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Wailing welding solos on the wah-wah pedals.<br />

‘When I nod my head, hit it with the hammer.’<br />

Factories have many different brands that they work for and<br />

Hua Chin works for some US bike brands as well as Saracen.<br />

Also taking up a huge part of production when we were there<br />

was an order for China’s version of the MoBike – a dockless<br />

bike sharing system for China, with simple bikes and a solarpowered,<br />

app-based booking scheme. So in between highend<br />

suspension bikes, the factory was also making tens of<br />

thousands of sturdy alloy town bikes. This was evident when<br />

the principal of the team of welders was interrupted from<br />

making rear triangles to show us how the new main pivot<br />

and the head tube would be welded in production. The fact<br />

that he could turn from making chainstays on one bike to<br />

laying down a perfect bead on a head tube on the next was<br />

impressive.<br />

The speed and finesse of the welders was remarkable.<br />

They work in a small team, with the tasks split between them.<br />

The first welder might do the left hand of the head tube and<br />

BB shell, the next will do the right side and half the seat tube<br />

junction and so on. This is designed to keep the heat from<br />

distorting the frame and to allow each welder to comfortably<br />

work on similar jobs to keep quality consistent and speed<br />

high.<br />

After a visual inspection of every frame, the welded<br />

frames then move to alignment, where things like symmetry,<br />

braze-on positions and component fit are checked. A lot of<br />

the early pre-production runs we saw are to make sure that<br />

tools can be made to speed the production process up. A<br />

hydraulically activated jig that keeps all the tubes precisely in<br />

place may take a week for the production manager to build,<br />

but if it saves 20 minutes of preparation for every single<br />

frame of hundreds, it works out in the end. Leonard, the QC<br />

manager, showed Simon how the rear swingarm would be<br />

aligned in three planes – not just to make sure that the shock<br />

was compressed correctly, but that the brake bosses were on<br />

plane and the rear wheel kept aligned through the stroke.<br />

Just as we got to the mezzanine floor to shoot the factory<br />

from a height, the workers disappeared. It seems that far from<br />

being worked hard day and night, the staff breaks are generous<br />

and pretty plentiful. There’s a mid-morning, and a midafternoon<br />

break and an entire hour and a half at lunchtime.<br />

We only just managed to gather the welders for a brief photo<br />

as the shift finished and before they took off for their lunch<br />

break.<br />

Our lunch, meanwhile, was some noodles in the meeting<br />

room while Simon and Ryan discussed fine details for the<br />

coming frame production. Not everything can be designed on<br />

the computer and sometimes real-world samples are needed<br />

(whether welded up or 3D printed) in order to see how well<br />

cables and components play together. Another thing that is<br />

hard to predict is how well a finish will take and whether it’ll<br />

match the colour-matching components.<br />

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