<br />
• Additionally include an educational component to cope with the flood of inappropriate<br />
imagery commonly marketed<br />
• Awareness of the role of the filmmaker confronting a declining society; because it is<br />
recognized that cinematographic and video images are much more powerful than any other<br />
means of communication<br />
About the UNESCO Gandhi Medal<br />
In 1994, UNESCO issued a commemorative medal marking the 125th anniversary of the birth of<br />
Mahatma Gandhi, India’s “Father of the Nation” and the world’s advocate of non-violence, peace<br />
and tolerance. The General Conference of one of the previous years had adopted a resolution calling<br />
for a series of activities around the “great world personality whose thought and creative modes of<br />
non-violent action have shaped socio-economic and political currents in the 20th century”.<br />
The medal bears a portrait of Gandhi engraved by the French artist Pierre-Yves Tŕemois. Etched<br />
underneath is the Mahatma’s message of hope: “In the midst of darkness light prevails”. The<br />
reverse side carries the UNESCO Logo.
Films competing for this prestigious award<br />
S. N. Film Country Director<br />
1 Amok Poland Kasia Adamik<br />
2 Khibula Georgia, Germany, France George Ovashvili<br />
3 Kshitij - A Horizon India Manoj Kadam<br />
4 The Last Painting Taiwan Hung-i Chen<br />
5 Manusangada India Amshan Kumar<br />
6 Poorna India Rahul Bose<br />
7 Railway Children India Prithvi Konanur<br />
8 Take-Off India Mahesh Narayanan<br />
9 Women Of The Weeping River UK, USA Sheron Dayoc
ICFT - UNESCO Jury<br />
Ambassador, Inoussa<br />
OUSSEINI and<br />
President of ICFT<br />
A film director and scenarist<br />
At present he is an Ambassador, Permanent Delegate of the Republic<br />
of Niger to UNESCO and President of the <strong>International</strong> Council for Film,<br />
Television and Audiovisual Communication (ICFT), official partner of<br />
UNESCO.<br />
A film director, producer and scenarist<br />
Costa GAVRAS,<br />
President of the French<br />
Cinémathèque<br />
President of the French National <strong>Cinema</strong>theque<br />
Awards: Oscars, Golden Bear (Berlin), Cesar (France), and Palme D’or<br />
(Cannes)<br />
Founder of film clubs, journalist and film critic<br />
Former President of FIPRESCI (<strong>International</strong> Federation of the Film Press).<br />
Jean ROY, former<br />
President of FIPRESCI<br />
Founder of film clubs, filmmaker<br />
Serge MICHEL,<br />
Vice-President of ICFT<br />
Vice-President of ICFT representing Unica - Union <strong>International</strong>e Du<br />
<strong>Cinema</strong> - (<strong>International</strong> <strong>Cinema</strong> Union)<br />
Lola POGGI GOUJON,<br />
Secretary-General of<br />
ICFT<br />
Engineer by training<br />
Former international civil servant at UNESCO, teacher<br />
Secretary-General of ICFT<br />
Georges DUPONT,<br />
Luxembourg National<br />
Commission for<br />
UNESCO<br />
Former research engineer (audiovisual) at the French Public Broadcasting<br />
Service, international civil servant at UNESCO, and teacher<br />
Member of the Luxembourg National Commission for UNESCO,<br />
representing the <strong>International</strong> Telecommunication Union (ITU) at UNESCO<br />
and Director General of ICFT
Opening<br />
Film<br />
An Iranian master’s first Indian<br />
foray is an extension on his<br />
cinematic beliefs, the roots of<br />
which lie in human values, love,<br />
friendship and family bonding.<br />
37 OPENING FILM
fc;kWUM n DykmM~l<br />
Beyond the Clouds<br />
India | <strong>2017</strong> | Hindi | 120 min | Colour<br />
Director Majid Majidi<br />
Producer Shareen Mantri Kedia,<br />
Kishor Arora, Zee Studios<br />
Screenplay Majid Majidi,<br />
Mehran Kashani<br />
<strong>Cinema</strong>tographer Anil Mehta<br />
Editor Hassan Hassandoost<br />
Music AR Rahman<br />
Sound Shajith Koyeri<br />
Production Designer Mansi Dhruv<br />
Mehta<br />
Cast Ishaan Khattar, Malavika<br />
Mohanan, Goutam Ghose, GV Sharada,<br />
Dhwani Rajesh, Amruta Santosh<br />
Thakur, Shivam Pujari<br />
Sales agent Zee Studios<br />
Vibha Chopra (<strong>International</strong> Distribution<br />
Head)<br />
• vibha.chopra@zee.esselgroup.com<br />
Bhumika Tewari (Domestic Distribution<br />
Head – Zee Studios)<br />
• Bhumika.tewari@zee.esselgroup.com<br />
eqacbZ dh >qXxh cLrh ds vkfej ;qok et+nwj dh<br />
ft+nxh MªXl dk /ka/kk dj eqlhcr esa Qals jguk<br />
gSA blds ckotwn og vius ifjokj dh deh cgqr<br />
eglwl djrk gSA ,d fnu MªXl dk HkaMkQksM+ gksus<br />
ij viuh ukjkt+ cgu rkjk ds ikl iagqp tkrk gSA<br />
rkjk vdsys jgrh gS vkSj iq#’k mls ijs”kku djrs<br />
jgrs gSaA HkkbZ&cgu lkFk jgus dk ç;kl djrs gSa]<br />
ysfdu gkfu vkSj fujk”kk ls f?kjk vrhr eqf”dysa<br />
cuk, j[krk gSA rkjk cykRdkj dk ç;kl djus okys<br />
,d vkneh dks yxHkx ekj nsrh gS] mls tsy gks<br />
tkrh gSA vpkud mls vkfej esa vk”kk dh fdj.k<br />
fn[kkbZ nsrh gSA vkfej cgu dks cpkus dh dksf”k”k<br />
djrk gSA<br />
Beyond The Clouds is a story of a brother<br />
and sister like Children of Heaven, with<br />
the difference being that the siblings are<br />
grown-ups and tackle greater conflicts<br />
against the backdrop of the bustling<br />
city of Mumbai. The film is a vindication<br />
of Majid Majid’s firm view that human<br />
emotions have no barriers of language<br />
and geography.<br />
The paths of two siblings collide, when<br />
on the run from the cops after a drug<br />
bust, Amir a 19 year old peddler from<br />
Mumbai finds solitude in his past - his<br />
estranged sister Tara, who in a bid<br />
to protect her brother lands up in jail<br />
herself. However, this catastrophic<br />
incident turns into a serendipitous one<br />
for Tara and Aamir, whose entire lives<br />
have been clouded by despair and<br />
disappointment, as unexpectedly the<br />
light shines on them, from beyond the<br />
clouds. The film highlights beautifully the<br />
many facets of India intertwined with a<br />
heartfelt celebration of love and family !<br />
Academy Award nominee, Majid Majidi, for the first time, sets a film in India and tells a story with universal<br />
resonance in an extention of a creative credo that defines his career.<br />
38 OPENING FILM
ethn ethnh<br />
ekftn ethnh dk tUe 17 vçSy 1959 dks rsgjku] bZjku esa gqvkA mUgksaus<br />
baLVhV~;wV vkWQ+ MªesfVd vkVZ] rsgjku ls dyk dk v/;;u fd;kA 1979 dh<br />
bLykfed Økafr ds ckn] flusek esa #fp tkx`r gksus ij mUgksaus fofHkUu fQYeksa]<br />
fo”ks’kdj c‚;d‚V vkSj rhjcju esa vfHku; fd;kA mUgksaus fQYe cnqd ds<br />
lkFk iVdFkkys[ku vkSj funsZ”ku “kq: fd;k tks dku lekjksg ds Mk;jsDVlZ<br />
Q+ksVZukbV esa fn[kk;h x;h vkSj rsgjku ds Q+tz fQ+Ye lekjksg esa iqjLd`r<br />
gqbZA rnqijkar mUgksaus dbZ mYys[kuh; fQYeksa dk ys[ku vkSj funsZ”ku fd;k<br />
ftUgsas nqfu;k Hkj esa ekU;rk çkIr gqbZA ethnh dh dyj v‚Q iSjkMkbt+] cju]<br />
csvjQ+qV Vw gsjkr] n foyks Vªh fo”o ds lekjksgksa esa fn[kk;h x;ha vkSj vusd<br />
iqjLdkjksa ls lEekfur gqbZaA budh lokZf/kd pfpZr fQ+Ye fpYMªu vkWQ+ gsou<br />
vkWLdj esa ukekafdr gqbZ FkhA<br />
Majid Majidi<br />
Majid Majidi was born on April 17, 1959 in Tehran, Iran. He<br />
started acting in amateur theatre groups at the age of 14.<br />
After receiving his high school diploma, he studied art at the<br />
Institute of Dramatic Art in Tehran. After the Islamic Revolution<br />
of 1979, his interest in cinema brought him to act in various<br />
films, notably Mohsen Makhmalbaf’s Boycott and Ali Azghar<br />
Shadaravan’s Teer baran. His feature film screenwriting and<br />
directing debut is marked by Baduk, which was presented at<br />
the Cannes Directors’ Fortnight and won awards at Tehran’s<br />
Fajr Film Festival. Since then, he has written and directed<br />
many noteworthy films that won worldwide recognition,<br />
notably Children of Heaven, winner of the Best Picture award<br />
at the Montreal <strong>International</strong> Film Festival and nominated for<br />
the Best Foreign Film at the Academy Awards, The Colour<br />
of Paradise, which also won the Best Picture award from<br />
Montreal <strong>International</strong> Film Festival and set a new record of<br />
box office for an Asian film, and Baran, which won several<br />
major awards worldwide, and received nomination for the<br />
European Film Academy Award. Majidi’s previous lauded film<br />
credits include Father, Song of Sparrows, Baran, The Color of<br />
Paradise. In 2001, during the Afghanistan anti-Taliban war, he<br />
produced Barefoot to Herat, an emotional documentary about<br />
Afghanistan’s refugee camps that won the Fipresci Award at<br />
Thessaloniki <strong>International</strong> Film Festival. Majid Majidi has also<br />
received the Douglas Sirk Award in 2001 and the Amici Vittorio<br />
de Sica Award in 2003. In 2005, he directed The Willow Tree<br />
about a blind man who falls in love with someone other than<br />
his wife when he gets the chance to see again. The film won<br />
four awards at the 2005 Fajr Film Festival in Tehran.<br />
OPENING FILM<br />
39
Closing<br />
Film<br />
Argentinian director Pablo Cesar’s<br />
exploration of a chapter in the life of<br />
Rabindranath Tagore<br />
CLOSING FILM
ÇFkÇdx vkWQ+ fge<br />
Thinking of Him<br />
Argentina, India | <strong>2017</strong> | Bengali, Spanish, English | 110 min | Colour, B & W<br />
Director Pablo César<br />
Producer Pablo Ballester,<br />
Debendra Jagadala, Suraj Kumar<br />
Screenplay Jernimo Toubes<br />
<strong>Cinema</strong>tographer Carlos Essmann<br />
Editor Liliana Nadal<br />
Sound Design Francisco Bissone,<br />
Gerardo Kalmar, Emiliano Monsegur<br />
Production Designer Emilio Basaldua,<br />
Vishnu Nishad<br />
Cast Victor Banerjee, Eleonora Wexler,<br />
Hector Bordoni, Raima Sen<br />
Sales agent Suraj Kumar<br />
• ipknh.dd@gmail.com<br />
le; ds lkFk nks dgkfu;ka ,d nwljs ls feyrh<br />
gSaA orZeku esa ca/kd dsaæ esa Hkwxksy v/;kid<br />
Q+sfyDl dks vpkud caxkyh dfo jchaæukFk VSxksj<br />
}kjk fyf[kr ,d iqLrd feyrh gS tks mls pfdr<br />
dj nsrh gSA vrhr esa jchaæukFk VSxksj vtsaZVhuk<br />
vkrs gSa vkSj ysf[kdk foDVksfj;k vksdaiks ds vfrfFk<br />
curs gSaA nksuksa lkaL—frd gfLr;ksa ds chp ,slk<br />
fj”rk cu tkrk gS fd foDVksfj;k VSxksj dh<br />
Ásj.kk cu tkrh gSA Hkkjrh; dfo vkSj vtsaZVhuh<br />
ys[kd dh dgkuh ls ÁHkkfor Q+sfyDl mu ckSf)d<br />
vkSj vk/;kfRed fopkjksa dks tku ikrk gS] tks Hkkjr<br />
esa VSxksj ds Økafrdkjh fo|ky; dh LFkkiuk dk<br />
vk/kkj cusA Q+sfyDl Hkkjr dh ;k=k vkSj mu f”k{k.k<br />
fof/k;ksa dk vuqHko djus dk fu.kZ; djrk gS ftudk<br />
VSxksj us lkjh ekuo tkfr ds fy, liuk ns[kk FkkA<br />
Two stories intertwine over time. In the<br />
present, Felix, who teaches Geography<br />
in a detention centre, stumbles upon<br />
a book that dazzles him. In the past,<br />
Rabindranath Tagore, Bengali poet and<br />
author of the book that has come to Felix,<br />
arrives in Argentina and is hosted by<br />
writer Victoria Ocampo. A deep, platonic<br />
bond develops between the two cultural<br />
figures and Victoria becomes Tagore’s<br />
distant muse. While Felix is increasingly<br />
obsessed with the story of the Indian poet<br />
and the Argentinian writer, he gains an<br />
insight into the intellectual and spiritual<br />
notions on which Tagore’s revolutionary<br />
school in India was founded. Felix<br />
decides to visit India and experience<br />
for himself the teaching methods that<br />
Tagore dreamed of for all mankind.<br />
42 CLOSING FILM
ikCyks lht+j<br />
ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og<br />
vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd gSaA ikCyks us Ng<br />
lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj<br />
eqfær fd;kA 1975 esa muds cM+s HkkbZ us mUgsa ,d ohfM;ks dSejk fn;k mUgksaus<br />
ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ<br />
vkSj mldh iVdFkk Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa<br />
cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA<br />
ikCyks vusd varjkZ’Vªh; fQ+Ye lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds<br />
gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og<br />
vtsaZVhuk vkSj Vîwuhf”k;k ¼bfDoukssfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr<br />
¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu v‚Q+<br />
ij;wEl] 1998½ ds chp fQYe lg&çksMD”kal ds vxz.kh FksA ;s rhuksa fQYesa mu<br />
ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa fQ+Yek;k x;k FkkA<br />
tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa<br />
ds fy, Áfl) gSaA<br />
Pablo César<br />
At the age of six he began to project comics, at 10 he wrote and<br />
printed his first bulletin that he sold at the Champagnat School<br />
where he was studying and in nearby kiosks. In 1975, his older<br />
brother gave him a video camera that he used intensively and two<br />
years later he scripted and made his first short film of 7 minutes,<br />
followed by others. In 1980, for his short film Del genesis, he<br />
was awarded the first prize in the “Experimental” category in the<br />
contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />
mention for Best Editing and Third Prize (without category) in the<br />
contest of the Circle of Filmmakers Marplatenses and a Special<br />
Mention of UNCIPAR. For his film De los caras de los espejos,<br />
Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />
Union in 1983. He was a jury at the festivals of Amiens (France),<br />
Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />
(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa<br />
Carlos Paz and Buenos Aires. Since 1992 he is a professor at the<br />
Universidad del Cine de Buenos Aires. He was a pioneer in film<br />
co-productions between Argentina and Tunisia (Equinoccio, The<br />
Garden of Roses, 1991), India (Unicorn, The Garden of Fruits,<br />
1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />
These three films were mostly based on folk myths from each of<br />
the countries where they were filmed.<br />
CLOSING FILM<br />
43
<strong>International</strong><br />
Competition<br />
15 films from across the globe<br />
compete for the prestigious<br />
Golden and Silver Peacocks<br />
INTERNATIONAL COMPETITION
vuk] eksu veksj<br />
Ana, Mon Amour<br />
✪ INDIA PREMIERE<br />
Romania, Germany, France | 2016 | Romanian | 130 min | Colour<br />
Director Cãlin Peter Netzer<br />
Producer Cãlin Peter Netzer,<br />
Oana Iancu<br />
Screenplay Cãlin Peter Netzer,<br />
Cezar Paul-Badescu, Iulia Lumânare<br />
<strong>Cinema</strong>tographer Andrei Butica<br />
Editor Dana Bunescu<br />
Sound Design Dana Bunescu<br />
Production Designer Mihaela Poenaru<br />
Cast Mircea Postelnicu, Diana<br />
Cavallioti, Adrian Titieni, Vasile Muraru<br />
Sales agent Beta <strong>Cinema</strong><br />
• Cosima.Finkbeiner@betacinema.com<br />
rksek vkSj vuk fo'ofo|ky; esa lkfgR; dh iu dks lqy>kus dh dksf”k”k djrk<br />
gS fd vc rd og fdl coaMj ls xqt+j jgk FkkA<br />
Toma meets Ana while they are both<br />
studying literature at a university. Ana<br />
has a neurotic disorder and suffers<br />
from panic attacks. Toma follows her to<br />
every dark corner she ends up in, he<br />
fights his parents when they reject her,<br />
he accepts being a father and marries<br />
her, he becomes her babysitter, her<br />
driver, her everything. Toma appears to<br />
be in control of the couple’s relationship,<br />
when in fact he just gravitates around a<br />
woman he cannot understand, pushing<br />
his endurance to the limit, trying to save<br />
her. When Ana overcomes her fears and<br />
becomes adapted to the outside world,<br />
Toma remains alone, trying to put the<br />
pieces of the puzzle together, striving<br />
to understand the whirlwind that he has<br />
gone through.<br />
dSfyu ihVj usRt+j<br />
dSfyu ihVj usRt+j dh igyh fQ+Ye ekfj;k vkSj nwljh fQ+Ye esMy<br />
v‚Q+ v‚uj foÜo ds vusd fQ+Ye lekjksgksa esa fn[kk;h x;ha vkSj<br />
iqjLd`r Hkh gqbaZA ,d vU; fQ+Ye pkbYM~l ikst+ cfyZu xksYMu fc;j<br />
thrus okyh ,dek= jksekfu;u fQ+Ye gSA uohure fQ+Ye vuk] eksu<br />
veksj cfyZu fQ+Ye lekjksg esa p;fur gqbaZA<br />
Cãlin Peter Netzer<br />
Cãlin Peter Netzer’s first feature film Maria won awards<br />
in Locarno and was nominated for the EFA Awards.<br />
His second feature, Medal of Honor, was selected in<br />
more than 30 festivals. Child’s Pose became the only<br />
Romanian film to win the Berlin Golden Bear.<br />
46 INTERNATIONAL COMPETITION
,aftYl fo;j OgkbV<br />
Angels Wear White<br />
✪ INDIA PREMIERE<br />
China | <strong>2017</strong> | Mandarin | 107 min | Colour<br />
Director Vivian Qu<br />
Producer Sean Chen<br />
Screenplay Vivian Qu<br />
<strong>Cinema</strong>tographer Benoit Dervaux<br />
Editor Yang Hongyu<br />
Sound Design Zhang Yang<br />
Production Designer<br />
Cast Wen Qi, Zhou Meijun, Shi Ke,<br />
Geng Le, Liu Weiwei. Peng Jing,<br />
Wang Yuexin, Li Mengnan<br />
Sales agent Wild Bunch<br />
• edevos@wildbunch.eu<br />
,d eksVy esa nks Ldwyh yM+fd;ksa ds lkFk e/;&vk;q<br />
oxhZ; O;fä ds }kjk nqO;Zogkj fd;k tkrk gSA ml<br />
jkr fjlsI'ku ij dke djus okyh fe;k bldh<br />
,dek= lk{kh gS] ysfdu ukSdjh [kks tkus ds Mj ls<br />
og pqi jgrh gSA ckgj dh nqfUk¸kk cgqr vlqjf{kr gS<br />
ihfM+rksa esa ls ,d 12 o"khZ; osu vkSj fe;k dks bl<br />
nq'pØ ls fudyus dk ekxZ Lo;a gh
chV~l ij feuV<br />
Beats Per Minute<br />
120 Battements Par Minute<br />
France | <strong>2017</strong> | French | 144 min | Colour<br />
Director Robin Campillo<br />
Producer Hugues Charbonneau,<br />
Marie-Ange Luciani<br />
Screenplay Philippe Mangeot,<br />
Robin Campillo<br />
<strong>Cinema</strong>tographer Jeanne Lapoirie<br />
Editor Robin Campillo, Anita Roth,<br />
Stephanie Leger<br />
Sound Design Julien Sicart,<br />
Valérie Deloof, Jean - Pierre Laforce<br />
Production Designer Emanuelle<br />
Duplay<br />
Cast Nahuel Pérez Biscayart,<br />
Arnaud Valois, Adèle Haenel<br />
Sales agent Films Distribution<br />
• joris@playtime.group<br />
1990 ds n”kd ds esa isfjl esa dk;ZdrkZvksa dk ,d<br />
lewg ,pvkbZoh@,M~l xzLr yksxksa ds fy, lqLr<br />
ljdkjh ,tsafl;ksa vkSj Q+kekZL;qfVdy daifu;ksa ds<br />
fo#) la?k’kZ djrk gSA mudh laLFkk ß,DV viÞ ds<br />
dbZ lnL; leySafxd vkSj ,pvkbZoh i‚ftfVo gSaA<br />
jSfy;ksa] fojks/kksa] vkSj mRlkgh u`R; ikfVZ;ksa ds chp<br />
uokxarqd ukrku dk Økafrdkjh lsu ds lkFk I;kj<br />
gks tkrk gSA<br />
✪ INDIA PREMIERE<br />
In Paris in the early 1990s, a group<br />
of activists goes to battle for those<br />
stricken with HIV/AIDS, taking on<br />
sluggish government agencies and<br />
major pharmaceutical companies in<br />
bold, invasive actions. The organisation<br />
is ACT UP, and its members, many of<br />
them gay and HIV-positive, embrace<br />
their mission with a literal life-or-death<br />
urgency. Amid rallies, protests, fierce<br />
debates and ecstatic dance parties,<br />
the newcomer Nathan falls in love with<br />
Sean, the group’s radical firebrand, and<br />
their passion sparks against the shadow<br />
of mortality as the activists fight for a<br />
breakthrough.<br />
j‚fcu dSfEiyks<br />
1962 esa eksjDdks esa tUes j‚fcu dSfEiyks Ýsap iVdFkk ys[kd]<br />
laiknd vkSj fQ+Ye funsZ”kd gSaA n Dykl] gsfMax lkmFk] ns dse cSd]<br />
bZLVuZ c‚;t vkSj Vkbe vkmV vkfn mudh cgqpfpZr fQYesa gSaA<br />
Robin Campillo<br />
Robin Campillo is a Moroccan-born French screenwriter,<br />
editor and film director. He is known for his work on films<br />
such as The Class, Heading South, the French zombie<br />
film They Came Back, Eastern Boys, and Time Out.<br />
Beats Per Minute won this year's Grand Prix in Cannes.<br />
48 INTERNATIONAL COMPETITION
CySad 13<br />
Blank 13<br />
✪ INDIA PREMIERE<br />
Japan | <strong>2017</strong> | Japanese | 70 min | Colour<br />
Director Takumi Saitô<br />
Producer Yuiko Kobayashi<br />
Screenplay Mitsutoshi Saijô<br />
Cast Takahashi Issey, Lily Franky,<br />
Kanno Misuzu, Takumi Saitô<br />
Sales agent Tokyo <strong>International</strong><br />
• midori.inoue@tokyomedia.jp<br />
dkst+h ds 13 lky ls ykirk firk dks dSalj gS vkSj<br />
muds ikl dsoy rhu eghus dk le; cpk gSA<br />
muds tqvkjhiu ls ifjokj dtZ esa Mwc x;kA dkst+h<br />
dh eka vkSj HkkbZ muls dsoy uQjr djrs gSa ysfdu<br />
dkst+h dks muls lgkuqHkwfr gSA vafre laLdkj ds<br />
fnu HkkbZ&cgu dks firk dh x+yfr;ksa dk i”pkrki<br />
djuk iM+rk gSA<br />
Koji’s absent father of 13 years is found<br />
with cancer and given three months to<br />
live. A heavy gambler, he saddled the<br />
family with debt. While his mother and<br />
brother feel only hatred, Koji harbours a<br />
degree of sympathy and clings on to the<br />
memory of their shared love for baseball.<br />
When the inevitable day of their father’s<br />
funeral arrives, the siblings must confront<br />
the void left by his abandonment as well<br />
as a collection of odd acquaintances who<br />
have come to pay their last respects.<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
lSrks rkdqeh<br />
lSrks rkdqeh tkiku ds eu¨jatu m|¨x esa ,d cgqeq[kh Áfrk L®<br />
lEiUUk O;fDrRo gaSA os Vhoh Mªkekt+ vkSj 13 ,lsflUl] r¨jkdst rFkk<br />
“khu xkWMt+hyk lfgr fofUu fQ+Ye¨a ds vfusrk gaSA n¨ “kkWVZ fQ+Ye<br />
iwjh djus ds ckn mudh CySd 13 igyh fQpj fQYe çnf”kZr gqÃA<br />
Saitô Takumi<br />
Takumi Saitô, is a prominent multitalented and<br />
multifaceted figure in the Japanese entertainment<br />
industry. He is prolific as an actor in TV dramas, and<br />
a wide array of films including 13 Assassins, Torakage<br />
and Shin Godzilla. His personal wide-ranging interest in<br />
cinema led him to filmmaking. After completing two short<br />
films, he made his debut feature Blank 13.<br />
INTERNATIONAL COMPETITION<br />
49
MkdZ Ldy<br />
Dark Skull<br />
Viejo Calavera<br />
Bolivia, Qatar | 2016 | Spanish | 80 min | Colour<br />
Director Kiro Russo<br />
Producer Pablo Paniagua,<br />
Kiro Russo<br />
Screenplay Kiro Russo,<br />
Gilmar Gonzales<br />
<strong>Cinema</strong>tographer Pablo Paniagua<br />
Editor Pablo Paniagua, Kiro Russo<br />
Sound Design Marcelo Guzman, Kiro<br />
Russo, Pepo Razzari, Gilmar Gonzales<br />
Production Designer Carlos Piñeiro<br />
Cast Narciso Choquecallata,<br />
Anastasia Daza López, Felix Espejo<br />
vius firk dh e`R;q ls nq[kh vkSj ijs'kku ,d<br />
;qok vius NksVs ls 'kgj esa HkVdrk jgrk gSA ,d<br />
x‚MQ+knj mls [knkuksa esa ukSdjh fnykus esa lQy gks<br />
tkrk gSA :lks dks vius firk dh e`R;q ds jgL; dk<br />
irk pyrk gSA lR; vk'p;Zpfdr vkSj “kksdlarIr<br />
dj nsus okyk gSA<br />
✪ INDIA PREMIERE<br />
Broken by the recent death of his father,<br />
a troubled young man tears through<br />
a small, indigenous town until his<br />
godfather gets him a job in the mines.<br />
With jaw-dropping, dreamlike visuals,<br />
Russo’s debut offers a darkly beautiful<br />
subterranean study in atmosphere and<br />
mourning.<br />
Sales agent Socavón Cine<br />
• socavoncine@gmail.com,<br />
kirorusso@gmail.com<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
fdjks :lks<br />
funsZ”kd] fuekZrk vkSj iVdFkk ys[kd fdjks :lks us ;wfuoflZMkM<br />
Msy flus] C;wul vk;lZ ls funsZs”ku dh f”k{kk çkIr dhA mudh<br />
y?kq fQYesa ,aVjçkbt+] tqdw vkSj U;w ykbQ+ fo”o ds lHkh<br />
egÙoiw.kZ fQYe lekjksgksa T©ls y¨dkUk¨Z] lsu lscsfLRk¸ku] fYkLcu<br />
bR¸kkfn esa çnf”kZr ,oa iqjLd`r gqbZaA<br />
Kiro Russo<br />
Kiro Russo studied directing at Universidad del cine in<br />
Buenos Aires. He made short films Enterprise, Juku and<br />
New Life winning prizes at important film festivals around<br />
the world - Locarno Film Festival, San Sebastian Film<br />
Festival, Indie Lisboa, Jihlava <strong>International</strong> Documentary<br />
Film Festival and Kaohsiung Film Festival.<br />
50 INTERNATIONAL COMPETITION
Ý+hMe<br />
Freedom<br />
Freiheit<br />
Germany, Slovakia | <strong>2017</strong> | German, Slovak | 100 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Jan Speckenbach<br />
Producer Sol Bondy, Jamila Wenske<br />
Screenplay Andreas Deinert,<br />
Jan Speckenbach<br />
<strong>Cinema</strong>tographer Tilo Hauke<br />
Editor Matthias Albrecht,<br />
Henning Stöve<br />
Sound Design Jan Hetmer,<br />
Michal Krajczok , Marian Mentrup ,<br />
Jan Meyerdierks<br />
Production Designer Juliane Friedrich<br />
Cast Johanna Wokalek, Georg Arms,<br />
Hans-Jochen Wagner<br />
Sales agent Pluto Film<br />
• daniela@plutofilm.de<br />
,d efgyk vius ifr vkSj cPpksa dks vyfonk dgs<br />
fcuk dgha pyh tkrh gSA rhu [kaMksa esa cuh fQ+Ye<br />
,d gh fo’k; dks vyx vyx ifjçs{; esa fn[kkrh<br />
gSA igys esa efgyk vrhr d¨ wYkdj u;k thou<br />
thus dh dksf”k”k dj jgh gS] nwljs esa ifr vkSj cPpksa<br />
dk nks lky ckn dk thou gSA os mlds pYks Tkkus<br />
ls vh h ijs'kku gSA rhljk ifjokj dh vafre<br />
“kke dk ifjn`”; gSA<br />
A woman leaves her husband and<br />
children without saying goodbye. While<br />
she struggles to build a new life, her family<br />
is left completely uncertain about her<br />
fate. The radical nature of her departure<br />
appears to be an opportunity as well as<br />
a trauma. The film is structured in three<br />
episodes, each showing a different<br />
perspective of the subject. The first one<br />
accompanies the woman in Vienna and<br />
Bratislava creating a new life for herself.<br />
Although her past remains untold, she<br />
seems driven by it. The second episode<br />
portrays the life of her abandoned<br />
husband and their children two years<br />
after her disappearance. Their days<br />
are still dominated by her mysterious<br />
leaving. The final episode returns to the<br />
last evening of the family.<br />
;ku LisdsUck[k+<br />
;ku LisdsUck[k+ us fFk,Vj esa Lora«k ohfM;¨ dykdkj ds #i esa<br />
dke fd;k gSaA mUgsa Q©jsoj ;ax esa ohfM;ks dyk ds fy, usLVªkW;<br />
iqjLdkj ÁkIr gqvkA n vnj Ms bu ,Mu vkSj LiSjkst+ mudh çfl)<br />
y?kq fQYesa gSaA Qhpj fQ+Ye fjiksfVZM feflax cfyZu esa vkSj Ý+hMe<br />
yksdkuksZ esa çhfe;j gqbZA<br />
Jan Speckenbach<br />
Jan Speckenbach has worked as a freelance video artist<br />
in theatre. He received a Nestroy Award for the video art<br />
in Forever Young. His short film, The Other Day in Eden,<br />
was screened in Cannes and his film Sparrows was<br />
short-listed for the Oscars. His first feature film Reported<br />
Missing, premiered at the Berlinale. Freedom premiered<br />
at the Locarno Film Festival.<br />
INTERNATIONAL COMPETITION<br />
51
n xzsV cq)+$<br />
The Great Buddha+<br />
✪ INDIA PREMIERE<br />
Taiwan | <strong>2017</strong> | Minnan | 102 min | Colour<br />
Director Hsin-yao Huang<br />
Producer Mong-Hong Chung,<br />
Ju Feng Yeh<br />
Screenplay Hsin-yao Huang<br />
<strong>Cinema</strong>tographer Mong-Hong Chung<br />
Editor Hsiu-hsiung Lai<br />
Sound Design Du-Chih Tu,<br />
Shu-yao Wu<br />
Production Designer Shih-hao Chao<br />
Cast Cres Chuang, Bamboo Chen,<br />
Leon Dai, Na-Dou Lin<br />
Sales agent MandarinVision<br />
• desmond@mandarinvision.com<br />
fidy dkaL; çfrek dkj[kkus esa jkf= lqj{kk xkMZ<br />
gSA mldk lg;ksxh csyh c‚Ve fnu esa jhlkbfDyax<br />
dysDVj ds :i esa dke djrk gSA fidy ds thou<br />
esa v'yhy if=dkvksa dh fDyfIkaXl euksjatu dk<br />
lcls cM+k lk/ku gSA nsj jkr ds LuSDl vkSj Vhoh<br />
ns[kuk mu nksuksa ds lqLr thou dk ,d vfHkUu<br />
fgLlk gSaA vpkud ,d fnu Vhoh VwVus ls mudk<br />
thou ges”kk ds fy, cny tkrk gSA ekuoh;<br />
bPNk,¡] dkeqdrk wrÁsr] Xkoku & dgkuh bu<br />
Lkcds bnZfXknZ Äwerh gSA<br />
Pickle is a night security guard at a<br />
bronze statue factory. His colleague,<br />
Belly Bottom, works as a recycling<br />
collector during the day, and Pickle’s<br />
biggest pleasure in life is flicking through<br />
the porn magazines Belly Bottom collects<br />
in the small hours in the security room.<br />
Having late night snacks and watching<br />
television are an integral part of their<br />
dull lives. One day when the television<br />
is broken, their lives are changed<br />
forever. The story involves gods, the<br />
middle-aged men’s sexual desire and<br />
the conversation between ghosts and<br />
humans. May be the audience will find it<br />
preposterous, but isn’t life itself a farce?<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
lhu&;kvks gqvkax<br />
lhu&;kvks gqvkax egku funsZ'kd vkSj ys[kd gSa ftUgsa n xzsV cq)<br />
vkSj rkbokyq ds fy, tkuk tkrk gSA mUgksaus rsisbZ fQ++Ye egksRlo<br />
esa vkSj 42osa VksjaVks varjkZ"Vªh; fQ+Ye egksRlo esa n xzsV cq) ds fy,<br />
usViSd iqjLdkj thrkA<br />
Hsin-yao Huang<br />
Hsin-yao Huang is a director and writer known for<br />
The Great Buddha and Taivalu. He has won awards<br />
at the Taipei Film Festival, NETPAC Award at Toronto<br />
<strong>International</strong> Film Festival. The Great Buddha+, his first<br />
narrative feature, won the NETPAC Prize at the 42nd<br />
Toronto <strong>International</strong> Film Festival.<br />
52 INTERNATIONAL COMPETITION
dPpk fyacw<br />
Kachcha Limbu<br />
India | <strong>2017</strong> | Marathi | 116 min | Colour and B/W<br />
Director Prasad Oak<br />
Producer Mandar Bhaskar Devasthali<br />
Screenplay Chinmay Mandlekar<br />
<strong>Cinema</strong>tographer Amalendu<br />
Choudhary<br />
Editor Jayant Jathar<br />
Cast Sachin Khedekar, Sonali Kulkarni,<br />
Ravi Jadhav, Manmeet Pem,<br />
Ananth Mahadevan, Uday Sabnis,<br />
Ajit Kelkar<br />
dPpk fyacw] ftls detksj dks fpsy jgs gSaA<br />
t;oar nyoh ds ejkBh miU;kl dk ;g flusekbZ<br />
#ikarj.k 1980 ds le; esa feLVj vkSj felst<br />
dkVnjs dh my>uksa vkSj mu my>uksa ds chp Hkh<br />
lkFk cus jgus dh dksf'k'kksa dk thoar nLrkost gSA<br />
Kachcha Limbu, slang for underdog, is<br />
the poignant tale of a couple and their<br />
everyday trials in nurturing their mentally<br />
challenged child Bachchu. Adapted<br />
from Jaywant Dalvi’s Marathi language<br />
novel, this 1980’s story takes us through<br />
Mr. and Mrs. Katdare’s dilemmas and<br />
their attempt at sanity and togetherness<br />
despite teeming odds.<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
çlkn vksd<br />
vfHkusrk çlkn vksd ;wa rks fQYedkj cuuk pkgrs Fks] ysfdu uCcs<br />
ds n'kd esa eqEcbZ igq¡prs gh mUgsa vfHku; ds dqN uk;kc volj<br />
feysA chl lkyk dfj;j esa muds uke lÙkj fQYesa] iPphl ukVd<br />
vkSj vLlh Vsyhfotu /kkjkokfgd gSaA mUgsa fQYe vkSj Vsyhfotu<br />
esa vius dk;Z ds fy, dbZ lEeku fey pqds gSaA dPpk fyacw mudk<br />
funsZ'kdh; inkiZ.k gSA<br />
Prasad Oak<br />
Actor Prasad Oak always wanted to be a filmmaker.<br />
However, pure fate landed him really good acting<br />
offers as soon as he arrived in Mumbai in the 90’s.<br />
He has 70 films, 25 dramas and 80 TV serials to his<br />
credit as an actor in a span of 20 years. He has been<br />
the recipient of several prestigious awards and state<br />
honours for his work in film and television. Kachcha<br />
Limbu (Raw Lemon) is Oak’s directorial debut.<br />
INTERNATIONAL COMPETITION 53
, eSu vkWQ+ bUVsfxzVh ✪ INDIA PREMIERE<br />
A Man of Integrity<br />
Lerd<br />
Iran | <strong>2017</strong> | Farsi | 117 min | Colour<br />
Director Mohammad Rasoulof<br />
Producer Mohammad Rasoulof, Kaveh<br />
Farnam, Rozita Hendijanian, Michal<br />
Krecek<br />
Screenplay Mohammad Rasoulof<br />
<strong>Cinema</strong>tographer Ashkan Ashkani<br />
Editor Meysam Muini, Mohammedreza<br />
Muini<br />
Sound Design Alireza Alavian<br />
Production Designer<br />
Cast Reza Akhlaghirad, Soudabeh<br />
Beizaee, Nasim Adabi, Missagh Zareh,<br />
Zeinab Shabani, Zhila Shahi<br />
Sales agent The Match Factory<br />
• sergi.steegmann@matchfactory.de<br />
jt+k ¼35½ mÙkjh bZjku ds ,d xkao esa vius xksYM<br />
fQ+”k Q+keZ esa dke djrs gq, iRuh vkSj cPpksa ds<br />
lkFk lknk thou O;rhr djrk gSA ,d futh daiuh<br />
ljdkjh vkSj LFkkuh; vf/kdkfj;ksa dh feyhHkxr<br />
ls {ks=h; thou ds lHkh igyqvksa dks fu;af=r dj<br />
ysrh gSA dbZ xzkeh.k Hkh Hkz"Vkpkj ds cM+s usVodZ<br />
dk fgLlk cu tkrs gSaA jt+k ncko v©j vR¸kkpkj<br />
dk foj®èk djrk gS v©j vius QkeZ d® cpkus dh<br />
Lld d¨f'k'k djrk gSA<br />
Reza (35), having distanced himself<br />
from the urban quagmire, leads a<br />
simple life along with his wife and sole<br />
child, somewhere in a remote village<br />
in Northern Iran. A private company<br />
with close links to the government and<br />
local authorities, has taken control of<br />
nearly every aspect of the regional life.<br />
Its shareholders, accumulating wealth,<br />
power and economic rents, have been<br />
pushing local farmers and small owners<br />
to dilapidate their belongings, farms and<br />
estates, to the benefit of the Company’s<br />
influential network. It is under their<br />
pressure that many villagers have<br />
themselves become local rings of the<br />
larger network of corruption. Meanwhile,<br />
Reza strives to resist coercion and<br />
preserve his farm.<br />
eksgEen jlksmyksQ+<br />
eksgEen jlksmYQ+ us ukS o’kZ dh vk;q ls fFk;sVj esa vfHku; “kq:<br />
fd;kA fQj mUgksaus jaxeap ds fy, ys[ku vkSj funsZ”ku fd;kA<br />
mudh igyh Q+hpj fQ+Ye n V~okbykbV 21oha Qtz varjkZ’Vªh;<br />
fQ+Ye lekj¨g rsgjku esa fØLVy flekWÄ thrkA eSU;qfLØIV~l M‚UV<br />
cuZ 66oha dkal fQ+Ye lekj¨g esa çnf”kZr gqbZaA<br />
Mohammad Rasoulof<br />
Rasoulof’s documentary The Twilight was his first feature<br />
length film. It won the Crystal Simorgh at the 21st Fajr<br />
<strong>International</strong> Film Festival in Tehran. His film Goodbye<br />
was screened at the 64th Cannes Film Festival and his<br />
exit ban from Iran was lifted. Manuscripts Don’t Burn was<br />
screened at the 66th Cannes Film Festival.<br />
54 INTERNATIONAL COMPETITION
esfj;ksusV<br />
Marionette<br />
✪ WORLD PREMIERE<br />
South Korea | <strong>2017</strong> | Korean | 116 min | Colour<br />
Director Lee Hanuk<br />
Producer Lee Gun Woo<br />
Screenplay Lee Hanuk<br />
<strong>Cinema</strong>tographer Park Kyung Kun<br />
Editor Won Chang Jae<br />
Sound Design Lee Kee Jun<br />
Production Designer Jung Sung Kyun<br />
Cast Kim Hie Won, Lee You-young<br />
Sales agent Contents Panda<br />
• nakyung.kim@cj.net<br />
;g fQ+Ye mu fd”kksjksa dh dgkuh tks uSfrd ewY;ksa<br />
ds ckjs esa lksps fcuk fdlh ds Hkh gkFk dh dBiqryh<br />
cu tkrs gSa vkSj bl çfØ;k ds QyLo:i vgadkj<br />
ls Hkjk thou thrs gSaA flv®fju d¢ Nk=] Ckk¸kÝsaM<br />
v©j vklikl ds Yk®x lh jgL¸kEk¸k ekLVj<br />
}kjk pyk;s Xk¸® nq'PkØ dk fgLLkk cu tkrs gSA<br />
flv®fju mUgsa blls ckgj Ykkus ds fy, vIkuh iwjh<br />
'kfDr yXkk nsrh gSA<br />
A high school teacher named Seo-Rin<br />
encounters a mysterious person called<br />
Master through instant messaging. This<br />
figure reminds her of the past that she<br />
has always wanted to forget. As her<br />
students, boyfriend and acquaintances<br />
get involved in this incident, the situation<br />
grows more and more serious. Seo-Rin<br />
tries her best to overcome what she is<br />
going through.<br />
yh gku&md<br />
yh gku&md ,d dksfj;kbZ ys[kd vkSj funsZ'kd gSA mudk tUe<br />
1980 esa flvksy esa gqvk FkkA mUgksaus 215 ¼2008½ vkSj gkbM ,u<br />
lhd ¼2012½ dk fuekZ.k] ys[ku vkSj funsZ'ku fd;kA Eksfj;ksusV<br />
mudh uohure fQ+Ye gSA<br />
Lee Hanuk<br />
Lee Hanuk is a Korean writer and director. He was born<br />
in Seoul in 1980. His credits include the film 215 (2008)<br />
and Hide N Seek (2012), which he produced, wrote and<br />
directed. Marionette is his latest film.<br />
INTERNATIONAL COMPETITION<br />
55
jslj ,aM n tsycMZ<br />
Racer and the Jailbird<br />
Le Fidėle<br />
France, Belgium | <strong>2017</strong> | French | 130 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Michaël R. Roskam<br />
Producer Pierre-Ange Le Pogam, Bart<br />
Van Langendonck<br />
Screenplay Thomas Bidegain,<br />
Noé Debré, Michaël R. Roskam<br />
<strong>Cinema</strong>tographer Nicolas<br />
Karakatsanis<br />
Editor Alain Desssauvage<br />
Sound Design Jean - Luc Audy<br />
Production Designer Geert Paredis<br />
Cast Matthias Schoenaerts,<br />
Adèle Exarchopoulos<br />
xhuks vkSj csusfMDVs dks igyh utj esa I;kj gks<br />
tkrk gSA csusfMDVs ifjokj ds O;olk; esa dke<br />
djrh gS vkSj lfdZVksa ij dkj Hkh pykrh gSA xhuks<br />
'kkar] lqanj vkSj lkekU; vkneh gS] ysfdu mldk<br />
,d jgL; gS tks mlds vius vkSj vkl&ikl ds<br />
yksxksa ds thou dks [krjs esa Mky ldrk gSA xhu¨<br />
v©j C®usfMDV d¨ kX¸k L® yM+uk g®Xkk v©j viuh<br />
det®fj;¨a d¨ nwj djds vius I;kj d® cpkuk<br />
g¨XkkA<br />
When Gino meets Bénédicte, it is love<br />
at first sight, passionate, unconditional<br />
and fiery. She is working in the family<br />
business, and she also drives cars on<br />
circuits. Gino is that kind of normal guy,<br />
cool, handsome but he hides a secret.<br />
That kind of secret that can endanger<br />
your life and the lives of those around<br />
you. Gino and Bénédicte will have to<br />
fight against fate, reason and their own<br />
weaknesses to save their love.<br />
Sales agent Wild Bunch<br />
• edevos@wildbunch.eu<br />
ekbdy vkj- jksLde<br />
ekbdy vkj- jksLde us lsaV Y;wdkl vdkneh v‚Q yfyr dyk]<br />
czlsYl ls fp=dyk vkSj ledkyhu dyk dk v/;;u fd;kA<br />
og +ysfe'k v[k+ckj Ms e‚xZu ds i=dkj Hkh jg pqds gSaA cqygsM<br />
¼loZJs"B fons”kh Hkk’kk fQYe ds fy, v‚Ldj vkSj lhtj ukfer½]<br />
n MªkWi vkSj jslj ,aM n tsycMZ varjjk"Vªh; Lrj ij ç”kaflr<br />
fQYesa gSaA<br />
Michaël R. Roskam<br />
Michaël Roskam was a journalist for the Flemish<br />
newspaper De Morgen. Racer and the Jailbird is his<br />
third feature film after the internationally acclaimed film<br />
Bullhead in 2011 (Oscar and César nominee for Best<br />
Foreign Language Film) and The Drop, a dark crime<br />
film with Tom Hardy, Noomi Rapace and the late James<br />
Gandolfini playing the lead roles.<br />
56 INTERNATIONAL COMPETITION
“kVy ykbQ+<br />
Shuttle Life<br />
Fen Bèi Rén Sheng<br />
Malaysia | <strong>2017</strong> | Mandarin | 91 min | Colour<br />
Director Tan Seng Kiat<br />
Producer Roland Lee, Jin Ong<br />
Screenplay Tan Seng Kiat,<br />
Chris Leong Siew Hong<br />
<strong>Cinema</strong>tographer Chen Ko Chin<br />
Editor Chen Hsiao Tung,<br />
Yue Ba Ren Zi<br />
Sound Design Tu Duu Chih,<br />
Chiang Lien Chen<br />
Cast Sylvia Chang, Jack Tan,<br />
Angel Chan<br />
fdvkax ekufld :i ls vfLFkj ek¡ vkSj ikap lky<br />
dh cgu gq;h 'kku dh ns[kHkky djus ds fy, la?k"kZ<br />
djrk gSA ,d rst jrkj dkj ls Vdjk dj gq;h<br />
dh e`R;q gks tkrh gS] fdvkax cgu ds e`r 'kjhj dk<br />
nkok djrk gSA fdvkax eka dks bldh tkudkjh u<br />
nsdj vdsys bl ladV dk lkeuk djrk gSA<br />
✪ INDIA PREMIERE<br />
Qiang struggles to take care of his<br />
mentally unstable mother and a fiveyear-old<br />
sister, Hui Shan. When a<br />
speeding car kills Hui Shan, Qiang is<br />
desperate to claim his sister’s body.<br />
Qiang’s mother is of no help given her<br />
condition, so Qiang is forced to face this<br />
predicament on his own.<br />
Sales agent Wen Hsiao<br />
• wenhsiao.mm@gmail.com<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
rku lsx fdvkr<br />
eysf”k;k esa tUes rku lsax fdvkr us jk"Vªh; rkboku fo'ofo|ky;<br />
ls fQ+Ye fuekZ.k dk v/;;u fd;kA og y?kq fQ+Ye 32 fMxzh<br />
lsfYl;l Q‚y bu yo ds funZs'kd gSaA “kVy ykbQ+ budh igyh<br />
Q+hpj fQ+Ye gSA<br />
Tan Seng Kiat<br />
Tan Seng Kiat was born in Malaysia. He studied<br />
filmmaking at the National Taiwan University. He is the<br />
director of the short 32°C Fall in Love. Shuttle Life is his<br />
debut feature film.<br />
INTERNATIONAL COMPETITION<br />
57
fLVy ukbV] fLVy ykbV<br />
Still Night, Still Light<br />
Mes Nuit Feront Écho<br />
Canada, China, Mexico | 2016 | Spanish, French, English, Mandarin | 98 min | Colour<br />
Director Sophie Goyette<br />
Producer Sophie Goyette<br />
Screenplay Sophie Goyette<br />
<strong>Cinema</strong>tographer Léna Mill-Reuillard<br />
Editor Sophie Goyette<br />
Production Designer Sophie Goyette<br />
Cast Éliane Prèfontaine,<br />
Gerardo Trejoluna<br />
Sales agent Sophie Goyette<br />
• sogoyette@gmail.com<br />
D;wcsd] eSfDldks vkSj ,f'k;k esa rhu laosnu'khy<br />
dykdkj ,yh;u] jksesl vkSj mlds firk ikCyks<br />
fu.kZ; ysrs gSa fd vc mUgsa vius liuksa dks mM+ku<br />
Hkjus nsuk pkfg,A ;g fQ+Ye gesa ,d laosnu”khy<br />
;k=k ij ys tkrh gS tgka ;k=k] dyk] LoIu<br />
vkSj Le`fr ehy dk iRFkj cu tkrs gaSA mu rhu<br />
dykdkjksa dh vkarfjd ftKklk jax ykrh gSA bl<br />
;k=k esa jkRk v©j fnu dh lhek,¡ feV tkrh gS v©j<br />
dkO¸k egd mBrk gSA<br />
Nominated for the Award for the Best Debut Feature of a Director<br />
✪ INDIA PREMIERE<br />
In Quebec, Mexico and Asia, three<br />
sensitive souls heed the call of the<br />
images and melodies that haunt their<br />
days and nights. Moved at once by loss,<br />
yearning and longing, Eliane, Romes<br />
and his father Pablo decide to take<br />
action before it is too late. Whatever the<br />
risks, they must let their dreams take<br />
flight. Implicitly trusting that inner voice<br />
dwelling inside us all, the film beckons us<br />
on a sensory journey where travel, art,<br />
dream, and memory serve as mileposts.<br />
It blurs the boundary that separates night<br />
from day; poetry blooms where these<br />
two worlds intersect. As it attentively<br />
follows the three characters’ quests, the<br />
film directs our gaze to the magic that<br />
seeps from the cracks in daily life.<br />
lksQ+h xks;rs<br />
dukMk ds ys[kd lksQ+h xks;rs us ikap y?kq fQ+Yeksa dk ys[ku vkSj<br />
funsZ”ku fd;k gSA yk jksans vkSj ys Q+qrqj çksps fofHkUu fQ+Ye lekjksgksa<br />
TkSls lUMkUl] y¨dku¨Z v©j V¨jUV¨ esa çnf”kZr gqbZa vkSj mUgsa vusd<br />
iqjLdkj Hkh feysA fLVy ukbV] fLVy ykbV mudh igyh Q+hpj<br />
fQ+Ye gSA<br />
Sophie Goyette<br />
Sophie Goyette is a writer and maker of five short films<br />
awarded in competition at the Sundance, Locarno<br />
and Toronto festivals. Her film La ronde, premiered at<br />
Locarno. Her short Le futur proche won several awards<br />
and was selected for the <strong>International</strong> Competition at the<br />
2013 Sundance Festival. Still Night, Still Light is her first<br />
feature film.<br />
58 INTERNATIONAL COMPETITION
Vsd vkWQ<br />
Take Off<br />
India | <strong>2017</strong> | Malayalam | 139 min | Colour<br />
Director Mahesh Narayanan<br />
Producer Shebin Backer,<br />
Anto Joseph<br />
Screenplay Mahesh Narayanan,<br />
P V Shaji Kumar<br />
<strong>Cinema</strong>tographer Sanu Jose Varghese<br />
Editor Abhilash Balachandran<br />
Cast Parvathy, Fahad Faasil,<br />
Kunchacko Boban, Asif Ali,<br />
Prakash Belawadi<br />
Sales agent Anto Joseph Film<br />
Company<br />
lehjk is'ks ls ulZ gS vkSj vkB lky ds bc: dh ek¡<br />
gSA gky gh esa rykd ls xqtjh lehjk viuh vkfFkZd<br />
fnDdrksa ds lek/kku ds fy, ;q) esa f?kjs bZjkd esa<br />
ukSdjh Lohdkj dj ysrh gSA oks tYnckth esa vius<br />
lgdehZ 'kkfgn ls fookg dj bZjkd pyh tkrh gS<br />
ysfdu ogk¡ 'kkfgn dks foæksgh lsuk vi`gr dj ysrh<br />
gSA blls igys fd oks nksckjk 'kknh dks laHkkys vkSj<br />
vius csVs dks vius xHkZorh gksus dh otg le>k,]<br />
mlds vLirky dks Hkh ca/kd cuk fy;k tkrk gSA<br />
b/kj nwrkokl vius ukxfjdksa dh lqjf{kr okilh ds<br />
fy, ç;kljr gS] ogk¡ bl ifjokj ds iqufeZyu vkSj<br />
cpko dk loky Hkh lkeus [kM+k gSA<br />
Sameera, a nurse, a mother to an 8 year<br />
old Ibru. Recently divorced, she takes<br />
up a job in war-torn Iraq to overcome<br />
financial liabilities. Soon after, she<br />
hastily marries her colleague Shahid and<br />
moves to Iraq where much to her chagrin<br />
Shahid is taken hostage by the rebel<br />
army. Appallingly the hospital she works<br />
at is captured soon after. As the embassy<br />
wages diplomatic battles to negotiate the<br />
return of its nationals, the possibility of<br />
a family reunion and imminent rescue<br />
looms large.<br />
Nominated for the Award for the Best Debut Feature of a Director and competing for the ICFT UNESCO Gandhi Medal<br />
egs'k ukjk;.ku<br />
egs'k dk lEikndh; inkiZ.k jkf=ek>k us csLV funsZ'kd dk jk"Vªh;<br />
iqjLdkj thrk vkSj ik¡p dsjy jkT; iqjLdkj Hkh thrsA Hkkjrh;<br />
fQYe m|ksx esa ,d lEekfur lEiknd ds :i esa mUgsa tkuk tkrk<br />
gS vkSj feyh] ftls dsjy esa [kwc vkykspdh; rkjhQsa çkIr gks jgh gSa]<br />
fQYe ds lkFk mUgksaus [kqn dks ,d dkfcy ys[kd Hkh lkfcr fd;k<br />
gSA Vsd vkWQ egs'k ukjk;.ku dk funsZ'kdh; inkiZ.k gSA<br />
Mahesh Narayanan<br />
Mahesh Narayanan’s editorial debut Rathrimazha<br />
bagged National award for the best director and five<br />
Kerala State Awards. Having rapidly climbed the ladder<br />
as a renowned editor in the Indian Film Industry, Mahesh<br />
proved his expertise in writing as well through the film<br />
Mili, that has opened to rave reviews in Kerala. Take Off<br />
is Mahesh Narayanan’s directorial debut.<br />
INTERNATIONAL COMPETITION<br />
59
foyst jkWdLVklZ<br />
Village Rockstars<br />
India | <strong>2017</strong> | Assamese | 87 min | Colour<br />
Director Rima Das<br />
Producer Rima Das<br />
Story Rima Das<br />
Screenplay Rima Das<br />
<strong>Cinema</strong>tographer Rima Das<br />
Editor Rima Das<br />
Music Nilotpal Borah<br />
Sound Design Amrit Pritam<br />
Cast Banita Das, Basanti Das<br />
Sales agent Asian Shadows<br />
• contact@chineseshadows.com<br />
/kquq ¼ƒå½ lqnwj vle ds lqfo/kkvksa ls oafpr bykds<br />
esa jgrh gS] ysfdu vktkn [k;kyksa okyh bl yM+dh<br />
dk iDdk Hkjkslk vius liuksa dh rkdr ij gSA<br />
mldh fo/kok ek¡ fdlh rjg la?k"kksaZ ds chp ?kj<br />
pykrh gS ysfdu /kquq –
ICFT UNESCO<br />
Gandhi Medal<br />
A competitive section for films<br />
that explore the themes of<br />
peace, harmony and unity<br />
61 ICFT UNESCO GANDHI MEDAL
vkeksd<br />
Amok<br />
✪ INDIA PREMIERE<br />
Poland | <strong>2017</strong> | Polish | 108 min | Colour<br />
Director Kasia Adamik<br />
Producer Beata Pisula<br />
Screenplay Richard Karpala<br />
<strong>Cinema</strong>tographer Tomasz Naumiuk<br />
Editor Michal Czarnecki<br />
Production Designer Anna Anosowicz<br />
Cast Mateusz Kosciukiewicz, Lukasz<br />
Simlat, Zofia Wichlacz, Zbigniew Stryj,<br />
Miroslaw Haniszewski, Jan Peszek<br />
,d vkneh dh gR;k dj nh tkrh gS] ysfdu<br />
ftEesnkj O;fä lkeus vkus vkSj fxjrkj gksus ls<br />
cpk jgrk gSA dqN lky ckn ,d iqfyl baLisDVj<br />
dks yxrk gS fd mlss gky gh esa çdkf'kr vkeksd<br />
uked iqLrd esa gR;k ds lcwr fey x;s gSaA<br />
A man is murdered, but the person<br />
responsible avoids being discovered<br />
and arrested. A few years later, a<br />
police inspector suspects he has found<br />
evidence in a newly-published book<br />
entitled Amok.<br />
drkjt+kbuk vMsfed<br />
iksfy'k fQYe funsZ'kd drkjt+kbuk ,Msfed ¼dkfl;k ,Msfed½ us<br />
,dsMseh vkWQ+ Q+kbu vkV~Zl] czlsYl ls xzkfQ+Dl esa Lukrd fd;kA<br />
1993 ls ysdj MkdZusl] d‚fiax chFkksosu] ,ojhfFkax bt+ bY;wfeusVsM]<br />
dSVoweWu] VªSIM] twyh o‚fdax gkse] ,atsy v‚Q+ MsFk] gkVZ~l bu<br />
vVykafVl] ,atsy vkbt+] xksYMu MªhEl] n FkMZ fejkdy] n oqM<br />
vkSj iksfy'k osfMax tSlh vusd fQ+Yeksa esa ,d LVksjhcksMZ dykdkj<br />
ds :i esa dke fd;kA<br />
Katarzyna Adamik<br />
Katarzyna Adamik, a.k.a Kasia Adamik is a Polish film<br />
director, visual art artist and storyboard artist. She has<br />
worked as a storyboard artist on an array of movies,<br />
including In Darkness, Copying Beethoven, Everything<br />
Is Illuminated, Catwoman, Trapped, Julie Walking Home,<br />
Angel of Death, Hearts in Atlantis, Angel Eyes and more.<br />
62 ICFT UNESCO GANDHI MEDAL
f[kcqyk<br />
Khibula<br />
✪ ASIA PREMIERE<br />
Georgia, Germany, France | <strong>2017</strong> | Georgian | 98 min | Colour<br />
Director George Ovashvili<br />
Producer George Ovashvili,<br />
Eike Goreczka, Christoph Kukula,<br />
Guillaume de Seille<br />
Screenplay Roelof-Jan Minneboo<br />
<strong>Cinema</strong>tographer Enrico Lucidi<br />
Editor Sun-Min Kim<br />
Cast Hossein Mahjoob, Kishvard<br />
Manvelishvili, Nodar Dzidziguri,<br />
Zurab Antelava<br />
gky gh esa Lora=rk çkIr ns'k esa vius yksxksa<br />
}kjk fuokZfpr ,d O;fä dks 'kh?kz gh r[rkiyV<br />
}kjk fudky fn;k tkrk gSA og igkM+ksa ij Hkkx<br />
tkrk gS tgka oQ+knkj lSfud mldk bartkj dj<br />
jgs gSaA og fuokZLku ls ckgj vkdj muls feydj<br />
lÙkk esa okilh dh ;kstuk cukrk gSA fo'okl vkSj<br />
vfo'okl] vk”kk vkSj fujk”kk ds chp ;g ;k=k<br />
vklku ugha FkhA ysfdu tks mlds HkkX; esa gS ogh<br />
feysxkA<br />
A man, elected by his people to become<br />
the head of a newly independent country,<br />
gets ousted by a coup d´état shortly<br />
after. He flees into the mountains, where<br />
loyal troops are rumoured to be waiting<br />
for him. He plans to meet them and<br />
come back from his exile to regain his<br />
power. Full of hope, he is following his<br />
guardians into the mountains, in order to<br />
regroup with his true followers.<br />
t‚tZ vksof'oyh<br />
t‚tZ vksof'oyh dk tUe 14 uoacj] 1963 dks t‚ftZ;k esa gqvk FkkA<br />
og xkXek usihjh vkSj d‚uZ vkbySaM ds fuekZrk vkSj funsZ'kd gSaA<br />
f[kcqyk mudh uohure Q+hpj fQ+Ye gSA<br />
George Ovashvili<br />
George Ovashvili was born in Georgia on 14 November<br />
1963. He is a producer and director known for Gagma<br />
Napiri and Corn Island. Khibula is his latest feature film.<br />
ICFT UNESCO GANDHI MEDAL<br />
63
f{kfrt & , gksjkbtu<br />
Kshitij – A Horizon<br />
✪ WORLD PREMIERE<br />
India | <strong>2017</strong> | Marathi | 95 min | Colour<br />
Director Manouj Kadaamh<br />
Producer Navroz Prasla, Karishma<br />
Mhadolkar<br />
Screenplay Manouj Kadaamh<br />
<strong>Cinema</strong>tographer Yogesh Rajguru<br />
Editor Neeraj Voraliya<br />
Cast Upendra Limaye,<br />
Kanchan Jadhav, Vaishnavi Tangde,<br />
Arnav Mandrubkar, Rajkumar Tangde,<br />
Manoj Joshi, Vidyadhar Joshi,<br />
Sanjay Mone, Prakash Dhotre,<br />
Akansha Pingale,<br />
okph ckjg lky dh gS vkSj reke pqukSfr;ksa ds<br />
ckotwn i
n ykLV isafVax<br />
The Last Painting<br />
✪ INDIA PREMIERE<br />
Taiwan | <strong>2017</strong> | Mandarin | 108 min | Colour<br />
Director Hung-i Chen<br />
Producer Ying-chuan Wei,<br />
Gene Yao<br />
Screenplay Hung-i Chen,<br />
Ying-chuan Wei<br />
<strong>Cinema</strong>tographer Jing-Pin Yu<br />
Editor Hung-i Chen<br />
Sound Design Min-Hsu Wang<br />
Production Designer Max Huang,<br />
Shuo-Lin Liang<br />
Cast J.C. Lin, Ning Chang, Wei-Yi Lin<br />
vdsys jgus okyh fp=dkj ds ?kj ,d jktuhfrd<br />
dk;ZdrkZ Nk= gkmlesV cu dj vkrk gSA mldk<br />
O;ogkj csgwnk vkSj vthc gS fdarq fp=dkj thou ds<br />
Áfr vk'kkoknh gSA rkboku esa u, jk"Vªifr ds gksus<br />
okys pqukoksa dh gypy gSA ;g ledkyhu ,f'k;kbZ<br />
flusek dhs loZJs"B fQ++Ye le; vkSj y; dk ltho<br />
fp=.k gS A ns[kus esa çHkko'kkyh fFkzyj esa jktuhfr]<br />
dyk vkSj gR;k dk lfEeJ.k gSA<br />
A student and political activist becomes<br />
the new housemate of a solitary painter.<br />
He is brusque and disillusioned, she<br />
is filled with hope. Outside, Taiwan<br />
is heading towards new presidential<br />
elections. Contemporary Asian cinema at<br />
its best, in which it’s all about timing and<br />
