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<strong>musetouch</strong><br />
Visual Arts Magazine<br />
March 2011<br />
Michael Cheval<br />
Journey into Illusion<br />
An Exclusive Interview<br />
Tom Chambers<br />
Benita Winckler<br />
David Sandum<br />
Annalaura Masciave<br />
Andrea Fantoni<br />
Edward Bowie<br />
Zoltan Nagy<br />
<strong>musetouch</strong>.org<br />
Karol Bak<br />
Mysterious Paths<br />
of Admiration<br />
Terra Kate<br />
How to End a Dream<br />
An Exclusive Interview
Dear readers,<br />
I am dedicating this edition to an amazing artist, a beautiful, generous<br />
and sweet person, with such a rich imagination that always leaves<br />
me breathless, my dear friend and contributor Kiyo Murakami, and her<br />
proud and wonderful people of Japan.<br />
I also want to thank the people who are my soul, support and strength,<br />
Ljiljana Bursac, Jelena Grujic, my Nini Baseema, Ian Furniss, Gines<br />
Serran and Mark Sadan.<br />
There is so much I wanted to write this time...but things that have unfortunately<br />
happened in Japan, distracted me from my thoughts. I hope<br />
that all of you will understand me...just as you always do. Thank you for<br />
being there for me and Musetouch.<br />
Maia Sylba
Layer Studios is offering beautiful web sites, online galleries and<br />
presentations, blogs and FB fan page designs, at affordable<br />
prices, uniquely designed by Maia Sylba
contact: maiasylba@gmail.com<br />
skype: maiasylba<br />
www.layerstudios.com
THE ROAD TO PEACE<br />
By Gines Serran<br />
Miami, Los Angeles, London,<br />
Rome, Hong Kong, Moscow, Tokyo,<br />
New Delhi, Río de Janeiro,<br />
Sydney, El Cairo, Jerusalem<br />
www.serran-paganart.com<br />
KIYO MURAKAMI<br />
photography<br />
www.kiyomurakami.com
KIRSTY MITCHELL<br />
photography<br />
www.kirstymitchellphotography.com<br />
THE FORM OF<br />
BEAUTY<br />
blog<br />
by Nini Baseema<br />
theformofbeauty.tumblr.com
MUSETOUCH MAGAZINE March 2011<br />
Editor<br />
Maia Sylba<br />
Graphic designer<br />
Dejan Silbaski<br />
Contributors<br />
Nini Baseema<br />
Ian Furniss<br />
Cover<br />
Kiyo Murakami<br />
MUSETOUCH is a magazine about visual arts. It has been created by Maia Sylba out of a love and passion for<br />
art with the hope that people will be able to use the publication and website as a platform to showcase their<br />
skills and gain recognition.<br />
Facebook<br />
facebook.com/<strong>musetouch</strong>visualartsmagazine<br />
Twitter<br />
Linkedin<br />
Mail<br />
twitter.com/<strong>musetouch</strong>mag<br />
linkedin.com/in/maiasylba<br />
maiasylba@gmail.com<br />
Submission Guideline<br />
If you want to contribute to the next edition, you can send us an email with your data and a PDF file that<br />
shows your works, also a link of your website if you have any.<br />
We would love to see your art so don’t hesitate to contact us and welcome.<br />
All artwork in this magazine is copyright protected under the MUSETOUCH Magazine brand or remains<br />
property of the individual artists who have kindly granted us permission to use their work.<br />
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Karol Bak<br />
Mysterious Paths of<br />
Admiration<br />
Benita Winckler<br />
Imagination Unlimited<br />
Tom Chambers<br />
Unspoken Stories<br />
010<br />
Zoltan Nagy<br />
Ecce Homo<br />
156<br />
054<br />
Michael Cheval<br />
Journey into Illusion<br />
Terra Kate<br />
How to End a Dream<br />
174<br />
092<br />
Edward Bowie<br />
The World of Movement and<br />
Color<br />
David Sandum<br />
I Paint Emotion<br />
194<br />
Andrea Fantoni<br />
Magic Moment<br />
126<br />
232<br />
Annalaura Masciave<br />
Natural Brilliance<br />
142<br />
250<br />
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Karol Bak Mysterious<br />
Karol Bąk is an admirer of women. He is a glorifier of womanhood. He paints captivatingly<br />
beautiful phenomenal shapes. He seems to desire to reveal their souls. Therefore, by various<br />
methods he examines the deepest parts of their nature. His seraphic heroines flow in the<br />
dream, appear in immense space; they are angels, pearl-divers, personification of elements<br />
and winds; incarnated murders (Judyta, Salome) and even death (Thanatos); from time to<br />
time their dimension is galactic – they are super new or the Milky Way.<br />
Karol Bąk makes himself extremely great task for his intention is not to show women only<br />
from their physical side. However, he is aware of the fact that the woman is noticed not only<br />
as a body-subject from a point of view, but also as spiritual-physical human being, loving,<br />
delicate, and tender-hearted to utmost emotions. In other words, woman is variable and<br />
almost imperceptible. The artist wishes to show the woman’s nature throughout her body and<br />
more and more limited accessories.<br />
