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<strong>musetouch</strong><br />
Visual Arts Magazine<br />
ISSUE <strong>21</strong> MAY 2012<br />
Steven DaLuz Oleg Dozortzev Chris Sedgwick Ania Tomicka Olga Boris<br />
Natasha Milashevich Jaroslaw Datta Jennifer Healy Eleanor Bennett Casey David<br />
<strong>musetouch</strong>.org
Dear readers,<br />
I felt a need to share with you an email I have received a few days ago.<br />
I have sensed it as a voice of people, a message from all of you, and<br />
I must admit that it has made me feel special. It proved me, one more<br />
time, that I am doing something important, worthy, huge.<br />
“Dear Maia,<br />
This is just an email –among others that you receive- which try to express<br />
how grateful I am for the work you are doing with Musetouch.<br />
I am not going to say that you –and the rest of the team obviously, as<br />
well as the contributors- are way better than the existing examples<br />
out there, this would indicate that the message is exactly the opposite of<br />
a ‘spontaneous’ reaction. Moreover, I believe is unnecessary to<br />
tell you that each <strong>issue</strong> is extremely influential because you already<br />
know that. I am an architect my self – among other things- and I know<br />
to separate pure art from wanna be ones. So, please accept my sincere<br />
thanks along with our commitment to your work.”<br />
I want to thank to my dear friends Ljiljana Bursac, Nini Baseema,<br />
Kiyo Murakami, Jelena Grujic, Murielle Mirabelle Velay Michel, Natalie<br />
Shau, Ian Furniss, Bolek Budzyn, Thierry Bruet, Dejan Bogojevic,<br />
Gines Serran, Mark Sadan and to all of you.<br />
Maia Sylba
Like MUSETOUCH MAGAZINE<br />
and become part of it<br />
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contact: maiasylba@gmail.com<br />
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THE FORM OF<br />
BEAUTY<br />
blog<br />
by Nini Baseema<br />
KIYO MURAKAMI<br />
photography<br />
theformofbeauty.tumblr.com<br />
kiyomurakami.com
NATALIE SHAU<br />
natalieshau.carbonmade.com<br />
MURIELLE MIRABELLE VELAY MICHEL<br />
mirabelleart.com
MUSETOUCH MAGAZINE May 2012<br />
Editor<br />
Maia Sylba<br />
Graphic designer<br />
Dejan Silbaski<br />
Contributors<br />
Nini Baseema<br />
Kiyo Murakami<br />
Ian Furniss<br />
Cover<br />
Elena Kalis<br />
MUSETOUCH is a magazine about visual arts. It has been created by Maia Sylba out of a love and passion for<br />
art with the hope that people will be able to use the publication and website as a platform to showcase their<br />
skills and gain recognition.<br />
Facebook<br />
facebook.com/<strong>musetouch</strong>visualartsmagazine<br />
Twitter<br />
Linkedin<br />
Mail<br />
twitter.com/<strong>musetouch</strong>mag<br />
linkedin.com/in/maiasylba<br />
maiasylba@gmail.com<br />
Submission Guideline<br />
If you want to contribute to the next edition, you can send us an email with your data and a PDF file that<br />
shows your works, also a link of your website if you have any.<br />
We would love to see your art so don’t hesitate to contact us and welcome.<br />
All artwork in this magazine is copyright protected under the MUSETOUCH Magazine brand or remains<br />
property of the individual artists who have kindly granted us permission to use their work.<br />
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Olga Boris<br />
With whole Being<br />
Jaroslaw Datta<br />
Lost in a Dream<br />
Steven DaLuz<br />
Sense of Mystery<br />
010<br />
164<br />
Ania Tomicka<br />
The Dark Sky of Innocence<br />
046<br />
Jennifer Healy<br />
Beautiful Burden<br />
196<br />
Eleanor Bennett<br />
Emotions on the Outside<br />
068<br />
Chris Sedgwick<br />
Intense Emotional Response<br />
Oleg Dozortzev<br />
Illusion for Real<br />
224<br />
098<br />
Natasha Milashevich<br />
Escape to Magnificent<br />
Casey David<br />
The Story<br />
248<br />
130<br />
280<br />
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Olga Boris With whole B<br />
“Olga Boris is the collaborative name for the work of Boris and Olga Sargina from Tyumen, Russia.<br />
In describing their work, I feel it would be overly simplistic to say that this is “Fine Art”or “Erotic<br />
Art” as this would be an injustice to expression which transcends any single category. Techically,<br />
we can talk of a beautiful use of shadow and light, the use of black and white tones, exquisitely<br />
highlighting shape and form as a sometimes minute level, but there is so much more here than<br />
just technique. From the finely detailed texture of “Absinthe” - an image that glistents and tingles<br />
through every pore and hair of your skin – to the serene complexity of 03/07/2009, there is a passion<br />
