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The First Berliner Art Book 2017 ©

The exclusively Art Management Berlin finest selection of international Contemporary noteworthy artists of all Mediums. Personalities and their art works that making the history of the Contemporary Fine Art. Large worldwide distribution in over 300 international galleries. Gabriela Caranfil is the successful Chief of Berlin visual art promoting company Art Management Berlin and the curator of The First Berliner Art Book © series. www.art-management-berlin.de

The exclusively Art Management Berlin finest selection of international Contemporary noteworthy artists of all Mediums. Personalities and their art works that making the history of the Contemporary Fine Art. Large worldwide distribution in over 300 international galleries. Gabriela Caranfil is the successful Chief of Berlin visual art promoting company Art Management Berlin and the curator of The First Berliner Art Book © series. www.art-management-berlin.de

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<strong>2017</strong><br />

THE FIRST<br />

BERLINER<br />

ART BOOK


We are very delighted to present to our gallerists, collectors and art lovers, the new<br />

volume of the series <strong>The</strong> <strong>First</strong> <strong>Berliner</strong> <strong>Art</strong> <strong>Book</strong>, where is included a very careful<br />

selection of worldwide noteworthy artists of all media of the Fine <strong>Art</strong>s.<br />

Thank you to everyone who has contributed to make this edition to become a valuable<br />

sourse of information and inspiration of what is happening today in the Contemporan<br />

Fine <strong>Art</strong>.<br />

Who is called to make art has the supreme ability and privilege to materialize the<br />

Invisible and the Unknown, and to become the Breath and the Soul of eternal answers<br />

of the humanity.<br />

Affectionately, Gabriela Caranfil


Curator, project coordinator<br />

Gabriela Caranfil<br />

Assistant curators:<br />

David Ralph Kisielewski<br />

Catalina Caranfil<br />

Master Editor and Design:<br />

Catalina Caranfil<br />

<strong>The</strong> <strong>First</strong> <strong>Berliner</strong> <strong>Art</strong> <strong>Book</strong>-2016<strong>©</strong><br />

<strong>Art</strong> Management Berlin<strong>©</strong><br />

Designed And Published in Berlin, Germany<br />

Copyright<strong>©</strong> 2016 by <strong>Art</strong> Management Berlin<strong>©</strong><br />

All rights reserved.<br />

All artists featured in „<strong>The</strong> <strong>First</strong> <strong>Berliner</strong> <strong>Art</strong> <strong>Book</strong>-2016“ retain the copyright for each of their individual<br />

images.<br />

All rights reserved.<br />

No part of this book may be reproduced or transmitted in any form or by any means, electronic or<br />

mechanical, including photocopying recording or by any information storage and retrieval system, without<br />

written permission from the copy-right owners.


<strong>Art</strong>ists<br />

Adams Carolyn 9<br />

Akpata Francis 10<br />

Aloma Lilyan 11<br />

Ament Daniela 12<br />

Antony Emil 14<br />

Arianpour Sara 18<br />

Boswell Lucie 17<br />

Bragina Natalia 21<br />

Brøndsted Henrik 20<br />

Bukowski Marie Diane 22<br />

Burdin Deborah 24<br />

Cavaleri Antonia Eleonora 25<br />

Cheung Allison 26<br />

DeSerres Hélène 27<br />

Dimou Spyridoula 28<br />

Fernández Diana 29<br />

Filichkin Tanya 30<br />

Fosli Heidi 32<br />

Fuentes de Lacayo Claudia 33<br />

Gohy Ivan 34<br />

Gold Bela 35<br />

Goldyn Katharina 36<br />

Gubernale Margaretha 40<br />

Guinet Christian 38<br />

Gutiérrez-Cruz Cristina 41<br />

Harris Elsie Kay 42<br />

He Ping 44<br />

Hovanesian Armineh 43<br />

Impens Julie 46<br />

Iraqi Mohammed Rachid 48<br />

Jacobs Astrid 49<br />

Jellheden Stefan 50<br />

Joaristi Aimée 52<br />

Jurgilaité Aisté 54<br />

Kenan Koçak 56<br />

Kim Hee Sook 51<br />

Lacayo Mariu F. 58<br />

Lamb Steven 60<br />

Larsen Morten Normann 55<br />

Larucci Fred 59<br />

Last Bea 62<br />

Marc Bruce Romany 64<br />

Masic Ivana 63<br />

Matevosyan Edward 66<br />

McNulty Paul 68<br />

Mierzecka-Pain Elżbieta (Ela) 67<br />

Nagy Suzanne C 70<br />

NAHH 71<br />

Nicodema Christina 72<br />

Noben Thierry 73<br />

Ooka Kazuo 74<br />

Ortiz de Manzanares Ilse 76<br />

Osborne Alex 78<br />

Otterbach Verena 80<br />

Ownbey Ron 75<br />

Palchuk Tatyana 82<br />

Panart Lidya 84<br />

Ragas Huub 1 86<br />

Reunanen Pekka S. 87<br />

PRUSSI (Pascal Russi) 88<br />

Russo Albert 90<br />

Russo Lidia 94<br />

Sandrelli Francesco 89<br />

Schapiro Angela P. 96<br />

Sebök Ferenc 98<br />

Sequeira Alessandra 93<br />

Shaw Denise 100<br />

Slikker Dorothy 97<br />

Snegur Igor 102<br />

Stone Judith 104<br />

Tabakin Bonita 106<br />

Taylor Tim 107<br />

Telin Alexander 108<br />

Valentini Ferdinando 111<br />

Whitfield David W 112<br />

Witt Karel 113<br />

Wolf (lagqaffe) Elisabeth 114<br />

7


Paintings<br />

Mixed Media<br />

Sculptures<br />

Photography<br />

Digital <strong>Art</strong><br />

Prints


Carolyn Adams<br />

Carolyn Adams is an American painter and she lived in Europe for twenty years. <strong>The</strong><br />

European cultural exposure had a great influence on her work as an artist. During<br />

that time she exhibited in several galleries and participated in many group shows. For<br />

years Ms. Adams has studied and experimented with the Old Master technique and has<br />

developed her own unique technique style. As an artist she is concerned with concepts<br />

of space and its relationship to the extremities of chiaroscuro and color intensity.<br />

She strives to find a statement of balance and awareness between craftsmanship and<br />

spirituality.<br />

carolynadams.artspan.com<br />

artistca99@gmail.com<br />

Green Apple Composition, 66<br />

x 55,8 cm, oil on linen, 2016<br />

Hanging Apple Composition,<br />

71,1 x 55,8 cm, oil on linen,<br />

2016<br />

Rebirth, 55,8 x 66 cm, oil on<br />

canvas, 2015<br />

9


Francis Akpata<br />

As a painter, Francis Akpata strives to depict what Immanuel Kant described as «the<br />

sublime»- a work that stretches our imaginations, going so far beyond our normal<br />

expectations that it changes our perception of the object or subject.<br />

Mr Akpata primarily uses three techniques to give objects, subjects, and feelings a<br />

transformative perspective, Expressionism which he used for the “Queen”, Cubism used<br />

for “His Epileptic View” and Abstract Expressionism for “Meandering Seamlessly”. Mr<br />

Akpata studied Philosophy at Kings College London and studied painting at the City<br />

Literary Institute.<br />

http://www.francisakpata.com/<br />

His Epileptic View, 100 x 100 cm,<br />

oil on canvas, 2010<br />

Meandering Seamlessly<br />

183 x 122 cm, oil on<br />

canvas, 2013<br />

Queen, 63 x 46 cm, mixed<br />

media, 2016<br />

10


Lilyan Aloma<br />

At the heart of my photographic work over the past fifteen years has been my<br />

fascination with Manhattan’s cityscape, and the constant evolution of commerce<br />

within its space. In its current evolution my work captures the cityscape as it is<br />

reflected. Between 2003 and 2009 I had 3 solo exhibitions at OK Harris Works of<br />

<strong>Art</strong>, entitled, Mecca or Madness, Billscapes, and Deconstruction. My cityscapes<br />

have received recognition through national and international juried competition,<br />

and through public and private acquisition. In 2010, I was honored by the Aaron<br />

Siskind Foundation with an IPF Fellowship for my body of work, entitled,<br />

Billscapes.<br />

http://alomaphoto.com<br />

lily@alomaphoto.com<br />

A Walk in Kleinfeld’s Window,<br />

40,6 x 50,8 cm, color digital<br />

photograph, archival pigment<br />

print, 2015<br />

Into the Mix, 50,8 x<br />

40,6 cm, color digital<br />

photograph, archival<br />

pigment print, 2014<br />

Urban Melody, 40,6 x 50,8 cm,<br />

color digital photograph, archival<br />

pigment print, 2013<br />

11


Daniela Ament<br />

Born lives and works in Israel. An autodidact artist,<br />

Daniela had about 50 exhibitions solo or group in Israel, Paris France, Florence &<br />

Ferrara Italy, Vancouver Canada and Miami & NYC USA.<br />

<strong>The</strong> installation is made of Bronze, Perspex and rusted Iron.<br />

Size of images from 90 cm’ to 110 cm’ + part of the original photo (with permeation of<br />

Yad-Vashem) printed on canvas h’ 200 cm’ /w’ 100 cm’.<br />

M in 2008.<br />

In this work I intend to emphasize the importance of not forgetting the Holocaust With<br />

all that happens in the world in so many places.<br />

I did it by making the color fade, like evaporating, the physical shape too, and the words<br />

gone - as in the last image there is a hole where there where word before.<br />

http://www.ament-daniela.com<br />

daniela.ament@gmail.com<br />

Vanishing memory, istallation, 150 x 350 x 200 cm cm, bronze, perspex,<br />

rusted iron, 2008<br />

12


Vanishing<br />

memory,<br />

installation,<br />

(detail), 90 cm,<br />

bronze, rusted<br />

iron, 2008<br />

Vanishing<br />

memory,<br />

installation<br />

(detail), 90 cm,<br />

bronze,<br />

perspex, rusted<br />

iron, 2008<br />

Vanishing<br />

memory,<br />

installation,<br />

(detail), 100 cm,<br />

bronze,<br />

perspex, rusted<br />

iron, 2008<br />

Vanishing<br />

memory,<br />

installation<br />

(detail), 110 cm,<br />

bronze,<br />

perspex, rusted<br />

iron, 2008<br />

13


Emil Antony<br />

In 2003 I visited South Africa a first time. It was my intention to watch and photograph<br />

animals in their natural habitat in order to be able to paint them later on. Luckily,<br />

I have been able to fulfill almost all my dreams in this regard.<br />

Drawn by the fantastic nature and a sense of adventure, I travel to Africa several times<br />

a year, capture the wild, adventurous scenes with my camera and later paint them at<br />

home. Frequently, I also produce sketches of scenes straightaway in order to be able<br />

to better render my impressions at home. I take the time to go on long safaris and am<br />

always attracted anew to this fascinating country with its breathtaking contrasts. <strong>The</strong><br />

magnificent landscapes and the diverse flora and fauna time and again cast their spell<br />

on me whether I find myself in the desert of Namibia, the savannah of South Africa,<br />

Swaziland, Rwanda, Malawi, Tanzania Botswana or Mozambique. Here<br />

I can experience the whole variety of the African animal kingdom on my own during<br />

unforgettable adventures.<br />

That is why South Africa is the most beautiful part of the world for me and this is where<br />

my love of Africa, southern Africa and its animal world begins.<br />

www.emil-antony.com<br />

emil@emil-antony.lu<br />

Orix Antilope<br />

in Botswana,<br />

160 x 140 cm,<br />

oil on canvas,<br />

2016<br />

14


Lions in the Kalahari Desert,140 x 120 cm,<br />

oil on canvas, 2016<br />

Elephant in the Kruger Park, 180 x<br />

160 cm, oil on canvas, 2012<br />

Springboks In <strong>The</strong> Midday Sun, 140 x 80<br />

cm, oil on canvas, 2016<br />

Giraffe in the Kruger Park, 180 x<br />

150 cm, oil on canvas, 2014<br />

15


Lion in the Serengeti, 80 x 100 cm,<br />

oil on canvas, 2016<br />

Gorilla in the Rainforest of Rwanda,<br />

140 x 120 cm, oil on canvas, 2016<br />

Zebra, 80 x 100 cm, oil on canvas,<br />

2016<br />

Giraffe at Water, 80 x 140 cm, oil on<br />

canvas, 2016<br />

16


Lucie Boswell<br />

Lucie Boswell is an american artist who resides in Los Angeles, California, is most well<br />

known as a nationally and internationally exhibiting all over the world especially Italy,<br />

France as well as United States. While most known for her abstract painting, Lucie<br />

invented these abstracts using airbrush paint on canvas, abstract pieces that invite the<br />

audience to define the art themselves and have been her most successful artwork sold and<br />

exhibited. Two Years ago she was invited by three prestigious New York city galleries to<br />

work with them showing several pieces in very high profile art shows including <strong>Art</strong> Expo<br />

NYC the past three years as well, as a full page or two in collectors book for both New<br />

