19.09.2017 Views

audit 2

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Designing a header which illustrates the brand’s original style and utilising it on their website, Twitter and<br />

YouTube platforms keeps a consistent aesthetic for the brand.<br />

Advertorial CONTEnT<br />

The advertorial images alongside brief information of the ‘Ed’s Back’ campaign will be used as an A5<br />

booklet style print publication (mini-zine). The advertorial images used will be different to the ones used for<br />

the Instagram campaign due to giving audiences of the booklet different additional content. It was important<br />

the booklet was designed communicating the original brand aesthetic whilst containing contrary layout and<br />

style. The typeface employs a similar style aesthetic as the popular brand merchandise trend. The paper<br />

for the booklet will be gloss in order to heighten the sleek and professional element of the images and inkeeping<br />

with the tacky, gaudy aesthetic of the Ed Hardy brand. Inside the booklet I was keen to use tattoo<br />

original tattoo designs as stickers, tapping into the theme of nostalgia. However, due to the high price of<br />

having stickers professionally created and cut this had to be avoided.<br />

The booklet will be free and will be slipped into fashion magazines: i-D, Dazed and Wonderland. Additionally,<br />

the mini-zine will be distributed across University of the Arts London campuses, WAH Nails in Soho, as well<br />

as stockists of the capsule collection; Topshop and Selfridges - all locations which work in line with the<br />

target audience. The aim of the print is to be seen in several places free of cost encouraging many people<br />

to pick one up and see how the new capsule collection can be worn. It contains links to the social media<br />

campaign and brand website, linking each platform from the campaign together and creating synergy.<br />

For the mini-zine I was inspired by ‘Mushpit presents Forever’ the A5 mini-zine created by Mushpit in<br />

collaboration with Converse.

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