and appreciation of the senses you can almost feel and touch. An invitation to explore each<br />
image. Not only with your eyes, but with your whole being.<br />
In creating these images, Olga and Boris shows us that beauty is so much more than just curve of<br />
a breast, the shape of a body, or the feeling glimpse of an intangible moment. It is a quality that<br />
pervades every sinew and fibre of our being. It breathes in our soul, and it drinks in our heart. It<br />
dances in the light, and glides through the shadow. It is our muse, it is our life.”<br />
Ian Furniss<br />
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Steven DaLuz<br />
“I am compelled to do work that conjures up a sense of mystery and ethereal light, whether<br />
figurative or abstract. My interests are evenly split between the two. While identified more<br />
with abstract works that are often landscape-referential, employing a process using metal leaf,<br />
chemically-induced patinas, oil, and other mixed media, I also consider the figure as endlessly<br />
relevant, with inherent potential for poetic introspection. Landscape, spirituality, and the figure<br />
all serve as inspiration for me. Collectively, my work often reflects upon primal questions about<br />
origins, the expressive beauty of the human figure, the aesthetic power of light moving through<br />
an imagined atmosphere, and the sublime. In my search to find a genre that best describes my<br />
work, I’ve chosen the term, “Neo-Luminism.<br />
Like the “Luminist” style of the mid-19th century, for my purposes, “Neo-Luminist” art concerns<br />
itself with the glowing effects of light. It differs, in that “Neo-Luminism” does not necessarily<br />
concern itself with traditional landscape, does not rely on the masking of brushwork, nor is it<br />
overly concerned with detail. While it may share a feeling of tranquility, calm, and the sense of<br />
light piercing a soft, hazy “sky”, Neo-Luminist” works may also be dramatic and turbulent. It<br />
normally has aspects of ethereal light, and hazy atmospheric qualities. It may also be present in<br />
figurative works, so long as reflective properties of underlying surfaces are exploited to convey the<br />
effect of light.<br />
My intention is not literal narrative. Instead, I strive to evoke a feeling within the viewer. As<br />
Magritte aptly said, “People who look for symbolic meanings fail to grasp the inherent poetry<br />
and mystery of the image.” My artwork need answer no questions, present a political position,<br />
nor expound upon a narrative. For me, the pure “beauty” or personal aesthetic of art need not<br />
explain anything. At its best, the raw image alone can be enough to pose questions and ignite the<br />
imagination of the viewer.”<br />
Steven DaLuz<br />
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stevendaluz.com
Sense of Mystery<br />
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Jennifer Healy<br />
“ I was born in the United States in 1985. As early as I can remember I’ve been a “ doodler “.<br />
From even the early days I’ve always loved strange, offbeat, beautiful, and slightly melancholy<br />
things. Something about the mixed grabbed me. My love for sketching carried on throughout my<br />
high school days. Which is when I took a small class on watercollor. Watercolor is what birthed<br />
my passion for mixing colors and how a color can tell a story. In year 2009 I discovered digital<br />
painting and my newfound passion for the medium. It’s been the favored medium for the past<br />
years since. I’ve used online tutorials and videos to help me learn along the way and then in late<br />
2011 I took a workshop called Becoming a Better Artist. ”<br />
Jennifer Healy<br />
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beautifulburden.com
Beautiful Burden<br />
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Chris Sedgwick<br />
Chris Sedgwick was born in Florida in 1981 and began painting at a young age. He graduated<br />
from Florida State University and began a career in painting after moving to Asheville, NC.<br />
His inspiration spans from the spiritual to the scientific and his work often evokes intense<br />
emotional responses. His work is in numerous private collections worldwide and his housed<br />
in the permanent collections of Richard Kessler, Florida State University and Western Carolina<br />
University. Sedgwick currently lives and works in Colorado Springs, Colorado; drawing<br />
inspiration from the surrounding natural beauty of the Pikes Peak region.<br />
Who are you Chris?<br />
I am an artist from the United States, living in Colorado. I live in Colorado Springs at the base<br />
of a 14,00 ft. Mountain, I find the scenery here very inspiring. I live with my wife, young son,<br />
and dog whom we call “ the scrum ”.<br />