York and Miami <strong>Art</strong> Basel shows in recent years. Lucie is fortunate to be able to spend<br />

most her time living the dream as an artist yet she also works with others and donate to<br />

several museums and art organisations and is actively involved in artwalks and the art<br />

scene. She never wants to retire, rather continue to envolve and reinvent herself as an<br />

artist.<br />

http://www.lucieboswell.30art.com/<br />

Eternal Flame, 30 x 30 cm,<br />

acrylic on canvas, 2016<br />

Chinatown Red-Award<br />

Winning, 12 x 16 cm, digital,<br />

2016<br />

17<br />

True Love to Rome, 22 X<br />

35 cm, print, 2015


Sara Arianpour<br />

Sara Arianpour was born in 1980 in Tehran, Iran. She graduated from Soureh<br />

university in 2007 majoring in <strong>Art</strong>s.<br />

Over the years she has participated in various solo and group exhibitions in and outside<br />

Iran. Also, her works have been printed in various publications.<br />

Arianpour is the recipient of the award for her expressive strength in her artworks in<br />

defense of human and women’s rights granted by <strong>Art</strong> and Integration Organization in<br />

Italy.<br />

www.saraarianpour.com<br />

sara.arianpour@gmail.com<br />

Untitled, (the stricken city<br />

series), 100 x 65 x 4 cm, acrylic,<br />

colour collage on canvas, 2010<br />

Untiteld, (from the stricken<br />

city series), 100 x 65 x 4 cm,<br />

acrylic, colour collage on<br />

canvas, 2010<br />

18


Untitled, (from<br />

the stricken city<br />

series), 100 x 65 x 4<br />

cm, acrylic, colour<br />

collage on canvas,<br />

2010<br />

Untitled, [from the<br />

stricken city series),<br />

200 x 100 x 5 cm,<br />

acrylic on canvas,<br />

2010<br />

Untitled, (from<br />

the stricken city<br />

series), 200 x 100 x<br />

5 cm, acrylic, colour<br />

collage on canvas,<br />

2010<br />

Untitled, (from<br />

the stricken city<br />

series), 200 x 100 x<br />

5 cm, acrylic, colour<br />

collage on canvas,<br />

2010.<br />

19


Henrik Brondsted<br />

Henrik Brøndsted has for years been shooting portraits. He used film and loved the<br />

texture, the grains.<br />

Going digital he sometimes thinks that the curse of digital photography is sharpness.<br />

Everything is sharp, everything is realistic. Henrik wants to add something more to the<br />

realism, add some poetry.<br />

Poetic realism . It has been used in french film and you might see a little bit of the same<br />

tristesse in Henrik’s photos. He tries to achieve this poetry by adding grains, make time<br />

visible with long exposure .<br />

www.henrikbrondsted.com<br />

henrik@henrikbrondsted.com<br />

Untitled<br />

45 x 70<br />

cm,<br />

digital,<br />

2016<br />

Untitled, 50 x 100 cm, digital, 2016 Untitled, 50 x 45 cm, digital, 2016<br />

20


Natalia Bragina<br />

Natalia Bragina was born in Leningrad, USSR (now Sankt Petersburg, Russia). She<br />

graduated from Moscow State University with a degree in International Economics.<br />

She also attended the art studios at Moscow State University and the Moscow House<br />

of Scientists. After 1989 painting became her main professional occupation. Since<br />

then she had no fewer than fifteen solo exhibitions. She exhibited in Sweden. Her<br />

paintings were presented at art auctions in Paris. Yet her main connection is with an<br />

individual collector, Russian or foreigner. She`s never had a permanent agent. She`s<br />

never been tied to any kind of artistic organization, official or unofficial.<br />

https://artavita.com/artists/9767-natalia-bragina<br />

brakobra@mail.ru<br />

C`est moi, 120 x 150 cm, oil<br />

on canvas, 2013 Brass and Glass, 100 x 110<br />

cm, oil on canvas, 2011<br />

Armchairs, 120 x 100 cm, oil<br />

on canvas, 2012<br />

21


Marie Diane Bukowski<br />

Marie Bukowski is an internationally recognized printmaker, included in public<br />

collections and museums around the world. Throughout her career, she has had 128<br />

exhibitions; 35 on the international level. She earned her BFA from Carnegie Mellon<br />

University and her MFA from the University of Pennsylvania.<br />

Her work forms a kind of diary throughout a specific period of time, difficult or<br />

calm. <strong>The</strong>y are “memoirs of disintegration”, but they are also a record of recovery<br />

and reconstruction after disintegration. Her work is motivated by secret thoughts<br />

and private experience, some trite and banal, some complex and glorious, but all of<br />

it obsessively recorded. <strong>The</strong> secret things are the most difficult for the artist and the<br />

viewer. Perhaps, for this reason, the investigation, is most rewarding.<br />

www.mariebukowski.com<br />

Iris #5, 25.5<br />

cm X 17.78<br />

cm, pen<br />

& ink and<br />

graphite on<br />

logarithmic<br />

graph paper,<br />

2016<br />

Iris #2, 25.5<br />

cm X 17.78<br />

cm, pen<br />

& ink on<br />

logarithmic<br />

graph paper,<br />

2016<br />

22


Paracosm #23, 25.5 cm X 17.78 cm,<br />

pen & ink and colored pencil on<br />

logarithmic graph paper, 2016<br />

Iris #4, 25.5 cm X 17.78 cm, pen &<br />

ink on logarithmic graph paper,<br />

2016<br />

Paracosm #18, 25.5 cm X 17.78<br />

cm, pen & ink and colored pencil<br />

on logarithmic graph paper, 2015<br />

Paracosm #22, 25.5 cm X 17.78<br />

cm, pen & ink and colored pencil<br />

on logarithmic graph paper, 2016<br />

23


Deborah Burdin<br />

Deborah Burdin, an award winning artist, has exhibitions and is published in various<br />

media in the US and Europe. Bringing to life the expressions of diverse emotions and<br />

everyday lessons, Deborah utilizes fluid whimsical form paired with texture and geometrical<br />

shapes meant to build up an emotional yet analytical impression. While employing a<br />

variety of mixed media, Deborah occasionally incorporates found objects into her pieces<br />

to harmoniously deliver lush textures and soulful sparkle to her art.<br />

Deborah holds a BA in Psychology and offers individual sessions on creative exploration<br />

of the psychological and emotional experience expressed abstractly in mixed media.<br />

www.djeanstudio.com<br />

djeanstudio@gmail.com<br />

Good Times, Great Vibes, 30 x 30<br />

cm, mixed media, 2016<br />

Frivolity, 91 x 91cm, mixed media,<br />

2016<br />

Keep It Together, 20 x 20 cm, set of<br />

4 mixed media, 2016<br />

24


Antonia Eleonora Cavaleri<br />

Lives and works in Canicattì, Italy, her hometown.<br />

In 2007, at Palazzo della Provincia di Brindisi with the patronage of the Puglia Region, during<br />

the ceremony, for the contribution to art, she was appointed ambassador of art in the world<br />

from the Knights Templar.<br />

« Her painting is not immune to expressionistic «fragments», it proposes an aura of mystery<br />

where space, light and color are blended in a masterly play of contrasts. <strong>The</strong> gestures and<br />

the use of strong colors of materiality trodden give his work a force of clear expressive value<br />

that results in an emotional language linked to the deepest spheres of the ego. <strong>The</strong> observer<br />

is approaching the works of Cavaleri without fear and mistrust which creates the conditions<br />

for a use that goes by the appreciation of the pleasures chromatic and formal to a more<br />

thoughtful reflection.»<br />

Paolo Levi<br />

http://www.ioarte.org/artisti/antonia-eleonora-cavaleri/<br />

artecavaleri@gmail.com<br />

Corrida, 50 x 70 cm, mixed media,<br />

2007<br />

Dolce Nera, 50 x 70 cm, mixed<br />

media, 2009<br />

Frammenti, 65 x 90 cm,<br />

mixed media, 2009<br />

25


Allison Cheung<br />

Allison Cheung (b. 1995) is a Chinese artist based in Chicago and Hong Kong. Her<br />

interdisciplinary practice entails a variety of different mediums including painting, drawing,<br />

printmaking, fibers and film.<br />

Her ongoing series, Pillow Talk, consists of paintings and drawings portraying nude, headless,<br />

non-gender-specific figures. Predominantly composed of shades of pastel, her work speaks of<br />

vulnerability and comfort. Aware of the increasingly guarded nature people seem to possess,<br />

her work aims to “take down the walls we have built as adults”, refusing for genuine, honest<br />

intimacy to be lost in our determinant ways to protect ourselves.<br />

www.a1113.com<br />

www.a1113.com<br />

Not Yet, 61 x 45.7 cm, acrylic on<br />

paper, 2016<br />

Head Towards the Horizon, 45.7 x<br />

61 cm, acrylic on paper, 2016 Ease, 45.7 x 61 cm, acrylic on paper,<br />

2016<br />

26


Helene DeSerres<br />

Hélène DeSerres was born and raised in Montreal, Quibeck, Canada. An avid<br />

photographer since early childhood, fiercely passionate for adventure and travel,<br />

she is fascinated with exploring the many diverse cultures and the intense beauty of<br />

this planet. She tries to capture vivid landscapes, authentic, down to earth people<br />

and unsuspecting organic elements. <strong>The</strong>n back in her studio, using various media,<br />

she loves to create a new and mysterious universe using transparencies, textures<br />

and vibrant colors evoking both the surrealism of the images and the mysteries of<br />

nature. Prolific artist, Hélène DeSerre’s work has been recognized internationally<br />

through numerous exhibitions.<br />

www.hdeserres..com<br />

hds@hdeserres.com<br />

Fiddleheads, 50 x 76<br />

cm, mixed media on<br />

wood pannel, 2012<br />

Bluebird, 76 x 120<br />

cm, acrylic on<br />

canvas, 2016<br />

Faces, 128 x 155 cm, acrylic on<br />

canvas, 2016<br />

27


Spiridoula Dimou<br />

She was born 18 February 1967 in Greece and she live in Athens. She was studied at the Athens<br />

in the School of Fine <strong>Art</strong>s in 1999-2004.<br />

She has participated in 11 group exhibitions, 2 festival in Greece and 2 group exhibitions in Italy<br />

/Rome in the Gallery “Il Collezionista”.<br />

She was worked volunteering in Athens Biennale «AGORA 2013».<br />

She was participated with her oun art project in BIENAL DE ARTE BARCELONA 17/19 April<br />

2015.<br />

One of her art work is published in the catalog „WORLD WIDE ART LOS ANGELES“, 16-19<br />

OCTOBER 2014 (ARTAVITA GALLERY).<br />

Three of her artworks sre published in ART QUENCH MAGAZINE (CREATIVE MASTERS 1<br />

JUNE 2015).<br />

In June 2015 she has participated with EA EDITORE at ART SHOPPING “PARIS 015-Carrusel<br />

du Louvre”.<br />

In Italy 2015 with EA EDITORE and curators Salvatore and Saverio Russo participated in many<br />

artistic events (ARTIST FOR UNICEF) and won awards... AND ART EXHIBITION SEGNALATI<br />

EDINBURGH November 14/16 DUNDAS STREET GALLERY.<br />

Her works was published in the magazine EFFETO ART OVER ART and book THE BEST<br />

MODERN AND CONTEMPORARY ARTISTS curated by Salvatore and Saverio Russo.<br />

Her work was published and CURRENT MASTERS 1 select modern art by Despina Tunberg.<br />

https://www.facebook.com/spiridoula.dimou.1<br />

spiridoula.dimou.1@gmail.com<br />

Sidi, 18 x 24 x 3 cm, oil on canvas,<br />

2012<br />

Claudia, 18 x 24 x 3 cm, oil on<br />

canvas, 2012<br />

Dolls, 30 x 40 cm, oli on canvas,<br />

2012<br />

28


Diana Fernandez<br />

Diana Fernández immerses us in a fractal universe through her sculptures. Since 1982<br />

she has participated in over 275 national and international group exhibitions and 19<br />

solo shows. Her artwork is part of important art collections in Europe and America. <strong>The</strong><br />

International Sculpture Center, classified her as the professional sculptor whose chisel<br />

revitalizes ancient alabaster with a contemporary language. She has earned several<br />

awards, among which is worth noting her anthological Exhibition, a Tribute to her<br />

Sculptural Work by FUNSILEC, 2016 and many other recognitions, as the Guatemala<br />

Biennial Honorable Mention and the National School of <strong>Art</strong>s Unique Sculptor Prize.<br />

http://dianafernandez.info/<br />

diana.fernandez.escultura@gmail.com<br />

Fragmented Road, 22 x 38 x 38 cm,<br />

translucent white alabaster, 2016 Fragmented Heart, 30 x 26<br />

x 5.5 cm, orange translucent<br />

alabaster, 2015<br />

Mind Fragments, 28 x 31 x 24 cm,<br />

translucent white alabaster, 2016<br />

29


Tanya Filichkin<br />

Tanya Filichkin is an American <strong>Art</strong> Award winning artist from Pacific Northwest,<br />

USA. Her portfolio is represented by the original art created in bold, expressive,<br />

contemporary style. She strives to construct dimension through color and shape,<br />

combining realism and abstraction, visual detail and imagination but at the same<br />

time captures the essence of the subject. You can see Tanya’s original artworks at:<br />

http://tanyafilichkin.artspan.com/<br />

http://fineartamerica.com/profiles/1-tanya-filichkin.html<br />

Tanya is a recipient of 2015 and 2016 American <strong>Art</strong> Awards in category “Best<br />