rhythm. A visually impressive, layered<br />
thriller about politics, art and murder.<br />
gax&vkbZ psu<br />
gax&vkbZ psu jk"Vªh; rkboku fo'ofo|ky;] n'kZu'kkL= foHkkx ls<br />
Lukrd gSA muds }kjk funsZf”kr foKkiuksa] laxhr ohfM;ks rFkk Qhpj<br />
fQYeksa us vusd iqjLdkj çkIr fd;s gsaA mudh igyh fQYe dSaMh<br />
jsu dks rkbis fQ+Ye lekjksg esa loZJs"B funsZ'kd iqjLdkj lfgr<br />
dbZ ckj lEekfur fd;k tk pqdk gSA n ykLV isafVax mudh pkSFkh<br />
Q+hpj fQ+Ye gSA<br />
Hung-i Chen<br />
Hung-i Chen has directed several award-winning<br />
commercials, music videos and feature films - including<br />
his debut Candy Rain. He received an award for Best<br />
Director at the Taipei Film Festival. The Last Painting is<br />
his fourth feature film.<br />
ICFT UNESCO GANDHI MEDAL<br />
65
euqlaxMk<br />
Manusangada<br />
India | 2016 | Tamil | 93 min | Colour<br />
Director Amshan Kumar<br />
Producer Ganan Natkunan, Thara<br />
Screenplay Amshan Kumar<br />
<strong>Cinema</strong>tographer P.S. Dharan<br />
Editor Dhanasekar<br />
Cast Rajeev Anand, A.S. Sasi Kumar,<br />
Sheela Rajkumar, Manimegalai<br />
Sales agent A K Films<br />
• ak_films@outlook.com<br />
dksyIiu ds firk xqtj x, gSa] bl nq[k ls uhph<br />
tkfr dk nfyr dksyIiu ijs'kku gS ;g lkspdj fd<br />
fdl rjg oks dkaVks ls Hkjs vLi"V jkLrs ls firk dh<br />
ikfFkZo nsg dks vfpfàr dczxkg rd ysdj tk,xkA<br />
lekt dh lkekftd vlekurkv¨a dk lrk;k<br />
dksyIiu foæksg djrk gS ,slh lkekftd vktknh<br />
ds fy, ftldk vk/kkj cjkcjh ds ekuokf/kdkj gksaA<br />
Beyond the grief that his father’s demise<br />
causes, Kolappan dreads the prospect<br />
of the burial that requires a low caste<br />
Dalit, to carry the body through a<br />
thorny, unformed route to an uncertain<br />
graveyard. Deeply disturbed with the<br />
inequalities, Kolappan begins a protest<br />
to enforce social liberty based on<br />
equitable human rights.<br />
vE'kku dqekj<br />
jk"Vªh; iqjLdkj ls lEekfur fQYedkj vE'kku dqekj ds uke<br />
dbZ iqjL—r fQYesa jgh gSaA os fQYe jlkLoknu ij çHkko'kkyh<br />
iqLrd flusek jlukbZ ds ys[kd gSa] ftls Hkkjr vkSj Jhyadk ds<br />
fo'ofo|ky;ksa esa iikue FksM+pkukewfrZ dks dbZ lekj®g¨a esa lEekfur fd¸kk<br />
tk Pkqdk gSA<br />
Amshan Kumar<br />
A national award-winning filmmaker, Amshan Kumar<br />
has several titles to his credit. He has authored<br />
<strong>Cinema</strong> Rasanai, an influential film appreciation text<br />
that is part of university syllabi in India and Sri Lanka.<br />
His feature film Oruththi and documentary Yazhpanam<br />
Thedchanamoorthy have bagged several prestigious<br />
awards and honours.<br />
66 ICFT UNESCO GANDHI MEDAL
iw.kkZ<br />
Poorna<br />
India | <strong>2017</strong> | Hindi | 100 min | Colour<br />
Director Rahul Bose<br />
Producer Rahul Bose<br />
Screenplay Prashant Pandey, Shreya<br />
Dev Verma<br />
<strong>Cinema</strong>tographer Subhransu<br />
Editor Manan Mehta<br />
Cast Aditi Inamdar, Rahul Bose, S.<br />
Mariya<br />
rsyaxkuk dh rsjg lky dh vkfnoklh yM+dh dSls<br />
,sojsLV ij p
jsyos fpYMªu<br />
Railway Children<br />
India | <strong>2017</strong> | Kannada | 155 min | Colour<br />
Director Prithvi Konanur<br />
Producer Tin Drum Beats<br />
Screenplay Prithvi Konanur<br />
<strong>Cinema</strong>tographer Eswaran Thangavel<br />
Editor Shivkumar Swamy<br />
Cast Manohara, Yash Shetty, Srikanth,<br />
Hanumant Raju, Narasappa<br />
jktw ckjg lky dh mez esa ?kj ls Hkkx x;k Fkk<br />
vkSj vc jsyos IysVQ‚eZ ij mls ftUnxh ds eqf'dy<br />
lcd fey jgs gSaA oks ,d ,sls xSax ds paxqy esa Qal<br />
tkrk gS tks IysVQ‚eZ ij xSjdkuwuh /ka/kksa esa fyIr<br />
gS] ysfdu ;gk¡ tksyw mldh enn djrk gS vkSj<br />
bu ifjfLFkfr;ksa esa dke djuk fl[kkrk gSA mudh<br />
nksLrh mUgsa u;k vkRefo'okl nsrh gS vkSj oks nqfu;k<br />
ij cM+s vknfe;ksa dh rjg viuk flDdk tekus dh<br />
[okfg'k djrs gSaA os viuk [kqn dk /ka/kk 'kq# djus<br />
fudy iM+rs gSa] fcuk ;s tkus fd oks [kqn dks dSls<br />
[krjs esa /kdsy jgs gSaA<br />
Raju, a 12-year-old runaway kid,<br />
discovers the sordid aspects of living<br />
life on a railway platform. Soon, falling<br />
prey to a gang dealing in illegal platform<br />
businesses, he finds a friend in Jollu who<br />
helps him learn the ropes of the job at<br />
hand. Their friendship gives them newfound<br />
confidence to start out on their<br />
own and for their world to take notice of<br />
them as grown men. Unable to see the<br />
danger they are subjecting themselves<br />
to, the duo start a venture on their own.<br />
i`Foh dksUuwj<br />
dksUuwj dh igyh y?kq fQYe daMh'kuy Vªwl Jhyadk esa dbZ<br />
vUrjkZ"Vªh; fQYe lekjksgksa esa çnf'kZr gqbZA mudh dUuM+ Hkk"kk esa<br />
Q+hpj vysxkyw dk fuekZ.k lh,Q,lvkbZ ¼bafM;k½ us fd;k] vkSj bls<br />
VhvkbZ,Q,Q fdM~l] rsgjku] LVMxkVZ bafM;u fQYe QsfLVoy esa<br />
vPNh çfrfØ;k,a feyhaA<br />
Prithvi Konanur<br />
Prithvi Konanur’s debut short Conditional Truce shot<br />
in Srilanka has been screened at several international<br />
film festivals. His Kannada language feature Alegalu,<br />
was produced by CFSI (India); the film was well<br />
received at TIFF Kids, Tehran, Stuttgart Indian film<br />
festival and more.<br />
68 ICFT UNESCO GANDHI MEDAL
oqeWu vkWQ+ n ohfiax fjoj<br />
Women of the Weeping River<br />
✪ INDIA PREMIERE<br />
UK,USA | English, Spanish | 1989 | 133 min | Colour<br />
Director Sheron Dayoc<br />
Producer Sheron Dayoc<br />
Screenplay Sheron Dayoc<br />
<strong>Cinema</strong>tographer Rommel Sales<br />
Editor Carlo Francisco Manatad<br />
Sound Design Mike Idioma<br />
Cast Laila Ulao, Sharifa Pearlsia Ali-<br />
Dans, Taha G. Daranda Tan, Miriam<br />
Zimadar-Raper<br />
Q+jhnk vkSj lrjk nksuksa ,d =klnh vkSj jDrikr]<br />
fgalk vkSj fooknksa dh mFkyiqFky vkSj v”kkafr ls<br />
ca/kh gqbZa gSaA os nksuksa fiNyh ihf
<strong>Cinema</strong> of the<br />
World<br />
A section that celebrates the<br />
notable films of the past year<br />
from across the world<br />
CINEMA OF THE WORLD
3@4 ¼Fkzh DokVlZ½ ✪ INDIA PREMIERE<br />
3/4 (Three Quarters)<br />
Bulgaria, Germany | <strong>2017</strong> | Bulgarian | 82 min | Colour<br />
Director Ilian Metev<br />
Producer Ingmar Trost, Ilian Metev<br />
Screenplay Betina Ip, Ilian Metev<br />
<strong>Cinema</strong>tographer Julian Atanassov<br />
Editor Ilian Metev<br />
Sound Design Mirko Reinhard<br />
Production Designer Nikolay Hristov,<br />
Ivelina Mineva<br />
Cast Mila Mikhova, Niki Mashalov,<br />
Todor Veltchev<br />
;qok fi;kuksoknd feyk fons'k esa ,d v‚fM'ku dh<br />
rS;kjh djrh gSA mldk HkkbZ fudh viuh vokafNr<br />
gjdrksa ls mls fopfyr djrk jgrk gSA muds<br />
[kxksy'kkL=h firk VksMksj vius cPpksa dh fparkvksa<br />
ls fuiVus esa vleFkZ gSaA fiNyh xfeZ;ksa esa ,d lkFk<br />
tqVs ifjokj dk ,d fp=A<br />
Young pianist Mila prepares for an<br />
audition abroad. Her brother Niki<br />
distracts her with his unwanted talent for<br />
the absurd. Their astrophysicist father<br />
Todor seems incapable of dealing with<br />
his children’s anxieties. A portrait of a<br />
family during their last summer together.<br />
Sales agent Memento Films<br />
• sales@memento-films.com<br />
bfy;u esVso<br />
1981 esa lksfQ+;k esa tUes bfy;u esVso us ok;fyu oknd ds :i esa<br />
dSfj;j “kq# fd;kA 2008 esa jk"Vªh; fQ+Ye vkSj Vsyhfotu fo|ky;]<br />
yanu ls y?kq fQ+Ye xksYks”kksoks ds lkFk Lukrd fd;kA mudh igyh<br />
Q+hpj lksfQ;kt+ ykLV ,Ecqysal dk dku fØfVDl ohd çhfe;j gqvk<br />
vkSj bls Ýkal 4 fotujh iqjLdkj feykA<br />
Ilian Metev<br />
Born in Sofia in 1981, Ilian Metev initially pursued a<br />
career as a violinist. In 2008, he graduated from the<br />
National Film and Television School near London with<br />
his short film Goleshovo. His first feature, Sofia’s Last<br />
Ambulance, premiered at the Critics’ Week in Cannes<br />
where it won the France 4 Visionary award.<br />
72 CINEMA OF THE WORLD
ukbu fQ+axlZ<br />
9 Fingers<br />
9 Doigts<br />
France, Portugal | <strong>2017</strong> | French | 99 min | B&W, Colour<br />
✪ INDIA PREMIERE<br />
Director F.J. Ossang<br />
Producer Sbastien Haguenauer, Bruce<br />
Satarenko, Lus Urbano<br />
Screenplay F.J. Ossang<br />
<strong>Cinema</strong>tographer Simon Roca<br />
Editor Walter Mauriot<br />
Sound Design Julien Cloquet<br />
Production Designer Rafael Mathe<br />
Monteiro<br />
Cast Damien Bonnard, Diogo Dria<br />
e/; jkf= esa esxykWjs ls ,d lqulku jsyos LVs'ku ij<br />
/kweziku djrs le; iqfyl igpku i= ekaxrh gSA<br />
og fcuk fdlh lkeku vkSj Hkfo"; dh ;kstuk ds<br />
nkSM+us yxrk gSA vpkud ,d ej.kklUu O;fä<br />
feyrk gS] tks mldk HkkX; cny nsrk gSA blds<br />
ckn ,d fxjksg esxykWjs dk ihNk djrk gS] og u<br />
dsoy mudk ca/kd cfYd lkFkh Hkh cu tkrk gSA<br />
In the middle of the night, Magloire<br />
smokes a cigarette in an abandoned<br />
train station when the police show up for<br />
an identity check. He starts running with<br />
no luggage and no future until he meets<br />
a dying man from whom he inherits<br />
a fortune. Subsequently Magloire is<br />
chased by a gang and becomes not only<br />
their hostage but also their accomplice.<br />
Sales agent Capricci Films<br />
• valentin.carre@capricci.fr<br />
,Q+- ts- vksLlax<br />
,Q+- ts- vksLlax dk tUe 7 vxLr 1956 dks gqvkA funsZ”kd vkSj<br />
vfHkusrk vksLlax /keZ xUl ¼yk lDls”kWu LVkjdkso½] MkWDVj pkal<br />
rFkk lkbysUl ds fy, çfl) gSaA<br />
F.J. Ossang<br />
F.J. Ossang was born on August 7, 1956 as Jacques<br />
Plougeaut. He is a director and actor known for Dharma<br />
Guns (La succession Starkov), Doctor Chance and<br />
Silence.<br />
CINEMA OF THE WORLD<br />
73
cSjst+<br />
Barrage<br />
Luxembourg, Belgium, France | <strong>2017</strong> | French | 112 min | Colour<br />
Director Laura Schroeder<br />
Producer Pol Cruchten,<br />
Sébastien Delloye, Jeanne Geiben,<br />
Sebastian Schelenz<br />
Screenplay Marie Nimier,<br />
Laura Schroeder<br />
<strong>Cinema</strong>tographer Hélène Louvart<br />
Editor Damien Keyeux<br />
Production Designer Christina<br />
Schaffer<br />
Cast Lolita Chammah, Themis Pauwels,<br />
Isabelle Huppert<br />
fons'k esa nl lky fcrkus ds ckn dSFkjhu viuh<br />
csVh vYck ds ikl yDtecxZ ykSVh gS] ftlss mldh<br />
eka ,fyt+kcsFk us ikyk gSA vYck vkSj ,fyt+kcsFk<br />
bl vtuch ls nwj jguk pkgrh gSaA bl vlguh;<br />
ifjfLFkfr esa dSFkjhu vYck dk vigj.k dj ,d<br />
;k=k ij ys tkrh gSA fdarq mldk ekr` çse gh<br />
mldk “k=q cu tkrk gSA<br />
After ten years abroad, Catherine returns<br />
to Luxembourg to catch up with her<br />
daughter Alba, who has been brought up<br />
by Catherine’s mother Elisabeth. Alba is<br />
cold and distant with this stranger who<br />
shows up suddenly in her life, and so<br />
is Elisabeth, keen to keep her protegee<br />
to herself. When she cannot take it<br />
anymore, Catherine ‘kidnaps’ Alba and<br />
takes her on a trip to a lake up North. The<br />
unsettling journey into the puzzling world<br />
of motherly love leads to the realization<br />
that she might be her own worst enemy.<br />
Sales agent Luxbox Films<br />
• festivals@luxboxfilms.com<br />
yksjk LdksjssMj<br />
yDlecxZ esa tUeh yksjk LdksjssMj dh fQ+Yesa fo”o Hkj ds fQ+YeksRloksa<br />
esa fn[kk;h x;h gSaA dbZ Lo;a fufeZr fQ+Yeksa ds ckn] mUgksaus y?kq<br />
fQ+Yeksa lsaMlZ vkSj Mcy l‚V dk funsZ'ku vkSj ys[ku fd;kA n<br />
Vªst+j ukbV~l] n lhØsV v‚Q esyqfluk vkSj CyjMZ c‚MZlZ budh<br />
vU; fQ+Yesa gSaA<br />
Laura Schroeder<br />
Laura Schroeder was born in Luxembourg. Her works<br />
have screened at festivals worldwide. After several selfproduced<br />
films, she wrote and directed the short films<br />
Senteurs and Double Saut. Her other credits include The<br />
Treasure Knights—The Secret of Melusina and Blurred<br />
Borders.<br />
74 CINEMA OF THE WORLD
cM~lZ fonkmV usEl<br />
Birds Without Names<br />
Kanojo Ga Sono Na Wo Shiranai Toritachi<br />
Japan | <strong>2017</strong> | Japanese | 123 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Kazuya Shiraishi<br />
Producer Kazumi Fukase<br />
Screenplay Taeko Asano<br />
<strong>Cinema</strong>tographer Takahiro Haibara<br />
Editor Hitomi Kato<br />
Sound Design Kazunori Urata<br />
Production Designer Riki Imamura<br />
Cast Yu Aoi, Sadawo Abe, Tori<br />
Matsuzaka, Yutaka Takenouchi<br />
Sales agent Nikkatsu<br />
• m.furukawa@nikkatsu.co.jp<br />
Qksu ij dqN xjhc [kqnjk dk;ZdrkZvksa dk fglkc<br />
j[kus ds vfrfjDr rksokdks ds ikl cgqr [kkyh<br />
le; gSA og u, çseh ds lkFk ;kSu laca/k j[krs gq,<br />
Hkh vkSj vius ykirk iwoZ çseh dks ;kn djrh gSA<br />
bl nqfo/kk esa mldk :eesV ftath Hkh mldk ihNk<br />
djus yxrk gSA iwoZ çseh dk ykirk gksuk r¨okd¨<br />
ds fy, var rd jgL; gh jgrk gSA<br />
Towako has a lot of free time, and when<br />
she’s not busy berating some poor retail<br />
worker over the phone, she’s switching<br />
between two modes – having sex with<br />
her new beau, and craving it from her<br />
missing ex-lover. Thrown in amongst this<br />
spiritual orgy is Jinji (Sadao Abe), her<br />
unlikely roommate and caretaker, who<br />
begins to lurk in the shadows everywhere<br />
she goes. This, in conjunction with the<br />
mysterious circumstances surrounding<br />
her ex-lover’s disappearance, has her<br />
reconsidering whether his disappearance<br />
is really such a mystery after all.<br />
dkt+q;k f”kjk;”kh<br />
tkiku ds gksDdkbMks esa tUes dkt+q;k f”kjk;”kh us fuekZrk dksth<br />
odkekRlw vkSj xsUth ukdkeqjk ds lgk;d ds :i esa dke djus<br />
ds ckn viuh igyh Q+hpj fQYe y‚LV iSjkMkbt+ bu VksD;ks dk<br />
funsZ'ku fd;kA MsfoYl ikFk vkSj fV~ofLVM tfLVl budh vU;<br />
fQ+Yesa vkSj cM~lZ fonkmV usEl uohure gSA<br />
Kazuya Shiraishi<br />
Kazuya Shiraishi was born in Asahikawa in the Kazuya<br />
Shiraishi Hokkaido prefecture of Japan. After working for<br />
a time as an assistant to filmmakers Koji Wakamatsu and<br />
Genji Nakamura, he went on to direct his first feature,<br />
Lost Paradise in Tokyo. Subsequent directorial credits<br />
include The Devil’s Path and Twisted Justice. Birds<br />
Without Names is his most recent film.<br />
CINEMA OF THE WORLD<br />
75
CySd ysoy<br />
Black Level<br />
Riven' Chornoho<br />
Ukraine | <strong>2017</strong> | No Dialogues | 91 min | Colour<br />
Director Valentyn Vasyanovych<br />
Producer Valentyn Vasyanovych, Iya<br />
Myslytska, Dennis Ivanov<br />
Screenplay Valentyn Vasyanovych<br />
<strong>Cinema</strong>tographer Valentyn<br />
Vasyanovych<br />
Cast Kostyantyn Mokhnach, Kateryna<br />
Molchanova<br />
cM+s “kgj esa cgqr vdsykiu gS vkSj osfMax QksVksxzkQj<br />
dksLR;k ds thou esa HkhA dke ds le; og vius<br />
thou esa fo'ks"k {k.kksa dks eukrs gq, çlUufpÙk<br />
yksxksa ls f?kjk jgrk gSA dksLR;k 50 dk gksus okyk<br />
gS vkSj viuh gj I;kjh pht dks [kks jgk gSA D;k<br />
og fujk'kk ls eqdkcyk dj thou dh [kfq”k;ksa dh<br />
vksj ykSV ik;sxk \<br />
✪ INDIA PREMIERE<br />
Loneliness dwells in a big city; Kostya,<br />
the wedding photographer, dwells there<br />
too. At work, he is surrounded by happy<br />
people celebrating special moments in<br />
their lives. Kostya is about to turn 50,<br />
and he is drastically losing everything<br />
he used to cherish. Will he cope with his<br />
despair and regain the joy of life?<br />
Sales agent Arthouse Traffic<br />
• program@arthousetraffic.com<br />
oSysaVhu okluuksfod<br />
oSysaVhu okluuksfod ;wØsuh funs'kd] fuekZrk vkSj Mhvksih gSA 2004<br />
esa muds o`Ùkfp= vxsULV n lu dks DysjeksaUV&QsjaM vkSj fQ+D”ku<br />
fQ+Yeksa fct+usl ,t+ ;qt+vy ,oa ØsMsal vksMslk fQ+Ye lekjksg esaa<br />
iqjLdkj feysA ;wØsu dh cgqpfpZr fQ+Ye n Vªkbc jghA ØsiqLD¸kwYk<br />
v®Mslk fQYe lekj®g dh loZJs"B ¸kwØsfu¸ku fQ+Ye pquh xbZA<br />
Valentyn Vasyanovych<br />
Valentyn Vasyanovych is a director, producer and DOP.<br />
His documentary Against the Sun received the Jury Prize<br />
at the Clermont-Ferrand IFF. His fiction films Business as<br />
Usual and Kredens were awarded at the Odessa IFF.<br />
The Tribe is considered the biggest Ukrainian festival hit.<br />
Crepuscule (documentary) was recognised as the best<br />
Ukrainian film at Odessa Film Festival (2015).<br />
76 CINEMA OF THE WORLD
CyMh feYd<br />
Bloody Milk<br />
Petit Paysan<br />
France | <strong>2017</strong> | French | 90 min | Colour<br />
Director Hubert Charuel<br />
Producer Stéphanie Bermann,<br />
Alexis Dulguerian<br />
Screenplay Claude le Pape,<br />
Hubert Charuel<br />
<strong>Cinema</strong>tographer Sebastien Goepfert<br />
Editor Julie Lena, Lilian Corbeille,<br />
Grégoire Pontécaille<br />
Sound Design Emmanuel Augeard<br />
Vincent Cosson<br />
Cast Swann Arlaud, Sara Giraudeau,<br />
Bouli Lanners, Isabelle Candelier,<br />
Jean-Paul Charuel, Marc Barb<br />
Ms;jh fdlku fi;js dk thou esa i'kqfpfdRld<br />
cgu] ekrk&firk] [ksr vkSj xk;sa gh lc dqN gSaA<br />
Ýkal esa tc ,d egkekjh dk igyk ekeyk lkeus<br />
vk;k rks mls irk pyk fd mldk ,d i”kq h<br />
laØfer gSA fi;js ds ikl vius i'kqËku ds vYkkok<br />
dqN h ugha gSA fi;js viuh xk;ksa dks [kks ugha<br />
ldrkA og mUgsa cpkuss ds fy, dqN Hkh djsxkA<br />
✪ INDIA PREMIERE<br />
Pierre is a 30-year-old dairy farmer. His<br />
life revolves around the family farm he<br />
took over, his cows, his veterinarian<br />
sister and his parents. When the first<br />
cases of an epidemic disease break out<br />
in France, Pierre finds out that one of his<br />
animals is infected. Losing his cows is<br />
not an option for Pierre. He has nothing<br />
else and he will do whatever it takes to<br />
save them.<br />
Sales agent Pyramide <strong>International</strong><br />
• ilaria@pyramidefilms.com<br />
áwcVZ pk#,y<br />
n Qsfel fQYe Ldwy ls Lukrd áwcVZ pk#,y us rhu y?kq<br />
fQ+Yeksa dk lg&ys[ku vkSj funsZ'ku fd;kA 2016 esa mUgksaus igyh<br />
Q+hpj fQ+Ye isfVV islu DykmM ys isi ds lkFk feydj fy[kh<br />
vkSj mldk funsZ”ku fd;kA budh fQ+Ye CyMh feYd dku fQYe<br />
lekjksg] <strong>2017</strong> ds fØfVDl ohd esa çnf”kZr gqbZA<br />
Hubert Charuel<br />
Charuel co-wrote (with Claude Le Pape) and directed<br />
Petit paysan, his first feature film, half-documentary<br />
(about life in a dairy farm) and half-fiction (a young<br />
dairy farmer tries desperately to save his herd from the<br />
ravages of an epidemic disease). Both interesting and<br />
thrilling, Charuel’s film was well received at the Critics’<br />
Week of the <strong>2017</strong> Cannes Film Festival.<br />
CINEMA OF THE WORLD<br />
77
n CkkW; fon n VkWiukWV<br />
The Boy with the Topknot<br />
✪ INTERNATIONAL PREMIERE<br />
UK | <strong>2017</strong> | English | 90 min | Colour<br />
Director Lynsey Miller<br />
Producer Nisha Parti<br />
Screenplay Mick Ford, Sathnam<br />
Sanghera<br />
<strong>Cinema</strong>tographer Adam Etherington<br />
Editor Sarah Brewerton<br />
Sound Design Martin Beresford<br />
Production Designer Caroline Greville-<br />
Morris<br />
Cast Sacha Dhawan, Anupam Kher,<br />
Deepti Naval, Joanna Vanderham,<br />
Kiran Sonia Sawar and Sam Otto.<br />
lruke la?ksjk oksYojgsEiVu esa rhu O;olk;ksa esa<br />
my> dj thou O;rhr dj jgk FkkA ifjokj ds<br />
:[ks O;ogkj dk og vH;Lr gks pqdk FkkA 24 o’kZ<br />
dh vk;q esa vpkud mls vrhr ds ckjs esa irk pyk<br />
fd mlds firk xzkeh.k iatkc ds dBksj thou ds<br />
ckn dSls oksYojgsEiVu VwfjLV v‚fQ+l rd igqaps<br />
vkSj thou ds çfr mldk ut+fj;k cny x;kA<br />
For Sathnam Sanghera, growing up<br />
in Wolverhampton in the 1980s was<br />
a confusing business. And then there<br />
was his family, whose strange and often<br />
difficult behaviour he took for granted<br />
until, at the age of twenty-four, Sathnam<br />
made a discovery that changed<br />
everything he ever thought he knew<br />
about them. He embarks on a journey<br />
into their extraordinary past - from his<br />
father’s harsh life in rural Punjab to the<br />
steps of the Wolverhampton Tourist<br />
Office.<br />
Sales agent Nisha Parti<br />
• nisha@partiproductions.co.uk<br />
fyals feyj<br />
Ld‚VySaM dh fyals feyj us pkj iqjLdkj fotsrk y?kq fQ+Yeksa dk<br />
funsZ”ku fd;k gSA feyj foKkiuksa vkSj laxhr ohfM;ks dk funsZ'ku<br />
Hkh djrh gSaA n c‚; fon n VkWiu‚V lruke la?ksjk ds chchlh 2 ds<br />
fy, fy[ks leh{kdksa }kjk ç'kaflr laLej.k ij vk/kkfjr gSA<br />
Lynsey Miller<br />
In 2012, Miller directed Colour, written by Vivienne<br />
Franzmann, for Channel 4’s Coming Up scheme. The<br />
pair then completed the BAFTA & Japan Prize winning<br />
Lizard Girl for BBC/EBU. Miller also directs commercials<br />
and music videos. The Boy with the Topknot is an<br />
adaptation of Sathnam Sanghera’s acclaimed memoir,<br />
for BBC2.<br />
78 CINEMA OF THE WORLD
n czsMfouj<br />
The Breadwinner<br />
✪ ASIA PREMIERE<br />
Canada, Ireland, Luxembourg | <strong>2017</strong> | English | 93 min | Colour<br />
Director Nora Twomey<br />
Producer Anthony Leo, Paul Young,<br />
Angelina Jolie, Andrew Rosen,<br />
Tomm Moore, Stephan Roelants<br />
Screenplay Anita Doron, Deborah Ellis<br />
Editor Darragh Byrne<br />
Sound Design Nelson Ferreira,<br />
J.R. Fountain<br />
Production Designer Ciaran Duffy,<br />
Reza Riahi<br />
Cast Saara Chaudry, Soma Chhaya,<br />
Laara Sadiq, Shaista Latif, Ali Badshah,<br />
Kawa Ada, Noorin Gulamgaus<br />
X;kjg o"khZ; ijokuk vius ifjokj ds lkFk ;q)xzLr<br />
dkcqy esa ,d NksVs ?kj esa jgrh gSA ,d fnu mlds<br />
firk dks fxjrkj dj fy;k tkrk gS vkSj ijokuk<br />
dk thou ges'kk ds fy, cny tkrk gSA :f
czsFk<br />
Breath<br />
Nafas<br />
Iran | <strong>2017</strong> | Persian | 112 min | Colour<br />
Director Narges Abyar<br />
Producer Mohammad Hossein<br />
Ghasemi, Abouzar Pour Mohammadi<br />
Screenplay Narges Abyar<br />
<strong>Cinema</strong>tographer Saed Nikzat<br />
Editor Sajjad Pahlavanzadeh<br />
Sound Design Arash Ghasemi<br />
Cast Gelare Abasi, Mehran Ahmadi,<br />
Jamshid Hashempur<br />
Sales agent Mohamed Atebai<br />
• info@iranianindependents.com<br />
,d NksVh bZjkuh yM+dh cgkj dFkk,aa vkSj dgkfu;ka<br />
i
n dsdesdj<br />
The Cakemaker<br />
✪ INDIA PREMIERE<br />
Germany, Israel | <strong>2017</strong> | English, German, Hebrew | 104 min | Colour<br />
Director Ofir Raul Graizer<br />
Producer Itai Tamir, Mathias<br />
Schwerbrock<br />
Screenplay Ofir Raul Graizer<br />
<strong>Cinema</strong>tographer Omri Aloni<br />
Editor Michal Oppenheim<br />
Sound Design Avi Mizrahi,<br />
Dominique Charpentier<br />
Production Designer Yael Bibel,<br />
Daniel Kossow<br />
Cast Tim Kalkhof, Sarah Adler,<br />
Zohar Shtrauss<br />
cfyZu esa ,d isLVªh 'ksQ+ V‚el vius bt+jkbyh çseh<br />
vksjsu dh dkj nq?kZVuk esa e`R;q ls vkgr gSA bl<br />
nq[k dks de djus ds fy, V‚el bt+jkby tkdj<br />
vksjsu dh iRuh vkSj ;qok csVs ds thou esa lfEefyr<br />
gks tkrh gSA “kksd vkSj Hkkoukvksa dk lkeatL;<br />
fQ+Ye dh fo”ks’krk gSA<br />
This tender drama about a closeted<br />
love affair unfolds through the eyes of<br />
Tomas, a Berlin pastry chef who learns<br />
that Oren, his Israeli lover, has died in<br />
a car accident in Jerusalem. Unmoored<br />
by his loss, Thomas journeys to Israel to<br />
begin the process of healing. Desiring to<br />
better know his now lost love, he inserts<br />
himself into the life of Oren’s wife and<br />
young son. This expertly crafted film is<br />
a moving portrait of grief and catharsis.<br />
Sales agent Films Boutique<br />
• aleksandr@filmsboutique.com<br />
vksfQ+j jkmy xzk;t+j<br />
btjk;yh fQYe funsZ'kd vkSj ohfM;ks dykdkj vksfQ+j us o"kksaZ rd<br />
fofHkUu {ks=ksaa esa dke djus ds i”pkr~ flusek dk v/;;u fd;k<br />
vkSj v/;;u ds nkSjku dbZ y?kq fQYeksa dk funsZ'ku fd;kA muds<br />
lg&funsZ”ku esa cuh fQ+Ye yk fMLdksFksd dbZ lekjksgksa esa çnf”kZr<br />
gqbZA n dsdesdj mudh igyh Q+hpj fQ+Ye gSA<br />
Ofir Raul Graizer<br />
An Israeli film director and video artist, Ofir Raul Graizer<br />
co-directed La Discotheque, which was screened in<br />
Cannes Director’s Fortnight. He was also accepted to<br />
the Nipkow Program, Berlinale Talents and Agora Film<br />
Market. The Cakemaker is his first feature film. Graizer<br />
lives and works internationally, giving cooking classes as<br />
a hobby and working on several film and artistic projects.<br />
CINEMA OF THE WORLD<br />
81
dsUMsyfj;k<br />
Candelaria<br />
✪ ASIA PREMIERE<br />
Colombia, Germany, Norway, Argentina, Cuba | <strong>2017</strong> | Spanish | 88 min | Colour<br />
Director Jhonny Hendrix<br />
Producer Jhonny Hendrix Hinestroza,<br />
Juan Diego Villegas, Federico<br />
Eibuszyc, Barbara Sarasola-Day,<br />
Claudia Calviño<br />
Screenplay Mara Camila Arias,<br />
Jhonny Hendrix, Abel Arcosoto, Carlos<br />
Quintela<br />
<strong>Cinema</strong>tographer Soledad Rodrguez<br />
Editor Anita Remn, Mauricio Leiva,<br />
Jhonny Hendrix Hinestroza<br />
Sound Design Jesica Suarez, Miller<br />
Castro, Roberto Migone<br />
Cast Manuel Viveros, Alden Knigth<br />
lksfo;r la?k ds fo?kVu ls gokuk esa 'khr ;q) dh<br />
lekfIr ds ckn çfrca/k viuh pje ij gSA ,sls esa<br />
dsUMsyfj;k ¼75½ vkSj foDVj áwxks ¼76½ dk thou<br />
/kheh xfr ls py jgk gSA ,d fnu dsUMsyfj;k dks<br />
gksVy esa Tkgk¡ og dke djrh gS] ohfM;ks dSejk fey<br />
tkrk gSA dSejs ls vius I;kj dh fQYe cukrs gq,<br />
Hkwy tkrs gSa fd muesa ls ,d chekj gSA<br />
Havana, 1994. With embargo at its<br />
peak, the Cold War comes to an end and<br />
the Soviet Union disintegrates. But for<br />
Candelaria (75), and Victor Hugo (76)<br />
life continues at a slow pace. The days<br />
are repetitive, conversations are sparse,<br />
dinners are sad. One day, the monotony<br />
is broken when Candelaria finds a video<br />
camera hidden in the dirty sheets of the<br />
hotel where she works. This camera,<br />
subtly sneaks into their lives as the<br />
couple use it to film themselves. This<br />
spark of recovered love helps them<br />
forget that one of them is sick.<br />
Sales agent Beta <strong>Cinema</strong><br />
• Cosima.Finkbeiner@betacinema.com<br />
82 CINEMA OF THE WORLD<br />
tkWuh gsafMªDl<br />
tkWuh gsafMªDl fgusL=kst+k vuqHkoh funsZ'kd] fQYe fuekZrk vkSj<br />
,aVkpkZ fQYEl ds laLFkkid gSaA os MkWx bZV M‚x] MkW- vyseu<br />
tSlh dbZ fQYeksa dk fuekZ.k dj pqds gSaA gsafMªDl cgqr lh eq[;<br />
ySfVu&vesfjdh fQYeksa ds fuekZ.k ,oa funsZ”ku ls lac) gSaA mudh<br />
funsZf”kr fQ+Ye pksdks cfyZu 2012 esa çnf”kZr gqbZ FkhA<br />
Jhonny Hendrix<br />
An experienced director and film producer Jhonny<br />
Hendrix is best known for organising the Cali film<br />
festival Cien Milimetros and founding Antorcha Films, a<br />
production company focused on local content. Among<br />
his own movies are the critically acclaimed short film<br />
Cuando llegan los muchachos and his masterpiece<br />
Chocó, that was presented at the 2012 edition of the<br />
Berlinale.
fpYMªu vkWQ+ n ukbV<br />
Children of the Night<br />
I Figli Della Notte<br />
Italy, Belgium | 2016 | Italian | 85 min | Colour<br />
Director Andrea De Sica<br />
Producer Marta Donzelli,<br />
Gregorio Paonessa, Joseph Rouschop<br />
Screenplay Andrea De Sica,<br />
Mariano Di Nardo, Gloria Malatesta<br />
<strong>Cinema</strong>tographer Stefano Falivene<br />
Editor Alberto Masi<br />
Sound Design Fabien Pochat, Antoine<br />
Vandendriessche<br />
Production Designer Dimitri Capuani<br />
Cast Vicenzo Crea, Ludovico Succio,<br />
Fabrizio Rongione, Yuliia Sobol,<br />
Luigi Bignone, Petro Monfreda<br />
Sales agent Reel Suspects<br />
• a@reelsuspects.com<br />
17 o"khZ; fxmfyvks ,d cksfMaZx Ldwy Hkstk tkrk gS<br />
tgka ,MksMksZ ds lkFk mldh nksLrh gksrh gSA os jkr<br />
dks gksLVy ls Hkkxdj taxy esa fNis gq, ukbV Dyc<br />
esa tkuk 'kq: djrs gSa tgka os os';k ,ysuk ls feyrs<br />
gSa v©j mls ilan djus yxrs gSA vpkud mUgsa<br />
irk pyrk gS fd mudk fNik gqvk vijk/k okLro<br />
esa Ldwy ds '¨f{kd dk;ZØe dk fgLlk gSA muds<br />
Lora= g¨us dk d®bZ jkLrk vo'¸k g®xkA<br />
✪ INDIA PREMIERE<br />
Giulio, a 17-year old from a well-to-do<br />
family, is sent to a boarding school in an<br />
isolated place in the Alps. Where ironclad<br />
rules limit all contact with the outside,<br />
he makes friends with Edoardo, who is<br />
rather odd. Their friendship is sealed<br />
by frequent escapes at night, when the<br />
surveillance of the students seems to<br />
lapse. They begin to frequent a nightclub<br />
hidden in the forest, which becomes<br />
a refuge for the two young men. This<br />
is where they meet Elena, a prostitute,<br />
and become fond of her. Suddenly, they<br />
discover that the transgressions they<br />
have kept hidden are actually part of<br />
the school’s educational programme.<br />
And yet there must be a way for them to<br />
become truly free.<br />
,afMª;k fM fldk<br />
,afMª;k fM fldk dk tUe jkse esa 30 fnlacj 1981 dks gqvk FkkA og<br />
,d funsZ'kd vkSj ys[kd gSa] tks fe;k ,aM eh] fpYMªu v‚Q n ukbV<br />
vkSj y bUQ+uksZ lksuks Xyh vYrjh ds fy, tkus tkrs gSA<br />
Andrea De Sica<br />
Andrea De Sica was born on December 30, 1981 in<br />
Rome. He is a director and writer, known for Mia and Me,<br />
Children of the Night and L’inferno sono gli altri.<br />
CINEMA OF THE WORLD<br />
83
, flvkEcjk ✪ INDIA PREMIERE<br />
A Ciambra<br />
Italy, Germany, France, USA | <strong>2017</strong> | Italian | 120 min | Colour<br />
Director Jonas Carpignano<br />
Producer Paolo Carpignano,<br />
Jon Coplon, Christoph Daniel, Rodrigo<br />
Teixeira, Ryan Zacarias, Gwyn Sannia<br />
Screenplay Jonas Carpignano<br />
<strong>Cinema</strong>tographer Tim Curtin<br />
Editor Affonso Gonçalves<br />
Sound Design Guiseppe Tripodi<br />
Production Designer Marco Ascanio<br />
Viarigi<br />
Cast Pio Amato, Koudous Seihon,<br />
Damiano Amato<br />
Sales agent Luxbox Films<br />
• festivals@luxboxfilms.com<br />
dSykfcz;k ds ,d NksVs jksekuh leqnk; dk fivks<br />
vekVks rsth ls c
Dykst+ fuV<br />
Close-Knit<br />
Karera Ga Honki De Amu Toki Wa<br />
Japan | <strong>2017</strong> | Japanese | 127 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Naoko Ogigami<br />
Producer Kenzô Ishiguro, Noriaki<br />
Takagi, Masashi Igarashi<br />
Screenplay Naoko Ogigami<br />
<strong>Cinema</strong>tographer Kozo Shibasaki<br />
Editor Shinichi Fujima<br />
Sound Design Tetsuo Segawa<br />
Production Designer Mayumi Tomita<br />
Cast Tôma Ikuta, Kenta Kiritani, Eiko<br />
Koike<br />
Sales agent Nikkatsu<br />
• m.furukawa@nikkatsu.co.jp<br />
11 o"khZ; rkseks dh eka fgjkseh çk;% ?kj NksM+ dj<br />
pyh tkrh gSA eka ds bl O;ogkj dh vH;Lr rkseks<br />
fgjkseh ds HkkbZ ekfd;ks ds ?kj tkrh gS tks viuh<br />
lqanj çsfedk fjadks ds lkFk jgrk gSA fjadks Vªkaloweu<br />
gS vkSj uflaZx gkse esa dke djrh gSA rkseks fj”rksa<br />
dks ysdj my>u esa gS ysfdu rhuksa lkFk jgus yxrs<br />
gSaA fjad® Lokfn"V £kuk cukrh gS v©j dh dh<br />
r®e¨ d¨ xys h yxkrh gSA fjad¨ r®e® d® fl[kkrh<br />
gS fd cquus ls xqLLks d¨ dSls dkcw fd¸kk tk ldrk<br />
gSA ek¡ us h r®e¨ d¨ cquuk fl[kk¸kk FkkA<br />
One spring, Hiromi, who is the mother of<br />
an 11-year-old girl Tomo, leaves home<br />
for the umpteenth time. As always, Tomo,<br />
accustomed to such a mother, goes to<br />
Makio’s place. He is a brother of Hiromi<br />
and lives with Rinko, his pretty girlfriend.<br />
Actually, Rinko is a transwoman. She<br />
works as a caregiver in a nursing home<br />
where Makio’s mother Sayuri, who<br />
suffers from dementia, lives. Rinko<br />
makes a delicious meal and sometimes<br />
cuddles Tomo. She is a little confused,<br />
but Tomo, Rinko and Makio start to live<br />
a life together. One day, Rinko teaches<br />
Tomo to knit in order to control her<br />
temper... Rinko’s mother also taught her<br />
the same skill when she struggled with<br />
her sexuality during puberty...<br />
ukvdks vksfxxkeh<br />
tkiku esa tUeh ukvdks vksfxxkeh us nf{k.kh dSfyQksfuZ;k<br />
fo'ofo|ky; esa fQ+Ye dk v/;;u fd;k FkkA mudh igyh Q+hpj<br />
fQ+Ye ckjcj ;‚f'kuks 2004 esa cfyZu tujs'ku dk;ZØe esa çnf”kZr<br />
gqbZA vU; fQYesa dkekses 'ksdqMks] esxus vkSj jsaVkusdks gSaA<br />
Naoko Ogigami<br />
Naoko Ogigami’s feature film debut Barber Yoshino<br />
screened in the Berlinale Generation programme in<br />
2004. Her film Kamome shokudô was a huge hit in Japan.<br />
At the 2008 Berlin <strong>International</strong> Film Festival Megane<br />
won the Manfred Salzberger Award, for broadening the<br />
boundaries of cinema today.<br />
CINEMA OF THE WORLD<br />
85
Dykst+usl<br />
Closeness<br />
Tesnota<br />
Russia | <strong>2017</strong> | Russian | 118 min | Colour<br />
Director Kantemir Balagov<br />
Producer Eduard Pichugin, Aleksandr<br />
Sokurov, Nikolay Yankin<br />
Screenplay Kantemir Balagov,<br />
Anton Yarush<br />
<strong>Cinema</strong>tographer Artem Emelianov<br />
Editor Kantemir Balagov<br />
Sound Design Andrey Nikitin<br />
Production Designer Alexey Paderin<br />
Cast Atrem Cipin, Olga Dragunova,<br />
Veniamin Kac<br />
Sales agent Wildbunch<br />
• edevos@wildbunch.eu<br />
24 o"khZ; bykuk firk ds xsjkt esa mudh lgk;rk<br />
djrh gSA ,d 'kke lkjk ifjokj vkSj nksLr mlds<br />
NksVs HkkbZ MsfoM dh lxkbZ dk t'u eukus ds<br />
fy, bdës gksrs gSaA ml jkr ckn esa ;qok tksM+s<br />
dk vigj.k gks tkrk gS vkSj fQjkSrh ekaxh tkrh<br />
gSA IkqfYkl dh lgk¸krk dk loky gh ugha mBrkA<br />
fQj©rh ds fy, iSlk dgka ls vk¸¨xk? ysfdu bykuk<br />
vkSj mlds ekrk&firk dksbZ Hkh tksf[ke mBkdj<br />
iqfyl dh lgk;rk ds fcuk gh mUgsa cpk;saxsA<br />
1998, Nalchik, the North Caucasus,<br />
Russia. 24-year-old Ilana works in<br />
her father’s garage to help him make<br />
ends meet. One evening, her extended<br />
family and friends gather to celebrate<br />
the engagement of her younger brother<br />
David. Later that night, the young couple<br />
is kidnapped, and a ransom demand<br />
delivered. In this close-knit Jewish<br />
enclave, involving the police is out of<br />
the question. How will the family raise<br />
the money to save David? Ilana and her<br />
parents, each in their own way, will go as<br />
far as necessary, whatever the risks to<br />
themselves.<br />
dkarsfej ckykxkso<br />
uyfpd esa tUes dkarsfej ckykxkso us dckfMZuks&ckYdj LVsV<br />
;wfuoflZVh ls vysDtsaMj lksdqjkso ds funs'kd ikBîØe esa viuh<br />
i
Msczsd<br />
Daybreak<br />
Dita Zë Fill<br />
Albania | <strong>2017</strong> | Albanian | 85 min | Colour<br />
Director Gentian Koçi<br />
Producer Gentian Koçi<br />
Screenplay Gentian Koçi<br />
<strong>Cinema</strong>tographer Ilias Adamis<br />
Editor Christos Giannakopoulos, Bonita<br />
Papastathi<br />
Sound Design Christos<br />
Giannakopoulos<br />
Production Designer Ilia Kolka,<br />
Drini Shehu<br />
Cast Ornela Kapetani, Suzana Prifti,<br />
Kasem Hoxha<br />
dbZ eghuksa ls fdjk, dk Hkqxrku rd ugha djus ij<br />
ysrk dks ,d lky ds csVs ds lkFk vikVZesaV ls ckgj<br />
fudky fn;k tkrk gSA chekj cw
fMlvih;jsal<br />
Disappearance<br />
Napadid Shodan<br />
Iran, Oatar | <strong>2017</strong> | Persian | 89 min | Colour<br />
Director Ali Asgari<br />
Producer Pouria Heidary Oureh,<br />
Ali Sadraie<br />
Screenplay Farnoosh Samadi,<br />
Ali Asgari<br />
<strong>Cinema</strong>tographer Ashkan Ashkani<br />
Editor Ehsan Vaseghi<br />
Sound Design Hamed Ghoorchian,<br />
Hosseyn Ghourchian<br />
Production Designer Saeid Asadi<br />
Cast Sadaf Asgari, Amirreza Ranjbaran<br />
Sales agent New European Film Sales<br />
• ewa@neweuropefilmsales.com<br />
vk/kqfud rsgjku dh ,d “khrdkyhu jkr esa ,d<br />
;qok çseh ;qxy ,d xaHkhj leL;k esa Qal tkrs<br />
gSaSaA dqN gh ?kaV¨ esa mUgsa bLkd® lqy>kuk gh gSA<br />
lgk;rk ds fy, ,d ls nwljs vLirky esa HkVdrss<br />
gSa] ysfdu mUgsa bykt dh lqfo/kk ugha feyrhA<br />
os viuh leL;k ifjokj dks Hkh ugha crk ldrsA<br />
ifj.kke ¸kadj g® ldrk gSaA :fs muds laca/kksa dk<br />
Hkfo’; vfuf”pr gSA<br />
✪ INDIA PREMIERE<br />
On a cold winter night in modern Tehran,<br />
a couple of young lovers run into a<br />
serious problem, and they have just a few<br />
hours to come up with a solution. They<br />
go from hospital to hospital in search of<br />
help, but none of the hospitals will admit<br />
the young woman to provide her with<br />
the medical attention she desperately<br />
requires. While they try hard to find a way<br />
to solve the problem, they have to hide<br />
what is happening from their parents.<br />
Moreover, their relationship is facing a<br />
crisis and will suffer dire consequences.<br />
Caught between conservative traditions<br />
and modern day desires, the couple<br />
must face their uncertain futures.<br />
vyh vlxjh<br />
vyh vlxjh dh y?kq fQYesa eksj nSu Vw vkolZ vkSj n lkbysUl<br />
dku esa çfr;ksfxrk esa FkhaA n csch 2014 esa osful Q+sfLVoy esa<br />
çhfe;j gqbZ FkhA mudh y?kq fQYeksa dks 600 ls vf/kd fQYe<br />
lekjksgksa esa çnf'kZr gqbZ v©j mUgs 150 ls vf/kd iqjLdkj feysA<br />
Ali Asgari<br />
Ali Asgari’s shorts More Than Two Hours and The<br />
Silence (co-directed by Farnoosh Samadi), were<br />
in competition in Cannes. His short film The Baby<br />
premiered in competition at the Venice Film Festival in<br />
2014. His short films were screened in more than 600<br />
film festivals around the world and, won more than 150<br />
international awards.<br />
88 CINEMA OF THE WORLD
,y badk ✪ INDIA PREMIERE<br />
El Inca<br />
Venezuela | 2016 | Spanish | 128 ßmin | Colour<br />
Director Ignacio Castillo Cottin<br />
Producer Nathalie Sar - Shalom<br />
Screenplay Ignacio Castillo Cottin,<br />
Ada Hernández<br />
<strong>Cinema</strong>tographer Alexandra Henao<br />
Editor Maikel Jimenez<br />
Sound Design Maurlio López<br />
Production Designer Roger Vargas<br />
Cast Alexander Leterni, Scarlett<br />
Jaimes, Miguel Ferrari<br />
Sales agent Wide<br />
• ma@widemanagement.com<br />
,y badk nks ckj fo'o eqDdsckth pkSafi;u<br />
foYk{k.k çfrk'kkyh ,Mfou oysjks dh dgkuh ij<br />
vk/kkfjr gSA oysjks us ,d ds ckn ,d 18 ckj vius<br />
çfr}fUn;ksa dks ijkftr dj fo'o fjd‚MZ cuk;kA<br />
oysjks dk O;kolkf;d thou lQy fdarq futh<br />
thou vlqj{kkvksa ls f?kjk FkkA bu lcds chp ,y<br />
badk oysjks dh vn~Hkqr [ksy {kerk dh vkd’kZd<br />
çLrqfr gSA<br />
Based on the story of undefeated<br />
two-time World Boxing Champion<br />
Edwin Valero, El Inca is a powerhouse<br />
biographical drama about talent and<br />
charisma, love and ambition, excess<br />
and self-destruction. He set a world<br />
record by winning his first 18 fights with<br />
a first-round knockout. But as Valero’s<br />
professional life bloomed, his personal<br />
life began to stagger, with insecurities<br />
leading to marital infidelities and perilous<br />
addiction, aspects of Valero’s life that<br />
still spark controversy. El Inca tells of<br />
an exhilarating rise, a tragic fall, and the<br />
riveting displays of athletic mastery in<br />
between.<br />
bXukfl;ks dSfLVyks d‚fVu<br />
bXukfl;ks dSfLVyks d‚fVu osustq,yk ds funsZ'kd vkSj ys[kd gSA og<br />
nf{k.kh dSfyQ+ksfuZ;k fo'ofo|ky; ds Lukrd gSaA mUgksusa yk oftZu<br />
usxzk dk funsZ”ku fd;k gSaA ,y badk mudh uohure fQ+Ye gSA<br />
Ignacio Castillo Cottin<br />
Ignacio Castillo Cottin is a Venezuelan director and writer.<br />
He is a graduate of the University of Southern California.<br />
His directorial credits includes La virgen negra. El Inca<br />
is his newest film.<br />
CINEMA OF THE WORLD<br />
89
,yksu Mt+ ukWV fcyho bu MsFk<br />
Elon Doesn’t Believe in Death<br />
Elon Não Acredita Na Morte<br />
Brazil | <strong>2017</strong> | Portuguese | 75 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Ricardo Alves Jr.<br />
Producer Ricardo Alves Jr.<br />
Screenplay Ricardo Alves Jr.,<br />
Diego Hoefel, Germano Melo,<br />
João Salaviza<br />
<strong>Cinema</strong>tographer Matheus Rocha<br />
Editor Frederico Benevides,<br />
Michael Wahrmann<br />
Sound Design Daniel Saavedra<br />
Production Designer Diogo Hayashi<br />
Cast Rômulo Braga, Clara Choveaux,<br />
Lourenço Mutarelli<br />
,yksu dh iRuh enysuk jgL;e;
;wFksukbt+j<br />
Euthanizer<br />
Armomurhaaja<br />
Finland | <strong>2017</strong> | Finnish | 85 min | Colour<br />
Director Teemu Nikki<br />
Producer Jani Pösö, Marja Pihlaja<br />
Screenplay Teemu Nikki<br />
<strong>Cinema</strong>tographer Sari Aaltonen<br />
Editor Teemu Nikki<br />
Sound Design Sami Kiiski,<br />
Production Designer Teemu Nikki,<br />
Sari Aaltonen<br />
Cast Hannamaija Nikander, Jari<br />
Virman, Heikki Nousiainen<br />
;wFksukbt+j ,d 50 o"khZ; eSdsfud ohtks gkSDdk<br />
dh dgkuh gS] ftldk nwljk dke chekj ikyrw<br />
tkuojksa dks lqykus dk gSA ysfdu D;k gksrk gS tc<br />
og ,d xyr O;fä ds dqÙks dks cpkus dk QSlyk<br />
djrk gS\ dgkuh i'kqvksa ds vf/kdkj] ihM+k vkSj ekSr<br />
ds bnZfxnZ ?kwerh gSA fdarq ewy dgkuh dk fo’k;<br />
vPNkbZ ;k cqjkbZ ugha gS & ;g ,d iq#"k dh ew[kZrk<br />
ds ckjs esa gSA<br />
✪ INDIA PREMIERE<br />
Euthanizer is a violent summer noir.<br />
It tells the story of Veijo Haukka, a<br />
50-year-old mechanic, whose second<br />
job is to put sick pets to sleep. But<br />
what happens when he decides to save<br />
the wrong person’s dog? The themes<br />
revolve around animal rights, suffering<br />
and death. But the real story is not about<br />
good or evil, it’s about the stupidity of<br />
absolute men.<br />
Sales agent Wide<br />
• ma@widemanagement.com<br />
rhew fudh<br />
fQuySaM esa tUesa rhew fudh us dbZ y?kq fQ+Yesa] E;wftd ohfM;ks vkSj<br />
def”kZ;Yl dk funsZ'ku fd;k A mUgksaus viuh igyh Qhpj flLeks<br />
VkbEl Fkzh ds ckn mlh uke ls yksdfç; fQfu'k Vhoh ukVd ds<br />
vk/kkj ij yofeyk dk funsZ”ku fd;kA ;wFksukbt+j mudh uohure<br />
fQ+Ye gSA<br />
Teemu Nikki<br />
Teemu Nikki was born in Sysm, Finland. He has directed<br />
numerous shorts, music videos and commercials.<br />
He made his feature debut with Sismo Times Three,<br />
followed up by Lovemilla, based on the popular Finnish<br />
TV dramedy of the same name. The Euthanizer is his<br />
latest film.<br />
CINEMA OF THE WORLD<br />
91
, Q+sUVkfLVd oqeWu<br />
A Fantastic Woman<br />
Una Mujer Fantstica<br />
Chile | <strong>2017</strong> | Spanish | 103 min | Colour<br />
Director Sebastin Lelio<br />
Producer Juan de Dios Larran, Pablo<br />
Larran, Sebastin Lelio,<br />
Gonzalo Maza<br />
Screenplay Sebastin Lelio,<br />
Gonzalo Maza<br />
<strong>Cinema</strong>tographer Benjamn<br />
Echazarreta<br />
Editor Soledad Salfate<br />
Sound Design Tina Laschke<br />
Production Designer Estefana Larran<br />
Cast Daniela Vega, Francisco Reyes,<br />
Luis Gnecco, Aline Kuppenheim,<br />
Nicolas Saavedra, Amparo Noguera<br />
;qok VªkaltsUMj efgyk ekfj;k vius e/; vk;qoxhZ;<br />
çseh ds fu/ku ds ckn nq%[k vkSj lkekftd iwokZxzg<br />
nksuksa ds lkFk la?k"kZ djrh gSA M‚DVjksa vkSj v‚jySaMks<br />
ds ifjokj dks lansg gS fd ekfj¸kk gh mldh e`R;q<br />
dk dkj.k FkhA v‚jySaMks ds ifjokj ds fy, mu<br />
nksuksa dk ;kSu laca/k ,d fo—fr FkkA ekfj¸kk viuss<br />
vf/kdkj ds fy, la?k"kZ djrh gS ftuds fy, vc<br />
rd mlus viuk lkjk thou fcrk;k FkkA<br />
After her middle-aged boyfriend passes<br />
away, Maria, a young transgender<br />
woman, is treated with suspicion. The<br />
doctors and Orlando’s family don’t trust<br />
her. A woman detective investigates<br />
Marina to see if she was involved in<br />
his death. For most of Orlando’s family,<br />
her sexual identity is an aberration, a<br />
perversion. She battles the very same<br />
forces that she has spent a lifetime<br />
fighting just to become the woman she<br />
is now - a complex, strong, forthright and<br />
fantastic woman.<br />
Sales agent Funny Balloon<br />
• festivals@funny-balloons.com<br />
lsckfLr;u ysfyvks<br />
lSafV;kxks esa tUes lsckfLr;u ysfyvks us yk ,Ldq,yk Mh flus Ms<br />
fpyh ls Lukrd fd;k FkkA mUgksaus n lsØsM QWfeyh] fØlel]<br />
n bZ;j vkWQ+ n Vkbxj] vkSj Xyksfj;k] , Q+sUVkfLVd oqeWu vkSj<br />
fMlksfcfM;Ul dk funsZ”ku fd;k gSA<br />
Sebastin Lelio<br />
Sebastin Lelio was born in Santiago, Chile, and graduated<br />
from la Escuela de Cine de Chile. His directorial credits<br />
include The Sacred Family, Christmas, The Year of the<br />
Tiger, Gloria, A Fantastic Woman and Disobedience.<br />
92 CINEMA OF THE WORLD
Q+knj ,aM lu<br />
Father and Son<br />
✪ INDIA PREMIERE<br />
Vietnam | 2016 | Vietnamese | 90 min | Colour<br />
Director Luong Dinh Dung<br />
Producer Nguyen Chi Dung, Nguyen<br />
Thi Huong<br />
Screenplay Bui Kim Quy,<br />
Luong Dinh Dung<br />
<strong>Cinema</strong>tographer Ly Thai Dung<br />
Editor Pham Thi Hao, Julie Beziau<br />
Cast Ngo The Quan, Do Trong Tan<br />
ekWd fo;ruke dk xzkeh.k eNqvkjk gS tks vius csVs<br />
dk ds lkFk I;kj ls jgrk gSA dk gj fnu vkdk'k esa<br />
mM+rs gq, gokbZ tgkt ns[kus dk vkuan ysrk gS vkSj<br />
mUgsa 'kgj dk i{kh dgrk gSA dk tc xaHkhj :i ls<br />
chekj gks tkrk gS rks ekWd vius csVs ds bykt ds<br />
fy, “kgj dh nq[kn ;k=k djrk gSA<br />
Moc is a rural river fisherman in Vietnam,<br />
raising his son Ca in harmony with the<br />
land. Ca has a little yellow chick for a<br />
friend and enjoys running after airplanes<br />
in the sky every day, calling them birds<br />
from the city. When Ca falls ill, Moc must<br />
make the harrowing journey to the city<br />
with his son in order to seek treatment.<br />
Sales agent Tuvan Media<br />
• tuvanproduction@gmail.com<br />
yqvksax fMUg Mqax<br />
fo;rukeh fQYe fuekZrk yqvksax fMUg Mqax us guksbZ ,dsMeh v‚Q+<br />
fFk;sVj vkSj flusek ls ekLVj v‚Q Qkbu vkVZ~l dh fMxzh çkIr<br />
dhA mudh y?kq fQYe cksV eSu us 29osa VksD;ks baVjus”kuy fQ+Ye<br />
Q+sfLVoy esa iqjLdkj thrkA mudh M‚D;wesaVjh fQYe jsM gSIihusl<br />
Hkh leh{kdksa }kjk ç'kaflr gqbZ FkhA<br />
Luong Dinh Dung<br />
Luong Dinh Dung is a Vietnamese filmmaker who<br />
acquired a Master of Fine Arts at Hanoi Academy of<br />
Theatre and <strong>Cinema</strong>. His short film Boat man won an<br />
award at the 29th Tokyo <strong>International</strong> Film Festival<br />
(2007). His documentary Film Red Happiness was also<br />
critically acclaimed.<br />
CINEMA OF THE WORLD<br />
93
Q+sfyflrs<br />
Félicité<br />
France, Senegal | <strong>2017</strong> | Lingala, French | 123 min | Colour<br />
Director Alain Gomis<br />
Producer Arnaud Dommerc<br />
Screenplay Alain Gomis<br />
<strong>Cinema</strong>tographer Céline Bozon<br />
Editor Alain Gomis, Fabrice Rouaud<br />
Cast Véro Tshanda Beya Mputu,<br />
Gaetan Claudia, Papi Mpaka,<br />
Nadine Ndebo<br />
Q+sysflrs ,d daxksyhl xkf;dk gS] ftls vius 14<br />
o"khZ; csVs leks ds xaHkhj :i ls nq?kZVuk xzLr gksus<br />
ds dkj.k iSls dh l[+r t+:jr gSA og ftl ckj esa<br />
xkrh gS ogka fu;fer :i ls vkus okyk rcq mldh<br />
foÙkh; vkSj HkkoukRed lgk;rk djrk gSA<br />
Félicité is a Congolese singer who<br />
desperately needs money after her<br />
14-year-old son Samo suffers a serious<br />
accident. She soon finds financial and<br />
emotional support from Tabu, one of the<br />
regulars in the bar where she performs.<br />
Sales agent Jour 2 fete<br />
• clemence.michalon@jour2fete.com<br />
,ysu xksfel<br />
fclkÅ&X;ksfu;u vkSj lsusxy ewy ds Ýsap funsZ'kd ,ysu xksfel<br />
us isfjl esa lksjcksu fo'ofon~;ky; esa dyk bfrgkl vkSj fQYe dk<br />
v/;;u fd;kA ohfM;ks vkSj y?kq fQYeksa ls 'kq# dj mUgksaus 2002 esa<br />
viuh Q+hpj fQ+Ye y ,+jsal dk funsZ”ku fd;kA vUMkyqlh;k vkSj<br />
vkStfnZgqbZ ¼rs½ budh vU; çfl) fQ+Yesa gSaA<br />
Alain Gomis<br />
Alain Gomis’s debut feature L’Afrance focused on<br />
the spiritual hardships of migrants in France and was<br />
awarded a Silver Leopard in Locarno. His feature film<br />
Andalucia was shown at the Venice Days and Aujourd’hui<br />
(Tey) screened in Competition at the Berlinale in 2012. It<br />
was chosen as Senegal’s entry for an Oscar nomination<br />
for Best Foreign Language Film.<br />
94 CINEMA OF THE WORLD
Q+kbuy iksVsªZV<br />
Final Portrait<br />
✪ INDIA PREMIERE<br />
UK, US | <strong>2017</strong> | English | 90 min | Colour<br />
Director Stanley Tucci<br />
Producer Nik Bower, Gail Egan, Ilann<br />
Girard<br />
Screenplay Stanley Tucci<br />
<strong>Cinema</strong>tographer Danny Cohen<br />
Editor Camilla Toniolo<br />
Sound Design Jack Gillies<br />
Production Designer James Merifield<br />
Cast Armie Hammer, Geoffrey Rush,<br />
Clmence Posy, Tony Shalhoub,<br />
James Faulkner<br />
Sales agent Festival Agency<br />
• valentine@thefestivalagency.com<br />
çfl) dykdkj vYcVksZ fxvkdksesêh vpkud<br />
vius iqjkus nksLr] vesfjdh leh{kd tsEl y‚MZ ls<br />
feyrk gSA [k+wclwjr psgjs ds dkj.k vYcVksZ mudk<br />
iksVªsZV cukus dk vuqjks/k djrk gSA iksVªsZV cukus dh<br />
yach çfØ;k ds dkj.k tsEl ijs”kku gks tkrs gSaA<br />
mUgsa yxrk gS fd mUkdk thou v©j le¸k tSls<br />
vycrksZ ds vk/khu g¨ x¸® gSA varr% os dykdkj<br />
ds HkkoukRed rdZ dks le>rs gSa vkSj gesa vYcVksZ<br />
dh vafre d`fr esa ,d iw.kZ çfrHkk”kkyh O;fDrRo<br />
fn[krk gSA<br />
Paris, 1964. Alberto Giacometti, the<br />
famous artist, bumps into his old friend,<br />
the American critic James Lord, and<br />
begs that he sits for a portrait because<br />
he has an interesting face. It’ll just take<br />
a couple of days in his studio. Lord is<br />
flattered by the request and as the days<br />
go by and turn into weeks seemingly with<br />
no end in sight, he realises his entire life<br />
has been hijacked by this erratic genius.<br />
The portrait continues to ebb and flow.<br />
Veering between frustration and joy, Lord<br />
ultimately sees logic in the artist’s chaotic<br />
mind and together we witness a genius<br />
complete one of his last masterpieces.<br />
LVsuyh Vqph<br />
LVsuyh Vqph ,d vesfjdh pfj= vfHkusrk] ys[kd] fuekZrk vkSj<br />
fQYe funsZ'kd gSA n yoyh cksul esa vius çn'kZu ds fy, loZJs"B<br />
lgk;d vfHkusrk ds fy, ,d vdkneh iqjLdkj ds fy, Vqph dks<br />
ukekafdr fd;k x;k FkkA<br />
Stanley Tucci<br />
Stanley Tucci is an American character actor, writer,<br />
producer and film director. Tucci was nominated for<br />
an Academy Award for Best Supporting Actor for his<br />
performance in The Lovely Bones.<br />
CINEMA OF THE WORLD<br />
95
Ý+kWLV<br />
Frost<br />
✪ INDIA PREMIERE<br />
Lithuania, France, Ukraine, Poland | <strong>2017</strong> | Lithuanian | 90 min | Colour<br />
Director Sarunas Bartas<br />
Producer Valery Kalmykov, Maria<br />
Blicharska, Rémi Burah<br />
Screenplay Sarunas Bartas,<br />
Anna Cohen-Yanay<br />
<strong>Cinema</strong>tographer Eitvydas Doskus<br />
Editor Dounia Sichov<br />
Cast Vanessa Paradis,<br />
Weronika Rosati, Andrzej Chyra<br />
Sales agent Luxbox Films<br />
• festivals@luxboxfilms.com<br />
Ý+kWLV fyFkqvkfu;kbZ ;qok jksDlk dh dgkuh gSA<br />
j®Dlk vius yksxksa dks le>us ds fy, ;q) dks<br />
le>uk pkgrk gSA fyFkqvkfu;k ls ;wØsu rd<br />
ekuoh; lgk;rk ifjogu ds dkfQys ij og ,d<br />
iq#’k vkSj efgyk laoknnkrk ls feyrk gSA fdlh<br />
h eqn~ns ij mudh lgefr ugha curh ysfdu ;q)<br />
dh mFky&iqFky ds chp bl ;k=k esa rhuksa vius<br />
euksoSKkfud lhekvksa ls ijss ,d etcwr laca/k cuk<br />
ysrs gSaA<br />
Frost tells the story of Rokas, a young<br />
Lithuanian man who wants to understand<br />
war in order to understand his people.<br />
On a convoy transporting humanitarian<br />
aid from Lithuania to the Ukraine, he<br />
meets a couple of reporters, a Man and<br />
