Sax Impey 'The Boatman Calls'
Exhibition publication for 'The Boatman Calls' by Sax Impey at Anima-Muni
Exhibition publication for 'The Boatman Calls' by Sax Impey at Anima-Muni
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S A X I M P E Y T H E BS OA AX TI MA PN E Y C AT LH LE S B O A T M A N C A L L S
The <strong>Boatman</strong> Calls<br />
A dream it seemed to me, a night so cold trees turned to white<br />
before my eyes.<br />
Frost rimed the land and air, and the ancient tree.<br />
Waters rose, and perceiving Reason’s noble visage drowning<br />
neath the waves, we took ship to ride out the storm… returned<br />
light displayed the uppermost boughs of mighty trees piercing<br />
the surface of dark waters… from the sky without a sound a<br />
lance of flame, and neath there jiggered sabbath shapes.<br />
A b a n d o n e d B a b e l , s u b m e r g e d i n e v e n i n g d e p t h s … a n d a<br />
solitary boatman, dark before a setting sun, approaches on a<br />
sea of glass, and sounds a final horn… the boatman calls…<br />
<strong>Sax</strong> <strong>Impey</strong><br />
1
The Ancient Tree<br />
100 x 150 cm<br />
mix media on paper / panel<br />
2
3
Tree Study<br />
51 x 69 cm<br />
pencil on paper<br />
28
Tree Study<br />
35 x 50 cm<br />
pencil on paper<br />
29
12
Tree Study<br />
70 x 100 cm<br />
charcoal on paper<br />
13
Squall<br />
70 x 100 cm<br />
charcoal on paper<br />
10
11
12
Night Wave Study<br />
70 x 100 cm<br />
charcoal on paper<br />
13
Night, The Rising Waters Study<br />
70 x 100 cm<br />
charcoal on paper<br />
10
11
4
Night, The Rising Waters<br />
122 x 244 cm<br />
mix media on panel<br />
5
Island / Head Study<br />
51 x 70 cm<br />
pencil on paper<br />
28
Reason Study<br />
51 x 70 cm<br />
pencil on paper<br />
29
...Perceiving Reason’s Noble Visage Drowning Neath The Waves...<br />
100 x 150 cm<br />
charcoal on paper / panel<br />
6
7
8
Reason<br />
122 x 183 cm<br />
mix media on panel<br />
9
The Rising 1<br />
50 x 80 cm<br />
mix media on paper<br />
14
15
16
The Rising 2<br />
50 x 80 cm<br />
mix media on paper<br />
17
The Rising 3<br />
50 x 80 cm<br />
mix media on paper<br />
24
25
20
The Uppermost Boughs of Ancient Trees<br />
100 x 150 cm<br />
charcoal on paper<br />
21
From The Sky... A Lance of Flame<br />
100 x 150 cm<br />
charcoal, oil on paper<br />
18
19
26
Babel (After Cruyl/Decker/Kircher)<br />
150 x 260 cm<br />
mix media on paper / panel<br />
27
Babel (after Cruyl/Decker/Kircher) Study<br />
60 x 80 cm<br />
pencil on paper<br />
28
29
30
The <strong>Boatman</strong><br />
122 x 190 cm<br />
mix media on paper / panel<br />
31
The <strong>Boatman</strong> Calls<br />
122 x 190 cm<br />
mix media on paper / panel<br />
32
33
The <strong>Boatman</strong> Study 1<br />
35 x 50 cm<br />
pencil on paper<br />
28
The <strong>Boatman</strong> Study 2<br />
35 x 50 cm<br />
pencil on paper<br />
29
28
The <strong>Boatman</strong> Study 3<br />
55 x 40 cm<br />
mix media on paper<br />
29
BIOGRAPHY<br />
<strong>Sax</strong> <strong>Impey</strong> was born in Penzance, Cornwall in 1969. He completed a BA(Hons) Fine Art at<br />
Newport in 1991 and returned to Cornwall in 1994.<br />
Since 2005 he has produced alegorical works derived almost exclusively from experiences at<br />
sea. A qualified RYA Yachtmaster, he has sailed many thousands of nautical miles in many<br />
parts of the world.<br />
<strong>Impey</strong>’s extensive trips at sea have had a profound impact on his life and subsequent<br />
development as an artist. Reconnecting to nature through this powerful element has the<br />
almost inescapable effect of calling to question some of life’s existential questions. This<br />
epiphanic moment of realisation, of revelation, is at the core of <strong>Impey</strong>’s oeuvre.<br />
Reflecting on and capturing personal moments and making them universal, <strong>Impey</strong>’s work<br />
reaffirms the importance of introspection and confrontation, found specifically when<br />
surrounded by the natural world; “A mind can breathe, and observe, and reflect, away from<br />
the shrill desperation of a culture that, having forgotten that it is better to say nothing than<br />
something about nothing, invents ever new ways to fill every single space with less and less.”<br />
<strong>Sax</strong> <strong>Impey</strong> has occupied no.8 Porthmeor Studios since 2003, part of an historic studio<br />
complex overlooking Porthmeor beach in St Ives.<br />
In 2007 his work was selected for the ‘Art Now Cornwall’ exhibition at the Tate St Ives where<br />
he was placed on the cover of the associated publication, the same year he was heralded in<br />
The Times as one of the ‘New Faces of Cornish Art’.<br />
In 2010 <strong>Impey</strong> featured in the Owen Sheers, BBC4 Documentary ‘Art of the Sea (In Pictures)’<br />
alongside Anish Kapoor, J M W Turner, Martin Parr and Maggie Hambling among others. In<br />
2012 he was elected an Academician of The RWA.<br />
Whilst maintaining a solo studio practice <strong>Impey</strong> has also engaged in numerous collaborative<br />
projects, including film, theatre, performance and installation works. His paintings are in<br />
numerous collections including The Arts Council, Warwick University, The Connaught Hotel<br />
and other private collections worldwide.<br />
<strong>Sax</strong> <strong>Impey</strong> is represented by Anima-Mundi.<br />
34
Embarkation Under Moon<br />
55 x 40 cm<br />
mix media on paper<br />
35
Like the desert, where religions form,<br />
the open ocean asks of the imagination<br />
a narrative.<br />
Observations on my journeys hinted at the<br />
fragments of a story… another story, or<br />
perhaps another’s story…<br />
It seemed to me I garnered traces,<br />
or echoes of it, on a white winters<br />
night in England, in Biscay, and in<br />
the waters of the Mediterranean on<br />
a voyage which turned out to be the last<br />
I would ever make with Trevor Vincett, a<br />
friend and mentor over so many ocean miles.<br />
This exhibition is dedicated to his memory.<br />
<strong>Sax</strong> <strong>Impey</strong>, 2017
Published by Anima-Mundi to coincide with the exhibition ‘The <strong>Boatman</strong> Calls’ by <strong>Sax</strong> <strong>Impey</strong><br />
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or<br />
by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers<br />
Street-an-Pol . St. Ives . Cornwall . Tel: 01736 793121 . Email: mail@anima-mundi.co.uk . www.anima-mundi.co.uk