musetouch_issue_15
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
<strong>musetouch</strong><br />
Visual Arts Magazine<br />
November 2011<br />
Christian Weiss<br />
A Curse and a Blessing<br />
Vicente Romero<br />
Unrivalled Delicacy<br />
Christy Lee Rogers<br />
The Phenomenon<br />
Tore Hogstvedt<br />
Petrova Julia.N<br />
Giulio Rossi<br />
Simone Held<br />
Danilo Martinis<br />
Ana Fagarazzi<br />
Michal Mozolewski<br />
<strong>musetouch</strong>.org
Dear readers,<br />
I am dedicating this edition to one special person, a beautiful and magnificent<br />
artist, creator and admirer, a great friend of mine who is momentarily<br />
fighting for her life. To Ljiljana Bursac.<br />
I also want to thank to Nini Baseema, Jelena Grujic, Kiyo Murakami,<br />
Murielle Mirabelle Velay Michel, Ian Furniss, Gines Serran, Mark Sadan<br />
and Milos Djajic for being there for me and supporting me.<br />
Special thanks goes to all of you. Without you Musetouch would not exist.<br />
I would not exist.<br />
Maia Sylba
Like MUSETOUCH MAGAZINE<br />
and become part of it<br />
Join our creative FB fan page and stay updated!<br />
www.facebook.com/<strong>musetouch</strong>visualartsmagazine
Layer Studios is offering beautiful web sites, online<br />
galleries and presentations, blogs and FB fan page designs,<br />
at affordable<br />
prices, uniquely designed by Maia Sylba<br />
contact: maiasylba@gmail.com<br />
skype: maiasylba<br />
www.layerstudios.net
THE FORM OF<br />
BEAUTY<br />
blog<br />
by Nini Baseema<br />
theformofbeauty.tumblr.com<br />
KIYO MURAKAMI<br />
photography<br />
www.kiyomurakami.com
www.theunbearablebeautyofexistence.com
MUSETOUCH MAGAZINE November 2011<br />
Editor<br />
Maia Sylba<br />
Graphic designer<br />
Dejan Silbaski<br />
Contributors<br />
Nini Baseema<br />
Ian Furniss<br />
Cover<br />
Kiyo Murakami<br />
MUSETOUCH is a magazine about visual arts. It has been created by Maia Sylba out of a love and passion for<br />
art with the hope that people will be able to use the publication and website as a platform to showcase their<br />
skills and gain recognition.<br />
Facebook<br />
facebook.com/<strong>musetouch</strong>visualartsmagazine<br />
Twitter<br />
Linkedin<br />
Mail<br />
twitter.com/<strong>musetouch</strong>mag<br />
linkedin.com/in/maiasylba<br />
maiasylba@gmail.com<br />
Submission Guideline<br />
If you want to contribute to the next edition, you can send us an email with your data and a PDF file that<br />
shows your works, also a link of your website if you have any.<br />
We would love to see your art so don’t hesitate to contact us and welcome.<br />
All artwork in this magazine is copyright protected under the MUSETOUCH Magazine brand or remains<br />
property of the individual artists who have kindly granted us permission to use their work.<br />
<strong>musetouch</strong> 8
Christian Weiss<br />
A Curse and a Blessing<br />
Petrova Julia.N<br />
Magical<br />
Vicente Romero<br />
Unrivalled Delicacy<br />
010<br />
182<br />
Danilo Martinis<br />
A Space beyond the Painting<br />
062<br />
Ana Fagarazzi<br />
Trip Full of Dreams<br />
216<br />
Christy Lee Rogers<br />
The Phenomenon<br />
102<br />
Giulio Rossi<br />
Imagination is Enough<br />
Simone Held<br />
The Thin Line<br />
238<br />
Tore Hogstvedt<br />
A Path for Myself<br />
134<br />
268<br />
Michal Mozolewski<br />
Losing my Reality<br />
<strong>15</strong>8<br />
292<br />
<strong>musetouch</strong> 9
Christian Weiss<br />
Tell us a little bit about yourself...<br />
I am a freelance grafic designer, illustrator and photographer living in Munich, Germany.<br />
How did you first get into photography?<br />
My father had an old Voightläder-Camera. I startet to use it I think when I was about 10 years<br />
old. My Father wasen’t really happy about that. This old camera ment a lot to him, because he<br />
bought it as student and used it eversince. In those days I was very interested in technic, what<br />
means I used to decompose every technical instrument to see it from the inside, and when<br />
iI tried to reconstruct it, there were always some spare parts left :) For some reason I did not<br />
do this with his camera... In the following years I always carried a camera around and took<br />
