Anamosa - A Reminiscence 1838 - 1988

The definitive history of the community of Anamosa, Iowa, USA The definitive history of the community of Anamosa, Iowa, USA

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minute film premier which was held in Anamosa January 23. I958. Banners across Main Street heralded the event. There were 12 showings of the film at the Evans Theater in Anamosa. so that everyone in and around the community was afforded an opportunity to view the film; and indeed. 4.600 persons took advantage of the opportunity. The opening of the film. entitled SMALL TOWN. USA. showed Ronnie Smith. son of Mr. and Mrs. Harold Smith: Keith Kouba. son of Mr. and Mrs. Wilson Kouba; and Rusty Meineke. son of Mr. and Mrs. Frank Meineke. on the bank of the Wapsipinicon River. The story proceeded to the Scott Hardware Store. where Everett Mayberry takes the lead role: and the story moves to his farm. where his wife. Ann. and daughters. Sharon. Jan and Tracy. are filmed. The Mayberrys lead the story to Mrs. Paul Whear, who carries it to Anarnosa's leading industry. which at the time was simply Collins Radio Co.. and from there to the summer band concert. directed by Richard Brickley. The story is taken up at the offices of Dr. J.D. Paul, Dr. G.F. Brown and Dr. J.L. Bailey. where Dr. Paul tells of his 40 years ofmedical practice. Leonard Wegman carries the story to his father. Leo J. Wegman and the Fire Department's emergency vehicle with Fire Chief William Dorgeloh. Assistant Fire Chief. Bob Lincoln. Secretary. Buddy Downing. Mayor Julius "Dutch" Westphal. and high school superintendent. Glenn Brostrom. Eli Shada takes the story to the Anamosa Livestock Auction. with Delbert Brickley. Lloyd Brickley and Loyal Byerly. Harold Larson. county president of the Farmer's Union. and sons. Danny and Douglas: and daughter. Dianne. take the story back to the farm. Joe Legg. Jones County Extension director. enters the Picture and leads the story to Carl Folkers’ farm near Scotch Grove. There. along with their son. Herman. and daughter. Carla. they emphasize the agricultural theme. The story goes back to the Anamosa Newspapers. with Editor Tom Powell and his staff. including Eldon Meeks. linotype operator. and the Powell family picks up the action in a series of events. At a Methodist Church service. Mrs. Harold Rumple takes the story to the Paint 'n Palette outdoor art show in Stone City. where she shares the spotlight with Mr. and Mrs. Clyde Wilson and Mrs. Leo Loyet. III 1 --"re ' " ~ fl - 4’ ‘Quill N LE7 '--1;‘ C 75 ' CLUB ‘Q: vs" -I-' ‘ -ii-Ir ;.» 1*’-'-'?' "I s . s . _ 15%;. P I 1”‘ J-r’ - -A ‘i L r .' ._-$3*’-I_ 8:5‘ 9 T d U ml W‘ -J’ ‘} .7 W ’§_,'~__,,| .W 1'" in be‘ - '1" ‘DI ‘H --I§nfi'_:‘i‘| f~.._f —-In-_‘___ *1...- L Filming a segment of "Smail Town U.S.A.". Being Shirley Shotwell. Clate Dearborn. Oceola Feddersen. photographed. from left to right, are Carl Feddersen 317