To reveal in visual arts the inside nature of the portrait-painted person was not easy, and the<br />
great artists had known about it ages ago. Leonardo da Vinci concisely said: “A good painter<br />
paints two matters: a human being and his spiritual inside. The first stage is easy, the second<br />
difficult for should be presented b gestures and motions of the shown body.” It is necessary to<br />
mention here that the genius of Renaissance, as we know, painted “from nature”, so the presented<br />
figures and scenes were revealed from the background.<br />
On the other hand, the Poznan artist in his own way takes advantage of tradition for his<br />
needs. In most of his works he shows one elegant person who is characterized by clothes,<br />
and lately by an enlarged head-dress in style of aureole, nimbus, and halo. In the last case the<br />
author materializes what is invisible. Additionally, in various ways he “attaches” the woman<br />
to the picture’s background, who sometimes like in “The dreaming pearl” appears in several<br />
spheres. In another composition (“The angel patience”) there is a God’s messenger somewhere<br />
high in the heaven, as a strong and tempting blond woman, who is drawing out from<br />
herself an eternal landscape. It seems to be similar with another “Wandering angel” where<br />
the hero of the picture is somehow a part of the matter already left by him. There is a kind of<br />
primordial existence, insect’s something.<br />
Taking into consideration the cycle “Cocoons”, where from the silk cloth female and male torsos<br />
“are being born”, and among others “Ring’s secrets” in which gorgeous head’s ornaments<br />
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Paths of Admiration<br />
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like of exotic birds or lizards, linked with the dress – which seems to be – a part of the painted<br />
female body, we can state that Bąk shows primitive, animal beauties. (This subject reflects the<br />
transforming woman in the story “Struggling species” by John Shirley and William Gibson<br />
from Gibson’s collection “Johnny Mnemonic”). Additionally, his fascinating worlds seem to<br />
be created from the same substance. Thus it could be understood that he is a follower of the<br />
argument of the lost world’s unity.<br />
The mentioned subject is continued by the cycle “Sailing-ship” which is the most realistic art<br />
piece blending ship in the process of building and the Babel tower. This unfinished structure,<br />
surrounded by scaffolding with sails, is already pushed by the wind, and starts its almost<br />
impossible voyage. The next unreal visions of sailing-ships are shown as still not able to sail<br />
because either they resemble rushing whirlwind or – in other example – clearly outlined<br />
hull overwhelming most of the sails, covering the space, or a part of the ship. Especially sails<br />
flowing in different directions, and falling into layers, combine the background, and from<br />
which they should distinguish. There is no way to verbalize these visions in extended space<br />
and somehow emerging from one matter; they are a query or the artist’s joke, what could be<br />
explained by the material’s tear visible in the upper part of one of the compositions (“Sailingship<br />
VI”). It enlightens the viewer on the fact that behind the life presented world, there is<br />
also any unknown reality.<br />
Briefly discussed variations on the subject of sailing-ships show that the painter is not an illustrator<br />
telling stories, but a creator using all possible painting means to paint and activate<br />
imagination of his audience. These and other Bąk’s compositions cannot be presented in other<br />
means. However, they could be only somehow brought nearer to those viewers who are not<br />
familiar with the artist’s painting yet, and outline some important ideas of his art. But, substantiation<br />
and interpretations of the Poznan artist’s world presented in his works depends on<br />
individual intuition, feelings, and cultural experience of the viewer, whom the painter seems<br />
to invite to join his process of creation. Thus, imagination exactly, aspirations and research<br />
horizon of the viewer will decide on “reading” these paintings and certainly not only esthetic<br />
satisfaction.<br />
Coming back to the most numerous and most impressive Bąk’s compositions of “picturesque”<br />
women, it is worth paying our attention that the artist exploring and presenting their spiritual<br />
conditions, wishes, with positive or negative energy arising from them, at the same time appoints<br />
them to roles: biblical, mythological or personifying elements.<br />
Thus, as we can assume, there is certain theatrical manner of poses, artificiality, and intentional<br />
decorative value.<br />
In contrast with these art works, it is worth paying attention to the persons heads surrounded<br />