plenty of experimental, banal, weird and under- or overexposed pictures .<br />
Did your early photographic goals include earning a living from photography, or did it start<br />
as a way to express yourself creatively?<br />
My first passion in art was concentrated on drawing. I knew right from the beginning, that<br />
i wanted to do this professionally somehow. Photography came a little later and was a logic<br />
consequence of looking at the world more intense. When you paint or draw you gain a “visual<br />
treasure”. It teaches you to understand perspective, texture, light and shadow... With this you<br />
can recall or invent anything with your imagination. That is a great advantige of drawing over<br />
photography. You don’t need reality, imagination is enough. Photography also tought me to<br />
see, but in a different, more lazy and mechanical way.<br />
What do you think is the most important factor in making a good photograph?<br />
Today I think a good picture has to convincingly talk about an emotion. My pictures are projections<br />
of my dark or bright, romantic or greedy, shy or agressive side. Although most of my<br />
pictures are somehow arranged I think they have true emotion in it and should not leave the<br />
viewer untouched. My pictures usually don’t have a clear message. I just try to give them a<br />
strong mood to let the viewer see his own stories in them. I think everybody can adress to<br />
strong feelings and can recall crises or highlights of the own life.<br />
<strong>musetouch</strong> 10
A Curse and a Blessing<br />
<strong>musetouch</strong> 11
A certain amount of technical skill surely helps to make powerful images. I am still very fascinated<br />
by the endless possibilities of light. Here I am always experimenting and never satisfied.<br />
In that sense technic plays a certain role. But I move back to less complex light-setups now. It<br />
is better to keep things simple and concentrate on pose and expression.<br />
And about what is making a photographer a good one? A passion, sense for beauty, imagination,<br />
technique...?<br />
In people photography I think a technical perfect and formal very beautiful picture is empty<br />
and meaningless, unless it has no other message then just showing beauty or being perfect.<br />
To me a good picture is somehow subversive by shifting the viewing habits a little bit. It has<br />
to tell a story and make you think or feel. Thats why I try not to give the pictures a clear message.<br />
That makes them more open for interpretation and adresses the viewer more universally.<br />
In life nothing is only beautiful or only ugly. Everything has it’s light and shadowsides. I like<br />
to show this in my pictures.<br />
How does your profession as an artist influence your life?<br />
A lot! This is a 24-hour job! One just can’t stop seeing, combining impressions to ideas, be<br />
inspired or pissed of by the world and culture you are born in. Even when you sleep all those<br />
coincidently collected imressions of the day have a big orgy in your brain and make funny babies.<br />
As artist there is no such thing as “free time”. Sometimes for example after a exhausting<br />
project or in a holiday, I try to do just nothing. But after two or tree days I am getting nervous<br />
and have new ideas and plans and need at least a sketchpad to hold some ideas. This is a curse<br />
and a blessing at the same time. Another influence as an Artist is the finances. No fix income,<br />
no time out, even with broken bones...<br />
Do you feel that you see things around you differently than others?<br />
I think so. Very often I realise that for example friends who are not into art, have a very different<br />
concept of beauty and also of life. As a grafic designer and “commercial” photographer<br />
I have to serve this common sense of what is “normal” and “beautiful”, because this sells. And<br />
I have no problem with that. I also like to see things bright and beautiful. But as artist I know,<br />
there is more to tell, because there is a lot more behind the surface.<br />
There is beauty in almost everything. My art teacher who had a big influence on me used to<br />
say: “You have to see and draw an old shoe or a rotten apple with the same tenderness as a<br />
