17.11.2017 Views

IFFI 2017 International Cinema Catalogue

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

OFFICIAL CATALOGUE<br />

INTERNATIONAL<br />

CINEMA<br />

<strong>IFFI</strong> <strong>2017</strong><br />

Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />

48th <strong>International</strong> Film Festival of India, Goa<br />

uoEcj 20&28] <strong>2017</strong><br />

November 20―28, <strong>2017</strong><br />

lwpUkk v©j Álkj.k Eka«kkYk;] Òkjr ljdkj<br />

Ministry of Information and Broadcasting, Government of India


Festival Director Sunit Tandon<br />

Senior Programmer Deepika Suseelan<br />

Consulting Programmer and Festival Manager Sanjay Ram<br />

Film Programmer Anshuman Shekhar<br />

Festival Scheduler Prasad Khatu<br />

Programmer and EA to the Festival Director Prateek Rawat<br />

Assistant Film Programmer Chandrima Chatterjee<br />

Festival Coordinators Rajat Aggarwal, Jeevika Kalra<br />

Editor (English) Saibal Chatterjee<br />

Editor (Hindi) Manju Khanna, Dr. Usha Kataria<br />

Editorial Coordinator Chandrima Chatterjee<br />

Cover Design Jaspreet Matharu<br />

Creative Team<br />

Leena Khobragade<br />

Pooja Mohite<br />

Mayur Patel<br />

Ballori Roy Chowdhury<br />

Published by<br />

<strong>IFFI</strong> Secretariat<br />

Ministry of Information & Broadcasting<br />

Government of India<br />

Produced by Directorate of Advertising and Visual Publicity<br />

Printed at Paras Offset, New Delhi<br />

We are grateful to various film and festival publications/websites, the extracts from which have helped enrich this<br />

book. All views expressed in this publication are not necessarily those of the Editor or of the <strong>IFFI</strong> Secretariat.<br />

You can visit us at www.iffigoa.org


Òkjr dk 48ok¡ vUrjkZ’Vªh; fQ+Ye lekj¨g] x¨ok<br />

48th <strong>International</strong> Film Festival of India, Goa<br />

uoEcj 20&28] <strong>2017</strong><br />

November 20―28, <strong>2017</strong>


jk"Vªifr<br />

Hkkjr x.kra=<br />

PRESIDENT<br />

REPUBLIC OF INDIA<br />

MESSAGE<br />

I am happy to learn that the 48th edition of <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being<br />

organised from November 20-28, <strong>2017</strong> at Goa. <strong>IFFI</strong> promotes friendship and cooperation among<br />

countries by serving as a platform for filmmakers, academicians, actors, students and film enthusiasts<br />

from around the globe to connect, collaborate, exchange ideas and gain memorable experiences.<br />

Owing to the universal appeal of cinema, it can be used as one of the most powerful mediums to<br />

transcend boundaries, promote cultural exchange and encourage friendly ties among different nations<br />

by showcasing films that portray their social and cultural ethos. I extend my greetings and felicitations<br />

to all those associated with the 48th <strong>IFFI</strong>, <strong>2017</strong> and wish their endeavours every success.<br />

(Ram Nath Kovind)<br />

New Delhi<br />

November 7, <strong>2017</strong>


Hkkjr ds mi&jk"Vªifr<br />

Hkkjr x.kra=<br />

VICE PRESIDENT OF INDIA<br />

MESSAGE<br />

I am very glad that the 48 th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>, <strong>2017</strong>) is being organized from 20th<br />

- 28th of November, <strong>2017</strong>, in the beautiful beach state Goa.<br />

Being one of the strongest mediums of mass communication, cinema can have tremendous impact on<br />

society. It reflects on the ideological, cultural, socio-political and economic structures of a society, while<br />

enthralling audiences with their individual narratives.<br />

For the past four decades of its existence, <strong>IFFI</strong> has relentlessly been trying to treat its participants by<br />

showcasing films from around the world that shed light on the socio-cultural structures and dynamics<br />

of different societies.<br />

I take immense pleasure in welcoming all of you to this grand event and I extend my heartiest<br />

congratulations to the organizers of the festival.<br />

(Venkaiah Naidu)


Á/kkuea«kh<br />

PRIME MINISTER<br />

MESSAGE<br />

I am delighted to learn that the 48th Edition of the <strong>International</strong> Film Festival of India is being organized<br />

by the Ministry of Information and Broadcasting from 20th to 28th November, <strong>2017</strong> in Goa.<br />

Over the years, <strong>IFFI</strong> has become a prestigious event, drawing attention from all over the world. The<br />

beautiful state of Goa has become a perfect host for the film festival since the last many editions.<br />

India is home to a vibrant film industry. Films in several languages are gaining immense popularity across<br />

the nation and in many parts of the world. Several actors from India have distinguished themselves<br />

internationally through their work.<br />

I am certain that this edition of <strong>IFFI</strong> will also be an occasion to appreciate the rich cinematic culture of<br />

India. Best wishes to all the film lovers and organizers for the success of <strong>IFFI</strong>.<br />

(Narendra Modi)


MINISTER OF INFORMATION &<br />

BROADCASTING AND TEXTILES<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

It is my esteemed privilege to welcome you all to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) to<br />

celebrate the creativity, vibrancy and influence of cinema in our lives.<br />

<strong>IFFI</strong>, since 1952, has provided the opportunity and platform to showcase brilliance and innovation in<br />

all aspects of film making. It has given India the necessary push to position itself globally as a creative<br />

soft power.<br />

Over the years, <strong>IFFI</strong> has captured the emerging contemporary trends of cinema from a global and<br />

Indian perspective. As a platform, it has always encouraged the participation of young film makers<br />

and creative geniuses. The 48th Edition of <strong>IFFI</strong> will be a new experience for all cinema lovers. The<br />

festival will attempt to weave the audiences and film makers through a narrative that combines culture,<br />

languages and the heritage of different nations.<br />

I am confident it will be an exhilarating experience to all.<br />

(Smriti Zubin Irani)


CHIEF MINISTER<br />

GOA<br />

MESSAGE<br />

I am delighted that the 48th <strong>International</strong> Film Festival is going to commence in our strikingly beautiful<br />

and picturesque state of Goa, on 20th November, <strong>2017</strong> and will continue till 28th November, <strong>2017</strong>.<br />

For the past 13 years, my state has been hosting the Festival. Our state has always been a favorite<br />

film location for Indian and international filmmakers. Since 2004, when <strong>IFFI</strong> was permanently moved to<br />

Goa, the Konkani / Goan film industry has seen remarkable growth in the quality and quantity of films<br />

produced, as <strong>IFFI</strong> has successfully implanted a taste for good cinema among our people. For them,<br />

cinema is no longer just a means of entertainment, but also a source to enhance their awareness and<br />

perspectives.<br />

Not only does <strong>IFFI</strong> provide lovers of cinema an opportunity to indulge into a cinematic fiesta for 9<br />

eventful days, it also provides them the opportunity to explore the rich culture, food, art and architecture<br />

of Goa. The special events organized by the Entertainment Society of Goa during the festival add<br />

colour to the festival.<br />

I take this opportunity to welcome all cinema lovers from around the country and the world to join us in<br />

celebrating one of the largest carnivals of cinema. I wish the Festival all the success.<br />

(Manohar Parrikar)


MINISTER OF STATE (I /C) YOUTH AFFAIRS<br />

& SPORTS AND MINISTER OF STATE<br />

INFORMATION & BROADCASTING<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

I take this opportunity to welcome all film enthusiasts to the 48th <strong>International</strong> Film Festival of India,<br />

<strong>2017</strong>.<br />

The 9 day long Festival provides the largest platform in the country for filmmakers, technicians,<br />

students and film enthusiasts to showcase their talent and to exchange ideas of film making in context<br />

of different cultures.<br />

Every year we try to programme the best of cinema from across the country and the world. These<br />

include many insightful films that address issues of social and cultural concern and helps in developing<br />

understanding and empathy among societies and nations.<br />

The films screened during the festival enable conversations and debate and they also challenge and<br />

encourage us to image new possibilities in our engagement with the world around us.<br />

I am delighted to extend my warm greetings to all the participants and organisers of the Festival.<br />

(Col Rajyavardhan Rathore)


SECRETARY,<br />

MINISTRY OF INFORMATION & BROADCASTING<br />

GOVERNMENT OF INDIA<br />

MESSAGE<br />

I am extremely happy to welcome all of you to the 48th <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) being<br />

held in Goa from 20th – 28th of November, <strong>2017</strong>.<br />

Over the years, <strong>IFFI</strong> has gained the reputation of being one of the most awaited events amongst<br />

cinema lovers from around the globe. Every year we try to enhance the quality of the Festival by taking<br />

new initiatives, showcasing the best of films and by conducting Master Classes, Panel Discussions,<br />

Seminars, Workshops and other special events that would help the participants to interact with the<br />

connoisseurs of cinema and to develop an insight into the art, craft and the technique of filmmaking.<br />

I am sure this year too <strong>IFFI</strong> will deliver an extremely diverse array of <strong>International</strong> and Indian Sections<br />

such as the <strong>International</strong> Competition, <strong>Cinema</strong> of the World, Retrospectives, BRICS Award-Winning<br />

films, Focus on Canada, Restored Classics, Homages, <strong>International</strong> Competition, and an Indian<br />

Panorama Section featuring the best of Indian <strong>Cinema</strong> produced in the past year.<br />

My special thanks to all the participants and the <strong>IFFI</strong> team for their contributions to making the Festival<br />

successful.<br />

(N K Sinha)


FESTIVAL DIRECTOR<br />

48 TH INTERNATIONAL FILM FESTIVAL OF INDIA<br />

MESSAGE<br />

Over the years, the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) has created a firm place for itself in the<br />

global Film Festival calendar. Organised under the aegis of the Ministry of Information & Broadcasting,<br />

Government of India, <strong>IFFI</strong> has become one of the most important Film Festivals in the Asian region.<br />

In this 48th edition of the Festival, we are delighted to be presenting a strong <strong>International</strong> and Indian<br />

film programme.<br />

This year, <strong>IFFI</strong> <strong>2017</strong> is proud to present the Lifetime Achievement Award to the prolific filmmaker, writer<br />

and director, Mr. Atom Egoyan, whose works have been viewed and loved the world over. <strong>IFFI</strong> is also<br />

elated to honour the legendary actor, Shri Amitabh Bachchan with the Indian Film Personality of the<br />

Year Award for his tremendous contribution to Indian and global cinema.<br />

The Festival is also delighted to open this year’s edition with renowned filmmaker Majid Majidi’s ‘Beyond<br />

The Clouds’ and close with the well-regarded filmmaker, Pablo César’s ‘Thinking of Him’. An Iranian<br />

Master makes his first film outside his own country and chooses to do so in India. An Argentinian<br />

director chooses to link his country with India through a bond between major literary figures of the two<br />

countries. Both the films reflect true Indo-international collaborations and the Make in India outlook:<br />

filmmakers from opposite ends of the earth coming to India, not only as an extraordinary location but<br />

also as an inspiring subject. What better way could there be of book-ending this truly <strong>International</strong> Film<br />

Festival, that is also truly Indian at heart?<br />

The Country Focus on Canada has been taken forward in association with Telefilm Canada and with<br />

collaboration from the Toronto <strong>International</strong> Film Festival. We also have a selection of films from the<br />

“Biennale College” of the Venice <strong>International</strong> Film Festival.<br />

We are confident that all of you will enjoy the carefully curated programme of the best of international<br />

and Indian films, many of which are being presented in the country for the first time, including some<br />

cinematic landmarks in the Restored Classics.<br />

Additionally, the Panel Discussions and Master Classes with industry and thought leaders form one of<br />

the core pillars of this year’s Festival.<br />

We also urge all of you to experience the Mixed Reality Sidebar which includes a special VR package<br />

put together for you, in addition to the various other new initiatives in this edition, aimed at “Celebrating<br />

the Future of <strong>Cinema</strong>”.<br />

On behalf of the entire team of <strong>IFFI</strong> <strong>2017</strong>, I wish you all a great Festival experience.<br />

(Sunit Tandon)


Contents


Contents<br />

<strong>IFFI</strong> Awards 17<br />

Lifetime Achievements Award 19<br />

Atom Egoyan Retrosprective 23<br />

Exotica 24<br />

The Sweet Hereafter 25<br />

Remember 26<br />

Indian Film Personality Of The Year 29<br />

<strong>International</strong> Competition Jury 31<br />

Muzaffar Ali (Jury Chairman) 31<br />

Maxine Williamson 32<br />

Roger Christian 32<br />

Tzahi Grad 33<br />

Vladislav Opelyants 33<br />

ICFT-UNESCO Gandhi Medal 34<br />

Opening Film 37<br />

Beyond The Clouds 38<br />

Closing Film 41<br />

Thinking Of Him 42<br />

<strong>International</strong> Competition 45<br />

Ana, Mon Amour 46<br />

Angels Wear White 47<br />

Beats Per Minute 48<br />

Blank 13 49<br />

Dark Skull 50<br />

Freedom 51<br />

The Great Buddha+ 52<br />

Kachcha Limbu 53<br />

A Man of Integrity 54<br />

Marionette 55<br />

Racer and the Jailbird 56<br />

Shuttle Life 57<br />

Still Night, Still Light 58<br />

Take Off 59<br />

Village Rockstars 60<br />

ICFT-UNESCO Gandhi Medal Films 61<br />

Amok 62<br />

Khibula 63<br />

Kshitij – A Horizon 64<br />

Manusangada 66<br />

Poorna 67<br />

Railway Children 68<br />

<strong>Cinema</strong> of the World 71<br />

3/4 (Three Quarters) 72<br />

9 Fingers 73<br />

Barrage 74<br />

Birds Without Names 75<br />

Black Level 76<br />

Bloody Milk 77<br />

The Boy with the Topknot 78<br />

The Breadwinner 79<br />

Breath 80<br />

The Cakemaker 81<br />

Candelaria 82<br />

Children Of The Night 83<br />

A Ciambra 84<br />

Close-Knit 85<br />

Closeness 86<br />

Daybreak 87<br />

Disappearance 88<br />

El Inca 89<br />

Elon Doesn’t Believe In Death 90<br />

Euthanizer 91<br />

A Fantastic Woman 92<br />

Father And Son 93<br />

Félicité 94<br />

Final Portrait 95<br />

Frost 96<br />

A Gentle Creature 97<br />

Her Love Boils Bathwater 98<br />

High Noon Story 99<br />

Hostages 100<br />

The House by the Sea 101<br />

I Dream in Another Language 102<br />

In Blue 103<br />

Insyriated 104<br />

The Journey 105<br />

Let the Sunshine In 106<br />

Life Beyond Me 107<br />

Light Up! 108<br />

Love Me Not 109<br />

Loveless 110<br />

M 111


Mrs. Hyde 112<br />

Marlina the Murderer in Four Acts 113<br />

Men Don’t Cry 114<br />

The Midwife 115<br />

Montparnasse Bienvenue 116<br />

Mother! 117<br />

Murder on the Orient Express 118<br />

The Nile Hilton Incident 119<br />

No Bed of Roses 120<br />

No Date No Sign 121<br />

On Body And Soul 122<br />

Once Upon A Time 123<br />

The Other Side of Hope 124<br />

Park 125<br />

The Party 126<br />

Pomegranate Orchard 127<br />

Pop Aye 128<br />

Radiance 129<br />

Razzia 130<br />

The Reconciliation 131<br />

Redoubtable 132<br />

Requiem For Mrs. J 133<br />

Scaffolding 134<br />

Scary Mother 135<br />

The Secret Ingredient 136<br />

Shelter 137<br />

A Sort of Family 138<br />

Spoor 139<br />

The Square 140<br />

The Strange Ones 141<br />

Summer 1993 142<br />

Sweet Country 143<br />

Uma 144<br />

Union Leader 145<br />

Until the Birds Return 146<br />

Unwanted 147<br />

Wajib 148<br />

Western 149<br />

Wonderstruck 150<br />

The Wound 151<br />

The Young Karl Marx 152<br />

Zer 153<br />

Country Focus - Canada 155<br />

Allure 156<br />

Closet Monster 157<br />

Don’t Talk to Irene 158<br />

Eye on Juliet 159<br />

Meditation Park 160<br />

Old Stone 161<br />

Ravenous 162<br />

The Stairs 163<br />

BRICS Film Festival Award Winners 165<br />

Ayanda 166<br />

Nise: The Heart of Madness 167<br />

Panfilov’s 28 168<br />

The Second Mother 169<br />

Soulmate 170<br />

Turtle 171<br />

Where Has Time Gone? 172<br />

James Bond Retrospective 175<br />

Dr. No 176<br />

Golden Eye 177<br />

Goldfinger 178<br />

Licence to Kill 179<br />

Octopussy 180<br />

On her Majesty’s Secret Service 181<br />

Skyfall 182<br />

The Spy who Loved Me 183<br />

The World is not Enough 184<br />

Restored Classics 185<br />

Beauty of the Day 186<br />

Flavour of Green Tea over Rice 187<br />

The Ruins 188<br />

The Lodger 189<br />

Metropolis 190<br />

The Old Dark House 191<br />

The Sacrifice 192<br />

Two or Three Things I Know about Her 193<br />

New Initiative 195<br />

Ears 202<br />

Hotel Salvation 203<br />

The Solitude 204<br />

One Sister 205<br />

Master Class and Panel Discussion 207<br />

Acknowledgements 230


48th <strong>IFFI</strong> Awards<br />

Best Film<br />

The award carries a cash prize of `40,00,000/- to be shared equally<br />

between the Director and the Producer. The Director is to be given<br />

the Golden Peacock Award and a Certificate in addition to the cash component.<br />

The Producer is to be given a Certificate in addition to the cash component.<br />

Best Director<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/-<br />

Best Actor (Male)<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />

Best Actor (Female)<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `10,00,000/-<br />

Special Jury Award<br />

The award carries a Silver Peacock, a Certificate and a cash prize of `15,00,000/- given to a film<br />

(for any aspect of the film which the jury wishes to award/acknowledge) or an individual (for his/her<br />

artistic contribution to a film). The award, if given, will be given to the Director.<br />

Lifetime Achievement Award<br />

The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and a scroll is conferred<br />

upon a master filmmaker for his/her outstanding contribution to cinema.<br />

Indian Film Personality of the Year Award<br />

The prestigious award consisting of a cash prize of `10,00,000/-, Certificate, shawl and Medal (Silver Peacock) is<br />

conferred upon an Indian Film Personality for his/her outstanding contribution to Indian cinema.<br />

Award for the Best Debut Feature Film of a Director<br />

Silver Peacock, a Certificate and a cash prize of `10,00,000/-, (To be given to a director for his/her feature film<br />

to recognize and encourage the most promising new directorial talent in world cinema.)


Atom Egoyan<br />

Lifetime Achievement Award<br />

ATOM EGOYAN RETROSPECTIVE


flusek esa vkthou ;ksxnku ds fy, iqjLdkj<br />

Lifetime Achievement Award<br />

,sVe Ãx¨,u<br />

Atom Egoyan<br />

,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />

bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />

lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />

esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />

dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />

fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />

gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />

leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />

esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />

ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />

bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />

MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />

fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />

iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />

vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />

çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />

dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />

vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />

VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />

x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />

dukMkß ls lEekfur fd;k x;k gSA<br />

Atom Egoyan is one of Canada’s most celebrated arthouse<br />

directors. Exotica, which won the FIPRESCI Prize at<br />

Cannes’94, was his international breakthrough film. The<br />

Sweet Hereafter, his most critically acclaimed film, received<br />

two Academy Award nominations. Ararat, about the Armenian<br />

genocide in the Turkish Ottoman Empire, centred on child<br />

survivor Arshile Gorky, who went on to become the pioneer<br />

of American abstract expressionism. Where the Truth Lies,<br />

Adoration and The Captive have all competed for the Palme<br />

d’Or in Cannes. Egoyan has also directed theatre and opera,<br />

including an adaptation of Samuel Beckett’s Eh Joe, winner of<br />

The Irish Times/ESB Award for Best Direction. He has directed<br />

award-winning opera productions for the Canadian Opera<br />

Company and the Lincoln Center Festival, New York. Egoyan’s<br />

art installations have been presented at the Venice Biennale.<br />

His work, Steenbeckett, commissioned by the UK’s Artangel,<br />

is part of the permanent collection of the Tate. His films have<br />

been presented in several retrospectives across the globe, with<br />

complete career overviews in Paris, Madrid, New York and<br />

Brussels. Egoyan was knighted by the French government and<br />

is a Companion of the Order of Canada, the country’s highest<br />

honour.<br />

LIFETIME ACHIEVEMENT AWARD<br />

21


Atom Egoyan<br />

Retrospective<br />

A presentation of some of<br />

Atom Egoyan’s<br />

most iconic works<br />

ATOM EGOYAN RETROSPECTIVE<br />

23


,Dt+ksfVdk<br />

Exotica<br />

1994 | Canada | English | Colour | 103 minutes<br />

Director Atom Egoyan<br />

Producer Atom Egoyan,<br />

Camelia Frieberg<br />

Screenplay Atom Egoyan<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Susan Shipton<br />

Production Designer Linda Del<br />

Rosario, Richard Paris<br />

Sound Designer Steve Munro<br />

Cast Bruce Greenwood, Mia Kirshner,<br />

Don McKellar, Arsinée Khanjian,<br />

Elias Koteas<br />

,Dt+ksfVdk Dyc esa fØfLVuk ¼fe;k fdj”usj½<br />

lokZf/kd yksdfç; urZdh gSA<br />

gj jkr mlds ikl ,d mnklhu tquwuh ys[kk<br />

ijh{kd Ý+kafll ¼czwl xzhuoqM½ vkrk gSA<br />

bl chp fØfLVuk dk iwoZ çseh] Dyc dk ,elh]<br />

,fjd ¼,fy;kl dksfj;kl½ vHkh Hkh mldss fy,<br />

ykykf;r gS ij bZ’;kZ djrk gSSA Dyc dh ekyfdu<br />

t+ks ¼vjfluh [kkfUt;u½ ds lkFk ,fjd dk fj”rk<br />

,d vyx leL;k gS] tks mldss cPps dh eka cuus<br />

okyh gSA<br />

In the upscale Canadian strip club<br />

Exotica, Christina (Mia Kirshner) is the<br />

most popular dancer, and she’s visited<br />

nightly by the obsessive Francis (Bruce<br />

Greenwood), a depressed tax auditor.<br />

Meanwhile, her ex-boyfriend, the club’s<br />

MC, Eric (Elias Koreas), still jealously<br />

pines for her, even as he introduces<br />

her onstage. Eric is having his own<br />

relationship problems with the club’s<br />

owner, Zoe (Arsinée Khanjian), who is<br />

intent on becoming pregnant with his<br />

child.<br />

Sales agent Ego Film Arts<br />

• info@egofilmarts.com.<br />

24 ATOM EGOYAN RETROSPECTIVE


n LohV gsvjvk+Vj<br />

The Sweet Hereafter<br />

1997 | Canada | English | Colour | 112 minutes<br />

Director Atom Egoyan<br />

Producer Atom Egoyan,<br />

Camelia Frieberg<br />

Screenplay Atom Egoyan<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Susan Shipton<br />

Production Designer Phillip Barker<br />

Cast Maury Chaykin, Peter Donaldson,<br />

Bruce Greenwood, David Hemblem,<br />

Brooke Johnson, Arsinée Khanjian,<br />

Sarah Polley, Gabrielle Rose,<br />

Alberta Watson<br />

;g ,d NksVs “kgj ds fuokfl;ksa dk =klnh ds ckn<br />

,dtqV gks tkus dh dgkuh gSA ysfdu ,d cM+s<br />

“kgj dk odhy vius cqjs bjknksa vkSj fopkjksa ls<br />

uxjokflvksa esa QwV Mkydj muds xqLls dks c


fjesEcj<br />

Remember<br />

2015 | Canada | English, German | Colour | 94 minutes<br />

Director Atom Egoyan<br />

Producer Robert Lantos, Ari Lantos<br />

Screenplay Benjamin August<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Christopher Donaldson<br />

Cast Christopher Plummer, Bruno<br />

Ganz, Jürgen Prochnow, Heinz Lieven,<br />

Henry Czerny, Dean Norris,<br />

Martin Landau<br />

Sales agent IM Global<br />

• info@imglobalfilm.com.<br />

fjesEcj t+so dh ledkyhu dgkuh gSA t+so dks irk<br />

yxrk gS fd 70 lky igys mlds ifjokj dh gR;k<br />

djus okyk ukth xkMZ igpku cny dj vesfjdk esa<br />

jgrk gSA LokHkkfod pqukSfr;ksa ds ckotwn t+so nks’kh<br />

O;fä dks


Amitabh Bachchan<br />

Indian Film Personality<br />

of the Year Award


Indian Film Personality Of The Year<br />

vferkÒ cPpu<br />

Amitabh Bachchan<br />

vferkHk cPpu Hkkjr ds lokZf/kd ÁfrHkk”kkyh vfHkusrkvksa esa ls ,d gSaA ikaposa<br />

n”kd ls Hkkjrh; flusek esa vius ;ksxnku ls ,d lnkcgkj vfHkusrk ds :i esa<br />

mUgksaus dbZ ehy ds iRFkj gkfly fd, gSaA fganh fQYeksa esa “kq#vkrh Hkwfedkvksa<br />

esas mudh Nfo ,d ß,axzh ;axeSuß dh cu xbZ FkhA 1970 vkSj 1980 ds n”kd<br />

dh vf/kdka”k fQ+Yesa vferkHk ij dsafær jghaA mUgksaus 1969 esa lkr fganqLrkuh<br />

ds lkFk flusek ds {ks= esa dne j[kk vkSj mudh vkuan] ued gjke] tathj]<br />

f=’kwy] M‚u] uVojyky] lqgkx] n xzsV xsEcyj] dkfy;k] flyflyk vkSj “kfä<br />

vius le; dh lQyre fQ+Yesa jghaA 1984 esa og jktuhfr esa lfØ; gq, vkSj<br />

bykgkckn ls lkaln pqus x, fdarq viuk dk;Zdky iwjk gksus ls igys gh mUgksaus<br />

R;kxi= ns fn;kA vferkHk cPpu dks vfXuiFk] CySd] ik vkSj ihdw esas mRd`’V<br />

vfHku; ds fy, pkj ckj jk’Vªh; iqjLdkj ls lEekfur fd;k tk pqdk gSA mUgsa<br />

2001 esa in~e Hkw’k.k vkSj 2015 esa in~e foHkw’k.k ls lEekfur fd;k x;kA ç”uksÙkjh<br />

dk;ZØe dkSu cusxk djksM+ifr dh estckuh ls mudh yksdfç;rk vkSj c


<strong>International</strong> Competition Jury<br />

eqt++Q+j vyh<br />

MUZAFFAR ALI (JURY CHAIRMAN)<br />

Hkkjrh; fQ+Yedkj<br />

eqt++Q+j vyh ,d lQy Hkkjrh; fQYe fuekZrk] Q+S”ku fMt+kbuj] dfo]<br />

dykdkj] laxhr çseh vkSj lkekftd dk;ZdrkZ gSaA os dksVokM+k ds “kkgh ifjokj<br />

ls gaSA xeu mudh igyh fQ+Ye FkhA mejko tku] mudh lQyre fQ+Ye jgh<br />

ftlds fy, vfHku=h js[kk dks loZJs’B vfHkus=h dk jk’Vªh; iqjLdkj Hkh çkIr<br />

gqvkA vkxeu vkSj tkafulkj budh vU; fQ+Yesa gSa] ftlesa mUgksaus vfHku; Hkh<br />

fd;k gSA eqt++Q+j vyh us 1990 esa viuh okLrqdkj iRuh ehjk vyh ds lkFk<br />

vo/k {ks= ds ijaijkxr f”kYi dks iquthZfor djus ds fy, varjkZ’Vªh; oL=<br />

czkaM ßdksVokM+kß dks LFkkfir fd;k vkSj mldk usr`Ro fd;kA eqt++Q+j vyh<br />

Áfro’kZ varjkZ’Vªh; lwQ+h lekjksg dk vk;kstu djrs gSaA bUgsa 2005 esa in~~eJh<br />

rFkk 2014 esa jktho xka/kh jk’Vªh; ln~Hkkouk iqjLdkj ls lEekfur fd;k x;kA<br />

Filmmaker, India<br />

Muzaffar Ali is an Indian filmmaker, fashion designer, poet,<br />

artist, music lover and social worker. He belongs to the royal<br />

house of Kotwara in India. He has had a successful career<br />

as a film producer and director. He made his debut in 1978<br />

with Gaman. It was followed by his most successful film to<br />

date, Umrao Jaan, which fetched Rekha the National Award<br />

for best actress. Ali’s other directorial credits are Aagaman<br />

and Jaanisaar, in which he also acted. Ali spearheads the<br />

international couture brand Kotwara, which he set up with his<br />

architect wife Meera Ali in 1990 to revive the traditional craft of<br />

the region of Awadh.


eSDlhu<br />

fofy;elu<br />

MAXINE<br />

WILLIAMSON<br />

egksRlo funsZ”kd] v‚LVªsfy;k<br />

eSDlhu fofy;elu fczlcsu baVjus”kuy fQ+Ye Q+sfLVoy<br />

dh funsZ”kd vkSj ,f”k;k ç”kkar flusek dhs ,d fo”ks’kK<br />

gaSA eSDlhu us dykRed fo”o flusek ds 10 o’kksZa rd<br />

lQ+y çn”kZu ,oa forj.k ds ckn 2007 esa ,f”k;k isflfQ+d<br />

LØhu iqjLdkj ¼,ih,l,½ czkaM dh LFkkiuk dhA pkj o’kksZa<br />

rd ,ih,l, ds vk;kstu ds ckn] og 2011 esa dykRed<br />

funsZ”kd vkSj 2013&2016 ls fQ+Ye funsZ”kd cu x;haA<br />

eSDlhu us vius ,ih,l, ds dk;Zdky es lHkh fu.kkZ;d<br />

eaMyksa dk xBu fd;k vkSj ykWMZ MsfoM iqêue] vlxj<br />

Q+jgnh] “;ke csusxy] fde Mksax&gks] “kckuk vkt+eh vkSj<br />

ukUlqu “kh vkfn tSls fnXxtksa ds lkFk dke fd;kA mUgksaus<br />

2007&2009 esa lh,u,u baVjus”kuy vkSj 2010&2011 esa<br />

,chlh usVodZ ij çlkfjr o`Ùkfp= J`a[kyk lhu ck; lhu<br />

dh fØ,fVo dkWaUVsaV ÁksM~;wlj jghaA<br />

eSDlhu 2013&2016 ls fczLcsu ,f”k;k ç”kkar fQYe lekjksg<br />

dh funsZ”kd jghaA eSDlhu pkj o”kZ ls ,arkY; fQ+Ye Q+ksje]<br />

rqdhZ ds fy, ,f”k;k isflfQ+d dh dUlYVsaV gSaA eSDlhu<br />

usViSd ¼usVodZ Q+kWj n Áeks”ku vkWQ+ ,f”k;u flusek½ vkSj<br />

,ih,u ¼,f”k;k çksMîwllZ usVodZ½ dh lnL; Hkh gSA<br />

esDlhu us DohalySaM ;wfuoflZVh v‚Q+ VsDuksy‚th ls fQ+Ye<br />

vkSj Vhoh çksMD”ku esa cSpyj v‚Q vkVZ~l fd;k gSA<br />

Festival Director, Australia<br />

Maxine has done significant work with APSA-Asia<br />

Pacific Screen Awards, where she established<br />

the rules and regulations, governance of the film<br />

competition and filmmaker network in 2007 and<br />

ran the competition for its 10 editions. Maxine<br />

became Artistic Director in 2011 and then Film<br />

Director after delivering its 10th anniversary<br />

edition in November 2016. During her time at<br />

APSA, Maxine worked with such luminary Jury<br />

Presidents as Lord David Puttnam, Asghar<br />

Fahardi, Shyam Benegal, Kim Dong-ho,<br />

Shabana Azmi and Nansun Shi. She was creative<br />

content producer on the documentary series<br />

Scene by Scene broadcast from 2007-2009 on<br />

CNN <strong>International</strong> and on ABC network during<br />

showcasing films and filmmakers of Asia Pacific<br />

to a global audience. She now consults to the<br />

APSA Academy and is Director of the Brisbane<br />

<strong>International</strong> Film Festival, the city’s premiere<br />

festival, delivering its 23rd edition this year.<br />

Maxine had previously directed the Brisbane<br />

Asia Pacific Film Festival. Maxine is Asia Pacific<br />

Consultant for the Antalya Film Forum, Turkey - a<br />

position she has held for four years. Maxine is<br />

a member of the APSA Academy; NETPAC and<br />

APN. She has served on numerous international<br />

juries including Berlin, Kerala, Asean Film<br />

Awards, Eurasia, Gothenburg, Fajr (Iran) and the<br />

Hanoi <strong>International</strong> Film Festival.<br />

jkstj fØf”p;u<br />

ROGER<br />

CHRISTIAN<br />

ÁksMD”ku fMtkbuj vkSj fQYe funsZ”kd] ;w-dsjkstj<br />

fØf”p;u ÁksMD”ku fMtkbuj vkSj fQ+Ye funsZ”kd<br />

ds :i esa Áfl) gaSA mUgsa LVkj oklZ ds lsV fMt+kbu ds<br />

fy, vdkneh iqjLdkj feykA mUgksauss fQ+Ye fuekZrk t‚tZ<br />

yqdkl ds lkFk fjVuZ vkWQ+ tsnh vkSj LVkj oklZ ,filksM 1<br />

& n QSaVe esul ij dke fd;kA mUgsa yqdkl ds ek/;e ls<br />

viuh igyh y?kq fQ+Ye CySd ,aty ds ys[ku vkSj funsZ”ku<br />

dk volj feykA fØfLV;u us fjMys Ld‚V dh ,fy;u esa<br />

dyk funsZ”ku ds fy, v‚Ldj ukekadu thrkA<br />

fØf”p;u dh nwljh y?kq fQ+Ye n M‚yj c‚Ve dks loZJs’B<br />

ukVdh; y?kq fQ+Ye dk vdkneh iqjLdkj vkSj ck+rk<br />

ukekadu feykA<br />

fØf”p;u us n lsaMj ¼,dsMeh v‚Q+ lkbal fQD”ku<br />

}kjk loZJs’B fQ+Ye ds fy, euksuhr½] Q+SaVslh] uksLVªkMkel]<br />

Q+kbuy dV ¼,pchvks çhfe;j fQ+Ye½] vaMjoYMZ]<br />

ekLVjekbaM~l dk funsZ”ku fd;kA<br />

VkbVu }kjk Ádkf”kr fØf”p;u dh vkRedFkk flusek<br />

vYdsfeLV esa muds ltZukRed ;ksxnku dks crkrh gSA<br />

Director and Production Designer, UK<br />

Roger Christian has had an extensive career as<br />

a production designer and film director. He won<br />

an Academy Award for set decoration on the<br />

original Star Wars, which began a long working<br />

collaboration with filmmaker George Lucas.<br />

Lucas subsequently tapped Christian to direct the<br />

second unit on Return of the Jedi and chose him<br />

to helm alongside him on Star Wars: Episode 1<br />

– The Phantom Menace. It was through Lucas<br />

that Christian got his first opportunity to direct<br />

a short film that he wrote, Black Angel, which<br />

accompanied the release of The Empire Strikes<br />

Back. Christian won an Oscar nomination for art<br />

direction in Ridley Scott’s Alien.<br />

<strong>Cinema</strong> Alchemist, Christian’s autobiography on<br />

his creative involvement making Star Wars, Alien<br />

and Black Angel, has been recently published by<br />

Titan. Christian’s second short film The Dollar<br />

Bottom won an Academy Award for best dramatic<br />

short film and a BAFTA nomination.<br />

His directing credits include The Sender,<br />

nominated for Best Film by the Academy of<br />

Science Fiction, Fantasy, and Horror Films;<br />

Nostradamus starring Julia Ormond, Tcheky<br />

Karyo, F Murray Abraham, Rutger Hauer and<br />

Amanda Plummer; Final Cut, The HBO premier<br />

movie, starring Sam Elliot, Matt Craven and<br />

Anne Ramsey; Underworld, starring Denis<br />

Leary, Joe Montagna, and Anabella Sciorra; and<br />

Masterminds, starring Patrick Stewart, Vincent<br />

Kartheiser and Brenda Fricker.


t+kgh xzkr<br />

TZAHI GRAD<br />

vfHkusrk vkSj funsZ”kd] bt+jkby<br />

,d lqÁfl) vfHkusrk] funsZ”kd vkSj ys[kd t+kgh xzkr dk<br />

tUe ;:”kyse esa gqvkA fulku usfVo ,fDVax LVqfM;ks ds<br />

Lukrd xzkr us 1991 ls dbZ ukVdksa] fQ+Yeksa vkSj Vsyhfotu<br />

J`a[kykvksa esa vfHku; fd;kA<br />

vfHku; ds vfrfjDr mUgksaus rhu Q+hpj fQ+Yeksa dk ys[ku<br />

,oa funsZ”ku Hkh fd;kA bu rhuksa fQ+Yeksa dks bt+jk;yh<br />

vdkneh ls fofHkUu Jsf.k;ksa esa vusd ukekadu çkIr gq,A<br />

xzkr dh igyh fQ+Ye ft+jkQ+ ¼2001½ us ts#lye baVjus'kuy<br />

fQ+Ye QsfLVoy esa iVdFkk ds fy, iqjLdkj thrkA nwljh<br />

fQYe Q‚my tsLpj ¼2006½ dks gkbQ+k esa lokZsPp lEeku<br />

rFkk fQIjsLdh iqjLdkj vkSj fe;keh baVjus”kuy fQ+Ye<br />

QsfLVoy esa fo”ks’k mYys[k feykA<br />

rhljh fQ+Ye n dft+u ¼<strong>2017</strong>½ dk osful baVjus”kuy fQ+Ye<br />

QsfLVoy esa çhfe;j gqvk vkSj gkbQk baVjus”kuy fQ+Ye<br />

Qs+fLVoy esa loZJs’B vfHkusrk dk iqjLdkj Hkh feykA<br />

vfHku; dks tkjh j[krs gq, xzkr fQ+Ye fuekZ.k ij vf/kd<br />

/;ku dsafær dj jgs gSA orZeku esa ,gkn ,gkn ¼ou ck;<br />

ou@ihl ck; ihl½ ij dke dj jgs gSaA<br />

Actor, Director and Writer, Israel<br />

A well regarded Actor, Director and Writer, Tzahi<br />

Grad was born in Jerusalem.<br />

A graduate from the Nissan Nativ Acting Studio,<br />

he has participated in many plays, films and<br />

television series since 1991, gaining popularity<br />

as a widely popular actor in Israel. In addition<br />

to acting in numerous feature films, he has also<br />

directed a few theatre productions.<br />

Grad’s film The Cousin premiered at the<br />

Venice <strong>International</strong> Film Festival and bagged<br />

nominations from the Israeli Academy, and<br />

also won him the Best actor award at the Haifa<br />

international Film Festival.<br />

His film Foul Gesture also won major nominations<br />

from the Israeli Academy and top honors at the<br />

Haifa <strong>International</strong> Film Festival, in addition to<br />

the FIPRESCI award and special mention at the<br />

Miami <strong>International</strong> Film Festival. His other film<br />

Giraffes also garnered 14 nominations from the<br />

Israeli Academy and won Script Award at the<br />

Jerusalem <strong>International</strong> Film Festival among<br />

others.<br />

Grad continues acting, but is more focused on<br />

filmmaking. He is currently working on Ehad Ehad<br />

(one by one / piece by piece) initiative.<br />

OykfnLyko<br />

vksisy;saRl<br />

VLADISLAV<br />

OPELYANTS<br />

funsZ”kd Q+ksVksxzkQ+h] jf'k;k<br />

tuojh 1968 dks e‚Ldks esa tUes OykfnLyko vksisy;saRl :l<br />

ds lqçfl) Q+ksVksxzkQ+h funsZ”kdksa esa ls ,d gSaA mUgksaus 1992<br />

esa :lh LVsV ;wfuoflZVh v‚Q+ fluseSVksxzkQ+h ds pyfp=<br />

foHkkx ls Lukrd fd;kA OykfnLyko us dksdk&dksyk] isIlh<br />

vkSj usLdsQ+s lfgr 100 ls vf/kd O;kolkf;d ohfM;ks vkSj<br />

Áfl) jf”k;u ikWi ,oa jkWd xk;dksa ds fy, laxhr ohfM;ks<br />

“kwV fd,A Nk;kdkj ds :i esa xkfjd lqdkpso dh feMy<br />

ykbQ+ Økbfll mudh igyh fQ+Ye FkhA mUgksaus fufdrk<br />

fe[kkydkso dh cUVZ ck; n lu&2% ,DlksMl] cUVZ ck; n<br />

lu&2% flVkMsy vkSj luLVªksd ds Q+ksVksxzkQ+h funZs”kd ds<br />

:i esa dke fd;kA gky gh esa] mUgksaus jst+ks ftfXkussf”ofy<br />

dh gksLVtsl dk Nk;kadu fd;k ftldk <strong>2017</strong> cfyZu<br />

fQ+Ye egksRlo esa çhfe;j gqvk rFkk bZQ+h <strong>2017</strong> esa fn[kkbZ<br />

tk jgh gSA vksisy;saRl us fdfjy lsjsczsfudkso dh n LVqMsaV<br />

dk Nk;kadu fd;k tks 2016 esa dku fQ+Ye lekjksg esa<br />

çhfe;j gqbZA<br />

Director of Photography, Russia<br />

Vladislav Opelyants is one of Russia’s most<br />

celebrated Directors of Photography. Born in<br />

January 1968 in Moscow, he graduated from the<br />

Department of <strong>Cinema</strong>tography at the Russian<br />

State University of <strong>Cinema</strong>tography (workshop<br />

of Vladimir Yusov) in 1992. He has shot over<br />

100 commercial videos, with Coca-Cola, Pepsi<br />

and Nescafé, among others, as well as music<br />

videos for top Russian pop and rock singers<br />

like Alla Pugacheva, Zemphira and Mumy Troll.<br />

He made his wide screen debut with Garik<br />

Sukachev’s Middle Life Crisis. He worked as<br />

Director of Photography on the Nikita Mikhalkov<br />

films 2, Burnt by the Sun-2: Exodus, Burnt by<br />

the Sun-2: Citadel and Sunstroke. Most recently,<br />

he shot Rezo Gigieneshvili’s Hostages, which<br />

premiered at the <strong>2017</strong> Berlin Film Festival and is<br />

also being screened in <strong>IFFI</strong> as part of the <strong>Cinema</strong><br />

of the World section. Opelyants also shot Kirill<br />

Serebrennikov’s The Student, which premiered at<br />

the Cannes Film Festival in 2016.


ICFT-UNESCO<br />

Gandhi Medal<br />

The <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) <strong>2017</strong> in collaboration with the <strong>International</strong> Council<br />

for Film, Television and Audiovisual Communication (ICFT), Paris, will present a special ICFT prize<br />

consisting of the UNESCO Gandhi Medal awarded to a film which reflects the ideals promoted by<br />

UNESCO.<br />

Broad guidelines for the selection of the films<br />

• Have a strong ethical component<br />

• High aesthetic value<br />

• Exhibit artistic excellence in screenplay, in film technique and music<br />

• Attract a wide audience, especially among youth, whose view of media is distorted by violent<br />

imagery and showy techniques which are devoid of intelligent and critical discernment<br />

• Additionally include an educational component to cope with the flood of inappropriate<br />

imagery commonly marketed<br />

• Awareness of the role of the filmmaker confronting a declining society; because it is<br />

recognized that cinematographic and video images are much more powerful than any other<br />

means of communication<br />

About the UNESCO Gandhi Medal<br />

In 1994, UNESCO issued a commemorative medal marking the 125th anniversary of the birth of<br />

Mahatma Gandhi, India’s “Father of the Nation” and the world’s advocate of non-violence, peace<br />

and tolerance. The General Conference of one of the previous years had adopted a resolution calling<br />

for a series of activities around the “great world personality whose thought and creative modes of<br />

non-violent action have shaped socio-economic and political currents in the 20th century”.<br />

The medal bears a portrait of Gandhi engraved by the French artist Pierre-Yves Tŕemois. Etched<br />

underneath is the Mahatma’s message of hope: “In the midst of darkness light prevails”. The<br />

reverse side carries the UNESCO Logo.


Films competing for this prestigious award<br />

S. N. Film Country Director<br />

1 Amok Poland Kasia Adamik<br />

2 Khibula Georgia, Germany, France George Ovashvili<br />

3 Kshitij - A Horizon India Manoj Kadam<br />

4 The Last Painting Taiwan Hung-i Chen<br />

5 Manusangada India Amshan Kumar<br />

6 Poorna India Rahul Bose<br />

7 Railway Children India Prithvi Konanur<br />

8 Take-Off India Mahesh Narayanan<br />

9 Women Of The Weeping River UK, USA Sheron Dayoc


ICFT - UNESCO Jury<br />

Ambassador, Inoussa<br />

OUSSEINI and<br />

President of ICFT<br />

A film director and scenarist<br />

At present he is an Ambassador, Permanent Delegate of the Republic<br />

of Niger to UNESCO and President of the <strong>International</strong> Council for Film,<br />

Television and Audiovisual Communication (ICFT), official partner of<br />

UNESCO.<br />

A film director, producer and scenarist<br />

Costa GAVRAS,<br />

President of the French<br />

Cinémathèque<br />

President of the French National <strong>Cinema</strong>theque<br />

Awards: Oscars, Golden Bear (Berlin), Cesar (France), and Palme D’or<br />

(Cannes)<br />

Founder of film clubs, journalist and film critic<br />

Former President of FIPRESCI (<strong>International</strong> Federation of the Film Press).<br />

Jean ROY, former<br />

President of FIPRESCI<br />

Founder of film clubs, filmmaker<br />

Serge MICHEL,<br />

Vice-President of ICFT<br />

Vice-President of ICFT representing Unica - Union <strong>International</strong>e Du<br />

<strong>Cinema</strong> - (<strong>International</strong> <strong>Cinema</strong> Union)<br />

Lola POGGI GOUJON,<br />

Secretary-General of<br />

ICFT<br />

Engineer by training<br />

Former international civil servant at UNESCO, teacher<br />

Secretary-General of ICFT<br />

Georges DUPONT,<br />

Luxembourg National<br />

Commission for<br />

UNESCO<br />

Former research engineer (audiovisual) at the French Public Broadcasting<br />

Service, international civil servant at UNESCO, and teacher<br />

Member of the Luxembourg National Commission for UNESCO,<br />

representing the <strong>International</strong> Telecommunication Union (ITU) at UNESCO<br />

and Director General of ICFT


Opening<br />

Film<br />

An Iranian master’s first Indian<br />

foray is an extension on his<br />

cinematic beliefs, the roots of<br />

which lie in human values, love,<br />

friendship and family bonding.<br />

37 OPENING FILM


fc;kWUM n DykmM~l<br />

Beyond the Clouds<br />

India | <strong>2017</strong> | Hindi | 120 min | Colour<br />

Director Majid Majidi<br />

Producer Shareen Mantri Kedia,<br />

Kishor Arora, Zee Studios<br />

Screenplay Majid Majidi,<br />

Mehran Kashani<br />

<strong>Cinema</strong>tographer Anil Mehta<br />

Editor Hassan Hassandoost<br />

Music AR Rahman<br />

Sound Shajith Koyeri<br />

Production Designer Mansi Dhruv<br />

Mehta<br />

Cast Ishaan Khattar, Malavika<br />

Mohanan, Goutam Ghose, GV Sharada,<br />

Dhwani Rajesh, Amruta Santosh<br />

Thakur, Shivam Pujari<br />

Sales agent Zee Studios<br />

Vibha Chopra (<strong>International</strong> Distribution<br />

Head)<br />

• vibha.chopra@zee.esselgroup.com<br />

Bhumika Tewari (Domestic Distribution<br />

Head – Zee Studios)<br />

• Bhumika.tewari@zee.esselgroup.com<br />

eqacbZ dh >qXxh cLrh ds vkfej ;qok et+nwj dh<br />

ft+nxh MªXl dk /ka/kk dj eqlhcr esa Qals jguk<br />

gSA blds ckotwn og vius ifjokj dh deh cgqr<br />

eglwl djrk gSA ,d fnu MªXl dk HkaMkQksM+ gksus<br />

ij viuh ukjkt+ cgu rkjk ds ikl iagqp tkrk gSA<br />

rkjk vdsys jgrh gS vkSj iq#’k mls ijs”kku djrs<br />

jgrs gSaA HkkbZ&cgu lkFk jgus dk ç;kl djrs gSa]<br />

ysfdu gkfu vkSj fujk”kk ls f?kjk vrhr eqf”dysa<br />

cuk, j[krk gSA rkjk cykRdkj dk ç;kl djus okys<br />

,d vkneh dks yxHkx ekj nsrh gS] mls tsy gks<br />

tkrh gSA vpkud mls vkfej esa vk”kk dh fdj.k<br />

fn[kkbZ nsrh gSA vkfej cgu dks cpkus dh dksf”k”k<br />

djrk gSA<br />

Beyond The Clouds is a story of a brother<br />

and sister like Children of Heaven, with<br />

the difference being that the siblings are<br />

grown-ups and tackle greater conflicts<br />

against the backdrop of the bustling<br />

city of Mumbai. The film is a vindication<br />

of Majid Majid’s firm view that human<br />

emotions have no barriers of language<br />

and geography.<br />

The paths of two siblings collide, when<br />

on the run from the cops after a drug<br />

bust, Amir a 19 year old peddler from<br />

Mumbai finds solitude in his past - his<br />

estranged sister Tara, who in a bid<br />

to protect her brother lands up in jail<br />

herself. However, this catastrophic<br />

incident turns into a serendipitous one<br />

for Tara and Aamir, whose entire lives<br />

have been clouded by despair and<br />

disappointment, as unexpectedly the<br />

light shines on them, from beyond the<br />

clouds. The film highlights beautifully the<br />

many facets of India intertwined with a<br />

heartfelt celebration of love and family !<br />

Academy Award nominee, Majid Majidi, for the first time, sets a film in India and tells a story with universal<br />

resonance in an extention of a creative credo that defines his career.<br />

38 OPENING FILM


ethn ethnh<br />

ekftn ethnh dk tUe 17 vçSy 1959 dks rsgjku] bZjku esa gqvkA mUgksaus<br />

baLVhV~;wV vkWQ+ MªesfVd vkVZ] rsgjku ls dyk dk v/;;u fd;kA 1979 dh<br />

bLykfed Økafr ds ckn] flusek esa #fp tkx`r gksus ij mUgksaus fofHkUu fQYeksa]<br />

fo”ks’kdj c‚;d‚V vkSj rhjcju esa vfHku; fd;kA mUgksaus fQYe cnqd ds<br />

lkFk iVdFkkys[ku vkSj funsZ”ku “kq: fd;k tks dku lekjksg ds Mk;jsDVlZ<br />

Q+ksVZukbV esa fn[kk;h x;h vkSj rsgjku ds Q+tz fQ+Ye lekjksg esa iqjLd`r<br />

gqbZA rnqijkar mUgksaus dbZ mYys[kuh; fQYeksa dk ys[ku vkSj funsZ”ku fd;k<br />

ftUgsas nqfu;k Hkj esa ekU;rk çkIr gqbZA ethnh dh dyj v‚Q iSjkMkbt+] cju]<br />

csvjQ+qV Vw gsjkr] n foyks Vªh fo”o ds lekjksgksa esa fn[kk;h x;ha vkSj vusd<br />

iqjLdkjksa ls lEekfur gqbZaA budh lokZf/kd pfpZr fQ+Ye fpYMªu vkWQ+ gsou<br />

vkWLdj esa ukekafdr gqbZ FkhA<br />

Majid Majidi<br />

Majid Majidi was born on April 17, 1959 in Tehran, Iran. He<br />

started acting in amateur theatre groups at the age of 14.<br />

After receiving his high school diploma, he studied art at the<br />

Institute of Dramatic Art in Tehran. After the Islamic Revolution<br />

of 1979, his interest in cinema brought him to act in various<br />

films, notably Mohsen Makhmalbaf’s Boycott and Ali Azghar<br />

Shadaravan’s Teer baran. His feature film screenwriting and<br />

directing debut is marked by Baduk, which was presented at<br />

the Cannes Directors’ Fortnight and won awards at Tehran’s<br />

Fajr Film Festival. Since then, he has written and directed<br />

many noteworthy films that won worldwide recognition,<br />

notably Children of Heaven, winner of the Best Picture award<br />

at the Montreal <strong>International</strong> Film Festival and nominated for<br />

the Best Foreign Film at the Academy Awards, The Colour<br />

of Paradise, which also won the Best Picture award from<br />

Montreal <strong>International</strong> Film Festival and set a new record of<br />

box office for an Asian film, and Baran, which won several<br />

major awards worldwide, and received nomination for the<br />

European Film Academy Award. Majidi’s previous lauded film<br />

credits include Father, Song of Sparrows, Baran, The Color of<br />

Paradise. In 2001, during the Afghanistan anti-Taliban war, he<br />

produced Barefoot to Herat, an emotional documentary about<br />

Afghanistan’s refugee camps that won the Fipresci Award at<br />

Thessaloniki <strong>International</strong> Film Festival. Majid Majidi has also<br />

received the Douglas Sirk Award in 2001 and the Amici Vittorio<br />

de Sica Award in 2003. In 2005, he directed The Willow Tree<br />

about a blind man who falls in love with someone other than<br />

his wife when he gets the chance to see again. The film won<br />

four awards at the 2005 Fajr Film Festival in Tehran.<br />

OPENING FILM<br />

39


Closing<br />

Film<br />

Argentinian director Pablo Cesar’s<br />

exploration of a chapter in the life of<br />

Rabindranath Tagore<br />

CLOSING FILM


ÇFkÇdx vkWQ+ fge<br />

Thinking of Him<br />

Argentina, India | <strong>2017</strong> | Bengali, Spanish, English | 110 min | Colour, B & W<br />

Director Pablo César<br />

Producer Pablo Ballester,<br />

Debendra Jagadala, Suraj Kumar<br />

Screenplay Jernimo Toubes<br />

<strong>Cinema</strong>tographer Carlos Essmann<br />

Editor Liliana Nadal<br />

Sound Design Francisco Bissone,<br />

Gerardo Kalmar, Emiliano Monsegur<br />

Production Designer Emilio Basaldua,<br />

Vishnu Nishad<br />

Cast Victor Banerjee, Eleonora Wexler,<br />

Hector Bordoni, Raima Sen<br />

Sales agent Suraj Kumar<br />

• ipknh.dd@gmail.com<br />

le; ds lkFk nks dgkfu;ka ,d nwljs ls feyrh<br />

gSaA orZeku esa ca/kd dsaæ esa Hkwxksy v/;kid<br />

Q+sfyDl dks vpkud caxkyh dfo jchaæukFk VSxksj<br />

}kjk fyf[kr ,d iqLrd feyrh gS tks mls pfdr<br />

dj nsrh gSA vrhr esa jchaæukFk VSxksj vtsaZVhuk<br />

vkrs gSa vkSj ysf[kdk foDVksfj;k vksdaiks ds vfrfFk<br />

curs gSaA nksuksa lkaL—frd gfLr;ksa ds chp ,slk<br />

fj”rk cu tkrk gS fd foDVksfj;k VSxksj dh<br />

Ásj.kk cu tkrh gSA Hkkjrh; dfo vkSj vtsaZVhuh<br />

ys[kd dh dgkuh ls ÁHkkfor Q+sfyDl mu ckSf)d<br />

vkSj vk/;kfRed fopkjksa dks tku ikrk gS] tks Hkkjr<br />

esa VSxksj ds Økafrdkjh fo|ky; dh LFkkiuk dk<br />

vk/kkj cusA Q+sfyDl Hkkjr dh ;k=k vkSj mu f”k{k.k<br />

fof/k;ksa dk vuqHko djus dk fu.kZ; djrk gS ftudk<br />

VSxksj us lkjh ekuo tkfr ds fy, liuk ns[kk FkkA<br />

Two stories intertwine over time. In the<br />

present, Felix, who teaches Geography<br />

in a detention centre, stumbles upon<br />

a book that dazzles him. In the past,<br />

Rabindranath Tagore, Bengali poet and<br />

author of the book that has come to Felix,<br />

arrives in Argentina and is hosted by<br />

writer Victoria Ocampo. A deep, platonic<br />

bond develops between the two cultural<br />

figures and Victoria becomes Tagore’s<br />

distant muse. While Felix is increasingly<br />

obsessed with the story of the Indian poet<br />

and the Argentinian writer, he gains an<br />

insight into the intellectual and spiritual<br />

notions on which Tagore’s revolutionary<br />

school in India was founded. Felix<br />

decides to visit India and experience<br />

for himself the teaching methods that<br />

Tagore dreamed of for all mankind.<br />

42 CLOSING FILM


ikCyks lht+j<br />

ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og<br />

vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd gSaA ikCyks us Ng<br />

lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj<br />

eqfær fd;kA 1975 esa muds cM+s HkkbZ us mUgsa ,d ohfM;ks dSejk fn;k mUgksaus<br />

ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ<br />

vkSj mldh iVdFkk Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa<br />

cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA<br />

ikCyks vusd varjkZ’Vªh; fQ+Ye lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds<br />

gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og<br />

vtsaZVhuk vkSj Vîwuhf”k;k ¼bfDoukssfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr<br />

¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu v‚Q+<br />

ij;wEl] 1998½ ds chp fQYe lg&çksMD”kal ds vxz.kh FksA ;s rhuksa fQYesa mu<br />

ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa fQ+Yek;k x;k FkkA<br />

tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa<br />

ds fy, Áfl) gSaA<br />

Pablo César<br />

At the age of six he began to project comics, at 10 he wrote and<br />

printed his first bulletin that he sold at the Champagnat School<br />

where he was studying and in nearby kiosks. In 1975, his older<br />

brother gave him a video camera that he used intensively and two<br />

years later he scripted and made his first short film of 7 minutes,<br />

followed by others. In 1980, for his short film Del genesis, he<br />

was awarded the first prize in the “Experimental” category in the<br />

contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />

mention for Best Editing and Third Prize (without category) in the<br />

contest of the Circle of Filmmakers Marplatenses and a Special<br />

Mention of UNCIPAR. For his film De los caras de los espejos,<br />

Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />

Union in 1983. He was a jury at the festivals of Amiens (France),<br />

Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />

(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa<br />

Carlos Paz and Buenos Aires. Since 1992 he is a professor at the<br />

Universidad del Cine de Buenos Aires. He was a pioneer in film<br />

co-productions between Argentina and Tunisia (Equinoccio, The<br />

Garden of Roses, 1991), India (Unicorn, The Garden of Fruits,<br />

1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />

These three films were mostly based on folk myths from each of<br />

the countries where they were filmed.<br />

CLOSING FILM<br />

43


<strong>International</strong><br />

Competition<br />

15 films from across the globe<br />

compete for the prestigious<br />

Golden and Silver Peacocks<br />

INTERNATIONAL COMPETITION


vuk] eksu veksj<br />

Ana, Mon Amour<br />

✪ INDIA PREMIERE<br />

Romania, Germany, France | 2016 | Romanian | 130 min | Colour<br />

Director Cãlin Peter Netzer<br />

Producer Cãlin Peter Netzer,<br />

Oana Iancu<br />

Screenplay Cãlin Peter Netzer,<br />

Cezar Paul-Badescu, Iulia Lumânare<br />

<strong>Cinema</strong>tographer Andrei Butica<br />

Editor Dana Bunescu<br />

Sound Design Dana Bunescu<br />

Production Designer Mihaela Poenaru<br />

Cast Mircea Postelnicu, Diana<br />

Cavallioti, Adrian Titieni, Vasile Muraru<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

rksek vkSj vuk fo'ofo|ky; esa lkfgR; dh iu dks lqy>kus dh dksf”k”k djrk<br />

gS fd vc rd og fdl coaMj ls xqt+j jgk FkkA<br />

Toma meets Ana while they are both<br />

studying literature at a university. Ana<br />

has a neurotic disorder and suffers<br />

from panic attacks. Toma follows her to<br />

every dark corner she ends up in, he<br />

fights his parents when they reject her,<br />

he accepts being a father and marries<br />

her, he becomes her babysitter, her<br />

driver, her everything. Toma appears to<br />

be in control of the couple’s relationship,<br />

when in fact he just gravitates around a<br />

woman he cannot understand, pushing<br />

his endurance to the limit, trying to save<br />

her. When Ana overcomes her fears and<br />

becomes adapted to the outside world,<br />

Toma remains alone, trying to put the<br />

pieces of the puzzle together, striving<br />

to understand the whirlwind that he has<br />

gone through.<br />

dSfyu ihVj usRt+j<br />

dSfyu ihVj usRt+j dh igyh fQ+Ye ekfj;k vkSj nwljh fQ+Ye esMy<br />

v‚Q+ v‚uj foÜo ds vusd fQ+Ye lekjksgksa esa fn[kk;h x;ha vkSj<br />

iqjLd`r Hkh gqbaZA ,d vU; fQ+Ye pkbYM~l ikst+ cfyZu xksYMu fc;j<br />

thrus okyh ,dek= jksekfu;u fQ+Ye gSA uohure fQ+Ye vuk] eksu<br />

veksj cfyZu fQ+Ye lekjksg esa p;fur gqbaZA<br />

Cãlin Peter Netzer<br />

Cãlin Peter Netzer’s first feature film Maria won awards<br />

in Locarno and was nominated for the EFA Awards.<br />

His second feature, Medal of Honor, was selected in<br />

more than 30 festivals. Child’s Pose became the only<br />

Romanian film to win the Berlin Golden Bear.<br />

46 INTERNATIONAL COMPETITION


,aftYl fo;j OgkbV<br />

Angels Wear White<br />

✪ INDIA PREMIERE<br />

China | <strong>2017</strong> | Mandarin | 107 min | Colour<br />

Director Vivian Qu<br />

Producer Sean Chen<br />

Screenplay Vivian Qu<br />

<strong>Cinema</strong>tographer Benoit Dervaux<br />

Editor Yang Hongyu<br />

Sound Design Zhang Yang<br />

Production Designer<br />

Cast Wen Qi, Zhou Meijun, Shi Ke,<br />

Geng Le, Liu Weiwei. Peng Jing,<br />

Wang Yuexin, Li Mengnan<br />

Sales agent Wild Bunch<br />

• edevos@wildbunch.eu<br />

,d eksVy esa nks Ldwyh yM+fd;ksa ds lkFk e/;&vk;q<br />

oxhZ; O;fä ds }kjk nqO;Zogkj fd;k tkrk gSA ml<br />

jkr fjlsI'ku ij dke djus okyh fe;k bldh<br />

,dek= lk{kh gS] ysfdu ukSdjh [kks tkus ds Mj ls<br />

og pqi jgrh gSA ckgj dh nqfUk¸kk cgqr vlqjf{kr gS<br />

ihfM+rksa esa ls ,d 12 o"khZ; osu vkSj fe;k dks bl<br />

nq'pØ ls fudyus dk ekxZ Lo;a gh


chV~l ij feuV<br />

Beats Per Minute<br />

120 Battements Par Minute<br />

France | <strong>2017</strong> | French | 144 min | Colour<br />

Director Robin Campillo<br />

Producer Hugues Charbonneau,<br />

Marie-Ange Luciani<br />

Screenplay Philippe Mangeot,<br />

Robin Campillo<br />

<strong>Cinema</strong>tographer Jeanne Lapoirie<br />

Editor Robin Campillo, Anita Roth,<br />

Stephanie Leger<br />

Sound Design Julien Sicart,<br />

Valérie Deloof, Jean - Pierre Laforce<br />

Production Designer Emanuelle<br />

Duplay<br />

Cast Nahuel Pérez Biscayart,<br />

Arnaud Valois, Adèle Haenel<br />

Sales agent Films Distribution<br />

• joris@playtime.group<br />

1990 ds n”kd ds esa isfjl esa dk;ZdrkZvksa dk ,d<br />

lewg ,pvkbZoh@,M~l xzLr yksxksa ds fy, lqLr<br />

ljdkjh ,tsafl;ksa vkSj Q+kekZL;qfVdy daifu;ksa ds<br />

fo#) la?k’kZ djrk gSA mudh laLFkk ß,DV viÞ ds<br />

dbZ lnL; leySafxd vkSj ,pvkbZoh i‚ftfVo gSaA<br />

jSfy;ksa] fojks/kksa] vkSj mRlkgh u`R; ikfVZ;ksa ds chp<br />

uokxarqd ukrku dk Økafrdkjh lsu ds lkFk I;kj<br />

gks tkrk gSA<br />

✪ INDIA PREMIERE<br />

In Paris in the early 1990s, a group<br />

of activists goes to battle for those<br />

stricken with HIV/AIDS, taking on<br />

sluggish government agencies and<br />

major pharmaceutical companies in<br />

bold, invasive actions. The organisation<br />

is ACT UP, and its members, many of<br />

them gay and HIV-positive, embrace<br />

their mission with a literal life-or-death<br />

urgency. Amid rallies, protests, fierce<br />

debates and ecstatic dance parties,<br />

the newcomer Nathan falls in love with<br />

Sean, the group’s radical firebrand, and<br />

their passion sparks against the shadow<br />

of mortality as the activists fight for a<br />

breakthrough.<br />

j‚fcu dSfEiyks<br />

1962 esa eksjDdks esa tUes j‚fcu dSfEiyks Ýsap iVdFkk ys[kd]<br />

laiknd vkSj fQ+Ye funsZ”kd gSaA n Dykl] gsfMax lkmFk] ns dse cSd]<br />

bZLVuZ c‚;t vkSj Vkbe vkmV vkfn mudh cgqpfpZr fQYesa gSaA<br />

Robin Campillo<br />

Robin Campillo is a Moroccan-born French screenwriter,<br />

editor and film director. He is known for his work on films<br />

such as The Class, Heading South, the French zombie<br />

film They Came Back, Eastern Boys, and Time Out.<br />

Beats Per Minute won this year's Grand Prix in Cannes.<br />

48 INTERNATIONAL COMPETITION


CySad 13<br />

Blank 13<br />

✪ INDIA PREMIERE<br />

Japan | <strong>2017</strong> | Japanese | 70 min | Colour<br />

Director Takumi Saitô<br />

Producer Yuiko Kobayashi<br />

Screenplay Mitsutoshi Saijô<br />

Cast Takahashi Issey, Lily Franky,<br />

Kanno Misuzu, Takumi Saitô<br />

Sales agent Tokyo <strong>International</strong><br />

• midori.inoue@tokyomedia.jp<br />

dkst+h ds 13 lky ls ykirk firk dks dSalj gS vkSj<br />

muds ikl dsoy rhu eghus dk le; cpk gSA<br />

muds tqvkjhiu ls ifjokj dtZ esa Mwc x;kA dkst+h<br />

dh eka vkSj HkkbZ muls dsoy uQjr djrs gSa ysfdu<br />

dkst+h dks muls lgkuqHkwfr gSA vafre laLdkj ds<br />

fnu HkkbZ&cgu dks firk dh x+yfr;ksa dk i”pkrki<br />

djuk iM+rk gSA<br />

Koji’s absent father of 13 years is found<br />

with cancer and given three months to<br />

live. A heavy gambler, he saddled the<br />

family with debt. While his mother and<br />

brother feel only hatred, Koji harbours a<br />

degree of sympathy and clings on to the<br />

memory of their shared love for baseball.<br />

When the inevitable day of their father’s<br />

funeral arrives, the siblings must confront<br />

the void left by his abandonment as well<br />

as a collection of odd acquaintances who<br />

have come to pay their last respects.<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

lSrks rkdqeh<br />

lSrks rkdqeh tkiku ds eu¨jatu m|¨x esa ,d cgqeq[kh Áfrk L®<br />

lEiUUk O;fDrRo gaSA os Vhoh Mªkekt+ vkSj 13 ,lsflUl] r¨jkdst rFkk<br />

“khu xkWMt+hyk lfgr fofUu fQ+Ye¨a ds vfusrk gaSA n¨ “kkWVZ fQ+Ye<br />

iwjh djus ds ckn mudh CySd 13 igyh fQpj fQYe çnf”kZr gqÃA<br />

Saitô Takumi<br />

Takumi Saitô, is a prominent multitalented and<br />

multifaceted figure in the Japanese entertainment<br />

industry. He is prolific as an actor in TV dramas, and<br />

a wide array of films including 13 Assassins, Torakage<br />

and Shin Godzilla. His personal wide-ranging interest in<br />

cinema led him to filmmaking. After completing two short<br />

films, he made his debut feature Blank 13.<br />

INTERNATIONAL COMPETITION<br />

49


MkdZ Ldy<br />

Dark Skull<br />

Viejo Calavera<br />

Bolivia, Qatar | 2016 | Spanish | 80 min | Colour<br />

Director Kiro Russo<br />

Producer Pablo Paniagua,<br />

Kiro Russo<br />

Screenplay Kiro Russo,<br />

Gilmar Gonzales<br />

<strong>Cinema</strong>tographer Pablo Paniagua<br />

Editor Pablo Paniagua, Kiro Russo<br />

Sound Design Marcelo Guzman, Kiro<br />

Russo, Pepo Razzari, Gilmar Gonzales<br />

Production Designer Carlos Piñeiro<br />

Cast Narciso Choquecallata,<br />

Anastasia Daza López, Felix Espejo<br />

vius firk dh e`R;q ls nq[kh vkSj ijs'kku ,d<br />

;qok vius NksVs ls 'kgj esa HkVdrk jgrk gSA ,d<br />

x‚MQ+knj mls [knkuksa esa ukSdjh fnykus esa lQy gks<br />

tkrk gSA :lks dks vius firk dh e`R;q ds jgL; dk<br />

irk pyrk gSA lR; vk'p;Zpfdr vkSj “kksdlarIr<br />

dj nsus okyk gSA<br />

✪ INDIA PREMIERE<br />

Broken by the recent death of his father,<br />

a troubled young man tears through<br />

a small, indigenous town until his<br />

godfather gets him a job in the mines.<br />

With jaw-dropping, dreamlike visuals,<br />

Russo’s debut offers a darkly beautiful<br />

subterranean study in atmosphere and<br />

mourning.<br />

Sales agent Socavón Cine<br />

• socavoncine@gmail.com,<br />

kirorusso@gmail.com<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

fdjks :lks<br />

funsZ”kd] fuekZrk vkSj iVdFkk ys[kd fdjks :lks us ;wfuoflZMkM<br />

Msy flus] C;wul vk;lZ ls funsZs”ku dh f”k{kk çkIr dhA mudh<br />

y?kq fQYesa ,aVjçkbt+] tqdw vkSj U;w ykbQ+ fo”o ds lHkh<br />

egÙoiw.kZ fQYe lekjksgksa T©ls y¨dkUk¨Z] lsu lscsfLRk¸ku] fYkLcu<br />

bR¸kkfn esa çnf”kZr ,oa iqjLd`r gqbZaA<br />

Kiro Russo<br />

Kiro Russo studied directing at Universidad del cine in<br />

Buenos Aires. He made short films Enterprise, Juku and<br />

New Life winning prizes at important film festivals around<br />

the world - Locarno Film Festival, San Sebastian Film<br />

Festival, Indie Lisboa, Jihlava <strong>International</strong> Documentary<br />

Film Festival and Kaohsiung Film Festival.<br />

50 INTERNATIONAL COMPETITION


Ý+hMe<br />

Freedom<br />

Freiheit<br />

Germany, Slovakia | <strong>2017</strong> | German, Slovak | 100 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Jan Speckenbach<br />