a Woman, with whom he continues the<br />
road journey. The trio will be forced to<br />
overcome their psychological limits and<br />
build a strong relationship, their only<br />
solid ground in the midst of the turmoil of<br />
war. They do not agree upon anything,<br />
except for their wish to be where they<br />
are, each for their own reasons.<br />
l#ukl ckVZl<br />
1964 esa tUes vkjul ckVZl 20 oha 'krkCnh ds varjkZ"Vªh; Lrj<br />
ij lcls çeq[k fyFkqvkfu;kbZ fQ+Ye funsZ'kdksa esa ls ,d gSaA og n<br />
d‚fjMksj] bZLVuZ fMª+V] vkSj ihl Vw vl bu voj MªhEl ds fy,<br />
ç[;kr gaSA<br />
Sarunas Bartas<br />
Sarunas Bartas is one of the most prominent Lithuanian<br />
film directors internationally from the late 20th century.<br />
He was born on August 16, 1964 in Siauliai, Lithuania.<br />
He is known for Eastern Drift, Peace to Us in Our Dreams<br />
and The Corridor.<br />
96 CINEMA OF THE WORLD
v tsUVy Øhpj<br />
A Gentle Creature<br />
Krotkaya<br />
France, Germany, Lithuania, Netherlands | <strong>2017</strong> | Russian | 143 min | Colour<br />
Director Sergei Loznitsa<br />
Producer Marianne Slot<br />
Screenplay Sergei Loznitsa<br />
<strong>Cinema</strong>tographer Oleg Mutu<br />
Editor Danielius Kokanauskis<br />
Sound Design Vladimir Golovnitski<br />
Production Designer Kirill Shuvalov<br />
Cast Vasilina Makovtseva, Marina<br />
Kleshcheva, Lia Akhedzhakova,<br />
Valeriu Andriuta, Boris Kamorzin,<br />
Sergei Kolesov<br />
Sales agent In2 Infotainment<br />
• narayan.srinivasan@gmail.com<br />
:l ds ,d xkao esa vdsys jgus okyh efgyk dks<br />
,d fnu vius ifr dks tsy esa Hkstk gqvk iklZy<br />
okil fey tkrk gSA ijs”kku gksdj og dkj.k<br />
tkuus ds fy, tsy tkrh gSA vc vHks| fdys esa<br />
tkus dk la?k’kZ 'kq: gksrk gS] tgka vukpkj v©j<br />
lkekftd cqjkbZ Ácy gSA fgalk vkSj vieku ls<br />
csijokg og foijhr ifjfLFkfr;ksa esa U;k; dh [kkst<br />
tkjh j[krh gSaA<br />
A woman lives alone on the outskirts of a<br />
village in Russia. One day she receives<br />
a parcel she sent to her incarcerated<br />
husband, marked ‘return to sender’.<br />
Shocked and confused, the woman has<br />
no choice but to travel to the prison in<br />
a remote region of the country in search<br />
of an explanation. Thus begins the story<br />
of a battle against this impenetrable<br />
fortress, the prison where the forces of<br />
social evil are constantly at work. Braving<br />
violence and humiliation, in the face of all<br />
opposition, our protagonist embarks on a<br />
blind quest for justice.<br />
lxsZbZ ykst+fuRl<br />
lxsZbZ ykst+fuRl us 1997 esa jf”k;u LVsV baLVhVîwV v‚Q+<br />
flusesVksxzkQ+h] ekLdks ls Q+hpj fQ+Ye fuekZ.k dk v/;;u fd;kA<br />
1996 ls lxsZbZ us 16 o``Ùkfp=ksa dk funsZ'ku fd;k gS vkSj dbZ<br />
varjjk"Vªh; iqjLdkj çkIr fd, gSaA mudh igyh fQ+Ye ekb t‚;<br />
vkSj Q+hpj&ysaFk o`Ùkfp= eSnku dk dku çfr;ksfxrk esa çhfe;j<br />
gqvkA blds ckn bu n Q‚x us esa FIPRESCI iqjLdkj thrkA<br />
Sergei Loznitsa<br />
Sergei Loznitsa has received numerous international<br />
awards, including festival prizes. His feature debut<br />
My Joy premiered in the Cannes Competition. It was<br />
followed by In the Fog, another Cannes Competition<br />
entry. It won the FIPRESCI Prize. His feature-length<br />
documentary Maidan, dedicated to the revolution in<br />
Ukraine, premiered in Cannes in 2014.<br />
CINEMA OF THE WORLD<br />
97
gj yo ckW;Yl ckFk okWVj<br />
Her Love Boils Bathwater<br />
Yu Wo Wakasuhodo No Atsui Ai<br />
Japan | 2016 | Japanese | 125 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Ryôta Nakano<br />
Producer Kazumi Fukase,<br />
Yusuke Wakabayashi<br />
Screenplay Ryôta Nakano<br />
<strong>Cinema</strong>tographer Yoshihiro Ikeuchi<br />
Sound Design Masahide Koura<br />
Cast Rie Miyazawa, Hana Sugisaki,<br />
Tori Matsuzaka, Joe Odagiri<br />
Sales agent Yoshimi<br />
• yoshimi.takahata@hakuhodody-map.jp<br />
lkphuks ifjokj dk lkph uks ;w Luku?kj firk ds<br />
vpkud xk;c gksus ds ckn can gks x;kA galeq[k<br />
vkSj –
gkbZ uwu LVksjh<br />
High Noon Story<br />
Majaray Nimroz<br />
Iran | <strong>2017</strong> | Farsi | 110 min | Colour<br />
Director Mohammad Hossein<br />
Mahdavian<br />
Producer Seyed Mahmoud Razavi<br />
Screenplay Ebrahim Amini and<br />
Mohammad Hossein Mahdavian<br />
<strong>Cinema</strong>tographer Hadi Behrouz<br />
Editor Sajad Pahlavan Zadeh<br />
Sound Design Hadi Saed Mokham<br />
Cast Mehrdad Sedighian, Ahmad<br />
Mehranfar, Javad Ezati, Mehdi<br />
fQ+Ye 1981 esa bZjku ds vkradoknh lewg ihiYl<br />
eqtkfgnhu vkWQ+ bZjku dh dgkuh gSA bZjkfu;u<br />
laln }kjk cuh&lnz ds fu"dklu ds ckn<br />
vkradokfn;ksa us vf/kdkfj;ksa dh gR;k “kq: dj nhA<br />
'kgj dhs lM+dksa] xyh&xfy;kjksa vkSj ?kjksa esa QSyh<br />
bl vfLFkjrk vkSj Hkze dk D;k var gksxk\ bl<br />
chp ¸kg ns[kus vkrk gS fd ,d lqj{kk xkMZ v©j<br />
vkradoknh xqzi dh efgyk ,d nqljs d¨ tkurs gSaA<br />
✪ INDIA PREMIERE<br />
After the dismissal of president Bani-<br />
Sadr by the Iranian parliament, the<br />
tensions run high. Terrorist groups begin<br />
to assassinate Iranian officials. The<br />
Iranian government and the revolutionary<br />
guards are after these terrorists to arrest<br />
them. Meanwhile, a young member of<br />
the revolutionary guard and a woman of<br />
the terrorist groups are known to each<br />
other.<br />
Sales agent Farabi <strong>Cinema</strong> Foundation<br />
• fcf1@dpi.net.ir<br />
eksgEen gqlSu eg~nfo;u<br />
1981 E®a ckc®Yk esa tUesa eksgEen gqlSu eg~nfo;u us bZjku çlkj.k<br />
fo'ofon~¸kky; ls Vhoh çksMD”ku esa fMxzh çkIr dh gSA mudh igyh<br />
Qhpj LVSafMax bu MLV bZjku esas cgqpfpZr jghA gk; uwu LVksjh<br />
mudh nwljh Q+hpj fQ+Ye gS ftlus 34 oha jk"Vªh; Q+tz fQ+Ye<br />
egksRlo esa jtr fleks?kZ thrk gSA<br />
Mohammad Hossein Mahdavian<br />
Born in 1981 in Babol, Mohammad Hossein Mahdavian<br />
holds a BA in TV production from Iran Broadcasting<br />
University. His debut feature Standing in Dust was<br />
very well-received domestically. High Noon Story is his<br />
second feature film. It won the Silver Simorgh at the 34th<br />
National Fajr Film Festival.<br />
CINEMA OF THE WORLD<br />
99
gksLVsftl<br />
Hostages<br />
✪ INDIA PREMIERE<br />
Georgia, Russia, Poland | <strong>2017</strong> | Georgian, Russian | 103 min | Colour<br />
Director Rezo Gigineishvili<br />
Producer Mikhail Finogenov, Tamara<br />
Tatishvili, Vladimer Katcharava, Rezo<br />
Gigineishvili<br />
Screenplay Lasha Bughadze,<br />
Rezo Gigineishvili<br />
<strong>Cinema</strong>tographer Vladislav Opelyants<br />
Editor Jaroslav Kaminski,<br />
Andrey Gamov<br />
Sound Design Gia Kancheli,<br />
Gleb Nekhoroshev<br />
Production Designer Kote Japaridze<br />
Cast Irakli Kvirikadze, Tinatin<br />
Dalakishvili, Avtandil Makharadze<br />
1983 esa t‚ftZ;kbZ lksfo;r lektoknh x.kjkT; eas<br />
c‚MZj j{kd dkys leqæ esa eLrh dj jgs yksxksa ds<br />
,d lewg ij utj j[ks gq, gSaA os iqfyl jkT; vkSj<br />
viuss vfHkHkkodksa ls vktknh pkgrs gSaA bl lewg ds<br />
uofookfgr vUuk vkSj fudk ds foeku dk vigj.k<br />
dj fy;k tkrk gSA nqkZX¸kiw.kZ ÄVukv®a dh ,d<br />
J`a[kyk }kjk mudh Lora=rk dh rhoz bPNk jk"Vªh;<br />
=klnh esa cny tkrh gSA<br />
The Georgian Soviet Socialist Republic<br />
in 1983. Border guards are keeping an<br />
eye on a group of young Georgians who<br />
are enjoying a boisterous dip in the Black<br />
Sea. The group includes doctors, actors,<br />
an aspirant for the orthodox priesthood,<br />
as well as Anna and Nika, who are about<br />
to marry. After the wedding, they plan to<br />
board a scheduled flight in Tbilisi, hijack<br />
the aircraft at gunpoint and force the pilot<br />
to land in Turkey. An unfortunate chain<br />
of unexpected events lead to a national<br />
tragedy.<br />
Sales agent Westend Films<br />
• alex@westendfilms.com<br />
jst+ks fxfxuh'kfoyh<br />
fj;ks fxfxuh'kfoyh us xSjsflekso baLVhVîwV v‚Q+ flusesVksxzkQh]<br />
e‚Ldks ls f”k{kk çkIr dhA os vc rd foKkiuksa dk funZs'ku djus ds<br />
ckn flusek ij /;ku dsafær dj jgs gSaA jksekafVd d‚esMh yo fon<br />
,DlsaV lfgr mudh fQYesa :l vkSj t‚ftZ;k nksuksa esa O;kolkf;d<br />
:i ls lQy jgh gSaA<br />
Rezo Gigineishvili<br />
Born in Tbilisi, Georgia in 1982, Rezo Gigineishvili<br />
lives and works in Georgia and Russia. He studied at<br />
the Gerasimov Institute of <strong>Cinema</strong>tography in Moscow<br />
and is an established director of commercials who is<br />
now focusing on auteur cinema. His films, including<br />
the romantic comedy Love with Accent, have been big<br />
commercial hits in both Russia and Georgia.<br />
100 CINEMA OF THE WORLD
n gkml ck; n lh<br />
The House by the Sea<br />
La Villa<br />
France | <strong>2017</strong> | French | 107 min | Colour<br />
Director Robert Guédiguian<br />
Producer Robert Guédiguian,<br />
Marc Bordure<br />
Screenplay Robert Guédiguian,<br />
Serge Valletti<br />
<strong>Cinema</strong>tographer Pierre Milon<br />
Editor Bernard Sasia<br />
Sound Design Laurent Lafran<br />
Production Designer Michel<br />
Vandestien<br />
Cast Ariane Ascaride,<br />
Jean-Pierre Darroussin, Gérard Meylan,<br />
Anaïs Demoustier, Robinson Stévenin,<br />
Jacques Boudet<br />
Sales agent MK2<br />
• anne-laure.barbarit@mk2.com<br />
ekflZys ds fudV ,d o`) ds ikl [kwclwjr foyk<br />
gSA vafre fnuksa esa rhuksa cPps mlds ikl bdës gq,<br />
gSaA isfjl esa jgus okyh vfHkus=h ,atsyk] [kqn ls<br />
vk/kh mez dh yM+dh ls I;kj djus okyk ;wlqQ+ vkSj<br />
vekZan tks ekflZys esa gh ikfjokfjd jsLrjka pykrk<br />
gSA ;s ns[kus dk le; gS fd fojklr esa feys<br />
vkn”kksZa dks mUgksaus fdruk lgstk gSA uko Eksa vk¸ks<br />
y¨x¨a dk lewg bu koqd {k.k¨a dk mFky iqFky esa<br />
cny nsrk gSA<br />
✪ INDIA PREMIERE<br />
By a little bay near Marseille lies a<br />
picturesque villa owned by an old man.<br />
His three children have gathered by<br />
his side for his last days: Angela, an<br />
actress living in Paris; Joseph, who has<br />
just fallen in love with a girl half his age;<br />
and Armand, the only one who stayed<br />
behind in Marseille to run the family’s<br />
small restaurant. It’s time for them to<br />
weigh up what they have inherited of<br />
their father’s ideals and the community<br />
spirit he created in this magical place.<br />
The arrival, at a nearby cove, of a group<br />
of boat people will throw these moments<br />
of reflection into turmoil he created in this<br />
magical place.<br />
j‚cVZ xqbfMxqvu<br />
ekflZys esa tUes j‚cVZ xqbfMxqvu dh çeq[k fQ+Yesa , yk ok;k] yk<br />
foys ,V VªWkafDoys] ekWu isjs ,V baftuhvj] ys o‚;st ,u vjesfu<br />
vkSj uhxsl Mq fdfyeant+kjks gSaA ys çksesfumj Mq pSai ns eklZ] y<br />
vkehZ Mw Økbe] vkSj ;wu fgLVksbjs Ms Q+kS vU; fQ+Yesa gSaA yk foyk<br />
uohure fQ+Ye gSA<br />
Robert Guédiguian<br />
Robert Guédiguian was born in Marseille. His films,<br />
include la via, la mort, La Ville est tranquille, Mon pre<br />
est ingnieur, Le Voyage en Armnie, and Neiges du<br />
Kilimandjaro. Other credits include Le promeneur du<br />
champ de Mars, L’arme du crime and Une histoire de<br />
fou. La Villa is his latest film.<br />
CINEMA OF THE WORLD<br />
101
vkbZ Mªhe bu ,unj ysaXost<br />
I Dream in Another Language<br />
Sueño En Otro Idioma<br />
Mexico, Netherlands | Spanish, English | 103 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Ernesto Contreras<br />
Producer Mónica Lozano,<br />
Luis Albores, Erika vila,<br />
Eamon O’ Farrill, Dijana Olcay-Hot,<br />
Raymond Van Der Kaaij<br />
Screenplay Carlos Contreras<br />
<strong>Cinema</strong>tographer Tonatiuh Martinez<br />
Editor Jorge Macaya<br />
Sound Design Enrique Greiner,<br />
Production Designer Barbara<br />
Enriquez<br />
Cast Fernando Álvarez Rebeil,<br />
José Manuel Poncelis, Eligio Melndez<br />
ekfVZu ,d e`rçk;% çkphu Hkk"kk dh fjd‚fMaxZ ds<br />
fy, eSfDldu xkao esa Hkk"kk ds nks vafre oäkvksa<br />
ls feyrk gSA ,d gh efgyk bokfjLVks ls I;kj ls<br />
mRiUu 50 o"kZ iqjkus erHksn ds dkj.k os vkil esas<br />
ckr ugha djrsA bokfjLVks dh iksrh muesa ckrphr<br />
djokus esa lQy gks tkrh gSA tSls gh og ckr<br />
djrs gSa i{kh;ks dh vthc vkoktsa muds iwoZtks dk<br />
vkOgku djus yxrh gSaA<br />
Martin arrives in a remote Mexican<br />
village to record a dying, ancient<br />
indigenous language. He finds the last<br />
two speakers of the language, but they<br />
refuse to speak to each other because of<br />
a 50-year grudge.<br />
Sales agent Mundial Sales<br />
• patricia_arias@mundialsales.com<br />
102 CINEMA OF THE WORLD<br />
vusZLVks daVªsjkl<br />
vusZLVks daVªsjkl dh igyh fQ+Ye Cyw vkbZfyM~l fo”o ds çfrf"Br<br />
lekjksgksa esa çnf'kZr dh xbZA o`Ùkfp= lsxqbj lhuMks] dSQs VSDOck<br />
çhfe;j ds ckn d‚UVªsl us fookfnr fQ+Ye n v‚CLd;ksj fLçax<br />
cuk;hA budh pkSFkh Q+hpj lq,uks ,u vksVªks bMhvksek dks luMsal<br />
baLVhVîwV dk efgUæk Xykscy fQYeesfdax iqjLdkj feykA<br />
Ernesto Contreras<br />
Ernesto Contreras’s award-winning debut, Blue Eyelids,<br />
screened at Cannes, San Sebastián, Tokyo and<br />
Sundance film festivals. After his documentary Seguir<br />
siendo: Café Tacvba, Contreras reappeared with the<br />
controversial The Obscure Spring. He is now presenting<br />
his fourth feature, Sueño en otro idioma, which received<br />
Sundance Institute’s Mahindra Global Filmmaking<br />
Award.
u Cyw<br />
In Blue<br />
✪ ASIA PREMIERE<br />
Netherlands, Romania | <strong>2017</strong> | Dutch, English, Romanian | 102 min | Colour<br />
Director Jaap van Heusden<br />
Producer Marc Bary<br />
Screenplay Jan-Willem den Bok,<br />
Jaap van Heusden<br />
<strong>Cinema</strong>tographer Melle van Essen<br />
Editor Jasper Quispel<br />
Sound Design<br />
Production Designer Lieke Scholman,<br />
Jorien Sont<br />
Cast Maria Kraakman, Bogdan Iancu,<br />
Ellis van den Brink<br />
,d fgEer okyh mM+ku ifjpkfjdk mM+ku ds e/;<br />
esa ,d cPps dks tUe nsus esa lgk;rk djrh gSA 15<br />
o’kZ ds ckn ml cPps ls og cq[k+kjsLV dh lM+dksa<br />
ij feyrh gSA mlds lkFk eka ;k çsfedk ds laca/k<br />
dks ysdj og Hkze esa gSA<br />
A sturdy flight attendant has to deliver<br />
a child in mid-air and gets involved in a<br />
confusing mother/lover relationship with<br />
a boy who’s living under the streets of<br />
Bucharest.<br />
Sales agent Wide<br />
• ma@widemanagement.com<br />
tki oWu g~~;wlMssu<br />
tki oSu gslMsu us 2005 esa uhnjySaM~~l fQYe ,aM Vsyhfotu vdsMeh]<br />
,ELVMZe ls Lukrd fd;kA mudh Fkhfll fQYe bZu baxsthfoDdsYM<br />
osjgky] ,UuokmfMx osVZYM dks nqfu;k Hkj esa lEekfur fd;k x;kA<br />
mudh igyh fQ+Ye fou@fou j‚VjMSe varjjk"Vªh; fQYe egksRlo<br />
esa çhfe;j gqbZA mudh nwljh Q+hpj n U;w oYMZ 40 ls vf/kd fQYe<br />
lekjksgksa esa çnf'kZr dh xbZA bu Cyw g~~;wlMssu dh rhljh fQ+Ye gSA<br />
Jaap van Heusden<br />
Jaap van Heusden’s thesis film, Een Ingewikkeld<br />
Verhaal, Eenvoudig Verteld, was awarded worldwide.<br />
His feature directing debut Win/Win, world premiered<br />
at the <strong>International</strong> Film Festival Rotterdam (IFFR). His<br />
second feature The New World, premiered at IFFR,<br />
and screened at more than 40 film festivals. In Blue is<br />
Heusden’s third feature.<br />
CINEMA OF THE WORLD<br />
103
ulhfj;kVsM<br />
Insyriated<br />
In Syria<br />
Belgium, France | <strong>2017</strong> | Arabic | 85 min | Colour<br />
Director Philippe Van Leeuw<br />
Producer Guillaume Malandrin, Serge<br />
Zeitoun, Pierre Sarraf<br />
Screenplay Philippe Van Leeuw<br />
<strong>Cinema</strong>tographer Virginie Surdej<br />
Editor Gladys Joujou<br />
Sound Design Chadi Roukoz<br />
Production Designer Kathy Lebrun<br />
Cast Hiam Abbass, Diamand Abou<br />
Abboud<br />
Sales agent Films Boutique<br />
• aleksandr@filmsboutique.com<br />
'kgj dh ?ksjkcanh ds rgr ?kj esa Qalh rhu cPpksa dh<br />
eka vkse ;t+u us vius +ySV dks ifjokj vkSj iM+ksfl;ksa<br />
ds fy, lqjf{kr LFkku cuk fn;k gSA Pkksj YkwV Ekpk<br />
jgs gSa] ceksa }kjk bekjr ds u"V gksus dk [k+rjk gS vkSj<br />
vkØe.kdkfj;ksa us ?kj dks ?kkrd {ks= esa cny fn;k<br />
gSA can nhokjksa esa larqyu cuk, j[kuk vc thou<br />
vkSj e`R;q dk Á'u cu tkrk gSA<br />
✪ INDIA PREMIERE<br />
Trapped inside her house in a city under<br />
siege, Oum Yazan, mother of three,<br />
turns her flat into a safe harbour for her<br />
family and neighbours, trying to protect<br />
them from the war outside. When bombs<br />
threaten to destroy the building, when<br />
snipers turn the courtyards into deadly<br />
zones, and burglars break in to claim<br />
their dreadful bounties, maintaining the<br />
thin balance of routine inside the walls<br />
becomes a matter of life and death.<br />
fQ+fyi oku yhm<br />
Nk;kdkj vkSj funsZ“kd fQ+fyi oku yhm n ykbQ v‚Q thll]<br />
LVscy vuLVscy vkSj fMesaVsM ds fy, fo[;kr gSaA mUgksaus bUlkl]<br />
czlsYl vkSj vesfjdu fQYe baLVhVîwV] y‚l ,aftYl ls f”k{kk çkIr<br />
dhA rnqijkar dbZ O;kolkf;d] laLFkkxr ;k d‚iksZjsV fQYeksa esa<br />
Q+ksVksxzkQ+h ds funsZ“kd ds :i esa dke fd;kA<br />
Philippe van Leeuw<br />
Philippe van Leeuw is a cinematographer and director,<br />
known for The Life of Jesus, Stable Unstable and<br />
Demented. He collaborated as director of photography<br />
with a number of commercial, institutional or corporate<br />
films. In 2008, he directed his first feature film, The Day<br />
God Walked Away.<br />
104 CINEMA OF THE WORLD
n tuhZ<br />
The Journey<br />
Al Rahal<br />
Iraq, UK, Qatar, France, Netherlands | <strong>2017</strong> | Arabic, English | 82 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Mohamed Jabarah Al-Daradji<br />
Producer Isabelle Stead, Mohamed<br />
Jabarah Al-daradji, Hélène Cases<br />
Screenplay Isabelle Stead,<br />
Mohamed Jabarah Al-daradji<br />
<strong>Cinema</strong>tographer Duraid Munajim<br />
Editor Mohamed Jabarah Al-daradji,<br />
Pascale Chavance, Herve De Luz<br />
Sound Design Oliver Laurent,<br />
Laurent Chassaigne<br />
Cast Zahraa Gandour,<br />
Ameer Ali Jabarah<br />
Sales agent Giedre<br />
• Giedre@picturetree-international.com<br />
lkjk cxnkn LVs'ku dh fjvksifuax lsjseWuh esa x+yr<br />
bjkns ls ços'k djrh gSA tSls gh og bl dke dks<br />
vatke nsuk pkgrh gS rHkh vkRefuHkZj vkSj pqycqyk<br />
lsYleSu lyke ls vpkud vthc eqBHksM ls +mldh<br />
Hkzked ;kstuk cny tkrh gSA fdlh ds thou dks<br />
u"V djus tk jgh lkjk ds fy, D;k ;g vijk/k<br />
cks/k gS ;k ,d nwljk ekSdk\<br />
Sara enters Baghdad station with sinister<br />
intentions for its reopening ceremony. As<br />
she braces to commit an unthinkable<br />
act, her plans are drastically altered by<br />
an unwanted and awkward encounter<br />
with Salam, a self-assured and flirtatious<br />
salesman. With Salam now hostage<br />
to Sara’s confused and deluded plan,<br />
he battles desperately to appeal to her<br />
humanity and sway her decision. In a<br />
moment of consideration and with her<br />
convictions crumbling before her, Sara<br />
is given the opportunity to witness the<br />
life and innocence she was so willing to<br />
destroy. But is this a second chance or<br />
an admission of guilt?<br />
eksgEen tcjkg vy&njnt+h<br />
bjkdh&Mp fQYe fuekZrk eksgEen tckg vy&njnth us Nk;kadu<br />
vkSj funsZ'ku esa f”k{kk ÁkIr dhA mUgksaus MªhEl] bjkd% o‚j] yo]<br />
x‚M ,aM eSMusl] lu v‚Q+ cschyksu] vkSj bu ek; enlZ vkElZ dk<br />
funsZ”ku fd;k gSA n tuhZ mudh uohure Q+hpj fQ+Ye gSA<br />
Mohamed Jabarah Al-Daradji<br />
Mohamed Jabarah Al-Daradji is an Iraqi-Dutch filmmaker.<br />
He completed two master’s degrees in cinematography<br />
and directing at the Northern Film School in Leeds. His<br />
directorial credits include Dreams, Iraq: War, Love, God<br />
& Madness, Son of Babylon and In My Mother’s Arms,<br />
which he co-directed with his brother, Atia Al-Daradji.<br />
The Journey is his latest feature film.<br />
CINEMA OF THE WORLD<br />
105
ysV n lu”kkbu bu<br />
Let the Sunshine In<br />
Un Beau Soleil Intérieur<br />
France | <strong>2017</strong> | French | 95 min | Colour<br />
Director Claire Denis<br />
Producer Olivier Delbosc<br />
Screenplay Claire Denis,<br />
Christine Angot<br />
<strong>Cinema</strong>tographer Agnès Godard<br />
Editor Guy Lecorne<br />
Sound Design Stuart Staples,<br />
Jean-Paul Mugel<br />
Production Designer Arnaud de<br />
Moleron<br />
Cast Juliette Binoche, Gérard<br />
Depardieu, Valeria Bruni-Tedeschi<br />
jksysaM ckFkZl ds miU;kl yolZ fMLdkslZ % Ý+sXesaV~l<br />
ls çsfjr Dys;j Msful ;g fQ+Ye ,dy efgyk<br />
dykdkj vkSj rykd'kqnk ek¡ blkcsy ds ckjs esa gS<br />
tks isfjl esa vdsys jgrh gS vkSj lPps I;kj dh<br />
ryk'k djrh gSA<br />
Inspired by, but not adapted from<br />
Roland Barthes’s A Lover’s Discourse:<br />
Fragments, Claire Denis’ new film is<br />
about a single woman, Isabelle, an artist<br />
and divorced mother living alone in Paris<br />
and looking for true love.<br />
Sales agent Film Distribution<br />
• joris@playtime.group<br />
Dys;j Msful<br />
Ýsap fQYe funsZ'kd vkSj ys[kd Dys;j Msful ledkyhu fo'o<br />
flusek dh l”kDr gLrh gaSA OgkbV esfVfj;y vkSj 35 'k‚V~l vkWQ+<br />
je 21 oha lnh dh loZJs"B fQYeksa esa ls gSaA p‚dysV vkSj chm<br />
VªSosy flusek ds bfrgkl esa efgykvksa }kjk funsZf'kr lcls cM+h vkSj<br />
mRd`’V fQYesa gSA<br />
Claire Denis<br />
Claire Denis is considered as one of the strongest voices<br />
in contemporary world cinema: her films White Material,<br />
35 Shots of Rum and Chocolate and Beau Travail,<br />
are considered some of the greatest films directed by<br />
women in the history of cinema. Her work has had a<br />
lasting impact on cinematic identity of Europe.<br />
106 CINEMA OF THE WORLD
ykbQ+ fcvkWUM eh<br />
Life Beyond Me<br />
Une Vie Ailleurs<br />
France, Uruguay | <strong>2017</strong> | Spanish, French | 96 min | Colour<br />
✪ ASIA PREMIERE<br />
Director Olivier Peyon<br />
Producer Bertrand Faivre<br />
Screenplay Olivier Peyon,<br />
Cécilia Rouaud<br />
<strong>Cinema</strong>tographer Alexis Kavyrchine<br />
Editor Tina Baz<br />
Sound Design Julien Sicart<br />
Cast Isabelle Carré, María Dupláa,<br />
Ramzy Bedia<br />
Sales agent The Bureau Sales<br />
• gb@lebureaufilms.com<br />
flYoh ds csVs fQ+fyi dk ikap lky dh mez esa<br />
mlds firk ikCyks us vigj.k dj fy;k FkkA pkj<br />
lky ckn ikCyks dh ekSr vkSj futh tklwl dh<br />
enn ls flYoh dks m#Xos ds xkao esa fQ+fyi dk irk<br />
py tkrk gSA flYoh ds la?k"kZ ls ÁHkkfor gksdj<br />
,d lkekftd dk;ZdrkZ esgnh mldh enn djus<br />
dk QSlyk djrk gSA nksuksa feydj cPps dks Ý+kal<br />
okil ykus ds fy, m#Xos py iM+rs gSaA<br />
The story hinges on Sylvie’s son Felipe,<br />
who was abducted at the age of five by<br />
his father Pablo. Four years and a few<br />
hiccups by social services later, thanks<br />
to Pablo’s death and the work of a private<br />
detective, Sylvie picks up Felipe’s trace<br />
in the countryside in Uruguay, Pablo’s<br />
home country. Mehdi, a social worker<br />
who has lost faith in his job, is so moved<br />
by Sylvie’s struggle that he decides to<br />
leave everything and help her. Together,<br />
they set out for Uruguay to kidnap the<br />
child and bring him back to France.<br />
vksfyfo;j is;‚u<br />
funsZ'kd vkSj iVdFkk ys[kd] vksfyfo;j is;‚u us bæhlk vkmækmxks<br />
ds lgk;d ds :i esa vius dfj;j dh 'kq:vkr dhA mudh<br />
funsZf”kr ikap y?kq fQ+Yesa vusd lekjksgks esa çnf”kZr ,oa lEekfur<br />
gqbZaA 2006 esa mUgksaus viuh igyh Q+hpj ysl isfVV~l okd‚Ulsl<br />
cuk;hA is;‚u dh nwljh csgn lQy 2013 dh M‚D;wesaVjh gkm vkbZ<br />
dse Vw gsV eSFl] ftlus vkt dh nqfu;k esa xf.kr dk egÙo crk;kA<br />
Olivier Peyon<br />
Peyon began his career as production assistant, notably<br />
on the films of Idrissa Ouedraogo. He directed five short<br />
films that bagged prestigious festival prizes namely<br />
Promis, Juré, Jingle Bells, Claquage après Étirements<br />
and À tes amours. His first feature, Les Petites Vacances<br />
(Stolen Holidays) was followed by the hugely successful<br />
documentary How I Came to Hate Math.<br />
CINEMA OF THE WORLD<br />
107
ykbV vi!<br />
Light Up!<br />
Zhgi!<br />
Russia | <strong>2017</strong> | Russian | 104 min | Colour<br />
Director Kirill Pletnev<br />
Producer Ruben Dishdishyan<br />
Screenplay Kirill Pletnev<br />
<strong>Cinema</strong>tographer Sergey Mihalchuk<br />
Editor Vasiliy Klepatskiy<br />
Sound Design Sergey Ovcharenko<br />
Production Designer Irina<br />
Grazhdankina<br />
Cast Inga Oboldina, Viktoria Isakova,<br />
Vladinir Ilyin, Anna Ukolova<br />
vksisjk xk;d tSlh vkokt+ okyh ,ysfOruk jksekuksok<br />
,d dBksj tsy naM vf/kdkjh gSA cpiu ls viuh<br />
vkokt+ ls 'kfeaZnk og vdsys esa gh xkrh FkhA ,d<br />
dSnh }kjk lsy Qksu ls mldh vkokt+ dk ohfM;ks<br />
fjd‚MZ dj baVjusV ij viyksM djrk gSA ohfM;ks<br />
fgV gksus ij ,ysfOruk dks ns'k ds lcls yksdfç;<br />
xhr çfr;ksfxrk ds fy, ekLdks esa vkeaf=r fd;k<br />
tkrk gSA çfr;ksfxrk ds fy, mls ,d iwoZ xk;d<br />
dSnh dh enn pkfg;sA<br />
✪ INDIA PREMIERE<br />
Alevtina Romanova is a penal officer in<br />
a women’s prison colony. Her image of a<br />
stern officer is betrayed only by her voice<br />
– a kind of voice to be envied by opera<br />
stars. She has been embarrassed of her<br />
gift since she was a child and now sings<br />
only when she stays alone, to herself.<br />
Her secret is revealed – an inmate<br />
records a video with her cell phone and<br />
uploads it on the internet. The video is<br />
a hit, and Alevtina is invited to Moscow<br />
to the country’s most popular song<br />
contest. The woman is eager not to miss<br />
her chance, and, finally, to change her<br />
life. But she is totally unprepared for the<br />
competition. The only person who can<br />
help her rehearse is the inmate – who is<br />
a former singer.<br />
fdfjy iysRuso<br />
[kkdksZo esa tUes fdfjy iysRuso us lsaV ihVlZcxZ LVsV vdkneh<br />
vkWQ+ fFk;sfVªdy vkVZ~l ls Lukrd fd;k vkSj dbZ ekLdks fFk;sVlZ esa<br />
dke fd;kA ckn esa og vkesZu ftxj[k+kU;ku dh v/;{krk esa ekLdks<br />
Mªkek fFk;sVj esa 'kkfey gks x,A 2003 eap ds funZs'kd vk;fjuk<br />
ds#Rpsadks ds lkFk lg;ksx djuk 'kq: dj fn;kA ykbV vi iysRuso<br />
dh igyh Q+hpj fQ+Ye gS<br />
Kirill Pletnev<br />
Kirill Pletnev entered SPGATI to become a student<br />
of Vladimir Petrov’s course. Upon graduation, he<br />
joined the Moscow Drama Theatre headed by Armen<br />
Dzhigarkhanyan and moved to the Russian capital.<br />
In the spring of 2003 he left the theatre and started to<br />
collaborate with stage director Irina Kerutchenko. Light<br />
Up is Pletnev’s first feature film.<br />
108 CINEMA OF THE WORLD
yo eh ukWV<br />
Love Me Not<br />
✪ INDIA PREMIERE<br />
Greece, France | <strong>2017</strong> | Greek | 99 min | Colour<br />
Director Alexandros Avranas<br />
Producer Christos V.<br />
Konstantakopoulos, Kristina Larsen<br />
Screenplay Alexandros Avranas,<br />
Kostas Peroulis<br />
<strong>Cinema</strong>tographer David Pimm<br />
Editor Christos Giannakopoulos<br />
Production Designer Jacqueline<br />
Abrahams<br />
Cast Eleni Roussinou, Christos Loulis<br />
Sales agent Elle Driver<br />
• Sales@elledriver.eu<br />
,d nEifr ;qok efgyk dks ljksxslh ds fy, vius<br />
lqanj foyk esa cqykrs gSaA vkneh ds dke ij tkus ds<br />
ckn efgyk vkSj yM+dh esa fe=rk gks tkrh gS vkSj<br />
os n®u®a feYkdj ;qxy ds /ku lEifÙk dk vkuan ysrs<br />
gSaA ysfdu bl [kq”kh ds ihNs mnklh vkSj fujk”kk<br />
gSA vxyh lqcg ifr dks Qksu ij iRuh dh e`R;q dh<br />
lwpuk feyrh gS ,d {kfrXkzLr dkj esa mLkdk tyk<br />
gqvk 'kjhj feyrk gSA<br />
A couple hires a young migrant to be<br />
their surrogate mother and moves her<br />
to their beautiful villa. While the man is<br />
away for work, the woman and the girl<br />
start to bond and enjoy the couple’s<br />
wealthy way of life. But behind her forced<br />
cheerfulness, the woman seems more<br />
and more depressed. After a few drinks<br />
with the girl, she goes for a drive. The<br />
next morning, her husband gets a call:<br />
his wife is dead, her burned body was<br />
found in her wrecked car.<br />
,ysDtsaMªksl ,ojkukl<br />
,ysDtsaMªksl dh igyh fQ+Ye fonkmV us Fkslkyksfudh fQ+Ye lekjksg<br />
esa lkr xzhd jkT; iqjLdkj thrsA vxyh fQ+Ye fel okW;ysal dks<br />
osful fQYe lekjksg esa ikap iqjLdkj çkIr gq,A mudh vesfjdu<br />
fQ+Ye Vªw ØkbEl esa fte dSjh vkSj pkyksZV xSUlcxZ us eq[; Hkwfedk,a<br />
fuHkkbZA yo eh ukWV mudh pkSFkh Q+hpj fQ+Ye gSA<br />
Alexandros Avranas<br />
With his first film, Without, Alexandros Avranas won<br />
seven Greek State Awards at the Thessaloniki Film<br />
Festival. His next feature, Miss Violence received the<br />
Silver Lion for Best Director, the Volpi Cup for Best Actor.<br />
For his American debut, the thriller True Crimes, he<br />
worked with Jim Carrey and Charlotte Gainsbourg in the<br />
leading roles. Love me Not is his fourth feature film.<br />
CINEMA OF THE WORLD<br />
109
yoysl<br />
Loveless<br />
Nelyubov<br />
Russia, France, Belgium, Germany | <strong>2017</strong> | Russian | 127 min | Colour<br />
Director Andrey Zvyagintsev<br />
Producer Alexandre Rodnyansky,<br />
Serguey Melkumov<br />
Screenplay Oleg Negin,<br />
Andrey Zvyagintsev, Gleb Fetisov<br />
<strong>Cinema</strong>tographer Mikhail Krichman<br />
Editor Anna Mass<br />
Sound Design Andrey Dergachev<br />
Production Designer Andrey<br />
Ponkratov<br />
Cast Maryana Spivak, Aleksey Rozin,<br />
Matvey Novikov, Varvara Shmykova<br />
>saU;k vkSj cksfjl ,d nwljs ds Áfr ukjkt+xh]<br />
grk'kk vkSj nks’kkjksi.k ds dkj.k rykd+ ds nkSj ls<br />
xqt+j jgs gSaA nksuks gh u;s lkFkh ds u;k thou 'kq:<br />
djus ds fy, v/khj gSaA thou ds bl u, i`"B ds<br />
fy, & Hkys gh mUgsa vius 12 o"khZ; csVs vY;ks”k dks<br />
NksM+uk iM+sA varr% muds >xM+s dks ns[kus ds ckn<br />
vY;ks”k dgha pyk tkrk gSA<br />
Zhenya and Boris are going through a<br />
vicious divorce marked by resentment,<br />
frustration and recriminations. Already<br />
embarking on new lives, each with a<br />
new partner, they are impatient to start<br />
again, to turn the page – even if it means<br />
threatening to abandon their 12-year-old<br />
son Alyosha. Until, after witnessing one<br />
of their fights, Alyosha disappears.<br />
Sales agent In2 infotainment<br />
• narayan.srinivasan@gmail.com<br />
,aMªh t~okbfxuRlso<br />
vfHkusrk vkSj funsZ”kd ,aMªh t~okbfxuRlso us :lh fo'ofo|ky; esa<br />
vfHku; esas Lukrd dh mikf/k çkIr dhA mudh igyh fQ+Ye n fjVuZ<br />
us osful fQYe lekjksg esa xksYMu yk;u iqjLdkj thrkA nwljh<br />
fQ+Ye csfu”kesaV 60 osa dku fQYe lekjksg esa çnf”kZr gqbZA rhljh<br />
fQYe ,sysuk us 67osa dku fQ+Ye lekjksg fo'ks"k twjh iqjLdkj thrkA<br />
yoysl mudh uohure fQ+Ye gSA<br />
Andrey Zvyagintsev<br />
Andrey Zvyagintsev’s debut film, The Return, became<br />
a cinema sensation. His second film Banishment was<br />
presented in Cannes. His third film, Elena, premiered in<br />
the Un Certain Regard at Cannes and won the Special<br />
Jury Prize. Leviathan, screened in Official Competition<br />
in Cannes. Loveless is Zvyagintsev’s newest feature. It<br />
won the Jury Prize at Cannes.<br />
110 CINEMA OF THE WORLD
,e ✪ INDIA PREMIERE<br />
M<br />
France | 2016 | French | 110 min | Colour<br />
Director Sara Forestier<br />
Producer Denis Freyd, Hugo Selignac,<br />
Seg Selignal, Vincent Mazel<br />
Screenplay Sara Forestier<br />
<strong>Cinema</strong>tographer Guillaume Schiffman<br />
Editor Eric Armbruster<br />
Sound Design Nicolas Provost<br />
Production Designer Virginie Destine,<br />
Catherine Jarrier - Prieur<br />
Cast Redouanne Harjane,<br />
Sara Forestier, Jean-Pierre Léaud<br />
yhyk vkSj eks ,d cl LV‚i ij feyrs gSaA yhyk<br />
gdykrh gS vkSj eks okd~iVq gSA yhyk viuh<br />
ijh{kkvksa dh rS;kjh dj jgh gSA eks vkthfodk ds<br />
fy, voS/k :i ls jsl essa dkj pykrk gSA foijhr<br />
vkd’kZ.k ls nksuksa esa I;kj gks tkrk gSA ysfdu eks<br />
vius eu esa ,d cks> fNikdj j[krk gSA<br />
Lila and Mo meet at a bus stop. Lila has<br />
a paralysing speech impediment. Mo is<br />
chatty and exuberant. Lila is preparing<br />
for her exams. Mo illegally races cars for<br />
a living. Opposites attract, and they fall<br />
in love. But Mo carries a secret burden.<br />
Sales agent MK2<br />
• anne-laure.barbarit@mk2.com<br />
lkjk Q+‚jsLVfj;j<br />
cpiu ls gh ys[ku] isafVax vkSj fo”ks’k :i ls vfHku; esa ÁfrHkk”kkyh<br />
lkjk us fQYeksa vkSj Vhoh esa NksVh NksVh Hkwfedk,a fuHkkuh “kq: dhaA<br />
lkjk us viuh ÁfrHkk ls vCnsy yrhQ+ dsfpps dh fQ+Ye y ,LDoho<br />
esa eq[; Hkwfedk gkfly dhA funsZ'kd ds :i esa ,e mudh igyh<br />
fQ+Ye gSA<br />
Sara Forestier<br />
Sara Forestier revealed an artistic temperament, since<br />
an early age. When she was 13-and-a-half years old, she<br />
decided to accompany one of her friends to an audition.<br />
She took the audition with brilliance, and her career in<br />
acting started here. Since then she has never looked<br />
back. She is a leading actor. She makes her directorial<br />
debut with the film, M.<br />
CINEMA OF THE WORLD<br />
111
felst gkbM<br />
Mrs. Hyde<br />
Madame Hyde<br />
France | <strong>2017</strong> | French | 95 min | Colour<br />
Director Serge Bozon<br />
Producer David Thion,<br />
Philippe Martin<br />
Screenplay Axelle Ropert,<br />
Serge Bozon<br />
<strong>Cinema</strong>tographer Céline Bozon<br />
Editor Franois Quiqueré<br />
Sound Design Laurent Gabiot<br />
Production Designer Laurie Colson<br />
Cast Romain Duris, Isabelle Huppert,<br />
Jośe Garcia, Adda Senani,<br />
Guillaume Verdier<br />
,d 'kehZyh f'k{kd Jherh thfDoy vius lgdfeZ;ksa<br />
vkSj Nk=ksa }kjk frjLd`r gksrh gSA ,d rwQkuh jkr<br />
esa ç;ksx'kkyk esa ,d ç;ksx dss le; og djaV<br />
yxus ls csgks'k gks tkrh gSA csgks”kh ls tkxus ij<br />
fuf'pr :i ls vyx eglwl djrh gSA felst<br />
gkbM dh Hk;kog mifLFkfr thfDoy dh f'k{k.k<br />
fof/k ij çHkko Mkyrh gSA<br />
✪ INDIA PREMIERE<br />
Mrs. Gquil is a shy teacher despised<br />
by her colleagues and students. On<br />
a stormy night, while conducting an<br />
experiment in her lab, she is struck by<br />
lightning and faints. When she wakes<br />
up, she feels decidedly different and the<br />
appearance of the dangerous Mrs. Hyde<br />
soon impacts on Mrs. Gquil’s teaching<br />
methods.<br />
Sales agent MK2<br />
• anne-laure.barbarit@mk2.com<br />
ltZ ckst+ksu<br />
viuh igyh Q+hpj ,y vesfr, ds funsZ'ku ls igys ltZ ckst+ksu<br />
us vfHkusrk vkSj fQYe leh{kd ds :i esa dke fd;kA muds<br />
}kjk funsZf”kr EkkWM~l vkSj yk Ýkal dku ds Mk;jsDVlZ Q+ksVZukbV esa<br />
çnf”kZr vkSj Áh T;k¡ ohxks ls iqjLd`r gqbZaA 2013 esa fVi VkWi dks<br />
dku esa fo”ks’k mYys[k feykA<br />
Serge Bozon<br />
Born in 1972, Serge Bozon initially worked as an<br />
actor and film critic (Trafic, Lettre du Cinma, Cahiers<br />
du cinma, Transfuge, Vertigo) before directing his first<br />
feature, L’Amiti. He has also made Mods and La France,<br />
screened in the Directors’ Fortnight at Cannes and<br />
winner of the Prix Jean Vigo. In 2013, Tip-Top received a<br />
SACD Special Mention at Cannes.<br />
112 CINEMA OF THE WORLD
Ekjfyuk n eMZjj bu Q+ksj ,DV~l<br />
Marlina the Murderer in Four Acts<br />
Marlina Si Pembunuh Dalam Empat Babak<br />
Indonesia, France, Malaysia, Thailand | <strong>2017</strong> | Indonesian | 90 min | Colour<br />
Director Mouly Surya<br />
Producer Rama Adi, Fauzan Zidni<br />
Screenplay Rama Adi, Garin Nugroho,<br />
Mouly Surya<br />
<strong>Cinema</strong>tographer Yunus Pasolang<br />
Editor Kelvin Nugroho<br />
Sound Design Khikmawan Santosa<br />
Production Designer Frans Paat<br />
Cast Egy Fedly, Dea Panendra,<br />
Yoga Pratama<br />
Ekjfyuk lqack esa “kkafriwoZd thou fcrk jgh gSA ,d<br />
fnu ekdZl vkSj mldk fxjksg Ekjfyuk ds ?kj dks<br />
ywVus dh dksf'k'k djrs gSaA og ekdZl dks ekj nsrh<br />
gSA ekdZl dh vkRek mls ijs”kku djrh gS vkSj<br />
mldk thou iwjh rjg ls mFky iqFky gks tkrk gSA<br />
Marlina lives quietly in Sumba until<br />
one day a man named Markus and his<br />
gang try to rob her house. She kills him.<br />
Eventually, she is haunted by Markus,<br />
and her life turns 180 degrees.<br />
Sales agent Asian Shadows<br />
• lya@chineseshadows.com<br />
ekSyh lw;kZ<br />
ekSyh lw;kZ baMksusf'k;k dh lokZf/kd mHkjrh efgyk fQYe fuekZrkvksa<br />
esa ls ,d gaSA mudh igyh fQ+Ye fQ+D'ku us JIFFEST 2008 esa<br />
loZJs"B funsZ'kd lfgr dbZ iqjLdkj thrs vkSj 13 osa cqlku lekjksg<br />
esa çhfe;j gqbZA OgkWV ns MksUV VkWd vckmV Ogsu ns VkWd vckmV<br />
yo mudh nwljh fQ+Ye FkhA<br />
Mouly Surya<br />
Mouly Surya, is considered one of the most promising<br />
female filmmakers in Indonesia. Her debut film, Fiction,<br />
premiered at Busan and won numerous awards including<br />
Best Director at JIFFEST 2008. What They Don’t Talk<br />
About When They Talk About Love was her second<br />
feature. Marlina the Murderer in Four Acts was selected<br />
for the Quinzaine des Réalisateurs.<br />
CINEMA OF THE WORLD<br />
113
eSu MksUV Økb<br />
Men Don’t Cry<br />
Muskarci Ne Placu<br />
Bosnia and Herzegovina, Slovania, Croatia, Germany | <strong>2017</strong> | Bosnian | 98 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Alen Drljević<br />
Producer Damir Ibrahimovich, Jasmila<br />
Žbanić<br />
Screenplay Alen Drljevi, Zoran<br />
Solomun<br />
<strong>Cinema</strong>tographer Erol Zubevic<br />
Editor Vladimir Gojun<br />
Sound Design Igor Camo<br />
Production Designer Mirna Ler<br />
Cast Boris Isakovi, Leon Luev,<br />
Emir Hadihafizbegovi, Sebastian<br />
Cavazza,Ermin Bravo, Boris Ler,<br />
Ivo Gregurevi, Primo Petkovek,<br />
Jasna urii, Izudin Bajrovi<br />
1990 ds n'kd ds l'kL= la?k"kZ us iwoZ ;wxksLykfo;k<br />
dh dsoy Hkwfe dks gh u"V ugha fd;k] vfirq tq>k:<br />
jk"Vªksa dh Le`fr ij xgjk vk?kkr Hkh NksM+k gSA<br />
;q) lekIr gksus ds nks n'kd chr tkus ij Hkh<br />
iw.kZ ln~Hkko dh vis{kk djuk dfBu gS D;ksafd iwoZ<br />
lSfud viuh iwokZxzgksa vkSj gB/kfeZrk ls xzLr FksA<br />
fQ+Ye ¸kg bl lR¸k d¨ Áfrikfnr djuh gS nwlj¨a<br />
d¨ {kek djus dh ¸k¨X¸krk rh vk ldrh gS tc<br />
ge Lo¸ka d¨ {kek djuk Lkh[k ysaA<br />
When, less than two decades since<br />
the war ended in Yugoslavia, a diverse<br />
group of veterans gathers at a remote<br />
mountain hotel to undergo days of<br />
therapy, it’s hard to expect absolute<br />
harmony. This brilliantly directed drama,<br />
about the ability to forgive others only<br />
after we have forgiven ourselves,<br />
presents the pinnacle of the Balkan male<br />
acting scene.<br />
Sales agent Picture Tree <strong>International</strong><br />
• Giedre@picturetree-international.com<br />
,yu M~yZtsfod<br />
tkfLeyk t+ckfud ds iwoZ lgk;d funsZ'kd ,yu M~yZtsfod us<br />
;qxksLyko ;q) ds lSfudksa ds thou ij vk/kkfjr viuh igyh fQ+Ye<br />
eSu MksUV Økb dk funsZ”ku fd;kA mudh y?kq fQYe ispsd ;wjksih;<br />
fQYe iqjLdkj ds fy, ukekafdr vkSj lkjktsoks fQ+Ye egksRlo esa<br />
fçDl UIP ls iqjLd`r gqbZA<br />
Alen Drljević<br />
Alen Drljević, the former assistant director of Golden<br />
Bear winner Jasmila Zbanic Grbavica, makes his feature<br />
fiction debut with this Look at veterans of the Yugoslav<br />
Wars, Men Don’t Cry. His short film Paycheck was<br />
nominated for the European Film Award and won Prix<br />
UIP at the Sarajevo Film Festival.<br />
114 CINEMA OF THE WORLD
n feMokbQ+<br />
The Midwife<br />
Sage Femme<br />
France | <strong>2017</strong> | French | 117 min | Colour<br />
Director Martin Provost<br />
Producer Olivier Delbosc<br />
Screenplay Martin Provost<br />
<strong>Cinema</strong>tographer Yves Cape<br />
Editor Albertine Lastera<br />
Sound Design Ingrid Ralet<br />
Production Designer Thierry François<br />
Cast Catherine Frot, Catherine<br />
Deneuve, Olivier Gourmet,<br />
Quentin Dolmaire, Mylène Demongeot<br />
Sales agent Memento<br />
• sata@memento-films.com<br />
;g fQ+Ye ,d çfrHkk'kkyh ysfdu nq[kh feMokbQ+<br />
Dys;j vkSj Dys;j ds fnoaxr firk dh ifjR;Drk<br />
j[kSy chVªkbl dh dgkuh gSA gj rjg foijhr<br />
LoHkko okyh os nksuksa vlkekU; ifjfLFkfr;ksa dk<br />
lkeuk djrs gq, ?kfu’B fe= cu tkrh gSa vkSj ,d<br />
nwljs ij Hkjkslk djus yxrh gSaA<br />
✪ INDIA PREMIERE<br />
Two of French cinema’s biggest stars<br />
shine in this bittersweet drama about<br />
the unlikely friendship that develops<br />
between Claire (Catherine Deneuve), a<br />
talented but tightly wound midwife, and<br />
Batrice (Catherine Frot), the estranged,<br />
free-spirited mistress of Claire’s late<br />
father. Though polar opposites in almost<br />
every way, the two come to rely on each<br />
other as they cope with the unusual<br />
circumstance that brought them together.<br />
ekfVZu çksoksLV<br />
ekfVZu çksoksLV dk tUe 13 ebZ] 1957 dks Ýkal esa gqvk FkkA og<br />
,d vfHkusrk vkSj ys[kd gSaA lsjkfQ+us] n feMokbQ+ vkSj okW;sysV<br />
ds fy, fo[;kr gSaA<br />
Martin Provost<br />
Martin Provost was born on May 13, 1957 in Brest,<br />
Finistre, France. He is an actor and writer, known for<br />
Sraphine, The Midwife and Violette.<br />
CINEMA OF THE WORLD<br />
115
eksUikjukl fc,osU;w<br />
Montparnasse Bienvenue<br />
Jeune Femme<br />
France | <strong>2017</strong> | French | 97 min | Colour<br />
Director Léonor Serraille<br />
Producer Sandra da Fonseca<br />
Screenplay Léonor Serraille<br />
<strong>Cinema</strong>tographer Émilie Noblet<br />
Editor Clémence Carré<br />
Sound Design Anne Dupouy<br />
Production Designer Valérie Valéro<br />
Cast Laetitia Dosch, Grégoire<br />
Monsaingeon, Souleymane Seye<br />
Ndiaye, Léonie Simaga, Nathalie<br />
Richard, Érika Sainte, Lila-Rose<br />
Gilberti-Poisot, Audrey Bonnet<br />
gj Ádkj ls viekfur vkSj fujk”k ikmyk yacs<br />
le; rd ckgj jgus ds ckn isfjl okil ykSVrh<br />
gSA tSls tSls og vyx&vyx yksxksa ls feyrh gS]<br />
og fufÜpr :i ls ,d ckr tku tkrh gS fd mls<br />
dqN u;k djuk gS] og Hkh fdlh fof”k’V “kSyh vkSj<br />
vkRefoÜokl ds lkFk!<br />
Broke, with nothing but her cat to her<br />
name and doors closing in her face,<br />
Paula is back in Paris after a long<br />
absence. As she meets different people<br />
along the way, there is one thing she<br />
knows for sure: she’s determined to<br />
make a new start and she’ll do it with<br />
style and panache!<br />
Sales agent Be For Films<br />
• festival@beforfilms.com<br />
ysuksj lsjSys<br />
fy;ksu] isfjl vkSj ckflZyksuk esa lkfgR; dk v/;;u djus ds<br />
ckn ysuksj lsjSys dks Ýkalhlh jkT; fQYe Ldwy esa iVdFkk ys[ku<br />
dk;ZØe esa Lohd`fr feyhA Lukrd gksus ds ckn mUgksaus ukFkkyh<br />
fjpMZ ds lkFk 16 feeh y?kq fQYe c‚Mh dk funsZ'ku fd;kA<br />
eksUikjukl fc;kft+uh mudh igyh Q+hpj fQ+Ye gSA<br />
Léonor Serraille<br />
La Femis The French State Film School screenplay<br />
writing programme alumni Léonor Serraille directed the<br />
16mm short film, Body, that was selected for the Brive,<br />
Créteil and Osnabrück Film Festivals. Jeune Femme<br />
(Montparnasse Bienvenue), her graduation screenplay,<br />
is her first feature film.<br />
116 CINEMA OF THE WORLD
Eknj!<br />
Mother!<br />
USA | <strong>2017</strong> | English | 121 min | Colour<br />
Director Darren Aronofsky<br />
Producer Darren Aronofsky,<br />
Ari Handel<br />
Screenplay Darren Aronofsky<br />
<strong>Cinema</strong>tographer Matthew Libatique<br />
Editor Andrew Weisblum<br />
Sound Design Craig Henighan<br />
Production Designer Philip Messina<br />
Cast Jennifer Lawrence, Michelle<br />
Pfeiffer Javier Bardem, Ed Harris<br />
,d nEifr ds fj'rs dk bErgku rc gksrk gS] tc<br />
fcu cqyk;s esgeku muds ?kj igqap tkrs gSa vkSj<br />
muds 'kkafriw.kZ thou esa gypy epk nsrs gaSA<br />
A couple’s relationship is tested when<br />
uninvited guests arrive at their home,<br />
disrupting their tranquil existence.<br />
Sales agent Viacom18<br />
• Kishor.Varma@viacom18.com<br />
Mkjsu vjksuksQ+Ldh<br />
czqdfyu] U;w;‚dZ esa tUes Mkjsu vjksuksQ+Ldh cpiu ls dykRed<br />
:fp ds Fks vkSj ges'kk Dykfld fQYesa ilan djrs FksA fd'kksjkoLFkk<br />
esa mUgksaus fHkfÙkfp= dyk cukus esa le; fcrk;k FkkA gkbZ Ldwy ds<br />
ckn Mkjsu gkoZMZ ;wfuoflZVh esas fQ+Ye ¼ykbo ,D'ku vkSj ,uhes'ku<br />
nksuksa½ dk v/;;u djus ds fy, x,A<br />
Darren Aronofsky<br />
Darren Aronofsky was born on February 12, 1969, in<br />
Brooklyn. His directorial credits include Pi (his debut),<br />
Requiem for a Dream, The Fountain, The Wrestler and<br />
The Black Swan.<br />
CINEMA OF THE WORLD<br />
117
eMZj vkWu n vksfj;aV ,DlÁsl<br />
Murder on the Orient Express<br />
✪ INDIA PREMIERE<br />
Malta, USA | <strong>2017</strong> | English | 114 min | Colour<br />
Director Kenneth Branagh<br />
Producer Kenneth Branagh,<br />
Mark Gordon, Judy Hofflund,<br />
Simon Kinberg, Michael Schaefer,<br />
Ridley Scott<br />
Screenplay Michael Green,<br />
Agatha Christie<br />
<strong>Cinema</strong>tographer Haris Zambarloukos<br />
Editor Mick Audsley<br />
Production Designer Jim Clay<br />
Cast Kenneth Branagh, Penelope Cruz,<br />
Johnny Depp, Michelle Pfeiffer,<br />
Willem Dafoe, Judi Dench, Josh Gad<br />
;g fQ+Ye vxkFkk fØLVh ds miU;kl eMZj vkWu<br />
n vksfj,aV ,Dlçsl ij vk/kkfjr gSA fQ+Ye esa HkO;<br />
Vªsu ;k=k esa ,d gR;k gks tkrh gSA bl xqRFkh dks<br />
lqy>kus esa yxs ,d tklwl dks lHkh 13 Qals gq,<br />
;kf=;ksa ij lansg gSA mlds bl igsyh dks gy<br />
djus ls igys gh gR;kjk nksckjk geyk dj nsrk gSA<br />
A lavish train ride unfolds into a stylish<br />
and suspenseful mystery. From the novel<br />
by Agatha Christie, Murder on the Orient<br />
Express tells of thirteen stranded strangers<br />
and one man’s race to solve the puzzle<br />
before the murderer strikes again.<br />
Sales agent Fox Star Studios<br />
• shonyp@in.foxstarstudios.com<br />
dsusFk czkukx<br />
vfHkusrk] funsZ'kd vkSj iVdFkk ys[kd dsusFk czkukx dk tUe ,d<br />
Jfed ifjokj esa gqvk FkkA mUgksaus j‚;y vdkneh v‚Q MªkekfVd<br />
vkVZ~l lss f”k{kk yhA mUgsas fofy;e 'ksDlfi;j ds ukVdksa vksFksyks esa<br />
b;kxks vkSj gseysV eq[; fdjnkj ds vfHku; vkSj l”kDr vfHkO;fDr<br />
ds fy, fo”ks’k igpku feyhA gSjh i‚Vj ,aM n pSacj v‚Q+ lhØsV~l]<br />
okYD;jh vkSj MafddZ esa Hkh mudk vfHku; ljkguh; FkkA<br />
Kenneth Branagh<br />
Actor, director, screenwriter Kenneth Charles Branagh<br />
is rightfully regarded as one of the finest interpreters<br />
of William Shakespeare in the 20th century, thanks to<br />
his string of screen adaptations, including Othello and<br />
a lavish production of Hamlet. His acting credits include<br />
Harry Potter and the Chamber of Secrets, Valkyrie and<br />
Dunkirk.<br />
118 CINEMA OF THE WORLD
n ukby fgYVu bUlhMsaV<br />
The Nile Hilton Incident<br />
A Kairi Eset<br />
Sweden, Denmark, Germany | <strong>2017</strong> | Arabic, Dinka | 110 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Tarik Saleh<br />
Producer Kristina Åberg<br />
Screenplay Tarik Saleh<br />
<strong>Cinema</strong>tographer Pierre Aïm<br />
Editor Theis Schmidt<br />
Sound Design Marc Meusinger<br />
Production Designer Roger<br />
Rosenberg<br />
Cast Fares Fares, Mari Malek,<br />
Yasser Ali Maher<br />
felz ds Økafr dh i`"BHkwfe esa cus bl fFkzyj esa<br />
,d iqfyl vf/kdkjh ,d efgyk dh gR;k dh<br />
tkap djrk gSA 'kq: esa ,d os';k dh gR;k dk<br />
ekeyk yxrk gS] ysfdu tkap ds ckn dsl ,d<br />
vR;f/kd tfVy :i ys ysrk gS ftlesa felz ds<br />
cgqr gh laHkzkar yksx 'kkfey gSaA<br />
Set against the backdrop of the Egyptian<br />
Revolution, the thriller features a police<br />
officer who investigates the murder of<br />
a woman. What initially seems to be a<br />
killing of a prostitute turns into a more<br />
complicated case involving the very elite<br />
of Egypt.<br />
Sales agent Swedish Film Institute/The<br />
Match Factory<br />
• sergi.steegmann@matchfactory.de<br />
rkfjd lkysg<br />
felz ewy ds rkfjd lkysg ,d LohfM'k Vsyhfotu fuekZrk] ,uhesVj]<br />
çdk'kd] i=dkj vkSj fQ+Ye funsZ'kd gSa] tks 1990 ds n'kd ds<br />
'kq: esa LohMu ds çeq[k fHkfÙkfp= dykdkjksa esa ls ,d FksA os ,Veks<br />
ds laLFkkidksa esa ls ,d gaSA mUgksaus Losjsxst Vsyhfotu ds fy, Hkh<br />
dke fd;k gSaA<br />
Tarik Saleh<br />
Tarik Saleh is a television producer, animator, publisher,<br />
journalist and film director and one of Sweden’s most<br />
prominent graffiti artists. He has also worked as a TV<br />
host for Sveriges Television and is one of the founders<br />
of production company Atmo. His work often contains<br />
techniques such as montages, cut-out graphics and<br />
faces with manipulated lip synching.<br />
CINEMA OF THE WORLD<br />
119
Ukks csM vkWQ+ jkst+st+<br />
No Bed of Roses<br />
Doob<br />
Bangladesh-India | <strong>2017</strong> | Bengali, English | 86 min | Colour<br />
Director Mostofa Sarwar Farooki<br />
Producer Himanshu Dhanuka, Abdul<br />
Aziz, Ashok Kumar Dhanuka<br />
<strong>Cinema</strong>tographer Sheikh Rajibul Islam<br />
Editor Momin Biswas<br />
Sound Design Ripon Nath<br />
Production Designer Masood Parvez<br />
Cast Irrfan Khan, Nusrat Imrose Tisha<br />
Sales agent Chabial<br />
• privilegedkid@gmail.com<br />
ewoh funsZ'kd tkosn glu viuh csVh lcjh ds<br />
cpiu dhs nksLr uhrw ds lkFk I;kj djus yxrs<br />
gSA ¸kg dkaM ,d jk"Vªh¸k ppkZ dk fo"k¸k cu tkrk<br />
gSA tkosn dk ukjkt+ ifjokj muls vyx gks tkrk<br />
gSA og iRuh ek;k dks rykd ns dj uhrw ls 'kknh<br />
djrs gSaA ysfdu ckaXykns'kh lekt esa bl naifr<br />
ds fy, thou vklku ugha FkkA fujk”kk ds {k.kksa esa<br />
lcjh cpiu dh fe=rk dks Hkwydj viuh eka dks<br />
xfjeke; Lora= thou thus dh fgEer nsrh gSA<br />
fujk'kk ds {k.k®a esa n¨u¨a ds ,d nwLkjs ds lkFk ls<br />
cy feyrk gSA<br />
Successful movie director Javed<br />
Hasan finds himself in a midlife crisis,<br />
questioning whether marriage and career<br />
have demanded too much from him. A<br />
tryst with Nitu, his daughter’s childhood<br />
friend, turns into a national scandal.<br />
Javed’s loving family is torn apart. He<br />
eventually divorces wife Maya and is<br />
estranged from daughter Saberi and son<br />
Ahir. Javed and Nitu marry, but it’s no bed<br />
of roses for the couple as they receive<br />
the wrath of a judgmental Bangladeshi<br />
society. Once close friends, Saberi and<br />
Nitu become vulnerable to public shame.<br />
Saberi realizes that Nitu has competed<br />
against her since childhood. Saberi must<br />
now gather herself and push her mother<br />
to explore the grace of independence. In<br />
desperation, together they seek strength.<br />
eqLrQ+k ljoj Q+k:d+h<br />
eqLrQ+k ljoj Q+k:d+h ckaXykns'k U;w oso flusek vkanksyu dk ,d<br />
çeq[k mnkgj.k gSA mudh fQ+Ye Vsyhfotu cqlku esa lekiu fQYe<br />
Fkh vkSj ,f'k;k ç'kkar LØhu iqjLdkjksa esa xzSaM twjh iqjLdkj thrkA<br />
bl fQ+Ye ls og nf{k.k iwoZ ,f'k;kbZ vxz.kh fQ+Ye fuekZrk cu<br />
x;sA mudh pkSFkh fQ+Ye dbZ varjjk"Vªh; mRloksa esa Ánf”kZr gqbZ<br />
vkSj ckaXykns'k dh vksj ls v‚Ldj ds fy, Hksth xbZA nwc mudh<br />
NBh Qhpj gSA<br />
120 CINEMA OF THE WORLD<br />
Mostofa Sarwar Farooki<br />
Mostofa Sarwar Farooki is a Bangladeshi film director,<br />
producer and screenwriter. His 2012 feature Television<br />
was the closing film of Busan festival and won the Grand<br />
Jury Prize in Asia Pacific Screen Award 2013. He also<br />
founded the filmmakers' movement called "Chabial".