beautiful woman.” Maybe because of my bread and butter-photography I show mostly the<br />
darker images of my own free work. But I also have very sweet, romantic and funny pictures.<br />
<strong>musetouch</strong> 12
<strong>musetouch</strong> 13
I love to serve those opposite poles of my own personality.<br />
Your photographs are quite shocking, quite provocative to the most people but still their response<br />
is very positive. Nobody stays aloof. Why that type of photography?<br />
I do not think of my pictures as shocking. Actually i consider myself as quite romantic and<br />
sensitive. I do not show to explicite things as for example violence, weapons, blood or genitals....<br />
As said before in my work as artist I am not interested in reading messages easily. The<br />
provocativ elements in my pictures are ment as projections of the soul. They are metaphores<br />
for inner states. For example nudity is not only an erotic symbol, but also an expression of<br />
innocence, defenslessness, truth, purity... A good working title for my work might be “mixed<br />
emotions”. I like this ambivalence of a “beautiful tragedy”, or “seductive horror”.<br />
Could you share a favorite recent image and tell us a little of the back story behind it?<br />
“Passion”. There are millions of pictures of women with read floating hair. A tandard romantic<br />
sudget. I shifted this into another context. The main inspiration for my work are old paintings.This<br />
picture is a quote of Botticelli’s “Venus” and medieval religious art like for example<br />
hans Baldung’s “Three ages”. Through the harsh and cold lighting and the treatment of skin<br />
witout makeup, freezing from the windmachine, in merciless sharpness and<br />
detail, I tried to give the picture the tragic power of religious passion and extasy. I wanted to<br />
create the biggest possible contrast between the beauty of a young woman at first sight as in<br />
the birth of “Venus”, and the shere pain and tragedy of existance as in the “Three ages” when<br />
looking closer at it. Do not get me wrong, I do notc ompare myself to those masterpieces,<br />
but they were my inspiration for this picture. I had several discussions about this picture, because<br />
the setting is so beautiful and raw at the same time. This contrast seems to be confusing<br />
to people and that is exactly what i wanted to achieve.<br />
How do you see yourself in the future?<br />
Hehe, wealthy, healthy, happy, calm, free...Everything i am not at the moment. No, it is not<br />
that bad. I changed my life dramatically in this year and have new goals. But I will not reveal<br />
them to everybody:)<br />
MS<br />
<strong>musetouch</strong> 14<br />
weisschristian.com
<strong>musetouch</strong> <strong>15</strong>
<strong>musetouch</strong> 16
<strong>musetouch</strong> 17
<strong>musetouch</strong> 18
<strong>musetouch</strong> 19
<strong>musetouch</strong> 20
<strong>musetouch</strong> 21
<strong>musetouch</strong> 22
<strong>musetouch</strong> 23
<strong>musetouch</strong> 24
<strong>musetouch</strong> 25
<strong>musetouch</strong> 26
<strong>musetouch</strong> 27
<strong>musetouch</strong> 28
<strong>musetouch</strong> 29
<strong>musetouch</strong> 30
<strong>musetouch</strong> 31
<strong>musetouch</strong> 32
<strong>musetouch</strong> 33
<strong>musetouch</strong> 34
<strong>musetouch</strong> 35
<strong>musetouch</strong> 36
<strong>musetouch</strong> 37
<strong>musetouch</strong> 38
<strong>musetouch</strong> 39
<strong>musetouch</strong> 40
<strong>musetouch</strong> 41
<strong>musetouch</strong> 42
<strong>musetouch</strong> 43
<strong>musetouch</strong> 44
<strong>musetouch</strong> 45
<strong>musetouch</strong> 46
<strong>musetouch</strong> 47
<strong>musetouch</strong> 48
<strong>musetouch</strong> 49
<strong>musetouch</strong> 50
<strong>musetouch</strong> 51
<strong>musetouch</strong> 52
<strong>musetouch</strong> 53
<strong>musetouch</strong> 54
<strong>musetouch</strong> 55
<strong>musetouch</strong> 56
<strong>musetouch</strong> 57
<strong>musetouch</strong> 58
<strong>musetouch</strong> 59
<strong>musetouch</strong> 60
<strong>musetouch</strong> 61
Vicente Romero<br />
Vicente Romero Redondo is a Spanish painter born in Madrid in 1956. He graduated from<br />