by enriched ovals, which are not only fascinating structure components of painting, but deco-<br />
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ating the presented women. These figures traced from the cycle (the ideal figure, together<br />
with a triangle, professionally used by the artist in his graphics) are parts of dress, and also<br />
the materialized aura corresponding to aureole. Their meaning is symbolic. They mark contradictory<br />
emotions, confused ways of labyrinth (Ariadna II), emotion explosives (Ignes) or<br />
solar ring (Rosa Mundi), motion symbol, everlasting while, and the solar rose can represent<br />
labyrinth, life pilgrimage path.<br />
Development of symbols and particular significance of the listed paintings, as the examples,<br />
depends on invention and knowledge of the viewer. When we look at fascinating works of<br />
the artist from Poznan, we should notice that the forms around the persons, as emanation of<br />
their emotions, relate directly with the space surround, and also with the air space.<br />
Of course, at the beginning there is a feeling, connected with the art piece, and later on its understanding.<br />
Certainly many viewers who are keen on Bąk’s art works leave away “the ballast<br />
knowledge”, and continue – what is accepted – “breathing” with the beauty of the presented<br />
women, according to own personal taste and life experience. Other viewers – as I think – get<br />
satisfied also from the picture stage and composition of the paintings. The pay attention to<br />
the beauty as the esthetic category, what in case of the discussed art, has the following meaning:<br />
harmony, accuracy, and equalization. We can mention here that Bąk has been continuously<br />
developing his painting skills towards the ideal beauty, which due to Hegel “is placed in<br />
undisturbed unity, peace and perfection itself ”.<br />
And finally, there is a group of viewers who are interested in explaining the idea of the art<br />
works. These viewers base on their own emotions, knowledge, and according to titles they<br />
will recall complex cultural and philosophical context.<br />
The beauty could get various shapes and could be shown in variety of ways. It is – according<br />
to Elias Canetti – pathetic and cold at the same time. “It always includes – due to this writer –<br />
something fascinating like something what existed some time ago, and then has disappeared<br />
for a long time. (…) We cannot love it in spite we miss it. Thanks to the mysterious paths of<br />
admiration the beauty itself is getting richer than anything else we can have in us ourselves.”<br />
Awards:<br />
• Award for graphics “Diploma 89”, Torun 1989<br />
• First award and Jan Wroniecki medal, “XXI Post-competition exhibition – The best graphic<br />
art and drawing of the year”.<br />
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karolbak.art.pl
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Tom Chambers<br />
“Through photomontage I present unspoken stories which illustrate fleeting moments in time and<br />
which are intended to evoke a mood in the viewer. These mythical illustrations might address<br />
the fragility of childhood or the delicate transition experienced by a child passing into adolescence<br />
and then adulthood. Others express the tension in the uncertain coexistence between man<br />
and his environment, a delicate balance too often ignored and damaged. Each photomontage is<br />
carefully constructed, using both images that have been planned and those that unexpectedly enhance<br />
the story. With digital photography I desire to move beyond documentation of the present,<br />
and rather seek to fuse reality and fantasy in musing about possibilities of the future.<br />
To create a photomontage I photograph each piece of the final image using a Nikon digital<br />
camera or a medium format film camera. The processed film is scanned at a high resolution, approximately<br />
80 megabytes per frame. Then, I use Photoshop software with a Macintos computer<br />
to combine the pieces, thus creating the final image. Lastly, this final image is printed with archival<br />
pigment inks on cotton rag paper.”<br />
Tom Chambers<br />
ace<br />
Texas National 2003, SFA Gallery, Stephen F. Austin State University Nacogdoches, TX,l 2,<br />
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tomchambersphoto.com
Unspoken Stories<br />
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Michael Cheva<br />
Michael Cheval is the world’s leading contemporary artist, specializing in Absurdist paintings,<br />
drawings and portraits. In his definition, absurdity is an inverted side or reality, a<br />
reverse side of logic. It does not emerge from the dreams of surrealists, or the work of subconsciousness.<br />