Producer Sol Bondy, Jamila Wenske<br />

Screenplay Andreas Deinert,<br />

Jan Speckenbach<br />

<strong>Cinema</strong>tographer Tilo Hauke<br />

Editor Matthias Albrecht,<br />

Henning Stöve<br />

Sound Design Jan Hetmer,<br />

Michal Krajczok , Marian Mentrup ,<br />

Jan Meyerdierks<br />

Production Designer Juliane Friedrich<br />

Cast Johanna Wokalek, Georg Arms,<br />

Hans-Jochen Wagner<br />

Sales agent Pluto Film<br />

• daniela@plutofilm.de<br />

,d efgyk vius ifr vkSj cPpksa dks vyfonk dgs<br />

fcuk dgha pyh tkrh gSA rhu [kaMksa esa cuh fQ+Ye<br />

,d gh fo’k; dks vyx vyx ifjçs{; esa fn[kkrh<br />

gSA igys esa efgyk vrhr d¨ wYkdj u;k thou<br />

thus dh dksf”k”k dj jgh gS] nwljs esa ifr vkSj cPpksa<br />

dk nks lky ckn dk thou gSA os mlds pYks Tkkus<br />

ls vh h ijs'kku gSA rhljk ifjokj dh vafre<br />

“kke dk ifjn`”; gSA<br />

A woman leaves her husband and<br />

children without saying goodbye. While<br />

she struggles to build a new life, her family<br />

is left completely uncertain about her<br />

fate. The radical nature of her departure<br />

appears to be an opportunity as well as<br />

a trauma. The film is structured in three<br />

episodes, each showing a different<br />

perspective of the subject. The first one<br />

accompanies the woman in Vienna and<br />

Bratislava creating a new life for herself.<br />

Although her past remains untold, she<br />

seems driven by it. The second episode<br />

portrays the life of her abandoned<br />

husband and their children two years<br />

after her disappearance. Their days<br />

are still dominated by her mysterious<br />

leaving. The final episode returns to the<br />

last evening of the family.<br />

;ku LisdsUck[k+<br />

;ku LisdsUck[k+ us fFk,Vj esa Lora«k ohfM;¨ dykdkj ds #i esa<br />

dke fd;k gSaA mUgsa Q©jsoj ;ax esa ohfM;ks dyk ds fy, usLVªkW;<br />

iqjLdkj ÁkIr gqvkA n vnj Ms bu ,Mu vkSj LiSjkst+ mudh çfl)<br />

y?kq fQYesa gSaA Qhpj fQ+Ye fjiksfVZM feflax cfyZu esa vkSj Ý+hMe<br />

yksdkuksZ esa çhfe;j gqbZA<br />

Jan Speckenbach<br />

Jan Speckenbach has worked as a freelance video artist<br />

in theatre. He received a Nestroy Award for the video art<br />

in Forever Young. His short film, The Other Day in Eden,<br />

was screened in Cannes and his film Sparrows was<br />

short-listed for the Oscars. His first feature film Reported<br />

Missing, premiered at the Berlinale. Freedom premiered<br />

at the Locarno Film Festival.<br />

INTERNATIONAL COMPETITION<br />

51


n xzsV cq)+$<br />

The Great Buddha+<br />

✪ INDIA PREMIERE<br />

Taiwan | <strong>2017</strong> | Minnan | 102 min | Colour<br />

Director Hsin-yao Huang<br />

Producer Mong-Hong Chung,<br />

Ju Feng Yeh<br />

Screenplay Hsin-yao Huang<br />

<strong>Cinema</strong>tographer Mong-Hong Chung<br />

Editor Hsiu-hsiung Lai<br />

Sound Design Du-Chih Tu,<br />

Shu-yao Wu<br />

Production Designer Shih-hao Chao<br />

Cast Cres Chuang, Bamboo Chen,<br />

Leon Dai, Na-Dou Lin<br />

Sales agent MandarinVision<br />

• desmond@mandarinvision.com<br />

fidy dkaL; çfrek dkj[kkus esa jkf= lqj{kk xkMZ<br />

gSA mldk lg;ksxh csyh c‚Ve fnu esa jhlkbfDyax<br />

dysDVj ds :i esa dke djrk gSA fidy ds thou<br />

esa v'yhy if=dkvksa dh fDyfIkaXl euksjatu dk<br />

lcls cM+k lk/ku gSA nsj jkr ds LuSDl vkSj Vhoh<br />

ns[kuk mu nksuksa ds lqLr thou dk ,d vfHkUu<br />

fgLlk gSaA vpkud ,d fnu Vhoh VwVus ls mudk<br />

thou ges”kk ds fy, cny tkrk gSA ekuoh;<br />

bPNk,¡] dkeqdrk wrÁsr] Xkoku & dgkuh bu<br />

Lkcds bnZfXknZ Äwerh gSA<br />

Pickle is a night security guard at a<br />

bronze statue factory. His colleague,<br />

Belly Bottom, works as a recycling<br />

collector during the day, and Pickle’s<br />

biggest pleasure in life is flicking through<br />

the porn magazines Belly Bottom collects<br />

in the small hours in the security room.<br />

Having late night snacks and watching<br />

television are an integral part of their<br />

dull lives. One day when the television<br />

is broken, their lives are changed<br />

forever. The story involves gods, the<br />

middle-aged men’s sexual desire and<br />

the conversation between ghosts and<br />

humans. May be the audience will find it<br />

preposterous, but isn’t life itself a farce?<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

lhu&;kvks gqvkax<br />

lhu&;kvks gqvkax egku funsZ'kd vkSj ys[kd gSa ftUgsa n xzsV cq)<br />

vkSj rkbokyq ds fy, tkuk tkrk gSA mUgksaus rsisbZ fQ++Ye egksRlo<br />

esa vkSj 42osa VksjaVks varjkZ"Vªh; fQ+Ye egksRlo esa n xzsV cq) ds fy,<br />

usViSd iqjLdkj thrkA<br />

Hsin-yao Huang<br />

Hsin-yao Huang is a director and writer known for<br />

The Great Buddha and Taivalu. He has won awards<br />

at the Taipei Film Festival, NETPAC Award at Toronto<br />

<strong>International</strong> Film Festival. The Great Buddha+, his first<br />

narrative feature, won the NETPAC Prize at the 42nd<br />

Toronto <strong>International</strong> Film Festival.<br />

52 INTERNATIONAL COMPETITION


dPpk fyacw<br />

Kachcha Limbu<br />

India | <strong>2017</strong> | Marathi | 116 min | Colour and B/W<br />

Director Prasad Oak<br />

Producer Mandar Bhaskar Devasthali<br />

Screenplay Chinmay Mandlekar<br />

<strong>Cinema</strong>tographer Amalendu<br />

Choudhary<br />

Editor Jayant Jathar<br />

Cast Sachin Khedekar, Sonali Kulkarni,<br />

Ravi Jadhav, Manmeet Pem,<br />

Ananth Mahadevan, Uday Sabnis,<br />

Ajit Kelkar<br />

dPpk fyacw] ftls detksj dks fpsy jgs gSaA<br />

t;oar nyoh ds ejkBh miU;kl dk ;g flusekbZ<br />

#ikarj.k 1980 ds le; esa feLVj vkSj felst<br />

dkVnjs dh my>uksa vkSj mu my>uksa ds chp Hkh<br />

lkFk cus jgus dh dksf'k'kksa dk thoar nLrkost gSA<br />

Kachcha Limbu, slang for underdog, is<br />

the poignant tale of a couple and their<br />

everyday trials in nurturing their mentally<br />

challenged child Bachchu. Adapted<br />

from Jaywant Dalvi’s Marathi language<br />

novel, this 1980’s story takes us through<br />

Mr. and Mrs. Katdare’s dilemmas and<br />

their attempt at sanity and togetherness<br />

despite teeming odds.<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

çlkn vksd<br />

vfHkusrk çlkn vksd ;wa rks fQYedkj cuuk pkgrs Fks] ysfdu uCcs<br />

ds n'kd esa eqEcbZ igq¡prs gh mUgsa vfHku; ds dqN uk;kc volj<br />

feysA chl lkyk dfj;j esa muds uke lÙkj fQYesa] iPphl ukVd<br />

vkSj vLlh Vsyhfotu /kkjkokfgd gSaA mUgsa fQYe vkSj Vsyhfotu<br />

esa vius dk;Z ds fy, dbZ lEeku fey pqds gSaA dPpk fyacw mudk<br />

funsZ'kdh; inkiZ.k gSA<br />

Prasad Oak<br />

Actor Prasad Oak always wanted to be a filmmaker.<br />

However, pure fate landed him really good acting<br />

offers as soon as he arrived in Mumbai in the 90’s.<br />

He has 70 films, 25 dramas and 80 TV serials to his<br />

credit as an actor in a span of 20 years. He has been<br />

the recipient of several prestigious awards and state<br />

honours for his work in film and television. Kachcha<br />

Limbu (Raw Lemon) is Oak’s directorial debut.<br />

INTERNATIONAL COMPETITION 53


, eSu vkWQ+ bUVsfxzVh ✪ INDIA PREMIERE<br />

A Man of Integrity<br />

Lerd<br />

Iran | <strong>2017</strong> | Farsi | 117 min | Colour<br />

Director Mohammad Rasoulof<br />

Producer Mohammad Rasoulof, Kaveh<br />

Farnam, Rozita Hendijanian, Michal<br />

Krecek<br />

Screenplay Mohammad Rasoulof<br />

<strong>Cinema</strong>tographer Ashkan Ashkani<br />

Editor Meysam Muini, Mohammedreza<br />

Muini<br />

Sound Design Alireza Alavian<br />

Production Designer<br />

Cast Reza Akhlaghirad, Soudabeh<br />

Beizaee, Nasim Adabi, Missagh Zareh,<br />

Zeinab Shabani, Zhila Shahi<br />

Sales agent The Match Factory<br />

• sergi.steegmann@matchfactory.de<br />

jt+k ¼35½ mÙkjh bZjku ds ,d xkao esa vius xksYM<br />

fQ+”k Q+keZ esa dke djrs gq, iRuh vkSj cPpksa ds<br />

lkFk lknk thou O;rhr djrk gSA ,d futh daiuh<br />

ljdkjh vkSj LFkkuh; vf/kdkfj;ksa dh feyhHkxr<br />

ls {ks=h; thou ds lHkh igyqvksa dks fu;af=r dj<br />

ysrh gSA dbZ xzkeh.k Hkh Hkz"Vkpkj ds cM+s usVodZ<br />

dk fgLlk cu tkrs gSaA jt+k ncko v©j vR¸kkpkj<br />

dk foj®èk djrk gS v©j vius QkeZ d® cpkus dh<br />

Lld d¨f'k'k djrk gSA<br />

Reza (35), having distanced himself<br />

from the urban quagmire, leads a<br />

simple life along with his wife and sole<br />

child, somewhere in a remote village<br />

in Northern Iran. A private company<br />

with close links to the government and<br />

local authorities, has taken control of<br />

nearly every aspect of the regional life.<br />

Its shareholders, accumulating wealth,<br />

power and economic rents, have been<br />

pushing local farmers and small owners<br />

to dilapidate their belongings, farms and<br />

estates, to the benefit of the Company’s<br />

influential network. It is under their<br />

pressure that many villagers have<br />

themselves become local rings of the<br />

larger network of corruption. Meanwhile,<br />

Reza strives to resist coercion and<br />

preserve his farm.<br />

eksgEen jlksmyksQ+<br />

eksgEen jlksmYQ+ us ukS o’kZ dh vk;q ls fFk;sVj esa vfHku; “kq:<br />

fd;kA fQj mUgksaus jaxeap ds fy, ys[ku vkSj funsZ”ku fd;kA<br />

mudh igyh Q+hpj fQ+Ye n V~okbykbV 21oha Qtz varjkZ’Vªh;<br />

fQ+Ye lekj¨g rsgjku esa fØLVy flekWÄ thrkA eSU;qfLØIV~l M‚UV<br />

cuZ 66oha dkal fQ+Ye lekj¨g esa çnf”kZr gqbZaA<br />

Mohammad Rasoulof<br />

Rasoulof’s documentary The Twilight was his first feature<br />

length film. It won the Crystal Simorgh at the 21st Fajr<br />

<strong>International</strong> Film Festival in Tehran. His film Goodbye<br />

was screened at the 64th Cannes Film Festival and his<br />

exit ban from Iran was lifted. Manuscripts Don’t Burn was<br />

screened at the 66th Cannes Film Festival.<br />

54 INTERNATIONAL COMPETITION


esfj;ksusV<br />

Marionette<br />

✪ WORLD PREMIERE<br />

South Korea | <strong>2017</strong> | Korean | 116 min | Colour<br />

Director Lee Hanuk<br />

Producer Lee Gun Woo<br />

Screenplay Lee Hanuk<br />

<strong>Cinema</strong>tographer Park Kyung Kun<br />

Editor Won Chang Jae<br />

Sound Design Lee Kee Jun<br />

Production Designer Jung Sung Kyun<br />

Cast Kim Hie Won, Lee You-young<br />

Sales agent Contents Panda<br />

• nakyung.kim@cj.net<br />

;g fQ+Ye mu fd”kksjksa dh dgkuh tks uSfrd ewY;ksa<br />

ds ckjs esa lksps fcuk fdlh ds Hkh gkFk dh dBiqryh<br />

cu tkrs gSa vkSj bl çfØ;k ds QyLo:i vgadkj<br />

ls Hkjk thou thrs gSaA flv®fju d¢ Nk=] Ckk¸kÝsaM<br />

v©j vklikl ds Yk®x lh jgL¸kEk¸k ekLVj<br />

}kjk pyk;s Xk¸® nq'PkØ dk fgLLkk cu tkrs gSA<br />

flv®fju mUgsa blls ckgj Ykkus ds fy, vIkuh iwjh<br />

'kfDr yXkk nsrh gSA<br />

A high school teacher named Seo-Rin<br />

encounters a mysterious person called<br />

Master through instant messaging. This<br />

figure reminds her of the past that she<br />

has always wanted to forget. As her<br />

students, boyfriend and acquaintances<br />

get involved in this incident, the situation<br />

grows more and more serious. Seo-Rin<br />

tries her best to overcome what she is<br />

going through.<br />

yh gku&md<br />

yh gku&md ,d dksfj;kbZ ys[kd vkSj funsZ'kd gSA mudk tUe<br />

1980 esa flvksy esa gqvk FkkA mUgksaus 215 ¼2008½ vkSj gkbM ,u<br />

lhd ¼2012½ dk fuekZ.k] ys[ku vkSj funsZ'ku fd;kA Eksfj;ksusV<br />

mudh uohure fQ+Ye gSA<br />

Lee Hanuk<br />

Lee Hanuk is a Korean writer and director. He was born<br />

in Seoul in 1980. His credits include the film 215 (2008)<br />

and Hide N Seek (2012), which he produced, wrote and<br />

directed. Marionette is his latest film.<br />

INTERNATIONAL COMPETITION<br />

55


jslj ,aM n tsycMZ<br />

Racer and the Jailbird<br />

Le Fidėle<br />

France, Belgium | <strong>2017</strong> | French | 130 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Michaël R. Roskam<br />

Producer Pierre-Ange Le Pogam, Bart<br />

Van Langendonck<br />

Screenplay Thomas Bidegain,<br />

Noé Debré, Michaël R. Roskam<br />

<strong>Cinema</strong>tographer Nicolas<br />

Karakatsanis<br />

Editor Alain Desssauvage<br />

Sound Design Jean - Luc Audy<br />

Production Designer Geert Paredis<br />

Cast Matthias Schoenaerts,<br />

Adèle Exarchopoulos<br />

xhuks vkSj csusfMDVs dks igyh utj esa I;kj gks<br />

tkrk gSA csusfMDVs ifjokj ds O;olk; esa dke<br />

djrh gS vkSj lfdZVksa ij dkj Hkh pykrh gSA xhuks<br />

'kkar] lqanj vkSj lkekU; vkneh gS] ysfdu mldk<br />

,d jgL; gS tks mlds vius vkSj vkl&ikl ds<br />

yksxksa ds thou dks [krjs esa Mky ldrk gSA xhu¨<br />

v©j C®usfMDV d¨ kX¸k L® yM+uk g®Xkk v©j viuh<br />

det®fj;¨a d¨ nwj djds vius I;kj d® cpkuk<br />

g¨XkkA<br />

When Gino meets Bénédicte, it is love<br />

at first sight, passionate, unconditional<br />

and fiery. She is working in the family<br />

business, and she also drives cars on<br />

circuits. Gino is that kind of normal guy,<br />

cool, handsome but he hides a secret.<br />

That kind of secret that can endanger<br />

your life and the lives of those around<br />

you. Gino and Bénédicte will have to<br />

fight against fate, reason and their own<br />

weaknesses to save their love.<br />

Sales agent Wild Bunch<br />

• edevos@wildbunch.eu<br />

ekbdy vkj- jksLde<br />

ekbdy vkj- jksLde us lsaV Y;wdkl vdkneh v‚Q yfyr dyk]<br />

czlsYl ls fp=dyk vkSj ledkyhu dyk dk v/;;u fd;kA<br />

og +ysfe'k v[k+ckj Ms e‚xZu ds i=dkj Hkh jg pqds gSaA cqygsM<br />

¼loZJs"B fons”kh Hkk’kk fQYe ds fy, v‚Ldj vkSj lhtj ukfer½]<br />

n MªkWi vkSj jslj ,aM n tsycMZ varjjk"Vªh; Lrj ij ç”kaflr<br />

fQYesa gSaA<br />

Michaël R. Roskam<br />

Michaël Roskam was a journalist for the Flemish<br />

newspaper De Morgen. Racer and the Jailbird is his<br />

third feature film after the internationally acclaimed film<br />

Bullhead in 2011 (Oscar and César nominee for Best<br />

Foreign Language Film) and The Drop, a dark crime<br />

film with Tom Hardy, Noomi Rapace and the late James<br />

Gandolfini playing the lead roles.<br />

56 INTERNATIONAL COMPETITION


“kVy ykbQ+<br />

Shuttle Life<br />

Fen Bèi Rén Sheng<br />

Malaysia | <strong>2017</strong> | Mandarin | 91 min | Colour<br />

Director Tan Seng Kiat<br />

Producer Roland Lee, Jin Ong<br />

Screenplay Tan Seng Kiat,<br />

Chris Leong Siew Hong<br />

<strong>Cinema</strong>tographer Chen Ko Chin<br />

Editor Chen Hsiao Tung,<br />

Yue Ba Ren Zi<br />

Sound Design Tu Duu Chih,<br />

Chiang Lien Chen<br />

Cast Sylvia Chang, Jack Tan,<br />

Angel Chan<br />

fdvkax ekufld :i ls vfLFkj ek¡ vkSj ikap lky<br />

dh cgu gq;h 'kku dh ns[kHkky djus ds fy, la?k"kZ<br />

djrk gSA ,d rst jrkj dkj ls Vdjk dj gq;h<br />

dh e`R;q gks tkrh gS] fdvkax cgu ds e`r 'kjhj dk<br />

nkok djrk gSA fdvkax eka dks bldh tkudkjh u<br />

nsdj vdsys bl ladV dk lkeuk djrk gSA<br />

✪ INDIA PREMIERE<br />

Qiang struggles to take care of his<br />

mentally unstable mother and a fiveyear-old<br />

sister, Hui Shan. When a<br />

speeding car kills Hui Shan, Qiang is<br />

desperate to claim his sister’s body.<br />

Qiang’s mother is of no help given her<br />

condition, so Qiang is forced to face this<br />

predicament on his own.<br />

Sales agent Wen Hsiao<br />

• wenhsiao.mm@gmail.com<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

rku lsx fdvkr<br />

eysf”k;k esa tUes rku lsax fdvkr us jk"Vªh; rkboku fo'ofo|ky;<br />

ls fQ+Ye fuekZ.k dk v/;;u fd;kA og y?kq fQ+Ye 32 fMxzh<br />

lsfYl;l Q‚y bu yo ds funZs'kd gSaA “kVy ykbQ+ budh igyh<br />

Q+hpj fQ+Ye gSA<br />

Tan Seng Kiat<br />

Tan Seng Kiat was born in Malaysia. He studied<br />

filmmaking at the National Taiwan University. He is the<br />

director of the short 32°C Fall in Love. Shuttle Life is his<br />

debut feature film.<br />

INTERNATIONAL COMPETITION<br />

57


fLVy ukbV] fLVy ykbV<br />

Still Night, Still Light<br />

Mes Nuit Feront Écho<br />

Canada, China, Mexico | 2016 | Spanish, French, English, Mandarin | 98 min | Colour<br />

Director Sophie Goyette<br />

Producer Sophie Goyette<br />

Screenplay Sophie Goyette<br />

<strong>Cinema</strong>tographer Léna Mill-Reuillard<br />

Editor Sophie Goyette<br />

Production Designer Sophie Goyette<br />

Cast Éliane Prèfontaine,<br />

Gerardo Trejoluna<br />

Sales agent Sophie Goyette<br />

• sogoyette@gmail.com<br />

D;wcsd] eSfDldks vkSj ,f'k;k esa rhu laosnu'khy<br />

dykdkj ,yh;u] jksesl vkSj mlds firk ikCyks<br />

fu.kZ; ysrs gSa fd vc mUgsa vius liuksa dks mM+ku<br />

Hkjus nsuk pkfg,A ;g fQ+Ye gesa ,d laosnu”khy<br />

;k=k ij ys tkrh gS tgka ;k=k] dyk] LoIu<br />

vkSj Le`fr ehy dk iRFkj cu tkrs gaSA mu rhu<br />

dykdkjksa dh vkarfjd ftKklk jax ykrh gSA bl<br />

;k=k esa jkRk v©j fnu dh lhek,¡ feV tkrh gS v©j<br />

dkO¸k egd mBrk gSA<br />

Nominated for the Award for the Best Debut Feature of a Director<br />

✪ INDIA PREMIERE<br />

In Quebec, Mexico and Asia, three<br />

sensitive souls heed the call of the<br />

images and melodies that haunt their<br />

days and nights. Moved at once by loss,<br />

yearning and longing, Eliane, Romes<br />

and his father Pablo decide to take<br />

action before it is too late. Whatever the<br />

risks, they must let their dreams take<br />

flight. Implicitly trusting that inner voice<br />

dwelling inside us all, the film beckons us<br />

on a sensory journey where travel, art,<br />

dream, and memory serve as mileposts.<br />

It blurs the boundary that separates night<br />

from day; poetry blooms where these<br />

two worlds intersect. As it attentively<br />

follows the three characters’ quests, the<br />

film directs our gaze to the magic that<br />

seeps from the cracks in daily life.<br />

lksQ+h xks;rs<br />

dukMk ds ys[kd lksQ+h xks;rs us ikap y?kq fQ+Yeksa dk ys[ku vkSj<br />

funsZ”ku fd;k gSA yk jksans vkSj ys Q+qrqj çksps fofHkUu fQ+Ye lekjksgksa<br />

TkSls lUMkUl] y¨dku¨Z v©j V¨jUV¨ esa çnf”kZr gqbZa vkSj mUgsa vusd<br />

iqjLdkj Hkh feysA fLVy ukbV] fLVy ykbV mudh igyh Q+hpj<br />

fQ+Ye gSA<br />

Sophie Goyette<br />

Sophie Goyette is a writer and maker of five short films<br />

awarded in competition at the Sundance, Locarno<br />

and Toronto festivals. Her film La ronde, premiered at<br />

Locarno. Her short Le futur proche won several awards<br />

and was selected for the <strong>International</strong> Competition at the<br />

2013 Sundance Festival. Still Night, Still Light is her first<br />

feature film.<br />

58 INTERNATIONAL COMPETITION


Vsd vkWQ<br />

Take Off<br />

India | <strong>2017</strong> | Malayalam | 139 min | Colour<br />

Director Mahesh Narayanan<br />

Producer Shebin Backer,<br />

Anto Joseph<br />

Screenplay Mahesh Narayanan,<br />

P V Shaji Kumar<br />

<strong>Cinema</strong>tographer Sanu Jose Varghese<br />

Editor Abhilash Balachandran<br />

Cast Parvathy, Fahad Faasil,<br />

Kunchacko Boban, Asif Ali,<br />

Prakash Belawadi<br />

Sales agent Anto Joseph Film<br />

Company<br />

lehjk is'ks ls ulZ gS vkSj vkB lky ds bc: dh ek¡<br />

gSA gky gh esa rykd ls xqtjh lehjk viuh vkfFkZd<br />

fnDdrksa ds lek/kku ds fy, ;q) esa f?kjs bZjkd esa<br />

ukSdjh Lohdkj dj ysrh gSA oks tYnckth esa vius<br />

lgdehZ 'kkfgn ls fookg dj bZjkd pyh tkrh gS<br />

ysfdu ogk¡ 'kkfgn dks foæksgh lsuk vi`gr dj ysrh<br />

gSA blls igys fd oks nksckjk 'kknh dks laHkkys vkSj<br />

vius csVs dks vius xHkZorh gksus dh otg le>k,]<br />

mlds vLirky dks Hkh ca/kd cuk fy;k tkrk gSA<br />

b/kj nwrkokl vius ukxfjdksa dh lqjf{kr okilh ds<br />

fy, ç;kljr gS] ogk¡ bl ifjokj ds iqufeZyu vkSj<br />

cpko dk loky Hkh lkeus [kM+k gSA<br />

Sameera, a nurse, a mother to an 8 year<br />

old Ibru. Recently divorced, she takes<br />

up a job in war-torn Iraq to overcome<br />

financial liabilities. Soon after, she<br />

hastily marries her colleague Shahid and<br />

moves to Iraq where much to her chagrin<br />

Shahid is taken hostage by the rebel<br />

army. Appallingly the hospital she works<br />

at is captured soon after. As the embassy<br />

wages diplomatic battles to negotiate the<br />

return of its nationals, the possibility of<br />

a family reunion and imminent rescue<br />

looms large.<br />

Nominated for the Award for the Best Debut Feature of a Director and competing for the ICFT UNESCO Gandhi Medal<br />

egs'k ukjk;.ku<br />

egs'k dk lEikndh; inkiZ.k jkf=ek>k us csLV funsZ'kd dk jk"Vªh;<br />

iqjLdkj thrk vkSj ik¡p dsjy jkT; iqjLdkj Hkh thrsA Hkkjrh;<br />

fQYe m|ksx esa ,d lEekfur lEiknd ds :i esa mUgsa tkuk tkrk<br />

gS vkSj feyh] ftls dsjy esa [kwc vkykspdh; rkjhQsa çkIr gks jgh gSa]<br />

fQYe ds lkFk mUgksaus [kqn dks ,d dkfcy ys[kd Hkh lkfcr fd;k<br />

gSA Vsd vkWQ egs'k ukjk;.ku dk funsZ'kdh; inkiZ.k gSA<br />

Mahesh Narayanan<br />

Mahesh Narayanan’s editorial debut Rathrimazha<br />

bagged National award for the best director and five<br />

Kerala State Awards. Having rapidly climbed the ladder<br />

as a renowned editor in the Indian Film Industry, Mahesh<br />

proved his expertise in writing as well through the film<br />

Mili, that has opened to rave reviews in Kerala. Take Off<br />

is Mahesh Narayanan’s directorial debut.<br />

INTERNATIONAL COMPETITION<br />

59


foyst jkWdLVklZ<br />

Village Rockstars<br />

India | <strong>2017</strong> | Assamese | 87 min | Colour<br />

Director Rima Das<br />

Producer Rima Das<br />

Story Rima Das<br />

Screenplay Rima Das<br />

<strong>Cinema</strong>tographer Rima Das<br />

Editor Rima Das<br />

Music Nilotpal Borah<br />

Sound Design Amrit Pritam<br />

Cast Banita Das, Basanti Das<br />

Sales agent Asian Shadows<br />

• contact@chineseshadows.com<br />

/kquq ¼ƒå½ lqnwj vle ds lqfo/kkvksa ls oafpr bykds<br />

esa jgrh gS] ysfdu vktkn [k;kyksa okyh bl yM+dh<br />

dk iDdk Hkjkslk vius liuksa dh rkdr ij gSA<br />

mldh fo/kok ek¡ fdlh rjg la?k"kksaZ ds chp ?kj<br />

pykrh gS ysfdu /kquq –


ICFT UNESCO<br />

Gandhi Medal<br />

A competitive section for films<br />

that explore the themes of<br />

peace, harmony and unity<br />

61 ICFT UNESCO GANDHI MEDAL


vkeksd<br />

Amok<br />

✪ INDIA PREMIERE<br />

Poland | <strong>2017</strong> | Polish | 108 min | Colour<br />

Director Kasia Adamik<br />

Producer Beata Pisula<br />

Screenplay Richard Karpala<br />

<strong>Cinema</strong>tographer Tomasz Naumiuk<br />

Editor Michal Czarnecki<br />

Production Designer Anna Anosowicz<br />

Cast Mateusz Kosciukiewicz, Lukasz<br />

Simlat, Zofia Wichlacz, Zbigniew Stryj,<br />

Miroslaw Haniszewski, Jan Peszek<br />

,d vkneh dh gR;k dj nh tkrh gS] ysfdu<br />

ftEesnkj O;fä lkeus vkus vkSj fxjrkj gksus ls<br />

cpk jgrk gSA dqN lky ckn ,d iqfyl baLisDVj<br />

dks yxrk gS fd mlss gky gh esa çdkf'kr vkeksd<br />

uked iqLrd esa gR;k ds lcwr fey x;s gSaA<br />

A man is murdered, but the person<br />

responsible avoids being discovered<br />

and arrested. A few years later, a<br />

police inspector suspects he has found<br />

evidence in a newly-published book<br />

entitled Amok.<br />

drkjt+kbuk vMsfed<br />

iksfy'k fQYe funsZ'kd drkjt+kbuk ,Msfed ¼dkfl;k ,Msfed½ us<br />

,dsMseh vkWQ+ Q+kbu vkV~Zl] czlsYl ls xzkfQ+Dl esa Lukrd fd;kA<br />

1993 ls ysdj MkdZusl] d‚fiax chFkksosu] ,ojhfFkax bt+ bY;wfeusVsM]<br />

dSVoweWu] VªSIM] twyh o‚fdax gkse] ,atsy v‚Q+ MsFk] gkVZ~l bu<br />

vVykafVl] ,atsy vkbt+] xksYMu MªhEl] n FkMZ fejkdy] n oqM<br />

vkSj iksfy'k osfMax tSlh vusd fQ+Yeksa esa ,d LVksjhcksMZ dykdkj<br />

ds :i esa dke fd;kA<br />

Katarzyna Adamik<br />

Katarzyna Adamik, a.k.a Kasia Adamik is a Polish film<br />

director, visual art artist and storyboard artist. She has<br />

worked as a storyboard artist on an array of movies,<br />

including In Darkness, Copying Beethoven, Everything<br />

Is Illuminated, Catwoman, Trapped, Julie Walking Home,<br />

Angel of Death, Hearts in Atlantis, Angel Eyes and more.<br />

62 ICFT UNESCO GANDHI MEDAL


f[kcqyk<br />

Khibula<br />

✪ ASIA PREMIERE<br />

Georgia, Germany, France | <strong>2017</strong> | Georgian | 98 min | Colour<br />

Director George Ovashvili<br />

Producer George Ovashvili,<br />

Eike Goreczka, Christoph Kukula,<br />

Guillaume de Seille<br />

Screenplay Roelof-Jan Minneboo<br />

<strong>Cinema</strong>tographer Enrico Lucidi<br />

Editor Sun-Min Kim<br />

Cast Hossein Mahjoob, Kishvard<br />

Manvelishvili, Nodar Dzidziguri,<br />

Zurab Antelava<br />

gky gh esa Lora=rk çkIr ns'k esa vius yksxksa<br />

}kjk fuokZfpr ,d O;fä dks 'kh?kz gh r[rkiyV<br />

}kjk fudky fn;k tkrk gSA og igkM+ksa ij Hkkx<br />

tkrk gS tgka oQ+knkj lSfud mldk bartkj dj<br />

jgs gSaA og fuokZLku ls ckgj vkdj muls feydj<br />

lÙkk esa okilh dh ;kstuk cukrk gSA fo'okl vkSj<br />

vfo'okl] vk”kk vkSj fujk”kk ds chp ;g ;k=k<br />

vklku ugha FkhA ysfdu tks mlds HkkX; esa gS ogh<br />

feysxkA<br />

A man, elected by his people to become<br />

the head of a newly independent country,<br />

gets ousted by a coup d´état shortly<br />

after. He flees into the mountains, where<br />

loyal troops are rumoured to be waiting<br />

for him. He plans to meet them and<br />

come back from his exile to regain his<br />

power. Full of hope, he is following his<br />

guardians into the mountains, in order to<br />

regroup with his true followers.<br />

t‚tZ vksof'oyh<br />

t‚tZ vksof'oyh dk tUe 14 uoacj] 1963 dks t‚ftZ;k esa gqvk FkkA<br />

og xkXek usihjh vkSj d‚uZ vkbySaM ds fuekZrk vkSj funsZ'kd gSaA<br />

f[kcqyk mudh uohure Q+hpj fQ+Ye gSA<br />

George Ovashvili<br />

George Ovashvili was born in Georgia on 14 November<br />

1963. He is a producer and director known for Gagma<br />

Napiri and Corn Island. Khibula is his latest feature film.<br />

ICFT UNESCO GANDHI MEDAL<br />

63


f{kfrt & , gksjkbtu<br />

Kshitij – A Horizon<br />

✪ WORLD PREMIERE<br />

India | <strong>2017</strong> | Marathi | 95 min | Colour<br />

Director Manouj Kadaamh<br />

Producer Navroz Prasla, Karishma<br />

Mhadolkar<br />

Screenplay Manouj Kadaamh<br />

<strong>Cinema</strong>tographer Yogesh Rajguru<br />

Editor Neeraj Voraliya<br />

Cast Upendra Limaye,<br />

Kanchan Jadhav, Vaishnavi Tangde,<br />

Arnav Mandrubkar, Rajkumar Tangde,<br />

Manoj Joshi, Vidyadhar Joshi,<br />

Sanjay Mone, Prakash Dhotre,<br />

Akansha Pingale,<br />

okph ckjg lky dh gS vkSj reke pqukSfr;ksa ds<br />

ckotwn i


n ykLV isafVax<br />

The Last Painting<br />

✪ INDIA PREMIERE<br />

Taiwan | <strong>2017</strong> | Mandarin | 108 min | Colour<br />

Director Hung-i Chen<br />

Producer Ying-chuan Wei,<br />

Gene Yao<br />

Screenplay Hung-i Chen,<br />

Ying-chuan Wei<br />

<strong>Cinema</strong>tographer Jing-Pin Yu<br />

Editor Hung-i Chen<br />

Sound Design Min-Hsu Wang<br />

Production Designer Max Huang,<br />

Shuo-Lin Liang<br />

Cast J.C. Lin, Ning Chang, Wei-Yi Lin<br />

vdsys jgus okyh fp=dkj ds ?kj ,d jktuhfrd<br />

dk;ZdrkZ Nk= gkmlesV cu dj vkrk gSA mldk<br />

O;ogkj csgwnk vkSj vthc gS fdarq fp=dkj thou ds<br />

Áfr vk'kkoknh gSA rkboku esa u, jk"Vªifr ds gksus<br />

okys pqukoksa dh gypy gSA ;g ledkyhu ,f'k;kbZ<br />

flusek dhs loZJs"B fQ++Ye le; vkSj y; dk ltho<br />

fp=.k gS A ns[kus esa çHkko'kkyh fFkzyj esa jktuhfr]<br />

dyk vkSj gR;k dk lfEeJ.k gSA<br />

A student and political activist becomes<br />

the new housemate of a solitary painter.<br />

He is brusque and disillusioned, she<br />

is filled with hope. Outside, Taiwan<br />

is heading towards new presidential<br />

elections. Contemporary Asian cinema at<br />

its best, in which it’s all about timing and<br />

rhythm. A visually impressive, layered<br />

thriller about politics, art and murder.<br />

gax&vkbZ psu<br />

gax&vkbZ psu jk"Vªh; rkboku fo'ofo|ky;] n'kZu'kkL= foHkkx ls<br />

Lukrd gSA muds }kjk funsZf”kr foKkiuksa] laxhr ohfM;ks rFkk Qhpj<br />

fQYeksa us vusd iqjLdkj çkIr fd;s gsaA mudh igyh fQYe dSaMh<br />

jsu dks rkbis fQ+Ye lekjksg esa loZJs"B funsZ'kd iqjLdkj lfgr<br />

dbZ ckj lEekfur fd;k tk pqdk gSA n ykLV isafVax mudh pkSFkh<br />

Q+hpj fQ+Ye gSA<br />

Hung-i Chen<br />

Hung-i Chen has directed several award-winning<br />

commercials, music videos and feature films - including<br />

his debut Candy Rain. He received an award for Best<br />

Director at the Taipei Film Festival. The Last Painting is<br />

his fourth feature film.<br />

ICFT UNESCO GANDHI MEDAL<br />

65


euqlaxMk<br />

Manusangada<br />

India | 2016 | Tamil | 93 min | Colour<br />

Director Amshan Kumar<br />

Producer Ganan Natkunan, Thara<br />

Screenplay Amshan Kumar<br />

<strong>Cinema</strong>tographer P.S. Dharan<br />

Editor Dhanasekar<br />

Cast Rajeev Anand, A.S. Sasi Kumar,<br />

Sheela Rajkumar, Manimegalai<br />

Sales agent A K Films<br />

• ak_films@outlook.com<br />

dksyIiu ds firk xqtj x, gSa] bl nq[k ls uhph<br />

tkfr dk nfyr dksyIiu ijs'kku gS ;g lkspdj fd<br />

fdl rjg oks dkaVks ls Hkjs vLi"V jkLrs ls firk dh<br />

ikfFkZo nsg dks vfpfàr dczxkg rd ysdj tk,xkA<br />

lekt dh lkekftd vlekurkv¨a dk lrk;k<br />

dksyIiu foæksg djrk gS ,slh lkekftd vktknh<br />

ds fy, ftldk vk/kkj cjkcjh ds ekuokf/kdkj gksaA<br />

Beyond the grief that his father’s demise<br />

causes, Kolappan dreads the prospect<br />

of the burial that requires a low caste<br />

Dalit, to carry the body through a<br />

thorny, unformed route to an uncertain<br />

graveyard. Deeply disturbed with the<br />

inequalities, Kolappan begins a protest<br />

to enforce social liberty based on<br />

equitable human rights.<br />

vE'kku dqekj<br />

jk"Vªh; iqjLdkj ls lEekfur fQYedkj vE'kku dqekj ds uke<br />

dbZ iqjL—r fQYesa jgh gSaA os fQYe jlkLoknu ij çHkko'kkyh<br />

iqLrd flusek jlukbZ ds ys[kd gSa] ftls Hkkjr vkSj Jhyadk ds<br />

fo'ofo|ky;ksa esa iikue FksM+pkukewfrZ dks dbZ lekj®g¨a esa lEekfur fd¸kk<br />

tk Pkqdk gSA<br />

Amshan Kumar<br />

A national award-winning filmmaker, Amshan Kumar<br />

has several titles to his credit. He has authored<br />

<strong>Cinema</strong> Rasanai, an influential film appreciation text<br />

that is part of university syllabi in India and Sri Lanka.<br />

His feature film Oruththi and documentary Yazhpanam<br />

Thedchanamoorthy have bagged several prestigious<br />

awards and honours.<br />

66 ICFT UNESCO GANDHI MEDAL


iw.kkZ<br />

Poorna<br />

India | <strong>2017</strong> | Hindi | 100 min | Colour<br />

Director Rahul Bose<br />

Producer Rahul Bose<br />

Screenplay Prashant Pandey, Shreya<br />

Dev Verma<br />

<strong>Cinema</strong>tographer Subhransu<br />

Editor Manan Mehta<br />

Cast Aditi Inamdar, Rahul Bose, S.<br />

Mariya<br />

rsyaxkuk dh rsjg lky dh vkfnoklh yM+dh dSls<br />

,sojsLV ij p


jsyos fpYMªu<br />

Railway Children<br />

India | <strong>2017</strong> | Kannada | 155 min | Colour<br />

Director Prithvi Konanur<br />

Producer Tin Drum Beats<br />

Screenplay Prithvi Konanur<br />

<strong>Cinema</strong>tographer Eswaran Thangavel<br />

Editor Shivkumar Swamy<br />

Cast Manohara, Yash Shetty, Srikanth,<br />

Hanumant Raju, Narasappa<br />

jktw ckjg lky dh mez esa ?kj ls Hkkx x;k Fkk<br />

vkSj vc jsyos IysVQ‚eZ ij mls ftUnxh ds eqf'dy<br />

lcd fey jgs gSaA oks ,d ,sls xSax ds paxqy esa Qal<br />

tkrk gS tks IysVQ‚eZ ij xSjdkuwuh /ka/kksa esa fyIr<br />

gS] ysfdu ;gk¡ tksyw mldh enn djrk gS vkSj<br />

bu ifjfLFkfr;ksa esa dke djuk fl[kkrk gSA mudh<br />

nksLrh mUgsa u;k vkRefo'okl nsrh gS vkSj oks nqfu;k<br />

ij cM+s vknfe;ksa dh rjg viuk flDdk tekus dh<br />

[okfg'k djrs gSaA os viuk [kqn dk /ka/kk 'kq# djus<br />

fudy iM+rs gSa] fcuk ;s tkus fd oks [kqn dks dSls<br />

[krjs esa /kdsy jgs gSaA<br />

Raju, a 12-year-old runaway kid,<br />

discovers the sordid aspects of living<br />

life on a railway platform. Soon, falling<br />

prey to a gang dealing in illegal platform<br />

businesses, he finds a friend in Jollu who<br />

helps him learn the ropes of the job at<br />

hand. Their friendship gives them newfound<br />

confidence to start out on their<br />

own and for their world to take notice of<br />

them as grown men. Unable to see the<br />

danger they are subjecting themselves<br />

to, the duo start a venture on their own.<br />

i`Foh dksUuwj<br />

dksUuwj dh igyh y?kq fQYe daMh'kuy Vªwl Jhyadk esa dbZ<br />

vUrjkZ"Vªh; fQYe lekjksgksa esa çnf'kZr gqbZA mudh dUuM+ Hkk"kk esa<br />

Q+hpj vysxkyw dk fuekZ.k lh,Q,lvkbZ ¼bafM;k½ us fd;k] vkSj bls<br />

VhvkbZ,Q,Q fdM~l] rsgjku] LVMxkVZ bafM;u fQYe QsfLVoy esa<br />

vPNh çfrfØ;k,a feyhaA<br />

Prithvi Konanur<br />

Prithvi Konanur’s debut short Conditional Truce shot<br />

in Srilanka has been screened at several international<br />

film festivals. His Kannada language feature Alegalu,<br />

was produced by CFSI (India); the film was well<br />

received at TIFF Kids, Tehran, Stuttgart Indian film<br />

festival and more.<br />

68 ICFT UNESCO GANDHI MEDAL


oqeWu vkWQ+ n ohfiax fjoj<br />

Women of the Weeping River<br />

✪ INDIA PREMIERE<br />

UK,USA | English, Spanish | 1989 | 133 min | Colour<br />

Director Sheron Dayoc<br />

Producer Sheron Dayoc<br />

Screenplay Sheron Dayoc<br />

<strong>Cinema</strong>tographer Rommel Sales<br />

Editor Carlo Francisco Manatad<br />

Sound Design Mike Idioma<br />

Cast Laila Ulao, Sharifa Pearlsia Ali-<br />

Dans, Taha G. Daranda Tan, Miriam<br />

Zimadar-Raper<br />

Q+jhnk vkSj lrjk nksuksa ,d =klnh vkSj jDrikr]<br />

fgalk vkSj fooknksa dh mFkyiqFky vkSj v”kkafr ls<br />

ca/kh gqbZa gSaA os nksuksa fiNyh ihf


<strong>Cinema</strong> of the<br />

World<br />

A section that celebrates the<br />

notable films of the past year<br />

from across the world<br />

CINEMA OF THE WORLD


3@4 ¼Fkzh DokVlZ½ ✪ INDIA PREMIERE<br />

3/4 (Three Quarters)<br />

Bulgaria, Germany | <strong>2017</strong> | Bulgarian | 82 min | Colour<br />

Director Ilian Metev<br />

Producer Ingmar Trost, Ilian Metev<br />

Screenplay Betina Ip, Ilian Metev<br />

<strong>Cinema</strong>tographer Julian Atanassov<br />

Editor Ilian Metev<br />

Sound Design Mirko Reinhard<br />

Production Designer Nikolay Hristov,<br />

Ivelina Mineva<br />

Cast Mila Mikhova, Niki Mashalov,<br />

Todor Veltchev<br />

;qok fi;kuksoknd feyk fons'k esa ,d v‚fM'ku dh<br />

rS;kjh djrh gSA mldk HkkbZ fudh viuh vokafNr<br />

gjdrksa ls mls fopfyr djrk jgrk gSA muds<br />

[kxksy'kkL=h firk VksMksj vius cPpksa dh fparkvksa<br />

ls fuiVus esa vleFkZ gSaA fiNyh xfeZ;ksa esa ,d lkFk<br />

tqVs ifjokj dk ,d fp=A<br />

Young pianist Mila prepares for an<br />

audition abroad. Her brother Niki<br />

distracts her with his unwanted talent for<br />

the absurd. Their astrophysicist father<br />

Todor seems incapable of dealing with<br />

his children’s anxieties. A portrait of a<br />

family during their last summer together.<br />

Sales agent Memento Films<br />

• sales@memento-films.com<br />

bfy;u esVso<br />

1981 esa lksfQ+;k esa tUes bfy;u esVso us ok;fyu oknd ds :i esa<br />

dSfj;j “kq# fd;kA 2008 esa jk"Vªh; fQ+Ye vkSj Vsyhfotu fo|ky;]<br />

yanu ls y?kq fQ+Ye xksYks”kksoks ds lkFk Lukrd fd;kA mudh igyh<br />

Q+hpj lksfQ;kt+ ykLV ,Ecqysal dk dku fØfVDl ohd çhfe;j gqvk<br />

vkSj bls Ýkal 4 fotujh iqjLdkj feykA<br />

Ilian Metev<br />

Born in Sofia in 1981, Ilian Metev initially pursued a<br />

career as a violinist. In 2008, he graduated from the<br />

National Film and Television School near London with<br />

his short film Goleshovo. His first feature, Sofia’s Last<br />

Ambulance, premiered at the Critics’ Week in Cannes<br />

where it won the France 4 Visionary award.<br />

72 CINEMA OF THE WORLD


ukbu fQ+axlZ<br />

9 Fingers<br />

9 Doigts<br />

France, Portugal | <strong>2017</strong> | French | 99 min | B&W, Colour<br />

✪ INDIA PREMIERE<br />

Director F.J. Ossang<br />

Producer Sbastien Haguenauer, Bruce<br />

Satarenko, Lus Urbano<br />

Screenplay F.J. Ossang<br />

<strong>Cinema</strong>tographer Simon Roca<br />

Editor Walter Mauriot<br />

Sound Design Julien Cloquet<br />

Production Designer Rafael Mathe<br />

Monteiro<br />

Cast Damien Bonnard, Diogo Dria<br />

e/; jkf= esa esxykWjs ls ,d lqulku jsyos LVs'ku ij<br />

/kweziku djrs le; iqfyl igpku i= ekaxrh gSA<br />

og fcuk fdlh lkeku vkSj Hkfo"; dh ;kstuk ds<br />

nkSM+us yxrk gSA vpkud ,d ej.kklUu O;fä<br />

feyrk gS] tks mldk HkkX; cny nsrk gSA blds<br />

ckn ,d fxjksg esxykWjs dk ihNk djrk gS] og u<br />

dsoy mudk ca/kd cfYd lkFkh Hkh cu tkrk gSA<br />

In the middle of the night, Magloire<br />

smokes a cigarette in an abandoned<br />

train station when the police show up for<br />

an identity check. He starts running with<br />

no luggage and no future until he meets<br />

a dying man from whom he inherits<br />

a fortune. Subsequently Magloire is<br />

chased by a gang and becomes not only<br />

their hostage but also their accomplice.<br />

Sales agent Capricci Films<br />

• valentin.carre@capricci.fr<br />

,Q+- ts- vksLlax<br />

,Q+- ts- vksLlax dk tUe 7 vxLr 1956 dks gqvkA funsZ”kd vkSj<br />

vfHkusrk vksLlax /keZ xUl ¼yk lDls”kWu LVkjdkso½] MkWDVj pkal<br />

rFkk lkbysUl ds fy, çfl) gSaA<br />

F.J. Ossang<br />

F.J. Ossang was born on August 7, 1956 as Jacques<br />

Plougeaut. He is a director and actor known for Dharma<br />

Guns (La succession Starkov), Doctor Chance and<br />

Silence.<br />

CINEMA OF THE WORLD<br />

73


cSjst+<br />

Barrage<br />

Luxembourg, Belgium, France | <strong>2017</strong> | French | 112 min | Colour<br />

Director Laura Schroeder<br />

Producer Pol Cruchten,<br />

Sébastien Delloye, Jeanne Geiben,<br />

Sebastian Schelenz<br />

Screenplay Marie Nimier,<br />

Laura Schroeder<br />

<strong>Cinema</strong>tographer Hélène Louvart<br />

Editor Damien Keyeux<br />

Production Designer Christina<br />

Schaffer<br />

Cast Lolita Chammah, Themis Pauwels,<br />

Isabelle Huppert<br />

fons'k esa nl lky fcrkus ds ckn dSFkjhu viuh<br />

csVh vYck ds ikl yDtecxZ ykSVh gS] ftlss mldh<br />

eka ,fyt+kcsFk us ikyk gSA vYck vkSj ,fyt+kcsFk<br />

bl vtuch ls nwj jguk pkgrh gSaA bl vlguh;<br />

ifjfLFkfr esa dSFkjhu vYck dk vigj.k dj ,d<br />

;k=k ij ys tkrh gSA fdarq mldk ekr` çse gh<br />

mldk “k=q cu tkrk gSA<br />

After ten years abroad, Catherine returns<br />

to Luxembourg to catch up with her<br />

daughter Alba, who has been brought up<br />

by Catherine’s mother Elisabeth. Alba is<br />

cold and distant with this stranger who<br />

shows up suddenly in her life, and so<br />

is Elisabeth, keen to keep her protegee<br />

to herself. When she cannot take it<br />

anymore, Catherine ‘kidnaps’ Alba and<br />

takes her on a trip to a lake up North. The<br />

unsettling journey into the puzzling world<br />

of motherly love leads to the realization<br />

that she might be her own worst enemy.<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

yksjk LdksjssMj<br />

yDlecxZ esa tUeh yksjk LdksjssMj dh fQ+Yesa fo”o Hkj ds fQ+YeksRloksa<br />

esa fn[kk;h x;h gSaA dbZ Lo;a fufeZr fQ+Yeksa ds ckn] mUgksaus y?kq<br />

fQ+Yeksa lsaMlZ vkSj Mcy l‚V dk funsZ'ku vkSj ys[ku fd;kA n<br />

Vªst+j ukbV~l] n lhØsV v‚Q esyqfluk vkSj CyjMZ c‚MZlZ budh<br />

vU; fQ+Yesa gSaA<br />

Laura Schroeder<br />

Laura Schroeder was born in Luxembourg. Her works<br />

have screened at festivals worldwide. After several selfproduced<br />

films, she wrote and directed the short films<br />

Senteurs and Double Saut. Her other credits include The<br />

Treasure Knights—The Secret of Melusina and Blurred<br />

Borders.<br />

74 CINEMA OF THE WORLD


cM~lZ fonkmV usEl<br />

Birds Without Names<br />

Kanojo Ga Sono Na Wo Shiranai Toritachi<br />

Japan | <strong>2017</strong> | Japanese | 123 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Kazuya Shiraishi<br />

Producer Kazumi Fukase<br />

Screenplay Taeko Asano<br />

<strong>Cinema</strong>tographer Takahiro Haibara<br />

Editor Hitomi Kato<br />

Sound Design Kazunori Urata<br />

Production Designer Riki Imamura<br />

Cast Yu Aoi, Sadawo Abe, Tori<br />

Matsuzaka, Yutaka Takenouchi<br />

Sales agent Nikkatsu<br />

• m.furukawa@nikkatsu.co.jp<br />

Qksu ij dqN xjhc [kqnjk dk;ZdrkZvksa dk fglkc<br />

j[kus ds vfrfjDr rksokdks ds ikl cgqr [kkyh<br />

le; gSA og u, çseh ds lkFk ;kSu laca/k j[krs gq,<br />

Hkh vkSj vius ykirk iwoZ çseh dks ;kn djrh gSA<br />

bl nqfo/kk esa mldk :eesV ftath Hkh mldk ihNk<br />

djus yxrk gSA iwoZ çseh dk ykirk gksuk r¨okd¨<br />

ds fy, var rd jgL; gh jgrk gSA<br />

Towako has a lot of free time, and when<br />

she’s not busy berating some poor retail<br />

worker over the phone, she’s switching<br />

between two modes – having sex with<br />

her new beau, and craving it from her<br />

missing ex-lover. Thrown in amongst this<br />

spiritual orgy is Jinji (Sadao Abe), her<br />

unlikely roommate and caretaker, who<br />

begins to lurk in the shadows everywhere<br />

she goes. This, in conjunction with the<br />

mysterious circumstances surrounding<br />

her ex-lover’s disappearance, has her<br />

reconsidering whether his disappearance<br />

is really such a mystery after all.<br />

dkt+q;k f”kjk;”kh<br />

tkiku ds gksDdkbMks esa tUes dkt+q;k f”kjk;”kh us fuekZrk dksth<br />

odkekRlw vkSj xsUth ukdkeqjk ds lgk;d ds :i esa dke djus<br />

ds ckn viuh igyh Q+hpj fQYe y‚LV iSjkMkbt+ bu VksD;ks dk<br />

funsZ'ku fd;kA MsfoYl ikFk vkSj fV~ofLVM tfLVl budh vU;<br />

fQ+Yesa vkSj cM~lZ fonkmV usEl uohure gSA<br />

Kazuya Shiraishi<br />

Kazuya Shiraishi was born in Asahikawa in the Kazuya<br />

Shiraishi Hokkaido prefecture of Japan. After working for<br />

a time as an assistant to filmmakers Koji Wakamatsu and<br />

Genji Nakamura, he went on to direct his first feature,<br />

Lost Paradise in Tokyo. Subsequent directorial credits<br />

include The Devil’s Path and Twisted Justice. Birds<br />

Without Names is his most recent film.<br />

CINEMA OF THE WORLD<br />

75


CySd ysoy<br />

Black Level<br />

Riven' Chornoho<br />

Ukraine | <strong>2017</strong> | No Dialogues | 91 min | Colour<br />

Director Valentyn Vasyanovych<br />

Producer Valentyn Vasyanovych, Iya<br />

Myslytska, Dennis Ivanov<br />

Screenplay Valentyn Vasyanovych<br />

<strong>Cinema</strong>tographer Valentyn<br />

Vasyanovych<br />

Cast Kostyantyn Mokhnach, Kateryna<br />

Molchanova<br />

cM+s “kgj esa cgqr vdsykiu gS vkSj osfMax QksVksxzkQj<br />

dksLR;k ds thou esa HkhA dke ds le; og vius<br />

thou esa fo'ks"k {k.kksa dks eukrs gq, çlUufpÙk<br />

yksxksa ls f?kjk jgrk gSA dksLR;k 50 dk gksus okyk<br />

gS vkSj viuh gj I;kjh pht dks [kks jgk gSA D;k<br />

og fujk'kk ls eqdkcyk dj thou dh [kfq”k;ksa dh<br />

vksj ykSV ik;sxk \<br />

✪ INDIA PREMIERE<br />

Loneliness dwells in a big city; Kostya,<br />

the wedding photographer, dwells there<br />

too. At work, he is surrounded by happy<br />

people celebrating special moments in<br />

their lives. Kostya is about to turn 50,<br />

and he is drastically losing everything<br />

he used to cherish. Will he cope with his<br />

despair and regain the joy of life?<br />

Sales agent Arthouse Traffic<br />

• program@arthousetraffic.com<br />

oSysaVhu okluuksfod<br />

oSysaVhu okluuksfod ;wØsuh funs'kd] fuekZrk vkSj Mhvksih gSA 2004<br />

esa muds o`Ùkfp= vxsULV n lu dks DysjeksaUV&QsjaM vkSj fQ+D”ku<br />

fQ+Yeksa fct+usl ,t+ ;qt+vy ,oa ØsMsal vksMslk fQ+Ye lekjksg esaa<br />

iqjLdkj feysA ;wØsu dh cgqpfpZr fQ+Ye n Vªkbc jghA ØsiqLD¸kwYk<br />

v®Mslk fQYe lekj®g dh loZJs"B ¸kwØsfu¸ku fQ+Ye pquh xbZA<br />

Valentyn Vasyanovych<br />

Valentyn Vasyanovych is a director, producer and DOP.<br />

His documentary Against the Sun received the Jury Prize<br />

at the Clermont-Ferrand IFF. His fiction films Business as<br />

Usual and Kredens were awarded at the Odessa IFF.<br />

The Tribe is considered the biggest Ukrainian festival hit.<br />

Crepuscule (documentary) was recognised as the best<br />

Ukrainian film at Odessa Film Festival (2015).<br />

76 CINEMA OF THE WORLD


CyMh feYd<br />

Bloody Milk<br />

Petit Paysan<br />

France | <strong>2017</strong> | French | 90 min | Colour<br />

Director Hubert Charuel<br />

Producer Stéphanie Bermann,<br />

Alexis Dulguerian<br />

Screenplay Claude le Pape,<br />

Hubert Charuel<br />

<strong>Cinema</strong>tographer Sebastien Goepfert<br />

Editor Julie Lena, Lilian Corbeille,<br />

Grégoire Pontécaille<br />

Sound Design Emmanuel Augeard<br />

Vincent Cosson<br />

Cast Swann Arlaud, Sara Giraudeau,<br />

Bouli Lanners, Isabelle Candelier,<br />

Jean-Paul Charuel, Marc Barb<br />

Ms;jh fdlku fi;js dk thou esa i'kqfpfdRld<br />

cgu] ekrk&firk] [ksr vkSj xk;sa gh lc dqN gSaA<br />

Ýkal esa tc ,d egkekjh dk igyk ekeyk lkeus<br />

vk;k rks mls irk pyk fd mldk ,d i”kq h<br />

laØfer gSA fi;js ds ikl vius i'kqËku ds vYkkok<br />

dqN h ugha gSA fi;js viuh xk;ksa dks [kks ugha<br />

ldrkA og mUgsa cpkuss ds fy, dqN Hkh djsxkA<br />

✪ INDIA PREMIERE<br />

Pierre is a 30-year-old dairy farmer. His<br />

life revolves around the family farm he<br />

took over, his cows, his veterinarian<br />

sister and his parents. When the first<br />

cases of an epidemic disease break out<br />

in France, Pierre finds out that one of his<br />

animals is infected. Losing his cows is<br />

not an option for Pierre. He has nothing<br />

else and he will do whatever it takes to<br />

save them.<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

áwcVZ pk#,y<br />

n Qsfel fQYe Ldwy ls Lukrd áwcVZ pk#,y us rhu y?kq<br />

fQ+Yeksa dk lg&ys[ku vkSj funsZ'ku fd;kA 2016 esa mUgksaus igyh<br />

Q+hpj fQ+Ye isfVV islu DykmM ys isi ds lkFk feydj fy[kh<br />

vkSj mldk funsZ”ku fd;kA budh fQ+Ye CyMh feYd dku fQYe<br />

lekjksg] <strong>2017</strong> ds fØfVDl ohd esa çnf”kZr gqbZA<br />

Hubert Charuel<br />

Charuel co-wrote (with Claude Le Pape) and directed<br />

Petit paysan, his first feature film, half-documentary<br />

(about life in a dairy farm) and half-fiction (a young<br />

dairy farmer tries desperately to save his herd from the<br />

ravages of an epidemic disease). Both interesting and<br />

thrilling, Charuel’s film was well received at the Critics’<br />

Week of the <strong>2017</strong> Cannes Film Festival.<br />

CINEMA OF THE WORLD<br />

77


n CkkW; fon n VkWiukWV<br />

The Boy with the Topknot<br />

✪ INTERNATIONAL PREMIERE<br />

UK | <strong>2017</strong> | English | 90 min | Colour<br />

Director Lynsey Miller<br />

Producer Nisha Parti<br />

Screenplay Mick Ford, Sathnam<br />

Sanghera<br />

<strong>Cinema</strong>tographer Adam Etherington<br />

Editor Sarah Brewerton<br />

Sound Design Martin Beresford<br />

Production Designer Caroline Greville-<br />

Morris<br />

Cast Sacha Dhawan, Anupam Kher,<br />

Deepti Naval, Joanna Vanderham,<br />

Kiran Sonia Sawar and Sam Otto.<br />

lruke la?ksjk oksYojgsEiVu esa rhu O;olk;ksa esa<br />

my> dj thou O;rhr dj jgk FkkA ifjokj ds<br />

:[ks O;ogkj dk og vH;Lr gks pqdk FkkA 24 o’kZ<br />

dh vk;q esa vpkud mls vrhr ds ckjs esa irk pyk<br />

fd mlds firk xzkeh.k iatkc ds dBksj thou ds<br />

ckn dSls oksYojgsEiVu VwfjLV v‚fQ+l rd igqaps<br />

vkSj thou ds çfr mldk ut+fj;k cny x;kA<br />

For Sathnam Sanghera, growing up<br />

in Wolverhampton in the 1980s was<br />

a confusing business. And then there<br />

was his family, whose strange and often<br />

difficult behaviour he took for granted<br />

until, at the age of twenty-four, Sathnam<br />

made a discovery that changed<br />

everything he ever thought he knew<br />

about them. He embarks on a journey<br />

into their extraordinary past - from his<br />

father’s harsh life in rural Punjab to the<br />

steps of the Wolverhampton Tourist<br />

Office.<br />

Sales agent Nisha Parti<br />

• nisha@partiproductions.co.uk<br />

fyals feyj<br />

Ld‚VySaM dh fyals feyj us pkj iqjLdkj fotsrk y?kq fQ+Yeksa dk<br />

funsZ”ku fd;k gSA feyj foKkiuksa vkSj laxhr ohfM;ks dk funsZ'ku<br />

Hkh djrh gSaA n c‚; fon n VkWiu‚V lruke la?ksjk ds chchlh 2 ds<br />

fy, fy[ks leh{kdksa }kjk ç'kaflr laLej.k ij vk/kkfjr gSA<br />

Lynsey Miller<br />

In 2012, Miller directed Colour, written by Vivienne<br />

Franzmann, for Channel 4’s Coming Up scheme. The<br />

pair then completed the BAFTA & Japan Prize winning<br />

Lizard Girl for BBC/EBU. Miller also directs commercials<br />

and music videos. The Boy with the Topknot is an<br />

adaptation of Sathnam Sanghera’s acclaimed memoir,<br />

for BBC2.<br />

78 CINEMA OF THE WORLD


n czsMfouj<br />

The Breadwinner<br />

✪ ASIA PREMIERE<br />

Canada, Ireland, Luxembourg | <strong>2017</strong> | English | 93 min | Colour<br />

Director Nora Twomey<br />

Producer Anthony Leo, Paul Young,<br />

Angelina Jolie, Andrew Rosen,<br />

Tomm Moore, Stephan Roelants<br />

Screenplay Anita Doron, Deborah Ellis<br />

Editor Darragh Byrne<br />

Sound Design Nelson Ferreira,<br />

J.R. Fountain<br />

Production Designer Ciaran Duffy,<br />

Reza Riahi<br />

Cast Saara Chaudry, Soma Chhaya,<br />

Laara Sadiq, Shaista Latif, Ali Badshah,<br />

Kawa Ada, Noorin Gulamgaus<br />

X;kjg o"khZ; ijokuk vius ifjokj ds lkFk ;q)xzLr<br />

dkcqy esa ,d NksVs ?kj esa jgrh gSA ,d fnu mlds<br />

firk dks fxjrkj dj fy;k tkrk gS vkSj ijokuk<br />

dk thou ges'kk ds fy, cny tkrk gSA :f


czsFk<br />

Breath<br />

Nafas<br />

Iran | <strong>2017</strong> | Persian | 112 min | Colour<br />

Director Narges Abyar<br />

Producer Mohammad Hossein<br />

Ghasemi, Abouzar Pour Mohammadi<br />

Screenplay Narges Abyar<br />

<strong>Cinema</strong>tographer Saed Nikzat<br />

Editor Sajjad Pahlavanzadeh<br />

Sound Design Arash Ghasemi<br />

Cast Gelare Abasi, Mehran Ahmadi,<br />

Jamshid Hashempur<br />

Sales agent Mohamed Atebai<br />

• info@iranianindependents.com<br />

,d NksVh bZjkuh yM+dh cgkj dFkk,aa vkSj dgkfu;ka<br />

i


n dsdesdj<br />

The Cakemaker<br />

✪ INDIA PREMIERE<br />

Germany, Israel | <strong>2017</strong> | English, German, Hebrew | 104 min | Colour<br />