The Faculty of Fine Arts of San Fernando in Madrid. He owes his technique in oil painting<br />
to his academic training, although he has increasingly explored pastel, wich he finds more<br />
direct, more spontaneous, and as he quotes provides the opportunity for “unrivalled delicacy”.<br />
Recently, however, he is returning to use the oil in his work (almost forgotten in the last 4<br />
years), thus producing a mutually enriching dialogue between the two techniques. He has<br />
been living on the Costa Brava since 1987, choosing a luminous and peaceful setting on the<br />
Mediterranean for his studio. It is certainly this luminosity that prevails in his art.<br />
<strong>musetouch</strong> 62<br />
vicenteromero.wordpress.com
Unrivalled Delicacy<br />
<strong>musetouch</strong> 63
<strong>musetouch</strong> 64
<strong>musetouch</strong> 65
<strong>musetouch</strong> 66
<strong>musetouch</strong> 67
<strong>musetouch</strong> 68
<strong>musetouch</strong> 69
<strong>musetouch</strong> 70
<strong>musetouch</strong> 71
<strong>musetouch</strong> 72
<strong>musetouch</strong> 73
<strong>musetouch</strong> 74
<strong>musetouch</strong> 75
<strong>musetouch</strong> 76
<strong>musetouch</strong> 77
<strong>musetouch</strong> 78
<strong>musetouch</strong> 79
<strong>musetouch</strong> 80
<strong>musetouch</strong> 81
<strong>musetouch</strong> 82
<strong>musetouch</strong> 83
<strong>musetouch</strong> 84
<strong>musetouch</strong> 85
<strong>musetouch</strong> 86
<strong>musetouch</strong> 87
<strong>musetouch</strong> 88
<strong>musetouch</strong> 89
<strong>musetouch</strong> 90
<strong>musetouch</strong> 91
<strong>musetouch</strong> 92
<strong>musetouch</strong> 93
<strong>musetouch</strong> 94
<strong>musetouch</strong> 95
<strong>musetouch</strong> 96
<strong>musetouch</strong> 97
<strong>musetouch</strong> 98
<strong>musetouch</strong> 99
<strong>musetouch</strong> 100
<strong>musetouch</strong> 101
Ana Fagarazzi<br />
Ana Fagarazzi is a 20 year old digital artist born and raised in Split, Croatia. Completely self<br />
taught, started with digital media at the age of <strong>15</strong> after joining online art community called<br />
deviantArt, and since then focusing mainly on developing her digital artistic skills. During<br />
the years had the pleasure of working with many clients, from bands to photographers and<br />
models. Ana is currently working as a freelancer, specialising in photo manipulation, mixed<br />
media and graphic design.<br />
<strong>musetouch</strong> 102<br />
freaky665.deviantart.com<br />
ana.noirbleu@gmail.com
Trip Full of Dreams<br />
<strong>musetouch</strong> 103
<strong>musetouch</strong> 104
<strong>musetouch</strong> 105
<strong>musetouch</strong> 106
<strong>musetouch</strong> 107
<strong>musetouch</strong> 108
<strong>musetouch</strong> 109
<strong>musetouch</strong> 110
<strong>musetouch</strong> 111
<strong>musetouch</strong> 112
<strong>musetouch</strong> 113
<strong>musetouch</strong> 114
<strong>musetouch</strong> 1<strong>15</strong>
<strong>musetouch</strong> 116
<strong>musetouch</strong> 117
<strong>musetouch</strong> 118
<strong>musetouch</strong> 119
<strong>musetouch</strong> 120
<strong>musetouch</strong> 121
<strong>musetouch</strong> 122
<strong>musetouch</strong> 123
<strong>musetouch</strong> 124
<strong>musetouch</strong> 125
<strong>musetouch</strong> 126
<strong>musetouch</strong> 127
<strong>musetouch</strong> 128
<strong>musetouch</strong> 129
<strong>musetouch</strong> 130
<strong>musetouch</strong> 131
<strong>musetouch</strong> 132
<strong>musetouch</strong> 133
Giulio Rossi<br />
“ I was born in L’Aquila in 1983. My passion is art, ever since I was a child, I was attracted to<br />
this field. I’m a self-taught artist exploring different techniques from acrylic paintings to ink and<br />
chalks drawings.<br />
My favourite subjects are landscapes and portraits. Recently I started drawing with a digitizing<br />
tablet and I discoverd a whole world to express my creativity and to improve my artistic skills.<br />
That’s how I decided to be an illustrator.<br />
I’m looking for new working experiences in the amazing world of graphic art. I used to realize<br />
my latest digital artworks thanks to a digital tablet, Adobe Photoshop Adobe Illustrator, Mypaint,<br />