Why are you an artist, and when did you first become one?<br />
I always feel a need to communicate what is going on inside me, I am not the best with words,<br />
and I am not the saviest socializer, so I learned to paint in leu of other forms of communication.<br />
I first became an artist In middle school, I moved to a different town and had trouble assimilating<br />
in school. That period of my life was awkward and disorienting. I began using art in a<br />
different way, I really just delved into my own world for a year, and art became an escape.<br />
Could you tell us some more about your painting?<br />
My painting technique is very methodical and slow paced, I use oil paint, gold leafing, and I<br />
also like to smash up small minerals and add them to certain parts of paintings. Most of my<br />
work has a spiritual undertone to it and at first glance is cryptic in nature.<br />
What famous artists have influenced you, and how?<br />
I went through a couple different phases of influence. During high school I was obsessed with<br />
Dali, I liked his technical skill, in depth conceptual symbols, and I was envious of his avant<br />
garde personality. In college I delved into the European Renaissance masters, particularly<br />
Michelangelo, I loved his perfectionism and sheer drive to complete immense tasks. After college<br />
I went through an Odd Nerdrum phase, I started painting desolate earth tone scenes with<br />
figures in high contrast lighting. I was introduced to Odd’s work the last day of college when<br />
I was cleaning out my studio. A local painter was walking through the studios and we started<br />
talking.<br />
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Intense Emotional Response<br />
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He told me my art looked a lot like Odd Nerdrums work, then when I saw Odd’s work I<br />
thought to myself- damn, someone has already done what I wanted to do, and they did it so<br />
much better. I think that happens to most artists at some point, discovering that a predecessor<br />
has already laid out similar concepts, I used it in a positive way and began studying his work<br />
and practicing my craft until I felt that I could walk my own path.<br />
I am currently influenced by old alchemical etchings, esoteric theologic diagrams, and the<br />
wealth of amazing contemporary artists. A lot of creators of esoteric theological diagrams and<br />
alchemical etchings were not “ professional artists” , they were practitioners who wanted to<br />
capture a concept through art but didn’t necessarily have the refined skills. There is something<br />
immediate and important about that style of creating, akin to some outsider art, you now that<br />
the need to lay out a feeling or concept has surpassed the technical wherewithal but the task is<br />
completed anyway. I find that drive and passion very influential.<br />
What inspires you to create?<br />
I have a favorite Chuck Close quote that really sums up how I feel about inspiration...<br />
“ Inspiration is for amateurs. I just get to work. ”<br />
I think Inspiration can take you a long way in the beginning of your career, and I still get<br />
inspired, but eventually you need a strong work ethic and an inner voice that validates your<br />
choice to be an artist when times get tough. You can’t really wait for inspiration to provide<br />
those qualities, you have to work for them.<br />
Some things that continue to inspire me are spirituality, art, psychology, science, and symbolism.<br />
I love studying esoteric artwork and breaking down the messages and symbolism behind<br />
the works. I love noticing layers in the narrative of an artwork, discovering that the artis was<br />
brilliant enough to essentially paint two pictures in one, camouflaging secret symbols and<br />
subtextual narratives into the veneer of the piece. One of my favorite pieces of esoteric artwork<br />
is “ The Grand Rosicrucian Alchemical Formula ” by J. Augustus Knapp. Not because<br />
the piece sub textually communicates a narrative but because it successfully communicates so<br />
much philosophy in such a small space and is still incredibly appealing from a pure aesthetic<br />
perspective.<br />
What is the message of your paintings, and also your own personal message to the world?<br />
Each painting has a different message, some of them are in depth and layered and some of<br />
them are meant to be simple and visceral. I provide conceptual breakdowns of work on my<br />
website, I also make videos detailing the messages behind some of the works, it is very important<br />
to me that a piece have a purpose, even if is simple. I utilize philosophical and religious<br />
beliefs from numerous spiritual disciplines, though my favorite is the occult sciences, they are<br />