It is a game of imagination, where all ties are carefully chosen to construct a<br />
literary plot. Any one of Cheval’s paintings is a map of his journey into illusion. His work is<br />
often metaphorical and requires a sharp eye to decipher the often hidden allusions.<br />
Born in 1966 in Kotelnikovo, a small town of southern Russia, Cheval developed passion for<br />
art in his early childhood. When his family moved to Germany in 1980, the West European<br />
culture made a great impression on the young artist. In 1986, he moved to Turkmenistan and<br />
graduated from Ashgabad school of Fine Art. Absorbing Eastern philosophy and the character<br />
of Central Asia, he began working as an independent professional artist, shaping his style<br />
and surrealistic direction. His decision to immigrate in 1997 to USA began a new epoch for<br />
the artist. He returned to the Western culture that greatly inspired him in his German youth,<br />
but now he brought his own experience, his philosophy, and vision.In 1998, Cheval became<br />
a member of the prestigious New York’s National Arts Club where he was distinguished with<br />
the Exhibition Committee Award in 2000. He is also a member of the Society for Art of Imagination<br />
since 2002.<br />
In 2006, Michael’s works were accepted by “Feast of Imagination” exposition at H.R. Giger<br />
Museum Gallery, Switzerland.In 2008 - he was accepted as a participant in the “Dreamscape<br />
2009” exhibition in Amsterdam and published in “Dreamscape” book among of 50 Worldwide<br />
famous surrealist artists. In 2009 - Michael Cheval was chosen as the Best Of Worldwide<br />
Oil Artists by the “Best Of Worldwide Artists” Volume I Book Series (Kennedy Publishing,<br />
USA)<br />
In 2009 - Palm Art Award Jury and Art Domain Gallery (Leipzig) certify that Michael Cheval<br />
is the winner of the First Prize of “Palm Art Award”. In 2010 – Michael’s artworks have been<br />
published in “Dreamscape 2010” book among of 50 Worldwide famous surrealist artists.<br />
In 2010 Michael’s artworks have been published in “Imaginaire” book in Denmark and participated<br />
“April’s fool” exhibition organized by “Fantasmus Art”<br />
Cheval published two full-colored art albums—Lullabies in 2004 and Nature of Absurdity<br />
in 2007. His work is internationally acclaimed and can often be seen in USA galleries and<br />
abroad.<br />
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l Journey into Illusion<br />
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Who are you Michael?<br />
If I were a Buddhist monk then I would probably reply – “nobody.” However, since I am not<br />
a monk, I will have to give a more detailed answer: 44 years old, 186cm in height, black hair,<br />
brown eyes. Married. Have two children. My daughter is 21 and my son is 7. I smoke and<br />
drink alcohol given a good company. I love music and literature, theater and smart, worthy<br />
movies. I collect pipes and cold weapons. Also I create paintings. This last item takes up the<br />
biggest part of my life.<br />
Why do you paint?<br />
Because I love doing it. Because I’ve been doing it ever since I can remember myself. Pencils<br />
and brushes were my toys from the youngest age. I would not trouble my parents for hours as<br />
I created my worlds and my heroes on paper. It is like going into a parallel world. The World<br />
I created myself, where I am the chief director and the master of fates. Ideas that originate in<br />
my head become live on paper or canvas and this process is incredibly exciting … I am like an<br />
alchemist who creates gold from nothing.<br />
Where is your inspiration coming from?<br />
This is a difficult question. If anyone could locate inspiration and give its exact address, I am<br />
sure that the longest line of people would form immediately to that place. Inspiration is a delicate<br />
matter, like radio waves. Only there are no tuning controls for this radio receiver. This<br />
wave comes from nowhere and goes to unknown destinations. It is not possible to fetch it, it<br />
must be earned. There was talk in the 60s that hallucinogens like LSD can bring this feeling –<br />
I don’t know, never tried, but I think that is wrong. This feeling is natural, it is live energy.<br />
Are you romantic?<br />
It seems improper to be a romantic at 44. At least it’s unfitting to admit it. Life experiences<br />
make people skeptic, turn poets into prosaists … But I feel that somewhere inside, there is<br />
still a boy who looks at the world with wide-open eyes, wonders, dreams, and longs for the<br />
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world to be the way he paints it. I truly wish that this boy never leaves but stays with me always.<br />
Imagination is the word...in some way crucial for your art, as far as I am noticing...how<br />
does, or should, that word relate to an artist?<br />
