Smorgasboarder_23_Feb_2016-s
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LATEST: ARTISTS & GENERALLY CREATIVE FOLKS<br />
CRAIG BAIRD<br />
1.<br />
DESCRIBE YOUR ULTIMATE ART<br />
CREATION SETUP...<br />
4.<br />
WHAT’S YOUR MOST<br />
MEMORABLE SURFING MOMENT?<br />
WHO IS CRAIG?<br />
Now Curator of Australian National Surfing Museum, Craig<br />
“Gonzo” Baird was inspired by art early on and began doing<br />
commercial art for people while still at school.<br />
“I think my first commission was for a band’s drum kit, and<br />
since then I’ve painted a diverse range of objects from dune<br />
buggies, hot rods, race cars, skateboards, guitars, garden<br />
gnomes, helmets, tool boxes to about 15,000 surfboards<br />
during a 26-year career as a surfboard artist.”<br />
Most of Craig’s time was spent in the pit at the Rip Curl/<br />
Moonlight factory in Torquay but he worked for other Vicco<br />
shapers and labels including Watercooled, Maurice Cole,<br />
Dave Boyd, Southern Soul Surfboards, Cruise Control, Rousa,<br />
etc, and a curious Jan Juc label Pink Bits.<br />
“Not all of my art has been on boards I have also had a few<br />
solo and group exhibitions in local galleries and have work<br />
hanging in people’s homes around Oz and overseas.”<br />
WHERE DO YOU FIND HIS WORK?<br />
Drop in and visit craig in person at the Australian National<br />
Surfing Museum at 77 Beach Road in Torquay, or for more<br />
info on the museum see the website www.surfworld.com.au.<br />
2.<br />
3.<br />
For me now, getting into the spray<br />
room feels a bit like a familiar bit<br />
of furniture, and it is a kind of zen<br />
thing to put your brain in neutral,<br />
get your hands busy, trust your<br />
talent and just see what comes<br />
out at the end.<br />
WHAT’S YOUR GREATEST<br />
MOTIVATION WHEN IT COMES<br />
TO CREATING ART?<br />
It is good to get fired up about<br />
projects and ride that wave of<br />
creative energy. Sometimes I just<br />
feel compelled to create but it<br />
can be a bit of a double edged<br />
sword. It is like the inspiration<br />
for each work comes with its<br />
own little packet of energy and a<br />
window of time in which it has to<br />
be completed, sad to say I have<br />
a bunch of half finished works at<br />
home.<br />
YOUR MOST MEMORABLE ART<br />
CAREER MOMENT?<br />
... a rush order for Japan the day<br />
before my brother’s wedding.<br />
Sprayed 24 boards in 24 hours,<br />
was a zombie on the big day but<br />
got it done! Lots of Bertlemanninspired<br />
swirls from what I can<br />
remember.<br />
5.<br />
I guess, one of those days that<br />
most surfers dream of. Picked a<br />
change in conditions and caught<br />
a dropping tide at my favourite<br />
spot. Not a drop of water out of<br />
place, sunlit overhead surf, gentle<br />
offshore, surfed better than ever<br />
before (or since probably) with<br />
not another soul around. Paddling<br />
back out you could see cutback<br />
trails on the water . . .<br />
IF YOU COULD HAVE LUNCH<br />
WITH ONE ARTIST IN THE<br />
WORLD, WHO WOULD IT BE<br />
AND WHY?<br />
There are lots of artists I would<br />
love to have met but I get the<br />
feeling many of them might not<br />
be great company. I love Howard<br />
Arkley’s work but he didn’t<br />
seem like a happy or<br />
chatty bloke, so I’d go<br />
with Salvador Dali,<br />
I’m picking it would<br />
be memorable and<br />
probably some<br />
pretty good food<br />
to go along<br />
with it?<br />
56<br />
SMORGASBOARDER | SUMMER <strong>2016</strong>