so diverse and symbolically rich.<br />
The subjects emotions in my work are generally serious, I feel this draws the viewer in and<br />
offers them a voyeuristic view into an event that may not be intended for them. I often use<br />
myself as a model in my work and often have the same figure two, three, or even four times in<br />
a piece.<br />
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This practice was inspired by the Renaissance and Byzantine artists who would use the same<br />
figure twice or more in a piece to communicate that an event was happening at a different<br />
time but to the same subject, kind of like a comic strip all smashed together. I use this conceptual<br />
technique similarly but instead of applying it to events in external time, I use it to depict<br />
the events occurring internally in the psyche of the subject - like being inside the subject and<br />
watching the way the self splits and diagrammatically weaves it’s way through an event.<br />
How do you see yourself and your art in the future?<br />
I see myself leading a similar life in the future, living off of your artwork can be a struggle but<br />
to me it is worth it. Life is short and is best spent when you are doing what you love.<br />
I am constantly drawn to more color, gold leaf, and design elements. I try to paint brighter but<br />
the dominant part of me favors low diffused light conditions with subtle tonal ranges, I find<br />
them more challenging to paint. I think I will slowly gravitate towards more high contrast<br />
figures, they can be dramatic which is where I want to go in the future. I have been essentially<br />
taking philosophical concepts and giving them human structure, next I plan on delving into<br />
the psyche more- exploring the universal emotions and dynamics of the psyche that influence<br />
our decisions. I just began adding cyphers into my work, I find myself wanting to add visual<br />
words or phrases as I have in the past but I wanted to find a way to hide them and render<br />
them a more dynamic part of the composition.<br />
MS<br />
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crsedgwick.com
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Natasha Milashe<br />
Natasha Milashevich was born in 1967 in Dushanbe in the former Soviet Union. She started<br />
her studies locally, graduating from the Art College of Dushanbe in 1989. She continued her<br />
studies in St. Petersburg in the studio of the renowned artist Vasili V. Sokolov at the Repin<br />
Academy of Painting, Sculpture and Architecture, widely considered the finest art academy<br />
in Russia, from which she graduated in 1995. Since that time, she has been a member of the<br />
Russian Fine Artist’s Association. Her work has been included in more than 30 exhibitions in<br />
Russia, Finland, Holland, France, Chile and Kazakhstan.<br />
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academart.com
vich Escape to Magnificent<br />
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Jaroslaw Datta<br />
“ When they ask to see your gods,<br />
Your book of prayers,<br />
Show them lines drawn delicately<br />
With veins on the underside of a bird’s wing.<br />
Tell them you believe in giant sycamores,<br />
Mottled and stark against a winter sky.<br />
And in night’s so frozen<br />
Stars crack open,<br />
Spilling streams of molten ice to Earth.<br />
And tell them how you drank<br />
The holy wine of honeysuckle<br />
On a warm spring day.<br />
And of the softness of your mother,<br />
Who never taught you death was life’s reward;<br />
But who believed in the earth,<br />
And the sun,<br />
And in a million, million light years of being. “<br />
J.L. Stanley, ” Catechism for a Witch’s Child ”<br />
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jaroslawdatta.com
Lost in a Dream<br />
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Ania Tomicka<br />
“Ania Tomicka is a contemporary artist of the pop surrealism movement. She was born in<br />
Poland but now she lives in Italy.<br />
Ania starts to paint when she was a child and she has experimented different painting, drawing<br />
and illustration tecniques. She graduates in painting at the academy of fine arts in Florence<br />
and in illustration at Nemo academy of digital arta. Now she continues her artistic career<br />
in continous evolution.<br />
Her paintings are on sale at Mondo Bizzarro Gallery in Rome where she has on plan some<br />
exibithions.”<br />
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ania-tomicka.webnode.com
The Dark Sky of Innocence<br />
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Eleanor Bennett<br />
Eleanor Leonne Bennett is a British Teenager who had has her photography exhibited around<br />