Imagination is not just a word. It is the primary tool for the artist. It is the antenna that allows<br />
one to receive the waves of inspiration. Through the artist, these waves transform into<br />
ideas and images, through the writer into words, through the musician into sounds. Without<br />
imagination, the creative process is impossible. The same as without the heart or the liver, the<br />
process of life cannot take place.<br />
How do you see? What is it about a scene or subject that speaks to you, makes you feel and<br />
causes you to create a painting?<br />
This question is almost anatomic. Feels like you are trying to examine me under a microscope.<br />
It is impossible to explain in few words. Perhaps impossible to explain at all. For the<br />
artist who creates a landscape or a still life painting, it is a question of beauty and harmony.<br />
He sees the object, he feels the harmony, this engages him and he transports the object onto<br />
the canvas. In my case, I must be engaged by the idea, a certain concept. It is possible not to<br />
“see” it at all, but only sense it. If the idea is interesting, then images, faces, costumes, decorations<br />
begin to emerge from a thick fog … The game begins – fascinating, magical, as if I am<br />
watching a performance. I am both the audience and the director, and I have no idea how it<br />
will end because the play is not yet finished. This is very engaging!<br />
Is it important to remain true to yourself and your individual vision as an artist?<br />
It is very important and very difficult. Especially when the artist earns his living by what he<br />
creates. There is always temptation to make something that you know in advance is sure to<br />
please the audience. Some do exactly that without feeling much quilt about it. Sometimes<br />
I do that as well and it results in my least successful works. I am then troubled by my conscience<br />
… That is why I believe it is very important to stay true to myself. Otherwise, it is<br />
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possible to mess up and lose my own self.<br />
Please tell me more about " Dreamscape" book and what means to you to be among 50<br />
Worldwide famous surreal artists?<br />
I am very grateful to the creator of Dreamscape project, Mr. Marcel Salome, for the chance to<br />
participate in exhibitions and book publications. Appearing among such masters as Michael<br />
Parkes, Peter Gric, David Bowers, Sergey Aparin, Petar Meseldzija and Adam Rote is enjoyable<br />
to the highest degree. I hope that Dreamscape project will continue expanding in the<br />
future. I already received my invitation to participate in the Turin exhibition that will take<br />
place in the autumn of this year. Next year it will be held in Amsterdam, and in Germany in<br />
2013. According to such schedule, Dreamscape is doing good!<br />
Is it fame just an illusion?<br />
Fame looks very attractive from the side – glittering, scented with wonderful aromas. It<br />
seems that once you reach fame, you will become superman, an angel, a God … But that is<br />
not so. Your nature remains the same. Perhaps your desires, your demands become greater,<br />
but you are still the same man you always were. Fame is a very tricky thing. The legend of<br />
Icarus and his flight to the sun is a very good illustration of this. Fame is an illusion, capable<br />
of destruction.<br />
It is going to be Art Expo in New York in March 25th and your art will be exhibit...can you<br />
tell me more about that and also, I would like to know all about your future plans if you like<br />
to share them with me?:)<br />
I will not talk about my plans. There is a saying: “If you want to make God laugh – tell him<br />
about your plans.” So I think I’d rather keep quiet.<br />
ArtExpo will be in New York from March 25th to 27th, 2011. This is an annual international<br />
exhibition and for the past 10 years I took part in it. Artists and art dealers come there from<br />
all over the world. The major goal of participants is to find new partners, people who share<br />
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similar visions, and simply friends. In the past two years, ArtExpo was not doing too well<br />
due to the crises. However, this year, everything will be up to highest standards. Cheval Fine<br />
Art will exhibit in booth# 632 – welcome to stop by! This year Cheval Fine Art will stand as<br />
its own company. Today it is practically a Publishing House that prints Limited Edition giclees<br />
(prints on canvas), catalogs, and lithographs. It is devoted to making my art known in<br />
the world. This year new originals and prints will be exhibited. Particularly my new series<br />
of paintings titled “Playhouse of Quintessence” that consists of 5 prints and 3 originals that I<br />
have not yet sold. There will also be 5 drawings. Especially for this ArtExpo we published a<br />