Director Ofir Raul Graizer<br />

Producer Itai Tamir, Mathias<br />

Schwerbrock<br />

Screenplay Ofir Raul Graizer<br />

<strong>Cinema</strong>tographer Omri Aloni<br />

Editor Michal Oppenheim<br />

Sound Design Avi Mizrahi,<br />

Dominique Charpentier<br />

Production Designer Yael Bibel,<br />

Daniel Kossow<br />

Cast Tim Kalkhof, Sarah Adler,<br />

Zohar Shtrauss<br />

cfyZu esa ,d isLVªh 'ksQ+ V‚el vius bt+jkbyh çseh<br />

vksjsu dh dkj nq?kZVuk esa e`R;q ls vkgr gSA bl<br />

nq[k dks de djus ds fy, V‚el bt+jkby tkdj<br />

vksjsu dh iRuh vkSj ;qok csVs ds thou esa lfEefyr<br />

gks tkrh gSA “kksd vkSj Hkkoukvksa dk lkeatL;<br />

fQ+Ye dh fo”ks’krk gSA<br />

This tender drama about a closeted<br />

love affair unfolds through the eyes of<br />

Tomas, a Berlin pastry chef who learns<br />

that Oren, his Israeli lover, has died in<br />

a car accident in Jerusalem. Unmoored<br />

by his loss, Thomas journeys to Israel to<br />

begin the process of healing. Desiring to<br />

better know his now lost love, he inserts<br />

himself into the life of Oren’s wife and<br />

young son. This expertly crafted film is<br />

a moving portrait of grief and catharsis.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

vksfQ+j jkmy xzk;t+j<br />

btjk;yh fQYe funsZ'kd vkSj ohfM;ks dykdkj vksfQ+j us o"kksaZ rd<br />

fofHkUu {ks=ksaa esa dke djus ds i”pkr~ flusek dk v/;;u fd;k<br />

vkSj v/;;u ds nkSjku dbZ y?kq fQYeksa dk funsZ'ku fd;kA muds<br />

lg&funsZ”ku esa cuh fQ+Ye yk fMLdksFksd dbZ lekjksgksa esa çnf”kZr<br />

gqbZA n dsdesdj mudh igyh Q+hpj fQ+Ye gSA<br />

Ofir Raul Graizer<br />

An Israeli film director and video artist, Ofir Raul Graizer<br />

co-directed La Discotheque, which was screened in<br />

Cannes Director’s Fortnight. He was also accepted to<br />

the Nipkow Program, Berlinale Talents and Agora Film<br />

Market. The Cakemaker is his first feature film. Graizer<br />

lives and works internationally, giving cooking classes as<br />

a hobby and working on several film and artistic projects.<br />

CINEMA OF THE WORLD<br />

81


dsUMsyfj;k<br />

Candelaria<br />

✪ ASIA PREMIERE<br />

Colombia, Germany, Norway, Argentina, Cuba | <strong>2017</strong> | Spanish | 88 min | Colour<br />

Director Jhonny Hendrix<br />

Producer Jhonny Hendrix Hinestroza,<br />

Juan Diego Villegas, Federico<br />

Eibuszyc, Barbara Sarasola-Day,<br />

Claudia Calviño<br />

Screenplay Mara Camila Arias,<br />

Jhonny Hendrix, Abel Arcosoto, Carlos<br />

Quintela<br />

<strong>Cinema</strong>tographer Soledad Rodrguez<br />

Editor Anita Remn, Mauricio Leiva,<br />

Jhonny Hendrix Hinestroza<br />

Sound Design Jesica Suarez, Miller<br />

Castro, Roberto Migone<br />

Cast Manuel Viveros, Alden Knigth<br />

lksfo;r la?k ds fo?kVu ls gokuk esa 'khr ;q) dh<br />

lekfIr ds ckn çfrca/k viuh pje ij gSA ,sls esa<br />

dsUMsyfj;k ¼75½ vkSj foDVj áwxks ¼76½ dk thou<br />

/kheh xfr ls py jgk gSA ,d fnu dsUMsyfj;k dks<br />

gksVy esa Tkgk¡ og dke djrh gS] ohfM;ks dSejk fey<br />

tkrk gSA dSejs ls vius I;kj dh fQYe cukrs gq,<br />

Hkwy tkrs gSa fd muesa ls ,d chekj gSA<br />

Havana, 1994. With embargo at its<br />

peak, the Cold War comes to an end and<br />

the Soviet Union disintegrates. But for<br />

Candelaria (75), and Victor Hugo (76)<br />

life continues at a slow pace. The days<br />

are repetitive, conversations are sparse,<br />

dinners are sad. One day, the monotony<br />

is broken when Candelaria finds a video<br />

camera hidden in the dirty sheets of the<br />

hotel where she works. This camera,<br />

subtly sneaks into their lives as the<br />

couple use it to film themselves. This<br />

spark of recovered love helps them<br />

forget that one of them is sick.<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

82 CINEMA OF THE WORLD<br />

tkWuh gsafMªDl<br />

tkWuh gsafMªDl fgusL=kst+k vuqHkoh funsZ'kd] fQYe fuekZrk vkSj<br />

,aVkpkZ fQYEl ds laLFkkid gSaA os MkWx bZV M‚x] MkW- vyseu<br />

tSlh dbZ fQYeksa dk fuekZ.k dj pqds gSaA gsafMªDl cgqr lh eq[;<br />

ySfVu&vesfjdh fQYeksa ds fuekZ.k ,oa funsZ”ku ls lac) gSaA mudh<br />

funsZf”kr fQ+Ye pksdks cfyZu 2012 esa çnf”kZr gqbZ FkhA<br />

Jhonny Hendrix<br />

An experienced director and film producer Jhonny<br />

Hendrix is best known for organising the Cali film<br />

festival Cien Milimetros and founding Antorcha Films, a<br />

production company focused on local content. Among<br />

his own movies are the critically acclaimed short film<br />

Cuando llegan los muchachos and his masterpiece<br />

Chocó, that was presented at the 2012 edition of the<br />

Berlinale.


fpYMªu vkWQ+ n ukbV<br />

Children of the Night<br />

I Figli Della Notte<br />

Italy, Belgium | 2016 | Italian | 85 min | Colour<br />

Director Andrea De Sica<br />

Producer Marta Donzelli,<br />

Gregorio Paonessa, Joseph Rouschop<br />

Screenplay Andrea De Sica,<br />

Mariano Di Nardo, Gloria Malatesta<br />

<strong>Cinema</strong>tographer Stefano Falivene<br />

Editor Alberto Masi<br />

Sound Design Fabien Pochat, Antoine<br />

Vandendriessche<br />

Production Designer Dimitri Capuani<br />

Cast Vicenzo Crea, Ludovico Succio,<br />

Fabrizio Rongione, Yuliia Sobol,<br />

Luigi Bignone, Petro Monfreda<br />

Sales agent Reel Suspects<br />

• a@reelsuspects.com<br />

17 o"khZ; fxmfyvks ,d cksfMaZx Ldwy Hkstk tkrk gS<br />

tgka ,MksMksZ ds lkFk mldh nksLrh gksrh gSA os jkr<br />

dks gksLVy ls Hkkxdj taxy esa fNis gq, ukbV Dyc<br />

esa tkuk 'kq: djrs gSa tgka os os';k ,ysuk ls feyrs<br />

gSa v©j mls ilan djus yxrs gSA vpkud mUgsa<br />

irk pyrk gS fd mudk fNik gqvk vijk/k okLro<br />

esa Ldwy ds '¨f{kd dk;ZØe dk fgLlk gSA muds<br />

Lora= g¨us dk d®bZ jkLrk vo'¸k g®xkA<br />

✪ INDIA PREMIERE<br />

Giulio, a 17-year old from a well-to-do<br />

family, is sent to a boarding school in an<br />

isolated place in the Alps. Where ironclad<br />

rules limit all contact with the outside,<br />

he makes friends with Edoardo, who is<br />

rather odd. Their friendship is sealed<br />

by frequent escapes at night, when the<br />

surveillance of the students seems to<br />

lapse. They begin to frequent a nightclub<br />

hidden in the forest, which becomes<br />

a refuge for the two young men. This<br />

is where they meet Elena, a prostitute,<br />

and become fond of her. Suddenly, they<br />

discover that the transgressions they<br />

have kept hidden are actually part of<br />

the school’s educational programme.<br />

And yet there must be a way for them to<br />

become truly free.<br />

,afMª;k fM fldk<br />

,afMª;k fM fldk dk tUe jkse esa 30 fnlacj 1981 dks gqvk FkkA og<br />

,d funsZ'kd vkSj ys[kd gSa] tks fe;k ,aM eh] fpYMªu v‚Q n ukbV<br />

vkSj y bUQ+uksZ lksuks Xyh vYrjh ds fy, tkus tkrs gSA<br />

Andrea De Sica<br />

Andrea De Sica was born on December 30, 1981 in<br />

Rome. He is a director and writer, known for Mia and Me,<br />

Children of the Night and L’inferno sono gli altri.<br />

CINEMA OF THE WORLD<br />

83


, flvkEcjk ✪ INDIA PREMIERE<br />

A Ciambra<br />

Italy, Germany, France, USA | <strong>2017</strong> | Italian | 120 min | Colour<br />

Director Jonas Carpignano<br />

Producer Paolo Carpignano,<br />

Jon Coplon, Christoph Daniel, Rodrigo<br />

Teixeira, Ryan Zacarias, Gwyn Sannia<br />

Screenplay Jonas Carpignano<br />

<strong>Cinema</strong>tographer Tim Curtin<br />

Editor Affonso Gonçalves<br />

Sound Design Guiseppe Tripodi<br />

Production Designer Marco Ascanio<br />

Viarigi<br />

Cast Pio Amato, Koudous Seihon,<br />

Damiano Amato<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

dSykfcz;k ds ,d NksVs jksekuh leqnk; dk fivks<br />

vekVks rsth ls c


Dykst+ fuV<br />

Close-Knit<br />

Karera Ga Honki De Amu Toki Wa<br />

Japan | <strong>2017</strong> | Japanese | 127 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Naoko Ogigami<br />

Producer Kenzô Ishiguro, Noriaki<br />

Takagi, Masashi Igarashi<br />

Screenplay Naoko Ogigami<br />

<strong>Cinema</strong>tographer Kozo Shibasaki<br />

Editor Shinichi Fujima<br />

Sound Design Tetsuo Segawa<br />

Production Designer Mayumi Tomita<br />

Cast Tôma Ikuta, Kenta Kiritani, Eiko<br />

Koike<br />

Sales agent Nikkatsu<br />

• m.furukawa@nikkatsu.co.jp<br />

11 o"khZ; rkseks dh eka fgjkseh çk;% ?kj NksM+ dj<br />

pyh tkrh gSA eka ds bl O;ogkj dh vH;Lr rkseks<br />

fgjkseh ds HkkbZ ekfd;ks ds ?kj tkrh gS tks viuh<br />

lqanj çsfedk fjadks ds lkFk jgrk gSA fjadks Vªkaloweu<br />

gS vkSj uflaZx gkse esa dke djrh gSA rkseks fj”rksa<br />

dks ysdj my>u esa gS ysfdu rhuksa lkFk jgus yxrs<br />

gSaA fjad® Lokfn"V £kuk cukrh gS v©j dh dh<br />

r®e¨ d¨ xys h yxkrh gSA fjad¨ r®e® d® fl[kkrh<br />

gS fd cquus ls xqLLks d¨ dSls dkcw fd¸kk tk ldrk<br />

gSA ek¡ us h r®e¨ d¨ cquuk fl[kk¸kk FkkA<br />

One spring, Hiromi, who is the mother of<br />

an 11-year-old girl Tomo, leaves home<br />

for the umpteenth time. As always, Tomo,<br />

accustomed to such a mother, goes to<br />

Makio’s place. He is a brother of Hiromi<br />

and lives with Rinko, his pretty girlfriend.<br />

Actually, Rinko is a transwoman. She<br />

works as a caregiver in a nursing home<br />

where Makio’s mother Sayuri, who<br />

suffers from dementia, lives. Rinko<br />

makes a delicious meal and sometimes<br />

cuddles Tomo. She is a little confused,<br />

but Tomo, Rinko and Makio start to live<br />

a life together. One day, Rinko teaches<br />

Tomo to knit in order to control her<br />

temper... Rinko’s mother also taught her<br />

the same skill when she struggled with<br />

her sexuality during puberty...<br />

ukvdks vksfxxkeh<br />

tkiku esa tUeh ukvdks vksfxxkeh us nf{k.kh dSfyQksfuZ;k<br />

fo'ofo|ky; esa fQ+Ye dk v/;;u fd;k FkkA mudh igyh Q+hpj<br />

fQ+Ye ckjcj ;‚f'kuks 2004 esa cfyZu tujs'ku dk;ZØe esa çnf”kZr<br />

gqbZA vU; fQYesa dkekses 'ksdqMks] esxus vkSj jsaVkusdks gSaA<br />

Naoko Ogigami<br />

Naoko Ogigami’s feature film debut Barber Yoshino<br />

screened in the Berlinale Generation programme in<br />

2004. Her film Kamome shokudô was a huge hit in Japan.<br />

At the 2008 Berlin <strong>International</strong> Film Festival Megane<br />

won the Manfred Salzberger Award, for broadening the<br />

boundaries of cinema today.<br />

CINEMA OF THE WORLD<br />

85


Dykst+usl<br />

Closeness<br />

Tesnota<br />

Russia | <strong>2017</strong> | Russian | 118 min | Colour<br />

Director Kantemir Balagov<br />

Producer Eduard Pichugin, Aleksandr<br />

Sokurov, Nikolay Yankin<br />

Screenplay Kantemir Balagov,<br />

Anton Yarush<br />

<strong>Cinema</strong>tographer Artem Emelianov<br />

Editor Kantemir Balagov<br />

Sound Design Andrey Nikitin<br />

Production Designer Alexey Paderin<br />

Cast Atrem Cipin, Olga Dragunova,<br />

Veniamin Kac<br />

Sales agent Wildbunch<br />

• edevos@wildbunch.eu<br />

24 o"khZ; bykuk firk ds xsjkt esa mudh lgk;rk<br />

djrh gSA ,d 'kke lkjk ifjokj vkSj nksLr mlds<br />

NksVs HkkbZ MsfoM dh lxkbZ dk t'u eukus ds<br />

fy, bdës gksrs gSaA ml jkr ckn esa ;qok tksM+s<br />

dk vigj.k gks tkrk gS vkSj fQjkSrh ekaxh tkrh<br />

gSA IkqfYkl dh lgk¸krk dk loky gh ugha mBrkA<br />

fQj©rh ds fy, iSlk dgka ls vk¸¨xk? ysfdu bykuk<br />

vkSj mlds ekrk&firk dksbZ Hkh tksf[ke mBkdj<br />

iqfyl dh lgk;rk ds fcuk gh mUgsa cpk;saxsA<br />

1998, Nalchik, the North Caucasus,<br />

Russia. 24-year-old Ilana works in<br />

her father’s garage to help him make<br />

ends meet. One evening, her extended<br />

family and friends gather to celebrate<br />

the engagement of her younger brother<br />

David. Later that night, the young couple<br />

is kidnapped, and a ransom demand<br />

delivered. In this close-knit Jewish<br />

enclave, involving the police is out of<br />

the question. How will the family raise<br />

the money to save David? Ilana and her<br />

parents, each in their own way, will go as<br />

far as necessary, whatever the risks to<br />

themselves.<br />

dkarsfej ckykxkso<br />

uyfpd esa tUes dkarsfej ckykxkso us dckfMZuks&ckYdj LVsV<br />

;wfuoflZVh ls vysDtsaMj lksdqjkso ds funs'kd ikBîØe esa viuh<br />

i


Msczsd<br />

Daybreak<br />

Dita Zë Fill<br />

Albania | <strong>2017</strong> | Albanian | 85 min | Colour<br />

Director Gentian Koçi<br />

Producer Gentian Koçi<br />

Screenplay Gentian Koçi<br />

<strong>Cinema</strong>tographer Ilias Adamis<br />

Editor Christos Giannakopoulos, Bonita<br />

Papastathi<br />

Sound Design Christos<br />

Giannakopoulos<br />

Production Designer Ilia Kolka,<br />

Drini Shehu<br />

Cast Ornela Kapetani, Suzana Prifti,<br />

Kasem Hoxha<br />

dbZ eghuksa ls fdjk, dk Hkqxrku rd ugha djus ij<br />

ysrk dks ,d lky ds csVs ds lkFk vikVZesaV ls ckgj<br />

fudky fn;k tkrk gSA chekj cw


fMlvih;jsal<br />

Disappearance<br />

Napadid Shodan<br />

Iran, Oatar | <strong>2017</strong> | Persian | 89 min | Colour<br />

Director Ali Asgari<br />

Producer Pouria Heidary Oureh,<br />

Ali Sadraie<br />

Screenplay Farnoosh Samadi,<br />

Ali Asgari<br />

<strong>Cinema</strong>tographer Ashkan Ashkani<br />

Editor Ehsan Vaseghi<br />

Sound Design Hamed Ghoorchian,<br />

Hosseyn Ghourchian<br />

Production Designer Saeid Asadi<br />

Cast Sadaf Asgari, Amirreza Ranjbaran<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

vk/kqfud rsgjku dh ,d “khrdkyhu jkr esa ,d<br />

;qok çseh ;qxy ,d xaHkhj leL;k esa Qal tkrs<br />

gSaSaA dqN gh ?kaV¨ esa mUgsa bLkd® lqy>kuk gh gSA<br />

lgk;rk ds fy, ,d ls nwljs vLirky esa HkVdrss<br />

gSa] ysfdu mUgsa bykt dh lqfo/kk ugha feyrhA<br />

os viuh leL;k ifjokj dks Hkh ugha crk ldrsA<br />

ifj.kke ¸kadj g® ldrk gSaA :fs muds laca/kksa dk<br />

Hkfo’; vfuf”pr gSA<br />

✪ INDIA PREMIERE<br />

On a cold winter night in modern Tehran,<br />

a couple of young lovers run into a<br />

serious problem, and they have just a few<br />

hours to come up with a solution. They<br />

go from hospital to hospital in search of<br />

help, but none of the hospitals will admit<br />

the young woman to provide her with<br />

the medical attention she desperately<br />

requires. While they try hard to find a way<br />

to solve the problem, they have to hide<br />

what is happening from their parents.<br />

Moreover, their relationship is facing a<br />

crisis and will suffer dire consequences.<br />

Caught between conservative traditions<br />

and modern day desires, the couple<br />

must face their uncertain futures.<br />

vyh vlxjh<br />

vyh vlxjh dh y?kq fQYesa eksj nSu Vw vkolZ vkSj n lkbysUl<br />

dku esa çfr;ksfxrk esa FkhaA n csch 2014 esa osful Q+sfLVoy esa<br />

çhfe;j gqbZ FkhA mudh y?kq fQYeksa dks 600 ls vf/kd fQYe<br />

lekjksgksa esa çnf'kZr gqbZ v©j mUgs 150 ls vf/kd iqjLdkj feysA<br />

Ali Asgari<br />

Ali Asgari’s shorts More Than Two Hours and The<br />

Silence (co-directed by Farnoosh Samadi), were<br />

in competition in Cannes. His short film The Baby<br />

premiered in competition at the Venice Film Festival in<br />

2014. His short films were screened in more than 600<br />

film festivals around the world and, won more than 150<br />

international awards.<br />

88 CINEMA OF THE WORLD


,y badk ✪ INDIA PREMIERE<br />

El Inca<br />

Venezuela | 2016 | Spanish | 128 ßmin | Colour<br />

Director Ignacio Castillo Cottin<br />

Producer Nathalie Sar - Shalom<br />

Screenplay Ignacio Castillo Cottin,<br />

Ada Hernández<br />

<strong>Cinema</strong>tographer Alexandra Henao<br />

Editor Maikel Jimenez<br />

Sound Design Maurlio López<br />

Production Designer Roger Vargas<br />

Cast Alexander Leterni, Scarlett<br />

Jaimes, Miguel Ferrari<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

,y badk nks ckj fo'o eqDdsckth pkSafi;u<br />

foYk{k.k çfrk'kkyh ,Mfou oysjks dh dgkuh ij<br />

vk/kkfjr gSA oysjks us ,d ds ckn ,d 18 ckj vius<br />

çfr}fUn;ksa dks ijkftr dj fo'o fjd‚MZ cuk;kA<br />

oysjks dk O;kolkf;d thou lQy fdarq futh<br />

thou vlqj{kkvksa ls f?kjk FkkA bu lcds chp ,y<br />

badk oysjks dh vn~Hkqr [ksy {kerk dh vkd’kZd<br />

çLrqfr gSA<br />

Based on the story of undefeated<br />

two-time World Boxing Champion<br />

Edwin Valero, El Inca is a powerhouse<br />

biographical drama about talent and<br />

charisma, love and ambition, excess<br />

and self-destruction. He set a world<br />

record by winning his first 18 fights with<br />

a first-round knockout. But as Valero’s<br />

professional life bloomed, his personal<br />

life began to stagger, with insecurities<br />

leading to marital infidelities and perilous<br />

addiction, aspects of Valero’s life that<br />

still spark controversy. El Inca tells of<br />

an exhilarating rise, a tragic fall, and the<br />

riveting displays of athletic mastery in<br />

between.<br />

bXukfl;ks dSfLVyks d‚fVu<br />

bXukfl;ks dSfLVyks d‚fVu osustq,yk ds funsZ'kd vkSj ys[kd gSA og<br />

nf{k.kh dSfyQ+ksfuZ;k fo'ofo|ky; ds Lukrd gSaA mUgksusa yk oftZu<br />

usxzk dk funsZ”ku fd;k gSaA ,y badk mudh uohure fQ+Ye gSA<br />

Ignacio Castillo Cottin<br />

Ignacio Castillo Cottin is a Venezuelan director and writer.<br />

He is a graduate of the University of Southern California.<br />

His directorial credits includes La virgen negra. El Inca<br />

is his newest film.<br />

CINEMA OF THE WORLD<br />

89


,yksu Mt+ ukWV fcyho bu MsFk<br />

Elon Doesn’t Believe in Death<br />

Elon Não Acredita Na Morte<br />

Brazil | <strong>2017</strong> | Portuguese | 75 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ricardo Alves Jr.<br />

Producer Ricardo Alves Jr.<br />

Screenplay Ricardo Alves Jr.,<br />

Diego Hoefel, Germano Melo,<br />

João Salaviza<br />

<strong>Cinema</strong>tographer Matheus Rocha<br />

Editor Frederico Benevides,<br />

Michael Wahrmann<br />

Sound Design Daniel Saavedra<br />

Production Designer Diogo Hayashi<br />

Cast Rômulo Braga, Clara Choveaux,<br />

Lourenço Mutarelli<br />

,yksu dh iRuh enysuk jgL;e;


;wFksukbt+j<br />

Euthanizer<br />

Armomurhaaja<br />

Finland | <strong>2017</strong> | Finnish | 85 min | Colour<br />

Director Teemu Nikki<br />

Producer Jani Pösö, Marja Pihlaja<br />

Screenplay Teemu Nikki<br />

<strong>Cinema</strong>tographer Sari Aaltonen<br />

Editor Teemu Nikki<br />

Sound Design Sami Kiiski,<br />

Production Designer Teemu Nikki,<br />

Sari Aaltonen<br />

Cast Hannamaija Nikander, Jari<br />

Virman, Heikki Nousiainen<br />

;wFksukbt+j ,d 50 o"khZ; eSdsfud ohtks gkSDdk<br />

dh dgkuh gS] ftldk nwljk dke chekj ikyrw<br />

tkuojksa dks lqykus dk gSA ysfdu D;k gksrk gS tc<br />

og ,d xyr O;fä ds dqÙks dks cpkus dk QSlyk<br />

djrk gS\ dgkuh i'kqvksa ds vf/kdkj] ihM+k vkSj ekSr<br />

ds bnZfxnZ ?kwerh gSA fdarq ewy dgkuh dk fo’k;<br />

vPNkbZ ;k cqjkbZ ugha gS & ;g ,d iq#"k dh ew[kZrk<br />

ds ckjs esa gSA<br />

✪ INDIA PREMIERE<br />

Euthanizer is a violent summer noir.<br />

It tells the story of Veijo Haukka, a<br />

50-year-old mechanic, whose second<br />

job is to put sick pets to sleep. But<br />

what happens when he decides to save<br />

the wrong person’s dog? The themes<br />

revolve around animal rights, suffering<br />

and death. But the real story is not about<br />

good or evil, it’s about the stupidity of<br />

absolute men.<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

rhew fudh<br />

fQuySaM esa tUesa rhew fudh us dbZ y?kq fQ+Yesa] E;wftd ohfM;ks vkSj<br />

def”kZ;Yl dk funsZ'ku fd;k A mUgksaus viuh igyh Qhpj flLeks<br />

VkbEl Fkzh ds ckn mlh uke ls yksdfç; fQfu'k Vhoh ukVd ds<br />

vk/kkj ij yofeyk dk funsZ”ku fd;kA ;wFksukbt+j mudh uohure<br />

fQ+Ye gSA<br />

Teemu Nikki<br />

Teemu Nikki was born in Sysm, Finland. He has directed<br />

numerous shorts, music videos and commercials.<br />

He made his feature debut with Sismo Times Three,<br />

followed up by Lovemilla, based on the popular Finnish<br />

TV dramedy of the same name. The Euthanizer is his<br />

latest film.<br />

CINEMA OF THE WORLD<br />

91


, Q+sUVkfLVd oqeWu<br />

A Fantastic Woman<br />

Una Mujer Fantstica<br />

Chile | <strong>2017</strong> | Spanish | 103 min | Colour<br />

Director Sebastin Lelio<br />

Producer Juan de Dios Larran, Pablo<br />

Larran, Sebastin Lelio,<br />

Gonzalo Maza<br />

Screenplay Sebastin Lelio,<br />

Gonzalo Maza<br />

<strong>Cinema</strong>tographer Benjamn<br />

Echazarreta<br />

Editor Soledad Salfate<br />

Sound Design Tina Laschke<br />

Production Designer Estefana Larran<br />

Cast Daniela Vega, Francisco Reyes,<br />

Luis Gnecco, Aline Kuppenheim,<br />

Nicolas Saavedra, Amparo Noguera<br />

;qok VªkaltsUMj efgyk ekfj;k vius e/; vk;qoxhZ;<br />

çseh ds fu/ku ds ckn nq%[k vkSj lkekftd iwokZxzg<br />

nksuksa ds lkFk la?k"kZ djrh gSA M‚DVjksa vkSj v‚jySaMks<br />

ds ifjokj dks lansg gS fd ekfj¸kk gh mldh e`R;q<br />

dk dkj.k FkhA v‚jySaMks ds ifjokj ds fy, mu<br />

nksuksa dk ;kSu laca/k ,d fo—fr FkkA ekfj¸kk viuss<br />

vf/kdkj ds fy, la?k"kZ djrh gS ftuds fy, vc<br />

rd mlus viuk lkjk thou fcrk;k FkkA<br />

After her middle-aged boyfriend passes<br />

away, Maria, a young transgender<br />

woman, is treated with suspicion. The<br />

doctors and Orlando’s family don’t trust<br />

her. A woman detective investigates<br />

Marina to see if she was involved in<br />

his death. For most of Orlando’s family,<br />

her sexual identity is an aberration, a<br />

perversion. She battles the very same<br />

forces that she has spent a lifetime<br />

fighting just to become the woman she<br />

is now - a complex, strong, forthright and<br />

fantastic woman.<br />

Sales agent Funny Balloon<br />

• festivals@funny-balloons.com<br />

lsckfLr;u ysfyvks<br />

lSafV;kxks esa tUes lsckfLr;u ysfyvks us yk ,Ldq,yk Mh flus Ms<br />

fpyh ls Lukrd fd;k FkkA mUgksaus n lsØsM QWfeyh] fØlel]<br />

n bZ;j vkWQ+ n Vkbxj] vkSj Xyksfj;k] , Q+sUVkfLVd oqeWu vkSj<br />

fMlksfcfM;Ul dk funsZ”ku fd;k gSA<br />

Sebastin Lelio<br />

Sebastin Lelio was born in Santiago, Chile, and graduated<br />

from la Escuela de Cine de Chile. His directorial credits<br />

include The Sacred Family, Christmas, The Year of the<br />

Tiger, Gloria, A Fantastic Woman and Disobedience.<br />

92 CINEMA OF THE WORLD


Q+knj ,aM lu<br />

Father and Son<br />

✪ INDIA PREMIERE<br />

Vietnam | 2016 | Vietnamese | 90 min | Colour<br />

Director Luong Dinh Dung<br />

Producer Nguyen Chi Dung, Nguyen<br />

Thi Huong<br />

Screenplay Bui Kim Quy,<br />

Luong Dinh Dung<br />

<strong>Cinema</strong>tographer Ly Thai Dung<br />

Editor Pham Thi Hao, Julie Beziau<br />

Cast Ngo The Quan, Do Trong Tan<br />

ekWd fo;ruke dk xzkeh.k eNqvkjk gS tks vius csVs<br />

dk ds lkFk I;kj ls jgrk gSA dk gj fnu vkdk'k esa<br />

mM+rs gq, gokbZ tgkt ns[kus dk vkuan ysrk gS vkSj<br />

mUgsa 'kgj dk i{kh dgrk gSA dk tc xaHkhj :i ls<br />

chekj gks tkrk gS rks ekWd vius csVs ds bykt ds<br />

fy, “kgj dh nq[kn ;k=k djrk gSA<br />

Moc is a rural river fisherman in Vietnam,<br />

raising his son Ca in harmony with the<br />

land. Ca has a little yellow chick for a<br />

friend and enjoys running after airplanes<br />

in the sky every day, calling them birds<br />

from the city. When Ca falls ill, Moc must<br />

make the harrowing journey to the city<br />

with his son in order to seek treatment.<br />

Sales agent Tuvan Media<br />

• tuvanproduction@gmail.com<br />

yqvksax fMUg Mqax<br />

fo;rukeh fQYe fuekZrk yqvksax fMUg Mqax us guksbZ ,dsMeh v‚Q+<br />

fFk;sVj vkSj flusek ls ekLVj v‚Q Qkbu vkVZ~l dh fMxzh çkIr<br />

dhA mudh y?kq fQYe cksV eSu us 29osa VksD;ks baVjus”kuy fQ+Ye<br />

Q+sfLVoy esa iqjLdkj thrkA mudh M‚D;wesaVjh fQYe jsM gSIihusl<br />

Hkh leh{kdksa }kjk ç'kaflr gqbZ FkhA<br />

Luong Dinh Dung<br />

Luong Dinh Dung is a Vietnamese filmmaker who<br />

acquired a Master of Fine Arts at Hanoi Academy of<br />

Theatre and <strong>Cinema</strong>. His short film Boat man won an<br />

award at the 29th Tokyo <strong>International</strong> Film Festival<br />

(2007). His documentary Film Red Happiness was also<br />

critically acclaimed.<br />

CINEMA OF THE WORLD<br />

93


Q+sfyflrs<br />

Félicité<br />

France, Senegal | <strong>2017</strong> | Lingala, French | 123 min | Colour<br />

Director Alain Gomis<br />

Producer Arnaud Dommerc<br />

Screenplay Alain Gomis<br />

<strong>Cinema</strong>tographer Céline Bozon<br />

Editor Alain Gomis, Fabrice Rouaud<br />

Cast Véro Tshanda Beya Mputu,<br />

Gaetan Claudia, Papi Mpaka,<br />

Nadine Ndebo<br />

Q+sysflrs ,d daxksyhl xkf;dk gS] ftls vius 14<br />

o"khZ; csVs leks ds xaHkhj :i ls nq?kZVuk xzLr gksus<br />

ds dkj.k iSls dh l[+r t+:jr gSA og ftl ckj esa<br />

xkrh gS ogka fu;fer :i ls vkus okyk rcq mldh<br />

foÙkh; vkSj HkkoukRed lgk;rk djrk gSA<br />

Félicité is a Congolese singer who<br />

desperately needs money after her<br />

14-year-old son Samo suffers a serious<br />

accident. She soon finds financial and<br />

emotional support from Tabu, one of the<br />

regulars in the bar where she performs.<br />

Sales agent Jour 2 fete<br />

• clemence.michalon@jour2fete.com<br />

,ysu xksfel<br />

fclkÅ&X;ksfu;u vkSj lsusxy ewy ds Ýsap funsZ'kd ,ysu xksfel<br />

us isfjl esa lksjcksu fo'ofon~;ky; esa dyk bfrgkl vkSj fQYe dk<br />

v/;;u fd;kA ohfM;ks vkSj y?kq fQYeksa ls 'kq# dj mUgksaus 2002 esa<br />

viuh Q+hpj fQ+Ye y ,+jsal dk funsZ”ku fd;kA vUMkyqlh;k vkSj<br />

vkStfnZgqbZ ¼rs½ budh vU; çfl) fQ+Yesa gSaA<br />

Alain Gomis<br />

Alain Gomis’s debut feature L’Afrance focused on<br />

the spiritual hardships of migrants in France and was<br />

awarded a Silver Leopard in Locarno. His feature film<br />

Andalucia was shown at the Venice Days and Aujourd’hui<br />

(Tey) screened in Competition at the Berlinale in 2012. It<br />

was chosen as Senegal’s entry for an Oscar nomination<br />

for Best Foreign Language Film.<br />

94 CINEMA OF THE WORLD


Q+kbuy iksVsªZV<br />

Final Portrait<br />

✪ INDIA PREMIERE<br />

UK, US | <strong>2017</strong> | English | 90 min | Colour<br />

Director Stanley Tucci<br />

Producer Nik Bower, Gail Egan, Ilann<br />

Girard<br />

Screenplay Stanley Tucci<br />

<strong>Cinema</strong>tographer Danny Cohen<br />

Editor Camilla Toniolo<br />

Sound Design Jack Gillies<br />

Production Designer James Merifield<br />

Cast Armie Hammer, Geoffrey Rush,<br />

Clmence Posy, Tony Shalhoub,<br />

James Faulkner<br />

Sales agent Festival Agency<br />

• valentine@thefestivalagency.com<br />

çfl) dykdkj vYcVksZ fxvkdksesêh vpkud<br />

vius iqjkus nksLr] vesfjdh leh{kd tsEl y‚MZ ls<br />

feyrk gSA [k+wclwjr psgjs ds dkj.k vYcVksZ mudk<br />

iksVªsZV cukus dk vuqjks/k djrk gSA iksVªsZV cukus dh<br />

yach çfØ;k ds dkj.k tsEl ijs”kku gks tkrs gSaA<br />

mUgsa yxrk gS fd mUkdk thou v©j le¸k tSls<br />

vycrksZ ds vk/khu g¨ x¸® gSA varr% os dykdkj<br />

ds HkkoukRed rdZ dks le>rs gSa vkSj gesa vYcVksZ<br />

dh vafre d`fr esa ,d iw.kZ çfrHkk”kkyh O;fDrRo<br />

fn[krk gSA<br />

Paris, 1964. Alberto Giacometti, the<br />

famous artist, bumps into his old friend,<br />

the American critic James Lord, and<br />

begs that he sits for a portrait because<br />

he has an interesting face. It’ll just take<br />

a couple of days in his studio. Lord is<br />

flattered by the request and as the days<br />

go by and turn into weeks seemingly with<br />

no end in sight, he realises his entire life<br />

has been hijacked by this erratic genius.<br />

The portrait continues to ebb and flow.<br />

Veering between frustration and joy, Lord<br />

ultimately sees logic in the artist’s chaotic<br />

mind and together we witness a genius<br />

complete one of his last masterpieces.<br />

LVsuyh Vqph<br />

LVsuyh Vqph ,d vesfjdh pfj= vfHkusrk] ys[kd] fuekZrk vkSj<br />

fQYe funsZ'kd gSA n yoyh cksul esa vius çn'kZu ds fy, loZJs"B<br />

lgk;d vfHkusrk ds fy, ,d vdkneh iqjLdkj ds fy, Vqph dks<br />

ukekafdr fd;k x;k FkkA<br />

Stanley Tucci<br />

Stanley Tucci is an American character actor, writer,<br />

producer and film director. Tucci was nominated for<br />

an Academy Award for Best Supporting Actor for his<br />

performance in The Lovely Bones.<br />

CINEMA OF THE WORLD<br />

95


Ý+kWLV<br />

Frost<br />

✪ INDIA PREMIERE<br />

Lithuania, France, Ukraine, Poland | <strong>2017</strong> | Lithuanian | 90 min | Colour<br />

Director Sarunas Bartas<br />

Producer Valery Kalmykov, Maria<br />

Blicharska, Rémi Burah<br />

Screenplay Sarunas Bartas,<br />

Anna Cohen-Yanay<br />

<strong>Cinema</strong>tographer Eitvydas Doskus<br />

Editor Dounia Sichov<br />

Cast Vanessa Paradis,<br />

Weronika Rosati, Andrzej Chyra<br />

Sales agent Luxbox Films<br />

• festivals@luxboxfilms.com<br />

Ý+kWLV fyFkqvkfu;kbZ ;qok jksDlk dh dgkuh gSA<br />

j®Dlk vius yksxksa dks le>us ds fy, ;q) dks<br />

le>uk pkgrk gSA fyFkqvkfu;k ls ;wØsu rd<br />

ekuoh; lgk;rk ifjogu ds dkfQys ij og ,d<br />

iq#’k vkSj efgyk laoknnkrk ls feyrk gSA fdlh<br />

h eqn~ns ij mudh lgefr ugha curh ysfdu ;q)<br />

dh mFky&iqFky ds chp bl ;k=k esa rhuksa vius<br />

euksoSKkfud lhekvksa ls ijss ,d etcwr laca/k cuk<br />

ysrs gSaA<br />

Frost tells the story of Rokas, a young<br />

Lithuanian man who wants to understand<br />

war in order to understand his people.<br />

On a convoy transporting humanitarian<br />

aid from Lithuania to the Ukraine, he<br />

meets a couple of reporters, a Man and<br />

a Woman, with whom he continues the<br />

road journey. The trio will be forced to<br />

overcome their psychological limits and<br />

build a strong relationship, their only<br />

solid ground in the midst of the turmoil of<br />

war. They do not agree upon anything,<br />

except for their wish to be where they<br />

are, each for their own reasons.<br />

l#ukl ckVZl<br />

1964 esa tUes vkjul ckVZl 20 oha 'krkCnh ds varjkZ"Vªh; Lrj<br />

ij lcls çeq[k fyFkqvkfu;kbZ fQ+Ye funsZ'kdksa esa ls ,d gSaA og n<br />

d‚fjMksj] bZLVuZ fMª+V] vkSj ihl Vw vl bu voj MªhEl ds fy,<br />

ç[;kr gaSA<br />

Sarunas Bartas<br />

Sarunas Bartas is one of the most prominent Lithuanian<br />

film directors internationally from the late 20th century.<br />

He was born on August 16, 1964 in Siauliai, Lithuania.<br />

He is known for Eastern Drift, Peace to Us in Our Dreams<br />

and The Corridor.<br />

96 CINEMA OF THE WORLD


v tsUVy Øhpj<br />

A Gentle Creature<br />

Krotkaya<br />

France, Germany, Lithuania, Netherlands | <strong>2017</strong> | Russian | 143 min | Colour<br />

Director Sergei Loznitsa<br />

Producer Marianne Slot<br />

Screenplay Sergei Loznitsa<br />

<strong>Cinema</strong>tographer Oleg Mutu<br />

Editor Danielius Kokanauskis<br />

Sound Design Vladimir Golovnitski<br />

Production Designer Kirill Shuvalov<br />

Cast Vasilina Makovtseva, Marina<br />

Kleshcheva, Lia Akhedzhakova,<br />

Valeriu Andriuta, Boris Kamorzin,<br />

Sergei Kolesov<br />

Sales agent In2 Infotainment<br />

• narayan.srinivasan@gmail.com<br />

:l ds ,d xkao esa vdsys jgus okyh efgyk dks<br />

,d fnu vius ifr dks tsy esa Hkstk gqvk iklZy<br />

okil fey tkrk gSA ijs”kku gksdj og dkj.k<br />

tkuus ds fy, tsy tkrh gSA vc vHks| fdys esa<br />

tkus dk la?k’kZ 'kq: gksrk gS] tgka vukpkj v©j<br />

lkekftd cqjkbZ Ácy gSA fgalk vkSj vieku ls<br />

csijokg og foijhr ifjfLFkfr;ksa esa U;k; dh [kkst<br />

tkjh j[krh gSaA<br />

A woman lives alone on the outskirts of a<br />

village in Russia. One day she receives<br />

a parcel she sent to her incarcerated<br />

husband, marked ‘return to sender’.<br />

Shocked and confused, the woman has<br />

no choice but to travel to the prison in<br />

a remote region of the country in search<br />

of an explanation. Thus begins the story<br />

of a battle against this impenetrable<br />

fortress, the prison where the forces of<br />

social evil are constantly at work. Braving<br />

violence and humiliation, in the face of all<br />

opposition, our protagonist embarks on a<br />

blind quest for justice.<br />

lxsZbZ ykst+fuRl<br />

lxsZbZ ykst+fuRl us 1997 esa jf”k;u LVsV baLVhVîwV v‚Q+<br />

flusesVksxzkQ+h] ekLdks ls Q+hpj fQ+Ye fuekZ.k dk v/;;u fd;kA<br />

1996 ls lxsZbZ us 16 o``Ùkfp=ksa dk funsZ'ku fd;k gS vkSj dbZ<br />

varjjk"Vªh; iqjLdkj çkIr fd, gSaA mudh igyh fQ+Ye ekb t‚;<br />

vkSj Q+hpj&ysaFk o`Ùkfp= eSnku dk dku çfr;ksfxrk esa çhfe;j<br />

gqvkA blds ckn bu n Q‚x us esa FIPRESCI iqjLdkj thrkA<br />

Sergei Loznitsa<br />

Sergei Loznitsa has received numerous international<br />

awards, including festival prizes. His feature debut<br />

My Joy premiered in the Cannes Competition. It was<br />

followed by In the Fog, another Cannes Competition<br />

entry. It won the FIPRESCI Prize. His feature-length<br />

documentary Maidan, dedicated to the revolution in<br />

Ukraine, premiered in Cannes in 2014.<br />

CINEMA OF THE WORLD<br />

97


gj yo ckW;Yl ckFk okWVj<br />

Her Love Boils Bathwater<br />

Yu Wo Wakasuhodo No Atsui Ai<br />

Japan | 2016 | Japanese | 125 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ryôta Nakano<br />

Producer Kazumi Fukase,<br />

Yusuke Wakabayashi<br />

Screenplay Ryôta Nakano<br />

<strong>Cinema</strong>tographer Yoshihiro Ikeuchi<br />

Sound Design Masahide Koura<br />

Cast Rie Miyazawa, Hana Sugisaki,<br />

Tori Matsuzaka, Joe Odagiri<br />

Sales agent Yoshimi<br />

• yoshimi.takahata@hakuhodody-map.jp<br />

lkphuks ifjokj dk lkph uks ;w Luku?kj firk ds<br />

vpkud xk;c gksus ds ckn can gks x;kA galeq[k<br />

vkSj –


gkbZ uwu LVksjh<br />

High Noon Story<br />

Majaray Nimroz<br />

Iran | <strong>2017</strong> | Farsi | 110 min | Colour<br />

Director Mohammad Hossein<br />

Mahdavian<br />

Producer Seyed Mahmoud Razavi<br />

Screenplay Ebrahim Amini and<br />

Mohammad Hossein Mahdavian<br />

<strong>Cinema</strong>tographer Hadi Behrouz<br />

Editor Sajad Pahlavan Zadeh<br />

Sound Design Hadi Saed Mokham<br />

Cast Mehrdad Sedighian, Ahmad<br />

Mehranfar, Javad Ezati, Mehdi<br />

fQ+Ye 1981 esa bZjku ds vkradoknh lewg ihiYl<br />

eqtkfgnhu vkWQ+ bZjku dh dgkuh gSA bZjkfu;u<br />

laln }kjk cuh&lnz ds fu"dklu ds ckn<br />

vkradokfn;ksa us vf/kdkfj;ksa dh gR;k “kq: dj nhA<br />

'kgj dhs lM+dksa] xyh&xfy;kjksa vkSj ?kjksa esa QSyh<br />

bl vfLFkjrk vkSj Hkze dk D;k var gksxk\ bl<br />

chp ¸kg ns[kus vkrk gS fd ,d lqj{kk xkMZ v©j<br />

vkradoknh xqzi dh efgyk ,d nqljs d¨ tkurs gSaA<br />

✪ INDIA PREMIERE<br />

After the dismissal of president Bani-<br />

Sadr by the Iranian parliament, the<br />

tensions run high. Terrorist groups begin<br />

to assassinate Iranian officials. The<br />

Iranian government and the revolutionary<br />

guards are after these terrorists to arrest<br />

them. Meanwhile, a young member of<br />

the revolutionary guard and a woman of<br />

the terrorist groups are known to each<br />

other.<br />

Sales agent Farabi <strong>Cinema</strong> Foundation<br />

• fcf1@dpi.net.ir<br />

eksgEen gqlSu eg~nfo;u<br />

1981 E®a ckc®Yk esa tUesa eksgEen gqlSu eg~nfo;u us bZjku çlkj.k<br />

fo'ofon~¸kky; ls Vhoh çksMD”ku esa fMxzh çkIr dh gSA mudh igyh<br />

Qhpj LVSafMax bu MLV bZjku esas cgqpfpZr jghA gk; uwu LVksjh<br />

mudh nwljh Q+hpj fQ+Ye gS ftlus 34 oha jk"Vªh; Q+tz fQ+Ye<br />

egksRlo esa jtr fleks?kZ thrk gSA<br />

Mohammad Hossein Mahdavian<br />

Born in 1981 in Babol, Mohammad Hossein Mahdavian<br />

holds a BA in TV production from Iran Broadcasting<br />

University. His debut feature Standing in Dust was<br />

very well-received domestically. High Noon Story is his<br />

second feature film. It won the Silver Simorgh at the 34th<br />

National Fajr Film Festival.<br />

CINEMA OF THE WORLD<br />

99


gksLVsftl<br />

Hostages<br />

✪ INDIA PREMIERE<br />

Georgia, Russia, Poland | <strong>2017</strong> | Georgian, Russian | 103 min | Colour<br />

Director Rezo Gigineishvili<br />

Producer Mikhail Finogenov, Tamara<br />

Tatishvili, Vladimer Katcharava, Rezo<br />

Gigineishvili<br />

Screenplay Lasha Bughadze,<br />

Rezo Gigineishvili<br />

<strong>Cinema</strong>tographer Vladislav Opelyants<br />

Editor Jaroslav Kaminski,<br />

Andrey Gamov<br />

Sound Design Gia Kancheli,<br />

Gleb Nekhoroshev<br />

Production Designer Kote Japaridze<br />

Cast Irakli Kvirikadze, Tinatin<br />

Dalakishvili, Avtandil Makharadze<br />

1983 esa t‚ftZ;kbZ lksfo;r lektoknh x.kjkT; eas<br />

c‚MZj j{kd dkys leqæ esa eLrh dj jgs yksxksa ds<br />

,d lewg ij utj j[ks gq, gSaA os iqfyl jkT; vkSj<br />

viuss vfHkHkkodksa ls vktknh pkgrs gSaA bl lewg ds<br />

uofookfgr vUuk vkSj fudk ds foeku dk vigj.k<br />

dj fy;k tkrk gSA nqkZX¸kiw.kZ ÄVukv®a dh ,d<br />

J`a[kyk }kjk mudh Lora=rk dh rhoz bPNk jk"Vªh;<br />

=klnh esa cny tkrh gSA<br />

The Georgian Soviet Socialist Republic<br />

in 1983. Border guards are keeping an<br />

eye on a group of young Georgians who<br />

are enjoying a boisterous dip in the Black<br />

Sea. The group includes doctors, actors,<br />

an aspirant for the orthodox priesthood,<br />

as well as Anna and Nika, who are about<br />

to marry. After the wedding, they plan to<br />

board a scheduled flight in Tbilisi, hijack<br />

the aircraft at gunpoint and force the pilot<br />

to land in Turkey. An unfortunate chain<br />

of unexpected events lead to a national<br />

tragedy.<br />

Sales agent Westend Films<br />

• alex@westendfilms.com<br />

jst+ks fxfxuh'kfoyh<br />

fj;ks fxfxuh'kfoyh us xSjsflekso baLVhVîwV v‚Q+ flusesVksxzkQh]<br />

e‚Ldks ls f”k{kk çkIr dhA os vc rd foKkiuksa dk funZs'ku djus ds<br />

ckn flusek ij /;ku dsafær dj jgs gSaA jksekafVd d‚esMh yo fon<br />

,DlsaV lfgr mudh fQYesa :l vkSj t‚ftZ;k nksuksa esa O;kolkf;d<br />

:i ls lQy jgh gSaA<br />

Rezo Gigineishvili<br />

Born in Tbilisi, Georgia in 1982, Rezo Gigineishvili<br />

lives and works in Georgia and Russia. He studied at<br />

the Gerasimov Institute of <strong>Cinema</strong>tography in Moscow<br />

and is an established director of commercials who is<br />

now focusing on auteur cinema. His films, including<br />

the romantic comedy Love with Accent, have been big<br />

commercial hits in both Russia and Georgia.<br />

100 CINEMA OF THE WORLD


n gkml ck; n lh<br />

The House by the Sea<br />

La Villa<br />

France | <strong>2017</strong> | French | 107 min | Colour<br />

Director Robert Guédiguian<br />

Producer Robert Guédiguian,<br />

Marc Bordure<br />

Screenplay Robert Guédiguian,<br />

Serge Valletti<br />

<strong>Cinema</strong>tographer Pierre Milon<br />

Editor Bernard Sasia<br />

Sound Design Laurent Lafran<br />

Production Designer Michel<br />

Vandestien<br />

Cast Ariane Ascaride,<br />

Jean-Pierre Darroussin, Gérard Meylan,<br />

Anaïs Demoustier, Robinson Stévenin,<br />

Jacques Boudet<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ekflZys ds fudV ,d o`) ds ikl [kwclwjr foyk<br />

gSA vafre fnuksa esa rhuksa cPps mlds ikl bdës gq,<br />

gSaA isfjl esa jgus okyh vfHkus=h ,atsyk] [kqn ls<br />

vk/kh mez dh yM+dh ls I;kj djus okyk ;wlqQ+ vkSj<br />

vekZan tks ekflZys esa gh ikfjokfjd jsLrjka pykrk<br />

gSA ;s ns[kus dk le; gS fd fojklr esa feys<br />

vkn”kksZa dks mUgksaus fdruk lgstk gSA uko Eksa vk¸ks<br />

y¨x¨a dk lewg bu koqd {k.k¨a dk mFky iqFky esa<br />

cny nsrk gSA<br />

✪ INDIA PREMIERE<br />

By a little bay near Marseille lies a<br />

picturesque villa owned by an old man.<br />

His three children have gathered by<br />

his side for his last days: Angela, an<br />

actress living in Paris; Joseph, who has<br />

just fallen in love with a girl half his age;<br />

and Armand, the only one who stayed<br />

behind in Marseille to run the family’s<br />

small restaurant. It’s time for them to<br />

weigh up what they have inherited of<br />

their father’s ideals and the community<br />

spirit he created in this magical place.<br />

The arrival, at a nearby cove, of a group<br />

of boat people will throw these moments<br />

of reflection into turmoil he created in this<br />

magical place.<br />

j‚cVZ xqbfMxqvu<br />

ekflZys esa tUes j‚cVZ xqbfMxqvu dh çeq[k fQ+Yesa , yk ok;k] yk<br />

foys ,V VªWkafDoys] ekWu isjs ,V baftuhvj] ys o‚;st ,u vjesfu<br />

vkSj uhxsl Mq fdfyeant+kjks gSaA ys çksesfumj Mq pSai ns eklZ] y<br />

vkehZ Mw Økbe] vkSj ;wu fgLVksbjs Ms Q+kS vU; fQ+Yesa gSaA yk foyk<br />

uohure fQ+Ye gSA<br />

Robert Guédiguian<br />

Robert Guédiguian was born in Marseille. His films,<br />

include la via, la mort, La Ville est tranquille, Mon pre<br />

est ingnieur, Le Voyage en Armnie, and Neiges du<br />

Kilimandjaro. Other credits include Le promeneur du<br />

champ de Mars, L’arme du crime and Une histoire de<br />

fou. La Villa is his latest film.<br />

CINEMA OF THE WORLD<br />

101


vkbZ Mªhe bu ,unj ysaXost<br />

I Dream in Another Language<br />

Sueño En Otro Idioma<br />

Mexico, Netherlands | Spanish, English | 103 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Ernesto Contreras<br />

Producer Mónica Lozano,<br />

Luis Albores, Erika vila,<br />

Eamon O’ Farrill, Dijana Olcay-Hot,<br />

Raymond Van Der Kaaij<br />

Screenplay Carlos Contreras<br />

<strong>Cinema</strong>tographer Tonatiuh Martinez<br />

Editor Jorge Macaya<br />

Sound Design Enrique Greiner,<br />

Production Designer Barbara<br />

Enriquez<br />

Cast Fernando Álvarez Rebeil,<br />

José Manuel Poncelis, Eligio Melndez<br />

ekfVZu ,d e`rçk;% çkphu Hkk"kk dh fjd‚fMaxZ ds<br />

fy, eSfDldu xkao esa Hkk"kk ds nks vafre oäkvksa<br />

ls feyrk gSA ,d gh efgyk bokfjLVks ls I;kj ls<br />

mRiUu 50 o"kZ iqjkus erHksn ds dkj.k os vkil esas<br />

ckr ugha djrsA bokfjLVks dh iksrh muesa ckrphr<br />

djokus esa lQy gks tkrh gSA tSls gh og ckr<br />

djrs gSa i{kh;ks dh vthc vkoktsa muds iwoZtks dk<br />

vkOgku djus yxrh gSaA<br />

Martin arrives in a remote Mexican<br />

village to record a dying, ancient<br />

indigenous language. He finds the last<br />

two speakers of the language, but they<br />

refuse to speak to each other because of<br />

a 50-year grudge.<br />

Sales agent Mundial Sales<br />

• patricia_arias@mundialsales.com<br />

102 CINEMA OF THE WORLD<br />

vusZLVks daVªsjkl<br />

vusZLVks daVªsjkl dh igyh fQ+Ye Cyw vkbZfyM~l fo”o ds çfrf"Br<br />

lekjksgksa esa çnf'kZr dh xbZA o`Ùkfp= lsxqbj lhuMks] dSQs VSDOck<br />

çhfe;j ds ckn d‚UVªsl us fookfnr fQ+Ye n v‚CLd;ksj fLçax<br />

cuk;hA budh pkSFkh Q+hpj lq,uks ,u vksVªks bMhvksek dks luMsal<br />

baLVhVîwV dk efgUæk Xykscy fQYeesfdax iqjLdkj feykA<br />

Ernesto Contreras<br />

Ernesto Contreras’s award-winning debut, Blue Eyelids,<br />

screened at Cannes, San Sebastián, Tokyo and<br />

Sundance film festivals. After his documentary Seguir<br />

siendo: Café Tacvba, Contreras reappeared with the<br />

controversial The Obscure Spring. He is now presenting<br />

his fourth feature, Sueño en otro idioma, which received<br />

Sundance Institute’s Mahindra Global Filmmaking<br />

Award.


u Cyw<br />

In Blue<br />

✪ ASIA PREMIERE<br />

Netherlands, Romania | <strong>2017</strong> | Dutch, English, Romanian | 102 min | Colour<br />

Director Jaap van Heusden<br />

Producer Marc Bary<br />

Screenplay Jan-Willem den Bok,<br />

Jaap van Heusden<br />

<strong>Cinema</strong>tographer Melle van Essen<br />

Editor Jasper Quispel<br />

Sound Design<br />

Production Designer Lieke Scholman,<br />

Jorien Sont<br />

Cast Maria Kraakman, Bogdan Iancu,<br />

Ellis van den Brink<br />

,d fgEer okyh mM+ku ifjpkfjdk mM+ku ds e/;<br />

esa ,d cPps dks tUe nsus esa lgk;rk djrh gSA 15<br />

o’kZ ds ckn ml cPps ls og cq[k+kjsLV dh lM+dksa<br />

ij feyrh gSA mlds lkFk eka ;k çsfedk ds laca/k<br />

dks ysdj og Hkze esa gSA<br />

A sturdy flight attendant has to deliver<br />

a child in mid-air and gets involved in a<br />

confusing mother/lover relationship with<br />

a boy who’s living under the streets of<br />

Bucharest.<br />

Sales agent Wide<br />

• ma@widemanagement.com<br />

tki oWu g~~;wlMssu<br />

tki oSu gslMsu us 2005 esa uhnjySaM~~l fQYe ,aM Vsyhfotu vdsMeh]<br />

,ELVMZe ls Lukrd fd;kA mudh Fkhfll fQYe bZu baxsthfoDdsYM<br />

osjgky] ,UuokmfMx osVZYM dks nqfu;k Hkj esa lEekfur fd;k x;kA<br />

mudh igyh fQ+Ye fou@fou j‚VjMSe varjjk"Vªh; fQYe egksRlo<br />

esa çhfe;j gqbZA mudh nwljh Q+hpj n U;w oYMZ 40 ls vf/kd fQYe<br />

lekjksgksa esa çnf'kZr dh xbZA bu Cyw g~~;wlMssu dh rhljh fQ+Ye gSA<br />

Jaap van Heusden<br />

Jaap van Heusden’s thesis film, Een Ingewikkeld<br />

Verhaal, Eenvoudig Verteld, was awarded worldwide.<br />

His feature directing debut Win/Win, world premiered<br />

at the <strong>International</strong> Film Festival Rotterdam (IFFR). His<br />

second feature The New World, premiered at IFFR,<br />

and screened at more than 40 film festivals. In Blue is<br />

Heusden’s third feature.<br />

CINEMA OF THE WORLD<br />

103


ulhfj;kVsM<br />

Insyriated<br />

In Syria<br />

Belgium, France | <strong>2017</strong> | Arabic | 85 min | Colour<br />

Director Philippe Van Leeuw<br />

Producer Guillaume Malandrin, Serge<br />

Zeitoun, Pierre Sarraf<br />

Screenplay Philippe Van Leeuw<br />

<strong>Cinema</strong>tographer Virginie Surdej<br />

Editor Gladys Joujou<br />

Sound Design Chadi Roukoz<br />

Production Designer Kathy Lebrun<br />

Cast Hiam Abbass, Diamand Abou<br />

Abboud<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

'kgj dh ?ksjkcanh ds rgr ?kj esa Qalh rhu cPpksa dh<br />

eka vkse ;t+u us vius +ySV dks ifjokj vkSj iM+ksfl;ksa<br />

ds fy, lqjf{kr LFkku cuk fn;k gSA Pkksj YkwV Ekpk<br />

jgs gSa] ceksa }kjk bekjr ds u"V gksus dk [k+rjk gS vkSj<br />

vkØe.kdkfj;ksa us ?kj dks ?kkrd {ks= esa cny fn;k<br />

gSA can nhokjksa esa larqyu cuk, j[kuk vc thou<br />

vkSj e`R;q dk Á'u cu tkrk gSA<br />

✪ INDIA PREMIERE<br />

Trapped inside her house in a city under<br />

siege, Oum Yazan, mother of three,<br />

turns her flat into a safe harbour for her<br />

family and neighbours, trying to protect<br />

them from the war outside. When bombs<br />

threaten to destroy the building, when<br />

snipers turn the courtyards into deadly<br />

zones, and burglars break in to claim<br />

their dreadful bounties, maintaining the<br />

thin balance of routine inside the walls<br />

becomes a matter of life and death.<br />

fQ+fyi oku yhm<br />

Nk;kdkj vkSj funsZ“kd fQ+fyi oku yhm n ykbQ v‚Q thll]<br />

LVscy vuLVscy vkSj fMesaVsM ds fy, fo[;kr gSaA mUgksaus bUlkl]<br />

czlsYl vkSj vesfjdu fQYe baLVhVîwV] y‚l ,aftYl ls f”k{kk çkIr<br />

dhA rnqijkar dbZ O;kolkf;d] laLFkkxr ;k d‚iksZjsV fQYeksa esa<br />

Q+ksVksxzkQ+h ds funsZ“kd ds :i esa dke fd;kA<br />

Philippe van Leeuw<br />

Philippe van Leeuw is a cinematographer and director,<br />

known for The Life of Jesus, Stable Unstable and<br />

Demented. He collaborated as director of photography<br />

with a number of commercial, institutional or corporate<br />

films. In 2008, he directed his first feature film, The Day<br />

God Walked Away.<br />

104 CINEMA OF THE WORLD


n tuhZ<br />

The Journey<br />

Al Rahal<br />

Iraq, UK, Qatar, France, Netherlands | <strong>2017</strong> | Arabic, English | 82 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Mohamed Jabarah Al-Daradji<br />

Producer Isabelle Stead, Mohamed<br />

Jabarah Al-daradji, Hélène Cases<br />

Screenplay Isabelle Stead,<br />

Mohamed Jabarah Al-daradji<br />

<strong>Cinema</strong>tographer Duraid Munajim<br />

Editor Mohamed Jabarah Al-daradji,<br />

Pascale Chavance, Herve De Luz<br />

Sound Design Oliver Laurent,<br />

Laurent Chassaigne<br />

Cast Zahraa Gandour,<br />

Ameer Ali Jabarah<br />

Sales agent Giedre<br />

• Giedre@picturetree-international.com<br />

lkjk cxnkn LVs'ku dh fjvksifuax lsjseWuh esa x+yr<br />

bjkns ls ços'k djrh gSA tSls gh og bl dke dks<br />

vatke nsuk pkgrh gS rHkh vkRefuHkZj vkSj pqycqyk<br />

lsYleSu lyke ls vpkud vthc eqBHksM ls +mldh<br />

Hkzked ;kstuk cny tkrh gSA fdlh ds thou dks<br />

u"V djus tk jgh lkjk ds fy, D;k ;g vijk/k<br />

cks/k gS ;k ,d nwljk ekSdk\<br />

Sara enters Baghdad station with sinister<br />

intentions for its reopening ceremony. As<br />

she braces to commit an unthinkable<br />

act, her plans are drastically altered by<br />

an unwanted and awkward encounter<br />

with Salam, a self-assured and flirtatious<br />

salesman. With Salam now hostage<br />

to Sara’s confused and deluded plan,<br />

he battles desperately to appeal to her<br />

humanity and sway her decision. In a<br />

moment of consideration and with her<br />

convictions crumbling before her, Sara<br />

is given the opportunity to witness the<br />

life and innocence she was so willing to<br />

destroy. But is this a second chance or<br />

an admission of guilt?<br />

eksgEen tcjkg vy&njnt+h<br />

bjkdh&Mp fQYe fuekZrk eksgEen tckg vy&njnth us Nk;kadu<br />

vkSj funsZ'ku esa f”k{kk ÁkIr dhA mUgksaus MªhEl] bjkd% o‚j] yo]<br />

x‚M ,aM eSMusl] lu v‚Q+ cschyksu] vkSj bu ek; enlZ vkElZ dk<br />

funsZ”ku fd;k gSA n tuhZ mudh uohure Q+hpj fQ+Ye gSA<br />

Mohamed Jabarah Al-Daradji<br />

Mohamed Jabarah Al-Daradji is an Iraqi-Dutch filmmaker.<br />

He completed two master’s degrees in cinematography<br />

and directing at the Northern Film School in Leeds. His<br />

directorial credits include Dreams, Iraq: War, Love, God<br />

& Madness, Son of Babylon and In My Mother’s Arms,<br />

which he co-directed with his brother, Atia Al-Daradji.<br />

The Journey is his latest feature film.<br />

CINEMA OF THE WORLD<br />

105


ysV n lu”kkbu bu<br />

Let the Sunshine In<br />

Un Beau Soleil Intérieur<br />

France | <strong>2017</strong> | French | 95 min | Colour<br />

Director Claire Denis<br />

Producer Olivier Delbosc<br />

Screenplay Claire Denis,<br />

Christine Angot<br />

<strong>Cinema</strong>tographer Agnès Godard<br />

Editor Guy Lecorne<br />

Sound Design Stuart Staples,<br />

Jean-Paul Mugel<br />

Production Designer Arnaud de<br />

Moleron<br />

Cast Juliette Binoche, Gérard<br />

Depardieu, Valeria Bruni-Tedeschi<br />

jksysaM ckFkZl ds miU;kl yolZ fMLdkslZ % Ý+sXesaV~l<br />

ls çsfjr Dys;j Msful ;g fQ+Ye ,dy efgyk<br />

dykdkj vkSj rykd'kqnk ek¡ blkcsy ds ckjs esa gS<br />

tks isfjl esa vdsys jgrh gS vkSj lPps I;kj dh<br />

ryk'k djrh gSA<br />

Inspired by, but not adapted from<br />

Roland Barthes’s A Lover’s Discourse:<br />

Fragments, Claire Denis’ new film is<br />

about a single woman, Isabelle, an artist<br />

and divorced mother living alone in Paris<br />

and looking for true love.<br />

Sales agent Film Distribution<br />

• joris@playtime.group<br />

Dys;j Msful<br />

Ýsap fQYe funsZ'kd vkSj ys[kd Dys;j Msful ledkyhu fo'o<br />

flusek dh l”kDr gLrh gaSA OgkbV esfVfj;y vkSj 35 'k‚V~l vkWQ+<br />

je 21 oha lnh dh loZJs"B fQYeksa esa ls gSaA p‚dysV vkSj chm<br />

VªSosy flusek ds bfrgkl esa efgykvksa }kjk funsZf'kr lcls cM+h vkSj<br />

mRd`’V fQYesa gSA<br />

Claire Denis<br />

Claire Denis is considered as one of the strongest voices<br />

in contemporary world cinema: her films White Material,<br />

35 Shots of Rum and Chocolate and Beau Travail,<br />

are considered some of the greatest films directed by<br />

women in the history of cinema. Her work has had a<br />

lasting impact on cinematic identity of Europe.<br />

106 CINEMA OF THE WORLD


ykbQ+ fcvkWUM eh<br />

Life Beyond Me<br />

Une Vie Ailleurs<br />

France, Uruguay | <strong>2017</strong> | Spanish, French | 96 min | Colour<br />

