audit 2
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1<br />
Recycling + Reinventing<br />
Audiences are driven to buy a brand because of their innovative offerings. Brands that were once unique<br />
become undesirable to audiences due to ‘trickling down’. Theorist, Veblen (1889) identified fashion trends<br />
‘trickle down’ referring to how fashion flows from the upper class to the lower class. His theory highlights<br />
how lesser social groups imitate fashions from higher social groups. In response, the latter seek innovative<br />
fashions to differentiate themselves from the former. Subsequently, audiences seek a continuous cycle of<br />
change and innovation continues to drive fashion forward. This puts pressure on brands to continuously<br />
have innovative offerings. One could question -<br />
How do brands not destined for longevity keep up<br />
with this continuous demand?<br />
Through research into a 2017 trend report on LSN Global it was discovered millennials are now looking for<br />
newness by wearing clothes that are considered bad and uncool to others (Mickiewicz, 2017). Within the<br />
book The Tipping Point (2005) Gladwell uses the example of Hush Puppies to explain how the notion of<br />
newness can drive trends. Sales for Hush Puppies were down when suddenly they became hip in downtown<br />
Manhattan. This happened through the shoes passing a certain point in popularity and ‘tipping’ (2005, p.5).<br />
Left to right: Gosha Rubchinskiy, AW15, Vogue.<br />
Kappa 2016 campaign photographed by Vicky<br />
Grout. Champion 2015, Asos look book<br />
Gosha Rubchinskiy is a brand who has successfully recognised desire for uncool and authentic items<br />
within culture and responded appropriately. The brand modelled itself on knock-off versions of US brands<br />
such as Tommy Hilfiger and Nike (Mickiewicz, 2016). Champion and Kappa were once seen as uncool in<br />
fashion and weren’t even considered relevant within the realms of sportswear. However, through the revival<br />
of styles many once-popular brands are able to re-emerge and tap into the renewed obsession of all things<br />
old school (Rayment, 2015).