catalog of prints that came out in 2009-2010. My two books “Lullabies” (2003) and “Nature<br />
of Absurdity” (2007) will be available in my booth. Those who will be in New York, come to<br />
ArtExpo, it will be very interesting!<br />
http://artexponewyork.com/<br />
MS<br />
chevalfineart.com<br />
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Edward Bowie<br />
“I like to capture movement and take aspects of the natural environment: colour, atmosphere<br />
and mood and transfer those qualities into a visual form. The inspiration for my work encompasses<br />
both the physical and non-physical. I really try to breathe life into my work in order to<br />
give the sensation of freedom and to demonstrate the beauty of the unaltered outside world, a<br />
world full of movement and colour.”<br />
Edward Bowie<br />
bowiesarthouse.com<br />
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The World of Movement and Color<br />
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Andrea Fanton<br />
“I’m not a professional photographer and my main job is not photo-related.<br />
I prefer that are my pictures to speak for me. I have the passion for the nude art and I give my<br />
best from the planning of the shooting till the printing. It is my personal opinion that the B&W<br />
is the essence of the nude art. There are only the lights and shadows that play on the body of the<br />
model and it is a great pleasure - a magic moment - to see on the printed version how the light/<br />
shadows play togheter.<br />
I have photographed dozen of models, but only few pubblications of different kind: a glamour<br />
calendar (2008), in 2009 i was published by NuExpo and Freshnudes and interviewed by a local<br />
photography magazine (12 pages with pictures and cover). The 2010 has been a year of other<br />
priorities more important than the photography, so during this period i didn’t photographed<br />
anything.”<br />
Andrea Fantoni<br />
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andreafantoni.it
i Magic Moment<br />
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Benita Winckle<br />
“My name is Benita Winckler. I’m a freelancer from Berlin, Germany, specialised in concept art,<br />
illustration as well as the design and programming of interactive multimedia websites.”<br />
Benita Winckler<br />
Clients including: BASF, ImagineFX and the German TV station WDR.<br />
Publishing companies: Bertelsmann, Blanvalet, cbt, cbj, Futurenet Publishing, Nasza Ksiegarnia,<br />
Prószynski Media, Random House, TV Trend Verlag, VVA Kommunikation, Zoo Publishing,<br />
and The Coronzon Press.<br />
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atelierwinckler.com
Imagination Unlimited<br />
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Zoltan Nagy Ecc<br />
Zoltan Nagy is a fine art photographer, expert in DTP and color management. Born in 1979,<br />
in Zagreb, Croatia, he lives and works in Pula, Croatia. Intensively engaged in photography<br />
since 2005. Exhibiting his work since 2006.<br />
Till now he had 3 solo exhibitions and 15 group exhibitions, and several awards from the<br />
photography and art competitions. Zoltan was the finalist of Photodays 2008, he received<br />
compliment of Croatian Photography Federation in 2009, and awarded ar art fair “ Open Riva<br />
Art 2009 “, 3rd place at Photoextempore “ Photourist 2009” and other...<br />
“Ecce Homo“<br />
Because of the need of commenting the global modern consumerist reality, superficiality and<br />
lies, his work is preoccupied with the reflection, criticism and analysis of humanity, emotions<br />
and alienation.<br />
Through the formal motiv of the human body in different proportions finds new potentials<br />
and pushes the boundaries of understandings about the function, shape and purpose of a human<br />
body in the context of human being as an entity.<br />
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zona79.daportfolio.com
e Homo<br />
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Terra Kate How to E<br />
I would like to know who Terra is...a person behind the beauty she is creating...<br />
I’m a relatively quiet and thoughtful person. I like to read books and ride my bike through<br />
trails in the forests where I live. As a child I was reprimanded for constantly daydreaming, but<br />
now as an adult I feel I’ve found an outlet for those dreams through photography.<br />
Why do you create photographs, what is your purpose?<br />
It’s hard to explain just exactly what motivates me. Sometimes an image manifests itself in<br />
my mind and I simply don’t feel better until I create it, because I’m afraid of losing the vision<br />
forever.<br />
What inspires you, what moves you?<br />
In a word, portraits. I find photos and art of people most inspiring because portraits can<br />
speak to all our various experiences as human beings.<br />