✪ ASIA PREMIERE<br />

Director Olivier Peyon<br />

Producer Bertrand Faivre<br />

Screenplay Olivier Peyon,<br />

Cécilia Rouaud<br />

<strong>Cinema</strong>tographer Alexis Kavyrchine<br />

Editor Tina Baz<br />

Sound Design Julien Sicart<br />

Cast Isabelle Carré, María Dupláa,<br />

Ramzy Bedia<br />

Sales agent The Bureau Sales<br />

• gb@lebureaufilms.com<br />

flYoh ds csVs fQ+fyi dk ikap lky dh mez esa<br />

mlds firk ikCyks us vigj.k dj fy;k FkkA pkj<br />

lky ckn ikCyks dh ekSr vkSj futh tklwl dh<br />

enn ls flYoh dks m#Xos ds xkao esa fQ+fyi dk irk<br />

py tkrk gSA flYoh ds la?k"kZ ls ÁHkkfor gksdj<br />

,d lkekftd dk;ZdrkZ esgnh mldh enn djus<br />

dk QSlyk djrk gSA nksuksa feydj cPps dks Ý+kal<br />

okil ykus ds fy, m#Xos py iM+rs gSaA<br />

The story hinges on Sylvie’s son Felipe,<br />

who was abducted at the age of five by<br />

his father Pablo. Four years and a few<br />

hiccups by social services later, thanks<br />

to Pablo’s death and the work of a private<br />

detective, Sylvie picks up Felipe’s trace<br />

in the countryside in Uruguay, Pablo’s<br />

home country. Mehdi, a social worker<br />

who has lost faith in his job, is so moved<br />

by Sylvie’s struggle that he decides to<br />

leave everything and help her. Together,<br />

they set out for Uruguay to kidnap the<br />

child and bring him back to France.<br />

vksfyfo;j is;‚u<br />

funsZ'kd vkSj iVdFkk ys[kd] vksfyfo;j is;‚u us bæhlk vkmækmxks<br />

ds lgk;d ds :i esa vius dfj;j dh 'kq:vkr dhA mudh<br />

funsZf”kr ikap y?kq fQ+Yesa vusd lekjksgks esa çnf”kZr ,oa lEekfur<br />

gqbZaA 2006 esa mUgksaus viuh igyh Q+hpj ysl isfVV~l okd‚Ulsl<br />

cuk;hA is;‚u dh nwljh csgn lQy 2013 dh M‚D;wesaVjh gkm vkbZ<br />

dse Vw gsV eSFl] ftlus vkt dh nqfu;k esa xf.kr dk egÙo crk;kA<br />

Olivier Peyon<br />

Peyon began his career as production assistant, notably<br />

on the films of Idrissa Ouedraogo. He directed five short<br />

films that bagged prestigious festival prizes namely<br />

Promis, Juré, Jingle Bells, Claquage après Étirements<br />

and À tes amours. His first feature, Les Petites Vacances<br />

(Stolen Holidays) was followed by the hugely successful<br />

documentary How I Came to Hate Math.<br />

CINEMA OF THE WORLD<br />

107


ykbV vi!<br />

Light Up!<br />

Zhgi!<br />

Russia | <strong>2017</strong> | Russian | 104 min | Colour<br />

Director Kirill Pletnev<br />

Producer Ruben Dishdishyan<br />

Screenplay Kirill Pletnev<br />

<strong>Cinema</strong>tographer Sergey Mihalchuk<br />

Editor Vasiliy Klepatskiy<br />

Sound Design Sergey Ovcharenko<br />

Production Designer Irina<br />

Grazhdankina<br />

Cast Inga Oboldina, Viktoria Isakova,<br />

Vladinir Ilyin, Anna Ukolova<br />

vksisjk xk;d tSlh vkokt+ okyh ,ysfOruk jksekuksok<br />

,d dBksj tsy naM vf/kdkjh gSA cpiu ls viuh<br />

vkokt+ ls 'kfeaZnk og vdsys esa gh xkrh FkhA ,d<br />

dSnh }kjk lsy Qksu ls mldh vkokt+ dk ohfM;ks<br />

fjd‚MZ dj baVjusV ij viyksM djrk gSA ohfM;ks<br />

fgV gksus ij ,ysfOruk dks ns'k ds lcls yksdfç;<br />

xhr çfr;ksfxrk ds fy, ekLdks esa vkeaf=r fd;k<br />

tkrk gSA çfr;ksfxrk ds fy, mls ,d iwoZ xk;d<br />

dSnh dh enn pkfg;sA<br />

✪ INDIA PREMIERE<br />

Alevtina Romanova is a penal officer in<br />

a women’s prison colony. Her image of a<br />

stern officer is betrayed only by her voice<br />

– a kind of voice to be envied by opera<br />

stars. She has been embarrassed of her<br />

gift since she was a child and now sings<br />

only when she stays alone, to herself.<br />

Her secret is revealed – an inmate<br />

records a video with her cell phone and<br />

uploads it on the internet. The video is<br />

a hit, and Alevtina is invited to Moscow<br />

to the country’s most popular song<br />

contest. The woman is eager not to miss<br />

her chance, and, finally, to change her<br />

life. But she is totally unprepared for the<br />

competition. The only person who can<br />

help her rehearse is the inmate – who is<br />

a former singer.<br />

fdfjy iysRuso<br />

[kkdksZo esa tUes fdfjy iysRuso us lsaV ihVlZcxZ LVsV vdkneh<br />

vkWQ+ fFk;sfVªdy vkVZ~l ls Lukrd fd;k vkSj dbZ ekLdks fFk;sVlZ esa<br />

dke fd;kA ckn esa og vkesZu ftxj[k+kU;ku dh v/;{krk esa ekLdks<br />

Mªkek fFk;sVj esa 'kkfey gks x,A 2003 eap ds funZs'kd vk;fjuk<br />

ds#Rpsadks ds lkFk lg;ksx djuk 'kq: dj fn;kA ykbV vi iysRuso<br />

dh igyh Q+hpj fQ+Ye gS<br />

Kirill Pletnev<br />

Kirill Pletnev entered SPGATI to become a student<br />

of Vladimir Petrov’s course. Upon graduation, he<br />

joined the Moscow Drama Theatre headed by Armen<br />

Dzhigarkhanyan and moved to the Russian capital.<br />

In the spring of 2003 he left the theatre and started to<br />

collaborate with stage director Irina Kerutchenko. Light<br />

Up is Pletnev’s first feature film.<br />

108 CINEMA OF THE WORLD


yo eh ukWV<br />

Love Me Not<br />

✪ INDIA PREMIERE<br />

Greece, France | <strong>2017</strong> | Greek | 99 min | Colour<br />

Director Alexandros Avranas<br />

Producer Christos V.<br />

Konstantakopoulos, Kristina Larsen<br />

Screenplay Alexandros Avranas,<br />

Kostas Peroulis<br />

<strong>Cinema</strong>tographer David Pimm<br />

Editor Christos Giannakopoulos<br />

Production Designer Jacqueline<br />

Abrahams<br />

Cast Eleni Roussinou, Christos Loulis<br />

Sales agent Elle Driver<br />

• Sales@elledriver.eu<br />

,d nEifr ;qok efgyk dks ljksxslh ds fy, vius<br />

lqanj foyk esa cqykrs gSaA vkneh ds dke ij tkus ds<br />

ckn efgyk vkSj yM+dh esa fe=rk gks tkrh gS vkSj<br />

os n®u®a feYkdj ;qxy ds /ku lEifÙk dk vkuan ysrs<br />

gSaA ysfdu bl [kq”kh ds ihNs mnklh vkSj fujk”kk<br />

gSA vxyh lqcg ifr dks Qksu ij iRuh dh e`R;q dh<br />

lwpuk feyrh gS ,d {kfrXkzLr dkj esa mLkdk tyk<br />

gqvk 'kjhj feyrk gSA<br />

A couple hires a young migrant to be<br />

their surrogate mother and moves her<br />

to their beautiful villa. While the man is<br />

away for work, the woman and the girl<br />

start to bond and enjoy the couple’s<br />

wealthy way of life. But behind her forced<br />

cheerfulness, the woman seems more<br />

and more depressed. After a few drinks<br />

with the girl, she goes for a drive. The<br />

next morning, her husband gets a call:<br />

his wife is dead, her burned body was<br />

found in her wrecked car.<br />

,ysDtsaMªksl ,ojkukl<br />

,ysDtsaMªksl dh igyh fQ+Ye fonkmV us Fkslkyksfudh fQ+Ye lekjksg<br />

esa lkr xzhd jkT; iqjLdkj thrsA vxyh fQ+Ye fel okW;ysal dks<br />

osful fQYe lekjksg esa ikap iqjLdkj çkIr gq,A mudh vesfjdu<br />

fQ+Ye Vªw ØkbEl esa fte dSjh vkSj pkyksZV xSUlcxZ us eq[; Hkwfedk,a<br />

fuHkkbZA yo eh ukWV mudh pkSFkh Q+hpj fQ+Ye gSA<br />

Alexandros Avranas<br />

With his first film, Without, Alexandros Avranas won<br />

seven Greek State Awards at the Thessaloniki Film<br />

Festival. His next feature, Miss Violence received the<br />

Silver Lion for Best Director, the Volpi Cup for Best Actor.<br />

For his American debut, the thriller True Crimes, he<br />

worked with Jim Carrey and Charlotte Gainsbourg in the<br />

leading roles. Love me Not is his fourth feature film.<br />

CINEMA OF THE WORLD<br />

109


yoysl<br />

Loveless<br />

Nelyubov<br />

Russia, France, Belgium, Germany | <strong>2017</strong> | Russian | 127 min | Colour<br />

Director Andrey Zvyagintsev<br />

Producer Alexandre Rodnyansky,<br />

Serguey Melkumov<br />

Screenplay Oleg Negin,<br />

Andrey Zvyagintsev, Gleb Fetisov<br />

<strong>Cinema</strong>tographer Mikhail Krichman<br />

Editor Anna Mass<br />

Sound Design Andrey Dergachev<br />

Production Designer Andrey<br />

Ponkratov<br />

Cast Maryana Spivak, Aleksey Rozin,<br />

Matvey Novikov, Varvara Shmykova<br />

>saU;k vkSj cksfjl ,d nwljs ds Áfr ukjkt+xh]<br />

grk'kk vkSj nks’kkjksi.k ds dkj.k rykd+ ds nkSj ls<br />

xqt+j jgs gSaA nksuks gh u;s lkFkh ds u;k thou 'kq:<br />

djus ds fy, v/khj gSaA thou ds bl u, i`"B ds<br />

fy, & Hkys gh mUgsa vius 12 o"khZ; csVs vY;ks”k dks<br />

NksM+uk iM+sA varr% muds >xM+s dks ns[kus ds ckn<br />

vY;ks”k dgha pyk tkrk gSA<br />

Zhenya and Boris are going through a<br />

vicious divorce marked by resentment,<br />

frustration and recriminations. Already<br />

embarking on new lives, each with a<br />

new partner, they are impatient to start<br />

again, to turn the page – even if it means<br />

threatening to abandon their 12-year-old<br />

son Alyosha. Until, after witnessing one<br />

of their fights, Alyosha disappears.<br />

Sales agent In2 infotainment<br />

• narayan.srinivasan@gmail.com<br />

,aMªh t~okbfxuRlso<br />

vfHkusrk vkSj funsZ”kd ,aMªh t~okbfxuRlso us :lh fo'ofo|ky; esa<br />

vfHku; esas Lukrd dh mikf/k çkIr dhA mudh igyh fQ+Ye n fjVuZ<br />

us osful fQYe lekjksg esa xksYMu yk;u iqjLdkj thrkA nwljh<br />

fQ+Ye csfu”kesaV 60 osa dku fQYe lekjksg esa çnf”kZr gqbZA rhljh<br />

fQYe ,sysuk us 67osa dku fQ+Ye lekjksg fo'ks"k twjh iqjLdkj thrkA<br />

yoysl mudh uohure fQ+Ye gSA<br />

Andrey Zvyagintsev<br />

Andrey Zvyagintsev’s debut film, The Return, became<br />

a cinema sensation. His second film Banishment was<br />

presented in Cannes. His third film, Elena, premiered in<br />

the Un Certain Regard at Cannes and won the Special<br />

Jury Prize. Leviathan, screened in Official Competition<br />

in Cannes. Loveless is Zvyagintsev’s newest feature. It<br />

won the Jury Prize at Cannes.<br />

110 CINEMA OF THE WORLD


,e ✪ INDIA PREMIERE<br />

M<br />

France | 2016 | French | 110 min | Colour<br />

Director Sara Forestier<br />

Producer Denis Freyd, Hugo Selignac,<br />

Seg Selignal, Vincent Mazel<br />

Screenplay Sara Forestier<br />

<strong>Cinema</strong>tographer Guillaume Schiffman<br />

Editor Eric Armbruster<br />

Sound Design Nicolas Provost<br />

Production Designer Virginie Destine,<br />

Catherine Jarrier - Prieur<br />

Cast Redouanne Harjane,<br />

Sara Forestier, Jean-Pierre Léaud<br />

yhyk vkSj eks ,d cl LV‚i ij feyrs gSaA yhyk<br />

gdykrh gS vkSj eks okd~iVq gSA yhyk viuh<br />

ijh{kkvksa dh rS;kjh dj jgh gSA eks vkthfodk ds<br />

fy, voS/k :i ls jsl essa dkj pykrk gSA foijhr<br />

vkd’kZ.k ls nksuksa esa I;kj gks tkrk gSA ysfdu eks<br />

vius eu esa ,d cks> fNikdj j[krk gSA<br />

Lila and Mo meet at a bus stop. Lila has<br />

a paralysing speech impediment. Mo is<br />

chatty and exuberant. Lila is preparing<br />

for her exams. Mo illegally races cars for<br />

a living. Opposites attract, and they fall<br />

in love. But Mo carries a secret burden.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

lkjk Q+‚jsLVfj;j<br />

cpiu ls gh ys[ku] isafVax vkSj fo”ks’k :i ls vfHku; esa ÁfrHkk”kkyh<br />

lkjk us fQYeksa vkSj Vhoh esa NksVh NksVh Hkwfedk,a fuHkkuh “kq: dhaA<br />

lkjk us viuh ÁfrHkk ls vCnsy yrhQ+ dsfpps dh fQ+Ye y ,LDoho<br />

esa eq[; Hkwfedk gkfly dhA funsZ'kd ds :i esa ,e mudh igyh<br />

fQ+Ye gSA<br />

Sara Forestier<br />

Sara Forestier revealed an artistic temperament, since<br />

an early age. When she was 13-and-a-half years old, she<br />

decided to accompany one of her friends to an audition.<br />

She took the audition with brilliance, and her career in<br />

acting started here. Since then she has never looked<br />

back. She is a leading actor. She makes her directorial<br />

debut with the film, M.<br />

CINEMA OF THE WORLD<br />

111


felst gkbM<br />

Mrs. Hyde<br />

Madame Hyde<br />

France | <strong>2017</strong> | French | 95 min | Colour<br />

Director Serge Bozon<br />

Producer David Thion,<br />

Philippe Martin<br />

Screenplay Axelle Ropert,<br />

Serge Bozon<br />

<strong>Cinema</strong>tographer Céline Bozon<br />

Editor Franois Quiqueré<br />

Sound Design Laurent Gabiot<br />

Production Designer Laurie Colson<br />

Cast Romain Duris, Isabelle Huppert,<br />

Jośe Garcia, Adda Senani,<br />

Guillaume Verdier<br />

,d 'kehZyh f'k{kd Jherh thfDoy vius lgdfeZ;ksa<br />

vkSj Nk=ksa }kjk frjLd`r gksrh gSA ,d rwQkuh jkr<br />

esa ç;ksx'kkyk esa ,d ç;ksx dss le; og djaV<br />

yxus ls csgks'k gks tkrh gSA csgks”kh ls tkxus ij<br />

fuf'pr :i ls vyx eglwl djrh gSA felst<br />

gkbM dh Hk;kog mifLFkfr thfDoy dh f'k{k.k<br />

fof/k ij çHkko Mkyrh gSA<br />

✪ INDIA PREMIERE<br />

Mrs. Gquil is a shy teacher despised<br />

by her colleagues and students. On<br />

a stormy night, while conducting an<br />

experiment in her lab, she is struck by<br />

lightning and faints. When she wakes<br />

up, she feels decidedly different and the<br />

appearance of the dangerous Mrs. Hyde<br />

soon impacts on Mrs. Gquil’s teaching<br />

methods.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ltZ ckst+ksu<br />

viuh igyh Q+hpj ,y vesfr, ds funsZ'ku ls igys ltZ ckst+ksu<br />

us vfHkusrk vkSj fQYe leh{kd ds :i esa dke fd;kA muds<br />

}kjk funsZf”kr EkkWM~l vkSj yk Ýkal dku ds Mk;jsDVlZ Q+ksVZukbV esa<br />

çnf”kZr vkSj Áh T;k¡ ohxks ls iqjLd`r gqbZaA 2013 esa fVi VkWi dks<br />

dku esa fo”ks’k mYys[k feykA<br />

Serge Bozon<br />

Born in 1972, Serge Bozon initially worked as an<br />

actor and film critic (Trafic, Lettre du Cinma, Cahiers<br />

du cinma, Transfuge, Vertigo) before directing his first<br />

feature, L’Amiti. He has also made Mods and La France,<br />

screened in the Directors’ Fortnight at Cannes and<br />

winner of the Prix Jean Vigo. In 2013, Tip-Top received a<br />

SACD Special Mention at Cannes.<br />

112 CINEMA OF THE WORLD


Ekjfyuk n eMZjj bu Q+ksj ,DV~l<br />

Marlina the Murderer in Four Acts<br />

Marlina Si Pembunuh Dalam Empat Babak<br />

Indonesia, France, Malaysia, Thailand | <strong>2017</strong> | Indonesian | 90 min | Colour<br />

Director Mouly Surya<br />

Producer Rama Adi, Fauzan Zidni<br />

Screenplay Rama Adi, Garin Nugroho,<br />

Mouly Surya<br />

<strong>Cinema</strong>tographer Yunus Pasolang<br />

Editor Kelvin Nugroho<br />

Sound Design Khikmawan Santosa<br />

Production Designer Frans Paat<br />

Cast Egy Fedly, Dea Panendra,<br />

Yoga Pratama<br />

Ekjfyuk lqack esa “kkafriwoZd thou fcrk jgh gSA ,d<br />

fnu ekdZl vkSj mldk fxjksg Ekjfyuk ds ?kj dks<br />

ywVus dh dksf'k'k djrs gSaA og ekdZl dks ekj nsrh<br />

gSA ekdZl dh vkRek mls ijs”kku djrh gS vkSj<br />

mldk thou iwjh rjg ls mFky iqFky gks tkrk gSA<br />

Marlina lives quietly in Sumba until<br />

one day a man named Markus and his<br />

gang try to rob her house. She kills him.<br />

Eventually, she is haunted by Markus,<br />

and her life turns 180 degrees.<br />

Sales agent Asian Shadows<br />

• lya@chineseshadows.com<br />

ekSyh lw;kZ<br />

ekSyh lw;kZ baMksusf'k;k dh lokZf/kd mHkjrh efgyk fQYe fuekZrkvksa<br />

esa ls ,d gaSA mudh igyh fQ+Ye fQ+D'ku us JIFFEST 2008 esa<br />

loZJs"B funsZ'kd lfgr dbZ iqjLdkj thrs vkSj 13 osa cqlku lekjksg<br />

esa çhfe;j gqbZA OgkWV ns MksUV VkWd vckmV Ogsu ns VkWd vckmV<br />

yo mudh nwljh fQ+Ye FkhA<br />

Mouly Surya<br />

Mouly Surya, is considered one of the most promising<br />

female filmmakers in Indonesia. Her debut film, Fiction,<br />

premiered at Busan and won numerous awards including<br />

Best Director at JIFFEST 2008. What They Don’t Talk<br />

About When They Talk About Love was her second<br />

feature. Marlina the Murderer in Four Acts was selected<br />

for the Quinzaine des Réalisateurs.<br />

CINEMA OF THE WORLD<br />

113


eSu MksUV Økb<br />

Men Don’t Cry<br />

Muskarci Ne Placu<br />

Bosnia and Herzegovina, Slovania, Croatia, Germany | <strong>2017</strong> | Bosnian | 98 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Alen Drljević<br />

Producer Damir Ibrahimovich, Jasmila<br />

Žbanić<br />

Screenplay Alen Drljevi, Zoran<br />

Solomun<br />

<strong>Cinema</strong>tographer Erol Zubevic<br />

Editor Vladimir Gojun<br />

Sound Design Igor Camo<br />

Production Designer Mirna Ler<br />

Cast Boris Isakovi, Leon Luev,<br />

Emir Hadihafizbegovi, Sebastian<br />

Cavazza,Ermin Bravo, Boris Ler,<br />

Ivo Gregurevi, Primo Petkovek,<br />

Jasna urii, Izudin Bajrovi<br />

1990 ds n'kd ds l'kL= la?k"kZ us iwoZ ;wxksLykfo;k<br />

dh dsoy Hkwfe dks gh u"V ugha fd;k] vfirq tq>k:<br />

jk"Vªksa dh Le`fr ij xgjk vk?kkr Hkh NksM+k gSA<br />

;q) lekIr gksus ds nks n'kd chr tkus ij Hkh<br />

iw.kZ ln~Hkko dh vis{kk djuk dfBu gS D;ksafd iwoZ<br />

lSfud viuh iwokZxzgksa vkSj gB/kfeZrk ls xzLr FksA<br />

fQ+Ye ¸kg bl lR¸k d¨ Áfrikfnr djuh gS nwlj¨a<br />

d¨ {kek djus dh ¸k¨X¸krk rh vk ldrh gS tc<br />

ge Lo¸ka d¨ {kek djuk Lkh[k ysaA<br />

When, less than two decades since<br />

the war ended in Yugoslavia, a diverse<br />

group of veterans gathers at a remote<br />

mountain hotel to undergo days of<br />

therapy, it’s hard to expect absolute<br />

harmony. This brilliantly directed drama,<br />

about the ability to forgive others only<br />

after we have forgiven ourselves,<br />

presents the pinnacle of the Balkan male<br />

acting scene.<br />

Sales agent Picture Tree <strong>International</strong><br />

• Giedre@picturetree-international.com<br />

,yu M~yZtsfod<br />

tkfLeyk t+ckfud ds iwoZ lgk;d funsZ'kd ,yu M~yZtsfod us<br />

;qxksLyko ;q) ds lSfudksa ds thou ij vk/kkfjr viuh igyh fQ+Ye<br />

eSu MksUV Økb dk funsZ”ku fd;kA mudh y?kq fQYe ispsd ;wjksih;<br />

fQYe iqjLdkj ds fy, ukekafdr vkSj lkjktsoks fQ+Ye egksRlo esa<br />

fçDl UIP ls iqjLd`r gqbZA<br />

Alen Drljević<br />

Alen Drljević, the former assistant director of Golden<br />

Bear winner Jasmila Zbanic Grbavica, makes his feature<br />

fiction debut with this Look at veterans of the Yugoslav<br />

Wars, Men Don’t Cry. His short film Paycheck was<br />

nominated for the European Film Award and won Prix<br />

UIP at the Sarajevo Film Festival.<br />

114 CINEMA OF THE WORLD


n feMokbQ+<br />

The Midwife<br />

Sage Femme<br />

France | <strong>2017</strong> | French | 117 min | Colour<br />

Director Martin Provost<br />

Producer Olivier Delbosc<br />

Screenplay Martin Provost<br />

<strong>Cinema</strong>tographer Yves Cape<br />

Editor Albertine Lastera<br />

Sound Design Ingrid Ralet<br />

Production Designer Thierry François<br />

Cast Catherine Frot, Catherine<br />

Deneuve, Olivier Gourmet,<br />

Quentin Dolmaire, Mylène Demongeot<br />

Sales agent Memento<br />

• sata@memento-films.com<br />

;g fQ+Ye ,d çfrHkk'kkyh ysfdu nq[kh feMokbQ+<br />

Dys;j vkSj Dys;j ds fnoaxr firk dh ifjR;Drk<br />

j[kSy chVªkbl dh dgkuh gSA gj rjg foijhr<br />

LoHkko okyh os nksuksa vlkekU; ifjfLFkfr;ksa dk<br />

lkeuk djrs gq, ?kfu’B fe= cu tkrh gSa vkSj ,d<br />

nwljs ij Hkjkslk djus yxrh gSaA<br />

✪ INDIA PREMIERE<br />

Two of French cinema’s biggest stars<br />

shine in this bittersweet drama about<br />

the unlikely friendship that develops<br />

between Claire (Catherine Deneuve), a<br />

talented but tightly wound midwife, and<br />

Batrice (Catherine Frot), the estranged,<br />

free-spirited mistress of Claire’s late<br />

father. Though polar opposites in almost<br />

every way, the two come to rely on each<br />

other as they cope with the unusual<br />

circumstance that brought them together.<br />

ekfVZu çksoksLV<br />

ekfVZu çksoksLV dk tUe 13 ebZ] 1957 dks Ýkal esa gqvk FkkA og<br />

,d vfHkusrk vkSj ys[kd gSaA lsjkfQ+us] n feMokbQ+ vkSj okW;sysV<br />

ds fy, fo[;kr gSaA<br />

Martin Provost<br />

Martin Provost was born on May 13, 1957 in Brest,<br />

Finistre, France. He is an actor and writer, known for<br />

Sraphine, The Midwife and Violette.<br />

CINEMA OF THE WORLD<br />

115


eksUikjukl fc,osU;w<br />

Montparnasse Bienvenue<br />

Jeune Femme<br />

France | <strong>2017</strong> | French | 97 min | Colour<br />

Director Léonor Serraille<br />

Producer Sandra da Fonseca<br />

Screenplay Léonor Serraille<br />

<strong>Cinema</strong>tographer Émilie Noblet<br />

Editor Clémence Carré<br />

Sound Design Anne Dupouy<br />

Production Designer Valérie Valéro<br />

Cast Laetitia Dosch, Grégoire<br />

Monsaingeon, Souleymane Seye<br />

Ndiaye, Léonie Simaga, Nathalie<br />

Richard, Érika Sainte, Lila-Rose<br />

Gilberti-Poisot, Audrey Bonnet<br />

gj Ádkj ls viekfur vkSj fujk”k ikmyk yacs<br />

le; rd ckgj jgus ds ckn isfjl okil ykSVrh<br />

gSA tSls tSls og vyx&vyx yksxksa ls feyrh gS]<br />

og fufÜpr :i ls ,d ckr tku tkrh gS fd mls<br />

dqN u;k djuk gS] og Hkh fdlh fof”k’V “kSyh vkSj<br />

vkRefoÜokl ds lkFk!<br />

Broke, with nothing but her cat to her<br />

name and doors closing in her face,<br />

Paula is back in Paris after a long<br />

absence. As she meets different people<br />

along the way, there is one thing she<br />

knows for sure: she’s determined to<br />

make a new start and she’ll do it with<br />

style and panache!<br />

Sales agent Be For Films<br />

• festival@beforfilms.com<br />

ysuksj lsjSys<br />

fy;ksu] isfjl vkSj ckflZyksuk esa lkfgR; dk v/;;u djus ds<br />

ckn ysuksj lsjSys dks Ýkalhlh jkT; fQYe Ldwy esa iVdFkk ys[ku<br />

dk;ZØe esa Lohd`fr feyhA Lukrd gksus ds ckn mUgksaus ukFkkyh<br />

fjpMZ ds lkFk 16 feeh y?kq fQYe c‚Mh dk funsZ'ku fd;kA<br />

eksUikjukl fc;kft+uh mudh igyh Q+hpj fQ+Ye gSA<br />

Léonor Serraille<br />

La Femis The French State Film School screenplay<br />

writing programme alumni Léonor Serraille directed the<br />

16mm short film, Body, that was selected for the Brive,<br />

Créteil and Osnabrück Film Festivals. Jeune Femme<br />

(Montparnasse Bienvenue), her graduation screenplay,<br />

is her first feature film.<br />

116 CINEMA OF THE WORLD


Eknj!<br />

Mother!<br />

USA | <strong>2017</strong> | English | 121 min | Colour<br />

Director Darren Aronofsky<br />

Producer Darren Aronofsky,<br />

Ari Handel<br />

Screenplay Darren Aronofsky<br />

<strong>Cinema</strong>tographer Matthew Libatique<br />

Editor Andrew Weisblum<br />

Sound Design Craig Henighan<br />

Production Designer Philip Messina<br />

Cast Jennifer Lawrence, Michelle<br />

Pfeiffer Javier Bardem, Ed Harris<br />

,d nEifr ds fj'rs dk bErgku rc gksrk gS] tc<br />

fcu cqyk;s esgeku muds ?kj igqap tkrs gSa vkSj<br />

muds 'kkafriw.kZ thou esa gypy epk nsrs gaSA<br />

A couple’s relationship is tested when<br />

uninvited guests arrive at their home,<br />

disrupting their tranquil existence.<br />

Sales agent Viacom18<br />

• Kishor.Varma@viacom18.com<br />

Mkjsu vjksuksQ+Ldh<br />

czqdfyu] U;w;‚dZ esa tUes Mkjsu vjksuksQ+Ldh cpiu ls dykRed<br />

:fp ds Fks vkSj ges'kk Dykfld fQYesa ilan djrs FksA fd'kksjkoLFkk<br />

esa mUgksaus fHkfÙkfp= dyk cukus esa le; fcrk;k FkkA gkbZ Ldwy ds<br />

ckn Mkjsu gkoZMZ ;wfuoflZVh esas fQ+Ye ¼ykbo ,D'ku vkSj ,uhes'ku<br />

nksuksa½ dk v/;;u djus ds fy, x,A<br />

Darren Aronofsky<br />

Darren Aronofsky was born on February 12, 1969, in<br />

Brooklyn. His directorial credits include Pi (his debut),<br />

Requiem for a Dream, The Fountain, The Wrestler and<br />

The Black Swan.<br />

CINEMA OF THE WORLD<br />

117


eMZj vkWu n vksfj;aV ,DlÁsl<br />

Murder on the Orient Express<br />

✪ INDIA PREMIERE<br />

Malta, USA | <strong>2017</strong> | English | 114 min | Colour<br />

Director Kenneth Branagh<br />

Producer Kenneth Branagh,<br />

Mark Gordon, Judy Hofflund,<br />

Simon Kinberg, Michael Schaefer,<br />

Ridley Scott<br />

Screenplay Michael Green,<br />

Agatha Christie<br />

<strong>Cinema</strong>tographer Haris Zambarloukos<br />

Editor Mick Audsley<br />

Production Designer Jim Clay<br />

Cast Kenneth Branagh, Penelope Cruz,<br />

Johnny Depp, Michelle Pfeiffer,<br />

Willem Dafoe, Judi Dench, Josh Gad<br />

;g fQ+Ye vxkFkk fØLVh ds miU;kl eMZj vkWu<br />

n vksfj,aV ,Dlçsl ij vk/kkfjr gSA fQ+Ye esa HkO;<br />

Vªsu ;k=k esa ,d gR;k gks tkrh gSA bl xqRFkh dks<br />

lqy>kus esa yxs ,d tklwl dks lHkh 13 Qals gq,<br />

;kf=;ksa ij lansg gSA mlds bl igsyh dks gy<br />

djus ls igys gh gR;kjk nksckjk geyk dj nsrk gSA<br />

A lavish train ride unfolds into a stylish<br />

and suspenseful mystery. From the novel<br />

by Agatha Christie, Murder on the Orient<br />

Express tells of thirteen stranded strangers<br />

and one man’s race to solve the puzzle<br />

before the murderer strikes again.<br />

Sales agent Fox Star Studios<br />

• shonyp@in.foxstarstudios.com<br />

dsusFk czkukx<br />

vfHkusrk] funsZ'kd vkSj iVdFkk ys[kd dsusFk czkukx dk tUe ,d<br />

Jfed ifjokj esa gqvk FkkA mUgksaus j‚;y vdkneh v‚Q MªkekfVd<br />

vkVZ~l lss f”k{kk yhA mUgsas fofy;e 'ksDlfi;j ds ukVdksa vksFksyks esa<br />

b;kxks vkSj gseysV eq[; fdjnkj ds vfHku; vkSj l”kDr vfHkO;fDr<br />

ds fy, fo”ks’k igpku feyhA gSjh i‚Vj ,aM n pSacj v‚Q+ lhØsV~l]<br />

okYD;jh vkSj MafddZ esa Hkh mudk vfHku; ljkguh; FkkA<br />

Kenneth Branagh<br />

Actor, director, screenwriter Kenneth Charles Branagh<br />

is rightfully regarded as one of the finest interpreters<br />

of William Shakespeare in the 20th century, thanks to<br />

his string of screen adaptations, including Othello and<br />

a lavish production of Hamlet. His acting credits include<br />

Harry Potter and the Chamber of Secrets, Valkyrie and<br />

Dunkirk.<br />

118 CINEMA OF THE WORLD


n ukby fgYVu bUlhMsaV<br />

The Nile Hilton Incident<br />

A Kairi Eset<br />

Sweden, Denmark, Germany | <strong>2017</strong> | Arabic, Dinka | 110 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Tarik Saleh<br />

Producer Kristina Åberg<br />

Screenplay Tarik Saleh<br />

<strong>Cinema</strong>tographer Pierre Aïm<br />

Editor Theis Schmidt<br />

Sound Design Marc Meusinger<br />

Production Designer Roger<br />

Rosenberg<br />

Cast Fares Fares, Mari Malek,<br />

Yasser Ali Maher<br />

felz ds Økafr dh i`"BHkwfe esa cus bl fFkzyj esa<br />

,d iqfyl vf/kdkjh ,d efgyk dh gR;k dh<br />

tkap djrk gSA 'kq: esa ,d os';k dh gR;k dk<br />

ekeyk yxrk gS] ysfdu tkap ds ckn dsl ,d<br />

vR;f/kd tfVy :i ys ysrk gS ftlesa felz ds<br />

cgqr gh laHkzkar yksx 'kkfey gSaA<br />

Set against the backdrop of the Egyptian<br />

Revolution, the thriller features a police<br />

officer who investigates the murder of<br />

a woman. What initially seems to be a<br />

killing of a prostitute turns into a more<br />

complicated case involving the very elite<br />

of Egypt.<br />

Sales agent Swedish Film Institute/The<br />

Match Factory<br />

• sergi.steegmann@matchfactory.de<br />

rkfjd lkysg<br />

felz ewy ds rkfjd lkysg ,d LohfM'k Vsyhfotu fuekZrk] ,uhesVj]<br />

çdk'kd] i=dkj vkSj fQ+Ye funsZ'kd gSa] tks 1990 ds n'kd ds<br />

'kq: esa LohMu ds çeq[k fHkfÙkfp= dykdkjksa esa ls ,d FksA os ,Veks<br />

ds laLFkkidksa esa ls ,d gaSA mUgksaus Losjsxst Vsyhfotu ds fy, Hkh<br />

dke fd;k gSaA<br />

Tarik Saleh<br />

Tarik Saleh is a television producer, animator, publisher,<br />

journalist and film director and one of Sweden’s most<br />

prominent graffiti artists. He has also worked as a TV<br />

host for Sveriges Television and is one of the founders<br />

of production company Atmo. His work often contains<br />

techniques such as montages, cut-out graphics and<br />

faces with manipulated lip synching.<br />

CINEMA OF THE WORLD<br />

119


Ukks csM vkWQ+ jkst+st+<br />

No Bed of Roses<br />

Doob<br />

Bangladesh-India | <strong>2017</strong> | Bengali, English | 86 min | Colour<br />

Director Mostofa Sarwar Farooki<br />

Producer Himanshu Dhanuka, Abdul<br />

Aziz, Ashok Kumar Dhanuka<br />

<strong>Cinema</strong>tographer Sheikh Rajibul Islam<br />

Editor Momin Biswas<br />

Sound Design Ripon Nath<br />

Production Designer Masood Parvez<br />

Cast Irrfan Khan, Nusrat Imrose Tisha<br />

Sales agent Chabial<br />

• privilegedkid@gmail.com<br />

ewoh funsZ'kd tkosn glu viuh csVh lcjh ds<br />

cpiu dhs nksLr uhrw ds lkFk I;kj djus yxrs<br />

gSA ¸kg dkaM ,d jk"Vªh¸k ppkZ dk fo"k¸k cu tkrk<br />

gSA tkosn dk ukjkt+ ifjokj muls vyx gks tkrk<br />

gSA og iRuh ek;k dks rykd ns dj uhrw ls 'kknh<br />

djrs gSaA ysfdu ckaXykns'kh lekt esa bl naifr<br />

ds fy, thou vklku ugha FkkA fujk”kk ds {k.kksa esa<br />

lcjh cpiu dh fe=rk dks Hkwydj viuh eka dks<br />

xfjeke; Lora= thou thus dh fgEer nsrh gSA<br />

fujk'kk ds {k.k®a esa n¨u¨a ds ,d nwLkjs ds lkFk ls<br />

cy feyrk gSA<br />

Successful movie director Javed<br />

Hasan finds himself in a midlife crisis,<br />

questioning whether marriage and career<br />

have demanded too much from him. A<br />

tryst with Nitu, his daughter’s childhood<br />

friend, turns into a national scandal.<br />

Javed’s loving family is torn apart. He<br />

eventually divorces wife Maya and is<br />

estranged from daughter Saberi and son<br />

Ahir. Javed and Nitu marry, but it’s no bed<br />

of roses for the couple as they receive<br />

the wrath of a judgmental Bangladeshi<br />

society. Once close friends, Saberi and<br />

Nitu become vulnerable to public shame.<br />

Saberi realizes that Nitu has competed<br />

against her since childhood. Saberi must<br />

now gather herself and push her mother<br />

to explore the grace of independence. In<br />

desperation, together they seek strength.<br />

eqLrQ+k ljoj Q+k:d+h<br />

eqLrQ+k ljoj Q+k:d+h ckaXykns'k U;w oso flusek vkanksyu dk ,d<br />

çeq[k mnkgj.k gSA mudh fQ+Ye Vsyhfotu cqlku esa lekiu fQYe<br />

Fkh vkSj ,f'k;k ç'kkar LØhu iqjLdkjksa esa xzSaM twjh iqjLdkj thrkA<br />

bl fQ+Ye ls og nf{k.k iwoZ ,f'k;kbZ vxz.kh fQ+Ye fuekZrk cu<br />

x;sA mudh pkSFkh fQ+Ye dbZ varjjk"Vªh; mRloksa esa Ánf”kZr gqbZ<br />

vkSj ckaXykns'k dh vksj ls v‚Ldj ds fy, Hksth xbZA nwc mudh<br />

NBh Qhpj gSA<br />

120 CINEMA OF THE WORLD<br />

Mostofa Sarwar Farooki<br />

Mostofa Sarwar Farooki is a Bangladeshi film director,<br />

producer and screenwriter. His 2012 feature Television<br />

was the closing film of Busan festival and won the Grand<br />

Jury Prize in Asia Pacific Screen Award 2013. He also<br />

founded the filmmakers' movement called "Chabial".


uks MsV uks lkbu<br />

No Date No Sign<br />

Bedoune Tarikh, Bedoune Emza<br />

Iran | <strong>2017</strong> | Persian | 103 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Vahid Jalilvand<br />

Producer Ali Jalilvand, Ehsan Alikhani<br />

Screenplay Ali Zarnegar, Vahid<br />

Jalilvand<br />

<strong>Cinema</strong>tographer Payman Shadmanfar<br />

Editor Vahid Jalilvand, Sepehr Vakili<br />

Sound Design Sayyed Alireza Alavian,<br />

Amin Mirshekari<br />

Production Designer Mohsen<br />

Nassrollahi<br />

Cast Navid Mohammadzadeh, Amir<br />

Agha’ee, Hediyeh Tehrani, Zakieh<br />

Behbahani, Sa’eed Dakh, Alireza<br />

Ostadi.<br />

Qksjsafld jksxfoKkuh ujheu dh dkj ls ,d cPpk<br />

?kk;y gks tkrk gSA ujheu cPps dks fDyfud esa<br />

ys tkus ds fy, dgrk gS] cPps ds firk mudh<br />

lgk;rk ugha ysrsA vxyh lqcg ujheu ds vLirky<br />

esa ogh cPpk lafnX/k ekSr ds ckn 'ko ijh{kk ds fy,<br />

yk;k tkrk gSA ujheu nqfo/kk esa gS fd cPps dh<br />

e`R;q dk dkj.k dkj nq?kZVuk gS ;k fo’kkDr HkkstuA<br />

The forensic pathologist Nariman has<br />

a car accident with a motorcyclist and<br />

injures his 8-year-old son. He offers to<br />

take the child to a clinic nearby, but the<br />

father refuses his help and money. The<br />

next morning, in the hospital where he<br />

works, Nariman finds out that the little<br />

boy has been brought for an autopsy<br />

after a suspicious death. He faces a<br />

dilemma: is he responsible for the child’s<br />

death due to the car accident or the child<br />

died of food poisoning according to other<br />

doctors’ diagnosis?<br />

Sales agent Noori Pictures<br />

• fest.smi@gmail.com<br />

okfgn tyhyoan<br />

okfgn tfyyoan rsgjku fo'ofo|ky; ls fFk,Vj funsZ'ku esa Lukrd<br />

gSaA mUgksaus fFk,Vj vfHkusrk] bZjkuh jkT; Vhoh esa laiknd vkSj<br />

funsZ'kd ds :i esa dke fd;kA nks ?kjsyw ohfM;ks J`a[kyk vkSj<br />

lkekftd&vkS|ksfxd {ks=ksa esa 30 ls vf/kd o`Ùkfp=ksa dk funsZ'ku<br />

fd;kA osMuslMs] es 9 mudh igyh Q+hpj fQ+Ye gSA<br />

Vahid Jalilvand<br />

Vahid Jalilvand directed two home video series and more<br />

than 30 documentaries in social and industrial fields.<br />

He has been a director and actor in many television<br />

series and plays. Wednesday, May 9, his first feature,<br />

was selected in the 2015 Venice Film Festival’ Orizzonti<br />

where he received the FIPRESCI Award.<br />

CINEMA OF THE WORLD<br />

121


vkWu ckWMh ,aM lksy<br />

On Body and Soul<br />

Teströl És lélekröl<br />

Hungary | <strong>2017</strong> | Hungarian | 116 min | Colour<br />

Director Ildikó Enyedi<br />

Producer Mónika Mécs, András Muhi,<br />

Erno Mesterházy<br />

Screenplay Ildikó Enyedi<br />

<strong>Cinema</strong>tographer Mt Herbai<br />

Editor Kroly Szalai<br />

Sound Design Péter Lukács<br />

Production Designer Imola Láng<br />

Cast Alexandra Borbély, Géza<br />

Morcsányi, Réka Tenki, Zoltán<br />

Schneider, Ervin Nagy<br />

cqMkisLV ds dRy[kkus esa dke djus okys nks<br />

vareqZ[kh yksxksa dks ;g irk pyrk gS fd os gj jkr<br />

,d gh liuk ns[krs gSaA os my>u esa gSa vkSj FkksM+s<br />

Hk;Hkhr HkhA os bl vthc la;ksx dks f>>drs gq,<br />

Lohdkj djrs gSa vkSj lius esa gqbZ ?kVukvksa dks fnu<br />

ds mtkys esa nksgjkus dh dksf'k'k djrs gSaA<br />

Two introverted people who work in<br />

a Budapest slaughterhouse find out<br />

by pure chance that they share the<br />

same dream every night. They are<br />

puzzled, incredulous, a bit frightened.<br />

As they hesitantly accept this strange<br />

coincidence, they try to recreate in broad<br />

daylight what happens in their dream.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

bfYndks ,U;sfn<br />

cqMkisLV esa tUes bfYndks ,U;sfn us vFkZ'kkL= vkSj fQ+Ye fuekZ.k<br />

dk v/;;u fd;kA mUgksaus ek; V~oafVvFk lsapqjh ¼89½] eSftd gaVj<br />

¼94½ vkSj lheksu] n esftf”k;u ¼99½ dk funsZ'ku fd;k gSA c‚Mh<br />

,aM lksy mudh uohure fQ+Ye gS ftls cfyZu fQ+Ye egksRlo esa<br />

xksYMu ch;j iqjLdkj ÁkIr gqvkA<br />

Ildikó Enyedi<br />

Ildikó Enyedi was born in Budapest where she studied<br />

economics and filmmaking. She has directed Terápia,<br />

and Simon, the Magician. On Body and Soul is her latest<br />

film. It won the Golden Bear at the Berlin Film Festival.<br />

122 CINEMA OF THE WORLD


oUl viksu v Vkbe<br />

Once Upon a Time<br />

Zhili-Byli<br />

Russia | <strong>2017</strong> | Russian | 90 min | Colour<br />

Director Eduard Parri<br />

Producer Ekaterina Sarycheva, Maria<br />

Mamulina, Fyodor Dobranov<br />

Screenplay Aleksey Borodachyov<br />

<strong>Cinema</strong>tographer Masha Slovyova<br />

Production Designer Fyodor Savelyev<br />

Cast Roman Madyanov,<br />

Fyodor Dobronravov, Irina Rozanova<br />

Sales agent Fyodor Dobornravov<br />

Production Centre<br />

e/; :l e/; ds ,d lwus mtM+s gq, xkao esa dsoy<br />

rhu yksx gh cps Fks & gky gh esa fo/kok gqbZ ,d<br />

L=h vkSj nks ,dkdh o`)A muesa ls ,d vius<br />

vdsysiu dks nwj djus ds fy, fo/kok lss “kknh dk<br />

çLrko j[kuss dk QSlyk djrk gS] ysfdu nwljk ,slk<br />

ugha gksus nsxk D;ksafd og Hkh ;gh pkgrk gS vFkkZr~<br />

nks cqtqxksZa ds chp ;q)!<br />

✪ WORLD PREMIERE<br />

In an abandoned little town in the middle<br />

of nowhere in Russia - two lonely old<br />

men and a recently widowed lady are the<br />

only ones living there. One of the men<br />

decides to put an end to his loneliness<br />

and offer his hand to the widow.<br />

However, the other man is not satisfied<br />

with the twist and also offers himself as<br />

her companion. They wage war with<br />

each other.<br />

,MoMZ ikjh<br />

,MoMZ ikjh ,d funsZ'kd] iVdFkk ys[kd vkSj vfHkusrk gSaA mUgksussa<br />

Vw v‚Q nse] n ;syks MªSxu] vks] ydheSu!] n vkbZySaM vkWQ+ ihiy<br />

uks ou uhM~l vkSj n glyj dk funsZ”ku fd;kA ikjh us “ksyWu esa<br />

vfHku; fd;k vkSj n ;syks MªSxu dk iVdFkk ys[ku fd;kA<br />

Eduard Parri<br />

Eduard Parri is a director, screenwriter and actor. As<br />

director, his credits include Two of Them, The Yellow<br />

Dragon, é, Luckyman!, The Island of People No One<br />

Needs and The Hustler. As an actor, Parri appeared in<br />

Echelon. He also scripted The Yellow Dragon.<br />

CINEMA OF THE WORLD<br />

123


n vnj lkbM vkWQ+ gksi<br />

The Other Side of Hope<br />

Toivon Tuolla Puolen<br />

Finland, Germany | <strong>2017</strong> | Finnish, English, Arabic, Swedish | 100 min | Colour<br />

Director Aki Kaurismäki<br />

Producer Aki Kaurismäki<br />

Screenplay Aki Kaurismäki<br />

<strong>Cinema</strong>tographer Timo Salminen<br />

Editor Samu Heikkilä<br />

Sound Design Tero Malmberg,<br />

Olli Pärnänen<br />

Production Designer Markku Pätilä<br />

Cast Ville Virtanen, Sherwan Haji,<br />

Dome Karukoski, Kati Outinen<br />

Sales agent Finnish Film Foundation<br />

• Jenni.domingo@ses.fi<br />

lhfj;kbZ 'kj.kkFkhZ [k+kfyn ekyokgd ij gsyfladh<br />

ys tk;k tkrk gSA ;k=k dj jgk foØsrk fodLVªe<br />

iksdj Vscy ij cM+h /kujkf'k thrdj jsLrjka<br />

[kjhnrk gSA vf/kdkjh [k+kfyn dk 'kj.k ds fy,<br />

vkosnu ukeatwj dj nsrs gSaA fodLVªe dks ykpkj<br />

[k+kfyn jsLrjka ds ihNs lks;k gqvk feyrk gSA og<br />

mls ukSdjh vkSj vkJ; nsrk gSA FkksM+h nsj ds fy,<br />

gh lgh] os jsLrjka ds osVªsl] 'ksQ+ vkSj dqÙks ds lkFk<br />

;wVksfi;u la?k cukrs gSaA<br />

Khaled, a Syrian refugee, stows away<br />

on a freighter to Helsinki. Meanwhile,<br />

Wikstrm is a traveling salesman who wins<br />

big at a poker table and buys himself a<br />

restaurant with the proceeds. When the<br />

authorities turn down his application for<br />

asylum, Khaled is forced underground<br />

and Wikstrm finds him sleeping in the<br />

yard behind his restaurant. He offers him<br />

a job and a roof over his head and, for<br />

a while, they form a Utopian union with<br />

the restaurant’s waitress, the chef and<br />

his dog.<br />

vdh dkSfjLekdh<br />

vdh dkSfjLEkkdh us vius cM+s HkkbZ ehdk dkSfjLekdh ds lkFk fuekZ.k<br />

,oa forj.k daiuh foYysQ+k dh LFkkiuk dhA nksuksa HkkbZ;ksa dks 1980<br />

ds n'kd ls fQ+fu'k fQ+Ye m|ksx ds dqy fuekZ.k ds ikaposa fgLls dk<br />

Js; tkrk gSA vdh dk dke fons'k esa vf/kd yksdfÁ; gSA mudh<br />

fQYesa NksVh gksrh gSaA vdh us fofHkUu 'kSfy;ksa ¼lu fQYesa] fQYe<br />

uks;j] j‚d c‚Mht½ esa fQ+Yesa cuk;hA<br />

Aki Kaurismäki<br />

Aki Kaurismäki formed a production and distribution<br />

company, Villealfa in homage to Jean-Luc Godard’s<br />

Alphaville with his older brother Mika Kaurismäki, also a<br />

filmmaker. Both Aki and Mika are prolific filmmakers, and<br />

have been responsible for one-fifth of the total output of<br />

the Finnish film industry since the 1980s.<br />

124 CINEMA OF THE WORLD


ikdZ<br />

Park<br />

Parkas<br />

Greece, Poland | <strong>2017</strong> | Greek, English | 100 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Sofia Exarchou<br />

Producer Christos V.<br />

Konstantakopoulos, Amanda Livanou<br />

Screenplay Sofia Exarchou<br />

<strong>Cinema</strong>tographer Monika Lenczewska<br />

Editor Sofia Exarchou,<br />

Yorgos Mavropsaridis<br />

Sound Design Valia Tserou, Persefoni<br />

Miliou<br />

Production Designer Pinelopi Valti<br />

Cast Dimitris Kitsos, Dimitra<br />

Vlagopoulou, Thomas Bo Larsen<br />

Sales agent Imediate Servicing<br />

• manne.fourton@imediate.fr<br />

,Fksal ds catj vksyafid xkao esa fd'kksjksa dk lewg<br />

jkst ?kqM+nkSM+ esa layXu jgrk gSA muesa ls nks lcls<br />

cM+s vUuk vkSj “kehZyh fnfe=h I;kj djus yxrs gSa<br />

vkSj tYn gh “kknh dj ysrs gSaA ,d&nwljs ds lkFk<br />

ls [kq”k ftKklq vkSj mÙksftr fd'kksj leqæ rVh;<br />

i;ZVu LFky ij tkrs gSaA le; chrus ds lkFk<br />

muds fj'rksa dh e/kqjrk de gksus yxrh gS vkSj<br />

vkuan O;Fkk esa cny tkrk gSA lkekftd çFkk,¡<br />

O¸kfäXkr #i ls ihM+knk¸kd h g¨ ldrh gSA<br />

Gathering in the parched concrete<br />

wasteland of Athens’ crumbling Olympic<br />

village, a group of teenagers engages<br />

daily in boisterous horseplay. The eldest<br />

of them, doe-eyed Anna and the timid<br />

Dimitri begin courting and soon become<br />

a couple. Coming alive in each other’s<br />

company, they explore the attractions<br />

of a seaside tourist resort with gleeful<br />

curiosity and juvenile excitement. Yet<br />

with the passing of time, their relationship<br />

goes from summery bliss to autumnal<br />

anguish, and the impact of the social<br />

body on the individual is keenly, painfully<br />

felt.<br />

lksfQ;k ,Dlkjpks<br />

funsZ'kd vkSj iVdFkkys[kd lksfQ+;k us bysfDVªdy bathfu;fjax]<br />

fQ+Ye funsZ”ku] jaxeap vfHku; vkSj flusek rFkk v‚fM;ksfotqvy<br />

esa f”k{kk ÁkIr dhA mUgksaus nks y?kq fQYeksa dk ys[ku vkSj funsZ'ku<br />

fd;k gSA igyh Qhpj ikdZ dk VksjaVks esa çhfe;j gqvk vkSj lSu<br />

lscsfLV;u esa u, funsZ'kd dk iqjLdkj feykA 2014 esa mUgksaus<br />

luMkal LØhujkbVlZ ,aM Mk;jsDVlZ ySc esa Hkkx fy;kA<br />

Sofia Exarchou<br />

Director and screenwriter, Sofia Exarchou has written<br />

and directed two short films. In 2014, she participated in<br />

the Sundance Screenwriters & Directors’ Lab. Park, her<br />

first feature, premiered at Toronto IFF and was selected<br />

at San Sebastián IFF, where it won the New Directors’<br />

Award.<br />

CINEMA OF THE WORLD<br />

125


n ikVhZ<br />

The Party<br />

UK | <strong>2017</strong> | English | 71 min | Black and White<br />

Director Sally Potter<br />

Producer Kurban Kassam, Christopher<br />

Sheppard<br />

Screenplay Sally Potter<br />

<strong>Cinema</strong>tographer Alexey Rodionov<br />

Editor Emilie Orsini, Anders Refn<br />

Sound Design Jean-Paul Mugel<br />

Production Designer Carlos Conti<br />

Cast Patricia Clarkson, Bruno Ganz,<br />

Cherry Jones, Kristin Scott Thomas<br />

Sales agent Great Point Media<br />

• ABryant@greatpointmedia.com<br />

yanu esa tsusV inksUufr dh [kq”kh esa vkSj<br />

fojks/kh ikVhZ ds LokLF; ea=h dks uhpk fn[kkus ds<br />

fy, ikVhZ dk vk;stu djrh gSA mldk fo/ks;d<br />

ifr fcy igys ls gh O;Lr gSA nksLrksa ds vkxeu<br />

ds lkFk ukVdh; [kcjsa lkeus vkrh gSaA fcy dh<br />

?kks"k.kk ls gq, jgL;ksn~?kkVuksa ds dkj.k 'ksaisu ls<br />

'kq: gqbZ ikVhZ jDrjaftr gks tkrh gSA ikVhZ esa vk¸¨<br />

gq, lh esgeku h gSjku v©j ijs'kku g¨ tkrs gSA<br />

Janet is hosting an intimate gathering<br />

of friends to celebrate her promotion to<br />

Shadow Minister of Health in the party<br />

of opposition. Her husband, Bill, seems<br />

preoccupied. As their friends arrive, some<br />

of whom have their own dramatic news<br />

to share, the soire gradually unravels. An<br />

announcement by Bill provokes a series<br />

of revelations that rapidly escalate into<br />

all-out confrontation, as people’s illusions<br />

about themselves and each other go up<br />

in smoke, along with the canapes, The<br />

Party becomes a night that began with<br />

champagne but ends with blood on the<br />

floor.<br />

lSyh i‚Vj<br />

lSyh i‚Vj dh i`"BHkwfe dksfj;ksxzkQh] laxhr] n`”;dyk vkSj<br />

ç;ksxkRed fQYe esa gSA mUgksaus lkr Qhpj fQYeksa] dbZ y?kq fQYeksa<br />

vkSj ,d Vsyhfotu J`a[kyk dk ys[ku ,oa funsZ'ku fd;kA lSyh<br />

i‚Vj dh fQYeksa us 40 ls vf/kd varjjk"Vªh; iqjLdkj thrs gSa vkSj<br />

vdkneh iqjLdkj vkSj ck+rk ukekadu çkIr fd, gSaA<br />

Sally Potter<br />

Sally Potter made her first 8mm film aged 14. Orlando,<br />

Sally Potter’s bold adaptation of Virginia Woolf’s classic<br />

novel, first brought her work to a wider audience. It was<br />

followed by The Tango Lesson, The Man Who Cried,<br />

Yes, Rage and Ginger & Rosa. Sally Potter’s films have<br />

won over 40 international awards and received both<br />

Oscar and BAFTA nominations.<br />

126 CINEMA OF THE WORLD


iksexzsusV vkWpZM<br />

Pomegranate Orchard<br />

Nar Baǧi<br />

Azerbaijan | <strong>2017</strong> | Azerbaijani | 90 min | Colour<br />

Director Ilgar Najaf<br />

Producer Mushfug Hatamov,<br />

Ilgar Najaf<br />

Screenplay Asif Rustamov, Ilgar<br />

Najaf, Roelof Yan Minneboo inspirovno<br />

divadeln hrou Viov sad<br />

<strong>Cinema</strong>tographer Ayhan Salar<br />

Editor Elmir Hasanov<br />

Sound Design Peter Rusner, Teynur<br />

Kerimov, Stephan Konken<br />

Production Designer Rafig Nasirov<br />

Cast Hasan Agayev, Samimi Farhad,<br />

Ilaha Hasanova , Gurban Ismailov<br />

xkfcy vukj ds isM+ksa ls f?kjs vius euksje<br />

Q+keZgkml esaa ykSV vkrs gSaA 12 lky igys vpkud<br />

pys tkus ds ckn mUgksaus dHkh ifjokj ls laidZ ugha<br />

fd;k FkkA gkykafd tks xgjh HkkoukRed ihM+k og<br />

ihNs NksM+ x;s Fks og fdlh Hkh rjg ls de ugha<br />

dh tk ldrhA<br />

✪ INDIA PREMIERE<br />

Gabil returns home to the humble family<br />

farmstead, surrounded by an orchard<br />

of venerable pomegranate trees. Since<br />

his sudden departure 12 years ago, he<br />

was never once in contact. However,<br />

the deep emotional scars he left behind<br />

cannot be erased from one day to the<br />

next.<br />

Sales agent Buta Film<br />

• asif_rustamov@yahoo.com<br />

bYxkj ut+Q+<br />

bYxkj ut+Q+ us vt+jcstku LVsV ;wfuoflZVh vkWQ+ dYpj ,aM<br />

vkVZ~l ls flusek vkSj VhOkh funsZ”ku dk v/;;u fd;kA bYxkj us<br />

vusd o`Ùkfp= cuk;s vkSj 2004 esa cwVk fQ+YEl dh LFkkiuk dhA<br />

mudh igyh Q+hpj fQ+Ye cwVk vusd fQ+Ye lekjksgksa esa Ánf”kZr<br />

,oa iqjLd`r gqbZA<br />

Ilgar Najaf<br />

Ilgar Najaf began as a documentarist, turning out Shacks<br />

without Shades (Kölgəsiz komalar) and There Exists an<br />

Old Man (Bir qoca var). His feature film debut Buta, won<br />

awards at the Houston World Fest and Isfahan IFF, it was<br />

also Azerbaijan’s submission to the Academy Awards.<br />

CINEMA OF THE WORLD<br />

127


ikWi v;s<br />

Pop Aye<br />

✪ INDIA PREMIERE<br />

Thailand, Singapore | <strong>2017</strong> | Thai | 104 min | Colour<br />

Director Kirsten Tan<br />

Producer Wenhong Huang,<br />

Zhang Jianbin, Weijie Lai<br />

Screenplay Kirsten Tan<br />

<strong>Cinema</strong>tographer Chananun<br />

Chotrungroj<br />

Editor Lee Chatametikool<br />

Production Designer Rasiguet<br />

Sookkarn<br />

Cast Thaneth Warakulnukroh,<br />

Penpak Sirikul, Bong<br />

,d fojDr okLrqdkj dks yEcs le; ls [kks;k gqvk<br />

viuk gkFkh vpkud cSadkd dh lM+dksa ij feyrk<br />

gSA mls ns[k dj og cgqr mRlkfgr gks tkrk gSA<br />

og vius gkFkh ds lkFk FkkbZySaM dh ;k=k ij fudy<br />

iM+rk gS] ml [ksr dh ryk'k esa] tgka os ,d lkFk<br />

cM+s gq, FksA<br />

On a chance encounter, a disenchanted<br />

architect bumps into his long-lost<br />

elephant on the streets of Bangkok.<br />

Excited, he takes his elephant on a<br />

journey across Thailand, in search of the<br />

farm where they grew up together.<br />

Sales agent Cercamon<br />

• sebastien@cercamon.biz<br />

fØLVsu rku<br />

Mk;jsDVj vkSj fluseSVksxzkQ+j rku dh dFkkud gkL; ds lkFk ÁLrqr<br />

,d vyx –'; 'kSyh gSA rku us U;w ;kWdZ fo'ofo|ky; ls fQ+Ye<br />

ÁksMD”ku dk v/;;u fd;k tgka mUgsa Vh”k Ldwy v‚Q+ vkVZ~l<br />

xzstq,V QSyksf'ki ls lEekfur fd;k x;kA flaxkiqj ds lcls fuiq.k<br />

;qok fQ+Ye fuekZrk dh igyh fQYe i‚i v;s luMkal lekjksg esa<br />

fn[kk;h x;h vkSj LØhujkbfVax ds fy, fo'ks"k twjh iqjLdkj ls<br />

lEekfur dh x;hA<br />

128 CINEMA OF THE WORLD<br />

Kirsten Tan<br />

Kirsten Tan is a director/cinematographer with a distinct<br />

visual style of storytelling laced with astringent humor.<br />

She has been lauded as one of Singapore’s most<br />

accomplished young filmmakers. Her debut feature<br />

Pop Aye was selected as the opening film at Sundance<br />

Film Festival and awarded the Special Jury Prize for<br />

Screenwriting.


jsfMvUl<br />

Radiance<br />

Hikari<br />

France, Japan | <strong>2017</strong> | Japanese | 101 min | Colour<br />

Director Naomi Kawase<br />

Producer Naoya Kinoshita,<br />

Masa Sawada, Yumiko Takebe<br />

Screenplay Naomi Kawase<br />

<strong>Cinema</strong>tographer Arata Dodo<br />

Editor Tina Baz<br />

Sound Design Ibrahim Maalouf<br />

Production Designer Setsuko<br />

Shirakawa<br />

Cast Masatoshi Nagase, Ayame Misaki,<br />

Tatsuya Fuji<br />

felkdks us=ghuksa ds fy, fQYe ys[ku djrh gSA<br />

,d LØhfuax esa og iqjkus Q+ksVksxzkQ+j ukdkeksjh ls<br />

feyrh gaS] tks /khjs&/khjs viuh –f"V [kks jgs gSaA<br />

felkdks dks ukdkeksjh dh rLohjsa feyrh gSa tks<br />

vk”p;Ztud :i ls mls vius vrhr esa okil ys<br />

tkrh gSaA nksuksa lkFk feydj ml mTToy nqfu;k<br />

dks ns[kuk lh[ksaxs tks felkdks ds fy, v–'; FkkA<br />

Misako is a passionate writer of film<br />

versions for the visually impaired. At<br />

a screening, she meets Nakamori, an<br />

older photographer who is slowly losing<br />

his eyesight. Misako soon discovers<br />

Nakamori’s photographs, which will<br />

strangely bring her back to her past.<br />

Together, they will learn to see the radiant<br />

world that was invisible to her eyes.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

ukvkseh dokls<br />

ukvkseh dokls dk tUe ukjk] tkiku esa gqvk Fkk vkSj vkslkdk Ldwy<br />

v‚Q+ Q+ksVksxzkQh esa Vsyhfotu vkSj fQ+Ye dk v/;;u fd;kA og<br />

'kjk] n e‚fuaZx Q+‚jsLV] lt+kdw] gustw] fLVy n okVj] vkSj ,u ds<br />

funsZ'kd gSaA jsfMvUl mudh uohure fQ+Ye gSA<br />

Naomi Kawase<br />

Naomi Kawase was born in Nara, Japan, and studied<br />

television and film at the Osaka School of Photography.<br />

She is the director of the films Shara, The Mourning<br />

Forest, Sazaku, Hanezu and Still the Water. Radiance<br />

is her latest film.<br />

CINEMA OF THE WORLD<br />

129


jft+;k<br />

Razzia<br />

✪ INDIA PREMIERE<br />

France, Morocco, Belgium | <strong>2017</strong> | French, Arabic | 120 min | Colour<br />

Director Nabil Ayouch<br />

Producer Bruno Nahon,<br />

Patrick Quinet, Nabil Ayouch<br />

Screenplay Maryam Touzani,<br />

Nabil Ayouch<br />

<strong>Cinema</strong>tographer Virginie Surdej<br />

Editor Sophie Reine, Marie-Helene<br />

Dozo<br />

Sound Design Zacharie Naciri<br />

Production Designer Hafid Amly<br />

Cast Maryam Touzani, Arieh Worthalter,<br />

Amine Ennaji, Abdelilah Rachid, Dounia<br />

Binebane, Abdellah Didane<br />

vCnYykg] lyhek] tks] gkfde] vkSj busl ikap<br />

yksx vUtkus esa gh dklkCykadk 'kgj esa ,d nwljs<br />

ds lkFk tqM+s x;s gSaA vyx psgjs] vyx la?k"kZ]<br />

ysfdu 'kgj ,d] lkal ,dA fQ+Ye dk feFkd iwjh<br />

rjg ls g‚yhoqM LVwfM;ks esa “kwV fd;k x;k gS] tks<br />

okLrfodrk dk vkHkkl djkrk gSA<br />

Five people, Abdallah, Salima, Joe,<br />

Hakim and Ina, are connected to each<br />

other without realising it. Different faces,<br />

different struggles, but one same breath.<br />

One city, Casablanca, as a fragment of<br />

reality, as the myth of a film entirely shot<br />

in Hollywood studios, which reality has<br />

come back to claim.<br />

Sales agent Films Distribution<br />

• joris@playtime.group<br />

uchy v;bZp<br />

eksjDdks esa tUes uchy v;bZp us mu feuqVs fM lksysy ,u eksbu]<br />

OgkV ,oj yksyk okaV~l] ek; ySaM] gksflZl v‚Q+ x‚M] esDrkmc] vyh<br />

tw+;k vkSj ep yOM dk funsZ”ku fd;k gSA jft+;k mudh uohure<br />

fQYe gS<br />

Nabil Ayouch<br />

Nabil Ayouch was born in Morocco. His feature credits<br />

include Une minute de soleil en moin, Whatever Lola<br />

Wants, My Land and Horses of God, as well as Mektoub,<br />

Ali Zaoua and Much Loved. Razzia is his latest film.<br />

130 CINEMA OF THE WORLD


n fjdUlhfy,”ku<br />

The Reconciliation<br />

Zgoda<br />

Poland | <strong>2017</strong> | Polish | 87 min | Colour<br />

Director Maciej Sobieszczański<br />

Producer Zbigniew Domagalski<br />

Screenplay Malgorzata<br />

Sobieszczanska<br />

<strong>Cinema</strong>tographer Valentyn<br />

Vasyanovych<br />

Editor Rafal Listopad<br />

Sound Design Paulina Bocheńska,<br />

Aleksander Musialowski<br />

Production Designer Ewa<br />

Skoczkowska<br />

Cast Jakub Gierszal,<br />

Julian Świezewski, Zofia Wichlacz<br />

Sales agent Aleksandra Biernacka<br />

• aleksandra.biernacka500@outlook.com<br />

f}rh; fo”o ;q) ds vafre fnuksa esa vij<br />

flysfl;k] iksySaM esa dE;qfuLV flD;ksfjVh lfoZl<br />

teZu] flysfl;u vkSj iksYl ds fy, t+xksMk@<br />

fjdUlhfy,”ku uked Je f'kfoj dk vk;kstu<br />

djrs gSaA ÝSad ,d iksfy'k dSnh vUuk ls I;kj djrk<br />

vkSj mls NqM+kuk pkgrk gSA og ugha tkurk fd<br />

dSnh teZu fe= bjfou Hkh vUuk ls I;kj djrk gSaA<br />

ÝSad dk bjknk usd ugha gSA og fLkLVe d¨ cnyus<br />

dh vk'kk ls dE¸kqfuLV cu tkrk gSA<br />

✪ INDIA PREMIERE<br />

The beginning of 1945, Upper Silesia,<br />

Poland. The last days of WW2. In the just<br />

liberated areas, the Communist Security<br />

Service eliminates its enemies under the<br />

pretext of punishing national traitors. It<br />

organises a labour camp for Germans,<br />

Silesians and Poles, at the site of a<br />

former Nazi concentration camp, which<br />

is named Zgoda/Reconciliation. Franek,<br />

who is in love with a Polish prisoner<br />

Anna, joins the camp crew to rescue her.<br />

He doesn’t know that one of the inmates<br />

is Erwin, his German friend, who, like<br />

himself, has also loved Anna for a long<br />

time. Franek joins Communists in the<br />

illusory hope of outsmarting the system.<br />

eklht lksfclt~tULdh<br />

eklht lksfclt~tULdh ,d ys[kd vkSj funsZ'kd gSaA mUgksaus ykWM~t+<br />

fQ+Ye Ldwy] okWjlkW ls f”k{kk ÁkIr dh vkSj ogha ij Ák/;kid Hkh<br />

gSaA mUgksaus y?kq fQYe cFkZMs dk funsZ”ku vkSj çk;ksfxd Q+hpj fQ+Ye<br />

ijQ+‚eZj dk lg&funsZ'ku ¼yqdkt jksaaMMk ds lkFk½ fd;k] ftls<br />

cfyZu fQ+Ye Q+sfLVoy 2015 esa iqjLd`r fd;k x;kA<br />

Maciej Sobieszczański<br />

Maciej Sobieszczański is a writer and director and<br />

lecturer at the Łódź Film School. His short film Birthday,<br />

is based on a story by Etgar Keret. He co-directed<br />

(with Lukasz Ronduda) the experimental feature film<br />

Performer, about the life and work of the contemporary<br />

Polish artist Oskar Dawicki. The film won the THINK:<br />

Film Award at the Berlin Film Festival 2015.<br />

CINEMA OF THE WORLD<br />

131


fjMkmVscy<br />

Redoubtable<br />

France | <strong>2017</strong> | French | 107 min | Colour<br />

Director Michel Hazanavicius<br />

Producer Michel Hazanavicius,<br />

Florence Gastaud, Riad Sattouf<br />

Screenplay Michel Hazanavicius<br />

<strong>Cinema</strong>tographer Guillaume Schiffman<br />

Editor Anne-Sophie Bion<br />

Sound Design Jean Minondo<br />

Production Designer Christian Marti<br />

Cast Louis Garrel, Stacy Martin,<br />

Bérénice Bejo, Micha Lescot,<br />

Grégory Gadebois, Felix Kysyl<br />

Sales agent In2 Infotainment<br />

• narayan.srinivasan@gmail.com<br />

isfjl esa o’kZ 1967 esa lqçfl) fQ+Ye fuekZrk<br />

T;ka&yqd xksnknZ Lo;a ls 20 o’kZ NksVh ,suh<br />

fo;kt+esLdh ds lkFk 'kwfVax dj jgs gSaA os ,d<br />

nwljs ls I;kj djus yxrs gSa vkSj “kknh dj ysrs gSaA<br />

fQ+Ye dk mn~?kkVu xksnknZ dks vkReeaFku ds fy,<br />

ck/; djrk gSA ebZ 1968 esa ?kVh ?kVukvksa ls xksnknZ<br />

vR;ar fopfyr gks tkrs gSaA ,d foy{k.k ÁfrHkk<br />

okyk funsZ”kd foæksgh dykdkj dSls cu tkrk gS<br />

;g le>uk vlaHko gSA<br />

Paris 1967. Jean-Luc Godard, the most<br />

renowned filmmaker of his generation,<br />

is shooting La Chinoise with the woman<br />

he loves, Anne Wiazemsky, 20 years his<br />

junior. Happy, in love, magnetic, they<br />

marry. But the film’s reception unleashes<br />

a profound self-examination in Jean-Luc.<br />

The events of May 1968 will amplify this<br />

process, and the crisis that shakes Jean-<br />

Luc will change him profoundly, from<br />

star director to Maoist artist outsider, as<br />

misunderstood as he is impossible to<br />

understand.<br />

ekbdy gt+uohfl;l<br />

ekbdy gt+uohfl;l Ý+kalhlh fQ+Ye funsZ'kd] fuekZrk]<br />

iVdFkkys[kd vkSj laiknd gSA mudh fQ+Ye n vkfVZLV us 84<br />

osa vdkneh iqjLdkjksa esa loZJs"B fQ+Ye vkSj loZJs"B funsZ'kd ds<br />

fy, v‚Ldj thrkA mUgksaus tklwlh fQYeksa iSjksMht vks,l,l 117]<br />

dkfgjk] usLV v‚Q Likbt+ vkSj vks,l,l 117 % y‚LV bu fj;ks<br />

dk Hkh funsZ'ku fd;kA<br />

Michel Hazanavicius<br />

Michel Hazanavicius (born March 29, 1967) is a French<br />

film director, producer, screenwriter and film editor best<br />

known for his 2011 film, The Artist, which won the Oscar<br />

for Best Picture at the 84th Academy Awards. It also<br />

won him the Academy Award for Best Director. He also<br />

directed spy film Parodies OSS 117: Cairo, Nest of Spies<br />

and OSS 117: Lost in Rio.<br />

132 CINEMA OF THE WORLD


fjfDoe Q+kWj felst ts<br />

Requiem For Mrs. J<br />

Rekvijem Za Gospodju J<br />

Serbia, Bulgaria, Macedonia, Russia, France | <strong>2017</strong> | Serbian | 93 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Bojan Vuletić<br />