uks MsV uks lkbu<br />
No Date No Sign<br />
Bedoune Tarikh, Bedoune Emza<br />
Iran | <strong>2017</strong> | Persian | 103 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Vahid Jalilvand<br />
Producer Ali Jalilvand, Ehsan Alikhani<br />
Screenplay Ali Zarnegar, Vahid<br />
Jalilvand<br />
<strong>Cinema</strong>tographer Payman Shadmanfar<br />
Editor Vahid Jalilvand, Sepehr Vakili<br />
Sound Design Sayyed Alireza Alavian,<br />
Amin Mirshekari<br />
Production Designer Mohsen<br />
Nassrollahi<br />
Cast Navid Mohammadzadeh, Amir<br />
Agha’ee, Hediyeh Tehrani, Zakieh<br />
Behbahani, Sa’eed Dakh, Alireza<br />
Ostadi.<br />
Qksjsafld jksxfoKkuh ujheu dh dkj ls ,d cPpk<br />
?kk;y gks tkrk gSA ujheu cPps dks fDyfud esa<br />
ys tkus ds fy, dgrk gS] cPps ds firk mudh<br />
lgk;rk ugha ysrsA vxyh lqcg ujheu ds vLirky<br />
esa ogh cPpk lafnX/k ekSr ds ckn 'ko ijh{kk ds fy,<br />
yk;k tkrk gSA ujheu nqfo/kk esa gS fd cPps dh<br />
e`R;q dk dkj.k dkj nq?kZVuk gS ;k fo’kkDr HkkstuA<br />
The forensic pathologist Nariman has<br />
a car accident with a motorcyclist and<br />
injures his 8-year-old son. He offers to<br />
take the child to a clinic nearby, but the<br />
father refuses his help and money. The<br />
next morning, in the hospital where he<br />
works, Nariman finds out that the little<br />
boy has been brought for an autopsy<br />
after a suspicious death. He faces a<br />
dilemma: is he responsible for the child’s<br />
death due to the car accident or the child<br />
died of food poisoning according to other<br />
doctors’ diagnosis?<br />
Sales agent Noori Pictures<br />
• fest.smi@gmail.com<br />
okfgn tyhyoan<br />
okfgn tfyyoan rsgjku fo'ofo|ky; ls fFk,Vj funsZ'ku esa Lukrd<br />
gSaA mUgksaus fFk,Vj vfHkusrk] bZjkuh jkT; Vhoh esa laiknd vkSj<br />
funsZ'kd ds :i esa dke fd;kA nks ?kjsyw ohfM;ks J`a[kyk vkSj<br />
lkekftd&vkS|ksfxd {ks=ksa esa 30 ls vf/kd o`Ùkfp=ksa dk funsZ'ku<br />
fd;kA osMuslMs] es 9 mudh igyh Q+hpj fQ+Ye gSA<br />
Vahid Jalilvand<br />
Vahid Jalilvand directed two home video series and more<br />
than 30 documentaries in social and industrial fields.<br />
He has been a director and actor in many television<br />
series and plays. Wednesday, May 9, his first feature,<br />
was selected in the 2015 Venice Film Festival’ Orizzonti<br />
where he received the FIPRESCI Award.<br />
CINEMA OF THE WORLD<br />
121
vkWu ckWMh ,aM lksy<br />
On Body and Soul<br />
Teströl És lélekröl<br />
Hungary | <strong>2017</strong> | Hungarian | 116 min | Colour<br />
Director Ildikó Enyedi<br />
Producer Mónika Mécs, András Muhi,<br />
Erno Mesterházy<br />
Screenplay Ildikó Enyedi<br />
<strong>Cinema</strong>tographer Mt Herbai<br />
Editor Kroly Szalai<br />
Sound Design Péter Lukács<br />
Production Designer Imola Láng<br />
Cast Alexandra Borbély, Géza<br />
Morcsányi, Réka Tenki, Zoltán<br />
Schneider, Ervin Nagy<br />
cqMkisLV ds dRy[kkus esa dke djus okys nks<br />
vareqZ[kh yksxksa dks ;g irk pyrk gS fd os gj jkr<br />
,d gh liuk ns[krs gSaA os my>u esa gSa vkSj FkksM+s<br />
Hk;Hkhr HkhA os bl vthc la;ksx dks f>>drs gq,<br />
Lohdkj djrs gSa vkSj lius esa gqbZ ?kVukvksa dks fnu<br />
ds mtkys esa nksgjkus dh dksf'k'k djrs gSaA<br />
Two introverted people who work in<br />
a Budapest slaughterhouse find out<br />
by pure chance that they share the<br />
same dream every night. They are<br />
puzzled, incredulous, a bit frightened.<br />
As they hesitantly accept this strange<br />
coincidence, they try to recreate in broad<br />
daylight what happens in their dream.<br />
Sales agent Films Boutique<br />
• aleksandr@filmsboutique.com<br />
bfYndks ,U;sfn<br />
cqMkisLV esa tUes bfYndks ,U;sfn us vFkZ'kkL= vkSj fQ+Ye fuekZ.k<br />
dk v/;;u fd;kA mUgksaus ek; V~oafVvFk lsapqjh ¼89½] eSftd gaVj<br />
¼94½ vkSj lheksu] n esftf”k;u ¼99½ dk funsZ'ku fd;k gSA c‚Mh<br />
,aM lksy mudh uohure fQ+Ye gS ftls cfyZu fQ+Ye egksRlo esa<br />
xksYMu ch;j iqjLdkj ÁkIr gqvkA<br />
Ildikó Enyedi<br />
Ildikó Enyedi was born in Budapest where she studied<br />
economics and filmmaking. She has directed Terápia,<br />
and Simon, the Magician. On Body and Soul is her latest<br />
film. It won the Golden Bear at the Berlin Film Festival.<br />
122 CINEMA OF THE WORLD
oUl viksu v Vkbe<br />
Once Upon a Time<br />
Zhili-Byli<br />
Russia | <strong>2017</strong> | Russian | 90 min | Colour<br />
Director Eduard Parri<br />
Producer Ekaterina Sarycheva, Maria<br />
Mamulina, Fyodor Dobranov<br />
Screenplay Aleksey Borodachyov<br />
<strong>Cinema</strong>tographer Masha Slovyova<br />
Production Designer Fyodor Savelyev<br />
Cast Roman Madyanov,<br />
Fyodor Dobronravov, Irina Rozanova<br />
Sales agent Fyodor Dobornravov<br />
Production Centre<br />
e/; :l e/; ds ,d lwus mtM+s gq, xkao esa dsoy<br />
rhu yksx gh cps Fks & gky gh esa fo/kok gqbZ ,d<br />
L=h vkSj nks ,dkdh o`)A muesa ls ,d vius<br />
vdsysiu dks nwj djus ds fy, fo/kok lss “kknh dk<br />
çLrko j[kuss dk QSlyk djrk gS] ysfdu nwljk ,slk<br />
ugha gksus nsxk D;ksafd og Hkh ;gh pkgrk gS vFkkZr~<br />
nks cqtqxksZa ds chp ;q)!<br />
✪ WORLD PREMIERE<br />
In an abandoned little town in the middle<br />
of nowhere in Russia - two lonely old<br />
men and a recently widowed lady are the<br />
only ones living there. One of the men<br />
decides to put an end to his loneliness<br />
and offer his hand to the widow.<br />
However, the other man is not satisfied<br />
with the twist and also offers himself as<br />
her companion. They wage war with<br />
each other.<br />
,MoMZ ikjh<br />
,MoMZ ikjh ,d funsZ'kd] iVdFkk ys[kd vkSj vfHkusrk gSaA mUgksussa<br />
Vw v‚Q nse] n ;syks MªSxu] vks] ydheSu!] n vkbZySaM vkWQ+ ihiy<br />
uks ou uhM~l vkSj n glyj dk funsZ”ku fd;kA ikjh us “ksyWu esa<br />
vfHku; fd;k vkSj n ;syks MªSxu dk iVdFkk ys[ku fd;kA<br />
Eduard Parri<br />
Eduard Parri is a director, screenwriter and actor. As<br />
director, his credits include Two of Them, The Yellow<br />
Dragon, é, Luckyman!, The Island of People No One<br />
Needs and The Hustler. As an actor, Parri appeared in<br />
Echelon. He also scripted The Yellow Dragon.<br />
CINEMA OF THE WORLD<br />
123
n vnj lkbM vkWQ+ gksi<br />
The Other Side of Hope<br />
Toivon Tuolla Puolen<br />
Finland, Germany | <strong>2017</strong> | Finnish, English, Arabic, Swedish | 100 min | Colour<br />
Director Aki Kaurismäki<br />
Producer Aki Kaurismäki<br />
Screenplay Aki Kaurismäki<br />
<strong>Cinema</strong>tographer Timo Salminen<br />
Editor Samu Heikkilä<br />
Sound Design Tero Malmberg,<br />
Olli Pärnänen<br />
Production Designer Markku Pätilä<br />
Cast Ville Virtanen, Sherwan Haji,<br />
Dome Karukoski, Kati Outinen<br />
Sales agent Finnish Film Foundation<br />
• Jenni.domingo@ses.fi<br />
lhfj;kbZ 'kj.kkFkhZ [k+kfyn ekyokgd ij gsyfladh<br />
ys tk;k tkrk gSA ;k=k dj jgk foØsrk fodLVªe<br />
iksdj Vscy ij cM+h /kujkf'k thrdj jsLrjka<br />
[kjhnrk gSA vf/kdkjh [k+kfyn dk 'kj.k ds fy,<br />
vkosnu ukeatwj dj nsrs gSaA fodLVªe dks ykpkj<br />
[k+kfyn jsLrjka ds ihNs lks;k gqvk feyrk gSA og<br />
mls ukSdjh vkSj vkJ; nsrk gSA FkksM+h nsj ds fy,<br />
gh lgh] os jsLrjka ds osVªsl] 'ksQ+ vkSj dqÙks ds lkFk<br />
;wVksfi;u la?k cukrs gSaA<br />
Khaled, a Syrian refugee, stows away<br />
on a freighter to Helsinki. Meanwhile,<br />
Wikstrm is a traveling salesman who wins<br />
big at a poker table and buys himself a<br />
restaurant with the proceeds. When the<br />
authorities turn down his application for<br />
asylum, Khaled is forced underground<br />
and Wikstrm finds him sleeping in the<br />
yard behind his restaurant. He offers him<br />
a job and a roof over his head and, for<br />
a while, they form a Utopian union with<br />
the restaurant’s waitress, the chef and<br />
his dog.<br />
vdh dkSfjLekdh<br />
vdh dkSfjLEkkdh us vius cM+s HkkbZ ehdk dkSfjLekdh ds lkFk fuekZ.k<br />
,oa forj.k daiuh foYysQ+k dh LFkkiuk dhA nksuksa HkkbZ;ksa dks 1980<br />
ds n'kd ls fQ+fu'k fQ+Ye m|ksx ds dqy fuekZ.k ds ikaposa fgLls dk<br />
Js; tkrk gSA vdh dk dke fons'k esa vf/kd yksdfÁ; gSA mudh<br />
fQYesa NksVh gksrh gSaA vdh us fofHkUu 'kSfy;ksa ¼lu fQYesa] fQYe<br />
uks;j] j‚d c‚Mht½ esa fQ+Yesa cuk;hA<br />
Aki Kaurismäki<br />
Aki Kaurismäki formed a production and distribution<br />
company, Villealfa in homage to Jean-Luc Godard’s<br />
Alphaville with his older brother Mika Kaurismäki, also a<br />
filmmaker. Both Aki and Mika are prolific filmmakers, and<br />
have been responsible for one-fifth of the total output of<br />
the Finnish film industry since the 1980s.<br />
124 CINEMA OF THE WORLD
ikdZ<br />
Park<br />
Parkas<br />
Greece, Poland | <strong>2017</strong> | Greek, English | 100 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Sofia Exarchou<br />
Producer Christos V.<br />
Konstantakopoulos, Amanda Livanou<br />
Screenplay Sofia Exarchou<br />
<strong>Cinema</strong>tographer Monika Lenczewska<br />
Editor Sofia Exarchou,<br />
Yorgos Mavropsaridis<br />
Sound Design Valia Tserou, Persefoni<br />
Miliou<br />
Production Designer Pinelopi Valti<br />
Cast Dimitris Kitsos, Dimitra<br />
Vlagopoulou, Thomas Bo Larsen<br />
Sales agent Imediate Servicing<br />
• manne.fourton@imediate.fr<br />
,Fksal ds catj vksyafid xkao esa fd'kksjksa dk lewg<br />
jkst ?kqM+nkSM+ esa layXu jgrk gSA muesa ls nks lcls<br />
cM+s vUuk vkSj “kehZyh fnfe=h I;kj djus yxrs gSa<br />
vkSj tYn gh “kknh dj ysrs gSaA ,d&nwljs ds lkFk<br />
ls [kq”k ftKklq vkSj mÙksftr fd'kksj leqæ rVh;<br />
i;ZVu LFky ij tkrs gSaA le; chrus ds lkFk<br />
muds fj'rksa dh e/kqjrk de gksus yxrh gS vkSj<br />
vkuan O;Fkk esa cny tkrk gSA lkekftd çFkk,¡<br />
O¸kfäXkr #i ls ihM+knk¸kd h g¨ ldrh gSA<br />
Gathering in the parched concrete<br />
wasteland of Athens’ crumbling Olympic<br />
village, a group of teenagers engages<br />
daily in boisterous horseplay. The eldest<br />
of them, doe-eyed Anna and the timid<br />
Dimitri begin courting and soon become<br />
a couple. Coming alive in each other’s<br />
company, they explore the attractions<br />
of a seaside tourist resort with gleeful<br />
curiosity and juvenile excitement. Yet<br />
with the passing of time, their relationship<br />
goes from summery bliss to autumnal<br />
anguish, and the impact of the social<br />
body on the individual is keenly, painfully<br />
felt.<br />
lksfQ;k ,Dlkjpks<br />
funsZ'kd vkSj iVdFkkys[kd lksfQ+;k us bysfDVªdy bathfu;fjax]<br />
fQ+Ye funsZ”ku] jaxeap vfHku; vkSj flusek rFkk v‚fM;ksfotqvy<br />
esa f”k{kk ÁkIr dhA mUgksaus nks y?kq fQYeksa dk ys[ku vkSj funsZ'ku<br />
fd;k gSA igyh Qhpj ikdZ dk VksjaVks esa çhfe;j gqvk vkSj lSu<br />
lscsfLV;u esa u, funsZ'kd dk iqjLdkj feykA 2014 esa mUgksaus<br />
luMkal LØhujkbVlZ ,aM Mk;jsDVlZ ySc esa Hkkx fy;kA<br />
Sofia Exarchou<br />
Director and screenwriter, Sofia Exarchou has written<br />
and directed two short films. In 2014, she participated in<br />
the Sundance Screenwriters & Directors’ Lab. Park, her<br />
first feature, premiered at Toronto IFF and was selected<br />
at San Sebastián IFF, where it won the New Directors’<br />
Award.<br />
CINEMA OF THE WORLD<br />
125
n ikVhZ<br />
The Party<br />
UK | <strong>2017</strong> | English | 71 min | Black and White<br />
Director Sally Potter<br />
Producer Kurban Kassam, Christopher<br />
Sheppard<br />
Screenplay Sally Potter<br />
<strong>Cinema</strong>tographer Alexey Rodionov<br />
Editor Emilie Orsini, Anders Refn<br />
Sound Design Jean-Paul Mugel<br />
Production Designer Carlos Conti<br />
Cast Patricia Clarkson, Bruno Ganz,<br />
Cherry Jones, Kristin Scott Thomas<br />
Sales agent Great Point Media<br />
• ABryant@greatpointmedia.com<br />
yanu esa tsusV inksUufr dh [kq”kh esa vkSj<br />
fojks/kh ikVhZ ds LokLF; ea=h dks uhpk fn[kkus ds<br />
fy, ikVhZ dk vk;stu djrh gSA mldk fo/ks;d<br />
ifr fcy igys ls gh O;Lr gSA nksLrksa ds vkxeu<br />
ds lkFk ukVdh; [kcjsa lkeus vkrh gSaA fcy dh<br />
?kks"k.kk ls gq, jgL;ksn~?kkVuksa ds dkj.k 'ksaisu ls<br />
'kq: gqbZ ikVhZ jDrjaftr gks tkrh gSA ikVhZ esa vk¸¨<br />
gq, lh esgeku h gSjku v©j ijs'kku g¨ tkrs gSA<br />
Janet is hosting an intimate gathering<br />
of friends to celebrate her promotion to<br />
Shadow Minister of Health in the party<br />
of opposition. Her husband, Bill, seems<br />
preoccupied. As their friends arrive, some<br />
of whom have their own dramatic news<br />
to share, the soire gradually unravels. An<br />
announcement by Bill provokes a series<br />
of revelations that rapidly escalate into<br />
all-out confrontation, as people’s illusions<br />
about themselves and each other go up<br />
in smoke, along with the canapes, The<br />
Party becomes a night that began with<br />
champagne but ends with blood on the<br />
floor.<br />
lSyh i‚Vj<br />
lSyh i‚Vj dh i`"BHkwfe dksfj;ksxzkQh] laxhr] n`”;dyk vkSj<br />
ç;ksxkRed fQYe esa gSA mUgksaus lkr Qhpj fQYeksa] dbZ y?kq fQYeksa<br />
vkSj ,d Vsyhfotu J`a[kyk dk ys[ku ,oa funsZ'ku fd;kA lSyh<br />
i‚Vj dh fQYeksa us 40 ls vf/kd varjjk"Vªh; iqjLdkj thrs gSa vkSj<br />
vdkneh iqjLdkj vkSj ck+rk ukekadu çkIr fd, gSaA<br />
Sally Potter<br />
Sally Potter made her first 8mm film aged 14. Orlando,<br />
Sally Potter’s bold adaptation of Virginia Woolf’s classic<br />
novel, first brought her work to a wider audience. It was<br />
followed by The Tango Lesson, The Man Who Cried,<br />
Yes, Rage and Ginger & Rosa. Sally Potter’s films have<br />
won over 40 international awards and received both<br />
Oscar and BAFTA nominations.<br />
126 CINEMA OF THE WORLD
iksexzsusV vkWpZM<br />
Pomegranate Orchard<br />
Nar Baǧi<br />
Azerbaijan | <strong>2017</strong> | Azerbaijani | 90 min | Colour<br />
Director Ilgar Najaf<br />
Producer Mushfug Hatamov,<br />
Ilgar Najaf<br />
Screenplay Asif Rustamov, Ilgar<br />
Najaf, Roelof Yan Minneboo inspirovno<br />
divadeln hrou Viov sad<br />
<strong>Cinema</strong>tographer Ayhan Salar<br />
Editor Elmir Hasanov<br />
Sound Design Peter Rusner, Teynur<br />
Kerimov, Stephan Konken<br />
Production Designer Rafig Nasirov<br />
Cast Hasan Agayev, Samimi Farhad,<br />
Ilaha Hasanova , Gurban Ismailov<br />
xkfcy vukj ds isM+ksa ls f?kjs vius euksje<br />
Q+keZgkml esaa ykSV vkrs gSaA 12 lky igys vpkud<br />
pys tkus ds ckn mUgksaus dHkh ifjokj ls laidZ ugha<br />
fd;k FkkA gkykafd tks xgjh HkkoukRed ihM+k og<br />
ihNs NksM+ x;s Fks og fdlh Hkh rjg ls de ugha<br />
dh tk ldrhA<br />
✪ INDIA PREMIERE<br />
Gabil returns home to the humble family<br />
farmstead, surrounded by an orchard<br />
of venerable pomegranate trees. Since<br />
his sudden departure 12 years ago, he<br />
was never once in contact. However,<br />
the deep emotional scars he left behind<br />
cannot be erased from one day to the<br />
next.<br />
Sales agent Buta Film<br />
• asif_rustamov@yahoo.com<br />
bYxkj ut+Q+<br />
bYxkj ut+Q+ us vt+jcstku LVsV ;wfuoflZVh vkWQ+ dYpj ,aM<br />
vkVZ~l ls flusek vkSj VhOkh funsZ”ku dk v/;;u fd;kA bYxkj us<br />
vusd o`Ùkfp= cuk;s vkSj 2004 esa cwVk fQ+YEl dh LFkkiuk dhA<br />
mudh igyh Q+hpj fQ+Ye cwVk vusd fQ+Ye lekjksgksa esa Ánf”kZr<br />
,oa iqjLd`r gqbZA<br />
Ilgar Najaf<br />
Ilgar Najaf began as a documentarist, turning out Shacks<br />
without Shades (Kölgəsiz komalar) and There Exists an<br />
Old Man (Bir qoca var). His feature film debut Buta, won<br />
awards at the Houston World Fest and Isfahan IFF, it was<br />
also Azerbaijan’s submission to the Academy Awards.<br />
CINEMA OF THE WORLD<br />
127
ikWi v;s<br />
Pop Aye<br />
✪ INDIA PREMIERE<br />
Thailand, Singapore | <strong>2017</strong> | Thai | 104 min | Colour<br />
Director Kirsten Tan<br />
Producer Wenhong Huang,<br />
Zhang Jianbin, Weijie Lai<br />
Screenplay Kirsten Tan<br />
<strong>Cinema</strong>tographer Chananun<br />
Chotrungroj<br />
Editor Lee Chatametikool<br />
Production Designer Rasiguet<br />
Sookkarn<br />
Cast Thaneth Warakulnukroh,<br />
Penpak Sirikul, Bong<br />
,d fojDr okLrqdkj dks yEcs le; ls [kks;k gqvk<br />
viuk gkFkh vpkud cSadkd dh lM+dksa ij feyrk<br />
gSA mls ns[k dj og cgqr mRlkfgr gks tkrk gSA<br />
og vius gkFkh ds lkFk FkkbZySaM dh ;k=k ij fudy<br />
iM+rk gS] ml [ksr dh ryk'k esa] tgka os ,d lkFk<br />
cM+s gq, FksA<br />
On a chance encounter, a disenchanted<br />
architect bumps into his long-lost<br />
elephant on the streets of Bangkok.<br />
Excited, he takes his elephant on a<br />
journey across Thailand, in search of the<br />
farm where they grew up together.<br />
Sales agent Cercamon<br />
• sebastien@cercamon.biz<br />
fØLVsu rku<br />
Mk;jsDVj vkSj fluseSVksxzkQ+j rku dh dFkkud gkL; ds lkFk ÁLrqr<br />
,d vyx –'; 'kSyh gSA rku us U;w ;kWdZ fo'ofo|ky; ls fQ+Ye<br />
ÁksMD”ku dk v/;;u fd;k tgka mUgsa Vh”k Ldwy v‚Q+ vkVZ~l<br />
xzstq,V QSyksf'ki ls lEekfur fd;k x;kA flaxkiqj ds lcls fuiq.k<br />
;qok fQ+Ye fuekZrk dh igyh fQYe i‚i v;s luMkal lekjksg esa<br />
fn[kk;h x;h vkSj LØhujkbfVax ds fy, fo'ks"k twjh iqjLdkj ls<br />
lEekfur dh x;hA<br />
128 CINEMA OF THE WORLD<br />
Kirsten Tan<br />
Kirsten Tan is a director/cinematographer with a distinct<br />
visual style of storytelling laced with astringent humor.<br />
She has been lauded as one of Singapore’s most<br />
accomplished young filmmakers. Her debut feature<br />
Pop Aye was selected as the opening film at Sundance<br />
Film Festival and awarded the Special Jury Prize for<br />
Screenwriting.
jsfMvUl<br />
Radiance<br />
Hikari<br />
France, Japan | <strong>2017</strong> | Japanese | 101 min | Colour<br />
Director Naomi Kawase<br />
Producer Naoya Kinoshita,<br />
Masa Sawada, Yumiko Takebe<br />
Screenplay Naomi Kawase<br />
<strong>Cinema</strong>tographer Arata Dodo<br />
Editor Tina Baz<br />
Sound Design Ibrahim Maalouf<br />
Production Designer Setsuko<br />
Shirakawa<br />
Cast Masatoshi Nagase, Ayame Misaki,<br />
Tatsuya Fuji<br />
felkdks us=ghuksa ds fy, fQYe ys[ku djrh gSA<br />
,d LØhfuax esa og iqjkus Q+ksVksxzkQ+j ukdkeksjh ls<br />
feyrh gaS] tks /khjs&/khjs viuh –f"V [kks jgs gSaA<br />
felkdks dks ukdkeksjh dh rLohjsa feyrh gSa tks<br />
vk”p;Ztud :i ls mls vius vrhr esa okil ys<br />
tkrh gSaA nksuksa lkFk feydj ml mTToy nqfu;k<br />
dks ns[kuk lh[ksaxs tks felkdks ds fy, v–'; FkkA<br />
Misako is a passionate writer of film<br />
versions for the visually impaired. At<br />
a screening, she meets Nakamori, an<br />
older photographer who is slowly losing<br />
his eyesight. Misako soon discovers<br />
Nakamori’s photographs, which will<br />
strangely bring her back to her past.<br />
Together, they will learn to see the radiant<br />
world that was invisible to her eyes.<br />
Sales agent MK2<br />
• anne-laure.barbarit@mk2.com<br />
ukvkseh dokls<br />
ukvkseh dokls dk tUe ukjk] tkiku esa gqvk Fkk vkSj vkslkdk Ldwy<br />
v‚Q+ Q+ksVksxzkQh esa Vsyhfotu vkSj fQ+Ye dk v/;;u fd;kA og<br />
'kjk] n e‚fuaZx Q+‚jsLV] lt+kdw] gustw] fLVy n okVj] vkSj ,u ds<br />
funsZ'kd gSaA jsfMvUl mudh uohure fQ+Ye gSA<br />
Naomi Kawase<br />
Naomi Kawase was born in Nara, Japan, and studied<br />
television and film at the Osaka School of Photography.<br />
She is the director of the films Shara, The Mourning<br />
Forest, Sazaku, Hanezu and Still the Water. Radiance<br />
is her latest film.<br />
CINEMA OF THE WORLD<br />
129
jft+;k<br />
Razzia<br />
✪ INDIA PREMIERE<br />
France, Morocco, Belgium | <strong>2017</strong> | French, Arabic | 120 min | Colour<br />
Director Nabil Ayouch<br />
Producer Bruno Nahon,<br />
Patrick Quinet, Nabil Ayouch<br />
Screenplay Maryam Touzani,<br />
Nabil Ayouch<br />
<strong>Cinema</strong>tographer Virginie Surdej<br />
Editor Sophie Reine, Marie-Helene<br />
Dozo<br />
Sound Design Zacharie Naciri<br />
Production Designer Hafid Amly<br />
Cast Maryam Touzani, Arieh Worthalter,<br />
Amine Ennaji, Abdelilah Rachid, Dounia<br />
Binebane, Abdellah Didane<br />
vCnYykg] lyhek] tks] gkfde] vkSj busl ikap<br />
yksx vUtkus esa gh dklkCykadk 'kgj esa ,d nwljs<br />
ds lkFk tqM+s x;s gSaA vyx psgjs] vyx la?k"kZ]<br />
ysfdu 'kgj ,d] lkal ,dA fQ+Ye dk feFkd iwjh<br />
rjg ls g‚yhoqM LVwfM;ks esa “kwV fd;k x;k gS] tks<br />
okLrfodrk dk vkHkkl djkrk gSA<br />
Five people, Abdallah, Salima, Joe,<br />
Hakim and Ina, are connected to each<br />
other without realising it. Different faces,<br />
different struggles, but one same breath.<br />
One city, Casablanca, as a fragment of<br />
reality, as the myth of a film entirely shot<br />
in Hollywood studios, which reality has<br />
come back to claim.<br />
Sales agent Films Distribution<br />
• joris@playtime.group<br />
uchy v;bZp<br />
eksjDdks esa tUes uchy v;bZp us mu feuqVs fM lksysy ,u eksbu]<br />
OgkV ,oj yksyk okaV~l] ek; ySaM] gksflZl v‚Q+ x‚M] esDrkmc] vyh<br />
tw+;k vkSj ep yOM dk funsZ”ku fd;k gSA jft+;k mudh uohure<br />
fQYe gS<br />
Nabil Ayouch<br />
Nabil Ayouch was born in Morocco. His feature credits<br />
include Une minute de soleil en moin, Whatever Lola<br />
Wants, My Land and Horses of God, as well as Mektoub,<br />
Ali Zaoua and Much Loved. Razzia is his latest film.<br />
130 CINEMA OF THE WORLD
n fjdUlhfy,”ku<br />
The Reconciliation<br />
Zgoda<br />
Poland | <strong>2017</strong> | Polish | 87 min | Colour<br />
Director Maciej Sobieszczański<br />
Producer Zbigniew Domagalski<br />
Screenplay Malgorzata<br />
Sobieszczanska<br />
<strong>Cinema</strong>tographer Valentyn<br />
Vasyanovych<br />
Editor Rafal Listopad<br />
Sound Design Paulina Bocheńska,<br />
Aleksander Musialowski<br />
Production Designer Ewa<br />
Skoczkowska<br />
Cast Jakub Gierszal,<br />
Julian Świezewski, Zofia Wichlacz<br />
Sales agent Aleksandra Biernacka<br />
• aleksandra.biernacka500@outlook.com<br />
f}rh; fo”o ;q) ds vafre fnuksa esa vij<br />
flysfl;k] iksySaM esa dE;qfuLV flD;ksfjVh lfoZl<br />
teZu] flysfl;u vkSj iksYl ds fy, t+xksMk@<br />
fjdUlhfy,”ku uked Je f'kfoj dk vk;kstu<br />
djrs gSaA ÝSad ,d iksfy'k dSnh vUuk ls I;kj djrk<br />
vkSj mls NqM+kuk pkgrk gSA og ugha tkurk fd<br />
dSnh teZu fe= bjfou Hkh vUuk ls I;kj djrk gSaA<br />
ÝSad dk bjknk usd ugha gSA og fLkLVe d¨ cnyus<br />
dh vk'kk ls dE¸kqfuLV cu tkrk gSA<br />
✪ INDIA PREMIERE<br />
The beginning of 1945, Upper Silesia,<br />
Poland. The last days of WW2. In the just<br />
liberated areas, the Communist Security<br />
Service eliminates its enemies under the<br />
pretext of punishing national traitors. It<br />
organises a labour camp for Germans,<br />
Silesians and Poles, at the site of a<br />
former Nazi concentration camp, which<br />
is named Zgoda/Reconciliation. Franek,<br />
who is in love with a Polish prisoner<br />
Anna, joins the camp crew to rescue her.<br />
He doesn’t know that one of the inmates<br />
is Erwin, his German friend, who, like<br />
himself, has also loved Anna for a long<br />
time. Franek joins Communists in the<br />
illusory hope of outsmarting the system.<br />
eklht lksfclt~tULdh<br />
eklht lksfclt~tULdh ,d ys[kd vkSj funsZ'kd gSaA mUgksaus ykWM~t+<br />
fQ+Ye Ldwy] okWjlkW ls f”k{kk ÁkIr dh vkSj ogha ij Ák/;kid Hkh<br />
gSaA mUgksaus y?kq fQYe cFkZMs dk funsZ”ku vkSj çk;ksfxd Q+hpj fQ+Ye<br />
ijQ+‚eZj dk lg&funsZ'ku ¼yqdkt jksaaMMk ds lkFk½ fd;k] ftls<br />
cfyZu fQ+Ye Q+sfLVoy 2015 esa iqjLd`r fd;k x;kA<br />
Maciej Sobieszczański<br />
Maciej Sobieszczański is a writer and director and<br />
lecturer at the Łódź Film School. His short film Birthday,<br />
is based on a story by Etgar Keret. He co-directed<br />
(with Lukasz Ronduda) the experimental feature film<br />
Performer, about the life and work of the contemporary<br />
Polish artist Oskar Dawicki. The film won the THINK:<br />
Film Award at the Berlin Film Festival 2015.<br />
CINEMA OF THE WORLD<br />
131
fjMkmVscy<br />
Redoubtable<br />
France | <strong>2017</strong> | French | 107 min | Colour<br />
Director Michel Hazanavicius<br />
Producer Michel Hazanavicius,<br />
Florence Gastaud, Riad Sattouf<br />
Screenplay Michel Hazanavicius<br />
<strong>Cinema</strong>tographer Guillaume Schiffman<br />
Editor Anne-Sophie Bion<br />
Sound Design Jean Minondo<br />
Production Designer Christian Marti<br />
Cast Louis Garrel, Stacy Martin,<br />
Bérénice Bejo, Micha Lescot,<br />
Grégory Gadebois, Felix Kysyl<br />
Sales agent In2 Infotainment<br />
• narayan.srinivasan@gmail.com<br />
isfjl esa o’kZ 1967 esa lqçfl) fQ+Ye fuekZrk<br />
T;ka&yqd xksnknZ Lo;a ls 20 o’kZ NksVh ,suh<br />
fo;kt+esLdh ds lkFk 'kwfVax dj jgs gSaA os ,d<br />
nwljs ls I;kj djus yxrs gSa vkSj “kknh dj ysrs gSaA<br />
fQ+Ye dk mn~?kkVu xksnknZ dks vkReeaFku ds fy,<br />
ck/; djrk gSA ebZ 1968 esa ?kVh ?kVukvksa ls xksnknZ<br />
vR;ar fopfyr gks tkrs gSaA ,d foy{k.k ÁfrHkk<br />
okyk funsZ”kd foæksgh dykdkj dSls cu tkrk gS<br />
;g le>uk vlaHko gSA<br />
Paris 1967. Jean-Luc Godard, the most<br />
renowned filmmaker of his generation,<br />
is shooting La Chinoise with the woman<br />
he loves, Anne Wiazemsky, 20 years his<br />
junior. Happy, in love, magnetic, they<br />
marry. But the film’s reception unleashes<br />
a profound self-examination in Jean-Luc.<br />
The events of May 1968 will amplify this<br />
process, and the crisis that shakes Jean-<br />
Luc will change him profoundly, from<br />
star director to Maoist artist outsider, as<br />
misunderstood as he is impossible to<br />
understand.<br />
ekbdy gt+uohfl;l<br />
ekbdy gt+uohfl;l Ý+kalhlh fQ+Ye funsZ'kd] fuekZrk]<br />
iVdFkkys[kd vkSj laiknd gSA mudh fQ+Ye n vkfVZLV us 84<br />
osa vdkneh iqjLdkjksa esa loZJs"B fQ+Ye vkSj loZJs"B funsZ'kd ds<br />
fy, v‚Ldj thrkA mUgksaus tklwlh fQYeksa iSjksMht vks,l,l 117]<br />
dkfgjk] usLV v‚Q Likbt+ vkSj vks,l,l 117 % y‚LV bu fj;ks<br />
dk Hkh funsZ'ku fd;kA<br />
Michel Hazanavicius<br />
Michel Hazanavicius (born March 29, 1967) is a French<br />
film director, producer, screenwriter and film editor best<br />
known for his 2011 film, The Artist, which won the Oscar<br />
for Best Picture at the 84th Academy Awards. It also<br />
won him the Academy Award for Best Director. He also<br />
directed spy film Parodies OSS 117: Cairo, Nest of Spies<br />
and OSS 117: Lost in Rio.<br />
132 CINEMA OF THE WORLD
fjfDoe Q+kWj felst ts<br />
Requiem For Mrs. J<br />
Rekvijem Za Gospodju J<br />
Serbia, Bulgaria, Macedonia, Russia, France | <strong>2017</strong> | Serbian | 93 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Bojan Vuletić<br />
Producer Nenad Dukić<br />
Screenplay Bojan Vuletić<br />
<strong>Cinema</strong>tographer Jelena Stanković<br />
Editor Vladimir Pavlovski<br />
Sound Design Boris Trayanov<br />
Production Designer Zorana Petrov<br />
Cast Mirjana Karanović, Danića<br />
Nedeljković, Jovana Gavrilović<br />
Jherh ts dss ifr ,d mPp inklhu lsuk vf/kdkjh<br />
FksA ,d o’kZ iwoZ mudh e`R;q gks tkus ds ckn ls og<br />
mnkl jgrh gSaaA og vkRegR;k djus dh ;kstuk<br />
cuk jgh gS D;ksafd mlds fy, vius ifjokj dh<br />
leL;kvksa ls fuiVuk vlaHko gks x;k gSA<br />
Mrs. J is depressed by the death of her<br />
husband, a top-ranking military official,<br />
who passed away one year ago. She is<br />
planning to commit suicide as she can’t<br />
deal with the problems of her family.<br />
Sales agent Soulfood Films<br />
• tijana.visnjic@soulfoodfilms.com<br />
Ckkstu oqysfVd<br />
Ckkstu oqysfVd us ukVd dyk ladk;] csYxzsM esa funsZ'ku fQYe<br />
vkSj Vsyhfotu dk v/;;u fd;kA Q+hpj fQ+Ye çSfDVdy xkbM Vw<br />
csYxzsM fon flafxx ,aM Økbax dkyksZoh osjh lekjksg esa çhfe;j gqbZA<br />
bls vU; dbZ iqjLdkj feyssA mUgksaus LVhQ+u vklsZuhtsfod ds lkFk<br />
ykWLV ,aM Q+kmaM dk ys[ku fd;k tks cfyZu] 2005 esa fn[kk;h x;h<br />
vkSj yo ,aM vnj ØkbEl cfyZu 2008 esa fn[kk;h xbZA<br />
Bojan Vuletić<br />
Bojan Vuletić’s debut, Practical Guide to Belgrade with<br />
Singing and Crying, premiered at the Karlovy Vary<br />
<strong>International</strong> Film Festival. He collaborated as a cowriter<br />
with Stefan Arsenijević on Lost and Found, which<br />
screened in the Berlinale and on Love and Other Crimes.<br />
CINEMA OF THE WORLD<br />
133
LdSQk+sfYMax<br />
Scaffolding<br />
Pigumim<br />
Israel, Poland | <strong>2017</strong> | Hebrew | 95 min | Colour<br />
Director Matan Yair<br />
Producer Gal Greenspan,<br />
Roi Kurland, Stanislaw Dziedzic,<br />
Moshe Edery, Leon Edery<br />
Screenplay Matan Yair<br />
<strong>Cinema</strong>tographer Bartosz Bieniek<br />
Editor Dov Steuer<br />
Sound Design Mateusz Adamczyk,<br />
Sebastian Witkowski<br />
Production Designer Nitzan Zifrut<br />
Cast Asher Lax, Ami Smolarchik,<br />
Yaacov Cohen, Keren Berger<br />
Sales agent New European Film Sales<br />
• ewa@neweuropefilmsales.com<br />
17 o"khZ; vk'ksj cpiu ls ijs'kku djus okyk gSA<br />
Øks/k vkSj fgalk ds dkj.k mlds fy, d{kk esa<br />
/;ku nsuk dfBu gSA l[+r firk mls ikfjokfjd<br />
O;olk; ds LokHkkfod mÙkjkf/kdkjh ds :i esa ns[krs<br />
gSaA vk'ksj vius f'k{kd jkeh dks vkn”kZ ekurk<br />
gSA vpkud gqbZ =klnh ls nqfo/kkxzLr vk”ksj dh<br />
ifjiDork dh vafre ijh{kk gksrh gSA vk'ksj u¸®<br />
thou v©j ubZ igpku dh vk'kk djrk gSA<br />
✪ INDIA PREMIERE<br />
17-year-old Asher has always been the<br />
impulsive troublemaker, from primary<br />
school, all through junior high and high<br />
school. It’s hard for him to concentrate<br />
in class, and he is compelled by a lot<br />
of rage and violence; yet he is also<br />
endowed with a considerable amount of<br />
charm and street wisdom. While his strict<br />
father sees him as a natural successor to<br />
the family’s scaffolding business, Asher<br />
finds a different masculine role model in<br />
his gentle literature teacher Rami and<br />
forges a special connection with him.<br />
Torn between the two worlds, Asher<br />
looks for a chance for a new life and<br />
new identity. When a sudden tragedy<br />
occurs, he has to take the ultimate test<br />
of maturity.<br />
erku ;Sj<br />
ekru ;Sj fQYe fuekZrk] ys[kd vkSj bljkby esa lkfgfR;d f'k{kd<br />
gSaA mUgksaus lSe Lihxy fQ+Ye ,aM Vsyhfotu Ldwy] ts#lye ls<br />
iVdFkk ys[ku vkSj rsy voho fo'ofo|ky; ls funsZ'ku esa fMxzh<br />
yhA bV bt+ fjVu bu ;ksj vkbZ-Mh- nSV vk; ,e ;ksj Q+knj<br />
o`Ùkfp= cuk;kA LdSQ+WfYMax mudh igyh Q+hpj fQ+Ye gSA<br />
Matan Yair<br />
Matan Yair is a filmmaker, author, and high-school<br />
literature teacher from Israel. After graduating from both<br />
the screenwriting program at the Sam Spiegel Film and<br />
Television School in Jerusalem and the directing program<br />
at Tel Aviv University, he directed the documentary It is<br />
written in your I.D. that I am your Father. Scaffolding is<br />
his first feature.<br />
134 CINEMA OF THE WORLD
Ldsjh enj<br />
Scary Mother<br />
Sashishi Deda<br />
Georgia, Estonia | <strong>2017</strong> | Georgian | 107 min | Colour<br />
Director Ana Urushadz<br />
Producer Tinatin Kajrishvili,<br />
Lasha Khalvashi<br />
Screenplay Ana Urushadze<br />
<strong>Cinema</strong>tographer Konstantin Esadze<br />
Editor Alexander Kuranov<br />
Sound Design Paata Godziashvili<br />
Production Designer Tea Telia<br />
Cast Nata Murvanidze, Ramaz<br />
Ioseliani, Dimitri Tatishvili,<br />
Avtandil Makharadze<br />
,d 50 o"khZ; x`fg.kh eukuk nqfo/kk esa gS & mls<br />
vius ikfjokfjd thou vkSj dbZ lkyksa ls nck dj<br />
j[ks gq;s ys[ku ds Áfr çse ds chp p;u djuk gSA<br />
varr% og vius tquwu dks pqurh gSA og mlds fy,<br />
ekufld vkSj 'kkjhfjd :i ls lc dqN cfynku<br />
djus ds fy, rS;kj gSA<br />
A 50-year-old housewife, Manana,<br />
struggles with a dilemma: she has to<br />
choose between her family life and a<br />
love for writing she has repressed for<br />
years. When she finally decides to follow<br />
her passion, she is ready to sacrifice<br />
everything for it, mentally and physically.<br />
Sales agent Miguel<br />
• miguel@alief.co.uk<br />
vuk m#”kn~tS+<br />
1990 esa rfCyfll ¼t‚ftZ;k½ esa tUeh vuk m#”kn~ts+ us 2013 esa<br />
'kksVk :Lrosyh fFk;sVj vkSj t‚ftZ;k LVsV fQ+Ye ;wfuoflZVh ls<br />
Lukrd fd;k vkSj vkbfM;kt+ vkSj ou eSu YkOM eh tSlh dbZ y?kq<br />
fQYeksa dk funsZ'ku fd;kA Ldsjh enj mudh igyh Q+hpj fQ+Ye gSA<br />
Ana Urushadze<br />
Ana Urushadze, born in Tbilisi (Georgia) in 1990,<br />
graduated from the Shota Rustaveli Theatre and Georgia<br />
State Film University (TAFU) in 2013 and directed<br />
several short films such as Ideas and One Man Loved<br />
Me. Scary Mother is her feature film debut.<br />
CINEMA OF THE WORLD<br />
135
n lhآV baxzsfM,aV<br />
The Secret Ingredient<br />
✪ INDIA PREMIERE<br />
Macedonia, Greece | <strong>2017</strong> | Macedonian | 104 min | Colour<br />
Director Gjorce Stavreski<br />
Producer Gjorce Stavreski<br />
Screenplay Gjorce Stavreski<br />
<strong>Cinema</strong>tographer Dejan Dimeski<br />
Editor Martin Ivanov<br />
Sound Design Igor Popovski<br />
Production Designer<br />
Cast Blagoj Veselinov, Anastas<br />
Tanovski, Aksel Mehmet,<br />
Aleksandar Mikic<br />
Sales agent Wide Management<br />
• ma@widemanagement.com<br />
osys vius dSalj xzLr firk ds fy, egaxh nok,a<br />
ugha [kjhn ldrkA fujk'k gksdj og vijkf/k;ksa ls<br />
ekfjtqvkuk pqjkrk gS] mlds dsd cukdj firk dks<br />
nnZ de gksus dh mEehn ls f[kykrk gSA firk dk<br />
LokLF; peRdkfjd :i ls lq/kj tkrk gS] ysfdu<br />
osys ladV esa iM+ tkrk gS tc iM+kslh mipkj<br />
ds uqL[ks dh ekax djrs gSa vkSj vijk/kh nokvksa<br />
dks okil ekaxrs gSaA ysfdu blls cM+h pqukSrh gS]<br />
vius firk dks ;g eukuk fd mudh ftanxh thus<br />
;ksX; gSA<br />
Vele can’t afford to buy the expensive<br />
medications for his father who has<br />
cancer. Desperate, he steals marijuana<br />
from some criminals, makes a cake<br />
with it and gives it to him, hoping it will<br />
reduce his pain. His father’s health<br />
miraculously improves, but Vele is<br />
suddenly confronted by their neighbours<br />
who demand the recipe for the “remedial”<br />
cake and by the criminals who want their<br />
drugs back. The greatest challenge,<br />
however, is to persuade his father that<br />
his life is worth living.<br />
XtkslsZ LVªozsLdh<br />
XtkslsZ LVªozsLdh eSflMksfu;k ds ,d iqjLdkj fotsrk fQ+Ye fuekZrk<br />
gSA mudk o`Ùkfp= ,Me ,aM bZo dks Øks,f'k;k esa tkxzsc MksDl<br />
QsfLVoy esa Lis'ky T;wjh esU'ku feykA mudh y?kq fQ+Ye ,V Msczsd<br />
DysjeksaV&Qsjkan fQYe lekjksg] Ýkal esa vkf/kdkfjd çfr;ksfxrk<br />
esa FkhA vkSj mudh y?kq dfYir fQ+Ye v‚fM'ku esfVfj;y dks<br />
cksxks”kkWVZ~l] dksyfEc;k esa loZJs"B y?kq dfYir fQ++Ye dk iqjLdkj<br />
feykA n lhØsV bUxzhfM,UV mudh igyh Q+hpj fQ+Ye gSA<br />
136 CINEMA OF THE WORLD<br />
Gjorce Stavreski<br />
Gjorce Stavreski is an award winning filmmaker from<br />
Skopje, Macedonia. His documentary Adam and Eve<br />
got the Special Jury Mention Award at ZagrebDox film<br />
festival in Croatia. His short fiction At Daybreak was in<br />
official competition at Clermont-Ferrand film festival in<br />
France, and his short fiction Audition Material won the<br />
Best Short Fiction Award at Bogoshorts, Colombia. The<br />
Secret Ingredient is his feature film debut.