What is the contrast between the intent of your work and the perception of it?<br />
I’ve been fairly fortunate in that most people seem to understand the meaning in my photos,<br />
but I like to hear all different perceptions and interpretations because it makes me feel connected<br />
to other people’s minds.<br />
Do you consider yourself an artist?<br />
I guess I could say so. I feel like an artist because I’m trying to capture beauty, ideas, and emotions<br />
in a visual format, and I suppose that’s all an artist can hope for.<br />
What I enjoy about your photography is that you have the abbility to connect with dreams,<br />
imagination in a way that we can understand it...how are dreams and especially imagination<br />
important to you?<br />
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nd a Dream<br />
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Without dreams and imagination I don’t think I’d be as interested in photography as I am. We<br />
all seem to live two lives, one in reality and one in the realm of our dreams, and I think it’s<br />
important to try and capture that other life.<br />
What is the most important element of your pictures? Is it your subjects, is it the process or is<br />
it your vision and concepts?<br />
I would say the most important element for me is surreality. Even in simple images and portraits,<br />
if there isn’t some slightly unreal aspect to it I feel as though the message and mood<br />
aren’t as strong.<br />
How do you see an image before you actually create it?<br />
I tend to see it very literally, inspired by my dreams or other works of art. I then sketch it out<br />
and let it evolve through the shooting and editing process. Sometimes an image comes out<br />
exactly as I’ve planned but sometimes it transforms into something better.<br />
Do you have a favorite image?<br />
My favorite image is constantly changing, but in general I am most proud of images that<br />
evoke a strong emotional response within me upon completion. I like to see that an image has<br />
an impact and a purpose.<br />
If, for whatever reason, you could only make one more image in your life and it was the last<br />
image that you would ever make; what would it be?<br />
I would probably create a self portrait or a scene that subtly summarized my journey as a photographer.<br />
I think that would be a really beautiful way to end things if I had to.<br />
How do you see yourself in the future...what do you wish to achieve?<br />
In the future I see photography remaining a large part of my life, and I also see myself becoming<br />
a painter because that’s a medium I’m very drawn to and would love to become proficient<br />
at in my lifetime.<br />
MS<br />
terrakate.com<br />
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David Sandum<br />
David Sandum was born 1971 in Gothenburg Sweden. Today he resides in Moss Norway and<br />
has a studio at Gamle Pikeskolen (since 2003), where he also teaches several private students.<br />
David is self-taught, though he studied art history at the University of Utah. He see’s himself<br />
mainly as a colorist - and expressionist. Feelings, energy, and emotions are very much key to<br />
his work. The people he paints are never real portraits, “but inner portraits.” Scandinavian influences<br />
are Munch, Karsten, and Sparre. Other influences are The German Der Blaue Reiter<br />
(The Blue Rider) movement (1911-1914) spearheaded by Kandinsky, and continental masters<br />
such as Gaugain, Van Gogh, Bonnard and Matisse.<br />
A quote by Matisse sums it up well: “I do not literally paint that table, but the emotion it produces<br />
upon me.”<br />
Sandum has had several solo gallery exhibits and has carried out commissions in Norway,<br />
Denmark, Sweden and the US.<br />
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davidsandum.com
I Paint Emotion<br />
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Annalaura Ma<br />
Annalaura Masciave is a young photographer from Rome, Italy. She is working with italian<br />
actors and collaborating with cinema agency. Her work has been published in magazines,<br />
emags and blogs (ex. Rolling Stone, Rolling Stone Magazine, Kismet Magazine etc.).<br />
“Annalaura may be seen as a fashionista for these certainly stylish flicks. Each scene is crafted<br />
with precise and admirable vigilance specifically involving lighting effects and composition.<br />
They bear a beautiful, serene, naturally captured brilliance that is an example of what should<br />
be employed to a greater extent rather than the intimidatingly posed nature of imagery we are<br />
often bombarded with in commercial advertising.”<br />
Raji Kaur<br />
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annalauraphotography.carbonmade.com
sciave Natural Brilliance<br />
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