Producer Nenad Dukić<br />

Screenplay Bojan Vuletić<br />

<strong>Cinema</strong>tographer Jelena Stanković<br />

Editor Vladimir Pavlovski<br />

Sound Design Boris Trayanov<br />

Production Designer Zorana Petrov<br />

Cast Mirjana Karanović, Danića<br />

Nedeljković, Jovana Gavrilović<br />

Jherh ts dss ifr ,d mPp inklhu lsuk vf/kdkjh<br />

FksA ,d o’kZ iwoZ mudh e`R;q gks tkus ds ckn ls og<br />

mnkl jgrh gSaaA og vkRegR;k djus dh ;kstuk<br />

cuk jgh gS D;ksafd mlds fy, vius ifjokj dh<br />

leL;kvksa ls fuiVuk vlaHko gks x;k gSA<br />

Mrs. J is depressed by the death of her<br />

husband, a top-ranking military official,<br />

who passed away one year ago. She is<br />

planning to commit suicide as she can’t<br />

deal with the problems of her family.<br />

Sales agent Soulfood Films<br />

• tijana.visnjic@soulfoodfilms.com<br />

Ckkstu oqysfVd<br />

Ckkstu oqysfVd us ukVd dyk ladk;] csYxzsM esa funsZ'ku fQYe<br />

vkSj Vsyhfotu dk v/;;u fd;kA Q+hpj fQ+Ye çSfDVdy xkbM Vw<br />

csYxzsM fon flafxx ,aM Økbax dkyksZoh osjh lekjksg esa çhfe;j gqbZA<br />

bls vU; dbZ iqjLdkj feyssA mUgksaus LVhQ+u vklsZuhtsfod ds lkFk<br />

ykWLV ,aM Q+kmaM dk ys[ku fd;k tks cfyZu] 2005 esa fn[kk;h x;h<br />

vkSj yo ,aM vnj ØkbEl cfyZu 2008 esa fn[kk;h xbZA<br />

Bojan Vuletić<br />

Bojan Vuletić’s debut, Practical Guide to Belgrade with<br />

Singing and Crying, premiered at the Karlovy Vary<br />

<strong>International</strong> Film Festival. He collaborated as a cowriter<br />

with Stefan Arsenijević on Lost and Found, which<br />

screened in the Berlinale and on Love and Other Crimes.<br />

CINEMA OF THE WORLD<br />

133


LdSQk+sfYMax<br />

Scaffolding<br />

Pigumim<br />

Israel, Poland | <strong>2017</strong> | Hebrew | 95 min | Colour<br />

Director Matan Yair<br />

Producer Gal Greenspan,<br />

Roi Kurland, Stanislaw Dziedzic,<br />

Moshe Edery, Leon Edery<br />

Screenplay Matan Yair<br />

<strong>Cinema</strong>tographer Bartosz Bieniek<br />

Editor Dov Steuer<br />

Sound Design Mateusz Adamczyk,<br />

Sebastian Witkowski<br />

Production Designer Nitzan Zifrut<br />

Cast Asher Lax, Ami Smolarchik,<br />

Yaacov Cohen, Keren Berger<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

17 o"khZ; vk'ksj cpiu ls ijs'kku djus okyk gSA<br />

Øks/k vkSj fgalk ds dkj.k mlds fy, d{kk esa<br />

/;ku nsuk dfBu gSA l[+r firk mls ikfjokfjd<br />

O;olk; ds LokHkkfod mÙkjkf/kdkjh ds :i esa ns[krs<br />

gSaA vk'ksj vius f'k{kd jkeh dks vkn”kZ ekurk<br />

gSA vpkud gqbZ =klnh ls nqfo/kkxzLr vk”ksj dh<br />

ifjiDork dh vafre ijh{kk gksrh gSA vk'ksj u¸®<br />

thou v©j ubZ igpku dh vk'kk djrk gSA<br />

✪ INDIA PREMIERE<br />

17-year-old Asher has always been the<br />

impulsive troublemaker, from primary<br />

school, all through junior high and high<br />

school. It’s hard for him to concentrate<br />

in class, and he is compelled by a lot<br />

of rage and violence; yet he is also<br />

endowed with a considerable amount of<br />

charm and street wisdom. While his strict<br />

father sees him as a natural successor to<br />

the family’s scaffolding business, Asher<br />

finds a different masculine role model in<br />

his gentle literature teacher Rami and<br />

forges a special connection with him.<br />

Torn between the two worlds, Asher<br />

looks for a chance for a new life and<br />

new identity. When a sudden tragedy<br />

occurs, he has to take the ultimate test<br />

of maturity.<br />

erku ;Sj<br />

ekru ;Sj fQYe fuekZrk] ys[kd vkSj bljkby esa lkfgfR;d f'k{kd<br />

gSaA mUgksaus lSe Lihxy fQ+Ye ,aM Vsyhfotu Ldwy] ts#lye ls<br />

iVdFkk ys[ku vkSj rsy voho fo'ofo|ky; ls funsZ'ku esa fMxzh<br />

yhA bV bt+ fjVu bu ;ksj vkbZ-Mh- nSV vk; ,e ;ksj Q+knj<br />

o`Ùkfp= cuk;kA LdSQ+WfYMax mudh igyh Q+hpj fQ+Ye gSA<br />

Matan Yair<br />

Matan Yair is a filmmaker, author, and high-school<br />

literature teacher from Israel. After graduating from both<br />

the screenwriting program at the Sam Spiegel Film and<br />

Television School in Jerusalem and the directing program<br />

at Tel Aviv University, he directed the documentary It is<br />

written in your I.D. that I am your Father. Scaffolding is<br />

his first feature.<br />

134 CINEMA OF THE WORLD


Ldsjh enj<br />

Scary Mother<br />

Sashishi Deda<br />

Georgia, Estonia | <strong>2017</strong> | Georgian | 107 min | Colour<br />

Director Ana Urushadz<br />

Producer Tinatin Kajrishvili,<br />

Lasha Khalvashi<br />

Screenplay Ana Urushadze<br />

<strong>Cinema</strong>tographer Konstantin Esadze<br />

Editor Alexander Kuranov<br />

Sound Design Paata Godziashvili<br />

Production Designer Tea Telia<br />

Cast Nata Murvanidze, Ramaz<br />

Ioseliani, Dimitri Tatishvili,<br />

Avtandil Makharadze<br />

,d 50 o"khZ; x`fg.kh eukuk nqfo/kk esa gS & mls<br />

vius ikfjokfjd thou vkSj dbZ lkyksa ls nck dj<br />

j[ks gq;s ys[ku ds Áfr çse ds chp p;u djuk gSA<br />

varr% og vius tquwu dks pqurh gSA og mlds fy,<br />

ekufld vkSj 'kkjhfjd :i ls lc dqN cfynku<br />

djus ds fy, rS;kj gSA<br />

A 50-year-old housewife, Manana,<br />

struggles with a dilemma: she has to<br />

choose between her family life and a<br />

love for writing she has repressed for<br />

years. When she finally decides to follow<br />

her passion, she is ready to sacrifice<br />

everything for it, mentally and physically.<br />

Sales agent Miguel<br />

• miguel@alief.co.uk<br />

vuk m#”kn~tS+<br />

1990 esa rfCyfll ¼t‚ftZ;k½ esa tUeh vuk m#”kn~ts+ us 2013 esa<br />

'kksVk :Lrosyh fFk;sVj vkSj t‚ftZ;k LVsV fQ+Ye ;wfuoflZVh ls<br />

Lukrd fd;k vkSj vkbfM;kt+ vkSj ou eSu YkOM eh tSlh dbZ y?kq<br />

fQYeksa dk funsZ'ku fd;kA Ldsjh enj mudh igyh Q+hpj fQ+Ye gSA<br />

Ana Urushadze<br />

Ana Urushadze, born in Tbilisi (Georgia) in 1990,<br />

graduated from the Shota Rustaveli Theatre and Georgia<br />

State Film University (TAFU) in 2013 and directed<br />

several short films such as Ideas and One Man Loved<br />

Me. Scary Mother is her feature film debut.<br />

CINEMA OF THE WORLD<br />

135


n lhآV baxzsfM,aV<br />

The Secret Ingredient<br />

✪ INDIA PREMIERE<br />

Macedonia, Greece | <strong>2017</strong> | Macedonian | 104 min | Colour<br />

Director Gjorce Stavreski<br />

Producer Gjorce Stavreski<br />

Screenplay Gjorce Stavreski<br />

<strong>Cinema</strong>tographer Dejan Dimeski<br />

Editor Martin Ivanov<br />

Sound Design Igor Popovski<br />

Production Designer<br />

Cast Blagoj Veselinov, Anastas<br />

Tanovski, Aksel Mehmet,<br />

Aleksandar Mikic<br />

Sales agent Wide Management<br />

• ma@widemanagement.com<br />

osys vius dSalj xzLr firk ds fy, egaxh nok,a<br />

ugha [kjhn ldrkA fujk'k gksdj og vijkf/k;ksa ls<br />

ekfjtqvkuk pqjkrk gS] mlds dsd cukdj firk dks<br />

nnZ de gksus dh mEehn ls f[kykrk gSA firk dk<br />

LokLF; peRdkfjd :i ls lq/kj tkrk gS] ysfdu<br />

osys ladV esa iM+ tkrk gS tc iM+kslh mipkj<br />

ds uqL[ks dh ekax djrs gSa vkSj vijk/kh nokvksa<br />

dks okil ekaxrs gSaA ysfdu blls cM+h pqukSrh gS]<br />

vius firk dks ;g eukuk fd mudh ftanxh thus<br />

;ksX; gSA<br />

Vele can’t afford to buy the expensive<br />

medications for his father who has<br />

cancer. Desperate, he steals marijuana<br />

from some criminals, makes a cake<br />

with it and gives it to him, hoping it will<br />

reduce his pain. His father’s health<br />

miraculously improves, but Vele is<br />

suddenly confronted by their neighbours<br />

who demand the recipe for the “remedial”<br />

cake and by the criminals who want their<br />

drugs back. The greatest challenge,<br />

however, is to persuade his father that<br />

his life is worth living.<br />

XtkslsZ LVªozsLdh<br />

XtkslsZ LVªozsLdh eSflMksfu;k ds ,d iqjLdkj fotsrk fQ+Ye fuekZrk<br />

gSA mudk o`Ùkfp= ,Me ,aM bZo dks Øks,f'k;k esa tkxzsc MksDl<br />

QsfLVoy esa Lis'ky T;wjh esU'ku feykA mudh y?kq fQ+Ye ,V Msczsd<br />

DysjeksaV&Qsjkan fQYe lekjksg] Ýkal esa vkf/kdkfjd çfr;ksfxrk<br />

esa FkhA vkSj mudh y?kq dfYir fQ+Ye v‚fM'ku esfVfj;y dks<br />

cksxks”kkWVZ~l] dksyfEc;k esa loZJs"B y?kq dfYir fQ++Ye dk iqjLdkj<br />

feykA n lhØsV bUxzhfM,UV mudh igyh Q+hpj fQ+Ye gSA<br />

136 CINEMA OF THE WORLD<br />

Gjorce Stavreski<br />

Gjorce Stavreski is an award winning filmmaker from<br />

Skopje, Macedonia. His documentary Adam and Eve<br />

got the Special Jury Mention Award at ZagrebDox film<br />

festival in Croatia. His short fiction At Daybreak was in<br />

official competition at Clermont-Ferrand film festival in<br />

France, and his short fiction Audition Material won the<br />

Best Short Fiction Award at Bogoshorts, Colombia. The<br />

Secret Ingredient is his feature film debut.


“ksYVj<br />

Shelter<br />

✪ ASIA PREMIERE<br />

Germany, Israel, France | <strong>2017</strong> | English, Hebrew, Arabic | 93 min | Colour<br />

Director Eran Riklis<br />

Producer Bettina Brokemper<br />

Screenplay Eran Riklis<br />

<strong>Cinema</strong>tographer Sebastian Edschmid<br />

Editor Richard Marizy<br />

Sound Design Gil Toren<br />

Production Designer Bertram Strauss<br />

Cast Golshifteh Farahani, Neta Riskin,<br />

Lior Ashkenazi, Haluk Bilginer,<br />

Yehuda Almagor, Mark Waschke<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

,d yscukuh efgyk eksuk vkSj btjk;y ekslkn<br />

,tsaV ukvkseh viuh igpku fNikus ds fy, gSEcxZ<br />

esa ,d vikVZesaV esa nks lIrkg rd 'kkafr ls jgrh<br />

gSaA ,d lqjf{kr vkJ;& dksbZ Hkh ugha tkurk Fkk<br />

fd nks lIrkg ckn og vkrad ftlus vkt fo'o<br />

d¨ iwjh rjg ls Äsjk gqvk gSA mUgsa bls NksM+ dgha<br />

vkSj tkuk iM+sxkA nks efgykvksa ds chp cuk varjax<br />

fj'rk vkrad ds lk;s esa vk x;k gSA<br />

Lemon Tree meets John le Carré in a<br />

subtle thriller set in Germany involving<br />

Mona, a Lebanese woman, and Naomi,<br />

an Israeli Mossad agent sent to protect<br />

their informant while recovering from<br />

plastic surgery for her new identity.<br />

Mona and Naomi - together for two<br />

weeks in a quiet apartment in Hamburg.<br />

A safe house. A shelter. No one saw<br />

what was coming, no one knew that this<br />

supposedly quiet fortnight would turn into<br />

an abyss and that shelter would need to<br />

be found elsewhere. The intimacy of the<br />

relationship that develops between the<br />

two women is exposed to the threat of<br />

terror that is engulfing the world today.<br />

,ju fjfDyl<br />

,ju fjfDyl us rsy voho fo'ofo|ky; vkSj baXySaM ds us”kuy<br />

fQYe Ldwy ls flusek dk v/;;u fd;kA vkSj vkWu , fDy;j Ms<br />

;w dSu lh MkeLdl] di Qkbuy] tksgj] oYdu taD'ku] lhfj;u<br />

czkbM] yseu Vªh] ftlus cfyZu esa v‚fM;sal iqjLdkj thrk] n áweu<br />

fjlkslZ eSustj v‚fQj iqjLdkj thrk]a Iysv‚Q+] t+srkmu vkSj Mkaflax<br />

vjc dk funsZ”ku fd;kA<br />

Eran Riklis<br />

Eran Riklis’ debut On a Clear Day You Can See<br />

Damascus was followed by Cup Final. After the domestic<br />

hit Zohar, his international breakthrough The Syrian<br />

Bride won numerous awards, followed by Lemon Tree,<br />

which won the audience award in Berlin and The Human<br />

Resources Manager won the Ophir-Awards. Other works<br />

include Playoff, Zaytoun and Dancing Arabs.<br />

CINEMA OF THE WORLD<br />

137


, lkWVZ vkWQ+ Q+sfeyh<br />

A Sort of Family<br />

Una Especie De Familia<br />

Argentina, Brazil, France, Poland | <strong>2017</strong> | Spanish | 95 min | Colour<br />

Director Diego Lerman<br />

Producer Nicolás Avruj,<br />

Diego Lerman<br />

Screenplay Diego Lerman, María Meira<br />

<strong>Cinema</strong>tographer Wojciech Staron<br />

Editor Alejandro Brodersohn<br />

Sound Design Leandro de Loredo<br />

Production Designer Marcos Pedroso<br />

Cast Bárbara Lennie, Daniel Aráoz,<br />

Claudio Tolcachir<br />

Sales agent Film Factory<br />

• manon@filmfactory.es<br />

e/; vk;qoxhZ; ekysuk ,d lQy M‚DVj gSA og<br />

ftl cPps dks xksn ysuk pkgrh gS og tUe ysus okyk<br />

gSA cPps ds tSfod ekrk&firk mls CySdesy djrs gSa<br />

vkSj cPps dks vukFkky; esa Mkyus dh /kedh nsrs gSaA<br />

dkuwu muds i{k esa gSA ekysuk uSfrd vkSj dkuwuh<br />

nqfo/kkvksa ls xzLr bl pqukSrh dks Lohdkj dj<br />

vfuf'pr ;k=k dh vksj py iM+rh gSA ns[kuk ¸kg<br />

gS fd D¸kk og pqu©rh d¨ iqjk dj ik¸®xh\ mls cPP¨<br />

dk vfËkdkj fey ik¸®xk\<br />

Malena is a successful doctor about to hit<br />

middle-age. She receives a call that will<br />

change her life: the baby she adopted is<br />

about to be born. She goes to retrieve<br />

him from his surrogate mother only to<br />

find herself blackmailed by the newborn’s<br />

biological parents: either Malena pays<br />

more money or they’ll put the baby in an<br />

orphanage. And the law is on their side.<br />

Malena takes up the challenge and sets<br />

out on an uncertain journey plagued by<br />

moral and legal dilemmas to see how far<br />

she is willing to go to get what she wants<br />

most.<br />

Mhxks yeZu<br />

C;wul vk;lZ esa tUes Mhxks yeZu us C;wul vk;lZ fo'ofo|ky; ls<br />

/ofu vkSj fMtkbu vkSj E;qfufliy Ldwy vkWQ+ MªesfVd vkVZ~l ls<br />

ukVd dk v/;;u fd;kA og lMuyh] ehuOgkby] n bufoft+cy<br />

vkbZ] vkSj js+;wfx;kMks ds funsZ'kd gSaA<br />

Diego Lerman<br />

Diego Lerman was born in Buenos Aires. He studied<br />

sound and design at the University of Buenos Aires, and<br />

drama at the Municipal School of Dramatic Arts. He is<br />

the director of the features Suddenly, Meanwhile, The<br />

Invisible Eye and Refugiado.<br />

138 CINEMA OF THE WORLD


Liwj<br />

Spoor<br />

Pokot<br />

Poland, Germany, Czech Republic, Sweden, Slovak Republic | <strong>2017</strong> | Polish | 128 min | Colour<br />

Director Agnieszka Holland<br />

Producer Krzysztof Zanussi, Janusz<br />

Waçhala<br />

Screenplay Olga Tokarczuk,<br />

Agnieszka Holland<br />

<strong>Cinema</strong>tographer Jolanta Dylewska,<br />

Rafa Paradowski<br />

Editor Pavel Hrdlicka<br />

Sound Design Mattias Eklund<br />

Production Designer Joanna Macha<br />

Cast Agnieszka Mandat, Wiktor<br />

Zborowski, Miroslav Krobot, Jakub<br />

Giersza, Patricia Volny, Tomasz Kot<br />

lsokfuo`Ùk fuekZ.k vfHk;ark] T;ksfr"kfoKkuh vkSj<br />

'kkdkgkjh Mlt+sT+dks psd&iksfy'k lhek ij igkMh+<br />

xkao esa jgrh gSA ,d fnu mlds fç; dqÙks xk;c gks<br />

tkrs gSaA eghuksa ckn iM+kslh dk e`r 'kjhj feyrk<br />

gSA ?kj ds pkjksa vksj feys fgjuksa ds [kqjksa ds fu'kku<br />

jgL;e; ekSr dk ladsr nsrss gSaA vkSj ekSrsa Hkh gks<br />

jgh gSa] Mlt+sT+dks dk ekuuk gS fd lHkh gR;k,a<br />

taxyh tkuojksa }kjk dh tk jgha gSaA lh ihfM+r<br />

LFkkuh¸k lazkr ifjokj¨a ls gS v©j iqfyl d¨ d¨bZ<br />

lqjkx ugh feyrkA<br />

Duszejko, an eccentric retired<br />

construction engineer, an astrologist and<br />

a vegetarian, lives in a small mountain<br />

village on the Czech-Polish border. One<br />

day her beloved dogs disappear. A few<br />

months later she discovers a dead body<br />

of her neighbour, a poacher. The only<br />

traces leading to the mysterious death<br />

are those of roe deer hooves around<br />

the house. As time goes by, more grisly<br />

killings are discovered. The victims, all<br />

hunters, belonged to the local elite. The<br />

police investigation proves ineffective.<br />

Duszejko has her own theory: all murders<br />

were committed by wild animals.<br />

Sales agent Beta <strong>Cinema</strong><br />

• Cosima.Finkbeiner@betacinema.com<br />

,fXu,Ldk g‚ySaM<br />

,fXu,Ldk g‚ySaM us vkaæs okT+nk vkSj fØLVksQ+ t+kuqlh ds lgk;d<br />

ds :i vius fQYe dSfj;j dh 'kq#vkr dhA mudh igyh Vhoh<br />

fQYe ,u bZofuax ,V ,cnUl vkSj igyh Q+hpj çksfof”k;y ,DVlZ<br />

tksfd Þflusek v‚Q eksjy fMLDok,VÞ dh çeq[k fiDpj FkhA budh<br />

fQ+Yeksa MkdZusl] ;wjksik ;wjksik vkSj ,Xt+ke gkosZLV dks dbZ çfrf"Br<br />

iqjLdkj vkSj ukekadu çkIr gq,A<br />

Agnieszka Holland<br />

Agnieszka Holland’s TV film debut was An Evening at<br />

Abdon’s and her first feature film was Provincial Actors,<br />

one of the flagship pictures of the “cinema of moral<br />

disquiet”. Three of Agnieszka Holland’s films were<br />

nominated to the Oscar Academy Award (Best Foreign<br />

Language category) -In Darkness, Europa Europa and<br />

Angry Harvest.<br />

CINEMA OF THE WORLD<br />

139


n LDosvj<br />

The Square<br />

Sweden, Germany, France, Denmark | <strong>2017</strong> | English, Swedish, Danish | 142 min | Colour<br />

Director Ruben Östlund<br />

Producer Erik Hemmendorff, Philippe<br />

Bober<br />

Screenplay Ruben Östlund<br />

<strong>Cinema</strong>tographer Fredrik Wenzel<br />

Editor Jacob Secher Schulsinger,<br />

Ruben Östlund<br />

Sound Design Jonas Rudels, Jesper<br />

Miller<br />

Production Designer Josefin Åsberg<br />

Cast Claes Bang, Elisabeth Moss,<br />

Dominic West<br />

Sales agent Alliance Media<br />

• sundarrajan.perumal@alliancemedia.in<br />

fØf”p;u ,d ledkyhu dyk laxzgky; dk<br />

lEekfur D;wjsVj gSA mldk 'kks ßn LDos;jß lcdks<br />

ekuoh; drZO;ksa dks fuHkkus dh ;kn fnykrk gSA<br />

ysfdu dHkh&dHkh Lo;a ds vkn'kksaZ dks iwjk djuk<br />

dfBu gksrk gSA fØf”p;u ds Q+ksu dh pksjh dh<br />

ew[kZrkiw.kZ çfrfØ;k mls 'keZukd ifjfLFkfr;ksa esa<br />

[khaprh gS tks mlds Lo;a ds vkSj laxzgky; ds<br />

,d vfLrRo ds ladV esa Mky nsrh gSA bl chp<br />

laxzgky; dk tulaidZ fokx n LDos;j ds fy,<br />

fo'¨"k vf¸kkuk NsM+ nsrk gSA<br />

Christian is the respected curator of a<br />

contemporary art museum, a divorced<br />

but devoted father of two who drives<br />

an electric car and supports good<br />

causes. His next show is The Square,<br />

an installation which invites passersby<br />

to altruism, reminding them of their role<br />

as responsible fellow human beings. But<br />

sometimes, it is difficult to live up to your<br />

own ideals: Christian’s foolish response<br />

to the theft of his phone drags him into<br />

shameful situations. Meanwhile, the<br />

museum’s PR agency has created an<br />

unexpected campaign for The Square.<br />

The response is overblown and sends<br />

Christian, as well as the museum, into<br />

an existential crisis.<br />

#csu vksLVyaM<br />

,d 'kkSdhu Ldh;j ds :i esa] #csu vksLVyaM us ikap lkyksa rd<br />

Ldh fQYeksa dk funsZ'ku fd;kA lekt'kkL= ij vk/kkfjr mudh<br />

fQ+Yesa ekuoh; O;ogkj ds gkL;iw.kZ vkSj lVhd voyksdu ds :i<br />

esa tkuh tkrh gSaA mudh vafre rhu Q+hpj fQ+Yeksa dk çhfe;j<br />

dku lekjksg esa gqvk FkkA mudh fiNyh fQYe VwfjLV us 2014 esa<br />

vulVsZu fjxkMZ T;wjh iqjLdkj thrkA<br />

Ruben Östlund<br />

As an avid skier, Ruben Östlund directed ski films for<br />

five years, until his mid-20s, testifying his taste for long<br />

sequence shots. His work is best described as humorous<br />

and accurate observations of human social behaviour.<br />

His last three feature films have premiered in Cannes<br />

and his previous film Turist won the Un Certain Regard<br />

Jury Prize in 2014.<br />

140 CINEMA OF THE WORLD


n LVªsat oUl<br />

The Strange Ones<br />

✪ INDIA PREMIERE<br />

USA | <strong>2017</strong> | English | 81 min | Colour<br />

Director Christopher Radcliff, Lauren<br />

Wolkstein<br />

Producer Sébastien Aubert,<br />

Shani Geva, Michael Prall, Eric Schultz,<br />

Daniela Taplin Lundberg<br />

Screenplay Christopher Radcliff,<br />

Lauren Wolkstein<br />

<strong>Cinema</strong>tographer Todd Banhazl<br />

Editor Christopher Radcliff,<br />

Lauren Wolkstein<br />

Sound Design Eliott Taylor<br />

Production Designer Danica Pantic<br />

Cast Alex Pettyfer, James Freedson-<br />

Jackson, Emily Althaus<br />

nwjnjkt ds vesfjdh ifj–'; esa ?kwers gq,<br />

nks ;kf=;ksa dks jgL;e; ?kVuk,a ?ksj ysrh gSaA<br />

ns[kus esa lHkh lkekU; yxrk gS] ysfdu ,d lhnk<br />

lknk vodk'k va/kdkj ,oa tfVy nq'pØ esa cny<br />

tkrk gSA<br />

Mysterious events surround two<br />

travellers as they make their way across<br />

a remote American landscape. On the<br />

surface all seems normal, but what<br />

appears to be a simple vacation soon<br />

gives way to a dark and complex web of<br />

secrets.<br />

Sales agent Festival Agency<br />

• valentine@thefestivalagency.com<br />

fØLVksQ+j jsMfDyQ+<br />

fØLVksQ+j jsMfDyQ+ y?kq fQYes LVªsatj vkSj csu vkSj cksuh<br />

j‚Dl dks ns’k Hkj ds vusd lekjksgksa esa çnf'kZr gqbaZA<br />

y‚jsu okWdLVhu<br />

y‚jsu okWdLVhu dh fQYesa fo”o Hkj dsa vusd lekjksgksa esa<br />

çnf'kZr gqbaZA<br />

Christopher Radcliff<br />

Christopher Radcliff's short film Stranger was<br />

selected for Faculty Honors in 2009 and also won<br />

the IFP Audience Choice Award.<br />

Lauren Wolkstein<br />

Lauren Wolkstein is an NYC based film maker,<br />

whose films have been screened at prestigious<br />

international festivals<br />

CINEMA OF THE WORLD<br />

141


lej 1993<br />

Summer 1993<br />

Estiu 1993<br />

Spain | <strong>2017</strong> | Spanish | 97 min | Colour<br />

Director Carla Simón<br />

Producer Valrie Delpierre<br />

Screenplay Carla Simón<br />

<strong>Cinema</strong>tographer Santiago Racaj<br />

Editor Didac Palou, Ana Pfaff<br />

Sound Design Roger Blasco<br />

Production Designer Mónica Bernuy<br />

Cast David Verdaguer, Laia Artigas,<br />

Paula Robles, Bruna Cus<br />

Sales agent New European Film Sales<br />

• ewa@neweuropefilmsales.com<br />

ekrk&firk dh e`R;q ds ckn Ng o"khZ; fÝnk<br />

ckflZyksuk ls vius u, dkuwuh laj{kd pkph vkSj<br />

pkpk ds ikl dkrkyu pyh tkrh gSA ;gka fÝMk<br />

dk thou pqukSrhiw.kZ gS & mlds vklikl dh<br />

ç—fr jgL;e; vkSj fofp= gSA fÝnk d¨ Äj ls<br />

Hkkkx tkuk gh leL¸kk dk ,d lekèkku yxrk gSA<br />

vc mls NksVh cgu dh ns[kHkky djuh iM+rh gS]<br />

ftlls fÝnk bZ"¸kkZ djrh gSA fQj Hkh ifjokj thou<br />

dks larqfyr vkSj lkekU; cukus dh iwjh dksf”k”k<br />

djrk gSA<br />

In the summer of 1993, following the<br />

death of her parents, six-year-old Frida<br />

moves from Barcelona to the Catalan<br />

province to live with her aunt and uncle,<br />

who are now her new legal guardians.<br />

The country life is a challenge for Frida –<br />

time passes differently in her new home<br />

and the nature that surrounds her is<br />

mysterious and estranging. She now has<br />

a little sister whom she has to take care<br />

of and has to deal with new feelings,<br />

such as jealousy. Often, Frida is naively<br />

convinced that running away would be<br />

the best solution to her problems. Yet,<br />

the family does what it can to achieve a<br />

fragile new balance and bring normality<br />

to their life.<br />

dkykZ lkbeu<br />

dkykZ lkbeu us dSfyQ+ksfuZ;k fo'ofo|ky; vkSj ckflZyksuk ls<br />

v/;;u fd;kA mUgksaus Vhoh dkrkyu ds fy, Vhoh J`a[kyk vkSj<br />

dk;ZØeksa dk funsZ'ku fd;kA vksczk lks'ky Þyk dSDlkß dh çfrf"Br<br />

Nk=o`Ùkh ls lEefur gksus ds ckn o`Ùkfp= ckWuZ i‚ftfVo vkSj n<br />

fQ+D’'ku fyifLVd dk ys[ku vkSj funsZ'ku fd;kA lej 1993<br />

mudh igyh Q+hpj fQ+Ye gSA<br />

Carla Simón<br />

Carla Simón has directed TV series and programmes<br />

for TV Catalan. After being awarded the prestigious<br />

scholarship of Obra Social “la Caixa”, she also wrote and<br />

directed the documentary Born Positive and the fiction<br />

Lipstick, both short films were selected in numerous<br />

international film festivals. Summer 1993 is her feature<br />

film debut.<br />

142 CINEMA OF THE WORLD


LohV daVªh<br />

Sweet Country<br />

Australia | <strong>2017</strong> | English | 110 min | Colour<br />

Director Warwick Thornton<br />

Producer David Jowsey, Greer Simpkin<br />

Screenplay Steven McGregor,<br />

David Tranter<br />

<strong>Cinema</strong>tographer Dylan River,<br />

Warwick Thornton<br />

Editor Nick Meyers<br />

Sound Design Lachlan Harris<br />

Production Designer Tony Cronin<br />

Cast Bryan Brown, Matt Day,<br />

Tremayne Doolan<br />

1920 ds n'kd esa v‚LVªsfy;k dh mÙkjh lhek ij<br />

e/; vk;q oxhZ; vkfnoklh lSe ,d 'osr HkwriwoZ<br />

lSfud gSjh dh mlds Q+keZgkml ij vkRej{kk ds<br />

fy, xksyh pyk nsrk gSA idMs+ tkus ds Hk; ls og<br />

Hkkx tkrk gSA gR;kjs ds :i esa lSe dh ryk”k<br />

gksus yxrh gSA Lo;a U;k; dh ijh{kk gS] D;k lSe<br />

okLro esa vijk/kh gS\<br />

An Australian western set on the<br />

Northern Territory frontier in the 1920s,<br />

where justice itself is put on trial when an<br />

aged Aboriginal farmhand shoots a white<br />

man in self defence and goes on the run<br />

as a posse gathers to hunt him down.<br />

Sales agent Memento Films<br />

• festivals@memento-films.com<br />

okjfod Fk‚uZVu<br />

okjfod Fk‚uZVu ,d v‚LVªsfy;kbZ fQ+Ye funsZ'kd] iVdFkk ys[kd<br />

vkSj pyfp=dkj gSaA mudh igyh Q+hpj fQ+Ye] lSelu ,aM<br />

Msyhykg 2009 ds dku fQ+Ye lekjksg esa dSejk Mh*v‚j iqjLdkj<br />

ls lEekfur gqbZA<br />

Warwick Thornton<br />

Warwick Thornton is an Australian film director,<br />

screenwriter and cinematographer. His debut feature film<br />

Samson and Delilah won the Camra d’Or at the 2009<br />

Cannes Film Festival.<br />

CINEMA OF THE WORLD<br />

143


mek<br />

Uma<br />

✪ WORLD PREMIERE<br />

Venezuela, USA, Italy | <strong>2017</strong> | Spanish, Italian | 96 min | Colour<br />

Director Alain Maiki<br />

Producer Alain Maiki, Liz Maiki<br />

Screenplay Rosa Clemente, Raul<br />

Pietro, Liz Maiki, Alain Maiki, William<br />

Goite<br />

<strong>Cinema</strong>tographer Alain Maiki<br />

Editor Alain Maiki<br />

Sound Design Jaime Cardona,<br />

Francesca Contantino<br />

Cast Alexandra Braun, Orlando<br />

Delgado, Pedro Medina, Henry Zakka,<br />

Natalia Denegri, William Goite,<br />

Nello Nappi, Ana Turpin, Fabio<br />

Massimo Bonini, Monica Rodriguez<br />

Sales agent Alain Maiki<br />

• alainmaiki1@gmail.com<br />

fQ+Ye mek vkSj fy;ks ds chp lPps I;kj dh ,d<br />

lqanj dgkuh dk ukVdh; vkSj jgL;e; :ikarj.k<br />

gSA mek vkSj fy;ks xsVs ds rV ij feyrs gSa vkSj<br />

igyh ut+j esa muesas I;kj gks tkrk gSA ysfdu mUgsa<br />

thou esa ,d lkFk jgus ds fy, cgqr la?k"kZ vkSj<br />

pqukSfr;ksa dk lkeuk djuk iM+sxkA<br />

Love, drama and suspense is the main<br />

vertex of a beautiful story that enhances<br />

the intensity and honesty of true love<br />

between Uma and Leo from the moment<br />

they meet in the coast of Gaeta. An<br />

instant chemistry between them will<br />

confront struggles and challenges to<br />

stay together.<br />

,ysu ekbdh<br />

,ysu ekbdh ,fid bu eks'ku ds laLFkkid lnL; gSaA cpiu ls<br />

firk dks dfork vkSj xhr fy[krs gq, ns[kdj xhr jpuk vkSj laxhr<br />

ds fy, çsfjr gq,A fuekZrk vkSj laxhrdkj ds :i esa mUgksaus dbZ<br />

laxhr ohfM;ks] y?kq fQYe] vkSj nks Q+hpj fQ+Yeksa dk fuekZ.k vkSj<br />

funsZ'ku fd;k gSA nsoqbYoses yk foMk 2016 esa osustq,yk esa çnf'kZr<br />

gqbZA mek mudh nwljh Q+hpj fQ+Ye gSA<br />

Alain Maiki<br />

Alain Maiki is a founding member of Epic in Motion. He<br />

has produced and directed numerous music videos,<br />

short films, and two feature films. Devuélveme La Vida,<br />

produced and directed by him, was released in 2016 in<br />

Venezuela. Uma is his second feature film.<br />

144 CINEMA OF THE WORLD


;qfu;u yhMj<br />

Union Leader<br />

✪ INDIA PREMIERE<br />

Canada, India | <strong>2017</strong> | Hindi | 105 min | Colour<br />

Director Sanjay Patel<br />

Producer Sanjay Patel, Haresh Patel<br />

Screenplay Sanjay Patel, Winston<br />

Rainey<br />

<strong>Cinema</strong>tographer Nilip Deb<br />

Editor Aurelian Brentraus,<br />

Brock Roberts<br />

Sound Design Frank Laratta<br />

Production Designer Satish Chauhan<br />

Cast Rahul Bhat, Tillotama Shome,<br />

Vivek Ghamande, Jayesh More,<br />

Tirth Sharma, Chetan Daiya<br />

t; xksfgy ,d viksyks dsfedYl ds fy, dke<br />

djrk gS] tks mlds dfeZ;ksa esa dSalj vkSj vU;<br />

chekfj;ksa dk dkj.k gSA t; bls ukSdjh [kksus ds<br />

Mj ls utjvankt+ djrk gSA nksLr vkSj lg;ksxh<br />

fnxar dh e`R;q gks tkus ij t; lqj{kk mYya?ku<br />

dh f'kdk;r djrk gSA ,d uSfrd dkexkj la?k<br />

cukdj t; orZeku Hkz"V ÁcU/ku ds va/ksjs bfrgkl<br />

dks mtkxj djrk gSA<br />

Jay Gohil, 36, works for Apollo<br />

Chemicals, a chemical plant that is<br />

causing cancer and other ailments in its<br />

workers. He turns a blind eye to these<br />

issues in fear of losing his job. But when<br />

his good friend and colleague, Digant, is<br />

found dead after complaining about the<br />

plant’s health and safety violations, Jay<br />

takes action. Jay uncovers a dark history<br />

of cover-ups and deceit that results in an<br />

overhaul of the plant’s management and<br />

soon finds himself in charge.<br />

Sales agent Sanjay Patel<br />

• sanjaybagadia23@hotmail.com<br />

lat; iVsy<br />

bathfu;j vkSj ys[kd lat; iVsy lkekftd ifjorZu ds fy, ,d<br />

midj.k ds :i esa fQYe dk mi;ksx djrs gSaA mudk mís'; fQ+Yeksa<br />

ds ek/;e ls nwljksa dks f'kf{kr djuk] le>kuk vkSj l'kä cukuk<br />

gSA funsZ'kd vkSj fuekZrk ds :i esa mudh igyh fQ+Ye bQ+ ;w yo<br />

;ksj fpYMªu dks 2014 esa y‚l ,aftYl esa fn[kk;h tkus ds ckn 20<br />

varjjk"Vªh; iqjLdkj ÁkIr gks pqds gSaA<br />

Sanjay Patel<br />

Patel is passionate about using film as a tool for social<br />

change. Sanjay made his debut as director and producer<br />

with the award winning short film If You Love Your<br />

Children. Since its August 2014 release in Los Angeles,<br />

the film has won 20 international awards.<br />

CINEMA OF THE WORLD<br />

145


vfUVy n cMZl fjVuZ<br />

Until the Birds Return<br />

En Attendant Les Hirondelles<br />

Algeria, France, Germany | <strong>2017</strong> | Arabic | 115 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Karim Moussaoui<br />

Producer David Thion, Philippe Martin<br />

Screenplay Karim Moussaoui,<br />

Maud Ameline<br />

<strong>Cinema</strong>tographer David Chambille<br />

Editor Thomas Marchand<br />

Sound Design Pierre Bariaud<br />

Production Designer Hamid<br />

Boughrara<br />

Cast Mohamed Djouhri, Sonia Mekkiou,<br />

Mehdi Ramdani, Hassan Kachach,<br />

Nadia Kaci, Samir El Hakim, Aure Atika<br />

vk/kkqfud vYthfj;k esa ,d /kukh ,d ;qorh] vkSj<br />

;q)dkyhu vijk/kksa ls ckf/kr ,d egRokdka{kh<br />

U;wjksy‚ftLV ds thou esa foxr vkSj orZeku vkil<br />

esa Vdjkrs gSaA bu rhuksa dh dgkfu;ka ,d ledkyhu<br />

vjc lekt dk vkUrfjd fp=.k n”kkZrh gSaA<br />

Algeria today. Past and present collide<br />

in the lives of a newly wealthy property<br />

developer, a young woman torn between<br />

the path of reason and sentiment and<br />

an ambitious neurologist impeded by<br />

wartime wrongdoings. Three stories<br />

that plunge us into the human soul of a<br />

contemporary Arab society.<br />

Sales agent MK2<br />

• anne-laure.barbarit@mk2.com<br />

djhe eqlkSbZ<br />

djhe eqlkSbZ ,d funsZ'kd vkSj ys[kd gSa tks n Mst+ chQ+ksj] Msykbl<br />

iyksek vkSj vfUaVy n cMZl fjVuZ ds fy, Áfl) gaSA<br />

Karim Moussaoui<br />

Karim Moussaoui is Algerian-born director and writer<br />

known for The Days Before, Dlice Paloma and Until the<br />

Birds Return.<br />

146 CINEMA OF THE WORLD


vUokaVsM<br />

Unwanted<br />

T’padashtun<br />

Kosovo | <strong>2017</strong> | Dutch, Albanian | 85 min | Colour<br />

✪ ASIA PREMIERE<br />

Director Edon Rizvanolli<br />

Producer Edon Rizvanolli<br />

Screenplay Edon Rizvanolli<br />

<strong>Cinema</strong>tographer Danny Noordanus<br />

Editor Edon Rizvanolli<br />

Sound Design Pellumb Ballata,<br />

Gerben Kokmeijer<br />

Production Designer Leonora<br />

Mehmeti, Pavle Mihalic<br />

Cast Adriana Matoshi, Jason de<br />

Ridder, Niki Verkaar, Hugo Koolschijn,<br />

Celia Nufaar, Besnik Krapi<br />

vdsyk vkSj mnkl vYcku viuh eka ds lkFk<br />

,ELVMZe esa jgrk gS] tks dkslksoks dh 'kj.kkFkhZ gSaA<br />

eka mlls ;q) ds vk?kkr dks fNikrh gSA vYcku<br />

,d ;qorh ls I;kj djrk gS ysfdu ;q) ls tqM+h<br />

vrhr dh Le`fr;ka vYcku dh nqfu;k dks myV<br />

iqyV dj nsrh gSA<br />

Alban, a lonely boy, who lives in<br />

Amsterdam with his refugee mother<br />

from Kosovo, keeps getting into trouble<br />

while yearning for her acceptance. But<br />

the traumas caused by the war, which<br />

his mother hides away from him, turn his<br />

world upside down.<br />

Sales agent Asfalt Films<br />

• info@asfaltfilms.com<br />

bZMu fjtoku‚yh<br />

vfHkusrk] laiknd vkSj funsZ”kd bZMu fjtoku‚yh vuokaVsM] es ch<br />

Vqekjks vkSj 'kQ+y&iksfyfVd] yduqjs ns jksdsujksy ds fy, lqçfl)<br />

gSaA ¸kg fQ+Ye dky¨Zoh osjh fQ+Ye lekj¨g es fn[kk¸kh FkhA<br />

Edon Rizvanolli<br />

Edon Rizvanolli is an actor, editor and director known<br />

for Unwanted, Maybe Tomorrow and Shuffle - Politike,<br />

laknur dhe rokenroll. Unwanted is his feature film debut,<br />

screened at Karlovy Vary.<br />

CINEMA OF THE WORLD<br />

147


okftc<br />

Wajib<br />

Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates | <strong>2017</strong> | Arabic | 96 min | Colour<br />

Director Annemarie Jacir<br />

Producer Ossama Bawardi<br />

Screenplay Annemarie Jacir<br />

<strong>Cinema</strong>tographer Antoine Héberié<br />

Editor Jacques Comets<br />

Sound Design Carlos Garcia,<br />

Kostas Varympopiotis<br />

Production Designer Nael Kanj<br />

Cast Mohammad Bakri, Saleh Bakri,<br />

Maria Zreik, Rana Alamuddin<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

rykd'kqnk vcw&'kkMh dk csVk fj”rnkjksa dks viuh<br />

cgu ds fookg ds fuea=.k ckaVus esa lgk;rk ds<br />

fy, jkse ls ukt+jr vk;k gSA “kkMh dk vius “kgj<br />

vkSj ifjokj ls laidZ VwV pqdk FkkA vcw&'kkMh csVs<br />

ls tqM+us dh dksf'k'k djrk gS] ysfdu ijs'kku gS<br />

fd rykd ds le; 'kkMh us eka dk i{k fy;k FkkA<br />

blh le; okftc dgkuh esa vkrk gSA firk&iq= tc<br />

iwjk fnu lkFk xqt+kjrs gSa r¨ mUgsa ukt+qd lacaèk¨a dk<br />

,glkl g¨rk gSA<br />

Abu Shadi is a divorced father and school<br />

teacher in his mid-60s living in Nazareth.<br />

After his daughter’s wedding in one<br />

month he will be living alone. Shadi,<br />

his architect son, arrives from Rome<br />

after years abroad to help his father in<br />

hand delivering the wedding invitations<br />

as per local Palestinian custom. As the<br />

estranged pair spend the day together,<br />

the tense details of their relationship<br />

come to a head challenging their fragile<br />

and very different lives.<br />

,uhesjh tlhj<br />

dksyafc;k fo'ofo|ky; ls f”kf{kr ,uhesjh tkdhj us 16 fQ+Yeksa<br />

dk ys[ku] fuekZ.k vkSj funsZ'ku fd;k gSA tSdj dh ykbd V~osaVh<br />

bai‚flfcYl igyh y?kq vjc fQ+Ye Fkh tks dku lekjksg fn[kkbZ<br />

xbZ FkhA mudh Q+hpj fQ+Yesa lkWYV vkWQ+ fnl lh rFkk Ogsu vkbZ<br />

lkW ;w fo”o Hkj ds fQ+Ye lekjksgksa esa Ánf”kZr vkSj lEekfur gqbZaA<br />

Annemarie Jacir<br />

Annemarie Jacir has written, directed and produced<br />

16 films. Like Twenty Impossibles was the first Arab<br />

short film to screen in the official selection at Cannes.<br />

Jacir’s debut, Salt of this Sea, premiered at Cannes, was<br />

Palestine’s 2008 Oscar Entry and won the FIPRESCI<br />

Prize. When I Saw You was named Best Asian Film at<br />

Berlin, Abu Dhabi, Olympia, Amiens and Phoenix.<br />

148 CINEMA OF THE WORLD


osLVuZ<br />

Western<br />

✪ INDIA PREMIERE<br />

Germany, Bulgaria, Austria | <strong>2017</strong> | German, English, Bulgarian | 119 min | Colour<br />

Director Valeska Grisebach<br />

Producer Jonas Dornbach,<br />

Janine Jackowski, Maren Ade,<br />

Michel Merkt<br />

Screenplay Valeska Grisebach<br />

<strong>Cinema</strong>tographer Bernhard Keller<br />

Editor Bettina Böhler<br />

Sound Design Fabian Schmidt<br />

Production Designer Beatrice Schultz<br />

Cast Meinhard Neumann,<br />

Reinhardt Wetrek, Waldemar Zang,<br />

Detlef Schaich, Syuleyman Alilov Letifo,<br />

Veneta Fragnova, Viara Borisova<br />

teZu Jfedksa dk lewg cqYxkfj;k vkSj xzhl ds<br />

chp lhek {ks= esa ,d fuekZ.k LFky ij vkrk gSA<br />

fons'kh Hkwfe vkSj yqHkkouk ifj–'; iq#"kksa esa lkgl<br />

dh Hkkouk dks tkx`r djrk gS ysfdu Hkk"kk vkSj<br />

lkaL—frd fHkUurk ls mitss iwokZxzg vkSj vfo'okl<br />

mudks fudV vkus ls jksdrs gSaA iq#"k¨a ds chp LFkkuh;<br />

xzkeh.kksa ls ekU;rk vkSj i{kikr ds fy, çfrLi/kkZ 'kq:<br />

gks tkrh gSaA<br />

A group of German workers sets off<br />

to a construction site in the border<br />

region between Bulgaria and Greece.<br />

This foreign land and its breathtaking<br />

landscape awaken the men’s sense of<br />

adventure, but they are also confronted<br />

with their own prejudice and mistrust<br />

due to the language barrier and cultural<br />

differences. The stage is quickly set for<br />

a showdown when the men begin to<br />

compete for recognition and favour from<br />

the local villagers.<br />

Sales agent Films Boutique<br />

• aleksandr@filmsboutique.com<br />

oysLdk fxzlck[k+<br />

teZu fQYe funsZ'kd okYlsdk fxzlck[k+ dk tUe czsesu esa gqvkA<br />

mUgksaus osLVuZ ds vfrfjDr ykWfUxax vkSj ch ekbZ LVkj dk funsZ”ku<br />

fd;k gSA osLVuZ dks dku fQ+Ye Q+sfLVoy ds vu lVsZu fjxkMZ [kaM<br />

esa çnf'kZr fd;k x;kA<br />

Valeska Grisebach<br />

Valeska Grisebach is a German film director. She was<br />

born in Bremen on January 4, 1968. Her directorial<br />

credits include Longing and Be My Star. Western was<br />

screened in the Cannes Film Festival’s Un Certain<br />

Regard.<br />

CINEMA OF THE WORLD<br />

149


oUMjLVªd<br />

Wonderstruck<br />

USA | <strong>2017</strong> | English | 117 min | Colour, Black and White<br />

Director Todd Haynes<br />

Producer Pamela Koffler,<br />

John Sloss, Christine Vachon<br />

Screenplay Brian Selznick<br />

<strong>Cinema</strong>tographer Edward Lachman<br />

Editor Affonso Gonçalves<br />

Sound Design Drew Kunin<br />

Production Designer Mark Friedberg<br />

Cast Oakes Fegley, Julianne Moore,<br />

Michelle Williams, Millicent Simmonds<br />

csu vkSj jkst+ nksuksa gh pkgrs gSa fd mudk thou<br />

dqN vyx gksA csu dks vius firk dh Árh{kk gS<br />

ftls mlus dHkh ugha ns[kkA jkst+ viuh LØSicqd<br />

esa cuk pqdh ,d jgL;e; vfHkus=h ds thou dh<br />

dYiuk djrh gSA csu dks ,d lqjkx feyrk gSA<br />

jkst+ ,d eksgd 'kh"kZd dks i


n owUM<br />

The Wound<br />

Inxeba<br />

South Africa, Germany, Netherlands, France | <strong>2017</strong> | Xhosa | 88 min | Colour<br />

Director John Trengove<br />

Producer Elias Ribeiro, Cait<br />

Pansegrouw<br />

Screenplay John Trengove,<br />

Malusi Bengu, Thando Mqgolozona<br />

<strong>Cinema</strong>tographer Paul Ozgur<br />

Editor Matthew Swanepoel<br />

Sound Design Matthew James<br />

Production Designer Bobby Cardoso,<br />

Solly Sithole<br />

Cast Nakhane Touré, Niza Jay Ncoyini,<br />

Bongile Mantsai, Thobani Mseleni<br />

,Dlksyuh ,d dkj[kkus esas dk;ZdrkZ iwohZ dsi ds<br />

igkM+ksa esa vius leqnk; ds iq#"kksa ds lkFk fd'kksjksa dks<br />

ikjEifjd >kslk nh{kk vuq"Bku ds vuqlkj enkZuxh<br />

esa fl[kkus ds fy, 'kkfey gksrs gSaA bl dke dks<br />

djrs gq, ,Dlksyuh vius vrhr dh Le`fr;ksa esa [kks<br />

tkrk gSA ;g fQ+Ye nks iq#"kksa ds chp ,d djhch<br />

fj'rs dks VªSd djrh gSA<br />

Xolani, a lonely factory worker, joins the<br />

men of his community in the mountains<br />

of the Eastern Cape to initiate a group<br />

of teenage boys into manhood. When a<br />

defiant initiate from the city discovers his<br />

best kept secret, Xolani’s entire existence<br />

begins to unravel. The Wound premiered<br />

in competition at the Sundance Film<br />

Festival in <strong>2017</strong>.<br />

Sales agent Pyramide <strong>International</strong><br />

• ilaria@pyramidefilms.com<br />

t‚u VªsUxkso<br />

t‚u VªsUxkso nf{k.k vÝ+hdh fQ+Ye vkSj jaxeap funsZ'kd gaSA n oawM<br />

mudh ,d fooknkLin fQ+Ye jghA mudh y?kq fQYe n xksV 2014<br />

esa cfyZu fQ+Ye lekjksg esa çhfe;j gqbZ vkSj 40 ls vf/kd fQ+Ye<br />

lekjksgksa esa fn[kk;h x;hA 2010 esa mUgksaus gksifoys J`a[kyk dk<br />

funsZ'ku fd;kA mudk ukVd n ,filus cqpj cgqr Áfl) gqvkA<br />

John Trengove<br />

John Trengove is a South African writer and director.<br />

The Wound his first feature, premiered in Sundance. His<br />

short film, The Goat, premiered at the Berlinale in 2014.<br />

Hopeville, a miniseries, was a Emmy nomination and<br />

received the prestigious Rose d’Or for drama.<br />

CINEMA OF THE WORLD<br />

151


n ;ax dkyZ ekDlZ<br />

The Young Karl Marx<br />

Le Jeune Karl Marx<br />

Germany, France, Belgium | <strong>2017</strong> | German, French, English | 112 min | Colour<br />

Director Raoul Peck<br />

Producer Nicolas Blanc,<br />

Rémi Grellety, Robert Guédiguian,<br />

Raoul Peck<br />

Screenplay Pascal Bonitzer,<br />

Raoul Peck<br />

<strong>Cinema</strong>tographer Kolja Brandt<br />

Editor Frédérique Broos<br />

Sound Design Jörg Theil, Benoît Biral<br />

Production Designer Benoît Barouh,<br />

Christophe Couzon<br />

Cast August Diehl, Stefan Konarske,<br />

Vicky Krieps<br />

26 o’kZ dh vk;q esa dkyZ ekDlZ viuh iRuh tsuh ds<br />

lkFk çokl ds fy, fudy iM+sA 1844 esa isfjl esa<br />

mudh HksaV ÝsMfjd ,axsYl ls gqbZ ftUgksaus fczfV'k<br />

ofdaZx Dykl dh [kkst dhA nksuksa us feydj<br />

lsaljf'ki vkSj iqfyl neu] naxksa vkSj jktuhfrd<br />

mFky&iqFky ds chp vk/kqfud ;qx ds Je vkanksyu<br />

dk usr`Ro fd;kA<br />

Karl Marx, aged 26, embarks with his<br />

wife Jenny on the road to exile. In 1844<br />

Paris, he meets Friedrich Engels, an<br />

industrialist’s son, who investigated the<br />

birth of the British working-class. Engels,<br />

the dandy, provides the last piece of the<br />

puzzle to the young Karl Marx’s new<br />

vision of the world. Together, between<br />

censorship and the police’s repression,<br />

riots and political upheavals, they will<br />

lead the labour movement during its<br />

development into a modern era.<br />

Sales agent Film Distribution<br />

• joris@playtime.group<br />

jkmy isd<br />

jkmy isd o`Ùkfp= vkSj Q+hpj nksuksa gh cukrs gSaA jktuhfrd :i<br />

ls lfØ; jkmy ekpZ 1996 ls flracj 1997 rd gSrh ds laL—fr<br />

ea=h jg pqds gSaA tuojh <strong>2017</strong> esa tsEl ckYMfou ds thou ij<br />

vk/kkfjr mudh fQYe vkbZ ,e u‚V ;ksj uhxzks v‚Ldj ds fy,<br />

ukekafdr gqbZ FkhA<br />

Raoul Peck<br />

Raoul Peck (born 1953) is a Haitian maker of both<br />

documentary and feature films, and a political activist.<br />

From March 1996 to September 1997, he was Haiti’s<br />

Minister of Culture. His film I Am Not Your Negro about<br />

the life of James Baldwin was nominated for an Oscar in<br />

January <strong>2017</strong>.<br />

152 CINEMA OF THE WORLD


Tk+sj<br />

Zer<br />

✪ ASIA PREMIERE<br />

Germany, Turkey, USA | <strong>2017</strong> | Turkish, Kurdish, English | 113 min | Colour<br />