Celebrity Portraits”<br />

http://www.americanartawards.com/2016-winning-art/<br />

http://www.huffingtonpost.com/entry/581b72e5e4b03d4898dec1cc?timest<br />

amp=1478200120898<br />

http://www.americanartawards.com/2015-winning-artists/<br />

http://highlighthollywood.com/2015/10/best-celebrity-portraits-of-2015-<br />

are-by-huiskens-geddes-filichkin-and-allsworth/<br />

Robert Plant, 21,5<br />

x 26,5 cm, acrylic<br />

on watercolor<br />

paper<br />

Modern Nefertiti,<br />

40,6 x 50,8 x 0,90<br />

cm. acrylic on<br />

canvas<br />

30


Glorious, 40,6 x 50,8 x 0,90 cm,<br />

acrylic on canvas<br />

Colorful Expression, 30,5 x 30,5 x<br />

0,90 cm, acrylic on canvas, 2016<br />

Far Away Mountains, 35,5 x 26,5 x<br />

0,90 cm, acrylic on canvas, 2014<br />

Red, Green and Blue, 30,5 x 30,5 x<br />

0,90 cm, acrylic on canvas<br />

31


Heidi Fosli<br />

Heidi Fosli born in Norway is a multiaward-winning painter working from her<br />

studios in Italy and Norway. She has been called a ”Daughter of Ibsen and Munch” by<br />

Italian author and art critic Costanzo Costantini. Fosli studied art at the Academy of<br />

<strong>Art</strong> University, San Francisco. She has exhibited in juried exhibitions worldwide, and<br />

is represented in the permanent collection of Southern Nevada Museum of Fine <strong>Art</strong><br />

in USA, and European <strong>Art</strong> Museum in Denmark. Fosli works with oil paintings and<br />

lithographies, and makes a living as an artist. Central to Fosli’s art is depersonalized<br />

human representations, and in later years impressionistic painting style. She highlights<br />

an imbalance in our society in a global perspective, and is inspired by Munch’s<br />

symbolism, and Claude Monet in particular.<br />

www.heidifosli.com<br />

heidi.fosli@gmail.com<br />

<strong>The</strong> Road to the<br />

Rose Garden, 90<br />

x 120 cm, oil on<br />

canvas, 2016<br />

Into the Circle, 90<br />

x 120 cm, oil on<br />

canvas, 2016<br />

Prima Ballerina, 100 x 100 cm,<br />

oil on canvas, 2016<br />

32


Claudia Fuentes de Lacayo<br />

Claudia Fuentes de Lacayo was born in Managua, Nicaragua, on October 30, 1948.<br />

Currently lives in Nicaragua. Studied at National School of Fine <strong>Art</strong>s, Managua, Nicaragua.<br />

Special <strong>Art</strong> Courses at Catholic University, Santiago, Chile. Engraving at Nemesio Antunez<br />

Atlelier 99, Santiago, Chile. Her artwork deals with the unconscious of Mesoamerican people<br />

that survives at the ceramic pot, the broken ceramic bowl and the clay figurine buried under<br />

the structures of Western culture. With her brush and palette knife she models each piece<br />

as if it were clay, and she discovers it as an archeologist under the walls of Western Culture<br />

Epistemology. She has had 16 solo exhibitions in Nicaragua, Guatemala, USA, Chile and<br />

Costa Rica and 53 group participations in Nicaragua, Guatemala, Costa Rica, Spain, Chile,<br />

China, El Salvador, and USA. She has been awarded at the 1st Central American Biennial<br />

at San Salvador; recognition in “Between Centuries”, Central American Contemporary <strong>Art</strong><br />

<strong>Book</strong>, by Fundación Rozas Botrán and as a Master of Nicaraguan <strong>Art</strong>, National Culture<br />

Palace, Managua, Nicaragua. Her works belong to private and public collections in many<br />

countries. She is a member of WEAD, Women Eco <strong>Art</strong>ists Dialog, California, USA and<br />

Decolonial <strong>Art</strong> Projects, <strong>Art</strong>eresponsable Centroamericano.<br />

https://claudiafuentesdelacayo.com/<br />

mailto:claudiafuentes.delacayo@gmail.com<br />

Broken Memory, 80 x 120 x 4<br />

cm, mixed media on canvas,<br />

2015<br />

Dialogue In Three Times,100<br />

x 120 x 4 cm, mixed media on<br />

canvas, 2015<br />

Underworld, Diptych, 100 x 80 cm, mixed<br />

media on canvas, 2014<br />

33


Ivan Gohy<br />

(1915-2005)<br />

Ivan Gohy<br />

Is an authentic naïve artist :<br />

A Belgian, born in a modest family in a small village of Wallonia, he left school à 14,<br />

became an industrial worker for some years, and later an itinerant dealer, selling linen<br />

and clothes on marketplaces in small towns. He never received any artistic education or<br />

training, and used then to spend his free time in physical exercise : bicycle since he was a<br />

child, swimming even in winter (crossing the Meuse for Xmas), later long horse rides in<br />

his beloved country.<br />

He had been successful enough to ensure a peaceful retirement.<br />

Having come to Paris in 1999, he visited the Louvre and various exhibitions, and felt the<br />

impulse to paint. So he just started, and never ceased until his death in 2005.<br />

He was a smiling man, never unkind to anybody, never taking himself too seriously, but<br />

enjoying life at every moment. His paintings, all different, communicate his joie de vivre<br />

and bring happiness to the beholder.<br />

mj.sedeyn@free.fr<br />

Goffontaine, 50 X 60 cm,<br />

acrylic on canvas, 2003<br />

<strong>The</strong> Bringing Of School Lunch<br />

(la cantine scolaire), 54 X 65cm,<br />

acrylic on canvas, 2003<br />

<strong>The</strong> Village of Sart, 54 X<br />

65cm, acrylic on canvas, 2003<br />

34


Bela Gold<br />

Bela Gold, PhD in Design and Visual <strong>Art</strong>s, reciving a MERITUM Medall for her<br />

poistgraduate studies. Pursuing a Post-Doc in Critical <strong>The</strong>ory in Mexico teacher and<br />

academic researcher at the Univ. Autónoma Metropolitana, México. Awarded with the<br />

recognition by the PROMEP path to SEP, 2003-2016. SNCA, CULTURE SECRETARY,<br />

Honorary member, fellow of FONCA 3 times. Holded solo exhibitions shows, in more than<br />

100 occasions and as many in group exhibitions as well. As an artist production figure in<br />

museums and collections in Mexico and abroad. Received several awards, mentions and<br />

scholarships.<br />

FELLOW IN FONCA, (NATIONAL ENDOWMENT FOR THE ARTS IN MEXICO ) 4<br />

times, National Department for Culture, and Member of the Creators’ National System,<br />

PRODEP path from SEP, 2003-<strong>2017</strong>. Honored as honorary artist Graphic Workshop<br />

Digital Multimedia Center in the CNA<br />

Awarded with the DAAD scholarship for research at the Humboldt University, Judische<br />

Studien Zentrum, and a researcher at the ITS, Bad Arolsen, Germany, Berlin, 2014<br />

Author of 5 books, published by the UAM, received first prize recognition of one of them.<br />

Jury scholarship FONCA, Biennials, and Mexican Foreign Ministry.<br />

http://www.belagold.org<br />

http://www.saatchionline.com/BelaGold<br />

belagold08@gmail.com<br />

bgold15@icloud.com<br />

From the series PORTRAITS, 90<br />

x 90 x 7 cm, burned drawing on<br />

paper, 2014<br />

From the series FAMILY<br />

PORTRAITS-(IN CONFORMITY<br />

WITH THE ITS ARCHIVES BAD<br />

AROLSEN), 90 x 90 x 7 cm, burnt<br />

drawing on wood, 2015<br />

From the series PORTRAITS<br />

WALTHER BENJAMIN, 90 x 90 x<br />

7 cm, burning drawing on paper,<br />

2015<br />

35


Katharina Goldyn<br />

Born in August 1974 in Myszko in Polen.After graduating from the National Scholl of<br />

fine <strong>Art</strong>s in Czestochowa( 1989-1994).<br />

1994-2000 Study at the Academy of fine <strong>Art</strong> in Wroclaw (Breslau), which ends<br />

2000 completed a degree in painting under the guidane of Prof. A. Dymitrowicz.<br />

In 2011 Doctor of fine <strong>Art</strong>s degree from the faculty of Painting and sculpture at the<br />

Academy of fine <strong>Art</strong>s E. Gepperta in Wroclaw ( Breslau).<br />

She lives in Munich , where have a Studio and a second studio have in Breslau.<br />

Owner , Head in Studio Zeiler, one of the oldest private schools of art in Munich<br />

existing for 55 years.<br />

2015 first prize in International Competition „ Nano <strong>Art</strong>“, Paris<br />

2016 Red Spectrum, Miami<br />

2016 Solo Exhibition in Gallery as <strong>First</strong> Winner, Gallery Roi Dore, Paris, France<br />

2016 <strong>Art</strong>ist <strong>Art</strong> Platform, New York<br />

2016 <strong>Art</strong> San Diego, Baloba Park, San Diego<br />

<strong>2017</strong> Florence Biennale XI , Florenz.<br />

International solo and group exhibitions<br />

www.goldyn.de<br />

info@goldyn.de<br />

<strong>The</strong> Last Supper,<br />

paper, Fine <strong>Art</strong><br />

Baryta, print, 2016<br />

36


Letztes Abendmahl, paper, Fine <strong>Art</strong> Baryta, Print, 2015-2016<br />

Explosion I, 2016 Fine <strong>Art</strong><br />

Baryta<br />

Explosion II, 2016, Fine<br />

<strong>Art</strong> baryta<br />

Explosion III, 2016, Fine<br />

art Baryta<br />

Fighter, paper, Fine <strong>Art</strong><br />

Baryta, print, 2016<br />

37


Christian Guinet<br />

Christian Guinet is a contemporary french painter, born in France, near Lyon, in 1950.<br />

He particularly likes to paint french landscapes of French Riviera, Provence, Mountain,<br />

Britain, old Villages, harbors and Markets. He paints with oil on canvas and palette knives.<br />

As a nature poet, he irresistibly attracts you in a world of harmony, escape and dream<br />

because you find in his paintings, his great sensibility and his creativity.<br />

He very much likes to paint «light» and his paintings inspire calm and quietude.<br />

His atelier, is in France, in the country, between Chambéry and Lyon.<br />

www.peintre-couleur.com<br />

christianguinet@peintre-couleur.com<br />

On French Riviera, 46 x 55 cm, oil on<br />

canvas, 2015<br />

Market In Provence, 50 x 61 cm, oil on<br />

canvas, 2016<br />

38


Poppies In <strong>The</strong> South Of France, 60 x 73<br />

cm, oil on canvas, 2016<br />

Le Mont-Blanc And <strong>The</strong> Village Of<br />

Combloux, 38 x 46 cm, oil on canvas,<br />

2016<br />

Saint-Tropez, 46 x 55 cm, oil on canvas,<br />

2015<br />

<strong>The</strong> French Town Of Lyon, 65 x 54<br />

cm, oil on canvas, 2016<br />

39


Margaretha Gubernale<br />

Margaretha Gubernale was born 9.6.1941 in Zug Switzerland. She is working nearly<br />

30 years in the international artfield and made a lot of expositions in Europa, America<br />

and Asia with many distinctions. She is also an OFAartist and she participates in<br />

diverses artgroups. Her pictures are mystic, symbolic and her images find their source<br />

in the nature and philosophy and elements of Antroposophy. Her symbolism is practice<br />

at a high level, one at which the symbol always maintain their ties to the outer world,<br />

giving them a mysterious double-edged power.<br />

www.margarethagubernale.org<br />

margaretha.gu@bluewin.ch<br />

God’s Eye, 80 cm x 100 cm, oil on<br />

canvas, 2015<br />

Fire of God, 80 cm x 100 cm, oil on<br />

canvas, 2016<br />

<strong>The</strong> Spiral of Backward and<br />

Forwardspeed, 100 x 100 cm, oil on<br />

canvas, 2016<br />

40


Cristina Gutierrez-Cruz<br />

Having studied <strong>Art</strong> and Landscape Design in Louisiana State University (LSU); and at<br />

the Paris American Academy in France and Universidad Autónoma de Centroamérica<br />

UACA, in San Jose, Costa Rica, I am an architect and also an artist. I have participated in<br />

15 group exhibitions and held 3 solo shows at Costa Rica, Guatemala, Paris, France and<br />

U.S.A. My main exhibitions are IEAA Best of 2016 <strong>Art</strong> book; 7 Pintoras Latinoamericanas,<br />

