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Tokyo Weekender - November 2017

Our November issue is out, featuring a jam-packed end-of-year special: 42 Christmas gift shopping ideas and 10 bonenkai spots. Plus: The avant-garde world of butoh dance, Japanese teen prodigies, and a special supplement guide to Akita. Here's where to find a copy around Tokyo: www.tokyoweekender.com/pickup/

Our November issue is out, featuring a jam-packed end-of-year special: 42 Christmas gift shopping ideas and 10 bonenkai spots. Plus: The avant-garde world of butoh dance, Japanese teen prodigies, and a special supplement guide to Akita. Here's where to find a copy around Tokyo: www.tokyoweekender.com/pickup/

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EXPLORE KORIYAMA:<br />

The Gateway<br />

to Fukushima<br />

Words by Lisa Wallin. Photographs by Robert Kirsch<br />

If you enjoyed our Tohoku<br />

travel guide, you might<br />

decide to linger longer<br />

and experience more. We<br />

recommend discovering<br />

Koriyama – a city many<br />

have never heard of, yet<br />

is packed with unique<br />

experiences (and also<br />

happens to be a host town<br />

for the Netherlands for the<br />

2020 <strong>Tokyo</strong> Olympics)<br />

Koriyama is almost straight due north<br />

from <strong>Tokyo</strong> and is a gateway to the<br />

rest of Fukushima Prefecture. Once<br />

a village with little arable land,<br />

everything changed in the Meiji era<br />

when Dutch-driven technology and knowhow<br />

created a canal leading from Lake Inawashiro<br />

to the village. The city exploded from a population<br />

of 2,000 to its 330,000-plus residents, and<br />

became a rich cultural and technological hub.<br />

Despite this – and its convenient Shinkansen<br />

station, which is only 77 minutes from <strong>Tokyo</strong> –<br />

the city often gets passed by, both literally and<br />

figuratively. We set out to see what treasures<br />

await here, and were pleasantly surprised.<br />

LIFE, CRAFTS, AND ALL THAT JAZZ<br />

We arrived in Koriyama on a crisp autumn<br />

morning and were instantly whisked off to<br />

Takashiba Deko Yashiki, a collection of five<br />

craft-making houses that have been making<br />

traditional hariko dolls and masks for over 300<br />

years. We had set our sights on painting one of<br />

these papier-mâché figures, but first we were<br />

in for a show – and a lecture on life.<br />

Hiroji Hashimoto, a very spry 72-year-old<br />

and 17th generation doll maker at Hashimoto<br />

Hiroji Mingei, makes 3,000-5,000 dolls and<br />

masks a year at his workshop together<br />

with only one or two staff members. As he<br />

explained the doll construction process, he<br />

got a little deeper. “Everything I make here<br />

is possible because people hundreds of years<br />

before me made these molds and these<br />

dolls,” he said, clearly thankful and amazed<br />

by his forefathers' dedication to the craft.<br />

He continued, on a slight tangent: “However,<br />

it's important to have balance in life. We as<br />

humans dirty our hearts and need to find<br />

a way to clean the soul. I can sit and work<br />

quietly making dolls for hours on end, but if<br />

I only did that, it would be no good. When I<br />

wear one of these masks I become lively ...<br />

It's a kind of release.”<br />

Not quite sure what he meant but<br />

listening eagerly to his advice, we watched<br />

as he put on his mask and transformed into<br />

48 | NOVEMBER <strong>2017</strong> | TOKYO WEEKENDER

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