Director Kazim Öz<br />

Producer Turan Tokel, Kazim Öz<br />

Screenplay Kazim Öz<br />

<strong>Cinema</strong>tographer Eyüp Boz,<br />

Feza Çaldiran, Orçun Özkilinç<br />

Editor Thomas Balkenhol, Kazim Öz<br />

Sound Design Mustafa Biber<br />

Production Designer Babak Tahmili<br />

Cast Ahmet Aslan, Haleigh Ciel,<br />

Fsun Demirel, Nik Xhelilaj<br />

tsj ,d xkus dh dgkuh gSA tkWu dks mldhs nknh<br />

dh e`R;q ds le; ,d xkuk lquk;k x;k FkkA MsflZe<br />

ujlagkj ls cph nknh t+sfjQ+ viuh igpku vkSj<br />

bl xkus ls tqM+s vrhr dks tkWu ls fNikrh gSA<br />

U;w;kdZ esa iyk cM+k tkWu nknh ds vrhr vkSj Lo;a<br />

dh igpku dh [kkst ds fy, dqfnZLrku dh ;k=k<br />

ij fudy iM+rk gSA<br />

Zer is the story of a song, whispered to<br />

Jan’s ear on his grandmother’s deathbed.<br />

A survivor of Dersim Massacre, Zarife<br />

hid her identity, her past in her memory<br />

of this song. Raised in NYC, Jan begins<br />

a journey through Kurdistan, searching<br />

for his grandma’s past and his own self.<br />

Sales agent Köz Film<br />

• közfilm@gmail.com<br />

dkft+e vkst+<br />

funsZ'kd] –';oknh] laiknd] pyfp=dkj dkft+e vkst+ dbZ<br />

lEekfur fQYeksa ds fuekZrk ds :i esa tkus tkrs gaSA vkst+ us fcj<br />

ofeZl fcj ;ksdeql] fQ+jfruk] o`Ùkfp= Mwj@mt+kd] Q+ksVksxzkQ+ vkSj<br />

VkWijd dk funsZ”ku fd;k gSA<br />

Kazim Öz<br />

Kazim Öz, is known as a director, scenarist, editor,<br />

cinematographer and producer of many awarded films.<br />

Öz’s films as a director are Bir Varmış Bir Yokmuş,<br />

Fırtına, the documentary Dûr/Uzak, Fotoğraf and Toprak.<br />

CINEMA OF THE WORLD<br />

153


Country Focus<br />

Canada<br />

A showcase of recent films from<br />

Canada. In collaboration with<br />

Telefilm Canada; curated by the<br />

Toronto <strong>International</strong><br />

Film Festival<br />

155 COUNTRY FOCUS CANADA


vY;qj<br />

Allure<br />

✪ INDIA PREMIERE<br />

Canada | <strong>2017</strong> | English | 105 min | Colour<br />

Director Carlos Sanchez, Jason<br />

Sanchez<br />

Producer Luc Déry, Kim McCraw<br />

Screenplay Carlos Sanchez, Jason<br />

Sanchez<br />

<strong>Cinema</strong>tographer Sara Mishara<br />

Editor Jesse Rivere, Elisabeth Olga<br />

Tremblay<br />

Cast Evan Rachel Wood, Julia Sarah<br />

Stone, Denis O’Hare<br />

Sales agent Seville <strong>International</strong><br />

• LMeynial@filmsseville.com<br />

nq[kn vrhr dh ihM+k vkSj vlQy çse ls v”kkar<br />

ykSjk lkekU; thou ds fy, la?k’kZ djrh gSA eka<br />

}kjk Fkksih xbZ ft+naxh ls mnklhu ,d çfrHkk”kkyh<br />

fi;kuksoknd 16 o’khZ; bZok ykSjk ds thou esa vk”kk<br />

dh fdj.k cudj vkrh gSA nksuksa ds chp ,d<br />

vuisf{kr fj”rk curk gS vkSj bZok ykSjk ds fy, ,d<br />

tquwu cu tkrh gSA ykSjk ?kj ls uk[k+q”k bZok dks ?kj<br />

tkus ds fy, le>krh gSA nksuksa gsjQsj] budkj vkSj<br />

lg&fuHkZjrk dh xgu my>u esa Qal tkrh gSaA<br />

Plagued by the abuse of her past and<br />

the turmoil of failed intimate encounters,<br />

Laura struggles to find a lover and a<br />

sense of normalcy. Her beacon of hope<br />

comes in 16-year-old Eva, a talented<br />

pianist disillusioned by the life her<br />

mother imposes upon her. An unlikely<br />

relationship is formed between the two<br />

and Eva becomes an obsession to<br />

Laura. In light of Eva’s unhappiness,<br />

Laura convinces her to run away to her<br />

house and they soon find themselves<br />

caught within an intense entanglement.<br />

Manipulation, denial and co-dependency<br />

fuel what ultimately becomes a fractured<br />

dynamic that can only sustain itself for<br />

so long.<br />

dkyksZl vkSj tslu lkapst<br />

dkyksZl vkSj tslu lkapst e‚fUVª;y ds mR—’V<br />

dyk&QksVksxzkQ+j vkSj fQYe funsZ”kd gSaA nksuks us d‚ud‚fMZ;k<br />

fo”ofo|ky; ls v/;;u fd;kA mudk dykd`fr;ka us”kuy<br />

xSyjh vkWQ+ dukMk vkSj E;qft+;e vkWQ+ Qkbu vkVZ~l] áwLVu<br />

esa laxzghr dh x;h gSaA vY;qj mudh igyh Q+hpj fQ+Ye gSA<br />

Carlos and Jason Sanchez<br />

Carlos and Jason Sanchez are fine-art<br />

photographer-filmmakers from Montreal.<br />

They studied at Concordia University. Their<br />

work is housed in the collections of the<br />

National Gallery of Canada and the Museum<br />

of Fine Arts in Houston, among others.<br />

Allure is their feature film debut.<br />

156 COUNTRY FOCUS CANADA


DykslsV ekWULVj<br />

Closet Monster<br />

✪ INDIA PREMIERE<br />

Canada | 2016 | English | 90 min | Colour<br />

Director Stephen Dunn<br />

Producer Kevin Krikst, Fraer Ash,<br />

Edward J. Martin<br />

Screenplay Stephen Dunn<br />

<strong>Cinema</strong>tographer Bobby Shore CSC<br />

Editor Bryan Atkinson<br />

Cast Connor Jessup, Aaron Abrams,<br />

Joanne Kelly, Aliocha Schneider, Sofia<br />

Banzhaf<br />

Sales agent WTFILMS<br />

• sales@wtfilms.fr<br />

,d dYiuk”khy vdsys cPps v‚Ldj eSMyh<br />

dk lcls djhch nksLr ikyrw gELVj cQ+h gSA<br />

ekrk&firk dk rykd gks pqdk gSA firk mls ,d<br />

?k`.kkLin leySafxdrk ls tqM+k vijk/k fl[kkrk gSA<br />

cM+s gksdj vius lgdehZ ekWUVªh;y dh Ásj.kk ls<br />

v‚Ldj viuh igpku dks iqu% çkIr djuk “kq:<br />

djrk gSA vius firk }kjk Mkys x, Mj dk lkgl<br />

ls lkeuk djrk gSA varr% thr vkRefo”okl dh<br />

gksrh gSA<br />

Oscar Madly is an imaginative “onlychild”<br />

in St. John, Newfoundland, whose<br />

closest friend is a pet hamster named<br />

Buffy. He finds himself caught in the<br />

middle of his parents’ turbulent divorce,<br />

Oscar is viciously catapulted into<br />

adulthood when his father teaches him<br />

about a shocking hate-crime involving a<br />

young gay man. Fearing that he too might<br />

be gay, Oscar is driven to suppress his<br />

femininity. But when Oscar comes of age,<br />

his resistance to his sexuality weakens<br />

as he forms a tenuous friendship with a<br />

tattooed co-worker from Montreal who<br />

opens his eyes to a whole world of new<br />

possibilities.<br />

LVhQu Mu<br />

fQYe fuekZrk LVhQ+u Mu us u‚eZu tsfolu ds dukMkbZ fQYe lsaVj<br />

vkSj jk;jlu fo”ofo|ky; ls f”k{kk çkIr dhA mudh y?kq fQ+Yesa<br />

ykbQ+ Mt+ ukWV ÝkbVu eh] oh okaVsM eksj vkSj LokyksM Vªhcsdk]<br />

VksjaVks vkSj E;wfu[k tSls varjjk’Vªh; fQYe lekjksgksa esa çnf”kZr ,oa<br />

iqjLd`r gqbZ gSaA gky gh esa Mu dh i‚i&vi iksuksZ uked rhu fQ+Yeksa<br />

dh J`a[kyk luMkUl esa fn[kk;h x;h gSA<br />

Stephen Dunn<br />

Stephen Dunn is an award-winning filmmaker and<br />

graduate of Norman Jewison’s Canadian Film Centre<br />

and Ryerson University’s Film Program. His short<br />

films, Life Doesn’t Frighten Me, We Wanted More and<br />

Swallowed have screened around the world. Closet<br />

Monster is Dunn’s first feature.<br />

COUNTRY FOCUS CANADA<br />

157


MksUV VkWd Vw vk;jhu<br />

Don’t Talk to Irene<br />

✪ INTERNATIONAL PREMIERE<br />

Canada | <strong>2017</strong> | English | 82 min | Colour<br />

Director Pat Mills<br />

Producer Alyson Richards,<br />

Mike MacMillan<br />

Screenplay Pat Mills<br />

<strong>Cinema</strong>tographer Paul Sarossy<br />

Editor Tiffany Beaudin<br />

Production Designer Cailin Bator<br />

Sound Design Roman Alex Buchok<br />

Cast Michelle McLeod, Bruce Gray,<br />

Anastasia Phillips, Scott Thompson,<br />

Geena Davis, Deborah Grover<br />

gkbZ Ldwy dh lcls eksVh yM+dh vk;jhu dks<br />

fuyacu ds ckn nks lIrkg ds fy, fjVk;jesaV<br />

gkse esa lkeqnkf;d lsok djus dh lt+k feyrh gSA<br />

vius fp;jyhfMax ds tquwu ds fy, og pqids ls<br />

ofj’B fuokfl;ksa dks u`R;&vk/kkfjr fj,fyVh “kks ds<br />

v‚fM”ku ds fy, ;g Áekf.kr djus ds fy, lkbu<br />

djrh gS fd vkidks foy{k.k gksus ds fy, “kkjhfjd<br />

:i ls iw.kZr;k vkn”kZ gksus dh vko”;drk ugha gSA<br />

When Irene - the fattest girl in high school<br />

- gets suspended, she must endure<br />

two weeks of community service at a<br />

retirement home. Following her passion<br />

for cheerleading, she secretly signs up<br />

the senior residents to audition for a<br />

dance-themed reality show to prove that<br />

you don’t need to be physically “perfect”<br />

to be perfectly Awesome.<br />

Sales agent The Film Sales Company<br />

(US), Search Engine Films<br />

• mike@lithiumstudios.com<br />

iSV feYl<br />

vksVkok esa tUes iSV feYl us jk;jlu fo”ofo|ky; ls Lukrd dh<br />

mikf/k çkIr dhA budh nks y?kq fQYesa iSV~l Q+LVZ fdl ¼2008½ vkSj<br />

5 fMLQ+D”kuy ihiy bu , dkj ¼2009½ rFkk mudh igyh Q+hpj<br />

fQ+Ye xkbMsUl ¼2014½ VksjaVks varjkZ’Vªh; fQ+Ye egksRlo esa fn[kk;h<br />

x;haA MksUV VkWd Vw vk;jhu mudh uohure fQ+Ye gS<br />

Pat Mills<br />

Pat Mills was born in Ottawa and graduated from<br />

Ryerson University. Two of his short films, Pat’s First<br />

Kiss and 5 Dysfunctional People in a Car, were screened<br />

at the Toronto <strong>International</strong> Film Festival, as did his<br />

feature directorial debut, Guidance. Don’t Talk to Irene<br />

is his latest film.<br />

158 COUNTRY FOCUS CANADA


vkbZ vkWu twfy;V<br />

Eye on Juliet<br />

✪ ASIA PREMIERE<br />

Canada | 2016 | English | 90 min | Colour<br />

Director Kim Nguyen<br />

Producer Pierre Even<br />

Screenplay Kim Nguyen<br />

<strong>Cinema</strong>tographer Christophe Collette<br />

Editor Richard Comeau<br />

Production Designer Emmanuel<br />

Fréchette<br />

Sound Design Therry Morlass-Lurbe,<br />

Claude Beagrand, Bernard Gariépy<br />

Strobl<br />

Cast Lina El Arabi, Joe Cole, Brent<br />

Skagford, Faycal Zeglat<br />

Sales agent Films Distributiion<br />

• Joris@playtime.group<br />

x‚MZu] ,d gsDlkiksM v‚ijsVj e#LFky esa ,d<br />

ikbi ykbu dk j{kd gSA og e/; iwoZ dh ,d<br />

;qorh vk;q”kk ls vpkud feyrk gS vkSj ml ij<br />

eksfgr gks tkrk gSA vk;q”kk dk fookg viuh mez<br />

ls cM+s O;fDr ds lkFk fuf”pr gqvk gS ftls og<br />

I;kj ugha djrhA nqfu;k ds nwljs Nksj ij vesfjdk<br />

esa jgrs gq, Hkh x‚MZu vk;q”kk dks cpkus ds fy,<br />

;Fkk”kfDr lc dqN djsxkA<br />

A love story through the eye of a spider<br />

drone. Across the landscape of a North<br />

African desert and an oil pipeline,<br />

appears a strange spider-like robot that<br />

seems to be scoping the horizon. At<br />

the other end of the world, in America,<br />

Gordon, drone operator and safe keeper<br />

of the pipeline, surveys the desolated<br />

landscapes from his screens. Having<br />

lost his way in a world he no longer<br />

comprehends, he becomes fascinated<br />

by Ayusha, a young woman promised to<br />

an older man she doesn’t love. Despite<br />

the distance, their mutual fear and their<br />

imperfect interaction, Gordon will do<br />

everything in his power to help Ayusha<br />

escape her fate, falling for her in the<br />

process.<br />

fde xq;su<br />

e‚fUVª;y esa tUes fde xq;su us d‚ud‚fMZ;k fo”ofo|ky; ls fQ+Ye<br />

dk v/;;u fd;kA mUgksaus yh ekjSl ¼2002½] VªwQ+s ¼2008½] yk flVs<br />

¼2010½] vdkneh iqjLdkj ukekafdr okWj fop ¼2012½] Vw yolZ ,aM<br />

, ch;j ¼2016½] vkSj o`Ùkfp= ys ust+ ¼2015½ dk funsZ”ku fd;k gSA<br />

vkbZ vkWu twfy;V ¼<strong>2017</strong>½ mudh uohure fQ+Ye gSA<br />

Kim Nguyen<br />

Kim Nguyen was born in Montreal and studied film at<br />

Concordia University. His features include Le Marais, the<br />

Academy Award–nominated War Witch, and Two Lovers<br />

and a Bear. His other credits as director include Truffe,<br />

La Cité, and the documentary Le Nez. Eye on Juliet is<br />

his latest feature.<br />

COUNTRY FOCUS CANADA<br />

159


esfMVs”ku ikdZ<br />

Meditation Park<br />

✪ ASIA PREMIERE<br />

COUNTRY FOCUS - GALA SCREENING<br />

Canada | <strong>2017</strong> | English | 94 min | Colour<br />

Director Mina Shum<br />

Producer Stephen Hegyes, Mina<br />

Shum, Raymond Massey<br />

Screenplay Mina Shum<br />

<strong>Cinema</strong>tographer Peter Wunstorf<br />

Editor Daria Ellerman<br />

Production Designer Jason Sutherland<br />

Sound Design Craig Berkey<br />

Cast Cheng Pei Pei, Tzi Ma, Sandra<br />

Oh, Don McKellar<br />

,d lefiZr iRuh] eka vkSj nknh dh nqfu;k fgy<br />

tkrh gS tc mls ifr ds eSys diM+ksa ds


vksYM LVksu<br />

Old Stone<br />

Lao Shi<br />

Canada, China | | 2016 | Mandarin | 86 min | Colour<br />

✪ INDIA PREMIERE<br />

COUNTRY FOCUS - OPENING FILM<br />

Director Johnny Ma<br />

Producer Wu Xian Jian, Chi-an Lin,<br />

Jing Wang, Sarah Stallard<br />

Screenplay Johnny Ma<br />

<strong>Cinema</strong>tographer Ming Kai Leung<br />

Editor Mike Long<br />

Sound Design T. Teressa Tate<br />

Cast Gang Chen, An Nai, Hongwei<br />

Wang, Zebin Zhang, Xue’er Luo<br />

dkf+dÅLd phu ds ,d NksVs ls “kgj esa VSDlh<br />

pkyd vksYM LVksu dks ,d dkj nq?kZVuk ds<br />

ckn fu;eksa dk lkeuk djuk iM+rk gSA ftlds<br />

ifj.kkeLo:i mldk ifjokj] nksLr vkSj mldk<br />

dke lHkh ladV esa gSa] D;k gR;k gh ,d jkLrk<br />

ugha gS\<br />

After a car accident that he caused, Mr<br />

Old Stone, a small-town taxi driver, has<br />

to face the rules of today’s Kafkaesque<br />

China. Now that his family, friends and<br />

his work are endangered, isn’t murder a<br />

way out?<br />

Sales agent Asian Shadows<br />

• anne@chineseshadows.com<br />

t‚uh ek<br />

phu esa usu ek ds :i esa tUes t‚uh ek nl o’kZ dh vk;q esa VksjaVks<br />

pys x;sA O;olk; vkSj QS”ku dh nqfu;k esa dfj;j ds ckn] t‚uh<br />

2008 esa fQ+Ye fuekZ.k ds {ks= esa vk;sA dksyafc;k fo”ofo|ky; ls<br />

funsZ”ku vkSj iVdFkk ys[ku esa Lukrd fd;kA t‚uh dh y?kq fQYesa<br />

vusd varjkZ’Vªh; lekjksgksa esa çnf”kZr ,oa iqjLd`r gqbZaA os VsfyfQ+Ye<br />

dukMk fip fnl Áfr;ksfxrk ds fotsrk gSaA<br />

Johnny Ma<br />

Johnny first made the move to documentary filmmaking<br />

in 2008. His short films have screened at TIFF, Dallas<br />

<strong>International</strong> Film Festival and Aspen Shortfest. Johnny<br />

is developing his second feature-length project, also<br />

set in China. He is a recent alum of the 2014 Sundance<br />

Institute Screenwriting/Directing Lab and winner of the<br />

Telefilm Canada Pitch-This competition.<br />

COUNTRY FOCUS CANADA<br />

161


jsouWl<br />

Ravenous<br />

Les Affamés<br />

Canada | <strong>2017</strong> | French | 100 min | Colour<br />

Director Robin Aubert<br />

Producer Stéphanie Morisette<br />

Screenplay Robin Aubert<br />

<strong>Cinema</strong>tographer Steeve Desrosiers<br />

Editor Francis Cloutier<br />

Production Designer Andrétine,<br />

Beavparlent<br />

Cast Marc- André Grondin, Monia<br />

Chokri, Micheline Lanctôt, Brigette<br />

Pouparte<br />

Åijh D;wcsd ds NksVs nwjnjkt xkao esa ifjfLFkfr;k¡<br />

cny xbZ gSaA LFkkuh; yksx vc igys tSls ugha gSaA<br />

“kjhj vkSj eu det+ksj gksus ls os vius gh fç;tuksa<br />

ds f[kykQ+ gks x;s gSaA cps gq, eqëh Hkj yksx vius<br />

tSls vU; yksxksa dh ryk”k esa taxy esa fNi x;s gaSA<br />

✪ ASIA PREMIERE<br />

In a small, remote village in upstate<br />

Quebec, things have changed. Locals<br />

are not the same anymore - their bodies<br />

are breaking down and they have turned<br />

against their loved ones. A handful of<br />

survivors goes hiding into the woods,<br />

looking for others like them.<br />

Sales agent Alma <strong>Cinema</strong><br />

• sales@almacinema.com<br />

j‚fcu vkScVZ<br />

e‚fUVª;y fLFkr vfHkusrk vkSj fQ+Ye fuekZrk j‚fcu vkScVZ gSe&ukWMZ]<br />

D;qcsd ls gSaA lsaV ekfVZ;lZ vkWQ+ n MSEM] Vªsu Vw uksOgs;j vkSj Økbax<br />

vkmV mudh Q+hpj fQ+Yesa gSA ,ojhfFkax v‚y jkbV vkSj v‚u lhesaV<br />

y?kq fQ+Yesa gSaA ys ,Q+kes mudh uohure fQ+Ye gS<br />

Robin Aubert<br />

Robin Aubert is Montreal-based actor and filmmaker<br />

from Ham-Nord, Quebec. His features include Saint<br />

Martyrs of the Damned and Crying Out. His other films<br />

include Train to Nowhere and the shorts Everything is<br />

All Right and On Cement. Les Affamés is his latest film.<br />

162 COUNTRY FOCUS CANADA


n LVsvlZ<br />

The Stairs<br />

✪ INDIA PREMIERE<br />

Canada | 2016 | English | 95 min | Colour<br />

Director Hugh Gibson<br />

Producer Hugh Gibson<br />

<strong>Cinema</strong>tographer Hugh Gibson, Cam<br />

Woykin<br />

Editor Ryan J. Noth, Andres Landau<br />

Cast Martin Thompson, Greg Bell,<br />

Roxanne Smith<br />

Sales agent Midnight Lamp Films<br />

• hugh.gibson@sympatico.ca<br />

ekVhZ] xzsx vkSj jksDlkus] ÁR;sd us n”kdksa rd<br />

lkekftd dk;Z fd;kA u, vfLrRo dh fLFkjrk<br />

ds la?k’kZ ds lkFk vius vuqHkoksa ls ,d nwljs dh<br />

lgk;rk djrh gqbZ lkekftd dk;Z dks tkjh j[krh<br />

gSaA n LVsvlZ fdlh ewY;kadu ds fcuk lekt ds<br />

gkf”k;s ds thou dk fp=.k djrh gSA varjax fp=ksa<br />

ds ek/;e ls :f


BRICS Films Festival<br />

Award Winners<br />

Award winning films from this<br />

year’s BRICS Film Festival<br />

BRICS FILMS


v;kaMk<br />

Ayanda<br />

South Africa | 2015 | English | 105 min | Colour<br />

Director Sara Blecher<br />

Producer Robbie Thorpe, Terry Pheto,<br />

Busi Sizani, Sara Blecher<br />

Screenplay Trish Malone<br />

<strong>Cinema</strong>tographer Jonathan Kovel<br />

Editor Nicholas Costaras<br />

Cast Fulu Moguvhani, Oc Ukeje,<br />

Nthati Moshesh, Kenneth Nkosi<br />

vius firk dh Le`fr;ksa dks thoar j[kus ds ç;kl<br />

esa 21 o"khZ; vÝks fgIih v;kaMk Lo;a ls gh ifjfpr<br />

gksus dh ;k=k ij vxzlj gksrh gSA mldk lkeuk<br />

,slh nqfu;k ls gksrk gS tgka fyax Hksn gS] :f


uhl] n gkVZ vkWQ+ esMusl<br />

Nise: The Heart of Madness<br />

Nise: O Coração Da Loucura<br />

Brazil | Portuguese | 2015 | Portuguese | 109 min | Colour<br />

Director Roberto Berliner<br />

Producer Rodrigo Letier<br />

Screenplay Patrícia Andrade,<br />

Leonardo Rocha, Roberto Berliner,<br />

Flávia Castro, Maurício Lissovski, Chris<br />

Alcazar, Maria Camargo<br />

<strong>Cinema</strong>tographer André Horta<br />

Editor Pedro Bronz, Leonardo,<br />

Domingues<br />

Cast Glória Pires, Simone Mazzer,<br />

Julio Adrião, Cláudio Jaborandy,<br />

Fabrício Boliveira, Roney Villela, Flávio<br />

Bauraqui, Bernardo Marinho, Roberta<br />

Rodrigues, Augusto Madeira, Zé Carlos<br />

Machado, Fernando Eiras<br />

MkWDVj uhl nk flYohjk fj;ks Mh tusfj;ks ds<br />

euf”pfdRlh; vLirky esa vius dke ij ykSVrh<br />

gSaA og fLdtksÝsfuDl ds fy, fctyh ds >Vdksa<br />

okys fgald mipkj djus ds fy, euk djrh gSaA<br />

M‚DVjksa ds migkl ls vkgr] og vkWD;qis”kuy<br />

Fksjsih ds {ks= esa isaV~l] dqÙkksa vkSj Lusg ls mipkj ds<br />

{ks= esa ubZ Økafr ykrh gSaA<br />

Dr. Nise da Silveira is back at work in a<br />

psychiatric hospital on the outskirts of<br />

Rio de Janeiro. He refuses to employ<br />

the new and violent electroshock for the<br />

treatment of schizophrenics. Ridiculed<br />

by doctors, she is forced to take the<br />

abandoned Sector for Occupational<br />

Therapy, where she starts a revolution<br />

through paints, dogs and love.<br />

j‚cVksZ cfyZuj<br />

j‚cVksZ cfyZuj us nks fQ+D“ku fQ+Yeksa uhl] n gkVZ v‚Q eSMusl<br />

vkSj twfy;kst x‚u ,oa Q+hpj M‚D;wesUVªh tSls jdl ,V n ldZl]<br />

fiaMksjkek] gcZVZ vi Dykst+ rFkk ckWuZ Vw ch CykbaM dk funsZ”ku fd;k<br />

gSA mUgksaus ”k‚VZ fQYesa] Vhoh “kks] laxhr ohfM;ks vkSj Vhoh foKkiu<br />

Hkh cuk, gSaA<br />

Roberto Berliner<br />

Roberto Berliner has directed two fiction films Nise,<br />

The Heart of Madness and Julio’s Gone; feature<br />

documentaries such as Ruckus at the Circus, Pindorama,<br />

Herbert Up Close and Born to be Blind. His work has<br />

been screened and awarded in festivals such as IDFA,<br />

AFI, Tokyo and San Francisco. In 1993, he founded<br />

TVZero, which produces all of his work.<br />

BRICS FILMS<br />

167


iSufQ+yksOl 28<br />

Panfilov’s 28<br />

Russia | 2016 | Russian | 105 min | Colour<br />

Director Kim Druzhinin, Andrey<br />

Shalopa<br />

Producer Andrey Shalopa, Anton<br />

Yudintsev<br />

Screenplay Andrey Shalopa<br />

<strong>Cinema</strong>tographer Nikita<br />

Rozhdestvenskiy<br />

Editor Vitaliy Vinogradov<br />

Cast Maksim Abrosimov, Sergey<br />

Agafonov, Pavel Aseev, Ivan Batarev,<br />

Maksim Belborodov<br />

;w,l,lvkj] uoEcj, 194A yky lsuk ds lekpkj<br />

i= esa okflyh dksjksrho ds fooj.k ij vk/kkfjrA<br />

;g tujy boku iSufQykso dh deku esa yky lsuk<br />

dh 316 oha jkbQ+y fMohtu iSufQ+yksOl 28 ds<br />

lSfudksa dh dgkuh gSA tujy boku dbZ fnuksa rd<br />

54 ukt+h VSadksa ds ,d LraHk dks e‚Ldks ij vkØe.k<br />

djus ls jksdus esa lQy jgsA vi;kZIr “kL= gksrs<br />

gq, Hkh mUgksaus var rd ;q) fd;kA<br />

USSR, Late November, 1941. Based<br />

on the account by reporter Vasiliy<br />

Koroteev that appeared in the Red<br />

Army’s newspaper, Krasnaya Zvezda,<br />

shortly after the battle, this is the story of<br />

Panifilov’s 28, soldiers of the Red Army’s<br />

316th Rifle Division, under the command<br />

of General Ivan Panfilov, that stopped<br />

the advance on Moscow of a column<br />

of 54 Nazi tanks of the 11th Panzer<br />

Division for several days. Though armed<br />

only with standard issue Mosin-Nagant<br />

infantry rifles and DP and PM-M1910<br />

machine guns, all useless against tanks,<br />

and with wholly inadequate RPG-40 antitank<br />

grenades and PTRD-41 anti-tank<br />

rifles, they fought defiantly.<br />

fde fMªft+fuu<br />

fde fMªft+fuu ,d vfHkusrk vkSj funsZ“kd gS] tks<br />

iSufQ+yksOl 28] iks;erosneq vkSj Loks;kpq>;k ds<br />

fy, tkus tkrs gSaA<br />

,aMªh “kkyksi<br />

,aMªh “kkyksi ,d funsZ“kd vkSj vfHkusrk gSa tks<br />

iSufQ+yksOl 28 vkSj iks;erosneq ds fy, çfl) gSaA<br />

Kim Druzhinin<br />

Kim Druzhinin is an actor and director, known for<br />

Panfilov’s 28, Poymat vedmu and Svoya chuzhaya.<br />

Andrey Shalopa<br />

Andrey Shalopa is a director and actor known for<br />

Panfilov’s 28 and Poymat vedmu.<br />

168 BRICS FILMS


n lsdaM enj<br />

The Second Mother<br />

Que Horas Ela Volta<br />

Brazil | 2015 | Portuguese | 112 min | Colour<br />

Director Anna Muylaert<br />

Producer Caio Gullane, Fabiano<br />

Gullane, Débora Ivanov & Anna<br />

Muylaert<br />

Screenplay Anna Muylaert<br />

<strong>Cinema</strong>tographer Barbara Alvarez<br />

Editor Karen Harley<br />

Production Designer Marcos Pedraso,<br />

Thales Junqueira<br />

Sound Design Miriam Biderman,<br />

Ricardo Reis<br />

Cast Regina Casé, Michel Joelsas,<br />

Camila Márdila, Karine Teles, Lourenço<br />

Mutarelli, Helena Albergaria<br />

Sales agent The Match Factory<br />

oky us lkvks ikmyks esa fQ+uchuks dh vk;k ds :i<br />

esa 13 lky dke fd;kA og vkfFkZd :i ls fLFkj<br />

gS] ysfdu viuh csVh tsfldk dks fj”rsnkjksa ds ikl<br />

NksM nsus ds vijk/kcks/k ls xzLr gSA tsfldk d‚yst<br />

ços”k ijh{kk ds fy, lkvks ikmyks esa vkrh gSA oky<br />

vkSj vU; lHkh mlds O;fDrRo vkSj Li’Vokfnrk<br />

ls vlgt gks tkrs gSaA tsfldk lkekftd<br />

izfrtcU/kksa vkSj ikfjokfjd laca?kksa dks Lohdkj djus<br />

ls euk dj nsrh gSA<br />

The Second Mother centres on Val, a<br />

hard-working live-in housekeeper in<br />

modern day Sao Paulo. Val is perfectly<br />

content to take care of every one of her<br />

wealthy employers’ needs, from cooking<br />

and cleaning to being a surrogate mother<br />

to their teenage son, who she has raised<br />

since he was a toddler. But when Val’s<br />

estranged daughter Jessica suddenly<br />

shows up, the unspoken but intrinsic<br />

class barriers that exist within the home<br />

are thrown into disarray. Jessica is smart,<br />

confident, and ambitious, and refuses to<br />

accept the upstairs/downstairs dynamic,<br />

testing relationships and loyalties and<br />

forcing everyone to reconsider what<br />

family really means.<br />

vUuk ew;,VZ<br />

vUuk ew;,VZ us y?kq vkSj cky fQ+Yeksa dh J`a[kyk dk funsZ”ku rFkk<br />

fQ+Ye leh{kd ds :i esa dke fd;kA 2002 esa igyh Q+hpj fQ+Ye<br />

nqjoky fMLdks us xzkeksdks fQ+Ye Q+sfLVoy esa lkr iqjLdkj vkSj<br />

nwljh fQ+Ye b ç‚fcnksQqej us 30 ls vf/kd jk"Vªh; iqjLdkj thrsA<br />

dysDV d‚y vkSj n lsdaM enj mudh vU; fQ+Yesa gSaA<br />

Anna Muylaert<br />

Anna Muylaert, after sharpening her skills in shorts and<br />

children‘s series and shows, and developing her critical<br />

visions as film critic, directed her first feature film, Durval<br />

Discos in 2002, winner of seven awards at Gramado<br />

Film Festival, including Best Picture. Her second feature<br />

film, É Probido Fumar, won over 30 national awards. Her<br />

other films include Collect Call and The Second Mother.<br />

BRICS FILMS<br />

169


lksyesV<br />

Soulmate<br />

Qiyue And Ansheng<br />

China | 2016 | Mandarin | 110 min | Colour<br />

Director Derek Tsang<br />

Producer Le Che<br />

Screenplay Peter Ho-sun Chan<br />

<strong>Cinema</strong>tographer Jake Pollock<br />

Editor Derek Hui, Dranshi Li, Xiang-<br />

Yuan Tan, Xiadin Zhou<br />

Production Designer Tao Zhai<br />

Sound Design Zheng Huang<br />

Cast Zhou Dongyu, Ma Sichun, Toby<br />

Lee<br />

lksyesV ,uh csch ds miU;kl ij vk/kkfjr nks<br />

efgykvksa vkSj ,d vkneh ds chp çse f=dks.k dh<br />

dgkuh gSA nqHkkZX; ls nks gkbZ Ldwy dh lcls vPNh<br />

nksLr ,d gh vkneh lss I;kj djus yxrh gSa] tks<br />

,d =klnh dk dkj.k cu tkrk gSA twyh vkSj<br />

vkUlsu ,d flDds dhs nks igyw gSaA ,d ikuh dh<br />

rjg “kkar gS rks nwljh vkx dh rjg xjeA os ,d<br />

lkFk ;k=k “kq# djrh djrs gSa ysfdu mudh nksLrh<br />

yach vyfonk esa cny tkrh gSA<br />

Adapted from Annie Baby’s novel Qiyue<br />

and Ansheng, Soulmate centres on a<br />

love-triangle between two women and<br />

one man. Due to a twist of fate, two<br />

high school best friends fall in love with<br />

the same man, planting the seeds of<br />

tragedy. The story chronicles the coming<br />

of age journey of two very different young<br />

women, who choose different paths in<br />

life. July and Ansen are flip sides of the<br />

same coin; one is calm like water and<br />

the other is passionate like fire. Although<br />

they endure the rites of passage<br />

together, from youth to adulthood, their<br />

friendship may only persist in the form of<br />

a long goodbye, until they part forever.<br />

170 BRICS FILMS<br />

Msjsd Rlkax<br />

Msjsd Rlkax gkaxdkax esa xksYMu fpdu] n vkbZ 2] isax gks&psax<br />

,-oh-] blkcsyk] n FkhOl] tsM LV‚eZ vkSj Ý+kWe osxkl Vw edkÅAA<br />

esa vfHku; fd;kA mUgksaus fteh oku ds lkFk yolZ fMLdkslZ dk<br />

lgfunsZ”ku fd;kA Lora= funsZ”kd ds :i esa leh{kdksa }kjk ç”kaflr<br />

vkSj iqjLd`r lksyesV mudh igyh fQ++Ye gSA<br />

Derek Tsang<br />

Derek Tsang worked as an actor in Hong Kong, in films<br />

such as Golden Chicken, The Eye 2, Pang Ho-Cheung<br />

AV, Isabella, The Thieves, Z Storm and From Vegas<br />

to Macau II. He co-directed with Jimmy Wan his debut<br />

Lover’s Discourse, this film was nominated in 15th BIFF<br />

New Currents section and was awarded the Grand<br />

Prix (Best Picture Award) at the 6th Osaka Asian Film<br />

Festival.


dklo<br />

Kaasav<br />

Turtle<br />

India | 2016 | Marathi | 105 min | Colour<br />

Director Sumitra Bhave and Sunil<br />

Sukthankar<br />

Producer Dr. Mohan Agashe, Sunil<br />

Sukhtankar, Sumitra Bhave<br />

Screenplay Sumitra Bhave<br />

<strong>Cinema</strong>tographer Dhananjay Kulkarni<br />

Editor Mohit Takalkar<br />

Production Designer Sumitra Bhave<br />

Cast Irawati Harshe,Alok<br />

Rajwade,Kishor Kadam,Dr.Mohan<br />

Agashe,Devika Daftardar,Santosh<br />

Redkar,Omkar Ghadi<br />

rykd”kqnk tkudh rVh; xkao esa leqæh&dNqvksa dh<br />

laj{k.k ifj;kstuk esa vius thou ds vFkZ dks [kkstuss<br />

dk ç;kl dj jgh gSA og vLirky ls Hkkxs gq,<br />

;qod ekuo ls feyrh gSa tks vkRegR;k ds ç;kl ds<br />

dkj.k vLirky esa yk;k x;k FkkA tkudh mls bl<br />

my>u ls fudkyus ds fy, fu"i{k vkSj lkSgknZiw.kZ<br />

okrkoj.k cukus dh iwjh dksf”k”k djrh gSA<br />

Janaki is a divorcee trying to find meaning<br />

in her life in a sea-turtle conservation<br />

project run in a coastal village. She<br />

meets a young man Manav who has<br />

escaped from the hospital where he was<br />

in for attempted suicide. Janaki tries to<br />

create a non-judgmental, non-intrusive,<br />

warm atmosphere to help him bloom.<br />

Sales agent Vichitra Nirmitee<br />

lqfe=k Hkkos vkSj lquhy lqDFkadj<br />

lkekftd oSKkfud&“kks/kdrkZ lqfe=k Hkkos us jaxeap funsZ”kd vkSj<br />

ys[kd lquhy lqDFkadj ds lkFk 14 Q+hpj fQ+Yeksa dk funsZ”ku fd;k<br />

gSA mudh fQYeksa dks Ng varjjk"Vªh; iqjLdkj] 11 jk’Vªh; iqjLdkj]<br />

dbZ jk"Vªh; Lrj ds iqjLdkj] 45 ls vf/kd jkT; iqjLdkj vkSj dbZ<br />

jkT; Lrjh; iqjLdkj çkIr gq, gSaA<br />

Sumitra Bhave and Sunil Sukthankar<br />

Sumitra Bhave, is a recipient of the Chitra Ratna<br />

Puraskar and Kamdhenu Award for literary contribution.<br />

Sunil Sukthankar is a FTII alumni. As a theatre activist, he<br />

has written and directed several noted plays. Together,<br />

they have directed 14 feature films that have received six<br />

international awards, 11 national awards and more than<br />

45 state awards.<br />

BRICS FILMS<br />

171


Ogs;j gSt+ Vkbe xkWu\<br />

Where Has Time Gone?<br />

Shi Jian Qu Na Er Le?<br />

Brazil, Russia, India, South Africa, China | <strong>2017</strong> | Portuguese, Russian, Hindi, IsiXhosa, Sesotho, Chinese | 111 min | Colour<br />

Ogsu n vFkZ VªsEcYl ¼czkt+hy½<br />

funsZ”kd % okWYVj lsyl<br />

5 uoacj] 2015 dks czkthy esa ,d futh [kuu<br />

daiuh dk cka/k QVus ls gtkjksa yksx foLFkkfir]<br />

e`r ;k ?kk;y gks x,A yksx bl =klnh dks Hkwy<br />

ugha ik;saxs ysfdu mUgsa Hkfo"; ds çfr vk“kk cuk;s<br />

j[kuh gksxhA<br />

When The Earth Trembles (Brazil)<br />

On November 5, 2015, the greatest<br />

socio-environmental disaster in Brazil’s<br />

history befell the region of Minas Gerais.<br />

A private mining company’s dam burst,<br />

leaving thousands of people displaced,<br />

dead or wounded.<br />

okWYVj lsyl<br />

n xkfMZ;u ds vuqlkj okWYVj lsyl<br />

nqfu;k ds 40 loZJs’B funsZ”kdksa esa ls<br />

,d gaSA lsaVªy LVs”ku] vkWu n jksM<br />

vkSj n eksVj lkbfdy Mk;jht+ mudh çfrfuf/k<br />

fQ+Yesa gSaA<br />

Walter Salles<br />

Walter Salles’s film Central Station won<br />

the Golden Bear Award at Berlin and, was<br />

nominated for the Academy Award for Best<br />

Foreign Language Film.<br />

172 BRICS FILMS<br />

czhfnax ¼:l½<br />

funsZ”kd % ,ysDlh Q+snpsZUdks<br />

ft+uk dk ifr ut+j mldk jsyos pkyd ds lkFk<br />

voS/k laca/k gksus dk vkjksi yxkrk gSA bl ij<br />

nksuksa dk >xM+k gksrk gSA ut+j pkyd ds migkj<br />

vdkfMZ;u dks rksM+ nsrk gSA nq?kZVuk gksus ij ftuk<br />

mlh vdkfMZ;u ls vius ifr dks cpkrh gSA<br />

Breathing (Russia)<br />

Zina and Nazar live in a remote snowcovered<br />

town, Nazar accuses Zina of<br />

having an affair. They get into a bitter fight<br />

that leads to unimagined consequences.<br />

,ysDlh QsnpsZUdks<br />

:lh funsZ”kd ,ysDlh QsnpsZUdks Q+LVZ<br />

v‚u n ewu ds fy, fo[;kr gSaA<br />

lkbysUV lksYl] lsysfLV;y okbOl<br />

v‚Q+ n esMks ekjh vkSj ,fUtYl v‚Q+ fjoksY;w”ku<br />

mudh vU; fQ+Yesa gSaA<br />

Alexey Fedorchenko<br />

Alexey Fedorchenko is known for the<br />

mockumentary First on the Moon. He is<br />

best known for the highly acclaimed film<br />

Angels of Revolution.<br />

eqEcbZ feLV ¼bafM;k½<br />

funsZ”kd % e/kqj HkaMkjdj<br />

lsokfuo`Ùk paædkar eqacbZ esa Lo;a dks vdsyk ikrs gSaA<br />

ikdZ esa nl o"khZ; vukFk pkyhZ ls feydj mudk<br />

thou cny tkrk gSA vpkud pkyhZ ds xk;c gks<br />

tkus ls os ijs”kku gks mBrs gSaA pkyhZ us mUgas vewY;<br />

pht nh & le;!<br />

Mumbai Mist (India)<br />

Chandrakant spends his retirement time<br />

in Mumbai, the busiest city in India. In<br />

this ever-changing landscape of life, he<br />

feels abandoned until he meets a tenyear-old<br />

orphan, Charlie.<br />

e/kqj HkaMkjdj<br />

e/kqj HkaMkjdj us loZJs’B Q+hpj<br />

fQ+Ye ds fy, 3 ckj jk’Vªh; iqjLdkj<br />

vkSj VªSfQd flXuy ds fy, loZJs’B<br />

funsZ”kd dk iqjLdkj thrkA 2016 esa HkaMkjdj dks<br />

in~eJh ls lEekfur fd;k x;kA<br />

Madhur Bhandarkar<br />

Madhur Bhandarkar is a two time National<br />

Film Award winning director. All his films<br />

have achieved great commercial and<br />

critical success.


Director Walter Salles, Alexey Fedorchenko, Madhur Bhandarkar, Jahmil X.T. Quebeka, Jia Zhangke<br />

Producer Jia Zhangke, Dong Ping<br />

Screenplay<br />

<strong>Cinema</strong>tographer<br />

Editor<br />

Cast Maeve Jinkings, Alisa Kravtsova, Konstantin Itunin, Annu Kapoor, Mandisa Nduna, Zhao Tao, Liang Jingdong<br />

fLVy ckWuZ ¼lkmFk vÝ+hdk½<br />

funsZ”kd % tkfey ,Dl- Vh- D;wcsdk<br />

euq’; dk thou iwoZfu/kkZfjr gksrk gS ysfdu uksckseh ,l,Dl 1 Lo;a dks [k+rjs esa<br />

Mkydj Hkh vius HkkX; dks cnyus vkSj dqN u;k djus ds fy, çsfjr gS ftlesaa<br />

og thou dks eglwl dj ,d ekuo gksus dk vFkZ ik ldrh gSA<br />

fjokbo ¼phu½<br />

funsZ”kd % ft;k tk+aXds<br />

38 o"khZ; rkvks vkSj fyvkaxth dh ,d fd”kksj csVh gSA nks&cPpksa dh uhfr ykxw<br />

gksus ij os ,d vkSj cPpk djuss dk QSlyk djrs gSaA dbZ dfBukb;k¡ gSa fQj<br />

Hkh rkvks dgrk gS&le; us tks pqjk fy;k gS ge mls /khjs /khjs ik ldrs gSaA<br />

Still Born (South Africa)<br />

Nobomi SX1, a programmed janitor, is somehow inspired to<br />

change her destiny even if it means risking her life. She uses all<br />

her effort to create a path where she could feel life itself.<br />

Revive (China)<br />

Tao and Liangzi are a couple with a teenage daughter, working<br />

as performers at a tourist attraction. When the two-child policy<br />

is introduced, the couple decides to have another baby.<br />

tkfey ,Dl- Vh- D;wcsdk<br />

tkfey ,Dl Vh- D;wcsdk nf{k.k vÝ+hdk ds mR—"V funsZ”kd gSaA<br />

mudh fQ+Ye v‚Q xqM fjiksVZ us ikap vÝ+hdu ewoh vdkneh<br />

iqjLdkj thrs vkSj dbZ varjjk"Vªh; fQ+Ye egksRloksa esa fn[kkbZ xbZA<br />

ft;k tk+aXds<br />

ft;k tk+aXds us 11 Q+hpj vkSj dbZ y?kq fQYeksa dk funsZ“ku fd;k<br />

gSA fLVy ykbQ+ vkSj fgt+ ekmUVsUl es fMikVZ us dbZ iqjLdkj<br />

thrsA dku fQYe lekjksg] 2015 esa mUgsa ykbQ+Vkbe vphoesaV<br />

vokMZ ls lEekfur fd;k x;k FkkA<br />

Jahmil X.T. Qubeka<br />

Jahmil X.T. Qubeka is considered South Africa’s most outstanding<br />

contemporary director. His film Of Good Report won five African<br />

Movie Academy Awards.<br />

Jia Zhangke<br />

Jia Zhangke has directed 11 full-length movies and a number of<br />

short films. In 2015, he was honoured with the Lifetime Achievement<br />

Award Carrosse d’Or (Golden Coach) at the Cannes Film Festival.<br />

BRICS FILMS<br />

173


James Bond<br />

Retrospective<br />

A selection from the James Bond<br />

franchise - featuring the most<br />

celebrated spy in films<br />

JAMES BOND RETROSPECTIVE


MkW- uks<br />

Dr. No<br />

DR. NO © 1962 UNITED ARTISTS CORPORATION &<br />

DANJAQ, LLC. All Rights Reserved<br />

UK, Jamaica | 1962 | English, French | 110 min | Colour<br />

Director Terence Young<br />

Producer Albert R. Broccoli, Harry<br />

Saltzman<br />

Screenplay Richard Maibaum,<br />

Johanna Harwood, Berkely Mather<br />

<strong>Cinema</strong>tographer Ted Moore<br />

Editor Peter R. Hunt<br />

Production Designer Ken Adam<br />

Cast Sean Connery, Ursula Andress,<br />

Joseph Wiseman, Jack Lord,<br />

Bernard Lee, Anthony Dawson<br />

tsEl c‚UM xkFkk dks “kq: djus okyh fQ+YeA ,tsaV<br />

007 ¼“k‚u d‚ujh½ vesfjdk ds varfj{k dk;ZØe dks<br />

u’V djus dks mrk: çfrHkk”kkyh oSKkfud M‚DVj<br />

uks ls la?k’kZ dj jgk gSA nq?kZVuk gksus okyh gS] c‚UM<br />

dks teSdk tkuk gh gksxkA ogka og vius fo”kky<br />

}hi ds eq[;ky; esa ,d Øwj [kyuk;d dk eqdkcyk<br />

djus ds fy, lqanj guh jkbMj ¼mlqZyk ,aMªsl½ ls<br />

feyrk gSA<br />

In the film that launched the James<br />

Bond saga, Agent 007 (Sean Connery)<br />

battles the mysterious Dr. No, a scientific<br />

genius bent on destroying the U.S.<br />

space programme. As the countdown<br />

to disaster begins, Bond must go to<br />

Jamaica, where he encounters beautiful<br />

Honey Ryder (Ursula Andress), to<br />

confront a megalomaniacal villain in his<br />

massive island headquarters.<br />

Vsjsal ;ax<br />

fczfV”k fQYe funsZ”kd vkSj iVdFkk ys[kd Vsjsal ;ax tsEl c‚UM dh<br />

rhu fQ+Yeksa M‚- uks] Ý+kWe jf”k;k fon yo vkSj FkaMjc‚y ds funsZ”ku<br />

djus ds fy, fo[;kr gSaA rhuksa fQ+Yeksa esa tsEl c‚UM ds :i esa<br />

“k‚u d‚ujh us vfHku; fd;k gS] ftls ,tsaV 007 Hkh dgk tkrk gSA<br />

Terence Young<br />

Terence Young was a British film director and<br />

screenwriter best known for directing three James Bond<br />

films, including the first two in the series, Dr. No and<br />

From Russia with Love, as well as Thunderball. All three<br />

films starred Sean Connery as James Bond.<br />

176 JAMES BOND RETROSPECTIVE


xksYMu vkb<br />

Golden Eye<br />

GOLDENEYE © 1995 DANJAQ, LLC & UNITED<br />

ARTISTS CORPORATION. All Rights Reserved<br />

UK,USA | 1995 | English, Russian, Spanish | 130 min | Colour<br />

Director Martin Campbell<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson<br />

Screenplay Jeffrey Caine,<br />

Bruce Feirstein, Michael France<br />

<strong>Cinema</strong>tographer Phil Meheux<br />

Editor Terry Rawlings<br />

Production Designer Peter Lamont<br />

Cast Pierce Brosnan, Sean Bean,<br />

Izabella Scorupco, Judi Dench<br />

ijek.kq varfj{k gfFk;kj dk ,d lkFkh ,tsaV] ftls<br />

igys e`r le>k x;k Fkk] }kjk vigj.k jksdus ds<br />

fy, tsEl c‚UM ,d u’V gq, :lh vuqla/kku dsaæ<br />

ds ,dek= mÙkjthoh ds lkFk feyrk gSA<br />

James Bond teams up with the lone<br />

survivor of a destroyed Russian research<br />

centre to stop the hijacking of a nuclear<br />

space weapon by a fellow agent formerly<br />

believed to be dead.<br />

ekfVZu dSaicsy<br />

U;wthySaM ds Vhoh vkSj fQYe funsZ”kd ekfVZu dSaicsy tsEl c‚UM<br />

dh fQYeksa xksYMu vkb vkSj dSlhuks jks;ky ds funsZ”ku ds fy,<br />

lqçfl) gaSA mUgksaus fn ekLd v‚Q t+ksjks] n ystsaM v‚Q t+ksjks vkSj<br />

xzhu ySUVuZ dk funsZ”ku Hkh fd;k gSA<br />

Martin Campbell<br />

Martin Campbell is a New Zealand TV and film director,<br />

best known for directing the Bond movies Golden Eye<br />

and Casino Royale. He also directed The Mask of Zorro,<br />

The Legend of Zorro, and Green Lantern.<br />

JAMES BOND RETROSPECTIVE<br />

177


xksYMfQ+axj<br />

Goldfinger<br />

GOLDFINGER © 1964 UNITED ARTISTS<br />

CORPORATION & DANJAQ, LLC. All Rights Reserved<br />

UK | 1964 | English, Chinese, Spanish | 110 min | Colour<br />

Director Guy Hamilton<br />

Producer Albert R. Broccoli,<br />

Harry Saltzman<br />

Screenplay Richard Maibaum,<br />

Paul Denn<br />

<strong>Cinema</strong>tographer Ted Moore<br />

Editor Peter R. Hunt<br />

Production Designer Ken Adam<br />

Cast Sean Connery, Gert Fröbe,<br />

Honor Blackman, Bernard Lee<br />

lksus ds /ku dh rLdjh dh tkap djrs gq, tsEl<br />

c‚UM us xksYM fjtoZ Q+ksVZ ukDl dks nwf’kr vkSj<br />

fo”o vFkZO;oLFkk dks u’V djus dh lkft”k dk<br />

irk yxk;kA<br />

Investigating a gold magnate’s<br />

smuggling, James Bond uncovers a<br />

plot to contaminate the Fort Knox gold<br />

reserve.<br />

xk; gSfeYVu<br />

Ý+kal esa tUes xk; gSfeYVu us Ýkalhlh vkSj fczfV”k fQYeksa esa dSjksy<br />

jhM] tkWu g~;wLVu vkSj vysDtsaMj dksMkZ ds lgk;d funsZ”kd ds<br />

:i esa viuk dSfj;j “kq: fd;kA n d‚fYMV~l LVksjh vkSj n MsfoYl<br />

fMlkbiy ds i”pkr~ mUgksaus tsEl c‚UM dh fQ+Yeksa xksYMfQaxj]<br />

MkW;e.M~l vkj Qk+Wj,oj] fyo ,aM ysV MkbZ vkSj n eSu fon n<br />

xksYMu xu dk funsZ”ku fd;kA<br />

Guy Hamilton<br />

Guy Hamilton worked as assistant director for directors<br />

Carol Reed and John Huston. In 1964 Cubby Broccoli<br />

and Harry Saltzman invited him to direct the third and<br />

arguably the best James Bond film Goldfinger. Guy<br />

returned seven years later to direct Sean Connery’s<br />

Diamonds are Forever before guiding Roger Moore in<br />

Live and Let Die and The Man with the Golden Gun.<br />

178 JAMES BOND RETROSPECTIVE


ykblsal Vw fdy<br />

Licence to Kill<br />

LICENCE TO KILL © 1989 UNITED ARTISTS<br />

CORPORATION & DANJAQ, LLC. All Rights Reserved<br />

UK,USA | 1989 | English, Spanish | 133 min | Colour<br />

Director John Glen<br />

Producer Albert R. Broccoli,<br />

Michael G. Wilson<br />

Screenplay Michael G. Wilson,<br />

Richard Maibaum<br />

<strong>Cinema</strong>tographer Alec Mills<br />

Editor John Grover<br />

Production Designer Peter Lamont<br />

Cast Timothy Dalton, Carey Lowell,<br />

Robert Davi<br />

tsEl c‚UM ,d Mªx ljxuk ls cnyk ysus ds fy,<br />

vR;f/kd mÙksftr gks tkrk gS ftlus mlds lcls<br />

vPNs nksLr lhvkbZ, ,tsaV ij vR;kpkj djds mls<br />

ejuss ds fy, NksM+ fn;kA vkSj mls idM+okus esa<br />

enn djus okyh mldh nqYgu dh gR;k dj nh<br />

FkhA<br />

Following an important drug bust, CIA<br />

agent Felix Leiter gets married, but the<br />

drug lord he helped arrest- escapes,<br />

murders his wife and mutilates Leiter.<br />

Leiter’s loyal friend, British agent James<br />

Bond, deserts Her Majesty’s Secret<br />

Service and makes it his personal<br />

vendetta to kill those responsible.<br />

t‚u Xysu<br />

vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />

rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />

vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />

ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />

fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />

lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />

John Glen<br />

John Glen, a renowned director, editor, and author, is<br />

best known for his directorial and editing work on eight<br />

James Bond films. He holds the record for directing the<br />

most number of films in the series to date, just one film<br />

more than Guy Hamilton.<br />

JAMES BOND RETROSPECTIVE<br />

179


vkWDVksilh<br />

Octopussy<br />

OCTOPUSSY © 1983 UNITED ARTISTS CORPORATION &<br />

DANJAQ, LLC.. All Rights Reserved<br />

UK,USA | 1983 | English, Russian, German, Spanish | 131 min | Colour<br />

Director John Glen<br />

Producer Albert R. Broccoli<br />

Screenplay George MacDonald Fraser,<br />

Richard Maibaum, Michael G. Wilson<br />

<strong>Cinema</strong>tographer Alan Hume<br />

Editor Peter Davis,<br />

Henry Richardson<br />

Production Designer Peter Lamont<br />

Cast Roger Moore, Maud Adams, Louis<br />

Jourdan, Kristina Wayborn, Kabir Bedi,<br />

Vijay Amritraj<br />

udyh Qs+cjts vaMk vkSj ,d lkFkh ,tsaV dh ekSr ds<br />

dkj.k tsEl ckaM dks jgL;e; vkWDVksilh ds usr`Ro<br />

esa xguksa dh rLdjh ds ek/;e ls ukVks Qk+sflZl ij<br />

ijek.kq geys dh lkft”k jpus okys varjjk’Vªh;<br />

fxjksg dk inkZQ+k”k djus ds fy, fu;qDr fd;kA<br />

A fake Fabergé egg, and a fellow agent’s<br />

death, lead James Bond to uncover an<br />

international jewel-smuggling operation,<br />

headed by the mysterious Octopussy,<br />

being used to disguise a nuclear attack<br />

on NATO forces.<br />

t‚u Xysu<br />

vaxzsth fQ+Ye funsZ”kd] laiknd vkSj ys[kd t‚u Xysu uss nks n”kd<br />

rd tsEl c‚UM dh vkB fQYeksa dk laiknu fd;kA os ck.M dh<br />

vkWu gj estsLVht+ lhØsV lfoZl] n Likb gw yOM eh vkSj ewujsdj<br />

ds nwljs ;wfuV funsZ”kd vkSj Q+kWj ;ksj vkbt+] vkWDVksilh] , O;w Vw<br />

fdy] n fyfoax MsykbV~l vkSj Ykkblsal Vw fdy ds funsZ”kd jgsA<br />

lqijeSu vkSj n okbYM xht+ mudh vU; fQ+Yesa gSaA<br />

John Glen<br />

John Glen, a renowned director, editor, and author, is<br />

best known for his directorial and editing work on eight<br />

James Bond films. He holds the record for directing the<br />

most number of films in the series to date, just one film<br />

more than Guy Hamilton.<br />

180 JAMES BOND RETROSPECTIVE


vkWu gj estsLVht+ lhØsV lfoZl<br />

On her Majesty’s Secret Service<br />

ON HER MAJESTY’S SECRET SERVICE © 1969<br />

UNITED ARTISTS CORPORATION and DANJAQ,<br />

LLC. All Rights Reserved<br />

UK | 1969 | English, German, French | 142 min | Colour<br />

Director Peter R. Hunt<br />

Producer Albert R. Broccoli,<br />

Harry Saltzman<br />

Screenplay Richard Maibaum<br />

<strong>Cinema</strong>tographer Michael Reed<br />

Editor John Glen<br />

Production Designer Syd Cain<br />

Cast George Lazenby, Diana Rigg,<br />

Telly Savalas<br />

CyksQs+YM uss fLol vkYIl esa ,ythZ vuqla/kku djrs<br />

gq, nqfu;k Hkj dh lqanj efgykvksa dks lEeksfgr<br />

fd;k FkkA tsEl c‚UM ,d mÙksftr HkhM+ eqkf[k;k<br />

dh csVh ls I;kj dk bt+gkj dj vuqla/kku ds fy,<br />

lgh dkj.kksa dks mtkxj djrk gSA<br />

James Bond woos a mob boss’s daughter<br />

and goes undercover to uncover the true<br />

reason for Blofeld’s allergy research in<br />

the Swiss Alps that involves beautiful<br />

women from around the world.<br />

ihVj vkj- gaV<br />

ihVj gaV vaxzsth fQ+Ye laiknd] funs”kd vkSj Vsyhfot+u fuekZrk<br />

FksA gaV us viuh Rofjr dVkSrh] ,D”ku ds le; dSejk >qdko tSlh<br />

vfHkuo laiknu “kSyh ds lkFk tsEl c‚UM dh fQ+Yeksa ij vius<br />

dke ds fy, ekU;rk çkIr dhA d‚y eh cokuk] n vkbZçsl Q+kby<br />

funsZ”ku Hkh fd;kA<br />

Peter R. Hunt<br />

Peter R. Hunt was a film editor, director and television<br />

producer. He gained recognition for his film editing<br />

techniques when he utilised quick cutting, allowing<br />

camera swings during action and inserts interweaving<br />

other elements while working as editor on the first three<br />

Bond films. Hunt debuted with the sixth James Bond film,<br />

On Her Majesty’s Secret Service.<br />

JAMES BOND RETROSPECTIVE<br />

181


LdkbQ+kWy<br />

Skyfall<br />

Skyfall © 2012 Danjaq, LLC, United Artists Corporation,<br />

Columbia Pictures Industries, Inc. Skyfall, 007 Gun Logo<br />

and related James Bond Trademarks © 1962-2013 Danjaq,<br />

LLC and United Artists Corporation. Skyfall, 007 and related<br />

James Bond Trademarks are trademarks of Danjaq, LLC.<br />

All Rights Reserved.<br />

UK, USA | 2012 | English | 143 min | Colour<br />

Director Sam Mendes<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson, Andrew Noakes,<br />

David Pope<br />

Screenplay Neal Purvis, Robert Wade,<br />

John Logan<br />

<strong>Cinema</strong>tographer Roger Deakins<br />

Editor Stuart Baird<br />

Production Designer Dennis Gassner<br />

Cast Daniel Craig, Judi Dench, Javier<br />

Bardem, Ralph Fiennes, Naomi Harris<br />

,e ds çfr c‚UM dh fu’Bk dh ijh{kk gksrh gS tc<br />

mldk vrhr Mjkus ds fy, okil vkrk gSA ,e ds<br />

çfr çfr”kks/k dh Hkkouk ls iwoZ ,tsaV ,evkbZ6 us<br />

vR;ar egÙoiw.kZ xqIr lwpuk dks pqjk fy;k gSA 007<br />

dks [k+rjs dk irk yxkuk gksxk vkSj mls u’V djuk<br />

gksxk] pkgs mlds fy, dqN Hkh ewY; pqdkuk iM+s\<br />

Bond’s loyalty to M is tested when her<br />

past comes back to haunt her. When<br />

MI6 comes under attack, 007 must track<br />

down and destroy the threat, no matter<br />

how personal the cost.<br />

lSe esaMsl<br />

lSe esaMsl jaxeap funsZ”kd vkSj vdkneh iqjLdkj fotsrk fQYe<br />

funsZ”kd gSaA 1992 esa mUgsa Mksuej osvjgkml] yanu dk dykRed<br />

funs”kd fu;qä fd;k x;kA mudh fQ+Yesa dSscjs ¼igyh fQ+Ye½]<br />

vesfjdu C;wVh] tkjgsM] LdkbQ+kWy vkSj LisDVªs leh{kdksa }kjk<br />

ç”kaflr jgha vkSj mUgsa vusd iqjLdkj çkIr gq,A mUgksaus dbZ fQ+Yeksa<br />

dk fuekZ.k Hkh fd;kA<br />

Sam Mendes<br />

Sam Mendes is a stage director and Academy Awardwinning<br />

filmmaker. Mendes has directed the Bond movies<br />

Skyfall and Spectre. His most acclaimed directorial work<br />

includes 1998 production of Cabaret; his debut film,<br />

The American Beauty and Jarhead. He has produced<br />

noteworthy films like The Kite Runner, Revolutionary<br />

Road and documentary Out of the Ashes.<br />

182 JAMES BOND RETROSPECTIVE


n LikbZ gw yOM eh<br />

The Spy who Loved Me<br />

SPY WHO LOVED ME, THE © 1977 DANJAQ, LLC &<br />

UNITED ARTISTS CORPORATION. All Rights Reserved<br />

UK | 1977 | English, Italian, Arabic | 125 min | Colour<br />

Director Lewis Gilbert<br />

Producer Albert R. Broccoli,<br />

William P. Cartlidge<br />

Screenplay Christopher Wood,<br />

Richard Maibaum<br />

<strong>Cinema</strong>tographer Claude Renoir<br />

Editor John Glen<br />

Production Designer Ken Adam<br />

Cast Roger Moore, Barbara Bach,<br />

Curd Jürgens<br />

tsEl c‚UM ijek.kq gfFk;kj ys tkus okyh fczfV”k<br />

vkSj :lh iuMqfCc;ksa ds vigj.k dh tkap djrs gSaA<br />

blds fy;s c‚UM ,d dsthch ,tsaV dh lgk;rk<br />

ysrs gSa] ftlds çseh dks og ekj pqds gSaA<br />

James Bond investigates the hijacking of<br />

British and Russian submarines carrying<br />

nuclear warheads, with the help of a<br />

KGB agent, whose lover he killed.<br />

yqbZl fxYcVZ<br />

fczfV”k funsZ”kd] fuekZrk vkSj iVdFkk ys[kd yqbZl fxYcVZ us Ng<br />

n”kdksa esa 40 ls vf/kd fQ+Yesa funsZf”kr dh gSaA buesa jhp Q+‚j n<br />

LdkbZ] flad n fcLekdZ] ,YQ+h] ,MqdsfVax jhVk] f”kjys osyUVkbu<br />

vkSj tsEl c‚UM dh ;w vkWuyh fyo V~okbl] n Likb gw yOM eh<br />

vkSj ewujsdj çeq[k gSaA<br />

Lewis Gilbert<br />

Lewis Gilbert, CBE, is a British film director, producer and<br />

screenwriter. Besides three James Bond films (You Only<br />

Live Twice, The Spy Who Loved Me and Moonraker) he<br />

has to his credit more than 40 films over six decades;<br />

among them such varied titles as Reach for the Sky,<br />

Sink the Bismarck!, Alfie, Educating Rita and Shirley<br />

Valentine.<br />

JAMES BOND RETROSPECTIVE<br />

183


n oYMZ bt+ ukWV ,uQ+<br />

The World is not Enough<br />

WORLD IS NOT ENOUGH, THE © 1999 DANJAQ, LLC &<br />

UNITED ARTISTS CORPORATION. All Rights Reserved<br />

UK,USA | 1999 | English, Russian, Spanish | 128 min | Colour<br />

Director Michael Apted<br />

Producer Barbara Broccoli,<br />

Michael G. Wilson<br />

Screenplay Neal Purvis, Robert Wade,<br />

Bruce Feirstein<br />

<strong>Cinema</strong>tographer Adrian Biddle<br />

Editor Jim Clark<br />

Production Designer Peter Lamont<br />

Cast Pierce Brosnan, Sophie Marceau,<br />

Robert Carlyle, Judi Dench<br />

tsEl c‚UM ,d rsy O;olk;h ds csVh dhs mlds<br />

iwoZ vigj.kdrkZ] ,d dBksj ân;h varjjk’Vªh;<br />

vkradoknh ls lqj{kk dh ft+Eesnkjh fuHkkrs le;<br />

,d ijek.kq lkft”k dk Hkh irk yxkrk gSA<br />

James Bond uncovers a nuclear plot<br />

when he protects an oil heiress from<br />

her former kidnapper, an international<br />

terrorist who can’t feel pain.<br />

ekbdy vkIVsM<br />

cgqeq[kh çfrHkk okys funsZ”kd ekbdy us o`Ùkfp= vkSj Q+hpj fQ+Ye<br />

nksuksa ds chp jpukRed larqyu cuk;s j[kkA baXySaM esa M‚D;wesaVªh<br />

J`a[kyk vi vkSj dbZ Vsyhfotu dk;ZØeksa ds ckn ekbdy vesfjdk<br />

pys x;sA mUgksaus dksy ekbulZ MkWVj] dkWUVhusaVy fMokbM] xksdhZ<br />

ikdZ] xksfjYykt+ bu n feLV] Dykl ,D”ku tSlh lQy fQYesa<br />

cuk;haA<br />

Michael Apted<br />

Michael David Apted, (born 10 February 1941) is an<br />

English director, producer, writer and actor. He is one of<br />

the most prolific British film directors of his generation,<br />

and directed the Up Series of documentaries and the<br />

James Bond film The World Is Not Enough.<br />

184 JAMES BOND RETROSPECTIVE


Restored<br />

Classics<br />

Motion pictures from cinema’s<br />

masters in pristine restorations<br />

185 RESTORED CLASSICS


C;qVh vkWQ n Ms<br />

Beauty of the Day<br />

Belle de Jour<br />

France, Italy | 1967 | French, Spanish, Mongolian | 100 min | Colour<br />

Director Luis Buñuel<br />

Producer Raymond Hakim,Robert<br />

Hakim<br />

Screenplay Joseph Kessel, Luis<br />

Buñuel, Jean-Claude Carrière<br />

<strong>Cinema</strong>tographer Sacha Vierny<br />

Editor Louisette, Hautecoeur<br />

Sound Design Pierre Davoust, René<br />

Longuet<br />

Production Designer Robert Clavel<br />

Cast Catherine Deneuve, Jean Sorel,<br />

Michel Piccoli<br />

lsofju ,d [kwclwjr ;qorh gS ftldh ,d M‚DVj<br />

ls 'kknh gqbZ gSA og vius ifr dks cgqr I;kj djrh<br />

gS] ysfdu mlds lkFk 'kkjhfjd laca/k dh varjaxrk<br />

ds fy, [kqn dks rS;kj ugha dj ikrhA ysfdu bldh<br />

txg og viuh dkeqd bPNkvksa dh iwfrZ ds fy,<br />

vthcks&xjhc dkeqd fØ;k,a djrh gSaA vkf[kjdkj<br />

og ,d os';k cudj nksigj esa ,d os';ky; esa<br />

dke djus yxrh gS ysfdu viuh 'kknh dh ifo=rk<br />

dks cuk;s j[krh gSA<br />

Severine is a beautiful young woman<br />

married to a doctor. She loves her<br />

husband dearly, but cannot bring herself<br />

to be physically intimate with him. She<br />

indulges instead in vivid, kinky, erotic<br />

fantasies to whet her sexual desires.<br />

Eventually she becomes a prostitute,<br />

working in a brothel in the afternoons<br />

while remaining chaste in her marriage.<br />

yqbl cwuq,y<br />

186 RESTORED CLASSICS<br />

vfr;FkkFkZoknh flusek ds vxz.kh cwuq,y us jSf[kd] rkfdZd dFkk dss vkanksyu<br />

lss eqfä ds y{; dks çkIr fd;kA mudhs fQ+Yesa dBksj] vijaijkxr ;FkkFkZoknh<br />

fo/kk dh gksrs gq, Hkh muesa okLrfod vkSj vokLrfod ds lVhd laca/k FksA mudh<br />

fQYeksa us mu phu vankyksm ls ysdj nSV vkWClsD;ksj vkWCtsDV vkWQ+<br />

fMt+k;j rd vlaxr dYiuk ds ek/;e ls ;kSu t+:jrksa dh ihM+k vkSj<br />

tfVyrk dks fn[kk;kA<br />

Luis Buñuel<br />

Luis Buñuel is a pioneer of surrealist cinema. His films<br />

Un Chien Andalou to That Obscure Object of Desire,<br />

explore the torment and complexity of sexual needs<br />

through uncompromising imagery. His work was derided<br />

with equal vehemence by the Catholic Church, Fascist<br />

Spain, and the Mexican Communist Party.