Museos de Casa Santo Domingo, Antigua Guatemala; <strong>Art</strong> Fusion Gallery, Miami U.S.A.<br />

and Casa del <strong>Art</strong>ista, San Jose, Costa Rica. Nature contains that part of the external<br />

experience considered interpersonal or shared, and through my abstract painting<br />

and drawing, I assume the task of exploring this region. <strong>The</strong> inside contains that part<br />

of the inner experience that is impersonal but also archetypal shared by the collective<br />

unconscious that is the route color and movement took in my world.<br />

cristina-gutierrez-cruz.com<br />

c.gutierrez.cruz.arte@gmail.com<br />

Life, 91 x 91 cm, acrylic on<br />

canvas, 2015<br />

Sunset, 150 x 120 cm, acrylic on<br />

canvas, 2014<br />

Inner Dawn, 91 x 91 cm, oil on<br />

canvas, 2016<br />

41


Elsie Kay Harris<br />

Born and raised in Appalachia Elsie has always felt connected to the land:<br />

mountains, rocks, creeks and hillside ridges. It is where she finds both joy and<br />

serenity. She sketches those images that are attracted to her. <strong>The</strong>n she draws those<br />

images on canvases and starts filling in with color. Color here determines the aura<br />

of her first impression and the painting will change as she delves into the image and<br />

the initial perception of the sketch. For Elsie it is a magical intimacy – a spiritual<br />

consciousness – one with nature – that is the message in her work.<br />

elsieharris.com<br />

elsieharris@earthlink.net<br />

Golden Grasses, 254 x 254 cm,<br />

acrylic on canvas<br />

Radiance, 81,2 x 101,6 cm, acrylic on<br />

canvas<br />

Lonesome Pines, 81,2 x 86,3,<br />

acrylic on canvas<br />

42


Armineh Hovanesian<br />

Awarded, Published and Internationally Exhibited: Born in Paris and raised in Tehran and<br />

Boston, with a little over 2 years of dormancy in Lisbon, Armineh is an iPhoneographer now<br />

based in Los Angeles, capturing moments since 2009. She has had no professional training<br />

however her vision has been the driving force behind her creations. She also shoots with her<br />

DSLR camera. For the time being, photography is a hobby.<br />

<strong>Art</strong>ist Statement: My photographs are not generally planned in advance, and I do not<br />

anticipate that the onlooker will share my viewpoint. However, I feel that if my photograph<br />

leaves an image on the viewer’s mind, something has been accomplished.<br />

http://www.armineh-photography.com/<br />

http://www.armineh-photography.com/<br />

Elements of Vachag , iPhone<br />

photography, 40.64 x 50.8 cm, 2016<br />

Some Days I Just Don’t Know, three<br />

exposure iPhone photography, 35.56<br />

x 35.56 cm, 2015<br />

No Control, iPhone photography,<br />

40.64 x 50.8 cm, 2016<br />

43


Ping He<br />

Ping He is a famous Chinese painter based in Shanghai who currently serves as a<br />

teacher at the Institute of Fashion, <strong>Art</strong> and Design of Donghua University. Having<br />

strong ethic flavor and applying traditional skill in his early works, he later dedicates<br />

to discover a new artistic language, which combines the traditional calligraphy<br />

with modernism. His skillful use of color and line contributes to anunconventional,<br />

yet amazingly expressive painting style that conveys not only sensible logic but<br />

also unruly passion. And the perfect fusion of both eastern and western aesthetic<br />

elements makes his works able to attract viewers from all around the world.<br />

http://artistpinghe.tumblr.com<br />

phelley_he@163.com<br />

C-1, 30 x 30 cm, acrylic on<br />

paper, 2015<br />

B-2, 70 x 140 cm, acrylic on paper,<br />

2015<br />

44


C-2, 30 x 30 cm, ink on paper, 2015 C-3, 30 x 30 cm, ink on paper, 2015<br />

B-3, 70 x 140 cm,<br />

acrylic on paper,<br />

2015<br />

B-1, 70 x 140 cm,<br />

acrylic on paper,<br />

2015<br />

45


Julie Impens<br />

French born and graduating from Central Saint Martins in 2010, Julie Impens has<br />

excelled in expanding her work from precious jewellery design to the fine art and<br />

fashion scene. She explores different media, from metal, to paper, through sculptures<br />

and fabric, hallmarked with her emphasis on rich intricate patterns.<br />

Julie Impens creates pieces that are intrinsically expressive, from stirring work<br />

inspired by the Memento Mori art movement to her unique notion of luxury.<br />

Her work has been exhibited in the world’s most recognised cultural cities and<br />

continues to feature in premier galleries, most recently showcasing at Basel <strong>Art</strong> Fair<br />

2016.<br />

www.julieimpens.com<br />

info@julieimpens.com<br />

Image 5 Shouldn’t I Kiss This<br />

Beautiful Ninnisi - 50x70cm - Laser<br />

cut paper, silver and fresh water pearls<br />

- 2013 copy<br />

Image 1 In Hortis Eden - 64,4x41,6cm - Laser cut<br />

paper in lighting box – 2016<br />

46


Image 2 Details from In Hortis Eden<br />

- 64,4x41,6cm - Laser cut paper in<br />

lighting box - 2016<br />

Image 6 Ninhursag’s forgiveness -<br />

23x23cm - Laser cut paper, silver and<br />

fresh water pearls - 2013<br />

Image 3 Boned To Eternity - 7x8 cm –<br />

brooch - Laser cut paper, plywood, perspex<br />

and fresh water pearls - 2016<br />

Image 4 Rising In Heaven - 7x8 cm –<br />

brooch- Laser cut paper, plywood, perspex<br />

and fresh water pearls - 2016<br />

47


Mohammed Rachid Iraqi<br />

<strong>The</strong> work of Mohammed Rachid Iraqi is a syncretic and symbolic metaphor of<br />

the world around the artist, its history and its painter country.<strong>The</strong> animates his<br />

paintings movements that symbolize a country in constant change.In a mixture<br />

of synesthesia , there are often drought yellow saffron fertilize the blue fez and<br />

gluttony red cinnabar chase the torpor of black Sudan.Influenced both by the<br />

color of Matisse, marked by symbolism , and Orientalism of Mantel which he<br />

was the student,This is a travel that he in his paintings ; a journey of tastes,<br />

scents and passion and draw many spectators watching tirelessly .His paintings<br />

of landscapes in abstract style are the opposite of sadness and his touch is<br />

rich, colorful and generous.<br />

www.iraqimohammedrachid.com<br />

Blue Road, 150 x 100cm, oil on<br />

canvas, 2016<br />

<strong>The</strong> Lake, 100 x 80 cm, oil on<br />

canvas, 2016<br />

Ice Effects, 60 x 60 cm, oil on<br />

canvas, 2016<br />

48


Astrid Jacobs<br />

<strong>The</strong> award-winning painter, illustrator and author Astrid Jacobs works and resides in Germany.<br />

Aside from her fine-art career, she undertook many study trips to Europe, Asia and the USA.<br />

In 1993 she moved to New York, USA, where she worked at the Barrett-House <strong>Art</strong> Gallery and<br />

School of <strong>Art</strong>s. Since 1998 she has her own studio in Munich, Germany, as a freelance artist.<br />

She exhibits her artwork internationally throughout Europe and the USA. Her artwork hangs<br />

in many public and private collections worldwide.<br />

Her paintings express the emotions and music behind all forms of life. For her color is music<br />

and music is color.<br />

http://www.astridjacobs.de<br />

astridjacobs@gmx.net<br />

Keep Your Vision, 95 x 95 cm,<br />

acrylic on canvas<br />

Keep Your Balance, 80 x 100 cm,<br />

acrylic on canvas<br />

Cruising on a Fine Night, 100 x 100<br />

cm, acrylic on canvas<br />

49


Stefan Jellheden<br />

Stefan Jellheden grew up in an artistic family with a grandfather who was a<br />

scultor surrounded by art he started to paint and draw at a young age with the<br />

goal of becoming a painter artist but fate brought him into photography instead.<br />

Stefan studied photography at the <strong>Art</strong> Institute in the United States and assisted<br />

many photographers before moving to back to Europe. Currently he lives in<br />

Stockholm, and he exhibits his photographs around the world.<br />

www.jellhedenphoto.com<br />

stefan@jellhedenphoto.com<br />

Little Caravan Girl, 100 x 67<br />

cm, color digital<br />

photograph, C-print, 2014<br />

So What!, 100 x 67 cm, color<br />

digital photograph, C-print,<br />

2015<br />

Cleaning Up the Backyard, 100 x 67 cm,<br />

color digital photograph, C-print, 2014<br />

50


Hee Sook Kim<br />

Hee Sook Kim has long demonstrated an affinity for hybrid identities; as a woman<br />

and immigrant in USA. Kim’s work is not only a delicate kind of poetry; she<br />

works out patterned forming contemporary abstractions that call attention to the<br />

historical legacy of Korean Longevity painting as a ground for the artist’s meticulous<br />

presentation that interweaves classical and modernist stance, which suggests Kim’s<br />

insights are current and universal because they derive from historical specificities.<br />

She has shown her work in national (USA) and international museums and galleries<br />

and received numerous grants including Pollock-Krasner (New York) and Leeway<br />

Foundation (Philadelphia).<br />

Paradise Between 11, 76 x 76cm, oil,<br />

acrylic, rhinestones on canvas, 2016<br />

Paradise Between 16, 152<br />

x152cm, oil, acrylic, rhinestones<br />

on canvas, 2016<br />

Paradise Between 17, 126 x126<br />

cm, oil, acrylic, rhinestones on<br />

canvas, 2016<br />

51


Aimee Joaristi<br />

Characterized by her freedom in terms of technical, organizational elements<br />

and compositional schemes, Aimée Joaristi presents a visceral world in search<br />

of the most existential relations between her own self and our world. Born in<br />

Cuba, raised in Madrid, Spain and working in Costa Rica, with four solo shows<br />

and more than twenty group exhibitions, awarded by IEAA, <strong>Art</strong> Dubai 2016 with<br />

an exhibition in TAG Gallery Brussels, Belgium was commissioned by Rebecca<br />

Wilson in Saatchi <strong>Art</strong>. Mixed Media Press from Mexico published a book of her<br />

“Silences & Screams” 2015 art series and exhibited in JUSTMAD, SUMMA<br />

Contemporary, ART MADRID and others.<br />

http://360.cr/miradafractal<br />

aimee.joaristi@gmail.com<br />

Sin Hijos, 140 diameter, mixed media<br />

on canvas, 2016<br />

Fémina,150 x 150 cm, mixed media on<br />

canvas, 2016<br />

52


Ashes - Cenizas, 140 diameter, mixed<br />

media on canvas, 2016<br />

Limbo, 150 x 150 cm, mixed media on<br />

canvas, 2016<br />

Fauna Abisal, 150 x 150 cm, mixed<br />

media on canvas, 2016<br />

Vortex, 140 diameter, mixed media on<br />

canvas, 2016<br />

53


Aiste Jurgilaite<br />

<strong>The</strong> painter (Lithuanian <strong>Art</strong>ist‘ Union) who for many years lived and worked in France. After<br />

conducting a number of solo exhibition and participating in international exibition and art festivals,<br />

exhibits his paintings in Lituania and abroad, in countries such as France, Germany, Spain,<br />

Luxembourg and Italy.In recent years, living and creating in Lituania.<br />

<strong>The</strong> artist creates his works is quite wide and the paintings are enough abstract, but you can<br />

see and realistic details, including the human silhouette. Calm colors and contrasts, movement and<br />

tranquility… all of which express the human way, his thoughts, feelings and contradiction.<br />

www.aistejurgilaite.net<br />

www.aiste-art.com<br />

aistejurg25@gmail.com<br />

Laisvas Kritimas, Free Fall, 90 x<br />

70 cm, acrylic on canvas<br />

Nuojauta, Flair, 90 x 70 cm,<br />

acrylic on canvas<br />

Kabantis Tiltas, Suspension<br />

Bridge, 80 x 60 cm, acrylic on<br />

canvas<br />

54


Morten Normann Larsen<br />

Normann is a photographer based in Norway. He has a Master and Bachelor<br />

degree from Kent Institute of <strong>Art</strong> & Design in Enlgand. He is mostly working with<br />

staged photography, often with nature playing an importan part as a backdrop<br />

in his art. He has always been curious about the relationship between man and<br />

nature, between the human and the mythology that have shaped it. <strong>The</strong> following<br />

art is from an ongoing project that he has been working on since 2014.<br />

www.normann.co.uk<br />

morten@normann.co.uk<br />

Fields Of Pumpkins, photography,<br />

2014<br />

Mølen, photography, 2014 Hellissandur, photography, 2016<br />

55


Kenan Kocak<br />

Kenan Koçak was born in 11 August 1956 in Turkey. He started oil painting<br />

at June-2006 by working in Hızır Teppeev’s atelier. Now, he works as a freelance<br />

painter…<br />

‘’Constructive freedom’’ is the essence of his works since he believes that destruction<br />

is one of the biggest issues to be tackled today’s world. He thinks that; <strong>Art</strong> is a process<br />

of creation aesthetically and aesthetics is an articulated sense of values that comes<br />

through nature.<br />

In terms of techniques; he tries to explore his inner senses for the harmony of<br />

means and ends, as experimentation through the door of intuition…<br />

www.kenank.name.tr<br />

http://artbook.gallery/kenan.kocak<br />

www.kenank.net<br />

ressam56@outlook.com<br />

Sunrise-Sunset, 102 x 69 cm, enamel<br />

on MDF, 2016<br />

Lead Pouring, 95 x 97 cm, melted<br />

lead and hobnails on wood, 2015<br />

56


Pomegranate Flowers, 40 x 60 cm,<br />

enamel and nails on MDF, 2012<br />

Lavender, 50 x 70 cm, enamel on<br />

MDF, 2011<br />

Mystery of Unknown, 50 x 70 cm,<br />

enamel on MDF, 2011<br />

Bluish-Greenish, 70 x 50 cm, oil on<br />

canvas, 2016<br />

When the Crow Flew, 70 x 50 cm,<br />

enamel on MDF, 2011<br />

57


Mariu F. Lacayo<br />

Nicaraguan artist, her elaborations around the quantum String <strong>The</strong>ory, has led her to<br />

the proposal of fiber and textile hybridizations as her art language. She has exhibited in<br />

numerous art galleries in Nicaragua, Guatemala, Honduras, Mexico, Italy, El Salvador,<br />