Artrage, Corel Painter, Zbrush. ”<br />
Giulio Rossi<br />
<strong>musetouch</strong> 134<br />
giuliorossi.weebly.com
Imagination is Enough<br />
<strong>musetouch</strong> 135
<strong>musetouch</strong> 136
<strong>musetouch</strong> 137
<strong>musetouch</strong> 138
<strong>musetouch</strong> 139
<strong>musetouch</strong> 140
<strong>musetouch</strong> 141
<strong>musetouch</strong> 142
<strong>musetouch</strong> 143
<strong>musetouch</strong> 144
<strong>musetouch</strong> 145
<strong>musetouch</strong> 146
<strong>musetouch</strong> 147
<strong>musetouch</strong> 148
<strong>musetouch</strong> 149
<strong>musetouch</strong> <strong>15</strong>0
<strong>musetouch</strong> <strong>15</strong>1
<strong>musetouch</strong> <strong>15</strong>2
<strong>musetouch</strong> <strong>15</strong>3
<strong>musetouch</strong> <strong>15</strong>4
<strong>musetouch</strong> <strong>15</strong>5
<strong>musetouch</strong> <strong>15</strong>6
<strong>musetouch</strong> <strong>15</strong>7
Tore Hogstvedt<br />
“On October 13, 1963 in the small village of Siljan, Norway, Tore Hogstvedt was born. From<br />
an early age, he enjoyed his pristine and simple home town, drawing and painting to pass the<br />
time as many other children do. Noticing his abilities, Tore’s teachers encouraged his talent and<br />
repeatedly reinforced that some day he could became a famous painter. At age 12, a painter from<br />
Porsgrunn began mentoring young Tore.<br />
After several years of guidance, Jøntvedt’s death brought Tore’s pass-time to a screaming halt.<br />
Frustrated because he was unable to further develop his artistic abilities, he put down his brushes.<br />
At 18, Tore considered becoming a priest and began an intensive study of Theology. Never regretting<br />
his choice, after 4 years of studying religious truth and the rational inquiry into religious<br />
questions, Tore left and started working random part-time jobs until settling in and using his<br />
skills becoming a life coach and teacher. Tore married in 1989 to French wife Meriem and had<br />
two sons.<br />
Later in 1995, after meeting Norwegian wildlife artist, Jan P. Bratsberg, Tore was inspired once<br />
again to paint. Now energized, he dusted off his brushes and headed out doors reigniting his passion<br />
for nature.<br />
Hogstvedt works daily from the window filled studio in his home and his backyard that provides<br />
a 360° sweeping undeveloped picturesque backdrop that Norway is known for. Tore Hogstvedt<br />
has painted a path for himself with enough light and colour to grab the attention of Norwegian,<br />
European, Canadian and American collectors and has exhibited in more than 100 shows in his<br />
<strong>15</strong> year career”.<br />
Kelly Strantz<br />
<strong>musetouch</strong> <strong>15</strong>8<br />
torehogstvedt.info
A Path for Myself<br />
<strong>musetouch</strong> <strong>15</strong>9
<strong>musetouch</strong> 160
<strong>musetouch</strong> 161
<strong>musetouch</strong> 162
<strong>musetouch</strong> 163
<strong>musetouch</strong> 164
<strong>musetouch</strong> 165
<strong>musetouch</strong> 166
<strong>musetouch</strong> 167
<strong>musetouch</strong> 168
<strong>musetouch</strong> 169
<strong>musetouch</strong> 170
<strong>musetouch</strong> 171
<strong>musetouch</strong> 172
<strong>musetouch</strong> 173
<strong>musetouch</strong> 174
<strong>musetouch</strong> 175
<strong>musetouch</strong> 176
<strong>musetouch</strong> 177
<strong>musetouch</strong> 178
<strong>musetouch</strong> 179
<strong>musetouch</strong> 180
<strong>musetouch</strong> 181
Petrova Julia.N<br />
Petrova Julian is an art photographer based in Moscow, Russian. She makes stunningly glamourous<br />
pictures and her use of light is just wonderful. Individual creative approach is used to<br />
each model. Petrova specializes in Portrait, Fashion, Glamour, Advertising. In each picture<br />
she puts a piece of their soul ……. and tries to turn every photograph into a work of art.<br />
<strong>musetouch</strong> 182<br />
petrovajulian.com
Magical<br />
<strong>musetouch</strong> 183
<strong>musetouch</strong> 184
<strong>musetouch</strong> 185
<strong>musetouch</strong> 186
<strong>musetouch</strong> 187