“ksYVj<br />
Shelter<br />
✪ ASIA PREMIERE<br />
Germany, Israel, France | <strong>2017</strong> | English, Hebrew, Arabic | 93 min | Colour<br />
Director Eran Riklis<br />
Producer Bettina Brokemper<br />
Screenplay Eran Riklis<br />
<strong>Cinema</strong>tographer Sebastian Edschmid<br />
Editor Richard Marizy<br />
Sound Design Gil Toren<br />
Production Designer Bertram Strauss<br />
Cast Golshifteh Farahani, Neta Riskin,<br />
Lior Ashkenazi, Haluk Bilginer,<br />
Yehuda Almagor, Mark Waschke<br />
Sales agent Beta <strong>Cinema</strong><br />
• Cosima.Finkbeiner@betacinema.com<br />
,d yscukuh efgyk eksuk vkSj btjk;y ekslkn<br />
,tsaV ukvkseh viuh igpku fNikus ds fy, gSEcxZ<br />
esa ,d vikVZesaV esa nks lIrkg rd 'kkafr ls jgrh<br />
gSaA ,d lqjf{kr vkJ;& dksbZ Hkh ugha tkurk Fkk<br />
fd nks lIrkg ckn og vkrad ftlus vkt fo'o<br />
d¨ iwjh rjg ls Äsjk gqvk gSA mUgsa bls NksM+ dgha<br />
vkSj tkuk iM+sxkA nks efgykvksa ds chp cuk varjax<br />
fj'rk vkrad ds lk;s esa vk x;k gSA<br />
Lemon Tree meets John le Carré in a<br />
subtle thriller set in Germany involving<br />
Mona, a Lebanese woman, and Naomi,<br />
an Israeli Mossad agent sent to protect<br />
their informant while recovering from<br />
plastic surgery for her new identity.<br />
Mona and Naomi - together for two<br />
weeks in a quiet apartment in Hamburg.<br />
A safe house. A shelter. No one saw<br />
what was coming, no one knew that this<br />
supposedly quiet fortnight would turn into<br />
an abyss and that shelter would need to<br />
be found elsewhere. The intimacy of the<br />
relationship that develops between the<br />
two women is exposed to the threat of<br />
terror that is engulfing the world today.<br />
,ju fjfDyl<br />
,ju fjfDyl us rsy voho fo'ofo|ky; vkSj baXySaM ds us”kuy<br />
fQYe Ldwy ls flusek dk v/;;u fd;kA vkSj vkWu , fDy;j Ms<br />
;w dSu lh MkeLdl] di Qkbuy] tksgj] oYdu taD'ku] lhfj;u<br />
czkbM] yseu Vªh] ftlus cfyZu esa v‚fM;sal iqjLdkj thrk] n áweu<br />
fjlkslZ eSustj v‚fQj iqjLdkj thrk]a Iysv‚Q+] t+srkmu vkSj Mkaflax<br />
vjc dk funsZ”ku fd;kA<br />
Eran Riklis<br />
Eran Riklis’ debut On a Clear Day You Can See<br />
Damascus was followed by Cup Final. After the domestic<br />
hit Zohar, his international breakthrough The Syrian<br />
Bride won numerous awards, followed by Lemon Tree,<br />
which won the audience award in Berlin and The Human<br />
Resources Manager won the Ophir-Awards. Other works<br />
include Playoff, Zaytoun and Dancing Arabs.<br />
CINEMA OF THE WORLD<br />
137
, lkWVZ vkWQ+ Q+sfeyh<br />
A Sort of Family<br />
Una Especie De Familia<br />
Argentina, Brazil, France, Poland | <strong>2017</strong> | Spanish | 95 min | Colour<br />
Director Diego Lerman<br />
Producer Nicolás Avruj,<br />
Diego Lerman<br />
Screenplay Diego Lerman, María Meira<br />
<strong>Cinema</strong>tographer Wojciech Staron<br />
Editor Alejandro Brodersohn<br />
Sound Design Leandro de Loredo<br />
Production Designer Marcos Pedroso<br />
Cast Bárbara Lennie, Daniel Aráoz,<br />
Claudio Tolcachir<br />
Sales agent Film Factory<br />
• manon@filmfactory.es<br />
e/; vk;qoxhZ; ekysuk ,d lQy M‚DVj gSA og<br />
ftl cPps dks xksn ysuk pkgrh gS og tUe ysus okyk<br />
gSA cPps ds tSfod ekrk&firk mls CySdesy djrs gSa<br />
vkSj cPps dks vukFkky; esa Mkyus dh /kedh nsrs gSaA<br />
dkuwu muds i{k esa gSA ekysuk uSfrd vkSj dkuwuh<br />
nqfo/kkvksa ls xzLr bl pqukSrh dks Lohdkj dj<br />
vfuf'pr ;k=k dh vksj py iM+rh gSA ns[kuk ¸kg<br />
gS fd D¸kk og pqu©rh d¨ iqjk dj ik¸®xh\ mls cPP¨<br />
dk vfËkdkj fey ik¸®xk\<br />
Malena is a successful doctor about to hit<br />
middle-age. She receives a call that will<br />
change her life: the baby she adopted is<br />
about to be born. She goes to retrieve<br />
him from his surrogate mother only to<br />
find herself blackmailed by the newborn’s<br />
biological parents: either Malena pays<br />
more money or they’ll put the baby in an<br />
orphanage. And the law is on their side.<br />
Malena takes up the challenge and sets<br />
out on an uncertain journey plagued by<br />
moral and legal dilemmas to see how far<br />
she is willing to go to get what she wants<br />
most.<br />
Mhxks yeZu<br />
C;wul vk;lZ esa tUes Mhxks yeZu us C;wul vk;lZ fo'ofo|ky; ls<br />
/ofu vkSj fMtkbu vkSj E;qfufliy Ldwy vkWQ+ MªesfVd vkVZ~l ls<br />
ukVd dk v/;;u fd;kA og lMuyh] ehuOgkby] n bufoft+cy<br />
vkbZ] vkSj js+;wfx;kMks ds funsZ'kd gSaA<br />
Diego Lerman<br />
Diego Lerman was born in Buenos Aires. He studied<br />
sound and design at the University of Buenos Aires, and<br />
drama at the Municipal School of Dramatic Arts. He is<br />
the director of the features Suddenly, Meanwhile, The<br />
Invisible Eye and Refugiado.<br />
138 CINEMA OF THE WORLD
Liwj<br />
Spoor<br />
Pokot<br />
Poland, Germany, Czech Republic, Sweden, Slovak Republic | <strong>2017</strong> | Polish | 128 min | Colour<br />
Director Agnieszka Holland<br />
Producer Krzysztof Zanussi, Janusz<br />
Waçhala<br />
Screenplay Olga Tokarczuk,<br />
Agnieszka Holland<br />
<strong>Cinema</strong>tographer Jolanta Dylewska,<br />
Rafa Paradowski<br />
Editor Pavel Hrdlicka<br />
Sound Design Mattias Eklund<br />
Production Designer Joanna Macha<br />
Cast Agnieszka Mandat, Wiktor<br />
Zborowski, Miroslav Krobot, Jakub<br />
Giersza, Patricia Volny, Tomasz Kot<br />
lsokfuo`Ùk fuekZ.k vfHk;ark] T;ksfr"kfoKkuh vkSj<br />
'kkdkgkjh Mlt+sT+dks psd&iksfy'k lhek ij igkMh+<br />
xkao esa jgrh gSA ,d fnu mlds fç; dqÙks xk;c gks<br />
tkrs gSaA eghuksa ckn iM+kslh dk e`r 'kjhj feyrk<br />
gSA ?kj ds pkjksa vksj feys fgjuksa ds [kqjksa ds fu'kku<br />
jgL;e; ekSr dk ladsr nsrss gSaA vkSj ekSrsa Hkh gks<br />
jgh gSa] Mlt+sT+dks dk ekuuk gS fd lHkh gR;k,a<br />
taxyh tkuojksa }kjk dh tk jgha gSaA lh ihfM+r<br />
LFkkuh¸k lazkr ifjokj¨a ls gS v©j iqfyl d¨ d¨bZ<br />
lqjkx ugh feyrkA<br />
Duszejko, an eccentric retired<br />
construction engineer, an astrologist and<br />
a vegetarian, lives in a small mountain<br />
village on the Czech-Polish border. One<br />
day her beloved dogs disappear. A few<br />
months later she discovers a dead body<br />
of her neighbour, a poacher. The only<br />
traces leading to the mysterious death<br />
are those of roe deer hooves around<br />
the house. As time goes by, more grisly<br />
killings are discovered. The victims, all<br />
hunters, belonged to the local elite. The<br />
police investigation proves ineffective.<br />
Duszejko has her own theory: all murders<br />
were committed by wild animals.<br />
Sales agent Beta <strong>Cinema</strong><br />
• Cosima.Finkbeiner@betacinema.com<br />
,fXu,Ldk g‚ySaM<br />
,fXu,Ldk g‚ySaM us vkaæs okT+nk vkSj fØLVksQ+ t+kuqlh ds lgk;d<br />
ds :i vius fQYe dSfj;j dh 'kq#vkr dhA mudh igyh Vhoh<br />
fQYe ,u bZofuax ,V ,cnUl vkSj igyh Q+hpj çksfof”k;y ,DVlZ<br />
tksfd Þflusek v‚Q eksjy fMLDok,VÞ dh çeq[k fiDpj FkhA budh<br />
fQ+Yeksa MkdZusl] ;wjksik ;wjksik vkSj ,Xt+ke gkosZLV dks dbZ çfrf"Br<br />
iqjLdkj vkSj ukekadu çkIr gq,A<br />
Agnieszka Holland<br />
Agnieszka Holland’s TV film debut was An Evening at<br />
Abdon’s and her first feature film was Provincial Actors,<br />
one of the flagship pictures of the “cinema of moral<br />
disquiet”. Three of Agnieszka Holland’s films were<br />
nominated to the Oscar Academy Award (Best Foreign<br />
Language category) -In Darkness, Europa Europa and<br />
Angry Harvest.<br />
CINEMA OF THE WORLD<br />
139
n LDosvj<br />
The Square<br />
Sweden, Germany, France, Denmark | <strong>2017</strong> | English, Swedish, Danish | 142 min | Colour<br />
Director Ruben Östlund<br />
Producer Erik Hemmendorff, Philippe<br />
Bober<br />
Screenplay Ruben Östlund<br />
<strong>Cinema</strong>tographer Fredrik Wenzel<br />
Editor Jacob Secher Schulsinger,<br />
Ruben Östlund<br />
Sound Design Jonas Rudels, Jesper<br />
Miller<br />
Production Designer Josefin Åsberg<br />
Cast Claes Bang, Elisabeth Moss,<br />
Dominic West<br />
Sales agent Alliance Media<br />
• sundarrajan.perumal@alliancemedia.in<br />
fØf”p;u ,d ledkyhu dyk laxzgky; dk<br />
lEekfur D;wjsVj gSA mldk 'kks ßn LDos;jß lcdks<br />
ekuoh; drZO;ksa dks fuHkkus dh ;kn fnykrk gSA<br />
ysfdu dHkh&dHkh Lo;a ds vkn'kksaZ dks iwjk djuk<br />
dfBu gksrk gSA fØf”p;u ds Q+ksu dh pksjh dh<br />
ew[kZrkiw.kZ çfrfØ;k mls 'keZukd ifjfLFkfr;ksa esa<br />
[khaprh gS tks mlds Lo;a ds vkSj laxzgky; ds<br />
,d vfLrRo ds ladV esa Mky nsrh gSA bl chp<br />
laxzgky; dk tulaidZ fokx n LDos;j ds fy,<br />
fo'¨"k vf¸kkuk NsM+ nsrk gSA<br />
Christian is the respected curator of a<br />
contemporary art museum, a divorced<br />
but devoted father of two who drives<br />
an electric car and supports good<br />
causes. His next show is The Square,<br />
an installation which invites passersby<br />
to altruism, reminding them of their role<br />
as responsible fellow human beings. But<br />
sometimes, it is difficult to live up to your<br />
own ideals: Christian’s foolish response<br />
to the theft of his phone drags him into<br />
shameful situations. Meanwhile, the<br />
museum’s PR agency has created an<br />
unexpected campaign for The Square.<br />
The response is overblown and sends<br />
Christian, as well as the museum, into<br />
an existential crisis.<br />
#csu vksLVyaM<br />
,d 'kkSdhu Ldh;j ds :i esa] #csu vksLVyaM us ikap lkyksa rd<br />
Ldh fQYeksa dk funsZ'ku fd;kA lekt'kkL= ij vk/kkfjr mudh<br />
fQ+Yesa ekuoh; O;ogkj ds gkL;iw.kZ vkSj lVhd voyksdu ds :i<br />
esa tkuh tkrh gSaA mudh vafre rhu Q+hpj fQ+Yeksa dk çhfe;j<br />
dku lekjksg esa gqvk FkkA mudh fiNyh fQYe VwfjLV us 2014 esa<br />
vulVsZu fjxkMZ T;wjh iqjLdkj thrkA<br />
Ruben Östlund<br />
As an avid skier, Ruben Östlund directed ski films for<br />
five years, until his mid-20s, testifying his taste for long<br />
sequence shots. His work is best described as humorous<br />
and accurate observations of human social behaviour.<br />
His last three feature films have premiered in Cannes<br />
and his previous film Turist won the Un Certain Regard<br />
Jury Prize in 2014.<br />
140 CINEMA OF THE WORLD
n LVªsat oUl<br />
The Strange Ones<br />
✪ INDIA PREMIERE<br />
USA | <strong>2017</strong> | English | 81 min | Colour<br />
Director Christopher Radcliff, Lauren<br />
Wolkstein<br />
Producer Sébastien Aubert,<br />
Shani Geva, Michael Prall, Eric Schultz,<br />
Daniela Taplin Lundberg<br />
Screenplay Christopher Radcliff,<br />
Lauren Wolkstein<br />
<strong>Cinema</strong>tographer Todd Banhazl<br />
Editor Christopher Radcliff,<br />
Lauren Wolkstein<br />
Sound Design Eliott Taylor<br />
Production Designer Danica Pantic<br />
Cast Alex Pettyfer, James Freedson-<br />
Jackson, Emily Althaus<br />
nwjnjkt ds vesfjdh ifj–'; esa ?kwers gq,<br />
nks ;kf=;ksa dks jgL;e; ?kVuk,a ?ksj ysrh gSaA<br />
ns[kus esa lHkh lkekU; yxrk gS] ysfdu ,d lhnk<br />
lknk vodk'k va/kdkj ,oa tfVy nq'pØ esa cny<br />
tkrk gSA<br />
Mysterious events surround two<br />
travellers as they make their way across<br />
a remote American landscape. On the<br />
surface all seems normal, but what<br />
appears to be a simple vacation soon<br />
gives way to a dark and complex web of<br />
secrets.<br />
Sales agent Festival Agency<br />
• valentine@thefestivalagency.com<br />
fØLVksQ+j jsMfDyQ+<br />
fØLVksQ+j jsMfDyQ+ y?kq fQYes LVªsatj vkSj csu vkSj cksuh<br />
j‚Dl dks ns’k Hkj ds vusd lekjksgksa esa çnf'kZr gqbaZA<br />
y‚jsu okWdLVhu<br />
y‚jsu okWdLVhu dh fQYesa fo”o Hkj dsa vusd lekjksgksa esa<br />
çnf'kZr gqbaZA<br />
Christopher Radcliff<br />
Christopher Radcliff's short film Stranger was<br />
selected for Faculty Honors in 2009 and also won<br />
the IFP Audience Choice Award.<br />
Lauren Wolkstein<br />
Lauren Wolkstein is an NYC based film maker,<br />
whose films have been screened at prestigious<br />
international festivals<br />
CINEMA OF THE WORLD<br />
141
lej 1993<br />
Summer 1993<br />
Estiu 1993<br />
Spain | <strong>2017</strong> | Spanish | 97 min | Colour<br />
Director Carla Simón<br />
Producer Valrie Delpierre<br />
Screenplay Carla Simón<br />
<strong>Cinema</strong>tographer Santiago Racaj<br />
Editor Didac Palou, Ana Pfaff<br />
Sound Design Roger Blasco<br />
Production Designer Mónica Bernuy<br />
Cast David Verdaguer, Laia Artigas,<br />
Paula Robles, Bruna Cus<br />
Sales agent New European Film Sales<br />
• ewa@neweuropefilmsales.com<br />
ekrk&firk dh e`R;q ds ckn Ng o"khZ; fÝnk<br />
ckflZyksuk ls vius u, dkuwuh laj{kd pkph vkSj<br />
pkpk ds ikl dkrkyu pyh tkrh gSA ;gka fÝMk<br />
dk thou pqukSrhiw.kZ gS & mlds vklikl dh<br />
ç—fr jgL;e; vkSj fofp= gSA fÝnk d¨ Äj ls<br />
Hkkkx tkuk gh leL¸kk dk ,d lekèkku yxrk gSA<br />
vc mls NksVh cgu dh ns[kHkky djuh iM+rh gS]<br />
ftlls fÝnk bZ"¸kkZ djrh gSA fQj Hkh ifjokj thou<br />
dks larqfyr vkSj lkekU; cukus dh iwjh dksf”k”k<br />
djrk gSA<br />
In the summer of 1993, following the<br />
death of her parents, six-year-old Frida<br />
moves from Barcelona to the Catalan<br />
province to live with her aunt and uncle,<br />
who are now her new legal guardians.<br />
The country life is a challenge for Frida –<br />
time passes differently in her new home<br />
and the nature that surrounds her is<br />
mysterious and estranging. She now has<br />
a little sister whom she has to take care<br />
of and has to deal with new feelings,<br />
such as jealousy. Often, Frida is naively<br />
convinced that running away would be<br />
the best solution to her problems. Yet,<br />
the family does what it can to achieve a<br />
fragile new balance and bring normality<br />
to their life.<br />
dkykZ lkbeu<br />
dkykZ lkbeu us dSfyQ+ksfuZ;k fo'ofo|ky; vkSj ckflZyksuk ls<br />
v/;;u fd;kA mUgksaus Vhoh dkrkyu ds fy, Vhoh J`a[kyk vkSj<br />
dk;ZØeksa dk funsZ'ku fd;kA vksczk lks'ky Þyk dSDlkß dh çfrf"Br<br />
Nk=o`Ùkh ls lEefur gksus ds ckn o`Ùkfp= ckWuZ i‚ftfVo vkSj n<br />
fQ+D’'ku fyifLVd dk ys[ku vkSj funsZ'ku fd;kA lej 1993<br />
mudh igyh Q+hpj fQ+Ye gSA<br />
Carla Simón<br />
Carla Simón has directed TV series and programmes<br />
for TV Catalan. After being awarded the prestigious<br />
scholarship of Obra Social “la Caixa”, she also wrote and<br />
directed the documentary Born Positive and the fiction<br />
Lipstick, both short films were selected in numerous<br />
international film festivals. Summer 1993 is her feature<br />
film debut.<br />
142 CINEMA OF THE WORLD
LohV daVªh<br />
Sweet Country<br />
Australia | <strong>2017</strong> | English | 110 min | Colour<br />
Director Warwick Thornton<br />
Producer David Jowsey, Greer Simpkin<br />
Screenplay Steven McGregor,<br />
David Tranter<br />
<strong>Cinema</strong>tographer Dylan River,<br />
Warwick Thornton<br />
Editor Nick Meyers<br />
Sound Design Lachlan Harris<br />
Production Designer Tony Cronin<br />
Cast Bryan Brown, Matt Day,<br />
Tremayne Doolan<br />
1920 ds n'kd esa v‚LVªsfy;k dh mÙkjh lhek ij<br />
e/; vk;q oxhZ; vkfnoklh lSe ,d 'osr HkwriwoZ<br />
lSfud gSjh dh mlds Q+keZgkml ij vkRej{kk ds<br />
fy, xksyh pyk nsrk gSA idMs+ tkus ds Hk; ls og<br />
Hkkx tkrk gSA gR;kjs ds :i esa lSe dh ryk”k<br />
gksus yxrh gSA Lo;a U;k; dh ijh{kk gS] D;k lSe<br />
okLro esa vijk/kh gS\<br />
An Australian western set on the<br />
Northern Territory frontier in the 1920s,<br />
where justice itself is put on trial when an<br />
aged Aboriginal farmhand shoots a white<br />
man in self defence and goes on the run<br />
as a posse gathers to hunt him down.<br />
Sales agent Memento Films<br />
• festivals@memento-films.com<br />
okjfod Fk‚uZVu<br />
okjfod Fk‚uZVu ,d v‚LVªsfy;kbZ fQ+Ye funsZ'kd] iVdFkk ys[kd<br />
vkSj pyfp=dkj gSaA mudh igyh Q+hpj fQ+Ye] lSelu ,aM<br />
Msyhykg 2009 ds dku fQ+Ye lekjksg esa dSejk Mh*v‚j iqjLdkj<br />
ls lEekfur gqbZA<br />
Warwick Thornton<br />
Warwick Thornton is an Australian film director,<br />
screenwriter and cinematographer. His debut feature film<br />
Samson and Delilah won the Camra d’Or at the 2009<br />
Cannes Film Festival.<br />
CINEMA OF THE WORLD<br />
143
mek<br />
Uma<br />
✪ WORLD PREMIERE<br />
Venezuela, USA, Italy | <strong>2017</strong> | Spanish, Italian | 96 min | Colour<br />
Director Alain Maiki<br />
Producer Alain Maiki, Liz Maiki<br />
Screenplay Rosa Clemente, Raul<br />
Pietro, Liz Maiki, Alain Maiki, William<br />
Goite<br />
<strong>Cinema</strong>tographer Alain Maiki<br />
Editor Alain Maiki<br />
Sound Design Jaime Cardona,<br />
Francesca Contantino<br />
Cast Alexandra Braun, Orlando<br />
Delgado, Pedro Medina, Henry Zakka,<br />
Natalia Denegri, William Goite,<br />
Nello Nappi, Ana Turpin, Fabio<br />
Massimo Bonini, Monica Rodriguez<br />
Sales agent Alain Maiki<br />
• alainmaiki1@gmail.com<br />
fQ+Ye mek vkSj fy;ks ds chp lPps I;kj dh ,d<br />
lqanj dgkuh dk ukVdh; vkSj jgL;e; :ikarj.k<br />
gSA mek vkSj fy;ks xsVs ds rV ij feyrs gSa vkSj<br />
igyh ut+j esa muesas I;kj gks tkrk gSA ysfdu mUgsa<br />
thou esa ,d lkFk jgus ds fy, cgqr la?k"kZ vkSj<br />
pqukSfr;ksa dk lkeuk djuk iM+sxkA<br />
Love, drama and suspense is the main<br />
vertex of a beautiful story that enhances<br />
the intensity and honesty of true love<br />
between Uma and Leo from the moment<br />
they meet in the coast of Gaeta. An<br />
instant chemistry between them will<br />
confront struggles and challenges to<br />
stay together.<br />
,ysu ekbdh<br />
,ysu ekbdh ,fid bu eks'ku ds laLFkkid lnL; gSaA cpiu ls<br />
firk dks dfork vkSj xhr fy[krs gq, ns[kdj xhr jpuk vkSj laxhr<br />
ds fy, çsfjr gq,A fuekZrk vkSj laxhrdkj ds :i esa mUgksaus dbZ<br />
laxhr ohfM;ks] y?kq fQYe] vkSj nks Q+hpj fQ+Yeksa dk fuekZ.k vkSj<br />
funsZ'ku fd;k gSA nsoqbYoses yk foMk 2016 esa osustq,yk esa çnf'kZr<br />
gqbZA mek mudh nwljh Q+hpj fQ+Ye gSA<br />
Alain Maiki<br />
Alain Maiki is a founding member of Epic in Motion. He<br />
has produced and directed numerous music videos,<br />
short films, and two feature films. Devuélveme La Vida,<br />
produced and directed by him, was released in 2016 in<br />
Venezuela. Uma is his second feature film.<br />
144 CINEMA OF THE WORLD
;qfu;u yhMj<br />
Union Leader<br />
✪ INDIA PREMIERE<br />
Canada, India | <strong>2017</strong> | Hindi | 105 min | Colour<br />
Director Sanjay Patel<br />
Producer Sanjay Patel, Haresh Patel<br />
Screenplay Sanjay Patel, Winston<br />
Rainey<br />
<strong>Cinema</strong>tographer Nilip Deb<br />
Editor Aurelian Brentraus,<br />
Brock Roberts<br />
Sound Design Frank Laratta<br />
Production Designer Satish Chauhan<br />
Cast Rahul Bhat, Tillotama Shome,<br />
Vivek Ghamande, Jayesh More,<br />
Tirth Sharma, Chetan Daiya<br />
t; xksfgy ,d viksyks dsfedYl ds fy, dke<br />
djrk gS] tks mlds dfeZ;ksa esa dSalj vkSj vU;<br />
chekfj;ksa dk dkj.k gSA t; bls ukSdjh [kksus ds<br />
Mj ls utjvankt+ djrk gSA nksLr vkSj lg;ksxh<br />
fnxar dh e`R;q gks tkus ij t; lqj{kk mYya?ku<br />
dh f'kdk;r djrk gSA ,d uSfrd dkexkj la?k<br />
cukdj t; orZeku Hkz"V ÁcU/ku ds va/ksjs bfrgkl<br />
dks mtkxj djrk gSA<br />
Jay Gohil, 36, works for Apollo<br />
Chemicals, a chemical plant that is<br />
causing cancer and other ailments in its<br />
workers. He turns a blind eye to these<br />
issues in fear of losing his job. But when<br />
his good friend and colleague, Digant, is<br />
found dead after complaining about the<br />
plant’s health and safety violations, Jay<br />
takes action. Jay uncovers a dark history<br />
of cover-ups and deceit that results in an<br />
overhaul of the plant’s management and<br />
soon finds himself in charge.<br />
Sales agent Sanjay Patel<br />
• sanjaybagadia23@hotmail.com<br />
lat; iVsy<br />
bathfu;j vkSj ys[kd lat; iVsy lkekftd ifjorZu ds fy, ,d<br />
midj.k ds :i esa fQYe dk mi;ksx djrs gSaA mudk mís'; fQ+Yeksa<br />
ds ek/;e ls nwljksa dks f'kf{kr djuk] le>kuk vkSj l'kä cukuk<br />
gSA funsZ'kd vkSj fuekZrk ds :i esa mudh igyh fQ+Ye bQ+ ;w yo<br />
;ksj fpYMªu dks 2014 esa y‚l ,aftYl esa fn[kk;h tkus ds ckn 20<br />
varjjk"Vªh; iqjLdkj ÁkIr gks pqds gSaA<br />
Sanjay Patel<br />
Patel is passionate about using film as a tool for social<br />
change. Sanjay made his debut as director and producer<br />
with the award winning short film If You Love Your<br />
Children. Since its August 2014 release in Los Angeles,<br />
the film has won 20 international awards.<br />
CINEMA OF THE WORLD<br />
145
vfUVy n cMZl fjVuZ<br />
Until the Birds Return<br />
En Attendant Les Hirondelles<br />
Algeria, France, Germany | <strong>2017</strong> | Arabic | 115 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Karim Moussaoui<br />
Producer David Thion, Philippe Martin<br />
Screenplay Karim Moussaoui,<br />
Maud Ameline<br />
<strong>Cinema</strong>tographer David Chambille<br />
Editor Thomas Marchand<br />
Sound Design Pierre Bariaud<br />
Production Designer Hamid<br />
Boughrara<br />
Cast Mohamed Djouhri, Sonia Mekkiou,<br />
Mehdi Ramdani, Hassan Kachach,<br />
Nadia Kaci, Samir El Hakim, Aure Atika<br />
vk/kkqfud vYthfj;k esa ,d /kukh ,d ;qorh] vkSj<br />
;q)dkyhu vijk/kksa ls ckf/kr ,d egRokdka{kh<br />
U;wjksy‚ftLV ds thou esa foxr vkSj orZeku vkil<br />
esa Vdjkrs gSaA bu rhuksa dh dgkfu;ka ,d ledkyhu<br />
vjc lekt dk vkUrfjd fp=.k n”kkZrh gSaA<br />
Algeria today. Past and present collide<br />
in the lives of a newly wealthy property<br />
developer, a young woman torn between<br />
the path of reason and sentiment and<br />
an ambitious neurologist impeded by<br />
wartime wrongdoings. Three stories<br />
that plunge us into the human soul of a<br />
contemporary Arab society.<br />
Sales agent MK2<br />
• anne-laure.barbarit@mk2.com<br />
djhe eqlkSbZ<br />
djhe eqlkSbZ ,d funsZ'kd vkSj ys[kd gSa tks n Mst+ chQ+ksj] Msykbl<br />
iyksek vkSj vfUaVy n cMZl fjVuZ ds fy, Áfl) gaSA<br />
Karim Moussaoui<br />
Karim Moussaoui is Algerian-born director and writer<br />
known for The Days Before, Dlice Paloma and Until the<br />
Birds Return.<br />
146 CINEMA OF THE WORLD
vUokaVsM<br />
Unwanted<br />
T’padashtun<br />
Kosovo | <strong>2017</strong> | Dutch, Albanian | 85 min | Colour<br />
✪ ASIA PREMIERE<br />
Director Edon Rizvanolli<br />
Producer Edon Rizvanolli<br />
Screenplay Edon Rizvanolli<br />
<strong>Cinema</strong>tographer Danny Noordanus<br />
Editor Edon Rizvanolli<br />
Sound Design Pellumb Ballata,<br />
Gerben Kokmeijer<br />
Production Designer Leonora<br />
Mehmeti, Pavle Mihalic<br />
Cast Adriana Matoshi, Jason de<br />
Ridder, Niki Verkaar, Hugo Koolschijn,<br />
Celia Nufaar, Besnik Krapi<br />
vdsyk vkSj mnkl vYcku viuh eka ds lkFk<br />
,ELVMZe esa jgrk gS] tks dkslksoks dh 'kj.kkFkhZ gSaA<br />
eka mlls ;q) ds vk?kkr dks fNikrh gSA vYcku<br />
,d ;qorh ls I;kj djrk gS ysfdu ;q) ls tqM+h<br />
vrhr dh Le`fr;ka vYcku dh nqfu;k dks myV<br />
iqyV dj nsrh gSA<br />
Alban, a lonely boy, who lives in<br />
Amsterdam with his refugee mother<br />
from Kosovo, keeps getting into trouble<br />
while yearning for her acceptance. But<br />
the traumas caused by the war, which<br />
his mother hides away from him, turn his<br />
world upside down.<br />
Sales agent Asfalt Films<br />
• info@asfaltfilms.com<br />
bZMu fjtoku‚yh<br />
vfHkusrk] laiknd vkSj funsZ”kd bZMu fjtoku‚yh vuokaVsM] es ch<br />
Vqekjks vkSj 'kQ+y&iksfyfVd] yduqjs ns jksdsujksy ds fy, lqçfl)<br />
gSaA ¸kg fQ+Ye dky¨Zoh osjh fQ+Ye lekj¨g es fn[kk¸kh FkhA<br />
Edon Rizvanolli<br />
Edon Rizvanolli is an actor, editor and director known<br />
for Unwanted, Maybe Tomorrow and Shuffle - Politike,<br />
laknur dhe rokenroll. Unwanted is his feature film debut,<br />
screened at Karlovy Vary.<br />
CINEMA OF THE WORLD<br />
147
okftc<br />
Wajib<br />
Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates | <strong>2017</strong> | Arabic | 96 min | Colour<br />
Director Annemarie Jacir<br />
Producer Ossama Bawardi<br />
Screenplay Annemarie Jacir<br />
<strong>Cinema</strong>tographer Antoine Héberié<br />
Editor Jacques Comets<br />
Sound Design Carlos Garcia,<br />
Kostas Varympopiotis<br />
Production Designer Nael Kanj<br />
Cast Mohammad Bakri, Saleh Bakri,<br />
Maria Zreik, Rana Alamuddin<br />
Sales agent Pyramide <strong>International</strong><br />
• ilaria@pyramidefilms.com<br />
rykd'kqnk vcw&'kkMh dk csVk fj”rnkjksa dks viuh<br />
cgu ds fookg ds fuea=.k ckaVus esa lgk;rk ds<br />
fy, jkse ls ukt+jr vk;k gSA “kkMh dk vius “kgj<br />
vkSj ifjokj ls laidZ VwV pqdk FkkA vcw&'kkMh csVs<br />
ls tqM+us dh dksf'k'k djrk gS] ysfdu ijs'kku gS<br />
fd rykd ds le; 'kkMh us eka dk i{k fy;k FkkA<br />
blh le; okftc dgkuh esa vkrk gSA firk&iq= tc<br />
iwjk fnu lkFk xqt+kjrs gSa r¨ mUgsa ukt+qd lacaèk¨a dk<br />
,glkl g¨rk gSA<br />
Abu Shadi is a divorced father and school<br />
teacher in his mid-60s living in Nazareth.<br />
After his daughter’s wedding in one<br />
month he will be living alone. Shadi,<br />
his architect son, arrives from Rome<br />
after years abroad to help his father in<br />
hand delivering the wedding invitations<br />
as per local Palestinian custom. As the<br />
estranged pair spend the day together,<br />
the tense details of their relationship<br />
come to a head challenging their fragile<br />
and very different lives.<br />
,uhesjh tlhj<br />
dksyafc;k fo'ofo|ky; ls f”kf{kr ,uhesjh tkdhj us 16 fQ+Yeksa<br />
dk ys[ku] fuekZ.k vkSj funsZ'ku fd;k gSA tSdj dh ykbd V~osaVh<br />
bai‚flfcYl igyh y?kq vjc fQ+Ye Fkh tks dku lekjksg fn[kkbZ<br />
xbZ FkhA mudh Q+hpj fQ+Yesa lkWYV vkWQ+ fnl lh rFkk Ogsu vkbZ<br />
lkW ;w fo”o Hkj ds fQ+Ye lekjksgksa esa Ánf”kZr vkSj lEekfur gqbZaA<br />
Annemarie Jacir<br />
Annemarie Jacir has written, directed and produced<br />
16 films. Like Twenty Impossibles was the first Arab<br />
short film to screen in the official selection at Cannes.<br />
Jacir’s debut, Salt of this Sea, premiered at Cannes, was<br />
Palestine’s 2008 Oscar Entry and won the FIPRESCI<br />
Prize. When I Saw You was named Best Asian Film at<br />
Berlin, Abu Dhabi, Olympia, Amiens and Phoenix.<br />
148 CINEMA OF THE WORLD
osLVuZ<br />
Western<br />
✪ INDIA PREMIERE<br />
Germany, Bulgaria, Austria | <strong>2017</strong> | German, English, Bulgarian | 119 min | Colour<br />
Director Valeska Grisebach<br />
Producer Jonas Dornbach,<br />
Janine Jackowski, Maren Ade,<br />
Michel Merkt<br />
Screenplay Valeska Grisebach<br />
<strong>Cinema</strong>tographer Bernhard Keller<br />
Editor Bettina Böhler<br />
Sound Design Fabian Schmidt<br />
Production Designer Beatrice Schultz<br />
Cast Meinhard Neumann,<br />
Reinhardt Wetrek, Waldemar Zang,<br />
Detlef Schaich, Syuleyman Alilov Letifo,<br />
Veneta Fragnova, Viara Borisova<br />
teZu Jfedksa dk lewg cqYxkfj;k vkSj xzhl ds<br />
chp lhek {ks= esa ,d fuekZ.k LFky ij vkrk gSA<br />
fons'kh Hkwfe vkSj yqHkkouk ifj–'; iq#"kksa esa lkgl<br />
dh Hkkouk dks tkx`r djrk gS ysfdu Hkk"kk vkSj<br />
lkaL—frd fHkUurk ls mitss iwokZxzg vkSj vfo'okl<br />
mudks fudV vkus ls jksdrs gSaA iq#"k¨a ds chp LFkkuh;<br />
xzkeh.kksa ls ekU;rk vkSj i{kikr ds fy, çfrLi/kkZ 'kq:<br />
gks tkrh gSaA<br />
A group of German workers sets off<br />
to a construction site in the border<br />
region between Bulgaria and Greece.<br />
This foreign land and its breathtaking<br />
landscape awaken the men’s sense of<br />
adventure, but they are also confronted<br />
with their own prejudice and mistrust<br />
due to the language barrier and cultural<br />
differences. The stage is quickly set for<br />
a showdown when the men begin to<br />
compete for recognition and favour from<br />
the local villagers.<br />
Sales agent Films Boutique<br />
• aleksandr@filmsboutique.com<br />
oysLdk fxzlck[k+<br />
teZu fQYe funsZ'kd okYlsdk fxzlck[k+ dk tUe czsesu esa gqvkA<br />
mUgksaus osLVuZ ds vfrfjDr ykWfUxax vkSj ch ekbZ LVkj dk funsZ”ku<br />
fd;k gSA osLVuZ dks dku fQ+Ye Q+sfLVoy ds vu lVsZu fjxkMZ [kaM<br />
esa çnf'kZr fd;k x;kA<br />
Valeska Grisebach<br />
Valeska Grisebach is a German film director. She was<br />
born in Bremen on January 4, 1968. Her directorial<br />
credits include Longing and Be My Star. Western was<br />
screened in the Cannes Film Festival’s Un Certain<br />
Regard.<br />
CINEMA OF THE WORLD<br />
149
oUMjLVªd<br />
Wonderstruck<br />
USA | <strong>2017</strong> | English | 117 min | Colour, Black and White<br />
Director Todd Haynes<br />
Producer Pamela Koffler,<br />
John Sloss, Christine Vachon<br />
Screenplay Brian Selznick<br />
<strong>Cinema</strong>tographer Edward Lachman<br />
Editor Affonso Gonçalves<br />
Sound Design Drew Kunin<br />
Production Designer Mark Friedberg<br />
Cast Oakes Fegley, Julianne Moore,<br />
Michelle Williams, Millicent Simmonds<br />
csu vkSj jkst+ nksuksa gh pkgrs gSa fd mudk thou<br />
dqN vyx gksA csu dks vius firk dh Árh{kk gS<br />
ftls mlus dHkh ugha ns[kkA jkst+ viuh LØSicqd<br />
esa cuk pqdh ,d jgL;e; vfHkus=h ds thou dh<br />
dYiuk djrh gSA csu dks ,d lqjkx feyrk gSA<br />
jkst+ ,d eksgd 'kh"kZd dks i
n owUM<br />
The Wound<br />
Inxeba<br />
South Africa, Germany, Netherlands, France | <strong>2017</strong> | Xhosa | 88 min | Colour<br />
Director John Trengove<br />
Producer Elias Ribeiro, Cait<br />
Pansegrouw<br />
Screenplay John Trengove,<br />
Malusi Bengu, Thando Mqgolozona<br />
<strong>Cinema</strong>tographer Paul Ozgur<br />
Editor Matthew Swanepoel<br />
Sound Design Matthew James<br />
Production Designer Bobby Cardoso,<br />
Solly Sithole<br />
Cast Nakhane Touré, Niza Jay Ncoyini,<br />
Bongile Mantsai, Thobani Mseleni<br />
,Dlksyuh ,d dkj[kkus esas dk;ZdrkZ iwohZ dsi ds<br />
igkM+ksa esa vius leqnk; ds iq#"kksa ds lkFk fd'kksjksa dks<br />
ikjEifjd >kslk nh{kk vuq"Bku ds vuqlkj enkZuxh<br />
esa fl[kkus ds fy, 'kkfey gksrs gSaA bl dke dks<br />
djrs gq, ,Dlksyuh vius vrhr dh Le`fr;ksa esa [kks<br />
tkrk gSA ;g fQ+Ye nks iq#"kksa ds chp ,d djhch<br />
fj'rs dks VªSd djrh gSA<br />
Xolani, a lonely factory worker, joins the<br />
men of his community in the mountains<br />
of the Eastern Cape to initiate a group<br />
of teenage boys into manhood. When a<br />
defiant initiate from the city discovers his<br />
best kept secret, Xolani’s entire existence<br />
begins to unravel. The Wound premiered<br />
in competition at the Sundance Film<br />
Festival in <strong>2017</strong>.<br />
Sales agent Pyramide <strong>International</strong><br />
• ilaria@pyramidefilms.com<br />
t‚u VªsUxkso<br />
t‚u VªsUxkso nf{k.k vÝ+hdh fQ+Ye vkSj jaxeap funsZ'kd gaSA n oawM<br />
mudh ,d fooknkLin fQ+Ye jghA mudh y?kq fQYe n xksV 2014<br />
esa cfyZu fQ+Ye lekjksg esa çhfe;j gqbZ vkSj 40 ls vf/kd fQ+Ye<br />
lekjksgksa esa fn[kk;h x;hA 2010 esa mUgksaus gksifoys J`a[kyk dk<br />
funsZ'ku fd;kA mudk ukVd n ,filus cqpj cgqr Áfl) gqvkA<br />
John Trengove<br />
John Trengove is a South African writer and director.<br />
The Wound his first feature, premiered in Sundance. His<br />
short film, The Goat, premiered at the Berlinale in 2014.<br />
Hopeville, a miniseries, was a Emmy nomination and<br />
received the prestigious Rose d’Or for drama.<br />
CINEMA OF THE WORLD<br />
151
n ;ax dkyZ ekDlZ<br />
The Young Karl Marx<br />
Le Jeune Karl Marx<br />
Germany, France, Belgium | <strong>2017</strong> | German, French, English | 112 min | Colour<br />
Director Raoul Peck<br />
Producer Nicolas Blanc,<br />
Rémi Grellety, Robert Guédiguian,<br />
Raoul Peck<br />
Screenplay Pascal Bonitzer,<br />
Raoul Peck<br />
<strong>Cinema</strong>tographer Kolja Brandt<br />
Editor Frédérique Broos<br />
Sound Design Jörg Theil, Benoît Biral<br />
Production Designer Benoît Barouh,<br />
Christophe Couzon<br />
Cast August Diehl, Stefan Konarske,<br />
Vicky Krieps<br />
26 o’kZ dh vk;q esa dkyZ ekDlZ viuh iRuh tsuh ds<br />
lkFk çokl ds fy, fudy iM+sA 1844 esa isfjl esa<br />
mudh HksaV ÝsMfjd ,axsYl ls gqbZ ftUgksaus fczfV'k<br />
ofdaZx Dykl dh [kkst dhA nksuksa us feydj<br />
lsaljf'ki vkSj iqfyl neu] naxksa vkSj jktuhfrd<br />
mFky&iqFky ds chp vk/kqfud ;qx ds Je vkanksyu<br />
dk usr`Ro fd;kA<br />
Karl Marx, aged 26, embarks with his<br />
wife Jenny on the road to exile. In 1844<br />
Paris, he meets Friedrich Engels, an<br />
industrialist’s son, who investigated the<br />
birth of the British working-class. Engels,<br />
the dandy, provides the last piece of the<br />
puzzle to the young Karl Marx’s new<br />
vision of the world. Together, between<br />
censorship and the police’s repression,<br />
riots and political upheavals, they will<br />
lead the labour movement during its<br />
development into a modern era.<br />
Sales agent Film Distribution<br />
• joris@playtime.group<br />
jkmy isd<br />
jkmy isd o`Ùkfp= vkSj Q+hpj nksuksa gh cukrs gSaA jktuhfrd :i<br />
ls lfØ; jkmy ekpZ 1996 ls flracj 1997 rd gSrh ds laL—fr<br />
ea=h jg pqds gSaA tuojh <strong>2017</strong> esa tsEl ckYMfou ds thou ij<br />
vk/kkfjr mudh fQYe vkbZ ,e u‚V ;ksj uhxzks v‚Ldj ds fy,<br />
ukekafdr gqbZ FkhA<br />
Raoul Peck<br />
Raoul Peck (born 1953) is a Haitian maker of both<br />
documentary and feature films, and a political activist.<br />
From March 1996 to September 1997, he was Haiti’s<br />
Minister of Culture. His film I Am Not Your Negro about<br />
the life of James Baldwin was nominated for an Oscar in<br />
January <strong>2017</strong>.<br />
152 CINEMA OF THE WORLD
Tk+sj<br />
Zer<br />
✪ ASIA PREMIERE<br />
Germany, Turkey, USA | <strong>2017</strong> | Turkish, Kurdish, English | 113 min | Colour<br />
Director Kazim Öz<br />
Producer Turan Tokel, Kazim Öz<br />
Screenplay Kazim Öz<br />
<strong>Cinema</strong>tographer Eyüp Boz,<br />
Feza Çaldiran, Orçun Özkilinç<br />
Editor Thomas Balkenhol, Kazim Öz<br />
Sound Design Mustafa Biber<br />
Production Designer Babak Tahmili<br />
Cast Ahmet Aslan, Haleigh Ciel,<br />
Fsun Demirel, Nik Xhelilaj<br />
tsj ,d xkus dh dgkuh gSA tkWu dks mldhs nknh<br />
dh e`R;q ds le; ,d xkuk lquk;k x;k FkkA MsflZe<br />
ujlagkj ls cph nknh t+sfjQ+ viuh igpku vkSj<br />
bl xkus ls tqM+s vrhr dks tkWu ls fNikrh gSA<br />
U;w;kdZ esa iyk cM+k tkWu nknh ds vrhr vkSj Lo;a<br />
dh igpku dh [kkst ds fy, dqfnZLrku dh ;k=k<br />
ij fudy iM+rk gSA<br />
Zer is the story of a song, whispered to<br />
Jan’s ear on his grandmother’s deathbed.<br />
A survivor of Dersim Massacre, Zarife<br />
hid her identity, her past in her memory<br />
of this song. Raised in NYC, Jan begins<br />
a journey through Kurdistan, searching<br />
for his grandma’s past and his own self.<br />
Sales agent Köz Film<br />
• közfilm@gmail.com<br />
dkft+e vkst+<br />
funsZ'kd] –';oknh] laiknd] pyfp=dkj dkft+e vkst+ dbZ<br />
lEekfur fQYeksa ds fuekZrk ds :i esa tkus tkrs gaSA vkst+ us fcj<br />
ofeZl fcj ;ksdeql] fQ+jfruk] o`Ùkfp= Mwj@mt+kd] Q+ksVksxzkQ+ vkSj<br />
VkWijd dk funsZ”ku fd;k gSA<br />
Kazim Öz<br />
Kazim Öz, is known as a director, scenarist, editor,<br />
cinematographer and producer of many awarded films.<br />
Öz’s films as a director are Bir Varmış Bir Yokmuş,<br />
Fırtına, the documentary Dûr/Uzak, Fotoğraf and Toprak.<br />
CINEMA OF THE WORLD<br />
153
Country Focus<br />
Canada<br />
A showcase of recent films from<br />
Canada. In collaboration with<br />
Telefilm Canada; curated by the<br />
Toronto <strong>International</strong><br />
Film Festival<br />
155 COUNTRY FOCUS CANADA
vY;qj<br />
Allure<br />
✪ INDIA PREMIERE<br />
Canada | <strong>2017</strong> | English | 105 min | Colour<br />
Director Carlos Sanchez, Jason<br />
Sanchez<br />
Producer Luc Déry, Kim McCraw<br />
Screenplay Carlos Sanchez, Jason<br />
Sanchez<br />
<strong>Cinema</strong>tographer Sara Mishara<br />
Editor Jesse Rivere, Elisabeth Olga<br />
Tremblay<br />
Cast Evan Rachel Wood, Julia Sarah<br />
Stone, Denis O’Hare<br />
Sales agent Seville <strong>International</strong><br />
• LMeynial@filmsseville.com<br />
nq[kn vrhr dh ihM+k vkSj vlQy çse ls v”kkar<br />
ykSjk lkekU; thou ds fy, la?k’kZ djrh gSA eka<br />
}kjk Fkksih xbZ ft+naxh ls mnklhu ,d çfrHkk”kkyh<br />
fi;kuksoknd 16 o’khZ; bZok ykSjk ds thou esa vk”kk<br />
dh fdj.k cudj vkrh gSA nksuksa ds chp ,d<br />
vuisf{kr fj”rk curk gS vkSj bZok ykSjk ds fy, ,d<br />
tquwu cu tkrh gSA ykSjk ?kj ls uk[k+q”k bZok dks ?kj<br />
tkus ds fy, le>krh gSA nksuksa gsjQsj] budkj vkSj<br />
lg&fuHkZjrk dh xgu my>u esa Qal tkrh gSaA<br />
Plagued by the abuse of her past and<br />
the turmoil of failed intimate encounters,<br />
Laura struggles to find a lover and a<br />
sense of normalcy. Her beacon of hope<br />
comes in 16-year-old Eva, a talented<br />
pianist disillusioned by the life her<br />
mother imposes upon her. An unlikely<br />
relationship is formed between the two<br />
and Eva becomes an obsession to<br />
Laura. In light of Eva’s unhappiness,<br />
Laura convinces her to run away to her<br />
house and they soon find themselves<br />
caught within an intense entanglement.<br />
Manipulation, denial and co-dependency<br />
fuel what ultimately becomes a fractured<br />
dynamic that can only sustain itself for<br />
so long.<br />
dkyksZl vkSj tslu lkapst<br />
dkyksZl vkSj tslu lkapst e‚fUVª;y ds mR—’V<br />
dyk&QksVksxzkQ+j vkSj fQYe funsZ”kd gSaA nksuks us d‚ud‚fMZ;k<br />
fo”ofo|ky; ls v/;;u fd;kA mudk dykd`fr;ka us”kuy<br />
xSyjh vkWQ+ dukMk vkSj E;qft+;e vkWQ+ Qkbu vkVZ~l] áwLVu<br />
esa laxzghr dh x;h gSaA vY;qj mudh igyh Q+hpj fQ+Ye gSA<br />
Carlos and Jason Sanchez<br />
Carlos and Jason Sanchez are fine-art<br />
photographer-filmmakers from Montreal.<br />
They studied at Concordia University. Their<br />
work is housed in the collections of the<br />
National Gallery of Canada and the Museum<br />
of Fine Arts in Houston, among others.<br />
Allure is their feature film debut.<br />
156 COUNTRY FOCUS CANADA
DykslsV ekWULVj<br />
Closet Monster<br />
✪ INDIA PREMIERE<br />
Canada | 2016 | English | 90 min | Colour<br />
Director Stephen Dunn<br />
Producer Kevin Krikst, Fraer Ash,<br />
Edward J. Martin<br />
Screenplay Stephen Dunn<br />
<strong>Cinema</strong>tographer Bobby Shore CSC<br />
Editor Bryan Atkinson<br />
Cast Connor Jessup, Aaron Abrams,<br />
Joanne Kelly, Aliocha Schneider, Sofia<br />
Banzhaf<br />
Sales agent WTFILMS<br />
• sales@wtfilms.fr<br />
,d dYiuk”khy vdsys cPps v‚Ldj eSMyh<br />
dk lcls djhch nksLr ikyrw gELVj cQ+h gSA<br />
ekrk&firk dk rykd gks pqdk gSA firk mls ,d<br />
?k`.kkLin leySafxdrk ls tqM+k vijk/k fl[kkrk gSA<br />
cM+s gksdj vius lgdehZ ekWUVªh;y dh Ásj.kk ls<br />
v‚Ldj viuh igpku dks iqu% çkIr djuk “kq:<br />
djrk gSA vius firk }kjk Mkys x, Mj dk lkgl<br />
ls lkeuk djrk gSA varr% thr vkRefo”okl dh<br />
gksrh gSA<br />
Oscar Madly is an imaginative “onlychild”<br />
in St. John, Newfoundland, whose<br />
closest friend is a pet hamster named<br />
Buffy. He finds himself caught in the<br />
middle of his parents’ turbulent divorce,<br />
Oscar is viciously catapulted into<br />
adulthood when his father teaches him<br />
about a shocking hate-crime involving a<br />
young gay man. Fearing that he too might<br />
be gay, Oscar is driven to suppress his<br />
femininity. But when Oscar comes of age,<br />
his resistance to his sexuality weakens<br />
as he forms a tenuous friendship with a<br />
tattooed co-worker from Montreal who<br />
opens his eyes to a whole world of new<br />
possibilities.<br />
LVhQu Mu<br />
fQYe fuekZrk LVhQ+u Mu us u‚eZu tsfolu ds dukMkbZ fQYe lsaVj<br />
vkSj jk;jlu fo”ofo|ky; ls f”k{kk çkIr dhA mudh y?kq fQ+Yesa<br />
ykbQ+ Mt+ ukWV ÝkbVu eh] oh okaVsM eksj vkSj LokyksM Vªhcsdk]<br />
VksjaVks vkSj E;wfu[k tSls varjjk’Vªh; fQYe lekjksgksa esa çnf”kZr ,oa<br />
iqjLd`r gqbZ gSaA gky gh esa Mu dh i‚i&vi iksuksZ uked rhu fQ+Yeksa<br />
dh J`a[kyk luMkUl esa fn[kk;h x;h gSA<br />
Stephen Dunn<br />
Stephen Dunn is an award-winning filmmaker and<br />
graduate of Norman Jewison’s Canadian Film Centre<br />
and Ryerson University’s Film Program. His short<br />
films, Life Doesn’t Frighten Me, We Wanted More and<br />
Swallowed have screened around the world. Closet<br />
Monster is Dunn’s first feature.<br />
COUNTRY FOCUS CANADA<br />
157
MksUV VkWd Vw vk;jhu<br />
Don’t Talk to Irene<br />
✪ INTERNATIONAL PREMIERE<br />
Canada | <strong>2017</strong> | English | 82 min | Colour<br />
Director Pat Mills<br />
Producer Alyson Richards,<br />
Mike MacMillan<br />
Screenplay Pat Mills<br />
<strong>Cinema</strong>tographer Paul Sarossy<br />
Editor Tiffany Beaudin<br />
Production Designer Cailin Bator<br />
Sound Design Roman Alex Buchok<br />
Cast Michelle McLeod, Bruce Gray,<br />
Anastasia Phillips, Scott Thompson,<br />
Geena Davis, Deborah Grover<br />
gkbZ Ldwy dh lcls eksVh yM+dh vk;jhu dks<br />
fuyacu ds ckn nks lIrkg ds fy, fjVk;jesaV<br />
gkse esa lkeqnkf;d lsok djus dh lt+k feyrh gSA<br />
vius fp;jyhfMax ds tquwu ds fy, og pqids ls<br />
ofj’B fuokfl;ksa dks u`R;&vk/kkfjr fj,fyVh “kks ds<br />
v‚fM”ku ds fy, ;g Áekf.kr djus ds fy, lkbu<br />
djrh gS fd vkidks foy{k.k gksus ds fy, “kkjhfjd<br />
:i ls iw.kZr;k vkn”kZ gksus dh vko”;drk ugha gSA<br />
When Irene - the fattest girl in high school<br />
- gets suspended, she must endure<br />
two weeks of community service at a<br />
retirement home. Following her passion<br />
for cheerleading, she secretly signs up<br />
the senior residents to audition for a<br />
dance-themed reality show to prove that<br />
you don’t need to be physically “perfect”<br />
to be perfectly Awesome.<br />
Sales agent The Film Sales Company<br />
(US), Search Engine Films<br />
• mike@lithiumstudios.com<br />
iSV feYl<br />
vksVkok esa tUes iSV feYl us jk;jlu fo”ofo|ky; ls Lukrd dh<br />
mikf/k çkIr dhA budh nks y?kq fQYesa iSV~l Q+LVZ fdl ¼2008½ vkSj<br />
5 fMLQ+D”kuy ihiy bu , dkj ¼2009½ rFkk mudh igyh Q+hpj<br />
fQ+Ye xkbMsUl ¼2014½ VksjaVks varjkZ’Vªh; fQ+Ye egksRlo esa fn[kk;h<br />
x;haA MksUV VkWd Vw vk;jhu mudh uohure fQ+Ye gS<br />
Pat Mills<br />
Pat Mills was born in Ottawa and graduated from<br />
Ryerson University. Two of his short films, Pat’s First<br />
Kiss and 5 Dysfunctional People in a Car, were screened<br />
at the Toronto <strong>International</strong> Film Festival, as did his<br />
feature directorial debut, Guidance. Don’t Talk to Irene<br />
is his latest film.<br />
158 COUNTRY FOCUS CANADA
vkbZ vkWu twfy;V<br />
Eye on Juliet<br />
✪ ASIA PREMIERE<br />
Canada | 2016 | English | 90 min | Colour<br />
Director Kim Nguyen<br />
Producer Pierre Even<br />
Screenplay Kim Nguyen<br />
<strong>Cinema</strong>tographer Christophe Collette<br />
Editor Richard Comeau<br />
Production Designer Emmanuel<br />
Fréchette<br />
Sound Design Therry Morlass-Lurbe,<br />
Claude Beagrand, Bernard Gariépy<br />
Strobl<br />
Cast Lina El Arabi, Joe Cole, Brent<br />
Skagford, Faycal Zeglat<br />
Sales agent Films Distributiion<br />
• Joris@playtime.group<br />
x‚MZu] ,d gsDlkiksM v‚ijsVj e#LFky esa ,d<br />
ikbi ykbu dk j{kd gSA og e/; iwoZ dh ,d<br />