Spain, Miami and New York, USA. She also designed several sets for plays, ballet and<br />

opera, at the Ruben Dario National <strong>The</strong>ater in Nicaragua. She exhibited at El Salvador,<br />

Italy, Nicaragua, U.S.A. El Salvador, Guatemala, Latvia, Lithuania , among them her<br />

proposal at the 5th. Riga International Triennial, Riga, Latvia, became part of the<br />

Museum Collection as well as she appears in the International Contemporary <strong>Art</strong> book<br />

2016; and the “Between Centuries” Contemporary Central American <strong>Art</strong> <strong>Book</strong>, Rozas<br />

Botrán Foundation, Museum of Modern <strong>Art</strong>, Guatemala. Her works belong to private<br />

and public collections in many countries. She won the 1st. Painting Award at the Banco<br />

Central of Nicaragua.<br />

http://mariu-f-lacayo.com/<br />

mariuf.lacayo@gmail.com<br />

Atmosphere, 107 x144 cm, mixed media on<br />

canvas, 2016<br />

Stratosphere, 150 x136 cm, mixed<br />

media on canvas, 2016<br />

58


Fred Larucci<br />

From an early age, Fred Larucci viewed the world in an artistic manner. A self-taught<br />

artist, he began sketching at the age of seven. In his early years, he would recreate album<br />

covers and celebrity photos. Later he illustrated political cartoons. In 2010, after a lengthy<br />

sabbatical, Fred returned to drawing only to discover his perception had improved his<br />

abilities. Today, Fred is a successful professional illustrator, included in a multitude of<br />

publications, exhibitions across the U.S., and recognized for his uniquely detailed rendering<br />

of portraits and rare coins and medals.<br />

http://fred-larucci.pixels.com/<br />

gwphantom.fl@gmail.com<br />

Queen Jude Victoria, 22,8 x<br />

30,4 cm, graphite, 2014<br />

Give me Liberty or Give<br />

me Death, 22,8 x 30,4 cm,<br />

graphite, 2016<br />

Marianne, 22,8 x 30,4 cm,<br />

graphite, 2015<br />

59


Steven Lamb<br />

Steven Lamb is a professional full time <strong>Art</strong>ist based in Montreal Canada with several<br />

decades of experience.<br />

Born in Bulgaria and studied in Germany, he paints whimsical figurative paintings<br />

mostly with oil.<br />

He won: Best illustration New York, 1993; <strong>First</strong> Prize Comedy Festival Montreal,<br />

2001; Award for the «Little Prince», 2000.<br />

<strong>The</strong> humour is the key to all of his paintings.<br />

His perception of the world is always from comical point of view. He creates textured<br />

artwork on canvas using mix media.<br />

<strong>The</strong> goal of his paintings is to bring back laughter and humour to people’s life.<br />

www.stevenlambart.com<br />

info@stevenlambart.com<br />

Clark Street, 63,5 x 91,4 cm, mixed<br />

media, 2012<br />

<strong>The</strong> Guicy Gossip, 101,6 x 101,6<br />

cm, mixed media, 2012<br />

60


Dream, 101,6 x<br />

101,6 cm, mixed<br />

media, 2014<br />

Music In <strong>The</strong> Old Port, 76,2 x 101,6 cm,<br />

mixed media, 2015<br />

Carousel, 50,8 x 101,6 cm, mixed media, 2015<br />

Rolling Down 101,6 x 76,2 cm, mixed<br />

media, 2011<br />

61


Bea Last<br />

I am essentially a visual artist/painter, concerned with the process of relationship,<br />

movement, memory, dialogue and energy. That may be the relationship to my canvases and<br />

the dialogue therein or the environment around a piece of work and the conversation held<br />

within that space. In theory, developing a canvas outside the box, that is the mainstream<br />

gallery space. My canvases tend to be large scale with a very physical presence. I tend to<br />

work on a series consecutively in order to create that necessary dialogue along with working<br />

drawings and sketchbooks which are vital in order to keep me connected to my paintings,<br />

and to keep a spontaneous, subconscious freedom to my mark making in order to drive my<br />

practice forward.<br />

www.re-title.com/artists/bea-last.asp<br />

b.last@hotmail.co.uk<br />

Recant, (<strong>The</strong>se walls have a stories),<br />

detail, 120 x 360 cm, (4 pannels),<br />

industrial paint, gesso, graphite on<br />

canvas, 2015-2016<br />

Recant, (<strong>The</strong>se walls have a<br />

stories), 120 x 360 cm, (4 pannels),<br />

industrial paint, gesso, graphite on<br />

canvas, 2015-2016<br />

Recant, (<strong>The</strong>se walls have a<br />

stories), (detail), 120 x 360 cm, (4<br />

pannels), industrial paint, gesso,<br />

graphite on canvas, 2015-2016<br />

62


Ivana Masic<br />

Ivana Masic is a professional multi-dimensional artist and educator who works<br />

with media such as painting, drawing, music, film, and literary production. Her<br />

colorful and enlightening art has been exhibited and installed internationally and<br />

published in over forty books as she enjoys collaborating worldwide. She is involved<br />

in artful humanitarian projects as she believes in the positive power and voice of<br />

the arts. Ivana Masic continuously expresses herself and she honestly establishes<br />

a focus and vision of experiences of the heart and believes that art educates, heals<br />

and spreads harmonic energy worldwide.<br />

www.ivanamasic.com<br />

Facebook: Ivana Masic- <strong>Art</strong>ist<br />

Twitter: @IvanaMasic1<br />

Overlooking Eyes, 24 x 36 inch,<br />

acrylic on canvas, 2012<br />

Untitled, 11, 36 x 24 inch,<br />

acrylic on canvas, 2014<br />

Electric Landscape , 24 x 36 inch,<br />

acrylic on canvas, 2012<br />

63


Romany Mark Bruce<br />

Romany Mark Bruce is an Irish born sculptor and painter living in Brighton in<br />

England. He is the designer and creator of the Brighton AIDS memorial, an iconic<br />

landmark sculpture which was unveiled by David Furnish in 2009.<br />

Romany’s paintings merge effortlessly between figurative and abstract<br />

expressionism, and the space in between. HIs broad sweeping strokes, which<br />

might appear at first to be chaotic and random, come together to bring a charged<br />

intensity and movement to the canvas resulting in an emotive experience.<br />

www.romanymarkbruce.com<br />

romanymb@mac.com<br />

Into the Green, 60 x 80 cm, acrylic on<br />

canvas, 2013<br />

Baptism 4, 60 x 80 cm, acrylic on canvas,<br />

2016<br />

64


Silence, 100 x 100 cm, acrylic on canvas,<br />

2013<br />

1963, 60 x 50 cm, acrylic on canvas,<br />

2011<br />

Celestory, 100 x 100 cm, acrylic on canvas,<br />

2016<br />

Genesis, 208 x 147 cm, acrylic on canvas,<br />

2012<br />

65


Edward Matevosyan<br />

Edward Matevosyan was born in 1951 in Yerevan Armenia. In 1971 he graduated from<br />

Terlemezyan <strong>Art</strong>istic College. In 1980, Edward Matevosyan graduated from Abovyan<br />

<strong>Art</strong>s Academy as well to gain more experience. Matevosyan is a member of the <strong>Art</strong>ist’s<br />

Union of the Armenian Republic, he is also a member of the international Association of<br />

<strong>Art</strong>s of UNESCO. Many Matevosyan’s canvases are in the private collections in different<br />

countries such as: USA, France, Germany, Australia, Canada, Croatia, etc.<br />

www.EdMatevosyan.com<br />

EdMate51@gmail.com<br />

Melody, 30 x 40 cm, oil on<br />

cardboard<br />

Composition #14, 50 x 36 cm, mixed<br />

media<br />

Composition #9, 60 x 42 cm, mixed<br />

media<br />

66


Elzbieta (Ela) Mierzecka-Pain<br />

«I stand-alone in my studio, spending my time imagining how my Universe should<br />

be, then daring to share my dream with You of a beautifully colorful, loving and<br />

sharing world.» Elżbieta (Ela) Mierzecka-Pain, grew up in beautiful Poland, lived<br />

in picturesque England and for the last 15 years in sunny Australia.<br />

Professional art career of photography to fine art painting spans 30 years.<br />

Exhibiting in Australia and in Europe. Published in international art publications.<br />

Ela’s drive is fuelled by her connection and understanding of environmental and<br />

social issues, with the desire to bring Nature and Men closer together. Currently<br />

study Criminology.<br />

www.DownUnder<strong>Art</strong>.com.au<br />

Earth’s Energy, 100<br />

x 120 cm, oil on<br />

canvas, 2016<br />

Cigarette After<br />

Work, 70 x 60<br />

cm, oil on board,<br />

2016<br />

Shades of Autumn,<br />

90 x 200 cm, oil on<br />

canvas, 2015<br />

67


Paul McNulty<br />

Paul McNulty is a painter and sculptor who was born in 1952. He studied art through<br />

high school and also after high school though various courses. Though his life went in<br />

other directions for the next 40 odd years, He has taken art back up full time in the last<br />

several years and plans to continue with it full time. He likes to experiment with art<br />

that is different and usually textured. He shows his work on facebook and twitter as<br />

well as participating in international exhibitions he has been invited to show including<br />

Innsbruck and Venice Biennale.<br />

http://www.news-mail.com.au/videos/paul-mcnulty-sept-2015/32273/<br />

https://niume.com/pages/profile/?userID=22457<br />

pr_artabstractions1@yahoo.com.au<br />

http://www.facebook.com/prartabstractions<br />

Twitter@PRMcNultyART<br />

http://www.facebook.com/prartabstractions<br />

Twitter@PRMcNultyART<br />

Circulation, 2500 x 1165 cm, mixed<br />

media on canvas, 2016<br />

Eruption, 2500 x 1165 cm, mixed<br />

media on canvas, 2016<br />

68


Windswept, 1500 x 1000 cm, mixed<br />

media on canvas, 2014<br />

String <strong>The</strong>ory, 1200 x 1000 cm, acrylic<br />

on canvas, 2011<br />

Circular Dimensions, 1500 x 1000<br />

cm, acrylic on canvas, 2014<br />

<strong>The</strong> Cutting Edge, 1000 x 1000 cm,<br />

acrylic on canvas, 2006<br />

69


Suzanne C. Nagy<br />

Suzanne C. Nagy is an environmental artist and curator, born in Hungary, who is living and<br />

working in New York City. Suzanne is a member of the Yale Club and is listed in the «Who’s<br />

Who» in the Successful American Women Directory.<br />

She has a degree in economy and studied art at the New York <strong>Art</strong> Student League between<br />

1980-82. Additionally, Suzanne worked as a movie producer until 1986, working with talents<br />

such as; George Clooney, Louis Fletcher, Charlie Sheen and Laura Dern. She has invented<br />

Transperentism in 2004 , and in her work she uses a method of creating 3-D, transparent,<br />

photographic sculptures to show the depth and meaning of pollution. She made the non seeable<br />

and made it seeable for the human eye. In 2013 she started to create three-dimensional, large<br />

scale, light panels, under the series “Sustainable Nature.”<br />

She exhibits all over the world spreading environmental issues and engaging the young<br />

generation to get involve. Suzanne C. Nagy owner of Gallery Les Looms and <strong>Art</strong> Haz, also,<br />

running an auction house under <strong>Art</strong>Haz.<br />

www.suzannecnagy@gmail.com<br />

www.arthaz.com<br />

www.suzannecnagy.com<br />

Industrialization, tryptich,30,4 x 106,6<br />

x 10,1 cm each LED light box, mixed<br />

media, 2010<br />

Industrialization II, tryptich, 30,4 x 101,6<br />

x 10,1 cm each LED light box, mixed<br />

media, 2014<br />

Industrialization II, tryptich, 30,4 x 101,6<br />

x 10,1 cm each LED light box, mixed<br />

media, 2014<br />

70


NAHH<br />

NAHH is a painter and graphic designer based on NY.<br />

He is trying to cut and paste of New York street ideas to canvas.<br />

nahhishere.com<br />

nahhishere@gmail.com<br />

Summer Camo 1, 81.3 x 81.3cm,<br />

acrylic, enamel, spray, 2016<br />

Gaga vs Rodman Ocean<br />

Blue, 60.1 x 91.5 cm, acrylic,<br />

spray, marker, 2015<br />

Fuckin Camo 2, 81.3 x 81.3 cm,<br />

acrylic, spray, markaer, 2016<br />

71


Christina Nicodema<br />

Christina Nicodema is a native New Yorker and self-taught painter. She graduated<br />

from Parsons School of Design in 2009, and began painting in 2014. Nicodema’s work<br />

probes the chaotic interiors of the female experience. Laced with autobiographical<br />

components and animal symbolism, her work examines the ways in which we navigate<br />

vulnerability. Through her process, she walks the line between the rawness and grace<br />

of the human experience.<br />

www.christinanicodema.com<br />

christinanicodema@gmail.com<br />

Breathe You’re Alive, 152,4 x 121.9<br />

cm, oil on wood, 2015<br />

Buddied Crucified, 152,4 x 121,9<br />

cm, oil on wood, 2015<br />

I Am Several Women, 91,4 x 91,4<br />

cm, oil on wood, 2016<br />

72


Thierry Noben<br />

Photography has always been a hobby for Thierry Noben, either as a tool in the practice<br />

of his profession as an architect or while traveling as a way to catch vacation memories.<br />