<strong>musetouch</strong> 188
<strong>musetouch</strong> 189
<strong>musetouch</strong> 190
<strong>musetouch</strong> 191
<strong>musetouch</strong> 192
<strong>musetouch</strong> 193
<strong>musetouch</strong> 194
<strong>musetouch</strong> 195
<strong>musetouch</strong> 196
<strong>musetouch</strong> 197
<strong>musetouch</strong> 198
<strong>musetouch</strong> 199
<strong>musetouch</strong> 200
<strong>musetouch</strong> 201
<strong>musetouch</strong> 202
<strong>musetouch</strong> 203
<strong>musetouch</strong> 204
<strong>musetouch</strong> 205
<strong>musetouch</strong> 206
<strong>musetouch</strong> 207
<strong>musetouch</strong> 208
<strong>musetouch</strong> 209
<strong>musetouch</strong> 210
<strong>musetouch</strong> 211
<strong>musetouch</strong> 212
<strong>musetouch</strong> 213
<strong>musetouch</strong> 214
<strong>musetouch</strong> 2<strong>15</strong>
Danilo Martinis<br />
Danilo started painting in the 90’s making a series of works-style material using stones and<br />
enamel. Later he devoted himself entirely to research of a kind art where art and design draw<br />
mutual inspiration.<br />
Art, painting, design.<br />
Danilo Martinis creates a combination of different elements, mixing the idea of opera as a<br />
contemporary design and the use of shapes that recall Vasarely, but also the Pop movement.<br />
A seemingly simple painting, in the preparation of uniform color, where the nuances assume<br />
an almost mathematically precise, perfectly weighted, but built on complex structures and<br />
three-dimensional.<br />
Martinis us into a space beyond the painting, leaving the door ajar as the eye can blink to<br />
other art forms, cinema and contemporary culture of the graphics.<br />
<strong>musetouch</strong> 216<br />
danilomartinis.com
A Space beyond the Painting<br />
<strong>musetouch</strong> 217
<strong>musetouch</strong> 218
<strong>musetouch</strong> 219
<strong>musetouch</strong> 220
<strong>musetouch</strong> 221
<strong>musetouch</strong> 222
<strong>musetouch</strong> 223
<strong>musetouch</strong> 224
<strong>musetouch</strong> 225
<strong>musetouch</strong> 226
<strong>musetouch</strong> 227
<strong>musetouch</strong> 228
<strong>musetouch</strong> 229
<strong>musetouch</strong> 230
<strong>musetouch</strong> 231
<strong>musetouch</strong> 232
<strong>musetouch</strong> 233
<strong>musetouch</strong> 234
<strong>musetouch</strong> 235
<strong>musetouch</strong> 236
<strong>musetouch</strong> 237
Christy Lee Rog<br />
“I grew up on an island in the middle of the Pacific Ocean. There, the water consumed much of<br />
my life, just as it now dominates the foundation of my art.”<br />
Christy Lee Rogers (Hawaii-born) is a self-taught photographer who indulges in her obsession<br />
of water as a medium for breaking the conventions of contemporary photography.<br />
Resembling Baroque paintings and mastering the chiaroscuro qualities of light, her subjects<br />
bend and distort; bathing in darkness, isolated by light, and brought to life by ones own imagination.<br />
With light refraction as the technical foundation for her work, Rogers utilizes this<br />
phenomenon of light as it passes from the air, which has a lower optical density, into water,<br />
with a higher optical density, to capture in-camera images, without the post-production<br />
manipulation. Rogers’ mastery of this phenomenon allows her to create sun-dappled figures<br />
afloat in dim waters, and figures whose clothes take on a Baroque complexity and vibrancy.<br />
Through this very sensitive process, she has found a myriad of ways to create images, manipulating<br />
only water depth, light, and movement. Despite the highly technical source of the effect,<br />
Rogers is only interested in the science insofar as it allows her to express herself through<br />
her art. “It’s a means to an end. I’m interested in whatever allows me to produce my vision,<br />
and I had to search for and perfect a method that would allow me to deliver the images I had<br />
already conceived. But it had to be a way that wouldn’t dilute them or concede to the limitations<br />
of reality.” In order to achieve a sort of photographic mise-en-scène, she had to find a new<br />
way to create her images. They couldn’t be fictitious; as that would undermine her intent to<br />