+ysolZ vkWQ+ xzhu Vh vksoj jkbl<br />

Flavour of Green Tea over Rice<br />

Ochazuke no aji<br />

Japan | 1952 | Japanese | 115 min | Black and White<br />

Director Yasujirõ Ozu<br />

Producer Takeshi Yamamoto<br />

Screenplay Kôgo Noda, Yasujirõ Ozu<br />

<strong>Cinema</strong>tographer Yûharu Atsuta<br />

Editor Yoshiyasu ,Hamamura<br />

Sound Design Yoshiomi Hori,<br />

Yoshisaburô Senoo, Katsumi Uzawa<br />

Production Designer Kintarô<br />

Yamamoto<br />

Cast Shin Saburi, Michiyo Kogure, Kôji<br />

Tsuruta<br />

VksD;ks ds mPp oxhZ; lekt dh euekSth Vkfd;ks<br />

vius 'kkar LoHkko okys lqLr ifr ls Åcus yxrh<br />

gSA mldk ifr ,d daiuh esa fo”oluh; vf/kdkjh<br />

gSA ,d ladV ds ckn og vius thou esa mlds<br />

vfLrRo ds egÙo dks le>rh gSA fQ+Ye esa ,d<br />

lekukarj mi&dFkk py jgh gS tgka mldh Hkrhth<br />

ifjokj }kjk fu;ksftr ijEijkxr fookg ÁFkk dk<br />

foæksg djrh gSA<br />

Takeo, a capricious wife from Tokyo<br />

high-society, is bored by her dull<br />

husband, a quiet and reliable company<br />

executive, raised in the country. After a<br />

crisis, she understands his true value.<br />

A parallel sub-plot shows her niece<br />

rebelling against the tradition of arranged<br />

marriages.<br />

;klqthjks vkstw<br />

tkikuh fQ+Ye funsZ'kd vkSj iVdFkk ys[kd us ;klqthjks vkstw ewd<br />

fQYeksa ls viuk dfj;j 'kq: fd;kA vkstq us 'kknh vkSj ifjokj]<br />

ihf


[kaMgj<br />

The Ruins<br />

Khandhar<br />

India | 1984 | Hindi | 106 min | Colour<br />

Director Mrinal Sen<br />

Producer Jagdish Choukhani<br />

Screenplay Mrinal Sen, Premendra<br />

Mitra<br />

<strong>Cinema</strong>tographer K. K. Mahajan<br />

Editor Mrinmoy Chakraborty<br />

Cast Shabana Azmi, Naseeruddin<br />

Shah, Gita Sen, Annu Kapoor<br />

'kgjh Q+ksVksxzkQj lqHkk"k ,d xkao esa dqN iqjkus<br />

eafnjksa vkSj vo'ks"kksa dh rLohjsa ysus vkrk gSA og<br />

vo'ks"kksa ls ÁHkkfor gks tkrk gSA xkao esa ,d ;qorh<br />

;kfeuh ls mldk ifjp; gksrk gSA igys gh ,d<br />

vU; vkxarqd ;kfeuh dk fny rksM+ pqdk gSA D;k<br />

bfrgkl [kqn dks nksgjk;sxk ;k ;kfeuh dks [kaMgj<br />

ls ckgj fudyus dk jkLrk feysxk\<br />

Subhash is a photographer from the city,<br />

who has come to take pictures of some<br />

old temples and ruins in a village. Ruins<br />

fascinate him. While in the village, he<br />

gets acquainted with a young woman,<br />

Jamini, who has had her heart broken in<br />

the past, by another visitor from the big<br />

city. Will history repeat itself, or will she<br />

find a way out of the ruins at last?<br />

e`.kky lsu<br />

,d çfl) Hkkjrh; fQYe fuekZrk vkSj funsZ”kd gSaA ledkyhu<br />

e`.kky lsu] lR;thr js vkSj _+fRod ?kVd ds lkFk mUgsa oSf”od<br />

Lrj ij Hkkjrh; lekukarj flusek ds vxznwr ekuk tkrk gSA mudk<br />

flusek lkekftd okLrfodrk ds vius dykRed fp=.k ds fy,<br />

tkuk tkrk gSA lsu us 30 Q+hpj fQ+Yesa vkSj vusd o`Ùkfp=ksa dk<br />

funsZ”ku fd;k ftUgsa vusd jk"Vªh; rFkk varjkZ"Vªh; iqjLdkj ÁkIr<br />

gq,A<br />

188 RESTORED CLASSICS<br />

Mrinal Sen<br />

After having studied physics at University of Calcutta,<br />

Sen worked as a freelance journalist, a salesman of<br />

patent medicines and a sound technician in a film studio.<br />

In 1956 Sen made his debut with Raat Bhore, the first of<br />

his 30 (as of 2002) films. Sen’s films have won numerous<br />

international awards. The Case Is Closed, took home the<br />

Jury Prize from the 1983 Cannes Film Festival.


n ykWt+j<br />

The Lodger<br />

UK | 1927 | English | 68 min | Black and White<br />

Director Alfred Hitchcock<br />

Producer Michael Balcon, Carlyle<br />

Blackwell<br />

Screenplay Eliot Stannard<br />

<strong>Cinema</strong>tographer Gaetano Di<br />

Ventimiglia, Hal Young<br />

Editor Ivor Montagu<br />

Production Designer C. Wilfred<br />

Arnold, Bertran Evans<br />

Cast Marie Ault, Arthur Chesney, June<br />

Tripp, Ivor Novello<br />

foDVksfj;u yanu esa tSd n fjij jkr esa vfHkusf=;ksa<br />

dh gR;k djrk gSA foÙkh; dfBukbZ ds dkj.k cVZu<br />

nEifr mls vius ?kj esa j[kus ds fy, etcwj gaSA<br />

ns[kus esa og ,d vPNk ;qod yxrk gS ysfdu<br />

Jherh cVZu mldh dqN jgL;e; vkSj lafnX/k<br />

vknrksa ds dkj.k ml ij lansg djrh gSaA cVZu<br />

dh [kwclwjr vfHkus=h Hkrhth muds lkFk jgrh gSaA<br />

os mldh lqj{kk dks ysdj og fpafrr vkSj Hk;Hkhr<br />

jgrh gSaA<br />

A landlady suspects her new lodger is<br />

the madman killing women in London.<br />

vYÝsM tkslsQ fgpd‚d<br />

,YÝ+sM fgpd‚d yxHkx 1920 esa flusek ds {ks= esa vk;sA mUgksaus<br />

lsV fMt+kbu djus ls ‘kq: fd;kA fgpd‚d dks 1923 esa igyh<br />

fQ+Ye cukus dk volj feyk vkSj mUgksaus uacj 13 dk funsZ”ku<br />

fd;kA fgpd‚d flusek ds ,sls ekLVj Fks ftudhs fQYesa c‚Dl<br />

v‚fQl lQyrk ds lkFk lkSan;Z’kkL= dh n`f’V ls Hkh dHkh foQy<br />

ugha gqbZaA<br />

Alfred Joseph Hitchcock<br />

It was around 1920 when Hitchcock joined the film<br />

industry. He started off drawing the sets. Hitchcock had<br />

his first real crack at directing a film, start to finish, in<br />

1923, when he was hired to direct the film Number 13.<br />

Hitchcock was a master of pure cinema who never failed<br />

to reconcile aesthetics with the demands of the boxoffice.<br />

RESTORED CLASSICS<br />

189


esVªksiksfyl<br />

Metropolis<br />

German | 1927 | Germany | 153 min | Black and White<br />

Director Fritz Lang<br />

Producer Erich Pommer<br />

Screenplay Thea von Harbou , Thea<br />

von Harbou, Fritz Lang<br />

<strong>Cinema</strong>tographer Karl Freund,<br />

Günther Rittau, Walter Ruttmann<br />

Editor Blake Jones<br />

Sound Design Brian Reeves, Frank<br />

Strobel, Otto Harzner<br />

Production Designer Otto Hunte, Erich<br />

Kettelhut, Karl Vollbrecht<br />

Cast Brigitte Helm, Alfred Abel, Gustav<br />

Fröhlich<br />

Hkfo’; esa cuus okys ,d 'kgj esa lekt nks oxksZa<br />

esa foHkkftr gS & ,d 'kgj ds ;kstukdkj vkSj<br />

nwljk mlesa dke djus okyk Jfed oxZA nksuksa esa<br />

oSpkfjd erHksn gSaA 'kgj ds eq[; ;kstukdkj dk<br />

csVk Jfedksa ds mRihM+u dks ns[krk gS vkSj mudh<br />

enn djuk pkgrk gSA og Jfedksa dh Áfrfuf/k ls<br />

I;kj djus yxrk gS tks ;g tku tkrh gS fd og<br />

muds vkilh erHksnksa dks feVkus ds fy, e/;LFk<br />

dh Hkwfedk fuHkk;sxkA<br />

In a futuristic city sharply divided between<br />

the working class and the city planners,<br />

the son of the city’s mastermind falls<br />

in love with a working class prophet<br />

who predicts the coming of a saviour to<br />

mediate their differences.<br />

fÝV~t ySax<br />

ÝsMfjd fØfÜp;u ,aVu fÝV~t ySax ,d v‚fLVª;kbZ fQ+Ye funsZ”kd]<br />

iVdFkk ys[kd] fuekZrk vkSj vfHkusrk FksA teZu vfHkO;fäokn<br />

ds loZJs’B Áfriknd fÝV~t ySax dks fczfV'k fQYe baLVhVîwV us<br />

mUgsa ekLVj v‚Q MkdZusl dk uke fn;kA mudh Áfl) fQYeksa esa<br />

esVªksiksfyl vkSj ÁHkko”kkyh ,e 'kkfey gSaA vdkneh fQ+Ye vkdkZbo<br />

us fÝV~t ySax dh g~;weu fMt+k;j] eSu gaV] vkSj n vkVZ Mk;jsDVj<br />

vkfn dbZ fQYeksa dks lajf{kr fd;k gSA<br />

190 RESTORED CLASSICS<br />

Fritz Lang<br />

Fritz Lang was an Austrian filmmaker, screenwriter,<br />

occasional film producer and actor. He was dubbed the<br />

“Master of Darkness” by the British Film Institute. His<br />

most famous films include, M, a film noir precursor. The<br />

Academy Film Archive has preserved a number of Fritz<br />

Lang’s films, including Human Desire, Man Hunt, and<br />

The Art Director.


n vksYM MkdZ gkml<br />

The Old Dark House<br />

USA | 1932 | English | 72 min | Black and White<br />

Director James Whale<br />

Producer Carl Laemmle Jr.<br />

Screenplay Benn Levy<br />

<strong>Cinema</strong>tographer Arthur Edeson<br />

Editor Clarence Kolster<br />

Cast Boris Karloff, Melvyn Douglas,<br />

Charles Laughton<br />

osYl esa rst rwQku ls vkJ;


lsØhQ+kbl<br />

The Sacrifice<br />

Sweden, UK, France | 1986 | Swedish, French, English | 149 min | Colour<br />

Director Andrei Tarkovsky<br />

Producer Anna-Lena Wibom<br />

Screenplay Andrei Tarkovsky<br />

<strong>Cinema</strong>tographer Sven Nykvist<br />

Editor Michal Leszczylowski, Andrei<br />

Tarkovsky<br />

Sound Design Christin Loman, Lars C.<br />

Lundberg, Bo Persson, Willie Peterson-<br />

Berger, Owe Svensson, Lasse Ulander<br />

Production Designer Anna Asp<br />

Cast Erland Josephson, Susan<br />

Fleetwood, Allan Edwall<br />

vysDtsaMj] ,d i=dkj] iwoZ vfHkusrk vkSj nk'kZfud<br />

gSaA os vius NksVs csVs dks crkrs gSa fd vk/kqfud<br />

ekuork esa vk/;kfRedrk dh deh ds fo’k; esa os<br />

fdrus fpafrr gSaA mudss tUefnu dh jkr dks rhljk<br />

foÜo ;q) fNM+ tkrk gSA fujk'k gksdj vysDtsaMj<br />

bZÜoj ls viuk lc dqN viZ.k dj ;q) dks jksdus<br />

dh çkFkZuk djus yxrs gSaA<br />

Alexander, a journalist and former actor<br />

and philosopher, tells his little son how<br />

worried he is about the lack of spirituality<br />

in modern mankind. On the night of his<br />

birthday, the third world war breaks out.<br />

In his despair Alexander turns himself in<br />

a prayer to God, offering him everything,<br />

to have the war not happen at all.<br />

vkaæs rkjdksOLdh<br />

vkaæs vklsZusfop rkjdksOLdh lokZf/kd ç'kaflr lksfo;r funsZ'kdksa esa ls<br />

,d gSA rkjdksOLdh dh fQYesa vkd’kZd –”; Nfo;ksa] çrhdkRedrk]<br />

nwjnf'kZrk] ijaijkxr dFkkf”kYi vkSj ukVdh; lajpuk ds dkj.k<br />

mYys[kuh; jghaA vius ns”k esa lksfo;r vf/kdkfj;ksa }kjk mudh<br />

fQ+Yesa lsalj dh x;h Fkha vkSj ?kjsyw forj.k ls jksd nh x;h FkhaA<br />

lsØhQ+kbl mudh vkf[kjh Qhpj fQYe gSA<br />

Andrei Tarkovsky<br />

Andrei Arsenyevich Tarkovsky is one of the most<br />

acclaimed Soviet motion-picture directors. Tarkovsky’s<br />

films were notable for their striking visual images,<br />

their symbolic, visionary tone, and their paucity of<br />

conventional plot and dramatic structure. Several of<br />

his films were barred from domestic distribution by the<br />

Soviet authorities. The Sacrifice was his last feature film.<br />

192 RESTORED CLASSICS


Vw vkWj Fkzh fFkaXl vkbZ uks vckmV gj<br />

Two or Three Things I Know about Her<br />

Deuz ou Trois choses que je sais D’Elle<br />

France | 1967 | French, Italian | 87 min | Colour<br />

Director Jean-Luc Godard<br />

Producer Anatole Dauman,<br />

Raoul Lévy<br />

Screenplay Catherine Vimenet,<br />

Jean-Luc Godard<br />

<strong>Cinema</strong>tographer Raoul Coutard<br />

Editor Françoise Collin,<br />

Chantal Delattre<br />

Cast Marina Vlady, Anny Duperey,<br />

Roger Montsoret, Jean-Luc Godard<br />

bl fQYe esa ßmldkß dk rkRi;Z twfy,V tsUlu<br />

dk pfj= vkSj mls vfHkuhr djus okyh vfHkus=h<br />

ejhuk OykfnMh nksuksa dks lanfHkZr djrk gSA fQYe<br />

,d rjg dk ukVî—r o`Ùkfp= gS ftlesa 1960<br />

ds n'kd ds u, isfjl ds Hkkoukghu thou dks<br />

vfrjaftr djds fn[kk;k x;k gSA rRdkyhu isfjl<br />

esa O;kolk;hdj.k de vk; okys ifjokjksa dk<br />

migkl djrk gS] os';ko`fÙk /kuksiktZu dk lk/ku gSA<br />

yksx fo;ruke =klnh dh cqjh ;knksas vkSj vklUu<br />

ijek.kq ;q) ls Hkkouk”kwU; gSaA<br />

In this film, ‘Her’ refers to both Paris,<br />

the character of Juliette Janson and<br />

the actress playing her, Marina Vlady.<br />

The film is a dramatised documentary,<br />

illustrating and exaggerating the<br />

emotionless lives of characters in<br />

the new Paris of the 1960s, where<br />

commercialism mocks families getting<br />

by on small incomes, where prostitution<br />

is a money-spinning option, and people<br />

are coldly resigned and immune to the<br />

human nightmares of Vietnam, and the<br />

impending Atomic war.<br />

T;ka yqd xksnknZ<br />

xksnknZ d® 1960 ds Ýkalhlh fQ+Ye vkanksyu] Ýkalhlh<br />

U;w oso ds lkFk igpkuk tkrk gSA xksnknZ us dFkk] fujarjrk]<br />

/ofu vkSj dSejs ds fu;eksa dks iqu% ikfjHkkf’kr fd;kA yacs le; ls<br />

Loh—r flusekbZ Hkk"kk dkss ca/ku ls eqä dj eks”ku fiDpj ds Ák:i<br />

esa Økafrdkjh ifjorZu fd;kA ckn esa mUgksaus g‚yhoqM QkewZyk fQ+Yeksa<br />

ds lkekU; lk/kuksa Qhpj fuekZ.k] forj.k vkSj çn'kZuh dks Hkh pqukSrh<br />

nsdj fQ+Ye cukus dh u;h fo/kk dks tUe fn;kA<br />

Jean-Luc Godard<br />

Jean-Luc Godard, was a film director, screenwriter<br />

and film critic. He is often identified with the French<br />

New Wave. Godard revolutionized the motion picture<br />

form, freeing the medium from the shackles of its longaccepted<br />

cinematic language by rewriting the rules of<br />

narrative, continuity, sound, and camera work in an effort<br />

to subvert the conventions of the Hollywood formula.<br />

RESTORED CLASSICS<br />

193


New<br />

Initiatives<br />

Experiencing the universe of<br />

‘new’ - idea, movies, technology<br />

NEW INITIATIVES


Mixed Reality Sidebar<br />

<strong>IFFI</strong> presents in collaboration with BECIL Mixed Reality Sidebar Powered by<br />

fot+u LVsVesaV & vkuan xka/kh<br />

Kku] fopkj vkSj var–Zf’V gLrkarfjr djus dh {kerk vkSj bPNk<br />

ekuork ds lkFk gh fodflr gqbZ gSA fefJr okLrfodrk ml<br />

ekuo çkstsDV dk fjdkMZ j[kus] ifjçs{; dks lk>k djus vkSj<br />

lgkuqHkwfr nsus okyh ,d cgqr cM+h ehy dk iRFkj gS] tks<br />

igyh xqQk isafVax ds lkFk ;k blls Hkh igys “kq: gks xbZ FkhA<br />

fefJr okLrfodrk vuqHko n”kZdksa vkSj fo’k; ds chp ÞvU;rkÞ dh<br />

ck/kk dks lekIr dj nsrh gSA var%lac) fo”o esa dksbZ ÞvU;Þ<br />

ugha gS<br />

opqZvy fj;fyVh ¼ohvkj½ ds lanHkZ esa] tgka n”kZd iw.kZr% vU;=<br />

igqap tkrk gS] vkSj c


Mixed Reality Sidebar<br />

l’kDr ubZ nqfu;k % vkHkklh<br />

okLrfodrk ¼ohvkj½ vkSj fQ+D’ku<br />

tsjkse CykudsV&oh-vkj- fQD”ku ¼iSuy½<br />

tsjkse CykadsV Nfo vkSj lgt ys[ku] tks lkekU;r% gekjs /;ku<br />

ls NwV tkrk gS] dk vUos’k.k djrs gSaA çkS|ksfxdh ls çsfjr gksdj<br />

og yxkrkj vius midj.kksa dh lhekvksa vkSj Kku ds fo’k; esa<br />

mRlqd jgrs gaSA os LFkkfir :iksa ls dqN vyx dh [kkst esa jgrs<br />

gSa tgka vFkZ fey ldsA<br />

Brave New Worlds: VR Meets<br />

Fiction<br />

Jerome Blanquet’s explorations of the image and<br />

spontaneous writing lead him to the representation<br />

of what escapes our consciousness. Inspired by<br />

technology, he continually interrogates the limits<br />

of his tools and his knowledge. It diverts from the<br />

established forms, in search of interstices, to the<br />

kinds of open areas where can find meaning<br />

ekLVjDykl & osc ohvkj ij czk;u<br />

pYlZ<br />

czk;u pYlZ oscohvkj dk ç;ksx djus okys fotqvykbts”ku<br />

IysVQ‚eZ MkVkokbT+M ds phQ+ VsDuksy‚th v‚fQlj gSaA os Lora=<br />

fQ+Ye dh nqfu;k esa ,d ekU;rk çkIr çoZrd gSaA os igys ukbV<br />

Q+kmaMs”ku }kjk foÙk iksf’kr ihvksoh esa fMftVy VsDuksy‚th Qsyks<br />

FksA mUgksaus vkHkklh okLrfodrk esa oSpkfjd vknku çnku] MsVk<br />

fotqvykbts”ku vkSj daVsaV&lays[ku ds fy, vfHkuo e‚Myksa<br />

dks fodflr fd;k gSA czk;u us baVjSfDVo ohfM;ks VqdM+ksa vkSj<br />

l‚Vos;j iqLrdky;ksa dh ,d ubZ “kSyh cukus esa enn dh gS<br />

tks flusek dh lkSan;Z “kfä ds lkFk osc dhs vUrjfØ;k”khyrk<br />

vkSj dusfDVfoVh dks la;ksftr djus ds rjhdksa dk çn”kZu djrs<br />

gSaA mudk dke lhih,p & Mhvks,Dl] ,evkbZVh] vkbZMh,Q,<br />

M‚dySc] ,l,Dl,lMCY;w vkSj Vªhcsdk fQ+Ye baLVhVîwV esa<br />

çnf”kZr fd;k x;k gSA<br />

Masterclass on Web VR<br />

Brian Chirls is the Chief Technology Officer<br />

at Datavized, an immersive data visualization<br />

platform using WebVR. A recognized innovator in<br />

the independent film world, he was previously the<br />

Digital Technology Fellow at POV, a position funded<br />

by the Knight Foundation. He has developed<br />

innovative models for interaction, data visualization<br />

and content-authoring in Virtual Reality. Brian has<br />

helped to create a new genre of interactive video<br />

pieces and software libraries that demonstrate<br />

ways to combine the interactivity and connectivity<br />

of the web with the aesthetic power of cinema. His<br />

work has been presented at CPH:DOX, MIT, IDFA<br />

DocLab, SXSW and Tribeca Film Institute.<br />

v.kZo ?kks"k & loaf/kZr okLrfodrk &<br />

loaf/kZr okLrfodrk vkSj MkD;qesaVjh<br />

v.kZo ?kks’k ,d oSpkjd] f”k{kd vkSj f”k{kk fuos”kd gSaA og Hkkjr]<br />

nf{k.k&iwoZ ,f”k;k] ;wjksi esa oSf’od czkaMksa] lsokvksa ds lkFk vius 20<br />

ds o’kksaZ ds vuqHko vkSj lsokvksa dh le> ls ekdsZfVax vkSj beflZo<br />

VsDuksy‚th] usr`Ro dh Hkwfedkvksa ds lkFk mRiknksa dks js[kkafdr<br />

djrs gSaA orZeku esa og CyhIij ds çca/k funsZ”kd gSaA og lkexzh<br />

dks okf.kT;] rduhd ,oa jpukRed çfØ;k ds lkFk dUVsaV dks<br />

f=dks.kh; vkSj çklafxd cukrs gSaA mUgsa lkaL—frd lg;ksx ,oa<br />

vknku çnku vkSj [kxksy foKku esa xgjh #fp gSA mUgksaus ,d<br />

Hkfo’;ok.kh fo’ysf”kdh dh “kq#vkr Hkh dh gSA<br />

Arnav Ghosh - Augmenting<br />

Reality (Panel)<br />

Arnav is a thought leader, educator and apprentice<br />

investor. He brings to the track a deep understanding<br />

of marketing and immersive technology products and<br />

services with his 20 years of multi-platform, vertical<br />

leadership roles with global Brands and services<br />

across India, S.E Asia and Europe. Currently, he<br />

is Managing Director of Blippar (a global AR / AI<br />

platform) in India. He loves to triangulate content,<br />

commerce and technology with the creative process<br />

to build a contextually relevant idea. He has a keen<br />

interest in cross cultural collaboration & astronomy.<br />

He has also co-founded a start up in the area of<br />

predictive analytics.<br />

NEW INITIATIVES<br />

197


Mixed Reality Sidebar<br />

Hkkjrh; vkHkklh okLrfodrk ¼ohvkj½<br />

% ge dgka gS\ ge dgka tk jgs gSaA<br />

vkuan xka/kh – vkHkklh Hkkjr ¼iSuy½<br />

vkuan xka/kh Hkkjr esa vkHkklh okLrfodrk ,oa loaf/kZr okLrfodrk<br />

ds vxz.kh gSaA 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk<br />

dh tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA mUgsa<br />

feidkWe] dku tSls IysVQ+kWeZ ij vius vuqHko lk>k djus ds<br />

fy, vkeaf=r fd;k x;k FkkA vkuan }kjk fufeZr ohvkj o`Ùkfp=<br />

VksjaVks] “ksQ+hYM vkSj nqcbZ varjjk’Vªh; fQ+Ye lekjksgksa esa çnf”kZr<br />

gqbZA esesfll dYpj ySc }kjk fufeZr czkaM dUVsaV Hkkjr esa lokZf/<br />

kd ns[kk tkus okyk ohvkj dUVsaV gSA<br />

Indian VR: Where are we now?<br />

Where are we headed?<br />

Anand is pioneer of VR and AR content in India. His<br />

company Memesys Culture Lab has created India’s<br />

first VR documentary platform called ElseVR.<br />

He has been invited to share his expertise at<br />

prominent platforms such as MIPCOM at Cannes.<br />

VR documentaries produced by Anand have been<br />

featured at prestigious film festivals such as TIFF,<br />

Shefeild and Dubai <strong>International</strong> Film Festival. The<br />

brand content produced by Memesys Labs is the<br />

most viewed VR content created in India.<br />

vfouk’k dqekj<br />

vfouk”k ,d fMtkbuj] ehfM;k dykdkj vkSj fMftVy D;wjsVj<br />

gSA os bafM;u Ldwy v‚Q fMtkbZu ,aM buksos”ku ¼vkbZ,lMhvkbZ½<br />

eqacbZ ds lkFk lk>snkjh esa LFkkfir bafM;u lsaVj Q‚j beflZo<br />

ehfM;k ¼vkbZlhvkbZ,e½ ds fØ,fVo Mk;jsDVj gSaA lsaVj dk vkHkklh]<br />

laof/kZr vkSj fefJr okLrfodrk esa Hkkjrh; beflZo lkexzh ds<br />

vuqla/kku vkSj Å’ek;u ds fy, ,d ,tsaMk gSA os Hkkjr dh<br />

vxz.kh uokpkj ijke”khZ esa ls ,d muds LVwfM;ks fDodlSaM<br />

}kjk fufeZr ,d Hkkjrh; lkaLd`frd ohfM;ks xse IysVQ+kWeZ varfj{k<br />

lapkj ds funs”kd Hkh gSaA<br />

Avinash Kumar - Virtual India<br />

(Panel)<br />

Avinash is a design strategist, media artist and digital<br />

curator. He is the Creative Director of the upcoming<br />

Indian Centre for Immersive Media (ICIM) - set up<br />

in partnership with the Indian School of Design &<br />

Innovation (ISDI) MumbaI - which has an agenda<br />

for the disruptive research and incubation of Indian<br />

Immersive content in Virtual, Augmented and Mixed<br />

Reality. He is also the director of an Indian cultural<br />

video game platform called Antariksha Sanchar,<br />

produced by his studio Quicksand - one of India’s<br />

leading innovation consultancies. www.quicksand.<br />

co.in<br />

t;h’kk iVsy<br />

o`Ùkfp=dkj iqjLdkj fotsrh yaMu esa fLFkr gS- mudh y?kq fQYesa<br />

dbZ lekjksg esa fn[kkbZ xbZ tSls cfyZu] dku] U;w;‚dZ fQYe<br />

lekjksg- t;h”kk us muds u;s ohvkj çkstsDV uksV~l Vw ek; Qknj<br />

v‚D;wyl gkml <strong>2017</strong> luMsal fQYe lekjksg esa “kq:vkr dh vkSj<br />

ekpZ esa ,l,Dl,lMCY;w fQYe lekjksg esa Hkh dke çLrqr fd;kA<br />

orZeku esa og lksejlsV gkml ds fuoklLFkku esa vkfVZLV gS tgka<br />

og mudk nwljk çkstsDV] Qk;j fodkflr dj jgh gSA<br />

Jayisha Patel<br />

An award winning documentary-maker based in<br />

London. Her short films have shown at festivals<br />

such as Berlin, Cannes, AFI Silverdocs and the<br />

New York Film Festival amongst others. Jayisha<br />

launched her new VR project Notes To My Father<br />

at the Oculus House at the <strong>2017</strong> Sundance Film<br />

Festival, and also presented the work at the SXSW<br />

Film Festival in March. She is currently an artist<br />

in residence at Somerset House where she is<br />

developing her second immersive project, Fire.<br />

198 NEW INITIATIVES


Features<br />

fç;kt+ 'kfä<br />

fç;kt+ “kfä Hkkjr dh igyh laof/kZr okLrfodrk ¼,vkj½ gkL; iqfLrdk gS vkSj<br />

;g 2014 esa “kq: gqbZA xzkfQd miU;kl vFkok gkL; iqfLrdk fç;k fd dgkuh<br />

crkrs gSA fç;k] Hkkjr dh ,d xzkeh.k O;fä gS ftldk mlds xk¡o ds yksxksa<br />

}kjk lkeqnkf;d cykRdkj gqvk gSA xzkeh.kksa }kjk Hk;adj “kfeaZnxh dk lkeuk<br />

djus ds ckn fç;k mlds thou dk var djus ds fy, taxy esa Hkkx tkrh gSA<br />

ysfdu nsoh ikoZrh mldh nqnZ”kk ns[krh gS vkSj mldh enr djuk pkgrh gSA<br />

og fç;k ds “kjhj esa ços”k djrh gS vkSj fç;k ds cykRdkfj;ksa dk lkeuk djrh<br />

gSA dSls fç;k efgykvksa ds vf/kdkfj;ksa dh j{kk djrh gS vkSj de ls de mlds<br />

[kqnds xk¡o dks cny nsrh gS ;g fç;k “kfä dh dgkuh gSA<br />

A<br />

Priya’s Shakti is India’s first augmented reality(AR) comic book<br />

and was launched in 2014. The graphic novel or comic book<br />

tells the story of Priya, a villager from India who is gang raped by<br />

men in her village. After facing fierce shaming by the villagers,<br />

Priya flees to the forest to end her life. But the Goddess Parvati<br />

sees her plight and seeks to help her. She enters Priya’s body<br />

and confronts the men who raped Priya. How Priya champions<br />

the cause of women’s rights and transforms at least her own<br />

village - is the story of Priya’s Shakti (Shakti=power)<br />

NEW INITIATIVES<br />

199


Features<br />

y eLd<br />

Hkkjr ds laxhr ds ekfgj ,-vkj-jsgeku us Þy eLdß ls vius funsZ”ku dk çkjEHk<br />

fd;kA ,d vkHkklh okLrfodrk ¼ohvkj½ cgq laosfnd çklafxd fQYe ftls jkse<br />

ds fofHkUu LFkyksa ij fpf=r fd;k x;k gSA y eLd esa çeq[k uksjk vusZtsnj] xk;<br />

cesZê vkSj efjvu >ksjkch;u gS tgka ,d vukFk mÙkjkf/kdkjh rFkk va”kdkfyd<br />

laxhrdkj] T;wfy,V] tksfd ,d vfHk;ku esa fnok gksus ds fy, vkxs c


Biennale College <strong>2017</strong> Venezia<br />

This year, for the very first time the <strong>International</strong> Film Festival of India (<strong>IFFI</strong>) brings to you films of<br />

the oldest film festival of the World, Venice <strong>International</strong> Film Festival.<br />

The films of ”BIENNALE COLLEGE <strong>2017</strong> VENEZIA” segment of the Venice <strong>International</strong> Film<br />

Festival will be screened in this 48th edition of <strong>International</strong> Film Festival of India, <strong>2017</strong>.<br />

Biennale College is the project of La Biennale di Venezia which is dedicated to the formation of<br />

young people in the artistic field and in the activities of the organizational structure of the Biennale.<br />

Thus, Biennale College of <strong>Cinema</strong> was formed to inspire and promote the young budding film<br />

maker.<br />

This year, four films from La Biennale di Venezia would be screened, namely, Beautiful Things<br />

directed by Giorgio Ferroro (Italy), where the director gives us a sneak peak of the men who<br />

are monks in temples of steel and concrete carrying out their mechanical rituals in silence and<br />

solitude, Martyr directed by Mazen Khaled (Lebanon) gives us the exploration of the journey of life<br />

and death of a man who drowns and becomes a Martyr in Islamic religion and Strange Colours<br />

directed by Alina Lodkina (Australia), a story about a father and a daughter mending a fractured<br />

bond. The fourth film from this package is an Indian film Mukti Bhawan directed by Shubhashish<br />

Bhutiani, showcasing another father-son relationship where the father has a desire to go and die<br />

in the holy city of Varanasi in India and the son is left with no choice.<br />

The young aspiring film makers of India would be both inspired and motivated by seeing films of<br />

BIENNALE COLLEGE <strong>2017</strong> VENEZIA 74 in <strong>International</strong> Film Festival of India this year.<br />

It is only when film festivals collaborate, cinema as an art form is celebrated in the world.<br />

NEW INITIATIVES<br />

201


dku<br />

Ears<br />

Orecchie<br />

Italy | 2016 | Italian | 90 min | Black and White<br />

Director Alessandro Aronadio<br />

Producer Costanza Coldagelli<br />

Screenplay Alessandro Aronadio,<br />

Valerio Cilio<br />

<strong>Cinema</strong>tographer Francesco Di<br />

Giacomo<br />

Editor Roberto Di Tanna<br />

Sound Design Daniela Bassani, Marzia<br />

Cordò, Stefano Grosso<br />

Production Designer Daniele Frabetti<br />

Cast Daniele Parisi, Silvia D’Amico,<br />

Pamela Villoresi, Ivan Franek, Rocco<br />

Papaleo, Piera Degli Esposti, Milena<br />

Vukotic<br />

,d vkneh lqcg vius dku esa vthc lh vkokt<br />

ls ijs”kku ls gksdj mBrk gSA fÝ+t ij ,d uksV<br />

fpidk gS ßvkidk nksLr yqbxh ej pqdk gSß vuqys[k%<br />

eSa dkj ys tk jgk gwaA leL;k gS fd og fdlh<br />

yqbxh dks ugha tkurkA fQj ml ikxyiu dk nkSj<br />

“kq: gksrk gS tks mldh nqfu;k cny nsrk gSA<br />

✪ INDIA PREMIERE<br />

A man wakes up one morning with an<br />

irritating ringing in his ear. A note on the<br />

fridge says: “Your friend Luigi is dead.<br />

P.S. I took the car”. The problem is that<br />

he does not know who this Luigi is. And<br />

so begins a tragicomic day in search of<br />

the world’s madness, one of those days<br />

that change you forever.<br />

Sales agent 102 Distribution<br />

• festival@102distribution.com<br />

202 NEW INITIATIVES<br />

,yslsaMªks vjksusfM;k<br />

,yslsaMªks vjksusfM;k us ikyseksZ ;wfuoflZVh ls euksfoKku vkSj y‚l<br />

,aftYl fQ+Ye Ldwy ls funsZ”ku esa f”k{kk yhA igyh fQ+Ye Mîw<br />

ohVsisjdklks cfyZu egksRlo çfrLi/kkZ esa pquh x;h ,dek= bVkfy;u<br />

fQYe Fkh ftls 50 ls vf/kd varjjk’Vªh; lekjksgksa esa fn[kk;k x;k<br />

vkSj 15 iqjLdkj ÁkIr fd;sA bUgksaus dkslk owbZ psfl;k vkSj Dykls<br />

ts+M dk ys[ku fd;kA<br />

Alessandro Aronadio<br />

Alessandro Aronadio, directed Due Vite Per Caso, his<br />

first work for the cinema, which was the only Italian film<br />

chosen to compete at the Berlin Film Festival. The film<br />

was selected by over 50 international festivals, and<br />

won 15 prizes, among which was the Nastro d’Argento<br />

awarded to Isabella Ragonese. He has recently written<br />

Edoardo Leo’s Cosa Vuoi Che Sia and Guido Chiesa’s<br />

Classe Z.


eqfDr Hkou<br />

Hotel Salvation<br />

Mukti Bhawan<br />

India | 2016 | Hindi | 102 min | Colour<br />

Director Shubhashish Bhutiani<br />

Producer Sanjay Bhutiani, Sajida<br />

Sharma<br />

Screenplay Shubhashish Bhutiani<br />

<strong>Cinema</strong>tographer Michael<br />

McSweeney, David Huwiler<br />

Editor Manas Mittal<br />

Sound Design Ajay Kumar PB,<br />

Akhilesh Acharya<br />

Production Designer Avyakta Kapur<br />

Cast Adil Hussain, Lalit Behl, Geetanjali<br />

Kulakrni<br />

Sales agent C <strong>International</strong> Sales<br />

• camille.cheneval@cintsales.com<br />

77 o’khZ; n;kuan v”kqHk liuk ns[krs gSa fd mudk<br />

var fudV gSA os vafre lkal okjk.klh esa ysdj<br />

iqutZUe ds pØ dks lekIr djuk pkgrs gaSA csVk<br />

jktho ftíh firk ds lkFk okjk.klh esa e`R;q dh<br />

Árh{kk dj jgs yksxksa dks lefiZr ,d xsLVgkml<br />

eqfäHkou ¼gksVy lkYos”ku½ igqaprk gSA jktho<br />

dk thou ?kj dh ftEesnkfj;ksa vkSj firk ds Áfr<br />

drZO;ijk;.krk esa Qal x;k gSA<br />

An ominous dream convinces 77-yearold<br />

Dayanand Kumar that his end could<br />

be near. He takes the news to his son<br />

Rajiv, knowing he wants to breathe his<br />

last in the holy city of Varanasi and end<br />

the cycle of rebirth, by attaining salvation.<br />

Being the dutiful son he is, Rajiv is left<br />

with no choice but to drop everything<br />

and make the journey with his stubborn<br />

father. Daya and Rajiv check into Mukti<br />

Bhawan (Hotel Salvation) in Varanasi, a<br />

guesthouse devoted to people waiting to<br />

die. But as the days go by, Rajiv struggles<br />

to juggle his responsibilities back home,<br />

while Daya starts to bloom in the hotel.<br />

Rajiv gives his father a shot at salvation<br />

but as family bonds are tested, he finds<br />

himself torn, not knowing what he must<br />

do to keep his life together.<br />

“kqHkk”kh’k HkqfV;kuh<br />

“kqHkk”kh’k us 2013 esa Ldwy vkWQ+ fotqvy vkVZ~l] U;w;‚dZ ls funsZ”ku<br />

esa f”k{kk ÁkIr dhA budh igyh Q+hpj fQ+Ye eqfäHkou us vc rd<br />

;wusLdks xka/kh esMy lfgr 11 varjkZ’Vªh; iqjLdkj thrs gSaA “kqHkk”kh’k<br />

dh Fkhfll fQYe dq’k dks Hkkjr ds jk’Vªifr }kjk jk’Vªh; iqjLdkj<br />

lfgr 25 varjjk’Vªh; iqjLdkj ÁkIr gq,A<br />

Shubhashish Bhutiani<br />

Two-time Indian National Award winner, Shubhashish’s<br />

debut Mukti Bhawan - Hotel Salvation was honoured<br />

with the XXlIIrd Prix “Enrico Fulchignoni” Award and<br />

UNESCO Gandhi Medal 2016. Shubhashish’s thesis<br />

film, Kush, world premiered at Venice, where it won the<br />

Orizzonti Award. Kush was shortlisted by the Academy<br />

and won over 25 international awards.<br />

NEW INITIATIVES<br />

203


yk lksysMkM<br />

The Solitude<br />

La Soledad<br />

Venezuela, Canada, Italy | 2016 | Spanish | 89 min | Colour<br />

✪ INDIA PREMIERE<br />

Director Jorge Thielen Armand<br />

Producer Adriana Herrera, Rodrigo<br />

Michelangeli, Jorge Thielen Armand<br />

Screenplay Rodrigo Michelangeli,<br />

Jeorge Thielen Armand<br />

<strong>Cinema</strong>tographer Rodrigo<br />

Michelangeli<br />

Editor Felipe Guerrero<br />

Sound Design Eli Cohn<br />

Production Designer Gabriela Vilchez<br />

Cast José Dolores López, Marley<br />

Alvillares, Adrializ López, María<br />

Agamez Palomino<br />

osustq,yk ladV ds chp yksxksa ds okLrfod thou<br />

dk fp=.k djus okyh ;g fQ+Ye ,d ;qok firk<br />

tksl dh dgkuh gSA og th.kZ gqbZ gosyh esa jgrk<br />

gS tks tYn gh


ou flLVj<br />

One Sister<br />

Una Hermana<br />

Argentina | 2016 | Spanish | 69 min | Colour<br />

Director Sofia Brockenshire, Verena<br />

Kuri<br />

Producer Sofia Brockenshire, Verena<br />

Kuri<br />

<strong>Cinema</strong>tographer Andrés Hilarión,<br />

Roman Kasseroller<br />

Editor Laura Bierbrauer, Sofia<br />

Brockenshire, Verena Kuri<br />

Sound Design Nicolás Payueta<br />

Production Designer Lucia Carnicero<br />

Cast Sofia Palomino, Eugenia Alonso,<br />

Adriana Ferrer, Lorena Stadelmann<br />

vtsaZVhuk ds NksVs ls cSdokVj “kgj esa ,d ;qorh<br />

viuh cgu dks [kkstus ds fy, vdsys fudyrh gSA<br />

ifjokj dh dkj esa unh ds fdukjs vkx yxus ds<br />

ckn mldk irk ugha pyk FkkA ukSdj”kkgh dqaBkvksa<br />

esa Qal dj fujk”k vYck unh ds fdukjs okil vk<br />

tkrh gS] tgka ,d ewd xokg gS ftls ns[kdj mls<br />

dqN “kkafr feyrh gSA<br />

✪ ASIA PREMIERE<br />

In a small Argentinian backwater<br />

town, a young woman sets out on a<br />

solitary search for her sister who has<br />

disappeared without a trace. When the<br />

family’s car appears in flames on the<br />

bank of a nearby river, Alba falls deeper<br />

into a world of bureaucratic frustrations,<br />

bringing her to the edge of despair. Her<br />

journey drags her back to the river,<br />

where a silent witness seems to provide<br />

the only calm that’s left.<br />

osjsuk dqjh<br />

osjsuk dqjh dh y?kq fQYesa ,isD;wu vkSj ,iSjh”ku dks ;wjksi<br />

vkSj ySfVu vesfjdk ds vusd lekjksgksa esa çLrqr fd;k x;kA<br />

lksfQ+;k czksdsa”kk;j<br />

lksfQ+;k us ftiksyks lbZl vkSj ,isD;wu dks funsZf”kr fd;kA<br />

ou flLVj mudh osjsuk ds lkFk igyh Q+hpj fQ+Ye gSA<br />

Verena Kuri<br />

Verena Kuri’s short films Epecuen and Apparition<br />

were awarded at various festivals in Europe and<br />

Latin America.<br />

Sofia Brockenshire<br />

Sofía wrote and directed the films Zapiola Seis<br />

and Epecuen. One Sister is her first feature film<br />

with Verena Kuri.<br />

NEW INITIATIVES<br />

205


Master Classes and<br />

Panel Discussions<br />

Learning from industry masters,<br />

experts and leaders - journeying<br />

through invaluable experiences<br />

and insights<br />

WORLD CINEMA


MASTER CLASS<br />

Virtual Reality and Augmented Reality<br />

vkuan xka/kh<br />

vkuan xka/kh ,d fQYe fuekZrk vkSj m|eh gSa] tks n'kZu] fodkloknh euksfoKku]<br />

uokpkj vkSj Hkfo"; esa xgjh #fp j[krs gSaA mudh igyh Qhpj f”ki vkWQ+<br />

Fkhfl;l VksjaVks varjkZ"Vªh; fQYe egksRlo esa çhfe;j gqbZ vkSj mls vkykspdksa<br />

vkSj n'kZdksa }kjk Hkkjr dh lokZf/kd egRoiw.kZ fQYe ds :i esa ekU;rk çkIr<br />

gqbZA bls loZJs’B fQ+Ye dk jk"Vªh; iqjLdkj vkSj varjkZ"Vªh; fQ+Ye lekjksgksa esa<br />

vusd iqjLdkj ÁkIr gq,A 2015 esa vkuan us esesfll dYpj ySc dh LFkkiuk dh<br />

tks Hkkjr dk igyk opqZvy fj;yVh LVwfM;ks gSA<br />

Hkkjr esa nSfud lksi vksisjk 'kSyh ds mn~Hko ds lkFk xka/kh dk ys[ku dSfj;j<br />

2000 esa 'kq: gqvk FkkA mUgksaus D;wadh lkl Hkh dHkh cgw Fkh uked yksdfç;<br />

/kkjkokfgd ds 82 ,filksM ds laokn fy[ks vkSj dgkuh ?kj ?kj dh /kkjkokfgd<br />

dh iVdFkk fy[khA<br />

vkuan xka/kh us lqxa/kh] çR;apk] {k.kksRlo] uk vkSj tu'k=q ,dkadh ukVd fy[ksA<br />

mUgksaus xqtjkrh esa py fjolZ esa tk,a fy[kk ftls 2005 ds fy, VªkalfefM;k<br />

csLV Iys iqjLdkj feykA<br />

funsZ'kd ds :i esa mudh igyh fQ+Ye jkbV gs;j] jkbV ukvks vkSj nwljh fQYe<br />

dafVuqe [kq'kcq jadk ds lkFk lg&funsZf'kr FkhA<br />

Anand Gandhi<br />

Anand Gandhi is a filmmaker and entrepreneur deeply<br />

interested in philosophy, evolutionary psychology, innovation<br />

and the future. Ship of Theseus, his first feature, premiered<br />

at the Toronto <strong>International</strong> Film Festival in 2012 and has<br />

since been recognized as “the most significant film to come<br />

out of India in decades” by critics and audiences alike. It has<br />

won prizes at the international film festivals of London, Dubai,<br />

Mumbai, Transilvannia, Tokyo, and Hong Kong, and played<br />

at Rotterdam, Munich and Sydney, among others. It was<br />

presented the National Award in 2014. In November 2015,<br />

Anand founded Memesys Culture Lab. It is a cinema and new<br />

media studio at the intersection of science, philosophy and<br />

culture, and home to ElseVR, the first Virtual Reality studio in<br />

India.<br />

Gandhi’s writing career began in 2000. He wrote the dialogue<br />

for the first 82 episodes of a popular show called Kyunki Saas<br />

Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Kii, for which he<br />

wrote the screenplay, are the longest running TV shows in the<br />

history of Indian television.<br />

He moved away from his television career to write and<br />

direct critically acclaimed plays like Sugandhi, Pratyancha,<br />

Kshanotsav, Na and Janashtaru. Almost all his work has<br />

been produced for the alternative one-act theatre. He has<br />

written only one mainstream play, Chal Reverse Ma Jaiye, in<br />

Gujarati. It achieved moderate commercial success and won<br />

the Transmedia Best Play award for 2005.<br />

His film directorial debut, Right Here, Right Now (2003), a<br />

30-minute film that deals with the idea of cyclic causality,<br />

achieved substantial critical acclaim. His second film Continuum<br />

(2006) was co-directed with Khushboo Ranka.


MASTER CLASS<br />

Filmmaker on Making Drama<br />

,sVe Ãx¨,u<br />

,sVe bZxks;u dukMk ds lokZf/kd çfl) dykRed funsZ”kdksa esa ls ,d gSaA<br />

bZxks;u us fVªfuVh d‚yst] VksjaVks fo”ofo|ky; ls Lukrd fd;kA dku fQ+Ye<br />

lekjksg ¼xzka çh] baVjus”kuy fØfVDl vokMZ~l vkSj bD;qesfudy twjh iqjLdkj½<br />

esa ikap iqjLdkj ÁkIr fd;sA blds vfrfjDr nks vdkneh iqjLdkj ukekadu] 25<br />

dukMkbZ tsuh iqjLdkj ¼rhu loZJs’B fQYe iqjLdkjksa lfgr½] us”kuy cksMZ v‚Q+<br />

fjO;w ls iqjLdkj] ÝSadQ+VZ cqd esys esa csLV baVjus”kuy ,MsIVs”ku iqjLdkj çeq[k<br />

gSaA 1994 esa ,Dt+ksfVdk ls mUgsa varjjk’Vªh; igpku feyhA n LohV gsvjvk+Vj<br />

leh{kdksa }kjk cgqr ljkgh x;hA mudh fQ+Ye vjkjr rqdhZ vksVkseu lkezkT;<br />

esa vkehZfu;kbZ ujlagkj ls cps vf”kZy x‚dhZ ds thou ij vk/kkfjr gSaA vf”kZy<br />

ckn esa vejhdh lkj vfHkO;fäokn dk vxz.kh cusA “yks, O;kolkf;d :i ls<br />

bZxks;u ds dSfj;j dh lQyre fQ+Ye jghA Ogs;j n VªqFk ykbt+] vMksjs”ku]<br />

MsfoYl ukWV] n dSfIVo vkSj fjesEcj bxks;u dh vU; fQ+Yesa gSaA bxks;u us<br />

fFk,Vj vkSj vksisjk dk funsZ”ku Hkh fd;k gS] ftlesa n vk;fj”k VkbEl@bZ,lch<br />

iqjLdkj ls lEekfur lSeq,y csdsV~l dk ,g tks “kkfey gSA bZxks;u us dusfM;u<br />

vksisjk daiuh vkSj fyadu lsaVj Q+sfLVoy] U;w;‚dZ ds fy, iqjLdkj fotsrk vksisjk<br />

çLrqfr;ksa dk funsZ'ku fd;kA islsfQ+d vksisjk foDVksfj;k ds fy, fufeZr tsuqQ+k<br />

dk foDVksfj;k esa çhfe;j gqvkA bZxks;u ds dykRed dk;ksZa dks osful fcukys<br />

vkSj çfrf’Br varjjk"Vªh; laLFkkuksa esa çLrqr fd;k x;k gSA mudk LVhucsDdsV<br />

VsV ds laxzg dk LFkk;h fgLlk gS tks fczVsu ds vkVZ,axy }kjk deh”ku fd;k<br />

x;k gSSA bZxks;u dks Ýkal dk loksZPp lEeku ßdEisfu;u vkWQ+ n vkMZj vkWQ+<br />

dukMkß ls lEekfur fd;k x;k gSA<br />

Atom Egoyan<br />

Atom Egoyan is one of Canada’s most celebrated arthouse<br />

directors. Exotica which won the FIPRESCI Prize at Cannes’94,<br />

was his international breakthrough film. The Sweet Hereafter,<br />

his most critically acclaimed film, received two Academy<br />

Award nominations. Ararat, about the Armenian genocide in<br />

the Turkish Ottoman Empire, centred on child survivor Arshile<br />

Gorky, went on to become the pioneer of American abstract<br />

expressionism. Where the Truth Lies, Adoration and The<br />

Captive, have all competed for the Palme d’Or in Cannes.<br />

Egoyan has also directed theatre and opera, including an<br />

adaptation of Samuel Beckett’s Eh Joe, winner of The Irish<br />

Times/ESB Award for Best Direction. He has directed awardwinning<br />

opera productions for the Canadian Opera Company<br />

and the Lincoln Center Festival, New York. Egoyan’s art<br />

installations have been presented at the Venice Biennale,<br />

his work, Steenbeckett, commissioned by the UK’s Artangel,<br />

is part of the permanent collection of the Tate. His films have<br />

been presented in several retrospectives across the globe,<br />

with complete career overviews in Paris, Madrid, New York and<br />

Brussels. Egoyan was knighted by the French government and<br />

is a Companion of the Order of Canada, the country’s highest<br />

honour.


MASTER CLASS<br />

Sound Mixing<br />

Øsx eku<br />

Øsx eku y‚l ,aftYl] dSfyQksfuZ;k esa fj&fjd‚fMaZx feDlj gSaA lkmaM baMLVªh<br />

esa mUgsa 15 o"kksaZ dk vuqHko gSA Øsx us bUlkbfM;l] vkb bu n Ldkb] ek'kZy]<br />

,sukcsys] fØ,'ku] Mksi ,aM xksYM tSlh Cy‚dcLVj fQ+Yeksa esa /ofu la;kstu<br />

fd;kA Øsx dks fOgIyS'k esa loZJs"B /ofu ds fy, ,,eih,l iqjLdkj] lSVsykbV<br />

vokMZ~l] ckVk iqjLdkj vkSj loZJs"B /ofu feJ.k ds fy, ,dsMseh iqjLdkj ls<br />

lEekfur fd;k x;k FkkA Øsx us Q+ku'kkos d‚yst] yanu vksUVsfj;ks ls E;qft+d<br />

baftfu;fjax Áksxzke dks iwjk dj lkmaM vkbfM;kt+ esa /ofu çHkko fjd‚fMaZx vkSj<br />

laiknu 'kq: fd;kA ogha ij mUgsa fQ+Ye esa #fp gqbZ vkSj mUgksaus dklkCykadk<br />

lkmaM] VksjaVks esa ikap o’kZ rd fjd‚fMaZx feDlj ds lgk;d ds :i esa dke<br />

fd;kA rRi”pkr~ os lkark eksfudk pys x;s vkSj VksM&,vks esa vkB o’kZ rd<br />

fjd‚fMaZx feDlj ds çf'k{kq ds :i esa dke fd;kA<br />

2009 esa Øsx dks Lora= :i ls dke djus dk volj feykA fQ++Yedkj dh<br />

–f"V dks LØhu ij ykus ds fy, /ofu ds mi;ksx ds u, u, rjhdksa dh [kkst<br />

djuk Øsx cgqr fÁ; gSA<br />

Craig Mann<br />

Craig Mann is a re-recording Mixer in Los Angeles, California.<br />

With over 15 years of sound industry experience under his<br />

belt, Craig’s work can be heard on a number of blockbusters,<br />

including Insidious, Eye In The Sky, Marshall, Annabelle:<br />

Creation, Dope and Gold starring Matthew McConaughey. He<br />

was recently awarded an AMPS award for Best Sound in a<br />

Feature Film, a Satellite Award for Best Sound, a BAFTA for<br />

Best Sound and an Academy Award for Best Sound Mixing for<br />

the film Whiplash.<br />

After completing the Music Engineering program on Music<br />

Industry Arts from Fanshawe College in London Ontario, Craig<br />

was hired at Sound Ideas, where he began recording and editing<br />

sound effects. While working there, sound for film aroused his<br />

interest, and he joined Casablanca Sound in Toronto. There,<br />

he worked as an assistant to several of the top re-recording<br />

mixers in Canada. After five years there, an opportunity arose<br />

to tour several sound facilities in Los Angeles. Craig realized<br />

that moving to the next level would involve a change of venue.<br />

He relocated to Santa Monica and was hired at Todd-AO. Over<br />

the next eight years, Craig served as an apprentice for several<br />

world-renowned re-recording mixers, soon taking the leap into<br />

mixing himself in 2009.<br />

Discovering new ways to utilize sound to help bring filmmakers’<br />

vision to the screen is what Craig loves most about his job.<br />

.


MASTER CLASS<br />

Characterization and Casting for <strong>Cinema</strong><br />

eqds'k NkcM+k<br />

eqds'k NkcM+k Hkkjr ds vxz.kh dkfLVax funsZ'kd gSaA Jhjke lsaVj ls nks lky rd<br />

vfHku; esa çf'k{k.k ysus ds ckn jk"Vªh; Ldwy v‚Q Mªkek ds lkFk feydj fnYyh<br />

esa lkr ls vf/kd lky fFk,Vj bu ,tqds”ku ds rgr cPpksa dks i


MASTER CLASS<br />

With Dangal Team<br />

furs'k frokjh<br />

furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996<br />

esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy ds lkFk&lkFk<br />

ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa<br />

mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds lkFk dqN le; ds fy, dke<br />

fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17<br />

o’kksZa rd viuh çfrHkk ls foKkiu txr esa igpku cuk ;hA bl nkSjku mUgksaus<br />

viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />

vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk<br />

c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ dks rhu jk"Vªh; iqjLdkj<br />

çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA<br />

mUgksaus naxy dk lg&ys[ku vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre<br />

fQ+Yeksa esa ls ,d jghA<br />

ih;w"k xqIrk<br />

ih;w"k xqIrk ,d iVdFkk ys[kd gSaA mUgksaus naxy] HkwrukFk fjVUlZ vkSj ,lds,Q<br />

ds fy, ,d fQ+Ye ¼vHkh “kh’kZd ugha½ dh iVdFkk fy[kh gSA mUgsa foKkiu ds<br />

{ks= esa nl o’kksZ dk vuqHko gSA og vius dke esa ekuo var–Zf"V dks lekfgr<br />

djus esa fo'okl djrs gaSA mudk ekuuk gS fd ukVd thou dk fgLlk gS] dsoy<br />

bls [kkstus dh vko';drk gSA dqN iVdFkk ys[kd tSls _f"kds'k eq[kthZ vkSj<br />

ekftn ethnh ls mUgsa çsj.kk feyrhs gSaA<br />

fuf[ky esgjks=k<br />

vius thou dk vf/kdka'k le; eqacbZ vkSj fcgkj esa jgus ds ckn fuf[ky viuk<br />

le; yksxksa dks] muds O;ogkj vkSj fofp= vkdfLed ?kVukvksa dks ns[kus esa<br />

fcrkrs gSaA yksx dSls ckrphr djrs gSa] dSls ,d nwljs ds dke esas fnypLih ysrs<br />

gSa & ,sls gh dqN vuqHkoksa dks vius dke ds ek/;e ls fn[kkrs gaSA ,d n'kd<br />

rd fuf[ky us foKkiuksa dks fy[kus ds fy, ekuo var–Zf"V dks ,d midj.k ds<br />

:i esa mi;ksx fd;k gS vkSj vc Qhpj fQYeksa dks fy[kus ds fy, dj jgs gaSA<br />

fuf[ky us naxy] HkwrukFk fjVUlZ] fdy fny vkSj bÙksQ+kd dh iVdFkk fy[kh gSA<br />

Nitesh Tiwari<br />

Nitesh Tiwari spent his childhood in various towns of Madhya<br />

Pradesh. While pursuing B-Tech in IIT Bombay, he represented<br />

the team in cricket and his contribution to dramatics in the<br />

institute got him the Dramatics Roll Of Honour. He spent 17<br />

years in advertising and he was the Chief Creative Officer of<br />

Leo Burnett India before becoming a full time director. During<br />

these years he and his team did many memorable campaigns<br />

and won numerous advertising awards, domestic as well as<br />

international. Tiwari started his journey in Bollywood with Chillar<br />

Party which went on to win three National Awards. His other<br />

films oinclude Dangal and Bhootnath Returns.<br />

Piyush Gupta<br />

Piyush Gupta is a screenwriter. The films he has written include<br />

Dangal, Bhoothnath Returns and an untitled film for SKF. With<br />

over ten years’ experience in advertising, he believes in adding<br />

human insights and observations to his work. He believes<br />

that drama is part of life, one only needs to find it. Hrishikesh<br />

Mukherjee and Majid Majidi are some of the screenwriters who<br />

inspire him.<br />

Nikhil Mehrotra<br />

Having lived most of his life in Mumbai and Bihar, Nikhil spends<br />

his time observing people, their behaviour, and quirks. He<br />

imitates how an uncle talks, what a neighbour is interested in.<br />

What looks like a way of having fun is also the greatest tool to<br />

his craft.The tool of human insights. For a decade, Nikhil has<br />

used insights to write advertising campaigns. And now he is<br />

using them to write feature films. Some of the films Nikhil has<br />

penned include Dangal, Bhootnath Returns, Kill Dil and Ittefaq.


MASTER CLASS<br />

'ks[kj diwj<br />

'ks[kj diwj ,d Hkkjrh; fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh<br />

fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQ+Ye feLVj bafM;k<br />

O;kolkf;d lQy rFkk Hkkjrh; flusek dh ^^100 loZJs"B Hkkjrh; fQYeksa esa ls<br />

,d jgh^^A mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe Hkh cukbZ gS<br />

diwj us Qwyu nsoh dh thouh fQYe csafMV Dohu ds lkFk oSf'od ekU;rk çkIr<br />

dh vkSj bls loZJs"B fganh fQYe dk jk"Vªh; fQ+Ye iqjLdkj feykA<br />

'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ++Yeksa esa dSV<br />

CySapsV dks vfHku; dk volj nsdj varjjk’Vªh; igpku fnyk;hA bu fQ+Yeksa<br />

dks nks vdkneh iqjLdkjksa lfgr lkr ukekadu feysA bUgsa loZJs"B fQ+Ye lfgr<br />

ikap ck+rk iqjLdkj Hkh feysA<br />

'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA os dku] yanu vkSj VksD;ks<br />

fQYe lekjksgksa ds twjh jg pqds gSaA ,d fMftVy ehfM;k m|eh ds :i esa Hkkjr<br />

ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd<br />

ds fy, foy 'ksDlfi;j J`a[kyk dk funsZ'ku vkSj fuekZ.k fd;k gSA<br />

Shekhar Kapur<br />

Shekhar Kapur is an Indian film director,producer and storyteller.<br />

His directorial debut with cult Bollywood film Masoom won the<br />

Filmfare Critics Award for Best Movie of the year while Mr. India<br />

was declared one of the “100 Greatest Indian Films of All Time”<br />

on the centenary of Indian cinema. He has also made several<br />

documentaries and short films.<br />

Shekhar gained global recognition with the film Bandit Queen,<br />

a biopic of Indian bandit and politician Phoolan Devi, which<br />

won the National Award for Best Feature Film in Hindi and<br />

the Filmfare Critics Award for Best Movie and Best Direction<br />

for that year. Premiering in the Directors’ Fortnight section<br />

of the 1994 Cannes Film Festival, the film caused a furore,<br />

catapulting Kapur into international success. Kapur introduced<br />

Cate Blanchett to the world in his two historical biopics of<br />

Queen Elizabeth, which were nominated for 7 Academy<br />

Awards, including Best Film, and won 2; also winning 5 BAFTA<br />

Awards, including Best Film.<br />

Kapur co-created the hit West-end show Bombay Dreams with<br />

Andrew Lloyd Webber and has been the recipient of the Indian<br />

National Film Award, the BAFTA Award, the National Board of<br />

Review Award, and three Filmfare Awards. In 2010, he served<br />

as one of the Jury Members (<strong>International</strong> Competition) at the<br />

63rd Cannes Film Festival. He has also been on the jury of the<br />

London Film Festival, the Tokyo Film Festival, and was one of<br />

the sponsors of the <strong>International</strong> Indian Film Festival in Goa.<br />

Aside from his professional work in film, Kapur is one of India’s<br />

foremost activists on environmental and water sustainability<br />

issues. He is also a digital media entrepreneur, founding<br />

‘Qyuki’, one of India’s most successful online platforms for<br />

young Indian creators.


isuy }kjk ppkZ<br />

Hkkjr ds ;qok fQ+Yedkj & mHkjrh vkokt+sa vkSj u;s dFkkud<br />

lapkfydk vf'ouh v¸;j frokjh] fQYedkj<br />

vf'ouh v¸;j frokjh lksfQ+;k i‚yhVsfDud ls ,IykbM vkVZ~l esa Lo.kZ ind fotsrk gSaA foKkiu ,tsalh fy;ks cusZV ¼Hkkjr½ esa dke<br />

djrs gq, mUgksaus dku yk;Ul tSls dbZ iqjLdkj thrsA mUgksaus fQ+Ye cukus ds tquwu ds fy, foKkiu {ks= dks NksM+ fn;kA OgkWV bt+<br />

Q+kWj czsdQkLV\ mudh igyh y?kq fQ+Ye FkhA jk"Vªh; ,oa varjjk"Vªh; Lrj ds 100 ls vf/kd foKkiu cukus ds ckn vf'ouh us igyh<br />

fQ++Ye uhy cês lUukVk dk funsZ”ku fd;kA mUgksaus vEek dkukDdq ds :i mldk rfey :ikUrj cuk;kA mudh nwljh Q+hpj cjsyh<br />

dh cQhZ ,d Lyhij fgV FkhA<br />

vkj-,l- çlUuk] fQYedkj<br />

33 o"khZ; funsZ'kd vkj-,l- çlUuk ,d us c‚yhoqM esa jksekafVd d‚esMh 'kqHk eaxy lo/kku ds lkFk 'kq#vkr dh FkhA ;g mudh rfey fQYe<br />

dY;k.k lsuk lkne ij vk/kkfjr FkhA ,y-Ogh- çlkn fQYe Ldwy] psUubZ ds Lo.kZ ind fotsrk çlUuk us cfyZu vkSj cqlku fQ+YeksRloksa<br />

esa ,d ;qok fQYe çfrHkk ds :i esa Hkkx fy;kA çlUuk fo'ofo|ky;ksa ds d‚iksZjsV laxBuksa esa oDrk ds :i esa tkrs jgrs gaSA og orZeku<br />

esa viuh vxyh c‚yhoqM fQ+Ye dk ys[ku dj jgs gSa ftlds fuekZrk fl)kFkZ j‚; diwj gksxsaaA<br />

HkkLdj gtkfjdk] fQYedkj<br />

HkkLdj gtkfjdk ubZ fnYyh ds ,d ys[kd vkSj fQ+Ye fuekZrk gSaA mudh igyh fQ+Ye dksFkkuksnh dks ,f'k;kbZ flusek QaM ls iksLV<br />

çksMD'ku xzkaV çkIr gqbZ Fkh vkSj cqlku fQYe QsfLVoy esa fo'o çhfe;j gqbZ FkhA mlds i”pkr~ ;g fQ+Ye fo”o Hkj ds fQ+YeksRloksa<br />

esa Ánf”kZr gqbZ vkSj 2016 esa jk"Vªh; fQ+Ye iqjLdkj çkIr fd;kA gtkfjdk dh nwljh Qhpj & vkfel fuekZ.kk/khu gS vkSj 2018 esa<br />

fjyht gksus dh laHkkouk gSA<br />

dkfrZd lqCckjkt] fQYedkj<br />

enqjS ds dkfrZd lqCckjkt rfey fQYe ds funsZ'kd&fuekZrk gSaA mUgksaus funsZ'ku djus ls igys NksVh fQYesa cukbZaA 2012 esa dkfrZd dh<br />

igyh Q+hpj fiT+t+k lky dh lcls cM+h fgV FkhA mUgksaus 2014 esa ftxjnaMk ¼,d laxhre; xSaxLVj½ fQ+Ye dks nks jk"Vªh; iqjLdkj<br />

feysA 2016 ,d iq#"k&ç/kku lekt esa efgykvksa dh leL;kvksa ij cuh bZjk;oh dks cgqr egRoiw.kZ ç'kalk vkSj c‚Dl v‚fQl ij<br />

lQyrk feyhA og orZeku esa viuh pkSFkh fQYe ,d ewd fFkzyj edZ~;wjh dks vafre :i ns jgs gSaA


PANEL DISCUSSION<br />

Young Filmmakers of India- Emerging Voices and New Narratives<br />

Moderator Ashwiny Iyer Tiwari, Filmmaker<br />

Ashwiny Iyer Tiwari is a gold medalist in Applied Arts from Sophia Polytechnic. While working for advertising agency Leo Burnett<br />

(India), she won several awards, including Cannes Lions. She quit advertising to follow her passion in filmmaking. Her first short<br />

film was What’s for Breakfast?. After working for over 100 commercials and delivering creative solutions to national/international<br />

clients, she made her narrative feature debut with the highly acclaimed Nil Battey Sannata. She remade the film in Tamil as Amma<br />

Kanakku. Her second feature, Bareilly Ki Barfi, was a sleeper hit.<br />

R.S. Prasanna, Filmmaker<br />

R.S. Prasanna, 33, is a director who debuted in Bollywood this year with the romantic comedy Shubh Mangal Saavdhaan. The<br />

movie, adapted from his own Tamil debut Kalyana Samayal Saadham (2013), was hailed for the sensitive and hilarious treatment<br />

of an unusual theme: male impotence. A gold medal-winner from L.V. Prasad Film School, Chennai, he participated as a young<br />

filmmaking talent at the festivals in Berlin and Busan. Prasanna is a sought after speaker in universities, corporate outfits. He is<br />

currently writing his next Bollywood film to be produced by Siddharth Roy Kapur.<br />

Bhaskar Hazarika, Filmmaker<br />

Bhaskar Hazarika is a writer and filmmaker based in New Delhi. His debut film Kothanodi (2015) received the Post Production Grant<br />

from Asian <strong>Cinema</strong> Fund and had its World Premiere at the Busan Film Festival. Kothanodi has since travelled to festivals around<br />

the world and received the National Film Award in 2016. Hazarika’s second feature - Aamis (Voracious) - is under production at<br />

present and is expected to release in 2018.<br />

Karthik Subbaraj, Filmmaker<br />

Karthik Subbaraj is a director-producer in the Tamil Film industry. Hailing from Madurai, he made short films before directing<br />

four features. In 2012, Karthik’s first feature Pizza was the biggest hit of the year. He followed this up in 2014 with Jigarthanda,<br />

a musical gangster movie that won two National Awards. In 2016, Iraivi dealt with issues faced by women in a male-dominated<br />

society. The movie received enormous critical appreciation and was a box office success. He is currently giving finishing touches<br />

to his fourth film, Mercury, a silent thriller.


isuy }kjk ppkZ<br />

dgkuh dh “kfDr & vkWuykbu ,oa vkWQ+ykbu leqnk;ksa ds fy, u, lewgksa dh jpuk<br />

v‚CtoZj fjlpZ QkmaMs'ku ¼vksvkj,Q½ }kjk çLrqr v‚u ,aM v‚Qykbu dE;wuhVh ds fy, u, xzwi dh jpuk- ;g iWuy Jh lehj lju] mik/;{k] v‚CtoZj fjlpZ<br />

QkmaMs'ku }kjk lapkfyr fd;k tk,xkA buesa 'kkfey gksusokys iSuy ds lnL; gS %&<br />

lapkyd lehj lju] mik/;{k] v‚CtoZj fjlpZ Q+kmaMs'ku+<br />

lehj lju v‚CtoZj fjlpZ Q+kmaMs'ku] ubZ fnYyh ds mik/;{k gSaA og vksvkj,Q+ ds vkmVjhp vkSj O;kolkf;d fodkl xfrfof/k;ksa<br />

dk usr`Ro djrs gSA og jk;lhuk Mk;ykWx] Hkkjr ds okf’kZd Hkw&jktuhfr vkSj Hkw&vFkZ'kkL= dk çeq[k eap ds laxzgk/;{k rFkk lkbcj<br />

lqj{kk vkSj baVjusV lapkyu ij Hkkjr ds okf"kZd lEesyu flfQ ds v/;{k gSaA lehj oSf'od 'kklu ¼tyok;q ifjorZu vkSj ÅtkZ uhfr]<br />

oSf'od fodkl okLrqdyk] lkbcj lqj{kk vkSj baVjusV lapkyu½ ds fo’k;ksa ij Hkkjr dh fons'k uhfr ij fVIi.khdkj gaSA lehj n Xykscy<br />

dfe'ku v‚u n LVsfcfyVh v‚Q+ lkbcjLisl ds vk;qDr vkSj n oYMZ bdkWuksfed Q+ksje ds nf{k.k ,f'k;k lykgdkj cksMZ ds lnL;<br />

gksus ds lkFk&lkFk Xykscy +;wpj dkmafly vkWu lkbcj flD;ksfjVh dk ,d fgLlk gSaA og lsaVj Q+kWj ihl ,aM flD;ksfjVh] ljnkj<br />

iVsy iqfyl fo'ofo|ky;] tks/kiqj] Hkkjr ds funs'kd gSaA<br />

fuf'kdkar dker<br />

eqEcbZ esa tUes vkSj iyss fuf'kdkar dker us ,d jaxeap vfHkusrk vkSj funsZ'kd ds :i esa viuk dfj;j 'kq: fd;kA fQj mUgksaus ,d<br />

n'kd rd Vsyhfotu esa dke fd;kA ejkBh fQYe Mksafcoyh Q+kLV ds funsZ”ku ds lkFk mUgksaus flusek ds {ks= esa inkiZ.k fd;kA mUgksaus<br />

ckn esa bokuks vks#o uke ls bldk rfey :ikUrj cuk;kA 2008 esa] mUgksaus viuh igyh fganh fQYe eqacbZ esjh tku cukbZ ftlesa<br />

vkj- ek/kou] lksgk vyh [k+ku] bjQ+ku [k+ku] ijs'k jkoy vkSj ds ds esuu us vfHku; fd;k FkkA mudh vxyh fjyht Q+kslZ FkhA 2014<br />

esa fjrs'k ns'keq[k vfHkuhr ybZ Hkkjh ¼ejkBh½ dk funsZ”ku fd;kA tqykbZ 2015 esa] mUgksaus vt; nsoxu ds lg;ksx ls n`”;e cukbZA t‚u<br />

vczkge ds lkFk j‚dh gsUMle vkSj bjQ+ku [k+ku vfHkuhr enkjh budhs nks vU; fQYesa gSaA<br />

jktk —".k esuu<br />

jktk —".k esuu ,d Hkkjrh; fQ+Ye ys[kd] funsZ'kd vkSj fuekZrk gSaA mudk tUe dsjy ds f=pwj esa gqvk] tgka mUgksaus vius cpiu dk<br />

,d cM+k fgLlk fcrk;kA og ey;kye vfHkusrk Vh-ih- ek/kou ds iq= gSaA ,d foKkiu funZs'kd ds :i esa 'kq:vkr djus ds ckn os<br />

Qhpj fQYeksa dk funsZ”ku djus yxs vkSj cl ;w¡ gh] 'ksQ+] ,;jfy+V bR;kfn dk funsZ'ku fd;kA mudh nqljh fQ+Ye ckjg vkuk leh{kdksa<br />

}kjk ljkgh x;h rFkk vusd fQ+Ye lekjksgksa esa çnf”kZr gqbZ vkSj dbZ ukekadu ,oa iqjLdkj thrsA<br />

vUuk yqbZ lqLeu<br />

vUuk yqbZ lqLeu vkVZlh esa dyk cktkj laiknd gS] tgka og lkaL—frd fuekZ.k vFkZ'kkL= laca/kh dk;Z djrh gaSA og igys n o‚y<br />