But today, this passion takes a new direction, so that one may speak of «artistic»<br />

photography.<br />

Remy Donadieu said: «Photography embellishes misery by dressing light.»<br />

For his part, with this first series of photographs, he would rather magnify the subject.<br />

By photographing damaged, worn, cracked, rusted objects, he wants to get an emotion,<br />

to bring out the beauty in these ever-present elements or on these surfaces, despite their<br />

transformation due to weather and time.<br />

www.architecte-noben.lu<br />

info@architecte-noben.lu<br />

La philharmonie, digital<br />

photography<br />

Les équilibristes, digital<br />

photography<br />

Le dévoreur, digital photography<br />

73


Kazuo Ooka<br />

Kazuo Ooka had no idea that he would become an artist when he first set foot in<br />

the United States. He migrated to the U.S. as an engineer. His creative mind in the<br />

mechanical field eventually brought him success. After he sold his business some<br />

years later at the age of 50, he immediately immersed himself in oil painting. His<br />

relentlessly inquisitive effort to better his work for two decades has finally enabled<br />

him to express his vibrant voice onto the canvas and his soul into a 3-dimensional<br />

figure. Kazuo succumbed to leukemia in June 2016.<br />

soymonkartstudio@gmail.com<br />

www.soymonk.com<br />

3 D Figure, H 147 cm, 2015, image from<br />

Temporary Storage Gallery at Brooklyn Fire<br />

Proof, Brooklyn, NY<br />

A Warrior Adrift, 162 x 137 cm, oil<br />

on canvas, 2013<br />

74


Ron Ownbey<br />

Ron started painting in his mid-teens on his family’s ranch in California. After military<br />

service, he attended Otis <strong>Art</strong> Institute of Los Angeles earning his MFA degree, followed by<br />

35 years of teaching art at Mt. San Antonio College in California. Ron’s art is influenced<br />

by the serenity, chaos, complexity and vastness of the world and the universe and it’s<br />

variety of life forms at all visual levels. Using biomorphic shapes, linear movements,<br />

patterns and systems that he discovers in nature, he creates new compositions that reflect<br />

the inner and outer functions, reactions and rhythms of things growing and changing.<br />

ronownbeyartist.com<br />

ronownbey@sbcglobal.net<br />

Body Dwellers, 50,8 x 50,8 cm,<br />

oil on canvas, 2016<br />

Intertwinning Structures, 76,2 x<br />

60,9 cm, oil on canvas, 2015<br />

Glowing Fibers, 50,8 x 50,8 cm, oil<br />

on canvas, 2016<br />

75


Ilse Ortiz de Manzanares<br />

Sixty five-group shows and fifteen solo shows. Ilse has been the recipient of<br />

numerous awards, among which is worthwhile mentioning the Bushwick Award,<br />

New York, 2016. <strong>First</strong> Prize at the Exhibition of Women <strong>Art</strong>ists in Taipei, China,<br />

in 1999. In 1977 she was awarded by the famous <strong>Art</strong> critic Marta Traba, at the<br />

International Xerox <strong>Art</strong> Exhibition. In 1975 she won the <strong>First</strong> Prize in the Jubilee<br />

Exhibition of Columbus Day, sponsored by the Institute of Hispanic Culture in<br />

Nicaragua. Today, she continues her art voyage discovering in the unvalued spaces<br />

of our culture the opportunities to ponder over it.<br />

Spiral Time, 117<br />

x 77 x 60 cm, soft<br />

iron and lacquer<br />

paint, 2016<br />

http://www.ilseortizmanzanares.com/<br />

ilseortizmanzanares@gmail.com<br />

Orange Unfolded Tesseract, soft iron<br />

and lacquer paint, 2016<br />

76


Quantum<br />

Entanglement, 180<br />

x 65 x 38 cm, soft<br />

iron and lacquer<br />

paint, 2016<br />

Circular Time, 86<br />

x 73 x 60 cm, soft<br />

iron and lacquer<br />

paint, 2016<br />

Temporary Cycles,<br />

90 x 67 x 63 cm,<br />

soft iron and<br />

lacquer paint,<br />

2016<br />

Van Allen Belt, 68<br />

x 68 cm, base 41<br />

x 31 cm, soft iron<br />

and lacquer paint,<br />

2016<br />

77


Alex Osborne<br />

Alex Osborne is a visual artist and painter based in Williamsburg NYC. Mixing<br />

physical canvases with digital distortion, Alex has created a new medium and<br />

paved the way for a new genre.<br />

www.mralexosborne.com<br />

art@mralexosborne.com<br />

Eat Me, 60,9 x 45,7 cm, acrylic<br />

on canvas, 2016<br />

Nucleus, 36 x 36 cm, new media,<br />

2016<br />

78


Mazes, 152,4 x 121,9, acrylic on<br />

canvas, 2016<br />

Fingernails, 91,4 x 91,4 cm,<br />

acrylic on canvas, 2016<br />

Peppered Cheese, 36 x 36 cm,<br />

new media, 2016<br />

Cross Over, 36 x 36 cm, new<br />

media, 2016<br />

79


Verena Otterbach<br />

Born in Mexico City, 1967. Fifteen years ago she entered the art world under<br />

the wing of Cuban master Carlos García de la Nuez. Since then, she has explored<br />

painting as first artistic discipline complemented with photography.<br />

Through a large format, the absence of color, everyday scenes and their relationship<br />

with photography, her paintings endeavor to deliver a universal journey through<br />

time and memories.<br />

<strong>The</strong> artist works within a long tradition that takes the photographic image as a<br />

method of apprehension and representation of reality; her work does not end up<br />

trying to emulate (life) with photography, quite the contrary, her pieces become<br />

a true pictorial representation, created for and from the “painting» itself, with<br />

multiple shades inherited from the finest world of expressionism.<br />

votterbach@yahoo.com.mx<br />

Father, 40.5 x 30.5 cm, oil on<br />

canvas, 2013<br />

Mother, 150 x 180 cm, oil on canvas,<br />

2016<br />

80


<strong>The</strong> Aviator, 130 x 180 cm, oil on<br />

canvas, 2016<br />

Verena, 35.5 x 30.5 cm, oil on<br />

canvas, 2013<br />

Convertible, 180 x 130 cm, oil on<br />

canvas, 2014<br />

1962,150 x 142 cm, oil on canvas,<br />

2014<br />

81


Tatyana Palchuk<br />

Tatyana Palchuk is born in 1954 in Riga, Latvia.<br />

She has the Academic Degrees as a Diplom of Master of <strong>Art</strong>s (Visual <strong>Art</strong>s) in Humanities,<br />

as well - Master of <strong>Art</strong>s, Studio of Professor – member of the USSR Academy of <strong>Art</strong>s<br />

Eduards Kalnins at the Academy of <strong>Art</strong>s of the USSR.<br />

Tatyana was studied in Latvian Academy of <strong>Art</strong>s under the supervision of professors<br />

I.Vecozols, K. Ubans, Postazs, B. Berzins, Kalninieks, J. Pigoznis, E. Iltners.<br />

She has several worldwide exibitions: Latvia, Bulgary, Chechoslovac Republic, Mongolia,<br />

Germany, Mexico, Urugvay, India, Switzerland, Belgium, Italy, USA, Russia and in her rich<br />

art activity she was rewarded several times in variouse national and international contests.<br />

tpalchuk.eu<br />

tpalchuk@inbox.lv<br />

Evening Time, 160 x 210 cm, oil on<br />

canvas, 1984<br />

Still Life With Coral, 70 x 60<br />

cm, oil on canvas, 2014<br />

82


Marine Band, 80 x 100 cm, oil on<br />

canvas, 2013<br />

Improvisation,70 x 74 cm, oil on<br />

canvas, 2014<br />

Sunny Still Life,70 x 90 cm ,oil on<br />

canvas, 2014<br />

Still Life With Magpie, 60 x 80 cm, oil<br />

on canvas, 2014<br />

83


Lydia Panart<br />

Canadian international artist Lydia Panart graduated in architecture and developed<br />

her professional artistic career under the mentorship of master Kenneth Kemble, one<br />

of the founders of the Informalist Movement in Argentina. She was nominated in<br />

2016 as one of the “10 Most Influential Hispanic Canadians” and honoured as a “Top<br />

60 Master of Contemporary <strong>Art</strong>”. Lydia’s work gives shape to our human tendency<br />

towards constant movement in our search for meaning, finding inspiration in those<br />

traces we leave behind. Sometimes their significance changes as we see them in a new<br />

light, colored by the passage of time and personal growth.<br />

www.lydiapanart.com<br />

info@lydiapanart.com<br />

Corte y Quebrada,<br />

120 x 120 cm, acrylic on canvas,<br />

2008<br />

Corte y Quebrada III,<br />

120 x 120 cm, acrylic on canvas,<br />

2008<br />

84


Contemplation, 107 x 107 cm,<br />

acrylic on canvas,<br />

2014<br />

Homage to Raul Soldi and His Duendes,<br />

122 x 122 cm, acrylic on canvas,<br />

2014<br />

<strong>The</strong> Don Quixote in Me,<br />

92 x 92 cm, acrylic on canvas,<br />

2014<br />

Moon Shadow in a Field of Gold,<br />

122 x 122 cm, acrylic on canvas,<br />

2014<br />

85


Huub Ragas<br />

Huub Ragas lives and works as an artist in Tilburg, in the Netherlands, where<br />

he was educated as a painter and drawer. Very often his paintings are about houses<br />

(theme architecture). <strong>The</strong> paintings are colourfull impressions of villages or cities.<br />

Also natural elemenst like flowers, fishes, birds or other animals and ocassionally<br />

humans are present in many of his paintings, implying the importance of the natural<br />

environment besides the cities. His style varies from a realistic primitive style with a<br />

solid structure of colourfull mosaics of houses into a more surrealistic poetic style with<br />

distorted shapes of houses or natural environment elements. His artworks have been<br />

exhibited in many countries in Europe (Holland, Germany, Great Brittain, France,<br />

Spain, Italy) and occasionally outside Europe (for instance in Japan and India).<br />

huubragas@hotmail.com<br />

Tumbling World, 25 x 25 cm,<br />

gouache on cardboard, 2015<br />

French City, 30 x 30 cm,<br />

gouache on cardboard, 2015<br />

<strong>The</strong> Land, 30 x 30 cm, gouache<br />

on cardboard, 2010<br />

86


Pekka S. Reunanen<br />

«<strong>The</strong> purpose of my photographs is to help the viewer to rise above the daily<br />

routine and to view life from a different perspective. <strong>The</strong> images reflect fantasy and<br />

dream although anchored to concrete life themes.»<br />

Born in Finland, Pekka S. Reunanen is a world traveler who lives between Buenos<br />

Aires and Helsinki, having lived for 5 years in Portugal and 10 in South-East Asia. He<br />

received a Master´s degree in law, and later studied and graduated in photography<br />

in Buenos Aires. Pekka has exhibited extensively internationally and has had solo<br />

exhibitions and group participations in Europe, the USA and South America. Without<br />

exception there is a human element present in his photos. All walks of life, life itself<br />

and people seem to inspire him.<br />

pekkare@yahoo.com<br />

http://jpgmag.com/people/pekka<br />

<strong>The</strong> Angel in Helsinki<br />

(Anjo Do Oro), 50 x 70 cm,<br />

color digital photograph,<br />

2016<br />

Love, 50 x 70 cm, color<br />

digital photograph, 2013<br />

Flamingo Ladies, 50<br />

x 70 cm, color digital<br />

photograph, 2011<br />

87


PRUSSI (Pascal Russi)<br />

He is a painter for almost 30 years. He is always in continousely research of a new<br />

subjects and techniques for to express his all possible ideas and 2016 he is considering<br />

a good year while continue to descover a new variouse techniques. He basically use<br />

the oil painting, acrylic and pigments and this year it topped up also the tars and as<br />

well as well all other kind of materials. He lets you to discover the results.<br />

http://www.pascalrussi.com/<br />

Un Monde en Déliquescence,<br />

60 x 50 cm, gudron, acrylic,<br />

pigments, 2016<br />

1.G1358, 30 x 40 cm,<br />

gudron, acrylic, pigments,<br />

2016<br />

Syrie-Les Chemins Illusoires<br />

d’un Èxil, 60 x 80 cm,<br />

gudron, acrylic, pigments,<br />

2016<br />

88


Francesco Sandrelli<br />

Francesco Sandrelli starts painting in the 80’s. He attended firstly a private school in<br />

Florence, then he attended illustration courses in Bologna and Milan. He starts in 90’s<br />

to exihibit his work in Italy, then he becomes «associé» in Paris Louvre Carousel when<br />

he exposed from 2006 to 2010. Other exihibitions in Brussels, France, and Toronto, New<br />