the globe in galleries and published around the world in magazines.<br />
She is the winner of the UK National Geographic Kids Photography Contest 2010, The World<br />
Photography Organization’s Photomonth youth award 2010 , The February 2011 winner with<br />
Nature’s Best Photography, Winston’s Wish 2011, Papworth Trust (under 16s: 1st ,2nd and 3rd<br />
place) and has also won three National Art contests (from the age of 11) with the Woodland<br />
Trust Nature Detectives.<br />
In 2009 out of the whole of the UK she was the only entrant placed in the competition (Highly<br />
Commended) ran by Airbus and National Geographic called “See The Bigger Picture”.<br />
A few magazines that have published her work include Dot Dot Dash (Australian), Alabama<br />
Coast and Alabama Seaport (USA), The Guardian (UK)Revolution Art (USA) , The Big Issue<br />
In The North (UK) , RSPB Birds and RSPB Birdlife magazines (UK) and the worlds most<br />
popular children’s magazine NG Kids.<br />
Eleanor has also had her work sold for charities - Great Ormond Street, Lovedrop and The<br />
Red Cross.<br />
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eleanorleonnebennett.zenfolio.com
Emotions on the Outside<br />
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Oleg Dozortzev<br />
Oleg Dozortzev was born in 1957, in Luga, Russia. He graduated from secondary art college,<br />
Odessa and I.E. Repin Institute for Painting, Sculpture and Architecture, faculty of graphics.<br />
Expositions:<br />
1992 - group exhibition of Russian artists in the private gallery, Karlovy Vary, Chech Republic.<br />
1993 - movable group exhibition of artists of Saint Petersburg Academy of Arts, Saint Petersburg.<br />
1995 - personal exposition in Art centre “World and Delft”, Delft, The Netherlands.<br />
2001-2002 - museum exposition “Russian art - new generation” Het Slot Zeist, The Netherlands.<br />
2004 - Artexpo Fair, New York.<br />
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academart.com
Illusion for Real<br />
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Casey David The<br />
Tell us a little bit about yourself?<br />
I am from Birmingham, Alabama and I’ve moved at least fifteen times in my life – all within<br />
the state. I have finally settled in the city of Birmingham where I attend school. I am majoring<br />
in English and minoring in Creative Writing; I graduate in a year. Being a writer really helps<br />
with the story and narrative element of photography. Besides photography, I am love video<br />
games, reading and writing, Netflix marathons with my boyfriend and friends, finding beauty<br />
in the everyday, and meeting new people.<br />
How did you first get into photography?<br />
I first began experimenting with photography when I was 14 or 15. I had a small following<br />
on the now defunct MySpace and took a lot of typical MySpace-style photos. I eventually<br />
began experimenting with Photoshop and created clones (see photo below), but photography<br />
remained a very, very small hobby. My passion was writing and I was determined to become<br />
a famous poet. It was not until a year and a half ago in November of 2010 that my true photographic<br />
journey began.<br />
Did your early photographic goals include earning a living from photography, or did it start<br />
as a way to express yourself creatively?<br />
Initially I just took photos for fun and as a hobby. I never really thought about it becoming a<br />
career. I wanted to focus on my writing and change the world with words. Now, I incorporate<br />
my writing with my photography by writing a small/flash fiction piece for nearly every photo<br />
I write. It may just be a sentence, but there is a story. These are on my Flickr in the description<br />
– usually italicized.<br />
What do you think is the most important factor in making a good photograph?<br />
Besides the technical aspect, honesty, vulnerability, and the ability to tell a story are the most<br />
important. I think someone can be the most technically incredible photographer and know<br />
lighting and how to use camera and find light, etc. but if they cannot tell a story, then, for me,<br />
the image doesn’t deserve more than a glance. Not that this means you need to go in to every<br />
photo with the need to narrate something larger, but I think something needs to be there.<br />
Even if it’s small.<br />
And about what is making a photographer a good one? A passion, sense for beauty, imagination,<br />
technique...?<br />
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Story<br />
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A passion to create and share and the need to use one’s imagination. I try to incorporate magical<br />