' ~¢-‘- .L_.£' $2..‘-_:_:z-3,." ii - .- ~a~o— mm.-__ .,-__ I‘yll_II II_ --v_' 1' flu- ‘W! r-im --t Photographer and script girl working on the Paint ‘n’ Palette Art Show at Stone City for a segment of "Small Town U.S.A. " Mae Amelia Rumple is shown demonstrating her technique in the painting of “Stone City Store. " "' Mr. and Mrs. Clate Dearborn. owners of the Stone City General Store.become the stars in the Anamosa- Stone City-Grant Wood connection. The Wilson Kouba family take the-story from there to a Congregational Church old-fashioned ice cream social and the 4th of July parade. which includes many Anamosa groups and organizations. The finale was the fireworks and back to the Wapsi River banks. where the three young fishermen are spending a hot. summer afternoon. It should be noted that there had been 20.000 feet of film shot during the filming but was edited down to the 2.000 feet used for the 30-minute feature. The producers expressed regret that so many good pictures had to wind up on the cutting room floor. Paul Engle. who was instrumental in having Anamosa considered and selected. was the special consultant and narrated the film. The movie had a definite rural cast because. as explained in the narration. “Anamosa has one reason for being what it is—farms and farmers. Everything that happens in town. depends on the weather. the dark. the earth and the sun." It was said by Andy Warhol before his death. “Everyone is famous for about 15 minutes in life." Anamosa was famous for 30 minutes. in the form of a film called SMALL TOWN. USA. One of the entertainment highlights in Anamosa in the summers of the 1920s,and 1930s was a whole week of glamour. fun and fantasy. Local residents always looked forward to the Hila Morgan Tent Show. which brought comedy. tragedy. and the glamour of Broadway to the small towns in Iowa and Missouri. Anamosa was usually included on their annual tour. Hila Morgan was the daughter of Mr. and Mrs. William L. Axtell of Kalamazoo. Mich.. but she spent her youth in Vicksburg. Mich.. where she became a school teacher. The petite. red-haired. raspy-voiced beauty left her teaching job to organize a theatrical tent show. under the direction of her husband. Fred A. Morgan. a former agent for Ringling Brothers Circus. The Hila Morgan Company of Players. consisted of professional actors and actresses. well-cast and wellrehearsed. Most of the leading ladies were quite beautiful and the leading men were always tall. dark. handsome and well-mannered. A different play was presented each night of the week and Hila usually played the starring role in each of the presentations. whether the character was a young girl. an old lady. or anyone in between those ages. The show tent was set up on Huber Street in Anamosa. in a vacant lot where the Maquoketa Valley R.E.C. is now located. Folding chairs filled the tent and performers played to a full house each night of the week. Shows usually opened on Monday nights and the cost of admission was 30 cents for adults. and 10 cents for children. However. opening night was “Ladies Night". and ladies were admitted free. when accompanied by a paid 30 cent-ticket. Reserved chairs were 10 cents and 15 cents extra. The audience gathered early so that everyone might The Hila Morgan Show by Mildred Barker Brown 318 be seated before the performance started. The scent of grease paint and make-up. mixed with the smells of summer. added to the anticipation. Tent flaps were raised slightly to permit any breeze to ilow into the crowded tent and the swish of cardboard fans could be heard above the whispers of the crowd. When the last seat was occupied. usually at 8 o'clock. the house lights dimmed and the small orchestra that traveled with the show would start to play. which was the cue for the performance to begin. Floodlights illuminated the red velvet stage curtains. and as they were pulled. all whispering in the audience ceased. in anticipation of the opening act. There were no microphones or loud speakers. The actors were trained to speak loudly and clearly. so that even those in the back row could fully understand the dialogue. At the end of each act and during intermission. boxes of candy kisses were sold, with a promise that a diamond ring would be found in at least one box. A scream of delight could be heard when one of the rings would be discovered by someone in the audience. Other lesser prizes would also be in some of the boxes. and sales were brisk.the candy selling at 10 cents per box. or 3 boxes for 25 cents. Hila Morgan always personally thanked the audience after each performance. and announced the name of the play and the cast which would be presented the following evening. No one seemed to leave disappointed and many attended each night's performance during the week. Hila Morgan retired in 1942. after a 30-year career of thrilling thousands of people with high-class entertainment. She moved to Houston. Texas. joining her sister who lived there. Later she married Fred L. Wilcox. her second husband.

