musetouch_issue_14
Murielle Velay M Murielle Velay Michel, alias MiraBelle, was born in 1963 in the Principality of Monaco where she’s actually living between her small Moneqasque atelier and her summer atelier situated near a small village, on a ridge of the Cheiron mountain chain in Provence. Selft-taught, it is in the course of her life, where art and these multiple expressions are omnipresent, that MiraBelle sees the watercolor imposing upon her, with more exactly the practice of Nude as an evidence. Her creations are an invitation to enter a world which record intimate scenes, ethereal spaces...it is a work often stripped, where the substance is suggested. The artist translates feelings, states of soltitude, introspection, moments of absence in which the subjects seem timeless. “Originally, each of my watercolor starts with an encounter, a movement, a soft curve. Then, follows a quick preparative drawing. My purpose is not to draw, but to jump in the imaginary, play with the paper weight, the pigments and the magic of water. My work is figurative but I try to suggest and abolish intermediaries between feelings and their perception. the background of my watercolors, implement the whim of the fusion of pigments and water, musetouch 260
ichel Nude as an Evidence musetouch 261
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Murielle Velay M<br />
Murielle Velay Michel, alias MiraBelle, was born in 1963 in the Principality of Monaco where<br />
she’s actually living between her small Moneqasque atelier and her summer atelier situated<br />
near a small village, on a ridge of the Cheiron mountain chain in Provence.<br />
Selft-taught, it is in the course of her life, where art and these multiple expressions are omnipresent,<br />
that MiraBelle sees the watercolor imposing upon her, with more exactly the practice<br />
of Nude as an evidence.<br />
Her creations are an invitation to enter a world which record intimate scenes, ethereal spaces...it<br />
is a work often stripped, where the substance is suggested. The artist translates feelings,<br />
states of soltitude, introspection, moments of absence in which the subjects seem timeless.<br />
“Originally, each of my watercolor starts with an encounter, a movement, a soft curve.<br />
Then, follows a quick preparative drawing. My purpose is not to draw, but to jump in the imaginary,<br />
play with the paper weight, the pigments and the magic of water. My work is figurative but<br />
I try to suggest and abolish intermediaries between feelings and their perception. the background<br />
of my watercolors, implement the whim of the fusion of pigments and water,<br />
<strong>musetouch</strong> 260