audit 2
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Designing a header which illustrates the brand’s original style and utilising it on their website, Twitter and<br />
YouTube platforms keeps a consistent aesthetic for the brand.<br />
Advertorial CONTEnT<br />
The advertorial images alongside brief information of the ‘Ed’s Back’ campaign will be used as an A5<br />
booklet style print publication (mini-zine). The advertorial images used will be different to the ones used for<br />
the Instagram campaign due to giving audiences of the booklet different additional content. It was important<br />
the booklet was designed communicating the original brand aesthetic whilst containing contrary layout and<br />
style. The typeface employs a similar style aesthetic as the popular brand merchandise trend. The paper<br />
for the booklet will be gloss in order to heighten the sleek and professional element of the images and inkeeping<br />
with the tacky, gaudy aesthetic of the Ed Hardy brand. Inside the booklet I was keen to use tattoo<br />
original tattoo designs as stickers, tapping into the theme of nostalgia. However, due to the high price of<br />
having stickers professionally created and cut this had to be avoided.<br />
The booklet will be free and will be slipped into fashion magazines: i-D, Dazed and Wonderland. Additionally,<br />
the mini-zine will be distributed across University of the Arts London campuses, WAH Nails in Soho, as well<br />
as stockists of the capsule collection; Topshop and Selfridges - all locations which work in line with the<br />
target audience. The aim of the print is to be seen in several places free of cost encouraging many people<br />
to pick one up and see how the new capsule collection can be worn. It contains links to the social media<br />
campaign and brand website, linking each platform from the campaign together and creating synergy.<br />
For the mini-zine I was inspired by ‘Mushpit presents Forever’ the A5 mini-zine created by Mushpit in<br />
collaboration with Converse.