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Delegate Guidebook

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• In the process of rewriting with a<br />

producer/director/filmmaker, be<br />

prepared to ‘defend’ your words, but<br />

not precious or intransigent about<br />

them.<br />

• Always be prepared to listen and<br />

be open to changes to make things<br />

clearer/better/stronger for the good<br />

of the story/characters/film (this<br />

goes for the edit too).<br />

• Once the time comes to lift the<br />

finalised words from the page, they<br />

are not ‘my’ films, they are ‘our’<br />

films.<br />

• Be a team player - stay flexible,<br />

adaptable and open to your team’s<br />

suggestions and ideas, but support<br />

the director’s vision; they must have<br />

the final say.<br />

• Do what you can to make the shoot<br />

a fun place to be and ensure all<br />

involved know how valued their<br />

contribution is.<br />

• Everyone being a supportive<br />

collaborator creates a tight knit<br />

‘family’ of like-minded people striving<br />

to produce the best film they can.<br />

• This all led to us having great<br />

atmospheres on set. This allowed<br />

‘happy accidents’ on the day of<br />

character to life and be in a film?<br />

Having seen the edits of all three<br />

versions, I’m overwhelmed with pride,<br />

not for myself, but for our films and for<br />

everyone who has contributed to their<br />

creation throughout this whole process.<br />

To know that my little ink blobs have<br />

translated to those beautiful images on<br />

screen.<br />

To see characters brought alive and<br />

speaking my words, making them work<br />

far better than they were written is a<br />

sublime experience, one that spurs me<br />

on to do more and do even better.<br />

53

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