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Sax Impey 'The Boatman Calls'

Exhibition publication for 'The Boatman Calls' by Sax Impey at Anima-Muni

Exhibition publication for 'The Boatman Calls' by Sax Impey at Anima-Muni

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S A X I M P E Y T H E BS OA AX TI MA PN E Y C AT LH LE S B O A T M A N C A L L S


The <strong>Boatman</strong> Calls<br />

A dream it seemed to me, a night so cold trees turned to white<br />

before my eyes.<br />

Frost rimed the land and air, and the ancient tree.<br />

Waters rose, and perceiving Reason’s noble visage drowning<br />

neath the waves, we took ship to ride out the storm… returned<br />

light displayed the uppermost boughs of mighty trees piercing<br />

the surface of dark waters… from the sky without a sound a<br />

lance of flame, and neath there jiggered sabbath shapes.<br />

A b a n d o n e d B a b e l , s u b m e r g e d i n e v e n i n g d e p t h s … a n d a<br />

solitary boatman, dark before a setting sun, approaches on a<br />

sea of glass, and sounds a final horn… the boatman calls…<br />

<strong>Sax</strong> <strong>Impey</strong><br />

1


The Ancient Tree<br />

100 x 150 cm<br />

mix media on paper / panel<br />

2


3


Tree Study<br />

51 x 69 cm<br />

pencil on paper<br />

28


Tree Study<br />

35 x 50 cm<br />

pencil on paper<br />

29


12


Tree Study<br />

70 x 100 cm<br />

charcoal on paper<br />

13


Squall<br />

70 x 100 cm<br />

charcoal on paper<br />

10


11


12


Night Wave Study<br />

70 x 100 cm<br />

charcoal on paper<br />

13


Night, The Rising Waters Study<br />

70 x 100 cm<br />

charcoal on paper<br />

10


11


4


Night, The Rising Waters<br />

122 x 244 cm<br />

mix media on panel<br />

5


Island / Head Study<br />

51 x 70 cm<br />

pencil on paper<br />

28


Reason Study<br />

51 x 70 cm<br />

pencil on paper<br />

29


...Perceiving Reason’s Noble Visage Drowning Neath The Waves...<br />

100 x 150 cm<br />

charcoal on paper / panel<br />

6


7


8


Reason<br />

122 x 183 cm<br />

mix media on panel<br />

9


The Rising 1<br />

50 x 80 cm<br />

mix media on paper<br />

14


15


16


The Rising 2<br />

50 x 80 cm<br />

mix media on paper<br />

17


The Rising 3<br />

50 x 80 cm<br />

mix media on paper<br />

24


25


20


The Uppermost Boughs of Ancient Trees<br />

100 x 150 cm<br />

charcoal on paper<br />

21


From The Sky... A Lance of Flame<br />

100 x 150 cm<br />

charcoal, oil on paper<br />

18


19


26


Babel (After Cruyl/Decker/Kircher)<br />

150 x 260 cm<br />

mix media on paper / panel<br />

27


Babel (after Cruyl/Decker/Kircher) Study<br />

60 x 80 cm<br />

pencil on paper<br />

28


29


30


The <strong>Boatman</strong><br />

122 x 190 cm<br />

mix media on paper / panel<br />

31


The <strong>Boatman</strong> Calls<br />

122 x 190 cm<br />

mix media on paper / panel<br />

32


33


The <strong>Boatman</strong> Study 1<br />

35 x 50 cm<br />

pencil on paper<br />

28


The <strong>Boatman</strong> Study 2<br />

35 x 50 cm<br />

pencil on paper<br />

29


28


The <strong>Boatman</strong> Study 3<br />

55 x 40 cm<br />

mix media on paper<br />

29


BIOGRAPHY<br />

<strong>Sax</strong> <strong>Impey</strong> was born in Penzance, Cornwall in 1969. He completed a BA(Hons) Fine Art at<br />

Newport in 1991 and returned to Cornwall in 1994.<br />

Since 2005 he has produced alegorical works derived almost exclusively from experiences at<br />

sea. A qualified RYA Yachtmaster, he has sailed many thousands of nautical miles in many<br />

parts of the world.<br />

<strong>Impey</strong>’s extensive trips at sea have had a profound impact on his life and subsequent<br />

development as an artist. Reconnecting to nature through this powerful element has the<br />

almost inescapable effect of calling to question some of life’s existential questions. This<br />

epiphanic moment of realisation, of revelation, is at the core of <strong>Impey</strong>’s oeuvre.<br />

Reflecting on and capturing personal moments and making them universal, <strong>Impey</strong>’s work<br />

reaffirms the importance of introspection and confrontation, found specifically when<br />

surrounded by the natural world; “A mind can breathe, and observe, and reflect, away from<br />

the shrill desperation of a culture that, having forgotten that it is better to say nothing than<br />

something about nothing, invents ever new ways to fill every single space with less and less.”<br />

<strong>Sax</strong> <strong>Impey</strong> has occupied no.8 Porthmeor Studios since 2003, part of an historic studio<br />

complex overlooking Porthmeor beach in St Ives.<br />

In 2007 his work was selected for the ‘Art Now Cornwall’ exhibition at the Tate St Ives where<br />

he was placed on the cover of the associated publication, the same year he was heralded in<br />

The Times as one of the ‘New Faces of Cornish Art’.<br />

In 2010 <strong>Impey</strong> featured in the Owen Sheers, BBC4 Documentary ‘Art of the Sea (In Pictures)’<br />

alongside Anish Kapoor, J M W Turner, Martin Parr and Maggie Hambling among others. In<br />

2012 he was elected an Academician of The RWA.<br />

Whilst maintaining a solo studio practice <strong>Impey</strong> has also engaged in numerous collaborative<br />

projects, including film, theatre, performance and installation works. His paintings are in<br />

numerous collections including The Arts Council, Warwick University, The Connaught Hotel<br />

and other private collections worldwide.<br />

<strong>Sax</strong> <strong>Impey</strong> is represented by Anima-Mundi.<br />

34


Embarkation Under Moon<br />

55 x 40 cm<br />

mix media on paper<br />

35


Like the desert, where religions form,<br />

the open ocean asks of the imagination<br />

a narrative.<br />

Observations on my journeys hinted at the<br />

fragments of a story… another story, or<br />

perhaps another’s story…<br />

It seemed to me I garnered traces,<br />

or echoes of it, on a white winters<br />

night in England, in Biscay, and in<br />

the waters of the Mediterranean on<br />

a voyage which turned out to be the last<br />

I would ever make with Trevor Vincett, a<br />

friend and mentor over so many ocean miles.<br />

This exhibition is dedicated to his memory.<br />

<strong>Sax</strong> <strong>Impey</strong>, 2017


Published by Anima-Mundi to coincide with the exhibition ‘The <strong>Boatman</strong> Calls’ by <strong>Sax</strong> <strong>Impey</strong><br />

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or<br />

by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers<br />

Street-an-Pol . St. Ives . Cornwall . Tel: 01736 793121 . Email: mail@anima-mundi.co.uk . www.anima-mundi.co.uk

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