Kambui Olujimi: Zulu Time exhibition catalog

Contributors
Sampada Aranke is an Assistant Professor in the History and
Theory of Contemporary Art at the San Francisco Art Institute. Her work
has been published in e-flux, Art Journal, Artforum, Equid Novi: African
Journalism Studies, and Trans-Scripts: An Interdisciplinary Online Journal
in the Humanities and Social Sciences at UC Irvine. Sampada and Nikolas
Oscar Sparks (Duke University) have co-edited a special issue of Women
& Performance entitled “Sentiment and Sentience: Black Performance
Since Scenes of Subjection (March 2017). She is currently working on her
book manuscript entitled Death’s Futurity: The Visual Culture of Death in
Black Radical Politics. Aranke received her PhD in Performance Studies
from the University of California, Davis.
Melissa Gorman is a designer living and working in Brooklyn,
NY. She has collaborated on numerous artist books and projects;
including Olafur Eliasson: Your colour memory (Arcadia University Art
Gallery, 2006), Taken With Time (The Print Center, 2006), and Sun
Pictures and Other Broken Images, (The Print Center, 2008). Her design
practice encompasses a wide range of projects, including visual identity,
social impact design, and illustration. She received a BA from Bennington
College and a Masters in Design from The School of Visual Arts, NY.
Leah Kolb is Associate Curator at the Madison Museum of Contemporary
Art. Recent curatorial projects include Claire Stigliani: Half-
Sick of Shadows (2016) and Kim Schoen: Have You Never Let Someone Else
Be Strong? (2015). With Dr. Richard Axsom, she worked on the travelling
exhibition and catalogue raisonné Frank Stella Prints: A Retrospective
(2016); Axsom and Kolb are currently undertaking a catalogue raisonné
of Terry Winters’ prints and drawings. In partnership with artist Jason S.
Yi, she co-founded Plum Blossom Initiative and its accompanying exhibition
program, Bridge Work, which aims to platform emerging artists and
forge a more interconnected arts community throughout the Midwest.
Gregory Volk is a New York based art critic and freelance
curator, and associate professor in the School of the Arts at Virginia
Commonwealth University. He writes regularly for Art in America, where
he is a contributing editor, and his writings have appeared in many other
publications, including Parkett and Sculpture. Among his contributions
to exhibition catalogues are essays on Bruce Nauman (Milwaukee Art
Museum, 2006), Joan Jonas (Museu d’Art Contemporani de Barcelona,
2007), Ayse Erkmen (Turkish Pavilion at the Venice Biennale, 2011), and
HiIdur Asgeirsdóttir Jónsson (Tang Teaching Museum/Reykjavik Art
Museum, 2014).
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