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audit 2

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1<br />

Recycling + Reinventing<br />

Audiences are driven to buy a brand because of their innovative offerings. Brands that were once unique<br />

become undesirable to audiences due to ‘trickling down’. Theorist, Veblen (1889) identified fashion trends<br />

‘trickle down’ referring to how fashion flows from the upper class to the lower class. His theory highlights<br />

how lesser social groups imitate fashions from higher social groups. In response, the latter seek innovative<br />

fashions to differentiate themselves from the former. Subsequently, audiences seek a continuous cycle of<br />

change and innovation continues to drive fashion forward. This puts pressure on brands to continuously<br />

have innovative offerings. One could question -<br />

How do brands not destined for longevity keep up<br />

with this continuous demand?<br />

Through research into a 2017 trend report on LSN Global it was discovered millennials are now looking for<br />

newness by wearing clothes that are considered bad and uncool to others (Mickiewicz, 2017). Within the<br />

book The Tipping Point (2005) Gladwell uses the example of Hush Puppies to explain how the notion of<br />

newness can drive trends. Sales for Hush Puppies were down when suddenly they became hip in downtown<br />

Manhattan. This happened through the shoes passing a certain point in popularity and ‘tipping’ (2005, p.5).<br />

Left to right: Gosha Rubchinskiy, AW15, Vogue.<br />

Kappa 2016 campaign photographed by Vicky<br />

Grout. Champion 2015, Asos look book<br />

Gosha Rubchinskiy is a brand who has successfully recognised desire for uncool and authentic items<br />

within culture and responded appropriately. The brand modelled itself on knock-off versions of US brands<br />

such as Tommy Hilfiger and Nike (Mickiewicz, 2016). Champion and Kappa were once seen as uncool in<br />

fashion and weren’t even considered relevant within the realms of sportswear. However, through the revival<br />

of styles many once-popular brands are able to re-emerge and tap into the renewed obsession of all things<br />

old school (Rayment, 2015).

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