realism in my work. This is typically a literary device where you have ordinary objects like<br />
books, newspapers, ice, etc. and they are seen as magical or have magical qualities. My Flight<br />
of the Book Birds series (http://www.flickr.com/photos/caseydavid/sets/7<strong>21</strong>57627555391072/)<br />
tries to do this, and I think I convey a sense of magic with them.<br />
How does your profession as an artist influence your life?<br />
I would not yet say that my profession is just yet a photographer. I don’t make nearly enough<br />
to live on, but I do make a decent amount monthly. Regardless, though I feel like I am connect<br />
and network with people well because of my photography. I am given a lot of incredible<br />
opportunities that I am just so grateful for. My favorite, I think, is being able to create magic<br />
for my friends and family through photos. I’ve taken photos of my sister’s newborn son, photos<br />
of my other sister’s family, portraits for friends, and they have these to cherish and look<br />
back on years for now, and I really could not ask for more.<br />
Do you feel that you see things around you differently than others?<br />
I think I do. I think all artists do. For me, I try to find every day, ordinary objects and create<br />
beautiful images out of them. I want to find magic in mundane. I think as an artist you have<br />
to see things differently. You have to be able to imagine something that isn’t there especially if<br />
part of your art is created through photoshop where a lot of the magic happens.<br />
Could you share a favorite recent image and tell us a little of the back story behind it?<br />
This image is one of my more recent works.: http://www.flickr.com/photos/caseydavid/6999952811/in/photostream.<br />
It was taken on March 18th of this year. The model is my<br />
boyfriend. I’d been wanting to photograph him for a long time. He’s incredibly handsome and<br />
sweet and I knew he would be great in front of the camera. His family is from Chattanooga,<br />
and they have this huge farm. There used to be an old house, his great-grandparents, where<br />
the picture was taken. It was burned down when he was a child, but the chimney still remained.<br />
When I first saw the chimney, I knew that I had to design a shoot around it. It really,<br />
for me, represented destruction and the need to live and persist even after death. Despite the<br />
home burning, the chimney still remained.<br />
How do you see yourself in the future?<br />
I hope that I find success as a photographer, and I can support myself and my family through<br />
my work. I would like that more than anything else, to be honest. I’ve found some minor success<br />
and made some small victories with my work – an art show, a book cover, magazine and<br />
website features, and I can only hope that I continue to grow and learn.<br />
MS<br />
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facebook.com/caseydavidphoto
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ACADEMY OF ARTS FOUNDATION<br />
To draw public support and to popularize the Russian Academy of Arts I. E. Repin<br />
Institute of Painting, Sculpture and Architecture, Saint Petersburg “Academy of Arts”<br />
Foundation has been founded in 1996.<br />
General objective, pursued by The Foundation, is domestic and foreign promotion of<br />
I.E. Repin Institute’s students and graduates through expositions and media projects.<br />
Web site of the “Academy of Arts” Foundation (www.academart.com) has been created<br />
in 1999. To familiarize the broad audience, comprising museums’ and private<br />
galleries’ personnel, collectors and amateurs of fine arts with the avenues, explored<br />
by The Foundation, it was further revised and updated on 2002 and 2011 years.<br />
Website organized as online galleries of the artists graduated, teaching and studying<br />
in the I. E. Repin’s institute. Main goal of the gallery is providing the best creative artworks<br />
by academician artists all around the world. Foundation’s online gallery united<br />
over 50 well known figurative artists with recognizable manner and progressive style<br />
from Saint-Petersburg.<br />
Worldwide promotion of Saint-Petersburg modern figurative art is main strategy of<br />
the Foundation’s activity.<br />
Outstanding paintings of the most of participants in Foundation’s projects combined<br />
classic traditions of figurative paintings with contemporary mentality.<br />
In the nearest perspective of the our activity is creating of wide database of I. E. Repin’s<br />
institute graduates for last 50 years. We also provide online exhibitions of the<br />
best works, artists and important art themes.<br />
academart.com<br />
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<strong>musetouch</strong>.org