demonstrate that there are still mysterious, impossibly beautiful things on Earth—not solely<br />
in our imaginations. The work of a true artist lies in manifesting their inner world externally.<br />
To accomplish this she turned to water. Born in Honolulu, and raised in a family of musicians<br />
in the small beach town of Kailua, Hawaii, on Oahu’s windward coast, Rogers is also a filmmaker<br />
and musical lyricist for alternative rock band “Forty Point.”<br />
Her work is represented by The McLoughlin Gallery in San Francisco, CA; Barclay’s Club in<br />
Monaco, Europe; Laura Rathe Fine Art in Houston, TX; Samuel Lynne Galleries in Dallas,<br />
TX; Graphite Galleries in New Orleans, LA; Shelley Lambe Fine Art in Ontario, Canada and<br />
Cedar Street Galleries and Fine Art Associates in Honolulu, HI. She will be exhibiting in the<br />
New Orleans 2011 PhotoNola Photography Festival and Houston’s 2012 FotoFest Biennial<br />
Photography Festival. She lives and works in Los Angeles, California and Kailua, Hawaii.<br />
<strong>musetouch</strong> 238<br />
christyrogers.com
ers The Phenomenon<br />
<strong>musetouch</strong> 239
<strong>musetouch</strong> 240
<strong>musetouch</strong> 241
<strong>musetouch</strong> 242
<strong>musetouch</strong> 243
<strong>musetouch</strong> 244
<strong>musetouch</strong> 245
<strong>musetouch</strong> 246
<strong>musetouch</strong> 247
<strong>musetouch</strong> 248
<strong>musetouch</strong> 249
<strong>musetouch</strong> 250
<strong>musetouch</strong> 251
<strong>musetouch</strong> 252
<strong>musetouch</strong> 253
<strong>musetouch</strong> 254
<strong>musetouch</strong> 255
<strong>musetouch</strong> 256
<strong>musetouch</strong> 257
<strong>musetouch</strong> 258
<strong>musetouch</strong> 259
<strong>musetouch</strong> 260
<strong>musetouch</strong> 261
<strong>musetouch</strong> 262
<strong>musetouch</strong> 263
<strong>musetouch</strong> 264
<strong>musetouch</strong> 265
<strong>musetouch</strong> 266
<strong>musetouch</strong> 267
Simone Held<br />
“ I am from Germany. Originally, I haven’t been professionally involved with art at all: I’m a<br />
teacher. I teach English and German to students aged 10-19 and I still like it although it can be a<br />
hell of a job sometimes. Art is a good possibility to get rid of all the negative thoughts and vibes...<br />
Sadly I can only spend time on my art during the holidays or at the weekends because there’s not<br />
much time left.<br />
My focus is on photo-manipulation with surreal themes. I sometimes do landscape manipulations<br />
too but no matter how “realistic” my works may seem, there’s always some surrealism in<br />
them as well. “<br />
Simone Held<br />
<strong>musetouch</strong> 268<br />
bigfoot112.deviantart.com
The Thin Line<br />
<strong>musetouch</strong> 269
<strong>musetouch</strong> 270
<strong>musetouch</strong> 271
<strong>musetouch</strong> 272
<strong>musetouch</strong> 273
<strong>musetouch</strong> 274
<strong>musetouch</strong> 275
<strong>musetouch</strong> 276
<strong>musetouch</strong> 277
<strong>musetouch</strong> 278
<strong>musetouch</strong> 279
<strong>musetouch</strong> 280
<strong>musetouch</strong> 281
<strong>musetouch</strong> 282
<strong>musetouch</strong> 283
<strong>musetouch</strong> 284
<strong>musetouch</strong> 285
<strong>musetouch</strong> 286
<strong>musetouch</strong> 287
<strong>musetouch</strong> 288
<strong>musetouch</strong> 289
<strong>musetouch</strong> 290
<strong>musetouch</strong> 291
Michal Mozolew<br />
Michal Mozolewski is an amazing visual artist living and creating in Poland. His favorite technique<br />
is photomanipulation, and favorite categories conceptual and abstract.<br />
xnagux@gmail.com<br />
<strong>musetouch</strong> 292
ski Losing my Reality<br />
<strong>musetouch</strong> 293
<strong>musetouch</strong> 294
<strong>musetouch</strong> 295
<strong>musetouch</strong> 296
<strong>musetouch</strong> 297
<strong>musetouch</strong> 298
<strong>musetouch</strong> 299
<strong>musetouch</strong> 300
<strong>musetouch</strong> 301
<strong>musetouch</strong> 302
<strong>musetouch</strong> 303
<strong>musetouch</strong> 304
<strong>musetouch</strong> 305
<strong>musetouch</strong> 306
<strong>musetouch</strong> 307