LVªhV tuZy vkSj j‚;VlZ dh laoknnkrk] oqeWubunoYMZ-vksvkjth dhs laiknd rFkk ofj"B ys[kd] vkSj n Msyh LVkj] cs:r] yscuku<br />

dh dyk laiknd FkhasA 2015 esa og esykuhosohZj vkSj fde vtsjsyh ds Q+kLV Q+‚joMZ ¼,d iqLrd tks ;g çfrikfnr djrh gS fd<br />

oSf'od vFkZO;oLFkk esa efgykvksa dks vkxs c


PANEL DISCUSSION<br />

The Power of Story Telling - Creating New Groups for Communities<br />

Online and Offline<br />

Creating new Groups for Communities On and Offline presented by Observer Research Foundation (ORF) which is a not-forprofit,<br />

multidisciplinary public policy think tank engaged in developing and discussing policy alternatives on a wide-range of issues<br />

of national and international significance. Some of their key areas of research include international relations, defence, security,<br />

politics and governance, resources management and economy and development. Its mandate is to conduct in-depth research,<br />

provide inclusive platforms and invest in tomorrow’s thought leaders today. The panel will be moderated by Mr Samir Saran, Vice<br />

President, Observer Research Foundation.<br />

Moderator Samir Saran, VP, ORF<br />

Samir Saran is the Vice President of Observer Research Foundation, New Delhi. He spearheads ORF’s outreach and business<br />

development activities. He curates Raisina Dialogue, India’s annual flagship platform on geopolitics and geo-economics, and<br />

chairs CyFy, India’s annual conference on cyber security and internet governance.<br />

Samir is a frequent commentator on issues of global governance (climate change and energy policy, global development<br />

architecture, cyber security and internet governance) and on India’s foreign policy. Samir is Commissioner, The Global Commission<br />

on the Stability of Cyberspace, and member of the South Asia advisory board of the World Economic Forum as well as part of its<br />

Global Future Council on Cybersecurity. He is Director of the Centre for Peace and Security at the Sardar Patel Police University,<br />

Jodhpur, India.<br />

Nishikant Kamat<br />

Nishikant Kamat, born and raised in Mumbai, started his career as an actor and director in theatre. He then worked in television for<br />

a decade. He made his debut as a big screen director with the Marathi film Dombivali Fast, which he later adapted for the Tamil film<br />

Evano Oruvan. In 2008, he made his Hindi debut with Mumbai Meri Jaan. The film had an ensemble cast of R. Madhavan, Soha<br />

Ali Khan, Irrfan Khan, Paresh Rawal and Kay Kay Menon. His next release was Force in 2011. Kamat returned to Marathi cinema<br />

in 2014 with Lai Bhaari, starring Riteish Deshmukh. In July 2015, he collaborated with Ajay Devgn for the film Drishyam. He has<br />

made two other films – Rocky Handsome, his second collaboration with actor John Abraham, and Madaari, starring Irrfan Khan.<br />

Raja Krishna Menon<br />

Raja Krishna Menon is an Indian film writer, director and producer. He was born in Thrissur, Kerala, where he spent a major part of<br />

his childhood. He is the son of Malayalam actor T.P. Madhavan. He started as an advertisement director and later moved to feature<br />

films. He has directed Bollywood films like Chef and Airlift. His first film, Bas Yun Hi was among the first of wave of independent<br />

films made in Mumbai. His second film Barah Aana was received with rave reviews, travelled to many international film festivals<br />

and won many nominations and awards.<br />

Anna Louie Sussman<br />

Anna Louie Sussman is the art market editor at Artsy, where she covers the intersection of cultural production economics. She<br />

was previously a correspondent at The Wall Street Journal and Reuters, the editor and senior writer at WomenintheWorld.org,<br />

and the arts editor at The Daily Star in Beirut, Lebanon. In 2015, she was the lead researcher and writer for Melanne Verveer and<br />

Kim Azzarelli’s Fast Forward, a book that makes the moral and business case for why we must advance women across the global<br />

economy. She has over a decade of experience writing on gender, social issues, and the arts.


isuy }kjk ppkZ<br />

Hkkjr esa cPpksa dk flusek<br />

Jh çlwu tks'kh] v/;{k] lhch,Qlh }kjk lapkfyr *Hkkjrh; fQYeksa esa cPpksa dh fQYesa] D;k i;kZIr daVsaV gS cPps ftlls tqM+ lds\*<br />

lapkyd çlwu tks'kh dsaæh; fQYe çek.ku cksMZ] çeq[k<br />

Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />

çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku Lukrd]<br />

tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSddsu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />

mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks”kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />

dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk Hkkx<br />

tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feysA muds<br />

fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA<br />

vuqjkx cklq<br />

vuqjkx cklq ,d c‚yhoqM funsZ'kd vkSj ys[kd gSaA mUgksaus Hkkjr ds igys lksi vksisjkvksa esa ls ,d rkjk lfgr dbZ Vsyhfotu<br />

/kkjkokfgdksa dk funsZ'ku fd;kA mUgksaus ckykth VsfyfQ+YEl ds dksf'k”k ,d vk”kk vkSj ehr dks jchaæukFk VSxksj dh dgkuh ij vk/kkfjr<br />

ukSdknwch dk funsZ”ku Hkh fd;k FkkA dqN rks gS mudh igyh fQYe FkhA vxyh fQYe lk;k vykSfdd 'kSyh dh FkhA eMZj g‚yhoqM dh<br />

fgV vuQ+sFkQ+qy ij vk/kkfjr FkhA viuh vxyh fQYe rqelk ugha ns[kk ds fQYekadu ds nkSjku cklq jä dSalj jksx ls ihfM+r gks x;sA<br />

ckn esa ;g fQ+Ye eksfgr lwjh vkSj egs'k Hkê us iwjh dhA 2006 esa vuqjkx clq us xSaxLVj ds lkFk okilh dhA blds ckn ykbQ+ bu<br />

, esVªks leh{kdksa }kjk ç'kaflr jghA cklq us xSaxLVj] ykbQ+ bu , esVªks vkSj dkbV~l dh iVdFkk,a Hkh fy[khaA<br />

furs”k frokjh<br />

furs'k frokjh us viuk cpiu e/; çns'k ds fofHkUu 'kgjksa esa fcrk;kA 1996 esa vkbZvkbZVh] eqacbZ ls chVsd fd;kA vkbZvkbZVh&ch esa os [ksy<br />

ds lkFk&lkFk ukVdh; ekspksaZ ij cgqr lfØ; FksA chVsd ds ckn mUgksaus foKkiu ds {ks= esa mrjus ls igys ,d vxz.kh l‚+Vos;j QeZ ds<br />

lkFk dqN le; ds fy, dke fd;kA fy;ks cusZV bafM;k ds phQ fØ,fVo v‚fQlj ds :i esa dke djrs gq, 17 o’kksZa rd viuh çfrHkk<br />

ls foKkiu txr esa igpku cuk;hA bl nkSjku mUgksaus viuh Vhe ds lkFk dbZ ?kjsyw vkSj lkFk gh varjkZ"Vªh; ;knxkj foKkiu cuk,<br />

vkSj iqjLdkj thrsA frokjh fpYyj ikVhZ ds lg&ys[ku vkSj lg&funsZ'ku lkFk c‚yhoqM esa iw.kZdkfyd funsZ'kd cu x;sA fpYyj ikVhZ<br />

dks rhu jk"Vªh; iqjLdkj çkIr gq,A mlds ckn mUgksaus HkwrukFk fjVUlZ dk lg&ys[ku vkSj funsZ'ku fd;kA mUgksaus naxy dk lg&ys[ku<br />

vkSj funsZ'ku fd;k gSA ;g c‚yhoqM dh lQyre fQYeksa esa ls ,d jghA<br />

jktho fpydk<br />

jktho xzhu xksYM ,fues'ku ds laLFkkid vkSj lhbZvks gSaA mUgksaus Hkkjr ds lcls cM+s ,uhes'ku czkaM NksVk Hkhe dk fuekZ.k fd;k<br />

gS ftls 4 djksM+ ls vf/kd cPps ns[krs gaSA ;g igyk Hkkjrh; ,uhes'ku pfj= gS] tkss Lo;a ,d czkaM cu x;k gSA muds Áfr’Bku<br />

xzhu xksYM us fiNys 14 o"kksaZ esa ,uhes'ku ds 550+ ,filksM] 75+ Vsyhfotu fQYesa vkSj pkj fQ+Yeksa dk fuekZ.k fd;k gSA fpydk us<br />

mLekfu;k fo'ofo|ky;] gSnjkckn ls bysDVª‚fuDl vkSj VsfydE;qfuds”kUl bathfu;fjax esa Lukrd dh mikf/k çkIr dh gSA mUgksaus<br />

felkSjh dkulkl flVh fo'ofo|ky; ls daI;wVj lkbal esa ekLVlZ fd;k vkSj ,dsMseh vkWQ+ vkV~Zl] lSu ÝkaflLdks ls ,uhes'ku dk<br />

Hkh v/;;u fd;kA


PANEL DISCUSSION<br />

Children’s <strong>Cinema</strong> in India<br />

“Children’s films in Indian <strong>Cinema</strong> - Is there enough content which connects to Children” this session will be moderated by Prasoon<br />

Joshi, Chairperson, Central Board of Film Certification.<br />

Moderator Prasoon Joshi CBFC, CEO<br />

One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />

of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />

successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />

vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />

song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />

like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />

Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />

was awarded the Padma Shri in 2015.<br />

Anurag Basu<br />

Anurag Basu is a Bollywood director and writer. He directed several television serials, including Tara, one of India’s first soap<br />

operas. He also directed Balaji Telefilms’ Koshish Ek Aasha and Miit, which was based on Rabindranath Tagore’s Noukadubi. He<br />

made his debut in movies with Kucch Toh Hai. His next film Saaya belonged to the supernatural genre. Murder was based on the<br />

Hollywood hit Unfaithful. During the filming of his next film Tumsa Nahin Dekha (2004), Basu was diagnosed with blood cancer.<br />

The movie was later completed by Mohit Suri and Mahesh Bhatt. In 2006, Anurag Basu came back to make Gangster. It was<br />

followed by the critically acclaimed Life in a Metro. Basu wrote the screenplays for Gangster, Life in a Metro and Kites.<br />

Nitesh Tiwari<br />

Nitesh Tiwari spent his childhood in various towns of Madhya Pradesh. In 1992, he came to Mumbai to pursue his B. Tech at the<br />

prestigious IIT Bombay. At IIT-B he was very active on the sports as well dramatic fronts. He represented IIT-B in cricket and his<br />

contribution to dramatics in the institute got him the Dramatics Roll Of Honour. He spent 17 years in advertising and he was the<br />

Chief Creative Officer of Leo Burnett India before becoming a full time director. During these years he and his team did many<br />

memorable campaigns and won numerous advertising awards, domestic as well as international. Tiwari started his journey in<br />

Bollywood with Chillar Party which he co-wrote and co-directed. Chillar Party went on to win three National Awards. He then cowrote<br />

and directed Bhoothnath Returns. His latest venture, Dangal, which he co-wrote and directed, is one of the most successful<br />

Bollywood movies ever.<br />

Rajiv Chilaka<br />

Rajiv is the Founder and CEO of Green Gold Animation. He has created and built India’s biggest animation brand Chhota Bheem,<br />

which currently has a viewership of over 40 million children, and is the first ever Indian animation character to have its own line of<br />

branded merchandise. Under him, over the past 14 years, Green Gold has produced over 550+ episodes of animation content, 75+<br />

television movies and four theatrical movies. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering<br />

from Osmania University, Hyderabad. Chilaka holds a Master’s degree in Computer Science from University of Missouri Kansas<br />

City. He also studied animation at the Academy of Art, San Franscisco.


isuy }kjk ppkZ<br />

lkfgfR;d Ásj.kk & flusek vkSj fyf[kr “kCn<br />

ok.kh f=ikBh fVDdq] fuekZrh ,oa vfHkus=h }kjk lapkfyr *D;k ledkyhu flusek gekjs le; ds lkfgR; dks n'kkZrk gS*<br />

lapkfydk ok.kh f=ikBh fVDdq] fuekZrk ,oa vfHkus=h<br />

ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />

vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />

dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />

fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />

Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />

bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;kA ok.kh us<br />

2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />

vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />

veh”k f=ikBh<br />

veh”k f=ikBh ,d tkus ekus Hkkjrh; uoksn; ys[kd gSaA fo'o çfl) fQYe funsZ'kd 'ks[kj diwj us mUgsa ßHkkjr dk igyk lkfgfR;d<br />

i‚iLVkjß dgkA veh'k dh dgkfu;kas esa /kkfeZd çrhdkRedrk] vk/;kRe vkSj xgu n'kZu'kkL= dk vuwBk la;kstu gSA vk/;kfRed xq#<br />

nhid pksiM+k us Hkh muds ys[ku dh Á”kalk dh gSA mudh vc rd N% iqLrdssa Ádkf”kr gks pqdh gSaA n bEeksVZYl vkWQ+ esyqgk] n lhØsV<br />

vkWQ+ ukxkt+] n vksFk vkWQ+ ok;qiq=kt+ f'ko=;h ds uke ls Áfl) Hkkjrh; çdk'ku bfrgkl esa lcls rsth ls fcdus okyh iqLrd J`a[kyk<br />

gSA flvkWu vkWQ+ b{okdq lhrk & okWfj;j vkWQ+ fefFkyk ¼jke paæ lhjht iqLrd 2] <strong>2017</strong>½ gSaA bEekWVZy bafM;k & ;ax daVªh] Vkbeysl<br />

flfoykbt+s”ku dh 40 yk[k çfr;ka eqfær gks pqdh gSaA mudh iqLrdsa 19 Hkkjrh; vkSj fons'kh Hkk"kkvksa esa vuqfnr gqbZ gSaA<br />

;rhaæ feJk<br />

dfo] laiknd] laxhrK vkSj flusek fo”ks’kK ;rhaæ feJk pkj fganh dfork laxzg ds ys[kd gSaA mUgksaus fofHkUu çfl) dykdkj fxfjtk<br />

nsoh] lksuy ekuflag vkSj mLrkn fcfLeYykg [k+ku ds thou vkSj dke ds ckjs esa fy[kk gSA egku ik'oZxkf;dk yrk eaxs'kdj ds thou<br />

ij vk/kkfjr mudh uohure iqLrd yrk % lqj&xkFkk dkss flusek ij loZJs"B ys[ku ds fy, jk"Vªh; fQ+Ye iqjLdkj vkSj ekeh eqacbZ fQYe<br />

egksRlo esa loZJs"B ys[ku ds fy, iqjLdkj çkIr gq,A mÙkj çns'k laxhr ukVd vdkneh iqjLdkj vkSj KkuihB QSyksf'ki ds çkIrdrkZ<br />

gSaA ;rhaæ feJk MhMh Hkkjrh pSuy] nwjn'kZu] çlkjHkkjrh ¼2014&2016½ ds lykgdkj jgs gSaA og v;ks/;k esa jgrs gSaA<br />

çlwu tks'kh<br />

Hkkjrh; fQYe m|ksx esa lcls lEekfur ukeksa esa ls ,d çlwu tks'kh ,d çfrHkk'kkyh xhrdkj ls dgha vf/kd gSA og dsaæh; fQYe<br />

çek.ku cksMZ ds çeq[k gaSA vYeksM+k] mÙkjk[kaM esa tUes 45 o"khZ; dfo vkSj iVdFkk ys[kd ,d lQy foKkiudkj gaSA ,d foKku<br />

Lukrd] tks'kh us vksfxyoh ,aM ekFksj ds lkFk viuk dfjvj 'kq: fd;k vkSj eSdsuu&,fjdlu ds dk;Zdkjh mik/;{k cu x,A<br />

mUgksaus 1999 esa Hkksiky ,Dlçsl ds lkFk xhr fy[kuk 'kq: fd;k Fkk] ysfdu jktdqekj larks"kh dh fQYe yTtk ds xhr ÞdkSu Mxj<br />

dkSu “kgjÞ dh lQyrk ds lkFk mUgsa ubZ igpku feyhA blds ckn tks”kh us Quk] jax ns clarh] CySd] fnYyh 6 vkSj Hkkx feY[kk<br />

Hkkx tSlh fQYeksa ds xhr fy[ksA 2007 esa tks'kh dkss rkjs teha ij rFkk fpVkxkWUx ds fy, loZJs"B xhr ds jk"Vªh; iqjLdkj feys A<br />

muds fy[ks uhjtk ds xhr Hkh cgqr ilan fd;s x;sA 2015 esa tks'kh dks in~eJh ls lEekfur fd;k x;kA


PANEL DISCUSSION<br />

Literary Inspirations <strong>Cinema</strong> and the Written Word<br />

“Is contemporary cinema reflecting the literature of our times” this session will be moderated by Ms Vani Tripathi Tikoo, Producer<br />

& Actress.<br />

Moderator - Vani Tripathi Tikoo Producer & Actress<br />

Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />

programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />

to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />

deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />

films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />

six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />

Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />

has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />

the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />

school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />

She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />

Film Festival of India.<br />

Amish Tripathi<br />

Described as ‘India’s first literary popstar’ by world-renowned film director Shekhar Kapur, Amish’s unique combination of crackling<br />

story-telling, religious symbolism and profound philosophies has made him an overnight publishing phenomenon, with spiritual<br />

guru Deepak Chopra hailing Amish’s books as ‘archetypal and stirring’.<br />

Six of his books – The Immortals of Meluha (2010), The Secret of the Nagas (2011) and The Oath of the Vayuputras (2013), which<br />

collectively comprise the Shiva Trilogy, and Scion of Ikshvaku (2015), Sita – Warrior of Mithila (<strong>2017</strong>), Immortal India – Young<br />

Country, Timeless Civilisation have 4 million copies in print. His books have been translated into 19 Indian and foreign languages.<br />

The Shiva Trilogy is the fastest selling book series in Indian publishing history. Amish is a graduate of IIM-Calcutta and worked for<br />

14 years in the financial services industry before turning to full-time writing.<br />

Yatindra Mishra<br />

Poet, editor, music and cinema scholar, Yatindra Mishra has four collections of Hindi poetry to his credit. He has written about the<br />

life and work of various eminent artists Girija Devi, Sonal Mansingh and Ustad Bismillah Khan. His latest book Lata: Sur-Gatha’<br />

on legendary playback singer Lata Mangeshkar won the National Film Award for Best Writing on <strong>Cinema</strong> and an award for Best<br />

Writing at the MAMI Mumbai Film Festival. Recipient of Uttar Pradesh Sangeet Natak Academy Award and Jnanpith Fellowship,<br />

Mishra has been an advisor to the DD Bharati Channel, Doordarshan, Prasar Bharati (2014-2016). He lives in Ayodhya.<br />

Prasoon Joshi CBFC CEO<br />

One of the most respected names in the Indian film industry, Prasoon Joshi is more than just a talented lyricist. He is the chief<br />

of the Central Board of Film Certification (CBFC). Born in Uttarakhand’s Almora, the 45-year-old poet and screenwriter is a<br />

successful ad man. A science graduate, Joshi started his career with Ogilvy and Mather and went on to become the executive<br />

vice-president of McCann-Erickson. He began writing lyrics in 1999 with Bhopal Express, but his big break in films came with the<br />

song Kaun dagar, kaun shehar in Rajkumar Santoshi’s 2001 film Lajja. He became more prominent after penning songs for films<br />

like Fanaa, Rang De Basanti, Black, Delhi 6 and Bhaag Milkha Bhaag. In 2007, Joshi won the National Award for Best Lyrics for<br />

Taare Zameen Par and a second one for Chittagong in 2013. Recently, his lyrics for Neerja songs were also well received. Joshi<br />

was awarded the Padma Shri in 2015.


isuy }kjk ppkZ<br />

VSxksj dk lalkj<br />

t+h t;iqj lkfgR; lekjksg }kjk çLrqr ^Vkxksj v‚u lSY;wyksbMß ij ppkZ-<br />

lapkfydk ok.kh f=ikBh fVDdq<br />

ok.kh f=ikBh fVDdq dsUæh; fQYe çek.ku cksMZ dh lcls de mez dh lnL;k gSaA ,d dykdkj vkSj dk;ZdrkZ ds :i esa muds vfHk;ku<br />

vkSj vkmVjhp dk;ZØeksa us efgykvksa dh jktuhfr esa Hkkxhnkjh dks çksRlkfgr vkSj ;qokvksa dks ,d lkoZHkkSe eap çnku djus ij /;ku<br />

dsafær fd;k gS tks f'k{kk] l'kfädj.k vkSj jkstxkj tSls eqíksa dks lacksf/kr djrk gSA fuekZrk ds :i esa og i;kZoj.k vkSj oSf'od<br />

fLFkjrk ls lacaf/kr dk;ZØeksa esa lfØ; gaSA ,d vfHkus=h ds :i esa ns”k&fons”k esa mUgksaus yxHkx 50 ukVd] 40 Vhoh /kkjkokfgd vkSj<br />

Ng fQYeksa esa dke fd;k gSaA fnYyh fo'ofo|ky; ls jktuhfr foKku esa Lukrd gksus ds ckn os fyfoax fFk,Vj vdkneh xbZ vkSj<br />

bczkfge vYdkth ds ekxZn'kZu esa vfHku; lh[kkA mUgksaus us'kuy Ldwy v‚Q Mªkek fFk;sVj esa vfHku; dk f'k{k.k Hkh fd;k A ok.kh us<br />

2011 esa Hkksiky] e/; çns'k esa ns'k ds igys jkT; ljdkj }kjk lapkfyr ukVî fo|ky; dh LFkkiuk dhA ok.kh Hkkjr esa i=dkfjrk<br />

vkSj çlkj.k ls Hkh tqM+h jgha gSaA<br />

'kksek ,- pVthZ<br />

'kksek pVthZ dksydkrk fLFkr Ýhykal i=dkj] fQYe fo”ks’kK vkSj ysf[kdk gSaA og yxHkx ,d ntZu fçaV ehfM;k vkSj v‚uykbu<br />

çdk'kuksa esa ;ksxnku djrh gSA mUgksaus 1991 esa loZJs"B fQYe leh{kd ds fy, vkSj 2002 esa flusek ij loZJs"B iqLrd ds fy, nks<br />

jk"Vªh; iqjLdkj thrs gSaA dbZ vU; iqjLdkjksa vkSj Qsyksf'ki ds lkFk&lkFk fy, mUgksaus 24 iqLrdksa dh jpuk dh gS ftuesa ls vf/kdka'k<br />

Hkkjrh; flusek ij gSaA mudh uohure iqLrd oqeu ,V n foaMks ¼gkiZj&d‚fyal bafM;k½ lR;ftr js dh fQYeksa ukjh ds fp=.k ls Ásfjr<br />

gSaA lR;ftr js dh fQYesa VSxksj dh dgkfu;ksa ij vk/kkfjr gSA<br />

ikCyks lht+j<br />

ikCyks lht+j dk tUe 26 Qjojh] 1962 dks C;wul vk;lZ esa gqvk FkkA og vtsaZVhuk ds funsZ”kd] fuekZrk] ys[kd] vfHkusrk vkSj laiknd<br />

gSaA ikCyks us Ng lky dh vk;q esa igyk d‚feDl cuk;k] 10 lky esa igyk cqysfVu fy[kk vkSj eqfær fd;kA 1975 esa muds cM+s HkkbZ us<br />

mUgsa ,d ohfM;ks dSejk fn;k mUgksaus ftldk mi;ksx djds nks lky ckn 7 feuV dh viuh igyh y?kq fQYe cukbZ vkSj mldh iVdFkk<br />

Hkh fy[khA blh Øe esa mUgksaus dbZ Á;ksxkRed y?kq fQYesa cukbZ vkSj muds fy, vusd iqjLdkj ÁkIr fd;sA ikCyks vusd varjkZ’Vªh; fQ+Ye<br />

lekjksgksa esa fu.kkZ;d eaMy ds lnL; jg pqds gSaA 1992 ls os ;wfuoflZMkM Msy flus Mh C;wul vk;lZ esa çksQslj gSaA og vtsaZVhuk vkSj<br />

Vîwuhf”k;k ¼bfDouksfl;ks] n xkMZu v‚Q jksts+l] 1991½] Hkkjr ¼;wfud‚uZ] n xkMZu v‚Q ÝwV~l] 1996½ vkSj ekyh ¼,Ý+ksMkbV] n xkMZu<br />

v‚Q+ ij;wEl] 1998½ ds chp fQYe lg&çksMD'kal ds vxz.kh FksA ;s rhuksa fQYesa mu ns”kksa ds yksd feFkdksa ij vk/kkfjr Fkha tgka mUgsa<br />

fQ+Yek;k x;k FkkA tks lkaxzs ¼2003½] xzs Q+k;j ¼1994½ vkSj n lsØsM QS+feyh ¼1988½ tSlh fQ+Yeksa ds fy, Áfl) gSaA<br />

jkbek lsu<br />

jkbek lsu ,d ç'kaflr fQYe vfHkus=h gSA mudh lQyrk dh Hkwfedk _rqi.kksZ ?kks"k dh pks[ksj ckyh vkSj leh{kdksa }kjk ç'kaflr<br />

2005 ds c‚yhoqM fQYe ifj.khrk esa gqbZA og rc ls caxkyh vkSj fganh fQYeksa esa egRoiw.kZ Hkwfedk fuHkkbZA 2014 esa] mUgksaus foyh;e<br />

'ksDlfi;j ls vuqdwfyr ,d caxkyh fQYe dh çeq[k fºznegkjh ctkbZ vkSj ckMZ ds tUe ds 450 osa o"kZ ij ,d J)katyh ds :i<br />

esa çLrqr fd;kA mudh vU; fQYeksa esa ,D'ku fFkzyj nl] vark egy] n cksax dusD'ku] euksjek Ng QhV vaMj vkSj fgV caxkyh<br />

fQYe cs'ksJkcksu gSaA<br />

equ equ lsu<br />

equ equ lsu us ,d i=dkj vkSj fQYe leh{kd ds :i esa viuk dSfj;j 'kq: fd;kA fQYeksa esa vkus ls igys og xzkfQd fMtkbu<br />

i


PANEL DISCUSSION<br />

Tagore On Celluloid<br />

“Tagore on Celluloid” presented by ZEE Jaipur Literature Festival.<br />

Moderator - Vani Tripathi Tikoo Producer & Actress<br />

Vani Tripathi Tikoo is one of the youngest ever members of the Central Board of Film Certification. Her campaigns and outreach<br />

programmes as an artist and activist have focused on encouraging women’s participation in politics and bringing the youth<br />

to a universal platform that addresses issues like education, empowerment and employment. As a producer, she has been<br />

deeply involved in programmes related to environment and global sustainability. She has also been closely involved in theatre,<br />

films and television, having worked in India as well as abroad. As an actor, she has about 50 plays, 40-odd TV serials and<br />

six films to her credit. After graduating in political science from Delhi University, she went to the Living Theatre Academy of<br />

Drama and learnt acting under the guidance of the legendary theatre guru Ebrahim Alkazi. The noted theatre personalities Vani<br />

has worked with include B.V. Karanth, Maya Rao, Barry John and Tripurari Sharma. Later, she worked as an actor-teacher at<br />

the National School of Drama’s Theatre in Education Company. She founded the country’s first state government-run drama<br />

school in Bhopal, Madhya Pradesh Natya Vidyalaya, in 2011. Vani was also attached to journalism and broadcasting in India.<br />

She continues to contribute to Indian newspapers from time to time. She is currently on the Core Committee for the <strong>International</strong><br />

Film Festival of India.<br />

Shoma A. Chatterji<br />

Shoma A. Chatterji is a Kolkata-based freelance journalist, film scholar and author. She contributes to around a dozen print media<br />

and online publications. She has won two National Awards for Best Writing on <strong>Cinema</strong> - for Best Film Critic in 1991 and for Best<br />

Book on cinema in 2002 along with several other awards and fellowships. She has authored 24 books of which most are on Indian<br />

cinema. Her latest, Woman at the Window (Harper-Collins India), deals with the material universe in Ray’s films adapted from<br />

Tagore’s stories.<br />

Pablo Cesar<br />

At the age of six he began to project comics, at 10 he wrote and printed his first bulletin that he sold at the Champagnat School<br />

where he was studying and in nearby kiosks. In 1975, his older brother gave him a video camera that he used intensively and<br />

two years later he scripted and made his first short film of 7 minutes, followed by others. In 1980, for his short film Del genesis, he<br />

was awarded the first prize in the “Experimental” category in the contest of the Ateneo Foto-Cine Rosario, in addition to earning a<br />

mention for Best Editing and Third Prize (without category) in the contest of the Circle of Filmmakers Marplatenses and a Special<br />

Mention of UNCIPAR. For his film De los caras de los espejos, Cesar won the First Prize of UNICA, the Amateur <strong>International</strong> Film<br />

Union in 1983. He was a jury at the festivals of Amiens (France), Montreal Young Film Festival (Canada), Kelibia (Tunisia), Huy<br />

(Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa Carlos Paz and Buenos Aires. Since 1992 he is a professor at<br />

the Universidad del Cine de Buenos Aires. He was a pioneer in film co-productions between Argentina and Tunisia (Equinoccio,<br />

The Garden of Roses, 1991), India (Unicorn, The Garden of Fruits, 1996) and Mali (Aphrodite, The Garden of Perfumes, 1998).<br />

These three films were mostly based on folk myths from each of the countries where they were filmed.<br />

Raima Sen<br />

Raima is an Indian film actress. Her breakthrough role came when she starred in Rituparno Ghosh's film Chokher Bali and the<br />

critically acclaimed hit in 2005 Parineeta. 2014 saw Sen as the leading lady in the critically acclaimed Hrid Majharey, the first<br />

Bengali movie based on the works of William Shakespeare, and presented as a tribute on the 450th year of birth of the Bard. Her<br />

other works include the action thriller Dus and the Bengali film Antar Mahal, The Bong Connection, Manorama Six Feet Under<br />

and the hit Bengali film Baishe Srabon.<br />

Moon Moon Sen<br />

Moon Moon Sen began her career as a journalist and film critic and later taught as a graphic designer before embarking on a<br />

successful cinematic journey. As an actress, she has worked in more than 60 films in 22 languages and countless TV serials.<br />

For over 6 years, she has been an active part of the Bengali "jatra", an ancient form of folk theatre with its roots in religion and<br />

mythology.


isuy }kjk ppkZ<br />

fMftVy Lisl n +;wpj<br />

MhftVy Lisl & bldk Hkfo"; vkSj D;k ;g flusek ds fy, vk'kadk gS \<br />

lapkyd Hkkjrckyk] fQYe fuekZrk<br />

Hkkjrckyk dk –f"Vdks.k fQYe fuekZ.k ds Áfr u;k gSA ljy Hkkouk,a vkSj cM+k dSuokl budh dk;Z”kSyh dks fpfUgr djrs gSaA Hkkjrckyk<br />

fo'o ds Jksrkvksa dks Hkkjrh; dFkk,a ,d lkoZHkkSfed laosnu'khyrk ds lkFk crkus ds fy, Áfl) gaSA varjjk"Vªh; flusek dks ns[kdj<br />

cM+s gq, Hkkjrckyk MsfoM yhu] MsfoM fyap vkSj fcey j‚; dh fQ+Yeksa ls cgqr çHkkfor gaSA czkthy ds funsZ'kd okWVj lkysl vkSj<br />

phuh funsZ'kd >kax f;ew us vius ns'k dhs dgkfu;ksa dks fo'o flusek LFkku esa fnyk;kA blh Ádkj Hkkjrckyk Hkh Hkkjrh; dgkfu;ksa dks<br />

varjkZ"Vªh; eap ij ys tkus ds fy, vR;ar mRlkfgr gSaA<br />

'ks[kj diwj<br />

'ks[kj diwj fQYe funsZ'kd] fuekZrk vkSj dFkkdkj gSaA mUgksaus fganh fQYe eklwe ds lkFk funsZ'ku dh 'kq#vkr dhA mudh fQYe feLVj<br />

bafM;k O;kolkf;d lQy rFkk Hkkjrh; flusek dh 100 loZJs"B Hkkjrh; fQYeksa esa ls ,d jghA mUgksaus dbZ o`Ùkfp= vkSj y?kq fQYe<br />

Hkh cukbZ gS diwj us Qwyu nsoh dh thouh fQYe n csafMV Dohu ds lkFk oSf'od ekU;rk çkIr dh vkSj bls loZJs"B fganh fQYe dk<br />

jk"Vªh; fQYe iqjLdkj feykA 'ks[kj us jkuh ,fytkcsFk ds thou ij vk/kkfjr nks ,sfrgkfld fQ+Yeksa esa dSV CySapsV dks vfHku; dk<br />

volj nsdj varjjk’Vªh; igpku fnyk;hA 'ks[kj us ,aMª;w y‚;M oscj ds lkFk c‚Ecs MªhEl cuk;kA ,d fMftVy ehfM;k m|eh ds<br />

:i esa Hkkjr ds lcls lQy v‚uykbu IysVQkeZ ßD;wdhß dh LFkkiuk dhA vesfjdh çlkjd ds fy, fofy;e 'ksDlfi;j J`a[kyk dk<br />

funsZ'ku vkSj fuekZ.k fd;k gSA<br />

fot; lqcze.;e<br />

vestWu çkbe ohfM;ks bafM;k esa dUVsaV funsZ'kd fot; lqcze.;e dks ehfM;k&Vhoh] jsfM;ks] çdk'ku vkSj fMftVy ehfM;k ds lHkh eq[;<br />

fo/kkvksa dk 20 ls vf/kd o"kksaZ ds vuqHko gSA lqczã.;e o‚YV fMtuh bafM;k esa ehfM;k usVod ds dk;Zdkjh funsZ'kd cusA blls igys<br />

mUgksaus ,eVhoh] bZ,uvkbZ,y&jsfM;ks fephZ] LVkj bafM;k vkSj LVkjMLV esa dke fd;kA lqczã.;e us fMTuh bafM;k ds ;qok pSuy fcankl<br />

ds fodkl esa egRoiw.kZ Hkwfedk fuHkkbZA mUgksaus n fVªi] xyZ bu n flVh vkSj beks”kuy vR;kpkj tSls lQy dk;ZØeksas dh 'kq:vkr dhA<br />

ufpdsr iaroS|<br />

ufpdsr iaroS| ,,yVh fMftVy ehfM;k ,aVjVsuesaV fyfeVsM ds lhbZvks gSaA og daiuh esa lkexzh] foi.ku] forj.k vkSj jktLo ds<br />

ifjpkyu esa ih ,aM ,y dk mÙkjnkf;Ro laHkkyrs gaSA blls igys og lksuh ,aVjVsuesaV Vsyhfotu ds fctusl Áeq[k FksA og LVkj<br />

Iyl ds fctusl Áeq[k Hkh Fks vkSj mUgksaus LVkj Vhoh usVodZ esa dbZ Hkwfedk,a dh ftuesa LVkj çokg ds çeq[k vkSj Q‚Dl Vsyhfotu<br />

LVwfM;ks ds çca/k funsZ'kd 'kkfey FksA vkbZvkbZ,e&vgenkckn ds iwoZ Nk= ufpdsr us chchlh vkSj fMTuh esa egRoiw.kZ çca/ku Hkwfedk,a<br />

fuHkk;ha gSaA<br />

lehj uk;j<br />

ehfM;k vkSj euksjatu m|ksx ds fnXxt lehj uk;j rhu n'kdksa rd vxz.kh ehfM;k Áfr’Bkuksa ds çeq[k jgss gSaA mudss dfj;j dh<br />

miyfC/k;ksa esa LVkj Vhoh usVodZ dk lq/kkj] vferkHk cPpu ds dkSu cusxk djksM+ifr dk çlkj.k vkSj LVkj Iyl ij ckykth ÁksMD”kal<br />

fufeZr lksi vksisjk 'kkfey FksA lehj ,uMhVhoh besftbu fyfeVsM ds lkFk m|eh cu x,A ckn esa mUgksaus VuZj tujy ,aVjVsuesaV<br />

usVodZ ds lhbZvks cuus ds fy, ,uMhVhoh besftu dks VuZj xzqi dks csp fn;kA mlds ckn lehj ckykth VsyhfQYEl fyfeVsM esa<br />

,,yVh ckykth ds lkFk mudk igyk fMftVy vkmVjhp ch 2 lh “kq# djus ds fy, 'kkfey gks x,A vxLr <strong>2017</strong> esa lehj us<br />

euksjatu djus ds fy, ,d u;k O;kolkf;d lQ+j & ,d ehfM;k] daVsaV vkSj vkbZih fØ,”ku LVwfM;ks vkfnR; fcM+yk lewg ds<br />

v/;{k dqekj eaxye fcM+yk ds lg;ksx ls 'kq: fd;k<br />

dj.k va'kqeu<br />

dj.k va'kqeu ,d ys[kd vkSj funsZ'kd gSaA mudh igyh y?kq fQ+Ye ,ysosVj ,fVdsV laHkor% fMftVy çk:i esa cuh Hkkjr dh igyh<br />

fQYe FkhA ;g fMftVy V‚dht lekjksg esa çhfe;j gqbZ FkhA vxyh fQ+Ye HkkbZpkjk dks cfyZu 'k‚VZ~l odZ'k‚i esa vkeaf=r fd;k<br />

x;k FkkA mUgksaus vkbZlhvkbZlhvkbZ çwMsaf'k;y] c‚Ecs Mkbax] ,elh,Dl] vkSj lsu o‚Vj fQYVj vkfn ds fy, foKkiu vkSj d‚iksZjsV<br />

fQYeksa dk funsZ'ku fd;kA mUgksaus lbZn fetkZ ds lkFk dbZ fQ+Yeksa vkSj iqLrdksa ij dke fd;kA dj.k iqjLdkj fotsrk osc vkSj eksckby<br />

fodkl ,tsalh MªheLdsi ehfM;k ds jpukRed funsZ'kd vkSj Hkkjrh; flusek ij xaHkhj n`f’V j[kus okys fQYe iksVZy vijLV‚y-d‚e<br />

ds lg&fuekZrk gSaA Vkbe if=dk }kjk bl osclkbV dks fo”o dh loksZPp rhu euksjatu osclkbV~l esa ls ,d ds :i esa ewY;kafdr<br />

fd;k x;k gSA dj.k rhu o’kZ rd eqacbZ fejj if=dk ds fQ+Ye vkykspd jgs gSaA


PANEL DISCUSSION<br />

Digital Space The Future Ahead<br />

“Digital space – What is the future and is it a threat to <strong>Cinema</strong>?<br />

Moderator Bharatbala Filmmaker<br />

Simple emotions and big canvasses mark the working style of this Chennai-born man who has a fresh outlook to filmmaking.<br />

A person who breathes life into his visuals through real places and people, Bharatbala tells Indian stories with a universal sensibility<br />

to a world audience. Having grown up on a diet of international cinema, Bharatbala is deeply influenced by works of David<br />

Lean, David Lynch and Bimal Roy. Like Brazilian director Water Salles and Chinese director Zhang Yimou, who have brought<br />

stories from their countries into the world cinema space, Bharatbala too is passionate about showcasing stories from India to an<br />

international audience.<br />

Shekhar Kapur<br />

Shekhar Kapur is an Indian film director, producer and storyteller. He made his directorial debut with the Hindi film Masoom. His<br />

film Mr. India was a huge commercial success and was declared one of the ‘100 Greatest Indian Films of All Time’. Kapur gained<br />

global recognition with Bandit Queen, which won the National Film Award. Kapur co-created the hit West End show Bombay<br />

Dreams with Andrew Lloyd Webber. He has served as a jury member at the 63rd Cannes Film Festival. He is also a digital media<br />

entrepreneur, founding ‘Qyuki’, one of India’s most successful online platforms for young Indian creators.<br />

Vijay Subramaniam<br />

Vijay Subramaniam, director for content at Amazon Prime Video India, is a media and entertainment professional with over 20<br />

years of experience in all mainstream forms of Media - TV, radio, publishing and digital Media. Subramaniam joined Walt Disney<br />

India in 2007 as executive director, media networks, before which he worked at MTV, ENIL- Radio Mirchi, Star India and Stardust.<br />

Subramaniam played a key role in the growth of Disney India’s youth channel Bindass; he steered the launches of successful<br />

shows like The Trip, Girl in the City and Emotional Atyachaar.<br />

Nachiket Pantvaidya<br />

CEO of ALT Digital Media Entertainment Ltd, Nachiket Pantvaidya has P&L responsibility of the company’s operations spanning<br />

content, marketing, distribution and revenues. In his earlier assignment, he was business head of Sony Entertainment Television.<br />

He was also the business head of Star Plus and held several roles in the Star TV network, including head of Star Pravah and<br />

Managing Director of Fox Television Studios. An IIM-Ahmedabad alumnus, he has also held key management roles in BBC and<br />

Disney.<br />

Sameer Nair<br />

A media and entertainment industry veteran, Sameer Nair’s illustrious career spans across three decades with him holding<br />

key positions at leading media houses. Among varied highlights in his career span was the network revamp at Star TV and the<br />

launch of Amitabh Bachchan’s KBC, and the Balaji soap operas on Star Plus. Sameer turned entrepreneur with NDTV Imagine<br />

Ltd. Later, he successfully concluded the sale of NDTV Imagine to the Turner Group, to become the CEO of Turner General<br />

Entertainment Networks. After this, Sameer went on to join Balaji Telefilms Ltd. as its Group CEO devising an expansive strategy<br />

for the company’s foray into digital - their first B2C outreach with ALT Balaji. In August <strong>2017</strong>, Sameer began a new professional<br />

journey to helm Applause Entertainment - a media, content & IP creation studio - promoted by Aditya Birla Group chairman -<br />

Kumar Mangalam Birla.<br />

Karan Anshuman<br />

Karan Anshuman is a writer and director. His first short, Elevator Etiquette, was a pure digital format film – that premiered at the<br />

Digital Talkies festival. The next short – Bhaichara – was invited to the Berlinale Shorts Workshop. He also directed ads and<br />

corporate films for ICICI Prudential, Bombay Dyeing and many more. He worked with Saeed Mirza on multiple docu, feature,<br />

and book projects and also wrote for television. Karan is the co-founder of two digital initiatives: he is the creative director of<br />

Dreamscape Media, an award-winning web and mobile development agency; and co-creator of Upperstall.com, a film portal that<br />

takes a serious look at Indian cinema and rated by TIME Magazine as one of the Top 3 entertainment websites in the world. Karan<br />

was the film critic for Mumbai Mirror for an eventful 3 years.


isuy }kjk ppkZ<br />

viuh vxyh fQ+Ye dSls cuk,a<br />

*vkidh vkxkeh fQYe dSls cuk, \ & ;qok fuekZrk ,oa ys[kdksa ds fy,* n çksMîwllZ fxYM v‚Q bafM;k fy- }kjk çLrqr vkSj vuqiek pksçk] fQYe leh{kd]<br />

i=dkj ,oa ys[kd }kjk lapkfyr gSA<br />

lapkyd vuqiek pksiM+k<br />

vuqiek pksiM+k ,d vkykspd] ys[kd vkSj eqacbZ fQ+Ye egksRlo dh funsZ'kd gSaA og 1993 ds ckn ls U;w;‚dZ VkbEl] n y‚l ,aftYl<br />

VkbEl vkSj lkbV ,aM lkmaM tSls varjjk"Vªh; çdk'kuksa esa c‚yhoqM ds ckjs esa fy[krh gSA og fQ+Ye dEisfu;u dh laLFkkid vkSj<br />

laiknd Hkh gSaA mUgksaus Hkkjrh; flusek ij dbZ iqLrdsa fy[kh gSaA vuqiek dks viuh iqLrd 'kksys % n esfdax v‚Q , Dykfld ds fy,<br />

loZJs"B iqLrd dk jk"Vªh; fQ+Ye iqjLdkj çkIr gqvk gSA<br />

fl)kFkZ j‚; diwj<br />

fl)kFkZ j‚; diwj çfrf"Br fQYe fuekZrk j‚; diwj fQ+YEl ds laLFkkid vkSj çksMîwllZ fxYM vkWQ+ bafM;k ds v/;{k gSaA og eqacbZ<br />

fQYe egksRlo ¼,e,,evkbZ½ ds cksMZ ds VªLVh vkSj Hkkjrh; varjkZ"Vªh; fQYe egksRlo ¼vkbZ,Q,QvkbZ½ dh lapkyu lfefr ds lnL;<br />

gSaA og o‚YV fMtuh daiuh bafM;k ds iwoZ çca/k funsZ'kd FkssA mUgksaus vusd vlk/kkj.k fQYeksa dk fuekZ.k fd;k vkSj Lo;a dks Hkkjrh;<br />

flusek txr ds l”kDr fuekZrk ds :i esa LFkkfir fd;k gSA os n bdksu‚fed VkbEl ds 40 o’kZ ls de vk;q okys 40 loksZPp bafM;u<br />

fctusl yhMlZ vkSj g‚yhoqM fjiksVZj usDLV tsusjs”ku ,f”k;k bukWxqjy Dykl vkWQ+ ;ax yhMlZ dh lwph esa 'kkfey gsaA fl)kFkZ j‚;<br />

diwj dks fQYeksa ds vfrfjDr muds m|ksx usr`Ro vkSj miyfC/k;ksa ds fy, vusd iqjLdkj ÁkIr gks pqds gaSA<br />

,drk diwj<br />

,drk diwj dks Hkkjr ds Vsyhfotu ifj–'; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd vkSj Ápfyr<br />

gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh gSA ,drk fu;fer :i<br />

ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj thrk gSA NksVh mez esa cM+s cM+s /<br />

kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax<br />

¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j] 2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh;<br />

foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfrdh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa [kk j x;k FkkA<br />

fot; flag<br />

fot; flag dks ekpZ 2008 esa Q+‚Dl LVkj LVwfM;kst+ bafM;k ds eq[; dk;Zdkjh vf/kdkjh fu;qä fd;k x;k FkkA ;g LVwfM;ks c‚yhoqM<br />

dh fQ+Yeksa dk fuekZ.k vkSj g‚yhoqM rFkk c‚yhoqM fQ+Yeksa ds fy, ,d ekdsZfVax vkSj fMLVªhC;w'ku IysVQkeZ LFkkfir djrk gSA os LVkj<br />

bafM;k ds d‚jiksjsV dk;ksaZ tSls ubZ fctusl j.kuhfr fodflr djus vkSj Hkkjr esa LVkj ds la;qä m|e dkjksckj dh ns[kjs[k ds fy,<br />

ftEesnkj FksA fot; flag us Hkkjr esa lksuh E;wftd ,aVjVsuesaV dh LFkkiuk dh] tgka og 1996 ls 2002 rd çca/k funs'kd ds :i esa<br />

dke fd;kA blls igys mUgksaus ;wfuyhoj xzqi] o‚YV fMtuh dUT+;wej ÁksMDV~l vkSj VkVk ds xzqi ds lkFk ç'kklfud dk;ZHkkj laHkkykA<br />

Lkkftn ukfM;kMokyk<br />

lkftn ufM;kMokyk] ufM;kMokyk ifjokj dh rhljh ihls “kknh djksxh] gs; csch] gkmlQqy ¼vkSj blds lhDosy½ gkbZos] 2 LVsV~l]<br />

ghjksiarh] fdd] rek”kk] ckxh] fM'kwe vkSj tqMoka 2 tSlh fgV fQYesa 'kkfey gSaSA<br />

dj.k tkSgj<br />

dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />

iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus<br />

dHkh [kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy<br />

fQ+Yeksa dk funsZ'ku vkSj ys[ku fd;k gSA cgqeq[kh ÁfrHkk okys dj.k ,d çHkko'kkyh m|ksxifr Hkh gSaA dj.k ,d Vsyhfotu O;fäRo]<br />

V‚d 'kks gksLV] d‚LVîwe fMtkbuj vkSj vfHkusrk gSaaA muds V‚d 'kks d‚Qh foFk dj.k us Hkkjrh; Vsyhfotu ij lcls T;knk ns[ks<br />

tkus okys vaxzst+h V‚d 'kks gksus dk xkSjo çkIr fd;k gSA dj.k tkSgj vfXuiFk] nksLrkuk] ;s tokuh gS nhokuh] osd vi flM vkSj<br />

,d eSa vkSj ,d rw tSlh CykWdcLVj fQYeksa ds funsZ'kdksa ds ekxZn”kZd vkSj fuekZ.k esa lgk;d jgs gSaA


PANEL DISCUSSION<br />

How to make your next film?<br />

“How to make your next film? - For young Producers and writers” presented by The Producers Guild of India Ltd.<br />

This session will be moderated by Ms Anupama Chopra, Film critic, journalist and author.<br />

Moderator Anupama Chopra Film Critic<br />

Anupama Chopra is a critic, author and director of the Mumbai Film Festival. She has been writing about Bollywood since 1993<br />

for international publications like The New York Times, The Los Angeles Times and Sight & Sound. She is also the founder and<br />

editor of Film Companion. She has written several books on Indian cinema. She won the 2000 National Film Award for Best Book<br />

on <strong>Cinema</strong> for her first book Sholay -The Making of a Classic.<br />

Siddharth Roy Kapur<br />

Siddharth Roy Kapur is an eminent film producer, founder of Roy Kapur Films and the President of the Producers Guild of India.<br />

He is on the Board of Trustees of the Mumbai Film Festival (MAMI) and on the Steering Committee of the <strong>International</strong> Film<br />

Festival of India (<strong>IFFI</strong>). With an exceptional filmography to his credit as a producer, he has established himself as one of India’s<br />

trailblazing creative powerhouses. He has been featured on The Economic Times Top 40 Indian Business Leaders under 40 and<br />

The Hollywood Reporter Next Generation Asia Inaugural Class of Young Leaders.<br />

Ekta Kapoor<br />

Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />

India’s satellite television boom. As the creative force behind the Company’s success, she believes in a hands-on approach in<br />

day-to-day creative direction for all their content. Under her creative guidance, Balaji has won almost every major TV award. In<br />

2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing, advertising and media<br />

ecosystems by IMPACT magazine.<br />

Vijay Singh<br />

Vijay Singh was appointed the CEO of Fox Star Studios India in 2008. Prior to this, he was President, Strategy and Corporate<br />

Development at Star India. Singh set up Sony Music Entertainment in India where he was responsible for setting up Sony’s Music.<br />

He has also worked with The Unilever Group, Walt Disney Consumer Products and the Tata Group.<br />

Sajid Nadiadwala<br />

Sajid Nadiadwala is the third generation filmmaker of the Nadiadwala family who have been in the filmmaking business from more<br />

than 60 years. His passion for entertaining the audience has yielded hit films like Jeet, Judwaa, Mujhse Shaadi Karogi, Heyy<br />

Babyy, Housefull, Highway, 2 States, Heropanti, Kick, Tamasha, Baaghi, Dishoom and Judwaa 2.<br />

Karan Johar<br />

Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />

in Indian cinema for the appreciation it received, both critically and commercially, in India as well as internationally. Over the last 15<br />

years, he has directed, written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi Gham, Kabhi Alvida<br />

Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an acclaimed director and<br />

one of the most influential men in the industry today, Karan is also a television personality, talk show host, costume designer and<br />

the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of being the most watched<br />

English talk show on Indian television. Karan Johar has also been a mentor to many successful directors in India; releasing both<br />

commercial blockbusters like Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake<br />

Up Sid and Ek Main Aur Ek Tu.


isuy }kjk ppkZ<br />

fo'o vkfFkZd eap }kjk çLrqr<br />

iSuy ppkZ ,d ubZ okLrfodrk ds fo’k; esa n{krk ÁkIr djus ls lacaf/kr gSA rduhdh uokpkjksa vkSj u, O;olk; e‚My esa Hkkjrh; Vsyhfotu vkSj fQYeksa dks vf/kd<br />

lekos'kh vkSj baVjSfDVo cukus dh {kerk gSA ;g ifjorZu uhfr fuekZ.k] vFkZ'kkL=] O;kikj vkSj lekt lHkh dks ÁHkkfor djsaxsaA tSls&tSls m|ksx ,d mrkj&p ikrs gS vkSj bls ldkjkRed :i nsus ds fy, rS;kj gks tkrs gSaA fo'o vkfFkZd eap }kjk çLrqr<br />

,oa jksukstkW; cuthZ] ,adj vkSj lgk;d laiknd] lh,uchlh Vhoh 18 }kjk lapkfyr iSuy esa 'kkfey gksus okys lnL; gSA<br />

,drk diwj<br />

,drk diwj dks Hkkjr ds Vsyhfotu ifj–’; esa ifjorZu dk Js; fn;k tkrk gSA ckykth VsfyfQYEl ds vf/kdrj dk;ZØe euksjatd<br />

vkSj Ápfyr gSaA daiuh dh lQyrk ds ihNs Ásj.kkRed 'kfä ds :i esa ,drk fnu&çfrfnu ds jpukRed –f"Vdks.k esa fo'okl djrh<br />

gSA ,drk fu;fer :i ls çfrfnu 16&18 ?kaVs dke djrh gSaA ,drk ds ekxZn'kZu ds rgr ckykth us yxHkx gj çeq[k Vhoh iqjLdkj<br />

thrk gSA NksVh mez esa cM+s cM+s /kkjkokfgd cukus ds dkj.k mUgsa dbZ çfrf"Br iqjLdkj feys] ftuesa n bdksu‚fed VkbEl ¼fctusloweu<br />

v‚Q+ n bZ;j &2002½] vuZLV ,aM ;ax ¼vkaVsªÁsU;ksj vkWQ+ n b;j] 2001½ vkSj vesfjdu ck;kxzksfQ+dy baLVhVîwV ¼oqeWu vkWQ+ n b;j]<br />

2001½ “kkfey gSaA 2016 esa bEisDV if=dk }kjk Hkkjrh; foi.ku] foKkiu vkSj ehfM;k ikfjfLFkfr dh ç.kkfy;ksa esa ß50 eksLV bU+yq,saf”k;y<br />

oqeWuß esa ,drk diwj dks uacj 1 dh fLFkfr esa j[kk x;k FkkA<br />

dj.k tkSgj<br />

dj.k tkSgj us 25 lky dh mez esa dqN dqN gksrk gS ls vius funsZ'ku dh 'kq#vkr dhA ;g fQ+Ye Hkkjrh; flusek esa ,d ehy dk<br />

iRFkj cuh ftls O;kolkf;d lQyrk ds lkFk lkFk Hkkjr vkSj fo'o esa leh{kdksa dh ç'kalk Hkh çkIr gqbZA fiNys 15 o"kksaZ esa mUgksaus dHkh<br />

[kq”kh dHkh xe] dHkh vyfonk uk dguk vkSj ekbZ use bt+ [k+ku tSlh leh{kdksa }kjk ç'kaflr vkSj O;kolkf;d :i ls lQy fQ+Yeksa<br />

dk funsZ'ku vkSj ys[ku fd;k gSA cgqeq[kh ÁfrHkk okys dj.k ,d çHkko'kkyh m|ksxifr Hkh gSaA dj.k ,d Vsyhfotu O;fäRo] V‚d 'kks<br />

gksLV] d‚LVîwe fMtkbuj vkSj vfHkusrk gSaaA muds V‚d 'kks d‚Qh foFk dj.k us Hkkjrh; Vsyhfotu ij lcls T;knk ns[ks tkus okys<br />

vaxzst+h V‚d 'kks gksus dk xkSjo çkIr fd;k gSA dj.k tkSgj vfXuiFk] nksLrkuk] ;s tokuh gS nhokuh] osd vi flM vkSj ,d eSa vkSj ,d<br />

rw tSlh CykWdcLVj fQYeksa ds funsZ'kdksa ds ekxZn”kZd vkSj fuekZ.k esa lgk;d jgs gSaA<br />

lq/kka'kq oRl<br />

lq/kka'kq oRl ok;kd‚e 18 ehfM;k çkbosV fyfeVsM ds lhbZvks gSa vkSj mldh lHkh bdkbZ;ksa ds fy, mÙkjnk;h gSaA fiNys pkj o"kksaZ esa mUgksaus<br />

xzqi dks pSuy usVodZ dk foLrkj djrs gq, ykHknk;d m|e ds :i esa lQyrkiwoZd fodflr fd;kA lq/kka'kq us daVssUV&vk/kkfjr flusek dk<br />

fuekZ.k fd;k] fofHkUu 'kSfy;ksa ds euksjatd dk;ZØeksa dks ykbo bosaV~l ds :i esa ÁLrqr fd;kA daT;wej çksMDV~l ds O;olk; dks “kkfey<br />

fd;k vkSj daiuh ds Hkfo"; dks ok;kd‚e 18 fMftVy osaplZ ds vksVhVh IysVQ‚eZ ohvksvksVh ds lkFk rS;kj fd;kA lq/kka'kq ds usr`Ro esa ;g<br />

xzqi 6 ls ysdj 36 pSuyksa rd c


PANEL DISCUSSION<br />

Mastering A New Reality<br />

The Panel Discussion is on Mastering a New Reality; technological innovations and new business models<br />

have the potential to make the Indian television and films more immersive, inclusive and interactive. Yet these<br />

changes will have an impact on policymaking, economics, business and society. As the industry stands at an<br />

inflection point, how can stakeholders better understand the disruptions and be prepared to positively shape it.<br />

Presented by World Economic Forum which will be moderated by Mr Ronojoy Banerjee, Anchor and Assistant<br />

Editor, CNBC TV18.<br />

Ekta Kapoor<br />

Ekta Kapoor is credited with revamping India’s television landscape. She pioneered an entire genre of television content, heralding<br />

India’s satellite television boom. Balaji’s shows have been and continue to be channel drivers for most general entertainment<br />

broadcasters. As the creative force behind the Company’s success, she believes in a hands-on approach in day-to-day creative<br />

direction for all their content; routinely putting in 16-18 hours each day, she moves ahead with India’s rapidly metamorphosing TV<br />

climate. Under her creative guidance, Balaji has won almost every major TV award. Her stellar work in creating a large content<br />

conglomerate at a young age garnered her several distinguished awards, including The Economic Times (Businesswoman of<br />

the Year 2002), Ernst & Young (Entrepreneur of the Year 2001) and the American Biographical Institute (Woman of the Year<br />

2001), among others. In 2016, she was placed at the No. 1 position among ’50 Most Influential Women’ in the Indian marketing,<br />

advertising and media ecosystems by IMPACT magazine.<br />

Karan Johar<br />

Karan Johar made his directorial debut at age 25 with a path-breaking love story Kuch Kuch Hota Hai. The film remains a landmark<br />

in Indian cinema for the appreciation it received, both critically and commercially, in India as well as the world. Following this,<br />

over the last 15 years, he has directed and written critically and commercially acclaimed blockbusters like Kabhie Khushi Kabhi<br />

Gham, Kabhi Alvida Na Kehna and My Name is Khan. The multi-faceted Karan wears many caps with ease. Besides being an<br />

acclaimed director and one of the most influential men in the industry today, Karan is also a television personality, talk show host,<br />

costume designer and the latest feather in his cap is that of being an actor. His talk show Koffee with Karan has the distinction of<br />

being the most watched English talk show on Indian television. Karan Johar has also been a mentor to many successful directors<br />

in India. Karan Johar has also been a mentor to many successful directors in India; releasing both commercial blockbusters like<br />

Agneepath, Dostana and Yeh Jawaani Hai Deewani, as well as critical indie successes like Wake Up Sid and Ek Main Aur Ek Tu.<br />

Sudhanshu Vats<br />

Sudhanshu Vats is Group CEO, Viacom18 Media Pvt. Ltd., and responsible for all its lines of business. In the last four years,<br />

he has successfully steered the group into a profitable growth phase while expanding the channel network, driving content-led<br />

cinema, entering experiential entertainment through live events across genres, opening up the Consumer Products business line<br />

and making the company future ready with Viacom18 Digital Ventures’ OTT platform VOOT. Under Sudhanshu’s leadership the<br />

group has grown from six to over 36 channels and opened up three more lines of business. He is Chairman of the National Media<br />

and Entertainment Committee of CII (Confederation of Indian Industry), Vice President of IBF (Indian Broadcasting Foundation)<br />

and Chairman of BARC (Broadcast Audience Research Council).


Acknowledgements<br />

Steering Committee<br />

Jahnu Barua (Convener)<br />

Siddharth Roy Kapur<br />

Shoojit Sarcar<br />

Bharat Bala<br />

Anand Gandhi<br />

Prasoon Joshi<br />

Vani Tripathi<br />

Piyush Pandey<br />

Shaji N. Karun<br />

Meren lmchen<br />

Ashwiny lyer Tiwari<br />

Director NFDC<br />

Nagesh Kukunoor- Chairman, Technical Committee<br />

Technical Committee<br />

Nagesh Kukunoor - Chairman<br />

NFDC representative<br />

Sameer Arya<br />

Director DFF<br />

Commissioner, Panaji Municipality, Govt of Goa<br />

Chief Engineer (Elect.), Govt of Goa<br />

Health officer, Panaji<br />

Chief Fire Officer, Goa<br />

Traffic Commissioner, Panaji, Goa<br />

Incharge, INOX Theatre, Goa<br />

Chairman, Kala Academy, Goa<br />

CEO, ESG, GOA<br />

Ketan Mehta, Representative of Real Image/ Qube<br />

Anirvan Ghosh, Representative of Pulz Electronics<br />

Ujwal Nirgudkar, Representative of SMPTE<br />

K J Madhusudan, Representative of Barco<br />

Preview Committee<br />

Vivek Agnihotri (Convener)<br />

Khalid Mohamed<br />

Aarti Bajaj<br />

Ramesh Patange<br />

Naresh Chander Lal<br />

Narendra Kohli<br />

Saibal Chatterjee<br />

Abhimanyu Singh<br />

Bhawana Somaaya<br />

Jeevitha Rajasekhar<br />

Gautami Tadimalla<br />

Nitesh Tiwari<br />

G.S. Bhaskar<br />

Pallavi Joshi<br />

Aniruddha Roy Chowdhury<br />

Raja Krishna Menon<br />

Siddharth Kak<br />

Tarun Katial<br />

Abhishek Basu<br />

Hrishitaa Bhatt<br />

Abhishek Jain<br />

Dr. Santwana Bordoloi<br />

Bhaskar Hazarika<br />

Pradip Kurbah<br />

Dominic Megam Sangma<br />

Maipaksana Haorongbam<br />

Zuala Chhangte<br />

Dr. Sachidanand Joshi<br />

Dr. Bharat Gupt<br />

Nirmala Sharma<br />

Rathi Vinay Jha<br />

Rajesh Kumar Singh<br />

Anil Rastogi<br />

Punit Asthana<br />

Ajay Malkani<br />

Bhumenjoy Konsam<br />

Sangee Dorjee Thongdok<br />

Dr. Lavlin Thadani<br />

Filmmaker<br />

Filmmaker<br />

Film Editor<br />

CBFC Member<br />

Filmmaker<br />

Writer<br />

Film Critic<br />

Producer<br />

Film Critic<br />

Actress<br />

Actress<br />

Filmmaker<br />

<strong>Cinema</strong>tographer<br />

Actress<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Reliance, CEO<br />

<strong>Cinema</strong>tographer<br />

Actress<br />

Producer<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker<br />

Secretary, IGNCA<br />

Former Professor, Delhi University<br />

Professor<br />

Retired Secretary, Ministry of Tourism<br />

Film Critic<br />

Actor<br />

Theatre Director<br />

Theatre Director<br />

Filmmaker<br />

Filmmaker<br />

Filmmaker


Indian Panorama<br />

N. K. Vyas Head - Indian Panorama<br />

Tanu Rai<br />

Dy. Director - Indian Panorama<br />

Anshuman Shekhar<br />

Programmer<br />

Abhisek Das<br />

Assistant Programmer<br />

Jolyn Clare Langhu<br />

Assistant Programmer<br />

Harmeet Kaur Sahdev<br />

Festival Coordinator<br />

Rajat Aggarwal<br />

Festival Coordinator<br />

Surender Kumar<br />

Festival Assistant<br />

World <strong>Cinema</strong> Programming<br />

Deepika Suseelan<br />

Senior Programmer<br />

Bhuvan Lall<br />

Honourary Consultant<br />

Sanjay Ram<br />

Consultant Programmer & Festival Manager<br />

Anshuman Sekhar<br />

Programmer<br />

Prateek Rawat<br />

Programmer and Executive Assistant to the Festival Director<br />

Chandrima Chatterjee<br />

Assistant Programmer<br />

Jeevika Kalra<br />

Festival Coordinator<br />

Rajat Aggarwal<br />

Festival Coordinator<br />

<strong>International</strong> Curators<br />

Martine Armand<br />

Jay Bajaj<br />

Srinivasa Santhanam<br />

Film Scheduling<br />

Prasad Khatu<br />

Administration<br />

N K Vyas<br />

Head Administrator<br />

Sunita Rawat<br />

Co-ordinator<br />

Sonal Mathur<br />

Senior Consultant<br />

Masterclasses and Panel Discussions:<br />

Vani Tripathi Tikoo<br />

Curator<br />

Anupama Bose<br />

Consultant - NFDC<br />

Lancy Paul John<br />

Vertical Manager<br />

Almas Malik<br />

Co-ordinator<br />

Prashanth R<br />

Executive - NFDC<br />

Gargi Upadhyay<br />

Intern​- NFDC<br />

Mixed Reality Sidebar<br />

Anand Gandhi<br />

Artistic Director<br />

Tom Millen<br />

Curator<br />

Mark Atkin<br />

Curator<br />

Anupama Bose<br />

Consultant - NFDC<br />

Vinay Nagashetti<br />

Manager<br />

Zain Memon<br />

Coordinator from Memesys Culture Lab<br />

Rohan Raut<br />

Technical Coordinator from Memesys Culture Lab<br />

George Kuruvilla<br />

CMD, BECIL<br />

D. R. Gogoi Director (O&M), BECIL<br />

W. B. Prasad General Manager, BECIL<br />

Rajeev Sharma<br />

Asst. Manager, BECIL<br />

Avinash Khanna<br />

Asst. Manager, BECIL<br />

Prashanth R<br />

Executive - NFDC<br />

Print Unit Coordination<br />

Sushant Shrotriya<br />

Unit Manager (Films Division) as Print Co-ordinator for 48th <strong>IFFI</strong><br />

Deepu Chaudhary<br />

Film Shipper (Films Division) as Print Collector & Dispatcher for 48th <strong>IFFI</strong><br />

Ajay Prakash<br />

LDC (Films Division) as Print Room In-charge for 48th <strong>IFFI</strong><br />

<strong>International</strong> <strong>Catalogue</strong> Print Layout<br />

Sanjay Colaco<br />

Sachin Puthli<br />

Manish Chhatpar<br />

Print Sources<br />

Beta <strong>Cinema</strong>, Films Distribution, Wildbunch, Socavón Cine, Pluto Film, MandarinVision, Tokyo <strong>International</strong>, Sophie Goyette, MM Square Co., Ltd. , The Match Factory, Wide,<br />

Memento, Luxbox Films, Funny Balloo, Film Factory, Nikkatsu, Arthouse Traffic, Reel Suspects, Nikkatsu, New European Film Sales, Pyramide, Tuvan Media, Jour 2 fete,<br />

Festival Agency, Farabi <strong>Cinema</strong> Foundation , Westend Films, MK2, Mundial Sales, Films Boutique, Elle Driver, Chinese Shadows, Picture Tree, Be For Films, Fox Star India,<br />

Noori Pictures, , Stray Dogs, Cercamon, Soulfood Films, Westend Films, The Great Point Media, Alliance Media, Pyramide, Asfalt Films, FilmNation, Koz Film, Robbie Thorpe,<br />

Terry Pheto, Busi Sizani, Rodrigo Letier, Andrey Shalopa, Anton Yudintsev, Le Che, Caio Gullane, Fabiano Gullane, Debora Ivanov & A nna Muylaert, Dr. Mohan Agashe, Jia<br />

Zhangke, Dong Ping,, Francesca, Sanjay Bhutiani, Rodrigo Michelangeli, Sofia Brockenshire, Park Circus, Shochiku Co Ltd., Tamasa Distribution, , Friedrich-Wilhelm-Murnau-<br />

Stiftung, Svenska Filminstitutet, NFAI, Ego Film Arts, IM Global, Asian Shadows, Alma <strong>Cinema</strong>, Midnight Lamp Films, Seville <strong>International</strong>, Mongret Media, Films Distribution,<br />

WTFilms, Search Engine Films, The Film Sales Company. Mike Mac Millan.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!