York (3 times ), Montreal, Quebec, Saint Petersbourgh (Russia ) and Miami. Francesco<br />

is a kind of novelist images, wich comes by his mind. He is particularly appreciated in<br />

USA. This kind of fairytales were elaborated as a part of his own perception.<br />

www.ecologymining.com<br />

www.francescosandrelli.it<br />

pitret@virgilio.it<br />

Luna nell’Acqua, 160 x 280 cm, smalt on<br />

canvas, 2013<br />

Sodoma, 160 x 300 cm, smalt on canvas,<br />

2013<br />

Incontro nel Bosco, 300 x<br />

160 cm, smalt on canvas,<br />

2013<br />

89


Albert Russo<br />

Albert Russo who has published worldwide over 85 books of poetry, fiction and photography,<br />

in both English and French, his two mother tongues (Italian being his ‘paternal’ tongue; he<br />

also speaks Spanish and German and still has notions of Swahili), is the recipient of many<br />

awards, such as <strong>The</strong> New York Poetry Forum and Amelia (CA) Awards, <strong>The</strong> American Society<br />

of Writers Fiction Award, <strong>The</strong> British Diversity Short Story Award, <strong>The</strong> AZsacra international<br />

Poetry Award (Taj Mahal Review - US$ 500), the <strong>Book</strong>s & Authors Award, several Writer’s<br />

Digest poetry and fiction Awards (winner and finalist), aquillrelle Awards, the Prix Colette and<br />

the Prix de la Liberté, among others. His work has been translated into a dozen languages in<br />

25 countries, on the five continents. Albert Russo was also a member of the 1996 jury for the<br />

Neustadt International Prize for Literature which often leads to the Nobel Prize of Literature.<br />

Latest Prize: Best 2013 Unicef Short Story award in defense of childhood worldwide, entitled:<br />

Revenge by proxy / Vengeance par procuration.<br />

Besides writing, Albert Russo has garnered several prizes for his photography books, Indie<br />

Excellence Awards (both winner and finalist), <strong>The</strong> London <strong>Book</strong> Festival awards (finalist),<br />

<strong>The</strong> Gallery Photografica awards (silver medal), among others. Some of his photos have been<br />

exhibited at the Louvre Museum, in Paris, in Times Square, NYC, as well as at the Museum of<br />

Photography in Lausanne, Switzerland. Now, he is exhibiting at the Espace Pierre Cardin, in<br />

Paris, his work AIR DE MONTMARTRE, as well as photos on canvas. <strong>The</strong> Mayor of the Big<br />

Apple has lauded his two photobooks on Paris and New York. Some of his novels and memoirs<br />

have also been filmed in English, with videos 90 and 100 minutes long.<br />

«<strong>Art</strong> is but a moment of happiness, it is like a lightning of joy in the midst of the never-ending<br />

horrors of our world.» Albert Russo<br />

Lampshades 2, digital<br />

www.albertrusso.com<br />

http://chameleon.l-aleph.com/<br />

90


Ancient Afghan Sewing<br />

Ring, digital<br />

<strong>Art</strong> Déco Lamp Composition,<br />

digital<br />

Car and Plane models, digital<br />

Ring Trees and Planes, digital<br />

Bauble, digital<br />

Bauble, digital<br />

Venitian Masks,<br />

digital<br />

91


Resin Dog Watching Marble Figurines of<br />

Royal Kings of the Middle Ages, digital<br />

Renaissance Lady Mirrored in <strong>Art</strong><br />

Déco Frame, digital<br />

Tiffany composition, digital<br />

David’s head, digital<br />

92


Angela P. Schapiro<br />

Born in England and educated in France, photographer Angela P. Schapiro now lives in<br />

Woodstock, NY, USA. Her work, covering many subjects from art to social commentary,<br />

is widely published and exhibited in the US and internationally. Most recent publications<br />

include EXPOSURE, ONE LIFE: Stories Told through Photography, <strong>The</strong> Collection<br />

Of Masterpieces: <strong>The</strong> Al-Thani Award for Photography, International Masters Of<br />

Photography Vol. 3 2015, and Current Masters II, 2016. Her work has been exhibited in<br />

New York, Miami, Austria, Switzerland and Germany among other countries. Schapiro<br />

is the Managing Editor of SHARPEN, the American Society of Media Photographers’<br />

online magazine.<br />

www.angelapschapirophotography.com<br />

www.ulsterartistsonline.org<br />

angela.schapiro@gmail.com<br />

Vernal Pools, 51,32<br />

x 40,64 cm, color<br />

digital photograph,<br />

2015<br />

A Catskill Sunset,<br />

54,14 x 40,64<br />

cm, color digital<br />

photograph, 2016<br />

93<br />

Winter Garden, 20,23 x 27,09<br />

cm, color digital photograph,<br />

2014


Lidia Russo<br />

Lidia Russo sculptor, ceramicist Raku, internationally renowned.<br />

Born in Cercola the 10.04.1964. She lives in Massa di Somma in the Province of Naples.<br />

L ‘artist is represented by «Gagliardi Gallery» in London. She exposes in personal museum<br />

exhibitions woldwide of high artistic and cultural importance. Followed internship «Advanced<br />

Training Advanced». Used techniques and working material: Raku technique, Metaphysics,<br />

Conceptual <strong>Art</strong>, Monumental, Installation Bas-relief, «<strong>The</strong> not finished Michelangelo». Olive<br />

Wood, Eucalyptus, Lava Stone, Bronze casting,<br />

Some events:<br />

International Biennial of <strong>Art</strong>, Chelsea Old Town Hall European Confederation of Critics,<br />

<strong>First</strong> Prize Award, London 2015.<br />

International Award Sponsored by the Ministry of Culture to the MIC KURSAAL 2015.<br />

International exhibition at Bratislava Castle, Rep. Slovak attended by Luboslav Moza.<br />

16/07/ - 15/07/2016 /.<br />

Trophy Empire <strong>Art</strong> International Exhibition in Paris, Louvre, Vienna Palace Stemberg.<br />

Rome, Brancaccio Palace, 01/12/2016 / Attended by Historian P. Levi.<br />

<strong>The</strong>y have written about her Contemporary <strong>Art</strong> historians, P. Levi, G. Falossi, K. Lappon,<br />

C. Rosewood, José Van. Roy, Dalí, G. Casiraghi, C. Mazzetti, S. Bison, Serradifalco, G. Maci,<br />

E. Bianchi, F. De Gregorio.<br />

International Competition Of <strong>Art</strong> <strong>Berliner</strong> <strong>Art</strong> Prize 2016, Honorary Diploma of the Berlin<br />

<strong>Art</strong> Prize.<br />

Awarded the academic title Doctor of <strong>Art</strong> Honoris Causa, and Europar Prize. 03/02/2015.<br />

London <strong>Art</strong> Biennale Chelsea Old Town Hall - <strong>2017</strong><br />

http://www.londonbiennale.co.uk/it/artist/lidia-russo<br />

http://biennalechianciano.museodarte.org/it/users/<br />

lidia-russo<br />

lidiarusso1964@gmail.com<br />

<strong>The</strong> Force of <strong>Art</strong>istic Sensuality, 70 x<br />

100 x 70 cm, ceramica refrattaria con<br />

patina antichizzata, 2010<br />

94


La Dea Madre, 100 x 72 x 45 cm,<br />

ceramica refrattaria con patina<br />

antichizzata, 2013<br />

Il Futuro Di Una Donna<br />

Determinata e Persuasiva, 70<br />

x 150 x 57 cm, kaolin bianco<br />

colombino su tornio manuale,<br />

2014<br />

La Triade Della<br />

Bellezza Che<br />

Nasce Da Elio,<br />

Eos e Selene, 57 x<br />

22 x 74, ceramica<br />

refrattaria<br />

e tecnica a<br />

colombino su<br />

tornio manuale,<br />

2016<br />

Nasataya, Divinità Celesti<br />

Nascoste Nella Materia Tra<br />

Fuoco, Aria, Acqua e Terra, 106<br />

x 46 x 50 cm, legno eucaliptus,<br />

pietra lavica, ferro battuto,<br />

patina di stucco, 2015<br />

Il Linguaggio<br />

Delle Pietre e Del<br />

Legno, 170 x 40<br />

x 20 cm, legno<br />

d’ulivo, acciaio,<br />

pietra di Spoleto,<br />

pietra di basalso,<br />

2014<br />

95


Alessandra Sequeira<br />

Recently she held a personal exhibition at Cayalá <strong>Art</strong> Gallery of Foundation Rozas<br />

Botran, and an experience of relational art in the University of the Isthmus, at the<br />

Museum of Contemporary <strong>Art</strong> with the Rozas Botran Foundation of Guatemala.<br />

She has been invited to exhibit in October 2016 in OXYGEN - FRAGMENTED<br />

IDENTITIES | Bogotá 2016, in El Altillo del <strong>Art</strong>e Gallery, as well as in the collective<br />

«Colors to Inspire» of the Gallery Ward-Nasse, New York to take place in December<br />

2016. She has exhibited 44 times in different Galleries and Museums including<br />

BETWEEN CENTURIES, the book of American Contemporary <strong>Art</strong> by Foundation<br />

Rozas Botran and in 2016, she is one of the artists selected in T.I.N.A. Prize, Moscow<br />

and won the Exhibition Prize of the IEAA, <strong>Art</strong> Dubai in TAG Gallery, Brussels, where<br />

she was exhibited. She was included in the Group of 7 Top artists in <strong>Art</strong> Flow <strong>Art</strong><br />

Gallery in San Jose Costa Rica.<br />

Nicaraguahttps://issuu.com/arteresponsable/docs/dossier_<br />

proyectos_descoloniales__in<br />

alessandraseq@gmail.com<br />

Heart Connections 2,<br />

184 x 131 cm, acrylic<br />

ink on canvas, 2016<br />

Heart Connections 4,<br />

184 x 131 cm, acrylic<br />

ink on canvas, 2016<br />

Heart Connections 3,<br />

184 x 131 cm, acrylic<br />

ink on canvas, 2016<br />

96


Dorothy Slikker<br />

Dorothy Slikker was born in Bakersfield, Ca. USA. She has been painting seriously<br />

since 1976. She paint a verity of different subjects using her family as her inspiration.<br />

She has painted under quite a few artists and settled on Robert Warren as her mentor.<br />

She teach his method of painting to her students using a soft orange canvas and doing a<br />

black study before she ever use the oils on the canvas. She has over the years shown in<br />

galleries all over the world. Italy, Japan, New York City two different times. <strong>The</strong> Agora<br />

gallery in Chelsea, NY was the first one followed by Amsterdam Whitney in Chelsea,<br />

NY. She has made the Top 60 International Contemporary Masters, and the World<br />

Wide 100 Contemporary Masters, she is also has shown in the Las Vegas Museum of<br />

Fine <strong>Art</strong>. After making it to the Masters she was wrote her own story «My <strong>Art</strong> Walk to<br />

the Contemporary Masters». It can be purchased at Amazon, Barnes and Nobels.<br />

www.slikkersfineart.com<br />

Beautiful Race, 69,9 x 45,7 cm,<br />

oil on canvas, 2015<br />

Out to Pasture, 45,7 x 60,9cm,<br />

oil on canvas, 2014<br />

Running the River, 50,8 x 10,6<br />

cm, oil on canvas, 2016<br />

97


Ferenc Sebok<br />

Ferenc Sebök has won different international prizes, as well as in musical composition<br />

and paintings and his artwork and prizes are a testimony of his contribution to Humanity.<br />

He specialized in Tracing boards and masonic art. He began painting in 1971 with<br />

landscapes, nudes, portraits and caricatures, but continued his way as a quest and taking<br />

the way of symbolism in 1990. He also trained iconography and developed a baroque<br />

style in his artworks. Another way of his art is the research about dictature, communism<br />

and nazism, referring to his fatherland (Hungary), but also caricatures about musicians<br />

and politics. We can find his paintings in many Lodges in Europe but also Overseas, in<br />

the USA or in Museums, Culture houses or in private collections. His themes turn around<br />

freemasonry and the quest of humankind. Well-known through his tracings boards, he<br />

has also written poems about them. Recently, he has won the “Premio Capitolium 2016<br />

in Roma”, the “Colosseo international Prize 2016, Italy”, and the “Médaille de Vermeil<br />

2016, <strong>Art</strong>s-Sciences-Lettres, Paris”.<br />

sebokferenc@hotmail.com<br />

<strong>The</strong> Lost Word III, 70 x 50cm,<br />

acrylic on wood panel, 2009<br />

Le Defi, 40 x 30 cm, pastels sur<br />

carton, 2008<br />

98


Temple of Salomon, 50 x 40 cm,<br />

acrylic on panel brut, 2014<br />

Vision II, 40 x 30 cm, oil on<br />

carboard HR, 2004<br />

Choeur des Braves, 27 x 36 cm, gouache<br />

sur carton, 1999<br />

Brother Mozart, 24 x 42 cm, ink and<br />

acrylic on cardboard HR, 2014<br />

99


Denise Shaw<br />

Denise Shaw is a painter and a Human Rights <strong>Art</strong> Activist. Her work has been featured in<br />

museums, galleries and cultural centers in the United States and in Europe, including the<br />