;qorh vk;q”kk ls vpkud feyrk gS vkSj ml ij<br />
eksfgr gks tkrk gSA vk;q”kk dk fookg viuh mez<br />
ls cM+s O;fDr ds lkFk fuf”pr gqvk gS ftls og<br />
I;kj ugha djrhA nqfu;k ds nwljs Nksj ij vesfjdk<br />
esa jgrs gq, Hkh x‚MZu vk;q”kk dks cpkus ds fy,<br />
;Fkk”kfDr lc dqN djsxkA<br />
A love story through the eye of a spider<br />
drone. Across the landscape of a North<br />
African desert and an oil pipeline,<br />
appears a strange spider-like robot that<br />
seems to be scoping the horizon. At<br />
the other end of the world, in America,<br />
Gordon, drone operator and safe keeper<br />
of the pipeline, surveys the desolated<br />
landscapes from his screens. Having<br />
lost his way in a world he no longer<br />
comprehends, he becomes fascinated<br />
by Ayusha, a young woman promised to<br />
an older man she doesn’t love. Despite<br />
the distance, their mutual fear and their<br />
imperfect interaction, Gordon will do<br />
everything in his power to help Ayusha<br />
escape her fate, falling for her in the<br />
process.<br />
fde xq;su<br />
e‚fUVª;y esa tUes fde xq;su us d‚ud‚fMZ;k fo”ofo|ky; ls fQ+Ye<br />
dk v/;;u fd;kA mUgksaus yh ekjSl ¼2002½] VªwQ+s ¼2008½] yk flVs<br />
¼2010½] vdkneh iqjLdkj ukekafdr okWj fop ¼2012½] Vw yolZ ,aM<br />
, ch;j ¼2016½] vkSj o`Ùkfp= ys ust+ ¼2015½ dk funsZ”ku fd;k gSA<br />
vkbZ vkWu twfy;V ¼<strong>2017</strong>½ mudh uohure fQ+Ye gSA<br />
Kim Nguyen<br />
Kim Nguyen was born in Montreal and studied film at<br />
Concordia University. His features include Le Marais, the<br />
Academy Award–nominated War Witch, and Two Lovers<br />
and a Bear. His other credits as director include Truffe,<br />
La Cité, and the documentary Le Nez. Eye on Juliet is<br />
his latest feature.<br />
COUNTRY FOCUS CANADA<br />
159
esfMVs”ku ikdZ<br />
Meditation Park<br />
✪ ASIA PREMIERE<br />
COUNTRY FOCUS - GALA SCREENING<br />
Canada | <strong>2017</strong> | English | 94 min | Colour<br />
Director Mina Shum<br />
Producer Stephen Hegyes, Mina<br />
Shum, Raymond Massey<br />
Screenplay Mina Shum<br />
<strong>Cinema</strong>tographer Peter Wunstorf<br />
Editor Daria Ellerman<br />
Production Designer Jason Sutherland<br />
Sound Design Craig Berkey<br />
Cast Cheng Pei Pei, Tzi Ma, Sandra<br />
Oh, Don McKellar<br />
,d lefiZr iRuh] eka vkSj nknh dh nqfu;k fgy<br />
tkrh gS tc mls ifr ds eSys diM+ksa ds
vksYM LVksu<br />
Old Stone<br />
Lao Shi<br />
Canada, China | | 2016 | Mandarin | 86 min | Colour<br />
✪ INDIA PREMIERE<br />
COUNTRY FOCUS - OPENING FILM<br />
Director Johnny Ma<br />
Producer Wu Xian Jian, Chi-an Lin,<br />
Jing Wang, Sarah Stallard<br />
Screenplay Johnny Ma<br />
<strong>Cinema</strong>tographer Ming Kai Leung<br />
Editor Mike Long<br />
Sound Design T. Teressa Tate<br />
Cast Gang Chen, An Nai, Hongwei<br />
Wang, Zebin Zhang, Xue’er Luo<br />
dkf+dÅLd phu ds ,d NksVs ls “kgj esa VSDlh<br />
pkyd vksYM LVksu dks ,d dkj nq?kZVuk ds<br />
ckn fu;eksa dk lkeuk djuk iM+rk gSA ftlds<br />
ifj.kkeLo:i mldk ifjokj] nksLr vkSj mldk<br />
dke lHkh ladV esa gSa] D;k gR;k gh ,d jkLrk<br />
ugha gS\<br />
After a car accident that he caused, Mr<br />
Old Stone, a small-town taxi driver, has<br />
to face the rules of today’s Kafkaesque<br />
China. Now that his family, friends and<br />
his work are endangered, isn’t murder a<br />
way out?<br />
Sales agent Asian Shadows<br />
• anne@chineseshadows.com<br />
t‚uh ek<br />
phu esa usu ek ds :i esa tUes t‚uh ek nl o’kZ dh vk;q esa VksjaVks<br />
pys x;sA O;olk; vkSj QS”ku dh nqfu;k esa dfj;j ds ckn] t‚uh<br />
2008 esa fQ+Ye fuekZ.k ds {ks= esa vk;sA dksyafc;k fo”ofo|ky; ls<br />
funsZ”ku vkSj iVdFkk ys[ku esa Lukrd fd;kA t‚uh dh y?kq fQYesa<br />
vusd varjkZ’Vªh; lekjksgksa esa çnf”kZr ,oa iqjLd`r gqbZaA os VsfyfQ+Ye<br />
dukMk fip fnl Áfr;ksfxrk ds fotsrk gSaA<br />
Johnny Ma<br />
Johnny first made the move to documentary filmmaking<br />
in 2008. His short films have screened at TIFF, Dallas<br />
<strong>International</strong> Film Festival and Aspen Shortfest. Johnny<br />
is developing his second feature-length project, also<br />
set in China. He is a recent alum of the 2014 Sundance<br />
Institute Screenwriting/Directing Lab and winner of the<br />
Telefilm Canada Pitch-This competition.<br />
COUNTRY FOCUS CANADA<br />
161
jsouWl<br />
Ravenous<br />
Les Affamés<br />
Canada | <strong>2017</strong> | French | 100 min | Colour<br />
Director Robin Aubert<br />
Producer Stéphanie Morisette<br />
Screenplay Robin Aubert<br />
<strong>Cinema</strong>tographer Steeve Desrosiers<br />
Editor Francis Cloutier<br />
Production Designer Andrétine,<br />
Beavparlent<br />
Cast Marc- André Grondin, Monia<br />
Chokri, Micheline Lanctôt, Brigette<br />
Pouparte<br />
Åijh D;wcsd ds NksVs nwjnjkt xkao esa ifjfLFkfr;k¡<br />
cny xbZ gSaA LFkkuh; yksx vc igys tSls ugha gSaA<br />
“kjhj vkSj eu det+ksj gksus ls os vius gh fç;tuksa<br />
ds f[kykQ+ gks x;s gSaA cps gq, eqëh Hkj yksx vius<br />
tSls vU; yksxksa dh ryk”k esa taxy esa fNi x;s gaSA<br />
✪ ASIA PREMIERE<br />
In a small, remote village in upstate<br />
Quebec, things have changed. Locals<br />
are not the same anymore - their bodies<br />
are breaking down and they have turned<br />
against their loved ones. A handful of<br />
survivors goes hiding into the woods,<br />
looking for others like them.<br />
Sales agent Alma <strong>Cinema</strong><br />
• sales@almacinema.com<br />
j‚fcu vkScVZ<br />
e‚fUVª;y fLFkr vfHkusrk vkSj fQ+Ye fuekZrk j‚fcu vkScVZ gSe&ukWMZ]<br />
D;qcsd ls gSaA lsaV ekfVZ;lZ vkWQ+ n MSEM] Vªsu Vw uksOgs;j vkSj Økbax<br />
vkmV mudh Q+hpj fQ+Yesa gSA ,ojhfFkax v‚y jkbV vkSj v‚u lhesaV<br />
y?kq fQ+Yesa gSaA ys ,Q+kes mudh uohure fQ+Ye gS<br />
Robin Aubert<br />
Robin Aubert is Montreal-based actor and filmmaker<br />
from Ham-Nord, Quebec. His features include Saint<br />
Martyrs of the Damned and Crying Out. His other films<br />
include Train to Nowhere and the shorts Everything is<br />
All Right and On Cement. Les Affamés is his latest film.<br />
162 COUNTRY FOCUS CANADA
n LVsvlZ<br />
The Stairs<br />
✪ INDIA PREMIERE<br />
Canada | 2016 | English | 95 min | Colour<br />
Director Hugh Gibson<br />
Producer Hugh Gibson<br />
<strong>Cinema</strong>tographer Hugh Gibson, Cam<br />
Woykin<br />
Editor Ryan J. Noth, Andres Landau<br />
Cast Martin Thompson, Greg Bell,<br />
Roxanne Smith<br />
Sales agent Midnight Lamp Films<br />
• hugh.gibson@sympatico.ca<br />
ekVhZ] xzsx vkSj jksDlkus] ÁR;sd us n”kdksa rd<br />
lkekftd dk;Z fd;kA u, vfLrRo dh fLFkjrk<br />
ds la?k’kZ ds lkFk vius vuqHkoksa ls ,d nwljs dh<br />
lgk;rk djrh gqbZ lkekftd dk;Z dks tkjh j[krh<br />
gSaA n LVsvlZ fdlh ewY;kadu ds fcuk lekt ds<br />
gkf”k;s ds thou dk fp=.k djrh gSA varjax fp=ksa<br />
ds ek/;e ls :f
BRICS Films Festival<br />
Award Winners<br />
Award winning films from this<br />
year’s BRICS Film Festival<br />
BRICS FILMS
v;kaMk<br />
Ayanda<br />
South Africa | 2015 | English | 105 min | Colour<br />
Director Sara Blecher<br />
Producer Robbie Thorpe, Terry Pheto,<br />
Busi Sizani, Sara Blecher<br />
Screenplay Trish Malone<br />
<strong>Cinema</strong>tographer Jonathan Kovel<br />
Editor Nicholas Costaras<br />
Cast Fulu Moguvhani, Oc Ukeje,<br />
Nthati Moshesh, Kenneth Nkosi<br />
vius firk dh Le`fr;ksa dks thoar j[kus ds ç;kl<br />
esa 21 o"khZ; vÝks fgIih v;kaMk Lo;a ls gh ifjfpr<br />
gksus dh ;k=k ij vxzlj gksrh gSA mldk lkeuk<br />
,slh nqfu;k ls gksrk gS tgka fyax Hksn gS] :f
uhl] n gkVZ vkWQ+ esMusl<br />
Nise: The Heart of Madness<br />
Nise: O Coração Da Loucura<br />
Brazil | Portuguese | 2015 | Portuguese | 109 min | Colour<br />
Director Roberto Berliner<br />
Producer Rodrigo Letier<br />
Screenplay Patrícia Andrade,<br />
Leonardo Rocha, Roberto Berliner,<br />
Flávia Castro, Maurício Lissovski, Chris<br />
Alcazar, Maria Camargo<br />
<strong>Cinema</strong>tographer André Horta<br />
Editor Pedro Bronz, Leonardo,<br />
Domingues<br />
Cast Glória Pires, Simone Mazzer,<br />
Julio Adrião, Cláudio Jaborandy,<br />
Fabrício Boliveira, Roney Villela, Flávio<br />
Bauraqui, Bernardo Marinho, Roberta<br />
Rodrigues, Augusto Madeira, Zé Carlos<br />
Machado, Fernando Eiras<br />
MkWDVj uhl nk flYohjk fj;ks Mh tusfj;ks ds<br />
euf”pfdRlh; vLirky esa vius dke ij ykSVrh<br />
gSaA og fLdtksÝsfuDl ds fy, fctyh ds >Vdksa<br />
okys fgald mipkj djus ds fy, euk djrh gSaA<br />
M‚DVjksa ds migkl ls vkgr] og vkWD;qis”kuy<br />
Fksjsih ds {ks= esa isaV~l] dqÙkksa vkSj Lusg ls mipkj ds<br />
{ks= esa ubZ Økafr ykrh gSaA<br />
Dr. Nise da Silveira is back at work in a<br />
psychiatric hospital on the outskirts of<br />
Rio de Janeiro. He refuses to employ<br />
the new and violent electroshock for the<br />
treatment of schizophrenics. Ridiculed<br />
by doctors, she is forced to take the<br />
abandoned Sector for Occupational<br />
Therapy, where she starts a revolution<br />
through paints, dogs and love.<br />
j‚cVksZ cfyZuj<br />
j‚cVksZ cfyZuj us nks fQ+D“ku fQ+Yeksa uhl] n gkVZ v‚Q eSMusl<br />
vkSj twfy;kst x‚u ,oa Q+hpj M‚D;wesUVªh tSls jdl ,V n ldZl]<br />
fiaMksjkek] gcZVZ vi Dykst+ rFkk ckWuZ Vw ch CykbaM dk funsZ”ku fd;k<br />
gSA mUgksaus ”k‚VZ fQYesa] Vhoh “kks] laxhr ohfM;ks vkSj Vhoh foKkiu<br />
Hkh cuk, gSaA<br />
Roberto Berliner<br />
Roberto Berliner has directed two fiction films Nise,<br />
The Heart of Madness and Julio’s Gone; feature<br />
documentaries such as Ruckus at the Circus, Pindorama,<br />
Herbert Up Close and Born to be Blind. His work has<br />
been screened and awarded in festivals such as IDFA,<br />
AFI, Tokyo and San Francisco. In 1993, he founded<br />
TVZero, which produces all of his work.<br />
BRICS FILMS<br />
167
iSufQ+yksOl 28<br />
Panfilov’s 28<br />
Russia | 2016 | Russian | 105 min | Colour<br />
Director Kim Druzhinin, Andrey<br />
Shalopa<br />
Producer Andrey Shalopa, Anton<br />
Yudintsev<br />
Screenplay Andrey Shalopa<br />
<strong>Cinema</strong>tographer Nikita<br />
Rozhdestvenskiy<br />
Editor Vitaliy Vinogradov<br />
Cast Maksim Abrosimov, Sergey<br />
Agafonov, Pavel Aseev, Ivan Batarev,<br />
Maksim Belborodov<br />
;w,l,lvkj] uoEcj, 194A yky lsuk ds lekpkj<br />
i= esa okflyh dksjksrho ds fooj.k ij vk/kkfjrA<br />
;g tujy boku iSufQykso dh deku esa yky lsuk<br />
dh 316 oha jkbQ+y fMohtu iSufQ+yksOl 28 ds<br />
lSfudksa dh dgkuh gSA tujy boku dbZ fnuksa rd<br />
54 ukt+h VSadksa ds ,d LraHk dks e‚Ldks ij vkØe.k<br />
djus ls jksdus esa lQy jgsA vi;kZIr “kL= gksrs<br />
gq, Hkh mUgksaus var rd ;q) fd;kA<br />
USSR, Late November, 1941. Based<br />
on the account by reporter Vasiliy<br />
Koroteev that appeared in the Red<br />
Army’s newspaper, Krasnaya Zvezda,<br />
shortly after the battle, this is the story of<br />
Panifilov’s 28, soldiers of the Red Army’s<br />
316th Rifle Division, under the command<br />
of General Ivan Panfilov, that stopped<br />
the advance on Moscow of a column<br />
of 54 Nazi tanks of the 11th Panzer<br />
Division for several days. Though armed<br />
only with standard issue Mosin-Nagant<br />
infantry rifles and DP and PM-M1910<br />
machine guns, all useless against tanks,<br />
and with wholly inadequate RPG-40 antitank<br />
grenades and PTRD-41 anti-tank<br />
rifles, they fought defiantly.<br />
fde fMªft+fuu<br />
fde fMªft+fuu ,d vfHkusrk vkSj funsZ“kd gS] tks<br />
iSufQ+yksOl 28] iks;erosneq vkSj Loks;kpq>;k ds<br />
fy, tkus tkrs gSaA<br />
,aMªh “kkyksi<br />
,aMªh “kkyksi ,d funsZ“kd vkSj vfHkusrk gSa tks<br />
iSufQ+yksOl 28 vkSj iks;erosneq ds fy, çfl) gSaA<br />
Kim Druzhinin<br />
Kim Druzhinin is an actor and director, known for<br />
Panfilov’s 28, Poymat vedmu and Svoya chuzhaya.<br />
Andrey Shalopa<br />
Andrey Shalopa is a director and actor known for<br />
Panfilov’s 28 and Poymat vedmu.<br />
168 BRICS FILMS
n lsdaM enj<br />
The Second Mother<br />
Que Horas Ela Volta<br />
Brazil | 2015 | Portuguese | 112 min | Colour<br />
Director Anna Muylaert<br />
Producer Caio Gullane, Fabiano<br />
Gullane, Débora Ivanov & Anna<br />
Muylaert<br />
Screenplay Anna Muylaert<br />
<strong>Cinema</strong>tographer Barbara Alvarez<br />
Editor Karen Harley<br />
Production Designer Marcos Pedraso,<br />
Thales Junqueira<br />
Sound Design Miriam Biderman,<br />
Ricardo Reis<br />
Cast Regina Casé, Michel Joelsas,<br />
Camila Márdila, Karine Teles, Lourenço<br />
Mutarelli, Helena Albergaria<br />
Sales agent The Match Factory<br />
oky us lkvks ikmyks esa fQ+uchuks dh vk;k ds :i<br />
esa 13 lky dke fd;kA og vkfFkZd :i ls fLFkj<br />
gS] ysfdu viuh csVh tsfldk dks fj”rsnkjksa ds ikl<br />
NksM nsus ds vijk/kcks/k ls xzLr gSA tsfldk d‚yst<br />
ços”k ijh{kk ds fy, lkvks ikmyks esa vkrh gSA oky<br />
vkSj vU; lHkh mlds O;fDrRo vkSj Li’Vokfnrk<br />
ls vlgt gks tkrs gSaA tsfldk lkekftd<br />
izfrtcU/kksa vkSj ikfjokfjd laca?kksa dks Lohdkj djus<br />
ls euk dj nsrh gSA<br />
The Second Mother centres on Val, a<br />
hard-working live-in housekeeper in<br />
modern day Sao Paulo. Val is perfectly<br />
content to take care of every one of her<br />
wealthy employers’ needs, from cooking<br />
and cleaning to being a surrogate mother<br />
to their teenage son, who she has raised<br />
since he was a toddler. But when Val’s<br />
estranged daughter Jessica suddenly<br />
shows up, the unspoken but intrinsic<br />
class barriers that exist within the home<br />
are thrown into disarray. Jessica is smart,<br />
confident, and ambitious, and refuses to<br />
accept the upstairs/downstairs dynamic,<br />
testing relationships and loyalties and<br />
forcing everyone to reconsider what<br />
family really means.<br />
vUuk ew;,VZ<br />
vUuk ew;,VZ us y?kq vkSj cky fQ+Yeksa dh J`a[kyk dk funsZ”ku rFkk<br />
fQ+Ye leh{kd ds :i esa dke fd;kA 2002 esa igyh Q+hpj fQ+Ye<br />
nqjoky fMLdks us xzkeksdks fQ+Ye Q+sfLVoy esa lkr iqjLdkj vkSj<br />
nwljh fQ+Ye b ç‚fcnksQqej us 30 ls vf/kd jk"Vªh; iqjLdkj thrsA<br />
dysDV d‚y vkSj n lsdaM enj mudh vU; fQ+Yesa gSaA<br />
Anna Muylaert<br />
Anna Muylaert, after sharpening her skills in shorts and<br />
children‘s series and shows, and developing her critical<br />
visions as film critic, directed her first feature film, Durval<br />
Discos in 2002, winner of seven awards at Gramado<br />
Film Festival, including Best Picture. Her second feature<br />
film, É Probido Fumar, won over 30 national awards. Her<br />
other films include Collect Call and The Second Mother.<br />
BRICS FILMS<br />
169
lksyesV<br />
Soulmate<br />
Qiyue And Ansheng<br />
China | 2016 | Mandarin | 110 min | Colour<br />
Director Derek Tsang<br />
Producer Le Che<br />
Screenplay Peter Ho-sun Chan<br />
<strong>Cinema</strong>tographer Jake Pollock<br />
Editor Derek Hui, Dranshi Li, Xiang-<br />
Yuan Tan, Xiadin Zhou<br />
Production Designer Tao Zhai<br />
Sound Design Zheng Huang<br />
Cast Zhou Dongyu, Ma Sichun, Toby<br />
Lee<br />
lksyesV ,uh csch ds miU;kl ij vk/kkfjr nks<br />
efgykvksa vkSj ,d vkneh ds chp çse f=dks.k dh<br />
dgkuh gSA nqHkkZX; ls nks gkbZ Ldwy dh lcls vPNh<br />
nksLr ,d gh vkneh lss I;kj djus yxrh gSa] tks<br />
,d =klnh dk dkj.k cu tkrk gSA twyh vkSj<br />
vkUlsu ,d flDds dhs nks igyw gSaA ,d ikuh dh<br />
rjg “kkar gS rks nwljh vkx dh rjg xjeA os ,d<br />
lkFk ;k=k “kq# djrh djrs gSa ysfdu mudh nksLrh<br />
yach vyfonk esa cny tkrh gSA<br />
Adapted from Annie Baby’s novel Qiyue<br />
and Ansheng, Soulmate centres on a<br />
love-triangle between two women and<br />
one man. Due to a twist of fate, two<br />
high school best friends fall in love with<br />
the same man, planting the seeds of<br />
tragedy. The story chronicles the coming<br />
of age journey of two very different young<br />
women, who choose different paths in<br />
life. July and Ansen are flip sides of the<br />
same coin; one is calm like water and<br />
the other is passionate like fire. Although<br />
they endure the rites of passage<br />
together, from youth to adulthood, their<br />
friendship may only persist in the form of<br />
a long goodbye, until they part forever.<br />
170 BRICS FILMS<br />
Msjsd Rlkax<br />
Msjsd Rlkax gkaxdkax esa xksYMu fpdu] n vkbZ 2] isax gks&psax<br />
,-oh-] blkcsyk] n FkhOl] tsM LV‚eZ vkSj Ý+kWe osxkl Vw edkÅAA<br />
esa vfHku; fd;kA mUgksaus fteh oku ds lkFk yolZ fMLdkslZ dk<br />
lgfunsZ”ku fd;kA Lora= funsZ”kd ds :i esa leh{kdksa }kjk ç”kaflr<br />
vkSj iqjLd`r lksyesV mudh igyh fQ++Ye gSA<br />
Derek Tsang<br />
Derek Tsang worked as an actor in Hong Kong, in films<br />
such as Golden Chicken, The Eye 2, Pang Ho-Cheung<br />
AV, Isabella, The Thieves, Z Storm and From Vegas<br />
to Macau II. He co-directed with Jimmy Wan his debut<br />
Lover’s Discourse, this film was nominated in 15th BIFF<br />
New Currents section and was awarded the Grand<br />
Prix (Best Picture Award) at the 6th Osaka Asian Film<br />
Festival.
dklo<br />
Kaasav<br />
Turtle<br />
India | 2016 | Marathi | 105 min | Colour<br />
Director Sumitra Bhave and Sunil<br />
Sukthankar<br />
Producer Dr. Mohan Agashe, Sunil<br />
Sukhtankar, Sumitra Bhave<br />
Screenplay Sumitra Bhave<br />
<strong>Cinema</strong>tographer Dhananjay Kulkarni<br />
Editor Mohit Takalkar<br />
Production Designer Sumitra Bhave<br />
Cast Irawati Harshe,Alok<br />
Rajwade,Kishor Kadam,Dr.Mohan<br />
Agashe,Devika Daftardar,Santosh<br />
Redkar,Omkar Ghadi<br />
rykd”kqnk tkudh rVh; xkao esa leqæh&dNqvksa dh<br />
laj{k.k ifj;kstuk esa vius thou ds vFkZ dks [kkstuss<br />
dk ç;kl dj jgh gSA og vLirky ls Hkkxs gq,<br />
;qod ekuo ls feyrh gSa tks vkRegR;k ds ç;kl ds<br />
dkj.k vLirky esa yk;k x;k FkkA tkudh mls bl<br />
my>u ls fudkyus ds fy, fu"i{k vkSj lkSgknZiw.kZ<br />
okrkoj.k cukus dh iwjh dksf”k”k djrh gSA<br />
Janaki is a divorcee trying to find meaning<br />
in her life in a sea-turtle conservation<br />
project run in a coastal village. She<br />
meets a young man Manav who has<br />
escaped from the hospital where he was<br />
in for attempted suicide. Janaki tries to<br />
create a non-judgmental, non-intrusive,<br />
warm atmosphere to help him bloom.<br />
Sales agent Vichitra Nirmitee<br />
lqfe=k Hkkos vkSj lquhy lqDFkadj<br />
lkekftd oSKkfud&“kks/kdrkZ lqfe=k Hkkos us jaxeap funsZ”kd vkSj<br />
ys[kd lquhy lqDFkadj ds lkFk 14 Q+hpj fQ+Yeksa dk funsZ”ku fd;k<br />
gSA mudh fQYeksa dks Ng varjjk"Vªh; iqjLdkj] 11 jk’Vªh; iqjLdkj]<br />
dbZ jk"Vªh; Lrj ds iqjLdkj] 45 ls vf/kd jkT; iqjLdkj vkSj dbZ<br />
jkT; Lrjh; iqjLdkj çkIr gq, gSaA<br />
Sumitra Bhave and Sunil Sukthankar<br />
Sumitra Bhave, is a recipient of the Chitra Ratna<br />
Puraskar and Kamdhenu Award for literary contribution.<br />
Sunil Sukthankar is a FTII alumni. As a theatre activist, he<br />
has written and directed several noted plays. Together,<br />
they have directed 14 feature films that have received six<br />
international awards, 11 national awards and more than<br />
45 state awards.<br />
BRICS FILMS<br />
171
Ogs;j gSt+ Vkbe xkWu\<br />
Where Has Time Gone?<br />
Shi Jian Qu Na Er Le?<br />
Brazil, Russia, India, South Africa, China | <strong>2017</strong> | Portuguese, Russian, Hindi, IsiXhosa, Sesotho, Chinese | 111 min | Colour<br />
Ogsu n vFkZ VªsEcYl ¼czkt+hy½<br />
funsZ”kd % okWYVj lsyl<br />
5 uoacj] 2015 dks czkthy esa ,d futh [kuu<br />
daiuh dk cka/k QVus ls gtkjksa yksx foLFkkfir]<br />
e`r ;k ?kk;y gks x,A yksx bl =klnh dks Hkwy<br />
ugha ik;saxs ysfdu mUgsa Hkfo"; ds çfr vk“kk cuk;s<br />
j[kuh gksxhA<br />
When The Earth Trembles (Brazil)<br />
On November 5, 2015, the greatest<br />
socio-environmental disaster in Brazil’s<br />
history befell the region of Minas Gerais.<br />
A private mining company’s dam burst,<br />
leaving thousands of people displaced,<br />
dead or wounded.<br />
okWYVj lsyl<br />
n xkfMZ;u ds vuqlkj okWYVj lsyl<br />
nqfu;k ds 40 loZJs’B funsZ”kdksa esa ls<br />
,d gaSA lsaVªy LVs”ku] vkWu n jksM<br />
vkSj n eksVj lkbfdy Mk;jht+ mudh çfrfuf/k<br />
fQ+Yesa gSaA<br />
Walter Salles<br />
Walter Salles’s film Central Station won<br />
the Golden Bear Award at Berlin and, was<br />
nominated for the Academy Award for Best<br />
Foreign Language Film.<br />
172 BRICS FILMS<br />
czhfnax ¼:l½<br />
funsZ”kd % ,ysDlh Q+snpsZUdks<br />
ft+uk dk ifr ut+j mldk jsyos pkyd ds lkFk<br />
voS/k laca/k gksus dk vkjksi yxkrk gSA bl ij<br />
nksuksa dk >xM+k gksrk gSA ut+j pkyd ds migkj<br />
vdkfMZ;u dks rksM+ nsrk gSA nq?kZVuk gksus ij ftuk<br />
mlh vdkfMZ;u ls vius ifr dks cpkrh gSA<br />
Breathing (Russia)<br />
Zina and Nazar live in a remote snowcovered<br />
town, Nazar accuses Zina of<br />
having an affair. They get into a bitter fight<br />
that leads to unimagined consequences.<br />
,ysDlh QsnpsZUdks<br />
:lh funsZ”kd ,ysDlh QsnpsZUdks Q+LVZ<br />
v‚u n ewu ds fy, fo[;kr gSaA<br />
lkbysUV lksYl] lsysfLV;y okbOl<br />
v‚Q+ n esMks ekjh vkSj ,fUtYl v‚Q+ fjoksY;w”ku<br />
mudh vU; fQ+Yesa gSaA<br />
Alexey Fedorchenko<br />
Alexey Fedorchenko is known for the<br />
mockumentary First on the Moon. He is<br />
best known for the highly acclaimed film<br />
Angels of Revolution.<br />
eqEcbZ feLV ¼bafM;k½<br />
funsZ”kd % e/kqj HkaMkjdj<br />
lsokfuo`Ùk paædkar eqacbZ esa Lo;a dks vdsyk ikrs gSaA<br />
ikdZ esa nl o"khZ; vukFk pkyhZ ls feydj mudk<br />
thou cny tkrk gSA vpkud pkyhZ ds xk;c gks<br />
tkus ls os ijs”kku gks mBrs gSaA pkyhZ us mUgas vewY;<br />
pht nh & le;!<br />
Mumbai Mist (India)<br />
Chandrakant spends his retirement time<br />
in Mumbai, the busiest city in India. In<br />
this ever-changing landscape of life, he<br />
feels abandoned until he meets a tenyear-old<br />
orphan, Charlie.<br />
e/kqj HkaMkjdj<br />
e/kqj HkaMkjdj us loZJs’B Q+hpj<br />
fQ+Ye ds fy, 3 ckj jk’Vªh; iqjLdkj<br />
vkSj VªSfQd flXuy ds fy, loZJs’B<br />
funsZ”kd dk iqjLdkj thrkA 2016 esa HkaMkjdj dks<br />
in~eJh ls lEekfur fd;k x;kA<br />
Madhur Bhandarkar<br />
Madhur Bhandarkar is a two time National<br />
Film Award winning director. All his films<br />
have achieved great commercial and<br />
critical success.
Director Walter Salles, Alexey Fedorchenko, Madhur Bhandarkar, Jahmil X.T. Quebeka, Jia Zhangke<br />
Producer Jia Zhangke, Dong Ping<br />
Screenplay<br />
<strong>Cinema</strong>tographer<br />
Editor<br />
Cast Maeve Jinkings, Alisa Kravtsova, Konstantin Itunin, Annu Kapoor, Mandisa Nduna, Zhao Tao, Liang Jingdong<br />
fLVy ckWuZ ¼lkmFk vÝ+hdk½<br />
funsZ”kd % tkfey ,Dl- Vh- D;wcsdk<br />
euq’; dk thou iwoZfu/kkZfjr gksrk gS ysfdu uksckseh ,l,Dl 1 Lo;a dks [k+rjs esa<br />
Mkydj Hkh vius HkkX; dks cnyus vkSj dqN u;k djus ds fy, çsfjr gS ftlesaa<br />
og thou dks eglwl dj ,d ekuo gksus dk vFkZ ik ldrh gSA<br />
fjokbo ¼phu½<br />
funsZ”kd % ft;k tk+aXds<br />
38 o"khZ; rkvks vkSj fyvkaxth dh ,d fd”kksj csVh gSA nks&cPpksa dh uhfr ykxw<br />
gksus ij os ,d vkSj cPpk djuss dk QSlyk djrs gSaA dbZ dfBukb;k¡ gSa fQj<br />
Hkh rkvks dgrk gS≤ us tks pqjk fy;k gS ge mls /khjs /khjs ik ldrs gSaA<br />
Still Born (South Africa)<br />
Nobomi SX1, a programmed janitor, is somehow inspired to<br />
change her destiny even if it means risking her life. She uses all<br />
her effort to create a path where she could feel life itself.<br />
Revive (China)<br />
Tao and Liangzi are a couple with a teenage daughter, working<br />
as performers at a tourist attraction. When the two-child policy<br />
is introduced, the couple decides to have another baby.<br />
tkfey ,Dl- Vh- D;wcsdk<br />
tkfey ,Dl Vh- D;wcsdk nf{k.k vÝ+hdk ds mR—"V funsZ”kd gSaA<br />
mudh fQ+Ye v‚Q xqM fjiksVZ us ikap vÝ+hdu ewoh vdkneh<br />
iqjLdkj thrs vkSj dbZ varjjk"Vªh; fQ+Ye egksRloksa esa fn[kkbZ xbZA<br />
ft;k tk+aXds<br />
ft;k tk+aXds us 11 Q+hpj vkSj dbZ y?kq fQYeksa dk funsZ“ku fd;k<br />
gSA fLVy ykbQ+ vkSj fgt+ ekmUVsUl es fMikVZ us dbZ iqjLdkj<br />
thrsA dku fQYe lekjksg] 2015 esa mUgsa ykbQ+Vkbe vphoesaV<br />
vokMZ ls lEekfur fd;k x;k FkkA<br />
Jahmil X.T. Qubeka<br />
Jahmil X.T. Qubeka is considered South Africa’s most outstanding<br />
contemporary director. His film Of Good Report won five African<br />
Movie Academy Awards.<br />
Jia Zhangke<br />
Jia Zhangke has directed 11 full-length movies and a number of<br />
short films. In 2015, he was honoured with the Lifetime Achievement<br />
Award Carrosse d’Or (Golden Coach) at the Cannes Film Festival.<br />
BRICS FILMS<br />
173
James Bond<br />
Retrospective<br />
A selection from the James Bond<br />
franchise - featuring the most<br />
celebrated spy in films<br />
JAMES BOND RETROSPECTIVE
MkW- uks<br />
Dr. No<br />
DR. NO © 1962 UNITED ARTISTS CORPORATION &<br />
DANJAQ, LLC. All Rights Reserved<br />
UK, Jamaica | 1962 | English, French | 110 min | Colour<br />
Director Terence Young<br />
Producer Albert R. Broccoli, Harry<br />
Saltzman<br />
Screenplay Richard Maibaum,<br />
Johanna Harwood, Berkely Mather<br />
<strong>Cinema</strong>tographer Ted Moore<br />
Editor Peter R. Hunt<br />
Production Designer Ken Adam<br />
Cast Sean Connery, Ursula Andress,<br />
Joseph Wiseman, Jack Lord,<br />
Bernard Lee, Anthony Dawson<br />
tsEl c‚UM xkFkk dks “kq: djus okyh fQ+YeA ,tsaV<br />
007 ¼“k‚u d‚ujh½ vesfjdk ds varfj{k dk;ZØe dks<br />
u’V djus dks mrk: çfrHkk”kkyh oSKkfud M‚DVj<br />
uks ls la?k’kZ dj jgk gSA nq?kZVuk gksus okyh gS] c‚UM<br />
dks teSdk tkuk gh gksxkA ogka og vius fo”kky<br />
}hi ds eq[;ky; esa ,d Øwj [kyuk;d dk eqdkcyk<br />
djus ds fy, lqanj guh jkbMj ¼mlqZyk ,aMªsl½ ls<br />
feyrk gSA<br />
In the film that launched the James<br />
Bond saga, Agent 007 (Sean Connery)<br />
battles the mysterious Dr. No, a scientific<br />
genius bent on destroying the U.S.<br />
space programme. As the countdown<br />
to disaster begins, Bond must go to<br />
Jamaica, where he encounters beautiful<br />
Honey Ryder (Ursula Andress), to<br />
confront a megalomaniacal villain in his<br />
massive island headquarters.<br />
Vsjsal ;ax<br />
fczfV”k fQYe funsZ”kd vkSj iVdFkk ys[kd Vsjsal ;ax tsEl c‚UM dh<br />
rhu fQ+Yeksa M‚- uks] Ý+kWe jf”k;k fon yo vkSj FkaMjc‚y ds funsZ”ku<br />
djus ds fy, fo[;kr gSaA rhuksa fQ+Yeksa esa tsEl c‚UM ds :i esa<br />
“k‚u d‚ujh us vfHku; fd;k gS] ftls ,tsaV 007 Hkh dgk tkrk gSA<br />
Terence Young<br />
Terence Young was a British film director and<br />
screenwriter best known for directing three James Bond<br />
films, including the first two in the series, Dr. No and<br />
From Russia with Love, as well as Thunderball. All three<br />
films starred Sean Connery as James Bond.<br />
176 JAMES BOND RETROSPECTIVE
xksYMu vkb<br />
Golden Eye<br />
GOLDENEYE © 1995 DANJAQ, LLC & UNITED<br />
ARTISTS CORPORATION. All Rights Reserved<br />
UK,USA | 1995 | English, Russian, Spanish | 130 min | Colour<br />
Director Martin Campbell<br />
Producer Barbara Broccoli,<br />
Michael G. Wilson<br />
Screenplay Jeffrey Caine,<br />
Bruce Feirstein, Michael France<br />
<strong>Cinema</strong>tographer Phil Meheux<br />
Editor Terry Rawlings<br />
Production Designer Peter Lamont<br />
Cast Pierce Brosnan, Sean Bean,<br />
Izabella Scorupco, Judi Dench<br />
ijek.kq varfj{k gfFk;kj dk ,d lkFkh ,tsaV] ftls<br />
igys e`r le>k x;k Fkk] }kjk vigj.k jksdus ds<br />
fy, tsEl c‚UM ,d u’V gq, :lh vuqla/kku dsaæ<br />
ds ,dek= mÙkjthoh ds lkFk feyrk gSA<br />
James Bond teams up with the lone<br />
survivor of a destroyed Russian research<br />
centre to stop the hijacking of a nuclear<br />
space weapon by a fellow agent formerly<br />
believed to be dead.<br />
ekfVZu dSaicsy<br />
U;wthySaM ds Vhoh vkSj fQYe funsZ”kd ekfVZu dSaicsy tsEl c‚UM<br />
dh fQYeksa xksYMu vkb vkSj dSlhuks jks;ky ds funsZ”ku ds fy,<br />
lqçfl) gaSA mUgksaus fn ekLd v‚Q t+ksjks] n ystsaM v‚Q t+ksjks vkSj<br />
xzhu ySUVuZ dk funsZ”ku Hkh fd;k gSA<br />
Martin Campbell<br />
Martin Campbell is a New Zealand TV and film director,<br />
best known for directing the Bond movies Golden Eye<br />
and Casino Royale. He also directed The Mask of Zorro,<br />
The Legend of Zorro, and Green Lantern.<br />
JAMES BOND RETROSPECTIVE<br />
177
xksYMfQ+axj<br />
Goldfinger<br />
GOLDFINGER © 1964 UNITED ARTISTS<br />
CORPORATION & DANJAQ, LLC. All Rights Reserved<br />
UK | 1964 | English, Chinese, Spanish | 110 min | Colour<br />
Director Guy Hamilton<br />
Producer Albert R. Broccoli,<br />
Harry Saltzman<br />
Screenplay Richard Maibaum,<br />
Paul Denn<br />
<strong>Cinema</strong>tographer Ted Moore<br />
Editor Peter R. Hunt<br />
Production Designer Ken Adam<br />
Cast Sean Connery, Gert Fröbe,<br />
Honor Blackman, Bernard Lee<br />
lksus ds /ku dh rLdjh dh tkap djrs gq, tsEl<br />
c‚UM us xksYM fjtoZ Q+ksVZ ukDl dks nwf’kr vkSj<br />
fo”o vFkZO;oLFkk dks u’V djus dh lkft”k dk<br />
irk yxk;kA<br />
Investigating a gold magnate’s<br />
smuggling, James Bond uncovers a<br />
plot to contaminate the Fort Knox gold<br />
reserve.<br />
xk; gSfeYVu<br />
Ý+kal esa tUes xk; gSfeYVu us Ýkalhlh vkSj fczfV”k fQYeksa esa dSjksy<br />
jhM] tkWu g~;wLVu vkSj vysDtsaMj dksMkZ ds lgk;d funsZ”kd ds<br />
:i esa viuk dSfj;j “kq: fd;kA n d‚fYMV~l LVksjh vkSj n MsfoYl<br />
fMlkbiy ds i”pkr~ mUgksaus tsEl c‚UM dh fQ+Yeksa xksYMfQaxj]<br />
MkW;e.M~l vkj Qk+Wj,oj] fyo ,aM ysV MkbZ vkSj n eSu fon n<br />
xksYMu xu dk funsZ”ku fd;kA<br />
Guy Hamilton<br />
Guy Hamilton worked as assistant director for directors<br />
Carol Reed and John Huston. In 1964 Cubby Broccoli<br />
and Harry Saltzman invited him to direct the third and<br />
arguably the best James Bond film Goldfinger. Guy<br />
returned seven years later to direct Sean Connery’s<br />
Diamonds are Forever before guiding Roger Moore in<br />
Live and Let Die and The Man with the Golden Gun.<br />
178 JAMES BOND RETROSPECTIVE
ykblsal Vw fdy<br />
Licence to Kill<br />
LICENCE TO KILL © 1989 UNITED ARTISTS<br />
CORPORATION & DANJAQ, LLC. All Rights Reserved<br />
UK,USA | 1989 | English, Spanish | 133 min | Colour<br />
Director John Glen<br />
Producer Albert R. Broccoli,<br />
Michael G. Wilson<br />
Screenplay Michael G. Wilson,<br />
Richard Maibaum<br />
<strong>Cinema</strong>tographer Alec Mills<br />
Editor John Grover<br />
Production Designer Peter Lamont<br />
Cast Timothy Dalton, Carey Lowell,<br />
Robert Davi<br />
tsEl c‚UM ,d Mªx ljxuk ls cnyk ysus ds fy,<br />
vR;f/kd mÙksftr gks tkrk gS ftlus mlds lcls<br />
vPNs nksLr lhvkbZ, ,tsaV ij vR;kpkj djds mls<br />
ejuss ds fy, NksM+ fn;kA vkSj mls idM+okus esa<br />
enn djus okyh mldh nqYgu dh gR;k dj nh<br />
FkhA<br />
Following an important drug bust, CIA<br />
agent Felix Leiter gets married, but the<br />
drug lord he helped arrest- escapes,<br />
murders his wife and mutilates Leiter.<br />
Leiter’s loyal friend, British agent James<br />
Bond, deserts Her Majesty’s Secret<br />
Service and makes it his personal<br />
vendetta to kill those responsible.<br />
t‚u Xysu<br />
vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />
rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />
vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />
ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />
fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />
lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />
John Glen<br />
John Glen, a renowned director, editor, and author, is<br />
best known for his directorial and editing work on eight<br />
James Bond films. He holds the record for directing the<br />
most number of films in the series to date, just one film<br />
more than Guy Hamilton.<br />
JAMES BOND RETROSPECTIVE<br />
179
vkWDVksilh<br />
Octopussy<br />
OCTOPUSSY © 1983 UNITED ARTISTS CORPORATION &<br />
DANJAQ, LLC.. All Rights Reserved<br />
UK,USA | 1983 | English, Russian, German, Spanish | 131 min | Colour<br />
Director John Glen<br />
Producer Albert R. Broccoli<br />
Screenplay George MacDonald Fraser,<br />
Richard Maibaum, Michael G. Wilson<br />
<strong>Cinema</strong>tographer Alan Hume<br />
Editor Peter Davis,<br />
Henry Richardson<br />
Production Designer Peter Lamont<br />
Cast Roger Moore, Maud Adams, Louis<br />
Jourdan, Kristina Wayborn, Kabir Bedi,<br />
Vijay Amritraj<br />
udyh Qs+cjts vaMk vkSj ,d lkFkh ,tsaV dh ekSr ds<br />
dkj.k tsEl ckaM dks jgL;e; vkWDVksilh ds usr`Ro<br />
esa xguksa dh rLdjh ds ek/;e ls ukVks Qk+sflZl ij<br />
ijek.kq geys dh lkft”k jpus okys varjjk’Vªh;<br />
fxjksg dk inkZQ+k”k djus ds fy, fu;qDr fd;kA<br />
A fake Fabergé egg, and a fellow agent’s<br />
death, lead James Bond to uncover an<br />
international jewel-smuggling operation,<br />
headed by the mysterious Octopussy,<br />
being used to disguise a nuclear attack<br />
on NATO forces.<br />
t‚u Xysu<br />
vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />
rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />
vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />
ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />
fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />
lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />
John Glen<br />
John Glen, a renowned director, editor, and author, is<br />
best known for his directorial and editing work on eight<br />
James Bond films. He holds the record for directing the<br />
most number of films in the series to date, just one film<br />
more than Guy Hamilton.<br />
180 JAMES BOND RETROSPECTIVE
vkWu gj estsLVht+ lhØsV lfoZl<br />
On her Majesty’s Secret Service<br />
ON HER MAJESTY’S SECRET SERVICE © 1969<br />
UNITED ARTISTS CORPORATION and DANJAQ,<br />
LLC. All Rights Reserved<br />
UK | 1969 | English, German, French | 142 min | Colour<br />
Director Peter R. Hunt<br />
Producer Albert R. Broccoli,<br />
Harry Saltzman<br />
Screenplay Richard Maibaum<br />
<strong>Cinema</strong>tographer Michael Reed<br />
Editor John Glen<br />
Production Designer Syd Cain<br />
Cast George Lazenby, Diana Rigg,<br />
Telly Savalas<br />
CyksQs+YM uss fLol vkYIl esa ,ythZ vuqla/kku djrs<br />
gq, nqfu;k Hkj dh lqanj efgykvksa dks lEeksfgr<br />
fd;k FkkA tsEl c‚UM ,d mÙksftr HkhM+ eqkf[k;k<br />
dh csVh ls I;kj dk bt+gkj dj vuqla/kku ds fy,<br />
lgh dkj.kksa dks mtkxj djrk gSA<br />
James Bond woos a mob boss’s daughter<br />
and goes undercover to uncover the true<br />
reason for Blofeld’s allergy research in<br />
the Swiss Alps that involves beautiful<br />
women from around the world.<br />
ihVj vkj- gaV<br />
ihVj gaV vaxzsth fQ+Ye laiknd] funs”kd vkSj Vsyhfot+u fuekZrk<br />
FksA gaV us viuh Rofjr dVkSrh] ,D”ku ds le; dSejk >qdko tSlh<br />
vfHkuo laiknu “kSyh ds lkFk tsEl c‚UM dh fQ+Yeksa ij vius<br />
dke ds fy, ekU;rk çkIr dhA d‚y eh cokuk] n vkbZçsl Q+kby<br />
funsZ”ku Hkh fd;kA<br />
Peter R. Hunt<br />
Peter R. Hunt was a film editor, director and television<br />
producer. He gained recognition for his film editing<br />
techniques when he utilised quick cutting, allowing<br />
camera swings during action and inserts interweaving<br />
other elements while working as editor on the first three<br />
Bond films. Hunt debuted with the sixth James Bond film,<br />
On Her Majesty’s Secret Service.<br />
JAMES BOND RETROSPECTIVE<br />
181
LdkbQ+kWy<br />
Skyfall<br />
Skyfall © 2012 Danjaq, LLC, United Artists Corporation,<br />
Columbia Pictures Industries, Inc. Skyfall, 007 Gun Logo<br />
and related James Bond Trademarks © 1962-2013 Danjaq,<br />
LLC and United Artists Corporation. Skyfall, 007 and related<br />
James Bond Trademarks are trademarks of Danjaq, LLC.<br />
All Rights Reserved.<br />
UK, USA | 2012 | English | 143 min | Colour<br />
Director Sam Mendes<br />
Producer Barbara Broccoli,<br />
Michael G. Wilson, Andrew Noakes,<br />
David Pope<br />
Screenplay Neal Purvis, Robert Wade,<br />
John Logan<br />
<strong>Cinema</strong>tographer Roger Deakins<br />
Editor Stuart Baird<br />
Production Designer Dennis Gassner<br />
Cast Daniel Craig, Judi Dench, Javier<br />
Bardem, Ralph Fiennes, Naomi Harris<br />
,e ds çfr c‚UM dh fu’Bk dh ijh{kk gksrh gS tc<br />
mldk vrhr Mjkus ds fy, okil vkrk gSA ,e ds<br />
çfr çfr”kks/k dh Hkkouk ls iwoZ ,tsaV ,evkbZ6 us<br />
vR;ar egÙoiw.kZ xqIr lwpuk dks pqjk fy;k gSA 007<br />
dks [k+rjs dk irk yxkuk gksxk vkSj mls u’V djuk<br />
gksxk] pkgs mlds fy, dqN Hkh ewY; pqdkuk iM+s\<br />
Bond’s loyalty to M is tested when her<br />
past comes back to haunt her. When<br />
MI6 comes under attack, 007 must track<br />
down and destroy the threat, no matter<br />
how personal the cost.<br />
lSe esaMsl<br />
lSe esaMsl jaxeap funsZ”kd vkSj vdkneh iqjLdkj fotsrk fQYe<br />
funsZ”kd gSaA 1992 esa mUgsa Mksuej osvjgkml] yanu dk dykRed<br />
funs”kd fu;qä fd;k x;kA mudh fQ+Yesa dSscjs ¼igyh fQ+Ye½]<br />
vesfjdu C;wVh] tkjgsM] LdkbQ+kWy vkSj LisDVªs leh{kdksa }kjk<br />
ç”kaflr jgha vkSj mUgsa vusd iqjLdkj çkIr gq,A mUgksaus dbZ fQ+Yeksa<br />
dk fuekZ.k Hkh fd;kA<br />
Sam Mendes<br />
Sam Mendes is a stage director and Academy Awardwinning<br />
filmmaker. Mendes has directed the Bond movies<br />
Skyfall and Spectre. His most acclaimed directorial work<br />
includes 1998 production of Cabaret; his debut film,<br />
The American Beauty and Jarhead. He has produced<br />
noteworthy films like The Kite Runner, Revolutionary<br />
Road and documentary Out of the Ashes.<br />
182 JAMES BOND RETROSPECTIVE
n LikbZ gw yOM eh<br />
The Spy who Loved Me<br />
SPY WHO LOVED ME, THE © 1977 DANJAQ, LLC &<br />
UNITED ARTISTS CORPORATION. All Rights Reserved<br />
UK | 1977 | English, Italian, Arabic | 125 min | Colour<br />
Director Lewis Gilbert<br />
Producer Albert R. Broccoli,<br />
William P. Cartlidge<br />
Screenplay Christopher Wood,<br />
Richard Maibaum<br />
<strong>Cinema</strong>tographer Claude Renoir<br />
Editor John Glen<br />
Production Designer Ken Adam<br />
Cast Roger Moore, Barbara Bach,<br />
Curd Jürgens<br />
tsEl c‚UM ijek.kq gfFk;kj ys tkus okyh fczfV”k<br />
vkSj :lh iuMqfCc;ksa ds vigj.k dh tkap djrs gSaA<br />
blds fy;s c‚UM ,d dsthch ,tsaV dh lgk;rk<br />
ysrs gSa] ftlds çseh dks og ekj pqds gSaA<br />
James Bond investigates the hijacking of<br />
British and Russian submarines carrying<br />
nuclear warheads, with the help of a<br />
KGB agent, whose lover he killed.<br />
yqbZl fxYcVZ<br />
fczfV”k funsZ”kd] fuekZrk vkSj iVdFkk ys[kd yqbZl fxYcVZ us Ng<br />
n”kdksa esa 40 ls vf/kd fQ+Yesa funsZf”kr dh gSaA buesa jhp Q+‚j n<br />
LdkbZ] flad n fcLekdZ] ,YQ+h] ,MqdsfVax jhVk] f”kjys osyUVkbu<br />
vkSj tsEl c‚UM dh ;w vkWuyh fyo V~okbl] n Likb gw yOM eh<br />
vkSj ewujsdj çeq[k gSaA<br />
Lewis Gilbert<br />
Lewis Gilbert, CBE, is a British film director, producer and<br />
screenwriter. Besides three James Bond films (You Only<br />
Live Twice, The Spy Who Loved Me and Moonraker) he<br />
has to his credit more than 40 films over six decades;<br />
among them such varied titles as Reach for the Sky,<br />
Sink the Bismarck!, Alfie, Educating Rita and Shirley<br />
Valentine.<br />
JAMES BOND RETROSPECTIVE<br />
183
n oYMZ bt+ ukWV ,uQ+<br />
The World is not Enough<br />
WORLD IS NOT ENOUGH, THE © 1999 DANJAQ, LLC &<br />
UNITED ARTISTS CORPORATION. All Rights Reserved<br />
UK,USA | 1999 | English, Russian, Spanish | 128 min | Colour<br />
Director Michael Apted<br />
Producer Barbara Broccoli,<br />
Michael G. Wilson<br />
Screenplay Neal Purvis, Robert Wade,<br />
Bruce Feirstein<br />
<strong>Cinema</strong>tographer Adrian Biddle<br />
Editor Jim Clark<br />
Production Designer Peter Lamont<br />
Cast Pierce Brosnan, Sophie Marceau,<br />
Robert Carlyle, Judi Dench<br />
tsEl c‚UM ,d rsy O;olk;h ds csVh dhs mlds<br />
iwoZ vigj.kdrkZ] ,d dBksj ân;h varjjk’Vªh;<br />
vkradoknh ls lqj{kk dh ft+Eesnkjh fuHkkrs le;<br />
,d ijek.kq lkft”k dk Hkh irk yxkrk gSA<br />
James Bond uncovers a nuclear plot<br />
when he protects an oil heiress from<br />
her former kidnapper, an international<br />
terrorist who can’t feel pain.<br />
ekbdy vkIVsM<br />
cgqeq[kh çfrHkk okys funsZ”kd ekbdy us o`Ùkfp= vkSj Q+hpj fQ+Ye<br />
nksuksa ds chp jpukRed larqyu cuk;s j[kkA baXySaM esa M‚D;wesaVªh<br />
J`a[kyk vi vkSj dbZ Vsyhfotu dk;ZØeksa ds ckn ekbdy vesfjdk<br />
pys x;sA mUgksaus dksy ekbulZ MkWVj] dkWUVhusaVy fMokbM] xksdhZ<br />
ikdZ] xksfjYykt+ bu n feLV] Dykl ,D”ku tSlh lQy fQYesa<br />
cuk;haA<br />
Michael Apted<br />
Michael David Apted, (born 10 February 1941) is an<br />
English director, producer, writer and actor. He is one of<br />
the most prolific British film directors of his generation,<br />
and directed the Up Series of documentaries and the<br />
James Bond film The World Is Not Enough.<br />
184 JAMES BOND RETROSPECTIVE
Restored<br />
Classics<br />
Motion pictures from cinema’s<br />
masters in pristine restorations<br />
185 RESTORED CLASSICS
C;qVh vkWQ n Ms<br />
Beauty of the Day<br />
Belle de Jour<br />
France, Italy | 1967 | French, Spanish, Mongolian | 100 min | Colour<br />
Director Luis Buñuel<br />
Producer Raymond Hakim,Robert<br />
Hakim<br />
Screenplay Joseph Kessel, Luis<br />
Buñuel, Jean-Claude Carrière<br />
<strong>Cinema</strong>tographer Sacha Vierny<br />
Editor Louisette, Hautecoeur<br />
Sound Design Pierre Davoust, René<br />
Longuet<br />
Production Designer Robert Clavel<br />
Cast Catherine Deneuve, Jean Sorel,<br />
Michel Piccoli<br />
lsofju ,d [kwclwjr ;qorh gS ftldh ,d M‚DVj<br />
ls 'kknh gqbZ gSA og vius ifr dks cgqr I;kj djrh<br />
gS] ysfdu mlds lkFk 'kkjhfjd laca/k dh varjaxrk<br />
ds fy, [kqn dks rS;kj ugha dj ikrhA ysfdu bldh<br />
txg og viuh dkeqd bPNkvksa dh iwfrZ ds fy,<br />
vthcks&xjhc dkeqd fØ;k,a djrh gSaA vkf[kjdkj<br />
og ,d os';k cudj nksigj esa ,d os';ky; esa<br />
dke djus yxrh gS ysfdu viuh 'kknh dh ifo=rk<br />
dks cuk;s j[krh gSA<br />
Severine is a beautiful young woman<br />
married to a doctor. She loves her<br />
husband dearly, but cannot bring herself<br />
to be physically intimate with him. She<br />
indulges instead in vivid, kinky, erotic<br />
fantasies to whet her sexual desires.<br />
Eventually she becomes a prostitute,<br />
working in a brothel in the afternoons<br />
while remaining chaste in her marriage.<br />
yqbl cwuq,y<br />
186 RESTORED CLASSICS<br />
vfr;FkkFkZoknh flusek ds vxz.kh cwuq,y us jSf[kd] rkfdZd dFkk dss vkanksyu<br />
lss eqfä ds y{; dks çkIr fd;kA mudhs fQ+Yesa dBksj] vijaijkxr ;FkkFkZoknh<br />
fo/kk dh gksrs gq, Hkh muesa okLrfod vkSj vokLrfod ds lVhd laca/k FksA mudh<br />
fQYeksa us mu phu vankyksm ls ysdj nSV vkWClsD;ksj vkWCtsDV vkWQ+<br />
fMt+k;j rd vlaxr dYiuk ds ek/;e ls ;kSu t+:jrksa dh ihM+k vkSj<br />
tfVyrk dks fn[kk;kA<br />
Luis Buñuel<br />
Luis Buñuel is a pioneer of surrealist cinema. His films<br />
Un Chien Andalou to That Obscure Object of Desire,<br />
explore the torment and complexity of sexual needs<br />
through uncompromising imagery. His work was derided<br />
with equal vehemence by the Catholic Church, Fascist<br />
Spain, and the Mexican Communist Party.
