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Hans Jochem<br />
Hans Jochem illustrates in his painting works, mainly portraits of women, which are shaped<br />
convincingly as lines, sometimes a start, sometimes accurately carried out as a striking calligraphy<br />
and in surfaces, then again resolutely and voluminous. The frame of his work is particularly<br />
very rich and hides a great love for the painting itself. Nevertheless he embraces the<br />
knowledge that no single work is really completed. That keeps on going, even if he pulled his<br />
hands away from it. Even if: over and over again the most recent painting carries the promise<br />
for what lies ahead and will really fulfil his intentions for the first time. It is however a bittersweet<br />
illusion, the glorious pain of the artist.<br />
<strong>musetouch</strong> 220<br />
www.hansjochem.com
Hans Jochem Hans Jochem illustrates in his painting works, mainly portraits of women, which are shaped convincingly as lines, sometimes a start, sometimes accurately carried out as a striking calligraphy and in surfaces, then again resolutely and voluminous. The frame of his work is particularly very rich and hides a great love for the painting itself. Nevertheless he embraces the knowledge that no single work is really completed. That keeps on going, even if he pulled his hands away from it. Even if: over and over again the most recent painting carries the promise for what lies ahead and will really fulfil his intentions for the first time. It is however a bittersweet illusion, the glorious pain of the artist. <strong>musetouch</strong> 220 www.hansjochem.com
The Glorious Pain of the Artist <strong>musetouch</strong> 221
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