National Museum of American <strong>Art</strong> in Washington, D.C., the Reece Museum in Tennessee,<br />

<strong>The</strong> Copelouzos Museum in Athens, Greece, South Texas College, Atlanta College of<br />

<strong>Art</strong>, Miami Metropolitan Dade College, <strong>Art</strong>Rom Gallery in Rome, St. Stephens Cultural<br />

Foundation Center in Rome and the Vasilunas Gallery in Lithuania. In New York City her<br />

work has been shown in <strong>The</strong> Museum of <strong>Art</strong>s and Design, <strong>The</strong> Swiss Institute, <strong>The</strong> Park<br />

Avenue Armory and LaGuardia CUNY. Shaw’s work has been honored at <strong>The</strong> White<br />

House. In 2012, she was elected into the National Association of Women <strong>Art</strong>ists. Her<br />

work is in private, public and corporate collections, including those of Phillip Morris and<br />

Pfizer, Inc. She received a BFA from the School of Visual <strong>Art</strong>s, NYC and a postgraduate<br />

certificate in Film from New York University. Denise Shaw is a Library Fellow at <strong>The</strong><br />

Whitney Museum of American <strong>Art</strong> in New York City.<br />

<strong>The</strong> work included in <strong>The</strong> <strong>First</strong> <strong>Berliner</strong> <strong>Art</strong> <strong>Book</strong> addresses <strong>The</strong> Migration Crises,<br />

American Racial Violence, American exploitation of sport sponsorship, inhumane<br />

American Death Penalty methods and North Korean atrocities.<br />

www.deniseshawpaintings.com<br />

denise@deniseshawpaintings.com<br />

Plat Du Jour: Dear Leader Special, 60,9 X<br />

76,2 cm, watercolor on paper, 2014<br />

In <strong>The</strong> Test Kitchen, 60,9 x 76,2 cm, acrylic<br />

on wood panel, 2014<br />

100


La Crise Migratoire, 81,2 x 91,4 cm,<br />

acrylic on four skateboards, 2016<br />

Charleston, 60,9 x 76,2 cm, acrylic on<br />

wood panel, 2015<br />

We Are All Trayvon, 45,7 x 81,2 cm, acrylic,<br />

chalk and watercolor on paper, 2013<br />

American Hustle, 91,4 x 60,9 cm,<br />

acrylic with collage on canvas, 2015<br />

101


Igor Snegur<br />

Born in 1935 in Moscow. Snegur illustrated books, worked in theatre, in “Central<br />

Scientific Films` Studio”, made posters.<br />

He is the member of Russian Union of <strong>Art</strong>ists, and of Russian Journalist`s Union.<br />

<strong>The</strong> artist has participated in 50 exhibitions in Russia and abroad.<br />

His works are in many collections in Russia and in other countries, in particular:<br />

*in State Tretyakov Gallery, Moscow<br />

*in Russian <strong>Art</strong> Museum, Saint-Petersburg<br />

*also in10 <strong>Art</strong> museums of different Russian cities<br />

*Snegur is laureate of <strong>Art</strong> Competition named after V.Popkov, in painting, 2006,<br />

Silver Prize<br />

http://snegur-art.ru)<br />

e-mail: snegurart@mail.ru<br />

Deliverance from Chains, 70 x 50<br />

cm, oil on canvas, 2015<br />

Object of Space, 140 x 120 cm, oil<br />

on canvas, 2009<br />

102


Composition, 140 x 120 cm, oil on<br />

canvas, 2010<br />

Construct, 60 x 50 cm, oil on<br />

canvas, 2004<br />

Five Drifting Monads, 80 x 100 cm,<br />

oil on canvas, 2006<br />

Elegant Crossing, 60 x 50 cm, 2004<br />

103


Judith Stone<br />

Judith Stone’s drawings address the gritty subject of construction sites. Originally<br />

directed at the urbanscape in transition, her recent focus has been the very machinery<br />

of the construction process and the building materials themselves. She has loosened<br />

her illusionistic graphite renderings with poured graphite washes, and added a second<br />

photographic level, perceived through tinted, transparent Plexiglas “windows”. In<br />

the newest pieces, we now also see large areas of a single color, as well as actual site<br />

debris. In Stone’s mind, juxtaposing images of earth moving equipment with veiled<br />

photographs of past experiences suggests the nature of memory.<br />

Judith Stone holds a B.A. from Vassar College, an M.F.A. from the University of<br />

Colorado, and an M.A.T. from Harvard University.<br />

jelisestone@cs.com<br />

Nagasaki/Bombsite/<br />

Pillar I: graphite,<br />

pastel, photograph,<br />

tinted, transparent<br />

Plexiglas,<br />

enamelled<br />

hardware; height 54»<br />

x width 25»; 2015<br />

Nagasaki/Bombsite/<br />

Pillar II: graphite,<br />

pastel, photograph,<br />

tinted, transparent<br />

Plexiglas,<br />

enamelled hardware;<br />

height 54» x width<br />

25»; 2015<br />

104


Tokyo/Upsurge/<br />

Temple Bell I:<br />

graphite, conte,<br />

photograph,<br />

tinted, transparent<br />

Plexiglas,<br />

enamelled<br />

hardware; height 33»<br />

x width 17»; 2012<br />

Tokyo/Upsurge/<br />

Temple Bell II:<br />

graphite, conte,<br />

photograph,<br />

tinted, transparent<br />

Plexiglas,<br />

enamelled hardware,<br />

height 33» x width<br />

17»; 2012<br />

Latency I: graphite,<br />

conte, photograph,<br />

tinted, transparent<br />

Plexiglas, height 45»<br />

x width 30»; 2002<br />

105


Bonita Tabakin<br />

Bonita Tabakin: Humanist and Eco Solution artist: painter, wood carver and fiber<br />

creator. Color for Health entrepreneur. In one art, she paints/sculpts the problem AND<br />

the solution(s). CV: MBA/MFA. Studied with world masters and USA legends. Collections<br />

in 12 states, 6 countries personal and corporate.<br />

Bonitasgalleria.com<br />

Bonitasart.com<br />

bonitasart@gamil.com<br />

Out of Time, Eco Solutions, 152 x 121 x<br />

5 cm, oils, inks, glazes, raised image on<br />

canvas, 2016<br />

106


Tim Tayor<br />

Tim Taylor has Master’s degrees in <strong>Art</strong> and Film, and has exhibited artwork in Italy,<br />

Spain, France, Latvia, Netherlands, and the US.<br />

At the turn of the century Taylor moved from the USA to a remote Pacific Island where<br />

he built cement sculptures. He deposited four “<strong>Art</strong>ifacts” in the wild and photographed<br />

the overgrowth with time. One <strong>Art</strong>ifact, part of Taylor’s “Space Junk” theme, is a sphere<br />

that recurs as the bulb of the installation “Nightlight” and has been explored in various<br />

ceramic and metal mediums, including the 24k gold plated “Money Ball”.<br />

TimTaylor<strong>Art</strong>.net<br />

Nightlight, 300 x 400 x 200 cm,<br />

multimedia instalation, 2015<br />

Gold Ball, 8 cm round, 24K gold<br />

plated silica bronze, lost wax, 2016<br />

Silver Ball, 8 cm round, pure silver,<br />

vacuum cast lost wax, 2015<br />

107


Alexander Telin<br />

Telin Alexander – Russian <strong>Art</strong>ist, currently live and create in Malta, Russia and Germany.<br />

Alexander has carefully studied artistic heritage – from Renaissance to post-impressionism and<br />

from Ancient Egyptian murals to Russian academic tradition – and has created a unique and<br />

exciting style that reveals the inner beauty of the world around.<br />

Alexander studied in Moscow State Academy <strong>Art</strong> named after Surikov– the most prestigious<br />

Russian art institute. In a short period he became a well-known painter.<br />

Alexander has been repeatedly awarded with diplomas of the Russian Academy of <strong>Art</strong>s, the<br />

Russian Union of <strong>Art</strong>ists, Moscow Union of <strong>Art</strong>ists and the Moscow Association of Painters.<br />

Alexander Telin was awarded a scholarship of the Union of <strong>Art</strong>ists of Russia for a series of<br />

portraits of children.<br />

In London <strong>Art</strong> Biennale 2015 Alexander was awarded two prizes for the painting “Moscow<br />

Windows”.<br />

www.telinalex.com<br />

Facebook Page - T ‘ E L ‘ I N - Deep Pictorial ART<br />

Warning, 120 x 100<br />

cm, oil on canvas,<br />

2014<br />

108


Moscow Windows or Dormitory, 120 x 100 cm,<br />

oil on canvas, 2015<br />

Sand Castle (from the series Children & Sea)<br />

100 x 100 cm, oil on canvas, 2015<br />

109


Villa Gwardamangia, 50 x 70 cm, oil on canvas,<br />

2015<br />

Sun Ball or Games of Gods, 100 X 120 cm, oil on<br />

canvas, 2015<br />

110


Ferdinando Valentini<br />

Ferdinando Valentini was born in Cosenza in 1954. He was graduated in construction<br />

engineering at the University La Sapienza of Roma, where he now lives and works.<br />

From an early age, he developed a passion for drawing and painting, and for watercolors<br />

as well. Valentini began exhibiting in the 70s in Roma. In 1981 he won the XXVII edition<br />

of the School of Engineers for painting and drawing. He is the author of «Dynamic <strong>Art</strong><br />

Movement In Pulse»; 2012 and some of his works are recorded and catalogued by the<br />

Italian Ministry of Culture. His selected works are in prestigious galleries and museums<br />

in London, Wien, Milano, Venezia, New York, Chicago, Las Vegas, Los Angeles, Miami,<br />

Tokyo, Shanghai.<br />

http://www.artslant.com/global/artists/show/341080-<br />

ferdinando-valentini<br />

Anastasija, 64 x 83 cm, oil on<br />

canvas, 2016<br />

Tatiana, 60 x 90 cm, oil on<br />

canvas, 2016<br />

Maryna, 53 x 79 cm, oil on<br />

canvas, 2016<br />

111


David W<br />

Whitfield<br />

<strong>The</strong> history of art travels at its own pace and cannot be forced, pushed or veered into a<br />

false direction. I place myself and work (painting) within this broad European tradition,<br />

the same while keeping an open mind to the influences from all cultures world wide.<strong>The</strong><br />

work is a visual interpretation of my personal journey through life and I hope a truthful<br />

one (to myself), for without this I believe the falseness will show in the work. Any painting<br />

worth its salt holds within it a concept beyond the obvious external visual components<br />

of shape and colour, in due course it may turn out that the work may result in showing<br />

some originality, almost in spite of itself without resort to gimmickry. It is in the process<br />

and journey, particularly for the artist, which is most rewarding, and hopefully, will show<br />

itself and be conveyed to the observer. <strong>The</strong> general aim is to produce a painting rather<br />

than a picture, that stands complete within it’s own boundaries, without title, dependent<br />

for it’s interpretation by and from the observer. <strong>The</strong> subject matter is the hidden world<br />

of the human psyche, with all its conflicts and unconscious workings, too vast a subject to<br />

place in a few words, but a subject to explore visually for a life time.<br />

davidwwhitfield.com<br />

David.whitfield@orange.fr<br />

Untitled, 101,6 x 76,2 cm,<br />

acrylic, 2016<br />

Untitled, 101,6 x 76,2 cm,<br />

acrylic, 2016<br />

Untitled, 101,6 x 76,2 cm,<br />

acrylic, 2016<br />

112


Karel Witt<br />

Karel Witt was born January 8th, 1947 (in Ostrava, Moravia). lives and works<br />

in Bern Switzerland, is a pop-art inspired Postdadaist, ...laying down an all-time<br />

valid guidance on how to stay out of reach & keep out of range.<br />

So obviously,... (NeO-) dAdA or rather Deonada is still alive!<br />

www.wittbeat.com<br />

Caro Viaggio MMXV,<br />

100 x 80 cm, acrylic<br />

on canvas, 2015<br />

Messaggio Oscuro MMXVI, 100 x 70<br />

cm, acrilyc on canvas, 2016<br />

Adagio di Maggio MMCMLIV, 100 x<br />

70cm, acrylic on canvas, 2015<br />

113


Elisabeth Wolf (lagqaffe)<br />

Elisabeth Wolf (lagqaffe) is a self taught painter, graphic designer and illustrator<br />

from Leipzig.<br />

Interested in many techniques, it’s her favor to create and recreate.<br />

She is influenced by strong feelings from a female point of view, which makes her art<br />

very sensitive and emotional.<br />

Her latest works are acryl paintings on canvas or wood and are the main part of her<br />

exhibition „Studies from the internal monologue“.<br />

To give her protagonists a deeper intensity of their feelings, Elisabeth decided to let<br />

each of them interact with four arms in an every day situation, which does give them<br />

a very own term.<br />

www.lagqaffe.de<br />

info@lagqaffe.de<br />

<strong>The</strong> Prayer, 70 x 90 cm, acrylic<br />

on canvas, 2015<br />

A New Friend, 70 x 50 cm, acrylic on<br />

canvas, 2016<br />

Short-Break, 80 x 80 cm, acrylic<br />

on canvas, 2015<br />

114


THE FIRST<br />

BERLINER<br />

<strong>2017</strong><br />

ART BOOK

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