+ysolZ vkWQ+ xzhu Vh vksoj jkbl<br />
Flavour of Green Tea over Rice<br />
Ochazuke no aji<br />
Japan | 1952 | Japanese | 115 min | Black and White<br />
Director Yasujirõ Ozu<br />
Producer Takeshi Yamamoto<br />
Screenplay Kôgo Noda, Yasujirõ Ozu<br />
<strong>Cinema</strong>tographer Yûharu Atsuta<br />
Editor Yoshiyasu ,Hamamura<br />
Sound Design Yoshiomi Hori,<br />
Yoshisaburô Senoo, Katsumi Uzawa<br />
Production Designer Kintarô<br />
Yamamoto<br />
Cast Shin Saburi, Michiyo Kogure, Kôji<br />
Tsuruta<br />
VksD;ks ds mPp oxhZ; lekt dh euekSth Vkfd;ks<br />
vius 'kkar LoHkko okys lqLr ifr ls Åcus yxrh<br />
gSA mldk ifr ,d daiuh esa fo”oluh; vf/kdkjh<br />
gSA ,d ladV ds ckn og vius thou esa mlds<br />
vfLrRo ds egÙo dks le>rh gSA fQ+Ye esa ,d<br />
lekukarj mi&dFkk py jgh gS tgka mldh Hkrhth<br />
ifjokj }kjk fu;ksftr ijEijkxr fookg ÁFkk dk<br />
foæksg djrh gSA<br />
Takeo, a capricious wife from Tokyo<br />
high-society, is bored by her dull<br />
husband, a quiet and reliable company<br />
executive, raised in the country. After a<br />
crisis, she understands his true value.<br />
A parallel sub-plot shows her niece<br />
rebelling against the tradition of arranged<br />
marriages.<br />
;klqthjks vkstw<br />
tkikuh fQ+Ye funsZ'kd vkSj iVdFkk ys[kd us ;klqthjks vkstw ewd<br />
fQYeksa ls viuk dfj;j 'kq: fd;kA vkstq us 'kknh vkSj ifjokj]<br />
ihf
[kaMgj<br />
The Ruins<br />
Khandhar<br />
India | 1984 | Hindi | 106 min | Colour<br />
Director Mrinal Sen<br />
Producer Jagdish Choukhani<br />
Screenplay Mrinal Sen, Premendra<br />
Mitra<br />
<strong>Cinema</strong>tographer K. K. Mahajan<br />
Editor Mrinmoy Chakraborty<br />
Cast Shabana Azmi, Naseeruddin<br />
Shah, Gita Sen, Annu Kapoor<br />
'kgjh Q+ksVksxzkQj lqHkk"k ,d xkao esa dqN iqjkus<br />
eafnjksa vkSj vo'ks"kksa dh rLohjsa ysus vkrk gSA og<br />
vo'ks"kksa ls ÁHkkfor gks tkrk gSA xkao esa ,d ;qorh<br />
;kfeuh ls mldk ifjp; gksrk gSA igys gh ,d<br />
vU; vkxarqd ;kfeuh dk fny rksM+ pqdk gSA D;k<br />
bfrgkl [kqn dks nksgjk;sxk ;k ;kfeuh dks [kaMgj<br />
ls ckgj fudyus dk jkLrk feysxk\<br />
Subhash is a photographer from the city,<br />
who has come to take pictures of some<br />
old temples and ruins in a village. Ruins<br />
fascinate him. While in the village, he<br />
gets acquainted with a young woman,<br />
Jamini, who has had her heart broken in<br />
the past, by another visitor from the big<br />
city. Will history repeat itself, or will she<br />
find a way out of the ruins at last?<br />
e`.kky lsu<br />
,d çfl) Hkkjrh; fQYe fuekZrk vkSj funsZ”kd gSaA ledkyhu<br />
e`.kky lsu] lR;thr js vkSj _+fRod ?kVd ds lkFk mUgsa oSf”od<br />
Lrj ij Hkkjrh; lekukarj flusek ds vxznwr ekuk tkrk gSA mudk<br />
flusek lkekftd okLrfodrk ds vius dykRed fp=.k ds fy,<br />
tkuk tkrk gSA lsu us 30 Q+hpj fQ+Yesa vkSj vusd o`Ùkfp=ksa dk<br />
funsZ”ku fd;k ftUgsa vusd jk"Vªh; rFkk varjkZ"Vªh; iqjLdkj ÁkIr<br />
gq,A<br />
188 RESTORED CLASSICS<br />
Mrinal Sen<br />
After having studied physics at University of Calcutta,<br />
Sen worked as a freelance journalist, a salesman of<br />
patent medicines and a sound technician in a film studio.<br />
In 1956 Sen made his debut with Raat Bhore, the first of<br />
his 30 (as of 2002) films. Sen’s films have won numerous<br />
international awards. The Case Is Closed, took home the<br />
Jury Prize from the 1983 Cannes Film Festival.
n ykWt+j<br />
The Lodger<br />
UK | 1927 | English | 68 min | Black and White<br />
Director Alfred Hitchcock<br />
Producer Michael Balcon, Carlyle<br />
Blackwell<br />
Screenplay Eliot Stannard<br />
<strong>Cinema</strong>tographer Gaetano Di<br />
Ventimiglia, Hal Young<br />
Editor Ivor Montagu<br />
Production Designer C. Wilfred<br />
Arnold, Bertran Evans<br />
Cast Marie Ault, Arthur Chesney, June<br />
Tripp, Ivor Novello<br />
foDVksfj;u yanu esa tSd n fjij jkr esa vfHkusf=;ksa<br />
dh gR;k djrk gSA foÙkh; dfBukbZ ds dkj.k cVZu<br />
nEifr mls vius ?kj esa j[kus ds fy, etcwj gaSA<br />
ns[kus esa og ,d vPNk ;qod yxrk gS ysfdu<br />
Jherh cVZu mldh dqN jgL;e; vkSj lafnX/k<br />
vknrksa ds dkj.k ml ij lansg djrh gSaA cVZu<br />
dh [kwclwjr vfHkus=h Hkrhth muds lkFk jgrh gSaA<br />
os mldh lqj{kk dks ysdj og fpafrr vkSj Hk;Hkhr<br />
jgrh gSaA<br />
A landlady suspects her new lodger is<br />
the madman killing women in London.<br />
vYÝsM tkslsQ fgpd‚d<br />
,YÝ+sM fgpd‚d yxHkx 1920 esa flusek ds {ks= esa vk;sA mUgksaus<br />
lsV fMt+kbu djus ls ‘kq: fd;kA fgpd‚d dks 1923 esa igyh<br />
fQ+Ye cukus dk volj feyk vkSj mUgksaus uacj 13 dk funsZ”ku<br />
fd;kA fgpd‚d flusek ds ,sls ekLVj Fks ftudhs fQYesa c‚Dl<br />
v‚fQl lQyrk ds lkFk lkSan;Z’kkL= dh n`f’V ls Hkh dHkh foQy<br />
ugha gqbZaA<br />
Alfred Joseph Hitchcock<br />
It was around 1920 when Hitchcock joined the film<br />
industry. He started off drawing the sets. Hitchcock had<br />
his first real crack at directing a film, start to finish, in<br />
1923, when he was hired to direct the film Number 13.<br />
Hitchcock was a master of pure cinema who never failed<br />
to reconcile aesthetics with the demands of the boxoffice.<br />
RESTORED CLASSICS<br />
189
esVªksiksfyl<br />
Metropolis<br />
German | 1927 | Germany | 153 min | Black and White<br />
Director Fritz Lang<br />
Producer Erich Pommer<br />
Screenplay Thea von Harbou , Thea<br />
von Harbou, Fritz Lang<br />
<strong>Cinema</strong>tographer Karl Freund,<br />
Günther Rittau, Walter Ruttmann<br />
Editor Blake Jones<br />
Sound Design Brian Reeves, Frank<br />
Strobel, Otto Harzner<br />
Production Designer Otto Hunte, Erich<br />
Kettelhut, Karl Vollbrecht<br />
Cast Brigitte Helm, Alfred Abel, Gustav<br />
Fröhlich<br />
Hkfo’; esa cuus okys ,d 'kgj esa lekt nks oxksZa<br />
esa foHkkftr gS & ,d 'kgj ds ;kstukdkj vkSj<br />
nwljk mlesa dke djus okyk Jfed oxZA nksuksa esa<br />
oSpkfjd erHksn gSaA 'kgj ds eq[; ;kstukdkj dk<br />
csVk Jfedksa ds mRihM+u dks ns[krk gS vkSj mudh<br />
enn djuk pkgrk gSA og Jfedksa dh Áfrfuf/k ls<br />
I;kj djus yxrk gS tks ;g tku tkrh gS fd og<br />
muds vkilh erHksnksa dks feVkus ds fy, e/;LFk<br />
dh Hkwfedk fuHkk;sxkA<br />
In a futuristic city sharply divided between<br />
the working class and the city planners,<br />
the son of the city’s mastermind falls<br />
in love with a working class prophet<br />
who predicts the coming of a saviour to<br />
mediate their differences.<br />
fÝV~t ySax<br />
ÝsMfjd fØfÜp;u ,aVu fÝV~t ySax ,d v‚fLVª;kbZ fQ+Ye funsZ”kd]<br />
iVdFkk ys[kd] fuekZrk vkSj vfHkusrk FksA teZu vfHkO;fäokn<br />
ds loZJs’B Áfriknd fÝV~t ySax dks fczfV'k fQYe baLVhVîwV us<br />
mUgsa ekLVj v‚Q MkdZusl dk uke fn;kA mudh Áfl) fQYeksa esa<br />
esVªksiksfyl vkSj ÁHkko”kkyh ,e 'kkfey gSaA vdkneh fQ+Ye vkdkZbo<br />
us fÝV~t ySax dh g~;weu fMt+k;j] eSu gaV] vkSj n vkVZ Mk;jsDVj<br />
vkfn dbZ fQYeksa dks lajf{kr fd;k gSA<br />
190 RESTORED CLASSICS<br />
Fritz Lang<br />
Fritz Lang was an Austrian filmmaker, screenwriter,<br />
occasional film producer and actor. He was dubbed the<br />
“Master of Darkness” by the British Film Institute. His<br />
most famous films include, M, a film noir precursor. The<br />
Academy Film Archive has preserved a number of Fritz<br />
Lang’s films, including Human Desire, Man Hunt, and<br />
The Art Director.
n vksYM MkdZ gkml<br />
The Old Dark House<br />
USA | 1932 | English | 72 min | Black and White<br />
Director James Whale<br />
Producer Carl Laemmle Jr.<br />
Screenplay Benn Levy<br />
<strong>Cinema</strong>tographer Arthur Edeson<br />
Editor Clarence Kolster<br />
Cast Boris Karloff, Melvyn Douglas,<br />
Charles Laughton<br />
osYl esa rst rwQku ls vkJ;
lsØhQ+kbl<br />
The Sacrifice<br />
Sweden, UK, France | 1986 | Swedish, French, English | 149 min | Colour<br />
Director Andrei Tarkovsky<br />
Producer Anna-Lena Wibom<br />
Screenplay Andrei Tarkovsky<br />
<strong>Cinema</strong>tographer Sven Nykvist<br />
Editor Michal Leszczylowski, Andrei<br />
Tarkovsky<br />
Sound Design Christin Loman, Lars C.<br />
Lundberg, Bo Persson, Willie Peterson-<br />
Berger, Owe Svensson, Lasse Ulander<br />
Production Designer Anna Asp<br />
Cast Erland Josephson, Susan<br />
Fleetwood, Allan Edwall<br />
vysDtsaMj] ,d i=dkj] iwoZ vfHkusrk vkSj nk'kZfud<br />
gSaA os vius NksVs csVs dks crkrs gSa fd vk/kqfud<br />
ekuork esa vk/;kfRedrk dh deh ds fo’k; esa os<br />
fdrus fpafrr gSaA mudss tUefnu dh jkr dks rhljk<br />
foÜo ;q) fNM+ tkrk gSA fujk'k gksdj vysDtsaMj<br />
bZÜoj ls viuk lc dqN viZ.k dj ;q) dks jksdus<br />
dh çkFkZuk djus yxrs gSaA<br />
Alexander, a journalist and former actor<br />
and philosopher, tells his little son how<br />
worried he is about the lack of spirituality<br />
in modern mankind. On the night of his<br />
birthday, the third world war breaks out.<br />
In his despair Alexander turns himself in<br />
a prayer to God, offering him everything,<br />
to have the war not happen at all.<br />
vkaæs rkjdksOLdh<br />
vkaæs vklsZusfop rkjdksOLdh lokZf/kd ç'kaflr lksfo;r funsZ'kdksa esa ls<br />
,d gSA rkjdksOLdh dh fQYesa vkd’kZd –”; Nfo;ksa] çrhdkRedrk]<br />
nwjnf'kZrk] ijaijkxr dFkkf”kYi vkSj ukVdh; lajpuk ds dkj.k<br />
mYys[kuh; jghaA vius ns”k esa lksfo;r vf/kdkfj;ksa }kjk mudh<br />
fQ+Yesa lsalj dh x;h Fkha vkSj ?kjsyw forj.k ls jksd nh x;h FkhaA<br />
lsØhQ+kbl mudh vkf[kjh Qhpj fQYe gSA<br />
Andrei Tarkovsky<br />
Andrei Arsenyevich Tarkovsky is one of the most<br />
acclaimed Soviet motion-picture directors. Tarkovsky’s<br />
films were notable for their striking visual images,<br />
their symbolic, visionary tone, and their paucity of<br />
conventional plot and dramatic structure. Several of<br />
his films were barred from domestic distribution by the<br />
Soviet authorities. The Sacrifice was his last feature film.<br />
192 RESTORED CLASSICS
Vw vkWj Fkzh fFkaXl vkbZ uks vckmV gj<br />
Two or Three Things I Know about Her<br />
Deuz ou Trois choses que je sais D’Elle<br />
France | 1967 | French, Italian | 87 min | Colour<br />
Director Jean-Luc Godard<br />
Producer Anatole Dauman,<br />
Raoul Lévy<br />
Screenplay Catherine Vimenet,<br />
Jean-Luc Godard<br />
<strong>Cinema</strong>tographer Raoul Coutard<br />
Editor Françoise Collin,<br />
Chantal Delattre<br />
Cast Marina Vlady, Anny Duperey,<br />
Roger Montsoret, Jean-Luc Godard<br />
bl fQYe esa ßmldkß dk rkRi;Z twfy,V tsUlu<br />
dk pfj= vkSj mls vfHkuhr djus okyh vfHkus=h<br />
ejhuk OykfnMh nksuksa dks lanfHkZr djrk gSA fQYe<br />
,d rjg dk ukVî—r o`Ùkfp= gS ftlesa 1960<br />
ds n'kd ds u, isfjl ds Hkkoukghu thou dks<br />
vfrjaftr djds fn[kk;k x;k gSA rRdkyhu isfjl<br />
esa O;kolk;hdj.k de vk; okys ifjokjksa dk<br />
migkl djrk gS] os';ko`fÙk /kuksiktZu dk lk/ku gSA<br />
yksx fo;ruke =klnh dh cqjh ;knksas vkSj vklUu<br />
ijek.kq ;q) ls Hkkouk”kwU; gSaA<br />
In this film, ‘Her’ refers to both Paris,<br />
the character of Juliette Janson and<br />
the actress playing her, Marina Vlady.<br />
The film is a dramatised documentary,<br />
illustrating and exaggerating the<br />
emotionless lives of characters in<br />
the new Paris of the 1960s, where<br />
commercialism mocks families getting<br />
by on small incomes, where prostitution<br />
is a money-spinning option, and people<br />
are coldly resigned and immune to the<br />
human nightmares of Vietnam, and the<br />
impending Atomic war.<br />
T;ka yqd xksnknZ<br />
xksnknZ d® 1960 ds Ýkalhlh fQ+Ye vkanksyu] Ýkalhlh<br />
U;w oso ds lkFk igpkuk tkrk gSA xksnknZ us dFkk] fujarjrk]<br />
/ofu vkSj dSejs ds fu;eksa dks iqu% ikfjHkkf’kr fd;kA yacs le; ls<br />
Loh—r flusekbZ Hkk"kk dkss ca/ku ls eqä dj eks”ku fiDpj ds Ák:i<br />
esa Økafrdkjh ifjorZu fd;kA ckn esa mUgksaus g‚yhoqM QkewZyk fQ+Yeksa<br />
ds lkekU; lk/kuksa Qhpj fuekZ.k] forj.k vkSj çn'kZuh dks Hkh pqukSrh<br />
nsdj fQ+Ye cukus dh u;h fo/kk dks tUe fn;kA<br />
Jean-Luc Godard<br />
Jean-Luc Godard, was a film director, screenwriter<br />
and film critic. He is often identified with the French<br />
New Wave. Godard revolutionized the motion picture<br />
form, freeing the medium from the shackles of its longaccepted<br />
cinematic language by rewriting the rules of<br />
narrative, continuity, sound, and camera work in an effort<br />
to subvert the conventions of the Hollywood formula.<br />
RESTORED CLASSICS<br />
193
New<br />
Initiatives<br />
Experiencing the universe of<br />
‘new’ - idea, movies, technology<br />
NEW INITIATIVES
Mixed Reality Sidebar<br />
<strong>IFFI</strong> presents in collaboration with BECIL Mixed Reality Sidebar Powered by<br />
fot+u LVsVesaV & vkuan xka/kh<br />
Kku] fopkj vkSj var–Zf’V gLrkarfjr djus dh {kerk vkSj bPNk<br />
ekuork ds lkFk gh fodflr gqbZ gSA fefJr okLrfodrk ml<br />
ekuo çkstsDV dk fjdkMZ j[kus] ifjçs{; dks lk>k djus vkSj<br />
lgkuqHkwfr nsus okyh ,d cgqr cM+h ehy dk iRFkj gS] tks<br />
igyh xqQk isafVax ds lkFk ;k blls Hkh igys “kq: gks xbZ FkhA<br />
fefJr okLrfodrk vuqHko n”kZdksa vkSj fo’k; ds chp ÞvU;rkÞ dh<br />
ck/kk dks lekIr dj nsrh gSA var%lac) fo”o esa dksbZ ÞvU;Þ<br />
ugha gS<br />
opqZvy fj;fyVh ¼ohvkj½ ds lanHkZ esa] tgka n”kZd iw.kZr% vU;=<br />
igqap tkrk gS] vkSj c
Mixed Reality Sidebar<br />
l’kDr ubZ nqfu;k % vkHkklh<br />
okLrfodrk ¼ohvkj½ vkSj fQ+D’ku<br />
tsjkse CykudsV&oh-vkj- fQD”ku ¼iSuy½<br />
tsjkse CykadsV Nfo vkSj lgt ys[ku] tks lkekU;r% gekjs /;ku<br />
ls NwV tkrk gS] dk vUos’k.k djrs gSaA çkS|ksfxdh ls çsfjr gksdj<br />
og yxkrkj vius midj.kksa dh lhekvksa vkSj Kku ds fo’k; esa<br />
mRlqd jgrs gaSA os LFkkfir :iksa ls dqN vyx dh [kkst esa jgrs<br />
gSa tgka vFkZ fey ldsA<br />
Brave New Worlds: VR Meets<br />
Fiction<br />
Jerome Blanquet’s explorations of the image and<br />
spontaneous writing lead him to the representation<br />
of what escapes our consciousness. Inspired by<br />
technology, he continually interrogates the limits<br />
of his tools and his knowledge. It diverts from the<br />
established forms, in search of interstices, to the<br />
kinds of open areas where can find meaning<br />
ekLVjDykl & osc ohvkj ij czk;u<br />
pYlZ<br />
czk;u pYlZ oscohvkj dk ç;ksx djus okys fotqvykbts”ku<br />
IysVQ‚eZ MkVkokbT+M ds phQ+ VsDuksy‚th v‚fQlj gSaA os Lora=<br />
fQ+Ye dh nqfu;k esa ,d ekU;rk çkIr çoZrd gSaA os igys ukbV<br />
Q+kmaMs”ku }kjk foÙk iksf’kr ihvksoh esa fMftVy VsDuksy‚th Qsyks<br />
FksA mUgksaus vkHkklh okLrfodrk esa oSpkfjd vknku çnku] MsVk<br />
fotqvykbts”ku vkSj daVsaV&lays[ku ds fy, vfHkuo e‚Myksa<br />
dks fodflr fd;k gSA czk;u us baVjSfDVo ohfM;ks VqdM+ksa vkSj<br />
l‚Vos;j iqLrdky;ksa dh ,d ubZ “kSyh cukus esa enn dh gS<br />
tks flusek dh lkSan;Z “kfä ds lkFk osc dhs vUrjfØ;k”khyrk<br />
vkSj dusfDVfoVh dks la;ksftr djus ds rjhdksa dk çn”kZu djrs<br />
gSaA mudk dke lhih,p & Mhvks,Dl] ,evkbZVh] vkbZMh,Q,<br />
M‚dySc] ,l,Dl,lMCY;w vkSj Vªhcsdk fQ+Ye baLVhVîwV esa<br />
çnf”kZr fd;k x;k gSA<br />
Masterclass on Web VR<br />
Brian Chirls is the Chief Technology Officer<br />
at Datavized, an immersive data visualization<br />
platform using WebVR. A recognized innovator in<br />
the independent film world, he was previously the<br />
Digital Technology Fellow at POV, a position funded<br />
by the Knight Foundation. He has developed<br />
innovative models for interaction, data visualization<br />
and content-authoring in Virtual Reality. Brian has<br />
helped to create a new genre of interactive video<br />
pieces and software libraries that demonstrate<br />
ways to combine the interactivity and connectivity<br />
of the web with the aesthetic power of cinema. His<br />
work has been presented at CPH:DOX, MIT, IDFA<br />
DocLab, SXSW and Tribeca Film Institute.<br />
v.kZo ?kks"k & loaf/kZr okLrfodrk &<br />
loaf/kZr okLrfodrk vkSj MkD;qesaVjh<br />
v.kZo ?kks’k ,d oSpkjd] f”k{kd vkSj f”k{kk fuos”kd gSaA og Hkkjr]<br />
nf{k.k&iwoZ ,f”k;k] ;wjksi esa oSf’od czkaMksa] lsokvksa ds lkFk vius 20<br />
ds o’kksaZ ds vuqHko vkSj lsokvksa dh le> ls ekdsZfVax vkSj beflZo<br />
VsDuksy‚th] usr`Ro dh Hkwfedkvksa ds lkFk mRiknksa dks js[kkafdr<br />
djrs gSaA orZeku esa og CyhIij ds çca/k funsZ”kd gSaA og lkexzh<br />
dks okf.kT;] rduhd ,oa jpukRed çfØ;k ds lkFk dUVsaV dks<br />
f=dks.kh; vkSj çklafxd cukrs gSaA mUgsa lkaL—frd lg;ksx ,oa<br />
vknku çnku vkSj [kxksy foKku esa xgjh #fp gSA mUgksaus ,d<br />
Hkfo’;ok.kh fo’ysf”kdh dh “kq#vkr Hkh dh gSA<br />
Arnav Ghosh - Augmenting<br />
Reality (Panel)<br />
Arnav is a thought leader, educator and apprentice<br />
investor. He brings to the track a deep understanding<br />
of marketing and immersive technology products and<br />
services with his 20 years of multi-platform, vertical<br />
leadership roles with global Brands and services<br />
across India, S.E Asia and Europe. Currently, he<br />
is Managing Director of Blippar (a global AR / AI<br />
platform) in India. He loves to triangulate content,<br />
commerce and technology with the creative process<br />
to build a contextually relevant idea. He has a keen<br />
interest in cross cultural collaboration & astronomy.<br />
He has also co-founded a start up in the area of<br />
predictive analytics.<br />
NEW INITIATIVES<br />
197
Mixed Reality Sidebar<br />
Hkkjrh; vkHkklh okLrfodrk ¼ohvkj½<br />
% ge dgka gS\ ge dgka tk jgs gSaA<br />
vkuan xka/kh – vkHkklh Hkkjr ¼iSuy½<br />
vkuan xka/kh Hkkjr esa vkHkklh okLrfodrk ,oa loaf/kZr okLrfodrk<br />
ds vxz.kh gSaA 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk<br />
dh tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA mUgsa<br />
feidkWe] dku tSls IysVQ+kWeZ ij vius vuqHko lk>k djus ds<br />
fy, vkeaf=r fd;k x;k FkkA vkuan }kjk fufeZr ohvkj o`Ùkfp=<br />
VksjaVks] “ksQ+hYM vkSj nqcbZ varjjk’Vªh; fQ+Ye lekjksgksa esa çnf”kZr<br />
gqbZA esesfll dYpj ySc }kjk fufeZr czkaM dUVsaV Hkkjr esa lokZf/<br />
kd ns[kk tkus okyk ohvkj dUVsaV gSA<br />
Indian VR: Where are we now?<br />
Where are we headed?<br />
Anand is pioneer of VR and AR content in India. His<br />
company Memesys Culture Lab has created India’s<br />
first VR documentary platform called ElseVR.<br />
He has been invited to share his expertise at<br />
prominent platforms such as MIPCOM at Cannes.<br />
VR documentaries produced by Anand have been<br />
featured at prestigious film festivals such as TIFF,<br />
Shefeild and Dubai <strong>International</strong> Film Festival. The<br />
brand content produced by Memesys Labs is the<br />
most viewed VR content created in India.<br />
vfouk’k dqekj<br />
vfouk”k ,d fMtkbuj] ehfM;k dykdkj vkSj fMftVy D;wjsVj<br />
gSA os bafM;u Ldwy v‚Q fMtkbZu ,aM buksos”ku ¼vkbZ,lMhvkbZ½<br />
eqacbZ ds lkFk lk>snkjh esa LFkkfir bafM;u lsaVj Q‚j beflZo<br />
ehfM;k ¼vkbZlhvkbZ,e½ ds fØ,fVo Mk;jsDVj gSaA lsaVj dk vkHkklh]<br />
laof/kZr vkSj fefJr okLrfodrk esa Hkkjrh; beflZo lkexzh ds<br />
vuqla/kku vkSj Å’ek;u ds fy, ,d ,tsaMk gSA os Hkkjr dh<br />
vxz.kh uokpkj ijke”khZ esa ls ,d muds LVwfM;ks fDodlSaM<br />
}kjk fufeZr ,d Hkkjrh; lkaLd`frd ohfM;ks xse IysVQ+kWeZ varfj{k<br />
lapkj ds funs”kd Hkh gSaA<br />
Avinash Kumar - Virtual India<br />
(Panel)<br />
Avinash is a design strategist, media artist and digital<br />
curator. He is the Creative Director of the upcoming<br />
Indian Centre for Immersive Media (ICIM) - set up<br />
in partnership with the Indian School of Design &<br />
Innovation (ISDI) MumbaI - which has an agenda<br />
for the disruptive research and incubation of Indian<br />
Immersive content in Virtual, Augmented and Mixed<br />
Reality. He is also the director of an Indian cultural<br />
video game platform called Antariksha Sanchar,<br />
produced by his studio Quicksand - one of India’s<br />
leading innovation consultancies. www.quicksand.<br />
co.in<br />
t;h’kk iVsy<br />
o`Ùkfp=dkj iqjLdkj fotsrh yaMu esa fLFkr gS- mudh y?kq fQYesa<br />
dbZ lekjksg esa fn[kkbZ xbZ tSls cfyZu] dku] U;w;‚dZ fQYe<br />
lekjksg- t;h”kk us muds u;s ohvkj çkstsDV uksV~l Vw ek; Qknj<br />
v‚D;wyl gkml <strong>2017</strong> luMsal fQYe lekjksg esa “kq:vkr dh vkSj<br />
ekpZ esa ,l,Dl,lMCY;w fQYe lekjksg esa Hkh dke çLrqr fd;kA<br />
orZeku esa og lksejlsV gkml ds fuoklLFkku esa vkfVZLV gS tgka<br />
og mudk nwljk çkstsDV] Qk;j fodkflr dj jgh gSA<br />
Jayisha Patel<br />
An award winning documentary-maker based in<br />
London. Her short films have shown at festivals<br />
such as Berlin, Cannes, AFI Silverdocs and the<br />
New York Film Festival amongst others. Jayisha<br />
launched her new VR project Notes To My Father<br />
at the Oculus House at the <strong>2017</strong> Sundance Film<br />
Festival, and also presented the work at the SXSW<br />
Film Festival in March. She is currently an artist<br />
in residence at Somerset House where she is<br />
developing her second immersive project, Fire.<br />
198 NEW INITIATIVES
Features<br />
fç;kt+ 'kfä<br />
fç;kt+ “kfä Hkkjr dh igyh laof/kZr okLrfodrk ¼,vkj½ gkL; iqfLrdk gS vkSj<br />
;g 2014 esa “kq: gqbZA xzkfQd miU;kl vFkok gkL; iqfLrdk fç;k fd dgkuh<br />
crkrs gSA fç;k] Hkkjr dh ,d xzkeh.k O;fä gS ftldk mlds xk¡o ds yksxksa<br />
}kjk lkeqnkf;d cykRdkj gqvk gSA xzkeh.kksa }kjk Hk;adj “kfeaZnxh dk lkeuk<br />
djus ds ckn fç;k mlds thou dk var djus ds fy, taxy esa Hkkx tkrh gSA<br />
ysfdu nsoh ikoZrh mldh nqnZ”kk ns[krh gS vkSj mldh enr djuk pkgrh gSA<br />
og fç;k ds “kjhj esa ços”k djrh gS vkSj fç;k ds cykRdkfj;ksa dk lkeuk djrh<br />
gSA dSls fç;k efgykvksa ds vf/kdkfj;ksa dh j{kk djrh gS vkSj de ls de mlds<br />
[kqnds xk¡o dks cny nsrh gS ;g fç;k “kfä dh dgkuh gSA<br />
A<br />
Priya’s Shakti is India’s first augmented reality(AR) comic book<br />
and was launched in 2014. The graphic novel or comic book<br />
tells the story of Priya, a villager from India who is gang raped by<br />
men in her village. After facing fierce shaming by the villagers,<br />
Priya flees to the forest to end her life. But the Goddess Parvati<br />
sees her plight and seeks to help her. She enters Priya’s body<br />
and confronts the men who raped Priya. How Priya champions<br />
the cause of women’s rights and transforms at least her own<br />
village - is the story of Priya’s Shakti (Shakti=power)<br />
NEW INITIATIVES<br />
199
Features<br />
y eLd<br />
Hkkjr ds laxhr ds ekfgj ,-vkj-jsgeku us Þy eLdß ls vius funsZ”ku dk çkjEHk<br />
fd;kA ,d vkHkklh okLrfodrk ¼ohvkj½ cgq laosfnd çklafxd fQYe ftls jkse<br />
ds fofHkUu LFkyksa ij fpf=r fd;k x;k gSA y eLd esa çeq[k uksjk vusZtsnj] xk;<br />
cesZê vkSj efjvu >ksjkch;u gS tgka ,d vukFk mÙkjkf/kdkjh rFkk va”kdkfyd<br />
laxhrdkj] T;wfy,V] tksfd ,d vfHk;ku esa fnok gksus ds fy, vkxs c
Biennale College <strong>2017</strong> Venezia<br />
This year, for the very first time the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) brings to you films of<br />
the oldest film festival of the World, Venice <strong>International</strong> Film Festival.<br />
The films of ”BIENNALE COLLEGE <strong>2017</strong> VENEZIA” segment of the Venice <strong>International</strong> Film<br />
Festival will be screened in this 48th edition of <strong>International</strong> Film Festival of India, <strong>2017</strong>.<br />
Biennale College is the project of La Biennale di Venezia which is dedicated to the formation of<br />
young people in the artistic field and in the activities of the organizational structure of the Biennale.<br />
Thus, Biennale College of <strong>Cinema</strong> was formed to inspire and promote the young budding film<br />
maker.<br />
This year, four films from La Biennale di Venezia would be screened, namely, Beautiful Things<br />
directed by Giorgio Ferroro (Italy), where the director gives us a sneak peak of the men who<br />
are monks in temples of steel and concrete carrying out their mechanical rituals in silence and<br />
solitude, Martyr directed by Mazen Khaled (Lebanon) gives us the exploration of the journey of life<br />
and death of a man who drowns and becomes a Martyr in Islamic religion and Strange Colours<br />
directed by Alina Lodkina (Australia), a story about a father and a daughter mending a fractured<br />
bond. The fourth film from this package is an Indian film Mukti Bhawan directed by Shubhashish<br />
Bhutiani, showcasing another father-son relationship where the father has a desire to go and die<br />
in the holy city of Varanasi in India and the son is left with no choice.<br />
The young aspiring film makers of India would be both inspired and motivated by seeing films of<br />
BIENNALE COLLEGE <strong>2017</strong> VENEZIA 74 in <strong>International</strong> Film Festival of India this year.<br />
It is only when film festivals collaborate, cinema as an art form is celebrated in the world.<br />
NEW INITIATIVES<br />
201
dku<br />
Ears<br />
Orecchie<br />
Italy | 2016 | Italian | 90 min | Black and White<br />
Director Alessandro Aronadio<br />
Producer Costanza Coldagelli<br />
Screenplay Alessandro Aronadio,<br />
Valerio Cilio<br />
<strong>Cinema</strong>tographer Francesco Di<br />
Giacomo<br />
Editor Roberto Di Tanna<br />
Sound Design Daniela Bassani, Marzia<br />
Cordò, Stefano Grosso<br />
Production Designer Daniele Frabetti<br />
Cast Daniele Parisi, Silvia D’Amico,<br />
Pamela Villoresi, Ivan Franek, Rocco<br />
Papaleo, Piera Degli Esposti, Milena<br />
Vukotic<br />
,d vkneh lqcg vius dku esa vthc lh vkokt<br />
ls ijs”kku ls gksdj mBrk gSA fÝ+t ij ,d uksV<br />
fpidk gS ßvkidk nksLr yqbxh ej pqdk gSß vuqys[k%<br />
eSa dkj ys tk jgk gwaA leL;k gS fd og fdlh<br />
yqbxh dks ugha tkurkA fQj ml ikxyiu dk nkSj<br />
“kq: gksrk gS tks mldh nqfu;k cny nsrk gSA<br />
✪ INDIA PREMIERE<br />
A man wakes up one morning with an<br />
irritating ringing in his ear. A note on the<br />
fridge says: “Your friend Luigi is dead.<br />
P.S. I took the car”. The problem is that<br />
he does not know who this Luigi is. And<br />
so begins a tragicomic day in search of<br />
the world’s madness, one of those days<br />
that change you forever.<br />
Sales agent 102 Distribution<br />
• festival@102distribution.com<br />
202 NEW INITIATIVES<br />
,yslsaMªks vjksusfM;k<br />
,yslsaMªks vjksusfM;k us ikyseksZ ;wfuoflZVh ls euksfoKku vkSj y‚l<br />
,aftYl fQ+Ye Ldwy ls funsZ”ku esa f”k{kk yhA igyh fQ+Ye Mîw<br />
ohVsisjdklks cfyZu egksRlo çfrLi/kkZ esa pquh x;h ,dek= bVkfy;u<br />
fQYe Fkh ftls 50 ls vf/kd varjjk’Vªh; lekjksgksa esa fn[kk;k x;k<br />
vkSj 15 iqjLdkj ÁkIr fd;sA bUgksaus dkslk owbZ psfl;k vkSj Dykls<br />
ts+M dk ys[ku fd;kA<br />
Alessandro Aronadio<br />
Alessandro Aronadio, directed Due Vite Per Caso, his<br />
first work for the cinema, which was the only Italian film<br />
chosen to compete at the Berlin Film Festival. The film<br />
was selected by over 50 international festivals, and<br />
won 15 prizes, among which was the Nastro d’Argento<br />
awarded to Isabella Ragonese. He has recently written<br />
Edoardo Leo’s Cosa Vuoi Che Sia and Guido Chiesa’s<br />
Classe Z.
eqfDr Hkou<br />
Hotel Salvation<br />
Mukti Bhawan<br />
India | 2016 | Hindi | 102 min | Colour<br />
Director Shubhashish Bhutiani<br />
Producer Sanjay Bhutiani, Sajida<br />
Sharma<br />
Screenplay Shubhashish Bhutiani<br />
<strong>Cinema</strong>tographer Michael<br />
McSweeney, David Huwiler<br />
Editor Manas Mittal<br />
Sound Design Ajay Kumar PB,<br />
Akhilesh Acharya<br />
Production Designer Avyakta Kapur<br />
Cast Adil Hussain, Lalit Behl, Geetanjali<br />
Kulakrni<br />
Sales agent C <strong>International</strong> Sales<br />
• camille.cheneval@cintsales.com<br />
77 o’khZ; n;kuan v”kqHk liuk ns[krs gSa fd mudk<br />
var fudV gSA os vafre lkal okjk.klh esa ysdj<br />
iqutZUe ds pØ dks lekIr djuk pkgrs gaSA csVk<br />
jktho ftíh firk ds lkFk okjk.klh esa e`R;q dh<br />
Árh{kk dj jgs yksxksa dks lefiZr ,d xsLVgkml<br />
eqfäHkou ¼gksVy lkYos”ku½ igqaprk gSA jktho<br />
dk thou ?kj dh ftEesnkfj;ksa vkSj firk ds Áfr<br />
drZO;ijk;.krk esa Qal x;k gSA<br />
An ominous dream convinces 77-yearold<br />
Dayanand Kumar that his end could<br />
be near. He takes the news to his son<br />
Rajiv, knowing he wants to breathe his<br />
last in the holy city of Varanasi and end<br />
the cycle of rebirth, by attaining salvation.<br />
Being the dutiful son he is, Rajiv is left<br />
with no choice but to drop everything<br />
and make the journey with his stubborn<br />
father. Daya and Rajiv check into Mukti<br />
Bhawan (Hotel Salvation) in Varanasi, a<br />
guesthouse devoted to people waiting to<br />
die. But as the days go by, Rajiv struggles<br />
to juggle his responsibilities back home,<br />
while Daya starts to bloom in the hotel.<br />
Rajiv gives his father a shot at salvation<br />
but as family bonds are tested, he finds<br />
himself torn, not knowing what he must<br />
do to keep his life together.<br />
“kqHkk”kh’k HkqfV;kuh<br />
“kqHkk”kh’k us 2013 esa Ldwy vkWQ+ fotqvy vkVZ~l] U;w;‚dZ ls funsZ”ku<br />
esa f”k{kk ÁkIr dhA budh igyh Q+hpj fQ+Ye eqfäHkou us vc rd<br />
;wusLdks xka/kh esMy lfgr 11 varjkZ’Vªh; iqjLdkj thrs gSaA “kqHkk”kh’k<br />
dh Fkhfll fQYe dq’k dks Hkkjr ds jk’Vªifr }kjk jk’Vªh; iqjLdkj<br />
lfgr 25 varjjk’Vªh; iqjLdkj ÁkIr gq,A<br />
Shubhashish Bhutiani<br />
Two-time Indian National Award winner, Shubhashish’s<br />
debut Mukti Bhawan - Hotel Salvation was honoured<br />
with the XXlIIrd Prix “Enrico Fulchignoni” Award and<br />
UNESCO Gandhi Medal 2016. Shubhashish’s thesis<br />
film, Kush, world premiered at Venice, where it won the<br />
Orizzonti Award. Kush was shortlisted by the Academy<br />
and won over 25 international awards.<br />
NEW INITIATIVES<br />
203
yk lksysMkM<br />
The Solitude<br />
La Soledad<br />
Venezuela, Canada, Italy | 2016 | Spanish | 89 min | Colour<br />
✪ INDIA PREMIERE<br />
Director Jorge Thielen Armand<br />
Producer Adriana Herrera, Rodrigo<br />
Michelangeli, Jorge Thielen Armand<br />
Screenplay Rodrigo Michelangeli,<br />
Jeorge Thielen Armand<br />
<strong>Cinema</strong>tographer Rodrigo<br />
Michelangeli<br />
Editor Felipe Guerrero<br />
Sound Design Eli Cohn<br />
Production Designer Gabriela Vilchez<br />
Cast José Dolores López, Marley<br />
Alvillares, Adrializ López, María<br />
Agamez Palomino<br />
osustq,yk ladV ds chp yksxksa ds okLrfod thou<br />
dk fp=.k djus okyh ;g fQ+Ye ,d ;qok firk<br />
tksl dh dgkuh gSA og th.kZ gqbZ gosyh esa jgrk<br />
gS tks tYn gh
ou flLVj<br />
One Sister<br />
Una Hermana<br />
Argentina | 2016 | Spanish | 69 min | Colour<br />
Director Sofia Brockenshire, Verena<br />
Kuri<br />
Producer Sofia Brockenshire, Verena<br />
Kuri<br />
<strong>Cinema</strong>tographer Andrés Hilarión,<br />
Roman Kasseroller<br />
Editor Laura Bierbrauer, Sofia<br />
Brockenshire, Verena Kuri<br />
Sound Design Nicolás Payueta<br />
Production Designer Lucia Carnicero<br />
Cast Sofia Palomino, Eugenia Alonso,<br />
Adriana Ferrer, Lorena Stadelmann<br />
vtsaZVhuk ds NksVs ls cSdokVj “kgj esa ,d ;qorh<br />
viuh cgu dks [kkstus ds fy, vdsys fudyrh gSA<br />
ifjokj dh dkj esa unh ds fdukjs vkx yxus ds<br />
ckn mldk irk ugha pyk FkkA ukSdj”kkgh dqaBkvksa<br />
esa Qal dj fujk”k vYck unh ds fdukjs okil vk<br />
tkrh gS] tgka ,d ewd xokg gS ftls ns[kdj mls<br />
dqN “kkafr feyrh gSA<br />
✪ ASIA PREMIERE<br />
In a small Argentinian backwater<br />
town, a young woman sets out on a<br />
solitary search for her sister who has<br />
disappeared without a trace. When the<br />
family’s car appears in flames on the<br />
bank of a nearby river, Alba falls deeper<br />
into a world of bureaucratic frustrations,<br />
bringing her to the edge of despair. Her<br />
journey drags her back to the river,<br />
where a silent witness seems to provide<br />
the only calm that’s left.<br />
osjsuk dqjh<br />
osjsuk dqjh dh y?kq fQYesa ,isD;wu vkSj ,iSjh”ku dks ;wjksi<br />
vkSj ySfVu vesfjdk ds vusd lekjksgksa esa çLrqr fd;k x;kA<br />
lksfQ+;k czksdsa”kk;j<br />
lksfQ+;k us ftiksyks lbZl vkSj ,isD;wu dks funsZf”kr fd;kA<br />
ou flLVj mudh osjsuk ds lkFk igyh Q+hpj fQ+Ye gSA<br />
Verena Kuri<br />
Verena Kuri’s short films Epecuen and Apparition<br />
were awarded at various festivals in Europe and<br />
Latin America.<br />
Sofia Brockenshire<br />
Sofía wrote and directed the films Zapiola Seis<br />
and Epecuen. One Sister is her first feature film<br />
with Verena Kuri.<br />
NEW INITIATIVES<br />
205
Master Classes and<br />
Panel Discussions<br />
Learning from industry masters,<br />
experts and leaders - journeying<br />
through invaluable experiences<br />
and insights<br />
WORLD CINEMA
MASTER CLASS<br />
Virtual Reality and Augmented Reality<br />
vkuan xka/kh<br />
vkuan xka/kh ,d fQYe fuekZrk vkSj m|eh gSa] tks n'kZu] fodkloknh euksfoKku]<br />
uokpkj vkSj Hkfo"; esa xgjh #fp j[krs gSaA mudh igyh Qhpj f”ki vkWQ+<br />
Fkhfl;l VksjaVks varjkZ"Vªh; fQYe egksRlo esa çhfe;j gqbZ vkSj mls vkykspdksa<br />
vkSj n'kZdksa }kjk Hkkjr dh lokZf/kd egRoiw.kZ fQYe ds :i esa ekU;rk çkIr<br />
gqbZA bls loZJs’B fQ+Ye dk jk"Vªh; iqjLdkj vkSj varjkZ"Vªh; fQ+Ye lekjksgksa esa<br />
vusd iqjLdkj ÁkIr gq,A 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk dh<br />
tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA<br />
Hkkjr esa nSfud lksi vksisjk 'kSyh ds mn~Hko ds lkFk xka/kh dk ys[ku dSfj;j<br />
2000 esa 'kq: gqvk FkkA mUgksaus D;wadh lkl Hkh dHkh cgw Fkh uked yksdfç;<br />
/kkjkokfgd ds 82 ,filksM ds laokn fy[ks vkSj dgkuh ?kj ?kj dh /kkjkokfgd<br />
dh iVdFkk fy[khA<br />
vkuan xka/kh us lqxa/kh] çR;apk] {k.kksRlo] uk vkSj tu'k=q ,dkadh ukVd fy[ksA<br />
mUgksaus xqtjkrh esa py fjolZ esa tk,a fy[kk ftls 2005 ds fy, VªkalfefM;k<br />
csLV Iys iqjLdkj feykA<br />
funsZ'kd ds :i esa mudh igyh fQ+Ye jkbV gs;j] jkbV ukvks vkSj nwljh fQYe<br />
dafVuqe [kq'kcq jadk ds lkFk lg&funsZf'kr FkhA<br />
Anand Gandhi<br />
Anand Gandhi is a filmmaker and entrepreneur deeply<br />
interested in philosophy, evolutionary psychology, innovation<br />
and the future. Ship of Theseus, his first feature, premiered<br />
at the Toronto <strong>International</strong> Film Festival in 2012 and has<br />
since been recognized as “the most significant film to come<br />
out of India in decades” by critics and audiences alike. It has<br />
won prizes at the international film festivals of London, Dubai,<br />
Mumbai, Transilvannia, Tokyo, and Hong Kong, and played<br />
at Rotterdam, Munich and Sydney, among others. It was<br />
presented the National Award in 2014. In November 2015,<br />
Anand founded Memesys Culture Lab. It is a cinema and new<br />
media studio at the intersection of science, philosophy and<br />
culture, and home to ElseVR, the first Virtual Reality studio in<br />
India.<br />
Gandhi’s writing career began in 2000. He wrote the dialogue<br />
for the first 82 episodes of a popular show called Kyunki Saas<br />
Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Kii, for which he<br />
wrote the screenplay, are the longest running TV shows in the<br />
history of Indian television.<br />
He moved away from his television career to write and<br />
direct critically acclaimed plays like Sugandhi, Pratyancha,<br />
Kshanotsav, Na and Janashtaru. Almost all his work has<br />
been produced for the alternative one-act theatre. He has<br />
written only one mainstream play, Chal Reverse Ma Jaiye, in<br />
Gujarati. It achieved moderate commercial success and won<br />
the Transmedia Best Play award for 2005.<br />
His film directorial debut, Right Here, Right Now (2003), a<br />
30-minute film that deals with the idea of cyclic causality,<br />
achieved substantial critical acclaim. His second film Continuum<br />
(2006) was co-directed with Khushboo Ranka.
MASTER CLASS<br />
Filmmaker on Making Drama<br />
,sVe Ãx¨,u<br />
,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />
bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />
lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />
esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />
dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />
fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />
gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />
leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />
esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />
ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />
bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />
MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />
fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />
iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />
vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />
çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />
dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />
vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />
VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />
x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />
dukMkß ls lEekfur fd;k x;k gSA<br />
Atom Egoyan<br />
Atom Egoyan is one of Canada’s most celebrated arthouse<br />
directors. Exotica which won the FIPRESCI Prize at Cannes’94,<br />
was his international breakthrough film. The Sweet Hereafter,<br />
his most critically acclaimed film, received two Academy<br />
Award nominations. Ararat, about the Armenian genocide in<br />
the Turkish Ottoman Empire, centred on child survivor Arshile<br />
Gorky, went on to become the pioneer of American abstract<br />
expressionism. Where the Truth Lies, Adoration and The<br />
Captive, have all competed for the Palme d’Or in Cannes.<br />
Egoyan has also directed theatre and opera, including an<br />
adaptation of Samuel Beckett’s Eh Joe, winner of The Irish<br />
Times/ESB Award for Best Direction. He has directed awardwinning<br />
opera productions for the Canadian Opera Company<br />
and the Lincoln Center Festival, New York. Egoyan’s art<br />
installations have been presented at the Venice Biennale,<br />
his work, Steenbeckett, commissioned by the UK’s Artangel,<br />
is part of the permanent collection of the Tate. His films have<br />
been presented in several retrospectives across the globe,<br />
with complete career overviews in Paris, Madrid, New York and<br />
Brussels. Egoyan was knighted by the French government and<br />
is a Companion of the Order of Canada, the country’s highest<br />
honour.
MASTER CLASS<br />
Sound Mixing<br />
Øsx eku<br />
Øsx eku y‚l ,aftYl] dSfyQksfuZ;k esa fj&fjd‚fMaZx feDlj gSaA lkmaM baMLVªh<br />
esa mUgsa 15 o"kksaZ dk vuqHko gSA Øsx us bUlkbfM;l] vkb bu n Ldkb] ek'kZy]<br />
,sukcsys] fØ,'ku] Mksi ,aM xksYM tSlh Cy‚dcLVj fQ+Yeksa esa /ofu la;kstu<br />
fd;kA Øsx dks fOgIyS'k esa loZJs"B /ofu ds fy, ,,eih,l iqjLdkj] lSVsykbV<br />
vokMZ~l] ckVk iqjLdkj vkSj loZJs"B /ofu feJ.k ds fy, ,dsMseh iqjLdkj ls<br />
lEekfur fd;k x;k FkkA Øsx us Q+ku'kkos d‚yst] yanu vksUVsfj;ks ls E;qft+d<br />
baftfu;fjax Áksxzke dks iwjk dj lkmaM vkbfM;kt+ esa /ofu çHkko fjd‚fMaZx vkSj<br />
laiknu 'kq: fd;kA ogha ij mUgsa fQ+Ye esa #fp gqbZ vkSj mUgksaus dklkCykadk<br />
lkmaM] VksjaVks esa ikap o’kZ rd fjd‚fMaZx feDlj ds lgk;d ds :i esa dke<br />
fd;kA rRi”pkr~ os lkark eksfudk pys x;s vkSj VksM&,vks esa vkB o’kZ rd<br />
fjd‚fMaZx feDlj ds çf'k{kq ds :i esa dke fd;kA<br />
2009 esa Øsx dks Lora= :i ls dke djus dk volj feykA fQ++Yedkj dh<br />
–f"V dks LØhu ij ykus ds fy, /ofu ds mi;ksx ds u, u, rjhdksa dh [kkst<br />
djuk Øsx cgqr fÁ; gSA<br />
Craig Mann<br />
Craig Mann is a re-recording Mixer in Los Angeles, California.<br />
With over 15 years of sound industry experience under his<br />
belt, Craig’s work can be heard on a number of blockbusters,<br />
including Insidious, Eye In The Sky, Marshall, Annabelle:<br />
Creation, Dope and Gold starring Matthew McConaughey. He<br />
was recently awarded an AMPS award for Best Sound in a<br />
Feature Film, a Satellite Award for Best Sound, a BAFTA for<br />
Best Sound and an Academy Award for Best Sound Mixing for<br />
the film Whiplash.<br />
After completing the Music Engineering program on Music<br />
Industry Arts from Fanshawe College in London Ontario, Craig<br />
was hired at Sound Ideas, where he began recording and editing<br />
sound effects. While working there, sound for film aroused his<br />
interest, and he joined Casablanca Sound in Toronto. There,<br />
he worked as an assistant to several of the top re-recording<br />
mixers in Canada. After five years there, an opportunity arose<br />
to tour several sound facilities in Los Angeles. Craig realized<br />
that moving to the next level would involve a change of venue.<br />
He relocated to Santa Monica and was hired at Todd-AO. Over<br />
the next eight years, Craig served as an apprentice for several<br />
world-renowned re-recording mixers, soon taking the leap into<br />
mixing himself in 2009.<br />
Discovering new ways to utilize sound to help bring filmmakers’<br />
vision to the screen is what Craig loves most about his job.<br />
.
MASTER CLASS<br />
Characterization and Casting for <strong>Cinema</strong><br />
eqds'k NkcM+k<br />
eqds'k NkcM+k Hkkjr ds vxz.kh dkfLVax funsZ'kd gSaA Jhjke lsaVj ls nks lky rd<br />
vfHku; esa çf'k{k.k ysus ds ckn jk"Vªh; Ldwy v‚Q Mªkek ds lkFk feydj fnYyh<br />
esa lkr ls vf/kd lky fFk,Vj bu ,tqds”ku ds rgr cPpksa dks i
MASTER CLASS<br />
With Dangal Team<br />
furs'k frokjh<br />
furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996<br />
esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy ds lkFk&lkFk<br />
ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa<br />
mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds lkFk dqN le; ds fy, dke<br />
fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17<br />
o’kksZa rd viuh çfrHkk ls foKkiu txr esa igpku cuk ;hA bl nkSjku mUgksaus<br />
viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />
vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk<br />
c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ dks rhu jk"Vªh; iqjLdkj<br />
çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA<br />
mUgksaus naxy dk lg&ys[ku vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre<br />
fQ+Yeksa esa ls ,d jghA<br />
ih;w"k xqIrk<br />
ih;w"k xqIrk ,d iVdFkk ys[kd gSaA mUgksaus naxy] HkwrukFk fjVUlZ vkSj ,lds,Q<br />
ds fy, ,d fQ+Ye ¼vHkh “kh’kZd ugha½ dh iVdFkk fy[kh gSA mUgsa foKkiu ds<br />
{ks= esa nl o’kksZ dk vuqHko gSA og vius dke esa ekuo var–Zf"V dks lekfgr<br />
djus esa fo'okl djrs gaSA mudk ekuuk gS fd ukVd thou dk fgLlk gS] dsoy<br />
bls [kkstus dh vko';drk gSA dqN iVdFkk ys[kd tSls _f"kds'k eq[kthZ vkSj<br />
ekftn ethnh ls mUgsa çsj.kk feyrhs gSaA<br />
fuf[ky esgjks=k<br />
vius thou dk vf/kdka'k le; eqacbZ vkSj fcgkj esa jgus ds ckn fuf[ky viuk<br />
le; yksxksa dks] muds O;ogkj vkSj fofp= vkdfLed ?kVukvksa dks ns[kus esa<br />
fcrkrs gSaA yksx dSls ckrphr djrs gSa] dSls ,d nwljs ds dke esas fnypLih ysrs<br />
gSa & ,sls gh dqN vuqHkoksa dks vius dke ds ek/;e ls fn[kkrs gaSA ,d n'kd<br />
rd fuf[ky us foKkiuksa dks fy[kus ds fy, ekuo var–Zf"V dks ,d midj.k ds<br />
:i esa mi;ksx fd;k gS vkSj vc Qhpj fQYeksa dks fy[kus ds fy, dj jgs gaSA<br />
fuf[ky us naxy] HkwrukFk fjVUlZ] fdy fny vkSj bÙksQ+kd dh iVdFkk fy[kh gSA<br />
Nitesh Tiwari<br />
Nitesh Tiwari spent his childhood in various towns of Madhya<br />
Pradesh. While pursuing B-Tech in IIT Bombay, he represented<br />
the team in cricket and his contribution to dramatics in the<br />
institute got him the Dramatics Roll Of Honour. He spent 17<br />
years in advertising and he was the Chief Creative Officer of<br />
Leo Burnett India before becoming a full time director. During<br />
these years he and his team did many memorable campaigns<br />
and won numerous advertising awards, domestic as well as<br />
international. Tiwari started his journey in Bollywood with Chillar<br />
Party which went on to win three National Awards. His other<br />
films oinclude Dangal and Bhootnath Returns.<br />
Piyush Gupta<br />
Piyush Gupta is a screenwriter. The films he has written include<br />
Dangal, Bhoothnath Returns and an untitled film for SKF. With<br />
over ten years’ experience in advertising, he believes in adding<br />
human insights and observations to his work. He believes<br />
that drama is part of life, one only needs to find it. Hrishikesh<br />
Mukherjee and Majid Majidi are some of the screenwriters who<br />
inspire him.<br />
Nikhil Mehrotra<br />
Having lived most of his life in Mumbai and Bihar, Nikhil spends<br />
his time observing people, their behaviour, and quirks. He<br />
imitates how an uncle talks, what a neighbour is interested in.<br />
What looks like a way of having fun is also the greatest tool to<br />
his craft.The tool of human insights. For a decade, Nikhil has<br />
used insights to write advertising campaigns. And now he is<br />
using them to write feature films. Some of the films Nikhil has<br />
penned include Dangal, Bhootnath Returns, Kill Dil and Ittefaq.
MASTER CLASS<br />
'ks[kj diwj<br />
'ks[kj diwj ,d Hkkjrh; fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh<br />
fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQ+Ye feLVj bafM;k<br />
O;kolkf;d lQy rFkk Hkkjrh; flusek dh ^^100 loZJs"B Hkkjrh; fQYeksa esa ls<br />
,d jgh^^A mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe Hkh cukbZ gS<br />
diwj us Qwyu nsoh dh thouh fQYe csafMV Dohu ds lkFk oSf'od ekU;rk çkIr<br />
dh vkSj bls loZJs"B fganh fQYe dk jk"Vªh; fQ+Ye iqjLdkj feykA<br />
'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ++Yeksa esa dSV<br />
CySapsV dks vfHku; dk volj nsdj varjjk’Vªh; igpku fnyk;hA bu fQ+Yeksa<br />
dks nks vdkneh iqjLdkjksa lfgr lkr ukekadu feysA bUgsa loZJs"B fQ+Ye lfgr<br />
ikap ck+rk iqjLdkj Hkh feysA<br />
'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA os dku] yanu vkSj VksD;ks<br />
fQYe lekjksgksa ds twjh jg pqds gSaA ,d fMftVy ehfM;k m|eh ds :i esa Hkkjr<br />
ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd<br />
ds fy, foy 'ksDlfi;j J`a[kyk dk funsZ'ku vkSj fuekZ.k fd;k gSA<br />
Shekhar Kapur<br />
Shekhar Kapur is an Indian film director,producer and storyteller.<br />
His directorial debut with cult Bollywood film Masoom won the<br />
Filmfare Critics Award for Best Movie of the year while Mr. India<br />
was declared one of the “100 Greatest Indian Films of All Time”<br />
on the centenary of Indian cinema. He has also made several<br />
documentaries and short films.<br />
Shekhar gained global recognition with the film Bandit Queen,<br />
a biopic of Indian bandit and politician Phoolan Devi, which<br />
won the National Award for Best Feature Film in Hindi and<br />
the Filmfare Critics Award for Best Movie and Best Direction<br />
for that year. Premiering in the Directors’ Fortnight section<br />
of the 1994 Cannes Film Festival, the film caused a furore,<br />
catapulting Kapur into international success. Kapur introduced<br />
Cate Blanchett to the world in his two historical biopics of<br />
Queen Elizabeth, which were nominated for 7 Academy<br />
Awards, including Best Film, and won 2; also winning 5 BAFTA<br />
Awards, including Best Film.<br />
Kapur co-created the hit West-end show Bombay Dreams with<br />
Andrew Lloyd Webber and has been the recipient of the Indian<br />
National Film Award, the BAFTA Award, the National Board of<br />
Review Award, and three Filmfare Awards. In 2010, he served<br />
as one of the Jury Members (<strong>International</strong> Competition) at the<br />
63rd Cannes Film Festival. He has also been on the jury of the<br />
London Film Festival, the Tokyo Film Festival, and was one of<br />
the sponsors of the <strong>International</strong> Indian Film Festival in Goa.<br />
Aside from his professional work in film, Kapur is one of India’s<br />
foremost activists on environmental and water sustainability<br />
issues. He is also a digital media entrepreneur, founding<br />
‘Qyuki’, one of India’s most successful online platforms for<br />
young Indian creators.
isuy }kjk ppkZ<br />
Hkkjr ds ;qok fQ+Yedkj & mHkjrh vkokt+sa vkSj u;s dFkkud<br />
lapkfydk vf'ouh v¸;j frokjh] fQYedkj<br />
vf'ouh v¸;j frokjh lksfQ+;k i‚yhVsfDud ls ,IykbM vkVZ~l esa Lo.kZ ind fotsrk gSaA foKkiu ,tsalh fy;ks cusZV ¼Hkkjr½ esa dke<br />
djrs gq, mUgksaus dku yk;Ul tSls dbZ iqjLdkj thrsA mUgksaus fQ+Ye cukus ds tquwu ds fy, foKkiu {ks= dks NksM+ fn;kA OgkWV bt+<br />
Q+kWj czsdQkLV\ mudh igyh y?kq fQ+Ye FkhA jk"Vªh; ,oa varjjk"Vªh; Lrj ds 100 ls vf/kd foKkiu cukus ds ckn vf'ouh us igyh<br />
fQ++Ye uhy cês lUukVk dk funsZ”ku fd;kA mUgksaus vEek dkukDdq ds :i mldk rfey :ikUrj cuk;kA mudh nwljh Q+hpj cjsyh<br />
dh cQhZ ,d Lyhij fgV FkhA<br />
vkj-,l- çlUuk] fQYedkj<br />
33 o"khZ; funsZ'kd vkj-,l- çlUuk ,d us c‚yhoqM esa jksekafVd d‚esMh 'kqHk eaxy lo/kku ds lkFk 'kq#vkr dh FkhA ;g mudh rfey fQYe<br />
dY;k.k lsuk lkne ij vk/kkfjr FkhA ,y-Ogh- çlkn fQYe Ldwy] psUubZ ds Lo.kZ ind fotsrk çlUuk us cfyZu vkSj cqlku fQ+YeksRloksa<br />
esa ,d ;qok fQYe çfrHkk ds :i esa Hkkx fy;kA çlUuk fo'ofo|ky;ksa ds d‚iksZjsV laxBuksa esa oDrk ds :i esa tkrs jgrs gaSA og orZeku<br />
esa viuh vxyh c‚yhoqM fQ+Ye dk ys[ku dj jgs gSa ftlds fuekZrk fl)kFkZ j‚; diwj gksxsaaA<br />
HkkLdj gtkfjdk] fQYedkj<br />
HkkLdj gtkfjdk ubZ fnYyh ds ,d ys[kd vkSj fQ+Ye fuekZrk gSaA mudh igyh fQ+Ye dksFkkuksnh dks ,f'k;kbZ flusek QaM ls iksLV<br />
çksMD'ku xzkaV çkIr gqbZ Fkh vkSj cqlku fQYe QsfLVoy esa fo'o çhfe;j gqbZ FkhA mlds i”pkr~ ;g fQ+Ye fo”o Hkj ds fQ+YeksRloksa<br />
esa Ánf”kZr gqbZ vkSj 2016 esa jk"Vªh; fQ+Ye iqjLdkj çkIr fd;kA gtkfjdk dh nwljh Qhpj & vkfel fuekZ.kk/khu gS vkSj 2018 esa<br />
fjyht gksus dh laHkkouk gSA<br />
dkfrZd lqCckjkt] fQYedkj<br />
enqjS ds dkfrZd lqCckjkt rfey fQYe ds funsZ'kd&fuekZrk gSaA mUgksaus funsZ'ku djus ls igys NksVh fQYesa cukbZaA 2012 esa dkfrZd dh<br />
igyh Q+hpj fiT+t+k lky dh lcls cM+h fgV FkhA mUgksaus 2014 esa ftxjnaMk ¼,d laxhre; xSaxLVj½ fQ+Ye dks nks jk"Vªh; iqjLdkj<br />
feysA 2016 ,d iq#"k&ç/kku lekt esa efgykvksa dh leL;kvksa ij cuh bZjk;oh dks cgqr egRoiw.kZ ç'kalk vkSj c‚Dl v‚fQl ij<br />
lQyrk feyhA og orZeku esa viuh pkSFkh fQYe ,d ewd fFkzyj edZ~;wjh dks vafre :i ns jgs gSaA
PANEL DISCUSSION<br />
Young Filmmakers of India- Emerging Voices and New Narratives<br />
Moderator Ashwiny Iyer Tiwari, Filmmaker<br />
Ashwiny Iyer Tiwari is a gold medalist in Applied Arts from Sophia Polytechnic. While working for advertising agency Leo Burnett<br />
(India), she won several awards, including Cannes Lions. She quit advertising to follow her passion in filmmaking. Her first short<br />
film was What’s for Breakfast?. After working for over 100 commercials and delivering creative solutions to national/international<br />
clients, she made her narrative feature debut with the highly acclaimed Nil Battey Sannata. She remade the film in Tamil as Amma<br />
Kanakku. Her second feature, Bareilly Ki Barfi, was a sleeper hit.<br />
R.S. Prasanna, Filmmaker<br />
R.S. Prasanna, 33, is a director who debuted in Bollywood this year with the romantic comedy Shubh Mangal Saavdhaan. The<br />
movie, adapted from his own Tamil debut Kalyana Samayal Saadham (2013), was hailed for the sensitive and hilarious treatment<br />
of an unusual theme: male impotence. A gold medal-winner from L.V. Prasad Film School, Chennai, he participated as a young<br />
filmmaking talent at the festivals in Berlin and Busan. Prasanna is a sought after speaker in universities, corporate outfits. He is<br />
currently writing his next Bollywood film to be produced by Siddharth Roy Kapur.<br />
Bhaskar Hazarika, Filmmaker<br />
Bhaskar Hazarika is a writer and filmmaker based in New Delhi. His debut film Kothanodi (2015) received the Post Production Grant<br />
from Asian <strong>Cinema</strong> Fund and had its World Premiere at the Busan Film Festival. Kothanodi has since travelled to festivals around<br />
the world and received the National Film Award in 2016. Hazarika’s second feature - Aamis (Voracious) - is under production at<br />
present and is expected to release in 2018.<br />
Karthik Subbaraj, Filmmaker<br />
Karthik Subbaraj is a director-producer in the Tamil Film industry. Hailing from Madurai, he made short films before directing<br />
four features. In 2012, Karthik’s first feature Pizza was the biggest hit of the year. He followed this up in 2014 with Jigarthanda,<br />
a musical gangster movie that won two National Awards. In 2016, Iraivi dealt with issues faced by women in a male-dominated<br />
society. The movie received enormous critical appreciation and was a box office success. He is currently giving finishing touches<br />
to his fourth film, Mercury, a silent thriller.
