Viva Lewes Issue #134 November 2017
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ON THIS MONTH: FILM<br />
We the Uncivilised<br />
Lily and Pete Sequoia, permaculture filmmakers<br />
I meet Lily and Pete in the van which serves both<br />
as their home and as the vehicle which tows a<br />
trailer containing the 40-person-capacity military<br />
tent they have converted into a cinema and event<br />
space. This remarkable pop-up space enables them<br />
to showcase and discuss the documentary they have<br />
spent the last four years making and touring, We<br />
the Uncivilised, a Life Story.<br />
The film explores the ethics and mechanics of<br />
permaculture, the ecological way of life incorporating,<br />
in Pete’s words, “earth care, people care, and<br />
fair share.” It’s a beautifully rounded project: the<br />
couple, with their young daughter Solara, travelled<br />
round the country – from Devon to the Hebrides<br />
– interviewing outliers who embrace various<br />
permaculture-friendly lifestyles; “a mixture of grass<br />
roots activists, pioneers of the eco movement, and<br />
storytellers”. Then they drove back to their then<br />
home-berth at Zu Studios in the Phoenix industrial<br />
estate, and spent a year editing hundreds of hours<br />
of footage down to a feature-length movie. In the<br />
summer of 2016 they retraced their steps, playing<br />
the film in many of the places they’d been, as well<br />
as others besides. Over 25,000 people watched it.<br />
The couple met in Brighton in 2009 after dropping<br />
out of successful careers in London: Pete had been<br />
a designer working on international projects, Lily<br />
the PA for a marketing consultancy, and then a PT<br />
in a city gym. Neither of them were comfortable<br />
living within the corporate system; it was only after<br />
Pete did a Permaculture Design MA at Brighton<br />
University, and the couple spent their honeymoon<br />
funds on a six-month stay in the Chilean Andes<br />
studying permaculture among the indigenous people,<br />
that they worked out a new path. They bought<br />
themselves a van to give them the freedom they<br />
needed to explore a new way of life.<br />
They needed to jump through countless hoops to<br />
complete their project, from raising money for the<br />
production and post-production, to finding somebody<br />
capable of fine-tuning the editing process:<br />
particularly they are grateful to the creative community<br />
that had grown up around Zu. The journey<br />
showing the film round the country, between June<br />
and <strong>November</strong> 2016 was particularly gruelling<br />
(and, incidentally, entirely negotiated on biofuel).<br />
That’s not the end of the matter: the couple have<br />
continued to tour the film at festivals this summer,<br />
to get their ideas across. “We want to create an opportunity<br />
for people to connect with their feelings<br />
about what is unfolding and to be empowered by<br />
the process...” says Lily, “and where possible connect<br />
people, communities and ideas that challenge<br />
and resist the dominant narratives, and attempt to<br />
tell a different story of how we can live together in<br />
relationship to our environments.”<br />
The latest screening of the film, at the Depot,<br />
includes a Q&A with the filmmakers, and a guest<br />
panel, chaired by Ben Szobody, consisting of<br />
ONCA director Persephone Pearl, Peter Owen<br />
Jones (Vicar of Firle and TV presenter) and Lilian<br />
Simonsson, editor of the film.<br />
Alex Leith<br />
Depot, Wed 29th <strong>November</strong>, 8pm<br />
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