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texture, movement, to the localized shapes of CONNOISSEUR FEATURE PAGE 06 O N E DIVE & GO MACRO Masquerading lesson one: Only show the goodies of your food. How to do that? Use macro photography: zooming-in and getting real close-up with your food. Simply put: macro makes the food filling the frame. By zooming-in into your food, you can actually discover a wide range of intrigue, ranging from different parts of your food that would visually stretch on abstractism. Thus, you don’t really need to care if your food is brand-attractive enough to get the likes because you are engaging your viewers on the magnified intricacy of the dish, and fortunately every food offers touch, movement, and pattern highly individualized and unique to its own kind. If your take is executed properly, the shot would just be as eye- catching as those on GordonRamsay.com. So the bonus: You may feel like an ignoble vagrant snapping your hackneyed starbucks or humdrum grocery noodles, but if you zoom in, no one’s gonna know it! (Unless you caption it.)
ealistically, you only need 50mm lens for 07 ISSUE 1 CONNOISSEUR PAGE Because you are very close up to the food, Before you start, get yourself a decent camera and lens. You can technically just use tiny movement of the camera could ruin the picture. In this case, remember three points: your phone, but if your goal aims for a more striking impression, it’s really recommended shutter speed, ISO, and light. Fast speed to purchase a macro camera lens suitable for accompanied by higher ISO or brighter light your cause. Depending on your need, you will always enable you capture the shot with may choose from 35mm to 100mm, though less blurring and shifting. If possible, use a tripod to stabilize your camera; if not, make food photography, because lenses of 100mm use of your body! Right positioning of your or larger are generally for shooting subjects elbows on steady surface will help. like wilderness animals or insects that prohibit you to approach at near distance. Lenses such as Sigma 30mm f/1.4 DC DN C lens and Olympus Zuiko F/2.8 Macro lens are excellent options for your trolley, especially the Olympus, its offer of F/2.8 aperture really provide some captivating effect in macro frame. Also pay special attention to the adjustment of your camera
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texture, movement, to the localized shapes of<br />
CONNOISSEUR<br />
FEATURE<br />
PAGE 06<br />
O N E<br />
DIVE & GO MACRO<br />
Masquerading lesson one: Only show the goodies of<br />
your food. How to do that? Use macro photography:<br />
zooming-in and getting real close-up with your food.<br />
Simply put: macro makes the food filling the frame.<br />
By zooming-in into your food, you can actually<br />
discover a wide range of intrigue, ranging from<br />
different parts of your food that would visually stretch<br />
on abstractism. Thus, you don’t really need to care if<br />
your food is brand-attractive enough to get the likes<br />
because you are engaging your viewers on the<br />
magnified intricacy of the dish, and fortunately every<br />
food offers touch, movement, and pattern highly<br />
individualized and unique to its own kind. If your take<br />
is executed properly, the shot would just be as eye-<br />
catching as those on GordonRamsay.com.<br />
So the bonus: You may feel like an ignoble vagrant<br />
snapping your hackneyed starbucks or humdrum<br />
grocery noodles, but if you zoom in, no one’s gonna<br />
know it! (Unless you caption it.)
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