' ~¢-‘-<br />

.L_.£'<br />

$2..‘-_:_:z-3,."<br />

ii - .-<br />

~a~o— mm.-__ .,-__<br />

I‘yll_II<br />

II_ --v_'<br />

1'<br />

flu- ‘W! r-im --t<br />

Photographer and script girl working on the Paint<br />

‘n’ Palette Art Show at Stone City for a segment of<br />

"Small Town U.S.A. " Mae Amelia Rumple is shown<br />

demonstrating her technique in the painting of<br />

“Stone City Store. "<br />

"'<br />

Mr. and Mrs. Clate Dearborn. owners of the Stone<br />

City General Store.become the stars in the <strong>Anamosa</strong>-<br />

Stone City-Grant Wood connection.<br />

The Wilson Kouba family take the-story from there to<br />

a Congregational Church old-fashioned ice cream social<br />

and the 4th of July parade. which includes many<br />

<strong>Anamosa</strong> groups and organizations. The finale was the<br />

fireworks and back to the Wapsi River banks. where the<br />

three young fishermen are spending a hot. summer<br />

afternoon.<br />

It should be noted that there had been 20.000 feet of<br />

film shot during the filming but was edited down to<br />

the 2.000 feet used for the 30-minute feature. The<br />

producers expressed regret that so many good pictures<br />

had to wind up on the cutting room floor.<br />

Paul Engle. who was instrumental in having<br />

<strong>Anamosa</strong> considered and selected. was the special<br />

consultant and narrated the film.<br />

The movie had a definite rural cast because. as<br />

explained in the narration. “<strong>Anamosa</strong> has one reason<br />

for being what it is—farms and farmers. Everything<br />

that happens in town. depends on the weather. the<br />

dark. the earth and the sun."<br />

It was said by Andy Warhol before his death.<br />

“Everyone is famous for about 15 minutes in life."<br />

<strong>Anamosa</strong> was famous for 30 minutes. in the form of a<br />

film called SMALL TOWN. USA.<br />

One of the entertainment highlights in <strong>Anamosa</strong> in<br />

the summers of the 1920s,and 1930s was a whole week<br />

of glamour. fun and fantasy. Local residents always<br />

looked forward to the Hila Morgan Tent Show. which<br />

brought comedy. tragedy. and the glamour of<br />

Broadway to the small towns in Iowa and Missouri.<br />

<strong>Anamosa</strong> was usually included on their annual tour.<br />

Hila Morgan was the daughter of Mr. and Mrs.<br />

William L. Axtell of Kalamazoo. Mich.. but she spent<br />

her youth in Vicksburg. Mich.. where she became a<br />

school teacher.<br />

The petite. red-haired. raspy-voiced beauty left her<br />

teaching job to organize a theatrical tent show. under<br />

the direction of her husband. Fred A. Morgan. a former<br />

agent for Ringling Brothers Circus.<br />

The Hila Morgan Company of Players. consisted of<br />

professional actors and actresses. well-cast and wellrehearsed.<br />

Most of the leading ladies were quite<br />

beautiful and the leading men were always tall. dark.<br />

handsome and well-mannered. A different play was<br />

presented each night of the week and Hila usually<br />

played the starring role in each of the presentations.<br />

whether the character was a young girl. an old lady. or<br />

anyone in between those ages.<br />

The show tent was set up on Huber Street in<br />

<strong>Anamosa</strong>. in a vacant lot where the Maquoketa Valley<br />

R.E.C. is now located. Folding chairs filled the tent and<br />

performers played to a full house each night of the<br />

week. Shows usually opened on Monday nights and the<br />

cost of admission was 30 cents for adults. and 10 cents<br />

for children. However. opening night was “Ladies<br />

Night". and ladies were admitted free. when<br />

accompanied by a paid 30 cent-ticket. Reserved chairs<br />

were 10 cents and 15 cents extra.<br />

The audience gathered early so that everyone might<br />

The Hila Morgan Show<br />

by Mildred Barker Brown<br />

318<br />

be seated before the performance started. The scent of<br />

grease paint and make-up. mixed with the smells of<br />

summer. added to the anticipation. Tent flaps were<br />

raised slightly to permit any breeze to ilow into the<br />

crowded tent and the swish of cardboard fans could be<br />

heard above the whispers of the crowd.<br />

When the last seat was occupied. usually at 8 o'clock.<br />

the house lights dimmed and the small orchestra that<br />

traveled with the show would start to play. which was<br />

the cue for the performance to begin. Floodlights<br />

illuminated the red velvet stage curtains. and as they<br />

were pulled. all whispering in the audience ceased. in<br />

anticipation of the opening act. There were no<br />

microphones or loud speakers. The actors were trained<br />

to speak loudly and clearly. so that even those in the<br />

back row could fully understand the dialogue.<br />

At the end of each act and during intermission. boxes<br />

of candy kisses were sold, with a promise that a<br />

diamond ring would be found in at least one box. A<br />

scream of delight could be heard when one of the rings<br />

would be discovered by someone in the audience. Other<br />

lesser prizes would also be in some of the boxes. and<br />

sales were brisk.the candy selling at 10 cents per box.<br />

or 3 boxes for 25 cents.<br />

Hila Morgan always personally thanked the audience<br />

after each performance. and announced the name of<br />

the play and the cast which would be presented the<br />

following evening. No one seemed to leave disappointed<br />

and many attended each night's performance during<br />

the week.<br />

Hila Morgan retired in 1942. after a 30-year career of<br />

thrilling thousands of people with high-class<br />

entertainment. She moved to Houston. Texas. joining<br />

her sister who lived there. Later she married Fred L.<br />

Wilcox. her second husband.

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