isuy }kjk ppkZ<br />
dgkuh dh “kfDr & vkWuykbu ,oa vkWQ+ykbu leqnk;ksa ds fy, u, lewgksa dh jpuk<br />
v‚CtoZj fjlpZ QkmaMs'ku ¼vksvkj,Q½ }kjk çLrqr v‚u ,aM v‚Qykbu dE;wuhVh ds fy, u, xzwi dh jpuk- ;g iWuy Jh lehj lju] mik/;{k] v‚CtoZj fjlpZ<br />
QkmaMs'ku }kjk lapkfyr fd;k tk,xkA buesa 'kkfey gksusokys iSuy ds lnL; gS %&<br />
lapkyd lehj lju] mik/;{k] v‚CtoZj fjlpZ Q+kmaMs'ku+<br />
lehj lju v‚CtoZj fjlpZ Q+kmaMs'ku] ubZ fnYyh ds mik/;{k gSaA og vksvkj,Q+ ds vkmVjhp vkSj O;kolkf;d fodkl xfrfof/k;ksa<br />
dk usr`Ro djrs gSA og jk;lhuk Mk;ykWx] Hkkjr ds okf’kZd Hkw&jktuhfr vkSj Hkw&vFkZ'kkL= dk çeq[k eap ds laxzgk/;{k rFkk lkbcj<br />
lqj{kk vkSj baVjusV lapkyu ij Hkkjr ds okf"kZd lEesyu flfQ ds v/;{k gSaA lehj oSf'od 'kklu ¼tyok;q ifjorZu vkSj ÅtkZ uhfr]<br />
oSf'od fodkl okLrqdyk] lkbcj lqj{kk vkSj baVjusV lapkyu½ ds fo’k;ksa ij Hkkjr dh fons'k uhfr ij fVIi.khdkj gaSA lehj n Xykscy<br />
dfe'ku v‚u n LVsfcfyVh v‚Q+ lkbcjLisl ds vk;qDr vkSj n oYMZ bdkWuksfed Q+ksje ds nf{k.k ,f'k;k lykgdkj cksMZ ds lnL;<br />
gksus ds lkFk&lkFk Xykscy +;wpj dkmafly vkWu lkbcj flD;ksfjVh dk ,d fgLlk gSaA og lsaVj Q+kWj ihl ,aM flD;ksfjVh] ljnkj<br />
iVsy iqfyl fo'ofo|ky;] tks/kiqj] Hkkjr ds funs'kd gSaA<br />
fuf'kdkar dker<br />
eqEcbZ esa tUes vkSj iyss fuf'kdkar dker us ,d jaxeap vfHkusrk vkSj funsZ'kd ds :i esa viuk dfj;j 'kq: fd;kA fQj mUgksaus ,d<br />
n'kd rd Vsyhfotu esa dke fd;kA ejkBh fQYe Mksafcoyh Q+kLV ds funsZ”ku ds lkFk mUgksaus flusek ds {ks= esa inkiZ.k fd;kA mUgksaus<br />
ckn esa bokuks vks#o uke ls bldk rfey :ikUrj cuk;kA 2008 esa] mUgksaus viuh igyh fganh fQYe eqacbZ esjh tku cukbZ ftlesa<br />
vkj- ek/kou] lksgk vyh [k+ku] bjQ+ku [k+ku] ijs'k jkoy vkSj ds ds esuu us vfHku; fd;k FkkA mudh vxyh fjyht Q+kslZ FkhA 2014<br />
esa fjrs'k ns'keq[k vfHkuhr ybZ Hkkjh ¼ejkBh½ dk funsZ”ku fd;kA tqykbZ 2015 esa] mUgksaus vt; nsoxu ds lg;ksx ls n`”;e cukbZA t‚u<br />
vczkge ds lkFk j‚dh gsUMle vkSj bjQ+ku [k+ku vfHkuhr enkjh budhs nks vU; fQYesa gSaA<br />
jktk —".k esuu<br />
jktk —".k esuu ,d Hkkjrh; fQ+Ye ys[kd] funsZ'kd vkSj fuekZrk gSaA mudk tUe dsjy ds f=pwj esa gqvk] tgka mUgksaus vius cpiu dk<br />
,d cM+k fgLlk fcrk;kA og ey;kye vfHkusrk Vh-ih- ek/kou ds iq= gSaA ,d foKkiu funZs'kd ds :i esa 'kq:vkr djus ds ckn os<br />
Qhpj fQYeksa dk funsZ”ku djus yxs vkSj cl ;w¡ gh] 'ksQ+] ,;jfy+V bR;kfn dk funsZ'ku fd;kA mudh nqljh fQ+Ye ckjg vkuk leh{kdksa<br />
}kjk ljkgh x;h rFkk vusd fQ+Ye lekjksgksa esa çnf”kZr gqbZ vkSj dbZ ukekadu ,oa iqjLdkj thrsA<br />
vUuk yqbZ lqLeu<br />
vUuk yqbZ lqLeu vkVZlh esa dyk cktkj laiknd gS] tgka og lkaL—frd fuekZ.k vFkZ'kkL= laca/kh dk;Z djrh gaSA og igys n o‚y<br />
LVªhV tuZy vkSj j‚;VlZ dh laoknnkrk] oqeWubunoYMZ-vksvkjth dhs laiknd rFkk ofj"B ys[kd] vkSj n Msyh LVkj] cs:r] yscuku<br />
dh dyk laiknd FkhasA 2015 esa og esykuhosohZj vkSj fde vtsjsyh ds Q+kLV Q+‚joMZ ¼,d iqLrd tks ;g çfrikfnr djrh gS fd<br />
oSf'od vFkZO;oLFkk esa efgykvksa dks vkxs c
PANEL DISCUSSION<br />
The Power of Story Telling - Creating New Groups for Communities<br />
Online and Offline<br />
Creating new Groups for Communities On and Offline presented by Observer Research Foundation (ORF) which is a not-forprofit,<br />
multidisciplinary public policy think tank engaged in developing and discussing policy alternatives on a wide-range of issues<br />
of national and international significance. Some of their key areas of research include international relations, defence, security,<br />
politics and governance, resources management and economy and development. Its mandate is to conduct in-depth research,<br />
provide inclusive platforms and invest in tomorrow’s thought leaders today. The panel will be moderated by Mr Samir Saran, Vice<br />
President, Observer Research Foundation.<br />
Moderator Samir Saran, VP, ORF<br />
Samir Saran is the Vice President of Observer Research Foundation, New Delhi. He spearheads ORF’s outreach and business<br />
development activities. He curates Raisina Dialogue, India’s annual flagship platform on geopolitics and geo-economics, and<br />
chairs CyFy, India’s annual conference on cyber security and internet governance.<br />
Samir is a frequent commentator on issues of global governance (climate change and energy policy, global development<br />
architecture, cyber security and internet governance) and on India’s foreign policy. Samir is Commissioner, The Global Commission<br />
on the Stability of Cyberspace, and member of the South Asia advisory board of the World Economic Forum as well as part of its<br />
Global Future Council on Cybersecurity. He is Director of the Centre for Peace and Security at the Sardar Patel Police University,<br />
Jodhpur, India.<br />
Nishikant Kamat<br />
Nishikant Kamat, born and raised in Mumbai, started his career as an actor and director in theatre. He then worked in television for<br />
a decade. He made his debut as a big screen director with the Marathi film Dombivali Fast, which he later adapted for the Tamil film<br />
Evano Oruvan. In 2008, he made his Hindi debut with Mumbai Meri Jaan. The film had an ensemble cast of R. Madhavan, Soha<br />
Ali Khan, Irrfan Khan, Paresh Rawal and Kay Kay Menon. His next release was Force in 2011. Kamat returned to Marathi cinema<br />
in 2014 with Lai Bhaari, starring Riteish Deshmukh. In July 2015, he collaborated with Ajay Devgn for the film Drishyam. He has<br />
made two other films – Rocky Handsome, his second collaboration with actor John Abraham, and Madaari, starring Irrfan Khan.<br />
Raja Krishna Menon<br />
Raja Krishna Menon is an Indian film writer, director and producer. He was born in Thrissur, Kerala, where he spent a major part of<br />
his childhood. He is the son of Malayalam actor T.P. Madhavan. He started as an advertisement director and later moved to feature<br />
films. He has directed Bollywood films like Chef and Airlift. His first film, Bas Yun Hi was among the first of wave of independent<br />
films made in Mumbai. His second film Barah Aana was received with rave reviews, travelled to many international film festivals<br />
and won many nominations and awards.<br />
Anna Louie Sussman<br />
Anna Louie Sussman is the art market editor at Artsy, where she covers the intersection of cultural production economics. She<br />
was previously a correspondent at The Wall Street Journal and Reuters, the editor and senior writer at WomenintheWorld.org,<br />
and the arts editor at The Daily Star in Beirut, Lebanon. In 2015, she was the lead researcher and writer for Melanne Verveer and<br />
Kim Azzarelli’s Fast Forward, a book that makes the moral and business case for why we must advance women across the global<br />
economy. She has over a decade of experience writing on gender, social issues, and the arts.
isuy }kjk ppkZ<br />
Hkkjr esa cPpksa dk flusek<br />
Jh çlwu tks'kh] v/;{k] lhch,Qlh }kjk lapkfyr *Hkkjrh; fQYeksa esa cPpksa dh fQYesa] D;k i;kZIr daVsaV gS cPps ftlls tqM+ lds\*<br />
lapkyd çlwu tks'kh dsaæh; fQYe çek.ku cksMZ] çeq[k<br />
Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />
çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku Lukrd]<br />
tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSddsu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />
mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks”kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />
dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk Hkkx<br />
tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feysA muds<br />
fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA<br />
vuqjkx cklq<br />
vuqjkx cklq ,d c‚yhoqM funsZ'kd vkSj ys[kd gSaA mUgksaus Hkkjr ds igys lksi vksisjkvksa esa ls ,d rkjk lfgr dbZ Vsyhfotu<br />
/kkjkokfgdksa dk funsZ'ku fd;kA mUgksaus ckykth VsfyfQ+YEl ds dksf'k”k ,d vk”kk vkSj ehr dks jchaæukFk VSxksj dh dgkuh ij vk/kkfjr<br />
ukSdknwch dk funsZ”ku Hkh fd;k FkkA dqN rks gS mudh igyh fQYe FkhA vxyh fQYe lk;k vykSfdd 'kSyh dh FkhA eMZj g‚yhoqM dh<br />
fgV vuQ+sFkQ+qy ij vk/kkfjr FkhA viuh vxyh fQYe rqelk ugha ns[kk ds fQYekadu ds nkSjku cklq jä dSalj jksx ls ihfM+r gks x;sA<br />
ckn esa ;g fQ+Ye eksfgr lwjh vkSj egs'k Hkê us iwjh dhA 2006 esa vuqjkx clq us xSaxLVj ds lkFk okilh dhA blds ckn ykbQ+ bu<br />
, esVªks leh{kdksa }kjk ç'kaflr jghA cklq us xSaxLVj] ykbQ+ bu , esVªks vkSj dkbV~l dh iVdFkk,a Hkh fy[khaA<br />
furs”k frokjh<br />
furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996 esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy<br />
ds lkFk&lkFk ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds<br />
lkFk dqN le; ds fy, dke fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17 o’kksZa rd viuh çfrHkk<br />
ls foKkiu txr esa igpku cuk;hA bl nkSjku mUgksaus viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />
vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ<br />
dks rhu jk"Vªh; iqjLdkj çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA mUgksaus naxy dk lg&ys[ku<br />
vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre fQYeksa esa ls ,d jghA<br />
jktho fpydk<br />
jktho xzhu xksYM ,fues'ku ds laLFkkid vkSj lhbZvks gSaA mUgksaus Hkkjr ds lcls cM+s ,uhes'ku czkaM NksVk Hkhe dk fuekZ.k fd;k<br />
gS ftls 4 djksM+ ls vf/kd cPps ns[krs gaSA ;g igyk Hkkjrh; ,uhes'ku pfj= gS] tkss Lo;a ,d czkaM cu x;k gSA muds Áfr’Bku<br />
xzhu xksYM us fiNys 14 o"kksaZ esa ,uhes'ku ds 550+ ,filksM] 75+ Vsyhfotu fQYesa vkSj pkj fQ+Yeksa dk fuekZ.k fd;k gSA fpydk us<br />
mLekfu;k fo'ofo|ky;] gSnjkckn ls bysDVª‚fuDl vkSj VsfydE;qfuds”kUl bathfu;fjax esa Lukrd dh mikf/k çkIr dh gSA mUgksaus<br />
felkSjh dkulkl flVh fo'ofo|ky; ls daI;wVj lkbal esa ekLVlZ fd;k vkSj ,dsMseh vkWQ+ vkV~Zl] lSu ÝkaflLdks ls ,uhes'ku dk<br />
Hkh v/;;u fd;kA
PANEL DISCUSSION<br />
Children’s <strong>Cinema</strong> in India<br />
“Children’s films in Indian <strong>Cinema</strong> - Is there enough content which connects to Children” this session will be moderated by Prasoon<br />
Joshi, Chairperson, Central Board of Film Certification.<br />
Moderator Prasoon Joshi CBFC, CEO<br />
One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />
of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />
successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />
vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />
song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />
like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />
Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />
was awarded the Padma Shri in 2015.<br />
Anurag Basu<br />
Anurag Basu is a Bollywood director and writer. He directed several television serials, including Tara, one of India’s first soap<br />
operas. He also directed Balaji Telefilms’ Koshish Ek Aasha and Miit, which was based on Rabindranath Tagore’s Noukadubi. He<br />
made his debut in movies with Kucch Toh Hai. His next film Saaya belonged to the supernatural genre. Murder was based on the<br />
Hollywood hit Unfaithful. During the filming of his next film Tumsa Nahin Dekha (2004), Basu was diagnosed with blood cancer.<br />
The movie was later completed by Mohit Suri and Mahesh Bhatt. In 2006, Anurag Basu came back to make Gangster. It was<br />
followed by the critically acclaimed Life in a Metro. Basu wrote the screenplays for Gangster, Life in a Metro and Kites.<br />
Nitesh Tiwari<br />
Nitesh Tiwari spent his childhood in various towns of Madhya Pradesh. In 1992, he came to Mumbai to pursue his B. Tech at the<br />
prestigious IIT Bombay. At IIT-B he was very active on the sports as well dramatic fronts. He represented IIT-B in cricket and his<br />
contribution to dramatics in the institute got him the Dramatics Roll Of Honour. He spent 17 years in advertising and he was the<br />
Chief Creative Officer of Leo Burnett India before becoming a full time director. During these years he and his team did many<br />
memorable campaigns and won numerous advertising awards, domestic as well as international. Tiwari started his journey in<br />
Bollywood with Chillar Party which he co-wrote and co-directed. Chillar Party went on to win three National Awards. He then cowrote<br />
and directed Bhoothnath Returns. His latest venture, Dangal, which he co-wrote and directed, is one of the most successful<br />
Bollywood movies ever.<br />
Rajiv Chilaka<br />
Rajiv is the Founder and CEO of Green Gold Animation. He has created and built India’s biggest animation brand Chhota Bheem,<br />
which currently has a viewership of over 40 million children, and is the first ever Indian animation character to have its own line of<br />
branded merchandise. Under him, over the past 14 years, Green Gold has produced over 550+ episodes of animation content, 75+<br />
television movies and four theatrical movies. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering<br />
from Osmania University, Hyderabad. Chilaka holds a Master’s degree in Computer Science from University of Missouri Kansas<br />
City. He also studied animation at the Academy of Art, San Franscisco.
isuy }kjk ppkZ<br />
lkfgfR;d Ásj.kk & flusek vkSj fyf[kr “kCn<br />
ok.kh f=ikBh fVDdq] fuekZrh ,oa vfHkus=h }kjk lapkfyr *D;k ledkyhu flusek gekjs le; ds lkfgR; dks n'kkZrk gS*<br />
lapkfydk ok.kh f=ikBh fVDdq] fuekZrk ,oa vfHkus=h<br />
ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />
vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />
dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />
fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />
Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />
bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;kA ok.kh us<br />
2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />
vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />
veh”k f=ikBh<br />
veh”k f=ikBh ,d tkus ekus Hkkjrh; uoksn; ys[kd gSaA fo'o çfl) fQYe funsZ'kd 'ks[kj diwj us mUgsa ßHkkjr dk igyk lkfgfR;d<br />
i‚iLVkjß dgkA veh'k dh dgkfu;kas esa /kkfeZd çrhdkRedrk] vk/;kRe vkSj xgu n'kZu'kkL= dk vuwBk la;kstu gSA vk/;kfRed xq#<br />
nhid pksiM+k us Hkh muds ys[ku dh Á”kalk dh gSA mudh vc rd N% iqLrdssa Ádkf”kr gks pqdh gSaA n bEeksVZYl vkWQ+ esyqgk] n lhØsV<br />
vkWQ+ ukxkt+] n vksFk vkWQ+ ok;qiq=kt+ f'ko=;h ds uke ls Áfl) Hkkjrh; çdk'ku bfrgkl esa lcls rsth ls fcdus okyh iqLrd J`a[kyk<br />
gSA flvkWu vkWQ+ b{okdq lhrk & okWfj;j vkWQ+ fefFkyk ¼jke paæ lhjht iqLrd 2] <strong>2017</strong>½ gSaA bEekWVZy bafM;k & ;ax daVªh] Vkbeysl<br />
flfoykbt+s”ku dh 40 yk[k çfr;ka eqfær gks pqdh gSaA mudh iqLrdsa 19 Hkkjrh; vkSj fons'kh Hkk"kkvksa esa vuqfnr gqbZ gSaA<br />
;rhaæ feJk<br />
dfo] laiknd] laxhrK vkSj flusek fo”ks’kK ;rhaæ feJk pkj fganh dfork laxzg ds ys[kd gSaA mUgksaus fofHkUu çfl) dykdkj fxfjtk<br />
nsoh] lksuy ekuflag vkSj mLrkn fcfLeYykg [k+ku ds thou vkSj dke ds ckjs esa fy[kk gSA egku ik'oZxkf;dk yrk eaxs'kdj ds thou<br />
ij vk/kkfjr mudh uohure iqLrd yrk % lqj&xkFkk dkss flusek ij loZJs"B ys[ku ds fy, jk"Vªh; fQ+Ye iqjLdkj vkSj ekeh eqacbZ fQYe<br />
egksRlo esa loZJs"B ys[ku ds fy, iqjLdkj çkIr gq,A mÙkj çns'k laxhr ukVd vdkneh iqjLdkj vkSj KkuihB QSyksf'ki ds çkIrdrkZ<br />
gSaA ;rhaæ feJk MhMh Hkkjrh pSuy] nwjn'kZu] çlkjHkkjrh ¼2014&2016½ ds lykgdkj jgs gSaA og v;ks/;k esa jgrs gSaA<br />
çlwu tks'kh<br />
Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />
çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku<br />
Lukrd] tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSdsuu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />
mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks"kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />
dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk<br />
Hkkx tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feys A<br />
muds fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA
PANEL DISCUSSION<br />
Literary Inspirations <strong>Cinema</strong> and the Written Word<br />
“Is contemporary cinema reflecting the literature of our times” this session will be moderated by Ms Vani Tripathi Tikoo, Producer<br />
& Actress.<br />
Moderator - Vani Tripathi Tikoo Producer & Actress<br />
Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />
programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />
to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />
deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />
films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />
six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />
Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />
has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />
the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />
school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />
She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />
Film Festival of India.<br />
Amish Tripathi<br />
Described as ‘India’s first literary popstar’ by world-renowned film director Shekhar Kapur, Amish’s unique combination of crackling<br />
story-telling, religious symbolism and profound philosophies has made him an overnight publishing phenomenon, with spiritual<br />
guru Deepak Chopra hailing Amish’s books as ‘archetypal and stirring’.<br />
Six of his books – The Immortals of Meluha (2010), The Secret of the Nagas (2011) and The Oath of the Vayuputras (2013), which<br />
collectively comprise the Shiva Trilogy, and Scion of Ikshvaku (2015), Sita – Warrior of Mithila (<strong>2017</strong>), Immortal India – Young<br />
Country, Timeless Civilisation have 4 million copies in print. His books have been translated into 19 Indian and foreign languages.<br />
The Shiva Trilogy is the fastest selling book series in Indian publishing history. Amish is a graduate of IIM-Calcutta and worked for<br />
14 years in the financial services industry before turning to full-time writing.<br />
Yatindra Mishra<br />
Poet, editor, music and cinema scholar, Yatindra Mishra has four collections of Hindi poetry to his credit. He has written about the<br />
life and work of various eminent artists Girija Devi, Sonal Mansingh and Ustad Bismillah Khan. His latest book Lata: Sur-Gatha’<br />
on legendary playback singer Lata Mangeshkar won the National Film Award for Best Writing on <strong>Cinema</strong> and an award for Best<br />
Writing at the MAMI Mumbai Film Festival. Recipient of Uttar Pradesh Sangeet Natak Academy Award and Jnanpith Fellowship,<br />
Mishra has been an advisor to the DD Bharati Channel, Doordarshan, Prasar Bharati (2014-2016). He lives in Ayodhya.<br />
Prasoon Joshi CBFC CEO<br />
One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />
of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />
successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />
vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />
song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />
like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />
Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />
was awarded the Padma Shri in 2015.
isuy }kjk ppkZ<br />
VSxksj dk lalkj<br />
t+h t;iqj lkfgR; lekjksg }kjk çLrqr ^Vkxksj v‚u lSY;wyksbMß ij ppkZ-<br />
lapkfydk ok.kh f=ikBh fVDdq<br />
ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />
vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />
dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />
fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />
Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />
bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;k A ok.kh us<br />
2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />
vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />
'kksek ,- pVthZ<br />
'kksek pVthZ dksydkrk fLFkr Ýhykal i=dkj] fQYe fo”ks’kK vkSj ysf[kdk gSaA og yxHkx ,d ntZu fçaV ehfM;k vkSj v‚uykbu<br />
çdk'kuksa esa ;ksxnku djrh gSA mUgksaus 1991 esa loZJs"B fQYe leh{kd ds fy, vkSj 2002 esa flusek ij loZJs"B iqLrd ds fy, nks<br />
jk"Vªh; iqjLdkj thrs gSaA dbZ vU; iqjLdkjksa vkSj Qsyksf'ki ds lkFk&lkFk fy, mUgksaus 24 iqLrdksa dh jpuk dh gS ftuesa ls vf/kdka'k<br />
Hkkjrh; flusek ij gSaA mudh uohure iqLrd oqeu ,V n foaMks ¼gkiZj&d‚fyal bafM;k½ lR;ftr js dh fQYeksa ukjh ds fp=.k ls Ásfjr<br />
gSaA lR;ftr js dh fQYesa VSxksj dh dgkfu;ksa ij vk/kkfjr gSA<br />
ikCyks lht+j<br />
ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd<br />
gSaA ikCyks us Ng lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj eqfær fd;kA 1975 esa muds cM+s HkkbZ us<br />
mUgsa ,d ohfM;ks dSejk fn;k mUgksaus ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ vkSj mldh iVdFkk<br />
Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA ikCyks vusd varjkZ’Vªh; fQ+Ye<br />
lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og vtsaZVhuk vkSj<br />
Vîwuhf”k;k ¼bfDouksfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr ¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu<br />
v‚Q+ ij;wEl] 1998½ ds chp fQYe lg&çksMD'kal ds vxz.kh FksA ;s rhuksa fQYesa mu ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa<br />
fQ+Yek;k x;k FkkA tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa ds fy, Áfl) gSaA<br />
jkbek lsu<br />
jkbek lsu ,d ç'kaflr fQYe vfHkus=h gSA mudh lQyrk dh Hkwfedk _rqi.kksZ ?kks"k dh pks[ksj ckyh vkSj leh{kdksa }kjk ç'kaflr<br />
2005 ds c‚yhoqM fQYe ifj.khrk esa gqbZA og rc ls caxkyh vkSj fganh fQYeksa esa egRoiw.kZ Hkwfedk fuHkkbZA 2014 esa] mUgksaus foyh;e<br />
'ksDlfi;j ls vuqdwfyr ,d caxkyh fQYe dh çeq[k fºznegkjh ctkbZ vkSj ckMZ ds tUe ds 450 osa o"kZ ij ,d J)katyh ds :i<br />
esa çLrqr fd;kA mudh vU; fQYeksa esa ,D'ku fFkzyj nl] vark egy] n cksax dusD'ku] euksjek Ng QhV vaMj vkSj fgV caxkyh<br />
fQYe cs'ksJkcksu gSaA<br />
equ equ lsu<br />
equ equ lsu us ,d i=dkj vkSj fQYe leh{kd ds :i esa viuk dSfj;j 'kq: fd;kA fQYeksa esa vkus ls igys og xzkfQd fMtkbu<br />
i
PANEL DISCUSSION<br />
Tagore On Celluloid<br />
“Tagore on Celluloid” presented by ZEE Jaipur Literature Festival.<br />
Moderator - Vani Tripathi Tikoo Producer & Actress<br />
Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />
programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />
to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />
deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />
films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />
six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />
Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />
has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />
the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />
school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />
She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />
Film Festival of India.<br />
Shoma A. Chatterji<br />
Shoma A. Chatterji is a Kolkata-based freelance journalist, film scholar and author. She contributes to around a dozen print media<br />
and online publications. She has won two National Awards for Best Writing on <strong>Cinema</strong> - for Best Film Critic in 1991 and for Best<br />
Book on cinema in 2002 along with several other awards and fellowships. She has authored 24 books of which most are on Indian<br />
cinema. Her latest, Woman at the Window (Harper-Collins India), deals with the material universe in Ray’s films adapted from<br />
Tagore’s stories.<br />
Pablo Cesar<br />
At the age of six he began to project comics, at 10 he wrote and printed his first bulletin that he sold at the Champagnat School<br />
where he was studying and in nearby kiosks. In 1975, his older brother gave him a video camera that he used intensively and<br />
two years later he scripted and made his first short film of 7 minutes, followed by others. In 1980, for his short film Del genesis, he<br />
was awarded the first prize in the “Experimental” category in the contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />
mention for Best Editing and Third Prize (without category) in the contest of the Circle of Filmmakers Marplatenses and a Special<br />
Mention of UNCIPAR. For his film De los caras de los espejos, Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />
Union in 1983. He was a jury at the festivals of Amiens (France), Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />
(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa Carlos Paz and Buenos Aires. Since 1992 he is a professor at<br />
the Universidad del Cine de Buenos Aires. He was a pioneer in film co-productions between Argentina and Tunisia (Equinoccio,<br />
The Garden of Roses, 1991), India (Unicorn, The Garden of Fruits, 1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />
These three films were mostly based on folk myths from each of the countries where they were filmed.<br />
Raima Sen<br />
Raima is an Indian film actress. Her breakthrough role came when she starred in Rituparno Ghosh's film Chokher Bali and the<br />
critically acclaimed hit in 2005 Parineeta. 2014 saw Sen as the leading lady in the critically acclaimed Hrid Majharey, the first<br />
Bengali movie based on the works of William Shakespeare, and presented as a tribute on the 450th year of birth of the Bard. Her<br />
other works include the action thriller Dus and the Bengali film Antar Mahal, The Bong Connection, Manorama Six Feet Under<br />
and the hit Bengali film Baishe Srabon.<br />
Moon Moon Sen<br />
Moon Moon Sen began her career as a journalist and film critic and later taught as a graphic designer before embarking on a<br />
successful cinematic journey. As an actress, she has worked in more than 60 films in 22 languages and countless TV serials.<br />
For over 6 years, she has been an active part of the Bengali "jatra", an ancient form of folk theatre with its roots in religion and<br />
mythology.
isuy }kjk ppkZ<br />
fMftVy Lisl n +;wpj<br />
MhftVy Lisl & bldk Hkfo"; vkSj D;k ;g flusek ds fy, vk'kadk gS \<br />
lapkyd Hkkjrckyk] fQYe fuekZrk<br />
Hkkjrckyk dk –f"Vdks.k fQYe fuekZ.k ds Áfr u;k gSA ljy Hkkouk,a vkSj cM+k dSuokl budh dk;Z”kSyh dks fpfUgr djrs gSaA Hkkjrckyk<br />
fo'o ds Jksrkvksa dks Hkkjrh; dFkk,a ,d lkoZHkkSfed laosnu'khyrk ds lkFk crkus ds fy, Áfl) gaSA varjjk"Vªh; flusek dks ns[kdj<br />
cM+s gq, Hkkjrckyk MsfoM yhu] MsfoM fyap vkSj fcey j‚; dh fQ+Yeksa ls cgqr çHkkfor gaSA czkthy ds funsZ'kd okWVj lkysl vkSj<br />
phuh funsZ'kd >kax f;ew us vius ns'k dhs dgkfu;ksa dks fo'o flusek LFkku esa fnyk;kA blh Ádkj Hkkjrckyk Hkh Hkkjrh; dgkfu;ksa dks<br />
varjkZ"Vªh; eap ij ys tkus ds fy, vR;ar mRlkfgr gSaA<br />
'ks[kj diwj<br />
'ks[kj diwj fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQYe feLVj<br />
bafM;k O;kolkf;d lQy rFkk Hkkjrh; flusek dh 100 loZJs"B Hkkjrh; fQYeksa esa ls ,d jghA mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe<br />
Hkh cukbZ gS diwj us Qwyu nsoh dh thouh fQYe n csafMV Dohu ds lkFk oSf'od ekU;rk çkIr dh vkSj bls loZJs"B fganh fQYe dk<br />
jk"Vªh; fQYe iqjLdkj feykA 'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ+Yeksa esa dSV CySapsV dks vfHku; dk<br />
volj nsdj varjjk’Vªh; igpku fnyk;hA 'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA ,d fMftVy ehfM;k m|eh ds<br />
:i esa Hkkjr ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd ds fy, fofy;e 'ksDlfi;j J`a[kyk dk<br />
funsZ'ku vkSj fuekZ.k fd;k gSA<br />
fot; lqcze.;e<br />
vestWu çkbe ohfM;ks bafM;k esa dUVsaV funsZ'kd fot; lqcze.;e dks ehfM;k&Vhoh] jsfM;ks] çdk'ku vkSj fMftVy ehfM;k ds lHkh eq[;<br />
fo/kkvksa dk 20 ls vf/kd o"kksaZ ds vuqHko gSA lqczã.;e o‚YV fMtuh bafM;k esa ehfM;k usVod ds dk;Zdkjh funsZ'kd cusA blls igys<br />
mUgksaus ,eVhoh] bZ,uvkbZ,y&jsfM;ks fephZ] LVkj bafM;k vkSj LVkjMLV esa dke fd;kA lqczã.;e us fMTuh bafM;k ds ;qok pSuy fcankl<br />
ds fodkl esa egRoiw.kZ Hkwfedk fuHkkbZA mUgksaus n fVªi] xyZ bu n flVh vkSj beks”kuy vR;kpkj tSls lQy dk;ZØeksas dh 'kq:vkr dhA<br />
ufpdsr iaroS|<br />
ufpdsr iaroS| ,,yVh fMftVy ehfM;k ,aVjVsuesaV fyfeVsM ds lhbZvks gSaA og daiuh esa lkexzh] foi.ku] forj.k vkSj jktLo ds<br />
ifjpkyu esa ih ,aM ,y dk mÙkjnkf;Ro laHkkyrs gaSA blls igys og lksuh ,aVjVsuesaV Vsyhfotu ds fctusl Áeq[k FksA og LVkj<br />
Iyl ds fctusl Áeq[k Hkh Fks vkSj mUgksaus LVkj Vhoh usVodZ esa dbZ Hkwfedk,a dh ftuesa LVkj çokg ds çeq[k vkSj Q‚Dl Vsyhfotu<br />
LVwfM;ks ds çca/k funsZ'kd 'kkfey FksA vkbZvkbZ,e&vgenkckn ds iwoZ Nk= ufpdsr us chchlh vkSj fMTuh esa egRoiw.kZ çca/ku Hkwfedk,a<br />
fuHkk;ha gSaA<br />
lehj uk;j<br />
ehfM;k vkSj euksjatu m|ksx ds fnXxt lehj uk;j rhu n'kdksa rd vxz.kh ehfM;k Áfr’Bkuksa ds çeq[k jgss gSaA mudss dfj;j dh<br />
miyfC/k;ksa esa LVkj Vhoh usVodZ dk lq/kkj] vferkHk cPpu ds dkSu cusxk djksM+ifr dk çlkj.k vkSj LVkj Iyl ij ckykth ÁksMD”kal<br />
fufeZr lksi vksisjk 'kkfey FksA lehj ,uMhVhoh besftbu fyfeVsM ds lkFk m|eh cu x,A ckn esa mUgksaus VuZj tujy ,aVjVsuesaV<br />
usVodZ ds lhbZvks cuus ds fy, ,uMhVhoh besftu dks VuZj xzqi dks csp fn;kA mlds ckn lehj ckykth VsyhfQYEl fyfeVsM esa<br />
,,yVh ckykth ds lkFk mudk igyk fMftVy vkmVjhp ch 2 lh “kq# djus ds fy, 'kkfey gks x,A vxLr <strong>2017</strong> esa lehj us<br />
euksjatu djus ds fy, ,d u;k O;kolkf;d lQ+j & ,d ehfM;k] daVsaV vkSj vkbZih fØ,”ku LVwfM;ks vkfnR; fcM+yk lewg ds<br />
v/;{k dqekj eaxye fcM+yk ds lg;ksx ls 'kq: fd;k<br />
dj.k va'kqeu<br />
dj.k va'kqeu ,d ys[kd vkSj funsZ'kd gSaA mudh igyh y?kq fQ+Ye ,ysosVj ,fVdsV laHkor% fMftVy çk:i esa cuh Hkkjr dh igyh<br />
fQYe FkhA ;g fMftVy V‚dht lekjksg esa çhfe;j gqbZ FkhA vxyh fQ+Ye HkkbZpkjk dks cfyZu 'k‚VZ~l odZ'k‚i esa vkeaf=r fd;k<br />
x;k FkkA mUgksaus vkbZlhvkbZlhvkbZ çwMsaf'k;y] c‚Ecs Mkbax] ,elh,Dl] vkSj lsu o‚Vj fQYVj vkfn ds fy, foKkiu vkSj d‚iksZjsV<br />
fQYeksa dk funsZ'ku fd;kA mUgksaus lbZn fetkZ ds lkFk dbZ fQ+Yeksa vkSj iqLrdksa ij dke fd;kA dj.k iqjLdkj fotsrk osc vkSj eksckby<br />
fodkl ,tsalh MªheLdsi ehfM;k ds jpukRed funsZ'kd vkSj Hkkjrh; flusek ij xaHkhj n`f’V j[kus okys fQYe iksVZy vijLV‚y-d‚e<br />
ds lg&fuekZrk gSaA Vkbe if=dk }kjk bl osclkbV dks fo”o dh loksZPp rhu euksjatu osclkbV~l esa ls ,d ds :i esa ewY;kafdr<br />
fd;k x;k gSA dj.k rhu o’kZ rd eqacbZ fejj if=dk ds fQ+Ye vkykspd jgs gSaA
PANEL DISCUSSION<br />
Digital Space The Future Ahead<br />
“Digital space – What is the future and is it a threat to <strong>Cinema</strong>?<br />
Moderator Bharatbala Filmmaker<br />
Simple emotions and big canvasses mark the working style of this Chennai-born man who has a fresh outlook to filmmaking.<br />
A person who breathes life into his visuals through real places and people, Bharatbala tells Indian stories with a universal sensibility<br />
to a world audience. Having grown up on a diet of international cinema, Bharatbala is deeply influenced by works of David<br />
Lean, David Lynch and Bimal Roy. Like Brazilian director Water Salles and Chinese director Zhang Yimou, who have brought<br />
stories from their countries into the world cinema space, Bharatbala too is passionate about showcasing stories from India to an<br />
international audience.<br />
Shekhar Kapur<br />
Shekhar Kapur is an Indian film director, producer and storyteller. He made his directorial debut with the Hindi film Masoom. His<br />
film Mr. India was a huge commercial success and was declared one of the ‘100 Greatest Indian Films of All Time’. Kapur gained<br />
global recognition with Bandit Queen, which won the National Film Award. Kapur co-created the hit West End show Bombay<br />
Dreams with Andrew Lloyd Webber. He has served as a jury member at the 63rd Cannes Film Festival. He is also a digital media<br />
entrepreneur, founding ‘Qyuki’, one of India’s most successful online platforms for young Indian creators.<br />
Vijay Subramaniam<br />
Vijay Subramaniam, director for content at Amazon Prime Video India, is a media and entertainment professional with over 20<br />
years of experience in all mainstream forms of Media - TV, radio, publishing and digital Media. Subramaniam joined Walt Disney<br />
India in 2007 as executive director, media networks, before which he worked at MTV, ENIL- Radio Mirchi, Star India and Stardust.<br />
Subramaniam played a key role in the growth of Disney India’s youth channel Bindass; he steered the launches of successful<br />
shows like The Trip, Girl in the City and Emotional Atyachaar.<br />
Nachiket Pantvaidya<br />
CEO of ALT Digital Media Entertainment Ltd, Nachiket Pantvaidya has P&L responsibility of the company’s operations spanning<br />
content, marketing, distribution and revenues. In his earlier assignment, he was business head of Sony Entertainment Television.<br />
He was also the business head of Star Plus and held several roles in the Star TV network, including head of Star Pravah and<br />
Managing Director of Fox Television Studios. An IIM-Ahmedabad alumnus, he has also held key management roles in BBC and<br />
Disney.<br />
Sameer Nair<br />
A media and entertainment industry veteran, Sameer Nair’s illustrious career spans across three decades with him holding<br />
key positions at leading media houses. Among varied highlights in his career span was the network revamp at Star TV and the<br />
launch of Amitabh Bachchan’s KBC, and the Balaji soap operas on Star Plus. Sameer turned entrepreneur with NDTV Imagine<br />
Ltd. Later, he successfully concluded the sale of NDTV Imagine to the Turner Group, to become the CEO of Turner General<br />
Entertainment Networks. After this, Sameer went on to join Balaji Telefilms Ltd. as its Group CEO devising an expansive strategy<br />
for the company’s foray into digital - their first B2C outreach with ALT Balaji. In August <strong>2017</strong>, Sameer began a new professional<br />
journey to helm Applause Entertainment - a media, content & IP creation studio - promoted by Aditya Birla Group chairman -<br />
Kumar Mangalam Birla.<br />
Karan Anshuman<br />
Karan Anshuman is a writer and director. His first short, Elevator Etiquette, was a pure digital format film – that premiered at the<br />
Digital Talkies festival. The next short – Bhaichara – was invited to the Berlinale Shorts Workshop. He also directed ads and<br />
corporate films for ICICI Prudential, Bombay Dyeing and many more. He worked with Saeed Mirza on multiple docu, feature,<br />
and book projects and also wrote for television. Karan is the co-founder of two digital initiatives: he is the creative director of<br />
Dreamscape Media, an award-winning web and mobile development agency; and co-creator of Upperstall.com, a film portal that<br />
takes a serious look at Indian cinema and rated by TIME Magazine as one of the Top 3 entertainment websites in the world. Karan<br />
was the film critic for Mumbai Mirror for an eventful 3 years.
isuy }kjk ppkZ<br />
viuh vxyh fQ+Ye dSls cuk,a<br />
*vkidh vkxkeh fQYe dSls cuk, \ & ;qok fuekZrk ,oa ys[kdksa ds fy,* n çksMîwllZ fxYM v‚Q bafM;k fy- }kjk çLrqr vkSj vuqiek pksçk] fQYe leh{kd]<br />
i=dkj ,oa ys[kd }kjk lapkfyr gSA<br />
lapkyd vuqiek pksiM+k<br />
vuqiek pksiM+k ,d vkykspd] ys[kd vkSj eqacbZ fQ+Ye egksRlo dh funsZ'kd gSaA og 1993 ds ckn ls U;w;‚dZ VkbEl] n y‚l ,aftYl<br />
VkbEl vkSj lkbV ,aM lkmaM tSls varjjk"Vªh; çdk'kuksa esa c‚yhoqM ds ckjs esa fy[krh gSA og fQ+Ye dEisfu;u dh laLFkkid vkSj<br />
laiknd Hkh gSaA mUgksaus Hkkjrh; flusek ij dbZ iqLrdsa fy[kh gSaA vuqiek dks viuh iqLrd 'kksys % n esfdax v‚Q , Dykfld ds fy,<br />
loZJs"B iqLrd dk jk"Vªh; fQ+Ye iqjLdkj çkIr gqvk gSA<br />
fl)kFkZ j‚; diwj<br />
fl)kFkZ j‚; diwj çfrf"Br fQYe fuekZrk j‚; diwj fQ+YEl ds laLFkkid vkSj çksMîwllZ fxYM vkWQ+ bafM;k ds v/;{k gSaA og eqacbZ<br />
fQYe egksRlo ¼,e,,evkbZ½ ds cksMZ ds VªLVh vkSj Hkkjrh; varjkZ"Vªh; fQYe egksRlo ¼vkbZ,Q,QvkbZ½ dh lapkyu lfefr ds lnL;<br />
gSaA og o‚YV fMtuh daiuh bafM;k ds iwoZ çca/k funsZ'kd FkssA mUgksaus vusd vlk/kkj.k fQYeksa dk fuekZ.k fd;k vkSj Lo;a dks Hkkjrh;<br />
flusek txr ds l”kDr fuekZrk ds :i esa LFkkfir fd;k gSA os n bdksu‚fed VkbEl ds 40 o’kZ ls de vk;q okys 40 loksZPp bafM;u<br />
fctusl yhMlZ vkSj g‚yhoqM fjiksVZj usDLV tsusjs”ku ,f”k;k bukWxqjy Dykl vkWQ+ ;ax yhMlZ dh lwph esa 'kkfey gsaA fl)kFkZ j‚;<br />
diwj dks fQYeksa ds vfrfjDr muds m|ksx usr`Ro vkSj miyfC/k;ksa ds fy, vusd iqjLdkj ÁkIr gks pqds gaSA<br />
,drk diwj<br />
,drk diwj dks Hkkjr ds Vsyhfotu ifj–'; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd vkSj Ápfyr<br />
gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh gSA ,drk fu;fer :i<br />
ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj thrk gSA NksVh mez esa cM+s cM+s /<br />
kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax<br />
¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j] 2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh;<br />
foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfrdh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa [kk j x;k FkkA<br />
fot; flag<br />
fot; flag dks ekpZ 2008 esa Q+‚Dl LVkj LVwfM;kst+ bafM;k ds eq[; dk;Zdkjh vf/kdkjh fu;qä fd;k x;k FkkA ;g LVwfM;ks c‚yhoqM<br />
dh fQ+Yeksa dk fuekZ.k vkSj g‚yhoqM rFkk c‚yhoqM fQ+Yeksa ds fy, ,d ekdsZfVax vkSj fMLVªhC;w'ku IysVQkeZ LFkkfir djrk gSA os LVkj<br />
bafM;k ds d‚jiksjsV dk;ksaZ tSls ubZ fctusl j.kuhfr fodflr djus vkSj Hkkjr esa LVkj ds la;qä m|e dkjksckj dh ns[kjs[k ds fy,<br />
ftEesnkj FksA fot; flag us Hkkjr esa lksuh E;wftd ,aVjVsuesaV dh LFkkiuk dh] tgka og 1996 ls 2002 rd çca/k funs'kd ds :i esa<br />
dke fd;kA blls igys mUgksaus ;wfuyhoj xzqi] o‚YV fMtuh dUT+;wej ÁksMDV~l vkSj VkVk ds xzqi ds lkFk ç'kklfud dk;ZHkkj laHkkykA<br />
Lkkftn ukfM;kMokyk<br />
lkftn ufM;kMokyk] ufM;kMokyk ifjokj dh rhljh ihls “kknh djksxh] gs; csch] gkmlQqy ¼vkSj blds lhDosy½ gkbZos] 2 LVsV~l]<br />
ghjksiarh] fdd] rek”kk] ckxh] fM'kwe vkSj tqMoka 2 tSlh fgV fQYesa 'kkfey gSaSA<br />
dj.k tkSgj<br />
dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />
iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus<br />
dHkh [kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy<br />
fQ+Yeksa dk funsZ'ku vkSj ys[ku fd;k gSA cgqeq[kh ÁfrHkk okys dj.k ,d çHkko'kkyh m|ksxifr Hkh gSaA dj.k ,d Vsyhfotu O;fäRo]<br />
V‚d 'kks gksLV] d‚LVîwe fMtkbuj vkSj vfHkusrk gSaaA muds V‚d 'kks d‚Qh foFk dj.k us Hkkjrh; Vsyhfotu ij lcls T;knk ns[ks<br />
tkus okys vaxzst+h V‚d 'kks gksus dk xkSjo çkIr fd;k gSA dj.k tkSgj vfXuiFk] nksLrkuk] ;s tokuh gS nhokuh] osd vi flM vkSj<br />
,d eSa vkSj ,d rw tSlh CykWdcLVj fQYeksa ds funsZ'kdksa ds ekxZn”kZd vkSj fuekZ.k esa lgk;d jgs gSaA
PANEL DISCUSSION<br />
How to make your next film?<br />
“How to make your next film? - For young Producers and writers” presented by The Producers Guild of India Ltd.<br />
This session will be moderated by Ms Anupama Chopra, Film critic, journalist and author.<br />
Moderator Anupama Chopra Film Critic<br />
Anupama Chopra is a critic, author and director of the Mumbai Film Festival. She has been writing about Bollywood since 1993<br />
for international publications like The New York Times, The Los Angeles Times and Sight & Sound. She is also the founder and<br />
editor of Film Companion. She has written several books on Indian cinema. She won the 2000 National Film Award for Best Book<br />
on <strong>Cinema</strong> for her first book Sholay -The Making of a Classic.<br />
Siddharth Roy Kapur<br />
Siddharth Roy Kapur is an eminent film producer, founder of Roy Kapur Films and the President of the Producers Guild of India.<br />
He is on the Board of Trustees of the Mumbai Film Festival (MAMI) and on the Steering Committee of the <strong>International</strong> Film<br />
Festival of India (<strong>IFFI</strong>). With an exceptional filmography to his credit as a producer, he has established himself as one of India’s<br />
trailblazing creative powerhouses. He has been featured on The Economic Times Top 40 Indian Business Leaders under 40 and<br />
The Hollywood Reporter Next Generation Asia Inaugural Class of Young Leaders.<br />
Ekta Kapoor<br />
Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />
India’s satellite television boom. As the creative force behind the Company’s success, she believes in a hands-on approach in<br />
day-to-day creative direction for all their content. Under her creative guidance, Balaji has won almost every major TV award. In<br />
2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing, advertising and media<br />
ecosystems by IMPACT magazine.<br />
Vijay Singh<br />
Vijay Singh was appointed the CEO of Fox Star Studios India in 2008. Prior to this, he was President, Strategy and Corporate<br />
Development at Star India. Singh set up Sony Music Entertainment in India where he was responsible for setting up Sony’s Music.<br />
He has also worked with The Unilever Group, Walt Disney Consumer Products and the Tata Group.<br />
Sajid Nadiadwala<br />
Sajid Nadiadwala is the third generation filmmaker of the Nadiadwala family who have been in the filmmaking business from more<br />
than 60 years. His passion for entertaining the audience has yielded hit films like Jeet, Judwaa, Mujhse Shaadi Karogi, Heyy<br />
Babyy, Housefull, Highway, 2 States, Heropanti, Kick, Tamasha, Baaghi, Dishoom and Judwaa 2.<br />
Karan Johar<br />
Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />
in Indian cinema for the appreciation it received, both critically and commercially, in India as well as internationally. Over the last 15<br />
years, he has directed, written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi Gham, Kabhi Alvida<br />
Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an acclaimed director and<br />
one of the most influential men in the industry today, Karan is also a television personality, talk show host, costume designer and<br />
the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of being the most watched<br />
English talk show on Indian television. Karan Johar has also been a mentor to many successful directors in India; releasing both<br />
commercial blockbusters like Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake<br />
Up Sid and Ek Main Aur Ek Tu.
isuy }kjk ppkZ<br />
fo'o vkfFkZd eap }kjk çLrqr<br />
iSuy ppkZ ,d ubZ okLrfodrk ds fo’k; esa n{krk ÁkIr djus ls lacaf/kr gSA rduhdh uokpkjksa vkSj u, O;olk; e‚My esa Hkkjrh; Vsyhfotu vkSj fQYeksa dks vf/kd<br />
lekos'kh vkSj baVjSfDVo cukus dh {kerk gSA ;g ifjorZu uhfr fuekZ.k] vFkZ'kkL=] O;kikj vkSj lekt lHkh dks ÁHkkfor djsaxsaA tSls&tSls m|ksx ,d mrkj&p ikrs gS vkSj bls ldkjkRed :i nsus ds fy, rS;kj gks tkrs gSaA fo'o vkfFkZd eap }kjk çLrqr<br />
,oa jksukstkW; cuthZ] ,adj vkSj lgk;d laiknd] lh,uchlh Vhoh 18 }kjk lapkfyr iSuy esa 'kkfey gksus okys lnL; gSA<br />
,drk diwj<br />
,drk diwj dks Hkkjr ds Vsyhfotu ifj–’; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd<br />
vkSj Ápfyr gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh<br />
gSA ,drk fu;fer :i ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj<br />
thrk gSA NksVh mez esa cM+s cM+s /kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu<br />
v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax ¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j]<br />
2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh; foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfr dh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y<br />
oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa j[kk x;k FkkA<br />
dj.k tkSgj<br />
dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />
iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus dHkh<br />
[kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy fQ+Yeksa<br />
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PANEL DISCUSSION<br />
Mastering A New Reality<br />
The Panel Discussion is on Mastering a New Reality; technological innovations and new business models<br />
have the potential to make the Indian television and films more immersive, inclusive and interactive. Yet these<br />
changes will have an impact on policymaking, economics, business and society. As the industry stands at an<br />
inflection point, how can stakeholders better understand the disruptions and be prepared to positively shape it.<br />
Presented by World Economic Forum which will be moderated by Mr Ronojoy Banerjee, Anchor and Assistant<br />
Editor, CNBC TV18.<br />
Ekta Kapoor<br />
Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />
India’s satellite television boom. Balaji’s shows have been and continue to be channel drivers for most general entertainment<br />
broadcasters. As the creative force behind the Company’s success, she believes in a hands-on approach in day-to-day creative<br />
direction for all their content; routinely putting in 16-18 hours each day, she moves ahead with India’s rapidly metamorphosing TV<br />
climate. Under her creative guidance, Balaji has won almost every major TV award. Her stellar work in creating a large content<br />
conglomerate at a young age garnered her several distinguished awards, including The Economic Times (Businesswoman of<br />
the Year 2002), Ernst & Young (Entrepreneur of the Year 2001) and the American Biographical Institute (Woman of the Year<br />
2001), among others. In 2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing,<br />
advertising and media ecosystems by IMPACT magazine.<br />
Karan Johar<br />
Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />
in Indian cinema for the appreciation it received, both critically and commercially, in India as well as the world. Following this,<br />
over the last 15 years, he has directed and written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi<br />
Gham, Kabhi Alvida Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an<br />
acclaimed director and one of the most influential men in the industry today, Karan is also a television personality, talk show host,<br />
costume designer and the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of<br />
being the most watched English talk show on Indian television. Karan Johar has also been a mentor to many successful directors<br />
in India. Karan Johar has also been a mentor to many successful directors in India; releasing both commercial blockbusters like<br />
Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake Up Sid and Ek Main Aur Ek Tu.<br />
Sudhanshu Vats<br />
Sudhanshu Vats is Group CEO, Viacom18 Media Pvt. Ltd., and responsible for all its lines of business. In the last four years,<br />
he has successfully steered the group into a profitable growth phase while expanding the channel network, driving content-led<br />
cinema, entering experiential entertainment through live events across genres, opening up the Consumer Products business line<br />
and making the company future ready with Viacom18 Digital Ventures’ OTT platform VOOT. Under Sudhanshu’s leadership the<br />
group has grown from six to over 36 channels and opened up three more lines of business. He is Chairman of the National Media<br />
and Entertainment Committee of CII (Confederation of Indian Industry), Vice President of IBF (Indian Broadcasting Foundation)<br />
and Chairman of BARC (Broadcast Audience Research Council).
Acknowledgements<br />
Steering Committee<br />
Jahnu Barua (Convener)<br />
Siddharth Roy Kapur<br />
Shoojit Sarcar<br />
Bharat Bala<br />
Anand Gandhi<br />
Prasoon Joshi<br />
Vani Tripathi<br />
Piyush Pandey<br />
Shaji N. Karun<br />
Meren lmchen<br />
Ashwiny lyer Tiwari<br />
Director NFDC<br />
Nagesh Kukunoor- Chairman, Technical Committee<br />
Technical Committee<br />
Nagesh Kukunoor - Chairman<br />
NFDC representative<br />
Sameer Arya<br />
Director DFF<br />
Commissioner, Panaji Municipality, Govt of Goa<br />
Chief Engineer (Elect.), Govt of Goa<br />
Health officer, Panaji<br />
Chief Fire Officer, Goa<br />
Traffic Commissioner, Panaji, Goa<br />
Incharge, INOX Theatre, Goa<br />
Chairman, Kala Academy, Goa<br />
CEO, ESG, GOA<br />
Ketan Mehta, Representative of Real Image/ Qube<br />
Anirvan Ghosh, Representative of Pulz Electronics<br />
Ujwal Nirgudkar, Representative of SMPTE<br />
K J Madhusudan, Representative of Barco<br />
Preview Committee<br />
Vivek Agnihotri (Convener)<br />
Khalid Mohamed<br />
Aarti Bajaj<br />
Ramesh Patange<br />
Naresh Chander Lal<br />
Narendra Kohli<br />
Saibal Chatterjee<br />
Abhimanyu Singh<br />
Bhawana Somaaya<br />
Jeevitha Rajasekhar<br />
Gautami Tadimalla<br />
Nitesh Tiwari<br />
G.S. Bhaskar<br />
Pallavi Joshi<br />
Aniruddha Roy Chowdhury<br />
Raja Krishna Menon<br />
Siddharth Kak<br />
Tarun Katial<br />
Abhishek Basu<br />
Hrishitaa Bhatt<br />
Abhishek Jain<br />
Dr. Santwana Bordoloi<br />
Bhaskar Hazarika<br />
Pradip Kurbah<br />
Dominic Megam Sangma<br />
Maipaksana Haorongbam<br />
Zuala Chhangte<br />
Dr. Sachidanand Joshi<br />
Dr. Bharat Gupt<br />
Nirmala Sharma<br />
Rathi Vinay Jha<br />
Rajesh Kumar Singh<br />
Anil Rastogi<br />
Punit Asthana<br />
Ajay Malkani<br />
Bhumenjoy Konsam<br />
Sangee Dorjee Thongdok<br />
Dr. Lavlin Thadani<br />
Filmmaker<br />
Filmmaker<br />
Film Editor<br />
CBFC Member<br />
Filmmaker<br />
Writer<br />
Film Critic<br />
Producer<br />
Film Critic<br />
Actress<br />
Actress<br />
Filmmaker<br />
<strong>Cinema</strong>tographer<br />
Actress<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker<br />
Reliance, CEO<br />
<strong>Cinema</strong>tographer<br />
Actress<br />
Producer<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker<br />
Secretary, IGNCA<br />
Former Professor, Delhi University<br />
Professor<br />
Retired Secretary, Ministry of Tourism<br />
Film Critic<br />
Actor<br />
Theatre Director<br />
Theatre Director<br />
Filmmaker<br />
Filmmaker<br />
Filmmaker
Indian Panorama<br />
N. K. Vyas Head - Indian Panorama<br />
Tanu Rai<br />
Dy. Director - Indian Panorama<br />
Anshuman Shekhar<br />
Programmer<br />
Abhisek Das<br />
Assistant Programmer<br />
Jolyn Clare Langhu<br />
Assistant Programmer<br />
Harmeet Kaur Sahdev<br />
Festival Coordinator<br />
Rajat Aggarwal<br />
Festival Coordinator<br />
Surender Kumar<br />
Festival Assistant<br />
World <strong>Cinema</strong> Programming<br />
Deepika Suseelan<br />
Senior Programmer<br />
Bhuvan Lall<br />
Honourary Consultant<br />
Sanjay Ram<br />
Consultant Programmer & Festival Manager<br />
Anshuman Sekhar<br />
Programmer<br />
Prateek Rawat<br />
Programmer and Executive Assistant to the Festival Director<br />
Chandrima Chatterjee<br />
Assistant Programmer<br />
Jeevika Kalra<br />
Festival Coordinator<br />
Rajat Aggarwal<br />
Festival Coordinator<br />
<strong>International</strong> Curators<br />
Martine Armand<br />
Jay Bajaj<br />
Srinivasa Santhanam<br />
Film Scheduling<br />
Prasad Khatu<br />
Administration<br />
N K Vyas<br />
Head Administrator<br />
Sunita Rawat<br />
Co-ordinator<br />
Sonal Mathur<br />
Senior Consultant<br />
Masterclasses and Panel Discussions:<br />
Vani Tripathi Tikoo<br />
Curator<br />
Anupama Bose<br />
Consultant - NFDC<br />
Lancy Paul John<br />
Vertical Manager<br />
Almas Malik<br />
Co-ordinator<br />
Prashanth R<br />
Executive - NFDC<br />
Gargi Upadhyay<br />
Intern- NFDC<br />
Mixed Reality Sidebar<br />
Anand Gandhi<br />
Artistic Director<br />
Tom Millen<br />
Curator<br />
Mark Atkin<br />
Curator<br />
Anupama Bose<br />
Consultant - NFDC<br />
Vinay Nagashetti<br />
Manager<br />
Zain Memon<br />
Coordinator from Memesys Culture Lab<br />
Rohan Raut<br />
Technical Coordinator from Memesys Culture Lab<br />
George Kuruvilla<br />
CMD, BECIL<br />
D. R. Gogoi Director (O&M), BECIL<br />
W. B. Prasad General Manager, BECIL<br />
Rajeev Sharma<br />
Asst. Manager, BECIL<br />
Avinash Khanna<br />
Asst. Manager, BECIL<br />
Prashanth R<br />
Executive - NFDC<br />
Print Unit Coordination<br />
Sushant Shrotriya<br />
Unit Manager (Films Division) as Print Co-ordinator for 48th <strong>IFFI</strong><br />
Deepu Chaudhary<br />
Film Shipper (Films Division) as Print Collector & Dispatcher for 48th <strong>IFFI</strong><br />
Ajay Prakash<br />
LDC (Films Division) as Print Room In-charge for 48th <strong>IFFI</strong><br />
<strong>International</strong> <strong>Catalogue</strong> Print Layout<br />
Sanjay Colaco<br />
Sachin Puthli<br />
Manish Chhatpar<br />
Print Sources<br />
Beta <strong>Cinema</strong>, Films Distribution, Wildbunch, Socavón Cine, Pluto Film, MandarinVision, Tokyo <strong>International</strong>, Sophie Goyette, MM Square Co., Ltd. , The Match Factory, Wide,<br />
Memento, Luxbox Films, Funny Balloo, Film Factory, Nikkatsu, Arthouse Traffic, Reel Suspects, Nikkatsu, New European Film Sales, Pyramide, Tuvan Media, Jour 2 fete,<br />
Festival Agency, Farabi <strong>Cinema</strong> Foundation , Westend Films, MK2, Mundial Sales, Films Boutique, Elle Driver, Chinese Shadows, Picture Tree, Be For Films, Fox Star India,<br />
Noori Pictures, , Stray Dogs, Cercamon, Soulfood Films, Westend Films, The Great Point Media, Alliance Media, Pyramide, Asfalt Films, FilmNation, Koz Film, Robbie Thorpe,<br />
Terry Pheto, Busi Sizani, Rodrigo Letier, Andrey Shalopa, Anton Yudintsev, Le Che, Caio Gullane, Fabiano Gullane, Debora Ivanov & A nna Muylaert, Dr. Mohan Agashe, Jia<br />
Zhangke, Dong Ping,, Francesca, Sanjay Bhutiani, Rodrigo Michelangeli, Sofia Brockenshire, Park Circus, Shochiku Co Ltd., Tamasa Distribution, , Friedrich-Wilhelm-Murnau-<br />
Stiftung, Svenska Filminstitutet, NFAI, Ego Film Arts, IM Global, Asian Shadows, Alma <strong>Cinema</strong>, Midnight Lamp Films, Seville <strong>International</strong>, Mongret Media, Films Distribution,<br />
WTFilms, Search Engine Films, The Film Sales Company. Mike Mac Millan.